•r.%^<^-i^. ^^^s ^m^m ■'^ 'libr.ar.y "^ OF THE UNIVER.5ITY or ILLl NOI5 823 C6Sm V.I THE MAN IN CHAINS BY C. J. COLLINS AUTHOR OF "SACKVII.LE CHASE," "SINGED MOTHS,' ETC. IN THREE VOLUMES VOL. I LONDON JOHN MAXWELL AND COMPANY 122, FLEET STREET M DCCC LXIV [^All rights reserved} 1^ -J ^ rA3 CONTENTS OP THE FIRST VOLUME. CHAP. PAGE I. gray's inn and its new member . . 1 II. MISERRIMUS 24 III. A CRY OF MURDER IN THE CITY ... 52 IV. " THERE IS THAT CREATURE AGAIN, PAPA. LET US GO home" 78 V. VISCOUNT MONTALEAN AND HIS DAUGHTER AT HOME 100 VI. SILVESTER LANGDALE'S FIRST BRIEF . . 12G VII. A BOUDOIR NEAR TO KENSINGTON GARDENS 14G VIII. SILVESTER LANGDALE's FIRST APPEARANCE IN COURT 166 ^ IX. THE TRIAL OF ABEL BARNES . . . .189 :^ X. SILVESTER LANGDALe's NEW CLERK . .211 XI. SILVESTER LANGDALE DINES WITH VIS- ^ COUNT MONTALBAN 234 IV CONTENTS. CHAP. PAGE XII. MISS MONTALB.\N AND SILVESTER LANG- DALE 254: XIII. SILVESTER LANGDALE FORGES HIS FIRST CHAIN 274 XIV. THE YOUNG BARRISTER TAKES ABEL BARNES INTO HIS CONFIDENCE AND HIS SERVICE. SEVERN BARNES IS HEARD A LITTLE MORE CONSPICUOUSLY IN THIS HISTORY 293 THE MAN IN CHAINS CHAPTER I. gray's inn and its new member. Gratis Inn Lane is not in appearance suggestive of hedgerows and wild flowers, the creeping convolvulus or the prickly briar. It is wretched and miserable in winter, it is like an oven in summer. It can never put forth a green leaf, even if it had any trees along its course, which it has not; and it is not probable that it will be ever anything else than w^hat it is, — a leading thoroughfare, narrow, squalid, and dirty. On each side are the dusty and dilapidated remnants of a past age — an age which succeeded that in which, VOL. I. 1 2 THE MAN IN CHAINS. before Grray's Inn Lane became a street, a sylvan nook, a real country green lane existed, running through verdant fields, redolent in the spring-time of the perfume of the cowslip, and shining in the fresh- ness of a brilliant verdure. But that, of course, was long before the vast metro- polis of the British empire began, like some huge reptile, to stretch its feelers out, and to remorselessly devour the country all around it. But although Grray's Inn Lane is not only not attractive, but is actually repul- sive — although its houses on either side seem to threaten each other with a gloomy defiance, which is strangely blended with a kind of drowsy indifference as to whe- ther they should fall together into the thoroughfare, and so block it up, and thus be each self-destro^dng in their neigh- bourly hatred ; or gradually, by torpid and almost imperceptible advances, form THE MAN IN CHAINS. 6 an intimate junction with their frowning roofs, and thus completely shut out the light of heaven, which now but struggles to find an entrance there ; — although such be the existing condition of Grray's Inn Lane, yet may we, by the simple exertion of making but a few strides, effect a change around us as effectual as that which a wizard might have produced when wizards were in the plenitude of their power, and roamed about this earth seeking whom they might transform, — a change as marked and striking, and as pleasing, as that which is effected by the aid of the ubiquitous harlequin at Christmas-time ; a change from the debased reality of the back slum of a great city, to a glorious picture fresh from nature's fairest scenes. As we walk down Gray's Inn Lane, with its frowning grimness on either side — more frowning, more grim, more repul- sive on one side than the other — we 1—2 4 THE MAN IN CHAINS. might, by the agency of a transforming wand in the shape of some stout pickaxe, break through into a sylvan scene, where flowers flourish, where the grass grows thickly and luxuriantly green, and where great trees stretch out their giant arms as glorifying the heavens above them, even as though they were high towering above some rural glade where smoke and dust and noxious vapours have not penetrated. Yes, spite of its evil fumes and reeking kennels, its pent-up fever haunts, its filth, its misery, the degradation of its cabined toilers, there are green spots in the very midst of this great London, which prove that heaven had blessed the spot before the hand of man defaced the scene, and that still the blessing lingers even above the place where the spirit of miasma reigns. A ding}' room, up three flights of ancient stairs, scantily furnished, the THE MAN IN CHAINS. 5 walls wainscoted and bare, looks out upon the tops of the tall trees that flourish in Gray's Inn Square. This room has been but recently tenanted by its present occu- pant, a young man of three- and-twenty, who is a barrister-at-law of the Honour- able Society of Grray's Inn, by whom he has just been called to that distinction. It is a summer evening, and the two windows of the chamber are open, and through them comes a strange admixture of incongruous sounds. The roar of that mighty stream that rolls for ever up and down High Holborn is heard above the rest, like the beating of the breaking surf upon the sea-shore when equinoctial gales are prevalent, and ships go down at sea. It is a roar that is unlike that upon the sea-shore in this respect, that while the sea is sometimes calm, the tide that simultaneously flows both ways in the great gulf-streams that run from east to O THE MAN IN CHAINS. west of London is unceasing, and for ever thundering. Its roar comes in at the open windows of the room in Gray's Inn Square, and it is blended with the prattle of light-hearted children, who are gam- bolHng beneath the great trees that make the sj^ot anomalous, and shrill cries are heard from neighbouring offshoots of the mighty stream ; and if we listen at the window now on this calm summer even- ing, distinct from the- rolling roar, the merry laughter, and the shrill cries, we hear, like the faint echo of a fairy's revelry, the soothing hum of the plodding bee ; for on the next window-sill are flowers trained, flowers that are rich in sweet aroma which has attracted — whence? — that solitary bee, wliose hum makes the whole scene a strange anomaly indeed. We have to commence our stor}^ in the room that looks out upon the tops of the great trees that are in Gray's Inn Square, THE MAN IN CHAINS. 7 for the occupant thereof is to be our hero. It is he who is to be our Man in Chains • — those chains that no man can ever see, but which are clanking in every thorough- fare and in every crowd ; clanking with a sound that none can hear, although it can be felt ; clanking in the senate, on the judgment-seat, amidst the scenes of revehy and mirth, beneath the surplice of the high ecclesiastic, and the coronet of the great patrician; clanking amidst the jingle of tinselled fashion ; everywhere clanking with a sound that none can hear, and yet which vibrates to the very heart, and sometimes blights it. Our representative Man in Chains is Silvester Langdale. He is, as we have already said, twenty-three years of age; he has just been called to the bar ; he is utterly Avithout patronage ; he knows no- body in London ; and his stock of money is almost as limited as the circle of his 8 THE MAN IN CHAINS. friends. He has resources within himself, which, however, can scarcely he said to be all within himself, because they are not wholly dependent upon himself If they were, he might with truth aver that he was rich in resources. The gem in " the dark unfathomed caves of ocean" is of as much intrinsic worth as when it shines upon the bosom of an emjDress, for its light and glory are unchanged and unchangeable. We can see that light and glory when the jewel shines upon the imperial breast, but we do not know of its existence even, when the green waves roll over it and hide it from mortal eyes. So in the ocean of society. Down in its dark unfathomed caves are gems of thought within the human mind, and which extraneous circumstances have shut out from the surrounding intellect of all the world. Such gems had Silvester Langdale discovered in his own mind before he had THE MAN IN CHAINS. \) ventured into London. He had passed them through the alembic of his brain, and they had issued brilliantly, but they were not shining upon the world as yet. Silvester Langdale had been for some years an usher in a school in which he had previously been a pupil. It was in a quaint old city that is historically re- nowned in close connexion with England's greatness from the earliest times. Its cathedral is one of the grand memorials of an ancient day, when poetry would seem to have been blended with material architecture, and when the genius of the few shone like a solitary star amid the dark ignorance of the many. The city in 'which Silvester Langdale had passed his youth contained one of those noble monuments of the forgotten past. In regal troubles that city had been conspicuous, and it has the bones of kings enshrined within its sanctuary. 10 THE MAN IN CHAINS. Lingering in its byways, in quaint pre- servation, are houses in wliicli subject citizens of Queen Elizabeth were born, lived, and died ; and the strangely fashioned roofs of those old edifices suggest with silent eloquence strange scenes historical that have often been enacted in the streets below. Old men and women who were born in the quaint old city, and who have never left it, although the potent scatterer — the crea- tion of modern days — has carried its magic wheels in all directions from the old city, still hand down traditions that they received from their grandsires, of how, in CromwelFs time, the streets ran red with blood when tlie great fight occurred ; and they will point out where the exact spot is in which the fugitive Charles made his last stand, and com- menced his last flight ; and so, from age to age, imagination doubtless has em- THE MAN IN CHAINS. 11 bellislied facts wliicli sound like romance now. The school in which Silvester Langdale bad passed his youth was situated in one of the by-streets in the old city, — the oldest street in that old city, — and it was in the oldest house in that ancient street. And that old house was in itself an archae- ological curiosity. It was surmounted by a great roof of black timber, with heavy eaves deep enough to shelter big artillery, if it could be placed there, and having at each end a great towering gable. But the roof was not the only portion of the house that was overhanging, for every story overhung the one beneath it, so that the big old house completely overshadowed the narrow street. Across each story, stretching the whole length of the house, was a range of windows diamond-paned, and above them in the walls were massive black beams standing vertically in the 12 THE MAN IN CHAINS. white plaster of whicli the walls were composed. Nor was the interior of the house less quaint and striking. The chief entrance was at the side, a massive hlack, frowning gateway, with two ponderous wooden doors, like the portals of a cathedral, in one of which was a smaller door which was used as the entrance to the court-3^ard of the house, for the great doors of the vast gateway were never opened. The door leading from the court- yard into the house itself had a great porch with stone seats on each side, and there was a knocker on the door that looked more like a huge hammer than anything else, and which, when used, made the old house reverberate with ghostly echoes. The grand staircase within the house was something wonderful to look upon. It extended nearly the whole depth of the house, and was wide enough for a company of soldiers to march THE MAN IN CHAINS. 13 up the shallow stairs, six abreast. Indeed, amongst the traditions of the old place there was one concerning a troop of Eoyalists who did once flock up those great stairs and down again, just before the royal Charles took his way through the eastern gate of the city, and was no more a king. The great schoolroom was panelled with ancient oak, and about that old room there was a charm for every student in it, for therein the mighty Cromwell once held a council, and dictated orders that for a time extinguished Boyalty in all these realms. Such was the establishment in which Silvester Langdale had passed his youth. As a child he had been sent to the school, but the principal of the school never knew whence the boy came, or with whom he was connected. A mysterious person had left the child in his care, and the necessary honorarium was agreed upon ; the stipend 14 THE MAN IN CHAINS. for a year or two was regularly kept up, and then it suddenly ceased. But tlie old pedagogue liad come to love the boy, '■ — the old man had married in his youth, but his wife and child were snatched away from him 3^ears and years ago, — and he had adopted Silvester Langdale as his own son, and he had carefully trained that child to manhood ; and that little old man — he is very short and very round, and his face is very plump, and he has a glorious double chin, and his venerable old head is entirely bald — is with Silvester Langdale in the poorlj' furnished room that looks out upon tlie tops of the great trees that are in Grray's Inn Square. There is no consanguinity between that venerable man and Silvester Lang- dale, and yet, from the scene that is taking place, one might fancy that the nearest ties of blood bound them indissolubly to£:ether. The old man has fallen '& upon THE MAN IN CHAINS* 15 Langdale's breast, and is weeping like a child. "It is tlie first time," lie says, "that we have been separated. Henceforth the course of our two lives must be asunder. May yours, my boy, be onward towards a brilliant future." " And your own ?" inquired the young man, the big tears glistening in his eyes as he spoke ; — ^they would have their way, and so they coursed rapidly down his cheeks. " And mine 1" cried the old man ; "what matters it of mine ? My course is nearly run. " You will always let me call the old house my home ?" said Silvester Langdale, taking his friend's hand in both his own. The schoolmaster could only press Langdale to his heart, but the action was more eloquent than words. It was that afternoon that Silvester 16 THE MAN IN CHAINS. Langdale had for the first time been made acquainted with the history of his child- hood. His old guardian and instructor, whom he had looked upon hitherto as a father, had informed him that evening what their actual relative positions were, and Silvester Langdale had in that revela- tion been almost overwhelmed with a feeling somewhat akin to that a person might experience in the loss of a fond and attached parent. And yet Silvester had always known that Nicholas Darvill, the old schoolmaster in whose house he had lived, was not his father ; but until the evening of which we speak he had never known what their actual connexion was. Silvester Langdale had always spoken of and addressed the old man as Mr. Darvill simply. It is true that in the ancient city — for scandal is always rife in ancient cities — there were those who sometimes talked of old Mr. Darvill THE MAN IN CHAINS. 17 and his pupil usher, and they would smile as they did so, and make disparaging allusions, and remark that it was no un- common thing for rackety young fellows, who had been wild in their youth — not to say reprobates and unprincipled deceivers, when they were young, — to turn out, as they advanced in life, sedate and steady citizens, and estimable characters. It was true that nobody could remember even any suspicions of years long passed away against old Nicholas Darvill, but then the captious scandalmongers would argue amongst themselves that folks did not trouble to remember current scandals of half a century ago ; and after such deprecatory inuendoes they would in- variably come to the conclusion, that whatever had been the errors of his youth — thus assuming that they had been conclusively proved, — Nicholas Darvill had been an estimable citizen, a strictly VOL. I. 2 18 THE MAX IN CHAINS. moral character, and an inoffensive neigh- bour. Nicholas Darvill had always been proud of liis protege, and he had watched his expanding abilities as they had developed themselves, with a satisfaction which filled his heart and soul. "When Silvester first expressed a desire to follow the legal profession, Nicholas Darvill had warmly supported the choice; albeit he did so with many misgivings, seeing that the bar, as he knew, was a profession that is near akin in its nature to a lottery. There are brilliant prizes in its magic wheel, and there are many of them ; but how many hundreds of aspirants are there who sink before their prime into hopeless obli\don, without ever having had the opportunity of even trying one chance in the magic wheel, or one grasp at fortune thi'ough its agency ! All this did Nicholas Darvill feel and know, and once he THE MAN IN CHAINS. 19 ventured to hint his doubts and fears to Silvester, but the young man was so ardent, and so hopeful, and so enthusiastic about the bright future that liis imagina- tion drew, that the old man joyfully allowed those pleasing hopes to have their fullest play, — not the less so, perhaps, that he himself felt that he was gradually becoming their willing slave too. And so the means were saved by Silvester Langdale's own exertions — oh, how proudly did old Nicholas Darvill proclaim that fact to all who might be interested in the declaration ! — for him to become a member of the Honourable Society of Grray's Inn, and in due course his '*call" had taken place, and it was to see him installed in his new profession -^it was well that both the old man and the young one were very sanguine in their hopes — that Nicholas Darvill had come up to London. 2—2 20 THE MAN IN CHAINS. " My boy, the time is almost at hand when I must take my course back to my solitary home in the old house," says the old man, with a very palpable nervous affection about the region of the throat. Silvester Langdale presses the old man's hand again, and turns to prepare himself to accompany him to the railway- station not far off. Nicholas Darvill knows that this is the intention of the young barrister, and he hastily exclaims — "No, no, Silvester, you shall not accompany me. I can and will go alone." Silvester Langdale is about to offer some emphatic remonstrance, but the old man continues — " I am determined to go alone, Silvester. Indulge an old man's whim," and the tears come into his eyes as he speaks. " I am a poor old man, weak and foolish, perhaps ;" and he tried to speak cheerily, but the effort only partially succeeded. THE MAN IN' CHAINS. 21 "I would rather go alone, and for this reason, Silvester — if I leave you in this room I shall remember the separation all the more vividly. I could not bear to see you on the railway platform, amongst a crowd, as the train carried me off into the darkness of the night and the solitude of my own thoughts. Farewell, my boy. Yield me this little boon, and let me leave you now. Grod bless you, and may His blessing and fortune smile upon you." And the old man was gone, leaving Silvester Langdale standing in the centre of the chamber as one that was partially stupefied. He had yielded to the old man's desire, but his loving guardian had scarcely quitted the room when a sudden impulse seized upon the young man. He would follow Nicholas Darvill unobserved to the railway- station, and watch him to the last. Acting upon this impulse, he snatched up his hat, and had opened the 22 THE MAN IN CHAINS. door to -proceed down the staircase, when lie was met by a fair-liaired, handsome boy of about fourteen, who was the bearer of a note addressed to Silvester Langdale, Esq., Barrister-at-Law. It was written upon coarse and soiled paper, but in the corner Silvester recognised a well-known autograph. He hastily read the contents of the note, which were brief, for a trembling hand had scrawled the fol- lowing — " I have but just ascertained where you are to be found, and there may be time yet. You have never witnessed a death- bed scene ; it will be some relief to my closing anguish if you will come and witness mine. I am upon m}^ death-bed. Privation has done its worst, and I see a pauper's grave yawning by my side. For Heaven's sake, come to me before I sink. I am conscious that these are the THE MAN IN CHAINS. 