mil wv ^^iihz 06756 8049 3 9002 EjLec^ asioX YALE UNIVERSITY LIBRARY OFFICIAL GUIDE DUBLIN t)Alle At A CllAC 'Ir r- T .,d ' r . r-.) Published by t>onx) 'p.^ilue 6iReAnn DUBLIN 7^< RESIHIi^ EL HERE in the heart of Ireland's Capital you will get a new outlook on life. 150 superb rooms with radio, private bathrooms and suites. Here you can dine, wine, dance and enter tain your friends with distinction. Director and Manager ; T. O'SULLIVAN. ^ p c Tel. 46881. 1> ^ S' 9 So J 'Grams. "Gresham Dublin. 760 CONTENTS Introduction 5 Dublin Brevities 7 ToBULAR History 8 The Story of Dublin 10 Roll of Honorary Freedom (Dublin City) 32 Historic Streets and Houses 33 Ancient Cathedrals and Churches 46 A Cultural Metropolis . 54 Dltblin Libraries 61 Art Galleries 69 The National Museum 76 Learned Societies Si Notable Public Buildings 86 Parks and Gardens 'j8 Tours of the City 102 How to Get There 112 Trips from Dublin 113 Mileages from Dublin ii| County Dublin 116 Sport and Recreation . 136 Theatres and Cinemas 143 General Infoemation . 144 Index 154 List of Advertisers . 162 Map of Dublin and East Coast 115 Plan of Dun Laoghaire . 127 Plan of Dublin . Inside back cover WHAT TO SEE IN DUBLIN (1) The Four Courts The splendid build ing of the Four Courts faces the LifFey across the North Quays. It was begun in 1786 to designs by Thomas Cooley and James Gandon. Cooperate Yard, Guinness s Brewery Guinness's great brewery at St. James's Gate is another of the sights of Dublin. Here, in the cooperage yard, are some of the casks in which Guinness is despatched. All are made and repaired by the brewery's own craftsmen. YOU'VE SEEN SOMETHING WORTH SEEING WHEN YOU'VE SEEN GUINNESS'S BREWERY Visitors are taken round the Brewery between U a.m. and 3 p.m. ; on Saturdays at 11 a.m. only. Children under 12 not admitted. The Brewery is closed on public holidays. G.E.1147 f INTRODUCTION The seat of this citie is of all sides pleasant, comfortable and wholesome. If )"Ou would traverse hills, they are not far off. If champaign ground, it lieth of all parts. If you be delited with fresh water, the famous river called the Lifhe runneth fast by. If you will take the view of the sea, it is at hand." — Staxihurst (1577). THAT paragraph — but for its style — might stand as a contemporary description o£ Dublin. For the modern metropolis by the LifEey still enjoys the superb natural amenities which Stanihurst has celebrated. Set between the mountains and the sea, Dublin is one of the most beautifully situated capitals in the world. A salt wind blows into the heart of the city and the slopes of the Wicklow Hills seem to rise at the end of every street in the southern suburbs. The Lifley, truly a "famous river," flows down from a hinterland of woods and meadows to a bay that rivals Naples in loveliness. From the Hill of Howth to Bray Head the coastline stretches in a noble arc, backed by hill and woodland scenery. Inland, overlooking the lovely valley of the Liffey, lies the Phoenix Park — the largest city park in the world. Dublin's delightful environment makes it an ideal centre for the holiday-maker. Few cities combine so com pletely the amenities of a national metropolis with easy accessibility of fine mountain scenery, bracing seaside resorts, and a picturesque rural environment. Within an hour's run by train, bus or car are the mountains and valleys of Wicklow. Nearer still are the many delightful resorts described in the "County Dublin" section of this guide. The facilities which Dublin offers to the sporting visitor are unsurpassed. The biggest event of the sportsman's calendar is, of course, the five-day Horse Show held in August at Ballsbridge. But throughout the year there is a continual succession of sporting events, which are re ferred to elsewhere. Frequent race-meetings are held at 6 DUBLIN Phoenix Park, Baldoyle and Leopardstown, all of which are situated on the outskirts of the city. Other famous venues — Punchestown, the Curragh and Fairyhouse — are also within easy reach. For golfers there are more than a score of pleasantly situated courses in the vicinity of the city. The country around Dublin is the hunting- ground of three leading packs, and excellent sport is also available in the adjoining counties of Meath, Kildare and Wicklow. The Wicklow Hills are near at hand and are a very fine ground for the climber and hill-walker. Besides being a centre for the sportsman and the tourist, Dublin is itself a place of absorbing interest. Throughout the centuries it has been a focal point of national affairs, and its streets and buildings echo their associations with patriots and other distinguished men. In 1916 the most glorious chapter of Ireland's recent history was enacted in Dublin, when the Irish Republic was proclaimed in the Easter Week Rising which was the nation's rebirth. In the subsequent struggle for independence Dublin and its citizens also played an important part. To-day, with its spacious streets and beautiful buildings, its friendly people and its many relics of a long and vivid history, Dublin is one of the world's most fascinating cities. DUBLIN BREVITIES Handel's Messiah was first performed at the Musick Hall, Fishamble Street, Dublin, on April 13th, 1742, with Handel himself conducting. The Rotunda Hospital, Dublin, founded in 1745, is the second oldest maternity hospital in the world. The Hibernian Catch Club is the oldest male voice choral society in existence, having been founded by the Vicars-Choral of Christ Church, prior to 1680. Phoenix Park (1,760 acres) is the largest enclosed urban park in the world. The brewery of Guinness & Co. at St. James's Gate, Dublin, is the largest in Europe. Dublin has the unusual distinction of possessing two cathedrals (of the same denomination) and two universities. The Heraldic Museum in Dublin Castle is the only one in the world. Soda Water as a manufactured product was the inven tion of a Dublin man, Augustine Thwaites. The discovery was made in 1776 while Thwaites was a medical student. The Dublin Zoo, founded in 1830, is world-famous for the breeding of lions. The Bank of Ireland, one of Dublin's finest public buildings, has a windowless facade. The Dublin Chamber of Commerce (founded in 1783) is the oldest in the world. John Field, originator of the nocturne, romantic music which inspired Chopin, was bom in Dublin in 1782. Population (1951 Census) : City, 522,183; Suburbs, 53,805. TABULAR HISTORY A.D. 448 — In this year St. Patrick, it is believed, visited Dublin and converted a number of the inhabitants to Christianity. 840 — Danish invaders established themselves at Dublin. 1 01 4 — Battle of Clontarf, resulting in a crushing defeat for Danes and Norsemen. 1 1 52 — Dublin became an archbishopric. 1 1 71-72 — The Anglo-Norman invasion of Ireland. King Henry II in Dublin. He granted a charter to the city. II 90 — A great part of the city consumed by fire. 1229 — Richard Muton appointed first Mayor. 1338 — Liffey frozen over from November ist to February loth, 1339. 1535 — George Brown, Archbishop of Dublin, was the first Irish prelate to embrace the Reformation. 1667 — Jonathan Swift born November 30th. 1688 — King James II in Dublin. At this time the popula tion of the city was 64,500. 1723 — Opposition to "Wood's Halfpence," and publica tion of Swift's Drapier Letters. 1783 — Independent parliament granted to Ireland. 1800 — Act of Union passed. 1803 — Robert Emmet's short-lived insurrection. 1 84 1 — Daniel O'Connell made Lord Mayor of Dublin. 1872 — First tramline laid in Dublin. 1893 — Foundation of the Gaelic League. 1 91 6 — Rising of Easter Monday. Followed by a week of fighting in which much of O'Connell Street was demolished. 8 TABULAR HISTORY 9 1 91 9 — The Declaration of Independence adopted by the First Dail, January 21st. 1922 — Anglo-Irish Treaty approved by Dail fiireann. 1930 — Local Government (Dublin) Act greatly extended the city area, by incorporating the Urban Districts of Rathmines and Pembroke. 1932 — The 31st International Eucharistic Congress held in Dublin, June 22nd — 26th. 1938 — Inauguration of Dr. Douglas Hyde as first Presi dent of Ireland, June 25th. 1949 — The Declaration of the Republic of Ireland, i8th April. LIST OF ABBREVIATIONS O.S. — Ordnance Survey. CLE. — Coras lompair ,» mi /- \ fiireann. M. — Mile(s). „ „ „ , , . G.N.R. — Great Northern E.C. D^ay - Early Closing j^^^j^^^ P. — Page. THE STORY OF DUBLIN THE harbour of Dublin was well known to foreign sailors in the first century of the Christian era, if not at an earlier date. In his second-century treatise on Geography, Ptolemy — who gathered his information from those early travellers — mentions the town of Eblana. The location which he assigns to it is approxi- m.ately that of modem Dublin. The Ford of Hurdles. The word "Eblana" was a corruption of Dubh'Linn (Dark Pool), a name given by the native Irish to the peat-coloured estuary waters of the Liffey. But a name of greater antiquity was Ath Cliath (The Ford of Hurdles), applied to the ford or causeway which crossed the river a short distance above the harbour. There was no town on this site, but the artificial passage over the river existed in very early times, and it was here that one of the five great roads of Ireland, radiating from Tara, crossed the Liffey. Almost contemporary with Ptolemy were "Conn of the Hundred Battles" and Mogh of Munster, two rival Irish kings, who — after prolonged conflict — agreed to divide the country equally between them. The line of demarca tion ran from the mouth of the Liffey to the Atlantic Ocean at Galway. Mogh is said to have been displeased because his territory did not include the harbour of Dublin, which must have been an anchorage of consider able importance. Irish annals, however, contain remarkably few refer ences to the site of Dublin — the most notable being a mention by the Four Masters of the "Battle of Dubhlinne" (a.D. 291) between the Irish high-king and the Leinstermen. St. Patrick's Visit. In A.D. 448, it is believed, St. Patrick visited Dublin 10 IMC 51UKY OF DUBLIN ii and converted many of the inhabitants to Christianity. There is a tradition that he caused a miraculous spring to gush forth, and there are two wells for which the distinction is claimed — one at St. Patrick's Cathedral and the other at the end of Nassau Street (which is called in Irish St. Patrick's Well Street). Healing and medicinal qualities were traditionally attributed to these wells — and it is interesting that the waters of the latter now form the main ingredient of a world-famous soda-water. During the three centuries which followed St. Patrick's coming a community seems to have grown up around the primitive ford across the Liffey. It was a Christian com munity, and there is even some evidence of a continuous line of bishops until the period of the Viking incursions. Dublin founded by the Ostmen, A.D. 852. It was in A.D. 795 that Scandinavian pirates were first sighted off the Irish coast. In that year they plundered Lambay Island, and this was the beginning of a series of sporadic raids, mostly directed against religious or monastic establishments. In A.D. 819 they plundered Howth, and five years later they raided the territory north of Dublin. There were two distinct races among these foreigners, whom the Irish named Fionri'Ghaill, "Fair Strangers" ((Norwegians), and Dubh'Ghaill, "Dark Strangers" (Danes). Portion of north County Dublin is still called Fingal, while the word Dubh'Ghatll survives recognisably in the common Dublin surname of Doyle. These early raids were merely predatory and no attempt at colonisation was made. But in A.D. 840 a party of Fionri'Ghaill landed at Dublin and set up a fortress, which was used as a base for further maritime expeditions. Twelve years later the Dubh'Ghaill took possession of the town, under the leadership of "Olaf the White," who is regarded as the founder of Dublin. There were no cities or walled towns among the ancient Irish, and Dublin's municipal status dates from the arrival of the Danes or Ostmen (Men from the East), who were to rule it for more than three centuries. Their control of the town by the Liffey was rarely undisputed, for the native Irish chiefs kept up a fitful but 12 DUBLIN formidable opposition. Indeed, it was ruled by King Cearbhall of Ossory from A.D. 872 to 885, and there was a further interlude of Irish domination some years later. But Dublin remained essentially a Danish stronghold, with the names of Aulaf, Sitric, and Godfrey recurring among its kings. Dublin an Important Scandinavian Centre. Dublin, or "Dyflin," as the Ostmen named it, was centrally situated in the far-flung maritime empire of the Vikings, which included Iceland, Northumbria and the Scottish Isles. There is every evidence that it held high rank among the Scandinavian colonies. Dublin and Northumbria were sometimes ruled by the same king. Military and commercial intercourse with Norway was frequent. Many Norwegian kings visited Dublin, and the Ostmen of Dublin fought for Norwegian liberty at the battle, of Hafursfiord in A.D. 872. It was about this time that Iceland was settled by the Scandinavians. The island had long been known to Irish missionaries and when the early settlers landed they found "Irish books, bells and croziers." Iceland was, to a great extent, colonised from Dublin; Icelandic literature, indeed, is the chief source of Dublin's early history. America discovered by Dublin Ostmen. The Ostmen of Dublin had intermarried with leading Irish families, and this mixture of races was a feature of the new colony. Among the earliest settlers were several descendants of "Olaf the White" and of King Cearbhall. During the ninth, tenth and eleventh centuries there was constant traffic between Dublin and Iceland. It is almost certain that these voyages led to the dis covery of America, some 500 years before Columbus sailed. In A.D. 983 one of the Dublin Ostmen was wrecked on what seems to have been the coast of Florida. He called the strange land, prophetically enough, "Greater Ireland." Some years later a merchant named Gudlief, sailing from Dublin to Iceland, was driven off his course and wrecked on another part of the American continent. He found the natives speaking an utterly strange language, which he thought sounded somewhat like Irish! THE STORY OF DUBLIN 13 The Ostmen of Dublin were merchants and warriors. They carried on an extensive trade with other Scan dinavian colonies and frequently went abroad to assist their fellow-countrymen in arms. During these expeditions the depleted Dublin garrison was sometimes unable to hold off the attacks of the Irish chiefs. Towards the end of the ninth century "the foreigners of Ath Cliath" were driven out, and did not recover the city until twenty-five years later. But the Irish lacked military organisation, and made no attempt to consolidate their victories. The situation was further complicated by marriages between the Irish and the Danes, which led to innumer able feuds and confederacies. Intermarriage was common between the leading families of both races. Aulaf Cuaran, King of Dublin from A.D. 932 to 968, had various matri monial alliances with princely Irish families. This out standing personality among the Ostmen was, indeed, related by marriage to both Malachy II, King of Ireland, and his more famous successor, Brian Boru. The Irish take Dublin, A.D. 980. In these two men the Irish had at last produced worthy leaders, and the latter half of the tenth century witnessed a gradual decline of Danish military power. (It had already received a severe blow when the Ostmen of Dublin — under Aulaf — took part in the battle of Brananburgh in Northumbria in A.D. 937.) At Glenmama in County Wicklow Brian Boru defeated a coalition of the Leinstermen and the Dublin Danes and plundered the city. In A.D. 980 Malachy took Dublin after a siege of "three days and three nights." On this occasion the Irish high-king issued the first recorded proclamation of Irish independence, by a decree : "That as many of the Irish nation as lived in servitude and bondage with the Danes should presently pass over without ransom and live freely in their own countries according to their wonted manner." The Battle of Clontarf, A.D. 1014. Thirty-four years later Dublin was the scene of a great battle which finally destroyed the power of the Danes in 14 DUBLIN Ireland. The encounter — which took place on Good Friday, A.D. 1014 — was waged around Clontarf, on the sloping ground north of the Liffey. The Irish forces, under Brian Boru, advanced from the district of Drumcondra. Reinforced by their fellow-countrymen from abroad, the Danes of Dublin occupied a front extending from the city to the mouth of the River Tolka at Fairview. The battle lasted from dawn to sunset and resulted in a complete rout of the Danes. The foreigners took to their ships, and many of the Dublin Danes were slaughtered while attempting to return to the city. Brian's two sons perished in the conflict and the old king, while praying in his tent, was killed by a fleeing Dane. This great defeat left the Danes powerless as a military force; but the Ostmen of Dublin had never been solely warriors, and they remained in the city as merchants, artisans and traders. Christianity spread rapidly among them; Clontarf was the last struggle of heathenism in western Europe. Intermarriage betweeen the Ostmen and the Irish became increasingly frequent, and it is doubtful whether the kings of Dublin during the eleventh century should be regarded as Irish or Scandinavian. Eleventh-Centur/ Kings of Dublin. At the time of the Battle of Clontarf Dublin was ruled by Sitric, son of Aulaf Cuaran. Sitric was succeeded by his son Aulaf. Aulaf was followed by his son, also named Sitric. Then came a definitely Irish interlude. Sitric \yas succeeded by Eachmarcach, and the next king was Diarmid, who was slain in battle A.D. 1072. On his death Godfrey, King of Man, became ruler of Dublin. His reign lasted only three years, whereupon "Mortogh, son of Turlough O'Brian, became King of Athcliath." The long peace which followed the struggle at Clontarf allowed a period of civic and religious development. The den of pirates by the Liffey began to assume the aspect of an orderly, Christian community. In A.D. 1038 King Sitric assisted Donatus (first Ostman Bishop of Dublin) in founding the "Church of the Blessed Trinity," which be came Christ Church Cathedral. There is a dubious tradition that the present crypt is a remnant of the original THE STORY OF DUBLIN 15 edifice. Many of Dublin's old parish churches were also founded during the eleventh century. The Church of St. Michan, with its tower and strange vaults, bears the name of a Danish saint and is assigned to the year A.D. 1096; An earlier foundation was the tenth-century monastery which later became the great Cistercian Abbey of St., Mary, and played an important part in the life of the city for four hundred years. During this long period of peace Dublin developed rapidly and became unquestionably the leading city in Ireland. The Christianised Ostmen were being gradually assimilated by the native Irish. At the time of the Anglo- Norman invasion, Dublin's king styled himself Hasculf MacThorkil (not Thorkilson), and the archbishop was Laurence O'Toole, one of the leading personalities in Dublin's history, and now its patron saint. But this process of assimilation was violently cut short by the new in vasion, which was to bring in its wake seven and a half centuries of strife. The Anglo-Norman Invasion, A.D. 1169. The immediate origin of the Anglo-Norman invasion of Ireland is a matter of well-known history. Dermot MacMurrough, King of Leinster, abducted the wife of Tiernan O'Rourke, ruler of Breffni (a district in Cavan and Leitrim). O'Rourke recovered his wife by force and — with the help of the Dublin Danes — banished Dermot from his kingdom. Intent on revenge, the Leinsterman fled to the English Court and invited Henry II to send an army to Ireland. The king declined, but declared that any of his vassals were at liberty to undertake the venture. Eventually the invitation was accepted by the barons of South Wales. Dublin Falls to the Invaders, A.D. 1170. In May, 1169, a body of Anglo-Normans established themselves in the Danish stronghold of Wexford. During the following summer Richard de Clare, Earl of Pembroke (known as Strongbow), landed with a force of 3,000 men and marched on Dublin, traversing the mountainous country of Wicklow under the expert guidance of the i6 DUBLIN renegade Dermot MacMurrough. The citizens were taken by surprise and Archbishop Laurence O'Toole was sent out to ask for a truce. While negotiations were in progress, however, two Norman knights, Raymond Fitzgerald and Miles de Cogan, began a fierce attack which carried the city by storm. After the capture of Dublin, Giraldus Cambrensis tells us, "the better part of the Scandinavian inhabitants under their king, Hasculf, embarked in ships and boats with their most valuable effects, and sailed to the northern islands." The remainder were expelled from the city proper and formed a settlement or Ostman-town on the northern side of the Liffey, in the district which is still called Oxmantown. A Year of Sieges. During the year which followed the entry of the Nor mans Dublin was thrice besieged. Hasculf MacThorkil, returning with a great fleet and army, began a determined assault. The Irish — who had mustered under a local chief named Gilmeholmoc — were, strangely enough, induced to remain neutral spectators. They stood on the old Danish Thingmote (Assembly-place), a high mound near the site of the present St. Andrew's Church in St. Andrew's Street, and watched the battle which took place on the plain stretching northwards and eastwards to the river. After a fierce struggle the Danes were repulsed, mainly through the energy of the impetuous Miles de Cogan. This was the last attempt of the Danes to regain the city they had held for more than three hundred years. Unlike the Normans, they never built durably, and Dublin retains few visible memorials of the Scandinavian occupation. Only place-names like Howth ("Hovud," a headland) and Leixlip ("Laxhlaup," Salmon Leap), or surnames like Broderick and MacAuliffe now recall the founders and early rulers of Ireland's capital. Shortly after Hasculf's abortive attack, the city was again besieged. A great confederation had been organised against the invaders by Archbishop Laurence O'Toole, and the Irish high-king, Roderick O'Connor, appeared outside THE STORY OF DUBLIN 17 the walls with an immense army of 30,000 men. The garrison was soon in desperate straits, but Roderick's dilatory tactics proved ineffectual. The third attempt on the city was made by Tieman O'Rourke, the husband whom Dermot MacMurrough had wronged. His troops, however, were easily beaten off by the indefatigable Miles de Cogan. King Henry II in Dublin, A.D. 1171-72. Somewhat perturbed at the military enterprise of his vassals. King Henry II decided on a personal visit to Ireland. He landed at Waterford in October, 1171, with a huge army, and marched to Dublin, where he received many Irish chiefs and entertained them with Christmas festivities in "a royal palace constructed of peeled osiers, according to the custom of the country." This temporary building was erected at the Thingmote, outside the eastern gate of the city — about the top of the present Suffolk Street. Before leaving Ireland Henry granted Dublin as a colony to the citizens of Bristol and appointed Hugh de Lacy as its first governor. De Lacy may be regarded as the first of a long line of English viceroys in Ireland. He was succeeded by Strongbow, whose death in 11 76 was followed by a scramble for power among his followers. Most notable of them was Raymond Fitzgerald (Raymond le Gros), founder of the great Geraldine line which pro duced some the most remarkable personalities in Irish history. The kings of England were quick to realise that the existence of powerful feudal families would make it doubly difficult to extend the royal authority in Ireland. It was possible that an ambitious viceroy rnight make himself independent ruler of the country and transmit his authority to his descendants. But bishops could not found families — and the ingenious ruse of appointing episcopal viceroys was adopted. This concentration of the authority of Church and State in one personage gave a decided fillip to the religious life of the city. In 1172 Strongbow and his colleagues had beo-un the building of a great new cathedral (Christ 1 8 DUBLIN Church) on the site of Sitric's church. Twenty years later Comyn, first English archbishop of Dublin, established outside the walls a cathedral far exceeding it in size and splendour. The new edifice, St. Patrick's Cathedral, was erected on the site of an ancient church associated with Ireland's national apostle. Though the population of Dublin at this time did not exceed ten thousand, there were, in the city and its environs, two cathedrals, several abbeys and about a score of churches. Mediaeval Dublin. In II 92 the city was granted a charter, which was ratified in 1200 and again 121 5. The building of the Castle was completed in 1220. Dublin was now the centre from which English monarchs hoped to assert their authority over the whole of Ireland. For a long period, however, that authority was strictly confined to the fortified city. menaced by the ever-imminent pressure of the neighbour' ing Irish inhabitants. The soft outlines of the Wicklow Hills, which draw our eyes southward with delight, were a constant symbol of danger to the burghers of mediaeval Dublin. Down from those heights on Easter Monday, in the year 1209, had come the O'Bymes and the O'Tooles to inflict great slaughter on the citizens, who were assembled at CuUenswood, near Ranelagh. The Dubliners suffered so many casualties that they found it necessary to obtain further reinforcements from Bristol. But the memory of "Black Monday" remained vivid among them, and the names of those two Wicklow clans became sounds to frighten their children. The Dublin of that time was a walled town, about half a mile long and a quarter of a mile broad. Its western gate stood near the site of Guinness's Brewery, while the eastem exit was at the Lower Castle Yard. The town occupied a small river-frontage, but its cage-work houses clustered chiefly on the