The FIRST ^ CHIEF GROUNDES of ARCHITEC TURE BY JOHN SHUTE, Paynter a/z;/ Archytecte First published in 1563 MCMXII ' YALE N CENTER rBritisI? . Art .' THE FIRST AND CHIEF GROUNDES of ARCHITECTURE This Edition is Itmited to One Thousand Copies of which this is No. f^^ THE FIRST & CHIEF GROUNDES OF ARCHITECTURE BY JOHN SHUTE, PAYNTER AND ARCHYTECTE FIRST PRINTED IN 1563 A FACSIMILE OF THE FIRST EDITION WITH AN INTRO DUCTION BY LAWRENCE WEAVER, F.S.A., Hon. A.R.I.B.A. PUBLISHED BY "COUNTRY LIFE" LIMITED 20, TAVISTOCK STREET, COVENT GARDEN, LONDON .... MCMXII. Shutes Architecture. TABLE OF CONTENTS. Introduction. 'Pages. /. John Shute and His Book - j — 15 //. Thomas 3VIarshe, the Printer - 16 ///. A Bibliographical Description - - 17 — 19 IV. A S^te on the Facsimile Reprint - - 20 V. S^tes and References - - - 21 — 22 Facsimile of the First Edition 0/^1563 - - 23 — 80 Editors Introduction. I.— JOHN SHUTE AND HIS BOOK. JOHN SHUTE describes himself on the title-page of his book as " paynter and archytecte." His claim to architectural fame rests solely on his authorship of the first English book on architecture, but that is claim enough. He says of his own work that it is a more ample discourse than hitherto hath been set out by any other. This may be read to mean that some previous book in English had appeared, but none such is known, and doubtless he had in mind the work of foreign authors. Of his forbears and of the date of his birth nothing is known. He is said to have been born at CuUompton, Devon^, but verification of this statement is lacking. Shute is described as Painter -stain er in his epitaph, and it is practically certain that he belonged to the Worshipful Company of Painter Stainers. Unfortunately the records of the membership of that Company ^ do not go back earlier than 1623. The parish registers of St. Edmund, King and Martyr, Lombard Street, where he was buried, yield no information of John Shute or of anyone of the name. Few facts about his career can be gathered save what he sets down. We learn that he was " servant unto the Right Honourable Duke of Northumberland in 1550." His patron sent him to Italy and there maintained him " to confer with the doinges of the skilful maisters in architectur, and also to view such ancient Monumentes hereof as are yet extant." Probably he was abroad for two or three years in those days of leisurely travel. The actual date of his Italian visit is not known, but in 1550 he had a house in London, An extant deed^ not hitherto quoted gives us this knowledge. On December 6th, 1550, John Dodmore granted a lease to Nicholas Chowne of a ' ' bierbrewhouse and seller late of Sir Raulf e Dodmore ... in Grauntham Lane, in the parish of 'All Hallowes the more,' abutting on the 'newe house of John Shute paynter ' on the north and the Thames on the south, . . . with a ' seller under the halle of the greate tenement . . . now in the tenure of the said John Shute.' " Though this man may not have been our author, it is not likely there were two John Shutes painters. The reference to the " newe house " suggests that John Shute had been exercising himself in the art about which he was to write. It is possible that in 1550 he came back from Italy and settled down in this house to professional practice as painter and architect. The description in the lease and other evidence* enable its position to be determined with accuracy. Its site, on the south side of Upper Thames Street, is now covered by the Dowgate Dock and City warehouses belonging to Messrs. Spicer Brothers, Limited, at the bottom of Brewer's Lane, formerly called Grantham's Lane. It is of interest to observe that Shute's home was very near the Hall of the Painter- Stainers' Company (see Note 2, p. 21). When Shute returned with his portfolios full of drawings (" tricks and devices " as he calls them), not only of sculpture and painting, but also of ^ Shute s Architecture : Introduction. architecture, John Dudley, Duke of Northumberland, showed them to Edward VI. On the death of the King in July, 1553, the Duke proclaimed Lady Jane Grey Queen. The conspiracy against Queen Mary failed, and in August the Duke was executed for high treason. It was doubtless due to the loss of his powerful patron that Shute did not publish his book until 1563, when he dedicated it to Queen Ehzabeth. In the same year he died.^ He was buried in the Church of Saint Edmund, Lombard Street, and a 'handsome small Monument "was set up to his memory on the north side of the chancel. It disappeared at the destruction of the church in the Fire of London, but, happily, the epitaph had been transcribed^ as follows : This Monument declares that here the corps doe lye Of him that sought in Science sight to publish prudently, {Among the rest of things, the which he put in ure)'' That ancient practice and profound, that height of Architecture. A Knowledge meet for those that buildings doe erect. As by his Workes, at large set forth, is shewne the full effect. All for the love he bare to this his native Land : Yet though he dyed, his deeds doe live, and Fame in them doth stand Who likes therefore to winne such fame as he hath wonne : Let them take care for Common-weale as her Iohn Shute hath done : Whose sotile we hope to be in faithfull Abraham's brest With Gods elect and chosen flocke for ever there io rest Wisedome and Science above each other thing Are vertues from the which all Fame doth spring. John Shute, Painter-stainer, dyed the 25 of September, Anno Domini 1563. This is poor as poetry and not as informing as we could wish. The reference to " workes, at large set forth " is tantalising. Only one work is known— the book now reprinted. The epitaph does not say whether he designed any buildings, and the presumption is that he did not, for its claim for On the Functions of an Architect. him is that " he sought to pubhsh prudently." Moreover, he is described at the foot as painter-stainer only, not as " paynter and archytecte." Wyatt Papworth^ laments that his book gives no references to contemporary English buildings or architects, and does nothing to clear up such mysteries as the work and personality of John of Padua. It may also be regretted that Shute had not the pen of a Cellini or a Vasari, otherwise we might have had some brilliant sidelights on the sixteenth century architects whom he must have met in Italy. What did Shute probably see there in 1550 ? Vignola, who had made a close study of the Roman antiquities in 1537, was building the Vigna Juha outside the Porta dell Popolo at Rome. Caprarola, begun in 1547, would be on Shute's road there. Michelangelo was at work on St. Peter's, and had started the side palaces of the Capitol in 1542. Palladio's visit to Rome was in 1546, and he had begun his masterpiece, the Basilica of Vicenza, in 1549. Benvenuto Cellini, on his return from the Court of Francis the First, had been at work in Florence since 1545. Shute therefore had opportunities of contact with the originators of the last phase of the Renaissance in Italy, and the enumeration of these men and their works brings home to us the hundred years' interval between England and Italy in the days of Elizabeth. We turn to the book itself with the certainty that the " loving and freindly readers " will be fascinated by Shute's phrases. The " chief e groundes " will be entered with delight by all those who appreciate stately and ordered language enshrining many artistic and literary fancies. Few things are more remarkable than the contrast between this treatise of 1563 and that of Palladio, published at Venice in 1570. Shute's first paragraph on the Tuscan Order dealing with pedestals serves as an example. " Ye shall make a foure square stone like unto a dye, the quantity of the square as great as ye wil, according to your purpose." This extract from the whole passage has the quality of the Jacobean version of the Mosaic books. Compare with it the technical brevity of Palladio : " The pedestals placed under the column of this Order are to be made plain and one module in height " (Ware's translation). The " Quadratum Perf actum " duly inscribed in Shute's plate of the Order is not to be found in that of Palladio. It is not difficult to imagine that the book was an immediate success, for the cultivated classes were agog to gather up any crumbs of the new learning and new taste that were so firmly establishing themselves in England. Their idea of an architect hitherto covered the functions of a master-builder, but Shute made haste in his preface to magnify his office. " Surely suche is the amplitude and largnes (I may well say perfection) of this facultie, that without sum acquaintaunce with many other artes ye shall not enter into the depe secretes ; for it hath a natural societie and as it were by a sertaine kinred and affinitie is knit unto all the Mathematicalles, which sciences and knowledges are frendes, and a maintayner of divers rationall artes." Our author goes on to affirm that none of the crafts, such as masonry, embroidery and carving, can obtain any worthy praise at all without a right understanding of the general sciences and arts. It amounts to a claim for unity in design, and a scientific and learned 10 Shutes Architecture : Introduction. basis for it, instead of the comparatively haphazard comradeship of craftsmen which was the mainspring of the elder building traditions of England. After the preface there follows a Discourse on the beginnings of Architecture. Shute loses no time in getting to the " first enteraunce into the writing of this arte," as not only he and his contemporaries, but succeeding generations of architects for about two hundred and fifty years understood it — " the fine antique pillers." He sets down the enchanting old stories as to the origins of the Orders, on which it would be rascally to pour the cold streams of a higher criticism. Dorus is the legendary architect who took the length of his foot as one-sixth of his height, and so measured all parts of the pillar. These proportions were first used in the Temple of Apollo, and thus was born the Doric Order. Then was begun the Temple of Diana, for which they devised another symmetry, and fashioned the column " after the juste measure of a woman . . . adding in the steade of her shoowe (shoe) that which Vitruvius nameth spira (le., the base), and in the capitel was set Voluta, in the steade of her heare (hair)." It is, however, when the Corinthian Order is reached that there enters into the narrative an element of romance as tender as it is engaging. After that [i.e., the invention of the Ionic order) in the Citie of Corinthe was buried a certaine maiden after whose burial her nourishe (who lamented much her death) knowing her delightes to have bene in pretye cuppes and suche like conceytes in her lifetime, with many other proper thinges appertayninge onely to the pleasure of the eye, toke them and brake them, and put them into a littell preatie baskette, and did sette the basket on her grave, and covered the basket with a square pavinge stone. That done, with weping teares she sayde Let Pleasure go wyth pleasure, and so the nourishe (nurse) departed. It chaunced that the basket was set upon a certain roote of an herbe called Acanthus, in frenche Branckursine, or bearefote with us, now in the spring time of the yere, when every roote spreadeth fourth his leaves, in the encreasing they did ronne up by the sides of the basket, untill they coulde ryse no higher for the stone, that covered the basket, whiche being square and castinge his foure corners over the sydes of the rounde basket constrained the braunches of the herbe to draw downwardes againe with a sertaine compasse, and so grew to the fashion that Vitruvius, calleth Voluta. ... In this cytie one Calimachus, an excellent Architectur, passyng or goinge thereby, regardinge the beawtifuU worke of nature, ... he set the Capitell, the which he hadde sene upon the tombe of the mayden, the whiche garnished beatifuUy the whole pillor . . . and named it Corinthia. . . ." We scarcely know whether to be most grateful to the maiden whom the legend has sacrificed to make the richest of the Greek Orders, or to the nurse, or to Calimachus. After this survey of the mythology of architecture, Shute proceeds to describe " What the Office or Duetie is of him that wyll be a Perfecte Architecte or Mayster of buyldings." If all the perfections demanded were essential, there are few who would venture on so exacting a profession. It is well to note the stress laid by Shute on the literary side of the architect's education and the reliance to be placed on books. He does not send the student to the buildings themselves or exhort him to study the practical traditions which make a man, in his own The J\Iythology of Architecture. ^ ^ phrase, a " mayster of buyldings." He falls back on Vitruvius, and quotes him thus : "An architect must be sharpe of understandinge and both quicke and apte to conceive the trewe Instructions and meaninges of them that have written thereof." Then follows a catalogue of accomplishments which recalls the song composed by Pepys " in praise of a liberal genius to all studies and pleasures." Grammar comes first, then drawing, geometry and optics. " In Arithmeticke he must be very parfact, and in histories singulerly well scene ... he must have a good sighte in Musycke ... in Philosophic very experte." To insist that our architects shall be tuneful philosophers seems a thought unreason able ; but of " Phisicke " (or, as we should say, natural science) we may well claim that they shall have " some knowlaige." From these abstract questions Shute passes to practical advice about the aspects of houses, with which the modern need not agree. The terror of south winds was natural enough in some parts of Italy ; but in England at least they are not found "grevous and con tagious and also great wasters of all kinde of buildinges." It is this kind of thoughtless acceptance of foreign ways which reduced the value of the writings of Shute's generation. When we turn to his treatises on the Orders we see that the great service that Shute did to Renaissance architecture in England was to show his contemporaries the way to Italian examples. His book is based chiefly on Vitruvius, Serlio and Philander,^ and lacks the individual outlook on the art that we find in Philibert de I'Orme.