23 last lines my hand will ever trace. For God's sake, come to me, and relieve the anguish of one who signs himself truly, " MiSERRIMUS." The autograph, as we have said, was on the superscription of the note, and Sil- vester Langdale told the bearer of the letter that he would follow him imme- diately. He did so. THE MAN IN CHAINS. CHAPTER II. MISERRIMUS. Silvester Langdale intimated to the fair- haired messenger that he would at once accompany him to the abode of the writer of the note that he liad just delivered, and he followed the hoy down the stairs into the public thoroughfare in front of Gray's Inn Buildings. It was now deepening twilight, but Silvester Langdale had a better oppoiiunity of observing the ap- pearance of the boy than when he was on the darkened landing outside the chamber in Gray's Inn. He was a bright, fresli- coloured, intelligent-looking boy, with fair, curly locks and bright blue eyes, and he THE MAN IN CHAINS. 25 spoke with a remarkably pleasing voice. The general character of his attire was altogether out of keeping with his fair, round fjice ; for while his flowing hair had evidently been well tended, and his face was clean, his clothes were ragged and patched, and they looked as though they were much soiled, although in reality such was not the case ; but they had been so much brushed, that all the vestiges of anything like nap had been worn off the cloth of which his jacket was composed, and so it looked brown and dusty, al- though its original hue had been black. His trousers were patched at the bottom of the legs with pieces which formed a very bad match to the original material ; and his boots were fearfully down at heel ; indeed, they might be truthfully described as being out at heel, even as his scanty jacket was out at elbows. On his head he wore a covering which had once been a 26 THE MAN IN CHAINS. cap, but which now, from its limpness, looked much like a loose black bag that had been discarded by some gatherer of trifles. It was that cap which seemed to complete the general ragged appearance of the boy; and the cap alone, to say nothing of his poor boots, would have been sufficient to have ensured him a bad character in any part of the great world of London. Spite, however, of his ragged appearance — spite of the unmistakable poverty in which he must have lived and was then living, there was something in his countenance which strongly attracted Silvester Langdale. In another minute they were in Hol- born, and the boy said they had not far to go; they would soon be there, where Miserrimus — he did not use that word, but — where his uncle was ill and dying. "How long has he been ill?'* Silvester Langdale inquired. THE MAN IN CHAINS, 27 " " Ever since lie came to mother's, sir," answered the boy; " that is three months ago. '' Has he been attended by any medical man i^ " The doctor of the parish has been two or three times, and said my uncle must have nourishing things ; but how can we get nourishing things for him, sir ?" the boy inquired, piteously. "It is as much as mother can do to send me to school." "Oh, she sends you to school, does she ?" said Silvester Langdale, in a tone that seemed to be one of relief to him ; indeed, he felt an undefinable satisfaction in the discovery that the boy did go to school. " But I've learnt a good deal more from uncle than I have at school," continued the boy. "Oh, sir, doesnt he know a lot !" 28 THE MAN IN CHAINS. "Yes, lie is very accomplished," said Silvester Langdale, in an abstracted tone. " I think there's nothing he doesn't know, sir." "What has he been teaching you?" Silvester inquired. " Why, I haven't had time to learn much from him, because three months isn't long, sir, is it ? And then when uncle was taken so very ill, he could only talk lessons to me, and not teach me with books. He's told me all about mathe- matics, and Eoman history, and the history of Greece ; and when he first came he taught me to fence and to draw, but that was only on a slate, because we couldn't get any pencils and books; for we can't buy anything but something to eat, sir, and not always that." The boy spoke earnestly and sorrow- fuUy. " Many a time have I woke up in the THE 3IAN IN CHAINS. 29 middle of the night, and seen mother a-crying, and I know what it's for." "Have you a father?" inquired Silvester Langdale. " Oh yes, but he finds it veiy hard to get any work since he lost his last fight." "Lost his last fight!" exclaimed Silvester Langdale, in a tone of astonishment. " Yes, sir ; he used to be a fighter by profession, and then take benefits ; but he can get nothing to do now any way. After his last fight he tried a walking match, but because he sprained his ankle, the people said he'd sold them; but I know that he never did, and he would do any work, I am sure, that he could get to do." By this time they had reached a narrow, miserable alley leading out of Farringdon Street, a thoroughfare which was thick with stifling vapour in the summer-time, — thick and hot, a strange admixture that 30 THE MAN IN CHAINS. made tlie skin feel clammy, and induced incipient nausea in those who were un- acclimatized to the locality, — and the boy stopped at the door of a miserable-looking house, about halfway up this small artery of the great metropolis, and said that was his "home." Poverty — abject, crushing, demoralizing, hideous poverty — had set its seal even upon the very threshold. The staircase of the wretched house was close to the door, — so close, that you might step from the narrow pavement of the street at once upon it. "Please to follow me, sir," said the boy ; and he led the way up the winding, narrow staircase, which was in utter dark- ness half a dozen steps up. So dark was it, and Langdale so frequently stumbled, that the boy said, " Will you please to take my hand, sir ? I know all the stairs well enough;" and Silvester Lan^xlale did so. THE MAN IN CHAINS. 31 There was a faint glimmer of a thick, heavy light when they came to the first landing, and Langdale felt a kind of relief when he had reached the spot, for the staircase was evidently of such a peculiar construction, that a false step must in- evitably precipitate an uninitiated stranger to the very bottom, without a chance of saving himself. It was with anything but gratification, therefore, that he re- ceived from his youthful guide the inti- mation that they had yet another flight of stairs to mount precisely similar to those up which he had with so much difficulty ascended. By the same process, and with the same difficulty, he succeeded in reaching the second landing, and the boy noiselessly opened a room door, and thus presented a scene to the eyes of Sil- vester Langdale which instantly stamped itself upon his mind, never to be efikced therefrom. There was a dim yellow light 32 THE MAN IN CHAINS. in the room, proceeding from an attenuated candle that was inserted in an old iron candlestick, that might have been re- claimed from a dust-heap, but which, nevertheless, was clean withal. In the light that proceeded therefrom, Silvester Lanofdale was enabled to see a wretched bed upon the floor, upon which was lying a human form that Langdale instinctively felt, rather than saw with his eyes, w^as almost as fleshless as a skeleton in a charnel-house. The Avretched bedclothes were evidently so thin that the outline of the person who w^as sleeping in the bed was painfully traceable and terribly sug- irestive. There %vas no furniture in the room save an old chair and a large dilapi- dated trunk, which was made to serve the purpose alternately of a washstand, a table, and a desk. On the chair a w^oman was seated, watching the sleeper upon the wretched bed. The moment the door THE MAN IN CHAINS. 33 opened, she rose and put lier finger to lier lips ; and when she saw Silvester Langdale, she bowed to him with a natural grace that really almost seemed like a mockery in that dismal room. This was the thought of Silvester Langdale as the woman advanced noiselessly towards him. " Mr. Langdale, I presume," she said, in a whisper. " He has been talking of you, sir, the whole day, and I fear me that what he has said is really prophetic." And the woman wept bitterly. "What has he said?" inquired Silvester. "He says he has but to see you, and to die in the misery that he has inherited ; but in peace," she replied. "Oh, my poor lost brother of a miserable sister." " You are his sister, then ?" said Lang- dale ; " I never knew he had any relations until this boy spoke of him to-night as his uncle." The sleeper moved upon the bed ; the VOL. I. 3 34 THE MAN IN CHAINS. involuntary effort was evidently painful, for he groaned. Langdale went to tlie side of the bed, and seated himself on the box, and waited in silence for the sleeper to awake, the woman resuming her seat in the chair on the opposite side. He looked round the miserable room, and observed it more attentively than he had been able to do when he first entered. '''And has it come to this?" he mused; ■" a brilliant intellect, so highly cultivated, too, to find a home at last like this. God ! the contemplation seems to scorch my brain !" And he put his hand up to his forehead as he thought this ; and musing still amidst that awful Avretched- ness that was so palpable around him, he remembered those happy days of his youth when the miserable creature who was now lying upon that Avi'etched bed was a thoughtless, gay, and brilliant man — reckless, it is true — careless of his great THE MAN IN CHAINS. 35 mental acquirements, and ambitious only for the applause of pothouse companions, and recking not of what the future might produce. He was the idol of the school- boys whom he taught in Nicholas Darvill's school. They caught up readily the in- struction that he was so well able to impart, and his tuition was no drudgery to them. If he had been endowed with energy and with ambition, an intellect such as his, stored as it was with most precious gifts, might have carried him to a splendid eminence, glorious to himself and beneficial to the world. But his am- bition, as we have said, was limited to the miserable sphere of a small pothouse, and he gradually clouded his great intellect in those fumes that leave their blight upon the mind. To him it was facile to gather the treasures of ancient and modern lite- rature, for Greece and Eome and Germany had no arcana amongst their intellectual 3—2 36 THE MAN IN CHAINS. treasures that he could not with ease explore. And yet he wasted such great gifts as these upon the narrow intellects of those whose temple was a puhlic-house, and whose enjoyments were material. He was content with the celebrity which such a circle could give, and with the material pleasures which tobacco and malt beverages could yield. With these twin agents would he cloud his brain until he verged upon lunacy, and became indifferent to all around. In consideration of his great intellect and wide acquirements, Nicholas Darvill had tolerated his usher's self-neglect, and something worse, until his patrons, the parents and guardians of his pupils, became loud and menacing in their remonstrances ; and so, reluctantly, after repeated efforts to produce a salutary change in his course of life, the old man was at length compelled, with his eyes clouded by tears that welled up from his THE MAN IN CHAINS. 87 generous heart, to send the man who has just so truly signed himself " Miserrimus" out upon that world of which he knew hut little and cared for less. From that moment Silvester Lang^dale had heard nothing of his instructor, save that he had made his wav to London, and had there been lost as it were in its over- whelming vortex. It is not surprising, then, that the young man should feel something like anguish as he looks down upon the wretched bed beside which he is sitting; it is no matter for wonder that his heart should beat against his breast convulsively as he sees the wasted form upon the bed turn slowly round towards him, and gaze upon him with eyes that seem to glisten from a dead man's skull. Those eyes have recognised their visitor, for a feeble voice — so feeble that its utter- ance sounds like the hoarse echo of a sigh — cries — 38 THE MAN IN CHAINS. " Langdale, this is kind." And Silvester Langdale is made con- scious that an attenuated hand is held out towards him. He takes it in liis own, and as he does so, a manifest shudder runs through the young man's frame, for it is like a grasp from the fingers of a skeleton. " Stoop down to me, Langdale." Silvester did so. " My sand is almost run out — you would not have known me — say that you would not have known me." Silvester Langdale could with truth, indeed, have declared that he would not have known his former tutor. How should he, indeed? — that sunken cheek, so hol- low that the jaws stood out prominently — the mouth covered with matted hair — the forehead wrinkled with deep furrows that privation had carved out — the whole face, indeed, suggestive rather of that THE MAN IN CHAINS. 39 dread change that comes on after death and in the grave, than of that once beam- ing face that, when he knew it in his youth, was ever lighted up with the joy- ousness which is characteristic of the heart that takes no heed of what the morrow may produce. Know him ! oh, how should he have known him beneath such a change ? " Langdale," said the dying man,, clutching at Silvester's hand, " I shall soon be gone, and I shall have died by slow degrees." The truth of this declaration was too painfully manifest to the young man as he held that attenuated hand, and he felt that he was unable to make any reply to it, even in the shape of commiseration,, which might have sounded something like a mockery, even if he had been equal to the task of offering it. After a short pause, the wretched recumbent on the 40 THE MAN IN CHAINS. bed continued in the same tone as before — " You recollect, Langdale, how we used to read of the refined cruelty that was practised in the Middle Ages, and liow ingenuity was tasked to find out means of slow, but sure and lingering death. I have been sufiering that torture. My soul has ebbed away, and I have known no consolation," and then he turned round and gazing full into the face of Langdale, he added, with deep earnestness — " Lang- dale, for two long months I have been without tobacco/' The declaration had a strange jarring efiect upon the mind of the young man. There was an admixture of the ludicrous and the solemn, the grotesque and the awful, in the whispered avowal of the man who, there could be no doubt, was dying then. " They have sent me from the parish THE MAN IN CHAINS. 41 medical advice ; but it is too late : tlie doctor has ordered me port wine, and Abel bas gone out with the order upon the overseer to get it. Port wine !" and a faint smile broke upon the lips of the wretched man. " Port wine for me, when what I have needed has been porter and tobacco !" Strange infatuation ! strong, even in death. " What can I do for you ?" faintly in- quired Silvester Langdale. "Nothing, my good friend — my old pupil." And as he said this, he again seized the hand of Silvester with his own bony fingers. " Nothing, unless you will smoke a pipe with me." There was a kind of fearful grotesque- ness about the invitation which thrilled to the heart of the young man, and he knew not how to answer the appeal that was thus made to him. The least consi- 42 THE MAN IN CHAINS. deration made the realization of the sug- gestion of the wretched man a sort of horror in the mind of Silvester. The picture that was presented to his mind was something like that of a corpse in revelry. But independently of this hi- deous consideration the young man felt embarrassed about the invitation that had been offered to him, because even if he were to accede to it it was doubtful in his mind what effect it might have upon the being who was prostrated beside him. After a moment's earnest and rather anxious thought, Silvester Langdale beck- oned to the woman on the other side of the bed, and, in a whisper, asked lier if the medical man resided in the neigh- bourhood. " In the next street only," she answered. Langdale took a card from his case, and hastily writing with a pencil thereon, directed the woman at once to proceed to THE MAN IN CHAINS. 43 the doctor, and give liim that card. Taking the boy with her, slie instantly proceeded on her errand. " Bless you ! bless you !" sighed the dying man. " I knew I might depend upon you for solace." Evidently mis- taking the errand upon which the woman had been despatched. The woman had scarcely left the miser- able apartment when Langdale felt a creeping horror come over him. What if the man should die while his relations should be away ? The thought caused him to break into a profuse perspiration, and it was quite a relief to him to hear the voice again of his old associate. " My sister is a good soul," said Nicholas Darvill's usher, "yet she mar- ried a pugilist ; but Abel is a decent fellow notwithstanding. We have all been starving; they are starving now, but they have never complained of the 44 THE MAN IN CHAINS. burden that I have been to them. Abel is a good fellow, although he is a prize- fighter and a professional pedestrian. I have been with him to tlie Hash houses, and we have picked up money together there, but the hand of misfortune has been heavy upon us both. But I have taught their boy as once I taught 3^ou, and he has been apt as you were. And he too has worked. Stoop down nearer to me," he said, as his voice seemed to become weaker. " He too has worked, and we have both been upon the stage, — ay, the stage !" he repeated, as he ob- served the expression of surprise that was upon Langdale's countenance. " That boy has been our chief support of late. He is a chorister boy, and has a wonder- ful voice." "But yourself — how were you upon the stage ?" inquired Silvester Langdale. "I became a dramatist," and the de- THE MAN IN CHAINS. 45 crepit man would have laughed at the declaration, but his strength would not permit the ebullition. "A dramatist !" echoed Langrdale. *' Ay, a veritable dramatist." " Not in your own name, then, or I should have recoo-nised it," suc^orested Silvester. " No ; I was Mortimer Montmorency." For an instant the old laughing ex- pression which Silvester Langdale re- membered so well, lighted up and ani- mated the eyes that had looked so fearful when he first belield them on that wretched bed. But the expression was less than momentary; it was gone even on the instant that it was p8rcej)tible to Langdale. " Yes, I wrote a play in five acts," feebly continued the almost exhausted man. " The boy was engaged at one of the theatres to take part in a chorus, and 46 THE MAN IN CHAINS. I went witli liim of an evening, and so "became acquainted with the manager. Oh, Langdale !" continued the shadow on the bed, after a pause, during which he had closed his eyes from sheer exhaustion — " oh, Langdale, you can have no idea of the solace that play was to me in my poverty and privation ! So abject was my poverty — but why need I dwell on that? — circumspice 1 — that I had to beg the paper upon which my drama was written, beg it of the manager whom I had informed of my scheme and plot. He encouraged me, Langdale. Bright dreams of halcyon days floated before my soul. I felt myself sublimed, and when I had placed my drama in the manager's hands, and he had informed me that he would produce it, I thought that my golden dream was out, that I could enter into the garden of the Hesperides. But from that dream I was rudely, crushingly THE MAN IN CHAINS. 47 aroused; for, listen to me, Langdale — listen to the golden guerdon I received for all my toil, and thought, and fondlj- cherished hopes." The flickering energy with which he spoke was too much for him, and he sank back upon his pillow with a groan which seemed to shake his emaciated frame. Silvester Langdale was almost afraid to draw his breath ; and it was a grateful relief to him when he saw the skeleton hand again move towards him. He could see that it was seeking his own, and so he put out his own to meet it, and the bony Angers grasped his hand again. Slowly the large eyes reopened, but they were not so bright as they had been when Silvester Langdale first encountered them in that room. " How dark it is becoming !" said the dying man, scarcely above a faint whisper. The same light was in the room that 48 THE MAN IN CHAINS. there had been previously ; and so the declaration of Nicholas Darvill's usher appeared strange to Silvester Langdale, but he did not express his surprise in words ; and the usher continued — " They gave me ffty sUllwgs for my drama in five acts, and then I felt tliat my soul was crushed — ay, even though the play by ' Mortimer Montmorency, Esq.,' as they styled me in the bills, drew large houses, and had a lengthened run. We could not live on fame and fifty shillings for three months' labour." The woman has returned with the doctor, a pompous little man, who would not have attended to the summons which had been sent to him if Silvester Lang- dale's card had not borne the inscription of " Barrister-at-Law" beneath his name. With the woman, and the doctor, and the boy, came the husband of the woman, the father of the boy. He was a big, burly THE MAN IN CHAINS. 