high ground near the Castle and Christ Church; in this commanding position the Danes also had built their fortress and laid the foundations of the city. (Roughly speaking, the oldest portion of Dublin is traversed by the winding street which runs westward from the City Hall.) THE STORY OF DUBLIN 19 During the next four centuries the aspect of the city remained practically unchanged. Hemmed around by enemies, the English settlers were kept close within the walls; Speed's Map of Dublin (i6io) shows only one bridge over the river, and depicts the city lying between the Castle and "Ormond's Gate." "Damas Gate" (now the end of Dame Street) marked the eastern boundary. Throughout this period Dublin was the chief foothold of the English invaders, but it was often a very precarious foothold. To secure immunity from attack the citizens frequently paid tribute, in the form of "black rent," to Irish chieftains. Art MacMurrough, a descendant of the infamous Dermot, was bought off by a "black rent" of eighty marks a year. A Munster chief named O'Brien received one hundred marks annually. Once, when his money was overdue, he marched to Dublin to collect it. There were only nine marks in the treasury, and the re quired amount was raised by subscription among the citizens. Indeed, the existence of the little city on the Liffey was threatened by many visitations, human and elemental. In 1 190 a great part of Dublin was destroyed by fire, and fourteen years later a plague visited the city. There was another serious fire in 1283; and in 1348 an epidemic carried off more than half the inhabitants. Severe frosts sometimes bound the Liffey (then a wide, shallow river) in a sheet of ice; during the winter of 1338-39 it remained frozen over for more than three months. There were periodic famines, and on one occasion the starving citizens were saved by the stranding of a school of whales at Ringsend — the only beneficient invasion of Dublin on record. Dublin and the English " Pale. ' Throughout the thirteenth and fourteenth centuries English power in Ireland was at a low ebb. The royal authority was respected only within the "Pale," a fortified area of which Dublin was the centre. The extent of the area depended on the military prowess of the English garrison. Outside this variable zone the country was held by the native chiefs, or by those great Anglo-Norman 20 DUBLIN families which became "more Irish than the Irish them- selves A most resolute opponent of the English was Art MacMurrough, who had allied himself to the Geraldine family by marrying a daughter of Maurice, Earl of Kil dare. The activities of this warlike chief, and the con tinual feuds between the Geraldines of Kildare and the Butlers of Kilkenny, contributed greatly to the chronic weakness of English rule at this period. King Edward III, having failed to improve matters by sending over a num ber of strong viceroys, finally appointed his son, Lionel of Clarence, to represent him at Dublin. But this expedient did not meet the situation. Richard II in Dublin, 1394. Eventually, in 1394, Richard II decided on an expedi tion to Ireland. Landing at Waterford with an army of 34,000 men, he marched northwards towards Dublin. It was a difficult journey, for MacMurrough harassed the king's forces by ceaseless guerrilla warfare. Richard cele brated Christmas in Dublin with great splendour, and opened negotiations with the Irish chieftains. These proved successful and were followed by a remarkable ceremony in Christ Church Cathedral, where the chief native princes of Ireland — O'Neill of Ulster, MacMurrough of Leinster, O'Brien of Munster and O'Connor of Connacht — were knighted by the English monarch. In the light of subsequent happenings, this spectacle seems picturesque rather than politically significant. Dublin a Yorkist Stronghold. During the following century Dublin made little pro gress. The viceroys and the ecclesiastical authorities were engaged in constant squabbles. Later the city was drawn into the backwash of the Wars of the Roses. Richard, Duke of York, had — as viceroy — won over Ireland to his cause; it was from Dublin that he sailed to undertake the campaign which ended with his defeat and death at Wakefield. His successors in the vice-regal office were the Earls of Kildare, all staunch Yorkists. Their bitter rivals, THE STORY OF DUBLIN 21 the Butlers (Dukes of Ormond) — perhaps from force of habit — espoused the opposite side. These two great families fought a replica of the Wars of the Roses all over Munster and Leinster. At the accession of Henry VII, the Yorkist faction held sway in Ireland. In 1487 Lambert Simnel was crowned king in Christ Church Cathedral, with the support of viceroy, hierarchy and citizens. A few years later the Earl of Kildare was removed from office, on a charge of furthering Perkin Warbeck's designs on the throne. But political variations were rapid and the Earl was soon back in Dublin as viceroy, an office which remained in the hands of the Geraldines until the quixotic revolt of Lord Thomas Fitzgerald, better known as "Silken Thomas." The dramatic resignation of that rash young lord makes one of the most vivid incidents in Dublin's history. Believing that his father had been hanged in England, the young viceroy rode into the city at the head of a company of cavalary. Bursting into the Council Chamber at St. Mary's Abbey, he flung his sword of state upon the table, by this gesture divesting himself of his office and of his allegiance to Henry VIII. Assisted by the O'Tooles of Wicklow, he immediately began a siege of Dublin which resulted in his capture and death. The execution of Silken Thomas and his five uncles at Tyburn in 1537 brought the great Geraldine line to the verge of extinction. Reformation Reaches Dublin, 1535. The fall of the Geraldines coincides with the advent of the Reformation to Dublin; Archbishop Brown (appointed in 1535) was the first Protestant to occupy the See. Most of the Anglo-Irish and all the native Irish clung to the old faith; the king's officials and some of the nobles — notably the Butlers — supported the Reformation. In 1 55 1 the viceroy promulgated the "Book of Common Prayer" in Christ Church Cathedral. Though Ireland staunchly resisted the Reformation, the city of Dublin became gradually Protestant during the long reign of Queen Elizabeth. A succession of able vice roys carried the royal authority — after a fierce struggle 22 DUBLIN into parts of the country never before subdued. Each new accession of territory enhanced the importance of the capital; Dublin was no longer a fortified post sur rounded by enemy country, but a metropolis in the making. . i ¦ The city developed a flourishing trade with Liverpool and the ports of North Wales. A Custom House was built, and the facilities for shipping were improved. (Vessels discharged their cargoes at Merchants' Quay and Wood Quay. The depth of the Liffey at this point — according to a report made in 1590 — varied from 3 feet to 6j feet.) The municipality undertook various laudable schemes, guilds were organised, and the mayor dispensed lavish hospitality. Defeat of Irish Clans. Dublin's progress was due to the fact that the city was relatively untouched by the ceaseless conflicts between Elizabeth's forces and the Irish. In 1586, however, the O'Bymes paid the capital an unwelcome visit and "singed the viceroy's beard" by plundering the Exchequer which stood within one hundred yards of the Castle. But the more serious warfare was farther afield. Time and again towards the close of the sixteenth century the Irish forces under O'Neill and O'Donnell won signal victories. At the period when the Queen's favourite, Essex, was viceroy the campaign seemed likely to end in the utter defeat of the English and their expulsion from the country. But the victory of Lord Mouhtjoy over the two Ulster leaders at Kinsale (1602) crushed the Irish resistance and extended English rule to the greater part of the country. Foundation of Trinity College. In 1591, on the site of the recently-dissolved convent of All Hallows in Hoggen Green (now College Green), was founded "the College of the Holy and Undivided Trinity, near Dublin." It was a strictly Protestant foundation, ex pressly designed to further the Reformation in Ireland. Trinity College has played an illustrious role in the life of Dublin for three and a half centuries. THE STORY OF DUBLIN 23 Repressive acts were enforced against the Catholics; in a Parliament which met at Dublin in 161 3 they were skil fully cheated out of adequate representation. Negligible concessions were granted to the oppressed majority by James I and Charles I. The harsh measures which followed the abortive rising of 1641 at last drove the Catholics into open revolt. Under the title of the "Confederation of Kil kenny" they formed what was virtually an independent government, operating over the greater part of Ireland. When the Duke of Ormond became viceroy in 1644 he found his authority limited to a small area around Dublin. The Catholic generals, Owen Roe O'Neill and Preston blockaded the city and ravaged the surrounding country side. At one time the citizens could see two hundred fires from their church steeples. But Ormond held on stub bornly and once again Dublin defied its attackers. In the meantime, the Civil War in England entered its decisive phase. Dublin had supported the king, and on the victory of the Parliamentary party Ormond surren dered his sword of state to commissioners from England. He then went into exile, leaving the city in the hands of the Parliamentarian forces. The execution of the king in 1649 caused a widespread revulsion, even among those who had not actively sup ported the Royalist cause. Ormond came back to Ireland and took command of a Royalist army which included many Catholics. History sometimes parodies itself, and Ormond — ¦ with the help of his old enemies — now laid siege to the city he had defended two years before. But Dublin's new Roundhead garrison, commanded by Michael Jones, held the city safely. Oliver Cromv/ell in Dublin, 1649. Less than a fortnight later (on August 14th, 1649) Oliver Cromwell landed in Dublin with a large army. The city, already held by his supporters, was leniently treated; Isut Drogheda and Wexford were to experience the savagery with which Cromwell's name is still associated in Ireland. Royalist feeling remained strong in the city, and Charles II was proclaimed king in Dublin before the 24 DUBLIN Restoration took place. When Charles eventually regained the throne Dublin was rewarded for its fidelity. A gold chain was given to the mayor, who was accorded the style of : "Right Honourable the Lord Mayor." The city was given the same status as London and Edinburgh. Rapid Growth of the City. The loyal Ormond was reinstated as viceroy, and took a leading part in various schemes for the improvement of the city. In Dublin the Restoration was followed by a remarkable period of development. New streets were laid out between Hoggen Green and the river. For the first time extensive building was undertaken on the northern bank. Until 1660 only two bridges had spanned the Liffey; four were now erected in rapid succession to main tain communication with the growing suburb north of the river. The most important was Essex (now Grattan) Bridge; it was built with stones obtained from the dere lict monastery of St. Mary's Abbey nearby. About the same time St. Stephen's Green — until then a commons — was made available for building. This open space was connected with Hoggen Green by a lane, so rough in 1 67 1 "that people could not walk in it." It is now Grafton Street, Dublin's most fashionable shopping centre. At this period, under Ormond's auspices, arose the earliest public buildings of note. In 1680 the erection of the Royal Hospital at Kilmainham was begun from designs by Sir William Robinson, Surveyor-General of Ireland. It is sometimes wrongly attributed to Wren. Beyond the river was erected an edifice on the model of Christ's Hospital in London, which is now the Bluecoat School in Blackball Place. The Phoenix Park was laid out by Ormond as a hawking ground for the viceroys, but soon became a great public pleasure-ground. A line of ornamental quays was built along the northern bank of the river, and the name "Ormond Quay" preserves the memory of one of Dublin's greatest benefactors. During the reign of Charles II, no redress was granted to the Catholics, who now made up a large percentage of Dublin's 60,000 citizens. There was a violent change on the accession of James II in 1685. The Catholic Earl inn :siORY OF DUBLIN 25 of Tyrconnell became viceroy (or Lord Lieutenant, as the office was now called) and Protestants were treated with considerable severity. James II in Dublin, 1688. Within a few years James had ceded two of his king doms to the Prince of Orange without a struggle. He decided to make a belated stand for the third. Dublin, with its flair for backing the losing side, espoused the Stuart cause with enthusiasm. King James entered the city in triumph. The Protestant establishment was abolished, and Mass was celebrated in Christ Church after a lapse of one hundred and fifty years. Stuart troops were billeted in Trinity College, which was placed under a Catholic Provost named Moore. The Jacobite forces sustained a series of defeats and the final debacle came at the Battle of the Boyne in 1690. Once again King James passed through Dublin, this time on a retreat so expeditious as to become a historical joke. The Prince of Orange — now William III — entered the city with his troops. A relic of his visit is the chain still used by the Lord Mayor of Dublin. It was presented by the victorious William to the man who then held the office — Bartholomew Vanhomrigh, father of Swift's "Vanessa." The recent wars had exhausted Ireland's military resources; but Dublin soon became the centre of the movement for parliamentary independence which began towards the end of William Ill's reign. In 1703 a petition had been sent to London for a complete union of the two countries. This was refused, and the merchants of Dublin — mostly loyal Protestants — soon found their commerce crippled by a series of tariffs arbitrarily imposed from London. William Molyneux, member for Trinity College ,; in the Irish Parliament, challenged the right of the English j Commons to make laws for Ireland, which had no repre- i, sentation in that assembly. Thus began the constitutional struggle for Irish autonomy which was to continue j throughout the century. J Dublin's Augustan Age. ' Dublin now entered upon the most colourful period 26 DUBLIN of its long history. The city became an abode of wealth and fashion, perhaps the most brilliant metropolis of that age. Many new streets and squares were added, as the Irish nobility built themselves palatial town residences. The Parliament House in College Green, erected in 1729, was the first of a great series of public buildings. It became the focus of political and social interest, as the constitutional struggle against the English Ministry intensified. In architecture, as in other arts, the brilliant society of the metropolis maintained a high standard of taste. Dublin retains a great amount of splendid work by Gandon, Cassels, Johnston, Sir William Chambers and others. Ceilings by Angelica Kauffmann and mantelpieces by Bossi were features of Dublin's Georgian houses. Indeed, artists of every type found ready encourage ment in eighteenth-century Dublin. On the boards of the Crow Street and Smock Alley theatres Garrick and Mrs. Siddons vied with the native-bom Macklin, Spranger Barry and Peg Woffington, before the most critical audience in Europe. Handel, disappointed in London, found appreciation in the Irish capital. While in Dublin he presented the Messiah, "to offer this generous and polished nation something new." Its first performance (13th April, 1742) at the Musick Hall in Fishamble Street attracted a large and distinguished audience. Jonathan Swift. The society of the capital was gay, brilliant, eccentric, crowded with famous names. But the greatest Dublin figure of that age was Jonathan Swift; one senses his sombre and powerful personality ever imminent behind, the life of the city. In the sullen Dean of St. Patrick's Cathedral Ireland's political discontent had found a powerful voice, and the Drapier Letters had made the most virulent satirist in history a popular idol. Swift gave additional impetus to the struggle for autonomy which was being waged in the Irish Parliament, where the Opposition included such able orators and leaders as Lucas, Malone, and later Henry Grattan. Grattan entered Parliament in 1775. Within four years he THE STORY OF DUBLIN 27 had compelled the English Ministry to introduce measures permitting free trade between the two countries. His demands had been backed by Lord Charlemont's Volunteers, who paraded outside the Parliament House in College Green. In 1 783, England — now embroiled in the American War — was forced to concede autonomy to the Irish Parliament. Dublin under Grattan's Paliament. The new independent legislature had a short career, but during its lifetime Dublin made splendid progress. The judicature was housed in the Four Courts, erected in 1785. Five years later the magnificent Custom House was completed. A penny post was established for the city and its environs. Docks were built, and a daily service of sail ing packets to and from Holyhead was inaugurated. Two great inland waterways — the Grand Canal and the Royal Canal — were constructed to link Dublin with the Shannon. But beneath this civic splendour there was growing political unrest. Representation was still denied to the great majority of the people — the Catholics — and the executive government was controlled by the English Ministry. The more ardent spirits in Charlemont's Volun teers joined the "United Irishmen," founded by Wolfe Tone in 1791. Matters came to a head in the abortive insurrection of 1798. Alarmed by the events of that year, Pitt, the English Prime Minister, resolved to bring about a complete legislative union of Ireland and England. The Irish Parliament was strongly opposed to his plan, but wholesale bribery — largely engineered by Lord Castlereagh — secured a majority for the Act of Legisla tive Union. In the first year of the new century "Grattan's Parliament" voted itself out of existence. Dublin was so bitterly opposed to the Union that it was necessary ro restrain the populace by a display of armed force. Catholic Emancipation, 1829. The passage of the Act of Union robbed Dublin of its status as an independent metropolis. Following the abolition of the native legislature, political interest centred 28 DUBLIN mainly in Daniel O'Connell's struggle for Catholic Eman cipation. O'Connell's triumph came in 1829, when the Emancipation Act removed the disabilities which had for centuries excluded Catholics from the privileges of citizen ship. Some years later Catholics received the municipal franchise and O'Connell was elected Lord Mayor of Dublin. The city's main thoroughfare now bears his name and is adorned by his statue. The capital of Ireland was becoming, for the first time in its history, an Irish city. Dublin was actively involved in every subsequent movement for Irish independence. But political troubles did not retard civic progress, and the city assumed, during the nineteenth century, the general aspect which it still presents. Modern Dublin. In 1868 a conduit of twenty-two miles was constructed to carry water to the city from, the Wicklow Mountains. This, with supplementary schemes, has given Dublin a water-supply remarkable for its purity. Another important step in the city's progress was the laying (in 1872) of the first tramline. It ran from Nelson Pillar to Rathmines, and inaugurated a system of public transport which was to become a paramount feature of the modem city. The introduction of cheap transport allowed the middle-classes to move outwards, and new residential suburbs sprang up on the fringe of the old city. The centre of political interest had now shifted lo Westminster, where the adroit tactics of the Irish Party under Charles Stewart Parnell were forcing repeated concessions from Gladstone's Ministry. Dublin took the popular side in the Land War, and was closely identified with Parnell's struggle for self-government, or "Home Rule." Dublin in the Twentieth Century. During the period of political apathy which followed Parnell's death Dublin became the centre of a great cultural movement — the Irish Literary Renaissance. The eariy writings of Yeats and the foundation of the Abbey Theatre ushered in the twentieth century, perhaps the THE STORY OF DUBLIN 29 most important epoch, politically and culturally, in Dublin's eventful history. The period prior to the first World War witnessed stormy scenes at the Abbey over Synge's play "The Playboy of the Western Worid," the birth of the National University (in 1908), the great Dockers' Strike of 1913, the foundation of the Irish Volunteers in the same year, and the "Howth Gun- Running" in 1914. Agitation for self-government had continued, but it was soon evident that mere "Home Rule" would not satisfy the aspirations of the new Sinn Fein Party in Ireland. Feeling gradually intensified, and there was an ugly incident in July, 1914, following the landing of arms at Howth by the Irish Volunteers; the military fired on a crowd in Bachelor's Walk and several civilian lives were lost. A few days later war broke out in Europe. John Redmond, as leader of the Irish Party at Westminster, promised Ireland's support to the Allies; but his influence was already waning, while that of the Sinn Fein move ment, founded by Arthur Griffith, was growing. The Insurrection of 1916. The more advanced leaders of the Sinn Fein organi sation saw England's difficulty as Ireland's opportunity. They decided on an appeal to arms. On Easter Monday (24th April, 19 1 6) various strategic positions in the city were occupied, insurgent Headquarters being the General Post Office in O'Connell Street. After a week's fighting the rising was quelled, but the action of the insurgents had caught the imagination of Ireland. The subsequent execution of Pearse, MacDonagh and the other leaders roused national feeling to fever-pitch. A nation-wide en dorsement of the separatist policy came two years later; the General Election of 191 8 resulted in an overwhelming victory for Sinn Fein and the complete eclipse of the old parliamentary party. Sinn Fein members absented themselves from West minster and formed Dail fiireann (The Parliament of Ireland). The first meeting of this assembly was held in the Round Room of the Mansion House in Dawson Street, on 2ist January, 1919; and its first official act was the 30 DUBLIN adoption of a Declaration of Independence. Dail fiireann was declared illegal, but its authority was nevertheless accepted by the vast majority of the people. Fighting soon broke out between the Crown forces and the Irish Republican Army, the efficient military organisation of the independence movement. The Anglo-Irish Treaty of 1921. Dublin became once more a theatre of battle; it was the centre from which Dail fiireann carried out the functions of government and directed a persistent guerrilla campaign against the Army of Occupation. On 25th May, 1 92 1, the Custom House was taken and burned to a shell by an Irish force — an act which crippled the whole British civil administration in Ireland. Eventually, in July, 1 92 1, a truce was arranged and some months later the British Government concluded a Treaty with the Republi can leaders. Ireland was to become a self-governing dominion under the title of the Irish Free State, but portion of Ulster was given the option of voting itself out of the new State. The provisions of the Treaty were debated by Dail fiireann, assembled in the Council Chamber of University College in Earlsfort Terrace. It soon became apparent that a sharp cleavage of opinion existed. During the last weeks of 1921 and January of 1922 the passionate discussion went on. It must have been one of the few occasions in parliamentary history when the outcome of a momentous issue was in doubt until a division was called. The Treaty was approvecl by a narrow majority ,and soon afterwards the strong minority party determined on armed resistance to the new State. Once again fighting broke out in Dublin. The Four Courts, occupied by an anti-Treaty force under Rory O'Connor, was shelled and completely gutted, and the eastern side of O'Connell Street was also burned out. But when peace was restored these and the Custom House were splendidly rebuilt. Dublin, ever irrepressible, rose phoenix-like from its ashes. Gandon's two masterpieces, magnificently restored, adorn the quays by the Liffey — perhaps the finest buildings of their age and style in THE STORY OF DUBLIN 31 Europe. The rebuilt O'Connell Street is to-day a more splendid thoroughfare than ever before. With the birth of the Irish Free State, Dublin became once more an independent capital, the metropolis of a country old in history, fresh in promise and achievement. Progress under native government has been remarkable. Better cleansing of thoroughfares, improved methods of public lighting, great new housing schemes, are but a few results of enlightened municipal administration. The Eucharistic Congress of 1932. The Eucharistic Congress held in Dublin in June, 1932 — the 1,500th anniversary of the coming of St. Patrick — was attended by visitors from all over the world. It provided the greatest and most inspiring gatherings in the city's long history. More than a million people attended the Solemn High Mass celebrated in the Phoenix Park on the closing Sunday. The inauguration of Dr. Douglas Hyde as first President of Ireland, in 1938, was another outstanding historic event. In 1930 the city boundary was greatly extended by the inclusion of outlying boroughs. By 1941 the population of Dublin had grown to 491,000. The 1946 Census showed a population of over half a million in Dublin County Borough (as the administrative area is now called), and a further increase — to 575,988 — • was recorded in the 1951 Census. And so, after its long and turbulent history, Dublin has found peace. Dubh-Linn, Eblana, Dyflin, Ath-Cliath — it is a palimpsest on which succeeding invaders have written a vivid story. The swarm of huts by the Liffey has weathered countless vicissitudes, to become the metropolis of an historic nation, a city of quality and distinction among the capitals of the world. ROLL OF THE HONORARY FREEDOM OF THE CITY OF DUBLIN Isaac Butt, Q.C. Right Hon. William Ewart Gladstone, P.C, M.P. Ulysses S. Grant, ex-President U.S.A. Edward E. Potter, Captain of the "Constellation" Charles Stewart Parnell, M.P. . John Dillon, M.P. ....