YALE UNIVERSITY
LIBRARY

A DESCRIPTIVE
AND CLASSIFIED CATALOGUE
of PORTRAITS of
OUEEN ELIZABETH

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A DESCRIPTIVE
AND CLASSIFIED CATALOGUE

OF

PORTRAITS

OF

QUEEN ELIZABETH

BY
FREEMAN M. O'DONOGHUE, F.S.A.
OF THE DEPARTMENT OF PRINTS AND DRAWINGS, ERITISH MUSEUM

BERNARD QUARITCH
15 PICCADILLY, LONDON
1894

DRYDEN PRESS :
J. DAVY AND SONS, 137, L0NG ACRE, LONDON.

3y 3 3
041

PREFACE.

jHE main sources from which the materials for the present
catalogue have been derived, so far as the oil paintings
and miniatures are concerned, are the catalogues of the
exhibitions held from time to time in London, at which a
large number of portraits of Queen Elizabeth have been shown. Of
these the most important gatherings were the National Portrait Exhibi
tion, 1866, the Tudor Exhibition at the New Gallery, 1890, the special
Loan Exhibition at South Kensington, 1862, and the Miniature Exhi
bition at South Kensington, 1865; at the first-mentioned twenty, and
at the second no fewer than forty-four professed portraits of the Queen
were seen; and, although in each case a certain proportion were
falsely named, the remainder comprised some of the most interesting
extant examples. The portraits included in the exhibitions of 1862 and
1865 were exclusively miniatures and gems. Of the unexhibited pic
tures in private hands some have been traced and examined by the
writer himself, but for the descriptions of the great majority he is in
debted to his friend Mr. George Scharf, C.B., Director of the National
Portrait Gallery, who, in addition to assisting him with invaluable advice
and suggestions throughout the work, has generously allowed him unre
stricted access to the series of sketch-books in which, during a long
course of years, he has recorded all portraits of interest that came under
his notice. There are doubtless other pictures hidden away in country
houses to which no clue could be obtained, but it is confidently
believed that all the important examples are here recorded.
In the task of obtaining notes for the section of engravings, the
chief sources of information consulted, in addition to the Print Room
and Library of the British Museum, have been the Royal Library at
Windsor, the Sutherland and Hope Collections at Oxford, and the Bib-
liotheque Nationale, Paris ; to the officials in charge of these collections
the author has to express his thanks for the facilities afforded him in
bz

VI PREFACE.
his researches. In this case, also, although it is of course impossible
to claim that the list is complete, it is hoped that no important plates
have escaped notice.
The data for the medals and seals have been chiefly obtained from
the two exhaustive official catalogues issued by the Trustees of the
British Museum, " Medallic Illustrations," by E. Hawkins, edited by
A. W. Franks, F.R.S., and H. Grueber, 1885, and " Catalogue of the
Seals in the British Museum," by W. de Gray Birch, 1887 and 1893;
those for the gems from Mr. C. W. King's " Handbook of Engraved
Gems," 1866, Mr. C. Drury Fortnum's "Notes on some of the Antique
and Renaissance Gems and Jewels in Her Majesty's Collection at
Windsor Castle," printed in Archaeologia, vol. xlv, and the Catalogue of
the Special Exhibition at South Kensington, 1862.
With the kind permission of Viscount Dillon, the interesting picture
in his possession, a memorial of the Queen's visit to Sir Henry Lee,
K.G., at Ditchley, in September, 1592, has been reproduced as a
frontispiece to the catalogue.

INTRODUCTION.

T may fairly be said that of no other sovereign of this or
any foreign country are the portraits, taken at all periods
of life, so numerous as those of Elizabeth Tudor, Queen
of England; it is, therefore, somewhat remarkable that
hitherto no attempt has been made to draw up a catalogue of them,
though this has been done in the case of her father Henry VIII, her
brother Edward VI, her sister Mary, and her cousin Mary, Queen of
Scots. It is also a fact that at no previous or subsequent period,
and by no other individual, have such a variety and magnificence
of attire been indulged in as by this extraordinary woman, and for
this reason the various representations of her constitute one of the
most interesting chapters in the history of portraiture and costume.
Though in her girlhood, when her position was one of great uncertainty
and some danger, she discreetly affected an extreme simplicity of dress,
and a dislike for outward show, after her accession to the throne her
natural vanity and love of admiration led her to adopt every expedient
calculated to enhance her charms, and in her later years, " imagining," as
Bacon observes, " that the people, who are much influenced by exter
nals, would be diverted by the glitter of her jewels from noticing the
decay of her personal attractions," she indulged in an absolutely barbaric
display of rich fabrics and jewellery. Horace Walpole remarks: "A
pale Roman nose, a head of hair loaded with crowns and powdered
with diamonds, a vast ruff, a vaster farthingale, and a bushel of pearls,
are the features by which everybody knows at once the portraits of
Queen Elizabeth," and, so far as it applies to those of her later life, the
description is hardly an unfair one.
A study of Elizabeth's portraits and of the verbal descriptions put
on record by her contemporaries leads to the conclusion that, though
never really beautiful, in her youth she possessed considerable personal
attractions; she was slightly above the middle height ("neither too
high nor too low," as she complacently observed to Sir James Melvill),
with a graceful figure and long delicate hands, of which she was very

Vlil INTRODUCTION.
proud; she had a fair clear complexion, with pale auburn hair and
black eyes (a somewhat unusual combination), her mouth was small,
with thin close-set lips, her forehead broad and high, and her nose
aquiline, a form which became strongly marked in old age. Her
eyebrows must have been very light both in colour and quantity, as in
most of her portraits they are scarcely indicated ; her hair was always
dressed in short crisp curls, and in her later years was certainly false ;
in the inventory of her wardrobe, taken after her death, mention is
made of a large assortment of wigs.
It is a general idea that Elizabeth, in her vanity, always expected the
painters to whom she sat to endow her with more beauty than she
actually possessed, but, although instances of the grossest flattery may
be quoted {e.g., the allegorical picture by Lucas D'Heere at Hampton
Court, the "rainbow" picture at Hatfield, and especially the Black-
friars Wedding picture at Sherborne Castle, in which, though the event
recorded happened in her sixty-seventh year, she is represented as quite
a young and pretty woman), as a rule her portraits appear to be fairly
faithful records of her actual appearance, and this is particularly the
case with those by Marc Gheeraedts, in which the wrinkles and other
signs of age are in no way mitigated. It seems to have been a fact that
the queen always preferred to be seen, and also to be painted, in the
open air, where the diffused light and absence of shade were favourable
to her too strongly marked features ; her portraits are generally almost,
if not quite, shadowless, being painted, as Vanderdoort expresses it,
"with the light coming neither from the right nor from the left, in
an open garden light," and this is particularly noticeable in the minia
tures by Hilliard. That artist, in his treatise on miniature-painting,
mentioned below (page xii), gives the following account of his first
interview with the Queen, which is particularly curious and interesting
as being the only recorded instance in which Elizabeth gave expression
to her views on matters artistic : " This makes me to remember the
words also and reasoning of her Matie, when first I came in her high
ness presence to drawe, whoe after showing me howe shee notied great
Difference of shadowing in the works, and Diversity of Drawers of
sundry nations, and that the Italians [who] had the name to be cun-
ningest and to drawe best, shadowed not, Requiring of me the reason
of it, seeing that best to shewe ons selfe nedeth no shadow of place but
rather the oppen light, to which I graunted, afirmed that shadowes in
pictures were indeed caused by the shadow of the place or coming in
of the light as only one waye into the place at some small or highe

PICTURES. ix
windowe which many workmen couet to werke in for ease to their sight,
and to give unto them a grosser lyne, and a more aparant lyne to be
deserned, and maketh the worke imborse well, and showe very wel afar
of, which to Limning work nedeth not, because it is to be veewed of
nesesity in hand neare vnto the eye, heer her Matie conseued the reason,
and therfore chosse her place to sit in for that perposse in the open ally
of a goodly garden where no tree was neere, nor anye shadowe at all
saue that as the heauen is lighter then the earthe soe must that littel
shadowe that was from the earthe, this her Matie curiouse Demaund
hath greatly bettered my Jugment besides diuers other like questions in
Art by her most excellent Matie which to speak or writ of weare fitter for
some better clarke," &c.
Of all the oil paintings of Elizabeth, very few bear the name or
initials of the artist, and the attribution is therefore, in most cases, only
conjectural. During the first part of her reign there were no painters
of any ability in England, and the character of the royal portraits, manu
factured in large numbers by incompetent artists to satisfy the popular
demand, so annoyed the Queen and her ministers that in 1563 a pro
clamation was drawn up announcing that " Forasmuch as through the
national desire that all sorts of subjects and people, both noble and
mean, have to procure the portrait and picture of the Queen's Majestie,
great nomber of Paynters and some Printers and Gravers have allredy,
' and doe daily attempt to make in divers manners portraictures of hir
Majestie in paynting, graving and pryntyng, wherein is evidently shewn
that hytherto none hath sufficiently expressed the natural representation
of hir Majesties person, favor, or grace, but for the most part have also
erred therein, as thereof dayly complaints are made amongst hir
Majesties loving subjects, in so much that for redress thereof hir
Majestie hath lately bene so instantly and so importunately sued unto
by the Lords of hir Counsell and others of hir nobility, in respect of
the great disorder therein used, not only to be content that some speciall
coning payntor might be permitted by access to hir Majestie to take the
naturall representation of hir Majestie wherof she hath bene allwise of
hir own right disposition very unwillyng, but also to prohibit all manner
of other persons to draw, paynt, grave or pourtray hir Majesties per
sonage or visage for a time, untill by some perfect patron and example
the same may be by others followed. Therfor her Majestie being as it
were overcome with the contynuall requests of so many of hir Nobility
and Lords, whom she cannot well deny, is pleased that for their con-
tentations some coning person mete therefor shall shortly make a pour-

X INTRODUCTION.
traict of hir person or visage to be participated to others for satisfaction
of hir loving subjects, and furdermore commandeth all manner of
persons in the mean tyme to forbear from paynting, graving, printing,
or making of any pourtraict of hir Majestie, until some speciall person
that shall be by hir allowed shall have first finished a pourtraicture
thereof, after which fynished, hir Majestie will be content that all other
painters, printers or gravers, that shall be known men of understanding,
and so therefore licensed by the hed officers of the plaices where they
shall dwell (as reason it is that every person should not without con
sideration attempt the same) shall and may at their pleasures follow the
sayd patron or first portraicture. And for that hir Majestie perceiveth
that a grete nomber of hir loving subjects are much greved and take
great offence with the errors and deformities allredy committed by
sondry persons in this behalf, she straightly chargeth all hir officers and
ministers to see to the due observation thereof, and as soon as may be
to reform the errors already committed, and in the mean tyme to for-
bydd and prohibit the shewing or publication of such as are apparently
deformed, until they may be reformed which are reformable."
This proclamation, of which the draught* is still in existence, was not
actually issued, and it does not appear that any special painter was then
appointed, but Sir Walter Raleigh, in the preface to his " History
of the World," states that, "by the Queen's own commandment all
pictures by unskilful and common painters were knocked in pieces and
cast into the fire."
Nicholas Lyzarde was sergeant-painter to Queen Mary, and after
wards to Queen Elizabeth, in whose service he died in 1570, but there
is no evidence that he painted portraits, his only recorded work being
" a table painted of the history of Ahasuerus," which he presented to
the Queen as a New Year's gift.
The first painter of note who appeared during the reign was Lucas
D'Heere, who, being banished from Ghent on account of his heretical
opinions, came to this country in 1568, and in the following year
painted the curious picture of the Queen with the three goddesses,
now at Hampton Court (No. 5 of this catalogue). The emblematical
picture of Henry VIII and his successors (No. 18), may also with
good reason be ascribed to him. D'Heere remained in England until
1577- * Printed in Archaeologia, vol. ii, p. 169.

ARTISTS. xi
Federigo Zucharo, the celebrated Italian painter, visited England
in 1574, and, during a residence here of four years, was much employed ;
he is known to have painted the Queen, and many of her extant por
traits are attributed by their owners to him, but as he never signed his
works the ascription is, in all cases, uncertain. The picture at Great
Hampden (No. 9) bears a mark resembling a Z, which may signify
Zucharo. Richard Lyne was a painter and engraver, who worked in the ser
vice of Archbishop Parker, and as the Queen frequently visited the
latter she may possibly have sat to Lyne.
Cornelius Ketel, a Dutch artist, resided in this country from 1573
to 1581, and it is on record that when the Queen visited the Duchess
of Somerset at Hanworth, in 1578, the Earl Of Hertford, the Duchess's
son, employed Ketel to paint Her Majesty's portrait, but the picture
cannot be identified.
Richard Stevens, a Dutch statuary, painter and medallist, also
visited England, and Walpole observes that, as some of his receipts are
in the possession of the Duke of Devonshire, it is probable that the
portrait of Elizabeth in a gown embroidered with monsters, at Hardwick
Hall, was painted by him.
George Gower was in 1584 appointed sergeant-painter to the Queen,
with a patent granting him the sole right " to make or cause to be made
all and all manner of purtraicts and pictures of our person phisiognomy
and proporcon of our bodye in oil cullers upon bourdes or canvas, or
to grave the same in copper, or to cutt the same in woode, or to printe
the same being cutte in copper or woode or otherwise," &c, with the
exception of Nicholas Hilliard, who was allowed to make portraits of
the Queen " in small compasse in lymnynge only and not otherwise ;"
but Gower's tenure of the office appears to have been very brief and
none of his works are known.
John de Critz, a Flemish painter who was patronised by Walsing-
ham, and in 16 15 obtained the office of sergeant-painter, may have
painted Elizabeth ; in an annotated copy of Holland's " Heroologia,"
it is stated that the engravings of Elizabeth, Walsingham and Sidney,
in that work, were done from pictures in the possession of De Critz,
and probably these were painted by him.

Xli INTRODUCTION.
The majority of the portraits of the Queen, which represent her in
old age, were painted by or in the school of Marc Gheeraedts, who
probably came to England with his father in 1568, and remained until his
death in 1635 ; his works are distinguished by their hard uncompro
mising truth and careful elaboration of the details of the costume. Of
all the portraits of Elizabeth, those at Welbeck (No. 35) and Cam
bridge (No. 10), by Gheeraedts, may be considered to give the most
perfectly accurate idea of her appearance.
Other painters who, from the references made to them by Haydocke*
and Meres, t must have had some reputation in their day, but whose
works have sunk into oblivion, are Francis and William Segar, John
and Thomas Bettes, Rowland and Nicholas Lockjgy, Peter Cole, J. de
Bruy and Peake.
The only miniaturist of Elizabeth's time who rose to distinction and
whose works are now identified, was Nicholas Hilliard, an English
man, born at Exeter in 1537. He was a goldsmith by profession, but
attained to an extraordinary degree of skill as a miniature painter, and
his works have always been highly prized ; they are usually executed
on card or vellum (never on ivory), in opaque colours, heightened with
gold. Hilliard appears, from the terms of Gower's patent mentioned
above, to have enjoyed the exclusive privilege of making portraits of
the Queen " in small compasse in lymnynge only," and he received a
similar patent from James I. ; his miniatures of the Queen are
numerous, and that in her booke of prayers, now the property of Mr.
Whitehead, is of unsurpassed beauty. He engraved the second great
seal of Queen Elizabeth in 1586. Hilliard wrote a treatise on miniature
painting which was never printed ; the MS. was successively in the
hands of Vertue, Horace Walpole, and David Laing, and was bequeathed
by the latter to Edinburgh University in 1878. Hilliard died in 1619.
Isaac Oliver, or Olivier as he more usually spelt his name, a
Frenchman by birth, was a pupil of Hilliard, and reached the greatest
eminence in his profession, but his work chiefly belongs to the next
reign ; though he must undoubtedly have painted Elizabeth, no authentic
miniature of her from his hand is known. The famous engraving by
Crispin van de Passe (Engravings, No. 160), was done from an original
* " A tracte containing the Artes of curious Paintinge, Caruinge and Buildinge,
written first in Italian by Jo. Paul Lomatius . . . and Englished by R. Hfaydocke],"
Oxford, 1598, fol.
t "Palladis Tamia ; Wits Treasury, being the second part of Wits Common
wealth;" by Francis Meres, London, 1598, 121110.

ENGRA VINGS. xiii
by him ; but, as he did not confine himself to miniature work, this may
have been an oil-painting or the pen-and-ink drawing on vellum
(Drawings, No. 2) now at Windsor.
Of the Engraved Portraits of Elizabeth comparatively few now existing
are strictly contemporaneous, and of these none represent her before
her accession to the throne. They are for the most part the work of
foreigners, the earliest being the head by Geminus in the title to the
third edition of his "Anatomy," 1559 (No. 9), and the whole-length
published by Hans Liefrinck in the same year (No. 10) ; the latter has
been ascribed to Franz Hogenberg, but it is more probably by Liefrinck
himself. There is no evidence that Franz Hogenberg ever engraved a
portrait of the Queen. His brother Remigius came to England, and
about 1570 entered the service of Archbishop Parker, who employed
him to engrave genealogies; in 1572 he executed the very scarce plate
of the Archbishop from a picture by Lyne, and two portraits of Elizabeth
bear his name ; these are both interesting studies of costume.
Johannes Rutlinger, the engraver of the curious portrait (No. 65),
is an artist of whom there is no other record, and the impression
described is the only one known.
William Rogers, the earliest English-born engraver whose works
are known, executed three portraits of the Queen during her life-time, in
addition to the large plate of Henry VIII and his successors (No. 134),
in which she is the most conspicuous figure. No details of his life or
art-training are recorded, but these prints prove the high degree of skill
to which he attained in the use of the graver.
Crispin van de Passe, sen., the head of the family of Dutch engravers
of that name, produced four portraits of Elizabeth, three of which were
issued towards the end of her reign, and the fourth shortly after her death.
Other contemporary plates are those by Marc Gheeraedts (No. 25)
and J. Rabel (No. 59), and the anonymous portraits prefixed to the
Bishops' Bible (No. 6) and Saxton's Atlas (No. 35).
It is a noteworthy fact that none of the engravings of Elizabeth pub
lished in or near her own time can be affiliated to existing oil paintings
or miniatures, and (with the exception of the large plate by C. van de
Passe and one of those by F. Delaram), none bear the name of the
original artist.
Of the numerous Cameos of the Queen none are signed, but the
finest have usually been ascribed to the celebrated French gem engraver

xiv INTRODUCTION.
Julien de Fontenay, called Coldore", who was valet-de-chambre to
Henri IV, and is said to have been sent to England by that monarch
to take Elizabeth's portrait.
Of those features in the Queen's costume which, being the most
conspicuous, are constantly mentioned in the following pages, some
description may here be given.
The most striking of all, and one peculiarly associated with Eliza
beth, is the ruff, and almost the entire history of the rise and progress
of that remarkable article of attire may be traced in her portraits ; for
this reason the various forms which it took at different periods have
been used for the classification of the present catalogue. The first sug
gestion of the ruff is found in the small frill which decorated the
collars of both the men and the women in the reigns of Henry VIII,
Edward VI and Mary ; soon after the accession of Elizabeth this began
to develop into the true ruff which at first was attached to the stiff collar
of a high-necked dress, and fitted close under the chin. After the in
troduction from Holland of the art of clear-starching and the use of
" poking-sticks," by means of which ruffs of the most elaborate descrip
tion could be arranged with ease, these soon increased to an astonishing
size. Stowe says, " both men and women wore them intolerably large,
being a quarter of a yard deep, and twelve lengths in a ruff." Philip
Stubbes, in his oft-quoted "Anatomie of Abuses," 1583, in the course
of an amusingly fierce denunciation of this latest freak of fashion, gives
a graphic description of its construction and fantastic decoration. The
most usual mode of constructing the ruff, of any breadth or thickness,
was that in which the material was arranged in close convolutions or"
quillings " whose thousand double turnings never met ;'' in another it
was formed into a series of radiating pipes, and there were others which
hardly admit of verbal description but will be found figured in Planche"'s
" Cyclopaedia of Costume." Until quite a late stage in the fashion the
ruff was strictly circular in form, being sometimes joined under the chin,
at others having a large or small opening in front, and again forming an
unbroken circle, like a wheel, about the neck ; this last description of
ruff was worn either close under the chin and cheek (it was then called
a "chin-ruff"), or lower down so as to display the neck above it. In
one of its latest and richest forms the ruff did not enclose the neck, but
was attached to the shoulders and rose high behind the head. It should
be observed that no strict chronological sequence can be assigned to
these different styles, which appear to have been more or less contem
poraneous and varied according to the taste or means of the wearer.

COSTUMES. xv
The ruffs were often made of the finest "cut- work" and "bone-lace,"
and decorated with gold and precious stones, and those worn by the
Queen, of course, surpassed all others in size and splendour ; she
usually preferred those of the open form, which, with the low-necked
dresses at that time the fashion for unmarried ladies, left the neck and
bosom freely exposed, but during her last years, when she is said to
have had a "yellow neck," she abandoned this style and, as may be
seen in her portraits by Gheeraedts, returned to the high dresses and
chin-ruffs of her earlier days.
The farthingale, the forerunner of the eighteenth century hoop and
the modern crinoline, originated in France in the reign of Henri II,
and was strictly contemporary with the ruff in its rise, development and
decay ; in its earlier stages it was shaped like a bell, being small at the
hips and widening towards the feet, but in its extreme form of grotes-
queness, at about the end of the sixteenth century, it took what is known
as the " wheel " shape, though it might more accurately be compared
to a drum, being as broad at the hips as at the feet. Elizabeth was
occasionally portrayed wearing a farthingale of this description, but it is
more especially associated with Anne of Denmark.
With the large farthingale was always worn a long and stiff pointed
stomacher, which was often decorated from the shoulders to the waist
with a profusion of pearls and jewels ; in some of Elizabeth's portraits
the diamonds and rubies on this part of the dress are of so enormous a
size as to suggest that they can only have been glass imitations.
The partlet was a covering for the neck and bosom, worn with the
low dress and chin-ruff, and practically identical with the modern
chemisette ; it was often richly ornamented with pearls or gold thread,
and sometimes open in front to display a necklace or pendent jewel.
An article of dress which is prominent in many of the Queen's por
traits is the veil, which is usually made of a white material and attached
to the head, from which it descends to the ground, sometimes partially
covering the shoulders ; in some instances it is bowed out with a wire
so as to form a circular space behind the head and ruff, and this seems
to be a modification of the hooded mantle termed a " huke," then much
worn by ladies both here and abroad. In another form of the veil it
appears to fall from the shoulders, and has attached to it at that point
two large wings, formed of a gauze-like material extended on wires,
which rise above the head ; these wings were usually edged with pearls
and lace, and in some instances decorated with jewels, as in the picture
at Burghley.

XVI INTRODUCTION.
The fan, the use of which became general in the sixteenth century,
constantly appears in pictures and engravings of Elizabeth, and is
usually formed of ostrich feathers fixed in a richly jewelled handle; the
Chinese folding fan was not introduced into this country until quite
late in the Queen's reign, but examples of it occur in the pictures at
St. James's Palace, Ditchley, and the Bodleian Library.

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PERSONAL DESCRIPTIONS.

Roger Ascham {The Scholemaster, i57i)says of her when at the age
of seventeen : — "With respect to personal decoration she greatly prefers
a simple elegance to show and splendour, so despising the outward
adorning of plaiting the hair and wearing of gold that in the whole
manner of her life she rather resembles Hippolita than Phaedra."
Sir Richard Baker {Chronicle of the Kings of England, 1641) : —
" She was of stature indifferent tall, slender and straight, fair of com
plexion ; her hair inclining to pale yellow, her forehead large and fair ;
her eyes lively and sweet but short-sighted ; her nose somewhat rising
in the midst ; the whole compass of her face somewhat long, yet of
admirable beauty."
Edward Bohun {Character of Queen Elizabeth, 1693): — "She
was a lady of great beauty, of decent stature, and of an excellent shape.
In her youth she was adorned with a more than usual maiden modesty ;
her skin was of pure white and her hair of a yellow colour ; her eyes
were beautiful and lively. In short her whole body was well made and
her face was adorned with a wonderful and sweet beauty and majesty
.... She loved a prudent and moderate habit in her private apartment
and conversation with her servants, but when she appeared in publick
she was ever richly adorned with the most valuable clothes, set off again
with much gold and jewels of inestimable value, and on such occasions
she ever wore high shoes that she might seem taller than indeed
she was."
Sir Robert Naunton {Fragmenta Regalia, 1641) : — "She was of
person tall, of hayre and complexion fine, and therewith well-favored,

xviii PERSONAL DESCRIPTIONS.
but high-nosed, of limbs and features neate and of a stately and majestic
comportment." Sir James Melvill {Memoirs of his own Life, 1683):— "The
Queen told me that she had cloaths of every sort, which every day
thereafter so long as I was at her court she changed. One day she had
the English weed, another the French, and another the Italian, and so
forth. She asked me which of them became her best; I answered in
my judgment the Italian dress ; which answer I found pleased her well,
for she delighted to show her' golden hair, wearing a caul and bonnet as
they do in Italy."
George Puttenham {Art of Poesie, 1589): — "And in a prince it
is decent to go slowly and to march with leisure, and with a certain
grandity rather than gravity ; as our sovereign lady and mistress, the
very image of majesty and magnificence, is accustomed to do generally ;
unless it be when she walketh apace for her pleasure, or to catch her a
heat in the cold mornings."
Paul Hentzner {A Journey into England in 1598) : — " Next came
the Queen, in the 65th year of her age (as we were told), very majestic ;
her face oblong, fair but wrinkled ; her eyes small, yet black and plea
sant ; her nose a little hooked, her lips narrow and her teeth black (a
defect the English seem subject to from their too great use of sugar) ;
she had in her ears two pearls with very rich drops ; her hair was of an
auburn colour but false ; upon her head she had a small crown,
reported to be made of some of the gold of the celebrated Luneburg
table ; her bosom was uncovered, as all the English ladies have it till
they marry ; and she had on a necklace of exceeding fine jewels ; her
hands were slender, her fingers rather long, and her stature neither tall
nor low ; her air was stately, her manner of speaking mild and obliging.
That day she was dressed in white silk bordered with pearls of the size
of beans, and over it a mantle of black silk shot with silver threads ;
her train was very long, the end of it borne by a marchioness ; instead
of a chaia she had an oblong collar of gold and pearls."

CLASSIFICATION OF THE CATALOGUE.

Pictures • —
A. When Princess
B. Wearing a small frill-ruff .
C. With radiating ruff, unbroken .
D. With radiating ruff, open in front
E. With high ruff, open in front .
F. In fancy dress
Drawings 
Miniatures : —
A. Wearing a small frill-ruff .
B. With radiating ruff, unbroken .
C. With high ruff, open in front .
D. Without ruff .

Engravings : —
A. When Princess
B. Wearing a small frill- ruff .
C. With radiating ruff, unbroken .
D. With circular ruff, joined in front
E. With circular ruff, open in front
F. With high ruff, open in front
G. Without ruff
Medals
CoinsGems .
Seals .
Effigies

PAGE I 2
3
17
2224 262829
33 35
36 43S3 59
649i93 99
100 104 108

ILLUSTRATIONS.

Frontispiece. Picture at Ditchley, the property of Vis
count Dillon.
1. Elizabeth at the age of 13 ; the picture at Windsor . 2
2. Engraving by R. Hogenberg, showing arrangement of
the frill-ruff and partlet . ..... 18
3. Anonymous engraving, published by Woudneel
(Wontnelius), showing the radiating unbroken ruff . 36
4. Engraving by C. van de Passe, sen., showing the
circular ruff joined in front ..... 52
5. Engraving by F. Delaram, showing the circular ruff
open in front ....... 70
6. The "rainbow" picture at Hatfield, showing the
high ruff open in front, and veil with wired gauze
wings ......... 86
7. Engraving by C van de Passe, sen., after I. Olivier . 104

Queen Elizabeth.

I533"l6o3'

PICTURES. Class A.
WHEN PRINCESS.
1. Her Majesty the Queen ( Windsor).1
At the age of about 13. Life size ; seen to below the knees, standing,
turned slightly to the left.2 She wears a richly-jewelled red French hood,
and red dress with open hanging sleeves, showing white gold-embroidered
under-sleeves, which are drawn in at the wrists with deep ruffles ; the
dress is cut low and square at the bosom, leaving the neck and shoulders
bare, and has the skirt open in front, showing gold-embroidered kirtle.
She holds before her with both hands a small green volume, the index
finger of her left hand inserted between the leaves. Double necklace
with pendent jewel ; large jewel on bosom, and jewelled girdle ; rings
on first, third and fourth fingers of right hand, and on first finger of left
hand ; no earrings. An open book on a table to the left, and curtains
behind, {see Engravings, No. i).
School of Holbein. Panel, 43 in. * 3iz'«.
This was formerly at Hampton Court and later at St. James's Palace.
No. 247 of the 1866 National Portrait Exhibition. Cfi^r^t. s
2. Her Majesty the Queen {Hampton Court).
At the age of about 14. In the picture of Henry VIII. and his
Family. Whole-length, standing, turned to the left, with hands folded
before her ; wearing a French hood, and dress cut low and square at
the bosom, with large hanging sleeves, and broad frills at the wrists.
Double pearl necklace, with pendent ornament in the form of the letter A,
her mother's initial, {see Engravings, No. 2). w ^ j'-scM -
School of Holbein.
No. 340 of Law's Catalogue of Pictures at Hampton Court, 1881.
1 The names of the owners are printed in capitals ; those of the houses, in which
the pictures are preserved, in italics.
« The terms to the right and to the left, mean the right and left of the spectator.

2 <2 UEEN elizabe th.
3. Dowager Duchess of Buccleuch {Ditton Park, Slough).
In a picture of Henry VIII., his Children, and Will Somers. King
Henry, Prince Edward, and the Princesses Mary and Elizabeth stand
in a row behind a table, the king on the left and Elizabeth on the right.
Somers is behind, seen between the king and Prince Edward. Princess
Elizabeth wears a hood, and plain dress with deep frills at the neck ;
her right hand is thrust into the front of her dress, {see Engravings,
No. 3). Panel, 1 1 in. x 6 in.
[Not a contemporary picture].
No. 1 09 1 of the Tudor Exhibition, 1890.

Class B.
WEARING A SMALL FRILL-RUFF.
Crowned.
L Earl of Warwick ( Warwick Castle).
Young. Life size, to the knees, seated, quite full face ; fair dishevelled
hair ; wearing large crown, robe of cloth of gold, ermine-lined mantle,
which is open in front, jewelled hanging collar, and girdle of diamonds
and rubies ; she holds the sceptre in right hand, and the left is laid on a
green mound, which rests on her knee ; ruff and wrist ruffles edged with
gold. Panel, 48 in. x 39 in.
Similar to the miniature by Hilliard at Welbeck (see Miniatures,
No. 1) and probably enlarged from it.
No. 257 of the National Portrait Exhibition, 1866.
No. 354 of the Tudor Exhibition, 1890.
5. Her Majesty the Queen {Hampton Court).
Allegorical picture. With Juno, Venus and Minerva. The Queen
appears on the left, on the steps of a palace, from which she has just
emerged, followed by two female attendants ; she has a crown on her
head, a sceptre in her right hand and an orb in her left, her hair
dishevelled. She wears a dark dress with light sleeves, the skirt open in
front, showing a kirtle which is diapered with pearls. The three
goddesses occupy the right of the composition ; Juno, panic-stricken at
the sight of the royal apparition, retreats precipitately down the steps, on

I.

Elizabeth at the age of about i 3.
The picture at Windsor Castle.
{Pictures, No. 1).

PICTURES AND OWNERS. 3
which she drops her sceptre and one shoe ; Minerva, who has a banner
in her right hand, holds up the left in amazement, and Venus, who is
seated unrobed on the extreme right, drops her roses, while Cupid clings
to her knees. Windsor Castle is seen in the distance.
Signed HE. 1569.
On the frame are four Latin lines : —
Juno potens sceptris et mentis acumine Pallas ;
Et roseo Veneris fulget in ore decus ;
Adfuit Elizabeth, Juno perculsa refugit ;
Obstupuit Pallas erubuitque Venus.
By Lucas-BtHeere-. A~4 rrurrtfy - Panel, 25 in. X 33 in.
No. 219 of the 1866 National Portrait Exhibition.
No. 635 of Law's Catalogue of the Pictures at Hampton Court, 1881.
Reproduced in Law's History of Hampton Court, 1885, p. 314.
The figure of the Queen has been copied by R. Burchett in the
series of panels in the Prince's Chamber, Palace of Westminster.
(see Engravings, No. 32). Not crowned.
6. Rev. John Hodgson, F.S.A. (Kinver Vicarage, Stourbridge).
Young, life size, nearly to the waist, face turned to the left ; brown
hair plainly dressed and confined in a gold caul studded with pearls ;
the ruff edged with gold. Crimson velvet dress, cut square at the bosom ;
the neck covered with a muslin partlet which is adorned with pearls
and gold, and open in front to show a pendent jewel; no earring.
Above is inscribed in coarse letters (not contemporary) "The Lady
Elizabeth her Picture when she was in the Tower."
School of M. Gheeraedts. Panel, 17 in. x 13 in.
7. National Portrait Gallery.
Young. Seen to below the waist, turned to left, holding a rose in her
right hand. She wears an arched headdress of jewels, from which a
gauze veil falls behind, and a richly patterned black dress ornamented
with a lattice work of gold cords and pearls, and on the shoulders and
bodice white puffings ; the dress is cut low and square at the bosom, the
neck being partially covered with a white network ornamented with a
black pattern. An enamelled badge representing a Phoenix rising from
flames (one of the Queen's known devices), is suspended from her
shoulders by a richly jewelled collar, in the centre of which is a large rose
with diamond in the middle. The left hand is not seen, but part of a
feather fan, which she holds in it, appears in the lower corner. No ear
ring or finger rings, (see Engravings, No. 31). Panel, 26 in. x 19 in.
B 2

4 Q UEEN E LIZ ABE TH.
8. Earl of Darnley (GobhamUiall). h<~ .w^—*- 5^^?
Life size, seen to the knees, turned to the right. Wearing low head
dress adorned with pearls, and with a grey veil falling from it behind ;
white high-necked dress, the bodice buttoned and frogged down the
front, and the sleeves and skirt patterned with a design in yellow ; ruffles
at the wrists. A double necklace of pearls hangs over her breast and is
looped up at her right side, and a large enamelled jewel is suspended by
a green ribbon from her waist on the same side. A feather fan is held
downwards in her right hand and her left holds a tassel. No earring or
finger rings. The crown and sceptre are seen on a cushion to the right.
? M^TW (fawti P<lneL

9. Earl of Buckinghamshire (Great Hampden, Bucks).
Young. Life size, whole length, standing, face turned to left, holding
a pink in right hand. Low head-dress ; dress with high collar and close
fitting "mahoitered " sleeves, and small ruffles at the wrists. She stands
on a Turkey carpet, with a chair to the left. Fruit is painted on a wall
behind to the right. In the right background, low down, is the letter Z.

10. University Library, Cambridge.
Life size, bust, turned to left. Curly brown hair ; jewelled head-dress,
with gauze veil, edged with spangles, falling over the shoulders; the
dress is cut low at the bosom, and the neck covered with a white and
gold partlet. No earring.
By M. Gheeraedts. Panel, 24 in. x 19 in.
Presented to the University in 1588-89 by Vincent Skinner.
No. 363 of the 1866 National Portrait Exhibition.
No. 460 of the Tudor Exhibition, 1890.

11. Earl Beauchamp (Madresfield).
Life size. To the knees, standing, face turned to the left, but looking
at the spectator. Head-dress formed of white puffings, with gauze veil,
which is crossed with lines of gold, falling from it behind. Black dress,
with broad band of gold brocade down the front ; the sleeves are white,
worked with flowers, and have lace ruffles and gauze over-sleeves. She
holds a colander in her right hand and a brown glove in the left, which
rests on the arm of a chair, and wears pearl necklaces, a girdle of jewels,
and one ring, which is on the fourth finger of the left hand.
Ascribed t#-F. Zuckatv. ? ^ *fh*>**~t, Panel, 39I in. x 31 in.
No. 328 of the Tudor Exhibition, 1890.

