6 < OGLESBY AT HOME. A Visit to the Hon. Richard James Oglesby at his Home at Lincoln, Logan County A Pen Picture A Marvelously Varied Career Carpenter and Lawyer A Soldier in Two Wars Not a good Politician, but a Plain, Honest Man who ' 'Keeps Close to the People." At 3 :00 a. m. the Chicago train stopped not long since at Lin- coln, 111. From the rear sleeper a solitary pilgrim descended and encountered a fierce snow-storm that buffeted him in the face, and pushed against him, and roared menacingly from the telegraph- wires, as if to prevent his presence. Long studied he as to the route which led to shelter from the hostile storm, and at length espied a little light in the far distance, which he reached after much struggling with ambuscading ditches, broken sidewalks, posts which suddenly came in the way as if they had sprung up from the ground to dispute his passage. At last, storm-beaten and sorely lacerated in his feelings over this ungenial welcome, he gained a fire and a bed. Gazing from the hotel windows the next morning he found that Lincoln was not at its best. The sky was as sombre as if in three-quarter mourning; the streets were vast streams of mud, as black as night, and as unfathomable. Across the way were lines of stores, brick and wood, with their fronts Ranged" to increase their height. There was a black dog in an opposite doorway that cast appealing and incessant glances at the door-handle, as if that were the thing which would admit him to the fire within. A few men, with their trousers thrust into muddy boots, came at inter- vals along the sidewalk, coming apparently from nowhere, wanting nothing as it seemed, and going to no place in particular. Leaving the hotel in due season the pilgrim went out into the city. He boldly crossed the great channels of mud used for streets, but fortunately frozen into rigidity; he went east, then west, then diagonally otherwise, changing his course at intervals. He passed along sidewalks under wooden awnings; he saw vast collections of farmers' wagons side by side, their teams hitched to interminable lines of wooden railings; he passed parks whose trees had been sawed off at the top at a level so uniform that it appeared to be the work of some gigantic scytheman; and at last he reached the house to which he had been directed. He rang the bell, asked if the gentleman was in, and was informed that he lived somewhere else. On another corner is a square, wooden house with some eccentric extensions on one or two sides, two stories in height, with a "hip" roof. It is not old, and yet somewhat remote from the time it was new. It appears comfortable in its external indications, not in the least ostentatious, suggestive of display, or the result of much wealth. A plain and yet substantial wooden fence surrounds the ground, which, a half acre or so in extent, is covered with forest and fruit trees. Taken as a whole, ground, house, fence, trees, suggest a moderate income, freedom from display, comfort, hospi- tality. As he enters the gate the pilgrim notices a little conservatory which has been constructed over a portion of what was once a veranda along the front of the house. He sees the green of leaves and the brilliant hues of blossoms through the panes, and they afford him the first relief from the brown dead grass of winter and the gloom of the inky streets. The visitor pulls the bell of the door leading into the conservatory. Almost instantly the door is swung open, and there appears a well-shaped man just above med- ium height whose first suggestion is of greyness and geniality. "Governor Oglesby?" ventures the visitor. "Yes, sir," says he, "Walk right in !" he continues, with a beam- ing smile, and without taking the trouble to ask the name or the business of the new-comer. "This way," and a moment later the pilgrim is sitting in the library face to face with the Governor, and five minutes later is on as easy terms with him as if he had known him for half a century. A VISITOR. Cigars are proffered, lighted, and then they chat. Meanwhile the pilgrim studies the man before him, and becomes amazed. He notices the erect form, trim and well-proportioned as that of an athlete in training, and then bursts out : "Is it possible that you are the 220 pounder whom I saw at Bird's Point in 1862, at Donaldson, later at Shiloh, and other places? Are you the one that during those days went cantering around on a horse that must have thought himself an equine Atlas, and who certainly 'toted' you about wishing that he had been a mule or never born?" "I am the man," he answered with a smile so pleasant that it seemed to assert that nothing in his life had ever occurred to him which pleased him so much as the loss of fifty pounds of flesh and the change of his locks to a snowy white. There is nothing especially salient in any single feature. The eyebrows are long, handsomely rounded, and black. The nose is neither small nor large, but one which, somewhat pointed and pro- jecting, seems to aid him at moments when he is concentrated in his thought and speech. At such moments the entire face seems to thrust itself forward as if to constitute a species of pointed wedge, with the nose as the terminal and entering point. The brows rally on the centre, the eyelids fall as if to protect the eyes in the approaching charge, the mouth narrows, even the cheeks are thrust towards the common centre. When intensely