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Yale Center for British Art and British Studies

GEORGE MORLAND'S PICTURES:
THEIR PRESENT POSSESSORS,
WITH DETAILS OF THE COLLECTIONS.

*^* As omissions are inevitable in a work like this, wherein
for the first time, an attempt is made to catalogue George
Morland's Paintings, proprietors whose names and pictures
are omitted are invited to send details to the Author, 7o the
Publisher, for a future edition.

GEORGE MORLAND'S
PICTURES :
T»tfg ©efatfs of i^e ^loffecftons.

BY
RALPH RICHARDSON, F.R.S.E., F.S.A. Scot.,

AUTHOR OF
'GEORGE MORLAND, PAINTKR, 1763 — 1804."

r

LONDON
ELLIOT STOCK, 62, PATERNOSTER ROW, E.C
1897

PREFACE.

A Notice appended to my book on the Life and
Works of George Morland, which was published in
1895, invited proprietors of Paintings by Morland to
communicate to me the details of their collections.
This invitation was very kindly responded to by
numerous collectors, and the present publication con
tains their names and addresses, and the particulars
of their Morlands with which they favoured me.
In several cases owners of important collections of
Morlands were so good as to put themselves to con
siderable trouble in preparing catalogues of their
collections expressly for this publication. To such I
again tender my warmest thanks.
It is evident, however, from the activity with
which Morland is known to have pursued his
calling, and the extraordinary number of paintings
which left his easel, that those detailed in the follow
ing pages represent only a tithe of his works.

vi Preface
Contemoprary Engravings after Morland by the
great English mezzotinters are justly prized. My
chief endeavour was to discover the original paintings
after which those engravings were executed ; and in
the following pages it will be found that I have, in
several instances, been successful. I am, however,
by no means satisfied with the result of my quest,
and should gladly hear of the originals of many more
engraved Morlands.
As a first contribution, however small, to a know
ledge of the whereabouts of Morland's paintings, now
so universally and deservedly appreciated, it is hoped
that the present publication will meet with the
approval of Connoisseurs. Perhaps it may prove to
be of some use if ever an attempt is made to bring
together on a large scale an Exhibition of the works
of one of the most prolific, most original, and most
attractive of Old English Masters.
R. R.
Xmas, i8g6.

CONTENTS.

PART PAGE
I. ALPHABETICAL LIST OF PROPRIETORS OF
PAINTINGS BY GEORGE MORLAND, WITH
DETAILS OF THEIR COLLECTIONS - - I
II. PROPRIETORS OF ENGRAVED PAINTINGS
BY GEORGE MORLAND, WITH TITLES,
ENGRAVERS, AND DATES OF PUBLICA
TION OF ENGRAVINGS - - "94
III. INDEX TO LOCALITIES WHERE PROPRIETORS
OF PAINTINGS BY MORLAND RESIDE - I02

I.
PROPRIETORS OF PAINTINGS
BY
GEORGE MORLAND.
^*ii; The references to Pages throughout this List relate to Mr.
Richardson' s work on George Morland, where the
pictures mentioned are described.

Abraham, Walter J., i la. King Street, St.
James's Square, London.
' Shepherds Re- (From the late C. F. Huth's
posing.' (Octa- Collection.)
gonal. ) En
graved by W. in.
Bond, 1803. ... I2X 15^ Signed.
Anderson, Robt. W., 93, Mulgrave Street,
Liverpool.
' The Intruder ' :
three dogs meet
on a country in.
road ... ... 15x18 Unsigned.
(Said to have been
painted at a
village alehouse
by Morland.)

George Morland

Armitage, Benjamin, Sorrel Bank, Pendleton,
Manchester.
' The W oodcutter .'
(Upright can- (Cf Oldham and Peck.)
vas.) Engraved
by W. Ward, in.
1792... ... 20x36 Signed.
AsHTON, Mrs., Widow of Charles Ellis Ashton,
Woolton Hall, Lancashire.
' The Sportsman's
Return ' En- (Page 44.)
graved by W. in.
Ward, i']^^ ... 25x30 Signed. 1792.
Asiatic Society, Calcutta.
'The Farmer's
Stable ' : A man
leaning against
a horse eating
at a stall, be- (Cf Huth, Louis, No. 3.)
neath which are
two dogs. An
amorous couple
to right among in.
straw  30x40 Signed.
Baker, Miss, EndclifFe Edge, Sheffield.
' Farmer's Boy,
with Cart
horses, Pigs, in.
etc'  30x36 Signed. Undated.

Proprietors of Paintings

Baker, Rev. Sir Talbot, H. B., Bart.,
Ranston, Blandford.

I. 'A Stable' ...
2, ' Farm Yard '
3. 'Smugglers'...
4-

' Wreckers'

m.

39ix54i Signed.

392X54i Signed.

1792. 1793-
392^552 Signed. 1792.
39jx55i Signed. 1793.
All above exhibited at Bur
lington House Exhibition
of Old Masters in 1892.
No. 2 is considered one of
Morland's best.

Barratt, Thomas J., Bellmoor, Hampstead
Heath, London.

I. 'Belinda.' En
graved by Bur
rows, 1794 ...
2. 'The Pledge
of Love.' En
graved by W.
Ward, 1788...
3. ' Caroline of
Lichtfeld.' Engraved by
J. R. Smith ...
4. ' The Farm
Yard.' (Hori
zontal)

(Described page 98.)

(Described page 98.)

(Described page 98.)

m.

28 X 35 Signed. Undated.

4

George Morland

Farm outhouse
under a spread
ing tree. On
left, beside a
wheelbarrow,donkey suck
ling foal. Pigs.
A farm man
converses with
woman leaning
over gate. A
dog at his feet.
5. 'Constancy.'
(Upright.)
Engraved by
W. Wa r d,
1788
Girl in large
hat and feathers
leaning on rock
by seashore,
weeping and
looking out to
sea.
6. 'Setters.'
(Horizontal)
One black-
marked stand
ing : one red-
marked couch
ing.

in.

10 X 11^ Unsigned. Undated.

A portrait of
Companion' Variety.'

Mrs. Ward.
picture to

in.

9! X 11^ Unsigned. Undated.

Proprietors of Paintings

Barton, C. A., 44, Fitzjohn's Avenue, Hamp
stead, London.
I . ' The Shep
herd's Meal.'
Engraved by J.
R . Smith, in.
1803... ... 24x30 Signed. 1793.
2. ' The Carrier's
Stable.' En
graved by W.
Ward, ly^i ... 19x25 Signed. 1790.
3. 'The Bull Inn' 19x25 Initialed.
4. ' A Hunting
Scene ' ... 9x12 Initialed.
Beardsley, Amos, Surgeon, Grange-over-
Sands, Lancashire.
'Two Sheep under
a Tree. (Oak in.
panel) ... 9! x 1 3
Birch, Claude C, Granville House, Gran
ville Place, Portman Square, London, W.
'The Woodland
Cottage.' Same
as Mr. Cleve
land's (Page in.
97) ... ... 19^x22 Signed. 1779.

George Morland

Birkett, James, 37, Heaton Park Road,
Newcastle-on-Tyne.
' Black and White in.
Pigs Feeding ' 72X9
Birmingham, City of. Museum and Art
Gallery.
'Pigs' (on canvas).
Exhibited by
Morland at
R.A. Exhibi- ft. in. ft. in.
tion of 1797. 2 4x3 if Signed. Undated.
Blackburn, G. A., Northgate, Halifax.
' Winter Scene ' :
oak-tree ; far-
mer ; young
man with hay
under his arm,
going towards in.
three sheep ... 17x26 Signed.
Blathwayt, Mrs. E., Huntspill Rectory,
Bridgwater.
I. 'The Rutland in.
Fencibles' ... 28x36 Signed 1795.
Interior of a (on cornbin).

stable. To
right, a man

Proprietors of Paintings

7

in red jacket,
tight breeches,
and pigtail, sits,
mug in hand.
Another leans
against a stall.
A stableman
forks up straw,
and a fourth
man leans
against a corn-
bin

This painting was purchased
by Mrs. Blathwayt's husband's
father ofF Morland's easel.
Her husband was the Rev.
C. W. Blathwayt.— R.R.

Morland's Last
Sketch (that of
a bank and a
tree). (Page
83.) Pencil.

Morland's mother gave this
sketch to the grandfather of
Rev. Mr. Blathwayt, Rector
of Huntspill, Bridgwater,
who purchased from Mor
land ' The Rutland Fen
cibles.'— R. R.

Blathwayt, Rev. R., 7, De Vere Gardens,
Dover.

' St. James's Park '
(sketch in oils
on paper). En
graved by F.
D. Soiron,
1790 

(Page 147.)

8 George Morland
BoussoD, Valadon & Co., 5, Regent Street,
London.
I. 'Women
Drawing Water
from a Pond '
2. ' Three Men
Chatting, seated
on Large Stones ' in.
(Panels, a pair) 7^^x10 Signed. 1795.
Boyes, Edward, 26, Delauney Road, Crump-
sail, Manchester.
Oil Paintings.
I. 'The Shep
herds.' (Very
fine.) En- (Page 135.)
graved by W. in.
Ward, 1S06 ... 19x25! Signed. Undated.
2. 'The Thatcher.'
(Faded.) En- (Page 137.)
graved by W.
Ward,\%o(i ... 18x24 Signed. 1795.
3. ' Return from
Market.' (In
good condi
tion.) ... 18x22 Signed. 1793.
A woman on
left with mob-
cap and red

Proprietors of Paintings

cloak, kettle in
left hand, jug
in right. A
man (lifting
latch of door)
in light brown
long coat carries
a small tree
over his right
shoulder. Boy
with dark ruby
coat. Both
man and boy
wear broad-
brimmed hats.
Dog near cot
tage door. On
right a thatched
roof and old
oak. Snow-
clad winter
scene behind.
Water Colours.
Drawing of
Group Child on don-
key. Man,
woman and
child lighting
fire under pot
on crossed-
sticks.

4

m.
5^x8

Initialed.

Sold at Christie's, in 1868, for
j^i3, from Hanbury Collec
tion, of Stamford.

lo George Morland
5. Drawing of in.
Gipsies ... 10^x13 Signed.
A man leads a
pack-horse.
6. Drawing of
Scene in Wood.
(Fine) ... iofxi4 Signed
A group of hay
makers resting.
Thatched cot
tage and water.
7. Rustic Scene
with Woman
and Children.
(Damaged) . . .
Sketch in Oil (on
panel).
8. Man, with
broad-brimmed
hat and red
coat, looking at
pigsty ... 6^ X 1 2 Initialed.
Bridport, Viscount.
' A Storm.' Sold at Christie's, 1 3 July,
1895, for 600 gs.
Calcutta {See Asiatic Society.)

Proprietors of Paintings

1 1

Initialed. 1798.

Signed. Dated, but
illegible.

Chancellor, Edward, Murieston, Midcalder,
N.B.
I. 'Gipsy En
campment.' in.
(On oak) ... 5^x6^
A number of
figures, includ
ing an old
woman wash
ing clothes.
Linen hangs on
a tree to dry.
2. Cottage ... II X 13I
Female figure
in red cloak,
with boy. Two
horses, one
feeding. (On
canvas.)
Coats, Sir Thomas Glen, Bart., Ferguslie
Park, Paisley.
Two Portraits of
Children. En
graved by Apple- in.
ton, 1896 ... 14x16 Unsigned. Undated.
Collins, Ernest, The Gables, Wedderburn
Road, Hampstead, London, N.W.
in.
I. 'The Gleaners' 9x11

12 George Morland
2. ' Vagrant in a
Wood"
3. 'Peasant and
Pigs.' En- (Cf. Hatherley, Mather,
graved by J. McClintock, and Richard-
R. Smith, 1803 son.)
Collins Wood. {See Wood.)
Corcoran Gallery, The, Washington,
U.S.A.
'The Farm in.
House' ... 35x44
(One of the first
pictures ac
quired by Mr.
Corcoran.)
Cornish, John R., 187, St. Ann's Road,
South Tottenham, London, N.
Isle of Wight in.
Coast Scene ... 20 x 24 Unsigned. Undated.
In background,
a ruin on a
lofty clifF. In
foreground, to
left, three men,
with their coats
off, pulling
something ashore.