^^ John Shute revels in his hardly-acquired glossary. " Limbus sive Apophygis " is as much joy to him as are the niceties of language insisted upon by the pedants in Shakespeare's plays. Shute closes his description of each Order with a repetition of terms as stately as a Homeric catalogue of ships or leaders. We feel it was to him as " the rolhng of ohves under the tongue." This attitude of mind is accompanied by a Spenserian love of personification. The five Orders appealed to him like five characters in a masque. In his descriptions, as in his plates, they are poetic and pictorial conceptions much more than sculptural or architectural elements. The same symbohsm appears in his proportions. It seems evident that he wanted to seek out and set in order a sequence of 6, 7, 8, 9, 10. In order to obtain it he departed from the canon of 7, 8, 9 and 10 repeated twice. It is true that Serlio gives 6 diameters for the Tuscan, but Vitruvius, Vignola and Palladio all give 7. For the Doric 7 diameters would be very exceptional, and 8 and 9 are used. The Ionic is from 9 to 10, and Corinthian and Composite are always 10. Further, in cases where special height, tending to elegance of the Robert Adam type, is desired, 10 to 11, approaching even to 12 in pilasters, have been attempted. Points like this give rise to speculations as to John Shute's actual acquaint ance with building work ; but we may first consider whether this book of 1563 — " the first frutes of my poore attemptes " — is not a part only of a more ambitious scheme on lines like Vitruvius or Alberti's ten Books of Architecture, pubhshed in 1500, or the five books of Sebastian Serho. It will be noticed, for instance, in the paragraph dealing with the use of the three Orders superposed that Shute says : "As it is yet to be sene in the Amphitiatrum named CoUosseum in Rome whose excellent and praiseworthy doing shall be more plainly 1 2 Shute s Architecture : Introduction. set fourth hereafter." This, however, is almost the last page, and nothing further is given to fulfil his promise. It would account very well for the limited scope of the work if it is regarded as part only of an intended magnum opus. There are passages which serve to show that Shute had made genuine observations of buildings in Italy. He brings to his subject some independent thought, as in his passage on the diminution of Orders upwards. He clearly felt that the expression of character in a building was as necessary as the Orders themselves, although he sets out to illustrate them as the first and chief grounds of architecture. He would like a building to be Doric, Ionic or Corinthian in character rather than to be an exhibition of all the Orders. When adding a special plinth, like the moulded riser of a step, under the complete pedestals of the Ionic and Corinthian he justifies himself as follows : " Thoughe this pillor and al other pillors if it were so that they had double plinthus, it should not be without good cause, for the antiques have made three plinthus, one above another, the occasion whereof is this, that the earthe should not overgrowe the base of the Pedestale, and so hyde the chief thinge whereupon do reste the whole ordenaunces yea and in many other places, they are necessary the which al Architectes, and masters of buildinges ought to knowe, and many moo of those and such other ought to be knowen of them of necessitie." Necessity here stands for the practical point of view. Again, differing from Serlio on the projection of the Doric capital, he says : " Nevertheles I have sene in some places in Italic ... it should be therefore the more comely. . . . But yet of these two wayes let us take the moste faire." Sidelights of this character make his book notably readable in spite of his rules and measures, and his love of the far-fetched in nomenclature. Much as he claims to have noted for himself in Italy, a comparison of his Orders with those of Serlio's work of 1551 demonstrates that he had always that comprehensive treatise before him. Two special features, the peculiar capping moulding of the Doric pedestal and the corbel-like consoles in the Composite entablature, neither of which appear in Vignola or Palladio, can be traced back to Serlio's diagrams. A reference to the Frontinus Vitruvius of 1523 and the Philander " De Architec- tura Annotationes," of 1557 (Venice) shows that though referred to in Shute's as authorities, neither of these works in Latin did, as compared with Serlio, more for him, probably, than to supply some of those terms with which he loved to adorn his page. Shute has the delight of a painter in carving and of a sculptor in figure work, and a fine disregard for considerations of scale. Into the frieze of the Corinthian Order he has crowded a battle scene with cavalry and infantry, gloriously neglectful of its feasibility. A similar disregard of scales and proportions, as architects use them, occurs in his pedestals under the Caryatides. The latter figures are purely pictorial. To contrast them with the noble women of the Caryatides of the Erectheum or with those by Jean Goujon in the Louvre is to take a lesson in the sculptor's art when seen in combination with architecture. It is a curious point that Shute seems to take the square column, used in loggias, angles of porticos and the like places, in conjunction with round pillars, to be a separate Order. Evidently he had little idea of the subject of "in antis," which is an architectural chapter by itself. Shutes Influence and Sources of Knowledge. ^3 It is important to notice that Shute is a witness to the essentially direct influence of Italy on England. " As for practise and experience of these thinges whiche I teache, I assure the moste gentle reader and all other that shalbe readers of this my littel worke that I have put no title in any part thereof cocerning ye proportion and simetry to use the accustomed terme of the arte of the fornamed columbes whiche I have not as well seene and measured in Italic, from whence they cam first unto us amongest the Antique woorkes as read and studied in England in the Autentique writers, that I might with so muche more perfection write of them as both the reading of the thinge and seinge it in dede is more than onely bare reding of it." As evidence of such study, the cornice to the entablature of the Corinthian Order in its fully-carved profile looks like a genuine observation of an actual late Roman example. In the same way, in Shute's remarks on flutings, he seems actually to have counted and noted the section of some that he describes. It must be observed, however, that Serlio gives a drawing of these very flutes from the Pantheon. Shute's pedestal with two coffer-like panels seems to be a personal touch. The First and Chief Groundes is precisely the book to be expected from the hand of a painter who had travelled and had interested himself in architecture. It does not bear that clear evidence of first-hand acquaintance with the facts of building which is revealed on every page of de I'Orme. None the less, Shute is entitled to the reverence due to the pioneer, and there is every reason to believe that his book had a marked effect on the development of design in the latter part of the sixteenth century. Mr. R. Phene Spiers has borne witness^^ to the large influence on English architecture of Shute's book. He has observed in his examination of many buildings of the last half of the sixteenth century details borrowed directly from it. In one point, however, it is difficult to follow Mr. Spiers. He says, "Longleat House seems to have been taken very largely from it in detail. For instance, in Shute's Doric Order the mouldings of the pedestal would seem to be his own conception, as I have not been able to trace any resemblance to them in Roman or Italian works. I have seen in England many instances where that moulding is copied, which shows it [i.e., Shute's Doric Order) must have been the model on which those buildings were erected." It is the fact, however, that the mouldings of Shute's Doric Order appeared first in Serlio. While it is perfectly conceivable that Shute's book may have been in the hands of the designer of Longleat, it cannot be taken literally that the Orders are directly transcribed from Shute, or even from Serlio. The purity of the detail of Longleat is very remarkable when its early date is considered, but it is not necessary to assume that it was the work of an Italian architect, who — to take one point alone — would hardly have failed to diminish the pilasters. None of the three Orders at Longleat is so treated, as has been carefully and expressly ascertained for the purpose of these notes. There is also a free element of variation where the spacing of pilasters is made wider to take muUioned windows of four lights, instead of the three lights used elsewhere in the building. The pedestals of the Orders have obviously been regulated to suit glass lines, and the top Corinthian Order is frankly cut down to accord with English ideas of heights fitting for bedrooms in our chmate. A few grotesque touches have 14 Shute s Architecture : Introduction. crept into the carvings on the upper pedestals, etc. It is notable that in the case of the Doric Order there is a large projecting panel of stone, which looks rather like masonry left for future carving, such as the armour that Shute gives in his plate. It is in the Doric Order at Longleat that the greatest hkeness to Shute exists. There is the cap moulding already referred to ; also the base moulding below is of about the same section. The entablature is the plain one shown on his plate, but with the decorated capital ; there are rosettes, however, in the necking which are not shown by Shute. There is a technical point in the clumsy management of the capping mouldings over the triglyphs ; these are very obscurely expressed in the plate, which might very well lead to confusion in the work, such as is seen in this actual instance. In the Ionic Order the plain entablature section is followed, but the cap has a necking, and there are no flutes. The pedestal base moulds are simpler. The Ionic is the really dominant Order, as the greater height of the Doric is mainly in the pedestal, which, however, is discounted by being the basement of the building. In the Corinthian Order the plain entablature may be said to be followed if a reasonable interpretation of Shute's bed mould is assumed. The Longleat Corinthian capital is rather poorly done. The best executed carving is in the lower Orders, where eggs and tongues and beads are very well rendered. The sizes, taken as accurately as is possible without a scaffold, show that the Longleat Orders do not accord very accurately with the system of Shute, though there are coincidences, as the curious enquirer may work out for himself from the main dimensions given in the notes. ^^ It is safe to conclude that, while the architect of Longleat may have had Shute's or Serlio's book as a reference, he was a man who took his own line, and was no slavish adherent of precedent. His design is a singularly fine rendering of Italian and English ideas, and quite the best of the numerous attempts of its age to weld new and old into a harmonious combination. Professor Reginald Blomfield, A.R.A., when writing of Longleat,^^ thought it probable that " it was the work of an Englishman who had travelled in Italy, such, for instance, as John Shute." This does not take into account, however, that Shute died in 1563, and that Longleat, as it stands to-day, was not begun until 1567.1* Though no building can be traced to Shute's design, it is fair to emphasise his own claim which appears in his dedication to Queen Elizabeth : " I do foUowe not onelye the writinges of learned men, but also do ground myselfe on my owne experience and practise, gathered by the sight of the Monumentes in Italie." Papworth notes how far Shute was in advance of the ideas shown in the volume of drawings made by John Thorpe. It needed something more than a book, however, to bring the full tide of the Renaissance to English shores. It is true that Inigo Jones came back from his second journey to Italy with a copy of Palladio's work in his pocket ; but it is to the genius of Jones, and not to Palladio's book, that we owe the Banqueting Hall of Whitehall Palace. The writer on matters artistic may stimulate, but it is the creative artist who counts in the long last. In the field of personal artistic achievement Shute appears as a painter. Haydocke.i^ when treating of limning and of the mixture of gums with Shute as Pain,ter and Sngra'ver. ^5 colours, says, " This was much used in former times in Church bookes (as is well knowne) as also in drawing by the life in small models, dealt in also of late years by some of our Country-men as Shoote, Bettes &c, but brought to the rare perfection we now see by the most ingenious painefull & skilful! Master Nicholas Hilliard. ..." This estabhshes Shute as an eminent miniaturist. Horace Walpole^^ quotes Haydocke as above, but adds nothing to our know ledge of Shute. He contrived, however, to fall into the blunder of confusing John Shute the architect with John Shute the translator. The latter was living as late as 1573, and concerned himself with books of travel and theology. Mr. Lionel Cust^'' writes that " although Shute was one of the earliest native artists, and held in esteem by his contemporaries, no work of his can be authenticated." He states that Shute was flourishing between 1550 and 1570, unmindful of his epitaph dated 1563. Dr. George C. Williamson, writing as lately as 1904,^^ said that nothing was known of Shute's work in miniatures. Sir Sidney Colvin in his work on engraving,i^ published in 1905, says that some miniatures bearing I.S. in monogram have been attributed to Shute with good reason. In 1906 Dr. Williamson identified him with two examples. ^'^ One of them portrays Dofia Maria, Infanta of Portugal. She stayed more than once in Paris, and Shute is likely to have passed through France on his Itahan visit. Dr. WiUiamson also attributes to Shute a miniature of Edward VI., now in the possession of Earl Beauchamp. So much for Shute as painter. It seems reasonable to assume that he might have added to the list of his qualifications that of engraver. The first four plates of the Orders in his book were engraved on copper. Sir Sidney Colvin notes of them that they are not slavishly copied from the cuts in any foreign edition of Vitruvius or Serlio. He thinks it hkely that Shute designed his own plates, "which are amateurishly enough cut or scratched upon the copper, not without feeling or character but with very little technical skill." The introduction of the personified figures is a touch personal to Shute, and there are other enrichments already noted which are not found in Serlio. The first print from a copper plate published in England was issued in 1540, and engraved by a foreigner. Geminus, who pirated the plates of Vesalius, was a Fleming. If Shute engraved his own plates, a theory not improbable as the results are amateurish, he may have been the first Englishman to work in this medium. In his epitaph occurs the phrase, "Among the rest of things, the which he put in ure." Engraving on copper may well have been one of them. For valuable suggestions and help in writing the foregoing I am greatly indebted to my friend Mr. Arthur T. Bolton, F.R.I.B.A., whose great learning in all that concerns the history of architecture is so well known as to need no praise from me. 1 6 Shute s Architecture : Introdttction. II.— THOMAS MARSHE, THE PRINTER. ALTHOUGH the greater part of our admiration is due to the author of the first English book on architecture, it is fitting also to make some reference to the printer. Thomas Marshe was one of the original members of the Stationers' Company, and his name appears in the list of the Brotherhood dated 1555. He had begun printing in 1554 with A ryghte excellente treatise of Astronomic. His subscriptions to various funds raised for the purposes of the Company show him to have been richer than most of his brother craftsmen. ^^ In 1558 it seems that he defied some rule of the Company, for he was fined for disobedience the sum of forty shiUings — a large amount in those days. Herbert says he was notable for disorderly behaviour. The registers of the Company begin in the year 1557-58, and he was the fourth in order to receive a licence for printing, the work being Rules and Ryghte ample Documentes Towchynge the use and practise of ye Commen almanacke which ys caled ephemerydes. During the year 1561-62 Marshe was taken into the livery of the Company, and paid his fee of fifteen shillings. In 1561 he received a licence for printing the Storye of Italy. Shute's book was therefore not his first connection with an Itahan subject. In the register for the year which ran from July 22nd, 1562, to July 22nd, 1563, the following important entry appears : " Recevyd of Thomas marshe for his lycense for pryntinge of a boke intituled the fyrste and cheffe groundes of the Archetectura for paynting or buylding vjd." It is worth noting that the title of the book is given incorrectly. Special attention may be drawn to the fine Venetian design of the title-page, which Marshe used for Shute's book. It bears in the bottom block an elaborate monogram. This is the mark of Cawood, a printer contemporary with Marshe. It seems that he must have lent Marshe the blocks for the title. Marshe became Junior Collector of the Stationers' Company in 1567, Renter in 1568, Under Warden in 1575 and Upper Warden in 1591.