A a. aaplable ho UNV Espey Pee iN Odes PRESENTED BY Fermor Spencer Cannon Class of Loli a 7 24 \AG G6aft cop.5 LIBRARY OF FERMOR SPENCER CANNON A-I-A L9itb = 1926 CENTRAL CIRCULATION BOOKSTACKS The person charging this material is re- sponsible for its renewal or its return to the library from which it was borrowed on or before the Latest Date stamped below. You may be charged a minimum fee of $75.00 for each lost book. Theft, mutilation, and underlining of books are reasons for disciplinary action and may result In dismissal from the University. TO RENEW CALL TELEPHONE CENTER, 333-8400 UNIVERSITY OF ILLINOIS LIBRARY AT URBANA-CHAMPAIGN MAY 2 2 1998 When renewing by phone, write new due date below previous due date, L162 Pmt N CH Par OoviN CIAL mee HIT ECTURE hs shown in Various Exam pe ed of Lown & Coun try Houses, Shops & Piblic Places adaptable fo Joie erlean con aheares by PHILIP: LIPPINCOTT:GOODWIN & HENRY: OOTHOVT MILLIKEN The authors wish to express their thanks and deep appreciation of the kindness of the Misses Hewitt, Mrs. A. B. Dodd, vicomte de La Bassetiere, Mr. de Razay, Mr. Alfred Boizel, Mr. George Howe, Mrs. Wharton, and all the others who assisted them so much in getting together the material for this book. MADE IN PRANCE FOREWORD The purpose of this group of measured drawings and photographs is to present to the American public some examples of French provincial architecture which, in the opinion of the authors, are interesting from an American point of view. The buildings selected date as far back as the sixteenth century, in one ortwo cases even earlier; some were built as recently as one hundred years ago. The earliest types of Normandy manor and cottage, from the fourteenth to the sixteenth century, have been rather thoroughly written about and illustrated in recent years. ‘Two or three specimens of this kind are here represented only in order to include some of the various types of smaller French construction. The appeal of such buildings comes from their picturesque qualities and is seldom, if ever, based on proportion or on other principles from which rules or laws of design can be deduced to aid us in a rational development of our own. Examples are included of large and small town houses, cottages, shops, public places, gardens and fountains. All these are things which are being done in this country every day in growing numbers. We have many good examples in the past to draw from in our own country and we have drawn increasingly on England’s past. We have hesitated to adopt and use the vast material which France offers, except in the case of our most expensive and monumental buildings, partly from lack of realization of the quantity of charming, simple things to be found there, partly because these simple things have not been presented as much, and as well, as the others. It is hoped that this book may be of influence in the United States where the pursuit of fashions in style and the imitation of strange foreign things, in a cheap and hasty way, has filled the land with curious sights. There is a style on which the best of any country’s design is based, and that is good proportion, simplicity and suitability. This book presents a few examples of this style to be found in France to-day. New York, March, 1924. MANOR of CANAPVILLE, TROUVILLE (Calvados) Leaving Trouville on the road to Paris, this manor is on the right about five kilometres from the edge of the town. It has no village near it unless the adjoining farms and villas may be so called. A stone wall separates the very large farm yard from the main highway. At present there are five main buildings, — all of them in bad repair, but all of them in use. Several families live in the main house and one or two in the smaller one. The farm yard is of dirt, gravel and grass, with a shed on the left side, a pigeon house out toward the middle, a big barn at the back and left, a small open timber house at the back and right, and the main house forming the right side of the yard, reaching almost up to the wall. | The main house has a stair tower of yellow stone, and in other places the same stone is used with brick : open timber, silvery gray in color, filled in with white plaster, completes this rather heteroge- neous, but exaggeratedly picturesque, building. The wavy lines of the tile roof covered with moss, the carefully trained vines under the casement windows and the variety and irregularity of the materials used, combine to make a house that looks more like something imaginary than anything real. The small house at the back is entirely of open timber work. It has the head of a bishop carved on a beam-end in the centre. This refers to the fact that the manor was the property of the Bishop of Lisieux in the fourteenth century when the first buildings of the manor were built. This part of France was owned by English lords for several cen- turies, which accounts for the similitary of these buildings to work of the same period in England. There, such a mellow stone is not often seen in this kind of house. MANOR of VONNE, near ARTANNES (Indre-et-Loire) This ancient manor house is situated close to the main road leading from Azay-le-Rideau to the village of Artannes. It 1s now inhabited by the poorest type of farmer, who rents it from the owner, as she prefers a more modern house nearby. The building dates from the sixteenth century. It is entirely built of dressed limestone, of a warm gray color, carved in places. Many of the large mullioned windows have been filled in with rubble, so that at present only the great central room is in use, and one other small room. The rest of the building is used for the storage of hay and fodder. A simple circular stone staircase is in the right wing and the remains of an elaborately carved mantel in the room beyond it. The house now faces a large farm yard with an open shed on the left, shown in one photograph, and another enclosed barn on the right, both dating from a much later period than the house. The ground slopes sharply toward the back of the house, so that a high stoop, of about fourteen steps, leads up to the main floor on this side, while only one step is required to reach it in front. Aside from the excellent proportions of the building, it is inte- resting as an example of work similar to, but smaller than, its near neighbor Azay-le-Rideau. It also contains one fine room which in size, scale and beauty of the great carved mantel, is hardly inferior to any in that royal house. This room is shown in the sketch plan below, without any hatching. It is approximately twenty feet high. The beams and walls are now covered with whitewash which forms a fine back- ground to the two or three simple pieces of dark oak furniture, — a cradle, a table and a few chairs — the only objects in the room. It is of interest to note that this Manor of Vonne is similar in size and plan to at One y wet arse Qe “Seg ony rare © O00 8 he eee & grove “Te oe, “| Feast ASE) pa . - e te oo Ol Be eo? ry fe MANOR or VONNE, NEAR ARTANNES (InpreE-Et-Lorre) Plan PL. the manor at Huisseau-sur-Cosson, over one hundred kilometres to the east, and of a later date. CHATEAU of CAREL, ST. PIERRE-sur-DIVES (Calvados) Contrary to the intention of this book, the plan and a few details of Carel have crept into it. A visit before the war had discovered on the outskirts of St. Pierre-sur-Dives a large farm and a small stone and stucco house forming part of it, that was just such an example as was wanted. Mr. Thomas, the owner, thought otherwise. It was agreed that making photographs and taking measurements would disturb him but little : he was even reminded that in 1911 he had been interested in Esperanto and that he might practice a little on the architects as they pottered around his farm yard. To these inducements and all other blandishments he turned a deaf ear. There was a postal card of his house (bad) to be bought in the village, Esperanto wasn't any use, and he couldn't see anything worth fussing about in his house anyway. The result of all this was an accidental glimpse of Carel on the road to Falaise. It is approached by a splendid avenue of great trees separated by a broad tapis vert leading up to the moat across which a little white bridge opens into the gravelled entrance court. To the right is the gate to the flower garden and beyond walls the farm yard, pigeon house and many outbuildings. To the left is a similar gate, shown in the detail, leading to the orchard. The house itself is of coarse yellow stone, — a real, strong, warm yellow — both unusual and delightful. The doorway and the windows above it are carved in a rough way suitable to the material. The left wing is in three parts, the end section roofed with a steep mansard of small red tiles. It is covered with yellow roses. In itself it makes a separate cottage