Proprietors of Paintings

13

Courcelles, Rev. J. Hector de, M.A. Oxon.,
24, Arundel Gardens, Kensington Park
Road, London.
Two Dogs about

to quarrel over
a Stick brought
out of water in in.
background ... 27^x35 Unsigned. Undated.
Dawe, in his ' Life of Mor
land,' 1807 (p. 236), states
that this picture was then in
the Collection of Mr. H.
H. Townsend, of Busbridge,
near Godalming, Surrey.
It was afterwards acquired
by Sir John St. Aubyn,
grandfather of the present
proprietor's wife. — R. R.
Crosse, E. Meredith, Newhouse Park, St.
Albans.
I. 'Rabbits.'
Engraved by
W. Ward,
1806, and J. in.
R.Smith, i%oq 20^x26! Signed. Undated.
2. ' Guinea Pigs.' 20^x26 J Signed. 1792.
'Rabbits' and 'Guinea Pigs'
were engraved as a pair by
W. Ward, 1806, and by
J. R. Smith, 1807.— R. R.

(Cf. Lowther.)
(Replica of paint
ing engraved by
T. Gaugain,
1789.)

14 George Morland
3. Two Fisher
men landing
Fish. Other
two fishermen
and dog resting
on beach. Dog
looking out of in.
boat... ... 25x38-^ Signed. Undated.
Daniel, George A., Nunney Court, Frome,
Somerset.
'The Hard
Bargain.' En- (Page 135.)
graved by W. in.
Ward, I Soo... 21x26 Unsigned.
DowDESwELL & DowDESWELL, Limited, 160,
New Bond Street, London.
I . ' S o w and in.
Litter' ... 10x12 Signed. 1791.
2. Gipsy Scene .. . 8fxi2|- Initialed.
3. Landscape
(Sketch) ... 10x12 Signed.
4. Beach Scene .. . 11 x 14;^ Initialed.
5. ' The Wreck ' 40 x 50 Unsigned.
6. ' Smugglers '
Engraved by
James Ward,
1793  I2|-x 1 4I Unsigned.
7. ' Rustic Court
ship' ... i6Jx2oJ Signed. 1794.

Proprietors of Paintings 15
8. Cavern Scene,
Isle of Wight 20 X 26 Initialed.
9. Gi p sy En
campment ... 1 7f X 24 Signed.
I o. Coast Scene ... 17x23 Unsigned.
II. Morland's
Summer. En
graved by W.
Barnard, 1S02. 20x24 Signed.
12. 'Smugglers
Carousing' ... 12 x 14 J Signed.
Drake, T. Clayton, Elm Grove, Dawlish,
Devon.
' Evening ; or,
The Post-Boy's (Page 1 1 3.)
Return.' En
graved by D. ft. in. ft. in.
Orme, 1796 ... i lox 2 6 Unsigned.
(Supposed to be a
replica of that
sold at Chris
tie's, March 24,
1888.)
Egerton, J. M., Hendersyde, Torquay.
'Selling Fish.'
Engraved by J. in.
R. Smith, 1799 25 X 30 Unsigned. Undated.

i6

George Morland

(This painting is
represented in
an illustration
opposite page
71 of Mr.
Richardson's' Life of Mor
land.' Its his
tory is related
in a footnote,
page 62.)

A sketch for this painting was
sold at Dowell's, Edinburgh,
Nov. 14, 1896. — R. R.

Fine Art Society, 148, New Bond Street,
London.
' La Fleur and
the Dead Ass.'
Scene from
Sterne's ' Senti
mental Jour
ney.' (In oil.)
Exhibited Oct.,
1896

Flamank, Henry, 153, Kensington, Liver
pool.

in.

I. 'Smugglers' 21x31^ Signed.
2. ' Mussel Ga
therers ' ... 17x22 Signed. 1797.

Proprietors of Paintings 17
(Sold at Christie's,
January 4,
1896, f o r
^«5 "¦' in.
3. 'Land Storm' 14^X18
4. ' Fishermen
going out ' ... 18x25 Signed.
(Sold at Christie's,
January 4,
1896, for
lZ9 1 8s.)
5. 'Shipwreck'... 27^x35 Signed.
(Sold at Christie's,
January 4,
1896, for
;^44 2S.)
6. 'Boatwreck'... 18x25 Signed.
Fleming, John, 83, Portland Place, London,
W.
I. 'The Turn- (cf Knight, J. W.)
pike Gate.
(Oblong.) En- (Page 136.)
graved by W. in.
Ward,iSo6... 24x29 Signed. 1793.
(Exhibited some
years ago at
Burlington

1 8 George Morland
House at an
Exhibition of
Old Masters.)
2. ' Mare and
Foal.' (Ob- in.
long) ... 12x14^ Signed. 1792.
(Belonged to a
partner of
Overend, Gur-
ney and Co.)
3. 'Waggoner
buying Vege
tables from a
Woman with
two Children.'
(Upright) ... 24x29 Signed. 1797.
Waggon loaded
with full corn
sacks, on one
of which, in
red, is signed,
'G. Morland.'
The woman is
very good-
looking, and
the waggoner
evidently ad
mires her.

Proprietors of Paintings

19

' Foxhunters
leaving a Way
side Inn.' (Ob
long) Five horsemen
and pack and
a small dark
terrier with
light brown
muzzle (the
original fox-
terrier). A
rustic on horse
back looks on,
and holds
another horse
at the door ot
inn, on sign of
which is painted
a horse.
. 'The Death.'
(Oblong) ...
The hounds are
killing the fox,
and the hunts
man (in pink)
is whipping
them off. The
small terrier is
near the hounds.
Hunters are
arriving.

in.

31x41 Signed. Undated.

(Companion to No. 5.)

in.
31x41 Signed. 1803.
Mr. Fleming acquired Nos. 4
and 5 about thirty years
ago. He has also a fine
painting by Morland's
brother-in-law, James Ward,
representing a scene on the
beach (fisherman, fish-
woman, etc.). 2 — 2

20

George Morland

George Morland used to paint
and hunt in Leicestershire
with Charles Loraine Smith,
a great foxhunter, and
known as ' the Enderby
Squire.' He was the second
son of Sir Charles Loraine,
third Bart, of Kirke Horle,
Northumberland. — R. R.

Gilbey, Sir Walter, Bart., Elsenham Hall,
Essex.
ft. in. ft. in.
I. 'TheFoxInn' 46x53 Signed. 1790.
2. 'Death of the
Fox' ... 48^x7 8| Signed. Undated.
3. 'Duck Shoot- in.
ing'... ... 9|xii| Signed. Undated.
4. ' Partridge ^
Shooting '
5. ' Pheasant
Shooting ' '
(Nos. 4 and 5
etched by T.
Rowlandson,
1790.)
6. 'Setters.' En
graved by W.
Ward, i?,o6... ii|xi4f Signed. Undated.

Oh I5-|x20 Unsigned. Undated.
< (Cf Huth, C. F.)

Proprietors of Paintings 21
7. ' The Weary
Sportsman. '
Engraved by in.
W.Bond, iSo^ ii|xi5f Signed. Undated.
8. 'Winter'
(Cattle) ... iifxi4f Signed. Undated.
9. ' W i n t er'ft.in. ft. in.
(Skating) ,..i 7^x2 i^ Signed. Undated.
10. 'Gipsy En
campment' ... 2 o|^ X 2 5|- Signed. 1791-
II. 'Gipsy En
campment' ... I 5f X 2 o Signed, 1791.
G. Morland,
J. Rathbone.
12. ' Wreckers "... 4 10x6 8 1^ Signed. Undated.
13. ' Sand Carting ' i 6| x 2 i Signed. 1791.
14. 'Post Boys and
Horses Re
freshing' ... I 7x2 I Signed. i794-
15. ' The Dram.'
Engraved by
W.Ward,\']()6 ^ o|- x 2 5f Signed. Undated.
16. 'The Deserter's in.
Farewell' ... 16^x21^ Signed. 1792.

22 George Morland
17. 'The EiFects
of Youthful
Extravaganceand Idleness.'
Engraved by ft. in. ft. in.
W. Ward,i'jS^ 2 o^ x 2 5 J Unsigned. Undated.
18. 'The Merci- in.
less Bailiff' ... I3fxi8 Unsigned. Undated.
19. 'The Cottage ft. in. ft. in.
Door ' •••29^x39^ Unsigned. Undated.
20. 'Innocents
Alarm'd ; or,
The Flash in
the Pan.' En
graved by J.
R. Smith, junr.,
1803 ... 2 3^x3 o Unsigned. Undated.
21. 'Boy tending
Sheep' ... I 6|- x 2 i Signed. Undated.
22. ' Gathering in.
Sticks' ... 11^x15^ Signed. 1791-
23. 'The Fair... 9jxii| Signed. 1794.
24. ' The Dipping
Well' ... ii|^xi4|- Signed. Undated.
This catalogue was specially
prepared for the present
publication by Sir Walter
Gilbey's directions. — R. R.

Proprietors of Paintings 23
Glasgow. The Corporation Galleries of
Art.
I. Landscape.
An Inland in. ft. in.
Stream ... 11 x i 2J Unsigned. Undated.
Sketch of a
landscape with
stream spanned
by a bridge,
near which are
a cottage and
some figures.
2. Sea-coast Scene, ft. in. ft. in.
Smugglers ... i oj x i 3 Signed. 1793.
A rocky sea-
coast, with boat
containing bar
rels, which men
are unloading
in a creek,
where stands a
man with white
horse.
3, Sea-coast Scene.
Storm and
Wreck ... i 7 J x 2 o Signed. Undated.
Rock-bound
sea-coast, with
stormy sea and
ship wrecked

24 George Morland
near the shore.
Men launch a
boat from shore,
whilst man and
woman in fore
ground look on.
ft. in. ft. in.
4. Sea Piece ... i oxi 4 Initialed. Undated.
A sea-shore
with high cliffs
and calm sea.
Several boats (All the above on canvas.)
drawn up on
shore. Figures
in foreground.

Hamilton, Duke of. The late.
in. ft. in.
Stable Scene ... 20x2 2^
A postilion in
a hay-loft ca
resses a very
pretty girl
seated on his Previously belonged to Mr.
knee. A man Louis Huth.
peeps from be
hind a truss of
hay. (Beauti
fully painted.)

Proprietors of Paintings

25

Hassell in his
' Life of Mor
land.')

Hamilton, Lieut.-Col. Sir Chas. E., Bart.,
82, Cadogan Square, London, S.W.
I. 'The Cornish ft. in. ft. in.
Plunderers ' ... 4 6x6 6 Signed. Undated.
(Described by J. (Page 123 of Mr. Richardson's
book.)
This picture belonged to Louis
Philippe, and hung for years
in the Louvre. It then
came into the Standish Col
lection, on the sale of which
Sir Chas. Hamilton obtained
it. In 1892 £84.0 was bid
for it at Christie's, but it was
not sold, but withdrawn. It
represents an animated scene
on a beach, with ' Cornish
wreckers ' ransacking ship
wrecked goods. — R. R.

' Shrimping off

the Isle offt,

, in. ft. in

,.

Wight' ... 2

6x40

Unsigned.

Cottage with

Donkey and
Boy (Snow
in.
Scene)
19 X 28
Unsigned.
Sheep, Cow
and Boy
18 X 24
Unsigned.
Sea-coast, Men
and Boat
18 X 24
Unsigned.
26

George Morland

6. Alehouse
Kitchen. En
graved by R. S. in.
Syer, 1801 ...
(Referred to by
Hassell.)
7. Donkey and
Pigs in Farm
yard ...
8 and 9. Rustic
Scenes, painted
on iron tea-
trays, each ...
(Painted by Mor-
land when
under nineteen,
when he was
trout-fishing on
the borders of
Lancashire and
Yorkshire.)

II X 24 Unsigned.

19 X 25 Unsigned.

10. Portfolio of
Sketches by
Morland
Hatherley, H.
Brighton.
' Peasant and Pigs. '
Engraved by J. in.
R. Smith, 1803 17 X 24

1 8 X 24 Unsigned.
Mr. R. Dyson Nutt, 2, West-
field Terrace, Loftus-in-
Cleveland, has a painting
done on a tea-tray, and
signed ' G. Morland,' repre
senting sheep and lambs in
a barn, with two children
looking in. The family
has possessed the picture
for a very long time. — R. R.

23, Brunswick Place,
(Page 133.)
Unsigned.

Proprietors of Paintings 27

(Larger than Mr.
Richardson's (Cf Mather, McClintock and
picture, but un- Collins.)
signed.)
Hawkins, C. H., 10, Portland Place, London.
Two Landscapes, in.
each about ... 10x10
Hearn, Arthur H., 20, West 14th Street,
New York.
'Forester's in.
Home' ... i6Jx24|-
Hearn, George A., 20, West 14th Street,
New York.
I . ' Weary Way- in.
farers ' ... 16x21
2. 'Noonday
Rest ' ... 17x19
3. 'Shepherds
reposing ' ... 15x18
4. ' Blissful Pigs ' ioxi2|^
Hogarth, D., Union Bank of Scotland,
Dundee.
I. 'Gipsies.' En
graved by W. in.
Ward,i']^2 ... 27|-x36 Signed. 1792.