-• Kevin Izod O'Doherty Hon. Patrick A. Collins, Senator, U.S.A. William O'Brien, M.P, . . . . Timothy Daniel Sullivan, M.P. Thomas Sexton, M.P. The Rt. Hon. the Marquis of Ripon, P.C. The Kt. Hon. John Morley, P.C, M.P. His Eminence Cardinal Moran Lady Sandhurst .... The Rt. Hon. James Stansfeld. P.C, M.P. The Rev. George Salmon, D.D., Provost T.C.D. . The Rt. Hon. Stuart Knill, Lord Mayor of London Patrick A. McHugh, M.P. John E. Redmond, B.L., M.P.. An CHAoibin Aot^ini) (Douglas Hyde, LL.D.) Richard Croker . Spencer Harty, CE. Hugh P. Lane E. O'Meagher Condon Sir Charles A. Cameron, CB. Dr. Kuno Meyer An CAn6nAc peA-oAn LIa tAo^AiRe Most Rev. Dr. Mannix, Archbishop of Melbourne John Count McCormack Ehrenfried Giinther Baron Von Hiinefeld Captain Hermann Koehl Major James Fitzmaurice . The Hon. Frank B. Kellogg, LL.D., U.S.A. His Eminence Lorenzo Cardinal Lauri, Papal Legate to the 31st International Eucharistic Congress Sir John Lavery, R.A., R.H.A. .... Sir John Purser Griffith, M.A.I., M.Inst.C.E. George Bernard Shaw ...... Most Rev. Dr. Cushing, Archbishop of Boston The Hon. Paul A. Dever, Governor of Massachusetts His Excellency Sedn T. O Ceallaigh, President of Ireland His Eminence John Cardinal D'Alton, Archbishop of Armagh and Primate of All Ireland His Excellency Gerald P. O'Hara, D.D., Papal Nuncio to Ireland 4th Sept., 1876 1st Nov., 1877 30th Dec, 1878 26th April, 1880 3rd Jan., 1882 3rd Jan., 1882 loth Aug., 1885 22nd July, 1887 22nd July, 1887 loth Dec, 1887 28th Dec, 1887 i6th Jan., 1888 16th Jan., 1888 ist Oct., 1888 igth Sept.. 1889 19th Sept., 1889 14th Mar., 1892 23rd Dec, 1892 30th Oct., 1901 l8th Dec, 1901 29th June, 1906 ist July, 1907 2nd Sept., 1907 loth Feb., 1908 28th Sept., 1909 30th Sept., 1910 iSth July, 1911 i8th July, 1911 5th Aug., 1920 3rd Sept., 1923 30th June, 1928 30th June, 1928 30th June, 1928 25th Aug., 1928 27th June, 1932 17th Sept., 1935 8th June, 1936 26th July, 1946 i6th Sept., 1949 i6th Sept., 1949 2nd June, 1953 2nd June, 1953 27th July, 1953 32 HISTORIC STREETS AND HOUSES Tn examples of the public and domestic architecture of A the eighteenth century Dublin is singularly rich, and many fine Georgian mansions lend a sober beauty to its wide streets and famous squares. History clings around the mellowed walls of these old houses, many of which have been closely associated with the most vivid personalities and exciting events in modern history. Kildare Street. Leinster House in Kildare Street, now the meeting- place of the Dail (Chamber of Deputies) and Seanad (Senate), was built by James Fitzgerald, first Duke of Leinster, in 1745. When told that he was building in an unfashionable part of the town, he answered: "They will follow me." This proved true, for subsequent years witnessed the growth of Merrion Square, and the centre of fashion moved south. The first Duke died in 1 773 and the mansion was occupied by his successors, including Lord Edward Fitzgerald — until rented by the Royal Dublin Society in 181 5. At No. 39 lived Lady Morgan (Sydney Owenson) and her husband. A prolific if careless writer. Lady Morgan was on intimate terms with the leaders of contemporary society. Her soirees were a feature of Dublin's social life in the early years of the last century. On 14th August, 1835, she writes : "My soiree was very fine, learned, scientific and tiresome. Fifty philosophers passed through my rooms last night." Dawson Street. In this street is the Mansion House, the official residence of Dublin's Lord Mayors since 1715 and the scene of important events in recent Irish history. In the famous Round Room, at the inaugural session of the First Dail, in January, I9i9t the Declaration of Independence was adopted; and here also, in July, 1921, was signed the B 33 34 DUBLIN Truce which ended the Anglo-Irish War. No. 19, Northland House, is the premises of the Royal Insh Academy, one of the foremost learned societies of Europe. St. Ann's Church, on the same side of the street, contams the grave of Mrs. Felicia Hemans, the poetess. Merrion Square. No. I was the boyhood home of Oscar Wilde, the famous dramatist and wit. He was bom (1854) in 21 Westland Row (See p. 40). No. 5 was the residence of William Stokes, the eminent physician and Regius Professor of Physic in Dublin University. He had a very large practice and a worldwide reputation. "In i793f" writes Sir ]onah Barrington, "I purchased a fine house in Merrion Square." This is No. 42, and the famous lawyer-historian lived here for many years. Daniel O'Connell lived at No. 58, and a writer of the time gives us an interesting piece of information concern ing the Liberator's habits. O'Connell rose at five o'clock, and revellers homeward-bound from parties were familiar with "the half -open parlour shutters and the light within," which told that the great man was already at work. ]oseph Sheridan Le Fanu, author of "Uncle Silas" and other popular novels .resided at No. 70. After the death of his wife in 1858, he rarely left the house, leading "a secluded life, mixing little in society, from which his handsome and distinguished person was missed." At No. 48 lived Robert Graves, M.D., who has been ranked with Stokes for eminence in his profession. His reputation was made by his great work on Clinical Medicine. Upper Merrion Street. The most striking feature of the street is the impressive block of Government Buildings. Here are the Offices of the Taoiseach (Prime Minister) and also those of the Ministries of State. Opposite Government Buildings is Mornington House (No. 24), now occupied by the Land Commission. Here in 1769 was born Arthur Wellesley, Duke of Wellington. HISTORIC STREETS AND HOUSES 35 His father, the Earl of Mornington, it may be mentioned, was a celebrated glee composer — not, apparently, a lucrative hobby, for Lady Mornington is described as "a cold and severe woman, who had a difficult struggle to bring up her family." In 1 791 Mornington House passed into the possession of Robert Lawless, Lord Cloncurry, and ten years later it was occupied by Lord Castlereagh. Castlereagh was living at Momington House during the historic Union debates in the Irish Parliament. Ely Place Many famous people have dwelt in this quiet and fashionable cuUde'sac. John Philpot Curran, the most famous member of the Irish Bar, lived at No. 4 during the early part of his career. From Ely Place he moved to Harcourt Street and later to No. 80 St. Stephen's Green. During the third decade of the last century Charles Kendal Bushe lived at No. 5. It was said that the great advocate "charmed the verdict from the jury by the fascination of his eye." Kemble, indeed, pronounced him the most perfect actor off the stage. At No. 6 lived and died John Fitzgibbon, Earl of Clare. He was Attorney-General and Lord High Chancellor of Ireland, and his career displayed "dauntless courage, the highest intellect, the utmost selfishness and unrestrained arrogance." No. 25 was for some time the residence of John Wilson Croker, editor of Boswell's "Life of Johnson." The late George Moore, on his return to Ireland, lived at No. 4, and it was while in residence here that he collected the material for his famous autobiography, "Hail and Farewell." Fitzwilliam Square. No. 2 was the town residence of William Dargan, the famous railway contractor, who spent /lo-ooo of his own fortune to meet the deficit of the Dublin Industrial Exhibition of 1853. 36 DUBLIN Lower Baggot Street. The brothers John and Henry Sheares lived at No. 1 28, and it was here that Henry was arrested. Thomas Davis died (1845) at No. 67 (then 61) Lower Baggot Street. St. Stephen's Green. At No. 9 Sir Walter Scott was entertained by his son, Captain Scott, then in Dublin with his regiment. Lockhart writes, "On Thursday the 14th [July, 1825] we reached Dublin in time for dinner, and found Walter and his bride established in one of those large and noble houses in St. Stephen's Green, the most extensive square in Europe." William Conyngham Plunket lived at No. 18. He was Lord Chancellor of Ireland, 1 830-1 841. Kerry, or Shelbourne House, former residence of the Fitzmaurices, Earls of Kerry and of Shelbourne, was de stroyed in 1818. The new building erected on this site is now incorporated in the Shelbourne Hotel, founded in 1820 by Martin Burke, a Tipperaryman. Burke became very popular because of his disagreement with the find ings of his fellow-jurors, thus saving the life of Gavan Du-ffy when on trial after the abortive '48 Rising. No. 32 St. Stephen's Green, included in the eastem portion of the hotel, was at different periods the residence of some of Dublin's prominent titled families and state officials. The very fine ceiling of the Banqueting Room is ascribed to George Richardson. About 1833 Felicia Hemans resided at No. 36. Nearby, in Merrion Row, is the old Huguenot Cemetery. Nos. 80-81 (formerly Lord Iveagh's town residence) now houses the Department of Extemal Affairs. At No. 82 lived the notorious Francis Higgins ("The Sham Squire"). A shoe-black and potboy, he rose to be come an attorney, owner of the "Freeman's Journal," and the possessor of a large fortune. He acquired his nickname because he gained the hand of a lady by falsely represent ing himself as a gentleman of landed property. Higgins is known to have betrayed Lord Edward Fitzgerald for the sum of ^^1,000. He was "daily to be seen with Buck Whaley upon the Beaux Walk, in St. Stephen's Green," HISTORIC STREETS AND HOUSES 37 wearing "a three-cornered hat fringed with swan's down, a canary-coloured vest, a bright green body coat . . . gold tassels on his Hessian boots." Buck Whaley, a famous eighteenth-century "blood," lived at No. 86, a handsome stone-fronted mansion, now the property of the National University. He earned also the soubriquet "Jerusalem Whaley" by walking to the Holy City and back in less than two years, for a wager. Next door to No. 86 is the Church of the Catholic University, erected in 1856 by Cardinal Newman. It is a handsome edifice, modelled on a church in Rome, and the marble which lines the walls was given by Pope Pius IX to Cardinal Newman. Over the marble panels are cartoons copied from Raphael. Near the High Altar is a bust of Cardinal Newman by Farrell. The houses numbered 124 and 125, on the west side of the Green, originally formed one building. Robert Emmet was born here in 1778. His father. Dr. Robert Emmet, occupied one half of the house, and gave the other half to Thomas Addis Emmet, an older son, who was also a prominent member of the United Irish Society. Harcourt Street. Sir Jonah Barrington lived at No. 14 for some years after his marriage. A projecting bow window in the side of the house overlooked their next-door neighbours. Lord and Lady Clonmell, who lived in Nos. 16 and 17 (No. 15 was not then built). Sir Jonah's wife appears to have made full use of this window, much to the annoyance of Lady Clonmell. Sir Jonah, however, refused to close the offending window, until Lady Clonmell uttered an extremely effec tive sarcasm. The window was immediately built up, and may still be seen in the wall at the entrance to Montague Street. No. 6 was once the home of Cardinal Newman. In later years it became the headquarters of Smn Fein, the move ment out of which has grown the Ireland of to-day. It was the scene of countless raids by military and police during the Anglo-Irish war. 38 DUBLIN Grafton Street. In the grounds of Trinity College, and screened from the street by a high wall and iron gateway, is the impressive Provost's House. Many famous "characters" have been among the Provosts who resided here. Percy Bysshe Shelley stayed at No. 17 while on his visit to Dublin in 181 2. The poet and his wife had many visitors, among them Curran. At No. 79 was the school conducted by Samuel Whyte — surely one of the most remarkable schools of all time. Among Whyte's pupils were Richard Brinsley Sheridan, Thomas Moore, Robert Emmet, George Petrie and the Duke of Wellington. William Street. Powerscourt House is one of the finest examples of Georgian architecture. It was erected in 177 1-4 by Richard Wingfield, Viscount Powerscourt, at a cost of ^80,000.Aungier Street A memorial tablet at No. 1 2 denotes the house in which Thomas Moore was born (1779); his father being in business here as a grocer and spirit dealer. At an early age Moore displayed a talent for music, recitation and acting — he was the "show pupil" of Mr. Whyte's Academy in Grafton Street. Digges Street. John Hogan, the great sculptor, lived at No. 5. His reputation was first made about 1828, when he exhibited "The Drunken Faun" at Rome. Visiting Ireland in the following year, he exhibited another famous work, "The Dead Christ." It may now be seen in Clarendon Street Churth. College Green. No. 3, now the premises of the Yorkshire Insurance Company, was the central portion of Daly's Club which, in 1822, extended from Foster Place to Anglesea Street. Many travellers pronounced the interior decoration of the HISTORIC STREETS AND HOUSES 39 establishment superior to anything of its kind in Europe. This club was a famous rendezvous for the "bloods" of the period, dicing, duelling, and drinking being their main concern. Dame Street. This thoroughfare took its name from the ancient Gate of St. Mary le Dam, which stood near the Lower Castle Yard. The building of Dame Street marked the first ex tension of the ancient city towards College Green, then known as "Hoggen" Green. In the eighteenth century the two leading theatres (Smock Alley and Crow Street) were situated in this dis trict, and there was a great bustle of life in Dame Street and the narrow thoroughfares leading to the river. On the same side of the street are the premises known as Commercial Buildings, erected in 1799. A little farther on is the Olympia Theatre. The City Hall is almost directly opposite it. Fleet Street. John Foster, last Speaker of the Irish Parliament, lived at No. 50. It fell to his lot to make the announcement of the passage of the Union, to which he was bitterly opposed. D'Olier Street. No. 9 was the residence of Samuel Lover, a prolific writer of songs and stories. It is scarcely remembered that he was one of the leading miniature-painters in Dublin. Pearse Street. This street, formerly called Great Brunswick Street, h named after Padraig Pearse, the soldier-scholar-poet leader of the 19 16 Rising. A plaque, on No. 27, marks the birthplace of Padraig and his brother Willie (who was also executed for his part in the Rising). The Pearse brothers attended the Christian Brothers' School in West- land Row, nearby. 40 DUBLIN Westland Row. Oscar Wilde, the famous poet, dramatist and wit, was born at No. 21 in 1854. His parents. Sir William and Lady Wilde, moved to No. i Merrion Square in the following year. He was educated at Trinity College, Dublin, after which he went to Oxford University. Lady Wilde was well kn.own as a writer under the nom de plume "Speranza." Sir William, a leading oculist, is reputed to have treated Bernard Shaw's father for a squint — and to have made it worse. A commemorative plaque, marking the centenary of the birth of Oscar Wilde was unveiled here in November, 1954, by Dr. Lennox Robinson. O'Connell Street. Running northwards from the river, O'Connell Street is the finest and most important thoroughfare in Dublin. In its centre rises the Nelson Pillar, which has been for more than a century the city's best-known landmark. Indeed O'Connell Street might well be named the "Street of Statues," for its alignment of monuments has impressed visitors from all parts of the world. The Nelson Pillar, erected in 1808, is 134 feet in height. An excellent view of Dublin and its environs may be obtained from the top (admission 6d.). Among other monuments in O'Connell Street are : — the O'Connell Monument, a bronze statue from the design of John Henry Foley. The figure of O'Connell is 1 2 feet in height and stands upon a massive pedestal. Four winged figures ai the corners typify characteristics attributed to the "Liberator" — Patriotism, Eloquence, Justice and Forti tude; the statue of Father Theobald Mathew, the great Apostle of Temperance, which was erected in 1890; the Parnell Monument, erected in 1910. It is by the Irish- American sculptor, Augustin St. Gaudens. Sir John Gray, who gave Dublin its fine water supply, is commemorated by a statue which is the work of Thomas Farrell, R.H.A. O'Connell Street was formerly known as Sackville Street. In the eighteenth century the stretch between Abbey Street and Nelson Pillar was called Drogheda Street. Shelley, the poet, resided for some time in a house which stood on the site of No. 7; it was from here, in HISTORIC STREETS AND HOUSES 41 1 8x8, that he distributed his "Address to the Irish People." At No. 9 stood Drogheda House, a famous eighteenth-century mansion. At No. 43 were the offices of the Irish National League, while No. 39 was for many years the headquarters of the United Irish League. Near the Nelson Pillar is the General Post Office, which in Easter Week, 191 6, was made the headquarters of the Provisional Government set up by the Irish Volunteers. Military hostilities at that period and in subsequent yeas resulted in the almost complete destruction of O'Connell Street. But it has risen in splendour from its ashes and serves as an appropiate symbol of Dublin's irrepressible spirit. This fine thoroughfare has seen history in the making, for it has witnessed every great national demonstration of triumph or sorrow Parliament Street. The office of the Fenian newspaper "The Irish People" was at No. 1 2. At No. 27 lived George Faulkner, the famous Dublin publisher, and proprietor of the "Dublin Journal." He was Swift's printer and brought out the Drapier Letters, as well as an edition of the Dean's works. Lord Edward Street. At No. 3 (now demolished) was born James Clarence Mangan (1803). His father carried on a business at this address. The unhappy poet lived for a time at No. 6 York Street. Christchurch Place. On the site of Nos. 6 and 7 stood, for nearly a century, one of Dublin's chief coffee houses. The establishment, known as Dick's Coffee-House, was maintained by Richard Pue, the publisher of "Pue's Occurrences." Edmund Burke records, 1747 ; "As I sat in a shop under Dick's Coffee-House, the back house which joined it fell and buried Pue, the coffee-house keeper, and his wife in the ruins." 42 DUBLIN Thomas Street. This street, formerly the main thoroughfare leading into Dublin from the west, is closely associated with two of Ireland's most beloved patriots. At No. 22, now a public library. Lord Edward Fitzgerald, leader of the United Irishmen, spent some days before his capture. He was arrested at Nos. 151 and 152, the residence of one Nicholas Murphy, on i8th May, 1798. Murphy's account tells how Major Sirr "pushed by me quickly, and Lord Edward seeing him, sprung up instantly like a tiger, and drew a dagger . . . Major Sirr had a pistol in his waist coat which he fired without effect. I was immediately taken away to the Yard." Lord Edward received a wound in the shoulder, from the effects of which he died in prison. Thomas Street was also the scene of Robert Emmet's abortive insurrection on the evening of 23rd July, 1803. It was here that Lord Kilwarden, a just and humane judge, was killed by some of Emmet's followers, who mis took him for a much-hated colleague. Emmet was hanged in front of St. Catherine's Church, not far from the place where Lord Kilwarden was dragged from his carriage. St. Catherine's (erected in 1769) still stands, on ground which has been the site of a church of that name since the first St. Catherine's was erected there in 1105. James's Street. In this street is the visitor's entrance to Guinness's Brewery. In Bow Lane, off James's Street, is St. Patrick's Hospital for the treatment of mental diseases. It was founded by Dean Swift in 1745. and many interesting relics of Swift are preserved here. In the drawingroom, or study, is the beautiful escritoire on which he wrote Gulliver's Travels and many of the letters to Stella. Several pictures of Stella and the Dean are here also. There are many relics which recall vividly the life and times of the great satirist — the tea-caddy which belonged to Mrs. Delany, Swift's snuff box and his watch, specimens of the notorious "Wood's Halfpence" which called forth the Drapier Letters, and a note from Swift to Harding, the printer. Students and nii 1 ORIC STREETS AND HOUSES 43 others interested in viewing this unique collection are given every facility. Arran Qua/. No. 12 was the birthplace of Edmund Burke (1729). His father, an attorney, moved afterwards to Ormond Quay. Marlborough Street. Tyrone House, erected by the Earl of Tyrone in 1740, was the first private edifice built of stone in Dublin. Great Charles Street. At No. 21 lived George Petrie, LL.D., painter, musician, antiquary and man of letters. Petrie was head of the topographical departments of the Ordnance Survey, and had among his staff, James Clarence Mangan and the historians John O'Donovan and Eugene O'Curry. The office in which they worked was in this house. Great George's Street, North. Sir Samuel Ferguson, author of "Lays of the Western Gael," lived at No. 20. Granby Lane. In Granby Lane, near Parnell Square, North, a plaque marks the spot where Matt Talbot died on 7th June, 1925. The extraordinary story of the life of this holy working man of Dublin has since spread throughout the world. Matt Talbot was born, in 1856, at 13 Aldborough Court (off the North Strand Road). No. 13 is now a building of red brick, but in 1856 it was probably a low, white washed cottage. East of Parnell Square is Upper Rutland Street where, at No. 1 8, Matt Talbot occupied a room for nearly twenty-five years up to the time of his death. Parnell Square. Formerly known as Rutland Square, this was once a fashionable residential quarter. Around the spacious park (the Rotunda Gardens) are many handsome houses which were in former days the residences of nobility. The fine 44 DUBLIN doorways are interesting, and the interiors of some of the houses display beautiful workmanship in ceilings, mantel pieces and staircases. Charlemont House, now housing the Municipal Gallery of Modern Art, was built by James Caulheld. Ea'l of Charlemont, in 1773. Lord Charlemont, one of the most accomplished men of his time, was the friend of Goldsmith, Johnson, Boswell and others. He died in 1799 at the age of 71, "in a room on the north or side next Granby Row." At No. 14 Parnell Square is the headquarters of the Gaelic League, which since its foundation in 1893 has played a vital part in fostering the Irish Ireland ideal and especially the use of the Irish language. At the southern end of the Square is the Rotunda. Part of the Rotunda buildings contains a cinema and a dance- hall, while another portion houses the Gate Theatre, which is acknowledged to be one of the finest repertory theatres in these islands. The Rotunda Hospital, which is adjacant, has gained world-wide fame as a maternity institution and attracts students from many countries. The chapel displays some of the finest stucco work in Dublin. The Assembly Rooms of the Rotunda were the scene of many a fasionable gathering in the colourful eighteenth century. Here was founded the modern Irish resistance movement, when the inaugural meeting of the Irish Volunters — at which 4,000 men enrolled — was held on 25th November, 19 13. Dorset Street. No. 12 was the birthplace (1751) of Richard Brinsley Sheridan, the great dramatist. His father, Thomas Sheridan, was himself a celebrated actor and author. Henrietta Street. At No. 10 lived for a time Marguerite, Countess of Blessington, of whom Mirabeau wrote : "She will draw wit out of a fool." Wolfe Tone Street. At No. 44 lived Theobald Wolfe Tone in his early HISTORIC STREETS AND HOUSES 45 years. His father, Peter Tone, carried on business as a coachmaker at this address. Tone himself went to a school in this same street. Synge Street. In this quiet thoroughfare was born George Bernard Shaw, who writes : "I do not recall the actual event [birth], but the house in which I first 'took notice' was then called No. 3 Upper Synge Street, which became 33 Synge Street when Upper, Middle and Lower were merged into one. We moved into i Hatch Street, and after my mother went to London, lived in lodgings v.'ith my father at 61 Harcourt Street." Brighton Square, Rathgar. No. 41 in this three-sided suburban square was the birthplace of James Joyce (i 882-1 941). O' ANCIENT CATHEDRALS AND CHURCHES |F the Danish occupation of Dublin no visible traces now remain. The architecture of mediaeval Dublin, has, to a large extent, suffered the same fate. Not one of the houses built by the burghers of Dublin in mediaeval and Tudor times has survived. But the two cathedrals, both extensively restored, remain as fine examples of the ecclesiastical architecture of the period. CHRIST CHURCH CATHEDRAL. The older — Christ Church Cathedral — was originally founded by King Sitric and Donatus, Bishop of Dublin, in 1038. It stands at the end of Lord Edward Street, on the high ground where Dublin had its earliest beginnings. A dubious tradition asserts that the present crypt is a remnant of the Danish structure, which was demolished when the Normans (in 11 72) undertook the erection of a great new cathedral on this site. The work of building it occupied fifty years. Christ Church is one of Dublin's finest buildings, and viewed from Lord Edward Street it presents all the out lines of a very handsome pile. The exterior has little ornamental detail, and the general effect is one of sober beauty. It is interesting to note that the flying buttresses were not part of the original design. They were first intro duced in order to prop the north wall of the nave, which has tilted out of the perpendicular. The interior of the cathedral is very beautiful, an out standing feature being the magnificent stonework