of the ideal kind attempted in “Louise” or “The Blue Bird”. Behind the house the little river runs quickly, part of it turned aside to meander sluggishly in the moat. Where moat and river meet stands the little garden house with the tall hat-like roof. > oe This contains all the plumbing of the great house. There being no backyard at all it is placed on the main terrace some twenty feet from any door. Such is the power of tradition in a country where comfort takes a back seat. Carel now belongs to Mr. Marielle, but the restorations, mostly in the interior, were made by Baron Brunet about 1880. HOUSE of Mr. dALLIGNY, AUTUN (Saone-et-Loire) Following the rue Notre-Dame in front of the cathedral of Autun and bending around so that it parallels the south side of the church, one comes upon a gate in a stone wall on the right hand side of the street. It is opposite the south transept. Entering the gate the house is on ‘the right, perpendicular to the street and the outhouse faces it, about sixty feet away, on the other side of the gravel court. The former is of rather dark stone and the latter of stone and stucco. Beyond the two buildings lies an over- grown remnant of garden, dotted with occasionnal fruit trees on a high terrace above the surrounding fields. One can see for ten kilometres or more across country. All this is rather pathetic now, — the last possession of a noble family no longer strong enough to hold anything except this house falling into decay. It is the miniature horseshoe flight of steps to the main door that stamps the place with interest at first glance. It has coarse, heavy, provincial balusters and an enormous handrail. The curving lines are not so clumsy, however, and the whole composition, — pediment, great door and windows standing above the generous steps, — wins immediate admiration. The outhouse is another suggestion for the suburbs of American cities. It has few windows now but could have fewer roses and more windows in the gable end. The three big openings lead to a shed for storing wood and carts, but they would make an excellent three-car garage and in order to simplify life and not take too much space away from the beloved automobiles, the little side door could lead to iA eres the living rooms at the side and above. In short, here is the “ Gara- house’ of the future. | FARM of MOLINOT (Cote-d’Or) A large group of buildings with all the outbuildings and acces- sories of a farm. The arrangement and variety of the roofs is most picturesque. MANOR of VASOUY, near HONFLEUR (Calvados) Leaving Honfleur in the direction of Trouville by the hilly, twisting road that follows the mouth of the Seine, one arrives in a few minutes at some gate posts with odd little stone turrets on top of them. The drive runs through a thick grove of trees and there is the manor house of Vasouy, a great clump of trees arching over one end and framing the slope to the shore. Across some miles of bay the town of Havre can be seen in the distance. To-day the house looks neither old nor new. It is a well preserved rectangle of brick, stueco-covered between the red brick quoins and arches around the windows. The roof is a very high one covered with small, thin, dark slates broken by the unusual dormer windows of which a detail is given. It is said that the foundations date from the time of Louis XIII, and the house undoubtedly represents an excellent example of a very simple type of that style. For some years it has been owned by Mrs. Anna Bowman Dodd, the author of Three Normandy Inns, one of the first books to describe the charm of this part of France. Owing to her deep interest in the place it has taken on a new lease of life, unrestored but carefully preserved, and furnished most appropriately in the unpretentious manner of the small country-place of the district. ~ a) The number of plates and photographs show more clearly than words the sort of work in the interior. Honfleur was, and still is, a great sea-faring town; at one time a ship-building town as well. Some of these ship’s carpenters must have carved the woodwork in these rooms. It has a naive quality that makes one overlook any coarseness of execution, while the quantity of it, — for nearly every room is panelled, gives the interior a completeness seldom found. In general all the woodwork is painted white except the stair-hall where the oak is natural color. To mention special features, in bedroom “D” there are two alcoves for the beds with a little door between. The mouldings around these alcoves are hinged, so that the beds could be wheeled in or out. The servant went through the closet and by a narrow secret door got behind in order to make up the beds. Cosy, perhaps, though not particularly airy. Adjoining this room is a tiny powdering-closet having one side panelled with cupboard doors. Bedroom “A” has but one alcove, only here the extra space at each end is used for closets so frequently and so carelessly referred to as a “débarras”. What is an “embarras’ to the architect becomes the “débarras” of the owner. If only it always could be so. BUILDING on FORECOURT, CHATEAU of AZAY-le-RIDEAU (Indre-et-Loire) Only a minor element in the large group of buildings surrounding the forecourt of this well-known Renaissance palace has been selected here. The court lies at the end of an avenue of trees. At its centre is a gate leading to the park. On the left is the conservator’s house, on the right are various lodgings, storehouses and this orangery, now used as a wash-house. “A” and “B” on the small plan of the sheet of details (Plate XIV) show the position of the building. At one time the moat came around this side of the palace but it has been filled in. Gray dressed limestone is the material of the walls. It is only about sey (ae thirty feet wide. The roof is of small, even dark-colored slates. The front away from the fore-court suggests a good treatment for a garage or such a building as an indoor tennis, squash court or swimming pool. The photographs of the wall arch with its large blank surface pierced by a bullseye and door, show the decorative value of an old wisteria vine that makes a composition almost bald by itself, into a delightful feature. eer + OUTBUILDING rrom FORECOURT FARM of LA VESVRE, near AUTUN (Saone-et-Loire) About eleven kilometres on the road from Autun to Chateau- Chinon, lies the manor-farm La Vesvre. Within a space of about ten acres, not including the fields and wood lots, there is almost every- thing imaginable necessary for a good-sized country place far from bakers, butchers and gas and electric lighting. The long list attached to the plan shows the names of the various buildings but in addition to all these there are two duck-ponds,.a mill-pond, something that strangely resembles a silo but is not, — the inevitable pigeon house, and a noble manure heap. To arrive at the gate to the house-court one passes the open end of the farm yard — straw, chickens, a muddy trickle of water, — all these slop over into the lane that runs from the highway to the grille. It is definitely not a fancy country villa. The housecourt is clean enough, however, though the grass is somewhat rank and the flower beds not well kept. Mounting a few steps one reaches the broad terrace in front of the house, — to the left is the garden and gardeners cottage, — to the right the pigeon house, another cottage and the path that follows the slope behind the house across a field to the mill-pond a hundred yards away. The small side door with a few steps guarded by a rose-covered iron rail, shown in one of the photographs, is on the left end of the house. It is painted a faded blue-gray against the warmer cream color of the stone trimmings and stucco of the house. And everywhere there are yellow roses. The flower garden shows the French arrangement in its completest but not its grandest form, Fruit trees, vegetables, berries, and flowers are all together. The one no more important than the other and the whole at a few yards distance from the house. The wall along one boundary ieee nS be provides a side to a small greenhouse and adjoining it a storehouse for orange or lemon trees. Beyond, it maintains its double use, —to keep out thieves and hold up espalier fruit trees. The photograph shows the stone curbed tank, — sole water supply — and the broad borders of flowers dotted with peach, pear or plum trees spaced about twelve feet apart. All the usual vegetables are here and others too like flageolets, courgettes, navets, topinambours, endives, some of them more attractive to the eye than to the taste, but it always will be a mystery to ordinary human beings why gardeners grow these unin- teresting things so easily and in such great quantity, when sticking to a few specialties like asparagus and green peas and_ perhaps potatoes would be so much more