PICTURES AND O WNERS. 5
12. Her Majesty the Queen (Holyrood Palace).
Life size, nearly whole length, standing, directed to front, face turned
slightly to left. Frizzed yellow-brown hair with flowers and pearls in it ;
pearl eardrop. Close-fitting black dress, with grey opaque muslin mantle,
which is wired out behind, and passes over the upper part of both arms;
ruffles at the wrists. A double necklace of small pearls is looped up to
the right breast, and an enamelled jewel is on the left breast. She wears
a girdle of jewels and pearls. In her left hand she holds a colander
inscribed on the edge " a terra il ben il maldimora inSella."
Behind, to the right, is a sphere on a pedestal, and to the left a casement
with curtain.
School of M. Gheeraedts. Panel.
13. Earl BROWNh&w-iytjhridge).
Whole length, standing in a garden, seen in front, face turned to the
right ; she wears a high crowned black hat and red dress, which is open
at the neck and down the front of the skirt, showing the white kirtle ; a
party of huntsmen approaches her from the right.
Painted in tempera on a panel in an old manor-house at Little Gad-
desden, near Ashridge. 52 in. x 32 in.
Figured in Cussans's " History of Hertfordshire," 1878, vol. iii, p. 138,
where a description of the panel is given, with the suggestion that it
commemorates the visit of Lord William Howard to Ashridge, when sent
by Queen Mary to bring Elizabeth to London, on suspicion of complicity
in Wyatt's rebellion, January, 1554.
No. 1 152 of the Tudor Exhibition, 1890.
14. Her Majesty the Queen (Hampton Court).
Old. Life size, to the waist, turned to the right, wearing headdress of
red silk trimmed with pearls, with thick veil, which is adorned with pearls
and white satin puffs, falling from it over her shoulders. Her white
dress, which is slashed and studded with pearls, is high at the neck, with
a jewelled collar ; ruffles at the wrist. With her right hand she holds up
(as though showing to the spectator) the badge of the Order of the
Garter (a cameo), which is suspended by a blue ribbon from her neck;
the left hand is not seen. No earring.
Attributed to M. Gheeraedts. Panel, 24 m. x 17 in.
No. 619 of Law's Catalogue of the Pictures at Hampton Court.
15. National Portrait Gallery.
In advanced age. Somewhat similar to the preceding. To the waist,
turned to the right, wearing white satin dress, with narrow slashes and
gold bands, studded with red and black square jewels set in gold, and
brown veil which is gathered up in plaits over the head and studded with

6 QUEEN ELIZABETH.
pearls. She holds a bunch of pansies in her right hand, which is without
rings, and the badge of the Garter (a cameo) hangs by a blue ribbon on
her breast.
Probably by M. Gheeraedts. Panel, $o\ in. x 23^ in.
16. Earl of Stradbroke (Henham Hall).
Derived from No. 14. The details of the costume are similar, but the
badge of the Order of the Garter, instead of being held in her right hand,
is fastened to the breast, and the hand is on a level with the waist,
holding a rose, (see Engravings, No. 34).
[Not a contemporary portrait].
17. Lord Rothschild.
Young. Life size, to the waist, turned to the left, wearing high-necked
black dress with pointed stomacher and white mahoitered sleeves, which
are decorated with ball-like flowers of gauze and rows of pearls, and veil
with wired-out bowed wings, edged with pearls ; flowers at her left
breast ; large diamond with three pearls pendent from it on the bosom,
with a pelican " in piety " in gold above it. Yellow curly hair, with pearl
on the forehead, and pearl eardrop; two long chains of pearls and
jewels and jewelled girdle. Crimson hanging curtain behind.
Panel, 34 in. x 24 in.
Formerly at Apethorpe Hall, the seat of the Earl of Westmorland.
18. Mrs. Dent (Sudeley Castle).
In emblematical picture of Henry VIII and his successors. Henry is
seated on a throne in the centre, holding a short sceptre in right hand
and with the left delivering the sword of justice to his son Edward, who
kneels beside him. On the left stand Mary and Philip, behind whom
enters an emblematical figure of War. On the right is Elizabeth, who
advances to the front, leading in figures of Peace and Plenty, the former
trampling on the emblems of War. Elizabeth wears a small head-dress,
small quilled ruff, high necked dress and long girdle.
On the frame of the picture are painted in gold letters these lines : —
" A face of muche nobilitye loe in a little roome,
Four states with theyr conditions hear shadowed in a showe,
A father more than valyant, a rare and virtuous son,
A zealous daughter in her kind what els the world doth knowe,
And last of all a virgin queen to England's joy we see,
Successively to hold the right and virtues of the three."
In smaller letters at the foot of the picture is : —
" The Queen to Walsingham this Tablet sent
Mark of her peoples and her own contente."
ti.<*J<k. By £Mcas~&Jieere (?). Panel, 51 in. x 71 /«.
This picture was originally at Scadbury, the seat of the Walsinghams,
frf* ^>urtW /ncrWu. , O- $fr*MjW HtY% lev- tria^b q\v^f, & CtX. tfc. jiOSseGgurr, <4

PICTURES AND O WNERS. 7
and later in the collections of James West and Horace Walpole ; (see
Walpole's" Anecdotes," ed. 1849, p. 155); it was purchased by Mr. J. C.
Dent at the Strawberry Hill sale in 1842. A woodcut of it is in Mrs.
Dent's "Annals of Winchcombe and Sudeley," 1877.
No. 158 of the Tudor Exhibition, 1890.
For the print by W. Rogers, similar to this picture, see Engravings,
No. 133. "J
19. Lord Kenyon.
Half length, standing, turned to left, wearing jewelled head-dress, small
close-fitting frill -like ruff, edged with gold, and ruffles at the wrists to
match, fur trimmed black dress cut low at the bosom, with white and
gold partlet, which has a small opening in front showing a gold
necklace with a black ring suspended ; tight mahoitered sleeves slashed
and embroidered, and jewelled girdle. Small book in right hand, gloves
in left, which rests on a red cushion before her. Inscribed above
(not contemporary) " Princess Elizabeth afterwards Queen of England."
Panel, 20 in. x 14 in.
No. 478 of the Tudor Exhibition, 1890.
20. A. Salwey, Esq. (Overton Hall).
Life size, half length, turned to the left, wearing low jewelled headdress
with white veil falling from it, thick quilled ruff, high-necked white dress,
the bodice and sleeves of which are slashed and decorated with stripes
of gold, and sleeveless black surcoat trimmed with gold brocade ; ruffles
at the wrists matching the ruff ; rich carcanet, with large jewel hanging
on the breast, and jewelled girdle ; rings on thumb and fourth finger of
left hand, and third and fourth fingers of right ; no earring. She holds
a red rose in her left hand and gloves in the right ; the reddish-brown hair
is dressed in curls ; the eyes are sepia brown. In front to right is a table
covered with a crimson and gold cloth. Across the top of the picture is
the inscription (not contemporary) " ELIZ : QV : INGE— MOSA ET
DEXTRA."
Oak panel.

8 Q UEEN ELIZABETH.
Class C.
WITH RADIATING RUFF, UNBROKEN.
Crowned.
21. Earl of Hardwicke ( Wimpole).
To the knees, standing, turned slightly to left, wearing large jewelled
head-dress surmounted by an arched crown, and with falling veil, which
has large lace-edged wired-out wings ; pearls in hair and pearl eardrop.
Large quilled ruff, with short pearl necklace above it ; another necklace
of pearls descends to the waist. The skirt of the dress is patterned with
eyes and ears, and on the sleeve is embroidered a serpent ; at the wrists
are lace ruffles. She holds a book in the right hand, and in the left a
sceptre, which rests against her shoulder.
[Not a contemporary picture]. Panel, 46 in. x 32 in.
No. 252 of the National Portrait Exhibition, 1866.
22. National Portrait Gallery.
Half-length, turned to the left, wearing small jewelled crown. The
grey lace ruff is formed of flat pieces overlapping one another like the
sticks of a fan, and has a smaller one inside fitting close to the face. A
large pearl hangs beside the ears. The black outer dress is garnished
with red bows and open in front to show white kirtle ; full sleeves drawn
in at the wrists. The left hand is partly seen, holding the handle of a
feather fan ; the right is not shown. The costume is similar to that
in the following picture at Woburn Abbey. Panel, 38 in. x 30 in.
Formerly in the British Museum, to which it was presented by Lord
Cardross (afterwards Earl of Buchan), in 1765.
Not crowned.
23. Duke of Bedford ( Woburn Abbey).
Picture commemorating the Spanish Armada. Life size, to the
knees, face turned to the left, wearing black head-dress adorned with
feathers and jewels. Pearls in the hair, with a large one on the forehead
and one hanging beside each ear. Large high-rising ruff fitting close
under the chin. The stomacher and skirt of outer dress are of white
satin, jewelled, the sleeves and under-skirt black and trimmed with pearls
and jewelled bows ; full sleeves drawn in at the wrists, with lace cuffs. In
her left hand she holds a feather fan downwards, and the right rests on
a globe which is on a green-covered table in front to the left ; on a
higher table on the same side is an arched crown, and to the right is a

PICTURES AND O WNERS. 9
square-backed chair. In the background, between curtains, are two
windows, through which two fleets of ships are seen, one sailing on a
calm sea, the other being dashed to pieces by a raging tempest. These
incidents are supposed to refer to the Armada expedition.
By M. Gheeraedts. Panel, 52 J in. x 41^ in.
24. T. Tyrwhitt-Drake, Esq. (Shardeloes, Bucks.).
A replica of the last.
25. Marquess of Salisbury, K.G. (Hatfield House).
Life size, nearly to the knees, standing, turned slightly to the left,
wearing large head-dress edged with standing up jewelled ornaments
and rich ruff fitting close under the chin, with winged gauze veil falling
behind. Her dress is black, the stomacher covered with rows of pearls
and other jewels, and she has rich lace cuffs. An ermine " collared " is
on her left arm ; in her right hand she holds an olive-branch and her
left rests on a table on which lies a sword of state, of which only the
hilt is visible. She wears no earring, but a pearl hangs beside the ear.
(see Engravings, No. 57). Panel, n\in. x 34 in.
Attributed to N. Hilliard.
26. Earl of Morley (Saltram).
Somewhat less than life size, nearly to the waist, face turned slightly
to the left; wearing "Mary Stuart" headdress edged with lace, black
satin dress, and quilled ruff of grey lace fitting close to the chin. She
has jewels in her hair, with a large pearl on the forehead, and a chain of
pearls, garnished with white satin bows, suspended from her shoulders.
No earrings. The hands not seen. Above, to the left, is (not contem
porary) "Queen Elizabeth, b. 1558." Panel, 22 J in. x 18$ in.
By either Gonzales or Coello. (A doubtful portrait).
27. Head Master of Westminster School.
Less than life size ; bust, face turned slightly to the left ; wearing low
jewelled head-dress, with gauze veil falling behind over the shoulders,
lace quilled ruff which fits close under the chin and stands out
horizontally, and white dress slashed in front and puffed at the shoulders.
Hands not seen; three large pearls in the hair; no earring; on a
cartel above is " Queene Elizabeth." Panel, 19 in. x 16 in.
No. 307 of the National Portrait Exhibition, 1866.
No. 284 of the Tudor Exhibition, 1890.
28. Bust, turned to the left ; wearing a head-dress plaited like a ruff, with
white veil falling behind, quilled lace ruff, which fits close under the
chin, and white dress slashed with gold and red. On the bosom is a

i o Q UEEN ELIZABETH.
square black jewel surrounded by smaller red ones in a gold mount.
Dated 1589.
Was in the possession of Farrer, the picture dealer, of Bond Street,
in 1859.
29. Mrs. Dent (Sudeley Castle).
Half-length, life size, face turned slightly to the left ; in black dress,
with white bodice and sleeves, a red lily issuing from each shoulder ;
holding a lily in left hand and a fan in right.
[False]. Panel, 36 in. x 30 in.
Formerly in the Bernal collection.
No. 289 of the Tudor Exhibition, 1890.
Figured in Mrs. Dent's "Annals of Winchcombe and Sudeley,"
1877, p. 228.
30. Miss Lucy (Charlecote Park).
Life size, to the knees, standing, face turned to the left, with dark
brown curly hair, wearing crown-like head-dress of pearls, and black
dress decorated with gold and jewels, with large sleeves and pointed
stomacher, the skirt open in front showing white kirtle patterned with
gold ; the ruff does not fit close, but shows the neck, with collar of
pearls, above it ; large cuffs of rich lace. In her left hand she holds
downwards a feather fan, which is only partially visible, and in her right
a shepherd's sun-dial1 inscribed " Atera il ben il mal dimora in sella";
the dial is attached by a red ribbon to the end of her stomacher ; long
necklace of pearls, pearl eardrop, and rings on the third finger of each
hand. Above are the royal arms with the inscription : " Elizabetha
D. G. Ang. Franc, et Hiber. Regina Fidei Defensatrix. Posvi
Devm Adivtorem Mevm." Panel, 49 in. x 34m.
No. 271 of the Tudor Exhibition, 1890.
31. The Weavers' Company.
Life size, to the knees, standing, face turned slightly to the left.
Head-dress with falling veil, which partly covers the left arm; black
dress, with pearls festooned on the bodice, and large open sleeves, with
under ones richly embroidered with flowers. The grey lace ruff is of
the " piped " construction, and a pearl necklace appears above it ; at
the wrists are lace ruffles ; she holds a white feather fan downwards in
her right hand and her gloves in the left. A ring is on the third finger
of the right hand, and another on the little finger of the left. The letters
E. R. are painted on the background on either side of the Queen's
head. Panel, 36 in. x 29^- in.

A metal hoop.

PICTURES AND O WNERS. 1 1
32. Christ Church, Oxford.
Late in life ; three-quarter size, to the knees, turned to the left,
wearing large piped ruff of geometric pattern, with pearl necklace above
it, which descends to the waist. Dark brown dress, with the stomacher
and outer skirt of the dress jewelled, and the sleeves puffed and
jewelled, with lace ruffles at the wrists ; the skirt is open in front,
showing white kirtle. She has jewels in her hair, with three pearls
hanging from a crescent on the forehead and a large one in her ear.
In her left hand she holds downwards a feather fan ; the right hangs
down, not holding anything ; curtain behind. Panel, 36 in. x 30 in.
No. 350 of the National Portrait Exhibition, 1866.
No. 458 of the Tudor Exhibition, 1890.
33. Lord De LTsle and Dudley (Penshurst).
Late in life ; life size, nearly to the knees, standing, turned to the left ;
wearing tiara-like head-dress, jewelled and quilled, with thick white veil,
which is studded with pearls, falling from it over her shoulders, and
thick narrow quilled ruff, fitting close under the chin. Black dress,
embroidered and jewelled down the front, and cut low and square at
the bosom, the neck being covered with a jewelled gauze partlet ; a
full gauze sleeve over a close-fitting white one, which is patterned with
black and covered with jewels ; pearl necklace and girdle ; lace ruffles
at the wrists. In her right hand she holds upright (and curiously inter
laced with her fingers) a fan of long ostrich feathers, with jewelled
handle, and in her left (as though showing it to the spectator), the badge
of the Order of the Garter, which hangs at her breast. Panel, 34 in. x 26 in.
Formerly the property of Lord Strangford.
No. 349 of the National Portrait Exhibition, 1866.
No. 311 of the Tudor Exhibition, 1890.
A woodcut from this picture appeared in the " English Illustrated
Magazine" for March, 1888, and was used as a frontispiece to the
illustrated edition of the Catalogue of the Tudor Exhibition at the New
Gallery, 1890.
34. Viscount Powerscourt (Powerscourt Castle).
Life size, nearly to the knees, turned to the left, wearing jewelled
head-dress, from which a veil descends, green dress with white sleeves
and partlet, which are ornamented with a flower pattern, and quilled
ruffles at the wrists. She holds in right hand a fan of long ostrich
feathers, and with the left a jewelled badge, which is suspended from
her neck by yellow ribbons. Two large pearls adorn her curly hair, and
another hangs on her forehead ; a pearl necklace is festooned on her
breast, and a girdle of pearls and jewels encircles her waist.
A poor copy from No. 33, with variations. Panel, 36 in. x 27 in.

1 2 Q UEEN ELIZABETH.
35. Duke of Portland ( Welbeck Abbey).
Late in life. Small whole-length, standing, turned and looking slightly
to the left, and resting her right arm on the arm of a red chair. She
wears a large head-dress of jewels and pearls, rich lace piped ruff, fitting
close to the chin, white dress patterned with flowers, and a dark mantle
adorned with roses, which descends to the ground behind. A jewelled
collar with pendent badge hangs from her shoulders, and also a pearl
necklace which reaches to the waist. In her right hand is a large
branch of olive, and in her left she holds her gloves ; a feather fan hangs
from the girdle. The sword of justice, sheathed, lies on the ground at
the Queen's feet, with a little dog beside it. In the background to the
right is a view of a walled garden, in which are two ladies and a gentle
man conversing ; a porter is opening a door to admit two other ladies.
Signed with the artist's initials.
By Marc Gheeraedts. Panel, il\in. x \4\in.
No. 2573 of the South Kensington Museum Loan Exhibition, 1862.
No. 465 of the Tudor Exhibition, 1890.
In Walpole's "Anecdotes," ed. 1849, Vol. I, p. 155, this picture is
attributed to Lucas D'Heere.
A woodcut of it appeared in Harper's Magazine, Sept. 1884.
36. Lord Hothfield.
Life size, bust, face turned to left ; brown curly hair, with head-dress
of pearls and red stones, and a red rose near the left ear ; piped chin
ruff ; white dress decorated with gold fleur-de-lis, having bows of ribbon
with large diamonds and red stones at the shoulders ; necklaces of large
pearls, diamonds and rubies over the breast ; no earring ; dark back
ground. Above in gold letters " E. R. An° Dom. 1579, setatis 46."
Panel, 22 in. x 17 in.
No. 266 of the Tudor Exhibition, 1890.
A replica, the property of C. Lister Kaye, Esq., was No. 468of the Tudor
Exhibition, 1890. Another is at Elizabeth College, Guernsey.
37. Earl of Radnor (Longford Castle).
Late in life. Life size, to the waist, turned to the left, wearing arched
head-dress of jewels and white puffs over her yellow curly hair; plain
quilled chin ruff, " dentelled" at the edges, and high-necked black dress,
which is decorated with pearls arranged in groups of four, and has fluted
gauze sleeves ; large pearls in left ear and double chain of pearls falling
over the stomacher. Canvas, on panel.
38. Robert Downing, Esq. (Petworth).
Late in life. Life size, nearly to the knees, standing towards the left,
looking at the spectator ; wearing low jewelled head-dress, with pearl
hanging on the forehead, high-necked black dress, with close fitting white

PICTURES AND OWNERS. I3
sleeves patterned with black flowers and studded with jewels, over which
are large gauze outer sleeves ; down the front of the dress is a broad
band of gold brocade adorned with jewels, and a necklace of pearls is
festooned upon it ; a girdle of pearls and jewels encircles the waist and
at the wrists are ruffles and long lace cuffs. From the back of the head
falls a thick white veil which is adorned with stripes of gold lace and
spangles, and is bowed out with a wire. In her right hand she holds a
fan of ostrich feathers with jewelled handle, and her left rests on the
arm of a red chair ; no earring ; the background is a dark flat wall,
decorated with an arabesque flower pattern.
School of M. Gheeraedts. Panel, 37 in. x 32 in.
This picture was found in the year 1889, built into the wall of an
upper room in a cottage at Coolham Green, near Shipley, Sussex.
(For a more detailed account of it see Proceedings of the Society of
Antiquaries, xiii, 122).
39. Her Majesty the Queen (Hampton Court).
In old age. Life size, bust, turned to left, wearing tiara-like head-dress
of white satin and jewels, with gauze veil falling from it behind, rich
quilled ruff fitting close under the chin, black bodice, white sleeves
patterned with black flowers, and lace ruffles at the wrists. She has a
large pearl in her ear and three necklaces of pearls fall over the breast.
Her hands are folded before her, the right holding upwards a large
feather fan with jewelled handle.
Attributed to F. Zucharo. Panel, 22 m. x 18 in.
Reproduced in Law's " History of Hampton Court," vol. I.
No. 616 of Law's Catalogue of the Pictures at Hampton Court.
40. Her Majesty the Empress Frederick of Germany.
In old age. Life size, to the waist, face slightly to the left, looking to
the front ; she wears a headdress of lilac and white silk puffs, with veil
of black gauze embroidered with gold stripes falling from it behind ; a
thick quilled ruff, which has large pearls pendent from the lower edge ;
and a yellow dress, patterned with gold and cut square at the bosom,
the neck and shoulders being covered with a netted partlet. A necklace
of pearls is looped up at her breast, with a large jewel in the centre ;
no earring. Panel, 22 in. x igin.
41. In old age. Life size, bust, face turned to the left, wearing head-dress,
of white puffs. A loop of large pearls hangs down the front of her dress,
and her white sleeves are embroidered with spheres marked with longi
tude and zodiacal lines.
School of M. Gheeraedts.

1 4 Q UEEN ELIZABETH.
Was in the possession of Partridge, a dealer in King Street, Covent
Garden, in June 1887.
A similar picture was in the Farrer sale at Christie's, June 15, 1866,
lot 227.
42. Lord Methuen (Cor sham).
Memorial picture. Life size, seen to the knees, seated, turned
to the left, resting her head on her hand, face old and worn.
She wears an outer robe bordered with ermine, which is open in front
and has open hanging sleeves ; the stomacher and sleeves of the under-
dress are patterned with jewels, and jewels are in the hair, with a pearl
pendent on the forehead. Her dress is high at the neck, and the
escalloped ruff fits close under the chin. Two boy angels hold the
crown and sceptre over the Queen's head ; Time, asleep, with broken
hour-glass, is on the right, and Death leans over the chair, holding a
glass in which the sand has run down. Canvas, 44 in. x 38 in.
No. 348 of the National Portrait Exhibition, 1866.

Class D.
WITH RADIATING RUFF, OPEN IN FRONT.
Crowned.
43. The Trinity House, Tower Hill.
Half length, standing, wearing an arched crown of pearls and a veil
with wired out gauze wings. In her right hand she holds a jewelled disc,
which is attached by a ribbon to her girdle. No rings on the hands. Panel.
44. Jesus College, Oxford.
At the age of 42 ; life size, to the waist, turned and looking to the
left. She wears an open arched crown, rich piped lace ruff, and lace
edged veil, which has wired out gauze wings rising above the ruff.
The dress, the bodice of which is cut low and square, is patterned with
pearls and jewels, and has an enamelled device with figure of Diana
attached to the left sleeve, and a figure of a knight on horseback

PICTURES AND OWNERS. 15
attached to right one. The Queen's hair is richly jewelled, a pearl
is in each ear, and she wears a short necklace, from which a large red
jewel hangs on the uncovered bosom. The hands are not seen.
Attributed to F. Zucharo. Canvas, oval, 32 in. x 261 in.
No. 419 of the Tudor Exhibition, 1890.
Not crowned.
45. Trinity College, Cambridge (Master's Lodge).
Life size ; whole length, standing on a crimson step, looking to the
left. Her brocaded dress, which is cut low and square across the
bosom, has a long pointed stomacher, deep lace cuffs, and open hanging
outer sleeves ; white feather and large pearls in the hair. Her right
hand rests on two books, which lie on a table beside her, and her left
holds downwards a fan of white feathers ; part of a richly carved scarlet
and gold chair is seen behind to the right. From the end of the
stomacher descends a pink ribbon, which is looped up to a circular jewel
with pendent pearl ; a hanging green curtain above.
Attributed to F. Zucharo. Canvas, 76 in. x 48 in.
No. 346 of the Tudor Exhibition, 1890, and reproduced as an
illustration to the catalogue.
46. Duke of Buccleuch, K.T. (Boughton House, Northants).
At the age of 61. Life size, to the knees, standing, face turned to
the left, wearing white dress with long pointed stomacher and large
farthingale ; the stomacher is richly jewelled, the skirt patterned with a
geometrical design and studded with pearls, and the sleeves ornamented
with lines of puffings, divided by jewels. She wears no headdress, but the
brown hair is adorned with jewels formed of pearls and three large pearls
pendent on the forehead ; a large pearl is in her ear, and a close-fitting
necklace of five rows of pearls is seen through the opening in front of
her high rising rich piped lace ruff. Deep lace cuffs at the wrists. In
her right hand she holds upwards a feather fan, the jewelled centre of
which is surmounted by a royal crown, and in her left a glove. She has
no finger rings. In the background to right is a curtain, and in the
upper left hand corner a large tablet inscribed : — "VIVat VIn-Cat,
Regnet ELIzabetha, AngLIae, FranCIae aC HIbernlae Reglna FIDel
DefensatrIX HenrlCI 8vi Reg Is F Anno regnl sVI, XXXVII.
Nata VI. EID sept. 1533 Grone. Init Reg. Eliza : kal. 17 dies
Novem.." School of M. Gheeraedts. Panel.
(For an account of this picture with a reproduction of it, see a paper
by G. Scharf, C.B., F.S.A., in " Archaeologia," Vol. LI, page 213).

1 6 Q UEEN E LIZ ABE TH.
47. The Dean of Westminster (The Deanery).
An exact repetition of the preceding, extensively repainted in later
times ; the face appears youthful and quite idealized and only a single
row of pearls encircles the neck. Canvas.
(For notices of this picture see " Transactions of the London and
Middlesex Archaeological Society, vol. ii, page 167 ; and a paper by G.
Scharf, Esq., C.B. in "Archaeologia," vol. LI, page 213).
48. Reginald Cholmondeley, Esq. (Condover Hall).
In old age. To the waist, turned to the left ; wearing a black cap,
high rising piped lace ruff, close fitting pearl necklace and red dress,
which has white satin stomacher, edged with pearls and full sleeves,
patterned with arabesques. The hair is decorated with large pearls
which rise from lozenges of black and red stones ; a large Tudor rose is
conspicuous on the left arm ; hands not seen ; no earring.
Panel, 20 in. x i8«#.
No. 356 of the National Portrait Exhibition, 1866.
Tl 49. Earl of Verulam ( Gorhambury).
Life size. To the knees, standing, turned to the left ; wearing
close black head-dress and large quilled ruff, above which is a pearl
necklace, which descends in three ropes down the centre and sides
of the stomacher. The whole dress is chequered black and gold, with
small lace cuffs ; on the right sleeve is a badge. She holds a closed
Chinese fan downwards in the right hand, (see Engravings, No. 130).
[False] Panel, 46 in. x 33 in.
No. 362 of the National Portrait Exhibition, 1866.
No. 484 of the Tudor Exhibition, 1890.
50. Lord Tollemache (Peckforton).
Life size. Half length, turned to the left ; the hands brought together
before her, the right holding a feather fan in an upright position.
By M. Gheeraedts.
Lent to the Manchester Art Treasures Exhibition, 1857, No. 63 of
the Portrait Gallery.

PICTURES AND OWNERS. i7
Class B.
WITH HIGH RUFF, OPEN IN FRONT.
Crowned.
51. National Portrait Gallery.
Life size ; half length, standing ; face turned slightly to the left. On
her head is a small jewelled crown and she holds the sceptre in right hand
and the mound in her left. Her dress is richly ornamented and a rope
of pearls hangs from her neck down to the waist.
Attributed to F. Zucharo. Canvas, 33 in. x 31I in.
Formerly in the British Museum, to which it was presented by the
Earl of Macclesfield in 1760.
52. Charles Upton-Cottrell-Dormer, Esq. (Rousham Hall).
Life size ; whole length, seated on a throne under a canopy, face
turned to the left, holding mound in left hand and sceptre in right. She
wears crimson velvet robes, with ermine mantle, and farthingale ; a loop
of pearls hangs from the right side of her waist and on each side of the
ruff is a jewel; the Queen's feet rest on a cushion. The back of the
throne is decorated with fleurs-de-lis and the canopy with roses and
portcullises. The figure of the Queen in Faithorne's plate (Engravings, No. 51)
resembles this.
53. Duke of Devonshire, KG. (Hardwick Hall).
Life size ; whole length, standing on a Persian carpet, beside a state
chair, turned to the left ; wearing jewelled ruff, veil with wired-out gauze
wings edged with pearls, black dress studded with pearls, the sleeves
puffed and jewelled, with white kirtle, which is patterned with animals,
monsters and flowers. The body of the dress is cut low and square,
leaving the bosom uncovered, and at the wrist are lace cuffs covered with
diamonds ; long pointed stomacher and farthingale, the latter decorated
with a large jewel, which is attached by a red ribbon to the end of the
stomacher ; the feet, on which are white shoes studded with diamonds,
appear under the short skirt. She has jewels in her hair, a pearl eardrop,
and two necklaces, one fitting close to the neck, the other falling over the
breast ; in her right hand she holds her gloves and in her left downwards
a feather fan. The cushion on the state chair to the left is embroidered
with the Queen's initials ; the background is a wall covered with red
drapery, which is bordered with gold. Canvas, 90 in. x 66 in.
No. 229 of the 1866 National Portrait Exhibition.
No. 418 of the Tudor Exhibition, 1890.
c

1 8 QUEEN ELIZABETH.
54. Lord Houghton (Fryston Hall).
In old age ; life size, seen to the waist, face turned slightly to the left ;
wearing small arched crown formed of pearls, rich bone-lace ruff and
cuffs, gauze veil with wired-out wings, and black ermine-lined mantle
open in front showing red gown beneath ; sceptre, with fleur-de-lis at the
top, in right hand and mound in left. Over the mantle is the collar of the
Order of the Garter, with the George ; in the middle of her yellow curly
hair is a large diamond with pearl pendent from it ; pearl earring and
necklace. Hazel eyes. Thin oak panel, 30 in. x 25^ in.
55. From the whole length engraving by Crispin de Passe (see Engrav
ings, No. 160). To the waist, turned to the left ; hands not seen.
Panel, 12 in. x 9 in.
Was in the collection of Mr. David Laing, the Scottish antiquary, and
lent by him to the 1866 National Portrait Exhibition, No. 325 of the
catalogue.56. Lord Zouche (Parham Park).
Life size, to the knees, standing, turned and looking to the left ; she
wears a blue head-dress surmounted by a crown formed of pearls, a large
ruff of very rich blue lace, a veil with wired-out wings edged with pearls,
and dress with pointed stomacher and large farthingale. The stomacher
and sleeves are of a grey material and the skirt is yellow-brown decorated
with a large leaf pattern. In the Queen's right hand is a pink feather
fan, and with the thumb of the left she holds one of the strings of pearls
forming a " rope " which hangs from the shoulders. The brown hair and
the head-dress are decorated with large pearls, and the stomacher is
studded with jewels ; a large jewelled badge is tied to the left sleeve with
cords of pearls, and a loop of pearls and coral beads is attached by a
scarlet ribbon to the right sleeve above the wrist On the neck, which is
partially covered with gauze, is a close fitting necklace of pearls and
rosettes of rubies, and round the waist a girdle of enamel work ; on the
right thumb is a diamond ring and on the little finger of the left hand a
ruby ring. The background is a crimson curtain, which is looped up on
the right. Canvas.
57. T. L. Thurlow, Esq.
Life size, to the waist, turned to the right, crowned, wearing black
dress, holding in right hand a glove and rope of pearls which descends
from her neck, and in the left a fan of peacock's feathers. In a cabinet on
the folding doors of which are portraits of Sir W. Raleigh, Lord Burghley,
the Earl of Leicester and the Earl of Essex. Panel 37 in. x 27A in.
[Not a contemporary work].
No. 489 of the Tudor Exhibition, 1890.

2.

Engraving by Remigius Hogenberg,
showing arrangement of the frill-ruff and partlet.
(Engravings, No. 13).

PICTURES AND OWNERS. 19
58. Mrs. Snare (the late), of Reading.
Life size, half length, turned slightly to the left ; wearing crown of
pearls, rich white embroidered dress festooned with white ribbons
and jewels, and veil with wired-out gauze wings ; jewels in the hair and
pearl necklace with pendent jewel.
Attributed to F. Zucharo. Panel, 29 in. x 24 in.
No. 288 of the Tudor Exhibition, 1890.
59. Corporation of Dover (Maison Dieu).
Life size, to the knees, standing turned and looking to the left, wearing
arched crown of pearls, ermine-lined mantle, large lace ruff, and crimson
dress with long stomacher and large farthingale ; her yellow-brown curly
hair is encircled with jewels, a rich carcanet is on her neck, and the
stomacher is bordered with pearls and diamonds ; at the wrists are lace
cuffs and chains of pearls. In her right hand she holds a broad band of
pearls, which is attached to her side and has a jewelled badge at the
end ; her left holds back a brocaded green curtain. No earrings or finger
rings. The face is painted without shadows, and the eyebrows are not
indicated ; the eyes are black. To the left, above, is a peculiar device,
of cylindrical form, on which are emblematical figures, including those
of Faith, Justice, and Charity. Panel.
Not crowned.
60. Her Majesty the Queen (St. James's Palace).
Life size, whole length, standing before a chair, face turned slightly to
the left. She wears a large head-dress formed of gauze flowers with wire
stalks on which are pearls, and a low-necked black dress, the upper part
of which is sewn with pearls, the satin skirt being adorned with velvet
quatrefoils which are attached by pearls. She has pearl eardrops and
necklace, and a "rope" of pearls descends on each side of the
stomacher to below the waist. Both arms hang down, a fan being held
in her right hand. The crown and mound lie on a table to the right
(see Engravings, No. 274).
61. Marquess of Salisbury, K.G. (Hatfield House).
Life size ; to the knees, standing, turned to the left, holding in her right
hand a rainbow, over which are the words " Non sine sole iris." She
wears a high head-dress, plumed and jewelled, and a flowered dress, cut
low and square at the bosom, over which is thrown loosely an outer robe,
with open hanging sleeves, which is patterned with eyes and ears, emblem
atical of her omniscience. From the shoulders falls a gauze veil, which
has large wired-out wings edged with pearls ; the wide spreading ruff is
attached to the shoulders of the dress and round the neck is a small
c 2

20 QUEEN ELIZABETH.
close-fitting frill, and similar frills are at the wrists. The hair, which is
richly jewelled, with a pearl pendent on the forehead, falls in ringlets on
the shoulders ; in the ear is a large eardrop of rubies and pearls ; an
enamelled jewel hangs from a short pearl necklace on her bare neck,
and a single rope of pearls descends from the neck to the waist. To the
left side of the Queen's ruff is attached the device of a gauntlet, and on
her left sleeve is embroidered a serpent, which has an armillary sphere
on its head and a heart hanging from its mouth ; with her left hand she
holds the edge of her outer robe. There are no rings on the fingers, (see
Engravings, No. 275).
By F. Zucharo. Canvas, 50 in. x 39 in.
No. 267 of the 1866 National Portrait Exhibition.
No. 1410b of the Tudor Exhibition, 1890.
62. W. J. Goode, Esq.
Copy from the preceding ; same size. Canvas.
No. 19 of the Armada Exhibition at Drury Lane Theatre, 1888.
63. Palace of Versailles.
Another copy ; painted by Healy. (see Engravings, No. 278).
64. St. John's College, Cambridge.
Another copy ; bust only. Panel, 22 in. x 17 in.
65. J. D. Wingfield Digby, Esq. (Sherborne Castle).
Her Visit to Blackfriars to celebrate the marriage of Anne Russell
and Lord Herbert, June 16, 1600.
The Queen, seated in a litter, which is carried by six noblemen, and
preceded and followed by a number of gentlemen and ladies, is turned
to the left, wearing a high peaked head-dress and low-necked white dress,
which is entirely covered with puffings and studded with jewels ; the
sleeves close-fitting with lace cuffs. The ruff is similar in arrangement
to that in the Hatfield picture (No. 61), and a similar frill is round the
neck ; jewels in the hair ; pearl eardrop and necklaces ; large badge of
diamonds and rubies attached to her left arm. The Queen rests her left
hand on the arm of the litter, and her right is passed behind her back.
Probably by Isaac Olivier. Canvas, 52 in. x 74 in.
Tins' picture was engraved by G. Vertue as " Queen Elizabeth's visit
to Hunsdon House " (see Engravings, No. 281), but its real subject has
been demonstrated in a paper by Mr. G. Scharf, F.S.A., printed in the
Journal of the Archaeological Institute, vol. XXIII, p. 131.
Contributed to the Manchester Art Treasures Exhibition, 1857, the
National Portrait Exhibition, 1866, and the Tudor Exhibition, 1890.
66. Earl of Ilchester (Melbury Park).
A replica of the last ; no particulars given.