2 8 George Morland
(Cf McClintock, This painting is represented
Paton, and in an illustration, opposite
Peck.) page 89, of Mr. Richardson's
' Life of Morland.'
2. Young Man
courting Young
Woman. A girl
on white pony.
Dogs, donkey, in.
etc. ... ... 19X23I- Unsigned.
3. 'Sheep' ... 9^x13 Unsigned.
4. 'Farmer's
Stable ' ... 17x21 Unsigned.

Hogg, John, 13, Paternoster Row, London.
Two Pigs in a
Sty, one stand
ing, the other in.
lying down. ... 26fx33^ Unsigned. Undated.

Hohenlohe, Prince, Castle Duino, near
Trieste.
' There are two pictures here that I am
convinced are by Morland.'^ — Princess
Mary of Thurn and Taxis in 'Travels
in Unknown Austria ' (Macmillan and
Co., London, 1896, p. 19).

Proprietors of Paintings 29

Holloway College, Royal, Egham.
I. ' The Carrier
preparing to Set in.
Out'... ... 34x46 Signed. i793-
(From the Earl
of Dunmore's
Collection.)
2. 'JackintheBil-
boes.' Engraved
by W. Ward,
1790, and R.
Clamp, 1']^']... 14x18 Signed. 1790.
3. 'The Con
tented Water
man.' En
graved by W.
Ward, 1790,
and R. Clamp,
i-ji^-j ... 14x18 Signed. 1790.
(The two last are
companion pic
tures. )
Huth, Charles Frederick, The late.
I. 'Visit to the

Child at Nurse.'
Engraved by
W.Ward,jyU
(Sold at Christie's,
July 6, 1895,
for 1,050 gs.)

(Page 145.)

3°

George Morland

<

2. ' Partridge
Shooting '
3. ' Pheasant
Shooting '
Nos. 2 and 3
etched by T.
Rowlandson, 1790.
(Sold at Christie's,
July 6, 1895,
for 480 gns.
the pair.)
4. 'A Cottage
Door'
(Sold at Christie's,
July 6, 1895,
for 710 gns.)

(Cf Gilbey.)
(Page 147.)

Huth, Louis, Possingworth, Cross-in-Hand,
Hawkhurst.

. 'Interior of
Alehouse '
A tired sports
man, in green
coat, sitting
astride a chair,
and resting his
head and arms
on back asleep.

in.
9 J X 1 1 J Unsigned. Undated.
Mr. Huth kindly prepared for
the present publication this
description of his Morlands.
— R. R.

Proprietors of Paintings
Two dogs at
his feet, also
his hat. Two
men in back
ground sitting
at a window.

(Thinly painted,
silvery and har
monious.)
2. Man in blue
coat and red
collar, leaning
against a tree
in middle of a
wood and talk-
i n g to two
seated women,
one of whom
suckles a baby.
Setter in fore
ground
3. ' Interior of
Stable.' En
graved by W.
Ward
White horse
(much admired
by Sir E. Land-
seer). A man

31

in.

9-1- X 11^ Unsigned. Undated.

20 X 26|- Unsigned. Undated.
(Cf. Asiatic Society.)

32 George Morland
leaning on same
looking at man
and woman
romping in
straw (men
tioned by Has
sell, page 14).
4. Two Donkeys,
one with
cropped ears.
A pig with
collar lying in.
down ... ii|-xi4f Unsigned. Undated.
ft. in. ft. in.
5. Winter Piece 2 3I x 2 11/^ Signed. Undated.
Cottage and
oaktree covered
with snow.
Three donkeys,
dog, and woman
in red cloak.
Children slid
ing on small
pond, one of
whom has
fallen.
6. Rustic Scene. . . 13^x15 Unsigned. Undated.
Cottage and
oak-tree on

Proprietors of Paintings 33

bank. Pigs,
donkey, and
group of gipsies.
7. 'Morning; or,
The Higlers
preparing for
Market.' En
graved by D.ft.in. ft. in.
Or»?f, 1796 ... 2 3|- X 2 unsigned. 1791.
8. Snow Piece ... 2 3^x2 unsigned. 1790.
Cottage and
oak-tree. Two
ponies. Two
lads snowball
ing an old
woman, who
shakes her fist
at them, whilst
a dog barks at
her.
IcHENHAUSER, J., Berkeley Galleries, Bruton
Street, London.
I. 'The Village
Pump'
2. 'The Charcoal
Burners ' Both reproduced in The Sketch
of Nov. 27, 1895. 3

34 George Morland
Joule, A. J., 45, Montreal Street, Victoria,
British Columbia.
Woodland Scene,
with cow, sheep,
and goat in
right fore- in.
ground ... 13x15 Initialed. Undated.
Kelly, F. A., South Street Brewery, Shef
field.

in.

I . 'A Scene in
Derbyshire'... 34x50 Signed. 1792.
Cottage door.
Man and grey
horse.
2. 'The Dead
Porker' ... 25x30 Initialed. Undated.
Farmyard with No. 2 from John Raphael
butcher, pea- Smith's Collection. See
sants looking Hassell's 'Life of Morland.'
on, dog, etc.
Kensington. {See South.)
Knight, J. W., 33, Hyde Park Square,
London, W.
I. George Mor
land's portrait, (Page 100.)
done by himself in.
when a youth 19^x23 Unsigned.

Proprietors of Paintings 35
2. ' The Gipsies'
Tent.' En- (Cf. Rutherfurd. )
graved by J. in.
Grozer, 1793 36x41 Unsigned.
3. 'A Farmyard' 27^x35^ Signed. 1789.
A farmer on
grey horse faces
a brown horse,
whose near
foreleg is ex
amined by a
man. A brown
horse in loose-
box. Dog in
foreground. Landscape and
farm-building.
4. ' The Turn
pike Gate.' (Cf Fleming, John.)
Engraved by in.
W.Ward,i8o6 24^x29! Signed.
5. 'The Horse
Feeder.' En
graved by J. R.
Smith, 1-]^^ ... 16^x21 Signed. 1794.
6. ' Gipsy En
campment' ... iijx 1 4i Unsigned.
7. 'Shipwreck'... 15JX19 Unsigned.
8. Landscape
with Gipsies... i4x Hi Signed. 1795.
3—2

36 George Morland
9. Landscape in.
with Gipsies ... 6^ x 8f Signed
at back on
panel.
10. Female Por
trait. (Oval.) 6 X 45
Lawrie & Co., 15, Old Bond Street, London.
' Mr. Lynn's Cot
tage at Cowes, (Dawe's 'Life of Morland,'
Isle of Wight,' page 231.)
with portrait of
Mr. Lynn look- in.
ing at his horse 34 x 42 I799-
Leicester Art Gallery.
' Calm off the
Coast of the in.
Isle of Wight ' I il x 16I Signed. Undated.
(Painted on a ma
hogany panel.)
Louvre, The, Paris.
' La Halte.' Scene
outside an inn.
Engraved by
Rajon, Paris.
Lowther, Captain Francis, R.N., y^-, Pont
Street, London, S.W.
I. 'Guinea Pigs.' (Cf. Crosse.)
Engraved by T. in.
Gaugain, 1789 25x29! Unsigned. Undated.

Proprietors of Paintings 37
2. 'Dancing
Dogs.' En
graved by T. in,
Gaugain, 1790 25 X 29^ Unsigned. Undated.
No. I engraved
(with 'Rabbits')
by W. Ward,
iio6, and J. R.
Smith,, 1807.
Manchester Art Gallery.
'The Farrier's in.
Forge' .., 28x36 Unsigned. Undated.
Mappin Art Gallery, Sheffield.
in.

' The Village Inn ' 23x30

Signed. Undated.

Marshall, George W.,

LL.D., Sarnesfield

Court, Weobly.

Pigs in a Sty.

Woman look

ing over gate in.

at them ... 24 x 30
Initialed. Undated.
Mather, Dr. George H., i i, Annfield Place,
Dennistoun, Glasgow. (Died, Nov. 29,
1895.)
'Peasant and (Cf Hatherley, Collins, and
Pigs.' En- McClintock.)
graved by J. R. in.
Smith, lioT, ... 12x15 Signed. Undated.
38

George Morland

Same as Mr.
Richardson's
picture (page
133), except
that the little
girl has a
brown frock.
The canvas
also is smaller.

This painting is represented in
an illustration opposite page
50 of Mr. Richardson's
' Life of Morland.'

Mawson, John, 44, Railway Terrace, South-
port.
' Gipsy Encamp-
ment.' (In in.
crayons) ... 15x19 Signed.

McClintock, Major H. S., Kilwarlin House,
Hillsborough, Co. Down, Ireland.
I. ' Paying the
Horseler.' En- (Page 133.)
graved by S. W. in.
Reynolds, 1805 23x32 Initialed. Undated.
(On canvas.)
2. 'The Public-
house Door.' (Page 155.)
Engraved by in.
W.Ward,iSoi 18x21 Unsigned. Undated.
(On canvas.)

Proprietors of Paintings 39

3. ' Gipsies.' En

(Page 136.)

graved by W.

in.

Ward, 1792...

2 1 x 24 Signed. Undated.

(Cf Hogarth,

This painting is represented

Paton, and

in an illustration opposite

Peck.)

page 89 of Mr. Richardson's

(On canvas. )

' Life of Morland.'

4. ' Peasant and

(Cf Hatherley, Mather,

Pigs.' En

Richardson, and Collins.)

graved byJ.R.

in.

Smith, 1803 ...

18x24 Signed. 1791.

(On canvas.)

This painting is represented

(Page 133.)

in an Illustration opposite

page 50 of Mr. Richardson's
' Life of Morland.'

Mee, Rev. Dr., The Chantry, Westbourne,
Emsworth, Hants.
I. Landscape.
Village Inn,
with figures. in.
(On canvas) . . . 20 J X 25
2. Landscape.
Cattle and
figures. (On
panel) ... 15x20^
3. Winter Scene.
(On panel) ... ii^X 15

40 George Morland
4. Landscape and
Cattle. (On in.
panel) ... 12x14^
No dates or signatures on
above.

Metropolitan Museum, New York.
in.
' Midday Meal ' 28 x 36
(Presented by Mr. George A.
Hearn.)

Michaelis, Max, Tandridge Court, Oxted,
Surrey.
I. 'Temptation.'
A replica of
fainting en
graved by W.
Humphrey, in.
1790 ... 25x30 Signed. 1792.
2. ' Selling Cher
ries.' Engraved
by E.Bell, 1801 20x36 Signed . Undated.
3. ' The Death of
the Fox.' En
graved by J.
Wright, i-]^^ 20x26 Signed. 1794.

Proprietors of Paintings 41
Montagu, Sir Samuel, Bart., M.P., 12,
Kensington Palace Gardens, London.
' Farmyard with in.
Pigs' ... 25x30 Signed. Undated.
(Bought at J. M.
Eager's sale at
Christie's, 1 883.
Exhibited at
R. A. Exhibi
tion of Old
Masters, 1894.)
Morland, Capt. George, 22, St. Stephen's
Square, Bays water, London. (Grand-
nephew of George Morland.)
in.
'Girl with Doll' 7 X 8^
(Never engraved.)
Nathan, J., Burlington Gallery, 27, Old Bond
Street, London.
Landscape with in.
Gipsies ... 28^x361
New York. {See Metropolitan Museum of)
National Gallery, London.
I. ' The Farmer's (Pages 92 and 109.)
Stable.' En
graved by W.ft.'m. ft. in.
/F«r^, 1792 ... 4 9x6 7^ Signed. Undated.

42

George Morland

Two horses and
a pony are being
led by a boy
into a stable.
To the left a
man is stooping
and collecting
together some
straw. (On
canvas.) 'A Quarry,
with Peasants '
Broken ground,
with a high
gravelly bank
studded with
scrub. (On
wood.) No. 1 35 1. —
' Door of the
Red L i o n ft
Country Inn ' 3
Farmer on
white pony at
inn-door.
Landlady offers
him a mug of
ale. Children
at door. Two
dogs. Youth

This painting (considered
Morland's masterpiece) is
represented in an illustra
tion opposite page 109 of
Mr. Richardson's ' Life of
Morland.'

in.

7x9 Unsigned. Undated.