satisfactory. Leaving the garden by the little duck-yard at the corner one comes into the lane again and so to the gate to the farm yard. It is paved with small cobble stones patterned into a semicircle in front of the farmer's stoop. At the left hand corner there is a very long, very steep roof ending at the top with the high conical point of the _pseudo-silo. The farm buildings are of small rubble stone with wide mortar joints; — the roof of small tiles; the shed is supported by some big oak beams, — all these elements are very neutral. It is a real northern and French scene, without blatant color or violent shadows but with conditions much like those in our own northern states. PLACE VAUBAN, or GRAND COURS, AVALLON (Yonne) The centre of Avallon, where all roads meet, is a paved, open space surrounded by buildings on three sides and by the entrance to the Place Vauban on the fourth. It is a long, narrow promenade shaded by rows of tall old lime trees and bounded by plain stone retaining walls with solid parapets. At the front a few steps lead up to the statue of Vauban and a good stone balustrade encloses this end. The date of construction is recorded as 1720, but the designer is unknown. To appreciate the special interest of this place, however, it must be seen from the other end. There is a drop of fifteen or twenty feet between the upper and lower levels. A triple flight of steps at about two-thirds of the length of the whole place, connects the upper with the lower level. On the latter, the trees are much bigger so that the tops of all the trees are almost uniform in height. Seen from the back, the scheme is astonishingly effective, while the space under the trees makes a splendid shady outdoor room for the people in hot weather. In American cities there are similar conditions which could be made useful and beautiful in this way with very little outlay either for land or construction. The trees themselves form the feature of the arrangement, the accident of slope gives it interest. No expensive or elaborate pergolas, sculpture or fountains are needed to make it attractive and if a great man must be glorified there is always the central spot occupied by Vauban. Avallon would not be the loser if he were not there, however, as the statue is commonplace and the pedestal looks as if it had been designed by the local monument maker. Other- wise, this public place is almost perfect of its kind. Sir Reginald Blomfield in his history of French architecture says that “modern designers trust too much to detail. Instead of facing the problem as a whole..... they chose the easier but ineffectual course of adopting certain details, and treating the general scheme as a framework to hold their details together. At Avallon, a modern landscape gardener would have put a band stand in the centre... peppered the site with shrubs and kiosques, and wound his mean little paths in and out of his shrubberies. The result would have been that with which we are painfully familiar in public gardens of the larger (English) provincial towns. Verbum sap. 123, QUAI des CHARTRONS, BORDEAUX During the eighteenth century the prosperity of Bordeaux was very great_and all through the city are scattered beautiful city houses, some of extraordinary refinement of detail, at least two of these have been the inspiration of fine houses in this country. The iron workers of the city were also quite remarkable in the diversity of their inventive genius. — 10 — The public buildings planned by Louis or Gabriel or other local or State architects, have a bigness about their conception and a fine dignity of proportion. The character of a city of that period, when there was a unifying quality of style in all design, is perhaps better preserved along the quays of this city than in any other in France. The whole length of the river front where the boats from all over the world were moored, was lined with a succession of fine buildings. Near the heart of the town, block after block is treated with a great pilaster treatment unifying the appearance along the bou- levard and making an imposing effect. The Bourse and the Customs, designed by Jacques Gabriel, break the line at one point. Again the public gardens come down to the edge and below this is a series of very fine buildings, none of them much wider nor taller than the American city house of to-day, but again unified by style and yet diversified by personal taste, by balconies and iron railings of charming design. These were, and in some cases still are, the houses and offices of the great wine merchants. We illustrate one of them belonging still to the firm of Cruse & Sons. At one side is a wide doorway leading to the cellars where the wine was stored ready to export. A smaller door leads to the offices and above that were the apartments of the family. This house was selected because of its simplicity and the quality gained by a not too strict adherence to axes in what is really a formal treatment. To the casual glance there is a regular pilaster treatment, with windows formally placed at equal distances, but on inspection there is great latitude taken with the usual rules. It is this which gives a charm and amplitude to the composition. The windows have been placed so that, in the rooms where closer inspection requires more uniformity, the arrangement is perfectly symmetrical. The exterior openings, ruled by this, vary very considerably. It is built of stone, with the joints so carefully pointed as to give an impression of a flat unified surface. The rustication of the lower story is a part of the design and the sizes of the real stones have nothing to do with it. It is very probable that, as in many French houses to-day, the wall was built of stones which were only given their finished surface when in the wall. ea te OUTBUILDINGS of the CHATEAU of SAUMERY, HUISSEAU-sur-COSSON (Loir-et-Cher) At the eastern gates of the park of Chambord lies the village of Huisseau-sur-Cosson of which the grounds of Saumery form the nor- thern side. It belongs to the vicomte de La Bassetiere who has the honor of a distinguished record in the great war and the advantage of an American ancestor. The house itself is so large and so mixed in its style that it is not illustrated here except the two interiors. One of these is a view through the two large drawing-rooms hung with fine old portraits ; the other a bedroom with a semi-circular end, hung with red and white toile de Jouy. All of these rooms are painted a cream white, making the softened colors of the portraits and the bright printed linen and rugs in the bedroom stand out cheerfully in contrast to the uncertain sky of this Loire country. What interests at first glance is the second or inner gatehouse which is seen through the porter’s lodge on the public road. As one stands here looking in, first comes the oval court and the gate-house, charming at once by its slightly curved facade. Through it again can be seen the stable yard with four giant Wellingtonias over eighty feet high. Entering the oval court and turning around, the restless roofs and chimneys of Chambord a mile away are framed by the porter’s lodge. The photographs show the inner gate-house and various details, the plan explains the quite unusual composition. It is difficult to imagine such an arrangement in our country of straight lines, but it is the simple use of the curves which gives very exceptional interest to the group. The neatness and cleanliness are also remarkable. The inner gate house takes the curve of the oval court on the entrance RT eal side, and going through the arched carriage drive one finds that it takes the curve of the semi-circular end of the stable yard on the other side. A stone staircase, entered from the drive, gives access to the gardener’s bedrooms in the upper stories. The materials are stone quoins in rubble walls, covered with smooth yellowish stucco. The pigeon house is also of stone and stucco; all great landlords had these apparently huge accommodations for pigeons, more as a mark of their own importance than for the sake of the birds. The well has a curious curved hood with small slates rounded at the bottom. The priest’s house, placed near the far corner of the chateau, is covered with a lattice and vines and looks rather damp to the transatlantic eye. It may have originated for the use of the family priest but it probably served other purposes at times, under Louis XVI for instance, and is now used occasionally as an overflow guest room. “THE HIGH HOUSE” ST. PRIVEE (Orléans) Across the Loire from Orléans and about three kilometres east of it lies the village of St. Privée. On the edge of it is a small property of about three acres belonging to Madame Chéradame. It is a sort of villa, convenient to the city but having the privacy of the country, surrounded as it