PICTURES AND OWNERS. 21
67. Bodleian Library, Oxford.
Life size ; half length, standing, turned to the left ; wearing white
dress which has a yellow and red pattern on the sleeves and stomacher.
The dark brown hair is brought down the side of the face ; a "rope" of
pearls descends to below the waist. A small closed Chinese fan is held
downwards in the Queen's right hand.
Attributed to F. Zucharo. Panel.
68. J. C. Moore Stevens, Esq.
Life size, whole length, standing, turned and looking to the left ;
wearing scarlet head-dress with feather, and veil with wired-out gauze
wings. The dress, which is cut low and square at the bosom, has an
outer skirt trimmed with ermine over a large farthingale ; jewels in
the hair ; pearl eardrops, two pearl necklaces, and strings of pearls
festooned on the stomacher. A feather fan is in her right hand, and
the left rests on her farthingale ; a chair is behind to the right. Canvas.
No. 18 of the Armada Exhibition at Drury Lane Theatre, 1888.
69. Viscount Dillon, F.S.A. (Ditchley).
Late in life. Life size, whole length, turned and looking to left,
standing on a map of England, on which the counties are coloured red,
green and white, and the names of the towns, rivers, etc. indicated, Ox
ford being between her feet. She wears a high peaked head-dress, with
red ball at the top, and jewels in the hair, with pearl pendent on the
forehead. Her low-necked dress, which is entirely white, with white
puffings, is studded with jewels, has large wired-out gauze wings, edged
with jewels, open hanging outer sleeves, which reach to the ground, and
long pointed stomacher, with farthingale. An eardrop, formed of an ar
millary sphere with a pearl under it, is attached by a scarlet ribbon near
the left ear; a short necklace with pendent jewel is round the neck, a
long one of pearls passes down over the bosom, and a " rope " of pearls
falls from the shoulders to below the waist. In her left hand she holds
her gloves and in the right a closed Chinese fan, which is attached to
her waist by a scarlet ribbon. Canvas, 95 in. x 60 in.
Lent to the Manchester Art Treasures Exhibition 1857, No. 18 of
the Portrait Gallery.
No. 642 of the National Portrait Exhibition, 1866.
70. Marquess of Exeter (Burghley House).
Similar in all respects to the preceding, but bust only ; ruddy com
plexion and pale yellow hair ; at the highest part of each of the gauze
wings is a large jewel, (see Engravings, No. 280). Panel, 22 in. x ij| in.
No. 359 of the National Portrait Exhibition, 1866.

2 2 Q UEEN ELIZA BE TH.
71.
A poor copy from the preceding was at Wimpole, the seat of the Earl
of Hardwicke, until June 30, 1888, when it was sold at Christie's.
72. Lord Sackville (Knole).
Another copy ; oval. Canvas.
73. Earl of Clarendon (The Grove).
Three quarters length, not quite the size of life ; yellowish hair turned
back from the forehead. She wears a single row of pearls round the
neck and a triple row hanging down to the waist ; a high black gown
with large gold buttons from the neck down to the waist ; a high standing
up lace ruff. The gown is trimmed down the sleeves, round the wrists,
upon the shoulder and round the top, with lace ; the hands uncovered.
Her right hand rests on the end of a cushion, the left upon her lap.
Background green curtain. (Lady Theresa Lewis's " Clarendon Gallery,"
vol. Ill, p. 271).
74. G. E. Martin, Esq.
Small whole length figure, standing on a tortoise, with the index finger
of her right hand pressed to her lips ; she wears a white dress over a
crimson skirt, with high stiff collar, and has keys attached to her girdle.
This picture, in which the costume is of the time of James I, is simply
an emblematical representation of " The Perfect Wife," but it has been
called a portrait of Princess Elizabeth and engraved as such by Faber.
(see Engravings, No. 292). Panel, 22 in. x 17 in.
No. 281 of the Tudor Exhibition, 1890.

Class P.
IN FANCY DRESS.
75. Marquess of Salisbury, K.G. (Hatfield House).
In the character of Diana. Life size ; seen to the knees, seated, full
face, wearing a red robe, with a yellow skin thrown over the left shoulder
and a scarf floating behind. She has a crescent on her head, a bow in
her left hand and a quiver slung at her back ; her right hand (with a
ring on the index finger) is held to her breast. A hound rests his head
on her knees.
In the manner of Primaticcio. Panel, 43 in. x 34 in.
76. Earl of Lytton (Knebworth).
A similar picture to the preceding.

PICTURES AND OWNERS. z3
77. Her Majesty the Queen (Hampton Court).
In a Persian dress. Whole length, turned slightly to the left, standing
in a forest, resting her right hand on a stag which has a garland of
flowers round its neck. She wears a tall white conical cap, patterned
with heartsease, and with grey gauze falling from it, and a loose robe of
white material patterned with flowers and birds, the skirt of which is
short, showing the ankles. On her feet are blue stockings, laced with
pearls, and sandals. Her left hand is placed on her hip. A black
transparent gauze veil, covered with silver spangles, envelops the
greater part of the figure ; two rings are suspended by cords from her
bare neck, and a pearl bracelet hangs from her right wrist. On a tree
to the left are three mottoes : — " Iniusti iusta querela" " Mea sic mihi,"
and '¦'¦Dolor est medicina ed tori" (? dolori), and in the lower right corner
is a tablet bearing the following verses : —
" The restles swallow fits my restles mmde,
In still revivinge, still renewinge wronges ;
Her just complaintes of cruelty unkinde
Are all the musique that my life prolonges.
With pensive thoughtes my weepinge stagg I crowne,
Whose melancholy tears my cares expresse ;
Her teares in sylence, and my sighes unknowne,
Are all the physicke that my harmes redresse.
My onely hope was in this goodly tree,
Which I did plant in love, bringe up in care ;
But all in vaine, for now too late I see,
The shales be mine, the kernels others are.
My musique may be plaintes, my physique teares,
If this be all the fruite my love-tree beares."
Attributed to F. Zucharo or L. D'Heere. Canvas, 84 in. x 54 in.
No. 217 of the National Portrait Exhibition, 1866.
Reproduced in Law's " History of Hampton Court," vol. 1.
No. 349 of Law's Catalogue of the Pictures at Hampton Court.
A copy of this is (or was) at Tring Park, Herts, (see " Beauties of
England and Wales," vol. VII, p. 145)-

78 and 79.
In the picture gallery at the chateau of Gripsholm in Sweden are two
portraits of Elizabeth, which belonged to Eric XIV, one of her suitors.
They are numbered 569 and 121 2 in the Gripsholm catalogue, which
states that the former is a whole length, and that in the latter the
Queen wears " un pardessus rouge brode" en or avec manches bouffantes
jusqu'au coude, et une petite toque rouge sur la tete." Mrs. Palliser,
in her " History of Lace," says that in one of these pictures the Queen
wears "a ruff, cuffs, tucker and apron of geometric lace, of exquisite
fineness, stained of a pale citron colour,"

DRAWINGS,

1. British Museum (Print Room).
Whole length, standing, turned slightly to the left, wearing low head
dress, from which a lace veil descends over her shoulders nearly to the
ground, small circular ruff, and short pearl necklace with large pendent
pearl ; the dress is cut low at the bosom, a partlet covering the neck ;
hands crossed before her, the right holding a feather fan downwards.
Behind, to the right, is a column, on the top of which is a dog, and to
the left the back view of a marble bust ; inscribed on the back " La
Regina Elizabeta de Ingelterra, in Londra Magio 1575." (see En
gravings, Nos. 19-21).
By F. Zucharo, red and black chalk. 12 in. X 8f in.
2. Her Majesty the Queen ( Windsor).
Similar in all respects to the large engraving by C. van de Passe (see
Engravings, No. 160), but without the accessories and background.
This is perhaps the original drawing by Isaac Olivier from which
Passe's plate was done.
Finely executed in pen and ink on vellum.
3. British Museum (Dept. of MSS.)
Elizabeth receiving George Gascoigne the poet. She is seated on a
throne on the left, in an apartment' which is hung with curtains and has
an open timber roof; wearing an arched crown, small close-fitting ruff
and mantle ; the sceptre is in her right hand, and the left rests on the
mound which is on her lap. The lower part of the throne is carved in the
form of a winged chimerical monster, and along the top of the canopy
is inscribed "Decet Regem Regere Legem." Gascoigne kneels
before the queen, presenting his book ; he holds a spear in his left hand,
and has a sword at his side and a pen behind his ear. Through a
circular opening in the roof a hand descends, holding a tablet inscribed
" Tam Marti quam Mercurio,"

DRAWINGS AND OWNERS. 25
A carefully finished drawing in pen and Indian ink, prefixed to Gas-
coigne's autograph copy of his " Tale of Hemetes the Hermit " spoken
before the Queen at Woodstock in 1575, which he presented to her
Majesty. (Royal MSS. XVIII, A. 48).
Figured in Strutt's " Manners and Customs," 1774.
4. Bodleian Library (Sutherland Collection).
Young. Seen to the knees, standing, turned slightly to the left, wear
ing a cap similar to that of her sister Mary, and a pelisse of black velvet
and ermine ; the latter, which has " mahoitered " sleeves and a high
frilled collar, is tied in at the elbows, fastened across the chest, and
open below to show the kirtle of white silk or silver. White gauze
sleeves cover the lower part of the arms, a chain of gauze-like puffs
hangs on the breast, and round the waist is a jewelled girdle. She holds
a glove in her left hand and rests the right on a green table. Inscribed
" Elizabeth Royne d'Angleterre."
Distemper drawing on vellum. 6| in. x 42 in.
A woodcut from this, badly copied, appears in Planches " British
Costume" (head of Chap. 17).
5. British Museum (Print Room).
Late in life. Seen to below the waist, turned and looking to the left,
her reddish-brown hair dressed plainly and confined in a caul, which is
decorated with pearls and white puffings. Her dress is red, patterned
with lines of black and gold, and has a grey partlet, which is carried up
the neck and terminates in a small frill ruff edged with gold ; the sleeves
are decorated with rows of white puffings alternating with jewels, and at
the wrists are ruffles matching the ruff. An opening in the partlet shows
a necklace of four rows of pearls and a jewel hangs by a blue ribbon on
the breast. In her right hand she holds a pair of brown gloves, the
left is raised before her ; two rings are on the fourth finger of the left
hand, and a plain black one on the third finger of the right. Crimson
curtain edged with gold to left, with dark background.
Copy in water-colours by G. P. Harding, from an oil painting. 4! in. x i\in.
6. n~. a*u^. ,}^ut,t>h. m^J.

MINIATURES.

Class A.
WEARING A SMALL FRILL-RUFF.
1. Duke of Portland ( Welbeck Abbey).
Young. To the knees, seated, full face, crowned and holding sceptre
and mound ; wearing ermine mantle.
Similar to the picture belonging to the Earl of Warwick (Pictures,
No. 5), which is probably enlarged from it.
By N. Hilliard.
This was in the collection of King Charles I, and is described in
Vanderdoort's Catalogue (Bathoe, 1757) page 44, No. 40 :— " Done upon
the right light, a full forward faced picture of Queen Elizabeth in her
Parliament robes, with sceptre and globe in her hands, in a little square
box, wooden frame, with a cover. Done by ould Hilliard. Given to
the King by the young Hilliard, and presented by the Earl of Pembroke,
Lord Steward." 2i *,. x 2 ^
2. Lord Sackville (Knole).
Similar to the preceding, but whole length. Within the initial letter E
of Lord Buckhurst's patent of nobility, dated 1567.
3. National Portrait Gallery.
• To the waist, turned and looking to right ; she wears an arched head
dress formed of white puffs and jewels, and a black dress, which is cut
square at the neck, has white sleeves patterned with colours and is partly
covered with a black crape veil. A white rose is attached to her left
shoulder, and a rich chain of jewels is festooned on the front of her
stomacher ; a black ring hangs in front of her neck from a jewelled
collar, and a large jewel is suspended from a pink ribbon. On either
side of the Queen's head are the letters E and R. The ground is plain
blue with the words in gold letters round it:— "Anno Dni 11:72
/Etatis sues, 38." '

MINIATURES AND OWNERS. 27
Painted on the back of a playing card, the Queen of Hearts, cut into
an oval.
By N. Hilliard. 2 in. x if in.
*x* For Hilliard's use of playing cards for his miniatures see Walpole's
"Anecdotes," ed. 1849, p. 173, note.
4. Jeffrey Whitehead, Esq.
Young ; to below the knees, turned to the left, holding a rose.
From the picture in the National Portrait Gallery (see Pictures,
No. 7).
5. J. L. Propert, Esq.
Bust, face turned to left ; without crown or head-dress, but with gauze
veil falling from her head. Made up from the picture in the National
Portrait Gallery (see Pictures, No. 7) In oil on copper.
Lent to the Exhibition of Miniatures, at the Burlington Fine Arts
Club, 1889.
6. Marquess of Breadalbane.
In a Spanish winter dress. To the waist, face turned to the left,
wearing a hood like her sister Mary's, white fur collar outside the ruff,
and puffed sleeves trimmed with white fur. She has ruffles at the
wrists, and holds her gloves before her in her clasped hands, (see En
gravings, No. 33).
Formerly in the collection of Samuel Rogers, at the sale of which,
May 6, 1856, it was lot 967.
7. Described in Vanderdoort's Catalogue of the Collection of King
Charles I (Bathoe 1757) page 45, No. 42 :— " Item, done upon the
right light. In a white ivory box without a crystal, a certain lady's
picture in her hair, in a gold bonelace little ruff and black habit lined
with white fur, with gold tissue sleeves, with one hand over another,
supposed to have been Queen Elizabeth before she came to the crown.
Done by an unknown hand."

28 QUEEN ELIZABETH.
Class B.
WITH RADIATING RUFF, UNBROKEN.
8. Her Majesty the Queen ( Windsor).
A head, in the centre of a crimson rose. Turned to left, wearing
head-dress and large chin-ruff ; circular.
9. Duke of Buccleuch, K.T. (Montagu House).
To the waist, turned and looking to the right ; wearing jewelled head
dress, with lace chin-ruff, and high shouldered black dress. Many chains
of pearls fall from the neck, some crossing the breast and the longest
reaching to the waist, and at her left breast hangs a locket.
By N Hilliard. 2% in. x if in.
Formerly in the Royal collection, and thus described in Vanderdoort's
catalogue of Charles I's pictures (Bathoe, 1757): — "Queen Elizabeth
upon an oval card in a laced ruff, in a black dressing and habit, very
richly adorned with gold and pearls, and a picture box hanging at her
right breast. Done by the old Hilliard, bought by the King of the young
Hilliard." Reproduced in the "Photographic Historical Portrait Gallery," 1864.
No. 2032 of the South Kensington Museum Loan Exhibition, 1862.
10. Duke of Buccleuch, K.T. (Montagu House).
Bust, face turned and looking to the left ; wearing head-dress, quilled
chin-ruff, with wired-out gauze wings, and grey dress decorated with
white, yellow and green bows ; gold chains suspended over the breast.
Oval, i\in. x \\ in.
No. 2034 of the South Kensington Museum Loan Exhibition, 1862.
11. Duke of Devonshire, K.G. [Chatsworth).
A head ; turned to the left, wearing a flat head-dress and quilled ruff.
By N Hilliard.
At the back of a cameo of the Queen ascribed to Coldore" ; it has a
hinged lid, on the inside of which is another miniature, that of the Earl
of Leicester, also by Hilliard.
12. Lady Eliott-Drake.
Bust, face turned and looking to the left; jewels and white feather in
her hair ; wearing small black cap and large radiating chin-ruff ; white
bows adorn the front of her black dress ; arms not seen. Round the
upper margin is " Ano Dmi 157. Regni 20."
By N Hilliard.
Enclosed in a jewelled "picture box," the lid of which has on the

MINIATURES AND OWNERS. 29
inside another miniature, that of Sir Francis Drake, to whom the box was
given by the Queen.
No. 145 of the Jewellery Exhibition at South Kensington, 1872.
13. Earl Beauchamp (Madresfield).
Half length, turned to the left, wearing head-dress with feather, very
large radiating lace chin-ruff, black dress with white puffings, and hanging
jewelled collar ; the jewels gilded ; blue background ; oval.
By N. Hilliard.
No. 1097 of the Tudor Exhibition, 1890.
14. Lord Bagot.
Bust, turned to the left ; wearing jewelled head-dress and high necked
black dress covered with pearls ; light brown hair ; no earring ; blue
background. On the lid of a box.
By N. Hilliard.
Lent to the South Kensington Museum Loan Exhibitions, 1862 and
1865. No. 1029 of the Tudor Exhibition, 1890.

Class C
WITH HIGH RUFF, OPEN IN FRONT.
15. Earl of Carlisle (Castle Howard).
Bust, face turned to the left ; wearing crown and necklace of jewels
with pendants ; the sleeve of the dress is puffed ; silver ornaments on the
ruff. Attributed to Isaac Olivier.
Reproduced in Lord R. Gower's " Historic Galleries," Vol. I, pi. 30.
16. Major-Genl. Sotheby. ^hn^.. fS^+t^jC,
To waist, turned to left, arms not seen. She wears an arched crown,
and large rising ruff which is studded with jewels, and flowered dress cut
low and square at the bosom, with wired-out gauze wings. Her yellow
hair is enriched with jewels, in her ear is a jewelled earring, and on her
bare neck is a short necklace of jewels, with large pendant, while a long
string of pearls descends to the waist. The crown and jewels are gilded
and the pearls are of silver which has oxydised.
Painted by N. Hilliard.
Lenttothe Miniature Exhibition at the Burlington Fine Arts Club, 1889.

30 QUEEN ELIZABETH.
17. Duke of Portland ( Welbeck Abbey).
Late in life. Bust, turned to the left ; the yellow hair dressed high,
decorated with a large jewel and surmounted by an arched crown, from
which a veil falls behind. She wears a low-necked dress, which is
patterned in white and grey and jewelled ; pearl earrings, elaborate neck
lace, and large pearl suspended from the neck by a black cord. Blue
curtain behind.
By N. Hilliard.
Lent to the Exhibition of Miniatures at the Burlington Fine Arts Club,
1889.
18. Duke of Buccleuch, K.T. (Montagu House).
Late in life. To the waist, turned to the left, wearing head-dress
formed of grey gauze puffs, very rich lace ruff, and black dress, of which
the sleeves are patterned with large leaves and the stomacher embroidered
in gold with a four-legged animal ; jewels in the curly hair, large jewelled
earring and very elaborate pearl necklace ; arms not seen. Turquoise
blue background.
By N. Hilliard. Oval, 2§ in. x 2 in.
Formerly in the Strawberry Hill, Stowe, and Bale collections.
Lent to the South Kensington Museum Loan Exhibition, 1862, and
to the Exhibition of Miniatures at the Burlington Fine Arts Club, 1889.
19. Earl of Chichester (Stanmer).
In initial letter E of a patent of nobility.
Nearly whole length, full face, seated on the throne, wearing crown
and robes, with the mound in left hand and the sceptre in right. On the
canopy of the throne is " Vivat Regina." Outlined in pencil and Indian ink.
20. Miss Wilson (On loan at the South Kensington Museum).
To the waist, turned to the left ; wearing arched crown, and low-
necked blue dress ; the hair dressed high and richly jewelled ; necklaces
on the bare neck and pearl eardrops ; hand not seen.
Ascribed to N. Hilliard. Square, c. j,\ in. x 21 in.
21. Major E. R. Horsey.
Bust, turned to the left, very small oval. Derived from the large
engraving by C. van de Passe (see Engravings, No. 160).
No. 1 102 of the Tudor Exhibition, 1890.
22. Sir Charles Dilke, Bart., M.P.
To the waist, turned to the left. Derived from the large engraving
by C. van de Passe (see Engravings, No. 160). In oils.
No. 1 144 of the Tudor Exhibition, 1890.

MINIATURES AND OWNERS. 31
23. J. L. Propert, Esq.
Adapted from the large engraving by C. van de Passe (see Engravings,
No. 160). To the waist, turned to the left, the crown and wired-out
wings are omitted and the puffings on the dress are replaced by lines of
pearls. Attributed to S. van de Passe.
Painted apparently on varnished card.
Lent to the Exhibition of Miniatures at the Burlington Fine Arts Club,
1889.
24. Dowager Lady Orde.
Nearly to the waist, turned to the left ; wearing aigrette of feathers on
her head ; pearls in the hair ; rich lace ruff, and dress of black network
over white, fringed with pearls. A locket or "picture-box" hangs at her
breast and another on her right side.
Reproduced in Lord R. Gower's " Historic Galleries," Vol. I, pi. 48.
25. Earl of Derby, K.G. (Knowsley).
Head only, turned to the left ; the yellow hair dressed high and
adorned with jewels and a white feather ; large rising ruff studded with
gold and jewels ; pearl necklace and chains of jewels on neck; jewelled
earring ; dark purple curtain behind.
By N. Hilliard.
Painted on the back of a playing-card. 2 in. X if in.
Formerly in the collections of Lord Wilmington and Horace Walpole.
Lent to the South Kensington Museum Loan Exhibitions, 1862 and
1865, and to the Exhibition of Miniatures at the Burlington Fine Arts
Club, 1889.
26. Duke of Buccleuch, K.T. (Montagu House).
Bust, face turned to the left ; wearing peaked head-dress of gauze
puffs, high piped ruff, and low-necked white dress which is patterned
with gold and decorated with rows of white puffs and jewels; pearl
earrings, close fitting necklace of jewels, single string of pearls crossed
over the lower part of the neck, and " rope " of pearls suspended from
the shoulders. Black strings hang from the neck. Blue background.
The expression of the face is very different from that in her other
portraits. Painted by N. Hilliard. Oval, 2\ in. x i| in.
No. 2033 of the South Kensington Museum Loan Exhibition, 1862.
27. Jeffrey Whitehead, Esq.
To the waist, turned to the left, wearing large jewelled head-dress,
rich lace ruff, and black dress with pointed stomacher, which is deco-

32 QUEEN ELIZABETH.
rated with pearls and jewels, and open at the neck ; the hands not seen.
A rose is in the curly yellow-brown hair, near the left ear ; necklace of
jewels; no earring; the jewels are gilded.
By N. Hilliard. Oval, c. z\ in. x \\ in.
At the end of a book of MS. prayers written by Elizabeth, which
has a miniature of the Duke of Alengon, also by Hilliard, at the
beginning. Formerly in the collections of the Duchess of Portland and Horace
Walpole (see Walpole's "Anecdotes of Painting," ed. 1849, Vol. 1,
p. 174; and the "Universal Magazine," 1786).
Lent to the Exhibition of Miniatures at the Burlington Fine Arts
Club, 1889.
28. South Kensington Museum (Jones bequest).
To the waist, turned to the left ; wearing high head-dress, from which
a veil falls behind, and large lace ruff; the hands not seen. The dress,
which is cut low at the bosom, is puffed and richly patterned ; the curly
yellow hair and also the ruff are adorned with rich jewels; jewelled
earrings and elaborate necklaces, with a badge hanging by a chain on
the bosom ; the jewels are gilded.
By N. Hilliard. Oval, c. 2% in. x 2 in.
Formerly in the Strawberry Hill collection.
Lent to the special Exhibition of Miniatures at the South Kensington
Museum, 1865.
29. Late in life. To waist, turned to right, wearing head-dress and plain
ruff; a jewel pendent from the neck. Unfinished, the details of the
dress not put in. Painted on card.
By I. Olivier.
Lent by Mr. S. Reynolds Solly, F.R.S., to the South Kensington Museum
Loan Exhibition, 1862, No. 2603.
30. Earl of Dysart (Ham House).
Seen to below the waist, turned to the left, wearing small jewelled
crown with white gauze veil falling from it, rich white lace jewelled ruff,
and low-necked brown dress, which has jewelled stomacher, large sleeves
and lace cuffs. Her left hand, holding gloves, rests on the arm of a
chair, part of the back of which is also visible ; the curly light-brown
hair is studded with jewels and a small string of black stones hangs on
the forehead ; she has a rich necklace, and pearl eardrops and bracelet,
and holds with right hand a string of pearls which falls from the neck.
Eyes dark and face shadowless ; the background is a dark blue curtain.
On the back is written " Queen Elizabeth, by Hilliard. Pret. $jQ."
By N. Hilliard. Oval, 3^ in. x 2\ in.
Painted on card.

MINIATURES AND OWNERS. 33

Class D.
WITHOUT RUFF.
31. Duke of Buccleuch, K.T. (Montagu House).
Bust, face turned to the left ; wearing a jewelled head-dress, from
which pearls hang on the forehead and a white gauze veil falls behind.
She has no ruff. The hair falls in ringlets on the shoulders and the
neck is bare. The dress, which is low at the bosom, is ornamented in
the Italian style in opaque colour heightened with gold, and over it is a
scarlet and yellow mantle, (see Engravings, No. 288).
By N. Hilliard. Oval, 2| in. x t\ in.
No. 2035 of the South Kensington Museum Loan Exhibition, 1862.
32. South Kensington Museum.
Bust, to left, with curly yellow hair falling over the shoulders; wearing
large crown, pearl earrings and rich carcanet of jewels ; no ruff. The
background is a crimson curtain. In a gold and enamel case, set with
precious stones.
By N. Hilliard. 3 in. x 2 in.
33. Her Majesty the Queen ( Windsor).
Bust, face turned in profile to the right; wearing head-dress from
which a veil falls behind, necklace, and loose drapery over the breast ;
hair dishevelled ; no ruff or collar of any kind. On the background to
the right is written in gold the motto " Seruo per regnare." (see Engra
vings, No. 289). Painted on a playing card.
By I. Olivier.
Formerly in Dr. Mead's collection.
[Not like Elizabeth, and more probably Anne of Denmark],

34. Described in Vanderdoort's Catalogue of the collection of King
Charles I (Bathoe, 1757), p. 45, No- 4i :— " Item, another of the afore
said Queen Elizabeth's pictures, being side-faced in the clouds, with one
hand, and a little landskip by it, with some golden letters in the clouds,
being under a crystal, in a black round turned jet-box, the light coming
neither from the right nor the left side, being done without any shadows,
in an open garden light. Done by old Hilliard, which the King had of
my Lord of Arundel."

D

34

QUEEN ELIZABETH.

The following were included in the South Kensington Museum Loan
Exhibition, 1862, but have not been verified :—
(No. 2031). By Hilliard. Lent by Duke of Buccleuch, K.G.
By Hilliard. Ditto.
By Hilliard. Ditto.
By Isaac Olivier. Ditto.
ALtat. 25. By Hilliard. Lent by Lady Sophia des Vceux.
Lent by C. Winn, Esq.

(No. 2034).
(No. 2036).
(No. 2037).
(No. 2054).
(No. 2795).

The following were included
Miniatures on loan at the South
not been verified : —
(No. 308), By N. Hilliard.

(No. 335).
(No. 482).
(No. 17 13).
(No. 2291).
(No. 2565).
(No. 2896).

By I. Olivier.
By F. Zucharo.
By N. Hilliard.

in the special Exhibition of Portrait
Kensington Museum, 1865, but have
Lent by S. Addington, Esq.
Duke of Rutland.
Hon. W. Ashley.
Rev. W. Vernon Harcourt.
J. Heywood Hawkins, Esq.
Lady Sophia des Vceux.
E. W. Cooke, Esq., R.A.

At a meeting of the British Archaeological Association, 1862, an oval
miniature of Queen Elizabeth was exhibited by Mr. G. R. Wright ; two
others, formerly in the Mead collection, by Mr. S. R. Solly, F.R.S. ;
and a fourth, in oil on copper, by Mr. G. H. Bohn.

ENGRAVINGS.

Class A.

WHEN PRINCESS.

1. The picture at Windsor (see Pictures, No. i).
7 in. x 5^ in. By H Shaw , aquatint, coloured by hand.
Illustration to Henry Shaw's " Dresses and Decorations of the Middle
Ages," 1843, v°l- II-

2. From the picture of Henry VIII. and his family, at Hampton Court
(see Pictures, No. 2).
Half length; vignette. Anonymous; stipple.
Engraved (as a portrait of her sister Mary) for Agnes Strickland's
" Lives of the Queens of England," 1853. The corresponding figure of
Mary appears in the same work as a portrait of Elizabeth.

3. In the picture of Henry VIII and his family, with Will. Somers
(see Pictures, No. 3).
" Hans Holbein Del., F Bartolozzi, R.A., Sculp'. Publish'* March 1,
1800, by Anth". Molteno, N". 29, Pall Mall, London." By F. Bartolozzi.

D 2

3 6 Q UEEN ELIZA BE TH.

Class B.
WEARING A SMALL FRILL-RUFF.
4. In ornamental initial letter C. Whole length, full face, seated on
throne in full royal robes, crowned, holding sword in right hand
and resting the left on the mound ; three councillors stand in
attendance on the left. Woodcut.
This cut was first used for the Dedication of Fox's " Acts and Monu
ments," 1563, and afterwards for John Dee's "General and Rare
Memorial pertayning to the perfect Arte of Navigation," 1577, and
Gabriel Harvey's " Gratulationum Valdenensium Libri Quatuor," 1578.
It is reproduced in Shaw's " Dresses and Decorations of the Middle
Ages," vol. II, and copied in Nichols's " Progresses of Queen Elizabeth."
5. Whole length, seated on throne, full face, wearing crown and mantle ;
sceptre in right hand, Bible in left ; on either side are figures of
Faith and Hope, the former supporting the royal arms ; two boy
angels hold drapery above. On the step of the throne is
" Elisabetha Regina." Woodcut.
In the lower part of the title-page of " The Bible in Englyshe of the
Largest and Greatest Volume," &c, Rouen, 1566, fol. (Cranmer's).
6. Seen to below the waist, directed to front but looking to the right ;
wearing crown and ermine mantle, sceptre in left hand, mound in
right ; hair dishevelled ; the dress, which is cut low at the bosom,
has slashed sleeves with frills at the wrists, and the neck is covered
with a partlet ; a string of jewels hangs down the middle of the
stomacher. In oval frame inscribed " Elisabeth Dei Gratia
Anglic, Francis et Hiberni^e Regina, Fidei Defensor,
etc.," which is in the centre of a panel of arabesque ornament,
having seated figures of Faith and Charity in the upper part and
in the lower a lion and dragon holding a tablet inscribed " Non
me pudet Evangelii Christi, Virtus enim Dei est ad salutem Omni
credenti Rom. i°."
14^ in. x 7f in. Anonymous.
Title to the Bishops' Bible, 1568, fol., and 1572, fol.
There is a facsimile copy of this of the same dimensions.

Anonymous Engraving published by Woudneel
(Wontnelius), showing the radiating unbroken ruff.
(Engravings, No. 39).

ENGRAVINGS. 37
7. Nearly whole length, full face, seated on throne, under a canopy ;
wearing large crown, necklace with pendent pearl, and ermine
mantle which is wide open, showing plain dress ; sceptre in right
hand, left laid on her waist. A councillor in a gown, carrying a
mace over his shoulder, stands on the left of the throne, and two
other men on the right ; above the canopy are the initials E. R.
Woodcut.
In lower part of the border of the title-page to R. Grafton's " A Chro
nicle at large and meere History of the Affayres of Englande," etc.,
1569.
8. Small whole length, standing, full face, in royal robes and crowned,
holding sceptre in right hand and orb in left ; in ornamental
frame. At top : " Engraved for Clarendon' s History of England,"
and at bottom : " Queen Elizabeth."
71 in. x 5I in. Anonymous.
9. At the age of 26. Bust, face turned slightly to the left; wearing
close flat hood, and flowered dress with high stiff collar ; sceptre
in left hand, and an enamelled ornament suspended by a ribbon
from her neck. The portrait is enclosed in a large frame of rich
arabesque design, in which are figures of Victory, Prudence and
Justice.
14! in. x 10 in. By T. Geminus.
Frontispiece to " Compendiosa totius Anatomise delineatio, aere
exarata per Thomam Geminum," 3rd edition, 1559, fol. (In the first and
second editions, 1545 and 1553, the space here occupied by the head
of the Queen was filled with the royal arms).
This is the earliest portrait of Elizabeth published after her accession
to the throne.
Reproduced in Sir W. Stirling-Maxwell's " Engraved Portraiture of
the Sixteenth Century," pi. 51.
10. At the age of 26. Whole length, standing, turned slightly to the
left ; hair quite plain like her sister's ; wearing hood edged with
pearls, ruff formed of a double frill, and high collared loose robe,
which is patterned with an arabesque design and trimmed with
fur ; the sleeves of this are slashed and quite short, the arms
being covered with close-fitting under-sleeves, adorned with
pearls, which extend to the wrists. She holds her gloves in the
left hand and a paper in the right ; a single ring is on each index
finger, and a jewelled collar with pendent badge hangs on her
breast. A curtain is on the left, and the royal arms in a lozenge,

38 QUEEN ELIZABETH.
encircled by the Garter, occupy the upper right-hand corner.
Below is " Elisabeth Dei Gratia Regina Anglic. Liefrinck
excud."
1 1 in. x 7 in. Anonymous.
This has been groundlessly attributed to F. Hogenberg.
Reproduced in Sir W. Stirling-Maxwell's " Engraved Portraiture of
the Sixteenth Century," pi. 52.

1 1 . Copy from the last. The figure is on a larger scale, but seen to the
waist only, the hands resting on a cushion before her ; the hood
is quite plain, without pearls, and the dress is not patterned ;
she has nothing in her right hand, but her left holds a paper.
In plain oval frame inscribed : " Elisabeth Dei Gratia
Angliae Franciae et Hiberniae Regina Anno 1559."
7i in. x 5! in. Anonymous.

12. Copy from No. 10. Bust only, turned to right ; in plain oval within
an arabesque frame ; the oval is inscribed " Elisabeth Dei
Gratia Angli/e et Hibernle Regina."
7i in- x Si in- By D. Zenoi.
In Zenoi's " Imagines quorundam principum et illustrium virorum,"
Venice, 1569.

13. Young. Bust, turned to left ; wearing low jewelled head-dress from
which a veil falls behind, ruff decorated with pearls, and dress
cut low and square across the bosom, the neck being covered
with a partlet, which is gathered into a collar under the ruff and
is open in the middle, showing a plain black ring which is
suspended by a cord under it. A short necklace of jewels and
a long double chain of gold hang from the neck ; hair dressed in
curls, with pearl on the forehead. In the plain inscription space
below is : " Elisabeth Dei Gratia, Anglic Francis et
Hibernle Regina, Fidei Defensor, etc.
" Corporis effigies tua pulchra est, Elisabetha :
Pulchrior ast animi fortna decorq. tui,
Tu rigidos frceno cohibes, Regina, Britannos.
Justifies custos lux pietate nitens,
Flos es labe carens, sanctce virtutis amatrix
Anglorum foelix, qua, diadema tenes."
iaj in. x 7| in. By Remigius Hogenberg

ENGRAVINGS. 39
14. Young. Seen to below the waist, turned and looking to left;
wearing low plain head-dress with laurel-wreath, and loose
sleeveless pelisse, which is open in front showing the under-
dress, which has a high stiff collar and close-fitting sleeves deco
rated with rows of buttons, and on the bosom of which is a large
jewel ; both hands held up to the waist, gloves in the right and
handkerchief in the left ; pearl on forehead. To the right of
the head are the royal arms encircled by the Garter. Below :
" Elisabet Von Gottes gnaden Kuniginn zu Engelant schotlant
fratickrijck vnd Irlant Princesse zu wales, etc."
7 in. x 4^ in. Anonymous.
The impression in the British Museum is pasted within a broad
rectangular border of rich arabesque design, in the manner of De Bry.
15. Young. Bust, turned to the left; wearing plain hood which falls
behind, high-necked dress, fur-lined mantle with high collar, and
necklace of jewels with pendant ; pearl on forehead. In broad
oval frame, inscribed " Elizabetha D. G. Angli^e Gallic et
Hybernle Regina."
65 in. x 5! in. Anonymous.
1 6. Whole length, seated on throne, bare headed ; wearing ermine
mantle, sceptre in right hand, mound in left ; neck covered with
a partlet. Emblematical figures of " Justice " and " Mercie "
hold the crown over her head, and two other figures, "Fortitude"
and "Prudence," are below, with a tablet between them inscribed
"Non me pudet Euangelif Christi virtus enim Dei est ad salutem
omni credenti. Rom. 1." The composition is enclosed in a plain
rectangular frame, which has a tablet on the upper part inscribed
" Et erunt Reges Nutricii tvi et Reginje eorum nutrices
tvvE. Esai. 49," and another on the lower part inscribed " Beati
qvi avdivnt verbvm Dei et cvstodivnt illvd. Lvc. ii." At
the bottom is a representation of Archbishop Parker preaching
to a congregation, with the motto " God save the Queen."
8 in. x 5! in. Anonymous.
17. Copy from the last; the inscription on the tablet in the middle
altered to "The holi bible." Woodcut.
Title to the Bishops' Bible, 1569, 410.
6 1 in. x 5 in.
18. Copy from No. 16 ; within plain rectangular frame, on which are
the same quotations from Isaiah and St. Luke.
81 in. x 6 in. Anonymous.