(Page 93.)

, in. ft. in.
5x41 Signed. Undated.
This painting is described in
the new Official Catalogue,
published in 1896, where,
however, some errors occur
in the biographical notice of
George Morland. i. Maria
Morland was married to

Proprietors of Paintings

43

burns brush
wood. Distant
hills and mea
dows. (On
canvas.)
(Bequeathed by
Sir Oscar M.
P. Clayton,
C.B., in 1892.)
(The original, or
a replica, was
sold in June,
1896, by
Messrs. Col-
naghi to Mr.
Orrock, q.v.)

William, not James, Ward.
2. George Morland's wife
never separated from him,
for they were always a most
affectionate couple. 3. The
portrait of Morland by
Muller, engraved by
Edwards, is unreliable, being
unlike other contemporary
portraits, including those by
Morland himself. 4. The
' Drawing with a Poker '
was not Morland's first ex
hibit at the Royal Academy.
— R. R.

(Page 93.)
Signed. Undated.

National Gallery of Scotland, Edinburgh.
'The Stable
Door : a Study ' in.
(Canvas) ... 13X15
Two horses
drinking at a
trough. Two
men, one in a
blue coat with
a glass in his
hand, stand be
side door of
thatch -covered
stable.

A poor example of Morland.
— R. R.

44 George Morland
National Gallery of Ireland, Dublin.
Landscape, with
figures and
cattle (on can- in.
vas) ... ... 2o|-X26^ Signed. Undated.
The Registrar of the Gallery
(Mr. Strickland) remarks :
' This is an undoubted and
genuine work of Morland,
although the signature is
not quite above suspicion.'
— R. R.
Oldham, John, St. Vincent's Presbytery, 13,
Hardy Street, Liverpool.
'The Wood
cutter.' En- (Page 149.)
graved by W.^.m. ft. in.
Ward, 1792... I IIX2 3| Unsigned.
(Cf. Armitage and Peck.)
Orton, Dr. Charles, Ochiltree, near Hast
ings.
Sheep and Shep- in.
herds in a Storm 25 x 30 Signed. i790or 1796.
Orrock, James, 48, Bedford Square, London,
W.C.
Door of the Red
Lion Country
Inn ...

Proprietors of Paintings

45

(The original, or
a replica, of Mr. Louis Eluth thinks Mr.
painting in Orrock's is the finer in tone.
National Gal- — R. R.
lery, q.v.)

Paton, James, Superintendent of the Corpora
tion Galleries of Art, Glasgow.

in.

I. ' Gipsies.' A
group of four
figures under an
oak-tree. En
graved by W.
Ward, 1792...
(Cf. Hogarth,
McClintock and Peck.)
2. 'Hilly Land
scape, Sussex.'
A slight sketch
(injured) ... 5I X 7

This painting forms an illus
tration opposite page 89 of
Mr. Richardson's ' Life of
Morland.'

19X24-^ Unsigned. Undated.

Unsigned. Undated.

Peck, George, 9, Belgrave Square, London,
S.W.

in.
20 X 26

I. 'The Wood
cutter.' Eyi- 20x26 Signed. Undated.
graved by W. (Cf, Armitage and Oldham.)
Ward, 1792...

46

George Morland

A woodman
lops the
branches off an
oak, whilst two
children play
with a donkey.
In background
gipsies beside a
fire. In fore
ground dog
asleep and
baskets.
2. 'Washing Day'
Cottage scene.
A woman pours
water from a
kettle into
washing-tub. On right a man
dips up water
from a pond.
In foreground
two children
play with dolls.
To left, a
woman hangs
up clothes to
dry.

Mr. Peck kindly prepared for
the present publication this
description of his fine gallery
of Morlands.— R. R.

in.

20 X 26

in.

3. 'The Quarry' 16x20 Signed.

Proprietors of Paintings 47
Stone quarry
near roadside.
Two men work
whilst three pull
up with ropes
a trolley laden
with stone. A
cart waits to
receive it. in.
4. Coast Scene .. . 10x12 Initialed.
Sea-coast with
high ground,
and a cottage
on right. Four
figures on
shore.
5. Forest Scene 13^X17 Signed.
Outskirts of a
wood, with
man, woman A rather stiff, early work,
and child seated very carefully painted.
on a bank in
foreground.
6. ' The Fisher
man's Toast ;
or, Fishermen
Ashore.' En
graved by W. in.
Hilton, 1806... 19x22

48

George Morland

In centre a
fish woman with
a basket on her
head. Two
fishermen sit
ting on right
hold up their
glasses to her
health. Behind,
a view of sea
and a ship. On
left, a dog. On
right, an inn.

7. ' Market Cart.'
A country lane,
down which
passes a cart
with a man
driving, a
red -cloaked
woman and
white dog fol
lowing. A
spreading oak
to right and
some felled
timber.

in.
17x221

Initialed.

A bad copy of a part of this
picture is in the Foster
Gallery at the South Ken
sington Museum.

8. 'Pigsty '

in.
272X35i Signed. Undated.

Proprietors of Paintings

49

On the left, a
sow and two
little pigs.
Carrots and
turnips in fore-
ground. On
right, a trough,
against which
rests a broom.
A man with
carpenter'sbasket leans
against the rails
of the sty,
dressed in a
white smock,
and without a
hat.
(. 'Gipsies.' En
graved by TV.
Ward, 1792 ...

(Cf. Roe.)

in.
17x231
(Cf. Hogarth, Paton, and
McClintock.)
This painting is represented
in an illustration opposite
page 89 of Mr. Richardson's
' Life of Morland.'

10. 'Louisa.' (Oval.)
Engraved by T. in.
Gaugain, 1789. I2|x 15^

Signed. 1782.

4

50 George Morland
Louisa is lis
tening to the
voice of her
lover, which she
seems to hear
through the
storm which is <^ r ^, ¦ , ^
One or the pair engraved to
° ° illustrate a poem by Mrs.
sea-coast, where  , of Bath.
a vessel being
wrecked is seen
in the distance.
(A very beauti-
ftilly finished
work. S o f t
colouring.)
II. 'The La-
bonrers' Lun
cheon.' En
graved by C. in.
Josi,!-]^-] ... 10^X13^ Signed. 1792.
In foreground,
two labourers,
one seated on
the ground with
a mug in his
hand, whilst the
other, holding
a knife, stands
with his back

Proprietors of Paintings 51
turned. A dog
looks up at the
standing figure.

12. 'Children
Fishing.' En
graved by P.
Dawe, 1788 ...
Two children
on the bank of
a stream. The
boy holds a
stick which
has a string to
it, from which
hangs a small
fish he has
caught. The
girl is seated,
but turns to
wards the boy
to try and se
cure the fish.
Her hat lies
on the ground
beside her. She
wears a white
dress and scarlet
shoes.

in.

I o X 1 1 Signed. Undated.

This picture is an exquisite
gem, both in finish and
colour, and forms one of
the finest examples of Mor
land's combined breadth and
finish, with lovely colour,
especially in the painting
of the children and of the
dress of the girl. The old
oak behind the figures, and
the bank, grass and water
are also beautifully painted.
(Fide Remarks under Sir
Charles Tennant, No. i, as
to Morland as a painter of
children.— R. R.)

13, 'Forest Glade'

in.
7ixio

Signed. 179'^-

52

George Morland

A small (rather
dark) view in a
wood. In the
foreground, a
man wearing a
red jacket, and
a dog. In the
distance,
another figure
and dog.
(Picture in bad
condition.)

Signed. 1791

14. 'A Stableft.in. ft.in.
Yard' ...24x30
Exterior of a
turf-thatched stable - hut.
Two men at
door, one in a
red vest, the
other holding An excellent picture, which I
a bag. An old describe here after inspec-
brown horse, tion, — R. R.
harnessed, is
about to enter
stable. Three
pigs in fore
ground. In
background a
precipice, and

two small
waterfalls to
right hand.

Proprietors of Paintings 53

Peynton, Rev. Francis J., Rector of Kelston,
near Bath.
ft. in. ft. in.
' A Farmyard ' . . . 2 3 x 3 o
Phillips, Rev. Canon, Manor House, Stoke
d'Abernon, Cobham, Surrey.
The catalogue of this extensive
collection was kindly pre
pared for the present publi
cation bv Canon Phillips
himself, to whom the paint
ings descended, chiefly from
his father and uncle. The
collection is known as the
' Abiss and Phillips Collec
tion,' and its nucleus appears
to be the collection of
' William Phillips, Esq., of
Gloucester Place,' mentioned
at page 233 of Dawe's ' Life
of Morland.'— R. R.
I. 'Wreck of in.
Boat' ... iifxi4j Signed. Undated.
Sailors climb
ing up a rock.
(Oblong.)

54

George Morland

' The Storm '
(off Black Gang ft_ ft_ in.

3 X 4 6^ Signed. 1790.

Exhibited at Messrs. Dowdes-
well's Galleries, Bond Street,
London, in spring of 1894.

Chine)Sea breaking
over a rocky
coast. Men
drawing up a
boat and bales
of goods. Ship
under double-
reefed sails.
Small lugger
under shelter of
the land. (Ob
long.)
3. 'The Blindft.in. ft.in.
White Horse.' 2 3-| X 2 xi Signed
Man driving
horses to water
from stable.
(Oblong.)

Undated.
Exhibited at Messrs. Dowdes-
well's Galleries, Bond Street,
London, in spring of 1894.

'Portrait of
Morland and
his Dog '
Morland rests
at table and
talks to fisher
men with nets.
(Upright.)

(Page 78.)

in.

ii^^X 15 Unsigned. Undated.
Exhibited at Messrs. Dowdes-
well's Galleries, Bond Street,
London, in spring of 1894.
(Bought from a public-house at
Carshalton.)

Proprietors of Paintings

55

'Man in Snow.'
(Upright.) ...
' Miller and his
Men'
Sacks of corn.
(Page 78.)
(Upright)
. ' Sea-piece ' . . .
Wreck of boat.
Sailors climbing
up a rock. Dis
masted ship in
distance. (Ob
long.)
. 'Bargaining
for Fish' ...
Fishermen in
boat returning
from fishing.
Selling fish on
shore. (Ob
long.)
, 'The Discon
solate and her
Parrot '
Portrait of Mrs.
Morland. (Up
right.)

in.
lox 12

Signed. Undated.

iilxi4i Signed. 1797.
Exhibited at Messrs. Dowdes-
well's Galleries, Bond Street,
London, in spring of 1894.
ft. in. ft.
2 3a X 3 Signed. Undated.

2 32X3 Signed. Undated.

in.

91x11^ Signed. Undated.
Exhibited at Messrs. Dowdes-
well's Galleries, Bond Street,
London, in spring of 1894.

56

George Morland

I o. ' Peasants Tra
velling '
Figures outside
building. Don
key laden. Dog.
(The woman is a
portrait of Mor
land's sister-in-
law.) (Oblong.)

ft. in. ft.
I 5-| X 2 Signed Undated.
(on donkey's
pack).

II. ' Selling Fish '
Figures sitting
in foreground
with fish and
basket and dog.
Cart with white
horse. (Ob
long.)
12. 'The Cottage ft. in. ft.in.

ft. ft.in.
2x26 Signed Undated.
(on a rock).
Exhibited at Messrs. Dowdes-
well's Galleries, Bond Street,
London, in spring of 1894.

Door'
Summer. Fam
ily group. Man
cutting wood in
foreground. Church in the
distance. (Ob
long.)

2 3-| X 2 II Signed. Undated.
Exhibited at Burlington House,
1870.
Exhibited at Messrs. Dowdes-
well's Galleries, Bond Street,
London, in spring of 1894.

13. 'Woman Feed- ft. in. ft.in,
ing Pigs '

I 2^ X I 7 J Signed.

Undated.

Proprietors of Paintings 57

.\ Exhibitedat Burlington House,
child with dog. o
° 1870.
(Oblong.) '
14. 'Farmer, Wife ft. in. ft.in.
and Child ' ... 12x17^ Unsigned. Undated.
Lad asks for
work. Donkey
saddled. (Ob
long.)
(Companion to
No. 13.)
15. 'Wood-gather
ers in the
Snow.' (Up
right) ... I 14 XI si Signed. Undated.
Exhibited at Burlington House,
1870.
16. 'Gamekeeper (or Poacher) ft.in. ft.in.
with Dogs '...12x15^ Unsigned. Undated.
Portrait of Exhibited at Burlington House,
Morland's ser- 1870.
vant Simpson. Exhibited at Messrs. Dowdes-
(P a g e 76.) cell's Galleries, Bond Street,
(Upright.) London, in spring of 1 894.
17. 'Friend.' En
graved by W. ft.in. ft.in.
Ward ... 3 3X4 i Signed. Undated.