of the nave and aisles. Especially noteworthy are the graceful pointed arches and the delicate chiselling of the support ing columns. The floor-tiles are copied from those used in the ancient flooring. The plan of the cathedral is cruci form, with nave, transepts, choir and chancel. Dating from the time of Strongbow, the transepts are Ijuilt of dark 46 CATHEDRALS AND CHURCHES 47 limestone; in the north wall of the nave there is also some very old work, distinguishable by the colour of the stone. Strongbow's Tomb. An object of great interest in Christ Church is the tomb of Strongbow, founder of the cathedral. His strange monument (an effigy of a recumbent warrior with a child lying beside him) is said to commemorate the story of how he killed his son for showing cowardice in battle. This monument was much damaged by the collapse of the roof in the sixteenth century. The crypt, which is the oldest surviving portion of the building, is well worth a visit. It contains many interesting historical relics — the Sneyd memorial and other works by Kirk, statues of Charles II and James II, a pair of stocks, and the well-known desiccated bodies of "the cat and the rat." The masonry of the crypt, with its massive vaulting, is singularly impressive. Christ church Cathedral is rich in historical associations. It was the scene, in 1394, of the knighting of four leading Irish chieftains by Richard II. An equally baroque event took place within its walls in 1487 when the impostor, Lambert Simnel, was crowned as King Edward VI. For some time all acts of government in Ireland ran in his name. After the Reformation the priory was dissolved, and became "the deanery and chapter of Christ Church." In 1 55 1, the "Book of Common Prayer" was promulgated in the cathedral — the first occasion on which the English liturgy was read in Ireland. Some years later the roof and south side of the building fell in. In October, 1689, during the sojourn of James II in Dublin, Stuart troops seized the cathedral. For the brief period the rites of the old faith were restored. Mass was celebrated in the presence of King James, and the candle sticks and tabernacle used on that occasion may still be seen in the crypt. During the wars and sectarian squabbles of later times the old stained glass disappeared, and the edifice fell into a neglected condition. It continued in this state until 1871, when Mr. Henry Roe, a wealthy Dublin distiller, offered to bear the cost of a complete restoration. The architect, Mr. G. E. Street, adhered closely to the 48 DUBLIN original design and the work was completed in 1878. Its total cost was in the neighbourhood or ^250,000. Visiting Hours. — 9.30 a.m. to 5 p.m from May to September, inclusive; 9.30 a.m. to 4 p.m. from October to April, inclusive. Admission to nave free, but contribution of not less than 6d. payable for view of crypt and other parts. ST. PATRICKS CATHEDRAL. From Christ Church a short walk down Nicholas Street brings one to St. Patrick's Cathedral, towering above its humble surroundings. The site is low-lying, and the cathedral has often been flooded by the subterranean River Poddle which flows beneath the foundations. It will be noticed that the the lofty steeple is in two sections. The lower portion is a massive square tower, darkened by six hundred years of exposure, while the tapering spire of grey granite dates from the eighteenth century. St. Patrick's was founded in 1190 by John Comyn, the first Englishman to become Archibishop of Dublin. The original edifice was partially destroyed by fire towards the close of the fourteenth century, and extensive rebuilding was carried out by Archbishop Minot. In 1320 the Pope founded a university, which had its home in the cathedral until suppressed by Henry VIII. The Chapter of St. Patrick's staunchly resisted the Reformation and its revenues were confiscated. Ornaijients and paintings were cast out or obliterated by the followers of the new doc trines. During the wars of the seventeenth century Cromwellian troopers stabled their horses in the aisles. Many great figures have been associated with the cathed ral, but none more renowned than Jonathan Swift, who was Dean of St. Patrick's from 1713 to 1745. The cathedral is cruciform in design and measures 300 feet long by 67 feet wide. Its transept width is 157 feet. The style is mainly Eariy English, apart from the steeple already mentioned and the tower erected by Archbishop Minot. He favoured the grand style, and the tower — obviously built for defensive purposes — is 147 feet in height and has walls ten feet thick. It still contains a fine peal of bells cast in the seventeenth century. CATHEDRALS AND CHURCHES 49 Though less elaborate than Christ Church, the interior of St. Patrick's is extraordinarily impressive. The great length of the nave, with its high groined roof and pointed arches, the banners of the Knights of St. Patrick above the choir stalls, and the stained-glass windows in the Lady Chapel produce an effect of rare dignity and splendour. Indeed, the atmosphere seems heavy with great memories, for one sees on all sides relics and monuments which recall centuries of history. The largest of these monuments is that erected in 1631 by Richard Boyle, first Earl of Cork. This massive piece of work perpetuates the memory of the Boyle family, various members of which are depicted on the monument. In the centre of the lowest tier is Robert, the chemist, dis coverer of "Boyle's Law." A number of tablets and monu ments are to be seen in the north aisle, among those com memorated being Turlough O'Carolan, the last of the Irish bards; John Philpot Curran; and Samuel Lover, the novelist and song-writer. There is also a monument to Archbishop Jones, who was dean of the cathedral in 1581. In this portion of the building may be seen the plain wooden pulpit from which Swift preached. Memories of Swift. But it is the south aisle of the nave that evokes most vividly the sombre spirit of the great dean. His tomb lies to the right of the entrance porch, and nearby is the grave of "Stella" (Esther Johnson), Swift's partner in one of the most enigmatic and tragic love stories of history. There is also a fine marble bust of Swift, and over the door of the robing-room one may read his own bitter and immortal epitaph: "He lies where furious indignation can no longer rend his heart." Other points of interest are the beautiful Lady Chapel behind the altar, the memorial (in the north choir aisle) to the Duke of Schomberg, killed at the Battle of the Boyne, and the pre-Reformation brasses in the south choir aisle. The Schomberg memorial has a trenchant epitaph by Swift. During the nineteenth century St. Patrick's, like Christ Church, fell into a dilapidated condition. About i860 the 50 DUBLIN building was declared to be in a ruinous state, but it was saved through the munificence of Sir Benjamin Lee Guinness, a member of the famous brewing family. He undertook a thorough restoration of the historic edifice. The work occupied four years and cost ^ 160,000. The pleasant little park (St. Patrick's Park) beside the cathedral was also provided by the Guinness family. The cathedral is open free to visitors every week'day from 9 a.m. to 5 p.m. Its Choral Services, which are deservedly famous, are held on week'day s at 10 a.m. and 4 p.m. ST. WERBURGH'S CHURCH. In Werburgh Street, off Christ Church Place, is St. Werburgh's Church, one of the oldest in Dublin. It was built during the reign of Henry II by the "men of Bristol" who colonised the city. Like its sister church in Bristol, it is dedicated to St. Werburgh, daughter of Wulfhere, King of Mercia. The original building was partially destroyed in 1301. In 1662 it was repaired and extensively enlarged. St. Werburgh's was for a long period, the Parish Church of Dublin and here were held many historic functions. Pre vious to the erection of the Chapel Royal in the Lower Castle Yard, Viceroys were sworn into office at St. Werburgh's. Beneath the church are 27 vaults, two of which are under the chancel. In one of these lies the body of Lord Edward Fitzgerald, enclosed in a huge coffin over seven feet long. An object of very great interest is the Geraldine Monument, probably the most ancient memorial now re maining in the city. This massive monument belonged to the once famous Priory of All Hallows, which stood on the site of the pre sent Trinity College. It rested subsequently in the now destroyed Church of St. Mary le Dam, whence it was removed to St. Werburgh's. The monument displays the Geraldine arms, almost effaced by time and exposure, and the recumbent effigies of a knight in armour and his wife. Sixteen symbolic figures ornament the side and both ends. A slab placed on the wall above the tomb states that it CATHEDRALS AND CHURCHES 51 was originally built into the outer south wall of the church in the seventeenth century, and was erected in its present position in 1914 by the Duke of Leinster. Sir James Ware (1594-1666), the historian, is also buried in the vaults. The interior of the church is in an excellent state of preservation. The pulpit, a beautiful piece of Francis Johnston Gothic, carved by Stewart, was transferred here in 1877 from the Church of St. John, Fishamble Street. In the graveyard attached to St. Werburgh's, by a strange coincidence, lie the remains of Major Sirr, who was chiefly instrumental in Lord Edward Fitzgerald's capture and death. Sexton resides at 8 Castle Street, around corner from church, and visits to church via Castle Street entrance are permitted (free) from 10 a.m.. to 4 p.m. on week'day s. CHURCH OF ST. MICHAN. In Church Street (near the Four Courts) stands St. Michan's Church, a seventeenth-century structure erected on the site of a Danish church which was founded about A.D. 1096. The square battlemented tower is much older than the rest of the building and is believed to date from the Danish period. It is 120 feet high and commands an extensive view of the city. In the church there is some fine carved woodwork and an organ bearing the date 1724. Handel is said to have played on it. An object of curious interest is the "stool of repentance," on which transgres sors confessed their sins before the congregation. In a wall- recess nearby is the effigy (in recumbent posture) of Bishop Samuel O'Haingli, the eleventh-century founder of the church. Strange Vaults. But the strangest feature of St. Michan's lies under ground. In its vaults may be seen bodies which have lain for centuries without showing signs of decomposition. The amazing preservation of these corpses is probably due to peculiar desiccating qualities in the atmosphere, for it will be noticed that the vaults are absolutely dry. An inspection of these remarkable vaults is a strange experience, though not a really gruesome one. The skin of 52 DUBLIN the corpses remains soft as in life, but it has taken on a brown leather-like appearance. Even facial characteristics may be distinguished, and most visitors are particularly impressed by the well-preserved features of "The Nun," whose corpse is said to be three hundred years old. Even more interesting is the corpse of "The Crusader," which lies alongside the former. The leather-like hands of the Crusader have become shiny from the custom, which most visitors honour, of "shaking hands" with the corpse. It has been suggested that the churchyard of St. Michan's contains the unnamed grave of Robert Emmet. This is a matter of conjecture, but the brothers Sheares, insurgent leaders of 1 798, are interred in the vaults. Their remains were re-encoffined in March, 1940, St. Michan's has associations with a number of histori cal figures. The remains of Oliver Bond and Charles Lucas are interred in the cemetery, and Sir Patrick Dun was buried under the chancel of the church. It was here, too, that the body of Charles Stewart Parnell lay in state on the night before his burial at Glasnevin. Church and vaults open week'day s 10 a.m. to i p.m. and 2 p.m. to 5 p.m. Saturdays 10 a.m. to 1 p.m. Vaults closed on Sundays. Admission i/- per person; children under 12 years 6d. CHURCH OF ST. AUDOEN. In High Street, off Cornmarket, stands St. Audoen's Church, the oldest of Dublin's many parish churches. It was founded by the Normans shortly after their arrival in the city and dedicated to St. Ouen of Rouen — the name Audoen being a Latinised version. The building is now partially ruined, but portion of it is still used for public worship. The latest part of St. Audoen's to be erected was the Portlester Chapel, built in the fifteenth century by Sir Rowland FitzEustace, Baron Portlester. The recumbent effigies of Portlester and his wife, with the date 1455, may be seen under the tower. St. Audoen's was formerly a thriving church and it con tains a number of interesting tombs and monuments, Many members of great families are interred here, and also several Lord Mayors of Dublin. The celebrated William CATHEDRALS AND CHURCHES 53 Molyneux is buried in the vaults and is commemorated by a monument in the wall of the Portlester Chapel. The Norman font is of great interest. It is a beautiful specimen of an early square-bowl font, dated 1 192. In the porch may be seen a crude-looking stone, known as the "Lucky Stone" of St. Audoen's, which has been held in veneration for centuries. This stone is first mentioned in 1309, when John le Decer, Mayor of Dublin, erected a water-trough in Cornmarket and placed the stone beside it, so that all who drank the waters might have luck. There is a fine peal of bells in the tower, three of them being the oldest bells in Ireland. All three were cast in 1423, though only one bell bears the date. In 1658 two more bells were added, and a sixth in 1694. Beside the church is St. Audoen's Arch, the only sur viving gate of the ancient walled city of Dublin. It was built in 1 21 5 with stones taken from the old Dominican monastery on the site of which the Four Courts now stands. In a tower-room over St. Audoen's Arch were held the meetings of many of the old City Guilds. Here also was printed, in 1763, the first issue of the Freeman's Journal, one of Dublin's leading newspapers during a period of one hundred and sixty years. A CULTURAL METROPOLIS Oh, Dublin City, there is no doubtin'. Is the finest city upon the sea — 'Tis there you may see O'Connell spoutin' And Lady Morgan making tea. — (Anonymous Street-Ballad) INTELLECTUAL activity is usually begotten by, a social life that has a strong element of adventure, even of eccentricity. Dublin has been, in every age, a city of vivid "characters" and its magnificent contribution to the world's culture is indelibly marked by the genius of place and personality. The brains and the speech and the humour of its citizens have formed the raw material of some of the greatest literary masterpieces of modern times. Dublin in Literature. For Dublin has produced and nurtured an astonishing number of eminent writers — among them some out standing figures in the history of modern prose. In the Deanery of St. Patrick's lived and wrote Jonathan Swift, a Dubliner bom, and the greatest satirist in English litera ture. Among Swift's contemporaries in Dublin were Bishop Berkeley and Edmund Burke ,both renowned as prose-writers and philosophers. During the nineteenth century many great literary per sonalities were associated with the city. James Clarence Mangan, who is regarded as the greatest of the Anglo- Irish poets, was born in Dublin in 1803. Here he lived his unhappy life and wrote the songs which made his name immortal. He died during an outbreak of cholera, in 1849, m the Meath Hospital, Dublin. Tom Moore, the darling of London drawing-rooms, frequently revisited his native Dublin and adorned the soirees of Lady Morgan (Sydney Owenson), herself a popular novelist. Charies Lever, as a medical student, mingled with his boisterous fellows and caricatured them for a host of delighted readers in Harry Lorrequer and other novels. In his Merrion Square house 54 A CULTURAL METROPOLIS 55 lived the eccentric Sheridan Le Fanu, author of Uncle Silas and The House by the Churchyard, whose stories of the supematural rank with those of Edgar Allan Poe. Also in Merrion Square lived Sir William and Lady Wilde, parents of the famous dramatist. Lady Wilde earned a reputation for her patriotic poetry written under the nom de plume, "Speranza." In our own time the . city has inspired much fine writing. Hail and Farewell, George Moore's brilliant and scandalous chronicle of the Irish Literary Renaissance, is perhaps the best work by this acknowledged master of English prose. While living in Dublin, James Stephens wrote, among other works. The Crock of Gold, surely one of the most felicitous novels of this century. But a still greater landmark of literature is James Joyce's Ulysses, which has made the idiom and topography of Dublin familiar to readers the world over. In the annals of the theatre Dublin occupies a position ot the first importance. Congreve and Farquhar were both educated at Trinity College, as was Oliver Goldsmith, that unhappy genius whose immortal comedy has brought mirth to generations of playgoers. As a comic masterpiece She Stoops to Conquer is rivalled only by The School for Scandal, written by a Dubliner, Richard Brinsley Sheridan. The passing of Goldsmith and Sheridan was followed by a long period of mediocrity in the history of the English stage, and it is remarkable that the next great names to emerge should be those of two Dublin-bom dramatists, Oscar Wilde and Bernard Shaw. Connradh na Gaedhilge (The Gaelic League). The Gaelic League, a voluntary, non-political and non- sectarian organisation whose object is the restoration of the Irish language, was founded in Dublin in 1893. It has played a very important part in the making of the new Ireland, and its patriotic influence was the main inspiration of the 1916 Rising and the subsequent struggle for Irish Independence. The League was the first body to take up the publication of modem literature in Irish. Irish , industry, too, owes much to the pioneer work of the ; organisation. Members of the League have been active 56 DUBLIN leaders in every sphere of Irish life. Dr. Douglas Hyde, founder of the League and its president from 1893 to 1 91 5, later became first President of Ireland. Sean T. O Ceallaigh, President of Ireland, was formeriy General Secretary of the League. Padraig Pearse, Thomas Ashe, Terence MacSwiney, Cathal Brugha, Father O'Growney, Cardinal O'Donnell, Archbishop Croke and Father Peter O'Leary were among the many distinguished Irishmen who were active Gaelic Leaguers. The League's headquarters are at 14 Parnell Square, and there are about 300 branches in Ireland, England, Scotland and the U.S.A. Its activities cover such fields as adult education, lectures and debates, music, drama, feiseanna (festivals of folk-dancing and music, Irish language competitions, etc.), and An tOireachtas (Ireland's literary festival). Dublin Institute for Advanced Studies. The Dublin Institute for Advanced Studies was estab lished in 1940 by an Act of the Oireachtas (Legislature). Its functions and duties, as set forth in the Act, are to provide facilities for the furtherance of advanced study and research in specialised branches of knowledge. These functions and duties are fulfilled by means of Constituent Schools for different specialised branches of knowledge. The administration of the Institute and its Constituent Schools lies with the Council of the Institute, which con sists of a chairman appointed by the President on the advice of the Government, three ex'officio members (i.e. the President of University College, Dublin, the Provost of Trinity College, Dublin, and the President of the Royal Irish Academy), and two members appointed by each Governing Board of a Constituent School. Each Constituent School is under the control and. management of a Governing Board consisting of a chairman, the senior professors of the School (who are eX'officio members), and a number of appointed members.. The chairman and members are appointed by the Piesident on the advice of the Government. Three Constituent Schools have already been estab lished, viz. — The School of Celtic Studies. — established ini A CULTURAL METROPOLIS 57 October, 1940; The School of Theoretical Physics — established in October, 1940; and The School of Cosmic Physics — established in March, 1947. The w;ork of the School of Celtic Studie.<= and of the School of Theoretical Physics is carried on at 64-65 Merrion Square, Dublin; that of the School of Cosmic Physics at 5 Merrion Square and in Dunsink Observatory, Co. Dublin (see page 116). A report of the work of the Institute and its Constituent Schools is presented annually by the Council of the In stitute to the Government and laid before both Houses of the Oireachtas (Legislature). The Irish Folklore Commission. This Commission which was set up in 1935, is housed at 82 St. Stephen's Green. Its work is the placing on re cord of the Irish traditional way of life — dwelling, live lihood .trade, travel, social life, belief and custom, histori cal and religious tradition, tales, songs, music and pastimes. The archive has now over ij million pages of manuscript, together with collections of sound recordings and photo graphs and a specialist library of 10,000 books. Students and others interested may see the collection by appoint ment with the Secretary. The Abbey Theatre. Within the present century Dublin has fostered one of the most significant movements in the history of the modern theatre. The Abbey Theatre first opened its doors in December, 1904, ana became a Mecca of theatre goers from every comer of the earth. The "Abbey" achieved international fame in 1907, with the world- premiere of Synge's masterpiece. The Playboy of the Western World. It produced also the same auhtor's Riders to the Sea, perhaps the finest one-act play ever written. In the years following the first World War, there appeared another great dramatist, Sean O'Casey, who drew the material for his best work from the life of the Dublin slums, now fast disappearing. The verse-plays of W. B. Yeats (the greatest of modern poets) have given unusual distinction to the repertory of 58 DUBLIN the Abbey Theatre. Among other well-known dramatists of the Abbey group are Lennox Robinson, Padraic Colum, T. C. Murray, George Fitzmaurice and George Shiels. In more recent years the tradition of the Abbey Theatre has been splendidly maintained in the best work of Paul Vincent Carroll and the Dublin-born Denis Johnston. Dublin as a Musical Centre. The most celebrated event in Dublin's musical history took place in 1742. It was the first performance of Handel's "Messiah" at the Musick Hall in Fishamble Street. Eighteenth-century Dublin evinced a high stan dard of taste in music, as in other arts, and Handel's visit was not an isolated event. Many eminent figures in the world of music were attracted to the Irish capital, and Geminiani, the greatest virtuoso of his time, lived for several years in Dublin. During the period of stagnation which followed the Union of 1800 musical culture was at a low ebb, the only notable occurrence being the foundation (in 1837) of the Trinity College Choral Society. Tradition was kept alive by a few devoted lovers of music, among >yhom the most notable was Joseph Robinson. He was one of the earliest members of the Royal Irish Academy of Music (founded in 1856), an institution which contributed greatly to the rise of Dublin as a noted teaching centre. This reputation has been maintained by a succession of distinguished musicians from the great conservatoires of Europe, and particularly enhanced by the work of Commendatore Esposito.The Fels Cecil. Another organisation which has done great service to musical culture is the Few Ceoil (Irish Musical Festival). The Feis Ceoil was founded in 1897 ^° promote the study of Irish music, and to foster the general cultivation of music in Ireland. Its programme included the promotion of an annual Musical Festival, featuring various competi tions. The first Feis Ceoil in 1897 attracted just over four hundred competitors; in recent years that number has been trebled. Since its inception the organisation has done. A CULTURAL METROPOLIS 59 much to raise the standard of vocal and instrumental music At least two world-famous singers — John McCormack and Margaret Burke-Sheridan — won their earliest laurels at the Dublin Feis Ceoil. Among other prominent manifestations of Dublin's musical culture may be mentioned the Culwick Choral Society, the Rathmines and Rathgar Musical Society, the Dublin Operatic Society, the Dublin Grand Opera Society and the long-established Hibernian Catch Club. Our Lady's Choral Society and the more recently formed Our Lady's Symphony Orchestra are further valuable contributions to the city's progress in matters musical. The Choir's brilliant performances in Rome and Paris in 1950 (Holy Year) proved that Dublin can hold its own among the cities of the world in the field of choral music. Famous Scientists and Scholars. In the spheres of scholarship and scientific enquiry Dublin has produced many outstanding figures. Most renowned of Dublin's scientists was the great mathe matician. Sir William Rowan Hamilton (1805-1865), the discoverer of Quaternions. Hamilton made a most impor tant contribution to geometrical optics, and his work in the field of dynamics foreshadowed the quantum theory, of the atom. Other famous Dublin mathematicians were George Francis Fitzgerald, who paved the way for Einstein's theory of relativity, and George Salmon (a pro vost of Trinity College), whose books on algebra and geometry brought him an international reputation. An other notable figure associated with Trinity College was the versatile Professor John Joly. He made important con tributions to physics and geology, and invented one of the earliest methods of colour-photography. As a centre of medical teaching Dublin has long enjoyed an outstanding reputation. Among its pioneers in medical research may be mentioned William Stokes, whose volume on respiratory diseases is a classic, and Robert Graves, remembered for his work on Clinical Medicine. Of Dublin's scholars perhaps the greatest was Sir James Ware (1594-1666), the antiquary and historian. His 6o DUBLIN works on various departments of Irish history were written in Latin. Edmund Malone, famous