Me

40 QUEEN ELIZABETH.
19. Facsimile of the drawing by Zucharo, in the British Museum
(see Drawings, No. i) ; same size and in same direction ;
printed in black and red. Below is " Federico Zuccaro del1. 1575
Sim. Watts sculp. 1773. In the Collection of the right hon'
Lord Frederick Campbell. C Redid1." By S. Walts.
In C. Rogers's " Collection of Prints in imitation of Drawings," 1788.
20. Another facsimile of Zucharo's drawing ; also the same size and
in the same direction, but printed wholly in black. Below is
"Federico Zuccaro del1. 1575. Adam sculp1, fn the Collection of
the right honhu- Lord Frederick Campbell. London, Published
Nov'. 1, 1795, by John Manson, N°. 6, Pall Mall"; and above :
" Elizabeth Queen of England." By Adam.
21. Reduced copy from the last; in same direction. Below is : " Queen
Elizabeth. From an Original Drawing by Zuccaro, done by order
of the Parliament. Pub11. Jan". 1, 1797, by I. Jeffreys."
5 1 in. x 3 1 in. Anonymous.
Frontispiece to "Paul Hentzner's Travels in England, translated by
Horace, Earl of Orford," etc., London, 1797, 8vo.
22. The Queen at a hunting party ; partaking of refreshment in a wood
with her huntsmen. She is seated at the foot of a tree, with two
gentlemen attending upon her, and wears a high-crowned hat
with ostrich feathers. Woodcut.
Illustration to George Gascoigne's "Book of Hunting," 1575.
Copied in Evelyn Shirley's " English Deer Parks," 1867.
23. The Queen at a hunting party. She appears on a " standing " or
scaffold, attended by her courtiers, a lady holding up her train,
while the huntsman kneels before her, showing her the "fewmets"
of the stag. She is turned to the right, wearing a flat head-dress
and gown with puffed sleeves, and holds up a branch in her left
hand. Woodcut.
Illustration to George Gascoigne's "Book of Hunting," 1575.
Copied in Evelyn Shirley's " English Deer Parks," 1867.
24. Whole length, kneeling in her chamber, with hands joined in prayer ;
she is turned to the right, her face seen in profile, and kneels on
a cushion before a prie-dieu, from the front of which a cloth
semee of fleurs-de-lis descends to the floor and forms a carpet
under the Queen. On the prie-dieu rest the crown, an open
prayer-book, and a flower ; on the floor in front lies a sword,
and in the lower right corner are the sceptre and the royal shield

ENGRAVINGS. 41
of arms, the latter held by a small human figure emerging from
under the cloth ; curtains above. The Queen is bare-headed,
and her dress has close-fitting sleeves and skirt patterned with
arabesques ; a partlet with stiff collar covers the neck.
5! in. x 31 in. Woodcut.
Frontispiece to "A Booke of Christian Prayers," printed by John
Day, 1578.
This has been facsimiled in the " Fine Arts Quarterly Review," vol. V,
p. 146; also in Planches " Cyclopaedia of Costume," 1876, vol. I, p. 179.
25. In a representation of the Procession of the Knights of the Order
of the Garter in 1576, etched on twelve plates. The procession
moves along an open portico towards the right, the Queen
walking last ; she wears a head-dress with veil falling behind, and
the mantle and collar of the Order, and holds a feather fan in
her left hand. By Marc Gheeraedts.
This work was produced under the direction of Thomas Daws,
Rougecroix Pursuivant, and dedicated by him to the Queen. The only
perfect copy known is in proof state (the names, dedication, etc., being
inserted in MS.), and is coarsely coloured ; it was formerly in the collec
tion of Sir John Fenn, the well known antiquary, and is now in the
Print Room of the British Museum. Strutt, in his " Dictionary of
Engravers" (s. v. Bry), prints Fenn's description of the plates, and
ascribes them to T. de Bry, but they are certainly the work of either
the elder or younger Gheeraedts, as indicated on the copy by Hollar
(see below).
26. In a copy from the preceding, reversed, and on a greatly reduced
scale ; the portico is omitted, and the figures forming the pro
cession are arranged in four rows on a single plate. Below :
" A Proceeding of the Soveraigne and Knights Companions at the
Feast of St. George, designed by Marcus Gerard and set forth in
the 20 yeare of Queene Elizabeth by Thomas Dawes, sometime
Rougecroix Pursu1. at Armes."
\\\in. x 14% in. By W. Hollar, 1660
Illustration to Elias Ashmole's " History of the Order of the Garter,"
1672, p. 515.
27. Bust, face turned to right ; wearing large jewelled head-dress, from
which a veil falls behind, and plain high-necked dress ; double
necklace and a chain of jewels, which is looped up on the
bosom ; pearl on forehead. In ornamental oval spandrel frame,
with "Elizabeth Reyne D'angleterre" above.
5£ in. x 4 in. Woodcut.

42 QUEEN ELIZABETH.
28. Bust, turned to left ; wearing low wreath-like head-dress, high-necked
dress with a row of six jewels (each formed of three pearls) down
the front, and veil, which has wired-out gauze wings and is edged
with pearls, falling over the shoulders ; pearl eardrop and double
necklace of pearls. In plain circular frame, which has the Tudor
rose at the top, and is inscribed "Elisabeth Dei Gratia,
Angliae Franciae et Hiberniae Regina, etc."
Diameter 7 \ in. Anonymous.
Illustration to E. van Meteren's "Historia Belgica" [1600], p. 424.
29. Copy from the last, reversed. The bust is slightly shorter ; the rose
at the top of the frame has an ornamental flourish on either side,
and the inscription runs : " Elisabet Dei Gratia Angliae
Franciae et Hiberniae Regina, etc. 1604."
Diameter 6f in. Anonymous.
30. Bust, turned to the right ; wearing " Mary Stuart " cap, and high-
necked plain black dress with falling collar, above which is a
thick ruff which fits close to the face ; pearl eardrop and large
pearl pendent on the breast. In a plain oval, which rests on a
pedestal, on the front of which are the royal arms in a cartouche ;
at top of the frame is a crown with two crossed sceptres; at bottom
is : " Elisabetha Dei Gratia Anglia- Francia et Hibemice Regina.
Fra. Hilyard pinxit. Exoriginali. Geo. Vertue Sculpsit 171 7."
d\ in. x 4 in. By G. Vertue.
[A made-up portrait.]
Illustration to Hearne's edition of Camden's "Annals," 1 7 1 7, 8vo.
31. The picture in the National Portrait Gallery (see Pictures, No. 7).
Same length and in same direction as the original. Below is : —
Queen Elizabeth.
From the Original by N. Hilliard in the possession of the Rev4. R.
Newcome, of Ruthin, Denbighshire.
G. P. Harding, del. W. Greatbatch, sc. London, Published by Richard
Bentley, 1839.
5^ in. x 4 in. By W. Greatbach.
Frontispiece to vol. II of Dr. Godfrey Goodman's " Court of King
James the First," London, 1839, 8vo.
32. Whole length, standing. From- the panel in the Palace of West
minster (Prince's Chamber), copied by R. Burchett from the
picture of Elizabeth and the Three Goddesses, by D'Heere at
Hampton Court (see Pictures, No. 5).
Drawn by J. L. Williams. Engraved by W. Ridgway. Pub. by
Blackie &> Son, London, Glasgow 6° Edinburgh.

ENGRA VINGS. 43
33. In a Spanish winter dress. From the miniature now in the
collection of the Marquess of Breadalbane (see Miniatures,
No. 6).
Below is a facsimile of the Queen's autograph, and "From a
Miniature by Holbein in the collection of Sam1. Rogers. Engraved by
Worthington. Published by W. Pickering, Lincoln's Inn Fields, 1823."
4? in. x 3| in. By W H Worthington.
In Worthington's set of the Sovereigns of England. These plates
were afterwards used to illustrate an edition of Hume's " History of
England," Oxford, 1826-7.
34. The picture at Henham Hall (see Pictures, No. 16). To below
the waist, turned to the right ; vignette.
Below : " Queen Elizabeth. London, Henry Colburn, 185 1."
Anonymous.
Illustration to Agnes Strickland's " Lives of the Queens of England,"
1853, vol. IV, p. 136.
34.* The Queen hawking. She is on horseback in foreground of a land
scape, riding towards the left, surrounded by attendants on foot ;
hawks and herons in the air above. The Queen wears a low
head-dress with veil, and dress with " mahoitered " sleeves and
partlet.
5 ///. x 4t in. Woodcut.
Illustration to George Turberville's "Booke of Faulconrie," 1575.

Class C.
WITH RADIATING RUFF, UNBROKEN.
35. Whole length, seated on a throne, face turned to the left ; wearing
crown, ermine mantle, small chin-ruff and hanging collar; sceptre
in right hand, left laid on the mound which rests on her knee.
The throne is placed under a canopy of rich renaissance archi
tecture, which is surmounted by the royal arms and two figures
of angels holding wreaths ; on either side of theQueen are standing
figures of an ancient astronomer and an ancient geographer.
Below, in an ornamental cartouche, are 8 Latin lines : —

44 QUEEN ELIZABETH.
" Clemens et Regni moderatrix iusta Britain
Hac forma insigni conspicienda nitet.
Tristia dum gentes circum omnes bella fatigant,
i Caeciq. errores toto grassantur in orbe. \
An0. Dni I pace beas longa, vera et pietate Britannos : ? 1579.
( Iusticia moderans miti sapienter habenas I
Chara domi, celebrisq. foris, longaeuaq. regnu
Hie teneas, regno tandem fruitura perenni."
15 in. x 9I in. Anonymous
Frontispiece to C. Saxton's Maps of England and Wales, 1579, fol.,
and perhaps engraved by Remigius Hogenberg, who executed some of
the maps.
36. To waist, directed and looking to the right ; wearing piped chin-ruff
and ermine mantle which is wide open showing hanging collar
with badge under it ; sceptre in right hand and mound in left ;
a large pearl fixed in the hair near each ear. Above is "A colei"
and below " Che se stessa rassomiglia & non altrui." Woodcut, 1589.
The same block, with the face made older, was used for Philemon
Holland's translation of Livy's Roman History, 1600, fol.
37. Whole length, seated on a chair of state, face turned to the right ;
crowned ; wearing curly wig, large ruff, and ermine mantle, which is
open only enough to show her arms, and closed over the knees ;
sceptre in right hand, mound in left; jewel on the forehead and
jewelled eardrop. She sits on a cushion, with another supporting
her shoulders and a third under her feet. The face is fat and
heavy and not a likeness. In the background is a landscape
with, on the left, Elizabeth delivering to a messenger the warrant
for Mary Stuart's execution, and, on the right, the decapitation
of the latter.
On a long scroll at the top is " V. G. G. Elisabet Konniginn inn
Engeland," with six German lines : —
" Gott hat mich behult vor dem tot
Den mir mein feint zugericht hot
Drum thu ich gott auch danckbar sein,
Das bezeuge mein thaten teglich fein
Bin auch grochen von obn herab
(durch gwalt) die ich von meim got hab."
12 J in. x 9|- in. Anonymous.
This is attributed by J. J. Merlo in his " Kunst und Kunstler in
Koln," 1850, on the authority of Weigel, to F. Hogenberg, and by
Passavant (Peintre-Graveur, IV., p. 204, no. 67) to Balthasar Jenichen.
[Royal Library, Windsor],

ENGRA VINGS. 45
38. Copy from the last ; without the figures in the background.
\x\in. x 9I in. Woodcut.
39. Whole length, standing between two Corinthian columns, turned
and looking to the right. She wears a high open crown, large
chin-ruff, and dress with high puffed shoulders and long outer
sleeves which reach nearly to the ground ; the inner sleeves are
decorated with bows of ribbon, and the skirt, which is patterned
with a rich arabesque design, is bordered with pearls and jewels ;
jewels in the hair, pearl eardrop, bracelets, and two necklaces,
one (of pearls) reaching to the bosom, the other (of various
jewels) descending to the end of the stomacher. In her extended
left hand she holds the mound and in her right the sceptre.
The columns are surmounted by the Queen's favourite emblems,
a pelican " in piety " and a phoenix. On a table to the left lies
an open book inscribed with her motto, " Posvi Devm Adiv-
torem Mevm." The background is a view on the sea-coast with
forts and shipping. Below is : — " Elizabetha D. G. Anglle,
Francle, Hiberniae et Verging Regina Christianae Fidei
Vnicvm Propvgnacvlvm.
" Immortalis honos Regum, cui non tulit aetas
Vila prior, veniens nee feret vlla parem,
Sospite quo nunquam terras habitare Britannas
Desinet alma Quies, Iustitia atque Fides,
Queis ipsas tantum superant reliqua omnia regna,
Quantum tu maior Regibus es reliquis,
Viue precor felix tanti in moderamine regni,
Dum tibi Rex Regum coelica regna paret."
" In honorem serenissimae Suae Maiestatis hanc Effigiem fieri curabat
Joannes Wontnelius belga Anno 1596."
I3s in- x I0i in- Anonymous.
It is remarkable that this finely executed plate bears no indication of
the engraver's name, which seems to have been deliberately omitted.
Two other portraits of the Queen (see Nos. 80 and 160), which also were
published by Jan Woudneel, a Flemish bookseller resident in London, are
the work of Crispin van de Passe, and possibly this is by him also. Sir
W. Stirling-Maxwell, who has reproduced it in his "Engraved Por
traiture of the Sixteenth Century," assigns it to Passe, but Bromley,
in his Catalogue of British Portraits, attributed it to one of the brothers
Wierix.40. Copy from the last. The figure only ; turned to the left, holding
mound in right hand and sceptre in left. Beside her, to the
left, a closed book lies on a table, on front of which are the royal
arms ; ship at sea in background to the right.

46 QUEEN ELIZABETH.
Below is : — Elisabeth D. G. Anglle Francis et Hibernle
Virgin^e Regina. cvs scul. et ex.
7§ in. x 5I in. By C. van Sichem.
Illustration to E. van Meteren's "Historia Belgica" [1600], p. 424.
41. Repetition of the last; same size, in same direction, but without the
table on the left and the ship in the background. In the lower
left hand corner is " C. V. Sichem fecit." By C. van Sichem.
Illustration to J. F. Le Petit's " La Grande Chronique de Hollande,'
etc. Dordrecht, 1601, Vol. II, p. 522.
42. Copy from No. 40. Turned to the right. Etching.
7§ in. x 4! in. Anonymous.
43. Whole length, standing, turned to the left, wearing long loose sleeve
less robe, which is open in front showing flowered under-dress
which has "mahoitered" sleeves; at her wrists are lace ruffles
matching the ruff. In her outstretched right hand she holds the
sceptre and with her left a ribbon attached to a lozenge charged
with the royal arms, which rests on the ground.
Length of figure $\ in. Anonymous, I'jth century-
44. To below the waist, turned to the left; crowned; wearing circular chin-
ruff, high-necked dress and veil which has wired-out wings and,
passinground the shoulders, is heldtogetherin front by the Queen's
left hand ; large jewel with pendent pearl on forehead, pearl ear
drop, necklace of pearls and large jewels and hanging collar with
pendent medallion ; gloves in right hand. A shield charged with
the royal arms is in the upper right hand corner. At bottom of
the plate is " Elisabetha Regina di Inghilterra." Franco
Forma.
7| in. x c;! in. Anonymous.
45. To below the waist, turned to the right ; crowned; holding sceptre in
right hand and mound in left ; hair elaborately dressed, with pearl
on forehead; circular chin-ruff ; stomacher decorated with jewels
and chains of pearls. Both hands rest on a large cushion before
her. In a spandrel above are the letters E and R surmounted
by crowns. Woodcut, with sixteen lines below : —
" Loe here the pearle,
Whom God and man doth loue ;
Loe here on earth
The onely starre of light :
Loe here the queene,
Whom no mishap can moue

ENGRA VINGS. 47
To chaunge her mynde
From vertue's chief delight !
Loe here the heart
That so hath honord God,
That, for her loue,
We feel not of his rod :
Pray for her health,
Such as good subiectes bee ;
Oh Princely Dame,
There is none like to thee ! "
A broadside in the collection of Henry Huth, Esq. Facsimiled in
Huth's " Ancient Ballads and Broadsides," published by the Philobiblon
Society, 1867.
46. Whole length, standing, turned to the left, in royal robes, sceptre in
extended right hand. Within an ornamental frame, which has at
the top " Engraved for Mortimer's History of England," and at
the bottom — " Queen Elizabeth." " S. Wale delin*. C. Grig-
nion sculp*. "
10 in. x 6-L in. By C. Grignion.
Used also for " Mountague's History of England," with the position
of the inscriptions reversed.
47. Whole length, full face, seated on a throne which is placed on a dais
of three steps, under a high canopy, on the back of which are the
royal arms. She wears a turban-like head-dress, radiating ruff,
and ermine mantle which is wide open in front ; sceptre in right
hand and mound in left ; crown over her head, not resting on it ;
two cushions under her feet. Above the top of the canopy are the
words "Regia Maiestas."
1 1 in. x 7^ in. Attributed to R. Elstracke.
Engraved for T. Milles's " Nobilitas Politica vel Civilis," 1608. The
plate was used again for the same author's " Catalogue of Honour," 1610,
the portrait being altered to that of James I.
48. Seated in Parliament. The Queen's figure, the throne and the dais
are in all respects similar to the last, but on a reduced scale.
The plate gives a complete view of the interior of the House of
Lords, with members of the House of Commons standing at the
bar in the foreground ; at the top is : — " Svmmi et svpremi
Senacvli Parliamentaris in Anglia Typvs."
Attributed to R. Elstracke.
Engraved for T. Milles's " Nobilitas Politica vel Civilis," 1608. It
was used again for the same author's " Catalogue of Honour," 1610, with
the portrait altered to that of James I.

48 QUEEN ELIZABETH.
49. Late in life ; to the waist, turned to the left ; wearing twisted turban
like head-dress surmounted by a small crown, and radiating ruff
above which is a pearl necklace ; pearl on forehead and jewels on
the stomacher and sleeves of the dress. In plain oval within a
rectangular frame, the oval inscribed : — " Elizabetha Dei
Gratia Angliae Francle et Hiberniae Regina."
4^ in. x 3-L in. Anonymous.
Late impressions have "g ex." in the lower corners.
50. To the knees, seated in an arm-chair, turned to the left, wearing large
"wheel" ruff, flowered and jewelled dress and rich lace cuffs;
handkerchief in right hand, left resting on arm of the chair.
Below : — " Elisabeth, Reine d' Angleterre. Lith. de Lemercier.
Paris, public par Jeannin, rue de Croissant No. 20. London, pub
lished by Ch. Tilt 86 Fleet Street." No. 28 of a set of lithographs.
7f in. x (,\ in. By E. Deveria.
51. Between Lord Burghley and Sir Francis Walsingham. Whole
length, face turned to the left, seated on a chair under a canopy,
on the back of which are the royal arms ; crowned ; wearing ermine
mantle and hanging collar, sceptre in left hand, right laid on the
mound which rests on her knee. Burghley stands on the left,
holding the purse and wand of Lord Treasurer, and Walsingham
on the right, a scroll in his hand.
1 if in. x 6| in. By W. Faithorne.
Frontispiece to Sir Dudley Digges's "Compleat Ambassador," 1655.
The figure of the Queen resembles the Rousham Hall portrait (see
Pictures, No. 52.)
52. Copy from the last ; in same direction.
4\ in. x 2| in. Anonymous .
Frontispiece to Samuel Clark's " History of the Glorious Life, Reign
and Death of Queen Elizabeth," 1683.
53. In old age. Nearly to the waist, face turned to right ; wearing
broad open coronet, with lace-edged veil falling behind, high-
necked dress and mantle, under which appears a collar with
pendent badge ; sceptre in right hand, left not seen ; pearl on
forehead and pearl eardrop. Above her head is " Elisabetha
Regina di Ingilterra." Oval in a square frame, with winged
female figures in the upper spandrels.
Contemporary Italian woodcut.
14I in. x \0\ in. Anonymous.

ENGRA VINGS. 49
54. To the waist, turned to the right ; wearing high arched crown,
circular " vandyked " chin-ruff, white veil and black gown ; the
stomacher and sleeves of the latter are adorned with pearls, strings
of which are festooned on the bosom ; hands not seen ; oval.
" Queen Elizabeth. From a curious Limning in a Manuscript
in the Bodleian Library, Oxford. S. Harding delin. E. Harding
Junr. Sculp. Pubd. May 15, 1793, by E. and S. Harding, Pall
Mall."
4\in. x i\in. By E. Harding, fun.
Engraved for Harding's "Shakspeare Illustrated." Re-published
in the " Antiquarian Repertory," Vol. 1, p. 23, with the address altered
to "Published by Edward Jeffery, No. 11, Pall Mall, 1807."

55. To below the waist, turned to left, with veil falling from the crown ;
large quilled chin-ruff, and high-necked dress with full " mahoit-
ered " sleeves and pointed stomacher, on which chains of pearls
are festooned ; sceptre in right hand, left resting on the mound ;
in frame formed of rose branches.
3^ in. x 3 in. Woodcut.
56. Half length, turned to right, holding sceptre in right hand and
mound in left, both hands resting on a cushion before her ; she
wears a " Mary Stuart " head-dress surmounted by a crown, quilled
chin-ruff, high-necked dress with " mahoitered " sleeves, necklace
of jewels, pearl pendent on the forehead and chains of pearls
festooned on the breast ; arms in a cartouche above. Below is
printed in type : — " Elizabeth. Elizabeth, borne at Greenewich
2 daughter to K. Henry the 8. sister & heire to Q. Mary, beyng
of the age of 25 yeares and two moneths, bega her raigne the
17 of Nouember 1558 and was crowned at Westmister the 15
of January next following. She was a Prices adorned with all
good literature, both holy & humane, a norisher of peace,
both at home and a broade. Amongst all other her rare vertues,
she reformed religion, she reduced all base coyns in to perfect
gold & siluer, she buylded suche faire and stronge ships &
furnished so mighty a nauy for the defence of her coutry, as
made all her ennemies afraid to attept any thing agaist the same.
She dyed at Richmot, the 24 of March, in the morning, 1602,
aged 70 yeares, whe she had raigned 44 yeares, 5 moneths, and
7 daies, and was buried at Westminster on the 28 of Aprill, 1603."
Coarse woodcut, 17th century.
~i in Anonymous.
e

So QUEEN ELIZABETH.
57. To the knees, holding an olive branch ; an ermine on her arm. The
picture at Hatfield House (see Pictures, No. 25).
"Queen Elizabeth, 1585. From an original picture by Nicholas
Hilliard at Hatfield House. Published March 26, 1 8 2 7 , £y Harding and
Lepard, Pall Mall East, London."
5 in. x 4 in. By T. A. Dean.
Frontispiece to Sir Henry Ellis's "Original Letters illustrative of
English History," Series II, vol. 3, 1827.
58. To the waist, turned to the left ; wearing jewelled wreath, thin chin-
ruff, and high-necked dress with wired-out gauze veil, which is
brought round over the arms ; chains across the breast. Circle,
within square frame, the spandrels of which are decorated with a
flower pattern ; the circle is inscribed "Elizabeth D. G. Anglle,
Francis et Hybernle Regina," and along the top is " Posvi
Devm Adivtorem Mevm."
4\ in. diameter. Anonymous.
Engraved in the manner of the Passes.
59. Bust, turned to the left ; with radiating chin-ruff and ermine
mantle which is open in front showing a large pendent jewel; a
pearl fastened in the hair near each ear. In plain oval inscribed
" Elisabeta Tevdera D. G. Anglor. Regina. Rabel
excudit."
3^ in. x 2| in. By J. Rabel.
60. Bust, looking to the left ; with chin-ruff and hanging collar ;
surmounting a sphere which is marked with concentric circles
and inscribed " Elisabetha. D. G. Angliae. Franciae. et.
Hibernle. Regina. Fidei Defensatrix." Woodcut.
Illustration to John Case's " Sphasra Civitatis," 1588, 4to.
61. Nearly to the waist, turned and looking to right; wearing black head
dress with ostrich feather, escalloped ruff, and slashed dress which
is studded with pearls. In the hair are seven square jewels, a
large jewel is on the bosom, and a chain of large pearls is sus
pended from the shoulders ; hands not seen. In plain oval frame
inscribed: — " Posui Deum Adiutorem Meum, Nata 1533.
^Etat. 48. Obiit 1602." Below: — " Serenissima ac Poten-
tissima Princeps Elisabet D. G. Angliae, Franciae,
HlBERNLE, ET VIRGINIA REGINA. FlDEI CHRISTIANS PROPUG-
natrix Acerrima. Henricus Hondius excudit Haga-Comit
Cum privilegio Illust. D. D. Ord. Generalium 1632."
i6| in. x n| in. Anonymous.
Franken attributes this plate to W. J. Delff. (" Oeuvre de W. J.
Delff," 1872).

ENGRAVINGS. 51
62. Copy from the last. The figure same length and in same direction.
In plain oval frame which rests on a pedestal inscribed " Eliza
beth, KONINGIN VAN ENGELANDT EN YRLANDT ETC."
io| in. x 71 in. Anonymous.
Illustration to P.Bor's " Historieder Nederlandtsche Oorlogen,"i679.
63. Copy from 61. The figure same length and in same direction. In
oval frame inscribed " Isabel Reyna de Inglaterra, e Irlanda
6-v." "En Casa de Bousquet." "Tom. 2, page 163."
8£ in. x 6^ in. Anonymous.
Illustration to a Spanish edition of Strada's " De Bello Belgico."
64. Copy from 61 ; reversed. In circular frame which is decorated with
scrolls of foliage ; at the top is a banderole inscribed : — •" Elisabet
D. G. Angliae, Franciae, Hibernian et Virginias Regina, Fidei
Christianas Propugnatrix Acerrima."
4\ in. X 6J- in. Anonymous.
65. To the knees, standing, face turned to the left, wearing jewelled
head-dress from which a veil falls behind, chin-ruff, and high-
necked dress with slashed sleeves and lace cuffs ; the stomacher
is decorated with an arabesque design of foliage, which is
continued down the middle of the skirt. She holds a large
feather fan in left hand, which rests on a table ; pearl on forehead,
and necklaces of pearls festooned on the bosom, with large jewel
in the middle. " Johann Rutlinger fee." By J. Rutlinger.
The only known impression of this plate is in the British Museum ;
it has the upper part cut to the outline of the Queen's figure, which
measures 14^ in. by iof in.
66. In the view of the Palace of Nonsuch, in Braun's "Theatrum
Principuarum Urbium," etc.
The Queen appears in front, seated in a carriage with open sides,
drawn by two horses, towards the left ; she turns her face to the
spectator, and points to the left with her right hand.
By G. Hoefnagel, 1582.
67. Bust, turned to the right ; without head-dress ; wearing large chin-
ruff; bodice and sleeves of the dress slashed and jewelled ; three
large pearls in the hair; hands not seen. In plain oval
inscribed :— " Elizabeth par la Grace D. D. Royne
d'Angleterre," Below are four lines :—
" Voicy celle qui tient la sepstre d'Angleterre,
Voicy 1'honneur des roys, des vieux siecles passez
Voicy d'Elizabeth les beaux traitz compassez,
Voicy la mesme Paix, indomptable en la guerre."
5Z in. x 3z in. By T. de Leu.
E 2

52 QUEEN ELIZABETH.
68. In old age. Seen to the waist, turned to the right ; wearing head
dress, broad chin-ruff, high-necked dress, and winged gauze veil,
which partly covers the arms. A jewelled collar, with badge,
hangs from the shoulders and below it a double pearl necklace is
suspended across the bosom. In oval frame inscribed : — ' ' Elisa-
beta dei Gratia Anglle, Franciae et Hibernle Regina."
Below : — " Hieronimus Wirix fecit."
3i in. x 2§ in. By J. Wierix.
69. Copy from the last, reversed. A circle with " Elizabeta Regi
ANGLiiE " round the upper part.
Diameter 2-f in. Woodcut.
Illustration to P. Opmeer's " Opus Chronographicum Orbis Universi,"
Antwerp, 1611, fol., Vol. 2, p. 289.
70. Seen to the waist, turned to the left ; hair dressed very high and
surmounted by a tiara of pearls ; escalloped lace chin-ruff and
dress which has broad stripes on the bodice and sleeves ;
hands not seen. Below is " Tableau du temps. Elisabeth Reine
d'Angleterre + 1603. Diagraphe et Pantographe-Gavard."
4i in. x 3| in. By Conquy.
[False].No. 2078 bis of C. Gavard's Versailles Gallery.
71. Bust, turned to the left; without crown or head-dress; piped
lace ruff and close-fitting necklace. Oval plate.
1 2 in. x \\m. Anonymous.
Engraved for Sir John Harington's " Nugae Antiquse," 1769. On the
title and at page 90 of that work it is asserted that the original copper
plate was presented by Elizabeth, when Princess in 1554, to Isabella
Markham, afterwards wife of Harington ; but the costume is much later,
and the personage represented is probably Lucy Harington, Countess of
Bedford.
72. Copy from the last ; same size and in same direction. Square plate,
engraved in stipple. "The Princess Elizabeth (afterwards
Queen) at the age of Twenty-one. Engraved by R. Cooper from
the original of the date (7/1554. To Her Majesty Queen Alexan
dria Victoria this plate is dedicated by Her Majesty's most dutiful
subject and servant the Publisher."
(Plate) 3 in. x 3J. in. By R Cog^
73. Another copy, reversed. Below:— "Princess Elizabeth. From one
said to be done about 1554."
(Plate) 3i in. x 2| in. Anonymous.

4.

Engraving by Crispin van de Passe, sen.,
showing the circular ruff joined in front.
(Engravings, No. 80).

ENGRAVINGS. 53
•4. Bust, looking to right; wearing high-necked dress decorated with
large jewels ; no head-dress ; laige jewel with pendent pearl in
the hair, large pearl in the ear, and long pearl necklace. Below: —
'' Elizabeth Reyne d'Angleterre aagee de 70 ans a Regno- 44 ans.
L. Petit sculp. 1646. P. Rocolet auec priuilege du Roy."
7 in. x 4f in. By L. Petit.

Class D.
WITH CIRCULAR RUFF, JOINED IN FRONT.
75. In old age. To the waist, turned and looking to the left, crowned,
wearing dress with striped sleeves, broad thin collar-like ruff'
which shows the neck above it, pearl on the forehead, jewel with
pendent pearl on the bosom, and a small double chain suspended
from the shoulders ; the hands not seen. In plain oval frame
inscribed " Elizabetha Dei G. Anglic Francis et Hiberni-e
Regina." No. 6 of a set.
4 in. x 3^ in. Anonymous.
76. Head, turned to left, with small open crown, hair dressed turban-
wise with large jewel in centre, and radiating piped lace ruff;
oval, with " Elisabet D. G. Ang. Franc. Hibern. et Verg.
Regina," inscribed round the upper part.
z\ in. x ij. in. Anonymous.
77. Whole length, standing, turned to the left, crowned, wearing flowered
dress and veil ; mound in right hand and sceptre in left ; a necklace
of pearls on the bare neck.
No. 23 of a series of woodcuts "England's Monarchs in characteristic
Costumes, 1066-1820," London, 1822.
2-L in. x 2 in. Anonymous.
78. In old age. To the waist, turned to right ; low peaked head
dress, broad collar-like piped ruff, high-necked dress, with
veil falling from the shoulders ; pendent pearl on the forehead
and hanging collar with large jewel on the breast. Circular plate
with " Elizabetha D. G. Angl. Fr. et Hib. Regina" (reversed)
round the head.
Diameter if in. Anonymous.

54 QUEEN ELIZABETH.
79. Similar to the last, but without the veil. Small oval surmounting a
map of England and Ireland, " Typvs Anglis," at the four
corners of which are figures of "Nobilis Anglvs," " Nobilis foemina
in Anglia," " Ciuis Londiniensis," and " Foemina Londiiiisis."
The map is dedicated to Robert, Earl of Essex. " Jodocus
Hondius fecit Anno 1590."
( Whole plate) 6\ in. x 8| in. By J. Hondius.
80. Seen to below the waist, face turned to the left ; hollow arched
crown, piped ruff showing the whole of the neck above it, and
patterned dress devoid of jewels ; sceptre in right hand and mound
in left ; the handle of the former rests on a table before her, on
which also lies a cushion ; large jewels in the hair and pearl
eardrops ; no necklace. Above to the right are the royal arms
and to the left the motto " Posvi Devm Adivtorem Mevm."
At the top of the plate is " Anglorum diadema tenens sceptrumque
paternu Hac forma insigni fortis Elisa nitet," and at the bottom: —
"Elisabet D. G. Ang. Fran. Hib. et Verg. Regina Fidei
Christianae Propugnatrix Acerrima," with eight Latin lines
(in two columns) : —
Tristia dum gentes circum omnes bella fatigant
Csecique errores toto grassantur in Orbe,
Pace beas longa, vera et pietate Britannos
Justitias et Regni moderans sapienter habenas
O Flos labe carens, fidei sanctissima cultrix
Chara domi, celebrisque foris, Dei et vnica cura,
Lux pietate nitens, virtus tua et inclyta facta
Sic faciant tandem te Ccelica Regna videre.
Autore loanne Waldnelio librario Londinense. Honoris ipsius causa
ceri incidebat Crispianus Passceus Belga 1592.
7i m- x $ m. By Crispin van de Passe, sen.
Copies from No. 80.
81. In the same direction ; a short pearl necklace with pendant is added
above the ruff, and the Queen's figure is enclosed by an arch.
Below is :— " Elisabet D. G. Ang. Fran, et Hib. Regina,
Fidei Christiana Propugnatrix Acerrima." " Are to be sold
by Compton Holland over against the Exchange."
6f in. x 4| in. By R Elstracke.
This plate was used to illustrate W. Martin's " Historie and Lives of
the Kings of England," &c. 1615, fol., Holland's address being taken
cut and the No. 23 introduced on the left. It was again used for
Matthew Stevenson's "Floras Britannicus," 1662, fol.

ENGRAVINGS. 55
82. In same direction. Nearly to the waist, without necklace, hands not
seen ; in oval frame, with cartouche at bottom inscribed : —
" Elizabeth Reine d'Angleterre, fille d'Henry VIII et d'Anne de
Boulen elle naquit le 8 7bre. 1533 et mourut le 3 avrill de l'annee
1603 apres avoir regne" 40 ans." The frame rests on a pedestal
inscribed : —
" J'ay de Pe'tat conduit les Renes
Avec tant de vigeur ; qu'on dit tout d'une voix
Que j'ay passe* toutes les Reines
Et mesme un grand nombre de Rois."
"a Paris chez E. Desrochers rue du Foin pres la rue S. Jacques."
5f in. x 4 in. Anonymous.
83. Bust, to left; without sceptre or mound. Oval, with cartouche inscribed
" Elizabeth Reine d'Angleterre fille d'Henry VIII," etc. On a
pedestal below are the same four lines as in the last. " A Paris
chez Daumont rue St. Martin''
5f in. x 4 in. Anonymous.
84. To the waist, turned to right; hands not seen; in oval,
inscribed : — "Elisabetha D. G. Angliae Franciae Hibern.
et Virginiae Regina Avspicatiss." In exergue in lower part
of the oval is the motto " Posvi Devm Adivtore Mevm," and
at the bottom of the plate are two lines : —
"Tros absit ; merito mirabitur Afer Elisam :
Anglus idem tibi non prasstet Elisa, tuus."
61 in. x 4| in. Anonymous.
In D. Custos's "Atrium Heroicum Caesarum," etc. 1600-2.
85. In same direction ; sceptre in right hand, mound in left ; a triple
pearl necklace with large pendent jewel introduced under the
ruff ; without the cushion in front ; no background. Below : —
The most excellent Princes Elizabeth Queene of Englande, France
and Ireland, Defendor of the Faith, etc. She raigned 44 yeares,
died the 24 of March 1602, aged 69, 6 monthes, and lieth buried
at Westminster." Compton Holland excudit.
4§ in. x 3l in. Anonymous.
Illustration to Ralph Gardiner's " England's Grievance Discovered in
relation to the Coal Trade," 1655, sm. 410.
86. Without background. In an oval inscribed "Elisabet D. G.
Anglice Fran. Hib. et Virginia Regina," which is in the centre of
a genealogical tree entitled :— " Catalogus Regv. Angliae ab
Gviliemi Conqvest."
3 in. x 2 1 in. Anonymous.