49 fellow, athletic and muscular; but his countenance was not repulsive, as is the case with many of his calling, although it was scarred by the traces of conflicts which he had passed through. " What can be done for this wretched man?" Silvester Langdale inquired of the doctor in a whisper, and pointing to the breathing skeleton on the bed. "Nothing,'' replied the doctor ; "he is beyond human aid, and has been for days. It has only been a question of time." The callous way in which the medical ad\dser of the paupers of that densely peopled district spoke of the dying man sounded like a horror on Silvester Lang- dale's ears. * " Are you there, Langdale ?" The voice was distinct, but it was so fearful in Langdale's ears that he started back in terror; but instantly recovering himself, he said — VOL. I. 4 50 THE MAN IN CHAINS. " Yes, I am here." "You are not alone. Why has the room been darkened ?" The room had not been darkened. '' A sure sign that dissolution is at hand/' whispered the doctor to Silvester Langdale. "All will be over in a few minutes." " Bring your ear close to my mouth," said the dying man to Silvester. He did so. " In the box by the bedside is a manu- script. Ask for it." Silvester beckoned the woman to him, and told her what her brother had said. "Yes, sir; it is the sketch of a plot that my poor brother intended to work out," and she opened the box, and gave the papers to Langdale. What awful sound is that which seems to strike into the very hearts of those who are grouped around that bed of THE MAN IN CHAINS. 51 misery, destitution, death? It is the fearful summons, the indicating knell, the last dread effort that the animated clay can make before the spirit frees itself from its abode on earth. It sounds like what indeed it is, a summons from beyond the world, a summons from the unseen but not unknown, the final call from the everlasting. No motion now ; no sound from those parting lips, that are powerless to close, and which will never close again by the volition that has hitherto governed them. Yes, the doctor, the pugilist, the woman, the boy, and Silvester Langdale feel that they are in the chamber of death. No earthly trouble can again depress the soul of him who once was the gay, light- hearted companion, full of wit and joy- ousness ; but who is now an emaciated corpse. 4- LIBIiARY UMiyfiRSiTY OF ILUNOI^ 52 THE MAN IN CHAINS. CHAPTEE III. A CRY OF MURDER IN THE CITY. There is a motley crowd in tlie space that is ill the front of the old Guildhall in the City. It is mostly a ragged crowd, and there are many ill-favonred and slatternly women, and a good many children amongst it. The children are mostly female children too, and every one, for the most part, may be counted as a couple, or at all events one and a half, for nearly every female child carries an infant in her arms ; and there are burly labouring men with pipes in their mouths, and the majority of those labouring men are Irishmen, whose occupation, when they THE MAN IN CHAINS. 53 work, is in tlie region of the docks, or along the shores of the river. It is a noisy crowd, for the grown-up portions of it are in knots or clusters, who are loud in their vociferations, and demonstrative in their gesticulations. It is a kind of crowd that is frequently seen thronging about the entrances of the metropolitan police courts — a crowd that seems instinctively to gather on the spot where any startling crime has been committed, and the perpe- trator thereof has to be brought up in due course of law to answer thereto. It is a crowd that appears to scent the odour of a great crime from afar, and to gather round its centre as the vultures swai'm round carrion. And the feeling that prevails in such a crowd is usually one of mere curiosity, tinged, it may be said, with a morbid sympathy for the criminal, if the crime be specially heinous ; and if it be secret murder — murder in which 54 THE MAN IN CHAINS. there is fearful mystery, murder sur- rounded by appalling atrocity — then the crowd is dense indeed, but still composed of the same elements, and drawn from the same sources. It is on the first dawn of the crime, as it were, that this crowd con- gregates in front of our police offices — even before the rumour has gone forth — as soon it does — to every quarter of the great City's round, and through all the country too. And so that crowd at every stage of the terrible inquiry goes on accumulating, until it has swollen to a human sea that is hideous to look upon — a sea that surges in its fearful tide in front of that frowning fortress of crime which lies over against St. Sepulchre's ; a turbid sea that is all murky with crime and immorality, which flourish with peculiar rankness even in the presence of the dread example that swings like a mockery from the gallows-tree. THE MAN IN CHAINS. 55 The crowd is noisy and vociferating in front of the justice chamber of Guildhall ; for in the wretched alleys and the loath- some streets that lie about the City's heart the cry has that morning gone forth of murder. Close under the very spot where murders and assassinations of every grade of turpitude and horror have so frequently been expiated, the cry has been the loudest; for almost under the very gallows door — at all events in close proximity to it, so close, that when the gallows is erected, the wretched dwellers near the place can hear the sound of the builder's hammers on the Sunday night — a murder — so the rumour goes — has been that morning committed, and the wretched culprit is in the hands of the police, and is to be brought up before the aldermen — astute and learned on the bench, as that discriminating crowd all know full well they are. 56 THE MAN IN CHAINS. And as the hour approaches for the commeiicement of the judicial business of the day, the motley crowd of the morning draws to itself new elements from the surrounding streets ; for the cry of murder, even though it be whispered, has a fearful influence. The two aldermen whose turn it is to-day to take their places on the judg- ment-seat, and with great acumen ad- minister — for they can do so intuitively, or ex officio — that law — which, in other men, requires the study of a life, in order duly to expound it — have arrived; and with them, from the neighbouring council chambers, have flocked others of their body ; for murder is attractive even to an alderman. The doors are thrown open to the public, and there is a rush from tlie crowd outside; but only those who are close against the outside door have any chance of gaining admission, for the THE MAN IN CHAINS. 57 justice-room is of very limited dimensions, and the portion appropriated to tlie curiosity of the general public and wit- nesses, is of about the extent of the corridor of a small house. The great charge of the day is the first upon the list, and as soon as the august representatives of the majesty of the law have taken their seats, it is called on ; and immediately afterwards, as from a trap-door in the centre of the crowd that has been forced into the room, the form of a man is seen to emerge, with two atten- dant policemen to guard him. He is a big man of six feet high — fully, — broad and muscular in proportion, and is mani- festly possessed of more than ordinary physical strength. He has a muscular face, too, and a big, massive forehead, and the general expression of the countenance is that which classic painters and sculptors have handed down to us as the ruling 58 THE MAN IN CHAINS. type of the Eonian gladiator. As he stands against the iron bar which forms the dock for prisoners in this incongruous chamber of justice, he looks haggard and wild — an expression that is the more ap- parent from his shirt being open, and his stalwart neck exposed ; and he grasps the iron bar in front of him with both his hands. The prisoner was charged with killing and slaying one Ephraim Griasher, in whose house he rented a couple of rooms. The chief witness against the accused was the wife of the deceased, and the nature of the charge having been stated by the inspector of police, who had it at hand, this woman was called from a chamber that appeared to be situated in a dark corner of the justice-room ; and the moment she came into the presence of the prisoner, she burst into a paroxysm of ex- citement, and was with difficulty withheld THE MAN IN CHAINS. 59 from making a dash at tlie man at the bar. She was a woman of great stature, bony and angular, and with a countenance of a most forbidding expression. She was between fifty and sixty years of age, but she evidently possessed the vigour of youth still. Her attire was tawdry, but faded, and she had the general appearance of a flaunting gaiety that had lost its brightness, or from which the glaring colom-s had been subdued by age; the probabihty being that the several portions of her attire had separately flourished in a diflerent sphere from that in which they now were utilized. The moment this woman made her appearance in the court, she stretched her brawny arms towards the prisoner, and cried at the top of her voice — *' There stands the villain ; there is the murderer of my husband. The villain shall be * strung up if there is law in England." <30 THE MAN IN CHAINS. *'You must give your evidence, my good woman, in proper form, and in the usual way," said tlie senior alderman, with a profound shake of the head. " Yes ; I'll give my evidence against the devil, and I should like to tear liis heart out !" shouted the Avoman, and she looked indeed as though she would like to perform that operation upon the accused. " You must be sworn in due form," said the alderman, with a scared look. " Oh, I'll be sworn ; I'll kiss the book. Where is it ?" The book was handed to her, and she grasped it eagerly, and exclaimed, '' So help me, God," and then emphatically kissed the book. The clerk informed her that she must be sworn in the usual form, and that she had not gone through that form. *' In twenty thousand forms, if you like," shrieked the woman. THE MAN IN CHAINS. 61 " Please to take off your glove," saicS the magistrates' clerk. " What for ?" demanded the woman, in great excitement. " Because you must be sworn on the hook with your hare hand." "With both hands, if you like, an(3 bare headed too, if tliat will bring him to the gallows quicker," shouted the woman, Tind glaring at the prisoner as he stood in the dock, still grasping the iron bar. The woman hastily tore off her glove, and, clutching the book again, cried fiercely — *'Now what am I to do ?" The oath was then administered to the witness in tlie usual form, and with the usual grammatical accuracy, and in answer to leading questions, she deposed that the prisoner at the bar had attacked her husband in a most ferocious manner, and with his herculean strength had struck 62 THE MAN IN CHAINS. him dead upon the spot. In reply to further questions, she deposed that a dispute had arisen between the prisoner and her husband respecting certain arrears of rent that had accrued ; and because the decease had demanded simply that which was due to him, the prisoner had fallen upon him, and in his own room had struck him dead. She was required by the astute clerk to the magistrates to be a little more specific in her statement ; and after another ebullition similar to that with which she had favoured the bench on her entrance into the coui-t, she deposed that a relative of the prisoner, a drunken, lazy lie-about, had died suddenly in one of the apart- ments of the prisoner ; and her husband, finding that he had no other means of securing what was due to him, had recom'se to the expedient of seizing a trunk which was in the dead man's room, THE MAN IN CHAINS. 63 upon whicli the prisoner at the bar, who was a well-known pugilist by profession, had taken her husband by the throat, carried him on to the staircase landing, and there, with a death-dealing blow, had struck her husband down the staircase — dead 1 The prisoner, according to the usual form, was asked if he had any questions to put to the witness. " Questions !" cried the woman ; " let him look me in the face, if the villain can, and put any questions he likes." As is very commonly the case in charges similar to this in a police court, when a prisoner is required to put any questions to a witness — that is, cross-examine him or her as the case may be, — the accused man at the bar commenced a rambling statement of his answer to the charge that had been made against him, and he was entering into the whole facts of the 64 THE MAN IN CHAINS. case, when he was abruptly checked "by the clerk to the magistrates, who informed him that he would have an opportunity of making any answer he had to offer to the charge presently, but until then he must confine himself to any questions he might wish to put to the witness. The prisoner then turned to the witness, and commenced a recital of the incidents of the scene which had led to the catastrophe, which, in fact, was simply the defence in another form, and he was ao-ain checked by the magistrates' clerk, with the in- timation that he must confine himself to questions to the witness, and reserve his statement for the close of the inquiry. * This intimation only confused the prisoner, W'ho could not understand what cross- questioning the witness meant, unless he Avas allowed at once to give his own version of the entire matter respecting which he was thus charged. THE MAN IN CHAINS. C5 During the whole of the investigation the j)risoner might have been observed casting furtive ghmces first to one entrance to the court, and then to another, as though he anticipated the advent of some- body who would come to his assistance in the sore strait in which he was placed ; but no one appeared to relieve his anxiety. The magistrate inquired if there were any otlier v/itnesses, and a police officer stepped forward, and having been sworn with that distinct exactness and solemnit}'- which characterize the administration of an oath in an English court of justice, lie deposed that in going his rounds that morning he was startled by the shrieks of mm-der that proceeded from a street he mentioned; and on proceeding to the spot, he found a man lying at the foot of the first flio^ht of stairs in the house in question, in a state of insensibility, and he immediately sprang his rattle, which Vol.. I. 66 THE MAN IN CHAINS. brought to liis assistance two brother constables who fortunately happened to be near the locality referred to. Without attending to the insensible man, they promptly ascended the stairs, and found the prisoner at the bar in violent alterca- tion with the last witness, who had. made, as it would seem, a fierce onslaught on the accused ; and deeming this sufficient evidence that he had been the aggressor in the affray which had led to the con- dition of the individual they had stumbled over at the foot of the stairs, they had promptly taken the prisoner into custody, and conveyed him to the station-house, whither he was followed by the last witness, who forthw^ith charged him with the wilful murder of her husband, upon which they returned to the scene of the affray, and had the body of the deceased conveyed into a room of tlic house, where it w^as examined by the divisional surgeon, THE MAN IN CHAINS. 67 who at once pronounced that life was extinct. The prisoner was again asked if he desired to put any questions to the witness, and he intimated to the court that the whole matter was accidental, and that he had expected a gentleman would be there to tell his lordship all about it, as he was a lawyer, and liad been sent to. The bench gathered from this intimation that the prisoner expected legal assistance, and asked him if this were so ; but before the prisoner could answer the question, a slight commotion was observed at the magistrates' private entrance to the court, and the next moment a gentleman entered. The instant the prisoner saw him, he cried, " This, your worship, is the gentle- man I expected ;" and there was an ex- pression of relief upon his countenance as he said so. The gentleman who had entered the GS THE MAN IN CHAINS. court was a tall man of about fifty years of age, but liis appearance did not truly indicate what his real age was. Indeed, he was a remarkable man in this respect, for, as will probably be seen in the course of this history, he seemed to possess the faculty of making himself appear older or younger according to his will. He could look decrepit and bent ; he could walk erect and with a firm and determined tread ; he could assume a nervous twitch- ing of the hands, as though afflicted with incipient palsy and paralysis ; and he could grasp a man's throat with the iron grip of an athlete. He had been known to do so more than once since the time when he could make himself appear to be in age close upon the Psalmist's limit. His hair was thick and dark, and there w^as no indication of either baldness or of grey. He had a thick beard and a heavy moustache ; but the former was tinged THE MAN IN CHAINS. G9 with grey hairs, that appeared strong and bristly amongst the rest, which was of a deep, rich brown. Such was Mr. Marl Baskerville, the legal adviser with whom the prisoner at the bar had communicated. His legal practice was as peculiar as it was extensive, although it was almost exclusively con- fined to the members of the sporting world. In the turf, the ring, the hunting- field, the army, Mr. Marl Baskerville was as well known as the prime minister — • perliaps better, — and he was a conspicuous lisrht in that veiled scene which has been designated life in London. He was of the legal profession, but that was not his exclusive, perliaps not his principal calling ; he had much to do with money matters, and in his office, which was situated in some obscure locality in tlie west — obscure, and yet to a large portion of the world of London as well known as 70 THE MAN IN CHAINS. the Hay market — there were mysterious iron boxes, respecting which there were many legends ; for they were known to enshrine strange documents, brief in themselves, but which it were well to keep hidden closely. With the members of the pugilistic ring and its patrons, ]\Ir. Marl Baskerville was an oracle. He it was who prepared " the articles" that are drawn up for every fight, — drawn up with as much particularity and verbal strictness as though they were treaties in diplomac}^, or instruments which the law would recognise, act upon, and, if necessary, enforce. Mr. Marl Baskerville had at once answered to tlie summons of Abel Barnes, the prisoner at the bar, and he now appeared at the court in his defence. A few words to the bench explained the position of Marl Baskerville, and that he requested a few minutes' consultation THE MAX IX CHAINS. 