^'^ He never reached the Master's chair. In 1577 a petition was presented by various printers complaining of the privfleges which had been granted to favoured members of the craft. Among the objections raised was that " Thomas Marshe hathe a great licence for latten bookes ttsed in the Gramer Scholes of England." Marshe continued printing up to 1587, and among his books were several on subjects akin to that which occupied Shute. ^3 In 1591 Thomas Orwin had " granted unto him, by the consent of Edw. Marshe those copies which did belong to Tho. Marshe deceased." The list that follows 2* this entry gives ninety-four works, and among them appears Arcetecture, in folio — doubtless Shute's work. This seems to show that though the title-page says " Pubhshed by John Shute," Marshe was the publisher in the modern sense of the word. In any case he held the stock of unsold copies. Shute s Architecture : Introduction. ^7 III.— A BIBLIOGRAPHICAL DESCRIPTION. ONLY five copies of the First and Chief Groundes of Architecture are known to exist. All of them are of the first edition of 1563. The first and best-known copy was purchased from a bookseller by Wyatt Papworth in May, 1879. He paid five pounds for it, and transferred it to the Royal Institute of British Architects at the same price. ^^ It had then recently been bound by Riviere. The size of the letterpress page is ten and seven-eighths inches high and seven and three-quarter inches wide ; the plates, being thirteen and three-quarter by nine and a-quarter inches, are folded. Comparison of this copy with the others shows that it has been con siderably cut down, but in other respects its condition is perfect. Owing to the thinness of the paper, the type has printed through rather markedly. The book is printed "in fours," with the sheets lettered A to F2. Folio I. is Bi, but the first printed folio number is folio v., i.e., Ci. Folio iiii. has been added by hand. The large plates of the Orders are particularly interesting. Four of them are engraved on copper, and printed in brown ink. They are placed as follow : Tuscan facing B4, Doric facing C2, Ionic facing C4 and Corinthian facing D3. The plate with the Composite Order is printed from a wood block on the verso of Ei and facing E2. The second copy is at the Bodleian Library, Oxford. The letterpress pages do not seem to have been cut in any way. They measure thirteen inches in height and eight and three-quarter inches in width. The condition f)f the copy is less satisfactory than that of the R.I.B.A. copy, and some of the edges are considerably frayed. The blank page, A4, has been removed. The plates have been cut down in all cases by the removal of the titles at the foot, so that they could be bound into the book without folds. As their width is greater than that of the letterpress pages, about three- quarters of an inch of each plate has been pasted to the margin of the opposite page. Halfway down the right-hand margin of the title-page is affixed Horace Walpole's small book-plate. The book was acquired at the Strawberry Hill sale for five pounds. ^^ The most notable feature of the Bodleian copy is that the title-page, the large plates of the Orders and the small woodcuts in the text have all been coloured by hand. The tints employed are various, but they are somewhat crude, and not very appropriate. In the case of the Tuscan Order the flesh of the figure is in natural hues, and the column in green. The title-page is coloured in green, brown and dark blue. There is no reason to doubt that this work was contemporary, and may have been done by Shute himself to add to the beauty of a presentation copy for some important personage. In the Bodleian copy the placing of the plates differs slightly from the R.I.B.A. copy. The Tuscan plate faces the verso of B4 ; the Doric plate, the verso of C2 ; the Ionic plate the 1 8 Shutes Architecture : Introduction. verso of C4. The Corinthian plate is in the same place. The plate of the Com posite Order is puzzling. As in the R.I.B.A. copy, it is printed on the verso of page Ei, and this print is uncoloured. Pasted over it, somewhat roughly, and adhering only in places, is another copy of the plate, which has been coloured like the others. It shows a different state of the wood-block from which it was printed, and much of the lettering has been added by hand. Some of the words which appear in the uncoloured plate underneath had not been engraved on the wood when the plate, afterwards coloured, was struck off. It is difficult to guess whether the coloured plate shows an earlier state of the original wood-block, but this seems a probable solution. The book is bound in limp vellum. There has been some lettering in ink on the front cover, unfortunately now illegible. On the top margin of the verso of sheet C2 is written, in a contemporary hand, "Nicholas Allingham," probably the name of an early owner. The third copy is in the University Library at Cambridge. Wyatt Papworth has noted^'^ that the late Professor Willis was believed to have possessed a copy of Shute's Architecture. The Cambridge Library bought many of Willis' books, and this among them. The size of the letterpress pages is twelve and three-quarters by eight and three-quarter inches. It is complete, but some corners have been damaged and repaired. It was rebound In igoo. All the plates are uncoloured and folded. The Tuscan plate is printed in green ink ; the Doric, Ionic and Corinthian in grey ; and the Composite, with the text, in black. All are placed as in the R.I.B.A. copy, except that the Corinthian plate faces the verso of D2 instead of the recto of D3. It is at the same opening. Some of the plates are considerably damaged, and all are cut down. The Bodleian copy is a quarter of an inch taller than the Cambridge copy, but the letterpress of the latter is placed higher on the page, so that the top margin is half an inch smaller, and the lower margin a quarter of an inch larger. The fourth copy is in the library of Trinity College, Dublin, and is bound with several other pieces under press mark S.d. 10. No. 3. Its size is eleven and fifteen-sixteenths by seven and seven-eighths inches. The plate of the Composite Order has been badly cut down in binding. On the left side of folio xvi., which is E4, appears the right-hand part of the Composite plate, which alone of the five plates of the Orders was printed from a wood-block with the text, and was too wide to go on the page. The last sixteen leaves have worm- holes, beginning with five on the last leaf and diminishing in size and number as they go back until on folio vii. there is only one pin-hole. The most interesting feature of this copy is that folios v. to viu., i.e., Ci to C4, and fohos ix. to xh., i.e., Di to D4, are in duplicate, the former set following folio viii. and the latter following folio xii. The imperfections of impression and inking vary from those in the R.I.B.A. copy, and indeed these variations in the five extant copies are very marked. The fifth copy belongs to the Duke of Devonshire, and is preserved in the library at Chatsworth. The size of the letterpress pages is thirteen and a-quarter by seven and a-quarter inches, i.e., a little taller than the Bodleian copy, but much narrower. The five plates are folded at the side, but cut top and bottom to the same size as the letterpress pages. Their width varies, but averages eight inches. The blank page A4 is A Bibliographical Description. ^9 missing. The foho numbers h. and iii. are printed on pages B2 and B3, which suggests that this is a later impression than the other copies. The placing of the plates is as in the Bodleian copy. The last two folios are damp-stained, and the verso of xviii. looks as if the book had lain about unbound for many years. The copy is bound in calf, probably seventeenth century, and rebacked about the beginning of the nineteenth. So far no copies of later editions have been traced. Maunsell in his Catalogue, published in 1595, notes an edition of 1584. This is repeated by Herbert, ^^ who, however, adds an edition of 1579, with colophon of 1580. John Evelyn^^ refers with approval to John Shute as " our country-man whose book being printed in 1584 (and one of the first that was published of architecture in the English tongue)." Evelyn clearly was not aware that the first edition of the book was published in 1563. Papworth was wrong in saying that the Bodleian Library contained a copy of the edition of 1584. There is no entry^" in the Stationers' Register of a licence to Marshe to print the book in 1579-80 or in 1584, but as it was probably an unaltered reprint, the omission is natural enough. It may be hoped that the attention drawn to the book by this reprint may be the means of bringing further copies to light. None is to be found at such likely places as the British Museum, the Soane Museum, the London Institution, the Society of Antiquaries, the South Kensington Museum, the Rylands Library, the Advocates' Library at Edinburgh, or the Pepysian Library at Magdalen College, Cambridge. 20 Shute'' s Architecture : Introduction. IV.— A NOTE ON THE FACSIMILE REPRINT. MY especial thanks^^ are due to the President and Council of the Royal Institute of British Architects for permission to use their copy of Shute as a basis for this reproduction, and for the full facilities accorded for photographing its pages. It seemed wiser to reproduce in exact facsimile than to reset in Roman type, although the italic type is in some places a little difficult to read. Such blemishes as dropped or imperfect letters have been left as in the original instead of being corrected, as none of them interferes with the legibility of the text. The arrangement of the plates is also the same as in the R.I.B.A. copy. The only departures from absolute facsimile are directed to make the book more convenient. Its size has been increased beyond that of the Bodleian copy by three-quarters of an inch both in height and width. This slight variation avoids the necessity either of cutting down or of folding the plates, and will be approved even by bibliographical purists. The paper of the old copies is fragile, and so thin as to cause the letterpress to " print through." In order to avoid this, a stout paper has been used. In all other respects the aim has been to give a faithful reproduction of the first English book on the art of architecture. Lawrence Weaver. Reform Club, June 1st, 1912. Shutes Architecture : Introduction. 21 v.— NOTES AND REFERENCES. Under this heading are given further particulars that elucidate statements in the text, as well as references lo authorities quoted. Page 7. 1 Bryan's Dictionary of Painters and Engravers, 1889, is the authority for this statement. The registers of the parish of CuUompton do not go back earlier than 1601, and John Shute must have been born some time before 1530. In Fry's Devonshire Calendar of Wills and Administrations eight John Shutes appear between the dates of 1650 and 1778. One of them belonged to Butterleigh, where he was Rector and died in 1666. Another died in 1764 at Bradninch. As these two places are close to CuUompton, it is likely that both men were of the same stock as our author. Other local enquiries kindly made for me by Mr. Wilfred Drake of Exeter have proved fruitless. Until some special source of information reveals new e\idence, we must rely on tradition for the story that Shute was a Devonshire man. ''There is a reference in Stow's Survey of London (C. L. Kingsford's edition, 1908, Vol. II., page 3) which seems to establish this beyond reasonable question. Stow says : "In Trinity Lane, on the west side thereof, is the Paynter Stayners hall, for so of old time were they called, but now that workemanship of stayning is departed out of use in England." He wrote this less than thirty-five years after Shute was described in his epitaph as painter-stainer. In 1563, therefore, these words liad ceased to be simply descriptive of a man who followed the trade of painter, and connoted membership of the Company that regulated his activities. Though the Company had a grant of bye-laws in 1467, it was not incorporated until 1581. Further particulars of its history are given in The Worshipful Company of Painters, by W. Hayward Pitman, 1906. ' Catalogue of Ancient Deeds, Vol. V., 1906, page 355, Deed No. A12629. The precis of the deed in the catalogue gives everything that bears on Shute. Reference to the original document at the Record Office yielded nothing more. * The first turning westwards and towards the river out of Upper Thames Street from Dowgate Hill is now called Brewer's Lane. This was Grantham Lane in Shute's time. We learn from Stow's Survey (Kingsford's edition. Vol. I., page 231) that " Grantham's Lane is so called of John Grantham. . . . Raph Dodmer, first a Brewer, then a Mercer, Maior 1529, dwelled there. . . . It is now a Brew house, as it was afore." Shute's home was the last house but one from the river-side, but the lane now comes to a dead end some little distance from the river, and the site of the house is covered by warehouses. It is important to note that Shute occupied not only the " newe house," but also the adjoining " greate tenement " that had been the home of Sir Thomas Darcy. He was then in the Duke of Northumberland's service, and must have been prosperous. Page 8. * It is difficult to understand why Shute's will has not survived, except on the theory that he had nothing to bequeath. There is no entry under his name cither in the P.C.C. Wills edited by Smith and Duncan for the British Record Society, 1898, or in the Calendar of Wills in the Court of Husting edited by Dr. Reginald Sharpe, 1889-90. It may well be that John Shute's achievements for architecture had slight recompense beyond the honorific verses on his monument, and a fee from Marshe — probably small — for the MS. of his book. Whether Shute was a freeman of the City cannot be discovered from the Roll of Freemen, which goes back no earlier than 1681. There is also no reference to Shute in the Index of Deeds enrolled in the Court of Husting. The indexes to the vast mass of material in the Letters and Papers of Henry VIII., edited by James Gairdner, yield nothing. The Calendar of State Papers, Domestic, 1547 — 1580, is likewise barren of information, but we learn there (page 224, May 26th, 1563) of a Captain John Shute. The Lord Mayor of London was commanded by the Queen to allow this John Shute and others to levy six hundred men within the City, to be employed on service at Newhaven. « Anthony Munday's edition of Stow's Survey of London, 1618, pages 382-3. ' " In ure" is a phrase derived from ceuvre and now obsolete. It means " in practice or exercise." Page g. ' Wyatt Papworth's article in The Builder, August loth, 1878. Page ii. 'Shute writes that Philander " about the yere of oure lorde 1546 wrote unto the frenche king Anotacions upon Vitruvius," but Philander's book appeared at Paris in 1545. 1" Nouvelles Inventions, etc., 1561 ; Le Premier Tome de V Architecture, 1567 ; both by Philibert de rOrme. 2 2 Shutes Architecture : Introdttction. Page 13. 1^ Journal R.I.B.A., April 27th, 1912 ; page 450. Page 14. 1- Dimensions at Longleat : Top balustrade or parapet, 3' 10" high. Corinthian total Order, 14' 11" ; pilaster, i' diameter, 8' gj" high, including cap and base ; pedestal, 3' 4I" ; entablature, 2' 9". Ionic total Order, 19' 8"; pilaster, i' 5I" diameter, 12' 11" high ; pedestal, 3' 7"; entablature, 3' 2". Doric total Order, 21' 8" ; pilaster, i' 10" diameter, 13' 6" high ; pedestal, 5' 3" ; entablature, 2' 11". The spacing of the pilasters in the Doric Order is 6' 11" and 9' 5" clear and 3' 6" on the bay returns. Projection of pilaster, 5". Summary. — The Corinthian is nearly g diameters, the Ionic nearly 10 and the Doric 7|. The Doric entablature is the nearest in depth. The Ionic and Corinthian have both much greater depth than Shute gives. The entablature depths given are arrived at by deduction ol pilaster and pedestal from total height of Order, as no scaffold was available. ^^ History of Renaissance Architecture in England, i8g7; page 18. 