5 6 Q UEEN ELIZABE TH.
87. Turned to the right, holding a book instead of the mound ; within
plain rectangular frame, with the royal arms below and a long
French inscription, commencing "Elizabeth par la Grace de
Dieu," &c. The frame is engraved on a separate plate.
" Habert exc. Paris rue S' Jacq. proche S'- Severin."
(Inner plate) $\ in. x 5 in. Anonymous.
This plate, re-worked, was afterwards printed within a frame of oak
leaves, with the same inscription below and the address : — " A Paris
Chez Habert rue de la Harpe a la Bible a" Or."
88. Same size, reversed ; book instead of mound in hand ; arms in upper
left corner. Below are four lines : — ¦
" Cest un miracle rare en 1'Europe chrestienne
De voir Elizabeth la Roine des Anglois,
Mais cest bien plus de voir que sa grandeur maintienne
En la paix, les petits et les grands, soubz ses lois."
Paul" de la Houue excud. Anonymous.
89. Exact copy from the last ; same size, in same direction and with the
same lines below. More coarsely engraved. Anonymous.
90. Bust, turned to right ; in oval inscribed " Elisabet D. G. Ang.
Fran. Hib. et Verg. Regina," with exergue containing the
motto " Posvi Devm Adivtorem Mevm." In the corner of a map
of Ireland.
(The oval) 3^ in. x 2§ in. J. B. excud.
91. To the waist, turned to left; arms above to left; in plain oval
inscribed " Elisabet D. G. Ang. Fran. Hib. et Verg. Regina.
Nata Gronewiciae. Ann. m.d.xxxiiivi. eid. Sept. + Posvi.
Dev. Adivtorem mev."
6£ in. x 4| in. Anonymous.
Derived from No. 80.
92. To below the waist, turned and looking to the right ; wearing plain
ruff, edged with lace, flowered dress and lace cuffs ; jewels in
hair ; sceptre in right hand and mound in left. Without back
ground. In plain oval frame, inscribed:— " El ysabeth D. G.
Angliae Francle et Hibernle Regina etc."
An oval plate with Dutch text on the back.
6\ in. x 4| in. Anonymous.
93. Similar to 92 ; bust, to right ; Below : — " Elisabet D. G.
Anglic, France Hiberniae et Verging Regina. Anton
Wierix fecit et excudit." By A. Wierix.

ENGRAVfNGS. 57
94. Coarse copy from the last, same size, reversed. Below : — Elisabeth
D. G. Angliae, Francle et Hibernle Regina. Anonymous.
95. Copy from 92. Head only, turned to the left. Oval plate,
with " Elisabet D. G. Ang. Franc. Hibern. et Verg. Regina "
round the upper edge.
2-| in. x if in. Anonymous.
96. To waist, face turned to right ; a necklace of pearls below the ruff,
and a large jewel on the bosom ; hands not seen, but part of the
mound appears in front. Without background. Below " Q.
Elizabeth." Plain oval.
3I in. x 2f in. Anonymous.
In type below is : — " The Life of Queen Elizabeth, who Dyed Anno
Christi, 1602."
97. Bust, turned to left ; the hair dressed in the form of a turban, with
large jewel in middle. Round the head is " Elisabet D. G. Ang.
Franc. Hibern. et Verg. Regina." Oval, within an architectural
frame, with tablets above and below, on which are represented a
land and a sea fight ; the upper tablet is held by two children.
" Com. Pinsson excudit."
3! in. x 3 in. Anonymous.
98. Nearly to the waist, looking to the right ; in oval spandrel frame.
Below : — " Elisabetha Coninginne van Engelant, Dochter van
Coninck Henderich den VIII dogh onwettigh geboren." Printed
within a border in which are emblematical devices, a rat eating
books, etc. " Henrikus ver bruggen delin. Gasp. Bouttats
sculpsit." By G. Bouttats.
(Inner plate), 4f- in. x 3 J- in.; (border) nf in. x 7^ in.
99. Similar to the last, but turned to the left. In oval frame which
rests on a pedestal inscribed : — •" Elizabeth, Queen of England
&>c.'' "Ant. More pinx. M. vanr. Gucht scul."
7jjr in. x 3f in. By M. vr. Gucht.
100. To the waist, face turned to the left, right hand not seen, left raised
before her and resting on a thick volume, which has the royal
arms on the cover ; an oval, with, at the bottom, " Elizabetha
Reyna de Ingalaterra," enclosed in a large framework, which has
figures of Wisdom and Strength at the sides, two military
prisoners below and two genii holding a blank cartouche above.
(The oval) 4 in. x 3! in. By G. Bouttats, 1681.
Illustration to a Spanish translation of Cardinal Bentivoglio's " Della
Guerra di Fiandra," Amberes, 1687, fol., p. 111.

5 8 Q UEEN E LIZ ABE TH
101. Without crown; to the waist only, face turned to the left. The
ruff is not of the " piped " construction, and a small necklace of
pearls is introduced above it ; a collar hangs over the breast, and
a gauze veil, which has wired-out wings, falls behind and is brought
round over the arms in front. Hands not seen. In plain circular
frame inscribed : — " Elisabet Dei Gratia Angliae, Franciae,
Hiberniae et Virginiae Regina, Fidei Defens." Below are
four lines : —
" Corporis effigies tua pulchra est fortis Elisa,
Pulchrior ast animi forma decorque tui
Justitiae et Regni moderas sapienter habenas
Anglorum felix quae diadema tenes."
Crispin de passe excudit.
5f in. x 4§ in. By C. van de Passe, sen.
102. Copy from the last, reversed. In plain oval within a rectangular
frame ; the oval inscribed : — " Elisabetha Dei Gratia Angliae
Francle Hyberni^e et Virgi. Regi." Dutch text on the back.
5 1 in. x 4| in. Anonymous.
103. Similar to ioi, in the same direction, but on a smaller scale and
enclosed in an oval within a rectangular frame ; the oval is in
scribed " Elisabeth Dei Gr : Angl : Fran : Hiber : et Ver
ging Regina Avspicatissima." In an exergue within the oval
is the motto "Posvi Devm Adivtore Mevm," with Passe's
monogram; and in the spandrels are two shields of arms, the
crown and sceptre, and the Tudor rose. Below are six lines : —
Tantas si vires, virtus mihi quanta Mariana est,
Littora iam pelagi dudum iuga nostra subissent :
Vnde etiam Oceani credor lectissima Nympha.
Quod si non animo fixum immotumque sederet
Ne cui me vinclo vellem sociare iugali,
Me sibi vel Nereus properasset iungere sponsam.
Cris. de Pas. scul. et ex.
5f in- + 3s in- By C. van de Passe, sen.
Engraved for Passe's " Effigies Regum ac Principum, eorum scilicet
quorum vis ac potentia in re nautica spectabilis est," &c, Cologne, 1598,
and used again for his " Regiae Anglicae Majestatis pictura, et historica
declaratio," Cologne, 1604.
104. Copy from the last, reversed ; in plain oval within rectangular
frame, the oval inscribed : — " Elisabeth Dei Gratia Anglle,
Franciae, Hyberni^e et Virgi : Regi." French text on the
back.
5^ in. x 4| in. Anonymous, ijth century.

ENGRAVINGS. 59

Class E.
WITH CIRCULAR RUFF, OPEN IN FRONT.
105. Crowned. Whole length, standing, turned and looking to the
right ; wearing piped ruff and ermine mantle, which is confined
by two long cords, and holding sceptre in right hand and mound
in left. The dress is extremely decolletk, with long pointed
stomacher and wheel farthingale; pearl eardrops and neck
lace, the latter having a jewelled crescent pendent on the bare
neck. Without background or frame. On the right are the
royal arms within the Garter. Below : — " Elizabetha Angliae
Regina."
7 1 in. x 5 in. Anonymous.
Illustration to Grimestone's "History of the Netherlands," 1609, p. 904.
106. Crowned. Whole length, seated on the throne, face turned to the
left ; wearing ermine mantle and hanging collar ; sceptre in right
hand, mound in left ; pearl necklace with pendent jewel. On
the canopy over the throne are the royal arms, and on each side
is a curtain. Below : — " The Illustrious and most Renowned
Princesse Elizabeth /iz/<?Qveene 4/ England."
10 in. X 6 in. . By R. White.
107. Copy from 106, with "The Holy Bible" in right and a large
cornucopia in left hand, instead of the sceptre and mound. In
the title to Burnet's " History of the Reformation of the Church
of England, the Second Part," 1681, fol.
io| in. X 7 in. By R. White.
108. Copy from the last. In the title to the same work, ed. of 1731, fol.
\o\ in. X 7 in. By P. Simms.
109. Copy from 106. To the waist, turned to the right. Oval, with
another of Queen Mary II. Below: — "Elizabeth & Mary,
Queens of England."
(The oval) 2% in. x 2 in. By J. Sturt.
Frontispiece to E. Bohun's "Character of Q. Elizabeth," 1693, 8vo.

60 QUEEN ELIZABETH.
110. Copy from No. 106. To the waist; in oval frame of laurel, which
rests on a pedestal inscribed : — " Elisabet Reine d'Angle
terre"; above is a banderole inscribed: — "Terque Quaterque
Beati."
5| in. x 3^ in. Anonymous.
111. Copy from 106. To the waist, turned to right; in oval frame of
laurel, surmounted by a crown and resting on a plinth inscribed: —
" Elisabet Koninginne van Engelandt " ; a plain banderole
above.
5 -J- in. x 2| in. Anonymous.
112. Crowned. Sitting on the throne in the House of Lords, with
Burghley and Walsingham standing on either side of her ; mem
bers of the House of Commons at the bar in the foreground.
The Queen's figure is identical with No. 106. Below is : —
" Queen Elizabeth's Parliament," with references.
13I in. x 8£ in. Anonymous.
Frontispiece to Sir Simon D'Ewes's " Journals of all the Parliaments
during the Reign of Queen Elizabeth," 1682, fol.
113. Copy from 106. Bust, to left; small oval, with a corresponding
one of her sister Mary, both in ornamental frames. Anonymous.
Headpiece to chap. 2 of Book III of Echard's " History of England,"
1720, fol.
114. In old age. Crowned. To the waist, turned to left ; wearing piped
ruff with pearl necklace above it, and ermine-lined mantle, which
is confined by a cord across the bosom ; sceptre in right hand,
mound held up in left. Below :— " Elisabet D. G. Angliae
Fran, et Hiberniae Regina."
4s m. x 3! m. Anonymous.
115. Crowned. Bust, turned and looking to the left. The dress
covered with puffings as in the large print by C. van de Passe
(No. 160); rich jewels in the hair, pearl eardrops, short pearl
necklace above the ruff and long double one below it. In oval
frame of laurel, which rests on a pedestal inscribed " Queen
Elizabeth " ; the whole enclosed in a rectangular frame of oak
leaves. "E. Lutterell delin., P. Vanderbank sculp."
n J in. x 8 in. By P. Vanderbank.
Illustration to White Kennett's " History of England," 1706, fol.
[The plates in this work were all engraved from drawings made up for
the purpose by Lutterell, and have no value as likenesses].

ENGRAVINGS. 61
116. Copy from 115, in same direction; oval in square frame,
with arms and motto below, and " Elizabeth Queen of
England, France and Ireland, etc. etc." Above is "London,
Engraved for Harrison's Edition of Rapin's History of England."
Published as the Act directs, March 23, 1784.
l\ in. x 6| in. By T. J. Woodman and H. Muilow.
This was re-issued, without the arms, ornaments and inscriptions, by
Cornish & Co., 1815, and again in a series of "Illustrations of English
History," published by Jones & Co., 1825.
117. Copy from 1 1 5 ; reversed. In oval frame, inscribed : — "Elizabeth
Queen of England, France and Ireland, &c." ; the frame
rests on a pedestal, on the face of which is a representation of
the Spanish Armada.
15 in. x g in. Anonymous.
Illustration to Mechell's edition of Rapin's History of England, trans
lated by J. Kelly, J. Morgan, &c, 1733-1737, fol., "facing the Reign,
Vol. II."
118. Copy from the last, in same direction; below the vignette is
inscribed " The Spanish Armada!' " Smith sc."
l\ in. x 5! in. By James Smith.
Prefixed to " The History of the Life and Reign of that Excellent
Princess Queen Elizabeth, from her Birth to her Death," etc., 1739, 4to.
119. Copy from 115. Bust, small oval ; in sheet of heads of Kings of
England from Edward V to George II. By J. Carwitham, mezz.
120. Copy from 115, reversed ; the oval frame not formed of oak leaves
but decorated with a flower pattern, and for the plinth is substi
tuted a cartouche inscribed " Queen Elizabeth, Second
Daughter of Hen. 8"'- by Ann Bulloine his 2"- Wife, was
crowned Januy- 15'*' 1558. The ia- thing She did was repealing
all Laws made by her Sister in favour of Popery. She died
March 24'*- 1603, having Reign' d 44 Years 4 Months 6- was
buried at Westminster."
9%in. x 6% in. Anonymous.
121. Copy from 115, in same direction, but to the waist and holding
sceptre ; plain square. Below :— " E. Luttrell delin. Hopwood
sculp. Queen Elizabeth of Memory Famous."
4\ in. x 3±in. Anonymous.

62 QUEEN ELIZABETH.
122. Copy from 115, in same direction ; oval, with arms below and tablet
inscribed "Queen Elizabeth." No. 23.
6f in. x 4 in. By M. vr Gucht.
Illustration to " History of England from the Earliest Accounts of
Time to the Death of the late Queen Anne," London, 1722, 8vo.
123. Copy from 115 ; bust only. In plain oval spandrel frame, with
the royal arms below and the name " Elizabeth " on a tablet.
5^ in. x 3\ in. By M. vr Gucht.
Illustration to Rapin's "Acta Regia," 1726, "Tom. III. Page 174."
124. Similar to 115; bust, turned to the right; oval. Below: —
" Queen Elizabeth, Second Daughter of Hen. 8th' by Ann Bul-
loine his 2a- Wife was crownd Januy- 15th- 1558. The Is'- thing
she did was repealing all Laws made by her Sister in fav'- of
Popery. She Died March 24th- 1602 was Buried at Westminster."
6 1 in. x 4 J in. Anonymous. Coarsely engraved.
125. From a painted window. Crowned. Whole-length, seated on a
throne under a canopy of renaissance architecture, looking to
the right, wearing mantle with high wired-out wings, mound in
right hand, sceptre in left ; carcanet of jewels on the bare neck
and jewels on the stomacher.
"Published Aug 1, 1800, by J. P. Malcolm, Somers Town."
6 in. x 31 in. Etching by J. P. Malcolm.
126. To the knees, turned to the right; wearing high jewelled head-dress
with an aigrette rising at the top, a winged veil which is fastened
by studs to the shoulders, and low-necked dress, with long
pointed stomacher and large farthingale. In her right hand she
holds downwards a large feather fan ; large pearl in the hair and
ears, rich necklace above the ruff, and a rope of pearls festooned
on front of the stomacher. Over the head is a circle of stars,
with the motto "per tal variar son qvi." The figure is
surrounded by clouds. Below : —
" Lo here her type, who was of late, the Propp of Belgia, Stay of France :
Spaines Foyle, Faith's Shield, and Queene of State; Of Armes and
Learning, Fate and Chance:
In brief e; of women, neere was seene, so greate a Prince, so good a Queene.
lo. Davies, Heref.
Elizabetha Regina, Fr. De. Sculptor. Nic. Hillyard delin. et excud:
cum priuilegio Maiest. Are to be Sould at the Angell in Lumbard
Streete By Roger Daniell."
I2i in- x 8f "»¦ By F. Delaram.

ENGRA VINGS. 63
This plate was afterwards reduced in size, the inscription being cut off,
the motto erased, and the royal arms added on the right, and in this
state used as frontispiece to Camden's "Annales, or the Historie of
the Most Renowned Victorious Princesse Elizabeth," 1630, 410.
127. Copy from the last. The figure only ; reversed, and a crown sub
stituted for the headdress. Vignette. Below is : — " Queen
Elizabeth, ALtat. 34. The Portrait copied from the original
Painting presented to the British Museum by the Earl of Buchan
1765. J. Bouvier del. Printed by P. Simoneau. Pub. by J.
Nichols 6° Son, 25 Parliament St." [This statement is erroneous,
the Buchan (Cardross) picture, formerly in the British Museum
and now in the National Portrait Gallery (see Pictures, No. 22),
being an entirely different portrait]. Lithograph.
Frontispiece to vol. 2 of Nichols's " Progresses of Queen Elizabeth,"
1823 edition.
128. Whole-length, standing, turned to right, holding sceptre in right
hand and mound in left ; wearing head-dress with large feathers,
and dress with long pointed stomacher and wheel farthingale, the
skirt open in front, showing embroidered kirtle.
A coarse woodcut prefixed to Gosson's "Pleasant Quippes for
Upstart Gentlewomen," 1598.
Reproduced in Planche"'s "Cyclopaedia of Costume," 1876.
129. To the waist, turned slightly to the left; dress decorated
with puffings and cut square across the bosom, the stomacher
edged with pearls ; double necklace of pearls with large pendant ;
hands not seen ; oval. Below : — "Nic. Hilliard pinx1- R. Ear-
lom sculp1, Elizabeth daughter of Henry 8th- afterwards Queen,
Natus 1553. Denatus 1603. From a Miniature by N. Hilliard
half the Dimensions, late in the Collection of Sr- J. W. Lake
Bar'." Published by S. Woodbum 18 10.
5|- in. x 4 in. By R. Earlom, mezzotint.
[False].
130. Copy from the last. With the title "The Princess Elizabeth."
Anonymous; stipple.
Frontispiece to vol. 1 of Nichols's " Progresses of Queen Elizabeth,"
1823 edition.
131. The picture at Gorhambury (see Pictures, No. 49). Turned to
the left. Below : — " Queen Elizabeth, Drawn by G. P.
Harding & Engraved by James Stow from the original by N.
Hilliard in the Collection of the Earl of Verulam at Gorhambury,
Herts. Published by G. P. Harding."
5 1 in. x 4\ in. By J. Stow.

64 QUEEN ELIZABETH.
132. In old age. Seen to the waist, face turned to the right; wearing
piped ruff and ermine cloak wide open in front ; jewels in the
hair and pearl necklace with pendants. Without background ;
oval. Below : — " Queen Elizabeth. From a rare print in the
Gulston Collection."
3§ in. x af in. Anonymous.
[The celebrated collection of prints formed by Joseph Gulston was
dispersed in 1786, shortly before his death, the sale lasting forty days.]
133. Figure in the east window of Battersea Church. Bust, turned to
left ; within a border formed of coats of arms. On a cartouche
is " Queen Elizabeth dar- of King Henry y 8 by Ann dar- of
Thomas Bullen, Earl of Wiltshire, Gr'- great Grandmother of
Ann, Daughter of Sir Thomas Leighton, Wife of Sir John St.
John of Lydiard Tregoz."
7 in. x 3& in. Coloured aquatint.

Class F.
WITH HIGH RUFF, OPEN IN FRONT.
134. In emblematical print of Henry VIII and his successors. The
composition is identical with the picture at Sudeley Castle (see
Pictures, No. 1 8), but the dress of Elizabeth is altered to that
of a later period and is very rich. Her hair is dressed turban-
wise, curled, and studded with pearls ; she wears a veil with very
large wired-out wings, and her dress has a long pointed stomacher
with a jewel at the end of it, large slashed and jewelled sleeves,
farthingale and open skirt showing patterned kirtle ; her rich
spreading ruff shows much of the neck, on which are three neck
laces, and ropes of pearls are festooned on the bosom ; she does
not wear earrings or finger rings. In three panels, enclosed in an
ornamental framework, below, are inscribed the following
verses : — I.
Behold the figure of A Royall Kinge
One whom sweet victory euer did attende :
From euery parte wher he his power did bringe,
He homewarde brought ye conquest in y" end.
And when ye Fates his vitall thred had spunne :
He gaue his glory to A Vertuous Sunne.

ENGRA VINGS. 65
II.
Now Prudent Edward dyinge in tender youth,
Queen Mary then the Royall Scepter swayd :
With foraine blood she matcht and put down truth,
Which England's glory suddainly decayd :
Who brought in warr & discord by that deed,
Which did in comon wealth great sorow breed.
III.
But Sorow care and ciuill broyles likewise,
This sacred Queene Elizabeth exylde :
Falshood did fall before her Gratious eyes,
And perticution turn'd to mercy mylde,
Plenty and peace throughout her dayes are seene
And all the world admyr's this mayden Queene.
Along the bottom of the plate is inscribed in a single line : — " To the
Ryght Reuerend father in God John [Whitgift] by the Prouidence oi
God Archb. of Canterb. primat. of Eng. & Metrapol. health.— Grauen
by WRogers." "Are to be sould in Popes head alley by John Sudbury
and George Humble."
19^ in. x 14 in. By William Rogers.
The only three impressions known of this print are those in the
British Museum, the Royal Library at Windsor, and the Bibliotheque
Nationale, Paris.
135. Crowned. Late in life ; whole length, standing, turned to the left,
holding olive branch in right hand and mound in left ; costume
similar to that in No. 134. On each side of her is an obelisk,
that on the left surmouuted by a figure of Peace, with banderole
inscribed " Corono," that on the right with a figure of Plenty,
with banderole inscribed " Exhilaro " ; view of the sea shore,
with town and mountains, in the background. Below is an
ornamental cartouche supported by a lion and dragon, bearing
the words "Eliza Trivmphans." " Guilielmus Rogerus sculp.
A". 1589."
10J in. x 8| in. By William Rogers.
136. Crowned. Nearly to the knees, standing, holding sceptre in right
hand'and mound in left ; wearing rich ruff withpearl necklace above
it, and dress with long stomacher, large farthingale, and jewelled
open sleeves showing under-sleeves also jewelled. On a table
beside her to the right lies an open Bible on a cushion, the page
inscribed " Withdrawe not thou thy tender mercie from mee," etc.
f

66 QUEEN ELIZABETH.
An oval in centre of a panel of ornament, in which is a rose tree
with two cartouches, one inscribed " Rosa" the other " Electa."
Above, in other cartouches, are the initials E. and R.
(Oval), 4 in. x 3 in. By WR. [W. Rogers].
(Panel), 9! in. x 7 in.

137. Crowned. Nearly to the knees, standing, looking to the left,
holding sceptre in right hand and mound in left, both hands
resting on a cushion before her ; under the right one is a closed
book inscribed " His Ego." A narrow plaited ruff is introduced
inside the other and brought down on either side of the bosom ;
the stomacher of the dress is decorated with an arabesque pattern
and the sleeves are covered with jewels and puffings. Above, on
two black tablets, are the words " Elizabetha Regina."
191 in. x 14I in. Contemporary woodcut.
138. Copy from the last, same size and in the same direction. Above
are two plain white tablets. Woodcut.
*** In the impression in the Sutherland Collection one of the
tablets is inscribed with a pen " Elisabeth queene of Englande fraunce
andd Irelaunde 1584," the other has these lines : —
" A matchlesse glasse here you maye see
The enemy e of Poperie
Who shineth lovelie yn a glasse
Juste as hir minde all myndes surpasse."
139. Crowned. Whole length, turned to the left, standing by a table,
on which lies an open Bible ; wearing plain low-necked dress,
without any jewels, a ruff which rises from the shoulders behind,
without enclosing the neck, and large wired-out gauze wings ;
from her mouth issues a label inscribed " If the Lord had not
been on my side." On a cloud above are two boy-angels holding
a crown over the Queen's head, and above them, in a glory, are
the words "Many daughters have don well but thou surpassest
them all " ; a view of " Woodstock " in the background. In
upper margin "Est mihi supplicij causa fuisse piam." "IS.
Inuent. Martin D. sculp."
41 in. x 2\ in. By M. Droeshout.
Frontispiece to T. Heywood's "England's Elizabeth, her Life and
Troubles during her Minoritie," &c, 1631, 8vo.

ENGRAVINGS. 67
140. Crowned. Whole length, seated on horseback, riding to the left and
looking in the same direction ; with pearl necklaces and rope
of pearls descending to the waist ; neck and bosom bare. She
holds the reins with her right hand and in her left a closed
Chinese fan. Without background. Below is : — " Elizabeth
Queene of England, shee reformed Religion, established Peace,
reduced coyne to ye iust value, delivered Scotland from y° French,
revenged domesticall Rebellion, saved France from headlong
ruin by civell Warr, supported Belgia, overthrew y6 Spanish
invincible Navie, expelld ye Spaniard out of Ireland, and receaved
yB Irish into mercie, and enriched England by her most prudent
Government of Fortie five yeares." No. 23 of a set.
%\ in. x 5^- in. Anonymous.
141. Crowned. To the waist, turned to right and looking at the spec
tator ; with pearl earrings, a single string of pearls round the
neck, and pearls and jewels down the front of the dress and on
the arm ; veil falling from the head behind. Oval. Below is : —
" Regina Elizabetha Juris ac Libertatum Populi Sui Semper
Conservatrix, et Afflictorum qua Patet Europa Vindex. Nata
Grenvici 1533 Sep. 7 Sorori Successit in Regno 1558 Nov. 17.
Obijt i6of Mar. 24. Anno ^Etatis 70. F. Hillyard Pinx. m. I.
Simon fecit. Sold by E. Cooper at ye 3 Pidgeons in Bedford
Street, cum privilegio Reg."
14 in. x io£ in. By J. Simon, mezzotint.
The picture from which this was engraved, here ascribed to Hilliard,
and on the following plate to I. Oliver, was a made-up portrait of the
time of Kneller, and not a genuine likeness.
Of this plate there are four states : — I, as described above ; II, with
the address of T. Glass ; III, with the address of G. Bickham ; IV,
modern, with the No. 82.
142. Similar to the last, but reversed ; within an ornamental cartouche
inscribed " Elisabetha D. G. Anglle Franciae et Hiberniae
Regina"; at the top is a phoenix with the mottoes " Semper Eadem,"
"Afflictorum Conservatrix" and below are a sword and Bible lying
on a cushion. " Isaac Oliver Pinxit. Andrew Miller fecit. Dublin
1744. Sold by Andrew Miller on Hog Hill and P. Smith in
Crane Lane."
13I in. x 10 in. By A. Miller, mezzotint.
143. Similar to 141, in same direction ; oval. Below : — " Queen
Elizabeth Born at Greenwich Sep. 7, 1533. Crowned Nov', the
I7> 1558. Died March the 24, i6o| aged jo. Hillyard pinx.
F. Kyle fecit. E. Cooper ex'1
7! in. x j-g. in. By F. Kyte, mezzotint.
F 2

68 QUEEN ELIZABETH.
144. Crowned. Late in life; to the waist, looking to the right, jewels
in the hair, large piped ruff wide open, showing the neck on
which is a rich carcanet ; ermine cloak confined with cords at the
breast and open below ; hands not seen ; oval. Below : —
"Queen Elizabeth."
3| in. x 2| in. Anonymous.
145. Crowned. To the waist, turned to the right, with piped lace
ruff, and jewelled dress open at the sleeves, showing flowered
under-sleeves ; rope of pearls down side of stomacher ; hands
not seen. In oval frame decorated with oak leaves, with sunk
tablet below inscribed " Q. Elizabeth." At top " Vol. VIII,
p. 217." [A made-up portrait.]
7 in. x 4 in. By G. Vertue.
Engraved for Rapin and Tindal's History of England, 1745-1747, 8vo;
used also for the Abridgement of the same, 1747, 8vo, and again for the
unabridged edition of 175 7-1 763.
146. Copy from the last ; bust, turned to left, within a plain circular rim,
in centre of a square panel. At head of chap, xxvi of Goldsmith's
"History of England," 1787, 8vo.
3 in. x 2\ in. By J- Hall.
147. Copy from 145, in same direction. Octagon within an architectural
frame, with sunk tablet below inscribed "Elizabeth." " H. Hol
bein pinx*. A. W. Warren sculp*. Publish' d as the Act directs
July 3, 1802, by J. Stratford, No. 112 Holborn Hill."
6 1 in. x 41 in. By A. W. Warren.
Illustration to Hume's " History of England," 1802, 8vo.
148. Copy from 145, in same direction. The frame is of laurel leaves,
and at the bottom are the royal arms ; on the tablet is " Eliza
beth." "J. Mynde sculp. S. Aris imprests." By J. Mynde.
149. Copy from 145, in same direction ; in oval frame, with tablet below
inscribed " Elizabeth." Above " Tom. 8, p. 66."
4f in. x 21 in. Anonymous.
150. Same as No. 145, reversed; oval placed against a pyramid, with
the Destruction of the Spanish Armada in a cartouche below.
In the style of Houbraken's Heads. (Described from a proof in
the Bibliotheque Nationale, Paris).
13! in. x 8 J in,

ENGRA VfNGS. 69
151. Derived from 145. To below the waist, turned to the left, showing
farthingale ; sceptre in right hand, left resting on " The Holly
Bible " ; above is a shining eye, and below a vignette of Elizabeth
reviewing her troops. By B. Cole.

152. The Monument in Westminster Abbey. (See Effigies, No. 5).
At the top of the plate is " Tumuli Elisabethe Regin^e vera
delineatio " ; no inscription below.
6^ in. x 4I in. By C. van de Passe, jun.
In Holland's "Hercoologia Anglica," 1620.

153. The Monument in Westminster Abbey. On the plinth of the
foremost column on the right sits Henry Prince of Wales medi
tating, with a skull on his knee ; over his head are the letters
H.P., by his right foot is : — " O quam te memorem virgo" and in
the central opening of the canopy " Fvi Elizabetha." At the
top of the plate is " Vos autem sicut homines 
Psa. 82, 6, 7. O lerq. quaterq. beati," and at the bottom " Hunc
tantvm nobis fata ostendere nee vltra esse sinvnt."
4 in. x 2-f in. Anonymous.
This is copied in one of the compartments of the title to Samuel
Purchas's " Hakluytus Posthumus," 1625, fol., of which a facsimile was
engraved by J. Swaine in 1846.

1 54. The Monument in Westminster Abbey. At the top of the plate
is : — " Tumulus Elisabethe Regina Angliae, etc." and at the
bottom : —
" Eliza that great Maiden Queene lyes heere,
Who gouern'd England foure and forty yeere,
Our Coynes refinde, wild freland tam'd, Belgia protected :
Freinded France, Foiled Spaine, and Pope reiected :
Princes found her powerfull, the world vertuoues,
Her Subiects wise and iust, and God religioues,
God hath her Soule, the world lier admiration :
Subiects her good deedes, Princes her imitation."
" Are to be sould bi Roger Daniell at the angell in lumbard streete.
Gerrit Mountin sculpsit."
7| in. x 4| in. By G. Mountin.
Frontispiece to vol. 2 of Abraham Darcie's " Historie of the Life and
Reigne of that famous Princesse Elizabeth," &c. 1629.

70 QUEEN ELIZABETH.
155. The Monument in Westminster Abbey. Above, on the right, are
the arms of the Earl of Bridgewater, and on the left is a cartouche
inscribed: — " Illustrissimo Domino Dn". Johanni Comiti de
Bridgewater Vicecomiti Brackley et Baroni de Ellesmere
Serenissimoq. Regi Carolo 2d°. in Comitatu Buckinghamia locum
tenenti hanc Monumenti Elizabetha Regina Figuram humili"".
D D D F S."
n^ in. x 7i in- Etching by R. Gaywood.
Illustration to F. Sandford's " Genealogical History of the Kings of
England," 1677, page 493.
156. The Monument in Westminster Abbey.
14! in. x 9 in. By Claude Du Bosc.
Illustration to Rapin & Tindal's " History of England," 1732, fol.
157. The Monument in Westminster Abbey.
7 in. x 41 in. By J. Mynde.
Illustration to an Abridgement of Rapin & Tindal's History of
England, 1747, 8vo., and used again for the unabridged edition of
I757-I763-
158. The Monument in Westminster Abbey.
13 in- x i\ in. By J. Cole.
Illustration to John Dart's " Westmonasterium, or the History and
Antiquities of the Abbey Church of St. Peter's, Westminster," Vol. 1,
p. 171.
159. The Monument in Westminster Abbey.
Aquatint by T. Sutherland, from a drawing by F. Mackenzie.
In Ackermann's "History of Westminster Abbey," 1812, Vol. 2, p. 159.
160. Said to be in the dress in which she went to St. Paul's to return
thanks for the victory over the Spanish Armada.
Crowned. Whole length, standing, turned to the right, holding sceptre
in right hand and mound in left ; her dress, which is entirely
covered with puffings and jewels, is cut square at the bosom and
has a long stomacher and large farthingale. A lace-edged gauze
veil which is attached to the shoulders, falls on the ground
behind and has two large wired-out wings rising behind the head.
The hair is studded with jewels, in the ears are large pearls, and
round the neck is a double row of pearls with pendant ; a rope
of pearls descends to the end of the stomacher and is festooned
on the bosom. Beside the Queen, on the right, is a table, sup
porting a cushion, on which rest a Bible and sword, the former
inscribed " Verbvm Dei," the latter " Ivstitia" ; and above

5.

Engraving by Francis Delaram,
showing the circular ruff open in front.
(Engravings, No. 126).

ENGRAVINGS. 71
these are the royal arms and " Nata Gronowicia anno Christi
MDXXXHI. 6. Id. Sept." ; near a curtain on the left is
"Mortua anno MIserlCorDIa." No background. Above
the Queen's head is her motto :—" Posvi Devm Adivtorem
Mevm." Below :— Elisabet D. G. Angliae Franciae, Hiber
niae, et Verginiae Regina, Fidei Christianae Propvgnatrix
Acerrima, nunc Dno Requiescens," and the following lines, in
two columns : —
Virginis os habitumque geris, diuina virago,
Sed supra sexum dotes animumque virilem ;
Quod sape altarum docuit rerum exitus ingens :
Vnde tibi et Regni populi debere fatentur,
Christiadumque cohors, odijs rampantur vt hostes,
Quorum Diua tua rabies nil morte lucrata est.
Vasta Semiramidem Babylon supra athera tollat,
Efferat et Didona suam Sidonia tellus,
Gens Esthren ludaa, Camillam Volsca propago,
Aut Constantini matrem Byzantion ingens,
Atque alias alia gentes : tete Anglia fortis
Vt quondam fructa est, sic nunc clarescat alumna.
"Isaac Oliuier effigiabat. Crispin van de Passe incidebat. procurante
Joanne Waldnelio."
13^ in. x 9 in. By C. van de Passe, sen.
This famous engraving, now very scarce, has been the most popular
of all representations of Elizabeth, and is the original of the great
majority of the prints produced since its publication. The tradition
that the magnificent dress in which she is here portrayed is that in
which she went to St. Paul's to return thanks for the defeat of the
Spanish Armada is without any apparent foundation; there is no allusion
to that event in either the emblems or the inscriptions, and the portrait
was published at a later period. It more probably represents her as,
according to Bohun's account, she was usually arrayed at the opening of
Parliament ; " the first day of Parliament she would appear in a robe
embroidered with pearls, the royal crown upon her head, the golden ball
in her left hand and the sceptre in her right ; and as she never failed
then of the loud acclamations of her people, so she was ever pleased
with it, and went to the House in a kind of triumph, with all the ensigns
of majesty " (Character of Queen Elizabeth). The close resemblance of
the figure, both in attitude and costume, to that in the following plate
by Rogers, which is certainly an earlier work, produced in the Queen's
life-time, is striking, and perhaps both were derived from some common
original, from which Olivier made the drawing, now at Windsor (see
Drawings, No. 2), for Passe to work from.

72 QUEEN ELIZABETH.
161. Crowned. Whole length, standing, turned to the left ; the figure
similar to the last, except that the crown is hollow, the ruff is
decorated on each side with a large jewel, and the arrangement
of the necklace is varied. The Queen stands in a room, which
has a window on the left, and a throne with high canopy behind
to the right. On the seat of the throne are two cushions, on
which a small Bible lies open at the words " Pleade thou my
cause O Lorde," etc. Below, between the devices of a pelican
and a phoenix, is a cartouche inscribed with six lines : —
" Th' admired Empresse through the worlde applauded
For supreme virtues rarest Imitation
Whose Scepters rule fames lowd-voyc'd trumpet lawdeth
Vnto the eares of every forraigne Nation
Cannopey'd vnder powerfull Angells winges
To her Immortall praise sweete Science singes."
" William Rogers sculp."
i5§ in. x io| in. By W. Rogers.
The only impression known of the plate in this its complete state is
m the British Museum. It was subsequently cut all round and reduced
in dimensions to 15! x io£ inches, making the figure no longer a whole
length. The same six lines were re-engraved in two columns on a plain
marginal space, with the address "Printed and are to be sould by P. Stent
without Newgate," the engraver's name being omitted.

Copies from No. 160.
162. Crowned. Same size and in same direction. A background is intro
duced, with a window on the right, and the position of the sword is
altered, so that the blade passes behind the Queen's figure.
Below : — " Her Sacred Majesty Queen Elizabeth in the superb
Dress in which she went to St. Paul's to return thanks for the
Defeat of the Spanish Armada. Engraved by Charles Turner
from the extremely rare Print by Crispin de Passe, after a
Drawing by Isaac Oliver. London : Published by S. Woodburn
ti2 St. Martin's Lane."
-21 tn. x 9 in. By C. Turner, mezzotint.
163. The figure of the Queen only, without any accessories, turned
to the right. Below : — " Elizabeth, Queen of England, in the
superb dress in which she went to St. Paul's. London Published
1820 by W. B. Tiffin, 79 St. Martin's Lane."
8 in. x 5£ in. By W. B. Tiffin.