for his edition of Shakespeare, was bom in Dublin in 1741. George Petrie, an amazingly versatile scholar, is equally renowned for his collection of Irish Music and for his volume on the "Ecclesiastical Architecture of Ireland," in which he estab lished the origin of the Round Towers. John Pentland MahaQy (i 839-1919) also a versatile scholar, was one of Dublin's most famous "characters." Among many histori cal writers born in Dublin were W. E. H. Lecky and Sir John Gilbert, the principal historian of the city. For more than three centuries Dublin has fostered a vigorous intellectual life. No city of comparable size can claim so many illustrious names. Few cities, indeed, have contributed more nobly to the culture and enlightenment of mankind. DUBLIN LIBRARIES JpvuBLlN possesses many invaluable collections of books A-/ and manuscripts. The treasures of its libraries quicken the imagination to a kinship with distant ages and long- dead personalities; many of them recall vividly Ireland's rich and ancient culture. Almost every notable library is open to visitors, but in some cases permission should be sought from the proper authorities. TRINITY COLLEGE LIBRARY. The oldest and most famous of Dublin's libraries is, of course, that of Trinity College. The library dates from 1 60 1 and the earliest catalogue gave a list of 40 books. To-day it houses about 500,000 printed books and over 2,000 MSS. Its fame was first made through the acquisi tion of Archbishop Ussher's collection of books and manuscripts. By an Act of 1801 the library has the right to a copy of every book printed in Ireland or Great Britain. Famous Manuscripts. There are hundreds of interesting manuscripts, of which the oldest are the Egyptian Papyri and some manu scripts of Greek and Latin. There are over 140 Irish manuscripts, some dating from the sixth century, contain ing copies of the Gospels, history, civil and ecclesiastical records, genealogies, poetry, romance, law, medicine, and astronomy. The Library's most famous possession is the "Book of Kells," a MS. of the Gospels, dating probably from the eighth century. Re-bound in 1953, the book was divided into four sections. It is the most wonderful of all illuminated manuscripts. The "Book of Durrow" is a MS. of the Gospels believed to date from the seventh century. "The Book of Armagh," thought to have been written by Ferdomnach of Armagh in 807, contains a complete copy of the New Testament in Latin. The "Liber Hymnorum" (eleventh 61 62 DUBLIN century) contains hymns in Latin and Irish. The "Book of Leinster," a large folio of over 400 pages, was compiled by Finn MacGorman, Bishop of Kildare, who died in 1 160. The "Yellow Book of Lecan," containing 500 pages of large quarto vellum, was written by Donnoch and Giolla losa Mac Firbis in 1390. There are many MSS. relating to later periods in Ireland. These include a volume of letters of Queen Elizabeth on the Public Affairs of Ireland (1565- 1570), each letter bearing her signature. There is also a volume of Lord Chichester's correspondence (161 2-1 61 4), and much material dealing with the wars of 1641 and 1690. Twelve volumes of Major Sirr's papers provide an invaluable commentary on the insurrection of 1798. A valuable ac quisition was the notebooks and diary of Theobald Wolfe Tone, presented to the library in 1923. Early Printed Books. The library has the finest collection of incunabula (i.e., fifteenth-century printed books) in Ireland. There is one book from Caxton's press — "Dictes and Sayings of Philosophers," which was printed at Westminster in 1477. Other notable volumes include: — A copy of the first German Bible (1466); a copy of the Latin Bible printed at Cologne by Nic Goetz de Schletzstadt (1474); a first edition of Petrarch's "Sonnetti e Trionfi" (1470); a first edition of "La Divina Commedia" (1472); a first edition of Boccaccio's "Theseide" (1475). The library also pos sesses four folios of Shakespeare (1623, 1632, 1664, 1685). The library may be visited free by the public on week' days from 10 a.m. to 4 p.m. (February to October inclu' sive) and from 10 a.m. to 3 p.m. (November to January, inclusive). Saturdays, 10 a.m. to i p.m. The library is usually closed during the first two weeks of July. A porter, who will act as guide, may be contacted at main entrance gate. NATIONAL LIBRARY OF IRELAND. This is the State Library and the largest public library in the country. It is housed in a handsome edifice in Kildare Street. The nucleus of the library, founded in 1877, DUBLIN LIBRARIES 63 was the cellection of books donated by the Royal Dublin Society. At present there are in the library some half a million books, besides many maps, prints and manuscripts. The library is particularly rich in the more expensive works on Botany, Zoology and Fine Arts, while the collection of maps of- Ireland is unrivalled. The famous Joly Collection includes 70,000 prints, among which is a group of Irish portraits numbering 3,000. A unique possession of the National Library is its collection of Irish newspapers, which, since the destruction of the Public Record Office in the Four Courts, has become invaluable as a source of historical evidence. The collection comprises well over 15,000 volumes, and is constantly being added to. It is stored in a new wing specially built to accommodate it. The library contains a large collection of historical and literary manuscripts relating to Ireland, which is supple mented by microfilms of documents relating to Ireland from foreign libraries and archives. A notable feature of the National Library is its public- service counter, where readers and visitors may consult officials who are invariably courteous and helpful. The library is open on week'day s from 10 a.m. to 10 p.m. Saturdays, 10 a.m. to i p.m. ROYAL IRISH ACADEMY LIBRARY. The Library of the Royal Irish Academy contains one of the most extensive collections of ancient Irish manu scripts in Ireland. The most important of the Irish manuscripts is "Leabhar na hUidhre" (or the Book of the Dun Cow), a fragment consisting of 138 folio pages written on very old vellum. It was compiled by Mael- muire, son of Ceilechair, from other books probably of a much earlier date. Maelmuire was killed in 1106. The contents of the book comprise history and romances of the pre-Christian and Christian periods. "The Book of Ballymote," written in the year 1391, contains histories, genealogies, romances, ancient law and an ancient grammar. The "Leabhar Breac" (Speckled Book) was written by a member of the learned Mac Egan family about the end of the fourteenth century. It is the 64 DUBLIN most important collection of religious, ecclesiastical and theological compositions in Irish now extant. "The Cathach" or Battlebook, the great heirloom of the O'Donnells, handed down in that family for 1,300 years, is a highly ornamented shrine enclosing a fragment of a copy of the Psalms on vellum. The manuscript is believed to be the actual copy made by St. Columcille about the middle of the sixth century. The shrine is in the Royal Irish Academy's collection in the National Museum, but the manuscript is in the Royal Irish Academy Library. The "Yellow Book of Lecan," compiled by Giolla losa Mor Mac Firbis in the year, 1416, is a compilation from books that were ancient centuries before Mac Firbis was bom. The "Stowe Missal" is an ancient Irish Missal and ritual in characters of the tenth and eleventh centuries, with ornamental oak cover. Of more recent date is the copy of the "Annals of the Four Masters," one of the original autograph copies com piled in the Abbey of Donegal between 1632 and 1636. This vast chronicle contains the traditional history of Ireland, going back for over 2,000 years B.C. It is a com pilation made from all the ancient books which were in existence (or from copies which were available) in the seventeenth century; many of those books have since been lost. The library is open on week'days 9.30 a.m. to 5.30 p.m., during the months of July, August and September; it is closed between i and 2 p.m. Saturdays 9.30 a.m. to 1 p.m. Admission free. MARSH'S LIBRARY. Founded by Narcissus Marsh, Archbishop of Dublin, in 1707, St. Sepulchre (or Marsh's) Library is the oldest public library in Ireland. It is situated near St. Patrick's Cathedral, and the aspect of the library has changed litde since its foundation. The collection, numbering over 25,000 volumes, con sists chiefly of theology, medicine, ancient history, maps, Hebrew, Syriac, Greek, Latin and French literature. There are some 250 volumes of manuscripts (including the collections of Dr. Dudley Loftus relating to Irish history), DUBLIN LIBRARIES 65 a number of early printed books, and many pamphlets. Also to be seen are books which belonged to Archbishop Laud and Isaac Casaubon. There is a copy of Bellarmine's "Disputationes" bearing the autograph of Laud and some annotations in his fine delicate script. Casaubon's signature and notes are to be seen on a copy of Baronius' "Annals." The library has Dean Swift's copy (three volumes) of Clarendon's "History of the Great Rebellion," with Swift's pencilled notes. The entrance to the library is in the South Close, adjoin' ing St. Patrick's Cathedral. Readers and visitors are admitted free. The library is open from 11 a.m. to 1.30 p.m and 3 p.m. to 4.30 p.m., on Mondays, Tuesdays, Wed' nesdays and Fridays; from 11 a.m. to 12.30 p.m. and 3 p.m. to 4.30 p.m. on Thursdays. Saturdays, 11 a.m. to I p.m. Closed during July. Copies of the official "Account" of the library may be had from the Librarian, price is.' THE FRANCISCAN LIBRARY. This library (containing' a remarkable collection of manuscripts of the twelfth and later centuries), formerly housed in the Franciscan Convent, Merchants* Quay, has been removed to the Franciscan House of Studies, Kil- liney, Co. Dublin. Consultation of manuscripts arranged by appointment. KING'S INNS LIBRARY. Another notable library is that of the King's Inns (founded 1787) in Henrietta Street. The collection com prises over 100,000 printed volumes, among which are a unique collection of Irish county histories, all the Dublin Directories ever printed (with one exception), and nearly 10,000 pamphlets. There are thirty-six Irish manuscripts, two second folios of Shakespeare and many incunabula. CHESTER BEATTY LIBRARY. This private library, housed at 20 Shrewsbury Road, contains what is considered to be the most valuable and representative private collection of Oriental MSS. and miniatures in the world. It was collected over 40 years by Sir Alfred Chester Beatty. The collection is very varied 66 DUBLIN and extensive and includes the celebrated Chester Beatty Biblical Papyri, which contain the oldest MSS. of the New Testament, certain unique Manichaean papyri (Coptic translations of the lost religious books of the Manichaean faith), an extensive library of finely decorated Oriental MSS. and miniatures from most of the countries of the East. Among these are separate collections of Arabic rare texts, Persian, Indian and Turkish MSS., illuminated Korans from different Islamic countries and many other MSS. It also contains large numbers of examples of the various types of Farther Indian book art and that of other Asiatic lands. The Far- Eastern section includes many albums, picture scrolls and jades, and a notable series of Japanese colour prints and colour print books. There is also a fine collection of choice Western illuminated MSS. The large miscellaneous library includes numerous fine books of colour plates and engravings, early editions of the Oriental classics, works of travel and atlases. The exhibits are changed from time to time, and in addition items are lent to various exhibitions in Dublin. The library may be viewed by the public each Wednes' day from 2.30 until 6 p.m. in summer, and from 2 until 5 p.m. in winter. OTHER LIBRARIES. The Library of University College, Dublin, has about 100,000 volumes, including the Zimmer collection, of interest to students of Celtic languages, and the library of the historian, John Richard Green. Among its manu scripts is the great seventeenth-century compilation, the Book of Genealogies by Mac Firbis. Having donated its collection to form the nucleus of the National Library, the Royal Dublin Society has since ac cumulated more than 150,000 volumes for the use of its members. The Oireachtas Library in Leinster House is intended only for the use of members of the Dail and Seanad. Visitors interested in early printed books will find in the Worth Library in Steevens* Hospital 21 volumes printed before the year 1500, 13 of which are from the DUBLIN LIBRARIES 67 press of Aldus; Colinaeus, Stephonus, Turnebus, and Elzevir are also represented. The Central Catholic Library, 74 Merrion Square, South, contains a unique collection of some 50,000 volumes on every department of knowledge and life with which religion is, more or less, concerned. It includes a collection of about 2,000 works on Christian art. Accom modation for readers and shelf -space for books are ample. There is a Lending Department, open week-days from 12 noon to 9 p.m. (except Monday — closed all day; Saturday, open 12 noon to 4 p.m.). Subscribers may have books posted to them, on request. The Reference Library is open to the public daily (Sundays included) from 11 a.m. to 10 p.m. Reader's ticket — is. There is also a Public Newsroom which is open daily from II a.m. to 7.30 p.m., Sundays 2 p.m. to 7.30 p.m. In addition the library maintains an Information Bureau, by which postal enquiries are answered. There are several branches of the Library in various parts of the city Irish Central Library for Students. This library, housed at 53 Upper Mount Street, Dublin, was established in 1923, by the Carnegie United Kingdom Trust to supple ment the resources of public libraries and of the libraries of scientific and cultural organisations, by supplying on loan specialised books of an educational nature. In 1948 this library (approx. 35,000 volumes) was presented by the Carnegie United Kingdom Trust as a gift to An Chomhairle Leabharlanna, the Library Council, in augurated by the Minister for Local Government, in accordance with the Public Libraries (Ireland) Act, 1947. MUNICIPAL LIBRARIES. There are fourteen public libraries maintained by the Corporation of Dublin and administered under the control of a Chief Librarian from a Central Department in Pearse Street Library (Telephone 61608). The libraries are at Anglesea Road, Ballsbridge; Blacquiere Bridge, Phibs- borough; Capel Street; Charieville MaU, North Strand; Emmet Road, Inchicore; Howth sub-branch; Lower Kevin Street; Marino Mart, Fairview; Millmount Avenue, 68 DUBLIN Drumcondra; Pearse Street; Rathmines Road; Ringsend; Terenure sub-branch; Thomas Street. The library of the late Sir John T. Gilbert (historian of Dublin), purchased by the Dublin Corporation, is housed m the Central Department, Pearse Street Library. ART GALLERIES NATIONAL GALLERY. EASILY accessible from the centre of the city, the National Gallery is situated on the western side of Merrion Square — perhaps the most finely proportioned of Dublin's many eighteenth-century residential squares. Like most other National Galleries, the Irish National Gallery was established in the nineteenth century as part of the world-wide movement to provide education for the people, which had its origin in the French Revolution. More specifically, the founding of these galleries resulted from the organisation of the French royal collections as a national gallery of France at the Louvre. The National Gallery was formally opened in 1864 with a nucleus of something over a hundred pictures which had been collected, for the express purpose of founding a national gallery, through the enterprise of such men as William Dargan and George Mulvany, over a number of years previously. Thus, the enchanting little School of Giorgione Adoration was purchased, and the Raphael Cartoons bequeathed, before the Gallery was opened. Mulvany, the first Director, had a number of dis tinguished successors, most notably, perhaps, Henry Doyle (1869- 1 892), the most cultivated member of a Dublin family of whom "Dickie" Doyle of Punch, and Henry's nephew, Arthur Conan Doyle, the creator of Sherlock Holmes, became famous in England; and Hugh Lane (191 4- 191 5), nephew of Lady Gregory of Abbey Theatre fame. But it has been the constant endeavour of the Board of Governors and Guardians to maintain and enhance the initial high prestige of the National Gallery, so that to-day it ranks as one of the more important public collections of paintings of all European schools in any country. Some choice pictures have come to the Gallery by gift or bequest, the more munificent donors including Lady 69 70 DUBLIN Milltown, Lane, Edward Martyn, the Friends of the National Collections, and Sir Chester Beatty. It is hardly too much to claim that a comprehensive study of the Italian Schools of painting may be made at the Irish National Gallery. There are choice examples of the fourteenth-century Tuscan Schools, notably a Sienese St. John Preaching in the Wilderness, at one time attri buted to Simone Martini and now to Andrea di Bartolo — though one of the most renowned experts on Italian painting has said that if it be in fact by Andrea it is the finest thing he ever did. Fifteenth-century Florentines include an outstanding Fra Angelico, The Attempted Martyrdom of Saints Cosmas and Damian, one of a series that is also represented at the Louvre, the Munich Altepinakotek and the Ac- cademia at Florence; a little Madonna and Child, formerly ascribed to a pupil of Piero della Francesca, but identified as by Paolo Uccello when it was exhibited at the Four Masters of the Early Renaissance Exhibition in Florence in 1954; two great cassone battlepieces also by Paolo Uccello; a Madonna Enthroned with Saints by Zenobio Macchia- velli, usually regarded as the artists's masterpiece; a recently acquired Fra Bartolommeo Holy Family, rated by Fritz Knapp as the "most beautiful" of the artist's works; and a noble Holy Family with Saint John which Italian scholarship has identified as an early work by Michelangelo. The two Signorellis include a small Christ in the House of Simon the Pharisee, which in quality as in size matches the little chef d'oeuvre by the same artist at the Louvre. The moving Perugino Pieta (which once belonged to Philippe d'Orleans, Regent of France during the minority of Louis XV) must be reckoned a great masterpiece of religious art and also of early landscape painting; and in subtlety of characterisation, as in subtlety of modelling, the Head of Saint Catherine the Martyr by Correggio might be ranked as second only to the Saint Anne of Leonardo da Vinci. Examples of Venetian painting include the beautiful Judith of Mantegna; an impressive double Portrait by Giovanni Bellini that was formerly in the collections of ART GALLERIES 71 Cardinal Fesch and Paul Delaroche; Titian's superb Baldassare Castiglione; and important works of Palma Vecchio, Bassano, Paolo Veronese and Tintoretto. The later schools of Italian painting are very richly re presented and include pictures by Magnasco, Castiglione, Bazzani, G. B. Tiepolo, Longhi, Canaletto, Bellotto and Guardi. The St. Jerome, by the fifteenth-century French artist, Frances Nicolas, is a precious specimen of late mediaeval painting. Less well known is the large-scale Pieta by the Burgundian School, c. 1480. Of the half-dozen Poussins, The Marriage of Thetis and Peleus; The Holy Family; and above all The Entombment are internationally renowned great masterpieces. There is a lovely "silver" Claude. The several examples of the School of Watteau include a Wedding Festivities, which is now attributed to Quillard, but which used to be, and probably should still be, ascribed to Watteau himself. There are three works by Chardin, of which the superbly painted Young Governess is the best-known. As a study in movement the huge Milo of Croton by J. L. David is in the nature of a tour de force; and there is a life-size portrait of Bonaparte as Emperor from the studio of the same artist. The collec tions of Rorhantics and Impressionists are being built up. Sir Chester Beatty's gift of some hundred pictures, made in 1950, includes several characteristic little chefs d'oeuvre by Meissonier, a noble Boudin, an unusual and interesting Corot, and a highly representative group of pictures of the Barbizon School. Later gifts by Sir Chester Beatty include a superb water-colour study of the Montagne Sainte' Victoire by Cezanne. The collection of Dutch seventeenth-century pictures is recognised by scholars as including not only many first- class examples of the works of the greatest masters, notably Rembrandt, but an unusually exhaustive and representative selection of the lesser masters. Of the Spanish collection it has been said that the El Greco Saint Francis in Ecstasy, the two Zurbarans and the three Goya portraits would of themselves suffice to estab lish the reputation of any museum of painting. The fine 72 DUBLIN St. Gomez is one of the few examples of late mediaeval painting in Portugal to be seen in a northern picture gallery. The Flemish "Primitives" are represented most notably by Gerard David's Christ Saying Farewell to His Mother; and a Saint Luke Painting the Portrait of the Madonna, ascribed to Rogier Van der Weyden but probably painted by the young Hans Membling in the older Master's studio; and the later Flemings include excellent examples of the work of Rubens, Van Dyck, Teniers, etc. The Rhenish, South German and Austrian mediaeval and Early Renaissance painters are well represented, notably in portraiture, though the Cranach Judith and Crucifixion, as also the recently acquired Madonna, call for special mention as religious pictures. The English col lection includes no less than ten major works in landscape and portraiture by Gainsborough; and Whistler, in a characteristic outburst of enthusiasm, described one of the Hogarths here as "the most beautiful in the world." Reynolds and Richard Wilson are also well represented. in the Irish rooms the works of one of the greatest of modem portrait-painters, John Butler Yeats (1839-1922), may be studied, and there are many admirable pictures by Hone, Osborne, Lavery, Orpen, Tuohy, etc., as well as examples of the earlier phases of Irish painting. The National Portrait Gallery in the same building pro vides a survey of Irish historical personalities over the last three centuries. There is also a cabinet of drawing and watercolours. The National Gallery is open to visitors from 10 a.m. to 5 p.m., Monday to Friday; 10 a.m. to i p.m. on Saturday; and 2 p.m. to 5 p-m. on Sunday. THE MUNICIPAL GALLERY OF MODERN ART. The Municipal Gallery of Modern Art is housed in a very fine Georgian mansion on the north side of Parnell Square, formerly the residence of Lord Charlemont. The history of this Gallery — bound up as it is with the enet' getic life and tragic death of its founder, the remarkable Sir Hugh Lane — is worth relating. ART GALLERIES 73 Founded by Sir Hugh Lane. The Municipal Gallery of Modem Art was founded in 1907. It was chiefly through the exertions and generosity of Sir Hugh Lane that the idea of a modem Art Gallery in Dublin became definitely possible. At an exhibition of Irish Art at the Guildhall, in London, in 1904, of which Sir Hugh Lane was Honorary Director, many of the artists exhibiting promised to give a picture towards the formation of such a gallery. Many more pictures were offered by collectors; an enthusiastic committee was formed and sufficient money collected to acquire still more. The collection thus formed, including Lane's con tributions, was temporarily hung in Harcourt Street. In addition to his gifts. Lane had lent to the Gallery his collection of Continental pictures, and intended to give most of them to Dublin, provided that a permanent build- irg to house them was built within a specified number of years. Later, as no gallery was built, nor any progress made in arranging for one. Lane took these pictures away and lent them to the National Gallery in London. He was drowned in the sinking of the Lusitania in 191 5. and when his will was read it was found he had added a codicil leaving his pictures, not to the National Gallery in London, as he had previously intended, but to the Dublin Municipal Gallery; but this codicil, lacking the mere legal technicality of two witnesses, was held to be invalid. Though there has been much agitation for their retum from London, the Gallery is still without them. The present Gallery in Pamell Square was completely reconstructed and modernised at a total cost of some ;^35,ooo, and opened to the public in 1933 when transfer of the entire collection in Harcourt Street was completed. It presents, within its scope, arrangement of rooms, system of natural and artificial lighting, etc., one of the finest and most up-to-date galleries in the world. The exterior measurements are about the same as those of the National Gallery of Ireland, and the area is twice that of the Luxemburg Musee — which was Sir Hugh Lane's ideal. Restraint in decoration and detail is a noticeable feature of the galleries, each being lined with a low frame and panelled dado in American and Australian walnut. 