1* There is a problem of considerable interest, architecturally and historically, still to be solved at Longleat. The suggestion has been made that only two Orders in height were intended. The sectional indication of the roofs is perhaps more consistent with the alternative idea that an older house, of the type illustrated in the remaining parts of the courtyard elevations, has been, in part at any rate, refronted by a newer range of buildings. It might be that a house building from, say, i54g up to 1560, or 1567, the date of the fire, was at either date recast. This would leave twenty or thirteen years up to 1580, when Sir John Thynne died leaving the work incomplete. Robert Smithson is supposed to have been at Longleat as head-mason, or builder, from 1568 up to the beginning of the work at Wollaton Hall after 1580. Longleat needs to be measured and drawn in a thorough fashion with the work of various dates distinguished. It is possible that many obscure questions of great interest would then be solved. ^^ Lomazzo's Art of Painting, translated by Haydocke, I5g8. Page 15. ''¦^Anecdotes of Painting, by Horace Walpole. 1' Dictionary of National Biography, under Shute. 1^ The History of Portrait Miniatures, ig04. ^' Early Engraving and Engravers in England, by Sidney Colvin, igo5. 2" Catalogue of the Collection of Miniatures, the property of J. Pierpont Morgan, compiled by George C. Williamson, Litt.D. Privately printed, igo6. Page 16. 2^ For details of Marshe's career see Arber's Transcripts of the Stationers' Register, passim. ^2 Herbert's Typographical Antiquities, 1786, pages 846 to 872. -^ Marshe printed the following books, inter alia : 1563, Hill's Briefe Treatyse of gardeninge. 1566. William White's Painter's Palace of Pleasure. 1587, The Boke of Surveying and Improvements. A book printed by Marshe in 1577, entitled The golden boohe of the leaden goddes, wherein is described the vayne imaginations of heathen Pagans and Counterfeit Christians, has an interest of its own from the use of the word " leaden." The present editor in English Leadwork : Its Art and History took the same word, used in " leaden Popes " in a broadside of 1643, to mean that the statues on Cheapside Cross were made of lead. In 1577 " leaden " clearly was an epithet of contempt, and not descriptive. If that is also true of its use in 1643, the argument as to the use of lead for the statues on the Cross breaks down. 2* Herbert's Typographical Antiquities. Page 17. ^^ See MS. note in Papworth's handwriting in the R.I.B.A. copy. 2" My copy of the Strawberry Hill sale catalogue is the first edition, and I cannot find in it any refer ence to Shute's Architecture, but many other books printed by Marshe are separately numbered. No doubt it was included in one of the " lots " containing several books, of which only one is named. Page 18. " The Builder, August loth, 1878. Page ig. ^^Typographical Antiquities, page 1797. '^^ John Evelyn's Account of Architects and Architecture, 1664, i6g6, 1707. 3" Arber's Transcripts, Vol. II. , pages 343 to 363 and 429 to 438. Page 20. ^^ In all work that involves bibliographical enquiry, an editor must rely largely on the courtesy and help of others. To Mr. Falconer Madan at the Bodleian, to Mr. F. J. H. Jenkinson, Mr. H. G. Aldis and Mr. C. E. Sayle at Cambridge, to Mr. Alfred de Burgh at Dublin, to Mr. J. P. Maine at Chatsworth, to Mr. M. S. Giuseppi at the Record Office, and to Mr. Bernard Kettle and Dr. Reginald Sharpe at the London Guildhall, I owe thanks for that ready help which is happily traditional in the great libraries of England, public and private. L. W. THE FACSIMILE OF THE FIRST EDITION OF 1563 THE FI%ST A K(D C HIEF CROVNDES OF ARCHirECTVRE ifeJin all the a undent and famous monyjnentes : with a farther ip more amp le di/con/e Ipppon thejajhe^ than hitherto hath hem fercnthj an} othrr. ^J^'BLISHES) 'Br Ihon Shute /Paynter anJ^rch^teBe. ^IM^%^1KTS3> JT London in FleteJJrete n^reto SamBS)unftans churchy Ij^ThmasMarJhe, 15 ^J- 'jfTHE CONTENTES OF THIS mOI^E hrieflji coUeEiUi^Jet out fir the helpe of the ^ader. He difcourfe from time to time hove thisfcienceofArchiteHure hathin^ creafed Folio.i. VP^mt the office and duetie is^ of him th^ wilbe a perfeFse ArchiteHe orma'fterofbuildirtgef. Folio.iti. Thefirfipdlerthat loas found outhythe hmns^ppon the fimetrie of a firo? man;bsm^.6.ttmes the length ofhtsfoote ihheight^was renewed again ^y the Tujlanes , andcfthem taketh his name to he called T VS C 4 2\f ^ . FohoJiiK The fecond piller called S) 0%I Q A budded to his perfeBion hGrece ,fyS)orus ^and vf him taketh his name whoJe height is -j. times his thiknes whiche tht^es ts called ihe dia c meter. Folio.TnL The third piller called lonica wasfetin the temple of JpolIo,andS)i6nafhiifhed and bml» deihy the lonrans ;^hofe height is.%.times his. thicknes. Folio.ixj The fourth bitter xalled Cor nthia/oundin the citie ofCorintheh;yQilimchHs the exceUent ^rShett^hofe i?etgnits.^.dtameters. Folio.xiu ThepfibpiUer named Compojita or Italica made to hisperfeBion In thame ofVaf^aflan fythe auncient ^mayneSj whoje height ts. io.diameters^ Folio, xiiiit Of a nother auncient piUer^meJlarje to the before mmedpillersfoundoutto his perfeBien hy the Jtheniens called Atticurga or Mica. FolioXin. The Placing ofthefiue orders ^mely,J'I{E0STrL0S,fDIJSrrL0S,EP'STILO$^ SISTTLOS^andflCNOSTILOS. ^ Folio.^ii. jiruleofyttruuiusgeuenforthe/ethrepiilersjDoricaJonicajCorMk^fhrtheplacingg ordifplacing of them oneahouean other. FolioypttL A rule for the dimxnifhing of the piller iDnder the (kpitall eodem. dn example to be cbjeruedfor the increafe of ihe hsj^ht ofEpiJIsiiim. f Fmkes efcapedin theprmthtgan thnu tobecoreBed, In folio u.line.i.afor Fcrmce res.ie'Bkrenst, Infoiio.ljii.line.xxxiitt bfar Trochitus^ reade TrocUh^^ foJiQjciJmcM i^for CallmscUm ^rmdiCskmchm fTO THE HO^ HIGH JKD EXCELLE]^7 Trinces EUx^eth^bj tlyegractofOod Qjtemex>f England^ Fraunce^ir Irdaud,defendor oJ the faith, Circ. Tis both rightljand excellently ajfa-med ofMhrcus TuBiUs CketO^pt Imfrj} haoke de ejftctji^nght Excellent ^rmces t^r my mojle gmttms fi^ternyne Lady)t^}at no ir.an is hofmikto this UK>lrd for his prtmi tmd ' ^giilir-^Mlepecaufeonr(^btmtrte,(hi€fheipifrmonjeiij? aMc to per forme all that belongeth to thefame.So tsitin a publike weate whe alhhcn in tJycir cMlingjdo hbour not onel^for their ownegayne, but alfofor theprofitand co* moditie^ t^xtr Coumne.which thinges whsffla-ccordrng to my fmallCapacitie didwayt with myfclfe,! wasoi it imeiffftirred [wwardtgi-do my duetie l}ntn this My C ountrie wherin 1 Hue Widam a member. Andp much the rather ^f or that being feruant l>nto tfje '^(ight honorabk ^uke^fNortlUberladi^ tyQ.It pleafed his grace for myfortherkndiPiedg to maltaine tneiii Itat Hither to c^eri^ thedopges ofj/jkilfulmaiflers m arcbtteEiur,<(jralfo to Dkwfuchaucwt Momtmentcj herwfds areyet extent. wJ^erippon at my retourne ^prefenting Im grace -uith thefruites ofmytrai/itdes^itpledfedshefametofhewe them li>nto that noble king Edwardchs 'i>t.your maiefiies mofl dearebrother ^famous memone,'^hofe deleBation and plea ftiTe was toJeitjCt^id/ttche tike. Andf?4ning the jAydetrikes anddeuifes afwell of f culture e perfect t^ mtural head next Ipnto God of this our common wcalejto {Jkw a token of the fame Jintoyour highnes^nprejentingthefe my poore and fimple laboures wherlpiito lam the rather boldmd confideringyour highfies delight in all kynd of good learning ^and par feBfkillm th/^ tonges andfciencesMofl immble befechingyonr royall maieflte to "Pouchfafe to let this my fmall trauaik and'^oorkepafielpnder your noble pro* teBion and defence : and I according to my bound and due tyJhoM pray to GodforyDurMg life and prof pcrom ^ygnCy'^ith peace and tranquditii to his honour andghne. AmetL \oiif Malt flies mofc humhk gndvtcduntfubicik. lohnShutS' glOHK SHVTE 9JIKTE^ JKS> ArchtteBe : lanto th Loutng and freind y ^ aders, ^ongefl al other tlnuges (gent el ((jr louing reader j loherwith y deuine prc^ uidence ofalmightie God hath m oji liberally jandplentifully endewedman^ kind'nthere is nothing eytherforthe dignitieand l^orthmesofthe thynge ifelfsjOrfor the wonder full ejlimation andprice lohiche in all times it hath ^_^^^ _J bene tn^ore excellent ^rctious /indcomcndabk then leamyngj^nowledge fin^cmce /hi-^hich alone cau/eth mortall men to be mojl like immortallGoddes:and asrt taketh out 0 f their mindes thatrudeandlancomely admiration "^herwith throughignoraunce th/mpk m mojl %ime trifles are •^ixionder fully e occupied . fo to the -^ife be monum ones and woorkesJktlfullypraBifed and carfulU^lejft both commendahle <^ merueilausjea andfuche, AS neither theiniuries of any formes and tempefl can cleane loaf and con fume /to nor (as it fsmeth)the enuie ofmanj)rJpoyle of enemies deface i^r ouerthrow /leiihcr that which isgrea $ffle ojaU/me it fdfe can deface or caft out ofmynde.AndamongeJl a ll other jludies there is tmle in myjimple tudgement of this forte tl^tt diferueth greater prayfejthen that whiche is of ^hegrekes named jirdnteBonica ^andofthelatines ArchiteBu rail thinke not altogither '^nftenor^pnaptlieby metermedm EnglifJ?e,the arteand trade to rayfel)p atidmake exceh l^fit edifkes and butldit\ges)the whiche like as mall otl?er ages before hath bene in memelous accotfrnpteandefimation/is ful wel appereth by diuers karned^hilofophors and famous prin^ •cesthaii^bracedyfame/is^kto^Anfotel, 'Flint ^who were excellent therinas their workes mil witnejSe. Alexander Magnus, luiius:(^efarjyeJf>afanjAdrian with many other auncient grickssand^maines^hich laboured to amaunce their name therbyDoho leftemany argu^ fAentits of thev 'Vertue J^ygb intentes and doinges by} fame with many other famous ^of which ^iifii J maketlj mention . Fttruuius and Frontynefif later dayes men pray fe worthy "^eryflui^ diotis andpainfiilltherift So in 'iJsfemeth it not only to crane the wonted emendation , but alfi to be mojtnecefarie and profitable afwell by th condition of the time as necefsitie of the thing it jelfe.Andfurely fuchets the amplitude and largnes (1 may "Pell fay perfeBion) of this facuU tie f hat without Jum acquaintaunce with many other art esyef?all not enter intoy depefecre^ iesfor it hath a natural focietie andas it were by a fertaine kinred ir affinitie is knit "i^nto all theMathemiticalles w^yich (ciences and knowledges are frefides and a maintayner ofdiuers^ raJ:ionaU aHesijo that without a meane aquamtance or Jinderfandmgin the neyther payn^ ters^Jiontf/old/mythes/nbrodererSjCaruers, loynarSj Glafyersfirauers^nall maner •ofmetalles anddiu ers others moecan obtayne anye loorthy Praife at all "Moweall thefe being hraumhes ofthatforjaydfoundatiof ocke/}rfcience fhall bring forthe the frutes oftt to their gr eat prof tes /ind^ommoditie of the^ealme, which cotimiing and throughly e pra&ifed in the Jame) by time fi all increje riches , worJhippe,and fame , Conftdermg with my felf e the many fold commodities and profites that fhould redownde to agreatmany louers ofthefame^and contrary wfe-^hatalof e arid hinderaunce it hath betie to them that lacke the langwages O* learning who of necefsitie hath remained m \gnoraunce to they r great lojse and difcomoditj of the'^alme. Nof^ithfanding I know weU there hath bene a multitude and at this time be '^eomanylernedmenwhohth{throu^hetramslercceiucd)thefHlperfr&iQQftheprudent ladys lady ScientidjOf whom fo depely learned Icrauepardon formy rude rajfmes that I hauing }ml tafleda certainefweteties cf htr excellencie and liberalitiejwherfort naturall hue hath drawneme to aduaunce her reputation and honour /iccor ding to my poore abilitie andgood fdj th e thinge nothinggarnifhed as it ought to befu t mof briefly and p/aynelye withjucbe demonflrattons that it might edifie them lohich oja long tim e haue def red and reached at it to attaine Alfofor the encoraging ofthofe whkh ernejltyfudiedand fauoredit .Ithought i* ther fore good tofette out and commit to writing m our natiue language , parte ofthofe thim ges whiche(both by great labour and trauaile.at thefrjlfonnypriuat commoditie IJearched But and for my owne pleafure out of diuers afwell latin and Italian /is french and dowche wri^ ters}! haue diBgivlygathered. As alfbpajsedmany countries anct regions to fee foth income amongefthe ofjtiquities andm the ntoji notable placesof Italie ^where a re mojl excellent buil* dinges, and intending tolprire of ArchiteBure or buildniges.l thought it befl neither with th lighteftor leafl profitable parte therof to begmne, nor altogither after the mofe f lender forte to handell thaf^hich I purpofed to intreate ypon.I haue therfore taken my firfiente^ raunceinto the wntingof this arte ^ at the fiue antique pdlers or Columnes yComonly named of the places andperfones partely where and of whom they were inuented^and pa rtely oft heir i>ertues <(sr properties ofthofe that they wer liknedlpnto, iphich pillers names are thefe asfl* loweth.TufcanaJDoricafontcaj[oytnthtatjrfC opofitaJThe treatifg of thefe pillers /is it hath in it mojl deleBation and pleafure m the beuwtte and Comlines of the "^orkmanjhtp appertay* nmgl^nto them, fo though at the beginning, it be mingled with a littell afferitie and as it were hitternesCforthedtficultieandhardnes wherwithas both principallesand aljo other thin* ges of any excelleticyeat thefi/fi arecoufiomedtobejtisjomewhat Comberous) yet it is both foneceJSary and profitable jtt:at neither "Without it any man may attaine to any efiimablepirt of the refie ofthis fcience/indwith it as by a klew ofthredorplainepath way a man may mojl eaJSelypearje and lightely pajbuer the mojl darke isr J>nknowen corners of the whole procejie ther of. 'But toffeakeofthe'Uporethines ofthis parte of ArchiteBureutfemeth almofl altog}^ thr fuperfluous jwherfore taking thefe tojufftcein tl:epart to be fay def will now Jhew what tradeandorder I dofollowein t lye declaration of the meafures^propor tions, andgarnifhrnenf tes oJ thefe before menc toned pillers. For jo much thrj'ore as in teaching of all artes thre thim ges art chiefly to be confderedthatis to fay diligence ingeuingyprecepteSjaptnes in chofying plaine andeuidente examples /ind lafi o fall praBiJe and experience of the teacher. I haue for the firfi parte taken for my author chiefiye to be followed the noble and excellent ivriterVi^ truuiusoneofthemoflparfaiBejlofallthe Antiques ^and for that /leither anyone man in •what arte fo euer it be ii abfolute /indthat other fnguler men of the Antiques and he in many poinBes do difagre and differ (which Sebafiianus Serlius/i meruelous conning artificer in our tim()in many places of his workes learnedly doth declare.lhaue added tmto him'i)pon what f oeuer in any thing femednedfull the opinion and meaning of the fayde experte writer Seba* flianns , here and there alfo wher I thought meete 1 haue ioyned the minde and iudgement of one Gulielmus Philander a notable man whiche about they ere of oure lorde. 1 5 4 <5. wrote ynto the frenche king Anotacions l^pon Vitruuius /oncernmg this matter erfuche likeJMow for examples -^hich are necejiardy required to the opening offuch darke matters, I haue cue* ry where through the whole procefe of this pre fhittrcatife after the preceptes to the lights jit^' nmg mr^of them fette both demoiiftrtion -and f gun ^ aidas for praBtfe and experloice of thefe thinges whiche I teache , I aJSure themojtegeyitle reader and all othtr that Jhalbe readers fo this my littel worke that I lyauepu t notitU in any part therof c ocerningy proportioij;' fimetry toy>Jethe accuflomed terme of the arteofth fornamed colmnbes^whtche 1 haue not afwell feeneandmeajuredin Italie^from whence they cam firfi 'i)nto '^s amongcfi the Antique woor* kes as read andfiudiedm England in the Antentique loriters ^ that I might "Teith fo muche moreperfeBion write of them as both the reaSig of the thinge andfeinge itindede ismore then onely bare redtng ofit This fmall and fimpletreatije ofmynt lean note til whither with like fe licit ie brought to hisparfeBion as -^ith no fmall labour eaiid fiudie for this time ended/ thought meete as the firfie frutes of my poore attemptes alI thinkemyfelfe mofihappye /indif not i^allperfones jet at the leaf wife of fucheasbe honejl ejlemers andacceptt rs of other mennes diligence andjtudtcs .The -^hich fit come to pafie J}Cth Ijhalbe glad of my laboures in thfe thinges be* f towed and for th hue of my naturall Countrimen be further' more incouraged hereafter to attempt e greater thin^ ges. Thus almightic God prejerue the ingodly cxcercicesto his pleafure for euer Amen TIME HOVFE THIS SCIENCE of ArchiteBitre increafed. r^^^^N the beginning of the world ^ Nature bynecejfitie dy d firfi einueni \firau7ige maner of couertures or houfes for floe people to mhabyte in I'Butofallfuche order and forme of buyldinges as were before Noes Ifludde/tjhall not nede to make rehrfaU. 