58

George Morland

Portrait of the
Newfoundland
dog which
saved Mr. Wm.
Phillips from
being drowned
whilst bathing
in the sea at
Portsmouth,October 4,

20,

Exhibited at Guildford, May,
1884.
Exhibited at Messrs. Dowdes-
well's Galleries, Bond Street,
London, in spring of 1894.

1789.
long.)

(Ob-

18. 'The Shep- ft.in. ft.in.

herd Asleep'...
Dog keeping
watch over
sheep. (Up
right.)

15-^x26 Unsigned. Undated.
Exhibited at Messrs. Dowdes-
well's Galleries, Bond Street,
London, in spring of 1894.

' Fi shermen
Selling their ft. in. ft.
Fish on Shore ' 2 3 J X 3 Signed. Undated.
Storm brewing. Exhibited at Messrs. Dowdes-
(Oblong.) well's Galleries, Bond Street,
London, in spring of 1894.
' The Red Lion ft. in. ft.
Inn ' . . . ... 2 3^ x 3 Signed. Undated.
Man on chest
nut horse is

drinking, whilst

Exhibited at Burlington House,
1870.

Proprietors of Paintings 59

landlord and

landlady talk

to him. Pigs
The ' Red Lion ' is
also de-
in foreground.
picted in No. 3,
National
Man leaning
Gallery.— R. R.
over fence.
(Oblong.)
21. ' Yarmouth
Fort.' Sea- ft,
, in. ft.
piece ... ... 2
3i X 3 Signed
1803.
Stormy day.
(on sail).
Boat with
sailors. (Ob
long.)
22. 'Wood Ga
therers in
Savernake
Park' ... 2
3f X 3 Unsigned.
Undated.
Donkey laden.
Exhibited at Burlingt
on House,
(Oblong.)
1870.
23. ' W a t er ingft,
, in. ft. in.
Horses ' . . . i
7^X2 ii Signed.
Undated.
Farm men
seated outside
barn. Boy on
chestnut horse.
Dog. (Ob
long.)
6o George Morland
ft. in. ft. in.
24. ' I St September.' 2 5^x2 6 Unsigned. Undated.
, .,,.r ^' Exhibited at Burlington House,
the New Forest. ^
Sportsmen and
does in fore- Exhibited at Messrs. Dowdes-
ground. (Ob- ^^^^'^ Galleries, Bond Street,
JQ > London, in spring of 1894.
ft. in. ft.
25. ' I St October.' 2 3^ x 3 Unsigned. Undated.
Pheasant- Exhibited at Burlington House,
shooting in 1870.
Savernake Exhibited at Messrs. Dowdes-
Forest. (Ob- ^^ly^ Galleries, Bond Street,
§v London, in spring of 1894.
ft. ft. in
26. 'Winter' ... 2x26 Signed. Undated.
Snow scene.
Woman and Exhibited at Messrs. Dowdes-
girl at door well's Galleries, Bond Street,
ajar. Horses London, in spring of 1894.
and dog. (Ob
long.)
27. ' The Stable in.
Yard' ... 9^X11^ Signed. Undated.
Man in red
•^ , , -_ Exhibited at Messrs. Dowdes-
stable. Horses, ii> -^ ,, ¦ t. 1 1-
, . . well s Galleries, Bond Street,
one lying in ^ , . . . „
/_ , London, in spring or 1894.
straw. (Ob- ^ t & y^
long.)

Proprietors of Paintings

6i

28. ¦ Gipsy En- in.
campment' ... 6fX9| Signed. 1795.
Man, woman
and child in a
wood. (Ob
long.)

29. ' Portrait of
Mrs. Jordan '
(Actress, mo
ther of first Earl
of Munster.)
(Upright oval.)

ft. in. ft. in.
12x15 Unsigned. Undated.
Exhibited at Burlington House,
1870.
Exhibited at Messrs. Dowdes-
well's Galleries, Bond Street,
London, in spring of 1894.

30. ' Wreck of an
Indiaman ' (off
the Needles,
Isle of Wight).
(Oblong) ...

ft. ft. in.
2 X 2 5 J Signed Undated.
(on a package).
Exhibited at Burlington House,
1870.
Exhibited at Messrs. Dowdes-
well's Galleries, Bond Street,
London, in spring of 1894.

31. 'The Day after ft. ft.in.
the Wreck'... 2x25 Signed Undated.
(on a package).

62

George Morland

Hauling in and Exhibited at Burlington House,
gathering up ^§70.
wreckage. (Ob- „ , ., .
I \ Exhibited at Messrs. Dowdes-
long.) well's Galleries, Bond Street,
London, in spring of 1894.
32. ' Cow and Calf
worried by
Dog.' (Up- ft. in. ft. in.
right.) ... I 2x1 4^ Signed. Undated.
Exhibited at Burlington House,
1870.
Exhibited at Messrs. Dowdes-
well's Galleries, Bond Street,
London, in spring of 1894.

33. 'Feeding the ft. in. ft.in.

Calves '
Cowhouse.
Woman stand
ing by door.
(Oblong.)

12x15 Unsigned. Undated.
Exhibited at Messrs. Dowdes-
well's Galleries, Bond Street,
London, in spring of 1894.

34. ' Wayfaring
Man in the
Snow '
Dog running
beside him.
(Upright.)

in.
lox 12

Signed. Undated.

Proprietors of Paintings

63

35. ' Fishermen
waiting for
E V e n i n gft. in
Breeze ' . . . i

ft.

in.

10^X2 6

Background of
chalk cliffs.
Men resting on
shore. Women
standing. (Ob
long.)

Signed Undated.
(on boat).

36.

37-

' Morning ' .
Sheep. Shep
herds resting.
Peasants talk
ing to shep
herds. Cottage
with water.
E ngr aved.
(Oblong.) ' Evening ' ...
Man driving
cow and sheep.
Figure of boy
behind. Castle
on wooded
height. (Ob
long.)

2 4-^ X 3 2-^ Unsigned. Undated.

Exhibited at Messrs. Dowdes-
well's Galleries, Bond Street,
London, in spring of 1894.

ft. in. ft.
24X3 Unsigned. Undated.

64 George Morland
38. ' Girl on Sea
shore in a Gale. ' in.
(Oblong) ... I of X 12 Signed. Undated.
39. ' The Hermit'
(Upright) ... 9fxi2 Signed 1795.
Exhibited at Messrs. Dowdes-
well's Galleries, Bond Street,
London, in spring of 1894.
40. 'Crossing the ft. in. ft.in.
Brook ' ... I lix I 4^ Unsigned. Undated.
Figures and
donkey. (Ob
long.)
41. ' The Smug
glers ' ... I 4x2 Signed. Undated.
Band of smug
glers hauling up
a boat carrying
bales and casks.
A woman,
loaded horses,
etc. (Oblong.)
42. 'Shepherds ft.in. ft.in.
Reposing' ... i 3^x1 8 Signed. Undated.
Two shepherds
and dogs. Exhibited at Burlington House,
Sheep. Even- ^^70.

Proprietors of Paintings 65

ing. Farm
house in dis- Carefully finished. A fine
tance. (Up- work.— R. R.
right.)

in.

43. 'Landscape',.. 9^X12 Signed. i794-
Figures and Exhibited at Messrs. Dowdes-
donkey in fore- ^^j^,^ Galleries, Bond Street,
ground. (Ob- London, in spring of 1 894.

long.)

in.

44. ' The Ferry '.. . 10x14 Unsigned. Undated.
Men waiting
for the boat.
(Oblong.)
45. ' Landscape ' . . . 9| X 1 2 Unsigned. Undated.
Cows resting
under trees.
Two figures.
(Oblong.)
46. ' Sheep in the
Snow. (Ob
long) ... 12x14 Signed. 1793-
47. 'Sheep in the
Snow. (Ob
long) ... 12x15 Signed. Undated. 5

66

George Morland

(Companion to
No. 46. The
same sheep, but
in different
positions.)

48. 'Summer' ...
Waggon and
horses descend
ing hill. Guide-
post. Wag
goner directing
a woman sitting
beside a pond
and pointing to
guide-post. (Oblong.)

ft. ft.i

in.

2x2 5 Signed. 1795.

Exhibited at Burlington House,
1870.
Exhibited at Messrs. Dowdes-
well's Galleries, Bond Street,
London, in spring of 1894.

49. ' Mending the
Nets' Two fishermen
mending nets ;
other men
painting boat.
(Oblong.)

in.
II X 16

Signed
(on boat).

1796.

50. ' Seashore ' ...
Men and boats.
(Oblong.)

10x14 Unsigned. Undated.

Proprietors of Paintings

67

51. 'A Winter
Night'

in.
8jx iij Unsigned. Undated.

Farmer and his

man driving

sheep home
from market.
Snow on tree.
(Oblong.)

52. 'Breaking
Cover.' (Up
right)

5I X 7 Signed. Undated.

53. ' Full Cry.'
Engraved 1824. (Ob
long)

6-1 X 8^ Unsigned. Undated,

Described page 140.
(Cf Richardson.)
Platt, Mrs. T., 716, Country Road, Small-
heath, Birmingham.
The Startled
Horse.' (Sepia in.
drawing) ... 18x24
A wild horse
startled by a
lion.
Signed. 1780.
5—2
68 George Morland
Price, James.
I. 'The La
bourer's Home ' Very small .
(Sold at Christie's
on June 15,
1895, for 320
guineas.)
2. 'Mutual Con
fidence ' ... Very small.
(Sold at Christie's
on June 15, (Page 153.)
1895, ™'' 94°
guineas.)

Rawlinson, James, 124, Granby Street, Liver
pool.
'Watering the Pages 65 and 154.
Cart Horse.' . Watering the Cart Horse ' is
Engraved by J. erroneously attributed to
R. Smith, x-]^^. Gainsborough by Ernest
Chesneau in his 'English
School of Painting ' (Cassell
and Co., London, 1887,
page 116), showing how
the occasional similarity of
style in both artists may
deceive Art-critics. — R. R.

Proprietors of Paintings 69
Read, J. H., 48, Wilbury Road, West
Brighton.
Landscape and
Portraits of Dr.
Lynn (page 75)
and his Man- ft. in. ft. in.
servant ... 2 9X3 8
A horse, dog, Painted at Cowes, 1797. Sold,
and two pigs. on Mr. Read's behalf, by
P. and D. Colnaghi for
j^350. Present owner un
known.
Revell, Frank F., 130, Belmont Road,
Liverpool.
Three pigs in a in.
shed  9x12
Richardson, Ralph, F.R.S.E., 10, Magdala
Place, Edinburgh.
I. ' Peasant and
Pigs.' En- (Page 1 33-)
graved by J.
R. Smith, 1 803. in.
(Canvas) ... 16x20 Signed. 1751.
A boy leans ''J > 2^> ^¦-•-^- /,,:.^ »,.mv- /•¦i'--y/
against the out- (Cf Mather, McClintock,
side of a Hatherley, and Collins.)
thatched pig-

7°

George Morland

sty. Beside him
is a little girl
in a blue frock.
Two pigs, one
black, one yel
low, drink out
of a trough.
A white and
brown spaniel
looks into it.

This painting is represented
in an illustration opposite
page 50 of Mr. Richardson's
' Life of Morland.'
An indifferent example of this
painting without the little
girl was sold at Dowell's,
Edinburgh, November 14,
1896.— R. R.

2. 'Full Cry.'
Hunting scene.
Engraved 1824...
A red - coated
huntsman on
grey horse is
followed by a
blue - coated
huntsman on a
brown horse.
Other hunts
men in dis
tance.

in.
54x7

(Page 140.)
Unsigned. Undated.

(Cf Phillips, No. 53, which
represents the same scene.

3. 'Ret ur ning
from Work ' . . .
A woman in a
red cloak
carries a bundle

in.

92 XI if. Signed. Undated.
(Page 97.)

Proprietors of Paintings 71
of feggots over
her shoulder
and a carpen
ter's basket in Exhibited at Grosvenor Gallery,
her left hand. WinterExhibition, 1887-88.
A boy and
hairy dog fol
low her.
.'Stormy in.
Weather' ... 164x20^ Signed. Undated.
In foreground,
preceded by a
white dog, a
red-cloaked
woman carry
ing a vegetable
basket is fol
lowed by a
blue-cloaked little girl. Be
hind, a man on
an ass holds on
his hat, whilst
his hand also
grasps a stick.
In background,
a thatched cot
tage and a
stormy sky.
;. 'Burning
Brushwood ' . . . 9^X14 Unsigned. Undated.