74 DUBLIN The Hurst Seager system, known as top-side natural light ing, has been adopted throughout. The spectator stands in shadow, while the pictures are directly illuminated from roof -light fixed at an angle that, as nearly as circumstances permit, approaches the vertical. The artificial lighting is partly concealed and colour corrected, through lights being installed in such a position that the pictures are illu minated evenly and without glare. At the end of the suite, on the ground floor, is the Lane Gallery, exactly suited to hold the 39 pictures, and still awaiting the day when a valuable collection of pictures will be returned to its rightful home. A Splendid Collection. But even without what are now known as the "Lane Pictures," the Dublin Gallery is one of which any city might be justly proud. It has the distinction of being the first public gallery in Ireland or Great Britain to possess a representative group of Corot's work, which includes the Landscape: with Group of Three Figures, which was his last work, and was, it is said, painted on his death-bed. There are also several interesting and characteristic Con stables. Going through the different rooms in the Gallery, one notices work by such well-known painters as Fantin- Latour, Courbet, Harpignies, Diaz, Puvis de Chavannes, Monet, Monticelli, Mancini, Daumier, Whistler, Sickert, Wilson, Steer and others, and a group of works by Augustus John. The drawing and water-colour rooms contain many admirable examples of Millet, Brabazon, Segantini, Orpen, Charles Conder, Cipriani, and Max Beerbohm. In the portrait gallery there is an interesting collection of contemporary portraits of well-known Irishmen, in cluding Michael Davitt, John Redmond, Lord Carson, Synge, and W. B. Yeats. Naturally, in a collection of national importance the work of Irish artists has a place, and the visitor will notice that their work can hold its own beside the works of Continental artists. Nathaniel Hone, Sir John Lavery, Sir William Orpen, Gerald Festus Kelly, Charles Shannon, ART GALLERIES 75 Mark Fisher, Walter Osborne, Jack Yeats, and George Russell (JE) deserve attention. In the picture salons, among more recent acquisitions, are to be found works by Irish artists: Louis Le Brocquy, Kathleen Fox, Mainie Jellet, Charles Lamb, Maurice MacGonigal, James Sleator, and Jack B. Yeats, etc.; and of foreign Schools: Albertini, Bonnard, Dunoyer de Segonzac, Picasso, Souverbie, Vlaminck, etc. In the vestibule and hall are to be seen, among other interesting works, Auguste Rodin's Age d'Airain, his L'Homme au Nes Casse, and George Bernard Shaw; Tolstoi and Kim by Naoum Aronson, and Inis Fail by Oliver Sheppard, R.H.A. A most interesting piece in the collection is Epstein's head in bronze of Lady Gregory. More recent additions to the sculpture group include a head in bronze of Padraic Colum, by the late Edmond T. Quinn, and studies in bronze and terra cotta by Mina Carney. The sculpture hall and foyer is the home of twenty- four pieces, in bronze, marble, stone, and plaster, the work and generous gift of that great Irish sculptor, Andrew O'Connor, who died in Dublin in June, 1941. The Gallery is under the control of the Dublin Cor poration. Its title and address: The Municipal Gallery of Modern Art, Parnell Square, North. It is open on week'days between 10 a.m. and 6 p.m. (except Thursdays — 10 a.m. to 12.30 p.m.) On Sundays, September to May inclusive, from 1 1 a.m. to 2 p.m. At present and until further notice the Gallery closes at dusk instead of 6 p.m. in the winter season. Open on all Bank Holidays except Christmas Day and Good Friday. Admission free. THE NATIONAL MUSEUM THE National Museum of Ireland comprises the Irish Antiquities, the Art and Industrial, and the Natural History Divisions, The two first named (together with the botanical section of the Natural History Division) are housed in Kildare Street, the third in Merrion Street. IRISH ANTIQUITIES DIVISION. The collection of Irish Antiquities owes its origin primarily to the Royal Irish Academy. The Academy's collection, to-day the result of two centuries of splendid effort, was transferred to State custody in 1890. Together with the large and growing State collection and material presented by the Royal Society of Antiquaries of Ireland and other benefactors, it now constitutes one of the most impressive collections of national antiquities in Europe. Here we may follow step by step the cultural development of the people of Ireland, from the far off Stone Age through the Bronze Age, the Iron Age, the Early Christian period, and the Middle Ages down to modem times, and the historical development of the new Ireland. But the collection is of more than merely national interest. Because of her position on the Atlantic sea routes Ireland has seldom been shut off for long from the main stream of general European life and civilisation. To that life and civilisation she has more than once made significant con tributions. Hence the national collection is prized by foreign scholars for the light it sheds on certain aspects of general European archaeology. Symbolic of the country's cultural connections with the outside world is the large boulder of granite from the Wicklow Hills now placed at the Museum entrance in Kildare Street. It is inscribed with the famous labyrinth pattem which can be traced ultimately to the eastern Mediterranean. Stone Age, 5000-1800 B.C. The earliest inhabitants of Ireland were fishers and 76 THE NATIONAL MUSEUM 77 hunters who crossed over from Scotland about 6000 B.C. From north-east Ulster they gradually spread out to Munster, Leinster and Connacht. About 2500 B.C. agri culture and stock-raising were introduced by more highly civilised immigrants who entered the country at various points on the east and north-east coasts, and great chambered burial cairns (of Mediterranean ancestry) were built at Newgrange and other places; they are world famous. The Stone Age antiquities in the Museum include stone axes, clubs, scrapers, knives, arrowheads, etc., as well as pottery and personal ornaments. Items of particular interest are the flint knife with its original handle of moss, from the River Bann; six polished axe-heads from Cul- bane, Co. Derry, together with the stone on which they were ground; primitive "saddle querns" for grinding corn; and the enormous stone implements from Portglenone on the River Bann. Bronze Age, c. 1800— c. 200 B.C. Bronze Age Ireland exercised a far-reaching influence on other countries. The craftsmanship of the metalworkers was unsurpassed. The splendid collection of gold orna ments in the Museum testifies not merely to artistic skill but to great material prosperity as well. It is the second largest collection of native gold antiquities in the whole of Europe. Particular attention should be paid to the "lunulae" or crescent-shaped ornaments of sheet gold. Some seventy have been found in Ireland, another twenty abroad, where they bear witness to Ireland's foreign trade in ancient times. Other splendid examples of the Bronze Age craftsman's skill are the torques (two from Tara) and gorgets of gold, the beautiful rapiers and leaf-shaped swords of bronze, the bronze axes, spear-heads, halberds, sickles and pins, and the fine series of sepulchral pottery. In recent years an extremely interesting series of typical Bronze Age burials has been set up. The Iron Age, 200 B.C.— A.D. 450. Antiquities of the prehistoric Iron Age are relatively rare. They seem to indicate two principal areas of settle ment, Connacht and north-east Ulster. 78 DUBLIN Discoveries in the latter region show that the iron-using settlers there had come from Britain; the Connacht settlers possibly came from France. The Museum collection of their antiquities includes swords, spears, pins, brooches, horsebits, sculptured stones, etc., often beautifully orna mented with spiral, trumpet and other Celtic decoration. Pride of place may well be given to the famous gold collar from Broighter, Co. Derry. With its beautiful Celtic ornamentation and ingenious locking device, it is an out standing example of the ancient goldsmith's art. Early Christian Period, c. A.D. 450 — A.D. 1000. The Early Christian period is marked by the finest flowering of Irish art. To this period belong such master pieces of skill and beauty as the miscalled "Tara" Brooch (c. 750), found at Bettystown, Co. Meath; and the Ardagh Chalice, of the same date, perhaps the finest communion chalice in existence. The beautiful enamels, gold filigree, and other features of these famous treasures are best appreciated with the help of a magnifying glass. Second only to these are the many other precious relics of this period — brooches, shrines, etc., too numerous to mention. Middle Ages. The Viking period is represented by a fine display of tools, weapons and trading equipment, etc., from the Norse cemeteries outside Dublin and from other sites. The latter include a bronze lamp (c. 1000) and a tenth-century Manx gaming board (yew) from Ballinderry, Co. West- meath. The close of the Viking wars was followed by a great artistic revival. Among the treasures of this period that have survived and are now preserved in the National Museum it will suffice to mention the Shrine of St. Colm- cille's Psalter — the Cathach (1062-1098), Shrine of the Stowe Missal (1023-1052), Shrine of the Bell of St. Patrick's Will (1091-1105), and the collection of tenth- twelfth-century croziers. The Cross of Cong (c. 1 1 23) is the finest processional cross of its time in existence. THE NATIONAL MUSEUM 79 The post-Norman antiquities are of very considerable interest, but have not the artistic merit of the older treasures. Outstanding examples are the Shrine of St. Patrick's Tooth (c. 1376) and the processional cross from Ballylongford, Co. Kerry (fifteenth century). Folk Collection. The aim of the Folk Collection is to try to recover a series of objects illustrating the traditional houses, fur nishings, occupations, costume, pastimes, etc., of the people prior to the machine age. The spinning and weaving, dairying, wood-turning, and fishing exhibits are well worth study. Egyptian and Classical Collections, etc. The collections of Egyptian, Greek, Roman, and other foreign antiquities are small, and only a limited amount can be exhibited. One of their functions is to provide comparative materials for students of Irish archaeology. The Ethnological Collection. The Division also possesses a fine collection of ethno logical materials from North and South America, Africa and the South Seas. Some of the best of the latter were collected by the famous explorer. Captain Cook. ART AND INDUSTRIAL DIVISION. The Art and Industrial Division is devoted to a series of valuable and interesting collections : Silver; Glass; Ceramics; Textiles; Furniture; Chinese, Japanese and Indian Art; Coins and Medals; Postage Stamps; Costume and Uniforms, etc. The Division also includes the Irish Historical and the 1916-1921 exhibitions, which have now been built up into extensive collections. These were con siderably expanded in connection with the twenty-fifth anniversary of Easter Week, 1916. NATURAL HISTORY DIVISION. The Botanical Section illustrates the principal vegetable products in use to-day. Other features are the Herbarium 8o DUBLIN (open to approved students) with more than 180,000 specimens, a collection of the flowering plants of Co. Dublin, and a series of Biblical plants. The Zoological Section (Merrion Street), contains two main collections. The Irish collection aims at showing at least one specimen of every animal found in Ireland or Irish waters. Conspicuous exhibits are the remains of the famous extinct Irish Giant Deer, and of the Reindeer, Bear, Wolf, Hyaena, Arctic Fox, and extinct Mammoth which once roamed the land. There is also a very fine collection of Irish birds with their nests and eggs, many of them shown in their natural settings. The General Collections contain a systematic collection of Mammals, Birds, Reptiles, Fishes, Worms, "Shell fishes," Spiders, Insects, Corals, Sea-anemones, and Sponges. The lower marine animals are illustrated by the best collection of Blaschke glass models in Europe. The reference collections (accessible to approved students) contain upwards of 220,000 specimens. The Museum Buildings are open to the public on week days and bank holidays from, 11 a.m. to 5 p.m., and on Sundays from 2 p.m. to 5 p.m. Admission free. The Dublin Civic Museum at the City Assembly House, South William Street, opened in 1953, contains a permanent collection of exhibits of antiquarian and historical interest pertaining to Dublin. It includes news papers and cuttings, pictures, prints, maps, coins, etc. Open to the public (free) from 11 a.m. to i p.m. and 2.30 p.m. to 6 p.m. every day except Thursday (11 a.m. to I p.m.) and Sunday (2 p.m. to 5 p.m.). LEARNED SOCIETIES The Ro/al Dublin Society. DUBLIN has many organisations devoted to the promotion of learning, scientific research and other branches of culture. Among these institutions is the Royal Dublin Society. Founded in 1731, for the advancement of Agriculture, Industry, Science and Art, it is the oldest society of its kind in these islands. Lord Chesterfield, in a letter of May, 1747, wrote that its efforts had "done more good to Ireland with regard to arts and industry than all the laws that could have been formed." Since its foundation the Royal Dublin Society has played an impor tant part in the industrial, commercial and cultural life of the country. To promote interest in agricultural and horse-breeding, three shows are held each year. In March, there is a show of pure-bred bulls. Later comes the Spring Show, at which all classes of livestock, produce and agricultural machinery are exhibited. Every progressive farmer attends the Spring Show, which has inspired many important de velopments in the science of agriculture. The great Horse Show, the greatest function of Dublin's social calendar and an event of intemational importance in the world of sport, is held during the first week of August. It attracts visitors and buyers of bloodstock from all parts of the world. The cultural activities of the society are equally important. For the use of its members, numbering several thousands, a fine library is maintained. Scientific papers are read before a monthly meeting and afterwards published in the Scientific Proceedings of the Society. Scientific lectures of a popular character are also provided. There are recitals of chamber music, and members are given the opportunity of hearing various celebrated singers and players. There is usually some special event, such as the visit of a famous orchestra, each year. 81 82 DUBLIN The Royal Dublin Society celebrated its bi-centenary in June, 1931. To its public-spirited efforts, Dublin owes its National Library, National Art Gallery, Botanic Gardens and, to some extent, the National Museum. The society has persevered through more than two hundred years, staunchly upholding its original ideals, and is to-day a vital force in the life of the country. The Royal Irish Academy. Towards the end of the eighteenth century there were in Trinity College, Dublin, two small societies called the Paleosophers and the Neosophers. In 1785 the members of these two scholarly clubs were granted a patent to form the Royal Irish Academy, with a view to promoting the study of Science, Polite Literature and Antiquities. Its first President was Lord Charlemont, at whose house the Academy held its early meetings. The next home of the Academy was in Grafton Street, but in 1852 it moved to Dawson Street, where it is still housed. Founded at a period when the old native culture of Ireland had fallen to its lowest ebb, the Royal Irish Academy has done invaluable work in preserving the literary and artistic relics of that culture. It formed a great collection of Irish antiquities, which was transferred in 1890 to the National Museum. The work of its registration and care, from its inception until the transfer, was under taken and financed by the Academy. But for the foresight and generosity of its early members, the National Museum would be without its unique collection of gold ornaments. (The fine Library of the Academy, with its collection of Irish manuscripts, has been referred to elsewhere.) The Royal Irish Academy publications take a leading place among those of the learned societies of Europe. The many volumes of its Transactions and Proceedings contain papers on Science, Literature, History and Archaeology. A number of important investigations in physical science and natural history have been undertaken on the initiative of the Academy. In 1887 a magnetic observatory was established at Valentia, Co. Kerry, where regular ob servations have been made. A botanical survey of the mountains, rivers and lakes was also made, and the Clare LEARNED SOCIETIES 83 Island survey (carried out in 1 909-1 1) is perhaps the most complete study of the fauna and flora of a defined and limited area which has yet appeared. Dublin has few more just sources of pride than the long list of famous scientists and scholars whose work is en shrined in the archives of the Royal Irish Academy. Figures renowned in literature and in every branch of scientific enquiry have been among its members, and the traditions of a century and a half of careful scholarship are still worthily maintained. Royal Society of Antiquaries. Another institution which has done excellent service to Irish historical research is the Royal Society of Antiquaries, founded in 1849. It has premises at 63 Merrion Square, and meetings are held in Dublin and the provinces. Papers on historical and archaeological subjects are read and objects of antiquarian interest exhibited. The Journal of the Society, containing the proceedings and various papers, is of much interest. Historical Society, Trinity College. Founded in 1770, this is the oldest University Debating Society in Ireland or Great Britain. It has been in existence forty-five years longer than the Cambridge Union and fifty-six years longer than the Oxford Union. Indeed the Historical Society might claim a still greater antiquity, for it is the direct successor of two earlier bodies — The Club, founded by Edmund Burke 1747, and the Historical Club, founded in 1753 by Barry Yelverton, afterwards Lord Avonmore. Among the records of the Historical Society is the minute-book of The Club, a considerable part of which is in Burke's handwriting. Throughout its long history, the Society has been a nursery of statesmen, lawyers and divines. Among its members have been many of the most remarkable per sonalities in Irish history. Theobald Wolfe Tone was Auditor in 1785, and another prominent member of the Society at that time was Charles Kendal Bushe, afterwards Lord Chief Justice and famous for his great speech against the Act of Union, In 1797. Robert Emmet and Thomas 84 DUBLIN Moore joined the Historical Society and became the leaders of the Radical Party in debate. From the first, Emmet displayed that talent for oratory which was to find such magnificent expression six years later in his immortal speech from the dock. Thomas Davis, the poet of the "Young Ireland" move ment, was Auditor of the Society from 1838 to 1840. Outstanding figures in the debates at that period were Joseph Sheridan Le Fanu, the novelist, and Isaac Butt, afterwards leader of the Irish Party at Westminster. Lecky, the historian, won the Oratory Medal in 1858. Few were aware of his talent as a speaker, and there is a tradition that his maiden speech amazed the Society. In more recent years, many famous men have taken a leading part in the activities of the Historical Society — among them Bram Stoker, author of Dracula, Edward Carson, the great lawyer and politician, and Douglas Hyde, father of the Irish Language Revival movement and first President of Ireland. The Society meets for debate in the Graduates' Memorial Building, Trinity College, at 8 o'clock on each Wednesday evening from November to June, except for a short recess at Christmas and Easter. Literary and Historical Society, University College. The Literary, Historical and Aesthetical Society was formed in 1855 at a meeting presided over by Father John Henry Newman (afterwards Cardinal Newman), Rector of the Catholic University. It was founded as a debating society for the students of the new university, and has been associated with many prominent figures in the in tellectual and political history of modem Ireland, In 1873, John Dillon, afterwards a leading member of the Irish Party at Westminster, was elected Auditor. (Sir) Thomas Maloney, last Lord Chief Justice of Ireland, joined the Society in 1886. A tremendous contest for the Auditor- ship in 1897 was won by Francis Sheehy Skeffington, who read his inaugural address on the subject of "Realism in Fiction." The name of his defeated opponent was James Joyce. In the following year the Auditorship was held by Tom Kettle, afterwards famous as politician, essayist, and LEARNED SOCIETIES 85 one of Dublin's most brilliant speakers. Among later Auditors were several men who played influential roles in the struggle for Irish freedom and in the development of the Irish Free State. NOTABLE PUBLIC BUILDINGS The Old Parliament House. THE Parliament House (now the Bank of Ireland) in College Green was the first of the series of great public buildings erected in Dublin during the eighteenth century. It stands on the site formerly occupied by Chichester House, the residence of Sir Arthur Chichester, who held the post of Viceroy from 1604 to 161 5. After his death it became the residence of the Lord Chief Justice, and it was to Chichester House that a drunken informer brought news of the coming rising on an October evening in 1 64 1. The first parliament after the Restoration met here, and parliaments continued to meet in Chichester House from time to time. In 1729 the present structure was commenced, the de signer being Sir Edward Lovat Pearce, Surveyor-General of Ireland. As it now stands, the building embodies two styles; it is justly regarded as one of the finest specimens of eighteenth-century architecture. The receding front, with its finely grouped Ionic columns, achieves an effect of rare dignity and splendour. The portico towards West moreland Street is of the Corinthian order, and was erected in 1785 after the design of James Gandon. A screen wall connects it with the main building. The western portico and screen wall were added between 1 792 and 1794. Few buildings are richer in historical associations than the "old house in College Green." During the most brilliant period in Dublin's history it was a focus of social and political interest. Its walls echoed the speeches of men whose names were renowned in an age of orators. As the struggle for constitutional independence went on the leaders of the Opposition — Grattan, Flood, Hussey Burgh, Philpot Curran — became popular idols. Verbatim reports of the debates were printed and eagerly read. In 1753 there were joyful demonstrations when the Irish Pariiament reserved to itself the right to dispose of surplus 86 NOTABLE PUBLIC BUILDINGS 87 revenue. In 1782 vast crowds watched Lord Charlemont's armed Volunteers parade in College Green, while Grattan in the Parliament House demanded and obtained the removal of restrictions on Irish trade. Twelve months later, when Grattan had won independence for the Irish Parliament, the Commons Chamber rang with his joyful apostrophe: "Spirit of Swiftl Spirit of Molyneux! your genius has prevailed! Ireland is now a nation." The most dramatic scene ever enacted within the Parliament House was the passage of the Act of Union in 1800. The British Government had secured a majority in favour of the measure by resorting to bribery on a huge scale. But there were many who opposed it with passionate eloquence. Grattan, an ailing man, came to the House clad in his old Volunteer uniform and leaning on the shoulders of two friends. In a splendid speech he took leave of the independent parliament which he had created: "Yet I do not give up my country — I see her in a swoon, but she is not dead — though in her tomb she lies helpless and motionless, there is on her lips a spirit of life and on her cheek a glow of beauty." One hundred and twenty-two years later the green-clad troops of the new Irish Free State were marching past the "old house in College Green." The Parliament House has been the Bank of Ireland since 1804. Considerable alterations were made in the interior, and the Cash Office of the Bank now occupies the former Commons Chamber. The House of Lords, which remains practically unchanged, is now used as the Board Room. Some fine wood-carving is to be seen around the walls and the fireplaces of Kilkenny marble are worthy of notice. There are two pieces of tapestry worked in Dublin and hung there in 1734. One represents the Battle of the Boyne, and the other depicts King James II and Sarsfield directing operations at the Siege of Derry. The chairs and the large mahogany table also date from the period when the Irish peers assembled here. Any liveried attendant at the Bank will conduct visitors through the premises, free of charge, during usual Bank hours. 