is by a thick grove of trees cutting off the fields on every side. The house itself is a plain stone rectangular affair much overgrown with wisteria. But the particular interest is the tiny garden which was laid out in the eighteenth century and has kept its form intact, although much neglected. The plan shows the arrangement jof the property. The axis of the garden is on the narrow end of the house, — hardly twenty feet wide. A few steps lead down to the parterre, merely two grass plots with strips of flowers along the edges, — roses, mignonette and an occasional standard rose. On either side are clipped alleys of linden strees curving around until they meet on the axis. This is continued by a path about one hundred yards long which crosses the little brook and is bordered beyond by two — 13 — more rows of lindens. Altogether an unusual effect of distance and a dignified spaciousness is given by this plan; it includes in a very small space a vegetable garden, and a miniature wood with rustic paths winding along the brook. The property has been in the family's hands for two centuries at least which accounts for the preservation of the layout and also, perhaps, for its present unfortunate neglected condition. ORANGERY, BOTANICAL GARDENS (Rouen) The Botanical Gardens are in the faubourg Saint-Sever, across the Seine from the city proper. A pair of iron gates with stone piers forms the entrance to a short avenue of big old trees, ended by the orangery. The building is now used for this and other general purposes. Several huge wisteria vines almost completely hide parts of it. At the present day a great many club-houses are built for golf, tennis, bathing or restaurant purposes for which this orangery could serve as a suggestion. It is high enough for a big room or two; it is low enough to give the feeling of unpretentiousness so much sought after. ANNEX to the CITY HALL, IVRY-sur-SEINE (Paris) This building is used for the office of charitable institutions, but formerly was a part of the Chateau of Ivry, now destroyed. It is of stucco of a deep cream color on brick or rough stone. The staircase is of limestone with a rail of wrought iron. There are two wings at right angles, one having a large carriage gate on the main street leading to the court, and the other containing all the main rooms, the staircase and entrance hall facing the small square in front of the new City Hall. The staircase hall has a pave- ment of black and white marble. Rela eco The court is paved with cobble stones and has modern sheds on the side opposite the main building, and nothing on the side opposite the main building, and nothing on the side opposite the carriage gate. It was built during the middle of the eighteenth century. This building has been chosen to show an example of the Louis XIV, or XV, style carried out with much simplicity but with charm rather than with great dignity. The area of the building shown is about that of a medium-size American house. PANELLING of the PERRIN ROOM, MUSEUM of DECORATIVE ARTS, PARIS This panelling is modern and a copy of a room belonging to Mr. H. E. Perrin, to whom the collection it contains belonged. It is of pine or fir wood, painted. The stiles and rails are mottled green and the panels and mouldings in oyster-colored marbelizing, very faintly done. The backs and sides of the tiny niches above the two small book shelves are painted a dark color to set off the bright vermilion and purple of the two Chinese porcelain figures. The finish of the paint is a very dull gloss. At one end of the room there is a niche for a roll top desk. This is flanked on either side by the small inset book shelves mentioned above. They have glass doors in narrow dull brass frames. These book shelves, and the larger one at the back of the niche, are filled with rare books in fine bindings. The room suggests work of the middle or latter half of the eighteenth century. 24, RUE dé GRENECEES PARIS This doorway, with a shop window on either side, still existing in the rue de Grenelle in Paris, has all the charm of that more elabo- rate one in wood now in the Metropolitan Museum. The door gives access to a small vestibule on which the doors of the shops open and from which the stairway rises to the concierge’s rooms with its windows in the entresol and to the apartments in the fine old house above. It is of the period of Louis XV and while the shop windows themselves are modern the windows above with their delightful balconies are of the epoch. The general composition suggests that large show windows in a small frontage can be beautifully composed and sufficiently architectural to have an artistic interest as well as a monetary one for the owner. CHATEAU of MONTJALINS, near AVALLON (Yonne) About six kilometres to the northeast of Avallon lies this severely simple example of country house built in the latter half of the eighteenth century and belonging now to Baron de Coster. It is approached by a narrow avenue of trees two hundred yards long widening out before the house into a broad grass pleasaunce to the right of which lies the gardener’s cottage and garden; to the left a small wooded park. The garden is a combination of flowers and vegetables separated from the entrance by a rubble wall. Part of the avenue of clipped linden trees remains against the corner of the house. The building is very plain but it has distinction due to the good quality of the detail of what littke ornemental stone and ironwork there is. It is entirely built of warm gray stone with a dark roof of small slates. EITTEE CHATEAU, VITRY, PARIS This simple Louis XVI pavilion formed part of a very large chateau to which it had been attached. The main building was torn down in the nineteenth century. The present house belongs to Mr. de Razay who uses it as his residence. It is built of gray limestone and is perfectly preserved on the exterior, although the interior has been altered. There is a small garden surrounding the house and not in character with it. This example was selected because it has the refinement and balance of the little Trianon, although on a much smaller scale and in a much simpler manner, 2, AVENUE de BOIS-PREAU, MALMAISON Before arriving at the lane which leads to the Chateau of Mal- maison from the main road from Neuilly to St.Germain, there is another small road parallel to the lane, — the avenue de Bois-Préau. On the corner of the street and right on the highway stands the house of Mr. Alfred Boizel. At one time the domain of Malmaison covered four or five times the ground it does now so that the theory that this house was once the guard-house of the Malmaison property is not unlikely. The present owner made various additions and altera- Se gee tions with Mr. Navarre as his architect. Besides considerable work in the interior in the taste of the time, they added the long gallery. The detail herewith of the semi-circular bay of the gallery showing a vase and garden seat gives some idea of the treatment of this part of the house. The house dates from the last quarter of the eighteenth century. ae * a ff _ ae Be ee ee —— 7 ey ee eee 1- SP PEPE rstr ress eee 2 43 a GARDEN DETAIL The building is entirely of light yellow smooth stucco with blinds of blueish white. The ironwork is a blue-black. Awnings of broad orange and white stripes are used on the sunny garden side. The roof is of small flat red tiles. The bas-reliefs on the gable end have been added. The dining-room, also shown, has both ends curved; the pilasters are of greenish gray imitation marble. Pug eee All of the house, both old parts and new, has been treated skilfully so that it gives a very complete and attractive impression of a some- what cold style of decoration. Its general type, a rectangle with straight roof and a gable at each end — is one that we find in hundreds of examples built about the same time in the United States. GALERIE BORDELAISE, BORDEAUX Arcades such as this are usually dark, dank places with shops which repel rather than invite customers. This one is probably far more used to-day than when it was built and if it is to be torn down, as rumored when these notes were being made, the traffic will be even more congested. From the plan it is apparent that it cuts through a block from corner to corner. The busiest and narrowest street in the city is the rue Ste. Catherine running along the south side of the block and finishing at the southeast corner by opening into the wide Avenue called the Cours du Chapeau Rouge. People are clustered around the mouth of the street like bees before a hive and cause many pedes- trians to take this diagonal arcade to avoid the crush of traffic. It was built in 1834 by the City Architect Durand who was a relative, probably a nephew, of the famous Louis who built the Theatre of Bordeaux. The Arcade has a skylight