71 with the accused, which was at once granted, and the prisoner was conveyed into the obscure room that led out of the dark corner of the court. The consultation w^as but brief, and presently the prisoner was placed at the bar again, and the evidence that had already been taken was read over to Mr, Baskerville, who desired to cross-examine the wife of the deceased, and she cried, — " Cross-examine ? Yes ; you may cross- examine me till you're blue in the face, but you shan't cross-examine his neck out of the noose ;" and she pointed with a frantic gesture to the prisoner at the bar. Mr. Baskerville asked if the deceased had not threatened the prisoner with a knife, and the woman emphatically denied it. In answer to further questions she said that' her husband was the owner of many houses similar to the one in which 72 THE MAN IN CHAINS. the prisoner lived, and that they were all let out in rooms, and she never inquired how many people occupied them so long as the rent was paid every three days at the farthest. If it was not paid, the tenants were ejected by force, without the delay which any legal form would necessitate, and whatever they had was seized. Mr. Baskerville then put a question to the woman which roused, her fury to the utmost, and she clutched her fingers at her questioner as though she would like to tear him. The question was a very plain one, and such as might, under ordinary circumstances, be easily answered. It was this, — " Were you really married to the deceased?" Instead of directly answering the question, she, as we have said, clutched with her fingers at Mr. Baskerville, and her rage glared through her eyes THE MAN IX CHAINS. 73 and swelled her throat. She broke out into emphatic vituperation of the pri- soner and his advocate, nor was her rage at all calmed by the magistrate inquir- ing what the question had to do with the investigation, that was then being made. Mr. Baskerville, in a tone of voice that was not audible in the court, told the aldermen that he had merely put the question with an ulterior object. The fact was, he should be able to show that the woman was not married to the de- ceased, and as she therefore could have no claim upon his property, her virulence towards the prisoner might be accounted for. He then spoke in a louder tone of voice, so that he might be heard over the whole court, and said that as it was probable that the aldermen would not finally deter- mine upon the case at that hearing, but 74 THE MAN IN CHAINS. await the verdict of the coroner's jnry, he should content himself b}^ calling one witness only, and that was the prisoner's son; and he requested the usher of the court to bring in the boy, Severn Barnes by name. The boy, having been produced from the dark room, \vas placed in the witness- box; his eyes were red, his face was haggard and pale, and the vibration of his heaii; could almost be seen through the threadbare and slender covering that was upon his breast. In answer to the ques- tions that were put, he deposed that on the previous night his uncle had died — and here the poor boy wept bitterly — that shortly after the death of his uncle, the landlord, who was the deceased Ephraim Glasher, came home in a state of intoxication, and demanded to know if that — using a fearful imprecation in Teference to the dead man — had paid his THE MAN IN CHAINS. 75 rent, or paid anything in lieu of it ; and on being informed that the man would never pay rent again, for he was dead, he declared, with an oath, that it was a lie ; and he came up the stairs, and was at- tempting to force his way into the room in which the corpse lay, when the accused intercepted him, and declared that he should not enter the chamber. This would seem to have infuriated the man, and to have confirmed him in his behef that the wretched occupant of the room was not dead ; and drawing a knife from his pocket, he swore that unless the prisoner permitted him to enter the room and satisfy himself, he would stick him. "You shan't enter to-night," cried the prisoner ; upon which the landlord made a rush, with the knife in his hand, at the prisoner, who struck out at the deceased with such force that he was knocked down the stairs, and, falling 76 THE MAN IN CHAINS. heavily to the bottom, was killed upon the spot. The policeman was recalled and ques- tioned as to whether he had seen any knife; and he replied that when the deceased was carried upstairs, a large clasp-knife was found firmly grasped in his hand. The crowd outside the court had been informed of the course the inquiry inside was taking, and some of the groups of slatternly women expressed themselves with something like indignation that a case which had promised in the morning to be one of atrocious murder, should be dwarfed into manslaughter at the most. What was the use of stopping to see the prisoner brought out? he could not be hung for manslaughter. All the interest of the case was gone, and so most of the crowd went too ; and when Abel Barnes was remanded upon the charge THE MAN IN CHAINS. 77 against him, there were few to notice how pale he looked, and to feel sym- pathy with that ragged but good-looking boy who clung to him as he was being removed. 78 THE MAN IN CHAINS. CHAPTER IV. " THERE IS THAT CREATURE AGAIN, PAPA. LET US GO HOME." The London season is at its height, and is in its glory ; indeed, it has been more brilliant than usual, for there have been many adventitious causes conducing thereto. There have been great attrac- tions in the metropolis, that have drawn visitors from all parts of the civilized world, and London has been the centre of gay excitement that has been administered to from every quarter of the globe. And yet gaiety in the public streets, even when that gaiety is exhibited by congre- gated myriads, does not seem to harmonize THE MAN IN CHAINS. 79 with London; it is not natural to it, it is manifestly out of place. The people know how to enjoy themselves, of course ; they are constantly seeking outdoor pleasures, and finding them after their own fashion, and according to their own. tastes; but the English people, never- theless, do not understand, or, at all events, do not exhibit, the real spirit of al fresco enjoyment, that is in the me- tropolis, or in any of the large towns. But London is noisy enough in its mirth, and it is excitable enough therein occa- sionally, and it can get up demonstrations, vast and almost overwhelming in them- selves, but which are almost invariably attended with something that is very nearly allied to failure, although un- doubtedly there are grand exceptions, but still we should be but a sorry nation if our national character were to be indicated by our public demonstrations. They are 80 THE MAN IN CHAINS. always solid and substantial enough, but tliey are generally bungling, and are only impressive in the dense mass of hetero- geneous order by which they are charac- terized — a kind of order, however, that is anomalously a mass of confusion, from which it is something Avonderful that no disaster arises, beyond the crushing to death of some dozen or so of unfortunates who happen to be unluckily thrown down and trampled upon. A general illumina- tion is not a frequent event in London, and one would fancy that, being of rare occurrence, something like versatility of taste would be exhibited in canying it out when it does take place ; but no, the illumination of this year is precisely the f>ame as the one two years ago, and stars and garters, crowns and olive-branches, are the limits of the nation's taste in this respect. The gayest scene in all London, in the THE MAN IN CHAINS. 81 London season, is witlioiit doubt Eotten How, in Hyde Park ; and it seems distinct from London, although it is a charac- teristic part of it. If it were possible to analyze the elements that compose that scene in the drama of civilization, how strange, and perhaps we might say how startling, would be the result obtained ! It is not our purpose to attempt such an analysis, seeing that we have no alembic for the purpose ; but the drive in Hyde Park, and the ride in Eotten Row, in the midst of London's season, could supply an almost inexhaustible source of reflection to the meditative philosopher who might choose such a field for his speculations. It is said that the most profound novelist that France has ever produced has manu- scripts in his library table that would fill fifty large volumes, and that he intends to write for ten years more, if he be spared, before he publishes any of them ; VOL. I. 6 82 THE MAN IN CHAINS. and the reason that he assigns for this strange literary hoarding is, that he has marked out a certain course for himself in which to develop certain phases of society to a limited extent, and only to a limited extent; because he avers that if he were to fashion out all those materials that a walk along the Boulevards of Paris would supply, he could not do it in a hundred years. What, then, must Eotten Eow and the drive in H3^de Park be to the imaginative, and contemplative, and creative mind ? Marl Baskerville is no creative or ima- ginative philosopher, and yet, as he stands at the entrance to one of the crossings of Eotten Eow, waiting for a favourable opportunity to pass over to the other side when an eligible opening shall pre- sent itself in the stream of equestrians then surging up and down the avenue, a philosophical reflection does pass through THE MAN IN CHAINS. 83 his mind, and* lie falls into a kind of reverie as he leans against the railings at the side of the road, from which, how- ever, he is presently roused by a voice exclaiming — " Hollo, Baskerville, you're the very man I wanted to see." The voice proceeded from a gentleman on horseback, who had reined in his horse the moment he saw Baskerville. He appeared to be a rather tall and s|)are man as he was seated in the saddle, and he looked between forty and fifty years of age. By his side, on horseback too, was a young lady, of probably about eighteen or nineteen, attired in a riding-habit, and wearing a cavalier hat, which was adorned with a profusion of crimson feathers. She wore gloves which, gauntlet-like, extended nearly to her elbows ; and in her hand she carried a riding- whip — not a toy, however ; not the limp, light switch that 6—2 84 THE MAN IN CHAINS. young ladies commonly fionrisli when on horseback, but a large black whip, thick in the handle, and heavily mounted with embossed gold, the top thereof being sur- mounted by a figure of a racehorse with a jockey on his back. She exhibited a com- manding and most attractive figure on horseback. The body of her riding-habit fitted faultlessly, and displayed a beauti- fully tapering waist, above which swelled out, in rolling voluptuousness, those rounded curves which such an attire is so well calculated to make conspicuous. Her face was exceedingly beautiful, but it ex- hibited a haughty sternness, which per- haps arrested the attention more forcibly even than its beauty. Her eyes were large and almost fierce in their brilliancy, their colour being undefined, something between blue and grey; but whatever their colour might be designated, there could be no doubt as to their power to THE MAN IN CHAINS. 85 express strong passions, and to flash with every fiery impulse of their owner. Her lips, although they were full and large, had an equal power of expression, when passion called it forth ; and her nose was large and prominent, but still in entire harmony with all the other features. Al- though her countenance in repose was soft and beaming, yet had it an expression of strength which was not masculine, and of linear development which was not power. It was a face in every way cal- culated to express either passion or feel- ing ; such a face as that with wluch the Goddess of Tragedy might be represented — with a dash of the voluptuous thrown in to tone down the tragic element a little. Her hair was light, and was gathered in a mass behind her hat, and held in bounds by a silken net. She has reined in her horse as her companion had done on seeing Baskerville, but she does 86 THE MAN IN CHAINS, not recognise that personage, for slie seems to be intent upon observing tlie horses of the fashionable equestrians as they pass her. She looks at them criti- cally, with scrutinizing eyes. " What's this report that I see in the papers to-day about a murder having been committed in the City by one Abel Barnes, a pugilist?" the gentleman on horseback inquires of Marl Baskerville; "surely it isn't our old friend the Bilston ?" — Bilston was the sohriquet by which Abel Barnes was designated by his fra- ternity. "It is our old friend the Bilston though," replied Marl Baskerville ; " but it is no case of murder." "What was it?— a mill?" the gentle- man inquired. " No," said Baskerville ; " a scrimmage, in which, as usual, Barnes was unlucky." " D me ! it is extraordinary the THE MAN IN CHAINS. 87 ill luck of that fellow ; you know I stuck to him till the last ; but Lord ! I couldn't stand it. And yet I believe the Bilston has got the right stuff in him; still I was obliged to turn him up. I've made stakes for him, I've backed him, and IVe got good matches up for him ; but what's been the good? he's never been able to do anytliing but get licked. I thought, however, he'd left the country. And what is this case ? — what will it come to?" "WeU, I suppose they'll find it man- slaughter at the inquest to-morrow, al- though I don't believe it amounts to that. He sent for me this morning, and I couldn't very well abandon the poor devil, so I appeared at the police-court for him." "What has he been doing lately?" inquired the gentleman who was on horseback. 88 THE MAN IN CHAINS. " I rather tliink it has b6en going very hard with him of late ; in fact, I am sure it has/' said BaskerviJle. " When luck's against a man, he hasn't much chance." " That's true," responded the gentle- man, with something very like a sigh. *' Let us get him off if we can. Come to me to-morrow morning about it. I sup- pose you are going over yonder ?" and he pointed in the direction of the centre of the park, and smiled as he did so. Baskerville said he was going thither, as he must look after his clients occa- sionally ; and as he said this he smiled expressively — a smile that the gentleman he was conversing with seemed very well to understand. To the uninitiated world it is not known that under the trees in Hyde Park there is a kind of betting exchange held, in which a very motley class of persons assemble daily and speculate THE MAN IN CHAINS. 89 upon the current turf events, and in which large sums of money exchange hands and float about. The turf in Eng- land now is not so much a sport as it is a business : it is almost entirely com- mercial in its character, and the commerce .that it has created is conducted upon mathematical principles, which seem, in- deed, to be intuitive in those who are proficient in them — for many of these men can scarcely write. Indeed, there are some speculators amongst them who really cannot write, and who employ amanuenses to record transactions which are remarkable for their accuracy and truth of calculation. It was to this spot in the Park that Baskerville said he was going; a spot which, considering its associations and the people who assemble there, may be truly characterized as one of the mysteries of London. 90 THE MAN IN CHAINS. " You will come to me in the morning then, will you, Baskerville ?" "I will, my lord," said Baskerville, and then he went across the Eow upon his w^ay to the spot on which he said his *' clients" were assembled ; but as Lord Montalban cantered away, the man with whom he had been conversing paused to look after him, and as he did so, the ex- pression of his countenance was entirely changed from that which it exhibited but a few minutes previously. It looked ma- lignant now. Suppressed passion seemed to burst through the eyes that glared beneath those shaggy eyebrows, and Marl Baskerville clenched his hand with an iron grasp upon his thick walkingstick. His lips were firmly compressed together; indeed, he seemed to contract his whole frame, to bind himself around, as it were, with the terrible passion by which he was agitated. THE MAN IN CHAINS. 91 He turned from the spot, and took his way across the enclosure of the Park ; and as he did so he muttered to himself — " I never forget, and I never forgive." The muttered exclamation seemed to give him comfort, for he repeated it thrice, and every time with more animation. " The scheme is tedious, because his rank is high ; but although it is so hideously slow, yet will it be terribly sure in the end. Yes, it has been working gradually year by year; and such retribution as that wliich I must work but gains strength with time. Twenty years ago ! — when I look back upon the events which that time has produced, it seems an age; but when I look on him, oh Grod ! the interval seems but a night, and yesterday the date of my great wrong. Wrong? Yes, wrong!" He seemed to thrust the word into his heart. "And what has it made me ? Well, no matter 92 THE MAN IN CHAINS. what; perhaps that has yet to be seen. I never forget, and I never forgive. No, I never forget, even in the vortex of those exciting scenes to which I minister so much. Oh Heaven ! how bright and promising was my youth ! how glorious the scene of life appeared to me when first it opened to my view ! but what a terrible reality has it developed ! But I never forget, and I never forgive !" and then he walked hurriedly on, as though by that means he relieved his agitation. *' No wonder people fear me as they fawn upon me. They cannot fathom me. No, no ; and least of all you, Lord Yiscount Montalban !" and he said this with a tone of scorn that was manifestly a relief to him. By this time he had reached that Bialto of the turf upon the turf itself, to which we have alluded. Viscount Mon- talban was a nobleman with but one THE MAN IN CHAINS. 93 daugMer ; he liad no other family. His wife had died several years before the period at which we meet with him, and he had not married again, and had pro- bably never entertained any desire to do so. He was, however, connected with many noble families by kindred, and amongst them was a cousin who was a Duke. Viscount Montalban succeeded to a princely fortune, after a long minority, but year by year that fortune had sensibly diminished, and now year by year he was becoming less wealthy. The vast amount of available money which he had inherited on coming of age had been a misfortune to him, and he had been frequently heard to declare that, although he had been born rich, he certainly had not been born lucky. From his earliest youth a passion for the turf had inspired him, but his ill fortune in connection with it had become proverbial in the sporting world. He had 94 THE MAN IN CHAINS. plunged with a wild recklessness into the vortex of turf pursuits, and he commenced his career by purchasing, at inordinate prices, a stud of great extent: and he would seem to have had a mania for favourites for great races, especially for Derby favourites ; and he would purchase them at prices that were actual fortunes in themselves. For one equine quadruped he would pay a sum that would have mounted " the six hundred" that galloped into the yawning jaws of death in the valley of Balaldava ; and at the back of that he w^ould heap up sums of gold in the shape of bets that v/ere almost fabu- lous, and all which might at any moment be irretrievably lost by any one of the ills which equine flesh is heir to, or by the negligence of a stable-keeper. As the Viscount grew older, however, he became more prudent ; and when all the accumu- lated revenues of his minority had van- THE MAN IN CHAINS. 95 ished, he came to the resolution of disposing of all his stud, and contenting himself with being a spectator of and a speculator upon the studs of others. The trustees of his youth had, as though with some misgiving with regard to the course of the young lord when he came of age, invested, under certain powers which had been given them, a portion of the accu- mulations in the purchase of an estate in one of the midland counties; but as though, even in this matter of prudence on his behalf, the ill-luck which had been born with him should be conspicuous, it was discovered, when he came of age, that the title to the estate so purchas"ed had a stain upon it. In reality, however, this was fortunate for him, strange as the fact may appear; for while it was not sufficient, as it would seem, to jeopardize his enjoyment of the property, it precluded him from raising money upon it. That 96 THE MAN IN CHAINS. one estate was the sole unencumbered property tliat he now possessed. Property, as we know, the axiom tells us, has its duties as well as its rights : it has its bitters as well as its sweets, too ; and property sometimes has more of the bitters than the sweets, though perhaps not often. Lord Montalban and his daughter are mounted upon two splendid thorough- breds, and as they are put into a canter on Baskerville taking his way across the park, the sweeping action of the steeds and the graceful riding of the young lady attract attention from the brilliant throng in Eotten Eow. And Viscount Montalban was justly proud of his daughter's horsemanship. She had been accustomed to riding on horseback from the time she was a little child, and in Lord Montalban's county she was known now as the most fearless THE MAN IN CHAINS. 