'But after thefiudde ofNoe^ \the people agaynCy'^hen thyioere increafed and multiplied jdtd doyly e more and more Jetke for theyr commoditie to be defended from the hate oftFeSmne _, and coldenejie of the oyer : fome fuccoured the felues lender thejhado'^s oftreeSjiind other taking occafion thriby/deujedto jet yp forked flakes, imith the forkes i^p'^ardes/ind there y>pon layed bo'ipes . Afterioardes they fttlldeutfed and daylye did praBije more and more in that kinde . Andm time , they perceyuing the leje of cutting withy r on, did fet Ifpright tireesas they had before , loyth theyrflakes being done loith their handes/ind by* caufe they Jhould not cleane ^itth the heauines of theyr burdens aboue at the toppe , they conu pajjed theni about ipjth vingesofTron/indcaUedthem 'Fillers or Qolumnes . The forme and Jhfipe of "^hich Timers y they did imitate, fajhipning tl^emofftone. And then they callyngeto theyr remfrnhraunce thefiudde ofNoe,'^hich hdd droHened all the world,deuifedto build the to'^re-ofBabilon.So they added in fieede of the rynge aboue atthe toppe of their pillers, thefe ^^ yhich our author Vitriuius callei h Aflragali,andApophigis.So inproces oftime/liuers "^itty men euer addingefome thinge thereto, at the lafi it came tofomeperfeBion.Then did thy be^ ginnetodeuife andpraBife after dyuersfafhions/indbuyldedagreat parte ofthetol^cr.In '^hich buylding came the de'uifion oftounges, or languages ,lihereby thefe buylders were par ted and flattered ahrode Jipon the face of the earth, andinhdbitedmanyflraunge count reyes^ and began to buylde in Egipte, and after that in many otheV places , asjemeth by th workes ^ which Belus^inus, and S emir amis buy I ded, which wereJf)redfofarre,asfmmen dofuppoje that Trier in lowe Doutcheland fhould hatie bene buyldedof the brother ofNinusasyemaj perceyue by Berofus, Herodotus /tnd many other that are ivriters and witnefles of the fame. Tea,fljortly after was made Memphis, the whiche nome is named Alkdyre , the whiche was huyldedby a kinge of Egipte, hauing in compdJSe roundabout, one hundred dndfifiyeftades^ or dsfoine interpret ate it,fo many furlonges , and in like maner the duncietxitie of Thebes in Grece )befidcs many other citiesjwhich were made before and after, tn'the which it is to bt fuppofedjthat there werefumptuous^emples and Tallaces.So, that they were experte and be ganin thatfctencetocometo moreperfeBion. And immediately aftet dwittie man named S)orus (thefonne ofHelemer and Optix the Nymphefnueiited and made the firfie piller drawen to perfeBion /tnd called it fBorica, after his owne ndme. Short lye after him, there ipas Ion,fonne ofXulhus,thatwasmadegouernour of a part of Caria, which he had wohne he in thatcountrey buy Ided thefe cities flowing fFriem^SamumfTeoremfolophonemJNachtUi Erithren,Thoceam,Cla%omenas,Lebedum, Melyten, of the which,the citix^ins afterwardes draue out of that countrey the Carydns/ind called it lofiia/tfter theyr kjnges name, and then they made their churches and Temples of their Goddes /ind firft began with AppoUo hisTerri" !B./. py The chiefe Groundes pk,ds they hadfeneit in Grecia before.And they not knowing anjmeafttre offillours^onfi* deredhowe to make a iuflSymetrie,that it migljt be comely andalfoflronge^oke their mefure by thefoote ofaflronge fajhioned manne findtnge him to be in height fixe times, the length ofhysfoote/rndfobythat mefure finijheiall the partes of that piller , and called it IDorica^ lycaujethy hadde fene it in the workes of (Dorus, andfo therewith finijhed the temple of Appollo, after that they deuifed to make a tetnpk to thegoddej^e (Diana, wherein they 4yd deuije an other Symetrie, for that temple , as they hadde done for the temple ofAppollo, anafajhioneditajtertheiufiemeafure of a woman, to theendeandpurpofe/tjhouldehemore ^eautijidland fklender/naking it eighte Diameters , in height,, and called it lonica, after their countrey ,adding therunto in theficadofherfhoowe, that which Vitruuius,namethSp't* ra,and in the Capitel, was fet Voluta, in thefleade of her heare, whiche trujiedljp with a lace^ on eythrftde of her hade for an ornature andgarnijhment oftheCapitell They alfo fajhiot nedthebodyofthptlloure,andlilleditwithCa?ialicoli,andStriges, as thoughe it were the plates of her garmentes.T hen theybemgmore delighted with the beaut fftdnes of the height therof added alfo another Diameter pputothe forfatdDorica , and made it feuen Diameters, m hght. After that m the citie of Corinthe, was buried a certaine maidea, after lohofe burial ier nourijhe (who lamented much her death) knowing her delightesto hauebene m pretye cuppes andfuche like conceytes m her ifelmie, with many other proper ihinges appertayninge onely to the pleafure of the eyepke them /tnd brake them , ^ndputdyem into a littell preatte lafkette/indd'ulfette thebajket on hergraue, andcoueredi^ebajket with ajquare pauinge JiOne. Tlyat doneptth weping tea res fl)e fayde Let pleafure go wyth pleafu re ,andfo the nourifl)e departed. It chauced tl^at the bajket loasfet l^pon a certain roote ofan herbe called Acanthus /n frenche Branckurfine,or bearefote with ys,now in thjprlng time of the yere, »hn eueryrootejpreadeth fourth his leaues, in djeencreajingtl?ey did ronne t>p by the fides cfthebafKet,'i>ntillthey coulde ryfe no Ingherforthftone , that coueredthe bafK.et , whiche bdngfquareandcaflingehysfowre corners ouer the (y des of dye rounde bafket , conftrained the braundxsofthe herbe to draw downwardes agame with a fertatne compaf^e , and Jo grewetothefafhmitlyatVftruuius , callethVoluta.So is there alfo other fmaller that come mteoftheCaules, andflalkei, and are named ingreeke Helices ^ and the bafket beynge lydden ^ndenieth tpyth a multitude of leaues . In thys cytie one Calimachus, an exceUent ArchteBur , pajlyng vrgoiage thereby, regardinge the beawtifull worke of nature, afterwardes Vfing then themea/ures of the Jorjayde Til lours ^nakynge the pdlour lonycke, "ifponthe whic he pillor or Scapus thereofhe Jet the Capitell, the whiche h hadde Jene ypom the tombe 0 f the mayden/he Tvhichegarntfhedbeati fully the whole pillor, whiche ("tf/wM, wasin height the thicknes of the pillor , andnamedtt Corintha , becaufe it wasmade in the cytie of Corinthe, by thandes of Calimachus , -^ho for the excellence of that arte was na* medCatatechnos , and after tht this -^orke growing more and moreto perfeBion came tothe^maynes ^ andfo through oute all Italie , and manye other places , yea , and was throughlyepraBifedbythem. Then the Tufcanes , beginning to builde , hauing knowlaige of the pillor, whtche was firfie inuented by the lonians , l?pon the Symetrie, ofajlrong yuznneinuented to buylde jlronglye after the maner afor fayde, yea, andto garnifhe alfo theyr cy ties and townes beautijullye with a ptllour of their owne dcuife whyche jet at thk OfArciiifw^ure. this prefent dme ,remdjneth while in the citie of Forence and in the count/ds thre aUu£ they farmed and fafhioned that pillor , whyche to thys daye is named after thefayde countrey TuJcana.The^mams,then wdpraBifldin their meafures of alLihe rcfl of their Colnmes,ii?id alfo defirous tomcreacefo nobte an arte^ byfomemhleacceflion, beholdyng and regardmge thbtautifulnes of thefe forefaydpiUors jihat ts to fay. Tufcana , (Dorica , lomca, Qoi'mthia, gathered oute ofecheofthcfame piller i , that, iphyche thy thought mofie faire, and made a piller of pleafure or triumphe, after the mofie excellent maner that euer was be* fore. This piller Was firfie buvldedto his perfeBion in the time of Titus , Vejf)afianus , who Jetteitathys triumphe in the highefle place of l^s-arche trtumphall, and called itCompoflta, or ds fome doo name hr Italica. Thefe pillers jpartelye for their beauty e and comlines, par,> tely e for their fortitude andflrength.the writers ofthemfaue refembled and lyknedtofer* tain feyned Goddes andGoddefies. As liamdy Tufcana , is appliedljntQ Atlas , the kynge of Mauritania ; Dorica,')[?nto Hercules andthegodMarsdonica to Diana, or Appollo.Corin* thia l^nto Vefla orjomelyke Iptrgin, and Compofita, to Tando ra, ofHeflodus , the which he faineth to haue ben tndewed wyth diuers ofthofegraces and coninge ,tvherwith the beforena* medGoddes andGoddcJIes wcreindewed,fothatttfemethbythe auncient writers andAu* thors,whxh haue made reherfallof thefe thinges, that dny haue bene had in great eflimation andprife , asye maye wel pa rceyue by If is, wJnche buy Ided a temple in Egipte for her father lupiter, bycaufe her huJbandeOflris, and Jhe were ingreatcfiimation, and alfofor theyr hcautifuUinueni tons andwyfedome , were honored as goddes . This maye well be gathered by their pillers and ortiamentes , that belong therunto , the whyche were noted and mar* ked with He brewe letters, and alfo hy the Sepulcres ofAmafls,whych was made m ore, then> M.^ (D yeres before the birthe of Chrijle, in the whiche one of the Tyr amides W'^sfCQx. thoufande mens workes, the Jpace of twentye yeares ^ the why che remayneth in Egipte to he Jenfdt thisprejent daye , and manye other beautifull buildinges of that nacion . (!{eade» iDiado. Sic. Ii. I. 2. Alfo itflmcth by many other tpnters, that after Babelldecaied^ incontinently the Hebrues mofl triumphantlyeflorijhedin thyspomte. Thus we maye per^ ceme that the Hebrues,r€ceyued their knowlageofthe Babilonians/indtheGrekes , recei ved it of the Hebrues , in lyke cafe the Latines , and the Italians receiued theirs from the Grekes , the whyche our AutI?or Vitruuius , doth not deny, in makynge demonflrations to a Latine worke with Gr eke letters aslppon theinuenticnofthe Grekes , whych concernmge hys fciehce in ArchiteBura ,in the whyche thing Vitruuius ,Jemeth muche to be emended, as one , that did not dijdayne to acknowledge the authors and writers, out of whom he receiued his knowledge. Info muche , as in hys Jeumthebooke of ArchiteBurt,he aff]rmeth(by na* ming the notablefl of the) that they which haue left thefe thinges in wry ting, are to be comme-* ded,whoJe names aljo I thought not altogyther the metefi to be omitted jisr therfo re do rej/rs thefe , Theodorus, which wrot of the (Dorica.Etefiphon andMctageues , who wrote of the lo^ nica, which was ft in the teple of Diana, at Ephefls.The Hermogeim ,hath writteofDlanA in Magnefia, after Argdius, which made the reherjalofthe Corinthes.Fiflly Sathirus ,<(sr Ti* theus,who didjpeake ojMafoleafii Halicarnaflojafl both Cares ,Briaxes ^Scopas ,'Fraxite* les (jr many other, as Nexaria ^heo fides ,Thilemon,Demophilos fPollis f.eonides.Silamon, Melapus,Sarnacus,Euphranor,althe which l>erly,are to be thanked (s' emended through/ji B.ii. For by The chicfe Groundes fm-hthem we know andperceme(as though wefawe m a lokingglajlel th thinges that hmebeneremJoneahdmtideler^before. Nmerthdes , it hthhnwtthdrawen arid hidden fasalmoftahthr knowlagesfira longfeafon hath henejthrough ignoraunce,forfo tt came topafie by theiniurte of time, that all/ciences and learning hauebene kept fecret and notjfo* h enofjnfo much thtatdns daye , there are many whkh name tins order of budding toh&f th mw Lton.But it can not h new, that hathfi many ancient Authors andmatfiers there*. of whom namely dyeNoblewnteror Authorfliny, hath in jogreateftmiatm, that for their fake h bkmeth al them greatly, that haue written andivrought any thing,andhaue not mmd the authorsaudwaifierfofwhom they toke their inuention efpeciallyof fnch great andlfnfpeakable worke fifwJni hthe honour and fame, hath b ene dfmuch l??tto the tnaker ther 4asitwasDntothem that laujedthofe thinges tobe made.But now of the thinges we haue lf>kenynough,let'i>s therfire j^eake fome what of th worthynes of this feience , and of the ' office 0 fan Architdl. VVhatthcOffiC£ and Duetie is ofhim that wyll be a Pcrfcde Archiicdeor Mayftcr of buylding.s . \(I{chJteBur(bythe common conjent of many notable mm) as Ceflrlus Ijayth^s of all artes, the mofl noble ^ and excellent , Contayningin it fun* \driejciences and knowlaiges wherwythitiifurn:fhedandadourned,as Hull well Vitruuius doth afirme and declare by hiswritinge . For jaith \ he ..an ArchiteBc mufi befharpe ofl^nderflandinge and both quicke and apte to conceiue the trewe InflruBtons and meaninges oft hem that haue \wrttten therof: and mufl alfo be a perfeB diflributor ofthegrcatmifle' r^^athhathperceued and experymented, that playnlye^ and briefly h: maye difcuf^e and open demonflrations of that which fhalbe done or mete to thofe per f ones, that Jhalbe thefown* dersofany noble workes.whrjore he ought ftrfltobea %?ry good Grdmarian, then to haue experte knowladg in drawing andprotraBing the thinge , which he hath conceyued , T^exte he mufl haue agood fight in Geometric, Conjecfuently in Opticke and in fuche lykefciences he mufl haue good per ceuer ance. Likewife in Arithmeticke he mufl be l)eryparfaB,andm hiflo* ties fingulerly wdlfeene'. He mufl alfo haue a good fighte in Mufycke , and fome knowlaige inThiftcke j not altogether ignoraunt m Afironomie fie mufi alfo be fides all thife ben 'Phi* tojophie/itery experteThe caufes why-al thife fciences before named, aught to be in him that is d parfdiB ArchiteB and maifler of buildinges beof^Vitruuius tn this forte reherfed. If hehaue(Jdith he)learnlnge hefhallflrengthen his memory with all written bookes , and through drawingDtter his fantafie and Jhewe thetrike orfajcion of the thmg thathegoeth about to make And Geometrie teacheth Irs the order of rules jfompajses ,S corner s , Quadran' tes , and Jufle waterleueles with mante other knowlaiges that procedeth thereof as Euclide, andotherauthours cr aljo Sebafltan Serli/n hisfrfl Chapiter reherfeth Opticke jheweth l£>s howeand by what meanes the lightes fhauldbefet into the Houfl , And howe they fhouldbe brought from place to place /is to ferue the hole houfe , and cuery place therih ,whiihe Optica,, iS properly called perjfeBiue , and is of a furder fpecula cion, then theriman or nedethtoh sxprefl: urhichofSebaflian Serliusjn his fecond bookc firflflcondandthndr Chapiter ts partdj OfArchitcdure. partely declared. Arithm£ticke,teachethlfsinnumerablepoinBesmofl nccef^ariff re^^ired io the parfaiBe knowlaige ofthis art.for without yt^e can neither know or yet Sfciipe th meafures and harde fentences or queflions ofSymetrie , neither howe to accomptethe Cofl€ andchargts of our labores.An ArchiteBealfo mufi haue a knowlaige in hyflories , There he moreouer multitude of caufes in btdldmges , and Ipery many ornatures and garnifhinges of which he mufl nedesgeueanjwere, from whece they come, and fot what purpoje they are made ,^ As for an example, If a maifler workman Jhouldmakeymages,fgured like wom.en , clothd andgarnijhed after a beauti full Joarte, which are named C^datides, and fet them in his i&orkc for pdlers and make out r their heade Mutilos/indCoronasjfytweredemaunded oflnmto what purpofc thofe ymages wer made, then be fhuldanfwer that Carta, a towne in Tehponefo^ trayteroujiy conjfnred with the Terfians ,againfl theGrekes:Butthegrekesgetting theyi*> Borieouer their enemies , agreed with one accord, and bejieged Caria, and-wan the citie, killed themen and toke the women , carter^ them dsbond -^omen not fuffering them to put of their (I(jiche ornamentes and lewelles to the intent , that the fho we of their triumphe ,myght he thereby the more glorious So they fubduedj wedre brought into bondage . For this cauje and other fuche lyke /he chief mdiflers ofJrchiteBure made in their commonplaces andpallaces fuche women to bear et>p the burthen of their buildinges ^the'^hiche was a remembraunce andmemorial of their punifhmentcs for their mallice agamflthe Grekes Jujtained by the Ca» riatides, that iitojaye, by the women of C'ida : In lyke cafe dyd the Lacedemonians , whan they with fo Itttdl a power duercamefuche a great hofl