72

George Morland

A smock-clad
man, a woman,
and two chil
dren round a
fire. In back
ground a cart
with two men,
followed by
woman and
child.

This water - colour drawing
belonged to Mr. Billington
(the celebrated singer's hus
band) in 1789.

Ridpath, Thos., 12, Church Street, Liverpool.
'Interior of in.
Stable ' ... 20x24 Unsigned. Undated.
To left, two
horses standing Formerly in collection of late
at stall. To ^^ Whittle, Liverpool.
right, sheep,
poultry, etc.

Roe, Robt. H., 68, Ommoney Road, New
Cross, London, S.E.

in.

'Contentment'... 13^x201 Initialed. 1787.
A man looks
pigsty in n , „ . , . , . .
"^ ,. Mr. Koe IS etching this picture
on copper.— R. R.

into a
which reclines a
sow. Beside
her are three

Proprietors of Paintings 73

little pigs, one
standing. A
pail, crossed by (Cf- Peck, No. 8.)
a broom, to
right.
Rutherfurd, Mrs. Andrew D., 9, Prince's
Terrace, Dowanhill, Glasgow.
'The Gipsies'
Tent.' En- (Cf Knight.)
graved by J. in.
Grozer, 1793. 22x28 Signed. 1791.
Salting, George, 86, St. James' Street,
London.
I. 'Gipsy En- in.
campment' ... 20x26 Signed. 1789.
2. ' Cowherd and
Milkmaid.' {Engraved) ... 20x26 Signed. 1792.
3. 'Country Inn'
('The Grapes') 20x26 Signed. 1790.
Group of gip
sies reposing in
foreground to
right. White
horse led to
stable. Two

74 George Morland
travellers on
horseback leav
ing the inn.
4. 'The "Bell"
Inn ' : Summer- in.
time... ... 20x26 Signed. Undated.
Hay-wain and
group of hay
makers regal
ing themselves
in front of the
inn. Landlady
and little girl
appear at inn-
door.
5. 'The Alehouse
Door.' En
graved by R.
S. Syer, 1801
(Upright) ... 11x14 Signed. 1792.
Two labouring
men, the elder
one seated with
pipe and pot
of beer, the
younger stand
ing and talking
to him.

Proprietors of Paintings 75
Sargeaunt, John, Burton Latimer, Kettering,
Northamptonshire.
' An Evening
Landscape.' in,
(On wood) ... 9Xii-| Unsigned. Undated.
In the fore
ground stands
a white horse,
and behind it a
peasant boy
seated.
Scott, Alex, Queen Mary's House, Jedburgh,
N.B. in.
' Winter Scene'... 18x26 Unsigned. Undated.
Three sheep in
snow near a
snowclad tree.
Bareheaded lad
with bundle of
hay. Man with
pole.
Scott, Col., C. H. S., 17, Eccleston Square,
London, S.W.
Portrait, said to
be of the
artist's wife. in.
(Oval) ... 25x30 Unsigned. Undated.

76 George Morland
Mob cap with
blue ribbons.
Dark eyes;
long dark curl
ing hair. White
muslin dress,
blue sash.
Background,blue hill and
trees.
ScoTT, E. Erskine, Linburn, Kirknewton,
Midlothian.
' Interior of a in.
Stable' ... 26-|x33 Signed. Undated.
Sheffield. {See Mappin Art Gallery.)
Smith, H. Haskett, Trowswell, Goudhurst
(deceased).

I

' Selling Cher-
r i es. ' E n-
graved by E. in.
Bell, 1 801 ... 20x36 Signed.

This picture was sold at
Christie's, May 9, 1896,
for 1 ,000 guineas ; bought
by McLean.

2. 'The Death of
the Fox.' En-

Proprietors of Paintings

11

graved by E.
Bell, 1800 ...

3. Landscape,
with gipsies
round a fire ...

, ' Return from
Market.' Original En
graved by J.
R . Smith,
1793 

Signed. 1794.
Sum offered at Christie's, May
28, 1864, 41 guineas, when
the picture was exposed, but
bought in.
This picture was sold at
Christie's, May 9, 1896,
for 300 guineas ; bought
by Dowdeswell.

in.
19X25
This picture was sold at
Christie's, May 9, 1896,
for 380 guineas; bought
by Agnew.

in.
25x30 Signed. 1795.
Sum offered at Christie's, May
28, 1864, 62 guineas, when
the picture was exposed, but
bought in.
This picture was sold at
Christie's, May 9, 1896,
for 130 guineas ; bought
by Philpot.

78 George Morland
5. ' Temptation.'
Original En
graved by W.
Humphrey, in.
1790  25x30 Signed. 1792.
This picture was sold at
Christie's, May 9, 1896,
for 410 guineas ; bought
by Dowdeswell.
in.
6. ' The Piggery ' 1 8 x 24 Signed.
This picture was sold at
Christie's, May 9, 1896,
for 320 guineas ; bought
by Dowdeswell.
Exhibited at Burlington House,
1872.
7. ' The Catas- in.
trophe ' ... 20x20 Signed. 1791-
Sum offered at Christie's, May
28, 1864, 36 guineas, when
the picture was exposed, but
bought in.
This picture was sold at
Christie's, May 9, 1896,
for 320 guineas ; bought
by Wilson.
Exhibitedat Burlington House,
1872.

Proprietors of Paintings

79

8, Interior of

Stable, with

two peasants.

dog and don

in.

key ...

15x20

Sum offered at Christie's, May
28, 1864, 45 guineas, when
the picture was exposed, but
bought in.
This picture was sold at
Christie's, May 9, 1896,
for 100 guineas ; bought
by Price.
9. 'The Wreck
in.
ers' 
41x54 Signed. 1791.
Sum offered at Christie's, May
28, 1864, 161 guineas, when
the picture was exposed, but
bought in.
This picture was sold at
Christie's, May 9, 1896,
for 520 guineas ; bought
by Frazer.
Exhibited at Burlington House,
1872.
10. ' Fishwife Buy
ing Fish on in.
Beach' ... 27x35
Signed. 1794-
8o George Morland

Sum offered at Christie's, May
28, 1864, 121 guineas, when
the picture was exposed, but
bought in.
This picture was sold at
Christie's, May 9, 1896,
for 240 guineas.
The foregoing details are given to
show the advance in the prices of
Morlands which has taken place of
late years. Mr. Max Michaelis is
now owner of ' Temptation,' ' Selling
Cherries,' and 'The Death of the
Fox.'— R. R.
South Kensington National Gallery of
British Art.
I. ' The Reckon
ing.' (Oblong; in.
fine) ... 29x39
2. ' Horses in a
Stable.' (Ob
long) ... 34X46I Signed. 1791.
3. ' Seashore.'
Fishermen
hauling in a
boat. (Oblong;
fine)  33|X46i Signed. 1791.

Proprietors of Paintings 8i
^. ' Coast Scene.'
Boats and
figures on the
beach. (Panel, in.
oblong) ... 8xi2-| Signed, 1792.
5. A Girl seated
in a Landscape
and fondling a
Dove. (Oval) 7f X 9 Signed.
6. 'Valentine's
Day ; or Johnny
going to the
Fair.' En
graved by J.
Dean, 1787.
(Upright, fine) 13-^x18
7. Winter Scene,
with woman
and donkeys.
Sketch. (Panel,
upright) ... 5X6|
8. Landscape and
cottage, with Said to be a copy of Mr.
market cart, Peck's No. 7.
dog, etc. (Ob- in.
long) ... 16X17I
9. Beach Scene,
with boats,
boatmen, and

82 George Morland
dogs. (Ob- in.
long) ... 19IX25I
(By or after Mor- A portrait in this gallery by
land.) John Russell, R.A., said to
be of George Morland, was
the subject of letters by Mr.
Richardson in the Times of
7 th and 20th November,
1895. He maintained, and
Mr. Arthur N. Gilbey sup
ported his contention, that it
was not a portrait of George
Morland, as it bore no re
semblance to contemporary
portraits of him, such as
those by Morland himself,
or by his friend T. Rowland-
son. A reproduction of
Rowlandson's water-colour
sketch of Morland forms
the frontispiece of Mr.
Richardson's ' Life of Mor
land.'— R.R.
Tennant, Sir Charles, Bart., of The Glen,
Innerleithen, N.B.
I. 'Children play- Sir Charles Tennant kindly
ing at Soldiers.' requested Messrs. Thomas
Engraved by G. Agnew and Sons to prepare
Keating, 1788. 0^ for the present publication

Proprietors of Paintings

83

Painted

, for

Dean Mark-

ham of

York.

(Canvas)

...

Woody

land-

scape ;

other

children

look-

ing on.

Ten

figures.

From the

col-

lection of

Joseph

Strutt,

Esq., of

Derby.

this catalogue of his collec
tion of Morlands. — R. R.
in.
28x35 Unsigned. Undated.
Exhibited at the Art Trea
sures Exhibition, Manches
ter, 1857 (page 94).
Although Morland is facile
princeps as the English
painter of children, none of
his paintings of children
were exhibited in the recent
' Fair Children ' Exhibition
in the Grafton Gallery. (See
Peck, No. 12.) Morland's
' Juvenile Navigators ' is
represented in an illustration
opposite page 19 of Mr.
Richardson's book. — R. R.

2. 'Boys robbing
an Orchard.'
Engraved hy
E. Scott, 1790.
Four boys have
been robbing
apples, when a
farmer appears
with a bull
dog. (Canvas.)
(Page 48.)

in.
27x35

Unsigned. Undated.

Exhibited at the Annual Ex
hibition of the Glasgow
Institute of the Fine Arts
in March, 1889 (pages 41
and 48.)

84 George Morland

From the Bol-

ckow Collec

tion.

in.
3. 'The Find.'
lo^X 15 Unsigned. Undated.
A spirited scene
Exhibited at the Grosvenor
in the hunting-
Gallery Exhibition of 'A
field. (Canvas.)
Century of British Art,'
1888 (page 97).
4. 'Full Cry' ...
in.
10^X15 Initialed. Undated.
A spirited scene
Exhibited at the Grosvenor
in the hunting-
Gallery Exhibition of ' A
field. (Canvas.)
Century of British Art,'
1888 (page 97).
5. 'Landscape
in.
with River' ...
1 2^ X 1 7-| Unsigned. Undated.
A horseman
going down a
road, and a
peasant talking
to a woman in
a red cloak.
seated, holding
a baby. To
the right a man
fishing. (Panel,
oval. )
Proprietors of Paintings

85

6. Two Donkeys,
mare and foal,
standing in a
landscape. in.
(Canvas) ... 10 x 12
7. Landscape
with Figures.
A stage-coach
going down a
road. Cattle
and a horse in
foreground.Sheep on grass
to right. (Can
vas.)
8. Hilly Land
scape, with river
and figures. in.
(Canvas) ... 12x15

Signed. Undated.

12x16 Signed. 1792.

Formerly in Collection of J.
H. Anderdon, Esq.

Unsigned. Undated.

9. 'Idleness.'
Engraved by C.
Knight, 1788.
(Canvas, oval) 9-^X 11^ Unsigned. Undated.
(Described page Exhibited at the Old Masters'
95.) Exhibition, Burlington
House, 1885, and at the
Grosvenor Gallery Exhibi
tion of 'A Century ot
British Art,' 1888.

86

George Morland

lO. Diligence.'
Engraved by C.
Knight, 1788.
(Canvas, oval)
(Described page
96.)

in.
9JX 11^ Unsigned. Undated.
Exhibited at the Old Masters'
Exhibition, Burlington
House, 1885, and at the
Grosvenor Gallery Exhibi
tion of ' A Century of
British Art,' 1888.

Trotter, Coutts, 17, Charlotte Square,
Edinburgh.
Farm Stable, with ft. in. ft.
two horses ... 2 45- X 3 Unsigned. Undated.
A youth sits on (Belonged to Mr. Trotter, of
Dreghorn, owner's grand
father.)
The physiognomies seem rather
too refined for G. Morland.
— R. R.

ground. A
girl hands him
mug of beer.

Turner, Thomas,

42,

Norwich.

I. Outside an Inn.

Man with white

•

horse in con

versation with

a woman. (On
in.
canvas) ... 11
Ixi6
Mill Hill Road,
Unsigned. Undated.
Proprietors of Paintings

87

in.