running its entire length lighting it amply as well as the single story of apartments above the shops. The shops are in some cases the full height of the arch, in others there is an entresol with its floor at the spring of the arch. The shops also vary in length, some as long as two or three arches, others only one or two. Some doors are in the centre, others at one side which diversifies the appearance of the show windows. The floor is of black and white marble with wide transverse bands of black. The materials and colors of the walls are shown in the drawing. The variants of the medallion motive at the top of the mirrored pilasters, all tightly designed in a manner like that of Percier and eo] ee Fontaine, are perfectly deligthful and indicate the different kind of tradespeole and shops which might be expected to occupy the arcade. Towering cakes for pastry makers, musical instruments, flowers, fruits, trophies of arms, rolls of parchment and books. VILLA, CLAMECY (Nieévre) This house is on the outskirts of the town on the road from Vézelay. It probably dates from the late eighteenth or the early nineteenth century and has an unusually strong Italian feeling for this part of the country. The quoins, window and door trims, etc., are of a grayish stone. The walls are of rough stone and covered with stucco, colored a cream white. The elaborate, high terrace stairway is of stone with a plain, wrought iron rail. It is completely festooned with huge fruit trees and Dutchman's pipe. In former times the property undoubtedly ran down to the river Yonne, which flows about one hundred feet beyond and below the point from which the sketch was made. The road now runs across it at that point and interrupts the former succession of ter- races. We have many sites above rivers for which this might offer a suggestion. COLUMN FOUNTAIN, BORDEAUX On the Quai of the Salt Merchants at Bordeaux stands this fountain, designed (it is asserted) by one of the Gabriels. Whether or not it was done by one of them, it has the clean healthy quality, the well nourished simplicity which their designs have rather than the thinness to which late Louis XV and much Louis XVI design is inclined. The unexpectedness of the group of flag leaves clustered on the top of it — 20 — 1 Oy ete Ne TEES VILLA, CLAMECY ( NIEVRE) Elevation Pew ‘ ! ‘1 2 4 > ‘A i \ , ‘ ' rs ul ye lbh jel vie Ny : my Lava me wes . ‘ ‘ “s ‘ <4 yay ' 1 ' . i ‘ dd Pits | 4 : i ‘ " ' ? 4 ‘ a ' vie Ovuarisi ¥ oh lends a savor to the little composition. On the base are four grotesque lions’ heads from two of which water spouts and just above the base a swinging panel of cast iron (painted and almost impossible to distinguish from the stone channels) is cunningly arranged to give access to the machinery hid in the hollowed out interior. The whole thing is refreshing in its direct and simple design. COLUMN FOUNTAIN — ELEVATION FOUNTAIN, St. PIERRE-sur-DIVES (Calvados) A stone vase surmounting asmall pedestal out of which water runs through a couple of spiggots on to the cobble-stone pavement of a small open space; it is hardly a fountain but too decorative to be called a village pump. As most small houses in the villages do not have running water, the nearby inhabitants bring jugs and get their supply of water and gossip here. FONT at the ABBEY of VEZELAY (Yonne) An eighteenth century marble font done with refinement of design and excellence of workmanship which is more often found in Italian than French work of the period. It is probable that it was made for some other church and transferred later to the abbey. DOOR of TOWN-HALL, SAULIEU (Cote-d’Or) This cartouche has been used as an ornament on the title page. It consists of a plain circle of stone surrounded by a swag of oak- leaves, all resting on two plain bands of raised stone. Carved stone reeds fill the spaces around the swag. It is a good example of Louis XVI ornament. SHOEMAKER’S SHOP, CAUDEBEC-en-CAUX (Seine-Inférieure) This and the adjoining open timber one, partly shown on the photograph, were built at the same time. During the reign of Louis XV our illustration was brought up to the fashion of the times by filling in and plastering over the old work and introducing some good iron work. The effect of the big plaster cove-cornice and the coves around the windows is unusual and pleasing. GUNSMITH’S SHOP, CHARTRES (Eure-et-Loir) Those familiar with Portsmouth, New Hampshire, will be struck by the similarity of this building with an old shop in the American town. Stone and stucco are used, however, instead of brick and wood. The cornice is an example of a Colonial motive, often found on a smaller scale in interiors. It is probable that the building was constructed in the early 19th century. It is opposite the Hotel on the Place des Epars. TOWN-HOUSE, AUTUN (Saoéne-et-Loire) This house is on a corner, a few doors east of the d’Alligny house on the rue Notre Dame. They both face the south side of the cathedral. There is nothing unusual about the house but it has a pleasant arran- gement and proportion of openings and wall surfaces. The material is the gray stone of which the whole of the town is built. Sige ee BALCONY, VEZELAY (Yonne) A small house on the left side of the steep main street leading from the city gate to the Abbey. The delightful quality of this example is entirely due to the care with which the very few simple elements of the design are disposed. COURT and SQUARE, RICHELIEU (Indre-et-Loire) The town was laid out at the direction of Cardinal Richelieu before the gates of a great chateau which he built for himself. Nothing remains of the chateau but the splendid park, the walls of the moat and a fragment of a pavilion, but the town, complete as on the day it was finished, remains. It is entirely built of gray stone with gates at the centre of each side and high-roofed corner pavilions. A moat surrounds the entire rectangle. Inside the walls there is a main street for long axis and two squares laid out at each end with church, town hall, market, etc., surrounding them. One photograph shows a view of one of the squares, looking toward the gate leading to the chateau, the other a glimpse through a door in the monotonous line of the main street to the surprising little courtyard within. A Dutch architect made complete drawings of the town in 1922. Sore DOOR at ALENCON (Orne) With your back to the west door of the cathedral you will find this little street-door by walking straigth ahead a few blocks and looking to the left. The details of the elaborate wood muntins in the transom show a northern, almost Dutch, influence. The refinement of the detail of the rather ordinary shop front next door is worth notice. ARROW-DOOR, ARQUIAN (Niévre) A variation in the use of the arrow motive in a door transom. The material is of lead or soft, thin iron painted white. It is in a house on the main street, to the left, as you go out of the village towards Gien. ALTAR RAIL, CHURCH of ST. ANDOCHE, SAULIEU (Cote-d’Or) This wrought iron altar rail shuts off the nave from the choir. It is painted black, with gilded feathers and points to the arrows, and gilded crescents. The small rosettes and ornaments are in brass. The rail is of wood. It is probable that this was made in the last decade of the eigtheenth century, or the first decade of the nineteenth century. COTTAGE near VASOUY (Calvados) Oak timbers and pisé de terre are the materials of this typical Normandy cottage. It lies on the sea side of the road from Honfleur to Trouville, betwen Vasouy and Villerville. GATEWAY to COURT, ST. BRICE (Seine-et-Oise ) This gateway is part of the outbuildings of a Folie built for Marie-Catherine Colombe, a dancer famous in the Italian theatre in Paris about 1785. It is now owned by Mrs. Edith Wharton. 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I/F moony bur ug ANOGR J : PUOIPOAIZT FT 1) dans te payouy Cc € c4 t XI “Id t + q ae wt s Ge a fi Wat 5F 2 aka bode eth o aan, * (SOdVATV,)) YOUTAINOH YVAN “ANOSVA 39 YONVIN pOurppno W fo 9/9 9( ; moors bingy CRESS eet ed ae wa aa 54 te ae eOR SD GAs | PUNY pie ra f EG i a We Oe Se AW see ra" | KE \ ry © Wee EAS HC WONG | ee ———s poe a y PL.19 AN (CALVADOS) » ’ ‘UI HONFLE YEAR or VASOUY, ? r ANOI A 4 M Side rarden OFat Corner PL. 21 ALVADOS) ’ 4 Y, nEAR HONFLEUR (( y } or VASOL MANOR tece g-room Mantelp inin D IDM. 78844 Woor-Bbunuig, (sodvalv)) HAATANOH YVAN ‘KNOSVA JO HONVIN ae i Si %, A MuEk PL 7 hae) ‘ I ath me “+ Han fo ar \ , \ ‘ ‘y , i : } 4 + ' , i \ , k ‘ 9 Sy : t ‘. / PY ’ v . ot t », cron na te - fj / s + { Fy “ \ = ; i a Y Ve ‘W } \ } Rhee Sr : u - ' Foy ' ' 7 : 1 Vy é t > h - i t y j g ‘ i ' ‘ . ! | "7 ‘ Ral me, i \ni 4) rf if ‘ F ‘ t ? y ‘e ¢ f ‘ ' > 4 1 j i ‘ fai ‘ Shi 1 ay hig j y F olf aNd jh bi e's 5 Hie i! a i tek Guin 7 Ai oi y Rk ia) ay 849), ae MAD An Lica ere (ie why an ween ye vt 1) Py. 25 NFLEUR (Catvapos) NEAR HO b] SOUY MANOR or VA room itting- S 4 7 t a ; # e . | - | ' : t i , ‘ z ‘ / ‘ ' v# ‘ ! ef . 