in earnest this appearance of concentration becomes marked and striking. It gives a vigor, an intensity, a strength to the face that transforms its character, especially when in repose. When he is full of humor the eyes open to their entire width and flash with indescribable fun; the mouth widens; the angry corrugations of the brow roll away; the cheeks broaden; the white teeth flash out and the storm is over. The eyes are a hazel gray, but are incessantly changeful. They are full of emitting light, they are now and then gloomily intro- spective, they are sad, they flash with fun; and, in brief, like every feature of his countenance, they are kaleidoscopic in their variety. He has in no respect that immobility so much admired in pictures of great historical characters. He has none of that impenetrability of face in which one reads nothing, but whose solemn eyes seem to pierce one's inmost soul. His expression con- tinually changes, and is the exact reflex of every emotion that pos- sesses him. One can find enjoyment simply by watching these in- exhaustible movements of his features ; they would tell a delightful and connected story without hearing a word that flows from the flexible lips. His lips are thin and have none of that fullness so often seen in great speakers. The mouth is wide, and with the thin lips, seems to be indicative of firmness even obstinacy. The face is cleanly shaven, the complexion fresh, the expression of the whole virile a youthful face beneath a crown of snowy hair. When in repose, his face has a touch of sadness, but it is still strong, composed, resigned. There is no suggestion of discontent nor of ill nature. It seems that of one who has suffered much, but who has had the endurance to encounter obstacles without subjuga- tion. As the pilgrim listens to him he is impressed with the idea that geniality and thorough good nature are predominant traits. He is kindly too. His allusions to old opponents political, social or otherwise are never accompanied with any bitterness. His anec- dotes are those in which humor prevail, and he roars over the cli- max as heartily as the most appreciative listeners a deep, hearty, honest laugh that is contagious, and makes one feel better, more honest, more kindly for having participated in it. He is not all humor. At intervals a pathetic flash appears, and in a twinkle the eye of the speaker is humid, and the rain of emo- tion bespatters the cheek of his auditor. Often during his stay did the pilgrim find himself struggling in a whirlpool of tears and laughter. How HE BECAME AN ABOLITIONIST. "How was it, Governor," queried the visitor, "that you, a Kentuckian, became such a confirmed abolitionist?" "Well, for many reasons, but one of the principal ones came from a negro man called HJncle Tim/ He was a slave who had descended from my grandfather to my father, and was one of several in the family. My father died when I was a small boy, and we became embarrassed, and in order to divide up what little there was left 'Uncle Tim' had to be sold. I well remember him as he stood up on a box to be ready for the sale. He was a power- ful man, far above the average height, with a manly bearing, a fine face, and a skin as black as ebony. He had always been very fond of us children, and I thought almost as much of him as if he had been my own father. "As he stood waiting he implored, with tears streaming from his eyes, a brother of my father to buy him. That was impossible, and, observing his dejection and surmising its cause, I said: " TTncle Tim/ I am going to work to earn money, and when I get enough I will buy you and set you free. "His face lighted up with pride and pleasure as I said this, but which was immediately followed by a look of despair. He came down, lifted me up in his arms, and said sadly: 'Thanks, Marse Dick, you are a poor orphan and won't never be rich enough to buy Uncle Tim.' He was sold, and being past his prime, only brought some $400. "I moved to Illinois in time; I struggled; I went back to Ken- tucky, and grew no richer. I used to see Uncle Tim occasionally, and I always assured him that some day I would buy him. He always seemed to listen to me gratefully, but apparently had no hope of my success. In 1849, I went to California, and after much effort I made a few thousand dollars, and then returned to the States. The first thing I did was to fulfill my promise. I sent the money to my brother, and Uncle Tim was purchased. "I was standing in front of the porch of my brother's house seme days later, when Uncle Tim came out of a piece of woods a little distance away, and approached along a pathway. It was a striking picture such as I never before or since have witnessed. He was a giant in stature; his abundant gray hair was thrown back on his shoulders, his face was livid and ashen, reminding one of the statue of Moses, by Michael Angelo. His countenance was aglow" here Oglesby rose to his feet, and with expanded chest brought his upraised arm down with the sweep of a sledge-hammer, and continued "and shone as if lighted by the very presence of the Holy Ghost. When he caught sight of me, he stopped, threw back his head, raised his arms far above him, and exclaimed : 'My God! my God! has the little orphan boy lived to buy and set me free !' "Then he put his arms around me and tried to lift me as in the old days, but he had grown too weak, and I had grown too large.