973.7L63 E5C43*i Lincoln Dioramas Chicago Historical Society LINCOLN ROOM UNIVERSITY OF ILLINOIS LIBRARY MEMORIAL the Class of 1901 founded by HARLAN HOYT HORNER and HENRIETTA CALHOUN HORNER Digitized by the Internet Archive in 2012 with funding from University of Illinois Urbana-Champaign http://archive.org/details/lincolndioramasOOchic LINCOLN DIORAMAS CHICAGO HISTORICAL SOCIETY Clark Street at North Avenue Chicago, Illinois WHEN Abraham Lincoln was interviewed for the purpose of getting material for a campaign biography, he said, with becoming modesty, "It is a great piece of folly to attempt to make anything out of me or my early life. It can all be condensed into a single sentence, and that sentence you will find in Gray's Elegy, 'The short and simple annals of the poor.' That's my life and that's all you or anyone else can make out of it." Lincoln could not realize how im- portant a role he was to play in history. In his rise from a simple log cabin to the White House, he exemplifies the American way of life. The Lincoln Dioramas were made by the Museum Extension Program of Illinois, under the sponsorship of the Chicago Board of Education. The subjects for the twenty dioramas were determined after careful study by the Chicago Historical So- ciety in collaboration with a group of eminent Lincoln authorities. Beginning in March of 1939, it was necessary to devote months of painstaking research to assure accuracy in every detail before the plan for each diorama could be drawn. From the time when actual construction work was begun late in 1939 until November of 1941, never less than fifty craftsmen have been busily engaged in mod- eling, carving and painting figures or designing the colorful backgrounds. More than ten thousand figures were cast for the dioramas; of that number six thousand were selected for use. These figures vary in size from one-half inch to nineteen inches. The most difficult piece of sculpture in the dioramas is the reproduction of the Daniel French Lincoln Memorial in Washington, D. C. Countless technical problems were encountered and solved during the three years of construction. The backgrounds of each diorama were repainted many times until an effect was achieved which gives the illusion of depth and seems to make the hori- zons fade into infinity. A natural sunset in the Ohio River scene was finally accom- plished after many days of experimenting with different types of gauze and chiffon. An unusual material, lucite, was used in a number of the dioramas. The water- fall, river, chandeliers, candlesticks and glass of water are all made of this modern plastic. The icicles in the second diorama were made of blown glass. In this same scene, what seem to be iron pots in the fireplace are actually wood, painted to look like iron. The books on the shelves are small sections of a telephone directory bound with pasteboard covers. The corn cobs hanging from the ceiling are plaster cast but the shucks are real. The spinning wheel in this second diorama actually works. The rag rug on the floor was woven in the same manner as a full size rug. The cotton bales in the Ohio River scene were packed by a negro woman born and raised in the cotton country. This diorama series, the most recent addition to the Lincoln Collection in the Chicago Historical Society, is arranged in chronological order beginning with the Hodgenville Cabin scene on the right when entering the Diorama Gallery. The final scene in the series is a reproduction of the Lincoln Memorial in Washington, D. C. Notes concerning other Lincoln exhibits will be found on the last page of this booklet. L. | v\(L &**: MIGRATION TO ILLINOIS, 1830 Through March floods and thaws, the Lincoln family migrated to Illinois, where they settled in Macon County, about eight miles southwest of Decatur. Leaving Indi- ana, they found the high water of the Wabash overflowing its banks into the low prairie near Vincennes where they crossed. When young Abe's dog jumped out of the wagon and was stranded in the icy water, he removed his boots and waded back to save his pet. Notice the wooden stakes which marked the route through the flood- ed area. One of the chief reasons for Thomas Lincoln's decision to leave Indiana v