ENGRAVINGS. 73
164. To the waist only, to right, the hands not seen, but upper part of
sceptre shown. Below : — " Queen Elizabeth. In the dress
in which she went to St. Paul's to return thanks for the defeat of
the Spanish Armada. Engraved by Bond, from the extremely rare
print by Crispin de Passe, after a drawing by fsaac Oliver. Pub
lished by Longman, Hurst, Rees, Orme 6° Brown, London, March
12th, 18 1 8."
5 in. x 3! in. By W. Bond, stipple.
Frontispiece to vol. 1 of Miss Aiken's " Memoirs of the Court of
Queen Elizabeth," 181 9, 8vo.
165. Seen nearly to the waist, to right, sceptre omitted, and hands not
seen; in oval frame inscribed: — "Elisabet D. G. Anglle,
Francle et Hiberniae Regina, Fid. Chr. Prop." On a ledge
within the frame is " Mortua Anno MIserlCorDIae ^Et. 70," and
below : — " Elisabeth by der gratien Gods Coninginne van
Engelant Vrancryck ende Irlant, Beschermeesse des Geloofs.
Crispiaen vanden queborren Sculp. H. Jacobsen exc."
7^ in. x 4^ in. By C. van Queboren.
Illustration to E. van Meteren's "Histoire des Pays-Bas," 1618, fol.,
p. 256, and used again for the Latin edition of the same work, 1635,
fol., p. 245.
166. Similar to the last, but reversed; same size. By C. van Queboren (?)
Illustration to the same work, The Hague, 1614, p. 245.
167. Similar to 165; in same direction, with same inscription on the
ledge. In oval frame inscribed : — "Elizabeth Royne D Angle-
terre et D Irlande." ; the frame is enclosed in an ornamental
cartouche. " C. David Ft"
8 in. x 5! in. By C. David.
168. Similar to 165, in same direction, with same inscription on the
ledge, and, on a tablet below :— " Elisabeth D. G. Angli/e,
Franciae et Hiberniae Regina."
5| in. x 3f in. Anonymous.
Frontispiece to W. Camden's "Annales," Amsterdam, 1677, 8vo.
169. Similar to the last, but without the oval frame. In plain margin
below is :— " Elisabet D. G. Anglle Francle et Hibernle
Regina. Mortua Anno MIserlCorDIae. MX. 70. Crisp, van
queboren sculp. A0. 1625."
6£ in. x 4 in. By C. van Queboren.

7 4 Q UEEN ELIZABETH.
170. Similar to 165 ; to the waist, turned to the right. In plain oval
with ornamental tablet below inscribed " Elisabeta Regina
Angliae. Jac. Loets ab Arches f. Joh. Alexand. Boner sc." In
upper left corner is " Pag. 192."
4| in. x 3^ in. By J. A. Boner.
171. Similar to 165. but turned to the left. Oval in an ornamental
frame which rests on a pedestal inscribed : — " Elisabeta D. G.
Anglle, Franci/e et Hibernle Regina." No. 32 of a set.
9f in. x 6| in. Anonymous.
172. To the waist, turned to right, holding mound in right hand and
sceptre in left ; in oval frame inscribed : — " Effigies Elizabeths
Regina Anglle, etc." The oval rests on a plinth which bears
the royal arms and is inscribed :— "Nata Grenvici 1533 Sept. 7.
Sorori Successit in Regno 1558 Nov. 17. Obiit i6of March 24
Anno Gratis 70."
4% in. x 3 in. Anonymous.
Illustration to Gregorio Leti's " Historia o Vero Vita di Elisabetta
Regina d'lnghilterra," Amsterdam, 1703, i2mo.
173. Bust, turned to the right ; right hand seen, holding sceptre ; part
of the mound in left hand visible.
Oval medallion, with others of James I and Charles I, in the title to
Capt. John Smith's "The Generall Historie of Virginia," etc. 1624.
(Medallion), 2% in. x if in. By Jan Barra.
174. Bust, turned to the left. Oval medallion, with motto " Protexi
Hosiiliter," in the emblematical title to E. Grimestone's "A
Generall Historie of the Netherlands " ; continued from the year
1608 till the yeare of our Lord, 1627, by William Crosse;
London, 1627, fol.
(Medallion), 2 in. x \\ in. By T. Cecil!.
175. Head only, turned to left. Oval medallion in the title to Sir J.
Hayward's " Life and Raigne of K. Edward the Sixt ; with the
Beginning of the Raigne of Q. Elizabeth," 1636, i2mo.
i\ in. x 1 in. By W. Marshall.
176. Bust, turned to the right. Oval medallion in the title to William
Martin's "Historie and Lives of the Kings of England," etc.,
London, 1638.
(Medallion), i\ in. x 1 in. By W. Marshall.
177. Bust, turned to the left. Oval medallion, with the motto " Dilexi,"
in the title to " The Great Happinesse of England and Scotland
by Being re-united into one great Brittain," 8vo.
(Medallion), 1 in. x £ i„. By w Marshall, 1641.

ENGRA VINGS. 75
178. Nearly to the waist, turned to the left; hands not seen. Oval.
Below:— "Elizabetha D. G. Regina Ang. Fran, et Hib."
3 in. x 2\ in. By W. Faithorne.
In Faithorne's set of the Kings of England.
Afterwards used for Francis Osborne's "Historical Memoires on the
Reigns of Queen Elizabeth and King James," 1658, i2mo.
179. Bust, turned to the left. Small oval, with another of her sister, in
an ornamental headpiece in Sandford's " Genealogical History of
the Kings of England," 1677, p. 473. Anonymous.
180. Bust, turned to the left; hands not seen. In an oval which rests
on a tablet inscribed : — "Elisabeth by der gratien Gods Konin-
ginne van Engeland Vrankryk en Irland Beschermster des Geloofs,
Gestorven in den ouderdom van 70 Jaren, mdciii."
"J. Punt fecit."
6f in. x 4^ in. By J. Punt.
181. Nearly to the waist, turned to the right; in plain oval, with two
angels blowing trumpets in the spandrels above, and cartouche
below inscribed " Elisabeta D. G. Angliae Francis & Hiber
niae Regina."
Sh in- x 3l in. Anonymous.
Frontispiece to " The Secret History of the most renowned Q. Eliza
beth and the E. of Essex," Cologne, 1680, i2mo.
182. Whole length, turned to the left, holding sceptre in left hand and
mound in right ; a lozenge, charged with the royal arms, rests
against her farthingale.
5 J in. x 2% in. Coarse woodcut.
183. Bust, to left. Plain oval, with "Si Pas fe." on upper edge.
Printed from a silver counter. (See Medals, No. 29).
23 in. x il in. By Simon van de Passe.
Illustration to T. Hollis's "Memoirs," 1780, vol. 2.
184. Nearly to the waist, turned to the left; without the sceptre;
no background. Over her head is "Elizabeth Queene of
England." In a sheet of 30 heads of kings and queens of
England from William the Conqueror to William and Mary,
engraved on one plate in squares. " Printed and Sould by
Robert Greene."
2} in. square. Anonymous, c. 1690.

76 QUEEA ELIZABETH.
185. To the waist, turned to right, the hands seen, holding sceptre in
left and mound in right. Oval, surmounted by a crown, in orna
mental rectangular frame.
On page 162 of J. Sturt's engraved Prayer Book, 1717.
2% in. x i| in. By J. Sturt.
186. Bust, to left; oval in ornamental frame, with another of her sister
in a similar frame. Anonymous.
Headpiece in Echard's "History of England," 1707, 410, Book 3,
chap. 2.
187. Bust to left ; circle in oblong panel. Anonymous.
Headpiece in Isaac Kimber's "History of England," 1755, 8vo.

188. To the waist, turned to the left; the right hand with sceptre is
seen, but not the left. Above is the device of a phoenix with
mottoes "Semper Eadem " and "Afflictorum Conservatrix," and
in front below a cushion, on which lie a Bible and sword, rests
against a pedestal inscribed : — " Elisabetha D. G. Angliee
Franciae et Hiberniae Regina e Collectione Dni- Dni- Richardi
Meade, M.D." "Drawn by Isaac Oliver Limner. Design' d and
Engrav'd by G. Vertue."
\\\ in. x i%in. By G. Vertue.
Illustration to Rapin and Tindal's " History of England," 1732, fol.
189. Exact copy from the last, reversed; same size. By J. Hulett.
190. Similar to 188; to waist, turned to right. In oval frame which
rests on a pedestal sculptured with a bas-relief of the defeat of
the Spanish Armada and inscribed " Elizabeth," on either side
of which stand figures apparently intended for Lord Howard of
Effingham and Sir Francis Drake, designed by T. Stothard, R.A.
7 in. x 4\ in. By j. HaU_
Illustration to Hume's "History of England," ed. 1787 and 1796, 8vo.
191. Same as the last, in same direction, with the figures of Lord
Howard and Drake.
" Engraved by A. Smith. Published as the Act directs Dec. 1,
1793 by T. Cadell, Strand."
4§ in. x 2| in. By Anker Smith.

ENGRAVINGS. 77
192. To the waist, turned to right, sceptre in right hand, left not seen ;
oval within frame of masonry, with sword resting on a Bible in
front below.
7§ in. x 4! in. Anonymous
Engraved for the " Universal Magazine."
193. Bust, turned to the left ; vignette.
"Engraved by Woolnoth from an Original Drawing." Published
Nov. 1, 1825 by Dean and Munday. By T. Woolnoth, stipple.
194. Bust, turned to right; the arms not seen; in an octagon.
Below : — " Elisabeth. F. Fleischmann sc. Zwickau bei Geb.
Schumann."
3§ in. x 2| in. By F. Fleischmann.
195. Similar to the last, but in a square. Below : — " Queen Eliza
beth. Drawn by I. Oliver. Engraved by R. Cooper. Published
by Cha3. Baldwyn, Newgate Street."
3 in. x 2\ in. By R. Cooper, stipple.
196. Similar to 194, but to the waist and turned to the left ; dress in
outline; no background. "Published May 26, 1798, by S.
Harding, 127 Pall Mall," &c.
4§ in. x 3f in. Anonymous, stipple.
197. To the waist, turned to the left, with sceptre; plain square.
Below: — "I. Oliver pinx. R. Graves sculp. Queen Elizabeth."
4\ in. x 3! in. By R. Graves.
198. Bust, turned to the left ; sceptre omitted ; oval in a square
frame, with tablet below inscribed " Elisabeth Reine
d'Angleterre, Nee le 7 Septembre 1533, Mortele 2 Avril 1603."
" Ch. Mauduit Sc. 1824. d Paris chez Menard <Sf Desenne, Rue
Git-le-Cceur No. 8."
5i in- x 3§ in. By C. Mauduit.
199. To the waist, turned to the left; hands not seen. In plain oval
with cartouche below inscribed " Elisabetha D. G. Anglis
Francis & Hibernis Regina." At top " Tom 2, Pag. 458."
5^ in. x 3 in. By AF.

78 QUEEN ELIZABETH.
200. Bust, turned to right ; oval ornamented with scroll-work, within
square frame of masonry ; on plinth below " Elisabeta, D. G.
Anglle Francis & Hibernis Regina."
\o\ in. x 6£ in. Anonymous, Dutch.
201. Same as the last, in same direction; plain oval, with the same
inscription on a cartouche below.
5 in. x 2 1 in. Anonymous.
202. To the waist, turned to right ; sceptre in right hand, which is not
seen; oval.
3^ in. x 2| in. By Roberts, stipple.
Frontispiece to vol. 6 of Parsons's edition of Hume's " History of
England," 1793.
203. Similar to the last, but turned to left ; oval.
3 J in. x 2 1 in. By D. Lizars, stipple.
Frontispiece to vol. 5 of Hume's " History of England," Edinburgh,
1803. 204. To the waist, turned to the left, with sceptre ; plain oval, with
below : — " Engraved by W. Ridley from a Drawing taken from
a Picture in the Collection of the late Dr. Meade. Elizabeth."
3^ in. x 2% in. By W. Ridley.
205. Similar to the last ; in plain oval which is placed against a tall
pillar of masonry ; on a sunk panel the word " Elizabeth."
" Mackenzie sc. Pubd. by S. A. Oddy."
(Plate), 7 in. x 4% in.
Illustration to Hume's History of England, 1822.
206. To the waist, turned to left, the sceptre in left hand, the right not
seen ; square. Below : — " Vertue del. Rogers sculp. Elizabeth."
3 in. x 2\ in. By Rogers.
207. To the waist, turned to the right, with sceptre ; hands not seen.
3^ in. x 2% in. By J. Romney.
208. Bust, turned to the left ; sceptre omitted ; plain square. Below : —
" Engd- by P. Audinel. Queen Elizabeth. Published 31s* July
1 81 2 by T. Stockdale, Piccadilly."
4 in. x 31 in. By P. Audinet.

ENGRAVINGS. 79
209. To the waist, turned to right, holding sceptre ; in ornamented
rectangular frame. Below : — "Elizabeth."
6i in. x 5^- in. Anonymous, modern.
210. To waist, turned to left. Oval in ornamental frame, at bottom of
which is a relief of Elizabeth reviewing her troops ; a globe and
other emblems on the ground. " T. Milton sculp. Published
August 31st by James Wallis, 46 Paternoster Row."
9h in- x 5| in. By T. Milton.
211. To waist, turned to left ; sceptre in left hand, right not seen ; oval.
Below : — " Heath sculp. Elizabeth."
4 /;/. x 3A in. By James Heath, stipple.
Illustration to C. Coote's "History of England," 1791-98, 8vo.
212. Bust, turned to the right. Oval, with facsimile of her autograph.
One of the plates to Thane's " British Autography."
213. To the waist, turned to the left ; sceptre omitted ; in a frame
decorated at top with figures of Shakspeare, Tragedy and
Comedy ; figures of Leicester and Raleigh at the sides ; vignette
of escape of Mary from Loch Leven Castle below. " Elizabeth,
From a Painting by Isaac Oliver."
n in. x 1 in. Anonymous, modern.
Derived from No. 160.
214. Crowned. To the waist, turned to the left. The puffings on the
dress and sleeves are replaced by stripes of braid, the ropes of
pearls are omitted, a large jewel is placed in middle of the
stomacher, and the hands are brought close together in front.
In a plain oval inscribed : — " Elizabetha D. G. Anglis, Fran
cis et Hibernis Regina. Mortua 1602"; above are the
royal arms and the Queen's device, a Phoenix with the motto
"Semper Eadem." Below : — "The most Excellent Princes (of
Famous Memorie) Elizabeth by the Grace of God Queene of
England, France and Ireland, Defendor of the Faith, &c. This
Maiden-Queene Elizabeth came into this world, the Eue of the
Natiuitie of the blessed virgin Mary ; and died on the Eue of the
Annunciation of the virgin Mary 1602.
Shee was, Shee is (what can there more be said ?)
In earth the first, in heauen the second Maide."
"are to be sould by I. Sudbury & George Humble in Popes head
Alle at the whit horse. R. Elstrak sculpsit."
l\ in. x 4! in. By R. Elstracke.

80 QUEEN ELLZABETH.
215. Copy from the last. Nearly to the waist, turned to the left ; the
hands not seen. In a square frame which has heads of lions at
the corners. Below : — " Queen Elizabeth." " Published Sep.
19, 1824 by George Smeeton, 3 Old Bailey."
3 in. x 21 in. Anonymous, stipple.
In Smeeton's " The Unique."
216. Crowned. To the knees, turned to the left; holding in her left
hand a truncheon, the end of which is supported by her far
thingale, on which she also rests her right hand. Below is : —
" Q. Elizabeth
The ages mirrour and all Evrope's wonder,
Arm'd gainst ye Bulls of Rome and Spain's lowd thunder,
The Netherlanders sheild, greate Frances ayde,
O neuer shall thy fame dye, Princely Mayde."
7| in. x 5 in. Anonymous.
This plate (without the verses) was used to illustrate T. Heywood's
" The Exemplary Lives and Memorable Acts of nine the most worthy
Women of the World," 1640, small 41.0.
217. Copy from the last. To the knees, turned to the right ; in plain
oval, outside the upper part of which is " Queen Elizabeth8
Last Speech to her Parliament." Below is the date 1601
in large figures. Very roughly engraved.
6£ in. x 5JL in. Anonymous.
218. Crowned. Nearly to the knees, turned to the left, holding sceptre
in right hand and mound in left. The long "rope" of pearls is
omitted, and the puffings on the dress are replaced by cross
stripes of braid. The background is a plain arched niche.
Below : — " Elizabetha Regina. Diua potens velis, populoque
potentior, aquat Ingenio Reges, et pietate Deos."
6 1 in. x 4f in. By C. van de Passe, sen.
In Holland's " Herwologia Anglica," 1620.
219. Copy from the last ; in same direction. Below are the royal arms
on a shield, and " Elisabetha D. G. Anglia Francia &> Hib.
Regina &>c. Coll: Jesu Oxon. Funda. Ao. Dni. 1572. J. Faber
Fecit 6° Excudit."
\o\ in. x 8 in. By J. Faber sen., mezzotint.
One of the set of forty-five plates of Founders of Oxford and Cambridge
Colleges. Of this set there are four different editions, viz.: — I. Issued by the

ENGRAVINGS. 81
engraver (as above). II. Issued by Taylor, with numbers attached.
III. Issued by Bakewell, generally with engraved borders printed from
separate plates. IV. Retouched, with the name of Parker substituted
for that of Faber.
This plate, retouched, with the arms removed, the inscription re-
engraved and the name of R. Houston substituted for that of Faber, was
used to illustrate Rolfs "Lives of the Reformers," 1759; and the
inscription runs:— " Elisabetha D. G. Anglia, Francia, &> Hibernia
Regina, etc. Printed for E. Bakewell &* H. Parker, opposite Birchin
Lane in Cornhill. R. Houston fecit."
220. Copy from No. 218 ; same length and in same direction. No back
ground, but the niche indicated in outline. Below : — " Queen
Elizabeth."
5f in. x 4| in. By R. Cooper, stipple.
Frontispiece to J. Caulfield's "The Court of Queen Elizabeth:
originally written by Sir Robert Naunton, under the title of 'Fragmenta
Regalia'," 1814, 410.
221. Similar to 218; same length and in the same direction, but
with curtain behind and crown on a table to the left. In plain
oval frame which rests on a pedestal inscribed " Elisabeth.
J. D. Schleuen sc. Berolini."
8i in. x 6i in. By J. D. Schleuen.
222. Crowned. The figure only, without accessories. Whole-length,
standing, turned to the left ; there are no puffings on any part
of the dress except the sleeves. A large lozenge, charged with
the royal arms, is attached to the Queen's left wrist and rests on
the ground.
5f in. x 3f in. Anonymous.
Illustration to John Taylor's " A Briefe Remembrance of all the
English Monarchs," etc. 1622.
223. Copy from the last, with the lozenge altered to an oval tablet on
which is represented the Spanish Armada.
In one of the compartments of the title to C. Lever's " History of the
Defendors of the Catholique Faith," 1627.
224. Copy from 222, in same direction. Coarse woodcut.
Illustration to "Works of John Taylor the Water Poet," 1630.
225. Crowned. Whole-length, face turned to the left, seated on a throne,
under a canopy, sceptre in right hand and mound in left, her feet
resting on a cushion. The dress is covered with puffings and
edged with fur ; on the arms of the throne are the letters E and R.
4| in. x 2% in. Woodcut.
On the back of the title to vol. II of Abraham Darcie's " Historie of
the Life and Reigne of that famous Princesse Elizabeth," etc. 1629.
g

82 QUEEN ELIZABETH.
226. Crowned. Seen to below the waist, turned to the left, holding
sceptre in right hand and with both supporting the mound. In
plain oval frame inscribed : — " In Memoriam Honoremqve
POTENTISSIMS AC PlENTISSIMS ReGINS ELISABETHS, ETC."
At the top of the plate are the words " Pacata Hibernia," and
at the bottom six lines : —
Hir sceptre sweet, her sword was seldome sharp
Yet rebel subiects, and invading foes,
It quaild, repelling theis, reclayming those,
Such cure did set in tune the Jarring Harp.
To this last Act of their Exploits & glory,
A Plaudite reviveth by this Story.
Below are thirty lines of verse in type, by G. W. Printed for Robert
Milbourne, 1633.
8| in. x 6 in. Anonymous.
Frontispiece to Thomas Stafford's " Pacata Hibernia. Ireland
appeased and redvced ; or, an Historie of the late Warres of Ireland,
especially within the Province of Movnster, under the Government of
George Carew, Knight, &c." ; London, 1633, fol.
227. Facsimile of the last. "Brocas sculpsit in the manner of the original."
(Plate), 8 in. x 4\ in. By Brocas.
Frontispiece to the same work; new edition, Dublin, 1810.
228. Bust, turned to the right, wearing large crown, ermine mantle and
hanging collar ; sceptre in right hand, left not seen. Oval, with
" Elizabeth Regina " round her head.
31 in. x 2\ in. Very coarse woodcut.
229. Similar to No. 160, but sceptre and mound and position of the
hands taken from No. 214. To waist, turned to left; in plain
oval frame, inscribed: — "Effigies Elizabeths ReginsAnglis,
etc." The frame rests on a plinth on front of which are the
royal arms, and " Nata Grenvici 1533, Sept. 7, Sorori successit in
Regno 1558, Nov. 17, Obijt, i6o2/3, Mar. 24, Anno sEtatis 70."
" R. White, sculp. Printed for Richard Chiswell at the Rose and
Crowne in St. Paul's Churchyard!' Above " Vol. 2d. Page 373."
9§ in. x 6| in. By R. White.
Illustration to Burnet's " History of the Reformation of the Church
of England," 1681, fol.
230. Exact copy from the last, same size and in the same direction.
"P. S. Sculp"' By P. Simms.
Illustration to Burnet's " History of the Reformation of the Church
of England," 1731, vol. 2.

ENGRAVINGS. 83
231. Copy from No. 229 ; turned to the right. The frame inscribed:—
" Bildnis der Konigin Elizabeths in Engelland ; " arms on
the plinth, but no inscription.
5s m- x 3 in. Anonytnous.
232. Copy from No. 229, same size and in same direction; with same
inscription. By J. C. Bbcklin.
233. Copy from No. 229 ; turned to the right. The frame inscribed : —
" Effigies Elizabeths Regins Anglis, etc. ; " arms on
plinth, but no inscription. Above " Part I, page 97."
4\m. x 3^ in. Anonymous.
234. Copy from No. 229, turned to the left; all inscriptions similar.
Above "Part II, fol. 878."
4f in. x 3 in. Anonymous.
235. Copy from No. 229 ; turned to the right ; with same inscription on
frame and pedestal. Above " Tweede Deel,fol. 605."
6| in. x 5 in. Anonymous.
236. Crowned ; to the waist, turned to the left, without puffings on the
dress, which is plain. In plain oval frame. In margin below
is : — " Elizabetha Dei Gratia Anglis Francis et Hibernis
Regina."
\2\in. x l\in. Anonymous.
237. Copy from the last. Bust, turned to left, in oval spandrel frame.
Below : — " Elizabetha D. G. Anglia Francia et Hibernia
Regina."
4| in. x 2 1 in. Anonymous.
Illustration to F. Strada's "De Bello Belgico," Rome, 1648, nmo,
P- 397-
238. Copy from No. 236. Same length, in same direction ; in plain oval,
with cartouche below inscribed : — " Elizabetha D. G. Anglis
Francis et Hibernis Regina."
5^ in. x 3 in. Anonymous.
239. Copy from No. 236. Same size as the last, same length, and in
same direction; in ornamental oval, with cartouche below,
inscribed : — " Elizabeth Koninginne van Engeland." Anonymous.
240. Copy from No. 236. Bust, to left, in oval spandrel frame. Below:—
" Elisabetha D. G. Anglis, Francis et Hibernis Regina."
4$ in. x 2\ in. Anonymous.
G 2

84 QUEEN ELIZABETH.
241. Copy from No. 236. To waist; turned to right; in oval frame
which is decorated with fruit and figures of boys ; cartouche below
inscribed " Elisabetha D. G. Anglis, Francis et Hibernis
Regina." In upper right hand corner is "fol. 510."
5 j in. x 3^ in. Anonymous.
242. Crowned. To the waist, turned to left, hands not seen. No. 43
of a set of forty-eight heads in ovals on one plate, entitled : —
" The Monarchs of England, from the Heptarchy to their present
Matie». K_jng William and Queen Mary, Taken from Medals &
Original Paintings, with a Compendious History of their several
Reigns. Humbly dedicated to the Right Honoble- Charles Earl
of Maclesfield, Lord President of Wales and One of their Ma""-
most HonoWe- Privy Council, By Guy Meige." By W. Elder.
243. Crowned. Whole-length, seated on throne, turned to the left;
wearing ermine mantle, sceptre in right hand and mound in left ;
body and sleeves of dress decorated with puffings, the skirt
patterned with roses ; feet resting on a large cushion. A bishop
and a Lord Keeper stand behind the Queen, the latter holding
the purse. On tablet below : — " Elizabeth Reyne D'Angle
terre. Tome Premier."
5^ in. x 31 in. Anonymous.
Frontispiece to Gregorio Leti's " Historia o vera Vita di Elisabetta
Regina d'lnghilterra," 1693.
244. Crowned. To the waist, turned to the left ; puffings on the
stomacher only, the sleeves quite plain ; hands not seen. Below
is: — " Queen Elizabeth. Bocquet sc. Pub". Feb". 1, 1806 by
J. Scott No. 442 Strand."
4§ in. x 3I in. By E. Bocquet.
Illustration to T. Park's edition of Walpole's " Catalogue of Royal and
Noble Authors," 1806, vol. I, p. 81.
245. Crowned. Bust, turned to the left, with below " Elizabeth, Queen
of England. Born Sep. 7. 2 H. 26 in. P.M. 1533"; within a
horoscope.
(Oval), 3I in. x 3 in. Anonymous, 18th century.
246. To the waist, turned to left, the hands not seen ; stripes of braid
substituted for the puffings on the dress. In oval frame resting
on an altar, before which sit two children, one holding an olive

ENGRA VINGS. 85
branch, the other a rudder. Below are four lines : —
" D'un Pere furieux, d'une cruelle Soeur
Je n'eus point l'humeur sanguinaire
Et mon empire heureux s'acquit par sa douceur
Un amour qu'on refuse au pouvoir arbitraire."
" Ad", vander Werffpinx. Vermeulen sculpsit."
i2§ in. x 7! in. By C. Vermeulen.
Illustration to Larrey's " Histoire d'Angleterre," 1697-1723, fol.
[The plates in this work were all made up] by Adrian vander Werff,
the well-known Dutch painter, from such materials as he could obtain,
and they have no value as likenesses.]
247. Copy from the last ; bust, turned to the right ; oval in rectangular
frame, with tablet at bottom inscribed : — " Elizabet Reine
d'Angleterre." "P-*** sculp."
51 in. x $\ in. By P***-
248. Copy from 246 ; to the waist, turned to the right ; no background ;
in plain outline rectangular frame.
4 in. x 2 1 in. By Perdoux.
249. Copy from 246 ; to the waist, turned to the right ; plain oval, with
tablet below inscribed: — "Elisabeth Reine d'Angleterre."
" Adrn- Vander Werff pinx. N. Thomas sculp. 1786."
5 in. x 3 in. By N Thomas.
250. Copy from 246; bust, turned to the right; oval, with below :—
"Elisabeth Reine d'Angleterre."
4§ in. x 2s- in. Lithograph by Rullmann.
251. Similar to the last; oval, with below :—" Elisabeth. Vigneron
del. Litho. de C. Moitte."
Same dimensions. Lithograph by C. Moitte.
252. Copy from 246 ; to the waist, turned to the left ; oval, with tablet
below inscribed :—" Elizabeth Koningin van Engeland."
" T. Bouys delin. R. Vinkeles sculp. 1785."
5f in. x 3! in. By R- Vinkeles.
253. Copy from 246 ; bust, turned to the left ; oval, in rectangular
frame, with "Elisabeth" in lower part. On the back is
printed :— " Elisabeth Reine d'Angleterre. D'apres le
Tableau peint par A. van der Werff."
5i in. x 3£ in. Anonymous.

86 QUEEN ELIZABETH.
254. Copy from 246 ; nearly to the waist, turned to the left ; below : —
" Elisabeth. Vanderwerf p*. H. Berthoud sc."
5^ in. x 4^ in. By H. Berthoud.
255. Copy from 246 ; bust, turned to the left ; vignette. Below : —
" Elisabeth Reine d'Angleterre d'apres Vanderwerf."
Lithograph by Champion.
256. Similar to 246 ; same length and in same direction. Oval within
rectangular frame, which has a curtain hanging over it and the
crown, sceptre and mound lying on a cushion in front. "Elisabeth
Kbningin von Engellandt."
\2\ in. x 8 in. Anonymous.
257. Similar to 246, but turned to the right. In oval frame which rests
on a pedestal inscribed : — " Elizabeth Reyne d'Angleterre. Nie
le 8 7s™. 1533, morte le 5 avril 1603." " J2 Pinx. Aubert Sculp.
A Paris chez Odieuvre." By M. Aubert.
258. Copy from 246 ; turned to the right, in plain oval. Below : —
" Elisabeth Koningin von Engelland."
l\ in. x 2\ in. " Clar sc," stipple.
259. Copy from 246 ; to the left. In plain rectangular border, with
" Elisabeth " below. Above is " Hist. d'Angleterre." " Vander
Werff pinx*. Landon direx*." In outline.
3§ in. x 2\ in. By C. P. Landon.
260. Copy from 246 ; turned to the right. Vignette. " Elisabeth
Reine d'Angleterre. Nee en 1533. Morte en 1603."
Lithograph by L. de Marais.
In the " Galerie Universelle, Publie'e par Blaisot."
261. Copy from 246 ; bust to right. Vignette. " Elisabeth," below.
Lithograph by Mauraisse.
262. Similar to 246, but with broad bands of ermine on front of dress ;
turned to the right ; plain oval, with oblong vignette below of
two figures seated by a picture of the destruction of the Armada.
Below : — "J. Chapman sc. Queen Elizabeth. Published as
the Act directs Feb. 19, 1803."
(Plate), b\ in. x 4| in. By J. Chapman, stipple.
263. Similar to 246. In oval frame, which is entwined with wreaths.
Below :— " ElizAbetha D. G. Anglis, Francis et Hibernis
Regina." "Phil. A. Gunst Sculp. M. Marrebeck excudit."
14^ in. x iof in. By P. d, Gunst.

The " Rainbow " picture at Hatfield House,
showing the high ruff open in front and the veil with wired gauze wings.
(Pictures, No. 61).

ENGRA VfNGS. 87
264. Same as the last, but to the waist, turned to left ; in octagonal frame,
with a tablet above inscribed " Rapin's History of England,"
and another below inscribed "Queen Elizabeth. Born 1533.
Died 1603." Published by J. Robins 6° Co., Albion Press,
London, 181 5.
(Plate) \2\ in. x 9 in. Anonymous, stipple.
265. Copy from 246 ; nearly to the waist, turned to left ; oval resting on
a plinth, which bears a tablet inscribed " Elizabeth Queen of
England," Sic. " M. Vdr Gucht scul."
6£ in. x 4 in. By M. vr. Gucht.
266. Copy from 246. To the waist, turned to left. In plain oval frame,
with tablet below inscribed : — "Elizabeth Queen of England,
&c." "Ant. More pinx. M. Vdr. Gucht scul." By M. vr. Gucht.
Engraved for Edward Ward's "History of the Grand Rebellion,"
1 7 13, and afterwards used for "Lord Clarendon's History of the Grand
Rebellion Compleated," 17 15, 8vo.
267. Nearly to the waist, turned to right, hands not seen ; wearing black
jewelled head-dress ; sleeves puffed but not jewelled, no puffings
on the stomacher. In plain square frame. Below : — " Eliza
beth Queen of England. She dyed at Richmond the 24" of
March 1602 in the 44th yeare of Her Raign and 70" of Her
Life."
5^ in. x 4! in. By W. Marshall.
Illustration to Fuller's " Holy and Profane State," 1648, fol.
268. Copy from the last ; quite to the waist. In plain oval spandrel
frame. Below: — "Elizabeth Queene of England France & Ireland."
6 in. x 4J in. Anonymous.
Illustration to " The Compleat History of the Warrs of Flanders ;
Written in Italian by the Learned & Famous Cardinall Bentivoglio.
Englished by the Right Hon. Henry Earl of Monmouth," London, 1654,
fol., p. 6.
269. Copy from 267 ; to the waist, turned to the left. On each side is
a panel of arabesque ornament and below : — " Elisabeth D. G.
Angliae, Franciae et Hiberniae Regina etc. : raigna 45 ans 4
moies et 7 jours A". 1602."
5£ in. x 6i in. Anonymous.
Illustration to a Dutch edition of Sir Richard Baker's " Chronicles of
England," 1649.

88 QUEEN ELIZABETH.
270. Seen to below the waist, turned to right, holding sceptre in left
hand and supporting the mound with both hands at her right side ;
she wears a jewelled head-dress, with a pearl on the forehead,
puffed dress with jewelled stomacher, two necklaces and a long
" rope" of pearls. In plain oval frame, inscribed " Uera Effigies
Prudentissims Principis Elizabeths Anglis Francis et
Hibe : Regina, etc. ;" at the angles, outside the oval, are the
royal arms and supporters, and the Queen's device, a Phoenix
with the motto Semper Eadem. Below is : — " Hauinge reformed
Religion, established Peace, reduced Coyne toy' iuste value, Deliuered
Scotland from y' Frenche, Reuenged domesticall Rebellion, saued
Fraunce from headlonge ruyne by ciuell Warr, supported Bellgia,
ouerthrowe y' Spanishe inuicible Nauie, expelled y6 Spaniard
out of Irelande, and receaued the Irishe into mercie, enriched
England by her most prudent Gouernement Fortie fine Yeares =
Elizabeth a Victorious and Triumphant Queene, in the 70 Yeare
of her age, in most happie and Peaceable manner Departed this life
— leauig heare her Mortall parts, vntill by the last Trumpe shee
arise Immortall." "Francis Delaram sculp. Are to be sould by
Jo. Sudbury 6° Ge : Humble."
7 in. x 4| in. By F. Delaram.
In Holland's " Baziliwlogia," 1618, fol.
271. Copy from the last ; nearly to the waist, turned to the left ; hands
not seen; in oval frame of laurel with banderole above
inscribed : — " Qveene Elizabeth."
2 in. x 1 1 in.

272. Copy from 270, reversed ; in oval similarly inscribed. Below are
four lines : —
" Lo heare her Type who was of Late,
Spaine's foile, faiths shield &> queene of state
fn breife of women neere was seene,
So great a Prince so good a queene." J. Payne, sculp.
This is enclosed in a border, engraved on a separate plate,
which has at the side two male figures holding banners inscribed
" Fata viam invenient," and " Invia Virtuti nolla Est via" and
above and below soldiers exercising with lances and guns.
" Are to be sould bi Roger Daniell at the angell in lumbard street."
(Inner plate), 3f in. x 2£ in. By J. Payne.
(Border), 8 in. x 5 in.

ENGRA VINGS. 89
273. Copy from 270, in same direction. Bust, in oval frame, which is
supported by four winged boys, carrying a garland of fruit ; on a
small banderole above the frame is " Elizab. Regina."
Headpiece to the account of Jesus College in Anthony a Wood's
"Historia et Antiquitates Universitatis Oxoniensis," 1674, fol.
P- 315-
1 1 in. x \\ in. Anonymous.
274. The picture at St. James's Palace (see Pictures No. 60). To the
waist only, turned to the left.
5 in. x 4\ in. By W. Holl, stipple.
In Charles Knight's " Gallery of Portraits," 1833-37, vol. 6.
275. The "rainbow" picture at Hatfield (see Pictures No. 61).
" Queen Elizabeth. From the original of Zucchero in the Col
lection of the Most Noble The Marquis of Salisbury. Drawn by
Wm. Derby, and Engraved (with Permission) by T. A. Dean.
Published June 1*', 1825, by Harding, Trip hook 6° lApard, Fins-
bury Square, London."
7§ in. x 5-|- in. By T. A. Dean, stipple.
In the folio edition of Lodge's "Portraits of Illustrious Personages
of Great Britain," 1821-34, vol. 5.
276. The same picture. " Queen Elizabeth. Ob. 1603. From the
Original of Zucchero in the Collection of the Most Noble the
Marquis of Salisbury. Engraved by W. T. Fry. London, Pub.
May 1, 1829, by Harding &• Lepard, Pall Mall East."
5 in. x 4 in. By W. T. Fry, stipple.
In the octavo edition of Lodge's Portraits, 1835, vol. 4. Afterwards
used as frontispiece to vol. 1 of R. Montgomery Martin's " The
British Colonies," published by Tallis.
277. The same picture. Engraved in aquatint and highly finished in
colours.
9^ in. x i\ in. By Henry Shaw.
278. The Versailles copy from the " rainbow " picture (see Pictures,
No. 63); seen to below the waist; oval. Below : — " Elisabeth
d'Angleterre. Tirk du Muske de Versailles. Baudran sc."
4\ in. x 3^ in. By Baudran.
Frontispiece to M. Capefigue's " La Reine Vierge Elisabeth d'Angle
terre," 1863.
279. Same as the last ; bust, turned to the left ; vignette. Below :—
"Elisabeth." " Publie par Fume, Paris." Anonymous, stipple.