of the Mercians, and flew them. After which conquefl in their trjumphe , they builded a gallery whiche Jhoulde remayne l^nto them fir a perpetuall and euer lafitng token oflpiBorteanddidfet thei in the figures, and counter^ fates of the Ter cians, which before wer their prifoners, in their flraung apparadfflandingin their pallacesfupportmg their galleries, wherfore they were feared of their enemyes therby^ andalfoyet encou raged the hartes of the Citizens ,againfl their other enemies and backefrem des.Vpon this exdmple Taufanias fiid dfterwarde make the counter feates ofthefameTerfias^ andlppon their heddes^ he laide Epifiilia,dnd Coronas , fetting betwixt them Zophorus, ths which was garni fhed and figured with theleweles ,that they had taken from them being their enemicijAs Cuppes, gcbletes/heines,girdelles,(jr fuche lyke otht r lewelles, which werplenti^ full among theTerfians ^andl?nder their fete was fet Sty lobata, whrinwere written their titles, Mdny fuche Hijlories dn ArchiteBe, d^ght ofnecejiitye to know. Next ynto this doth, follow Mnftcke, which alfo ts Qjerie necefiaryfor dn ArchiteBe, for tlnfe caufes mufl he haue, as it were a fore fight in it, that ther by the principall chamber t of the houfe ,fimld with fuche order be made , that thelpoice or my fe of muficalllnfirumenfes ^fhould haue their perfaiEi Echo, refunding plea fauntly to the eares ofthofe that Jhalbe heares therof, ds alfo the ^^ maines^Jedm all their hallaces i^r for many other necefiities therunto belongtngpfthe which Vitruuius /naketh fu rtl: er demonfl ration, as the refrefhmg of the Mdnncoltcke mindes, which aralwaies trauailingforftirtherknowlaige. Butnowconfequentlyfolloweth thicaufelohy he fhould haue fight in Thificke, which through the knowlege ofAflronomie^arfaiBly doth de^ dare the mouings oftheh€auens,andwhereJ?nto by their naturall inclinations they be difho^ Jed, as aljo the Imderflanding of th plages or Coafles of the word, which the Grekes callCli^ mata , to thyntcnt that he maye jhcwe what ground plottes flande in the mofl holfom ayer to huilde ypon . Af id which alfo be the f wet andholfome waters^ the mofle fertill and frutefull Si/. places. Thechiefe Groundes places /ts namely for thofe plot tes thatflandcotrary. to thys order ar£ mt mete or neceJSarie to btiild IfponT'his holfome ground fo found wheronYejhall.build,jiemufifu.rfl haue knostflatgL how to caflytmr ground piottcy whcrinyou mufl deuide all your feiierallplaces ofofficuap* partayningto thfurntture ofyour houje , your principall chamber so f reft and libraries/tnd ft(ch other like mufl receyue their lightes fromtheEafl, for that the fone by natural heate<^ his rifing drawcth to him all corupte humors and euill "sapors of thjecprd) and quickheth the flint tes of man andbeafl,andifye willcafl ther in baynes or hot houjesppith wmter Cha* hrs andparlors they fhalreceiue Itght from the wcfl.For that fideisdefendidfrofh the fouth ipindes which aregretiousan,dcontagious andajfo great ipajlers of all kinde of buiidinges, as nMy wdbe parceuydby old Edifices.Tourfludy places, wereyou hold write, draw or deuije pr tht places whryour Sellers fluldbecdjt ,oughtto receiue their light from thenQrthe,by caufe in that parte are the lights, which arefledJafl,As for lights other wayes appointed I refer re tothe builders ofthofe ivorks. -BiftVitruuius , maketh no further mention therof. Now alfo it hlongeth to an ArchiteBe, to haue the knowLigeofAflrommie/pherby he fhould direBly know the foure principal places pinch areJEafl, wefl, north /ind fouth pith that, whiche they call EqulnoBium,andSolflidum,4ndthe mouings of the flerres, forwithontthis knowh'^e none caiiattaine Isnto the. making of hnnologes ,quadrantes , Clock es dialles/n thefonne ne* cejiaty to he fet ingoodly Edyficies . It belongeth aljo to an ArchiteB /o haue fight in Thilbfo* phje, which teaching to bs of a n^ble courage as Vitruuius faJth/ind a If o^enti I, cur tious/aith* fill and modefl/iotgeueh to aua'rice and filthy lucre ^4s mt to be trmbled or corrupted with rxipa rd.csMgiftesJmt'^ithgra u ity and Sagenes to ¦ cocdue a] hon ordnd dignity in al thinges conferuihge hisgmlndmeandejlimatlGn,hct km alfo takj: a cjjdrge of workes inhand,bdm Jefiredandnot defirous ofworkeii. He, which wold be an expert ArchiteBe, ought to haue all thefe fdences aHdkno.wldiges,To him that hath any feience or knoiplaige and iudgment ther* with concducd ,itismofl mideiit and plaine. Neuerthelejle it "^ill found flraungely to fome that a man Jhoulde learnejo many fciences for the atteining ofone,andkepe all them in me* moriefor thcpraBife ofthejameyu it is mcejsaiy and alfo mete, that although he be not para fa'iBmthm or:Xneryofthm,yct he JJpOjdd haue .fome knowlaig in them andfo it behoueth, neith er ttjs r}qtiifit that h.eJhouldb^flparfaiB it Grdmaria,as wasArifla rebus, andyet not altogether with out ttdSlor,in Mujicke like, l^nto Arijhxenis, neither in paintinglike Apd' les m.r ^Idfles/irStattmyylikeyntoMiron or Toticrdtes, neither in'FhtJike like to Hippo* crates ybut yet in this and other not ctkogether ignoraunt . ButyJ dntan myghtbeparfaiB in al thefe fcieces .as were Aril}archus,Sd'mriusJPlulolaus,Architas ,Tarentinns,Apollonius , lPergeus,.Bratoflhnes,Sireneus,Archimcdes,Scopinas,(for all theje were flrogely loeapo* ned with alfhejefcieces before rehrfed)heJhouldbe able to an f wer to dllquefliones ther to a* pertaining. 'But l may pray as Vitruuius dotJ>, faying , I pray 0 Cajar,dna all other that rede this my writinges, if ther beany thing difagrdng to any ofthefs fciences heare with me for I cofef^e niyfelfe( faith he)not to beparfaiB in any of the other fciences. But he nameth himfdfe to bean.ArchiteB. '^hrelK hethinkcth hinljelfe par fait, But I the fetter forth ofthis trea* tijein Engljh, acknolagerri)f elf not to he a parfaiB ArchiteBe, (as hefaith)noryet Gramd* ria,<(^though IhauepiitmyJelfehipreafe,itisnot throughd^e depe knowlaige aboue reher* fidjbut 1 do it far to put in lore an entrdfice or beginning to them which be therin Ignoraunt, Cp defiire further knowledge in thefe thinges /isfjereafter appereth by the dedaracion hereof. of Archiiedure. tvscaNa. ^oUtjydii He maner and forme of the fine principall pillors , and their proper names with aU their compoundes ther to belonging and,their fetting in their iufl places by the order and rule of Symetria ,and marked with the letters A. B.C. wher unto is madi this piUer Tufcana , as it is figured /nuented and made by the lonutns^ ypon the Stmetrie of aflrongman.^I(mewed and found agayne by theiufcanes and of them taketh his name. ^T H V S C A N A The chicfc Groundes TVSC JN J. His pillor is thflrogefl and mofl able to heare thegreatefl ofburteofalthe others. And that fame hisflregthe cometh by hisjhortena, thrfore he is lik* nedljnto Atlas ^ h"^g^ of Maurytania , and the piller ts named Tufcana^ whofe heyth mufl be with the Bafis and Capitall. 6 . times his thicknes in. heigth.Butifyow^llJet Stylobata.,orTedeflate,'ijnderthepiller,Then fhallye begyne from the groimde Ippwarde^ euen after thys Jorte. Ye f hall Tfiake a foure fquare Jtone Jikel^mto a dye.Th quantity of the fquare as great asye wd,accor* (Ung toyour purpofe.Orye maye drawe aground plot on a table, In that fquare ye fhall make a round compafle Jogreatasyt may be within that fquare jand then within that compas make an other fquare /ind then within that fquare, make ye an other compas, the which compas fhal h the iufle thicknes ofyour pillor. The which Vitruuius, calleth the Diameter, and then fhall your littermofl compas be for theproieBure,orfaylling out or hanging ouer of thefoote of the pillor which TroieBure/h Grekes do name or calit Ecphoron\N.ow thefrote ofthpyllor, whiche is named Bafis, or Bafe , whiche Bafe,flrecheth out to the yttermofl compas^ and the fquare "Doithout that compaj^e is the iufl bredth ofth Tedefial,which is marked with. A.T hat hredth or heyth of that fquare deuideyouinto.^.partes.Geue Tenia lender makedwith.B. fo mucheas one of thefe partes, for his iufl heygth alfo. Tenia, aboue marked with.C. afmuch to his heyth : This donne,the Tedtfialle, ts. 6, fa che partes in his hole heygth fike "bnto th pillor, which is. 6. (Diameters in hght as is before mencionedjthe which meafures be plainly Jhewed in the midddlpdlor, which isyourgromidplotte ,wherin is found the height firedth and tfiicko. nesandaljo the ptoieBures of the hoik worke . Thus I conclude an end of the Tedeflale, iPith his meajurts. 'BASIS or S9I^J. \Owt>ponthe'T'edeflak,whichis marked with. A.youfldlfetyour Bafl,or footeofthe \ ptllour being in height half the thicknes of the pillor /ind that height eye fh all deuide \into.z.partes.Geueonepart'l>nto Tlmthus which ought to be rounde , and ts marked with this letter.D.The fecond partegeuelpnto the heighte of Torus, rnarked with. E. with his Apophigis,whiche Vitruuius calleth Limbus .This TroieBure of this Bafe,jhallflande out on either Jide ofthepillor,fo much a i the one compas is greater then the other /is is before rehrfidin making of thegroundeplotle in l.h'Pedeflalle. SCATVS. or COLVMNA. ' fpon the foote ofthepdlor,direBly zjr ^priMfet Scapus,whofi macke is. F.the whkh ^ Scapus, ts the boddy of the pillor /ind is. 5. D>iameters/n height, that is to f ay. 'y. times ¦ his thicknes m height. The which thicknes Dnderatthe lowejl parte of Scapus jout fhall deuidemto.^. par tes, whero fat the head of the Scapus, fi?albe. j. So flail the pillor yn- der the Capttalt, be demmifhed the fourth parte: whear as althe other pillors are dyminifihcd thefixtepart. For the whichpillor I haue found or inuented an Other way m the dyminifijing ofit^ OfArchitedurc. Folio.v* oftt, thanis declared for the diminijhing of other pillors , thewhiche hereafter frUoweth. (jDeuide the height of Scapus ,into.^.partes .Vpon the lower parte flandmg on the Bafe, make halfe a compas, as greate as you maye, being within the thicknes ofthe pillor. Then draw downe right the thicknes ofthe pillor 'i?nder the Capitall downe wardes Ijppon the third parte ofthe height of Scapus, wher upon ipas made the halft compas T he n fhall thofe j. lynes make Z.croJSes yppon echefide oft he ha If compas, one crofle. Then meafurefrom thecroj^e.downe wardes euen by the Jide ojthe half compas, l)nto theflnke ynder the halfe compafle, and de* uide It into.6. lines ouerfVpharte the halfe compas and niarke them alfo with. i. z ^. 4- ^.6. as yow maye plainely fee tn your ground plotte.T hat done , takeapayre ofcompafles andfette the one foote ofthe compas in the middell of the pillor, t>nder the Capitall, and the other poinB of the compasye flail brmgedownewardci 't>ntillyecometothepricke,wher the halfe compas was made withjette thatpomte ofthe compas l;)nder the Capitall flande ,andwith the other pom tie ofthe compas ,drawe 'i>p '^ar'des compaflmg from the thirde parte ofthe pillor Ipnto the height e oj the pillor , that the one parte ofthe compas be iufle as high as the other . Then haue ye made the rownde fide oryour quadrant T'he whiche lyne Jo drawin fi^albe de* tiided into.6.partes : which partes ye fhall drawe ouerthwart the pillor , and mar ke them alfo from th e Capitall, downe'^ar des with. i. 2. ^. 4- 5- 6. Then fhallye bcginne after this ma nnet and drawe from the endofthefirikeloithin the halfcowpas/he whici} is marked with i.lDppe parde Itnto theflnke aboue marked.^, to the lyne aboue drawen ouerthwarte the pillor , and . aljo from theflnke. ^. drau>el>pwardl)nto theflnke aboue markedloith^. andfo from. 4- to. ^and from, i^.to.i^.and aljo fr6.6.to.6. The whiche lines Icade downewardes perpendiculerly Thenjhallye cloje lop the fide ofthe pillor, as I haue dofedthe one fide /tnd left the other ope ¦ thatyoumayefeeitandlondcrfiandtt the better. Then take a^rule and drawe from the fmaU ¦ lefl of the pillor , '^ndt r the fiipitall, drawing downewardes to the line.z. the whiche is drawen ouerthwarte the pillor andfo drawe from.z.downewa rdes Ifnto.^andaljoftom.^.to.'^.from.^ to.K.fro. 5. to.6.So haueyou diminiflediufl the.uhird parts ofth height of Scapus. I fay not thatyou jhoulde l^fe iujlely no more but thefe.6. lines lento the dimtnifhyng of this pillor and thefe other pillors following f do butfl?eweyou hy this briefnes /he playne and true loaye : by the'^hich way e not wit hflandingye may occupie fo many lines as fhalbe nedefull.The mooin number , the parfaiBer jhallthe diminifhtng be.Nowe at the toppe of Scapus, you /hall make Aflragalus /tnd Apophigis /narked -^ith G. and fhdlbe hi^h the fixte parte of the Modulus, that is the twelfth part ofthe Diameter.T hat pa rtyoujhal deuide into.:^.partes,wherofgene the.z.highefl partes to Aflragalus/indthe third l^nto his Apophygis , alfo bynethat thefoote of Scapus, ther is a fquare edge or Apophigis in ft nor being tn heigh tfo muche as the height of Aflra2alus,thatflandeth at the top of Scapus, their proleBures be like Ipnto their heightes, CapitallorC^T'ITVLI. I Ton the body or toppe of the pillor, the hedde or Capituli ffjalbe fet , being in height ' one Modulus , that is to fay halfe a Dyameter , that heightyou ftoall deuide into.^. ^p.^^^^ partes ^ue the one parte to Hypotrachelium,marked-^ith H T he fecond partye jhdl deuide into.^^.par tes Thre oftheyejhalgeue to Echinus parked -^ith. Lthefou rth part nue to Annulusjilfo that parte which remainethgeue to fltnthus which ts the highefl parte,' •^ -^ f./. -^hoje^ Thechiefe Groundes tphfemarke is K^th TroieBurcor haging ouer fhalbe fo muche as tht pillor is diminijhe don echeflde/he which is correflondoit loth thicknes of Scapus heneth. Thus writeth Seba* flianSerhus , of the proieBure of this Capitall.Neuertheles I haue fene in jome places in Itak* that the TroieBure,haue bene hke to their height, by cauje the pillor is jo muche dyminijhed.it Jhould be therefore thjnore comely to haue the greater TroieBure, andyet jhall thofe tijo wayes not differ muche one jrom the other, Bu-t yet of theje twQ-^ayes letl)s take the mofle faire.lhaue alfo fene this pillor fo placed that it hath bene.j D) ameters in heigthe, where as hejupported no other pillors but his owne Trabiacions .So endeth thejorme andmeajures of \hCapttulum. ETlSTlLlVM. SfFon th C'^pitallflalhe layde or fet Epifiilium , named aljo Trabes called in oure \Englijh tonge the Architraue i he which is marked w!thL.andisa modulus in ihight. The iphich heightye jhal deuide into 6.parti wherof^rcnia,to be the fixte, lpart,((sr the other. ^partes is for Trabs.So done:'i>ppo the Epi fl ilium you fljal fet Zophorus being aljo a Modulus, in height and is marked with M.'Vppon y^ opho^u s fhalbe fet Coronix being in height alfo a Modulus, ar that height you Jhall deuidmto.^partes.geue one part ynto Ciniatm lender Corona marked with H.but the other fide oj it is called Tenia, and geue liklPife.i parte: Ipnto Coronamarked'^ O.^jr the fourth part which remaineth^euelpn* to Cymatifi ouer Corona which is marked'i> T. In (orona ye jhal make Denticulos, the which are made, like teethe andthirT.roieBurcs , fhalbe like iJtito their heightes, failing only Corona ¦^hichhangeth his height and halfe his height ouer And thus endeth the mefures of the pillor tailed Tufcana.Nowye fhallinderfiand,that the pillor which fian leth in the mydddlisyour ground plotte, but the other -^hichefiandeth by htm, is made 1>pon the Je If fame meajure.but^ that It is othrwije garnifhed. %d)ichc garmfhmentes bringother meafures forthem.^ndas touching this pillor , I flail begin from the loweflpa rte ofthe Tedtflall being Tenia inferior, deuiding his height into.Spiirtes.Geue.^.pa^tes 'VntoTlinthus isr.^. partes geue alfo to Sima reuerfa , and the etghte parte remaineth for the fmall edge ijponStma Sbpon thewhiche is fette the hdye ofthe Tedellalepljo the "^pper Tenia ye jhall deuide his height into 5" partes geue.Z partes Ipnto Hypotrachelium',andaljo.z.parteslffnto Cymatinm ,and the fifte partgeue iDnto his edge at the toppe oft hi: Tedeflale, no we Bafis, or Bafe, belonging to thefayde pillor is the height of a Modulus, or half the thicknes of the pdlor, whofe heightye jhall, demde into.z.par* tes. GeueThntlnts one parte /indche fecond part deuideyouinto.