97 and dashing rider across country that county had ever produced. She had made hunting fashionable amongst the ladies of her neighbourhood, but none of them could approach her in her equestrian ac- complishment ; they all lacked her fearless dash and energy. All save one. During the previous season one fair rival had appeared to contest with her for the triumphs of the hunting-field, armed with every requisite to make the trial. The gentlemen of the hunt were delighted with the advent of the stranger, who was dashing, handsome, impetuous, and well, utterly unrestrained in her conver- sation. The all-important question, "Who is she ?" was speedily answered, and the majority of the members of the hunt smiled; but Lord Montalban looked grave, as did some few others. The rival in the hunting-field to Lord Montalban 's daughter was known in VOL. I. 7 98 THE MAN IN CHAINS. Kotten Eow too, for slie resided in Lon- don, and had no seat in the country, save that upon her horse, of which she was undoubtedly the accomplished mistress. Lord Montalban and his fair companion are cantering towards Kensington Gar- dens, when a brilliant horsewoman, attired exactly like the daughter of Lord Mont- alban — so exactly like, indeed, that one might have been taken for the other, — dashes by them upon a thoroughbred steed ; and as she does so she turns with something like a disdainful movement of her head, and with a supercilious curl upon her pouting lip, and casts a look of recognition at the peer and his daughter, which brings the blood into the young lady's face, as she exclaims to her father, — " There is that creature again. Let us go home, papa." They turned round immediately, and cantered towards Park Lane ; but before THE MAN IN CHAINS. 99 they had reached the extremity of the Park, the fair equestrian who had been designated " the creature " dashed past them again, and gave them the same kind of recognition as before. When Miss Montalban reached home she was very much flushed and excited. 7—2 100 THE MAN IN CHAINS. CHAPTER V. VISCOUNT MONTALBAN AND HIS DAUGHTER AT HOME. Viscount Montalban lived in Park Lane, in a row of houses that were not particu- larly attractive outside, but which were, nevertheless, very commodious, very com- fortable, and very compact within. The best part of the house looked into the Park, and yet it did not appear to be the front of the house. Indeed, it seemed to have no front at all, for the jDrincipal entrance was situated in a back street ; and this arrangement probably made the interior of the house the more charming, by the agency of contrast. Entering the house from the back street, and going THE MAN IN CHAINS. 101 into the chief reception-room, was like stepping from the pent-up town at once into the free and glorious country ; for there were green creeping plants in trellis - work outside the house on the side that faced the Park, and out beyond were the spreading elms, and smooth, green turf, the flower-beds and fountains of that bright oasis which is the glory of western London. From the windows of the house the intervening road was not visible, for there was between it and the thronged thoroughfare a kind of teiTace, beneath which were mysterious chambers, that might be dungeons, or sculleries, or vaults, or anything else that a lively or a morose fancy might picture on the mind's tablet; and these mysterious chambers abutted on the road, and shut it out from the windows that opened on to the terrace that was formed by the flat roof which covered them, so that from the interior. 102 THE MAN IN CHAINS. the Park looked like pleasure-grounds attached to the house itself. It is in one of these rooms that Lord Montalban and his daughter are seated at the open windows ; each employed in watching the moving figures that are out upon the Park, and are crossing it in all directions. The scene is constant and never- varying in that particular spot ; save when a regiment of soldiers is brought out there to drill, and then a temporary ' change is produced. The carriage drive between the trees and the Park makes the scene animated and inter- esting, for it is ever jurying, although it is the same for ever in all its leading features. Lord Montalban is lounging in the window at one end of the room, and his daughter is seated at the window at the other end : there are four windows in the room, leading on to the terrace that abuts upon the public way. The two are THE MAN IN CHAINS. 103 gazing listlessly upon the scene tlie Park presents; they are musing upon very widely different subjects, however. Per- haps, if Lord Montalban had been asked on the moment to declare what he was thinking about, he would have found it diffi- cult to answer, or if he did at once answer, might do so inaccurately. His thoughts were roving and changing and revolving as it were around a centre, which would be found but ill defined in his own brain, if he were to concentrate his mind upon its elucidation. He was thinking of Abel Barnes and Marl Baskerville — at least, they were the staple of his thoughts ; and the idea had suggested itself to his mind, that if he were to witness the trial of the pugilist it would produce a new sen- sation, which it would be worth while to seek, and so he had resolved that he would be present on the interesting occa- sion. 104 THE MAN IN CHAINS. Miss Montalban's thoughts were not so wandering as were those of her father, and were far more concentrated. They were stronger, too, in their effects, as evinced by the varying expression of the features which an observer might have detected. As she gazed hiziiy out upon the Park and its moving scenes, she was mentally amusing herself — or deluding herself, perhaps, would be the more accurate expression — in drawing two por- traits, and they were so like each other that, as they came vividly upon her mind, fresh from the pencil of her fancy, she would contract her brow, and bite her lips, and frown. If it had been possible to photograph her thoughts, or the pictures that her thoughts produced, the result would have been a pleasing scene, albeit the effect upon Miss Montalban, as- we have observed, was that of a clouded brow, and a general expression on lier THE MAN IN CHAINS. 105 face which sometimes amounted very nearly to agitation. The scene that was in reality before her in the Park seemed to partake in her eyes of the character of a mental dis- solving view, for her thoughts carried her away to a spot by the cover side, and miles away from any town; and she would curl her lip in scorn, as at that cover side she, with her mind's eye, ob- served an arrival in that glittering gather- ing — ^the arrival of one who was so like herself, in figure, in face, and in attire, as to look like her second self. In her fancy she hears a ringing laugh, that with its joyousness has a sound of mockery, which is, or seems to be, ad- dressed entirely to the imaginative lis- tener, and it is then especially that her eye dilates, and her lip curls, and there is a slight heaving of the bosom, which ordinary respiration does not necessitate 106 THE MAN IN CHAINS. or produce. For a moment she blurs the picture out, b}^ flinging, with more than necessary energy, her long curls over her shoulders, and by changing her position as she sits; but still, as her eyes again sweep the scene that is really before her in the Park, her thoughts revert to her mental photograph, and the cover side is vividly before her again, and the laugh rings out again from that form that looks like her other self; and that imaginary laugh is the more galling now, as the mental photograph shows other figures — figures attired in the scarlet uniform that the fashion of the chase demands, and all grouped round her other self, and evi- dently charmed by it. Fancy is indeed inexplicable, and in the case of Miss Montalban particularly so. What is the feeling that curls that lip, and fires that eye, and knits that brow, and throws a shade upon all that THE MAN IN CHAINS. 107 countenance ? Is it jealousy ? Is it pride ? Is it offended vanity ? It may be all those feelings commingled, and tinged with scorn, which almost invari- ably accompanies them in that strange anomaly, the human heart. Miss Montalban rubs her eyes, but she cannot brush away that picture that her thought has uncontrollably produced, and through the real scene that is before her in the Park she still gazes upon it. But both her own reverie and that of Lord Montalban were broken and dis- persed by an announcement which heralded the appearance, in a few mo- ments, of a gentleman who was proclaimed as the Marquis of Milltown. He was a young man only just of age, but he was a conspicuous member of the high life of London. He was acknowledged to be the most faultless dresser in the whole world of fashion ; and yet he did not lead 108 THE MAN IN CHAINS. the fashions, he only followed them — con- spicuously, it is true ; but he illustrated, he did not create. He had never attempted anything like a strain upon his intellect, which from his youth upwards had always been delicate, not to say ailing, and which, therefore, had always been treated tenderly; and so anything like mental exertion had been studiously guarded against. The study, however, of his per- sonal appearance had appeared to be very congenial to his mental organization. It was a matter to the development of which it had been discovered he could devote his undivided soul, without any great strain or tax upon his genius. He was an ^animated illustration of the fashion which came by the last post from Paris, and he was as well known in the haunts of fashion as that mighty figure which obligingly points the way that we should go down Constitution Hill. THE MAN IN CHAINS. 109 It is ever thus. While the brilliant gadfly, flitting athwart the gay parterre, is being observed by admiring eyes, the eagle that is soaring into the skies is unperceived. The Marquis of Milltown was the eldest son of the duke who was the noble kinsman of Viscount Montalban, and his portrait was conspicuous in photographers' glass cases, like the brightest page in the book of fashions. He believed that in his appearance he was possessed of irre- sistible power over the female heart, and this feeling had led him into utter in- difference upon the subject. He was self- glorified in the belief that he possessed the fascinating power; he had only to use it when it was wanted to minister to his desires. It is true that his intimacy with Miss Montalban liad somewhat shaken this delightful belief, and he had once or twice been verv near to the con- 110 THE MAN IN CHAINS. elusion in liis own mind that she was a peculiar girl ; and if that impression had become a conviction in his mind, perhaps he would not have been in error. Miss Montalban ivas a peculiar girl. She had strong passions, which w^ere easily roused. She had never known re- straint ; she had never entertained a desire that she had not gratified ; and it is not surprising, therefore, that amongst other failings she should be a little self- willed. She had from a child evinced a strong predilection for horses, and she had taken quite as much interest in lier father's career on the turf as he had him- self; and when the stud was broken up, she shut herself in her room, and cried with vexation. It was the first trouble she had ever experienced, and she felt it sharply. She, however, speedily found relief, for she could indulge her predilec- tion by w^atching the records of turf THE MAN IN CHAINS. Ill transactions, which she did studiously, and she speedily became an adept in the calculation of odds ; indeed, she became attached to the study of mathematics, and she took especial delight in instruct- ing her father how to make his book mathematically. If, therefore, the Mar- quis of Milltown had succeeded finally in arriving at the conclusion that Miss Montalban was a peculiar girl, his con- clusion could have been scarcely con- sidered an erroneous one. The young marquis entered the room in which Lord Montalban and his daughter were seated, and he moved across it like an elegant portrait that had stepped out of its frame, or, to use the more homely simile, he looked as though he had walked out of a bandbox that had just been sent home from the man-milliner's. The patent leather of his boots was bril- liancy burnished ; his trousers might 112 THE MAN IN CHAINS. have been those of a statue, they looked so like carved work ; his waistcoat was quite plain, but no hand but that of an artist could have produced it ; and his surtout seemed to be a part of his figure, which was symmetrical, and all that could possibly be desired for outward show. His beard and moustache, both profuse, had evidently been cultivated and nourished with peculiar care and skill ; and both were rich, and flowing, and soft, for they had never been ren- dered bristly by the agency of the bar- barous razor. His hair was thick and wavy, and every young lady who knew him intimately, or by sight only, acknow- ledged that he was liandsome. And so he was ; there could be no doubt of it. The marquis, advancing to Lord Mon- talban, said, ** Well, how d'ye do ?" not in a lackadaisical tone, not in a mincing, cer- tainly not in a hearty tone, but in a mild. THE MAN IN CHAINS. 113 beaming way, in which there was no energy, or anything like it, but which (;ombined the free and easy with the inane. And then, turning to Miss Mon- talban, he simpered, "How d'ye do?" as he held out his gloved fingers to shake hands. And his was a very peculiar shake of the hand. He managed to throw into his fawn-coloured kid glove a kind of fervour, which was a combination of the lover s gentle squeeze, the friend's sympathetic pressure of the palm, and the rapid action of the postman's double knock. Miss Montalban had risen when the Marquis of Milltown entered, and she received him with a smile which seemed to melt into an undefined frown, that rather appeared to throw a shade over her face than to be a part of it. The young Marquis had never professed any love for her, and yet she knew — she instinctively VOL. I. 8 114 THE MAN IN CHAINS. felt that the young man had some senti- ment of the kind, a feeling unknown directly to himself, but which, if she had chosen, she might have fashioned to any purpose she pleased. She had very little art about her at present, however. She had strength of purpose and of will, ^and she had never been thwarted in any- thing. She would not have understood it, therefore, if anybody had made a suggestion to her on the subject of the worldly advantage of winning a marquis. The Marquis of Milltown was in her eyes an empty nothing, a dressed-up doll, a marionette, anything Avithout a soul ; although he had one solitary redeeming quality in her eyes — he could ride well ; but then, again, this solitary redeeming point was almost lost in the anxiety which he invariably displayed in the field to avoid all obstacles of danger, especially when the ground was muddy, lest an THE MAN IN CHAINS. 115 accident miglit spoil the appearance of his coat. " I say, Montalban," he said, " I've just come across the Park, and they tell me they've made ' Peeping Tom,' first favourite for the Goodwood." "What, Drakengull's horse?" exclaimed Miss Montalban, with much animation. "Ya-a-s, Drakengull's, who has been so devilish unlucky with all his nags." " You mean the horse that ran at Epsom last year, and was knocked over the chains?" exclaimed Miss Montalban, eagerly. " That's the one. They changed his name. You know he was called the Top' then. Devilish bad name for a horse, I think ;" and the Marquis of Mill- town appeared rather languid after the effort involved in giving a definite opinion of that strength. " Papa, you recollect that I said at the S— 2 IIG THE MAN IN CHAINS. time, that was the best made horse I had ever seen in my life. If your stud had not been broken np" — and she said this with something like a sigh, — " we would have added him to it." " What ! did you fancy him so much?" said the Marquis of MilltoAvn, with a pleased smile. '' It's my belief that he would have won then but for that accident; and as he has been so long laid up in lavender, I don't wonder that they make him first favourite for the Groodwood cup. Papa, we shall go, of course ?" " Of course, my dear. I've engaged myself to Templebloke, whose seat is in the neighbourhood." '' Oh, then we shall meet on the lawn," said the Marquis, in a tone of mild enthusiasm. A footman liere handed a card to Lord Montalban, who, glancing at it, said, THE MAN IN CHAINS. 117 " Show him up ;" and as the lackey left the room, her father turned to Miss Montalban, and said, " Here's Baskerville, my dear, our commissioner/' At the same moment Mr. Baskerville was ushered into the room ; but lie seemed to have become an entirely changed man since the previous day. He walked totteringly, and his hands appeared to tremble as with incipient palsy; but a close observer might have discovered that his eye was as keen, his glance as pene- trating, and his nerves as firm as when he met Abel Barnes in the justice-room at Guildhall. He bowed profoundly to Miss Montalban, who said, — " A touch of your old complaint, Mr. Baskerville ?" " An old complaint indeed, Miss Mon- talban, and one that will remain with me to the end ;" and he turned and smiled at Lord Montalban. 118 THE MAN IN CHAINS. " Well, Baskerville, liave you done anything in the matter of this poor devil?" inquired Lord Montalban, re- ferring of course to Abel Barnes. '' The inquest was held last night, and a verdict of wilful murder returned — upon what grounds I am at a loss to under- stand, and so of course he must be tried. I have seen him this morning, and he has taken a strange fancy into his head, — these ignorant people often do take these strange fancies ; — he has a strong desire to be defended by a young man who was present when the brother-in-law died, and who, it seems, has just been called in Gray's Inn. I tried to persuade him that it was a dangerous thing to entrust such a case to a young and inexperienced man, but he said he had a strange confidence in him, which he hoped I'd humour." "Well, as far as that goes, I think one is as good as another, if the young THE MAN IN CHAINS. 119 man has a good case," said Lord Mont- alban. " It's the good case that generally destroys a young man," said Marl Basker- ville. "How do you mean?" Lord Montalban exclaimed, in surprise. " It may sound strange to say so, but the sympathies of the court are generally on the side of the bad case. Law is often tortured in favour of the miscreant ; it is never relaxed in the case of the innocent." '' Oh, that's cynical !" cried Lord Mon- talban. — "What do you say to that, Milltown ?" " Well, I don't know," said the young marquis; "I suppose it's as Mr. Basker- ville says, although, to tell you the trutli, I never troubled myself about the ques- tion." " Then you intend to retain the young 120 THE MAN IN CHAINS. man?" Lord Montalban said to Mr. Baskerville. "Well, as your lordship says, perhaps we may as well ; one may be as good as another. But I am going to see the gentleman this evening, and then I shall decide." " Very good ; and you must let me know when the trial comes on, as I intend to be present." " Your lordship intends to be present?" cried Marl Baskerville, in a tone of great surprise, and for the moment forgetting his decrepitude. " Yes. I'll see what perhaps may be the end of him," said Lord Montalban. " I'll be sure to let your lordship know," said Baskerville. "Has your lordship anything to communicate this morning ?" " I have," broke in Miss Montalban. '' You must go and execute a commission for me." THE MAN IN CHAINS. 