9o QUEEN ELIZABETH.
280. The picture at Burghley House (see Pictures, No. 70). Bust,
turned to the left. " Queen Elizabeth, Drawn &• Engraved
by Henry Meyer from an original Painting in the Collection of
the most Noble The Marquis of Exeter." "London Published by
H. Colburn 6-= R. Bentley 1831."
5 \ in. x 4^ in. By H Meyer, stipple.
Frontispiece to vol. Ill of E. Nares's "Memoirs of William Cecil,
Lord Burghley," 1831, 410. Afterwards used as a frontispiece to
Thomas Wright's "Queen Elizabeth and her Times," 1838, 8vo.
281. The picture of the Queen's Visit to Blackfriars to attend the
wedding of Anne Russell and Lord Herbert (see Pictures,
No. 65). Below is a long inscription, in which the subject
represented is erroneously identified as " The Royal Procession
of Queen Elizabeth to visit the Right Hon. Henry Carey, Lord
Hunsdon," and the principal personages are incorrectly named.
18 in. x 22J in. By G. Vertue.
In the engraving Vertue has altered the position of the Queen's right
arm, bringing it in front of her body, with the hand holding a jewel
suspended from her neck.
One of the set of Tudor prints engraved for the Society of Antiquaries.
282. Copy from the last. An upright plate with the upper part of the
building in the background added. Below is the same inscription
(without the Latin title) in three columns.
8 in. x 4! in. Anonymous.
Illustration to John Nichols's "Progresses of Queen Elizabeth,"
first edition, 1788, 4to.
283. Copy from 281. Below: — "Royal Procession of Queen
Elizabeth to visit Lord Hunsdon. From an Original
Painting supposed to be the work of Marc Garrards, in the
Possession of Earl Digby." Copied after Vertue, by J. Bouvier.
7^ in. x 10 in. Lithograph by J. Bouvier.
Illustration to J. Nichols's " Progresses of Queen Elizabeth," second
edition, 1823, 410.
284. Bust, face turned to the right ; without head-dress, but with row of
jewels on the hair and pearl on the forehead ; wearing ermine tippet
and low dress, pearl necklaces on the bare neck, and hanging
jewelled collar. In circular decorated frame, which has on lower
part a scroll inscribed " Elizabeth '' ; about to the right is
the number xxiii. In a sheet of medallion heads of English
sovereigns.
2| in. diameter. Anonymous, ijth century.

ENGRAVINGS. 91
285. Bust, turned to the right, without headdress ; low dress with striped
sleeves ; a pearl pendent from the hair on either side, a pearl in
each ear, and pearl necklace ; oval, with " Elisabeth Konigin
von England " below.
2^ in. x 2 in. By R. 1823.

Class G.
WITHOUT RUFF.

286. To the waist, turned to left, wearing jewelled head-dress, from
which a veil falls behind, and low-necked dress, which is covered
with an ornamental network ; the neck and shoulders are partly
covered by a lace partlet, which is carried up in the form of a
stiff standing collar, edged with a frill, behind the neck; short
double necklace with pendent pearl, and long one of pearls
looped up on the bosom on either side of a large jewelled orna
ment. In plain oval frame inscribed " Elisabeth Dei Gratia,
Anglis Francis et Hibernis Regina." "Re: Hogen-
bergenfe."
3 J in. x 2| in. By Remigius Hogenberg.
287. On horseback, riding to the left, trampling on a dragon, Truth
presenting her with a lance ; she wears a helmet, which is sur
mounted by roses, and a cuirass ; sword in right hand, shield
on left arm ; view of Tilbury and the Armada in left back
ground. Above to the left is " Elizabetha Anglis et
Hibernis Regina, etc.'' " T. Cecill sculp. Sould by Peter
Stent."
1 of in. x 1 if in. By T. Cecill.
288. The Duke of Buccleuch's miniature (see Miniatures, No. 31).
To the left, in plain oval.
2§ in. x 2\ in. By C. H. Je'ens.
Frontispiece to vol. VII of Froude's " History of England," 1863.
289. The Mead miniature at Windsor, (see Miniatures, No. 33.)
Turned to the left ; in plain oval frame of masonry, which rests
on a pedestal ; the framed inscribed " Seruo per regnare,"

92 QUEEN ELIZABETH.
the pedestal "Elizabetha Regina." Below : "/ Oliver
pinxit. G. Vertue sculp."
6| in. x 4\ in. By G. Vertue.
Illustration to T. Hearne's edition of Camden's "Annals," 1 7 1 7, 8vo.
The plate was afterwards used to illustrate a broadside entitled
" The Golden Speech of Queen Elizabeth to her last Parliament
November the 30th Anno Domini 1601 " ; sold by John Bowles.
290. Copy from the last, in same direction. In plain oval frame
inscribed " Queen Elizabeth. When Fifty Years of Age.
Discite Regnare" ; the frame is supported on each side by a
cornucopia, on the left is a royal crown over an inverted papal
tiara, and on the right a trumpet with banner inscribed E. R.
6^- in. x 35 in. By H Fletcher.
A headpiece.
291. Derived from 289. A sculptured bust in a niche, turned to the
right; below: — "Queen Elizabeth. Began to Reign 17 Nov.
1558. Lived 70 Years. Reign' d 44 yn 4"'' Died 24 Mar.
1603." On the same plate with heads, in similar niches, of
Edward VI, Lady Jane Grey, and Queen Mary.
By J. Faber, jun., mezzotint.
In Faber's set of 10 plates of the Kings of England.
292. The picture of " the Perfect Wife " (see Pictures, No. 74). At
the bottom is a scroll bearing the false inscription : — The most
fllustrious Princess Elizabeth Crown'd Queen of England
Anno 1558. H Holbein pinx, 1551. I. Faber fecit 1742.
Publish'd by I. Gattliffe according to Act of Parliament April
1742.
19! in. x 13% in. By J. Faber, jun., mezzotint.
293. Copy from the last ; whole-length, in ornamental frame. " En
graved for Seymour's History of England." By J. Lodge.
294. Copy from No. 292; whole-length.
Woodcut in A. H. MacCalman's " History of England," New York,
1883, p. 300. Anonymous.
295. Copy from No. 292 ; bust only, turned to left ; in plain circle.
3 in. diameter. By S. F. Ravenet.
Illustration to Smollett's "History of England," 1758.
296. Exact copy from the last, turned to the right ; same size. Anonymous.
297. Elizabeth sitting in judgment on the Pope. A satirical print,
altered from an engraving of Diana discovering the misconduct
of Calisto. By P. Miricenys,

MEDALS.
(Arranged chronologically and in accordance with "Medallic
Illustrations of t/te History of Great Britain and Ireland" by
the late E. Hawkins, F.R.S. ; edited by A. W. Franks, F.R.S. and
H.A. Grueber; issuedby the Trustees of the British Museum, 1885.)

1. Accession, 1558.
Bust, slightly to the left, crowned; with small unbroken chin-ruff,
pearl on forehead and pearl necklace. Legend : — "et anglis gloria."
Figured in J. Pinkerton's "Medallic History," 1790, VII, 1, and
F. Perry's Series of English Medals, 1762, IV, 3.
("Medallic Illustrations," 1.)
2. Accession, 1558.
Similar to the last, but with richer drapery ; same legend.
(" Medallic Illustrations," 2.)
3. Accession, 1558.
Similar to the two last, but with larger ruff ; same legend.
(" Medallic Illustrations," 3.)
4. Reform of the Coinage, 1560.
Bust, turned to left, crowned, with small unbroken chin- ruff, and pearl
on the forehead. Legend : — " Et Anglis Gloria."
Figured in Pinkerton's " Medallic History," VII. 3, and in Perry's
Series, VI, 1.
(" Medallic Illustrations," 22.)
5. Reform of the Coinage, 1560.
Similar to the last, but with floral wreath instead of the legend.
Figured in Pinkerton's "Medallic History," VII, 2, and in Perry's
Series, VI, 2.
(" Medallic Illustrations," 23.)

94 QUEEN ELIZABETH.
6. Reform of the Coinage, 1560.
Similar to No. 4 ; with legend " God save the Qvne."
(" Medallic Illustrations," 24.)
7. St. Saviour's School, Southwark; founded 1562.
To the waist, left profile, wearing low head-dress and large unbroken
chin-ruff; pearls in the hair and pearl necklaces. Legend: — " Eliza
betha. regnante. condita. fuit. a. d. mdlxii." Kirk fecit. A prize
medal. ("Medallic Illustrations," 37.)
8. Penrith Free Grammar School; founded 1564.
Bust, turned to left ; derived from the print by C. Vermeulen (see
Engravings, No. 246). Legend : — " regina elizabetha schols.
regis de penrith. fundatrix." A prize medal.
(" Medallic Illustrations," 39.)
9. Medalet, 1572.
Nearly to the waist, to left, crowned ; sceptre in right hand ; without
ruff. The only known example is in the Hunter collection, Glasgow.
(" Medallic Illustrations," 55.)
10. The Queen's recovery from the small-pox, 1572.
Bust, in profile to left, crowned, with dishevelled hair ; small frill at
the neck. She is represented as an elderly woman with Jewish profile.
Legend: — "posvi devm adivtorivm mevm 1572."
The only known example is in the British Museum.
Figured in Pinkerton's " Medallic History," VII, 6.
(" Medallic Illustrations," 48.)
11. The Queen's recovery from the small-pox, 1572.
Bust, turned to the left, the face in profile ; without crown, but
with jewelled head-dress and caul ; richly jewelled dress, with
wide-open lace collar exposing the neck and bosom. Legend : —
"elisab regi angli fran iber. primave." Executed by Jacopo
Primavera. Figured in J. D. Kohler's "Historische Munz-Belustigung," 1729-1750,
vol. XXI (front.) and in Heraeus's " Bildnisse der Regierenden Fiirsten,"
1828, pi. 22, fig. IV.
[The fact that this medal was struck abroad may account for the
character of the dress, which is unlike any worn by Elizabeth, and was
not introduced into England until the reign of James I.]
(" Medallic Illustrations," 49.)

MEDALS. 95
12. Defence of the Kingdom, 1572.
Bust, left profile, crowned, with dishevelled hair and small ruff
fitting close to the cheek. Legend : — " qvid. nos. sine, te."
Figured in Pinkerton's " Medallic History," VIII, 3 ; and in Perry's
Series, VI, 4.
(" Medallic History," 57.)
13. Phcenix Badge, 1574.
Bust, face in profile to the left, not crowned ; with small ruff fitting
close to the cheek ; hair plaited at back of the head and jewelled.
Legend : — " elizabetha. d. g. ang. fr. et. hib. regina," and around
" HEI MIHI QVOD TANTO VIRTVS PERFVSA DECORE. NON HABET ETERNOS
INVIOLATA DIES."
Figured in Pinkerton's " Medallic History," VII, 4 and 8 ; " Vetusta
Monumenta," vol. I, pi. 20 ; Perry's Series, V, 3 ; J. Evelyn's " Dis
course of Medals, 1690," p. 93 ; Kohler's " Miinz-Belustigung," XXI,
225; Van Loon's "Historie Metallique," I, 558; and J. J. Luckius's
"Sylloge Numismatum Elegantiorum," &c, 255.
("Medallic Illustrations," 70.)
14. Personal Badge, 1582.
Bust, face in profile to the left, without crown ; curved unbroken ruff;
wired-out gauze wings rising behind the head. Within a garter inscribed
"HONI SOIT QUI MAL Y PENSE."
Figured in Pinkerton's " Medallic History," VII, 10, and Perry's
Series, V, 4.
(" Medallic Illustrations," 85.)
15. Assistance to the United Provinces, 1585.
The Queen, whole-length, crowned and wearing unbroken ruff, seated
in a chair in profile to the right, is presenting roses to two deputies from
the United Provinces. Legend : — " macte. animi. rosa. nectare.
imbvta." A counter struck in Holland.
Figured in Pinkerton's " Medallic History," VIII, 4, and G. van
Loon's "Histoire Metallique," I, 355. 2.
(" Medallic Illustrations, 86.)
16. Assistance to the United Provinces, 1586.
The Queen, whole-length, full face, seated on a throne, in full
robes, without any ruff, presents a sword to two kneeling deputies
from the United Provinces, in the presence of the Earl of Leicester.
Legend : — " E. R. est. altrix. esvrientiv m. evm." A counter struck
in Holland.
Figured in Pinkerton's " Medallic History," VIII, 5, and Van Loon's
"Histoire Metallique," &c, I, 359.
(Medallic Illustrations, 87).

96 QUEEN ELIZABETH.
17. Assistance to the United Provinces, 1587.
The Queen, whole-length, full face, is seated on a throne, crowned
and holding a sceptre and mound, and trampling on the hydra of
Popery ; the Earl of Leicester stands before her and five naked genii
present the arms of the United Provinces. Legend : — deo. opt.
max. lavs. et. honor, in. 02. swm. qvod. Struck in Holland.
Figured in Pinkerton's " Medallic History," VIII, 8 ; Van Loon's
" Histoire Mdtallique," I, 369 ; and P. Bizot's " Histoire Me"tallique de
la Republique de Hollande," p. 57.
(" Medallic Illustrations," 99.)
18. Naval Reward, 1588.
Nearly to the waist, face turned in profile to the left ; without crown ;
pearls in the hair and pearl earring ; broad unbroken chin-ruff, neck
laces hanging on the breast, sleeves of the dress puffed and jewelled.
Legend : — Elizabeth, d. g. anglie. f. et. hi. reg.
Figured in Pinkerton's " Medallic History," VII, 5, and in Perry's
Series, V, 1.
("Medallic Illustrations," 119.)
19. Naval Reward, 1588.
Bust, full face, crowned and holding sceptre and mound ; high ruff
open in front, dress puffed and jewelled. Legend: — ditior. in. toto.
non. alter, circvlvs. orbe.
A medallion of fine workmanship, probably executed in the last
century. ("Medallic Illustrations," 121.)
20. Defeat of the Spanish Armada, 1589.
Elizabeth, seated in a car, holds a palm branch and a prayer-book
inscribed with the commencement of the Lord's Prayer in Dutch.
Legend : — tandem, bona, causa, trivmphat. Struck in Holland.
Figured in Van Loon's " Histoire Me"tallique," I, 388.
(" Medallic Illustrations," 128.)
21. Defeat of the Spanish Armada, 1589.
To waist, nearly full-face, wearing gothic-arched crown, high ruff wide
open in front, and puffed dress, pearl on forehead, pearl eardrop and
necklace. Legend : — ditior. in. toto. non. alter, circvlvs. orbe.
Figured in Pinkerton's " Medallic History," VII, 7 ; Perry's Series,
V, 2 ; and "Vetusta Monumenta," vol. I, pi. 20.
("Medallic Illustrations," 129.)

MEDALS. 97
22. Defeat of the Spanish Armada, 1588.
To waist, full face, crowned, wearing high-rising wide-open ruff and
jewelled dress with puffed sleeves ; sceptre in right hand and mound
in left. Pearl on the forehead and pearl necklace ; no eardrop.
Legend same as on the last. Executed in high relief and of very fine
workmanship. Figured in Pinkerton's " Medallic History," VII, 9, and " Numis
matic Chronicle," N.S. VII, pi. 2.
("Medallic Illustrations," 130.)
23. Defeat of the Spanish Armada.
To waist, left profile, wearing low head-dress and large unbroken chin-
ruff. Legend : — " Elizabeth, d. g. anglis. f. et. hi. reg." Probably
executed in the 18th century.
(" Medallic Illustrations," 133.)
24. Alleviation of Distress, 1601.
Bust, face turned to the left, wearing small arched crown, rising ruff
open in front, jewelled dress and pearl necklace. Legend : — vnvm. a.
DEO. DVOBVS. SVSTINEO.
Figured in Pinkerton's "Medallic History," IX, 10; Perry's Series,
VI, 7, and Evelyn's " Discourse of Medals," No. 97.
("Medallic Illustrations," 177.)
25. Close of the Queen's Reign, 1602.
To waist, turned to left, crowned ; holding mound and sceptre ; rich
high necked dress diapered with roses and fleurs-de-lis, with small ruff.
Legend : — " Cadet, a. latere, tvo. m^ et x. m* a dextris tvis.
Eliz. Regina. a. o>."
("Medallic Illustrations," 184.)
26. Medallic portrait. Bust to left, crowned, with unbroken radiating
ruff, f in. diameter.
Figured in " Medallic Illustrations," vol. I, p. 182.
27. A similar medallion to the last, but somewhat larger, is set within
the bowl of a crystal tazza, mounted in silver-gilt, in the British
Museum.
28. Medallic portrait. To waist, face turned to left, wearing crown with
veil falling from it, high radiating ruff open in front, and pearl
earrings; sword in right hand and mound in left. Inscribed
round upper part : — " Elizabeth d. g. a. f. et hib. regi."
Engraved on a thin embossed silver plate.
Figured in Pinkerton's " Medallic History," IX, 2.
("Medallic Illustrations," 186.) h

98 QUEEN ELIZABETH.
29. Medallic portrait, stamped in imitation of engraving on a silver
plate by Simon van de Passe. Bust, turned to the right ; oval
plate; at the top "Si. Pas.fe." (see Engravings, No. 183.)
2 \ in. x 1 1 in.
Figured in Pinkerton's " Medallic History," VIII, 9 ; and Perry's
Series, IV, 4.
("Medallic Illustrations," 187.)
30. Medallic portrait, similar to the last, but circular and without Passe's
name. Legend : — elizabetha. d. g. ang. fr. et. hib. regina.
("Medallic Illustrations," 188.)
31. Nearly to the knees, turned to the left; wearing open arched
crown ; plain ruff, which is joined in front and shows the neck
above and below it ; and dress patterned with foliage. Sceptre
in right hand and mound in left ; the curly hair studded with
clusters of pearls in the form of hearts. Legend : — " elisabet
D. G. ANG. FRA. HIB. REGINA. NAT. 33. OBIIT 1603." ; in the
exergue " dieu et mon droit." Diameter 4^ in.
Known only by the engravings at the head of the preface to Heraeus's
"Bildnisse der Regierenden Fiirsten," &c. 1828, fol., and in Kohler's
" Miinz Belustigung " ; it is not a contemporary work.
("Medallic Illustrations," No. 192.)
32. J. A. Dassier's medal (in his series of medals of English sovereigns.)
Derived from C. van de Passe's engraving (see Engravings,
No. 160). Bust, turned to the left.
Figured in Pinkerton's " Medallic History," VIII, 6.
(" Medallic Illustrations," No. 193.)
33. Dassier's Medal. Derived from the print by C. Vermeulen (see
Engravings, No. 246). Bust, turned to left. Legend:—
"ELISABETH. D. G. ANG. FR. ET. HIB. REGINA." I. D. (J.
Dassier). This was executed for Dassier's series, but not used.
("Medallic Illustrations," No. 194.)
34. Medallion carved in oak. Head, in profile to the left, wearing
head-dress with drapery falling from it, and small close fitting
quilled ruff.
This originally belonged to Lord Chancellor Ellesmere.
Lent by Earl Brownlow to the Tudor Exhibition, 1890.

COINS

1. Bust, in profile to the left, crowned, with dishevelled hair, wearing
high dress with stiff collar and small frill fitting close to the cheek.
On coins of all values and dates throughout the Queen's reign.
Figured in Ruding's " Annals of the Coinage," pi. XII-XV (silver),
pi. X (gold) ; and Hawkins's " English Silver Coins," pi. XXXV and
XXXVI. 2. Bust, in profile to the left, crowned, holding sceptre and mound ;
with hair dressed in crisp curls and confined in a caul ; high-necked
dress with stiff collar, and small chin-ruff.
On crowns and half-crowns of 1601 and 1602.
Figured in Ruding's " Annals," pi. XIV (silver) ; and Hawkins's
" English Silver Coins," pi. XXXVI.
3. Bust, face turned three quarters to the left, with arched crown, pearl
on forehead and pearl eardrop ; high rising ruff open in front and low-
necked jewelled dress.
On coins dated 1601.
Figured in Ruding's " Annals," pi. XV (silver).
4. Whole-length, full face, seated, in full regalia, with dishevelled hair';
no ruff.
On sovereigns of 1592 to 1595.
Figured in Ruding's " Annals," pi. IX (gold).
5. Half length, turned slightly to the left, standing in a three-decked
ship ; crowned, and holding sceptre and mound, circular chin-ruff and
badge suspended on her bosom.
On rials of 1582-84.
Figured in Ruding's " Annals," pi. IX and X (gold).
6. In old age. Head only, in profile to the left, crowned, with frill at
the neck.
Fragment of a gold broad-piece (unique), formerly in the collections
of the Earl of Oxford and Horace Walpole, now in the British Museum.
No perfect example of this coin exists, and it has been conjectured
that the die was broken by the Queen's command.
Engraved in Lord Orford's Works, 1798, Vol. I, p. 321.
h 2

GEMS AND OWNERS.

1. Her Majesty the Queen ( Windsor).
Cameo on an oriental sardonyx of three strata. Bust, face in profile
to the left, wearing head-dress, partlet and small frill-ruff; necklaces
hanging on the breast. Oval, \\in.x\\ in.
Reproduced in Mr. C. Drury Fortnum's "Notes on some of the
Antique and Renaissance Gems and Jewels in Her Majesty's Collection
at Windsor Castle," printed in "Archaeologia," vol. XLV, p. 16.
No. 6641 of the South Kensington Museum Special Loan Exhibition,
1862. 2. Her Majesty the Queen (Windsor).
Cameo on an oriental sardonyx of three strata. Bust, face in profile
to the left, wearing jewelled caul, curved unbroken chin-ruff, and dress
with "mahoitered" sleeves and white partlet, which is open in front to
show a pendent jewel ; double chain of jewels hanging over the breast.
Oval, 2§ in. x 2 in.
This extremely fine work has been attributed by Walpole to Valerio
Belli (Vicentino) and by others to Coldore, but there is no evidence as
to its true authorship.
Reproduced in Mr. Drury Fortnum's paper in " Archaeologia," vol.
XLV, p. 16.
No. 6641 of the South Kensington Museum Special Loan Exhibition,
1862. 3. Her Majesty the Queen (Windsor).
Cameo on an oriental sardonyx of two strata. Bust, face in profile to
the left, wearing head-dress, curved unbroken chin-ruff fitting close to the
cheek, and diapered dress. Oval, if in. x \\ in.
An unfinished work.
Reproduced in Mr. Drury Fortnum's paper in " Archaeologia," vol.
XLV, p. 16.

GEMS AND OWNERS. 101
4. Imperial Cabinet, Vienna.
Cameo on an onyx. Bust, face in profile to the left, wearing head
dress with veil falling behind, small quilled ruff fitting close to the cheek,
and a rich dress with " mahoitered " sleeves and partlet which is deco
rated with a Tudor rose ; the George hangs by a double chain on the
left breast. Oval, 2 in. x if in.
An extremely fine work, said by Arneth to surpass those at Paris and
St Petersburg.
Figured in J. Arneth's " Die Antiken Cameen des k. k. Miinz-und
Antiken-Cabinettes in Wien," 1849, fol, pi. xiv.
5. Imperial Cabinet, Vienna.
A second cameo, also on an onyx, smaller than the above, but similar
in execution, is mentioned by Arneth.
6. The Hermitage, St. Petersburg.
Cameo cut on a sardonyx. Bust, turned to left, face in profile ; hair
dressed in curls, with low head-dress and caul ; dress cut square at the
bosom, with partlet and curved unbroken chin-ruff; the badge of the
Order of the Garter and a double gold chain are suspended from the
neck. Oval, 2f in. x 2 in.
Formerly in the Orleans Collection, and engraved in " Description
des Principales Pierres Gravees du Cabinet de Monseigneur le Due
d'Orleans," 1784, ii, pi. 74, p. 193.
7. Bibliotheque Nationale, Paris.
Cameo on a sardonyx of three strata. Described in Chambouillet's
" Catalogue des Cam6es, etc. de la Bibliotheque Imperiale, Paris " : —
"371. Elizabeth Reine d'Angleterre. Buste. Sardonyx a 3 couches.
H. 55 mill. L. 40 mill. Monture en or. Nous attribuons ce beau camee
a. Julien de Fontenay, dit Coldore", graveur sur pierres fines et valet de
chambre de Henri IV."
8. Bibliotheque Nationale, Paris.
Cameo on a sardonyx of three strata. Described by Chambouillet : —
"No. 372. Elizabeth reine d'Angleterre. Buste. Sardonyx a 3 couches;
monture en or emaille, ome"e de rubis."
9. Bibliotheque Nationale, Paris.
Cameo on a sardonyx of three strata. Described by Chambouillet : —
"No. 373. Elizabeth reine d'Angleterre. Buste. Sardonyx a 3 couches."
10. Royal Cabinet, The Hague.
A cameo.

102 QUEEN ELIZABETH.
11. South Kensington Museum.
Cameo, cut upon a green and white onyx of three strata. To the
knees, the figure seen in front, the face in profile to the left ; curly hair
and low head-dress; richly embroidered high-necked dress with stiff
collar and small frill-ruff; hands not seen. 2\ in. x i1 in.
12. G. E. Lloyd Baker, Esq.
Agate intaglio. Bust, face in profile to the right, without crown or
head-dress; dress cut low at the bosom, with partlet and small unbroken
chin-ruff. This is said to have been presented by the Queen to Archbishop Parker.
No. 935 of the Tudor Exhibition, 1890.
13. Blencowe, Rev. E. E. (Stow Bardolph Vicarage).
The Barbor jewel. Cameo cut on a fine oriental onyx of three strata,
mounted in a gold enamelled frame, which is enriched with diamonds
and rubies, and has suspended from it a bunch of grapes formed of
pearls. Bust, in profile to left, wearing low head-dress with caul and
unbroken chin-ruff; a double chain of pearls falls over the breast.
This jewel, according to the family tradition, was made for a Mr.
Barbor to commemorate his deliverance from martyrdom at the stake
through the death of Queen Mary and the accession of Elizabeth.
Figured in the Gentleman's Magazine, December, 1840.
No. 1 31 9 of the South Kensington Museum Exhibition of Miniatures,
1865.
14. Duke of Devonshire, K.G.
Cameo, ascribed to Coldore\ Bust, face turned in profile to the left,
wearing falling quilled ruff.
Mounted in the diadem of the Devonshire parure.
15. Duke of Devonshire, K.G.
Another cameo, also ascribed to Coldore".
Mounted in the necklace of the Devonshire parure.
16. Augustus W. Franks, Esq., C.B., F.R.S. (British Museum).
Cameo on a sardonyx. Bust, in profile to the left, with curly hair,
flat head-dress and curved unbroken chin-ruff. Set in an enamelled and
jewelled frame. 1 in. x f in.
17. Earl of Portarlington.
Cameo set in a ring ; bust, in profile to the right, without crown or
head-dress ; high-necked dress with stiff collar and curved unbroken ruff,
fitting close to the cheek.
No. 435 of the Guelph Exhibition, 1891.

GEMS AND OWNERS. 103
18. Duke of Portland ( Welbeck).
Cameo on a sardonyx. Bust, in profile to the right, wearing large
jewelled caul, classical drapery, and pearl earring and necklace.
Engraved by G. Vertue in one of the three plates of jewels belonging
to Margaret Harley, Duchess of Portland.
19. Earl of Rosebery, K.G.
Cameo on an onyx. Bust ; without crown or head-dress ; dress cut
low at the bosom, with partlet and small unbroken chin-ruff.
No. 1035 of the Tudor Exhibition, 1890.
20. F. J. Thynne, Esq.
Cameo cut upon a garnet, in the " Essex " ring. Bust, face in profile
to the left, wearing high chin-ruff. \ in. X f in.
This ring has been said to be the identical one which, according to
the legend, was presented by Elizabeth to the Earl of Essex and
treacherously retained by the Countess of Nottingham ; the story itself
is now wholly discredited, but an unbroken descent from Essex's
daughter is claimed for the ring by its owner.
A woodcut of it appears in Devereux's "Lives of the Devereux, Earls
of Essex," 1853, ii, p. 183; also in the English translation of Labarte's
"Arts of the Middle Ages," 1855, p. 55.
No. 1 03 1 of the Tudor Exhibition, 1890.
21. Miss Elizabeth Wild.
Cameo on a turquoise; in the centre of a jewelled and enamelled
pendant. Exhibited by Miss Wild (in whose family it had been preserved since
it was given as a christening present by the Queen to its first owner) at
the 1872 Jewellery Exhibition at South Kensington, No. 1454.
22. Cameo on a superb oriental onyx of three strata. Bust, in rich
costume. if in. x ii in.
Lent by Heywood Hawkins, Esq., of Bignor, to the South Kensington
Special Loan Exhibition, 1862, No. 6643 of the catalogue.
23. A cameo on an antique onyx. Is mentioned in the catalogue of
the South Kensington Museum Special Loan Exhibition, 1862,
as being then in the possession of Mr. John Webb, a dealer.
24. A cameo on an onyx, of rather coarse workmanship, mounted as a
pendant in enamelled gold, set with stones and of modern French
workmanship, was sold at Christie's in 1874.

SEALS

1. First Great Seal, used from 1559 to 1585.
The Queen, whole-length, full face, is seated on a throne, under a
canopy of renaissance design, with domed top and curtains drawn apart;
she wears the crown and royal robes, and small ruff fitting close to the
cheek ; sceptre in right hand and mound in left ; hair dishevelled. In
the field, one on either side, are two shields charged with arms of
England and France quarterly, encircled by an inscribed Garter and
ensigned with a royal crown. On a tablet on the front of the step of
the throne is the motto : — " Pvlchrvm pro Patria pati." Legend : —
"Elizabeth Dei Gracia Anglie Franciae et Hiberniae Regina
Fidei Defensor." 4 in.
Reproduced in Wyon's "Great Seals of England," 1887.
The same ; the Counterseal.
The Queen is on horseback, directly facing the spectator, the horse
moving to the left; she is bare-headed and without mantle, holds the
bridle with her right hand and in the left a sceptre which ends in a
fleur-de-lis. In the field, behind the Queen, is a large Tudor rose en
signed with a crown, and in front of her a fleur-de-lis also ensigned
with a crown ; two sprays of roses and leaves grow out of the ground,
one from between the horse's fore feet, the other behind his hind feet.
Legend : — " Elizabeth Dei Gracia Anglie Francie et Hibernie
Regina Fidei Defensor."
Reproduced in Wyon's "Great Seals of England," 1887.
(British Museum Catalogue of Seals, No. 442).
2. The second Great Seal, used from 1586 to 1603.
The Queen is represented whole-length, seated on a throne, her face
turned to the left, holding sceptre in right hand and mound in the left.
She wears a head-dress surmounted by a crown, a circular radiating chin-
ruff, hanging jewelled collar, and mantle which is held up by two hands
issuing from clouds, one on each side. Her dress has a pointed

Engraving by Crispin van de Passe, sen., after I. Olivier,
said to represent the Queen in the dress in which she went to St. Paul's
to return thanks for the defeat of the Spanish Armada.
(Engravings, No. 160).

SEALS. 105
stomacher and extended skirt, and under her feet is a cushion. On
either side of the Queen's figure is a shield charged with the arms of
France and England quarterly, encircled with an inscribed Garter and
ensigned with a royal crown; above on each side is a Tudor rose.
Legend : — " Elizabetha Dei Gracia Anglie Francie et Hibernie
Regina Fidei Defensor." 5 in.
The same ; the Counterseal.
The Queen is on horseback, turned to the left, holding sceptre and
mound, and dressed as in the obverse. In the field, in front of the sceptre,
is the Tudor rose ensigned with a crown; behind the Queen's left elbow
is a fleur-de-lis ensigned with a crown, and lower down a harp also en
signed with a crown. Two large roses spring from the ground. Above
the Queen's head are clouds from which rays issue. Legend : —
" ELIZABETHA DEI GRACIA ANGLIE FRANCIE ET HIBERNIE REGINA FIDEI
DEFENSOR." This seal was executed by Nicholas Hilliard, the miniature-painter
and goldsmith ; amongst the Augmentation Office Records is preserved
a patent, dated 1587, granting him a lease of the manor of Poyle, Stan-
more, Middlesex, for 21 years "in consideration of his paines in
engraving ye Great Seale of England."
Engraved in Sandford's " Genealogical History of the Kings of
England," 1677, fol., p. 430 ; in Speed's " Historie," 1632, p. 1132 ; in
Collas's "Tresor Numismatique " (Sceaux d'Angleterre), 1835, pi. 18;
and in C. Knight's " Pictorial History," ii, 540. Also reproduced in
Wyon's "Great Seals of England," 1887.
(British Museum Catalogue of Seals, No. 490).
3. Court of Exchequer.
The Queen is represented seated on a throne under a curtained bal-
dachino, which is supported by four pillars ; she wears crown and royal
robes, and holds the sceptre and mound. The floor and background
are ornamented with a diaper lozengy and charged with roses "en soleil"
and fleurs-de-lis. Legend : — " Elizabeth, d. gra. anglie. francie
et hibernie r. fidei defensor." 3f in.
(British Museum Catalogue of Seals, No. 839).
4. Court of Common Pleas.
The Queen, crowned and in royal robes, is seated under a domed
canopy, the curtains of which are thrown over the arms of the throne ;
she holds the sceptre in right hand and mound in left. In the field to
right is a rose " en soleil " and to left a fleur-de-lis, each ensigned with a
royal crown. "Elizabeth, del gratia, anglie. francie. et. hibernie.
regina. fidei. defensor." 3f in
(British Museum Catalogue of Seals, No. 949).

1 06 Q UEEN ELIZABETH.
5. Ashbourne Grammar School, 1585.
The Queen is represented whole-length, full face, seated on throne
under a canopy, crowned, with mantle and unbroken ruff; holding
sceptre and mound ; feet visible under the skirt ; beside her a deputation
of founders, kneeling. " sigillv. liberae. scholae. grammaticalis.
ELIZABETHAE. REGINAE. ANGLIAE. IN. VILLA. DE. ASHBVRNE. IN. COMI
TATE derbiae." 3# in. x 2f in.
(British Museum Catalogue of Seals, No. 4591.)
6. County Palatine of Chester and County of Flint.
The Queen is on horseback, riding to the left, crowned, holding
sceptre in left hand; long hanging sleeves and skirt open in front
showing patterned kirtle. Background diapered lozengy, with ostrich
feathers and fleurs-de-lis. " sigillvm. elizabethe. del gra. angliae.
FRANCIAE. ET. HIBERNIAE. REGINA. FIDEI. DEFENSOR." 3^ in.
(British Museum Catalogue of Seals, No. 4805.)
7. Middleton Free Grammar School, 1572.
The Queen is represented whole-length, seated on throne under a
canopy, in royal robes, with crown, sceptre and mound ; small frill-ruff.
Above the canopy is a carved tablet inscribed "reg. Elizabeth."
Legend : — " sigill. coll. reg. de. brasen. nose. in. oxon. gvber-
nator. libers, schols. in middleton." Oval, 3 in. x 2 in.
(British Museum Catalogue of Seals, No. 5183.)
8. Queen's College, Oxford, 1584.
The Queen is represented as a statue-like figure, whole length,
standing, face turned slightly to the left, crowned, but without mantle,
holding sceptre in right hand and mound in left. She wears an unbroken
quilled ruff and large ruffles ; her dress, the sleeves of which are puffed
and " mahoitered," has the skirt open in front to show a patterned
kirtle. Under her feet is a shield charged with three eagles displayed
(the arms of Robert de Eglesfield), and in the field are two eagles
displayed surmounted by Tudor roses. Legend (on a banderole) : —
" S. PREP. ET SCHOL' COL' REG IN ACA' DE OXON' STABILIT' PER REGIN'
elizab." x| in.
Figured in J. Ingram's " Memorials of Oxford," 1837 ; i, p. 18.
(Woodcut by O. Jewitt.)
(British Museum Catalogue of Seals, No. 5273.)
9. Southampton Free Grammar School.
The Queen's figure is identical with that in the seal of Queen's
College, Oxford (No. 8). In the field on either side is a shield of the
Royal arms. ts in.
(British Museum Catalogue of Seals, No. 5421).

SEALS. 107
10. Royal Judicial Seal for the Counties of Carmarthen,
Cardigan and Pembroke.
The Queen is on horseback, riding to left, holding sceptre in left
hand, the reins in right ; hanging sleeves, open skirt and girdle.
Legend : — " Elizabeth, del gratia, angliae. franciae. et. hiber
niae. REGINA. FIDEI. DEFENSOR." 2f in.
(British Museum Catalogue of Seals, No. 5575).

