A. LITTLE PRINCESS BY Caroline Hart * HART SERIES No. 10 Copyright, 1909, by The Arthur Westbrook Company Published by THE ARTHUR WESTBROOK COMPANY, CLEVELAND, U. S. A. ^Printed In the United States of America/ CONTENTS Page Chapter 1 « « m m a 9* a M a 5 Chapter II * M H a w a a 12 Chapter III « ** a N a a m a 18 Chapter IV « R - a a a a a 23 Chapter V - * a « a a M B a 30 Chapter VI W « M a w « a 37 Chapter VII * - m M a M a a 43 Chapter VIII - « « •t a m H a 50 Chapter IX - * m m a a « a a 56 Chapter X *■ » w a a a a 62 Chapter XI « m 19 R. 9* n n - 68 Chapter XII -» a a a • a M - 74 Chapter XIII - M - •9 - a a - 81 Chapter XIV, * - - M r* te M . 87 Chapter XV • - • a *: a a - 93 Chapter XVI - • m - a a a 99 Chapter XVII a • - - a a - 106 Chapter XVIII m • m • a a - 111 Chapter XIX 117 Chapter XX m m « »p M m 124 Chapter XXI 130 Chapter XXII - m « m * « H « 136 Chapter XXIII - - m m a «s a a 143 Chapter XXIV, m m m a a a 149 Chapter XXV m n M M H M a 156 Chapter XXVI M H m - a a a 162 Chapter XXVII - M « a a a H a 168 Chapter XXVIII H R m a a M a 174 Chapter XXIX « li m « a a a 180 Chapter XXX - M M M M a a a 186 Chapter XXXI - m n m •5 a a a 192 Chapter XXXII M m IS a « N a 198 Chapter XXXIII H M n m a H - 204 Chapter XXXIV M m M a a a B 211 Chapter XXXV - 218 Chapter XXXVI ' • m - - a a a 223 Chapter XXXVII K a 9 * a a - 23^ A LITTLE PRINCESS By Caroline Hart Chapter I. The windows were open, and the draft occasioned by the assage of air from the fan-light over the door comir iigling with the circulation through the casement tow ,ied agreeably the brow of a young man who sat, w' .h palette, brushes and maul-stick, gazing critically, upon a portrait which rested on the easel before him. The sun through the sky-light made the heat of the room rather greater than it otherwise would have been. But Ballard Hilliard worked on as diligently as if his daily bread depended upon the rapidity of the strokes of his skillfully wielded brush. Not that it did, you know, for the clever young artist was one of those favorites of the gods who seemed to have reached the rainbow and its consequent bags of gold without the smallest effort upon his own part. His brother artists sighed enviously. “Not but what he deserves his success, you under¬ stand,” they would explain to each other; “but if he were a poor devil without a dollar with which to bless 1153391 e A LITTLE PRINCESS himself the world would not take such pains to dis¬ cover this remarkable talent of which they now seem so proud.” But Ballard Hilliard paid no attention either to their remarks or his own success. He loved art for art’sf sake, and he slaved and toiled early and late—not for' the number of ducats that resulted therefrom, but the glow of an ideality lightened and brightened his life. He had before him a grand ambition, and toward that goal every act of his life was to him a step. He wanted to be great, and to know that he deserved his greatness. He wanted no fame purchased by his social position and the wealth that had come to him as an inheritance through generations. He wanted not the glory of a day. He had no desire for that short-lived notoriety that made him the lion of the hour. He wanted his name to go down to posterity. He wanted to feel within himself that future generations would know him even better than his contemporaries had done. And he deceived himself in nothing. He was his own severest critic. He spared himself in nothing. He grieved over his failures and delighted in his successes as a mother does over her best-loved child. i And that was the passion of his soul. He was liv¬ ing in dreams of the future. 1 He was thinking of that, perhaps, as he sat there upon that golden day in June, gazing at the ideal head upon the canvas, when a light, quick knock sounded upon the door. In answer to a rather impatient “Come in!” the door opened, and a small figure, bear¬ ing a basket laden with flowers, entered. It was a tiny, piquant face, with a singular p*s