2. Three Sheep
under stunted
Pollard Oak.
(On canvas) ... i2X 14-^ Unsigned. Undated.
3. Exterior of a
. Farmhouse,
with figures,
carts and ani
mals. (On
panel)
4. Coast Scene,
with figures. A
storm coming
up. (On panel) 10JX13 Unsigned. Undated,

11x13 Initialed. Undated.

Walker, Rev. George, B.D., The Manse,
Castle Douglas, N.B.

'The Nag's Head,
or Tooting Inn,
Surrey '
On sign, head
of black horse
with white face.
A stable-boy
holds a white

pony;

from

which a blue-
coated rustic
has alighted.

in.
28x36

Signed. 1791.

88 George Morland
The landlady
hangs clothes
on a line. Two
dogs eye each
other.

Waller, J. G., 68, Bolsover Street, London,
W.
Scene outside Cot
tage. Farmer
in conference
with woman
and child. Two
horses, one
white, one bay,
held by a youth.
A woman hangs
out clothes.
Oak-tree before in.
cottage ... 18^x24 Signed. Undated.
Walling, John, 24, Holland Road, New
Brighton, Cheshire.
' The Country
Butcher.' En
graved by T.
Gosse, 1802,
and W. Bar
nard, I 8 I o.
(Painted on

Proprietors of Paintings 89
mahogany or in.
teak) ... 1 6|^ X 2 1 Signed. Date
indistinct.

Wallis & Son, i 20, Pall Mall, London, S.W.
in.
'The Storm.' 28x36 Signed.
'A Gipsy
Camp ' ... 1 8 x 24 Signed.
3. 'Winter' ... 25x30 Signed.
4. ' The Stage-
Coachman ' ... 12x15 Signed.
5. 'The Shep
herd' ... 25x30 Signed.
6. 'The Shep
herd' ... iifxi5 Signed. I793-
' The Gentle
Art'  10x12 Initialed.
' Sheltering
from the
Storm' ... 12x14 Unsigned.
A man holding
on his hat, and
mounted on a ^ sketch for this painting was
rough white sold at Dowell's, Edinburgh,
pony, takes November 14, 1896.-R.R.
shelter under an
oak - tree, be-

90 George Morland
neath which are
seated a woman
in a red cloak,
with a basket
on her left arm,
and a little boy
dressed in a blue
coat and wear
ing a Scotch
blue bonnet.
Warren, E. B., 2013, Spruce Street, Phila
delphia, U.S.A.
'A Storm.' (Fine in.
oil painting) ... 34x45^ Signed. Undated.
Sold by Lord North's Trustees
to Mr. L. C. Delmonico,
New York, through Messrs.
Agnew and Sons, London,
and acquired by Mr. Warren,
October, 1895.
Washington, U.S.A. {See Corcoran.)
White, Lieut.-Col., F. A., Castor House,
Northampton.
1. 'Boys Bathing.'
Engraved by E.
Scott, 1 804. in.
(Canvas) ... 26x35 Unsigned. Undated,

Proprietors of Paintings

91

2. 'Blind Man's
Buff.' En
graved by W.
Ward, 1788.
(Canvas)
3. 'Children
Birdnesting.'
Engraved by
W. Ward,
1789. (Can
vas) ...
4. 'Juvenile Na
vigators.' En
graved by W.
Ward, 1789.
(Canvas)

in.
26x35

Unsigned. Undated.

24 X 30 Unsigned. Undated.

24 X 30 Unsigned. Undated.
No. 4 forms an illustration
opposite page 19 of Mr.
Richardson's work on Mor
land.

Whitehead, T., Down's House, Cedars Road,
Clapham, London.
' The Fisherman.'
(Never en- in.
graved) ... 20x26
Williams, Romer, 58, Great Cumberland
Place, Hyde Park, London, W.
in.
1. 'The Bell Inn' 15X18

92 George Morland
Outside inn.
Landscape. Horses, one
white. Figures
reclining on seat
round a tree in
front of inn-
door.
2. ' Youth divert
ing Age.' En
graved by J. (Described page 99.)
Grozer, 1789 in.
and 1794 ... I i^X 14
3. ' The Startled
Milkmaid' ... I2XI4-|
Young milk
maid sits by
cow with over
turned milk-
pail, she being
startled by
young man
coming up sud
denly behind
her. {En
graved. )
WoLSELEY, Field-Marshal the Right
Honourable the Viscount, etc., War
Office, London.
Several drawings by G. Morland.

Proprietors of Paintings

93

Wolverhampton Art Gallery.
' The Coming
Storm ' (Isle of
Wight).

Wood, Edward Collins, Keithwick, Coupar
Angus, N.B.

' The Comforts
of Industry.'
Engraved by H.
Hudson, 1790
'The Miseries
of Idleness.'
Engraved by H.
Hudson, 1790

in.
I2X 15

Unsigned.

12x15 Unsigned.
Presented by George Morland
to Mr. Wood's grandfather,
E. Collins, Esq., of Maize
Hill, Greenwich.

II.
PROPRIETORS OF
ENGRAVED PAINTINGS
BY
GEORGE MORLAND,
WITH
TITLES, ENGRAVERS, AND DATES OF PUBLICA
TION OF ENGRAVINGS.
{The Proprietors^ Addresses are given in preceding
Alphabetical Index I,)

PROPRIETOR. TITLE OF PICTURE. ENGRAVED BY
Abraham, W.)c. i j -n • fW. Bond,
' Jbhepherds Reposing. J
Armitage, B. The Wood Cutter. ] ' '
I 1792.
Ashton, Mrs. ("^^^^ Sportsman'srW . Ward,
( Return. [ 1792.
Barratt,T.J. Belinda. Burrows, 1794.
Do. The Pledge of Love. I ' '
Do. Caroline of Lichtfeld. J. R. Smith.

Proprietors of Engraved Paintings 95
PROPRIETOR. TITLE OF PICTURE. ENGRAVED BY
rW. Ward,
Barratt, T.J. Constancy. \ „„
fThe Shepherd'sfJ. R. Smith,
Barton, C.A.| j^^^j | ^g^^^
fW . Ward,

Do. The Carrier's Stable. I „ ^
i 1792-
Blathwayt, ¦". ^ , ^ , fF. D. Soiron,
Ti Ti fSt. lames s Park. \ ,„ ^
Rev. R. j •' y 1790.
fW. Ward,
Boyes, E. The Shepherds, i ^o^^:^
f W . Ward,
Do. The Thatcher. j ^g g
Coats, Sir T.l ,^, ., , /Apple ton.
Glen. ^Portraits of Children. | ^§96.
Collins, Er-I „ , x,- JJ- R- ^"^^*^'
I Peasant and Pigs. \ n
NEST. ( I i^°3-
/W . Ward,
1806.
Rabbits. j_ ^_ 5^.^j^^
I 1807.
T. Gaugain,
1789.
W. Ward,
Do. Guinea Pigs. I ^g^g^
J. R. Smith,
1807.
rW . Ward,
Daniel, G. A. The Hard Bargain. | ^ g^^

!r o s s E, E.l
Meredith. J

96

George Morland

PROPRIETOR
Dowdeswell

TITLE OF PICTURE.

ENGRAVED BY

owdeswell"! (cj' Dowdes- V Smugglers. y
well. j

ames Ward,
793-

Do. Morland's Summer,

("Evening ; or. The

(W.
•1 I

W. Barnard,
802.

^^^^^' ^- ^- { Postboy's Retur'n;}!^-^'-"^^'^ 796.

Egerton, J.
M.

J. R. Smith,

( Selling Fish. P' ^'
I ^ 1 1799-
rw
Fleming, J. The Turnpike Gate. ]

W. Ward
806.

Gilbey, Sir!
Walter. [Partridge Shooting.-j T.Rowlandson,

Do.
Do.Do.
Do.Do.Do.

Pheasant Shooting. J '° '
Setters.

f W . Ward,
1 1 806.

fThe Weary Sports-
\ man. The Dram.

|w. Bond, 1805.
¦|W.

|W. Ward,
[796.

'The Effects of
Youthfiil Extra
vagance and Idle
ness.
'Innocents Alarm'd ;]
or, The Flash in
the Pan.

W. Ward,
1789.

J. R. Smith,
jun., 1803.

Proprietors of Engraved Paintings 97
PROPRIETOR. TITLE OF PICTURE. ENGRAVED BY.
Hamilton, Sir"! .,.,,. . , t^ ^ ,-
P P 1^ Ale House Kitchen. R.S.Syer, 1801.
Hatherley,) fj. R. Smith,
^ I Peasant and Pigs. | ^g^^_
fW. Ward,
Hogarth, D. Gipsies. \
HoLLOWAYl,. , „.„^ fW. Ward,
\ Tack in the Buboes.
llege. j •*

College fThe Contented
°' \ Waterman.

1790 ; and
R. Clamp,
V 1797.

Huth, C. F.l Visit to the Child at jW . Ward,

(the late)

Nurse. 1 1788.

Do. Partridge Shooting.") T.Rowlandson,
Do. Pheasant Shooting, f 1790.
[Morning ; or, The|
Huth, Louis. ] Higlers Prepar-lD. Orme, 1796.
i ing for Market. J

IcHENHAUSER,) ^, ^,.,, _
, [ The Village Pump.
The Charcoal

fThe C:
^°- 1 Burners,

The Sketch,
\ 1895-

Knight, J. W. The Gipsies' Tent. J. Grozer, 179 3.
rw. Ward,
Do. The Turnpike Gate.j ^g^g
J. R. Smith,

Do. The Horse Feeder. , '¦ lyy

98 George Morland
PROPRIETOR. TITLE OF PICTURE. ENGRAVED BY
T. Gaugain,
1789; W.
Lowther,^ _ . _. xtt j o ,^
Ca t F I Guinea Pigs. Ward, 1806;
P ¦ ¦ ^ and J. R.
Smith, 1807.
. (T. Gaugain,
Do. Dancing Dogs. 1
x^ T^ , ^. fJ- R- Smith,
Mather, Dr. Peasant and Pisfs. V
° [ 1803.
McClintock,) „ . , ^ fS. W. Rey-
Major. |PayingtheHorseler.| ^^j^^^ ^g^^_
fThe PublichousefW . Ward,
1 Door. I 1801.
^ „. . rw. Ward,
Do. Gipsies. { { 1792.
Do. Peasant and Pigs, i ' ' ^ '
^ 1 1803.
Michaelis,} . (W.Humphrey,
Max. I Temptation. { ^^^J
Do. Selling Cherries. E. Bell, 1801.
^^ /The Death of theU. Wright,
1 Fox. j 1794.
National") /- rW Ward
Gallery, [The Farmer's Stable. J ' '
London. ) 1 ^792.
Oldham, J. The Woodcutter. \ ' ^ *" '
I 1792.
T, T ^. . rw. Ward,
Paton, James. Gipsies. 1
^ I 1792.

Proprietors of Engraved Paintings 99

PROPRIETOR. TITLE OF PICTURE. ENGRAVED BY
W. Hilton.

Peck, G. Fishermen Ashore. , „ r
i8o6.

fW.
¦I li
W. Ward,

Do. The Woodcutter. . 1792

Do

r-. . |W. \\
^^P^'^^- 1 1792.

W. Ward,
792
Do. Children Fishing. P. Dawe, 1788.
_ . fT. Gaugain,
Do. Louisa. \ o
I 1789-
/The Labourer's! .
1 Luncheon. f' J°^'' ^797-

Do.

Phillips, Rev.
Canon.

\ Full Cry. 1824.
Do. 'Friend.' W. Ward,
f Watering the Cart] J. R. Smith,
Rawlinson, J.j ^^^^^ | ^^^^^
Richardson,) „ , „. /J. R. Smith,
Ralph. j Peasant and Pigs. | ^3^3
Do. Full Cry, 1824.
Rutherfurd,) ^, ^. . , ^ t /-
M- The Gipsies' Tent. J.Grozer,i793.
/R. S. Syer,
Salting, G. The Alehouse Door.j ^g^^
Smith, H.-i
H A s K E T T [ Selling Cherries, E. Bell, 1 801 .
(the late). ^ 7—2

loo George Morland
PROPRIETOR. TITLE OF PICTURE. ENGRAVED BY
Smith, H.

Haskett
(the late).

The Death of thel„ „ .. 1800.

Fox. h B'"'
Do. Temptation. jW- Humphrey,
^ I 1790.

South Ken-'
S 1 N G t o N
Museum.