88 DUBLIN Trinity College. On the east side of College Green is the impressive Corinthian facade of Trinity College, more than 300 feet long and 65 feet in height. This ancient seat of leaming was described at its foundation as the "College of the Holy and Undivided Trinity near Dublin." It is now situated in the very heart of the city. The College was founded in 1591, but no trace of the original Elizabethan stmcture now remains. A range of red brick buildings on the east side of the Library Square is the oldest surviving block. It was erected in 1722, but the top storey was reconstructed towards the end of the last century. The great facade towards College Green was built in 1759 and, though sometimes attributed to Sir William Chambers, is from the designs of Keene and Saunders. Chambers, however, designed the Examination Hall (1787) and the Chapel, which is remarkable for its fine proportions and the beauty of the stalls, gallery and panelling. In the Examination Hall may be seen a number of full-length portraits, including those of Ussher, one of the earliest Fellows, Bishop Berkeley, Dean Swift, Edmund Burke and Queen Elizabeth, foundress of the university. Here also may be seen the great chandelier which formerly adorned the Irish House of Commons. To the right of the Campanile stands the Library, 1 magnificent building which was completed in 1732. There are three stories, surmounted by a rich CorintHan en tablature, crowned with a balustrade. The interior of the Library is singularly impressive and is acknowledged to be one of the finest rooms of its kind in Europe. The per spective is splendid, and the proportions are so well balanced that the room — notwithstanding its great length of 240 feet — gives no impression of narrowness. White marble busts of famous scholars and writers adorn the room. Homer, Socrates, Plato, Shakespeare, Milton, Bacon and Swift being among those represented. The numerous treasures of the Library have been described elsewhere in this book. Between the Library and the Examination Hall stands the Hall of Honour, designed by Sir Thomas Deane, and erected as a memorial to four hundred and sixty-five NOTABLE PUBLIC BUILDINGS 89 members of the college who fell in the first Great War. The Graduates' Memorial Building, designed by Sir T. Drew, was erected on the north side of the Library Square in 1899 to commemorate the tercentenary of the college. The New Square (1838-44) is mainly residential. At the north-west comer stands the Printing House (1726-34), designed by Cassels in the style of a Doric temple. On the opposite side of the Square is the Museum Building, also known as the Schools, a striking edifice designed by Messrs. Deane and Woodward and erected in 1857. The remarkable stone carving is by the famous O'Shea brothers, whose work may also be seen on the exterior of the Kildare Street Club. The Museum Building now houses the Geological Museum and the Lecky Library, besides providing lecture rooms for the Schools of En gineering, Divinty and Law. The Moyne Institute of Preventive and Social Medicine contains the department of Bacteriology and Social Medicine. The building was presented and the Institute founded in 1952 by the descendants of the first Lord Moyne, who was assassinated in Egypt during World War II. Beyond the fine Park — ¦ first laid out and planted in 1722 — lie the scientific departments of the university: The Physics Laboratory (1906), the Botanical Laboratory (1907) and the Medical School Buildings (1876-1901). Near the college, and facing Grafton Street, is the Pro vost's House. It was erected in 1760 and is believed to be a copy of a residence built by General Wade in Piccadilly from designs by the Earl of Burlington. The Custom House. On the northern bank of the Liffey — between O'Connell Bridge and the sea — stands the Custom House, which was completed in 1791 from designs by James Gandon, the most gifted architect that ever worked in Ireland. It is Dublin's finest public edifice, and must rank as one of the noblest buildings in Europe. The Custom House is a quadrangular building, 375 feet by 205 feet, exhibiting four fronts. The main (south) front which faces the river is composed of pavilions at each end, joined by arcades to a central portico of four 90 DUBLIN Doric columns. In the tympanum is an alto-relievo repre senting Hibemia and Britannia embracing amid various symbols of peace and plenty. The attic storey is adorned by allegorical statues of Navigation, Commerce, Industry and Wealth; over the arches are symbolic heads represent ing various Irish rivers. The pavilions at each end are decorated with the arms of Ireland, beautifully executed. From the centre rises a superbly graceful dome, sur mounted by a statue of Hope, sixteen feet in height. Viewed from the opposite bank of the river, the total effect is one of unmatched grandeur and spaciousness. The north front has also a central portico of four columns. On the entablature, over the columns, are statues representing Europe, Asia, Africa and America. This front may best be viewed from Beresford Place. The east and west sides, though somewhat similar in design, are less ornate. It will be noticed that the south front is entirely of Portland Stone, while the other three sides are of mountain granite. The erection of the Loop-Line Railway Bridge has greatly impaired Dublin's seaward vista which gained so much of its distinction from Gandon's masterpiece. Never- the less, an excellent view of the building can be obtained from any point on the southern quays and east of the bridge. The Custom House was burned to a shell when Irish forces set fire to the building on 25th May, 1921. The work of restoration, however, has been splendidly carried out and the present building retains all the beauty of the original conception. Aras Mhic Dhiarmada. Officially opened in October, 1953, this ultra-modem building, which cost over ;^ 1,000,000 to erect, houses the CLE. provincial bus terminal and the offices of the Department of Social Welfare. It is called after Sean MacDermott, the 19 16 leader and one of the signatories of the Proclamation of the Irish Republic. Containing shops, restaurants, bar and an underground cinema the main public entrance is in Store Street West. The building is L-shaped in design with the departure NOTABLE PUBLIC BUILDINGS 91 and arrival bays situated at the junction of the two wings. Faced with Portland stone and red-brick, profusely de corated with intricate mosaic patterns it stands six storeys high and adjoins James Gandon's celebrated Custom House. From its originality of design, and choice of site, it is both internally and externally a unique addition to Dublin's architectural beauty. The Castle. Dublin Castle was built between 1208 and 1220; it stands on the high ground west of Dame Street, where the Danes had erected a fortress some four centuries earlier. The Castle was the nucleus around which the city slowly grew, and those parts of the original building which are still in existence represent (next to the cathed rals) the oldest surviving architecture in Dublin, It was formerly a rectangular fortress with a tower at each angle. Of the old Norman building, the largest visible remains are the Record Tower (see below) and portion of a curtain wall. The area enclosed by the original walls was roughly that now known as the Upper Castle Yard, a quadrangle 280 feet long by 130 feet broad. Along the southern side of the enclosure are the State Apartments, formerly the official residence of the English viceroys. Externally these buildings are unimpressive, but the interiors display considerable luxury and refinement. The Throne Room has a remarkable curved ceiling, and here also may be seen a canopied throne more than two hundred years old and some wall medallions by Angelica Kauffmann. Most impressive of the apartments is St. Patrick's Hall, designed by Lord Chesterfield during his term of office. It is a noble room, 82 feet long by 41 feet broad, with its lofty panelled ceiling decorated by three paintings. In the centre panel is George III, surrounded ijy various allegorical figures. The other subjects treated are the conversion of the Irish by St. Patrick, and King Henry II receiving the homage of the Irish chieftains. During the British occupation this hall was used for various State functions. In June, 1938, it was the scene of 92 DUBLIN the installation of Dr. Douglas Hyde as first President of Ireland. At the south-western corner of the enclosure is the Bermingham Tower, from which Red Hugh O'Donnell made his historic escape on Christmas Eve, 1592. This tower was rebuilt in 1777, having been damaged by an explosion. Only the sloping base of the original structure remains, hidden by later buildings. The little building which now houses the Genealogical Office and Heraldic Museum is crowned by a graceful clock tower: the Bed ford Tower, erected on the now hidden remains of one of the towers which flanked the gate of the mediaeval castle. In 1943 the Office of the Ulster King of Arms was transferred to the Irish Government and re-named the Genealogical Office. Incorporated with it is the Heraldic Museum; searches for armorial bearings and family pedi grees are undertaken by the staff for specified fees. An archway leads into the Lower Castle Yard, where the chief points of interest are the Record Tower (formerly the Wardrobe Tower) and the Church of the Most Holy Trinity. The massive Record Tower provides a fine example of mediaeval fortification. It was the south eastern extremity of the old castle. In 1813 the upper storey was rebuilt and the embattled parapet added. This tower houses the State Paper Office, which is a repository of interesting historical documents. The Record Tower was used in the seventeenth century as a base for artillery. It was called the Wardrobe Tower in the eighteenth century, when it was used to house the Viceregal ward robe, jewels, etc. The Church of the Most Holy Trinity (formerly the Chapel Royal), is a notable Irish limestone stracture de' signed by Francis Johnston. A feature of the interior is the splendid Irish oak carving. The middle portion of the east window was presented by Lord Whitworth, a former viceroy, and is believed to date from the fourteenth cen tury. Its antiquity is evidenced by the archaic style of the figures and the soft, rich colouring of the glass. The chapel IS decorated externally with carved heads, over ninety in number, representing the sovereigns of Britain and other historical figures. Over the east door are shown St Patrick NOTABLE PUBLIC BUILDINGS 93 and Brian Boru, while the still more curious juxtaposition of St. Peter and Dean Swift is observed above the north door. The church came into Catholic ownership in 1943. The following are the hours of admission : — The Castle (free), week'days, 9.30 a.m. to 5 p.m. Saturdays 9.30 d.»n. to I p.m. State Apartments (6d), Usual visiting hours 10 a.m., 12 noon and 4 p.m. Guide will conduct visitors. HERALDIC MuSEUM (free), week' days 10 a.m. to i p.m. and 2.15 p.m. to 4.30 p.m. Satur' days 10 a.m. to 12.30 p.m. Guide will conduct visitors. Church of the Most Holy Trinity (free). Mass each morning at 9 a.m. Open to visitors, 9.30 a.m. to 12.30 p.m. and 1.45 p.m. to 6 p.m, on week'days; 10 a.m. to 12.30 p.m. on Sundays. The City Hall. Adjoining the Castle is the City Hall (formerly the Royal Exchange), erected in 1769-79. It stands on the site of the old Damas Gate, the eastem entrance to the ancient walled city, and its foundations are laid on a rock which extends beneath Parliament Street. In earlier times an out-crop of this rock lay across the muddy bottom of the Liffey and was given the name of "Standfast Dick." The City Hall is a square, heavy-looking building in the Corinthian style, designed by Thomas Cooley. There are three fronts of Portland stone, the principal front having a portico of six columns. The interior is designed as a circle within a square. Fluted pillars support an en tablature surmounted by a dome-shaped roof. In the central Hall is a number of statues, including George III by Van Nost; Lucas (Dublin member of the pre-Union Parliament) by Smith; Henry Grattan by Chantrey. There are also two statues by Hogan, one of Daniel O'Connell, the other of Drummond, former Under- Secretary for Ireland. In the Muniment Room may be seen the documentary records of the Corporation. There are 102 Royal Charters, including the original Charter of 1171 by which Dublin was granted to the men of Bristol. Other objects of great interest are the mace and sword of the city and the Assembly Rolls of the Corporation. 94 DUBLIN Meetings of the Dublin Corporation are held in the City Hall, which is the headquarters of municipal government. The Four Courts. On the northern quays, between Father Mathew Bridge and Richmond Bridge, stands the Four Courts. This fine building dates (like the Custom House) from the period of "Grattan's Parliament." The building was commenced in 1785 from designs by James Gandon. Thomas Cooley had succeeded in finishing the drawings for a portion of the building but on his death Gandon was commissioned to complete the plans. This he did, incorporating but little of Cooley's work. The Four Courts is a magnificent pile with a frontage of 450 feet, and consists of a centre flanked by squares recessed from the front, the continuity being preserved by arcades of rusticated masonary. A portico of six Corinthian columns supports an entablature adorned by a statue of Moses, with the figures of Justice and Mercy on either side. At the angles are representations of Wisdom and Authority. Above the circular central hall rises a massive dome 64 feet in diameter, imparting to the whole a superb effect of dignity. Like many of Dublin's finest buildings, the Four Courts suffered the ravages of war. During the civil strife which followed the Anglo-Irish Treaty this magnificent edifice was bombarded and the interior destroyed. An irreparable loss was the destruction of the Public Record Office ad joining the Four Courts. Priceless legal and historical documents were lost, including the complete records of the Irish Parliament, the original wills of every Irish testator from the sixteenth century, and the registers of hundreds of Irish parishes. The Four Courts has been excellently restored and is once again the home of the Irish Law Courts. The Royal Hospital. Excepting the cathedrals and the Castle, the Royal Hospital at Kilmainham is the oldest public building in Dublin. It was built in 1680-82, during the vice-royalty NOTABLE PUBLIC BUILDINGS 95 of James Butler "the Great Duke of Ormond," as a hospital for old soldiers. An Irish saint named Maignend established a church here in early times, and the name Kilmainham means "Maignend's Church." After the Norman invasion the lands of Kilmainham were granted to the Knights Hospi tallers, a powerful order which was semi-monastic and semi-military. The Hospitallers were suppressed by Henry VIII in 1541, and their buildings at Kilmainham were sometimes used as a residence by the viceroys of Elizabeth and James I. In 1680 Ormond, at the behest of Charles 11, undertook the erection of a hospital (or place of retreat) for veteran soldiers. The new establishment, called the Royal Hospital, was founded on the site of the derelict Kil mainham Priory. Although long believed to be the work of Wren, this fine building was designed by Sir William Robinson, Surveyor-General of Ireland. It is an edifice of two storeys, in the form of a quadrangle 306 feet long and 288 feet broad. From the centre of one fajade rises a graceful tower; a picturesque and unusual effect is also given by the dormer windows. The most noteworthy room is the spacious and well- proportioned Hall, perhaps the finest interior in Dublin. Great beams support its roof and some beautiful carved oak adorns the walls. There are also some portraits, de picting William III and his Queen Mary, Archbishop Marsh, Ormond (founder of the Hospital) and Charles II. The Chapel is remarkable for its wood carving, which has been attributed to the celebrated Grinling Gibbons; it is in fact the work of James Tabary, a Frenchman resident in Dublin at the time (c. 1685). A magnificent stucco ceiling (restored 1902-3) is a feature of great interest. Some ancient stained glass may be seen in the upper section of the east window, which is the only sur viving remnant of the former Priory. In recent times the Royal Hospital was occupied by the Headquarters staff of the Garda Siochana (Irish Police Force), until the building, having been declared unsafe, was vacated in 1950. 96 DUBLIN Opposite the west entrance to the Royal Hospital is Kilmainham Prison, where generations of Irish patriots were incarcerated, hiere the leaders of the Rising of Easter Week, 1916, were executed. It was recently decided to adapt the jail as a historical museum and a small memorial park. The Catholic Pro-Cathedral. The imposing edifice in the Grecian-Doric style is situated in Marlborough Street, within two minutes' walk from the Nelson Pillar. It was completed between 1 81 5 and 1825 from designs by John Sweetman, a native of County Dublin. The building stands on a raised plat form and has a portico of six Doric columns which support an entablature surmounted by massive statues of the Blessed Virgin Mary, St. Patrick, and St. Laurence O'Toole, the patron saint of Dublin. It may be remarked that the portico is copied from the Temple of Theseus in Athens, and the interior modelled on the Church of St. Phillippe du Roule in Paris. The double row of Doric columns in the aisles somewhat impairs the perspective of the interior. There is a beautiful altar in white marble by Tumerelli, besides two smaller altars which are much admired. The stained-glass window behind the High Altar is particularly worthy of notice. A deservedly famous institution is the Palestrina Choir, founded by the late Edward Martyn, a wealthy County Galway landowner . Masses are celebrated every half 'hour from 7 a.m. to 12 noon on Sundays. The General Post Office. The General Post Office on the west side of O'Connell Street is an extensive granite building, which was com pleted in 1 81 8 from designs by Francis Johnston. Its most impressive feature is the grand Ionic portico, eighty feet wide, of six fluted columns. The pediment is surmounted by statues representing Hibemia, Mercury and Fidelity. With the exception of the portico, which is of Portland Stone, the entire building is of mountain granite. hcL/uhUn ... a short pictorial survey of some of the attractions the city and county offer to sportsmen, sightseers, historians and literati. The 1916 Memorial General Post Office. 1. Hurling in Croke Park. 2. Yachting, popular sport in Dublin Bay. 3. Killiney — one of the 27 clubs in Dublin city and county. 7. Heading for the Dublin Mountains. 4. Phoenix Park racecourse.i 5. Fishing on the Liffey at j Lucan. 6. Dublin Horse Show. ,%.¦», ^'. 1. O'Connell Bridge and Butt Bridge. 2. St. Stephen's Green Park. 3. Zoological Gardens. 4. Botanic Gardens. 5. Phoenix Park {Wel lington Monument). 1. General Post Office. 2. Statue of Daniel O'Connell and O'Connell Street. 3. St. Patrick's Cathedral. 4. Entrance to Dublin Castle. 5. Strongbow's tomb, Christ Church Cathedral. JAMES CLARENCE MANGAN GEORGE BERNARD SHAW DEAN SWIFT I r^ r\jK.x .^ I ft DRAMATIST \ " / _ WFT \ i*\ OSCAR WILDE ,^ KZjE:.^,_.m 1. Marsh's Library. 2. National Library. 3. Trinity College Library. 4. Open air book stalls on the quays. .5. Two pages from the Book of Kells (Trinity Collegeh 1. The River Liffey at night. 2. Irish dancing in St. Stephen's Green, 3. Pipers in St. Stephen's Green. 4. A Dublin ballroom. 3. The Gate Theatre ("Countess Cathleen" by W. B. \ mis). 6. The Abbey Theatre C'Juno and the Pay- cock" by S. O'Casey). 1. Georgian houses, Fitzwilliam Square. 2 Georgian doorway. 3. The Busaras, Store Street. 4. The Custom House. 5. The Four Courts. 6 The Casino, Marino. %r/ , 1^'' 1/ L--«r- 1, Dan Laoghaire Harbo 2 St. Doulagh's Church, Malahide. 3. The River Liffey at Lucan. 4. Killiney Bay. 5. Ireland's Eye from Howth. 6. The Pine Forest. W^'^- 1. Fruit seller at Nelson Pillar. 2. Sunday morning bird market. 3. Familiar figure along Dublin's quays. 4. A member of the Garda Siochana. NOTABLE PUBLIC BUILDINGS 97 During the Insurrection of 1916 various strategic points in the city were occupied by the Irish volunteers, and the General Post Office became their headquartres. Here the Irish tricolour was hoisted and the Republic proclaimed. During a week of fighting the General Post Office was shelled by a gunboat anchored in the Liffey. When fire broke out the e arrison was forced to evacuate the building, which was completely gutted. The work of rebuilding was admirably done, and the interior of the present central hall is most impressive. On a marble plinth stands a monument to the men who died here in 1916. It is a bronze statue of the dying Cuchulainn, a mythical hero of prehistoric Ireland, and is the work of the Irish sculptor, Oliver Sheppard, R.H.A. The General Post Office now houses the offices of the Department of Post and Telegraphs. The Mansion House. In Dawson Street is the Mansion House, a fine building in the Queen Anne style. Joshua Dawson (after whom the street is named) sold the house to the Corporation for ;^3,5oo and since 171 5 it has been the official residence of the Lord Mayors of Dublin. The Mansion House figures largely in the history of the War of Independence. Among the many historic events which took place in it were the adoption of the Declaration of Independence, in January, 1919, and the signing of the Truce which ended Anglo- Irish hostilities in July, 1921. PARKS AND GARDENS Phoenix Park. Dublin is well provided with open spaces, the greatest being the spacious and beautiful Phoenix Park. It is one of the finest public parks in the world. With a cir- cuference of seven miles, it covers 1,760 acres and includes the Zoological Gardens, People's Gardens, and grounds for hurling, football, polo and cricket. The Park is also famous as a venue of intemational motor-racing. Adjoin ing it on the north side is the Phoenix Park Racecourse. Lord Chesterfield, who first opened the park to the public, erected a pillar surmounted by an effigy of a phoenix in the centre of the park. The name "Phoenix," however, has no connection with the fabulous bird, but is derived from an Irish word Fionti'Uisce, which means "clear water." Phoenix Park originally belonged to the Knights Hospitallers of Kilmainham, but the lands came into the possession of the Crown after the Reformation. During the reign of Charles II the area was enclosed as a deer park, and was sometimes used as a hawking ground by subsequent viceroys. One of them. Lord Chesterfield, considerably improved the park, and in 1747 threw it open to the public. Since then it has been the great pleasure-ground of the citizens, and one of Dublin's chief glories. The main entrance is at the end of Parkgate Street, not far from the railway'Station at Kingsbridge. From the gateway a great tree-lined road runs, in a straight line, to the Castleknock Gate, three miles away. On the right as one enters may be seen the People's Gardens. The beauti fully designed rock and flower gardens and the artificial lake combine to form a masterpiece of landscape garden ing. This is a favourite resort of garden lovers at all seasons of the year. On the left is the space known as the "Fifteen Acres" — it contains about two hundred. Many city clubs have their playing-fields here, but two centuries ago the PARKS AND GARDENS 99 "Fifteen Acres" witnessed sterner contests, for it was the recognised duelling-ground of eighteenth-century Dublin. Here in the grey dawn — after hot words in Daly's Club or the Pariiament House — Provosts of Trinity, political leaders, young blades of the town, shot or thrust at one another. To the right of the main road may be seen the unimposing fagade of Aras an Uachtardin, the official residence of the President of Ireland (formerly the Vice regal Lodge). On the main thoroughfare stands a fine equestrian statue of Lord Gough, by Foley and Brock. An interesting fact about the statue is that it was cast from cannons captured under Lord Cough's command. To the left of the main roadway towers the massive Wellington Monument, an obelisk 205 feet in height, erected in 181 7 at a cost of ^^20,000. It will be noticed that the deer in the park are very tame. Tuming left off the main road, and going towards the "Furry Glen," one may see them standing in groups under the trees. The "Furry Glen" is a deep hollow lined on either side with furze bushes and hawthorn trees. From the road above the glen there is a magnificent view of the Dublin mountains and the upper Liffey. Other objects of interest in Phoenix Park are the Magazine Fort, the Offices of the Ordnance Survey De partment, the American Embassy (residence), and the huge depot and headquarters of the Garda Siochana (Irish Police Force. The Zoological Gardens. On the right of the main road through the Phoenix Park are the Zoological Gardens, which should be visited. The Royal Zoological Society of Ireland was founded in 1830, and the Dublin Zoo is one of the oldest in the world, having been preceded only by those of Paris and London. It is noted for its success in breeding lions, and cubs from Dublin are eagerly purchased by Zoological Societies in many countries. Lion breeding commenced in 1854, and more than 500 cubs have been bom in the Gardens. The outdoor barless Lion Arena is a noteworthy loo DUBLIN feature. For the youngsters there are pony-traps, riding ponies, elephant rides and a special "Children's Comer." Open week'days 9.30 a.m. to 6 p.m. in summer; to sun' set in winter. Admission: adults 25., children (under 13) IS., every day except Saturday, when prices are is. 6d. and 6d. respectively. During the summer months the Gardens remain open on Wesdnesday evenings until 9 p.m. Botanic Gardens. Also on thfe north side of the city, near Glasnevin Cemetery, are the remarkable Botanic Gardens. The estate on which they stand was purchased from the family of Thomas Tickell, the poet, by the Royal Dublin Society towards the end of the eighteenth century. The Gardens, which cover fifty acres, were founded in 1795 to "increase and foster a taste for practical scientific botany." To the ordinary sightseer, not less than to the botanist, a tour of the Gardens offers unending variety and delight. Many historic names are associated with the Gardens, and the fine Yew Walk is still known as "Addisons's Walk." The celebrated essayist lived in the neighbour hood, as did also Dean Swift, "Stella," Sheridan, Steele, Thomas Pamell, the poet, and other illustrious figures. Admission free. Open week'days 10 a.m. to 6 p.m., in summer; to sunset in winter. Sundays, 1 1 a.m. to 6 p.m. in summer; to sunset in winter. On Sundays the green' houses are not open before 2 p.m. St. Stephen's Green. On the south side of the city (at the top of Grafton Street) lies St. Stephen's Green, the largest and prettiest park within the city. Most of the fine houses surrounding the Green were built during the eighteenth century. At that period, as shown in Malton's "Views of Dublin," the Green was surrounded by tree-shaded avenues, of which the "Beaux Walk" on the northem side was the most fashionable. In 1880 the Green became a public park, through the munificence of Lord ArdUaun, a member of the Guinness family. It covers an area of 22 acres and is in the form of PARKS AND GARDENS loi a square, each side measuring a quarter of a mile. The Green is delightfully laid out, with trees, flower-beds, a waterfall and an artificial lake with miniature islands. Numerous wild-fowl inhabit the lake and are the delight of the children. Indeed "feeding the ducks" is a recognised pastime, not altogether scorned by adults. Among the much appreciated amenities of the Green are sheltered seats placed within sight and scent of flower-beds that present at all times a brilliant and varied array. St. Stephen's Green contains a number of statues. At the western end is Foley's statue of Lord Ardilaun. There is also a statue of Lord Eglinton, a former viceroy. Around the central portion of the Green are pedestals surmounted by busts of James Clarence Mangan, the poet, and Tom Kettle. The last-named is a fine piece of work by Albert Power, R.H.A. There is also a memorial in the Park to O'Donovan Rossa. St. Stephen's Green is open during the hours of day' light, from 8 a.m. on week'days and lo a.m. on