EFFIGIES.
SCULPTURED IN THE ROUND.

1. Statue outside St. Dunstan's Church, Fleet Street, London.
Whole-length, standing, wearing crown and royal robes, and wide-
open ruff; sceptre upraised in right hand and the mound in left. Date
on the pedestal 1586. Below: — "This statue of Queen Elizabeth
formerly stood on the west side of Ludgate ; that gate having been taken
down in 1760 to open the street, it was given by the City to Sir Francis
Gosling Kt. Alderman of this ward, who caused it to be placed here."
The statue stood at the east end of old St. Dunstan's Church until
1832, when that edifice was pulled down ; it was then sold for ^16 10s.,
and in 1839 mounted in a niche above the entrance to the parochial
schools on the east side of the new church, where it now stands.
Figured in "The Literary World," May 25, 1839, P- I3^-
2. Statue on the Queen's Gateway, Trinity College, Cambridge.
Seated in a niche, full face, wearing crown, mantle, and broad circular
ruff ; her left hand is laid on the mound which rests on her knee, and
in her right she holds up the sceptre ; hair confined in a caul and dressed
high in front.
This statue was placed here at the time of the completion of the
gateway in 1597 (see Willis and Clark's " Architectural History of the
University of Cambridge," 1886.)
3. Statue over the porch of St. Lawrence's Church, Exeter.
Life-size, seated, wearing crown and mantle and circular quilled ruff;
the hands have been broken off.
This formerly adorned a conduit in the High Street.
4. Statue in Cumnor Church, Oxfordshire.
Whole-length, standing, crowned, with circular ruff, earring, necklace,
brocaded mantle, and gown which is decorated with a scroll-work
pattern ; she holds the mound in her left hand, the right, which held
the sceptre, is broken off.
This statue, which is carved in Caen stone, in eight pieces, is supposed
to have originally stood in the garden of Cumnor Place, the house

EFFIGIES. 109
associated with the death of Amy Robsart, and to have been executed
for the Earl of Leicester, who owned the house in 1573; it is equally
probable that it was made for Henry, Lord Norreys, Baron of Rycote,
who purchased the place from Leicester, and was a special favourite of
the Queen. The statue has been frequently moved ; it was at one time
at Dean's Court, in the parish of Cumnor, thence was taken in 1779 to
Ferry Hincksey, and later to Wytham Court, the seat of the Earl of
Abingdon, where in 1888 it was discovered in an out-house, broken up
and mutilated. It was then restored to (as nearly as possible) its
original condition by the Vicar of Cumnor, who placed it in its present
position at the west end of the church, with the following inscription on
the pedestal : — " Haec effigies Elizabethae Reginae cura impensisque
S. Y. N. Griffith Vicarii ad Comanovam pristinam sedem reducta et ad
unguem refecta 1888."
An engraving of the statue, by J. and H. Storer, showing it as it stood
in the garden of a farm near Ferry Hincksey, appeared in " The Port
Folio," vol. 3, 1823, and a woodcut in " The Mirror of Literature,
Amusement and Instruction," 1827, p. 177.
5. Monument in Westminster Abbey.
A recumbent white marble figure, attired in ermine-lined mantle,
broad open quilled ruff, and low-necked gown, the skirt of which is open,
showing ermine kirtle. On her head is a close-fitting cap, from which
the hair descends in small curls ; a large pearl is attached to the hair
near each ear, and on the neck is a double necklace of pearls ; sceptre
in right hand and mound in left. The head is supported by two
patterned cushions, and at the feet is a lion couchant.
The effigy lies on a marble slab, which is supported by four lions ;
these lie on a panelled base, from which rise ten Corinthian columns of
black marble supporting an entablature crowned by a semi-circular
canopy, which is surmounted by the royal arms. At the west end of the
canopy rises a tablet inscribed : — " Memoris eterns Elizabeths
Anglis Francis et Hibernis Regins, R. Henrici VIII fille,
R. Hen. VII nepti, R. Ed. IIII pronepti, patris parenti
Religionis et bonarvm artivm altrici, plvrimarvm lingvarvm
peritia, prsclaris tvm animi tvm corporis dotibvs, regiisqve
VIRTVTIBVS svpra sexvm principi incomparabili, Jacobvs Magns
Britannis Francis et Hibernis Rex Virtvtvm et Regnorvm
hsres, bene merenti pie posvit."
This monument, which stands in the middle of the north aisle of
Henry the Seventh's Chapel, was erected in 1605 at the expense of King
James I; it was sculptured by Maximilian Powtran, alias Colt, and
coloured by John De Critz, serjeant-painter to the king, the cost being,
exclusive of the material, ^965. No trace of colour now remains upon

no Q UEEN ELIZABETH.
the effigy, which has suffered some mutilation, the crown and the collar
of the Order of the Garter, which it originally possessed, having dis
appeared, as well as the cross on the mound, while the sceptre has been
broken off at the Queen's hand. (See Engravings, No. 152-159).
6. Painted wooden Figure in the Church of St. Mary Red-
cliffe, Bristol.
Above life-size ; whole-length, standing, looking to the left ; wearing
crown, gilt head-dress, radiating quilled white ruff, and red ermine-lined
mantle, which is fastened at the breast with a brooch, and curiously
looped up across the front of the skirt. The dress is blue, with red
ruffles at the wrists, a veil descends from the back of the head-dress. In
right hand she holds the sceptre, and in left the mound ; the fleur-de-lis
on the former, and the cross on the latter are of metal. In the dark
wavy hair are two large jewels. The Queen's feet rest on a phcenix, her
favourite emblem.
The figure is hollow and quite flat at the back, having been intended
to be placed against a wall. Nothing is known of its history, but it may
possibly have been a memorial of the Queen's visit to Bristol in 1574.
7. Wax Figure in Westminster Abbey.
Whole-length, standing, crowned, wearing ermined mantle over velvet
dress, which has long pointed stomacher and short skirt showing
the feet ; a wide spreading ruff is attached to the shoulders of the dress,
exposing the whole neck on which are chains of pearls ; in her right
hand she carries the sceptre and in her left the mound.
This effigy, which is the original one carried at the Queen's funeral in
1603, was restored and re-clothed in 1760.
Figured in Harper's New Monthly Magazine, August 1889.
8. A marble bust of the Queen, with a companion one of the Earl of
Leicester, was lent by the Duke of Manchester to the Tudor
Exhibition, 1890, No. 795 of the catalogue.

ADDENDA.

PICTURES.

1. Mrs. Locke (The Grange, Broadhembury, Devonshire).
Life-size, to the knees ; turned to left, looking to front ; wearing
jewelled head-dress with veil falling from it behind, circular ruff open in
front and decorated with pearls ; black dress with yellow sleeves, skirt
open in front showing yellow underskirt ; right hand holding chain of
roses and pearls, which hangs on the breast. Panel.
This picture was presented by the Queen to Serjeant Edward Drewe,
of the Grange, on the occasion of her visit there.
2. General Edward Newdigate-Newdegate, C.B. (Arbury Hall,
Nuneaton).
Life-size ; half length, face turned to the right, looking at the spec
tator ; wearing jewelled head-dress, with white veil falling from it, high
ruff open in front, low red dress with band of brocade down the middle
and large white patterned sleeves ; in right hand she holds a feather fan
downwards and with the left a rich chain suspended from the shoulders ;
red plaited hair. Patterned green background. Panel.
3. Honourable Society of Gray's Inn.
Similar to the large engraving by Crispin van de Passe (see Engra
vings, No. 160) ; life-size, to the waist, turned to the left, holding
sceptre in left hand.
Presented to the Society by Henry Griffith, Esq,, a Bencher, in 1883.
4. Life-size ; nearly whole-length, standing, turned and looking to left,
crowned, wearing piped lace ruff joined in front, with necklace
above it; black dress cut low at the bosom, with gauze partlet,
the sleeves and bodice puffed and jewelled, under-skirt white and
gold; rich lace cuffs; a profusion of jewels in the yellow hair,

112 QUEEN ELIZABETH.
and pearl earrings. In right hand she holds the mound which
rests on a table, the left grasps her skirt ; behind is a red-backed
chair, and on the background are the royal arms. In lower
left corner " Queen Elizabeth, Zucharo."
[Not a contemporary picture]. Panel, 48 in. x 38 in.
Recently the property of H. Bingham Mildmay, Esq., and sold with
his collection at Christie's, June 24, 1893.
No. 342 of the Tudor Exhibition, 1890.

MINIATURES.
1. Whitgift's Hospital, Croydon.
In the initial letter E of the original Letters Patent founding the
Hospital. Whole-length, seated on throne, directed to front, face turned
to right ; wearing crown, ermine mantle and circular unbroken " piped "
ruff, sceptre in right hand and mound in left ; on the upper part of the
throne is inscribed " vivat regina."
Figured in Nichols's " Progresses of Queen Elizabeth," 1788, 4to.
2. Bodleian Library, Oxford.
Whole-length, seated on throne, turned and looking to left, holding
sceptre in right hand and mound in left ; she wears an arched crown,
large unbroken quilled chin-ruff of rich lace, white veil falling over the
shoulders, and black dress, the skirt of which is drawn up to show pat
terned underskirt. A pearl hangs on the forehead, a jewel is fixed in
the yellow curly hair above each ear, and the stomacher and sleeves
are adorned with rubies and pearls ; a large circular jewel is suspended
by a long band from the waist. A red and gold cushion is under the
Queen's feet. On scrolls to right and left are the words "Semper
Eadem " in gold letters, and below are four lines also in gold letters : —
Qui voudra figurer, d'vn ouurage parfect,
La beauts, la Vertu, l'Ornement, et les graces,
De Nature, des Dieux, de l'vniwers, des Graces,
Accoure contempler la grand Elizabeth.
The whole is enclosed in a border decorated with emblematical
devices. A highly finished "limning" in colours and gold, on paper, prefixed
to a manuscript, " Hymne," addressed to the Queen by Georges de la
Motthe, 1586.
The upper part of the figure has been badly engraved in Harding's
"Shakspeare Illustrated," 1793. (See Engravings, No. 54).

ADDENDA. 113

ENGRAVINGS.
297. (Ante, p. 92). For description substitute the following : —
Elizabeth sitting in judgment on the Pope. A satirical design adapted
from the classical myth of Diana discovering the misconduct of Calisto.
The Queen, as Diana, unclothed, but with a crown on her head, is seated
on the right, her hand on a shield which is charged with the royal arms
of England ; behind her are four nymphs representing four of the seven
United Provinces, each holding an armorial shield. On the left the
Pope, in the character of Calisto, is held down and uncovered by figures
of Time and Truth ; he lies upon a nest of eggs, from which issue
various monsters, "inqvisition," "draghon," " baltesar sera morder
vande prins" [*. e. Balthasar Gerards, murderer of the Prince of
Orange], etc. At the bottom of the plate to left are two Dutch lines : —
Doer den tijt metter waerheijt wort ons ghetoont
Den schadelijcken nest ontdeckt met die brothen ghecroont.
and on a tablet to right twelve more : —
O edele princesse lofbaer die hier reijn bloeme zijt verheuen
Van got vercoeren met uwen maechden seer schoone
Zijt altijt voersichtich oft ghij suit comen in sneuen
Dat fenijnich gebroetsel comt hem wt den dop verthone
Die eijeren van antechrijst en van belphegors sonen
Staen schoen gekipt in des moeders nijdich harten
O godt mochten die ionghe breeken haer moeders crone
So bleuen dese landen te samen wt grooter smarten
Die gecroonde beest bedrijft veel booselijcke parten
Aen den moort van parijs heeftmen haer sien wencken
Soo mennich christenen haer bloet versmoert
En wilt den prins van oraengens doot gedencken.
Between these inscriptions is the monogram of Peter Miricenys, an
engraver and printseller of Antwerp.
Below, and printed from a separate plate, is a translation of the above
twelve lines in hardly intelligible English : —
Oich Nobel Prince and most famose flouer
Cofsen of god wyth youer medes very ferre
By alwese Sercomspecte that you com not tho deuouer
That venom se brydyge showes him selfe out of the shell feare.
The eges of Antycryst and belsebobes tower
 and ferre taken in ther mothers hart of fier.
1

ii4 ADDENDA.
O god myght the youngonies brecke ther mouthers Cronne and flouer
So Remened thes landes to gether from deuouer
The thry Cronned best dothe Pie mane venemose partes
As by the morder of Parys wye haue Sinne him Shinne
And mordered so mane a Cristen bloud as bestes or Swyne
Ther fore think vppon the Prince of Orynges deth in tym. By P. Miricenys.
From the references to the death of the Prince of Orange as a recent
event it seems probable that the plate was issued at the time of
Leicester's expedition to the Netherlands in 1585.

INDEX.

PAGE
A. F., engraving by . . .77
Ackermann's " Westminster
Abbey," illustration to . .70
Adam, engraving by . .40
Addington, Samuel, miniature
belonging to ... 34
Aiken's " Court of Queen Eliza
beth," frontispiece to . -73
Anne of Denmark, miniature
probably representing . . 33
Antiquarian Repertory, en
graving in . . . -49
Apethorpe Hall, picture for
merly at . . . 6
Arbury Hall, Nuneaton, pic
ture at  in
Armada, picture commemo
rating  8
 medals commemorating 96, 97
Armillary sphere, a device . 20
Ashbourne Grammar School,
seal of  106
Ashley, Hon. W., miniature
belonging to ... 34
Ashmole's " Order of the Gar
ter," illustration to . .41
Ashridge, picture at . . 5
Aubert, M., engraving by . 86
Audinet, P., engraving by .78
Bagot, Lord, miniature belong
ing to  29
Baker, G. E. Lloyd, gem be
longing to . . . . 102
Baker's " Chronicles of Eng
land," illustration to . .87
Barbor jewel .... 102
Barra, Jan, engraving by . 74
Bartolozzi, F., engraving by . 35
Battersea Church, window in . 64
Baudran, engraving by . .89
Basilialogia, engraving in . 88
Beauchamp, Earl, miniature
belonging to ... 29
 picture belonging to . 4
Bedford, Duke of, picture be
longing to . • ¦ -8

PAGE
Bentivoglio's " Delia Guerra di
Fiandra," illustrations to 57.
Berthoud, H., engraving by .
Bible, Bishops', title to . 36
 Cranmer's, title to .
Blackfriars Wedding picture 20, 90
Blencowe, Rev. E. E., gem be
longing to .
Bocklin, J. C, engraving by .
Bocquet, E., engraving by
Bohun's " Character of Queen
Elizabeth," frontispiece to .
Bond, W., engraving by .
Boner, J. A, engraving by
Bo^s " Nederlandtsche Oorlo-
gen," illustration to
Boughton House, Northants,
picture at ...
Bouttats, G., engravings by .
Bouvier, J., lithograph by
Braun's "Theatrum," portrait
in 
Breadalbane, Marquess of,
miniature belonging to 27
Bristol, St. Mary Redcliffe
Church, effigy in . . .110
British Museum, pictures for
merly in . . . 8, 1 7
 drawings in . 24, 25, 40
Broadhembury, picture at .111
Brocas, engraving by .82
Brownlow, Earl, picture be
longing to .
Buccleuch, Dowager Duchess
of, picture belonging to 2.
Buccleuch, Duke of, picture
belonging to
 miniatures belonging to .
28, 30, 31, 33, 34
Buckinghamshire, Earl of, pic
ture belonging to .
Burchett, R., picture by .
Burghley House, picture at 21, 90
Burnet's " Reformation," illus
trations to . . . .82

87863936

102 8384 59
73 74 5i IS
57
90 5i
,43

5
35 15
1 9i 4 3

n6

QUEEN ELIZABETH.

20 15
108

,91 89

8,63 29
107 61 5°
29

74>

PAGE
Cambridge, St. John's College,
picture at ... •
 Trinity College, picture at
 effigy at .
 University Library, pic
ture in 
Camden's " Annals," illustra
tions to . . 42, 62, 73
Capefigue's " Elizabeth d'Angle
terre," frontispiece to .
Cardross, Lord, picture for
merly belonging to
Carlisle, Earl of, miniature be
longing to .
Carmarthenshire, etc., judicial
seal for ....
Carwitham, J., engraving by .
Case's " Sphaera Civitatis,"
woodcut in .
Castle Howard, miniature at .
Caulfield's "Court of Queen
Elizabeth," illustration to .
Cecill, T., engravings by .
Champion, lithograph by.
Chapman, J., engraving by
Charlecote Park, picture at .
Chatsworth, miniature at
Chester, co., and Flintshire,
seal of 
Chichester, Earl of, miniature
belonging to
Cholmondeley, Reginald, pic
ture belonging to .
Clar, engraving by .
Clarendon, Earl of, picture be
longing to
Clarendon's " History of Eng
land," illustrations to . 37
Clark's " History of Queen
Elizabeth," frontispiece to .
Cobham Hall, picture at .
Coello or Gonzales, picture by
Coinage, medals commemo
rating reform of . . 93, 94
Colander held by the Queen . 5
Cole, B., engraving by . .69
 J., engraving by -7°
Common Pleas Court, seal of . 105
Condover Hall, picture at , 16
Conquy, engraving by . 52
Cooke, E. W, R.A., miniature
belonging to ... 34
Cooper, R., engravings by 52,
77, 81
Coote's " History of England " 79
Corsham, picture at . . 14
Croydon, Whitgift's Hospital,
miniature at. . . .112
Cumnor Church, Oxfordshire,
effigy in . . . .108

8191 86
86 10
28
106 3° 16
86 22
87 48 4 9

PAGE
Custos's "Atrium Heroicum,"
illustration to . . -55
Darcie's " History of Eliza
beth," illustrations to . 69, 81
Darnley, Earl of, picture be
longing to . . . .4
Dart's " Westmonasterium,"
illustration to . -7°
Dassier's medal . . .98
David, C, engraving by . .73
Day's " Booke of Christian
Prayers," woodcut in . .40
Dean, T. A., engravings by 50, 89
Delaram, F., engravings by 62, 88
Delff, W. J., engraving attri
buted to .... 50
De L'Isle and Dudley, Lord,
picture belonging to . .11
Dent, Mrs., pictures belonging
to . . . . . 6, 10
Derby, Earl of, miniature be
longing to . . . . 31
Des Voeux, Lady Sophia, minia
ture belonging to . . -34
Deveria, E., lithograph by . 48
Devonshire, Duke of, picture
belonging to . . . 17
 miniature belonging to . 28
 gems belonging to . . 102
D'Ewes's "Journals," frontis
piece to . . . .60
D'Heere, Lucas, pictures by or
attributed to . . 2, 6, 23
 engraving after . . 42
Diana and Calisto, satirical
print . . . . 92, 113
Digby, J. D. Wingfield, picture
belonging to . . .20
Digges's " Compleat Ambassa
dor," frontispiece to .48
Dilke, Sir Charles, miniature
belonging to ... 30
Dillon, Viscount, picture be
longing to . . . .21
Ditchley, picture at. . .21
Ditton Park, Slough, picture at 2, 35
Dover, Corporation of, picture
belonging to . . .19
Downing, Robert, picture be
longing to . . . .12
Droeshout, M., engraving by . 66
Du Bosc, C., engraving by . 70
Dysart, Earl of, miniature be
longing to . . . .32
Earlom, R., engraving by . 63
Echard's " History of Eng
land," illustrations to . 60, 76
Elder, W., engraving by . .84

INDEX.

117

. PAGE
Ehott-Drake, Lady, miniature
belonging to ... 28
Elizabeth sitting in judgment
on the Pope. . . 92,113
Elizabeth, accession of; medals
commemorating . . -93
 medallic portraits . 97, 98
Elizabeth's recovery from small
pox, medals commemorating 94
Elizabeth's reign, medals com
memorating close of . -97
Ellis's " Original Letters," illus
tration to . . .50
Elstracke, R., engravings by or
attributed to . . 47, 54, 79
England, Great Seals of . 104,105
Ermine, a device on the
Queen's sleeve ... 9
Essex ring .... 103
Exchequer Court, seal of . 105
Exeter, Marquess of, picture
belonging to. . . 21, 90
Exeter, St. Lawrence's Church,
effigy at . . . .108

Faber, J. sen., engraving by .
 jun., engraving by .
Faithorne, W., engravings by .

80
92
48, 75
Fan of feathers 8, 10, 11, 12, 13,
15, 16, 17, 18, 21, 24, 41, 51
Fan, folding . . 16, 19, 21
Farrer, pictures formerly in
possession of 9,
Fleischmann, F., engraving by
Fletcher, H., engraving by
Franks, A. W., gem belonging
to 
Frederick, Empress, of Ger
many, picture belonging to .
Froude's " History of Eng
land," illustration to .
Fry, W. T., engraving by
Fryston Hall, picture at .
Fuller's " Holy State," illustra
tion to 

77 92

13
9i 89 18

87

Gardiner's " England's Griev
ance discovered," illustration
to  55
Garter, badge of the, held by
the Queen . . . 5> ll
 procession of Knights of
the  41
Gascoigne, George, presenting
his book . . . .24
 his " Book of Hunting,"
woodcuts in . . . -4°
Gauntlet, a device on Eliza
beth's ruff .... 20

PAGE
Gavard's Versailles Gallery,
portrait in . . . .52
Gaywood, R., etching by . 70
Geminus, T., engraving by . 37
Gheeraedts, Marc, etching by 41
 pictures by or attributed
to. . . 4,5,8,12,13,15
Goldsmith's " History of Eng
land," illustration to .68
Gonzales or Coello, picture by 9
Goode, W. J., picture belong
ing to  20
Goodman's "Court of James I,"
frontispiece to . .42
Gorhambury, picture at . 16, 63
Gosson's " Pleasant Quippes,"
woodcut in . . . .63
Grafton's Chronicle, title to . 37
Graves, R., engraving by . 77
Gray's Inn, picture belonging
to  Ill
Greatbach, W., engraving by . 42
Great Hampden, Bucks, pic
ture at  4
Grignion, C, engraving by . 47
Grimestone's " History of the
Netherlands," illustrations to 59, 74
Gripsholm, Sweden, pictures at 23
Grove, the, picture at .22
Gucht, M. vander, engravings
by ... 57,62,87
Guernsey, Elizabeth College,
picture belonging to . .12
Gulston collection, engraving
in  64
Gunst, P. a, engraving by . 86

Habert, engravings published
by  56
Hague, Royal Cabinet, gem in 101
Hall, J., engravings by . 68, 76
Ham House, miniature at . 32
Hampton Court, pictures at .1,2,
5, 13, 23, 35, 42
Harcourt, Rev. W. Vernon,
miniature belonging to . 34
Harding, E., jun., engraving
by  49
Harding, G. P., drawing by . 25
Harding's " Shakspeare Illus
trated," engraving in . .49
Hardwick Hall, picture at .17
Hardwicke, Earl of, pictures
belonging to . . 8, 22
Harington's " Nugae Antiquas,"
illustration to . . .52
Hatfield House, pictures at 9, 19,
22, 50 89

n8

QUEEN ELIZABETH.

the

34
103

¦ 74 20
79
6, 43
,35,35. 6440
, 80
66
80
,67

PAGE
Hawkins, J. Heywood, minia
ture belonging to .
 gem belonging to
Hayward's " Edward
Sixt," title to
Healy, picture by .
Heath, J., engraving by .
Henham Hall, picture at
Henry VIII and his family
Henry VIII, his children, and
Will Somers . . 2
Henry VIII and his succes
sors .... 6,
Hentzner's " Travels," frontis
piece to ....
Herwologia, engravings in 69
Heywood's " England's Eliza
beth," frontispiece to .
¦  " Worthy Women of the
World," illustration to .
Hilliard, N., pictures attributed
to  9, 62.
 miniatures by or attri
buted to 26, 28, 29, 30, 31, 32,
33, 34
 engravings after 42, 50, 62, 63
Hodgson, Rev. John, picture
belonging to ... 3
Hoefnagel, G., engraving by . 51
Hogenberg, F., engravings at
tributed to . . . 38, 44
Hogenberg, Remigius, engrav
ings by . . . .38
Holl, W., engraving by
Holland, Compton, portrait
published by
Holland, Philemon; illustration
to his translation of Livy
Hollar, W., engraving by
Hollis's " Memoirs," illustra
tion to .
Hondius, H., engraving pub
fished by
 Jodocus, engraving by
Hopwood, J., engraving by
Horsey, Major E. R., miniature
belonging to
Hothfield, Lord, picture be
longing to .
Houghton, Lord, picture be
longing to
Houve, P. de la, portrait pub
lished by
Hulett, J., engraving by
Hume's " History of England,"
illustrations to . 43, 68, 76, 78
Hunsdon House, visit to, pic
ture falsely so called . 20, 90
Huth, Henry, broadside in col
lection of . . .46

9i

55
44 41 755o54
61 30

18
56
76

Ilchester, Earl of, picture be
longing to .
Jeens, C. H., engraving by
Jenichen, Balthasar, engraving
attributed to . .
Kaye, C. Lister, picture be
longing to .
Kennett's " History," illustra
tion to .
Kenyon, Lord, picture belong
ing to .
Kimber's " History of Eng
land," illustration to
Knebworth, picture at
Knight's "Gallery of Portraits,'
illustration to
Knole, picture at
 miniature at .
Knowsley, miniature at
Kyte, F., engraving by

PAGE

91
44 12
60 7
76
22

2226
3i
67

Laing, David, picture formerly
belonging to . . .18
Landon, C. P., engraving by . 86
Larrey's " Histoire d' Angle
terre," illustration to . .84
Le Petit's " Grand Chronique
de Hollande," illustration to 46
Leti's "Elisabetta Regina d'
Inghilterra," illustrations to 74, 84
Leu, T. de, engraving by .51
Lever's " Defenders of the
Catholique Faith," illustra
tion to  81
Liefrinck, Hans, engraving
published by . . .37
Little Gaddesden, picture from
Manor-house at . . .5
Lizars, D., engraving by . .78
Locke, Mrs., picture belonging
to  in
Lodge, J., engraving by . .92
Lodge's " Portraits," illustra
tions to .... 89
Longford Castle, picture at . 12
Lucy, Miss, picture belonging
to  10
Lutterell, E., portrait drawn
by .... 60-62
Lytton, Earl of, picture belong
ing to  22
MacCalman's " History of
England," illustration to . 92
Macclesfield, Earl of, picture
formerly belonging to . . 17
Mackenzie, engraving by . 78

INDEX.

119

., , PAGE
Madresfield, picture at . .4
 miniature at . . .29
Malcolm, J. P., etching by . 62
Manchester, Duke of, bust be
longing to . . . .110
Map of England, the Queen
standing on . . . .21
Marais, L. de, lithograph by . 86
Marshall, W., engravings by 74, 87
Martin, G.E., picture belong
ing to  22
Martin's " Kings of England,"
illustrations to . . 54, 74
Manduit, C, engraving by . 77
Mauraisse, lithograph by . 86
Mead, Dr., miniature formerly
belonging to . . 33, 9 1
Melbury Park, picture at . 20
Meteren's " Historia Belgica,"
illustrations to . 42, 46, 73
Methuen, Lord, picture belong
ing to  14
Meyer, H., engraving by . 90
Middleton Grammar School,
seal of  106
Mildmay, H. B., picture for
merly belonging to . .111
Miller, A, engraving by . .67
Milles's " Nobilitas Politica
vel Civilis," illustrations to . 47
Milton, T., engraving by . 79
Miricenys, P., engraving by 92, 113
Moitte, C, lithograph by . 85
Monument in Westminster
Abbey ... 69, 70, 109
Morley, Earl of, picture be
longing to . . . -9
Mortimer's " History of Eng
land," illustration to . -47
Mountague's " History of Eng
land," illustration to . .47
Mountin, G., engraving by . 69
Mynde, J., engravings by 68, 70
Nares's " Memoirs of Lord
Burghley," illustration to . 90
National Portrait Gallery, pic
tures in . .3, 5, 8, 17, 42
 miniature in . . .26
Naunton's " Fragmenta Rega
lia," illustration to . .81
Naval rewards, medals . . 96
Newdigate-Newdegate, Gen.,
picture belonging to . .111
Nichols's " Progresses of Queen
Elizabeth," illustrations to 63, 90
Nonsuch Palace, View of . 51
Olivier, Isaac, pictures attri
buted to . . 20, 67, 70

Olivier, Isaac, drawing by
 miniatures attributed

PAGE . 24
to
r> _, « ^ „, *9' 32' 33> 34
Opmeer's " Opus Chronogra-
phicum," illustration to
Orde, Dowager Lady, minia
ture belonging to .
Orleans Collection, gem for
merly in ... .
Osborne's " Queen Elizabeth
and King James," illustra
tion to 
Overton Hall, picture at .
Oxford, Bodleian Library, pic
ture in .
 miniature in . 49.
 Christ Church, picture at
 Jesus College, picture at.
 Queen's College, seal of . 106
 Sutherlandcoll.,drawingin 25

52
31

75 7
21
112 1114

P * * *, engraving by .
Parham Park, picture at .
Paris, Bibliotheque Nationale,
gems in ... .
Partridge, a dealer, picture
formerly belonging to .
Passe, C. van de, sen., engrav
ings by . . 54, 58, 70, 80
 jun., engraving by . .69
Passe, Simon van de, miniature
attributed to
 engraving by . . 75
Payne, J., engraving by .
Peckforton, picture at
Penrith Grammar School, prize
medal of ... .
Penshurst, picture at
Perdoux, engraving by .
" Perfect Wife," picture of 22
Persian dress ....
Petit, L., engraving by .
Phcenix badge . . 3
Pinsson, C, engraving pub
lished by ... .
Portarlington, Earl of, gem be
longing to .
Portland, Duke of, gem belong
ing to 
 picture belonging to
 miniatures belonging to 26, 30
Powerscourt, Viscount, picture

85 18

'3

3i
,98 88 16
94 11
85
,92 23 53
,95 57

103 12

belonging to
Prayers, book
Elizabeth
Propert, J. L.,
longing to

Punt, J., engraving by

of, written by . 32
miniatures be- 27,31

75

Queboren,C.van, engravings by 73

QUEEN ELIZABETH.

PAGE
Queen, The, drawing belong
ing to  24
 gems belonging to . .100
 miniatures belonging to . 28,
33,91
 pictures belonging to 1, 2,
5, 13, 19, 23, 35, 42, 89
R., engraving by . . 91
Rabel, J., engraving by . .50
Radnor,Earl of, picture belong
ing to  12
"Rainbow" picture at Hat
field . . . . 19, 89
Rapin's "Acta Regia," illustra
tion to  62
Rapin's " History," illustrations
to . . . 61, 68, 70, 76, 87
Ravenet, S. F., engraving by . 92
Ridgway, W., engraving by . 42
Ridley, W., engraving by . 78
Roberts, engraving by . .78
Rogers, Samuel, miniature for
merly belonging to .27
Rogers, W., engravings by 64, 65, 72
7840 81
78
103 6
17
8534 51

Rogers, engraving by
Rogers's " Imitations of Draw
ings " .
Rolt's " Lives of the Refor
mers," illustration to .
Romney, J., engraving by
Rosebery, Earl of, gem be
longing to ,
Rothschild, Lord, picture be
longing to .
Rousham Hall, picture at
Rullmann, lithograph by
Rutland, Duke of, miniature
belonging to
Rutlinger, J., engraving by

Sackville, Lord, miniature be
longing to . . . .26
 picture belonging to . 22
St. Dunstan's Church, Fleet
Street, effigy at . . .108
St. James's Palace, picture at 19, 89
St. Petersburg, the Hermitage,
gem at  101
St. Saviour's School, South
wark, prize medal of . -94
Salisbury, Marquess of, pic
tures belonging to 9, 19, 22, 50, 89
Saltram, picture at . . .9
Salwey, A., picture belonging
to  7
Sandford's " Genealogical His
tory," illustrations to . 70, 75
Saxton's Maps, portrait pre
fixed to .... 43

PAGE
Scharf, G, his correction of
Vertue's false title " Visit to
Hunsdon House " . .20
Schleuen, J. D., engraving by . 81
Seymour's " History of Eng
land," illustration to . .92
Shardeloes, Bucks, picture at . 9
Shaw, Henry, engravings by 35, 89
Sherborne Castle, picture at 20, 90
Shirley's "English Deer Parks,"
illustrations to . .40
Sichem, C. van, engravings by 46
Simms, P., engravings by 59, 82
Simon, J., engraving by . .67
Smeeton's " Unique," engrav
ing in  80
Smith, Anker, engraving by . 76
Smith, James, engraving by . 61
Smith's " Historie of Virginia,"
title to  74
Smollett's "History of Eng
land"  92
Snare, Mrs., picture belonging
to  19
Solly, S. Reynolds, miniature
formerly belonging to . 32, 34
Sotheby, Major-Gen., minia
ture belonging to . . .29
SouthamptonGrammar School,
seal of  106
South Kensington Museum,
gem in  102
 miniatures in . . 32, 33
Spanish winter dress . 27, 43
Stafford's "Pacata Hibernia,"
frontispiece to . .82
Stanmer, miniature at . 30
Stevens, J. C. Moore, picture
belonging to . . .21
Stevenson's " Florus Britanni-
cus," illustration to -54
Stow, J., engraving by . -63
Strada's " De Bello Belgico,"
illustrations to . . 51, 83
Stradbroke, Earl of, picture be
longing to . . . 6, 43
Strangford, Lord, picture for
merly belonging to . .11
Strawberry Hill, miniatures for
merly at 30, 32
Strickland's " Queens of Eng
land," illustration to . -43
Sturt, J., engravings by . 59, 76
Sudeley Castle, pictures at 6, 10
Sun-dial held by the Queen . 10
Sutherland, T., engraving by . 70
Sutherland Collection, draw
ing in  25
Sword of Justice at the Queen's
feet  12

INDEX.

_ PAGE
Taylor's " English Monarchs,"
illustration to
Thane's " British Autography,"
plate to
Thomas, N., engraving by
Thurlow, T. L., picture belong
ing to .
Thynne, F. J., gem belonging
to ....
Tiffin, W. B., engraving by
Tollemache, Lord, picture be
longing to .
Tring Park, picture at
Trinity House, picture at
Turberville's " Book of Faul
conrie," woodcut in
Turner, C, engraving by
Tyrwhitt-Drake, T., picture be
longing to .

81
79S5

103 72 16
23 14
4372

Universal Magazine, illustra
tion to  77
United Provinces, assistance to,
medals commemorating 95, 96
Upton-Cottrell-Dormer,C, pic
ture belonging to . . .17
Vanderbank, P., engraving by 60
Vanderdoort's Catalogue, min
iatures described in 26, 27, 28, 33
Vermeulen, C, engraving by . 84
Versailles, picture at . 20, 89
Vertue, G, engravings by 68, 76,
90, 91
 his title " Visit to Huns
don House," corrected by
G. Scharf . . . .20
Verulam, Earl of, picture be
longing to . . . 16, 63
Vienna, Imperial Cabinet, gems
in  101
Vinkeles, R., engraving by . 85
Walpole's "Royal and Noble
Authors," illustration to . 84
Ward's " History of the Rebel
lion," illustration to -87
Warren, A. W., engraving by . 68
Warwick Castle, picture at . 2
Watts, Simon, engraving by . 40
Weavers' Company, picture
belonging to . . .10
Webb, John, gem formerly be
longing to . . . . 103

PAGE
Welbeck Abbey, gem at . .103
 miniatures at . . 26, 30
 picture at . . .12
Werff, A. vander, engravings
after .... 84-87
Westminster Abbey, monu
ment in . . 69-70, 109
. no
Deanery,

pic-

16

9
82

31
56
52
45

 wax figure in
Westminster, the
picture at
Westminster, Palace of,
ture in .
Westminster School, Head
Master of, picture belonging
to 
White, R., engravings by 59.
Whitehead, Jeffrey, miniatures
belonging to . . 27
Whitgift's Hospital, Croydon,
miniature at.
Wierix, A., engraving by
 J., engraving by
 engraving attributed to .
Wild, Miss, gem belonging to. 103
Wilson, Miss, miniature be
longing to . . . .30
Wimpole, pictures at . 8, 22
Windsor Castle, drawing at . 24
 gems at . . . . 100
 miniatures at . .28, 33, 91
 picture at . . 1,
Winn, C, miniature belonging
to 
Woburn Abbey, picture at
Wood's " Historia Universi-
tatis Oxoniensis," illustration
to 
Woodman and Mutlow, en
graving by .
Woolnoth, T., engraving by .
Worthington, W. H., engrav
ing by . . .
Woudneel, Jan, engravings
published by . 45, 54
Wright's "Elizabeth and her
Times," frontispiece to

3534 8

8961 77
43
.70 90

Zenoi, D., engraving by . .38
Zouche, Lord, picture belong
ing to .... 18
Zucharo, F., drawing by . .24
 facsimiles of drawing by . 40
 pictures attributed to 4, 13,
H, 15, 17, 19,21,23,89

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