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At his, Cv AS ; aw nk ye) an a Bee Lane Wa pe Y : | MU NELSBIN ES ig Datel beret b TAT ok ee AaB ORd RSIN awit ite Lat RTA nL Cah ROAR NERY Uh wo Pea a Ow fs Nee ean Mh a ay a 4 <2 , wv < 3 a 4 , : VaR: Cy hey Ut Cee Sa bars 4 Paes SH st 8 ay ew vl a HN a * ve £ ry a rt RG ak i) it i Pe Ve ih i ie ‘ Ab , , ! oy MOR Eg a pins any Pam ii By) ri at, \ “ : Sang / ha he Ue abt f , } Vato tas ait. f At rors y ie aR j : nts j . Vane Uh Whey EN c ea i if : fs z F j oh Oe i j ee hi! i ® - ‘ ; 5 4S" ei : ues ; : ' 7, f 1 7 f j i? f i, in ‘ ) 7 - fa A ty vy Gaal eat ath) oe Palen ris a y, ; ‘ ier Ve ay 2 WA A ia ML MeT aE Me IK .h ), if ‘ i 1 v4 ae y + OP BH SE 4 ’ Fisarat nit) OVA WIEN AY ey dy ; fy ¢ 1 i" ‘Lk a) Pai ip identi eta i (ie of ¥) 7 LOW ga iy r : . r J i 4 ye PL. 28 BUILDING or FORECOURT, CHATEAU or AZAY-LE-RIDEAU (InprRE-ET-Lorre) Corner of Outbuilding Ai iA Bi ALA, } a a Oh at iF seul Wy ish , i { ree oy an ary ti ea PAL NETS ¥ WAR ; ie) tie UA Se mare PL aA Mle Ae ff eae el [ (i NI i ait ean @ i BUILDING or FORECOURT, CHATEAU or AZAY-LE-RIDEAU (InpRE-ET-Lorre) Side Door =e RE Gr y aa) e: L - Si, D ¢ ~F ye gr i pede eg POR EH pty Sener teeta vee tha is “ FO STS CLE = i &Yy, oy Teese | ‘eepeet o/ : ey: open ab ae Pre Sr “4 WEES DY * Le dana 98 Vek Bor epee -Forest gate ~ om “yr my ‘ wegpeey re igs acer gerne ay . et at are Olea A as hia, a PX ELERTC OR CD RO Tex GO ee 1 LOr Hq Neh Saft SEAR nab SS eens Sh “read td nap Reade he } a rege ru a x i | | “pie AP At , re! rat NY \j 4 i ce hae \ (Tie¥ ANI i { J M Be Miike eles Sef + ae SSS a REET EME S feaeis fh eto ase Saami dnr bres ry appt ‘ ey “ S kes Pay KAS ES sere ainda MeN "9" Po me at age hl) onstat wei y Sp PA A. . Met ORM ve Be FARM or LA VESY} | Pr, 4V 7) - * r* 4 ‘ f ' Q - r 5 23 ‘ | TTT Neen tnemanemesrenmmnageene nt’ cH 6" 4h ie , are : BS eres renennsineresiiye tO ust ‘ hon Feld ee a gee ie a: te P. d ete tad ae TN tags « Ps i, eds > nu? " Neteennin et ae 9 SEE sg Bee oy he ot Oat Sr OVS FETED EE PTR! HAC tT RRR, > ; cE juno’) 0} ajDK) (AUIO'J-19-3NOVS) NOLOV YVAN “AYASHA VI 20 WHVA avila, 0, sdazg (AuIO'T-LA-ANOVS) NOLOV YVAN “TUASHA VI 40 WHVA eet, en ge ee ee Rane ote 32 ‘ “ PL. ees Ua hea! a ¢ ts Bd a 4, AIS Beats VI BT TOT SAONE-ET-LOIRE) ( N 7 } Aye 7 EAR A 7 FARM or LA VESVRE, » door Side- Prseos earner: AR AUTUN (SaonE-EtT-LoIrE) 4 SVRE, NI! = Ay 4 oF LA \V FARM ottage ~ 4 Gardener’s C Ls) } ey ed ert i ey ih ’ ‘ « ’ ’ ' . t bak : ' ¥ ' \ 4 4a & its 4 ‘ * . 1 Yt ; : Ll Os =) -ET-LOIRI NEAR AUTUN (Saone 4 49 oF LA VESVRI ARM x 4 I Farm-yard + » é me a iat me Pr, 35 FARM or LA VESVRE, near AUTUN (Saone-Et-Loire) Corner of Farmer’s House .Aye } H AF - : Let ve ‘ MN VP Pat atyee v e (? Sa" Pes i! F ’ on J Lee " Tp Nr Wy ay ) i j iva. wi ye Pes’ (AUIO"-LA-ANOVS) NO.LQV YEN “YASHA VI 40 WHVA *. = * : = — ee ae : ae: \ ~ tt Se ee * De. » if 7 ; - : e > ae a ~ an » ‘ = 5 . TF aay wy - t * é e a Ps “ 2 - ee ea — - F | . id - é we : aes di be ~ »- - — : 3 . * ‘ ee aes: - > F Bo % a a ~~ a i : : Pa ~ : wm dy, ha “ Og ae age PE as oo ge a“ © oil . = : = - ee, oe ee a = wo SE 4 me Bac : ad . - — Ps * -_ a se . : al : < ~ ~ a ‘ —s ee ee — =. = . é “ ss x * : - 3 2 ee ge ae "ene i . - , < rat a ; oo $i —— — be ae pe “= cig >. 9¢ “Id 4 we oY rte tl way ai oe Pu 37 =) T-LOIRE c-E SVRE, near AUTUN (Saon + 4 4 oF LA VI FARM Barn es i So VEE ie av) " ue ie te wi Mh wi ben. ts 1 el ba ek ‘fh Ney tt 4 ‘e uh s te Pd ae \ ! i" it Wh q ' bP $ rad ou Lak 91qQDIS ul 100q }JDUIS (AUIOT-LI-ANOVS) NOLOAV 4VIN “AYASHA WI 40 WHVA ri br ‘ q y ' , ry ar q . i . ' “ {i Garden Water-tank FARM or LA VESVRE, near AUTUN (SAONE-ET-LOIRE) TAX “Id eunbing Ul‘ uosIDAY jo *uvngnpvy, 220i d 24 | apDoAap,EONj|DG ; Pees! ° — oe NESS) ve, “FSS 6: Fe: ve ca =| ° ° ° ° ° ° ° ° KE (see Cie =| ‘ay oz Oct i>. Er 6 p18 ° rs o ° ° ° ° Whe (OntiiN ate AN an Bie ie P . Wh J A ’ 1 } y : é : fiat? - ahi | x4 - . ¥ on ‘ 5 ? ‘ PP t * ; Aenea dd ned Made drs pre eM itidee die odng w+ cheda Neh A iii @ ‘ Sina be @” j j voll ed. at ; a ie Lit J Ne had el Ay Same Be) Gh OAS Bre OP upqnvA fo an}v]19 (ANNOK) NOTIVAYV ‘SHNOD GNVYD YO NVEAVA AOWId ~ ~ * ’ > . - 7 TEAS Pa aR ene ce terete - Pegs ae ee ears . ; : fe: no er tet —ererrerenns aee r; = > ote xm fc 3 EN leaner | 5 eee Ca | iS : (My bag hn : e} hi Mi 0 TOAD ee a ea tae Bi } i é tye nits ease eee tae a, 4 i \¢ : ? P wed 5st idl Ne a bshuds | xf AAT aut oe Wei LAviele Sev ALORS che vi ner ta i aoe Ly el eee Bee i Pian ik et jen ey, ui " rh) pa ati one PLACE VAUBAN or GRAND COURS, AVALLON (Yonne) Lower End * *f oy if at Bhi ts iss ' Bh He hs SEAL SN CO A Ua ie : ‘Weare nis fog vs 4 7 ly , q" La af e , un * P ’ . & ‘ ; mM . ; ‘ 5 t ‘ y y ‘ ' 5 5 é : tia } i : } LP ' 4, Je ! Peis: ny vie i A ~- , 4 Sie % ¥ be te VE oh ‘ ~ Ms 5 ' al ype & “ee ae i ie ete! 4 ’ F ; SCR eo ea +" j A ; ; ‘ tot b ige , Se), ¥ ip ag ey ' j of i ¥i< - ’ ‘ : be - ‘ « aa | . wu ‘ 4 a ig FA Ra Cet va ee li j ; Ate) sas ‘ny ¥ sw iy 4 Ree i ? y it a ii Me) } Tint) Non - Ate , ; Oe fiw i N iH a ut iy) ihe Wey uth f if As LEAT Ty : i ; ; (j Ney wie hy ile aol vi) i / ey i f j ‘ ‘ ; Pa Wiel i Hi ids Ali 2 | AAs i a) Ce Ar Ay, ead eh “Id Mai, ]D4aua4) (ANNOX) NOTIVAY ‘SHNO0D ANVYY HO NVENVA WOW Id maiA apis (ANNOX) NOTIVAV ‘SHO00 GNVYD 4¥O NVENVA BOVId ve “Id NY pi | ms Tone iW cae i De, sdajg v.ajua’) (ANNOX) NO'TIVAY ‘SHNO00 GNVYD #O NVEOVA AOVId "Iq ve) = ‘ ; hy ES CO ae ' ‘ ) ent ate » Be i a “ao yo. ~ VN! op ACT ee apo.snjog (ANNOA) NO'TIVAV ‘SHN0D GNVYD YO NVAAVA AOVTd nage ee : ~ : RUERS ; 3 ge aeTs aa - : 5 ae 3 et r os * aa 9F “Id i> cee Ti as | A> oe Wr. ne A , ‘wh Bl uric! Pr. XVII Ae er 4 a nen ae ate en eee ers napa pgecoiee Sees ae 123, QUAI pes CHARTRONS, BORDEAUX Elevation 123 Quai des Chartrons, Bordeaux ah Me 7 pas rea ee Pee L hiai , an t t ‘ BRYA. ‘ q + e =e i. \ est iy , ¢ = 1 eee \ ht i ' ers tla A Oke 7 é we i i i ae ¢ al ‘ eae jae a eth 5 a Or) fe) i wy ae: ay A ’ . AMP tr i o i a* * oi U pet Lt Ne ‘ eo F f ‘ cab ® ay ie * fut, . J oe “8 ~ ™ eek . = . F a + a . =e a ~~ j ‘ ’ A hy! + oh “ ' ; 5 e ‘ | ; ( a vd Bs 7c 7 Fs Le eal 7 7 , y a ee : Ee. : ris eae er : Ls ¥ Ly J € fy Py a Vs ‘ 4) Sea P f i ‘ - hy e - a ;, 1 & 7 A ¥ ’ ‘ Ly s . 5 Uae 8 ‘ 4 . y { ' 1 | ed ' ‘ © By ‘ “ 1 % bd ae I i , 7 t : y 4 h ’ : f { ¥ ; 5: s ; } ‘ . r ‘ ' i ‘ ’ “* * . ‘ He . 7 i 7 da « : t > eo J t vt / ; t A A oe *~ . fi Z ‘ Ki L eae eS ant, = a a > “ . LR , ‘ ’ . q 4 i i A ING» raves ; r 7 ix », " . i P i ; iit J, was Ls ’ ’ at 1. Le . 4 {i ¢ i SORA « ; oe 17 PL. 47 a AU AVA, UVVUL WRUNSEUULNNNUUULUNNUL VONTUUU NTU AMARA se Bed tier arsine IX T } AHARTRONS, BORDEAL 123, QUAI pes (¢ Front on the Rtver OV ia Sot ; er EN sae Maar di i ie : at a | % A. : W aa coe he an “e ry Pi. XIX CHATEAU OF SAUME RY, - ny near Huisseau -sur-Codso St AReBsay, * Fore Court arn Wren llion ; Ve ic Ch 20 Ba aul Chateau Pa “5 . a = 22 Mar 35 Ca 18 19. 2 HUISSEAU-SUR-COSSON (Lorr-Et-CHER) ’ , ERY Plan OUTBUILDINGS oF tHE CHATEAU or SAUM oo ae yy Na i nena ae s 4 a ‘ }, Ye cHtay j ri fast OUTBUILDINGS or tHE CHATEAU or SAUMERY, HUISSEAU-SUR-COSSON (Lorr-et-CHEr) Great Gate House from First Gate asnojyy aD) jva.y (WSH')-LI-MIOT) NOSSOD-UAS-NVASSINH “AYHWAVS 49 OVALVHD SHL 40 SONIC TINALIO 6h “Td jino‘) dauuy wodaf asnojy apy ywasy (¥aH)-LI-M10T) NOSSOD-HAS-AVASSINH ‘AYANOVS 30 OVALVHD FHL 40 SONIC TINGLOO hee Ty: ao gin eed Tee, Per eere 0S “Id (WAH)-LA-W10T) NOSSOD-HAS-NVASSINH abpuvy ‘AUANOVS 40 QAVALVHD aHL AO SONIGMTINGLNO sRARY UNIVERSITY OF ae Li ened) Y Fa ANS - Oe et nT ha a ae OUTBUILDINGS or tHe CHATEAU or SAUMERY, HUISSEAU-SUR-COSSON (Lotr-ET-CHER) Well i, : / A) i f hy 5s DY Nae Vy i Va } yl : 3 Pi. 5 oH FELL ETS 2 = PEC e Gay t Rk) «HE ‘ OSSON (Lorr-er-( ~ A ISSEAU-SUR-C MERY, HU SAU m I GS or THE CHATEAU o OUTBUILDIN House geon i rit Bly : ; ; ay iy if ie , r ey 7) we ties Pr. 54 Malini cless dies =o semua tna nabs tha ae sabyiey senna ea ipeshlbairhlleh MeAraten pay Feit .* HER) 4 OSSON (Lotr-et-( R-C JSISSEAU-SU MERY, HL tT ) J or SAU HATEAU 4 TBUILDINGS oF THE (¢ 7 J OL Bedroom on Ground Floor wooi-buiaviqg (uaH’)-Ld-4IOT) NOSSOD-HAS-NVASSINH ‘AYHINOVS 49 NAVALVHD FHL 40 SONICDTINGLNO if, | es i : f ‘ R m | asnoy] $.Jsald (HAH)-LA-MIOT) NOSSOD-HAS-NVASSINH ‘AUANOAVS 30 OVALVHD SH4L 40 SONIC TINGLAO eR Ae A A re Ns eae a ES eS Ren een ae Tne eee 2 4Ano - 240 7 ne POF Moraes Na ge, Asay +e re eer een aera! we evan aren 7 : | Siiesieree ae : 2 424 oo or "SUB_IAC) 4eeU ‘das 1S ye .ASNOH H9DIH BHL, | LG “Id asnoyy fo puy uapavy (SNVaTYQ) AHAIUd “LS *.aASQOH HOI FHL 3° ion f ; } a ‘ qe? | a # 49 i} sb NEE Bie aera a ae yy ar Naa ; if yy “i ‘ {oat ee LAX) he U he iu MV il at hae penne fa The. f Ki i ] es A 7 PL. 58 E (ORLEANS) 4 4 PRIVI ~ om ST. 4 4 HIGH HOUSE 4 oul Op | Garden ne { yy re vom ; ae bon i i Oe Pah el ay uh ii i iT) Wa iis PL. 59 (RovuEN) ARDENS G AL . 