^partes Geuei.partes Ipnto Torus, and the third part deuide aljo into.^partes. Geue.i.partcs to Sima and the third parte yefhallgeue the edge l;>nder SimaSo endeth the mefures ofthe Bafis or Baje,'^pon the "^hich Bafe fhalbe fet Scapus, or the body ofthe pillor, made after the maner i^ order as before is me* cioned Ippo the Mchich'Jha Ibejet the C^p'talthe one C^pi^^> (,'^ hke toy other jn uing tha t it hath t}pd Echinus a Ih'tel edgephich fetethforthTlinthus'^ a more beautifulTroieBure.As cojer ntng y Architraue or Epifliliu ,that is /is before reherceda Modulus tn height, iphic h heightye P:aUcuideinto.6.partcs.Tenia,occupicthy fixt part, father. ^.partesye fhal deuidinto.zpai-s tes .Geue one part'i)ntoy half ofTrochdus , the other part js left for y fiat fquare, diatrefleth t>pon the CalHtal ir foendeth y EpifliliH-Noip ds touching^ fries or .i^ophorus, being alfo n Modulus in height, as is before reherjed ofthe other, is like ynto it but that thisfw dlethoute of Architecture. FoIio.WJ Gardes the fourth part of a rownd compas, that is drawen aboue a fquare being the heigh and hredth of a modulus -^herwith endeth Zophorus , Ippon the whichejhalbejette Coronix, the cneflde ts like J>nto the other in the mefures, but that in this fide Cymatium/sfet lender Coroa na,andl?pon the other fide Tenia isfetl^nder Corona, hingo fone heighte. This done and fi» nijhed according to this rule, Jo endeth the mefures andgarnipmente of the firfl pillor called Tufcana. XOwefor as moche as thatyou banc "^nderflanding howe all th partes of this pillor ^ uhe refl of doe pillors that fhalbe, hath theyr mejures, ornatures /ind names , finijhed hut oflcnographia or ground plot Ippwardes to the Ipery top ofthfame worke, "^her^ fore I thought itgood for the more perfeBion and exercifes ofthegentdl reader to make & (^herfall of all the partes and pafle lies downwardes agayne cndyng in Ichnogros phia "Hffhere I began firfl, thefe be the names TT^A BE AT ION IS. Cymatmm^ mar fP. Corona, mar. O.TeniajnAr.N' Zophorus, mar. M. Tenia in Epijlylium^ mar.L.CATITVL I.Tlinthus mar.K^Echmus, Et AnnuHus mar.l,Hy* potfachelium mar. HCOL VMN A mar .F. Aflragalus marked G^ Apophiges fuperior<(jr inferior , ST I '^A flue BASIS. Torus mar.E. Tlmthus mar.D.S TYLOBAT^. Temapro Coromcemar.C. Tenia pro Bafis mar.B.Ichnogra* phia mar. A. being the par feBe fquare or ground plot the beginning andfoum dacion ofthis "^orh. C ih?D O R I C The chicfe Groundes HEIIE FOLOVVETH THE MANEQ^AND FO^E ofthe fecaund pillor called Doricajfcingafcribed to Her-cules and Mars for hisflrength/iccordinge to th rule aforefkyde . His pillor called Dorica,fhalbe.y.Diameters in height, with the Bafe, and Capitall Now if ye iPiUfet Stylobata , or Tedeflal^nderyour pillor , thus ye fhal begin . Firfl you fhall make afoure fquare , which Jhalbeyourgroiid, the which IS in my figure marked'pith A^ndthen draw a lyne ouerthwart from th one corner to the other ^hich line is called Dfyagonalis /ind is mar ked with B.-and that lyne being direBly upright jet , one ende Jhalbe the height of the fquare or body oftheTedeflallmarkedtvith C.meafure and deuide that height into.cpartes the lohich height ofthe Bafe, ofthe Tedeflall , fhalbe as muche, as one ofthe. 5'. partes which is marked with D.andadmitte a Ifo afmuche l?nto thcCoronix ofthe Tedeflalle marked "^ith EJo that the Tedeflale is.j.fuche partes in height like Ipnto the pillor ,'^h':chis 7. Dyameters, in height The height ofthe Bajis ofthe Tedeflale "iehtch is marked Ifith D, Jhalbe deuidedinto.zpartes thelo-^eflpartisforTliuthus, marked with F. the fecound part deuide into.^partes.Three of thofe par tes geuelPntoTorus,marked'^ithG.thf! other. z. par" tes Jhalbe deuidedinto.ipartei,geue. z.parta Ipnto Aflragalus, marked "^ith H. the third parte is leftefor the edge "^hich Vitruuius calleth %egula , the TroieBure, of echefide ofthe Bafe, of the Tedeflall as Vitrjiuius faieth fhalbe halfe a Modulus, but the antiques haue made their TroieBures like Ifnto their heightes. Then deuide the height of Coronix marked with E into .^.partesgeue one lunto Aflragalus,'^tth his ^gula ,marked-^ith I. the other. z. partes deuide into.^. partes admiting.z. of thofe partes to tymatium, marked with /(. and the thirde parte thereof is leftefor ^gula , iphofe marke is L. the Troi'eBures ofthe fame is like J>nto their heightes.Tlms endeth the Tedeflale or Stylobata . STIIIA SIVE BASIS. ^Ton the Tedeflale joufioallfetSpiram Ishichisthefoteor Bafe ofthe pillor and is ; marked'^ith M. being a Modulus in height . that heigh deuide into.^. partes one of t thofe partes is for Tlinthus marked-^ith N the other. z.partes deuide into, ^.partes, one ofthem jhalbe for Torus, aboue marked with O.The other.^. partes that remayneth de* aide into-Z partes , one ofthem geue Ipnto Tor us, tender marked with T. the refl is admitted l>nto Trochttus, marked "^ith Q. and cache of his rules p be either ofthem in height thefe* aenthpart of that hole meafure or parte , The TroieBures 0 (the whole Bafis, Jhalbe half a Modulus, on echefide, and thus endeth the mefures ofthe Bafis . SCATVSSIVE COLVMNJ. Ton Spira ,or Bafeofthpillor ye fhal fet Scapus, marked w'tthT^hdnT the tro* Hike or body ofth pillor the which is in height. '6. Diameten.Thet hichietofthe pH lor at the foote is deuided into. 6.partes:and'i)nder the Capital, it is diminifledone ofthe.6.partesthatis halfaparte on eytherfide/indthe.^. partes which remaigne, befor Of ArchiteClutc. FoUo.vu hefojr the thicknes ofthe piUor Ipnder the Capitale, From the whiche thickjiesyeflmll drawe downe perpendiculerlylpntothe third part ofthe high of Scapus, wherypon is made the halfe compatd^e whichz.lynes fhalmake.z.croJ^es on echefide ofthe half compas one.Then mefure from thxroJIe hy the fide ofthe halfe compas Ipnto the loweftpart ofthe half compas andde* liUe th fame mto.6. partes /Irawinge them ouerthwarte the halfe compas from the one fide ofthe pillor Ipnto the other marking the endes ofthe lynes with. i. %. ^. 4. 5. 6. then meafure fromtheouerthwartelynelpnderth halfe compas ,deuidtnglppwardes to the highefl of Sea* P^s iniO-S partes The which fimlbe drawne ouerthwarte the pillor, the highefl ouerthwarte ijne at the toppe of Scapus, marking that lyne with i. on and fo the other downewardes with 2. J. 4- 5- 6.Then theflnke marked with.Lone lp7idcr the (^apttall, is drawen downe onbothe the fideslpnto the lyne that ledethto the half compas , whiche is alfo markedwith one. Then drdwe dot^ne righte from the flrike. 2. whiche is drawin ouerthwarte the pillor at the toppe Jmto the other lyne;^hich leadeth to the half compas z. andfo downwardes from, ^.perpendy culerly to the other lyne or crojie markedwith.:^. andfo dircBly downwardes from.4-- to. 4-. fro ^.to. 5. andjb likwijefrom. 6. to.6. That done, take a mk, and drawe fro the z.flrtkes lohich are th thichies of the pillor Ipiider the Capitall to the end ofthe Ippright hne marked.z.which flayeth that lyne which is drawen ouerthwart the pillor marked aljo.z and drawe from.z. to ihe end of the Ippngh lyne marked, ^.andfo likwifefrom. i-td. ^.downexpardes: and jo from. 4. to.^.andfrom.^ to.6.Sodoneye haue do fedlpp the fides with the diminiflinge ofyour pillor as je may percetuebyyourgrounde plot, the other fide is leftel)ndofed,wherinye may perceue^ wi^ere d:e lynes dofioppe,'^hicheJ>e drawne Ippwardes out ofthe half compas. The other fide ofthe pillor I haue clojed becaufeyejhuldfee it and the betterl^nderfiand therly how to clofe andfin'ifh the diminijhing oft he pillors. At the toppe of Scapus, or Tillor, right Ipnder the Ca* pitall/s made Aflragalus, with hisQ(egula being in height the fixte parte of Modulus . The iplnch^egula fhalbe halfe fo much in height as the height of Aflragalus , marked with S whofe TroieBures ,flmlbeJomuch as the pillor is dimimjhedon echefide a like. If your pillor jhall haue Canaliculos, there mufl be ofthofczo. roundabout Scapus fo done make a fquare fo greate, as one of tho fl.zo. partes, then drawe from corner to corner ouerthwart the fquare, makyrigairojleinthe my dell of that fquare. Then take a payre of compafles and fet th one ende ofyour compafles in the middell ofthe croffe, and draw with the other poinBe ofyour Co^ pafles al a long by the fide ofyour fquare fro the one corner to the other , compaflmg thefamB quarter as more plainely doth appere byy our ground plot marked with A- the whtche arthe right Canalicoli, Beneth at th foote of Scapus, lieth^egula^ingpfthejame height that A^ flragalus is of at the toppe, andfo endeth Scapus. CJTITJL. Tpon the toppe of Scapus, you fhall fet the Capitall or hedde ofthe pillor marked I with T. and is in heigth a iufl Modulus /hat hdght deuide tnto.^.partes Geue «ne \partlpnto Hypotracheltum marked withV. and the fecond part deuideintoj^.par nes.z.ofthofe jhalbe for Echinus, marked wkkX. the refl is leftefor the.^. kinges which be called Apophiges,or.Anuli, Now the thirde and higheflepponye jhall fet his Capitale, which alfo is called Tenia, being in height d^e fixte part ofModulus and ma r ked with F. B itwixte thej^ TriglypJyos/yowjha llfet Me* thopa parked tpith G.bdngfcpuare fo high asitisbroadand in thatjqiiarejhalbe madeabuU les bed f IS homes bound about with rybandesgarnifhed with branches flowers and lewelles, Jnn'^ing atthe endes oftheTfbandes In euery fecond Methopa, ought to be made a faire bajone or mt peace, the -^hich inwarddyfljuld begarnijhed but I am not habk to fet f our d^ the hw^ ^e therof i?tfofmalU figure, ThehigheftparteofT^ABEATIONlS, calkdinEnglijha C<^MJ^e. Itruuius teacheth J)s that the height of it fluid be a Modu lus, and that yom IImiII deuide into z.partes the lowefl parte deuide into.^. partes, Geuc.i. to Cy* mattum J>nder(j3rona alfoajothr l?nto Cymatium, aboue Cor6na/he other.i fartesgeuelpnto Corona,-^hfe marke is H, that fecond parte which remap \^ieth of the Modulusyefhallgeue Ipnto Sy ma, marked with LThen adde the, Vightpart of a Modulus, to be the high for his edge or ^egula/iboue Sima MArrv>t OTM/mv G ¦sm^fe^tfjiSiCrftJifray^^ -^nsrt OfArchiteflure. Fo!io.viii» he.i%jn nomlcr.6 the 07te Moay and.-^.the other. Tj^ht ouer Methopa, the Antiques l)fedto cut in(^orona lupiter s markof the thunder boite.T bus endeth the opinion of Vitruuius in thefe thinges.'HeuertheUs asye may perfeue by the mtdler or Coronids,ofthe antiques that flddeth on trie right jide 'therunto they haue added Echinus, and Denticuli, tPith Apophigis qr rule ilsrgarnijhed it after mdny beautiful facions briugii)g their worke to a great height /he which height caufeth a fairer [ProieBure,'^hich was for y further fetting fourth of their workes isT was plea fan t to the beholders therof If it be agate houfe or gallery of pleafure hauing lonica, cr Corinthia ,of him fupported or flahdirig by himithen ought he to be richlygarnifhd But if hefiande in the gate oja citie or cajlel by force orfirength/hen ought he to be made "^ith thofe flrong meafure', wlyish areafcribedlpnto him flandmg in the place ofMars/tjr Hercules whd heflandeth with the other pillors he is like ')>nto Minerua , and therfon haue reJpeBe 'i)nto his place ¦ -^p Hus hatiinge finijhed all the meafures ending now atthe highefi ofTT^A BE A* > ^ T I ON IS .1 jhall name al thepartes and parflds with dmrmarkes -^hereby is 'S^ knowen the thing that is wrighten orfpoken of to the dearnes or opening of matters, and an excercife for the reader to know the names by, I haue more at large jfoke of this mat* ter in the ending ofthe Tufcanpiller, ther fore I fall bcgir, e in T ^A BEATIONIS: ^EGVLA'O" Sima piarked tpith I. Cymatiujijr Corona parked "S^ith H Cymatiii inferior (Echinus 1(egula,DenticulosjaddedTeniapaikedloith F. Triglyphiparked with D. Me* thopa, marke d'^ith G. Tenia, marked "^ith B. T^ula andGutta /narked with C. (^ATI» TVL I, marked-^ithT.T^ttlaCymatiumTlindms, marked with T. Echinus marked "^ X.Jnnulitres.Hipotrachelinm parked with V.COLVMNAorSC ATVS. Apo- phiges Superior lis" Apophiges inferior/narked with 9^. ST I^A or BASIS, marked with M. Torus fuperior, marked with 0. T^gula. Scotia, marked -ieith Q^ T^gula. Torus Inferior parked-^ith T. Tlinthus, marked with N.STTLOBATA. Coronix marked E.T^ula, marked with L.Cymadum, markedwith K^ Afiragdlus ,marked'withd.to the antike pillor is added Corona ,^egula/indStmd, Quddrdtum, Diagonium, markedwith I . the diagonall line marked B. Ichnographia , or ground plotmarkedVith A> Basis, marked with D>: T{egula, Afiragalus, marked with H Torus, marked G. Tlinthus marked F. in the fnifhed pillor or BASIS,isasfolloweth T{egula Cymatium re» tierfa.^ula Sima . T(euerfa T^ula, Tlinthus, which maketh an end for this piller . ^ I O N I C At Thechiete Groundes THE MJNEQi FOT^ME AND O^I^DEIl of the Symetria, or meafure of lonica, whiche was deuifed by the lonians and Jet in the temple of D>iana. \ Tylobata,or Tedeflale of lonica, you Jhal make the boddy' tl^er of after this \ forte. The flat fione, which ts marked'^ith A. jhalbe a fquare and (^ halfe in ' height, and that heightyou fhal deuide into. 6.partesjt^ adde thertofud) an other part for the height oj the Bafe ofthis Tedeflale which is marked'^ith B Its' jet alfo Jud} an other like part for the height of the Coronix ofthisTe- Mdeflak marked with C. So done ^vTedeflaleis.$.par tes inhightjijjeightof 'the baje markedlo 'Bye jhal deuide mto.^ parts.Geue.i.part Ipnto Ajlragalus iS' his ^^egula, markedwith D.the which ^gula ,occupieth the third parte of that one parte.Geue aljo to ^imar euer fa pith his edge marked with.E. one parte , wherof his Edge occupiethth third parte.Tbenye fhallgeue an other parte Ipnto Torus parked with F. and the other. z. partes youjhailgeue Ipnto Tlinthus parked with G. TheTroieBure ofthem fhalbe like l^nto their heightesJSlow the height of Coronix , marked with C ye Jhal deuid into \o. partes , wherof you fl?allgeue.^.lpntQ Cymatium, and his Edge marked'^tth H. and alfo g?ue.-^par tes y>nf-o Q^ro* nd /Harked ¦isith landaljogeue.-^.lpnto Syma ^narked with K^ the tenth parte is left, for the Aflr^g^lus ouldnot be withoutgooi caufe for the antiques haue made thrfeTlmthus , one aboue an other, the occafion whrofis this , that the ear thejhould not ouer '^owe the Baje Qftl}eTedeflale/indjo hyde the chief thinge wher upon dp refle-the lehole or* demuncesyea andm many other places, they are necefla ry. the which al ArchiteBes , and ma* Jlers ofbutldmges ought to knowe /ind many moo of thoje and fuch other ought to be km^en Qfthm.ofnecepitie. The occaflon or caufe for the whiche I hduebegonne this order or ruk, firfi with theJPedejlale,(^thewl}{ch rule differ eth from Vitruuius. for hi beginneth firfl with thpfllor,neuerthelesthey come to onepurpofe in the par feB ion) is for this., that firfie iti ^ Tedeflale, I hue drawen the ground plotte, whiche the Greekes caH, Ichnographia. For that fame houfe or bnildir^ cannot jlande or endure '^hiche hath nogogdfbundacion.So this is the foundacion through theiphiche '^e knowe andfinde-all the meafures and 'Upright es belonging to thepillor.In it ts alfo found the Trab'iattons ,the heigl?t of theTedeflak, and Ahe bredth thr of, alfo the height oj his Bafe and Coronices,and the Diameter and the thicknes ofthe pillor abouil^nder the C^pitdHejand hkewife the heighte of Spira, Or Baje of the pillor ! andthe height of Scapus /tnd ^ Ijo the /;> ight of his Capita k,with all the "^hok TroieBures , and mea* Jures which tflueth oute ofthis Ichn ographia . Now to come to the right "y^nderflandinge of thefe meafurfS before reherfed ,ye fhall begmne thus.The bredth ofthe fqua re, whiche ts the hredtheoftheTedeftak/narked-^ith A.yow fhall deuide into.u. partes wherof. S- jhalbe the Skiameter, or thicknes ofthe pdlor the "^hiche pdlor in height fhalbe. 8. Diameters , with the ^afe and{apitalle , the whtchehighte of the Capltak ,occupieth the third part of theDiame* ter, and the Bafis marked with M. fhalbe halfthe thicknes of the pillor m height , tJms-^ri^ teth Vitruuius , in his third booke and ti>ird Chdpiter , Bafis of Architcd^nre. FolioJX Basis. He Bafis, or fhte of the pillor fimlbe a Modulus in height : wUch is marked-^th M, ' that heightyou Jhal deuide into.ipartes,geup one part ipntoTlinthus marked wtth.N ' thatlehich remaineth deuide into.