121 " Augusta, my dear !" exclaimed Lord Montalban. " Yes, papa. I am determined to try my chance myself upon * Peeping Tom/ for Goodwood. I feel a strong presenti- ment that he will win, and we will be there to see him." " She must have her way, I suppose, Baskerville," said Lord Montalban, smiling ; " and of course if she goes that way, I must go too." "And I cei-tainly will follow Miss Montalban," said the Marquis of Mill- town. " What better lead could I have ?" and he looked at Augusta Montalban with an inane smile, expecting that she would be delighted with the declaration ; but she exhibited no such feeling, and so the mind of the young lord received the impression that Miss Montalban was a very grand creature, and that she would indeed be a splendid wife for him to 122 THE MAN IN CHAINS. choose. He felt quite struck with this idea, and therefore he did not attempt to follow up the conversation. " And what shall the commission be ?*' inquired Baskerville. " Suppose we split five hundred between us, eh, Milltown ?" suggested Lord Mon- talban. " I'm perfectly agreeable," replied the marquis. But the idea occurring to his mind that in that expression he was complimenting himself, he said, *' I mean, I'll go the five hundred with you." " And what is my proportion to be ?" asked Miss Montalban ; but not waiting for an}'- answer, she added, '' But I wont have any proportion. There must be a separate transaction for myself. So, Bas- kerville, you will invest a hundred pounds for me." 'Marl Baskerville looked inquiringly at THE MAN IN CHAINS. 123 Lord Montalban, Avho shrugged liis shoulders, and said — " Oh, you must do it, I suppose." " I will at once have the money put on,'' cried Baskerville, taking up his hat ; " and this evening you shall hear from me respecting it, my Lord."- " I'll go with you if you like, Basker- ville. My cab's at the door," said the Marquis of Milltown, who felt that he could not much longer bear the interview, which had opened up a new sensation and impression in his mind. " You look quite shaky," he said to Baskerville ; " I'll drive you over." "Your lordship is exceedingly obliging." " Oh, there's one thing I should say, you know," observed the young lord, at once destroying the apparent kindness of his offer; "I want to speak to you myself — I do indeed — something very particular." And he twirled his cane 124 THE MAN IN CHAINS. round with his finger, as a relief to his mind. " Good morning, Montalban. I .hope I shall see Miss Augusta in the Eow this afternoon. I haven't seen lier on her new purchase." This for a moment seemed to brighten Miss Montalban tow^ards the young marquis, and she exclaimed hastily — " Well, I'll be there, on purpose that you may see him." The marquis felt quite agitated ; that splendid creature before him, who was so proud and unbending only two minutes before, had at length found out what all the world besides had known so well — that his appearance was irresistible. Hasten him away, Marl Baskerville, or he will be rooted speechless to the spot for at least twenty minutes longer, and it is quite clear that Miss Montalban would not like that. Baskerville had no such THE MAN IN CHAINS. 125 impelling motive, but he did tak^ the marquis away, and in a few minutes afterwards this glass of fashion and mould of form ' was drivino^ his mao^nificent stepper across the Park, with Baskerville seated in the cab beside him. 126 THE MAN IN CHAINS. CHAPTEE VI. SILVESTER LAifGDALE's FIRST BRIEF. Silvester Langdale lias been reading tlie report of the inquest upon the man who was killed in the house in which Nicholas Darvill's usher had died, and he is flushed with something like indignation at the verdict which has been returned by the coroner's jury. " Wilful murder !" he cries to himself; *' why, how could the dolts have arrived at such a conclusion upon such evidence ? Surely it will require but small skill or argument on the trial to relieve the man of such a charge." THE MAN IN CHAINS. 127 And then he rises, and paces the room hurriedly. '' That wretched chamber and its emaciated tenant seem to haunt me," lie soliloquizes ; " and to think that such a tragedy as this should have followed poor Margale's death ! That stalwart pugilist, too ; I am sure he is to be pitied. There was nothing vicious in his coun- tenance, as it appeared to me in the dim light of that fearful room ; and he acted upon the instincts of a man in repelling the heartlessness of the wretch whose death he has caused. And that poor boy, so intelligent, so poorly clad, and yet evidently so carefully tended; and then poor Margale's sister. The whole scene appears to be the vivid remembrance of some distempered dream ; but, alas ! it is no dream, for it is an awful reality. Wliat can I do for them ? Nothing. If I visited them, I could merely offer them — words. ^Nothing more. And of what 128 THE MAN IN CHAINS. value would words be to people in sucli a situation as theirs ?" There is often great value in mere words. " A soft answer turneth away wrath ;" and words have sometimes a more potent influence upon the human mind than more substantial gifts. Words spoken kindly are a heavenly solace to the broken spirit ; words of sympathy and goodness have the power often of lifting from the heart the pall that over- whelming trouble has thrown over it ; and words are alone the balm that human aid can give wlien the spirit from its earthly penthouse is about to seek the awful mystery of the " undiscovered bourne." Yes : and when Silvester Langdale, in his implied regret, soliloquized that if he visited the family of Abel Barnes he could only offer them words, he was un- consciously enunciating that which might THE MAN IN CHAINS. 129 be the greatest boon that he could offer — a boon to them — a boon to him — a boon, indeed, that should materially affect the future lives of all of them. " Trial by jury," he soliloquized still, " is one of the grandest of our grand old institutions : but it becomes blurred and stained by verdicts such as these." And then he paused, and pondered on the subject of his thoughts. " I'll write an indignant protest to the editor," he exclaimed, as he took the newspaper up again. And then he hesi- tated. " No," at length he said, '' the press is sure to take up a case like this. They cannot pass it over." Silvester Langdale has just arrived at this conclusion when there is a knock at his door. It is sharp, sudden, and clear ; and, in the agitation that he feels, for the moment it startles him. There could be no mistake. The knock was at his own VOL. I. 9 130 THE MAN IN CHAINS. door, and with a strange kind of hesita- tion he opened the door to see who had knocked thereat. He who had knocked was a tall man, with a bushy beard and moustache ; and as Silvester Langdale opened the door the person stepped into the chamber, and said he presumed he had the honour of addressing Mr. Langdale. Silvester bowed, and requested his un- known visitor to be seated. The visitor took the chair that was placed for him, and said — " We are unacquainted with each other, Mr. Langdale, but it is possible that we may hereafter be thrown much together. You have only just been called, I think, Mr. Langdale ?" " Only in the last term," replied Sil- vester, bowing. " Yes, in the last term, I know. Then of course your practice has not been ex- tensive as yet ?" said his visitor, smiling. THE MAN IN CHAINS. 131 Silvester Laiigdale said he had not even appeared in court yet ; and he smiled too. " Your present position is very different from mine/* said the stranger, " for I have had a very extensive practice." " Are you at the bar, then ?" eagerly asked Silvester Langdale. " No, I am not, but my profession is the law." Silvester Langdale bowed, and said, '' Oh, indeed." '* My name is Marl Baskerville," Again Silvester Langdale bowed, with an expression on his countenance that plainly indicated that he was not ac- quainted with his visitor. " You do not know me," said Mr. Baskerville. " You have not been much in London, I presume ?" "No, indeed, I have not," said Lang- dale, with a smile which may be said to 9—^ 132 THE MAN IN CHAINS. have been apologetic of his want of ex- perience of London. "No, or I have no doubt you would have recog-nised the name of Marl Basker- ville," said that gentleman. "I have been connected with the law for more than thirty years, Mr. Langdale ; and I have seen young men like you rise into eminence, and assisted them thereto ; I have seen men attain that eminence, and I have seen them topple down headlong from it, never to reach it again." As Mr. Baskerville did not add tliat he had also assisted at this latter performance, the matter must therefore be supposed to be in doubt. " But my practice has not been wholly in the law, although it has all tended thereto. I am come," Mr. Baskerville added, rather abruptly, " to place your foot, Mr. Langdale, on the first round of the ladder of your profession." THE MAN IN CHAINS. 133 Silvester Langclale bowed quite pro- foundly this time, and his heart fluttered, for he was in the presence of that sacred personage, the first client. It is almost unnecessary to add that he felt slightly nervous. " You are acquainted with a person of the name of Barnes?" said Mr. Baskerville. "Barnes! Barnes!" repeated Silvester Langdale, and thinking for a moment. " No, I am not acquainted with any one of that name." " Strange !" said Mr. Baskerville. " I cannot have made any mistake." Silvester Langdale fervently hoped not, but he did not say anything. "Abel Barnes, the pugilist, I mean," said Mr. Baskerville. "Oh," exclaimed Silvester Langdale, recollecting who the person referred to was, " the unfortunate man who has been •committed for murder." 134 THE MAN IN CHAINS. " The same," said Mr. Baskerville. " I did not recollect liis name. In fact,. I did not know it," said Silvester Lang- dale, "althongli I have but just read the report." " You do not know him, then ?" " I had never heard of him until the- night before last, when I was summoned to a scene in the wretched dwelling in which he resided, which I shall never for- get — never." " Yes, I have heard it all from Barnes himself," said Mr. Baskerville. " It must have been a terrible scene." " It was a scene that appears to have burnt itself into my memory. Poor Mar- gale." *' He was with you at school, I under- stand ?" said Mr. Baskerville. " He was an usher, a fellow-usher with me in the country." '' Well, he is gone," said Mr. Basker- THE MAN IN CHAINS. 135 ville, " and it is of the living that I have to speak now. You seem to have made a wonderful impression upon Abel Barnes the pugilist." " That is strange. I do not think that I exchanged a word with him," said Lang- dale, in a tone of surprise. "These men are sometimes very im- pressionable," Mr. Baskerville observed. " I have seen a great deal of them ; I have been thrown much amongst them. In fact, Mr. Langdale, I am the chief adviser of the fraternity." And Mr. Baskerville smiled as he said this. Silvester Lang^dale smiled too, of course, but he did not know whether he ought to feel gratified at the communica- tion which Mr. Baskerville had made to him with regard to his connections. "I suppose," continued Mr. Baskerville, " that his brother-in-law must have talked to Barnes about you, Mr. Langdale, and 136 THE MAN IN CHAINS. SO he liad become prepossessed in your favour before he saw you." " May I be allowed to ask to what this tends ?" Silvester Langdale modestly in- quired. " I should have thought you might have guessed, Mr. Langdale," said Baskerville ; — and yet I don't know," he added, rather to himself than to Langdale. " Ko, I don't know how you should. — AVell then, Mr. Langdale," he continued, rather rapidly, " you have observed that Barnes has been committed for wilful murder." "A preposterous charge!" Silvester Langdale observed, with something like a flush of indignation. "Very likely," Mr. Baskerville said, very calmly, " but the verdict has been returned, the indictment will be preferred, and Abel Barnes will be arraigned. He must, therefore, be defended." Is Silvester Langdale agitated ? He is. THE MAN IN CHAINS. 137 Anybody, with far less penetration than Mr. Baskerville possessed, would observe it. He breathes quickly, and his eyes glisten, and there is a visible, or almost audible, palpitation of the heart. " I think you have a faint glimmering of the object of my visit, Mr. Langdale," ob- servesMr. Baskerville, withapecuHar smile. " I think I have,'' Silvester Langdale says, but in a tone that is quite faint. "Abel Barnes has expressed a strong desire that you, Mr. Langdale, should defend him," says Mr. Baskerville, with something like precipitation. Silvester Langdale clutches the back of the chair that is near to where he is standing. The golden dream that has for three years been a glory to his life is opening in reality before him. It is not strange that he should be agitated. " Do you think you will be equal to the task ?" Mr. Baskerville inquires. 138 THE MAN IN CHAINS. The question seems to rouse Silvester Langdale into eners^y, for he exclaims — " I have been reading that report of the inquest, Mr. Baskerville, and if good for- tune had placed my opening case in my new profession in my own choice, it is the one I would have chosen ; for it is one in which the greatest of our institutions has been tarnished. It is a libel upon it that I could have desired to repel. Wilful murder ! — the verdict is a mockery." " Your theme is a good one," remarked Mr. Baskerville, with the same coolness as before ; " but you must not be too im- pulsive, or rather, perhaps, I should say, you must not be too confident. You cannot, probably, be too impulsive at the bar. Impulse goes a great way with juries, and so, indeed, does confidence, of a sort ;" and Mr. Baskerville smiled sig- nificantly. "EecoUect," he continued, " that you still have a jury to deal with." THE MAN IN CHAINS. 139 " But I cannot believe that another such a jury can be found in the same month." "Oh, entertain no such hope as that, Mr. Langdale. Why, in the interest of Abel Barnes himself I should not mind submitting his case in trial to the very same jury who have returned the pre- posterous verdict, as you have very pro- perly designated it." "Indeed!" exclaimed Silvester Lang- dale. " You forget that this was a coroner's jury; there was no defence, no cross- examination, nay, even the accused him- self was not present." " True, true ; that did not strike me," said Silvester Langdale. " Indeed, Mr. Langdale, a young gentle- man in your position, and with your prospects, might pray to have the same jury; for fancy the renown that you 140 THE MAN IN CHAINS. would gain by inducing the same jur}' to acquit the man upon his trial." " Certainly that would be a triumph for the advocate," said Silvester Langdale. " AVell, then, although you Avill not have the same jury, that is, the same persons, you will probably have precisely the same class of men ; for a British jury would seem to be a distinctive class, — just as your county justices are," said ^h\ Baskerville. " You mean the juries of our criminal courts." " Yes, common juries, as they are called. And you think that Abel Barnes may entrust his defence to your hands, jNIr. Langdale?" " I have already said that such a case is that for which my ambition could have prayed," said Silvester Langdale. " Very good. Then to-morrow I will obtain the depositions, and in the course Tin: MAN IN CHAINS. 141 of the next day, or the day after, I will send you your brief, Mr. Langdale." The intimation thrills through the very heart of Silvester Langdale. The dream of young ambition is very alluring. " And let me tell you, Mr. Langdale, that the ordeal that you will have to go through will be a trying one. You will be watched by cynically critical eyes. I believe, however, that you will be able to strike them powerless. They will be close around you ; they will be in front of you, and they will be on each side of you. Their effect depends upon yourself. And you will have other eyes to watch you. The aristocracy of birth will be there, above you ; and the judicial bench will be in judgment upon you before the bar, as well as uj)on those behind it. Abel Barnes's predilection may be but the agent through whose instrumentality inexplicable fortune works. From what 142 THE MAN IN CHAINS. I have seen of you, I believe it is, and I shall be glad to congratulate you upon it." " Sir, I scarcely know how to thank you," said Silvester Langdale, warmly. " Why should you thank me, Mr. Langdale ?" said Marl Baskerville, rising from his seat and taking up his hat. " I am merely an agent. I have discharged a mission. You have nothing to thank me for, because I have no feeling in the matter, although — and, beHeve me, I never flatter any one, Mr. Langdale — I freely acknowledge that I can well under- stand Abel Barnes's prepossession. ISlOy I have no feeling in the matter. My course of life, my profession, those with whom I have for so many years been thrown in contact, have thrust out from my heaii what the world understands as feeling. I have but one feeling there, and tliat is my own, and is not that which % THE MAN IN CHAINS. 143 the world understands by the terms. Good day, Mr. Langdale. I will send you your brief, and 1 shall probably see you again frequently." And the next minute Marl Baskerville was descending the staircase. Silvester Langdale stands in the centre of the chamber for a few moments, almost bewildered. The interview that he has just had with Marl Baskerville was so unexpected, the proposition he had made was so far beyond even the sanguine hope which he had cherished upon enter- ing the portals of his new profession, that it can be no matter for wonder that he is somewhat scared. The buoyant ambition of an ardent aspirant, however, very speedily dispels even the semblance of such a feeling, and so Langdale experiences a kind of bounding sensation. It seems as though it would be a relief to take a spring into the air, and he feels himself 144 THE MAN IN CHAINS. irresistibly drawing himself up to liis full height. And then, again, he experiences a momentary depression. For, wholly unbidden, the scene of the death of his fellow-usher at Nicholas Darvill's is vividly presented to his mind, and this draws audible words from his lips : — *' I little dreamt, good fellow," he soliloquizes aloud, " that your terrible last scene would be the opening of my career. And I am at once almost with- out a guide, save my own strong, hearty purpose and self-faith, to show myself before the world, and dare the ordeal of success or failure. Well, I am ready for the ordeal. I am young, too young perhaps, for such a responsibility ; and yet why ? Pitt was prime minister of England at three-and-twenty. Yes, 3'es ! I have courage, I have faith, I have hope, and I have strength of purpose, as I think." And he seemed to knit himself THE MAN IN CHAINS. 145 together as lie cried, in a joyous tone, *' And may I not exclaim, as Glo'ster did, — " Why now my golden dream is out, Ambition, like an early friend, throws back My curtains, to tell me what I dreamt was true !" And Silvester Langdale paced up and down the room rapidly. VOL. I. 10 146 THE MAN IN CHAINS. CHAPTEE VII. A BOUDOIR NEAR TO KENSINGTON GARDENS. Marl Baskerville proceeded from Sil- vester Langdale's chambers in Grray's Inn to bis own residence, wbicb was situated in Spring Grardens. It was an unpretend- ing-looking bouse, but its situation was most convenient for Marl Baskerville's operations. It was on the confines of tbe aristocratic west and tbe plebeian east of tbe migbty metropolis. It was a point from wbicb Marl Baskerville could radiate, as it were. Tbe metropolis was as a spider's web, and be was its spider, in its solitary watcbfulness ; for be was alone in tbe world, and bad been for twenty THE MAN IN CHAINS. 