Sundays. Herbert Park, near Ballsbridge, is a pleasant suburban park, with flower-beds, tennis-courts and an artificial lake. At Dartry is Palmerston Park, which is charmingly laid out, with flower-beds, recreation-grounds and some fine poplar trees. Other open spaces are Merrion Square and Fitzwilliam Square, both surrounded by splendid Georgian houses. The two latter areas are open to residents only. On the north side of the river is Mountjoy Square, and Parnell Square, which was a fashionable rendezvous during the eighteenth century. TOURS OF THE CITY The following tours are so planned that they may be conveniently undertaken on foot or by public transport. Tour No. 1. — Around College Green, St. Stephen's Green and Merrion Square. COLLEGE GREEN is a most convenient starting-point for any tour of the city. It is, moreover, highly appropriate that one should commence to explore Dublin from a centre which has long been associated with vivid events and personalities in the city's history. This busy junction where three streets meet is flanked by the beautiful curved fagade of the old Parliament House, and by the long frontage of Trinity College. The historical associations of College Green are vividly recalled by the situation of the three statues by Foley, the Irish sculptor. In the centre, with upraised hand, is Henry Grattan — standing but a few yards from the building which so often resounded with his eloquence. Inside the railings of the college are the statues of two illustrious Trinity men, Edmund Burke and Oliver Goldsmith. Both are finely executed, that of Goldsmith (on the right-hand side) being an excellent study in tender and humorous meditation. Leaving College Green we pass, on left, the Provost's House and proceed up Grafton Street, Dublin's most fashionable shopping centre. At the top of Grafton Street lies St. Stephen's Green, a pleasantly laid-out public park. Visitors are recommended to visit the Permanent Exhibition of Irish Manufactures, 3 St. Stephen's Green. Established in 1921, the Exhibition is the only one of its kind in Ireland. It contains a representative display of Irish manufactured goods, including handcraft products. The Exhibition, which is the Headquarters of the National Agricultural and Industrial Development Association, acts as an Information Bureau on all industrial TOURS OF THE CITY 103 and economic matters. Its Enquiry Bureau tells whether certain articles are or are not made in Ireland and by whom the Irish goods are made. It advises as to the best shops stocking the articles and gives all possible informa tion to enquirers. Visitors are advised to make use of the Bureau at all times, free of charge. Open daily from 9.45 a.m. to i p.m. and 2 p.m. to 6 p.m. Saturdays 9.45 a.m. to i p.m. Admission is free. The streets which lie just off the Green offer many points of interest, and may be conveniently explored from this point. Just opposite the south-western entrance is Harcourt Street. A left-hand tuming near the top brings us, via Hatch Street, to Earlsfort Terrace. The principal object of interest here is the somewhat severe fagade of Univer sity College. In the Council Chamber of this building were held the historic debates on the Anglo-Irish Treaty during the winter of 1921-22. Walking through St. Stephen's Green, one may now emerge through a side gate just opposite Dawson Street on the northern side. This street takes its name from one Joshua Dawson, who owned land here in the early years of the eighteenth century. On the right are the Mansion House, the Royal Irish Academy, and St. Ann's Church, in which Felicia Hemans, the poetess, is interred. Just beyond St. Ann's Church is Molesworth Street, which leads directly, to Kildare Street. The large building which faces Molesworth Street is Leinster House, meeting-place of the Dail and Senate. On the right of the quadrangle is the National Museum, while an exactly similar building on the left houses the National Library. Almost opposite the Museum is the fine granite edifice erected in recent years to house the Depart ment of Industry and Commerce. At the foot of Kildare Street we enter Leinster Street, passing the premises of the Kildare Street Club. On the exterior of this building may be observed some fine stone-carving by the famous O'Shea brothers. Passing through Clare Street we come to Merrion Square. In Holies Street, off Merrion Square North, is the National Maternity Hospital, one of the most modem 104 DUBLIN and best-equipped maternity hospitals in Europe. The west side of Merrion Square is for the most part occupied by Leinster Lawn. To the left of Leinster Lawn is the Natural History Museum; the impressive building which flanks the other side is the National Art Gallery. Just off Merrion Square is Upper Merrion Street, where our attention is at once attracted by the extensive block which contains the College of Science and Government Buildings. It is worth while crossing Merrion Row into Ely Place, where there are several houses with interesting associations. Returning along the west side of Merrion Square, we turn left into Clare Street and proceed along Nassau Street, to the bottom of Grafton Street. From this point we may cross into Suffolk Street and view the pleasing St. Andrew's Church. This is an historic spot, for it was here that the Danish Thingmote (or Assembly-place) stood in ancient times. The Thingmote was a huge mound, and it afterwards supplied material for the construction of Nassau Street. Tour No. 2.— Old Dublin— The Castle — Christ Church Cathedral and St. Patrick's Cathedral. Leading westward from College Green is the wide thoroughfare named Dame Street. On the left, almost opposite the Olympia Theatre, is Dublin Castle, an edifice of great historic interest. Adjacent to it is the City Hall. The end of Dame Street merges into Cork Hill and Lord Edward Street, which are situated on the eminence where Dublin had its earliest beginnings. In Christchurch Place — at the end of Lord Edward Street — stands the historic Christ Church Cathedral. The long, crooked thoroughfare which winds westward from the Castle was the main street of the ancient walled city of Dublin. The different sections of it now bear various names. Just beyond Christchurch Place is High Street, merging into Cornmarket, where stands St. Audoen's Church. Continuing westward one enters Thomas Street, which recalls so many memories of Irish patriots. On the right is the imposing Church of SS. TOURS OF THE CITY 105 Augustine and John, built 1862-92 from the designs of Pugin and Ashlin. Farther up the street, on the opposite side, is St. Catherine's Church, in front of which Robert Emmet was hanged in 1803. StiU farther west is James's Street, where (on right) is situated the visitors' entrance to Guinness's Brewery, the largest establishment of its kind in Europe. The brewery was purchased by Arthur Guinness in 1759 and the enterprise became a limited company in 1886. The buildings cover an area of sixty acres and are on three levels, connected by a miniature narrow-gauge railway system. Previous to exportation the stout is stored in great vats, the largest of which has a capacity of 88,000 gallons. Visitors are conducted through the Brewery every hour from 1 1 a.m. to 3 p.m. Saturdays at 11 a.m. only. Just off James's Street, in Bow Lane, is St. Patrick's Hospital, where may be seen a very fine collection of relics of Dean Swift. Continuing our exploration of Old Dublin, we return to Christchurch Place, a convenient base for sightseeing. Off Christchurch Place is Werburgh Street, where stands the interesting old Church of St. Werburgh. Near here, at No. 9 Hoey's Court ( now demolished), was bom Jonathan Swift. For the last thirty-two years of his life he was Dean of St. Patrick's Cathedral, which may be viewed from the foot of Werburgh Street, towering above its humble surroundings. This district is full of interest for the sightseer and the student. In the Cathedral Close is the remarkable Marsh's Library, and just across the road is the Deanery. The room in which Swift slept looks towards the cathedral, and he has told how he moved to another room on the night of Stella's burial to avoid seeing the lights in the mortuary chapel. The rather dilapidated area surrounding St. Patrick's Cathedral is known as the Coombe. It was once a fashion able and thriving quarter, and a centre of industrial activity. Here were situated the residences of leading citizens, various factories, and the meeting-halls of the powerful City Guilds. One of the latter — Weavers' Hall io6 DUBLIN — may be seen by walking through Dean Street to the Lower Coombe. Leaving the environs of the Cathedral, we may go through Kevin Street, passing (on left) the Civic Guard Barracks. This building stands on the site of the former palace of the Protestant Archbishops of Dublin. The stone gateposts belong to the original gateway of the palace. Nearby are the large Kevin Street Technical Schools, where upwards of i,ooo students receive specialised training in arts and crafts. From Kevin Street one may turn left into Bishop Street, one side of which is occupied by Jacob's Biscuit Factory. Its products have a world-wide reputation. Jacob's Factory was one of the strategic points seized by the Irish Volun teers during the Insurrection of 1916, the garrison here being under the command of Thomas MacDonagh. Continuing along Peter's Row, we enter Whitefriars Street and observe, on the right, the Carmelite Friary. In the fine church attached to the friary there is preserved an' interesting specimen of mediaeval art — an image of the Blessed Virgin which survived when St. Mary's Abbey, the oldest religious establishment in Dublin, was destroyed by fire. Bearing right along Whitefriars Street we emerge into Aungier Street almost opposite the house in which Thomas Moore was born. Aungier Street leads into South Great George's Street, at the foot of which we turn right into Dame Street and retum to College Green. Tour No. 3. — Along the Quays — O'Connell Bridge^ — O'Connell Street — Parnell Square. Running northwards from College Green is Westmore land Street, the fine wide thoroughfare which leads to O'Connell Bridge. To the right as we leave College Green is College Street, which leads directly to Pearse Street. This street is named after Padraig Pearse, leader of the 1916 Rising, who was born at No. 27. In Pearse Street also is the Queen's Theatre (see p. 107). Almost directly opposite the theatre is Tara Street, where the central Fire Brigade Station and the Public Baths are situated. Proceeding through Tara Street towards the river, we TOURS OF THE CITY 107 emerge at Butt Bridge. It will be seen that one's view of the Custom House is obscured by the overhead railway- bridge; but by walking a short distance along George's Quay, to the right, an uninterrupted view may be obtained across the river. On our return along Burgh Quay, the chief objects of interest are the Com Exchange and O'Connell's Con ciliation Hall, where the Irish leader had his headquarters during his agitation for the repeal of the Act of Union. This historic building subsequently housed the Tivoli Music Hall and is now the home of a daily newspaper, "The Irish Press." Burgh Quay is the terminus for buses running to Bray and other places on the coast south of Dublin. At the junction of five busy streets, we reach O'Connell Bridge, a splendid three-arched structure with a span of fifty-one yards. It has an unusual distinction in the fact that its width is greater than its length. There are wide footpaths on either side and "islands" in the centre, leaving ample road-room. O'Connell Bridge, being' an ex-. tension of Dublin's principal thoroughfare, is the most traversed spot in the city. O'Connell Street runs northward from the Bridge to the rising ground near the Rotunda. It is generally recognised as one of the finest streets in Europe. Though its architec ture is almost completely modern, the perspective of this spacious and impressive thoroughfare pays tribute to the men who planned it almost two centuries ago. Between O'Connell Bridge and Butt Bridge, on the Northem side of the river, runs Eden Quay. Just off Eden Quay, to the left, is Marlborough Street, where stood the Abbey Theatre. The building which housed this world- famous institution is singularly unimpressive. It was burned in July, 1951. and the Abbey productions are at present staged at the Queen's Theatre, Pearse Street. Near Butt Bridge is the crescent-shaped Beresford Place, at the corner of which is situated Liberty Hall. This building has been closely associated with the Labour movement, and was the headquarters of Dublin's "Citizen Army," prior to the Rising of 1916. Here was printed the famous "Pro- io8 DUBLIN clamation of the Irish Republic," which was read from the doorsteps of the building on Easter Monday, 1916. Coming back along Eden Quay we turn into Marlborough Street, again passing the Abbey Theatre. On the left, just beyond the intersection with Talbot Street, is the Catholic PrO'Cathedral. The buildings opposite the Cathedral are the Central Model Schools. On the right is Tyrone House, one of the most ancient and interesting of Dublin's Georgian houses. It was built for the Earl of Tyrone in 1740 from designs by Cassels, and is now used as offices by the Department of Education. Continuing along Marlborough Street, we cross Pamell Street before entering North Great George's Street. Many of the fine Georgian houses in this street have fallen into a dilapidated state, but some of the interiors still show beautiful decorative work. This thoroughfare was a fashionable residential quarter during the latter half of the eighteenth century. Turning left along Great Denmark Street, we pass — on the right — Belvedere House, now a Jesuit College. It is one of Dublin's finest Georgian houses, and exhibits beautiful examples of the stucco work of the period. Con tinuing, we emerge into Parnell Square opposite the Presbyterian Church (known as "Findlater's Church"). The fine houses in the Square are worth examination and a visit should certainly be paid to Charlemont House (on north side of the Square) to view the Municipal Gallery of Modern Art. Passing down the east side, we leave the Rotunda buildings (see p. 44) and the Gate Theatre on our right and enter O'Connell Street. On the left of the street will be noticed a fine block of buildings in a homogeneous style. This block — which includes the Gresham Hotel, the Savoy Cinema and the Irish Tourist Bureau — re presents portion of the extensive rebuilding which took place after the troubled period of 1916-23. Just beyond the Nelson Pillar, on the right, is the General Post Office. Crossing O'Connell Bridge again, it is worth pausing to admire the vista of Dublin's inland quays, stretching westward with the irregular silhouette of the city rising against the sky, A short walk through TOURS OF THE CITY 109 Westmoreland Street takes us back to our starting-point at College Green. On the right, at the comer of West moreland Street and Aston's Quay, may be noticed the Ballast Office. Its clock has long been regarded by Dubliners as the most reliable public timepiece in the city. Tour No. 4. — Phoenix Park — Zoological Gardens — Glasnevin Cemetery — Botanic Gardens. Starting again from College Green, we walk along Westmoreland Street and across O'Connell Bridge to the corner of Bachelor's Walk. If Phoenix Park be the immediate objective a bus may be taken from this point. The Four Courts, however, should not be missed. It is situated on Inns Quay (twopenny bus-ride from O'Connell Bridge), but a better general view of this fine building may be obtained by crossing O'Donovan Rossa Bridge. Near the southern end of the bridge, on Merchants' Quay, is the Franciscan Church of Adam and Eve. Father Mathew Bridge, just west of the Four Courts, occupies the site of the first bridge which spanned the Liffey. This spot was known to the ancient Irish as the "Ford of the Hurdles." From this ford Dublin derived its oldest name — Baile Atha Cliath, "the Town of the Hurdle Ford." Returning to the northern quays, we enter Church Street, just beyond the Four Courts. Here, on the left, is St. Michan's Church. Its vaults have the extraordinary property of preserving the dead from decay. In Church Street also are the Capuchin Church and Friary and the Father Mathew Memorial Hall, which the friars have built in the vicinity. Retracing our footsteps towards the river, we continue our journey, passing the house on Arran Quay in which Edmund Burke was bom. Farther along, on the right, is the extensive Collins Barracks, while Kingsbridge Railway Station stands just across the river. A little to the north of Collins Barracks is Arbour Hill Detention Barracks, formerly the old Provost Marshal's Prison. Here Wolfe Tone died and many of the insurgents of 1798 were executed. In a comer of the prison yard are the graves of the executed leaders of the 191 6 Rising. no DUBLIN Beyond Collins Barracks the quays merge into Parkgate Street, at the western end of which is the main entrance to the Phoenix Park. Having explored the Park and visited the People's Gardens and the Zoological Gardens, we may emerge through the gateway leading to the North Circular Road. Going towards this exit from the Zoo, we see on our left a large group of buildings, the Depot and Headquarters of the Garda Siochana (Police Force). Outside the gate we may take a bus (No. 9 or lo) towards the city, passing en route the Dublin Metropolitan Cattle Market. Farther on, at the junction with Cabra Road, is the magnificent St. Peter's Church, under the care of the Vincentian Fathers. Shortly after passing the church we alight and board a bus bound for Glasnevin (No. 19). Getting off at Finglas Road, it is but a short walk to Glasnevin Cemetery, burial-place of many illustrious Irishmen. Most conspicuous is the Monument to Daniel O'Connell, the "Liberator," which is a replica of an Irish round tower, rising 160 feet above the crypt containing his remains. Just to the right is the Gothic Memorial Chapel to O'Connell, designed by Dr. Petrie. Opposite the door of the mortuary chapel is the grave of Parnell, which is still visited on the anniversary of his death by a few of his devoted followers. Nearby is a statue, to Barry Sullivan, a famous Shakespearian actor. The tomb of John Philpot Curran should also be seen. It is of plain granite, impressive in its simplicity. Nearby is the grave of James Fintan Lalor. An imposing memorial group in Sicilian marble marks the Fenian Plot, in which are buried Terence Bellew MacManus, Colonel John O'Mahony, Sergeant MacCarthy, Daniel Reddin, P. W. Nally and James Stritch. The Republican Plot contains the graves of many who were prominent in the stmggle for Irish independence in the nineteenth and in the present century. In the 1916 Plot, in St. Paul's Section, are buried a number of the men who fell in the Rising of Easter Week, 19 16. All three plots are under the care of the National Graves Association. TOURS OF THE CITY in The Cemetery is also the burial-place of Michael Collins, President Arthur Griffith and Kevin O'Higgins, three of the leading figures in the movement which led to the establishment of the Irish Free State in 1922. From Glasnevin it is but a short walk to the large modernistic Church of Corpus Christi, in Home Farm Road, Returning to the bus-stop at Glasnevin, we take a bus (No. 19) to the Botanic Gardens, which are reached within a few minutes (see p. 100). After a survey of the Gardens we board a city-bound bus (No. 19). At the North Circular Road, Mountjoy Prison is seen on the left. O'Donovan Rossa and other Fenian prisoners were held here. Among the graves within the walls is that of Kevin Barry, the boy patriot who was executed here in 1920. From Berkeley Road we see, on left, in Eccles Street, the fine Mater Misericordiae Hospital, the largest in Dublin. The large Celtic cross inside the railings opposite the hospital is a memorial to the Four Masters. A little farther along Berkeley Road is St. Joseph's Catholic Church, on left. Shortly after this we turn into North Frederick Street and soon arrive at the Nelson Pillar in O'Connell Street. HOW TO GET THERE The following list shows the buses passing or going nearest to various points of interest in the city. For key to abbreviations, see "Trips from Dublin," opposite. } By Bus. Zoo (9.30 a.m. to 6 p.m.) People's Gardens Phoenix Park National Museum National Library Leinster House National Gallerv Government Buildings . Christ Church Cathedral City HaU Dublin Castle . . f" St. Patrick's Cathedral ) Four Courts . . ) St. Michan's Church . ) St. Audoen's Church ) Guinness's Brewery \ Bank of Ireland (Old ) Parliament House) Trinity College > Municipal Art Gallery 1 (ParneU Square) f Croke Park (Gaelic | Atheltic Association) )' Royal Dublin Society 1 and Hospitals' Trust - Offices, Ballsbridge . ) Dublin Airport .. Dunsink Observatory 23 from Parnell Street. E.Q. 24. A.Q. 25 (alight at Main Gate). Also N.P. 9 or 10 (to North Circular Road Gate) . N.P. 6, 7A, 8, 9, 10 or 11. Alight at Kildare Street. N.P. 6, 7A, 8 or 9. Alight at Merrion Square. N.P. 10. Alight at Upr. Merrion St. C.S. 50, 50A, 50B. Also 54 or 54 A from Lr. Abbey Street, 21 from College Green. E.Q. 24. A.Q. 72. 21 from College Green. Five minutes' walk southward from Nelson Pillar. Five minutes' walk northward from Nelson Pillar. N.P. 3, II, 12, 16, 17. 23 from Pamell Street. N.P. 6, 7A or 8. E.Q. 41A A.Q. 39 or 39A. N.P. 22. 112 TRIPS FROM DUBLIN By Bus. Sea, countryside and mountains are readily accessible from the city. The termini from which the (CLE.) buses start are indicated by the following symbols: N.P. (Nelson Pillar), B.Q. (Burgh Quay), A.Q. (Aston Quay), E,Q. (Eden Quay), D,S. (D'Olier Street), C.S. (College Street), N.E.S. (North Earl Street). The quayside termini all adjoin O'Connell Bridge. Burgh Quay is east of it, on the south side; Aston Quay, west, on the south; and Eden Quay, east, on the north side. D'Olier Street runs south east from O'Connell Bridge and College Street connects D'Olier Street with College Green. North Earl Street runs eastward from Nelson Pillar towards Amiens Street. To the Sea. BrayDalkey DoUymount Dun Laoghaire GreystonesHowth and Sutton Malahide Bus No. B.Q. 45. N.P. 8. N.P. 84. N.E.S. 30. E.Q. (Great Northern E.Q. (Great Northern Services) . E.Q. 42. To the Mountains. Bohernabreena Delgany DundrumEnniskerryPollaphucaTallaghtWhitechurch Bu A.Q C.S. 84 C.S. 44 C.S. 44 B.Q. 65 A.Q. 49 B.Q. 47 No. 49, 49A. D.S. 48 or 48A. 49A, 77. 113 114 DUBLIN To the Countryside. Bus Nc Celbridge A.Q. 67. Churchtown B.Q. 61. Clondalkin A.Q. 51. Foxrock D.S. 63. Goatstown . B.Q. 62. Leixlip A.Q. 66. Lucan A.Q. 25, Maynooth A.Q. 66. Swords . E.Q. 41 68, 69. 66, 67. By Rail. Stations. Amiens Street (CLE.) ) Tara Street J- Westland Row ) Amiens Street (G.N.R.) Harcourt Street (CLE.) For trains to Blackrock, Dun Laoghaire, Dalkey, Killiney, Bray, Greystones. For trains to Howth, Sutton Port- marnock, Malahide, Donabate, Rush and Lusk, Skerries, Balbriggan, Bettystown, and Lay town. For trains to Dundrum, Fox- rock (Leopardstown) , Shankill Bray. MILEAGES FROM DUBLIN Arklow . 48 Kilkenny 73 Armagh . 80 Killarney 190 Athlone 77* Killiney 12 Balbriggan i9i Leixlip II Belfast 102J Limerick I22i Bray 13 Lucan 9 Carlow 52 Malahide 10 Clifden . 182 Maynooth 15 Clonmel ro5 Naas 21 Cork . i6oi Newgrange 32 Dalkey 10 Portmarnock 8 Delgany I9i Pollaphuca 24 Derry • 145 Rosslare Harbour 98 Donegal 149 Roundwood 25 Drogheda 30 Skerries 19 Dundalk 52 Sligo 135 Dun Laoghaire 74 Tara . 23 Enniskerry - 13 Tipperary 112 Galway 133 Traee i86| Glendaloch . • 31 Waterford 103 Greystones . . 18 Wexford 85i Howth ¦ 9i Wicklow 31 ^~7\ — DUBLIN and the EAST COAST Based on the Ordnance Survey by permission of the Minister for Finance. 115 COUNTY DUBLIN The County of Dubliti, with an area of 356 square miles, is one of the smallest in Ireland. Nevertheless, there lie within its boundaries many picturesque seaside and inland rsorts, and several regions of considerable historic interest. The coast, running roughly north and south of the city, curves in a succession of beautiful bays, the largest of which are Dublin Bay and Killiney Bay. All the principal resorts are within a radius of ten miles from the city and are quite easy of access. Dublin Airport, at CoUinstown in north County Dublin, about 5j miles from the city centre, is regarded as one of the best equipped airports in western Europe. The finely designed Terminal Building, with observation plat forms, attracts many visitors. A charge is made for admission, as follows : Cars; 2 /6 per car, including driver; 6d. per passenger. Cyclists: 6d per person. Pedestrians: 6d. per person. Children: 3d. Dunsink Observatory is situated to the north of the Phoenix Park between the villages of Finglas and Blanchardstown. It stands on a hill from which a magnifi cent view is obtainable. Founded in 1783 by Provost Andrews of Trinity College, it is one of the oldest observatories in the world. Some of the most distinguished names in Irish science have been connected with the Observatory, at which Sir William Rowan Hamilton spent most of his life and developed his fundamental researches in mathematics. In 1946 the Observatory was acquired from Trinity College by the Government. Following this transfer, the Observatory has been re-organised entirely, and new instruments including a powerful tower telescope for solar research and photo-electric instmments for stellar observations are now in operation. The Observatory is also the joint owner together with the observatories of Armagh COUNTY DUBLIN 117 and Harvard, U.S.A., of a large 36-inch reflecting tele scope of the so-called Schmidt-type. The new Irish- American telescope has been mounted at a southern station in Bloemfontein, South Africa, where it is operated in close collaboration between the three parent observatories. The Observatory is open to the general public on the first Saturday of each month, between 2.30 and 4.30 p.m., and between 7.30 and 9.30 p.m. (from October to March), or 8.30 and 10.30 p.m. (from April to September). At other times visitors are admitted only by special appoint ment. (Buses 39 or 39A from Aston Quay, or b is 22 from Nelson Pillar.) NORTH COUNTY DUBLIN HOWTH (t)e.\nn e<)i"o