4 BOTANIC RY; iE ORANG Orangery ai, at ay ul al i) ‘wel My F% : i ty Wee ety a a uy Ne el P's I i haa a ue iY ny hye Py Ra He Pie ft i itp I , y t ee et r a PL. 60 ORANGERY, BOTANICAL GARDENS (RoveEn) Detail of End Pavilion, Orangery suoljpaa] yy 011a}e5] (Stivq) ANIAS-HOS-AYAI “TIVH ALID S382 OL XYNNV bury fo apif uapaDb J —— —— Ve v -QOUDAJUTT FO apie 429447 is ‘Sy ‘ of : Ss o 5 5 pees rrrye | J an BAUD L/ uno utes , = ae a EA eee Lr. ye ee \| . | | | lees | 5 OJ XQUUD UD MOU e wo gat — = ! " i 1 - = ee sie Alay : = 70 puotjiod Barua IXX “Id - = ~ ——_ —— ae XXII PL. my i Pr Seainttetause TTT A o % , “ ba % Wee x, © ~ = a 7 wae = zs Chateau at . bury wt Se mre | as Remainin portions 6 uae mt mee yh b et es d 5 ‘s ACY ar ee Penna Sy 9 See : Court Side of Entrance 4 fe fr & ‘ P', & DW oe = PF I% ‘s Pe _ 4 ig 7 SS oa a : "= =e . ke we Qe oe ee 7B eas CH, 2 og), a) e- > « 0 see [| a8 BREae jy IP | | : he why Wit | a Mt Court Side of Wing wt LETTE TTT ] th HALL, IVRY-SUR-SEINE (Paris) ANNEX To THE CITY Court Elevations Pas anlh — o Fi - th ~~ ‘ A oy | te a air ¢ Se sjipjaqy.- «1. (Stavq) ANIAS-HAS-AYAI “TTWH ALID S8L OL XONNV arses 3 ROMA eM A RTUATT TD ote ele 1 sata nbd musbeanbions if nen mn nena es i eee ‘ “{ o sais @) ze $772? ‘QUID Pine AlAT pnbajoyy a [f OGRE pup eae ei FJIDIIC] ¥ Bana p ybnotyy wo TWXX “Id : : ai . i ‘ hou ‘ ct. tot ee clay revere. a ein " =n . | . ; AG irtens had epeay i=} bik PN ahd Dy § A RoR) e GREE 0 eee Cetera on : ;: i q = I ’ OM shee pane se ; es it’ 4) at a) , ae Wea ' . a An +; ‘ ws ext i ee MES Nee 4 Ti Vi a ‘ Q : + * y #s . ' — Vex i « : . : aired Ms + ® ‘ y ‘ I ad & . ‘ j i tal . J 4 ; ota é U ‘ we rk Got kes , 2 s- 4 5 . hs © - . ie i] R ‘ . te : ‘ - i? c , : : i ‘ mi apt rs | ij . 7 a! ‘ af a ‘ . , . he : E ‘ ‘ * ‘ 7 - } ' 3 - * o + * Ls r a? .* ‘ f 2 ’ ‘ t = 1 » 4 s } ¥ - - ; - ris ; 4 ? 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' : - ay] “ 1 ; % Mi ty ULAR OE ae gE Tah Re Nate PREG Yak Ob i) We TEA APN RoR a Meg Re MOO NER MY Raat Dae ane 7 ’ Or me J : UDJq puv spwjaqy 101la}xy (stivd) SNIAS-UAS-AUAI “YIVH ALIO 3HL OL XANNV é Ano ~) ul aA17O 7 a _ *yuapaDey uo mopuly” | mers = rs | ens a : a | = | pean i| ; zi at oo) | | al oni a = | Shee oh el esa | > | =F at}. | sal ouy i | s ete || ‘ | fi i Q o z I | 8 mL BS. s 3 L ~, ae ; g y 9 3 3 ee = ged = -- . | = EPONA Eek See AN Soe ele a ete re ee ee ee a SENG a SS, >| ae gt or s ° RLS, —— by Ei — PUP GUOLIDAI]I Ul Sts umoyg Huipying Jo puolsod fe ubjd aula > Paar Alay jon DaJDY) | - eS Se fO OfIDIIC pate eg a eS ee Ae AIXX “Td Pi. 61 A= PERU DEGREE RE RERG, PERERERRRRORRES) APPEAR ARRAR RARE oe He = r 2 =e pb as on ete hierar ant ~~ asey sof i ie ’ = \ ie a el Sa oar er ey rr) RT wy at Bs aoe pave e\ | ee ge ae in win we \ MN INN | + ‘ o 4 : ie Oe : — nel 4 eet TaD a as AN eS ice es 0 Saar mes : gedieny, ed » yy f aa f ~ { Le eae | | | *y T s he w my 7 ki i rv, Xhiy 7 fet i a Senn | “iF MPs t tu \ \ & il in \\e \ e \ | | yore Ne \\\\ AVL — Vi VACUA EERE PEE EEE = \\ i\ UUEPTEEEUP EEE PEE EUCP EERE CED EPP EPP EEEEL ~ i WAN : \ TI aaa nae er Daa NNN Yh \\\ ( cenaareraaseneees fone Sassen. wa (PARIS) IVRY-SUR-SEINE ANNEX to tHe CITY HALL, Front on Square JUO.L] 7.40") (StIVd) ANIAS-UAS-AUAT “TIVH ALIO 3HL OL XANNV f J iy j ay 69 “Td £9 i ° ied . =. | “Ig OTT oa NORE 7 ; fipmajpy 34n0) apis jaat]> SIu 7 TINIT 1. ~™ 6 (stuavq) ANTAS-HOS-AYAI “TTVH ALID 3HL OL YANNYV aa 4 (NINGOVIS™ AION, nv2UNS oe Saawonunsrvich Ba SS Se v9 “Id fipmajny }41n07) apis juno’) (stivq) ANIASMAS-AUAT “YIVH ALI SH OL ie HO suas Pi. 65 aod A ieee lange cess seneser repens Mir smart Ed INE (Paris) 4 4 ITY HALL, IVRY-SUR-SI 4 : ( THE Awe} < to} zi ES Staircase suo1jpaa] yy STUVd “SLYV AALLVHOOAC 40 WOHSONW ‘WOOU NIWYAd 3HL AO ONTTIANVd adIJODUOIITGJ “UIOO =PasJeUoOd | | \\ ISS SGP i | = = iH | ba SSapenielanes { 1 i i Ht | i] | | |< = |\— cy 1 AXX “Id mrad STUVd ‘SLHV AAILVYOOUd 4° WOASOW ‘WOO NIWYAd FHL AO ONTITTAHNVd ‘P14 DT © uinagn py7 PJ4tfyY ad1pDLOIIGT WooY P2]]2U2d lnccen om nme JAXX “Id +! Wyn fiat Ag eng 6/4 7 aks Rta Fa a ? ; “ad pig te ae Fi i ‘ PL. 66 ES ie Bass eT ee eke ee yi er | | Tims ds ee a ph eT Pelt etal SipuwaelNGRDABLUPADEO NUDGE | ARTS, PARIS TIVE CORA D OF JM L > 1 Niche for Desk ROOM, MUS NELLING oF THE PERRIN PA von ty; ‘ i ' +. ’ . SL f , ’ n ‘ P 4 P ; b ‘ ‘ r ) : i © ' ‘ \ ' ‘ ‘ ‘ . ' i ' ‘ ' ' ‘ 1 44 ad ' F : . pI Y : 1 f ‘ i ’ : ‘ Y A ’ 7 et ‘ aA ¥ ; ' ar ’ © ea a i) re vy, % ns en (a ‘, evil 1s rus i / ; he ral LAt ‘ i, dt aT ru . , ‘ b . Le ar y ty > hen vv a! d ‘ : [, a iret Fd i ir wa ba \ ; ; j A a 7 { VAY je Ui eyiy j : aie : oid » sn : if wy trey ; a A) mae i io io Va aah aL ; rs Us Tes } My ; a) By ii aay 4) Pal Aa) PANELLING OF | aaah URN PUAV RU USER CUMUMNEELELOUER FELEUEEG LEGA KUFTFER) THE PERRIN ROOM, MUSEUM Side Wall oF DECORATIVE ARTS, PARIS PL. XXVII LLL | : | PRN a= — ELE ¢ . —§ re ——~/\ / a) e y. Sige FL SRE |" eS Ld & - LN re Nire 7 o> aaa wT ¢ i 2 =a } | 24 rue de Crenelle : Faris gy ey —_— Shops at ee! 24, RUE pE GRENELLE, PARIS Elevation 24, RUE p—E GRENELLE, PARIS Detail of Door ey neue wal Ae Ay: ee ; ur PL. 69 A A IA El al ANIM Mh aii i Hi tn + in i a 1 in wa it 3 CHATEAU or MONTJALINS, near AVALLON (Yonne) t ‘ron ntrance If E 4 PL. 70 Ye page {Fe aR wea | ‘WN ‘i [ i [i c v x + 4 3 oe I, MIN tT we re AAG wn i ras CHATEAU or MONTJALINS, nEan AVALLON (Yonne) Entrance Main uoljpaayy JUOL] SIUVd ‘AYULIA ‘NVALVHD WILITI 0 a7 oT Hoy a)D haji JD npajpy7) pP DUS UudIIDAIID wah .—— cL 7 gpID} | 200g foam) zo 24.522 07 il wozpoaiger ie — YO uo ‘ye Q "; Ny é 2 oe al Supping, ; Hanne af uD yo ae IWAXX “Id a —— te Vata een hie a ; ' » ’ 1 ‘ t ’ 1 - A ‘ ‘# - . . i ; * " i ; l ua ic! ala ot ie-< f g Pen. cil fh eas : : j — me uoypaayy way SIUVd ‘AULIA ‘AVALVHD ATILITI IUII (> ANS Asn poi» ie au UOLIDAIIDD WD XIXX “Id STUVd JUOL] uapipy “AMLLIA ‘OVALVHO FILL i es Tae eo teenie Be ee Ae ae MRE ts ce Ra Megaeldy Phe (2) etn MD ivy iM JUOL] j9a1,5 SIUVd ‘AULIA ‘AVALVHD ATLITT f ee LGPL LAY. \ ob, KL ea Z MILA KIKI SOCK og KEKE Xe KE YS % LE ELL AAI alee SM REIL LL . BTML BI eS Se es ag SNe . ye LA KP? SIS SosteS S25 POR ss Sy : \ ers & Fl | | : : i : ; { ; 7: ; eT LITTLE CHATEAU, VITRY, PARIS Detail of Window = a | a) DL) hh ho hog ae .~ a) wm 7 ; 7 cant ; ve ad ee Mi y i Ms - ry ven ihe ; 1 eames b; 4 \ a oy i. ~ a XXX “Id uD} NOSIVNIVIN ‘AVHUd-SIOd 24 AONAAV UOVID Ul [Dy guUlooy eo ‘nrasdgiog a@ anussapy © ON haope XXXI Px. A iil itt IH i | Scaee| I , “> 7 ) Malmaison. 7 Vo 2 Avenue de Botspre / 4 AVENUE pe BOIS-PREAU, MALMAISON 2, Elevation Street XXXII PL. [de SS SS SS \i ees e) No 2 Avenue de Borspreau, Malmaison. 2, AVENUE pe BOIS-PREAU MALMAISON Garden Elevation | ; : 1 ne eae | la Ae (array + await iy yuh , 7 DIXXX “Id ajpy) pup uolpaay apis NOSIVWIVA ‘OVAHd-SIOd 34 ANNAAV “% -UOPIDU TD AT ‘noaudsiog ge anuasApy % ON iT moh WY i i} - ris ram 1 q ity hi Mae hi ‘ i wv cab ne ir utd Ww Ui i cull deat id iy al hee an fd o Pi. XXXIV eo ET Te oi) HERE Is of House at Detar Malmaison 2, AVENUE pe BOIS-PREAU, MALMAISON Detail at Tile aa atk ie iS ee koe ah 1 pad) % \ ‘ a crt) v. ALY ie vivy) aie oer Li 4 (i ai wi ve | uf + 7 ( 4 + Pi. 74 ‘i AU, MALMAISON ¥ x 4 4 if a plat is pE BOIS-PRI | al AVENUE € 2, T ask Germain Road Sis Front toward ae Sa ee, I on IAN eI 2, AVENUE pe BOIS-PREAU MALMAISON avenue de Boits-Préau nd on 7 Ly 4 I PL. 76 MINN aim HNN | doe | Lt wg | lessees bE BOIS-PREAU, MALMAISON 4 4 4 AVENUI 9 tei Front Garden ajpy) aoupajUq NOSIVWIVW OVAYd-SIOd 44 AONHAV @ pe Fi OEE REE i! Er | —— — —— ee — — —— a ee a — — ee (HINA — f BALE ALLA mi } dad dliantileed ited E ao, ee vue * t ee ieee) im ; 1% G 4 soi 2) = | 2, AVENUE bE BOIS-PREAU, MALMAISON Gallery Bay ie} iu ‘ MT ea ‘ ' h a ere 2. beh Coats ve liek F On ay ee Cubase oy ivy 0, ae bs ij ' 4 ‘ ne U ‘ ' ‘ sities = ‘ \ , ’ i t - + ‘ ‘ ’ , ’ : g f ‘ 1 ' j ' « . ‘ 4 F o b! ‘ ‘ f 4 ‘ # i ; ' * ; , ’ . ‘ a '* ‘ i 4 ‘ ¢ 2% ‘ ‘ is A ' ‘ ‘ ' * ‘ 4 ‘ ‘ ’ . ' | i ‘ ‘ H 4 . ‘ " 7 ‘ i i ry . d ¥ : ry ‘ Y id . ‘ ’ 4 ‘ % . 4 ‘ ey L t Oo Mes : Ua ah iy oe . . ; it : ' . A © ' set ¢ ‘ y Ps i f ' ee ‘ i ’ ‘ : , 1 = ‘ f ‘ i . x t ? . j ‘ ; Deon t wbY, ‘ ’ ‘ € ' ¢ pat 441) x > ee M i E My : - Ce alt ea 7 « r46% ” z ‘ 1¢ F a ' ‘ . ‘ ’ {4\5, ‘ : 4 ca . ‘ 4 ‘ Fi 4 i ; ; if Aa aw . 