147 years past, during wliicli time his character had become consolidated, as it were, into inflexibihty. The interior aspect of his abode was in keeping with his course of Hfe and with his character. It was gloomy and dim, and seemed to be relieved by no colours in its contents. Everything was dark and dismal, and his office was the most dismal room in the house. It was situated in the rear of the premises, and looked upon the blackened wall of the back part of the Admiralty. Dull, and dismal, and dingy as it looked, it yet contained that which was the representa- tive of much wealth. There was a great iron safe in one corner, so thick and mas- sive that you could feel its great weight as you looked at it. Its hinges were thick bolts of iron, and its key might, from its appearance, have dangled from the leathern jerkin of some grim gaoler in mediaeval times, and have become him and 10-^:1 148 THE MAN IN CHAINS. liis office well. And when the doors of that great safe were opened, they appeared to grind upon their hinges, and to evince a determination onl}^ to open slowly. And when they were shut to again they seemed to close crushingly, and with a resolve not to re -open. And such an adjunct to his office was very necessary for Marl Baskerville to possess, for the nature of the profession which he followed required that he should have hank-notes at hand ; and those notes were stored in that great safe, together with his boxes, in which were other notes, for which the engraved ones were exchanged. Marl Baskerville was a money-lender as well as a lawyer, and he practised much more as the one than as the other. His name was as well known at Tattersall's as was that of the first favourite for the next Derby, but it was not used so freely. Men shouted out the name of the Derby THE MAN IN CHAINS. 149 favourite just about that briglit time when the Derby may be said to be in everybody's mouth, but they only whis- pered Marl Baskerville's name. Perhajos they did not care even to do that, because at such a time it was more than dangerous for a member of the Eooms to be sus- pected of being short of m.oney, and the mention of Marl Baskerville's name might create such a suspicion, and lead to the inference that the person mentioning it had been over-laying his " book." In Marl Baskerville's safe were the autographs of those who were high and mighty in the land — autographs, how- ever, which he had no desire to preserve ; he rather looked hopefully to the time when he should get rid of them, and ex- change them for others. Amongst his other callings. Marl Baskerville was what is known as a turf commissioner, that is, a person who invests upon the chances of 150 THE MAN IN CHAINS. a horse those large sums of money that we see quoted daily in the papers as a branch of the commercial transactions of the nation. It is an office that requires much shrewdness, great care, and no liiile ^nesse, as we shall probably see as we become better acquainted with Marl Baskerville and his professional pursuits. Marl Baskerville proceeded, as w^e have said, from the chambers of Silvester Lang- dale to his own residence in Spring Gardens, but he did not remain there long. He went at once into his office, and found several letters lying on his desk. There was one, however, that seemed to attract his immediate attention. It was a small, three-cornered note, with a super- scription in a lady's handwriting. He at once opened it, read its contents, smiled, and put the note in his pocket. He then opened the other letters, and, having read them, unlocked a drawer in THE MAN IN CHAINS. 151 his library table, and placed them therein, and then took up his hat and went out again. At the end of the street he hailed a cab, and directed the driver to convey him to Kensington. The particular spot to which the cab- man was directed to drive was in a street not far from the Grate. It did not contain many houses, but they were nearly all detached, and were enclosed in their own gardens. At the door of one of these the cab stopped, and Marl Baskerville was at once admitted to the lady of the house. He was shown into a spacious room that was fitted up with every appliance of luxury that the ingenuity of man, or the skill of accomplished artificers, could suggest. The room was a delightful specimen of light and elegant luxury. Its furniture — that furniture which the upholsterer and the cabinet-maker supply — was of the most costly description. The curtains to 152 THE MAN IN CHAINS. the windows were of embossed amber satin ; the chairs and sofas were covered with a corresponding material and fashion ; the carpet felt to the tread as soft and yielding and as springy as moss. Small tables were distributed about the room, covered with glittering elegances. The mantel-shelf bore an immense ormolu clock, with bronze figures a foot high, representing a ilight of angels. Depend- ing from the centre of the room was a massive chandelier, with long crj^stal pendants, each glittering in the sunshine with its prismatic colours. One end of the room opened into an extensive con- servatory, in which were arranged choice flowers, native and exotic, blooming brilliantly; and in the centre of the whole was an artificial cascade, which plashed down over pieces of rock, and amongst ferns and mosses. The moment Marl Easkerville was THE MAN IN CHAINS. ] 53 announced, a lady who was reclining on one of the artistic sofas that adorned the room, and reading, sprang to her feet, and threw the book she was perusing impetu- ously from her, utterly regardless of its course, for it struck against one of the small tables that we have referred to, shivering into atoms a beautiful ornament that stood beneath a glass shade. The accident, however, did not appear to give the lady the least concern, for she bounded towards Marl Baskerville, and exclaimed as she did so, — " Well, you are a dear, good man, to come so quickly to my call." She was a tall, commanding, handsome girl, of about nineteen years of age. She had large, brilHant blue eyes, and her forehead was high and expansive. Her hair was a rich auburn, and waved in roll- ins: rinoclets down to her waist. She had a mouth that seemed to speak even when 154 THE MAN IN CHAINS. she was silent. The lips were almost im- perceptibly apart, and this seemed to stamp a perpetual smile upon her countenance. Her cheeks Avere full, but they were not what is termed plump, and they exhibited that undefinable pink which blends with the edges of the tea-scented rose. Her countenance was full of animation, her eyes sparkled with joyousness, and her carriage would have been worthy of that Egyptian queen for whose love Mark Antony considered all the world well lost. '' You are a dear, good man, to come so quickly to my call," she cried, as she took Marl Baskerville's hat from his hand, and placed it on a small inlaid table. " Now sit down ; I want to talk to you seriously." Marl Baskerville smiled expressively. " Oh yes, I do," she said, " more seriously than usual." " The same theme as usual ?" Marl Baskerville inquired. THE MAN IN CHAINS. 155 " Oh, of course ; I want money, you know, if that is what you mean ;" and the young lady laughed. It was a ring- ing, joyous, hearty laugh. MarlBaskerville shrugged his shoulders. " Now, for goodness' sake, don't per- form those weirdish shrugs. They would do for the evil genius in a pantomime, but not for you, Baskerville, not for you." Marl Baskerville elevated his eyebrows, and said, — " Some people perhaps think that I am an evil genius." " Well, let them think it ; what do you care ? I am sure you are not the man to care anything about what anybody thinks. In fact, you have as little to care about as I have;" and she laughed out merrily again. Marl Baskerville cast a hurried glance round the room, and echoed her last words to himself, — ''As little to care about as 156 THE MAN IN CHAINS. she lias !'* What was the rapid current of his thought at that instant, as he repeated those words to himself? " But how can you want money?" Marl Baskerville inquired of the beautiful girl who was standing near him. " Oh, I know what that question im- plies/' she answ^ered, quickly. " You fancy that the Prince left me w^ith an inex- haustible store. So do people generally, I dare say. It was a substantial sum, un- doubtedly, but it's all gone." " All gone !" exclaimed Marl Basker- ville, in unfeigned surprise. " Well, all but about a hundred or two, which is about the same thing, you know." " You cannot expect such another rich prize. They do not come every year," Marl Baskerville observed, rather ob- scurely. The young lady, however, seemed very well to understand him. THE MAN IN CHAINS. 157 " Perhaps not to the same extent ; but although diamond- covered princes may not be picked up every day, there are fine fish to be caught always. My expectations have always been fulfilled, you know. Did I ever break an engagement with you ? Come now, tell me that," she cried, sud- denly, and with energy. Marl Baskerville admitted that she never did. " Then why do you hesitate now ?" she inquired, with a toss of her head. " Why do you assume that I hesitate ?" " Oh, you can't deceive me, you know. I can read a countenance readily enough. When you think that I want to borrow some money, see how the jaw slightly drops" — and with mock seriousness she elongated her own countenance, — "just like that. There is the ghost of a smile, but the smiler almost instantly gives up that ghost, as being unable to support it. Oh, 158 THE MAN IN CHAINS. I can read the tliouglit that lurks behind that drop of the^ mouth that I refer to. But one word is as good as a thousand — I must have money by to-morrow after- noon." "Why is it so pressing?" inquired Marl Baskerville. " The Duke of Breakdown s stud is to be sold to-morrow afternoon, and I must have ' Eaglan/ the pick of the lot." ^'Oh, that's it, is it?" said Marl Bas- kerville, smiling as before. " He is the best horse across country in all England; I know it well, and come what may I will have him. They have put a reserve of eight hundred upon him, and so you must get me twelve hundred by to-morrow." " Twelve hundred pounds!" said Marl Baskerville ; *' that is a large sum ;" and he elevated his eyebrows. " Now, in the name of plain sailing and THE MAN IN CHAINS. 159 straightforward business, don't let us have any of that pantomime. You must do it."^ "Then it must be upon a good name/* " You shall have it." " Whose ?" "Milltown's." "MiUtown'sl" " Ay, Milltown's ;" and she laughed — it was a serious, a convincing laugh, so to speak — as she added, " Do you suppose I have forgotten how to play my game ?" Marl Baskerville said he knew she had not. " Then say that I shall have the money to-morrow afternoon." " You shall have it." "There's my hand. Marl Baskerville. You are the friend I have always found you." " And now tell me what is behind this impulse that I have observed ? " Marl Baskerville inquired. 160 THE MAN IN CHAINS. " Oh, yoii are a cunning man, Basker- ville. You saw tlie impulse, did you? and you shrewdly guessed that there was some- thing behind it, eh ? Yes, and you are right. I am going to Goodwood/' ]\Iarl Baskerville did not seem much surprised at that intimation. *' Milltown is going, of course ; and. Marl Baskerville," she cried, in an excited tone of voice, " there are others going that you and I knov.^;" and she pointed her finger as she spoke, even as though she were pointing out the persons to whom she alluded. *' To whom do you refer ?" inquired Baskerville. '' Why, the Montalbans will be there, and she will be there — yes, she is to be there !" and as the majestic beauty spoke her eyes flashed with passion, and her bosom heaved. " Why, surely you are not jealous of THE MAN IN CHAINS. 161 Miss Montalban ?" said Marl Baskerville, smiling. The lady laughed scornfully, and then exclaimed, — "Jealous ? No, I am not jealous ; I am only determined to bring her down." *' How do you mean ?" " She tried to bring me down. Her exalted virtue would have had me thrust from the field. Ha ! ha ! the strait-laced audacity !" " I cannot altogether comprehend your allusion," said Marl Baskerville. " Oh yes, you can," she cried, quietly. / " Believe me, I cannot." " Do you mean to say that you have not heard of the scene in Leicestershire ? Is it possible that you, who are acquainted with every man in the sporting world — you from whom, as it is said, no secrets in that strange world can be kept hidden — is it VOL. I. 11 162 THE MAN IN CHAINS. possible that you are unacquainted with that scene ?" Marl Baskerville had heard of it, but for the moment he had forgotten the inci- dent, which had been talked of freely in the circles in whichhe moved, and connected with which he was so well known. " Of course you knew of it," said the tall beauty, observing the change in the expression of Marl Baskerville's face. "Well, then, that is why I wish to go to Goodwood. She would have me expelled from the field, would she ? I was to be warned away from every meeting, was I ? My presence was not to be tolerated in the same field with Miss Montalban. I was to be driven off by the huntsman, ha ! ha !'* cried the tall beauty; but although she laughed, it was plain to see that a tempest was raging in her bosom, which swelled with passion as she paced the room while she was speaking. THE MAN IN CHAINS. 163 " And what do you intend to do at Goodwood ?" inquired Marl Baskerville. " To look lier down V she cried, her countenance flushed \vith excitement. "Ay, to look her down ; to walk by her side on the lawn; to hold my head up proudly by the side of her own ; to gratify one of the strongest passions of my woman's heart!" And she struck her breast with her delicate hand, which was clenched with convulsive energy. " Let me counsel you not to do it," said Marl Baskerville, calmly. " Not do it !" she exclaimed : " Marl Baskerville, you do not know the passions of the female soul ;'' and she went up to his side, and grasping his wrist, she cried, in an undertone of excitement, " Suppose the father had stood by your side, and had wronged and humiliated you, what would you have done? what would have been your course ?" 11— a 164 THE MAN IN CHAINS. She little knew that she had touched one string that vibrated through Marl Baskerville's soul. It was but a wild and aimless sweep of the hand that had touched that chord, and yet she might, if slie had been calmer, have observed that her ques- tion had gone to the very centre of his heart. It was a question that from that moment secured liis devotion to herself and to her schemes. Upon how small a thread the destinies of people may some- times hang ! by what insignificant trifles may they be sometimes influenced ! " Marl Baskerville, you can sympathize with me ; I can see that you can ;" and as she said this her passion became less, and her excitement was evidently passing away. She smiled, and added playfully, "JSTow you will not fail me with the money?" " You are sure of the name ?" he said. " Why ask the question ? It is the name that you will take in exchange for THE MAN IN CHAINS. 165 the money. Marl Baskerville, we have had money transactions before." " We have," he said. " And I have never failed vou ?" " Never." " Nor will I in this." And then she added abruptly, and again in an excited tone, " Why, do you know that she is thinking of him ? but she has no more chance of him than she has of you. Now then, go, for I am engaged for a canter in the Park. To-morrow, then, without fail." "To-morrow." And Marl Baskerville left the splendid boudoir and the fascinating presence of Marie Wingrave, the most brilliant horse- woman in Eotten Eow. 166 THE MAN IN CHAINS* CHAPTEE VIII. SILVESTER LANGDALE's FIRST APPEARANCE IS COURT. In due course, and in due form, Marl Baskerville delivered tlie brief to Silvester Langdale, who received it from the mes- senger with his own hands. And never did lover receive his mistress with more rapture, never did speculative merchant witness the arrival of a rich and long- expected argosy with more joy, never did ardent enthusiast look upon what he believed to be the fruition of his hopes with more emotion, than did Silvester Langdale receive those folded sheets of paper which constituted his first brief, and which were to be his introduction to the THE MAN IN CHAINS. 167 great world into whose vortex he was about to enter. He carried the magic document tenderly, and as he laid it upon his office table he gazed upon it with some- thing like awe, and seemed almost afraid to open it. Over and over again he read its inscription, — " The Queen v. Abel Barnes. Counsel for the prisoner, Mr. Silvester Langdale." And as he did so he found himself catching his breath as he drew long respirations, and the veriest trifle would at that moment have caused him to shed tears, or to have laughed immoderately, for conflicting emotions were agitating his breast — conflicting, and yet so commingled that at one moment he almost trembled with doubt and fear, and nearly at the same instant braced himself up, as it were, with that confidence and hope which are founded upon inherent mental power and determined purpose. In the solitude of that chamber in Gray's 1C8 THE MAN IN CHAINS. Inn, shut out for the moment from all the world, there, in the midst of the solitude of the heart of London — for what solitude is more oppressing than that of him who is alone, without a friend, in this great metropolis ? — perhaps that was the most trying moment of Silvester Langdale's life. It was an ordeal that was indeed a trying one to bear, as he stood alone in that sombre chamber, almost dazzled by the mystic light which appeared to him to be the dawning of the golden sun of his good fortune. It was but natural that he should feel excited; it would have been strange indeed, and have indi- cated a callous heart, if at such a moment he had experienced no emotion. It was some time before he could sit calmly down, and open the document which contained the reality of his new-born hopes, and when he at length did so, it was with a trem])ling hand and a beating THE MAN IN CHAINS. 169 heart; but as he read the instructions which his "brief" contained, the weakness — for such, of course, it was — passed away, and his whole soul became absorbed in the task, the responsibility that was now cast upon him, and he rose from the perusal of the de- tails of Abel Barnes's case fired with deter- mination and strengthened in resolve. It was a case which was well calculated to ex- cite the sympathies of a generous heart ; it was a case in which the impulses of a kindly nature would be strongly roused, even in a stranger whose sympathies were rewarded with material acknowledgments. But Silvester Langdale was no stranger, as we have seen. Although in no way connected with the lamentable affair which had so strangely brought him fortune — a dismal cloud, out of which a bright sun shone for him, — yet he felt that he was closely connected with it, and the scene of Margale's death-bed v/as in his mind a 170 THE MAN IN CHAINS. portent of a dread picture in which he was at once actor and spectator. He felt, in the seriously trying ordeal of his first appearance before the world, utterly unknown even by name, standing as he would be amidst strangers, and before a solemn tribunal, that liis connection with the subject of the inquiry would nerve him in his efforts, and imbue him with that confidence which should justify what otherwise might appear a step to be cha- racterized as temerity. It was known that the trial of Abel Barnes, as it was a charge of murder, would not come on for three or four days after the commencement of the sessions ; but Silvester Langdale was in attendance as soon as the court opened on the Mon- day morning, in order that he might accustom himself to the place in which he was soon so conspicuously to appear. When he entered the court the seats at THE MAN IN CHAINS. 171 the table appropriated to counsel were all occupied, and for a minute or two he had to stand in the gangway that leads down to the table. He was a stranger, a new man; perhaps he was thought by some in that court an interloper ; and so, as he stood at the bottom of the gangway, all eyes were turned upon him, especially those around the barristers' table. He could see that whisperings were going on respecting him, and although he could not hear what was being said, he knew well enough what was the purport of the observations that were being indulged in. Immediately opposite was one young and impulsive member of the bar, who had attended the court for more than seven years, but who had never even *' smelt a brief," as he himself would observe ; although in personal appearance he was conspicuous enough, and therefore might have attracted the attention of some of 172 THE MAN IN CHAINS. the legal wolves who prowl about the purlieus of that court, for he had a big round face, fringed with large red whiskers. This interesting ornament of the bar of England, as soon as Silvester Langdale entered the court, brought his eye-glass to bear full u^^on him, and stared point- blank at him, as though he were some unusual phenomenon, just descended through the roof, or come up from the cells beneath. With an unmistakable action of the elbow he called the atten- tion of his immediate neighbour, another member of the bar, of long standing but short practice — a gentleman with a face as sharp as a hatchet, but with wit about as dull as a grindstone ; but there was no necessity to call his attention to Silvester Langdale's presence, because he was already indulging in a supercilious stare at the new-comer. Gradually the eyes of the whole bar were centred upon Sil- THE MAN IN CHAINS. 