Do. Return from Market. -i*** ' '
1793- Hu 79c
Valentine's Day. J. Dean, 1787.
Tennant, SirlBoys Robbing an/
Charles. j Orchard. |E. Scott, 1790.
/Children Playing/G. Keating,
I at Soldiers. I 1788.
T^ T,. fC. Knight,
Do. Idleness. | ^^gg ^
T>, ^.,. fC. Knight,
Do. Diligence. | ^^gg_ ^
T. Gosse, 1802;
and W. Bar
nard, 1810.
White, Lieut.- f t> t> ... • t- c
C 1 F A I "^^ Bathing. E. Scott, 1804.

TTT T fThe Country
Walling, J. | ^^^^^^^^ V

Do. Blind Man's BufF. (^ " ^ ^ ^
I 1788.

78i
/Children Bird-nest-1 W . Ward,
1 ing- J 1789.

Do. Juvenile Navigators.]

W. Ward,
1789.

Proprietors of Engraved Paintings loi
PROPRIETOR. TITLE OF PICTURE. ENGRAVED BY
.„ , ,. • {]• Grozer,
^ (Youth diverting „ ,
Williams, R. j . ^-^ 1789 and
/The Startled Milk-
i maid.
/The Comforts of/H. Hudson,
' ¦ ¦ I Industry. 1 1790.
/The Miseries of/H, Hudson,
I Idleness. I 1790.

III.
INDEX TO LOCALITIES
WHERE
PROPRIETORS OF PAINTINGS BY
GEORGE MORLAND RESIDE.
The Paintings will be found under Proprietors^ names in preceding
Alphabetical Index I.

PROPRIETOR.

Bath ...
Birmingham ...
Blandford BrightonBridgwater ...
Burton Latimer
CalcuttaCastle Douglas, N.B.
Castor Ho, North
ampton
Dawlish, Devon
Dover...Dublin

Peynton. Birmingham Art Gallery.
Platt.
Baker. Hatherley. Read.
Blathwayt.
Sargeaunt. Asiatic Society.
Walker.
White.
Drake.
Blaythwayt. National Gallery.

Index to Localities

103

LOCALITY.

PROPRIETOR.

DuiNO, Austria

Hohenlohe.

Dundee

Hogarth.

Edinburgh

National Gallery.

Richardson. Trotter.

Egham

Holloway College.

Elsenham, Essex

Gilbey.

Emsworth, Hants ...

Mee.

Frome, Somerset

Daniel.

Glasgow

Glasgow Corporation

Galleries. Mather.

Paton. Rutherfurd.

Goudhurst

Smith.

Grange-over-Sands,

Lancashire
Beardsley.
Halifax
Blackburn.
Hastings
Orton.
Hawkhurst ...
Huth.
Hillsborough, Ire
land
McClintock.
Jedburgh, N.B.
Scott.
Keithwick, Coupar
Angus, N.B.
Wood.
Leicester
Leicester Art Gallery.
Linburn, Kirknewton,
N.B 
Scott.
Liverpool
Anderson. Flamank.
Oldham. Rawlinson.
Revell. Ridpath.
London
Abraham. Barratt. Bar
ton. Birch. Boussod.
Collins. Cornish.
I04

George Morland

PROPRIETOR.

Manchester ...
Murieston, Mid
Calder, N.B.
New Brighton, Che
shire
Newcastle-on-Tyne New York
Norwich Oxted, Surrey
PaisleyParis ...
Philadelphia, U.S.A
St. Albans

Dowdeswell. De
Courcelles. Fine Art
Society. Fleming.
Hamilton. Hawkins.
Hogg. Ichenhauser.
Knight. Lawrie.
Lowther. Montagu.
Morland. National
Gallery. Nathan.
Orrock. Peck. Roe.
Salting. Scott. South
Kensington Museum.
Tennant. Waller.
Wallis. Whitehead.
Williams. Wolseley.
Armitage. Boyes. Man
chester Art Gallery.
Chancellor.Walling.Birkett.
Hearn. Metropolitan
Museum.
Turner.
Michaelis. Coats. Louvre.
Warren. Crosse.

Index to Localities 105
LOCALITY. PROPRIETOR.
Sheffield ... ... Baker. Kelley. Mappin
Art Gallery.
Southport, Lanca
shire ... ... Mawson.
Stoke d'Abernon,
Surrey ... ... Phillips.
Torquay ... ... Egerton.
Victoria, British Co
lumbia ... ... Joule.
Washington, U.S.A. Corcoran Gallery.
Weobly ... ... Marshall.
Wolverhampton ... Wolverhampton Art
Gallery.
Woolton, Lancashire Ashton.

Recently Published by Mr. Elliot Stock, in handsome demy %vo,, printed
tastefully on antique paper , with 6 full-page illustrations, price Js, 6d,

George Morland,
Painter, London,

1763-1804.

"B^LFK %ICB<^'RJ)SO^, F.%,S.S.

are

WHILST George Morland's pictures
familiar and highly esteemed wherever
true Art is appreciated, very little is
known by modern readers of the Artist himself,
although he is one of the founders and glories of the

British School of Painting, and although he had a
most extraordinary career. The dearth of anything
but superficial information regarding this great Painter
called for the publication of a short authentic Life and
an analysis of his works. The author of the present
volume has, after many years' study, produced such a
Biography and analysis ; and they are now submitted
to the reading public in the belief that they will
furnish accurate and much-needed information to
those who are interested in the works of George
Morland, and desire to appreciate his place in English
art. Mr. Richardson in his Preface remarks :
If the celebrity of a man at his death may be gauged by the
number of biographies of him which then make their appear
ance, George Morland must have died famous. No fewer than
four ' Lives ' of the artist appeared shortly after his death,
written respectively by William Collins (1805), F. W. Blagdon
(1806), J. Hassell (1806), and George Dawe, R.A. (1807). All
four may be consulted in the British Museum, but will with
difficulty be met with elsewhere. In these circumstances, a new
biography seems at least permissible, more particularly as George
Morland still remains a famous man and numbers a greater
multitude of admirers than ever. His pictures somehow appeal
to the English people as no others do — perhaps because he was so
thorough an Englishman himself, and because he painted English
subjects in a way no man ever did before or has done since.
In the following Life, the biography by George Dawe, R.A.,
is chiefly relied on, both because it was written by an intimate
friend of Morland and the Morland family, and because it is by
an artist of some standing and knowledge. No attempt in
Dawe's biography, or in these pages, is made to extenuate
George Morland's faults, but the reader will be gratified to learn
that the artist's life, which is invariably depicted by recent
writers in such dark colours, possessed many good features.
Like his contemporary Robert Burns, George Morland may lay
claim to that gentle forbearance which, in consideration 01
sterling work performed, ought always to be extended to genius.

In an Appendix will be found a great deal of material, never
yet published, not only illustrative of the life of Morland, but
also, the author trusts, likely to be of interest and value to the
collector and connoisseur.
The scope and plan of the volume will be seen
from the following consecutive divisions of its con
tents, viz, :
Introductory. Morland's Birth and Boyhood.
Early Life in London and Margate.
A Trip to France and Marriage.
Camden Town, and Morland's Earlier Paintings and
Prints.
Paddington Glory, and Disaster.
Leicestershire, and Charlotte Street, Fitzroy Square.
London Hiding Places, and the Isle of Wight.
' Alas, Poor Yorick !'
Besides flirnishing a comprehensive Life of Mor
land and a detailed analysis of his works, the volume
contains special information, never before published,
which will be of the utmost service to students, as
well as to collectors, of Morland Paintings and
Engravings. This is given in an appendix as
follows : PART I, — Paintings by George Morland.
A. — Paintings by George Morland exhibited publicly
IN Great Britain.
B. — How Morland signed His Pictures.
C. — Critical Remarks on the Works of George Mor
land. By George Dawe, R.A.
D. — List of Oil Paintings and some Drawings by (or
attributed to) George Morland, sold by Messrs.
Christie, Manson and Woods, London, from 1888
to 1892 inclusive, with the prices obtained.

PART II. — Engravings after George Morland.
A. — Engravings after Paintings, or Sketches, by George
Morland, in the Print Room of the British
Museum. (369 Engravings Specified.)
B. — Chronological Catalogue of Engravings, Etchings,
etc., after George Morland, showing the Years
of their Publication, etc.
C. — Engravings sold by Messrs. Sotheby, Wilkinson
and Hodge, Dec. 20th, 1894, with the Prices
obtained.
Index to the Engravers of the Works of George
Morland. (68 Engravers Specified.)

Full-page specimens of five of the most celebrated
of Morland's pictures are given, and Rowlandson's
clever sketch of George Morland furnishes a Frontis
piece. The volume is tastefully printed on antique paper
with rough edges, and is appropriately bound in art
linen.

PRESS NOTICES OF
Mr, RICHARDSON'S
LIFE AND WORKS of GEORGE MORLAND.

' Without being unduly ambitious, yet having an excellent
spirit throughout, the new life of " George Morland," by Ralph
Richardson, can be accepted as the present-day attitude towards
this celebrated painter. It is much more than a resume from
other writers' works, for it contains considerable original matter
and is altogether a very satisfactory biography.' — Art "Journal,
' The biography, containing a comprehensive study of Mor
land's method and criticisms, either original or drawn from
other sources, together with notes on many of the painter's
principal works, is an excellent book of its kind, which many
lovers of English Art will read with great interest. The volume
has also an expressive portrait of Morland from the water-colour
sketch by T. Rowlandson, and several illustrations taken from
engravings of his most noted pictures.' — Morning Post,
' Morland's life, as recounted in these pages, reads almost like
an adventurous romance, and ever linked with his turbulent, not
to say drunken, mood was that bright spirit of generosity,
foolishly dispensed at many times, no doubt, but nevertheless
denoting that in spite of all his faults Morland had a kind heart.
. . . The volume contains a very useful appendix as well as
full-page illustrations of five of Morland's pictures. The frontis
piece is from a water-colour sketch by T. Rowlandson, and its
production, in common with the book as a whole, is excellent.'
— Public Opinion,
' Mr. Ralph Richardson's little book, " George Morland,
Painter, London (1763 — 1804) (Stock)," is sure of a welcome,
of which, it seems to me, it is as deserving on account of its
treatment as of its theme.' — Realm.
' Mr. Richardson writes not only with sympathy but with
knowledge ; his method is simple and intelligible ; he is concise
in statement ; and he contributes a number of valuable appen
dices dealing with Morland's works and the engravings based
upon them.' — Globe,
' An indispensable volume to painters and their patrons. . . .
The get-up of the volume and its admirable illustrations deserve
a special word of praise.' — Tie Studio,
' The facts of Morland's life as brought out in this volume
tend to raise the estimate of his personal character ; but they go
to show how hopelessly he was doomed to those troubles which
beset the impulsive and improvident.' — Birmingham Daily Post,

' Whilst of special value to the student and the connoisseur,
will also interest the reader.' — Yorkshire Post,
' The story of the painter'o extraordinary career is adequately
and sympathetically told.' — Bookman.
' This is a very appreciative and affectionate sketch of Mor
land's life and his extraordinary gift of rapid drawing. Mr.
Richardson does not attempt to gloss over Morland's faults and
the reckless way in which he ruined a valuable life, but relates
Morland's vicissitudes, his hand-to-mouth style of living, and
his fatal weakness, simply.' — Spectator.
' Mr. Richardson has done his work well and succinctly.
Morland, he admits, had little excuse for his faults, save that he
was probably not wisely brought up, and that the habits of the
times were bad. The information given in the appendices is
valuable, and concerns the fortunes of Morland's works. Mr.
Richardson has done his best to fix their dates, and has given a
list, so far as known, of those which have been engraved. . . .
This new biography appears in an excellent form and is illus
trated with copies of some of Morland's best known works.' —
Scottish Review.
' There are certainly valid excuses for writing such a book as
a new life of George Morland. Chief among them should be,
one naturally conceives, the establishment, by internal evidence,
of " a call " founded on the writer's possessing an equipment
superior to that owned by other biographers.' — National Observer.
' The facts of the artist's career are graphically told, and the
appreciation of his work, which is illustrated by six excellent
plates, is judicious. The information in the appendix is valuable
as new, and is certain to be prized by all lovers of art.' — Black
and White.
' Well written, and exceedingly interesting.' — Echo.
' In the memoir Mr. Richardson is able to bring more light
into the picture than his predecessors have done. Will be
especially useful to Morland collectors. The pages of the
volume abound in anecdotes.' — Daily News.
' Collectors and connoisseurs owe Mr. Richardson a debt of
gratitude for his lists both of Morland's works and engravings
after them. We can cordially recommend his book both as
giving on the whole a just and sane estimate of an erratic man
of genius, and as containing a great deal of curious and interest
ing information about bygone manners and customs.' — West
minster Gazette.

3 9002 08867 2531

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