1 i ahd if f i f Vivi Ae rhe; f ; | Ne) 7A U, MALMAISON 2, AVENUE pe BOIS-PREA . ining-room D PL. XXXV =e i, oO tT) 3S cs] iS) & iy _ int 4 hal 4 ie ey: if ‘oe rns 9); eae GALERIE BORDELAISE, BORDEAUX Shop Front { | i Pi. 81 GALERIE BORDELAISE, BORDEAUX End of Gallery dt wh if NF an eas PL. XXXVII ate Oa = arene, caxamgsilididcatethannkeassinaaibipietiiata z = " oe~ — ee ts is mI i a cote ESTE SPER TIT ret * Fe Ori ited hil on the W), uc des alinieres. Pordeaux. COLUMN FOUNTAIN, BORDEAUX Elevation ir une - yy 7 : + me A 3) ALCP ay Bid ies) cof aa ¥ Pi. 82 yierah tena teenie! CHACSSUBES DELMAS iy ie es 4 aw j ad a eo FOUNTAIN, ST. PIERRE-SUR-DIVES (Catvapos) vi, ee A a i Rt, Nive Byte Sie FONT at tHe ABBEY or VEZELAY (Yonne) PL. 84 DOOR or TOWN-HALL, SAULIEU (Core-p’Or) 85 PL. VA WANN WAYRAAML _ ca eer noe ine 4 bon -EN-CAUX (SEINE-INFERIEURE) x A SHOEMAKER’S SHOP, CAUDEBEC PL. 86 ~ F) RRNURERIE, SoS CENTRALE GUNSMITH’S SHOP, CHARTRES (Eure-et-Lorr) j j i ue ‘ ( Arar) ve FY Bai it Wave aL ath ; fils ‘ ik EO ecu ty \ ' " Y Veet aa Wed ; ay Vie rea}, ‘ , in) ean h nN af en a > * 2 1 “ tus i an aay , : } , ‘ 2 ‘ UB 4 ba ; - +e : : rae ee 2 A Le) Pa WAR, ' é 4% ay : sia hed t +e Ny . wpe . ‘ ba a ‘ ‘ ’ i ; ‘ i 1; i n 4 4 4 x 4; t m4 ra nes 4 i tal a Cla ie) ehiys? Fiat ok * i ‘ F ‘é. Wie ¥ y F Oe if ‘ i : Pt " NS : ‘ i 4 ) \ I j ' ; (3 i tae ar ey i : Ys ‘ 4 A Mey a4 » i 1 Ve | ct at } i wey ay s IEA f : are oh A i H 5 Zip 5 ware ; Le ‘ ‘ ATS if aA j ' +4 rm bay ? } ' ‘ (PF 8 : 7 p ' f =, ! ; ‘ i ( eg : 3 Pat 1 i ‘ af mae 7 ! ‘ { \ PRAM Ue Pa t ut ADA cat # ah rte a 133 * Z i a j : 1 i. } fe PLCS : uy ;* u ‘ ‘ > { . H yr teh ary t iy ‘ 1 ‘ | 7 , he 5 t NM i q f im e . \ ” visi 4 “4 ' ’ ‘ 3 oy : at i 4 + : Vad 9 go "2 eee Sy A t f ' ‘ cy 5 i Reus 1 j Rel a; ; ‘ ois ins atti ui Me ; gets he . i wi t y ' ‘ ; tiie Wy ie ‘ ‘ L, A } oa if f y ; UPIME ai vee les AT Aaa Adee t At 4 , AMT, m1 (y Mad nil 1 ! a “is J 7 > i j x f \ f . ulti ieee Hl he 40s ‘ 7 inivip ’ Su bay ,, ; 7 ry i i } f wor A y 4 rl ; ‘ 7 ; ‘ I . FRE: , ' £ 4 ny t 1 i ‘ i i ‘ | : j « ; i ‘: Da AYE red Sal a J iy yy bil S5 a ‘kee Lente, : ( Ad ‘ hil Ah, vir ite iat J i te \ Ly LP , enh mM uj my ty it f ty j } ae | Oh | f id ate ) : py Nh. VHB) tos RA ren are? ANT ’ iy ee 4 opens i; a Ti } rig 4 5 Ts y tis PL. 87 TOWN-HOUSE, AUTUN (Saone-etT-LoireE) PL. 88 r ) ‘3 as yon POON | maton BALCONY, VEZELAY (Yonne) Pre Gata ties Ay el, ¢ aronbg (aqul0"]-14-aYGN]) QUTTAHOI “AWYVOOS INV LYOO9 ee: oe ep ae : “Soe ia a ae , ‘ : 4 , ge PS ie ag 68 “Id jive ty nt Pi. 90 COURT anp SQUARE, RICHELIEU (INDRE-ET-LOIRE) Courtyard i a Sip 8 ; ' ‘ ‘ nt wee /ah: ' aS ¢ ~ o PA ee t rie a » ich ake * fic) Siw cee DAE (Ne ae fe ass ry fri EN, ‘ et ’ j i 7 "5 ” ta i Des \ setts aa he ra ' M ‘ “ta " t, bf ¢ i, ; : a » . a we hi , Pick, i ‘ bd x » ta * i ® - ‘ 7 tis are i A . Pa t ee! 4 ' d 2 4 r noo: Fe “ff ‘ rt ; 2 ot * iy , yer rat A | | ae SMART La eye A dias ‘ ; etic ek eat oy rhs jaar | , pty oe PRT) oa Lip ‘ j aa mi ; yah Vc oe ; : z F k ! 4% . eo Luce ay iy ; y ' nie fh re id Vea | i. Wiha To’ e an i a | o ‘ Tey Ge a ae f ~ 4 ala faa PE Re: rig +f mins oS ae ae US > yy ou - e) ; , : . 5 + t , 1h 4 a ’ eit peer 4 ‘ ' eA "2 v 4 4 : é a , * ; Peet t 5 Daan eee an : EA De ? .-* 4 “ Ne : # , i en he eee fC ie n' Hey ot ‘ i : i 5 é ) . ’ G \ riences ee t ie if rd, all : ; & ‘ Lan Toh ¥ 7 4 ’ ‘ » if Br Cae fe ! i ; an et i “ht 7 mi " DOOR ar ALENCON (Orne) aa at esutien ae (¥Q,d-3L07)) QATINVS “AHDOGNYV “LS 40 HOUNHOD “TV UVTI : SCRPEATEDTUEY > A357, PUPP PUES VERDE OMUDLICT 17-24 Gadbe TTP Paa Yv eee cr eLPedy Let Fa 1 VANCES THLE Pe aa Ot TAS Bueno ean roe ee SDUIreaia a as Re ae a Ue ree panenenpetnta sass ASA WP e ENNAC RSL T O OTC LC TCLAGLAT LEAL OSD ACCC A ee A AE ORT - ‘ i g é Ngijiwd IGUIORU 4 U1 IDA AD] | e . ° ® —SS ee AAD BLY (ae SEEN SY 1S ES NS PD SS ne SEAS TE Oe MLL AE EN ZbaN RE DO BA ASD TRELILOD rome tae sere wm 2 x NINN LRM REIL AL IHD RI RN A Resa EeicioroprdiasesoaeanmeaanieinneieomianiaalnertA vidi re we tugestiacessonen unssannatuarten stir cane Agee tenet hogs Aineh (AMET Rim yt \ateery | Wevermerr mcrae ithe tote i a CUE EVE ORTS, QUE TER, nih ea AMAR PT Ee A Ee fe ation xs RAYE STE VERCERCA OME MT EDULE SS rH) PETE oi PDL ATENEL ER DEPER PSST A FTF TR SUR TT EP i r De » 2. + glee et Pee Es. “ut oats o avin, a a Teh Pa «ie a tee Pind ee COTTAGE, near VASOUY (Catvapos) i i a i shit mh A i Wl p DON : iv, sv to Dety ut Ne * : : Me ye \ Hf KWON ‘) 7 BAY oY es “ Reh Aaa, ie Oa Od é vu 1M ni i Vitro tae AAR) : ‘ ‘ si 4 P ri, J, GSO es , ee RAY hs eh -~ Crate x 3 4 ee, ~ ~ = i a SY yy PTX , bY A AX o9 - COOGEE AIA a) EMANE CANES AA AXS “e Weetines : " PPR are! A % ‘ ee x x ARES wo PL. 94 ¥¥XY ; : . RL; ~ Resco : 00+ Bea ‘ ha : aon ac I ate By sig am : , AS SANA OO “ r ; . OOO Be 8 sith. a, OO ; OOO OO OO) FX) MER) ROOK SOOO. OO e, ty) ¥XKN ‘oe4 ay i eo v5 yy oe Reef: a Aa i [| OK : OLIN ae RR Ox Hes. h : oleate ey OO ne,"9, vy ete’ OY o4 My , ee PA fj eA — Detail Court Entrance GATEWAY to COURT, ST. BRICE (SErNE-Et-OIsE) Pee \ ‘ ter Ue ath, oy CEN Wasi cae at Bait at an ‘thai ig iM cy ; nen i we Aun i } Hie} Y Be i, ih, if : i} yet ; h Wh Watt ra La! if et LIST OF ILLUSTRATIONS MANOR or CANAPVILLE (Catvavos) a | General View 1 Main House a Small House i Pigeon House 4 MANOR or VONNE, NEAR ARTANNES (InprRE-ET-LoIRrE) Plan I (in text) Court Front ay Rear 6 Mantel in Great Room 7 Shed 8 CHATEAU or CAREL, ST. PIERRE-SUR-DIVES (Catvapos) Plan II Garden Details Ill General View 9 Detail of Central Motive 10 Left Pavilion 11 Orchard Side 12 River Side ee HOUSE or Mr. D’ALLIGNY, AUTUN (Saone-Et-Lorre) Outhouse IV Entrance Front 14 Horseshoe Steps 15 Outhouse 16 FARM or MOLINOT (Core-p’Or) Farm MANOR or VASOUY, near HONFLEUR (Catvapos) Plan Garden Elevation Side Elevation Details Dining-room Dining-room Mantel Sitting-room Bedrooms Garden Side Corner of Garden Side Detail of Central Bays Dining-room Mantelpiece Dining-room West Wall Sitting-room Bedroom ‘“D” Bedroom ‘ A” Window in Bedroom “A” BUILDING on FORECOURT, CHATEAU or AZAY-LE-RIDEAU (INDRE-ET-LOIRE) Elevation Details Front Corner of Outbuilding Side Door ; Outbuilding from Forecourt FARM or LA VESVRE, near AUTUN (Saone-Et-Loire) Plan Gate to Court Steps to Terrace Side-door Gardener's Cottage Farm-yard Corner of Farmer’s House Shed Barn Small Door in Stable Borders in Garden Garden Water-tank DRAWINGS V VI Vil Vill IX X XI XU XII XIV XV PHOTOGRAPHS 17 18 At) 20 21 22 23 24 25 26 27 28 29 (in text) 30 31 32 33 34 35 36 37 38 39 40 PLACE VAUBAN or GRAND COURS, AVALLON (Yonne) Plan and details Statue of Vauban Lower End General View Side View Central Steps Balustrade 123, QUAI pes CHARTRONS, BORDEAUX Elevation Details Front on the River OUTBUILDINGS or tHe CHATEAU or SAUMERY, HUISSEAU- SUR-COSSON (Lorr-ET-CHER) Plan Great Gate House from First Gate Great Gate House Great Gate House from Inner Court Garage Well Pigeon House Bedroom on Ground Floor Drawing-room Priest’s House “THE HIGH HOUSE”, ST. PRIVEE (Orviéans) Plan Garden End of House Garden ORANGERY, BOTANICAL GARDENS (Rouen) Orangery Detail of End Pavilion Orangery ANNEX ro tHe CITY HALL, IVRY-SUR-SEINE (Paris) Exterior Elevations Court Elevations Stair Details Exterior Details and Plan Front on Square Court Front Street side Court Gateway Court side Court Gateway Staircase DRAWINGS XVI XVII XVIII XIX XX XXI XXII XXIII XXIV PHOTOGRAPHS 41 12 43 At 45 46 47 48 49 50 51 52 53 o4 55 06 57 58 59 60 61 62 63 64 65 PANELLING or rH—E PERRIN ROOM, MUSEUM or DECORATIVE ARTS, PARIS Elevations Detail Niche for Desk Side Wall 24, RUE vp—E GRENELLE, PARIS Elevation Detail of Door CHATEAU or MONTJALINS, near AVALLON (Yonne) Entrance Front Main Entrance LITTLE CHATEAU, VITRY (Paris) Front Elevation Rear Elevation Garden Front Street Front Detail of Window 2, AVENUE pe BOIS-PREAU, MALMAISON Plan Street Elevation Garden Elevation Side Elevation and Gate Detail Front toward St. Germain Road End on avenue de Bois-Préau Garden Front Entrance Gate Gallery Bay Garden Detail Dining-room GALERIE BORDELAISE, BORDEAUX Elevation and Plan Shop Front End of Gallery VILLA, CLAMECY (Nrévre) Elevation DRAWINGS XXV XXVI XXVII XXVIII XXIX XXX XXXI XXXII XXXII XXXIV XXXV XXX [in text PHOTOGRAPHS 66 67 68 69 70 71 72 73 (in text) 79 80 81 DRAWINGS PHOTOGRAPHS COLUMN FOUNTAIN, BORDEAUX Elevation XXXVII Elevation : (in text) FOUNTAIN, ST. PIERRE-SUR-DIVES (Catvapos) 82 FONT at tHe ABBEY or VEZELAY (Yonne) 83 DOOR or TOWN-HALL, SAULIEU (Core-p’Or) 84 Title Page X XXVIII SHOEMAKER’S SHOP, CAUDEBEC-EN-CAUX (SEINE-INFERIEURE) 85 GUNSMITH’S SHOP, CHARTRES (Evre-er-Loir) 86 TOWN-HOUSE, AUTUN (Saone-et-Loire) 87 BALCONY, VEZELAY (Yonne) 88 COURT anp SQUARE, RICHELIEU (Inpre-Er1-Loire) Square 89 Courtyard 90 DOOR ar ALENCON (Orne) 91 ARROW-DOOR, ARQUIAN (Niévre) Elevation XXXIX (in text) ALTAR RAIL, CHURCH or ST. ANDOCHE, SAULIEU (Core-p’Or) XL COTTAGE, near VASOUY (Catvapos) 92 GATEWAY to COURT, ST. BRICE (SeErNg-ET-O!seE) Street side of Court 93 Detail Court Entrance 94 ae a i a fw ea i a are Wis if Sy | _ Pe. 1 atin F Mia Ae or } - ; i ‘ ne a y ate 5 i ee 1 DANIEL JACOMET IMPRIMEUR D’ART PARIS j 1 nit i, nn Mie } a1 wy rey i > ae 7 e CHER aR TON nt Saar , A men hy eas UNIVERSITY OF ILLINOIS-URBANA ALU 3 0112 040168665