173 vester, and of course tlie benoli followed the bar ; the bencli at the moment con- sisting of the recorder and two aldermen, — the one short and thick, and so plethoric about the neck and face that his tongue protruded from his mouth, and he breathed stertorously ; and the other so tall and thin that when he stood up he looked like a wafer man, attired in a purple silk gown, fringed with fur. Silvester Langdale stood the battery of these legal eyes right manfully, and although at the first, just for an instant, he felt a little nervous, he boldly confronted that united bar, and gazed around him with the utmost self- possession. Indeed, so unmistakable was his self-possession that the briefless one, with the large round countenance with red fringe, remarked to his neighbour that Silvester had " cheek enouo^h for a vouno^ 'un, and no mistake." 174 ' THE MAN IN CHAINS. Presently the members of the bar sat a little closer together, so that Silvester Langdale was enabled to take a seat at the table, and as he did so the gentleman next to whom he sat cast a sidelong glance at him, and scanned him out of the corners of his eyes. Emboldened by this pro- ceeding, he turned his head quite round, and stared full into Silvester's face, as though he desired to stamp a photograph thereof upon his own brain. Silvester Langdale could not refrain from smiling, and so he smiled, not exactly at the learned gentleman next to him, because he looked across the court ; but the learned gentle- man himself felt that the smile was in- tended for him, and so he patronized Silvester by turning his back full upon him. The bar, however, very soon got recon- ciled to the presence of the new-comer, or, at all events, they ceased to scrutinize THE MAN IN CHAINS. 175 him as a curiosity, and so lie was left to himself, to look upon the scene around him. The habitues of that court had their separate functions marked upon their countenances as distinctly as though they had been printed there. It was not diffi- cult for a sagacious observer to distin- guish which were the jurymen, which the witnesses, which the several officers of the court individually, and the offices they filled; which the barristers' clerks, and above all, which were the attorneys regu- larly practising in that court. These last were as distinctive as though they had been labelled. There were three of them present. One was an old man, with a countenance so seamed that it appeared to have been ploughed, and his skin was of the colour and of the texture of parch- ment. About his mouth there was a very remarkable expression. It seemed to have been drawn on one side, as with a string. 176 THE MAN IN CHAINS. He spoke apparently without any mo- tion of the lips ; and he held down his head while in conversation, as though he were speaking with his ear rather than with his mouth. What a course of villany could that man record as the reminiscences of his professional career ! Another mem- ber of the same fraternity then present was one much younger in years, and with an entirely different cast of countenance. Indeed, he was rather good-looking. He had an open countenance, and was tall in stature. He had a very considerable practice amongst the most degraded clients of that august court. In fact, he and the man with the ploughed face divided nearly the whole of the practice therein. TJiey took the cream — we were going to write, the scum — of that terrible social cauldron, Newgate. Silvester Langdale had an ample opportu- nity, during the three days that he visited THE MAN IN CHAINS, 177 the court, to become acquainted with its practice, for it was very simple. During that time, too, he had become thoroughly- habituated to it, even as though he were an old practitioner therein ; and after the first day he was no longer an object of curiosity to the scrutinizing bar, but was received by them as an installed member of the fraternity. Silvester Langdale felt quite at home and at his ease amongst them. He had ample opportunity of ob- serving the amenities of the bench and the bar, before which and of which he was now a practising member. Indeed, on the second day this opportunity was something more than conspicuous, — in a case ol petty larceny which was being tried, and in which a leading member of that bar was engaged for the prisoner. Wlien the time for his address to the jury came, this legal functionary impressively and at once threw himself into the case which he had to make VOL. I. 12 178 THE MAN IN CHAINS. out for his client, and as the evidence for the prosecution had been entirely conclusive, and admitted of no doubt whatever, he had recourse to the expedient of misquot- ing it. This course was allowed for some time by the presiding functionary, but at length he ventm-ed to suggest that the learned counsel was entirely perverting the evidence which had been adduced. Upon this the learned counsel, thus checked, turned fiercely upon the presiding judge, and requested to be informed if he were sitting there for the purpose of in- structing him (the learned counsel) in his business. " I sit here to administer justice," the judge remarked, " But you don't sit there to teach me how I ought to conduct a case," cried the arrister, fiercely, and casting a meaning glance at the jury, as though he would say, " Have the goodness to observe how I will put him down." THE MAN IN CHAINS. 179 "One of my functions is to preserve order and regularity in this court," ob- served the judge. " And one of my functions is to defend the prisoner at the bar!" roared the learned counsel. " But I cannot allow you to misquote the evidence that has been taken," said the judge. "The jury are the judges of that, my lord ; I was addressing them /' and the learned counsel cast a kind of reverential glance towards the jury. " Proceed," said the judge. And the learned counsel did proceed. " Grentlemen of the jury," he said, " the- institution of trial by jury is one of the noblest — the noblest — of the institutions of our glorious constitution, and the bar of England has been the great palladium of English liberty. You, gentlemen, are now the representatives of the sacred in- 12—2 180 THE MAN IN CHAINS. stitution of trial by jury ; and I, unwortliy though I may be, unworthy as I know I am" — and he tapped his breast, as indi- cating that he nevertheless was a man of principle, — "represent the great palladium of British liberty. In former days of our history, gentlemen, when the liberties of the subject have been attacked b}^ despotic power, the bar of England has stood up for the persecuted and the oppressed." A rather intelligent juryman here ob- served that he thought that in all those cases there were counsel on both sides. " Sir, I admire your depth of reasoning," said the learned counsel, bowing profoundly to the observant juryman ; " that is true enough, although it is not every one who has the sagacity to observe it ; but in the times to which I refer, the counsel for the Crown, in the cases of oppression and tyranny, were miserable hirelings and place-holders — men who looked at nothing THE MAN IN CHAINS. 181 beyond the despotism of the ruling powers of the day, men who were, I may say, not to use too strong a figure of speech, out- side the great palladium of British liberty. In those days, gentlemen, a judge upon the bench could overawe a jury and brow- beat an advocate ; but those days have passed away, no such judge can sit upon the bench in our time ;" and in the excite- ment of the moment he pointed his finger full upon the judge who was presiding. The learned judge — "Did address Himself to motion, like as he would speak," but he checked himself — evidently, how- ever, with an efibrt. The learned counsel observed this, and seemed to become more emboldened. " Gentlemen of the jury," he continued, " I may have a weak case, or a strong one ; I may be counsel for the prisoner, or have 182 THE MAN IN CHAINS. to conduct the prosecution ; but whatever be mj position, however humble may be my efforts, as I know they are, no judge shall ever turn me aside from the straight path of my strict duty. Gentlemen, al- though we may no longer witness the terrible spectacle of a judge overawing a jury and browbeating an advocate, yet, as you have seen, we may have a legal pre- sident prejudging a case, and attempting, metaphorically, to trip up a counsel in the discharge of his sacred duty in behalf of an unhappy prisoner." This was too much for the judge, and so he warmly said that he could not sit there and allow the court to be insulted by imputations which were as gross as they were uncalled for. The learned counsel for the prisoner drew himself up, looked full across at the jury, and then threw at them a shrug, which said, as plainly as any language could THE MAN IN CHAINS. 183 do, " Now, gentlemen, what do you think of the difficulties of my position?" The judge, addressing the jury, said: — "Gentlemen, while I preside in this court I will not allow its decorum — that decorum without which justice cannot be properly administered — to be infringed, or the dignity of the bench to be vio- lated." " Does your lordship intend that obser- ration for me?" inquired the learned counsel, sneeringly. "Most unquestionably I do," the learned judge replied. " Then I have to say this," cried the advocate, laughing scornfully, " that while I have the honour of practising in this court, I will do my duty to the prisoner and the gentlemen of the jury, in spite of the prejudices of any Metho- distical old woman who may happen, by a strange freak of fate, to be placed in the 184 THE MAN IN CHAINS. responsible position of president of the court." "If these observations are continued I shall feel it my duty to adjourn the court. I have to request that this unseemly altercation may be brought to a close," said the judge. *' Very well, then ; have the goodness to allow me to conduct my case according to my own discretion, and don't attempt to prejudice the jury," cried the learned counsel, in a tone that he might have used towards a cabman with whom he had had a dispute respecting the amount of a fare. The case was accordingly allowed to proceed, as the counsel for the prisoner had suggested ; and taking advantage of •the concession, he lashed himself into a fury, threw his arms wildly about, and indulged in such energetic gesticulation that he cleared a vacant space on each THE MAN IN CHAINS. 185 side of him. He dashed his brief upon the table, upset the inkstand that was before him, and finally, in his peroration, jumped upon the seat behind, and from that elevation frothed out a stream of words, full of sound and fury indeed, but nothing more. Then came the summing up of the learned judge, who, having read over the evidence to the jury, alluded to the scene which had taken place in the course of the trial. After referring to his long experience on the bench, the uniform courtesy with which he was treated by the bar generally, and the high estimation in which he was held by the world at large, he implored the jury to dismiss from their minds all recollection of what had but a few moments before occurred, even as though it had never happened, for it was highly essential that the pure stream of justice should not be polluted 186 THE MAN IN CHAINS. by even the resemblance or shadow of per- sonality. He therefore again appealed to them to dismiss entirely from their minds the recollection of the misunderstanding which had arisen between the learned counsel and himself. Judges on the bench generally appear to have the notion that the mind of a jury is like a schoolboy's slate, from which impressions can be removed at will, and without the least exertion. If an atrocious crime has been committed, with the details of which all the newspapers of the land have been teeming for a fortnight before, a jury will be seriously requested to dis- miss from their minds all that they may have happened to have read upon the subject. Sometimes, when the subject- matter of the investigation has been the topic of conversation amongst all classes, and has been commented upon for days previously by the public press, the pre- THE MAN IN CHAINS. 187 siding fanctionary will suggest that possibly some of the jury may have heard comments out of doors on the case ; thus leading to the inference that juries are not of the general public, and take no interest in its affairs. In all cases the jury are told to look upon their mind as a slate, and to treat it accordingly, — that is, rub all recent impressions out. Such was the initiation which Silvester Langdale received into the mysteries and amenities of his new profession, upon his first appearance in court, and it must be confessed it was not calculated to give him a very elevated notion of the dignity of the tribunal before which he was to make his professional dAhtt. He, how- ever, congratulated himself that the court before which the case in which he was to appear would be taken would be dif- ferently constituted from that in which 188 THE MAN IX CHAINS. the disorderly and most undignified scene lie had just witnessed had taken place, as the judges would be altogether of a different stamp and standing. THE MAN IN CHAINS. 189 CHAPTEE IX. THE TRIAL OF ABEL BARNES. The trial of Abel Barnes was fixed for the third day of the sessions, and as the case was one of murder, the galleries and places set apart for the free accommodation of the general public were besieged by eager applicants at the opening of the court, and the doorkeepers — or money-takers, perhaps we should more appropriately designate them — obtained proportionately high prices for the privilege of free admis- sion to this interesting public court of justice. Viscount Montalban, in right of his position as a peer of the realm, was accommodated with a seat on the bench. 190 THE MAN IN CHAINS. between two aldermen, one a tallow- chandler, and the other a raw hide mer- chant ; and the two civic functionaries — attired, of course, in their purple gowns edged with fur — smirked and ogled at their friends in different parts of the court, indicative of the high gratification they felt at having a lord between them. It had, of course, got noised about amongst the profession that the young unknown barrister, who had been observed to enter the court at the opening of the sessions, was to be entrusted with the defence of the prisoner, and the bar of the court had been struck with something like consternation when the intimation was conveyed to them. The men of stand- ing in the court — that is, those who had the most practice — looked at one another, and smiled sarcastically ; and one of them was heard to ejaculate, " Poor devil !" But whether the implied sympathy was THE MAN IN CHAINS. 191 intended for the prisoner or liis advocate the world has never been informed. The briefless ones discussed the matter indig- nantly. What next? they reasoned. The profession was coming to something indeed ! In former days, long study and years of patience were sure to produce their just reward ; but now men of ex- perience and observation were to be thrust aside by unknown whipper-snappers and upstarts. Every gentleman had a different form of expression for his suggestive dis- content, but they all agreed uj^on one point with wonderful unanimity, and that w^as of course the exhibition would be a preposterous and ludicrous failure; and with this comforting assurance they flocked into the court to witness Silvester Langdale rush upon his own professional destruction. When Silvester entered the court, on the morning of the trial of Abel Barnes, 192 THE MAN IN CHAINS. the eyes of tlie whole bar were turned upon him ; but although he was a little flushed he did not appear at all nervous. A vacancy was immediately opened for him at the table, and he took his seat thereat, placing his brief before him. Immediately behind him sat Marl Basker- ville, and as soon as the young barrister had settled in his place, the attorney money-lender and turf commissioner whis- pered to him, — " How are your nerves ?" " As firm as steel," Silvester Langdale replied, in a tone of voice that was con- firmatory of his declaration. " They will need to be." " They are." The next moment the clerk of the arraigns rose, and, addressing the gaoler who was seated at one side of the dock, said, — " Bring up Abel Barnes." THE MAN IN CHAINS. 193 And Abel Barnes was brought forward from behind, at the back of the dock, accordingly. " I appear for the prosecution, my lord," said a stout gentleman, who sat at a little distance from Silvester Langdale, at the same time rising and making an obeisance to the presiding judge. " Is the prisoner defended ?" the judge inquired. " I appear for the prisoner, my lord," said Silvester Langdale, rising and bow- ing also. " Mr. eh ?" said the judge, with his pen in his hand, and looking with a smile towards, and over his spectacles at, the young barrister. " Silvester Langdale, my lord." The learned judge wrote the name down, and several of the briefless ones looked at each other, and in a subdued voice said, " Silvester Langdale 1" in a tone which VOL.1. 13 194 THE MAN IN CHAINS. implied that even the name was an im- pertinence. The trial then proceeded, but the counsel for the prosecution had scarcely concluded his opening address when the judge said he had been looking over the depositions, and it appeared to him that the capital charge could not be main- tained, and therefore the learned counsel had better confine themselves to the second count of the indictment, that of manslaughter. The counsel for the prosecution said that such was the course which he intended to pursue, but his lordship would see that the prisoner had been committed — upon the coroner's warrant for murder, and bj the justices for manslaughter. " They are clearing the way for you," whispered Marl Baskerville to Silvester Langdale. * *I am sorry for it, " was the whisper ed reply. THE MAN IN CHAINS. 195 " Your lordship will observe that there are two indictments," said the counsel for the prosecution ; " and, if your lordship pleases, I will take the second one, which is for the minor charge of manslaughter, first." "That will perhaps be the better course," said the judge. And so the charge of manslaughter was taken. The evidence that was adduced was precisely the same as upon the in- quest, and before the magistrates at Guildhall; but the wife of the unfortu- nate deceased, or rather, the woman who had passed as his wife, was not so violent or demonstrative in giving her testimony as she was at the investigation at Guild- hall. Indeed, she was quite subdued on the trial. Silvester Langdale did not attempt any- thing like a searching cross-examination of the witnesses, inasmuch as he was not 13—2 196 THE MAN IN CHAINS. instructed to dispute the facts ; they were indeed indisputable. He questioned the woman with regard to the attempted use of a knife by the deceased, but nothing could induce her to admit that he had had a knife in his hand at all. The evidence of the policemen, however, was conclusive upon the point : when they picked the deceased up at the foot of the stairs he had a large and formidable knife clasped firmly in his hand. The case for the prosecution having closed, the moment for Silvester Lang- dale^s own trial came. The ordeal upon which his success or failure in his profes- sion was to be based had now to be encountered, and the counsel for the pri- soner rose to meet it. There was a sonorous cry of silence from the usher, the members of the bar settled themselves in their places, attentive, scrutinizing, and critical listeners, and the learned jud