-j.partesgeue^.lpnto Torus parked with.O. the o* dyer. ^.partes deuide intoA6.pdrts,geueTrochilus fuperior with his Afiragali, and' rules. %.of thofe pa rtes,-^herofTroChilus, occupieth. 6 par tes, Ipnto the highefi Afiragalus /ind his edge fl)albegeuen a part and halfapart,ir Ipnto the litle edge Jfnder Torus geue alfo half a part, ¦^hichmakethlyp the refi of the.S.partes.The other. S partes geue l)nto Trochtlus inferior, and deuide them aljo as is before reherjed.The TroieBu re, of the Tlmthuspufl be the eights and the fixtenth part ofthe thicknes of the piller iphtch is the Jailing out on eache fide ofthe Baje ojthe pillor and doth anfioerlpnto the bredth ofthe body of the Tedefiale,andis agrea* bel with tJ)e jorfaidgr Olid plot .The Antiques haue made alfo a baje, which differ eth notfarre fro n th declaration of Vitruuius andajter th'rsfacion they haue ordeined thei rBa fey height therof to be a Modului ,and that height deuide into.ipartes, wherof geueTltnthus one part, as be j ore is taught by Vttruuius.Then that, which remaineth deuide aljo into.^.partes , wherof the hifrhejl part jhalbegeuen io Torus, the other z parts which remaine, deuide either of the into.6.parts wherof the highefi Afiragalus ^ his rule occupieth.i.part, thelehich rule is half the heifht ofyffiiagalus,alfo the edge /hat lieth ipnderTonisJhalbe half a part in height /ind that "^hich remaineth is for Trochilus fuperior, wherwid) finifheth the firfl. 6.partes^Nowe geue alfo. s.part to the lower Afiragalus /tnd hit EdgeThelowefi edge that fiandeth Ipppon Tlmthus jhalbe tn height half a part, the.4- partes anda half that remaine, fhalbe lefl for the Trochilus inferior.TheTroieBure ofthe 'Flint hus, is before reher/ed,but becaufe this Torus isfklenderer then that /he which Vitruuius fleaketh of, it bringeth a more bewtfulnes to ths TroieBure, which can not be here exprefledasanyman of knowlaige willconfefle. SC^TVS. j Ton the bafeyoufi)al fit Scapus, marked with ^ being.y Diameters in height and \ therto adding the fixte pa rt ofthe Diame'ter The which hdght of Scapus ye feall ^^ deuide into.ipartes l^pon the third parte make halfe a compas /hn deuide the thic* jies of the pillor beneth into.fl.partes.i^.of thofe partes fhalbe the thiknesof the pillor orSca-> pus,atthetoppe,thatisbalfapart diminifled,one either fide of Scapus , from thence draws downe right one both Jide s J)nto the third pa rte ofthepillo r ijpon the which is made the halfe compas The whiche. z. lines maketb-i-crofies Ipppon the half compas ,T hen meafure from the (rope downe~^ardes euen a longe by the fide ofthe halfe compas, that fiandetfj t>pon th third parteof the pillor deuiding it inro.6.partes and drawe thefe lines ouerthwart the hafecom* pasandmarkethe Ippper hne with.i.atidfo marke downe'^ar des the next with.i. and fo with the refie asfolloweth. ^. 4. 5. 6. then deuide from the lowefl ofthe half compas Jjpwardcs Ijn* to thetopp'e of the pillor lender the C^pit^ll,^fo into.6.partes drawing them ouerthwarte the pdlor ii'ndtn^rke them alfo downewardes with.i.z. ^. 4. 5. 6. or deuide it into jo many parts, asyoitwill , the moo /he better, '(y the parfaiBer you (hall diminifi^e your pdlor. Then Jhalye begme after this maner Cr draw fro the flrike.z downwardes l^nto theflnke (ycrofle, which !D.j, u drawin Thechiefe Groundes is drawen ouerthwarte the halfe compas ,dnd:salfqmarked'^thj:. and drawe alfo f^om the firike.^y whic h ha thclfoa crofie made "Vpon the halfe copas /Irawing 1>p wardes Jmtgjfirike markedwithj:^.the which is drawn ouerthwart the ptUor aboue ,'(sr jo drawe from.^-to.^.from ^. to ^. and from 6.to.6. The hue l)nder the Capitall /it the toppe of the pillor marked with. i. from thence drawe with a rule downeward- s to the ende of the t>prighte line, which flaieth at th ouerthwart linemarkcd.zx loflng lop the Jide ofthe pdlor, and from.z. Dnto ^, downewar* des/mdalfofivm-iTrnto ^from.^.ljnto i^.andjrom.^.lpnto/i. Thenisthatfide full finijhed andmadelppright. At the foote of Scapus ,ts a littell jmall edge, fianding Ipppon Torus whofe height fi?albed)e ninthe part of Modulus^wherof his TroieBure fhalbe of like height. Aljo at the toppe of d^e pdlor heth Afiragalus /ind his fillet bemg half jo high as the Afiragalus , is* alfo aboue the Afiragalus js a Lttel Edge/he which hlongeth to the Capita l:The meafure of his Aflragalus /ind his Edge, which belongeth ipnto Scapus JsfoUd out be the htelcopa s, which is the eye of Voluta , whole niarke is. Xjf the pillor jhalbe garm fhed with Canalicoli therfijaU he in number x ^.rounde about the pdlor or Scfipus, and euery ofthem deuide into ^.pa rtes. 4. ofthofe partes is the bredth cf Canalicoli, and the fifth parte is for Stri^, which are alfo called Femora, Theground plotte therof jlandeth be fid the pillor which ts marked'^ith.S.wheriny^ fnayfeeth maneror making of C^^alicoli , beingha,lf a compas inwardes, the wh.che,diffe* reth far from the order ofDor/ca,as it appereth by yourground plotte.T hus endeth the ma* ner and making of Scapus^ with his mefu res. CATITAL. . IreBly and ri^ht '\>pon th top of Scapus ,pu flail fet this Capitall following , whiche \ s marked with.T. being in height the third part oja Diameter /he, bredth ofthe Abd "cus matkedleith Vts a Diameter, <^ therto alfo adde ^ the eighteneth part of a D>ia* mettr.That fame part deuide into.z.par tes Th which.zpartesfhalbe fet onepofteon eyther fide ofthe Abacus /he whiche feal aide theTroieBures'fo done Abacus is the in bredth. 19. partes, then t el from the Ipt ter mofl pa rt of Abacus inwardes,onepa rt and a ha Ife ofthofe. 19. partes and there drawe a flrike doipne right perpendiculerly, asye maye perceue by jour fi^ gu.rchereexprejfed'^hche on hth fides of th C ging to Voluta po)itdye come to th line wher at the plomet doth hang and thre fiay with that pomB ofthecopa ^,iT brin^ the other pcinB ofthcopas downe iDpony lowefl flrike ofilttle c^ pasphich is ma rked it^.z. The turne upwards} lowefl poinB ofth copas Vntdye oome toy ha giti-7 Cnie,-^hrye jhal fiaf The Other foteye (hlfetlppd the flrike marked, j beiiKr witU/iJ la k cdpas.Thccopafling alout ^^y highefl part ofthe copas downwa rds Ipntdye che again tQ ' the hanging of Architeaure. FoIio.X. haging Une andfo remouethe highefl part ofthe compas fetting it on the flrike.^. within the Ltle compas /ind drawe Ippwardes with the other poinBe ofthe copas Ipntillye come to the per* pendtculer line,flaihg agame there /ind then fit the other foote ofthe compas right Ipppm th flrike marked with.^.aTfo bemg within the litle compas /ind drawe downe wardes agamelpnto the jbrfayde line, end fo jet th highefl poinB of the compas Ipppon the flrike markedwith. 6i being aljo "^nhm the litle compas Then drawe -^ith the other poinB of the compas l^ptpdrdes agam which doth indofl the litle compas. In the which copas may be made a rOje or fome other flower.Thn jl)allye perceue that the Aflragalus , and hi s.z.edges are Iufifd)e height of th Ltle compas ;^hich is the eye of Voluta, and then flail th height of Echinus be jL.of thofe parts thatVoluia Teas made wtth, the which Echinus is markedwith T.alfo that ff>ace thai lieth hetwen Echinus, isr Abacus fhalbep,.ofthoJeparts m height.So doneye hauey trewe height if)* hredth ofyforfront ppon that crofle Jet the one poinB of the compas, isr wtthyothr poinBofthe compas draw from the flrike markedlv. i. 'i>nto the other finke marked with. Z (^ it my lie flew yoa the diminijhing ofVoluta tn the middd , through iphtch dmiimfhingjou fhalperceue the erules ofthe(^analiculi.Sodonethefideofthe Capitalfis twijefo bi oadeas it is tn height /heTroie- Bureof Echinus /s hke and equall with the TroieBure ofI(egula at the foote of Scapus , and fl ende theTroieBures /ind mejures of this Capitall alfo the. Antiques in diuers of their ed^ ficeSyhath made Echinus, to be tn TroieBure like Ipnto Abacut. EflSTILIVM, Ver theCafntator hedofthepilleryeflalfet Epifldium,or Architraue whoje marki is Athe height therof jhalbe a Modulus /ind that height ye flail dettide mto. y.par* tes , one of thojeye flail geue ynto Cymatium markedwith Bhts proieBure is like 'i>nto his hetght.The other.6.partesyeflal deuide into iz.partcsgeue ^. tmto the lowefl Fafcia marked with Cgene.^.lfnto the fecond Fafcia marked"^ D.pon the one fide lender the Capitall the "^huh is the twelfth partof the diameter , the which partjoup?ail deuide into 9. partes, geue.^. ')>nto the highejl Fafcia, ma rked with E.for his TroieBure /he other. ¦^.pa rtes jhal flrue for the TroieBure ofthe middk mofl Fafcia marked '^itbiD.the lowefl Fajaa,findeth his owne TroieBure aj before is reherjed. ID ij: xpphorisi. The chicfc GroundcJ ZOTHO%VS. .TontheEpifliliUfye flail fet Zophorus yhlch is calledinour Ejigltfh tounge th frizS- If any thingjhalbe therin grauen or cut /hen it oug ht ta bey jourth parth^hr yj^j^ the the Epifitltu. If nothing thalbe wrought "^iny Frizs-thefhalyfrife be the fourth parte fmaller dien the Epflilium fThen deuide the Fri^e marked'^tth F, into.j .paries ,one fuch parte adde therto for Cymattum, marked"^ G. let hisTroieBure be aljo asmucheas his height T hat donneye jhall begin with theCoronix,markedwithHJheli>hichisth hghlfl' parte ofthe Trabeation.Ouer Qmattum , fhalbe fette Denticuli marked wkhA-. wh(jfejjetgh jhalbe jo muchas the hdght ofth myddlemofl Fajcia , and his fillet to be thefixi part «/".j)&. ticuli/indabouelDcntictdi ye jhall jette Corona markedwith K^ndthe height therof fhalbe alfdhke "^nto the rhydell Fajcia That height deuide into.^^. partes ,ont of thofe.partetadmit *i^nto Cymatium aboue Corona , theTroieBure oj the Denticuli and Corona ipitb Cymatium^ hangeth ouer jo much as thefnxf is in height^if the friz/be the four the pa rt drniimfhedST hus tprifeth oure Author Vitruuius . Ouer Corona fiyalbe fet Sima parkedwith L.tfihofehe'ight flalbe the eight part higher then Corona, with his Qf^'itiii O" hs Edge at the toppe tobethe Sixte part of Sima added therto, theTroieBure to be likelpnto his high and foenddhth meafures ofUntca . I'lus haueye endidaty hie fi part ofTrabeationis whofe marke is H.%eguU the edge of Sima marked L. Cymattumfyronapafked l^. add^douer tl)^ woma Mutdos ,0- his CipitafDenticuluspsrked I Zophorus pa rked.F ,j Cimatiu marked G.Ef IS IT LlVM marked J.CimatiTi marked B.Fafcia .f rima parked C. Fafcia SecudamarkedD.Fafc'taTertta marked E.C ATI *« T VL I/narkedT. Cymatium. Abacus, markedVFrons Voluta ,yttitrked X- Jflragaks. C 0 L VMN A/jppon the pillor noted Scapus, marked T^ Apophigis Ju^e* nor. Apophigis Inferior. B AS IS,markedM. Torus marked O.T^egtda, Scotia, Superior, fnarkedT.^Zula ,AfiragalusTrrmus , Afiragalus Secundus marked Q^f^egula, Scotia, Inferior f^^lalFlinthus , marked N. Coronix , marked C. ^egula.Qmattum marked H Corona, mar ked 1.1{egula,fn the finijhed pdler is added Echinus f^gula Sima,marked I^ A firafralus marked L T^ula.\luadratum.Sejqutaltera. B AS I S ,ofthe pedefialk mar ked B.T^gula , Qmattum inuerfa-addtdT^gula Afiragalus marked D.SnnaT^uerft mar' kedE.%egula,TorrtluspArked.F.Tlintbus Tnmus marked G.Aflragalus,^egula,Tlir; thus inferior being added Ifnto the Baje of the pedeflallforfo increafe his height and alfofor an other purpos mofl neflefeary if the pillor fland on theground andnoflepes lender the pedefiallm the which bodye ofthe pedeflall is demonflrated Ichnographia, where tn Ibegane andaljo makean ende (HCO R Y NTHI A A- Rectvla ^ o , yx,^ FASCTA -ST ir!xCYMAlfv S- ScoTx svpv-:rio«- TORVS l>fI'F-RIO£ — ^I'CVMiTlvM- M .AsTR ACALVS- jj_Dj Ct>l\71VM "li-l • VllNT HVS dm OfArchlteaurc. FoIio^i. FIE^E BEGINETH THE TILLOT^ that wasfounde in CorintJ>ia,by Callimachius the excellen t ArchiteB of Cormthe . |0 begtnne ivith theTedefialofCorinthia /ye Jhal enter thus , The fiat flone or body ofthe Tedefialjhalbe a fquare ifp.z. third partes in hdght the which ts marked with A. whofe heightye fi)al deuide into.y. partes /iddejuch apart \ iPntotheBafe of theTedejlallparkedwith B/xnd afmuche for the Coro' nix, wl?ofe marke is C. Then deuide the Bafe of the'Pedeftall marked lodh ^B.mto.-j. partes fjeue one l^nto Cymatium, marked with D. andvneli>nto Aflragalus, with his^gula,Tnarkedwith E.Thengeue.%.lpntoSyma reuerfa marked with F.withhis fillet fThengeue 07ie partlpntoTorus ,marked'^ithG.the other. z.partes admitte Jfnto (he hivfyefi Tlmthus, markedwith H th TroieBure,of this Bafe ts like Ipnto his height The other Tlinthus, is added therunto /he caufe wherof fi mencioned and declared before in lonica fT he deuide Coronix, marked with C. into, lo^partes Geue'Ynto Cymatium aboue'mar* kedwith.I.i^.partes ofthe whichhis fillet flallhaue.i.part Then admit alfo.z. partes toCof rona parked with K^andalfo.z.parteslpnto Syma hidUs fillet or edge marked with L.th other. z. pa Y tes geue Ipnto Cymatium with his edge marked with M and tj?e tenth parte admit ipntoAflragulus ip- ^gula, mddiedwith N.lpnder Cymatium, the TroieBureyefhal make likelpntothdr height lautngonelyC orona phiche ought to hange ouerz. third partes more then his height the wh. ch is a haiidelmto the whole Coronix andfo endeth the meafures cy TroieBures /heruntp belonging . BASIS lOwye fi?al finde the meafures of the thicknes of the pillor, which is the (Diameter jas > doth fol lop, deuide the bredthe ofthe boddy e of the Tedefidlinto 6.partes ,wherofthe *diameter or thicknes ofthe pdler fhalbe. ^.juch parts isry height ofthe piUor fhalbe ^.Diameters, wherof the Cdpitallfhal haue.i. (Diameter, for hs hdght ,<3' alfo the height of the Bafe fhalbe halfe a Diameter /phich bafe is marktdlo 0 whofe heightye fhall deuide into. ^.partes wherof the Tlinthtts, marked with T. oaupieth.i.part.The other. -^.partes deuide into ^.parts.GeuelpntoTorus, aboue whichismarkedwithQ^.onepart, forth part greater the the Torus aboue, O" is marked'^fith'J^t hat iphich remaineth hetipcn th.z.Torus deuide into.z.partes, ofth highfl part ye fioall make Trochilus, marked withS. wherof the Aflragalus,fha Ibe the fixte part, and his edge fhalbe half his height /he other edge that Itethlpnder the highe Torusfhalbemheight the third parte more the the height of we other edge.T he fecond part that remaineth is for thenethermofl Trochilus or Scotia , mar* ked with T whofe Aflragali, fhall alfo be in height the fixte part of Trochilus , and his edge fhalbe halfe his height, the other edge that Iteth on the net her mofl Torus, jha Ibe in height, i. third partes ofthe height ofAfiragali/heTroieBure ofthis bafe is thus. If this pillor flande iDppon any other pillor /hen jhall the TroieBure therof be like Ipnto y TroieBure ofy Baje of lomca/ty if this piller fland ipppoygroUd ,or being dlone by himfdfthefi?althis TroieBure of the Baje be likey TroieBure, of the Bafe of Dor tea, ortefl leaues andaljo one other to the height ofthe myddle leaues The third part is leftf)r she height of Clauicuh,Vitruuius calleth It m thtmakinge ofthe Capitale of Imica,Volutji, nndts in this Capitall marked with B. being that which goeth out oj Caults, and turneth toy ^Corners ofthe Abacus and they bent nomber. ^.rounde about the Capital, the which clojeth togithr at the.^.corners ofthe Capitall/tlfo there be other fmaller, that are called Helices, the which fpringe out ofthatlohichts the budde or Chides, andgrowe Ippwardes right Imder the Abacus and haue but halfe the height of the othergredter Helices, or Volutas andalfo.% ofthem be rounde about growingealfo.z.and.z.togithers Ipnder the.^ forefronts ofthe Aba' luspuer the whiche flandeth the flower or ^fein the mydddl ofthe Abacus whofe hdght is equall with the thiknes or height ofAbacu},betng.^. rofes or flowers in nober in the.4- frontes ofthe Abacus A Ifo Ipnder the Abacus js a certaine fquare edge named Tenia, -^hoje height is halfjomuch/is the Abacus is m height, his TroieBure anjwi-reth to the thicknes ofthe pillor cr Scapus, benetlxthe "^hich is the Diameter , Concerning the othnS^roieBures ,thy beginne thus.TheTroieBure of the. Abacus anfwer eth eris like Imtotf^e TroieBure oftheThnthus ofthe Bafe or foote of the piller, and fatlkth ouer fome^hat more then the Tlinths.Noweto hioiH how muche the Abacus hangeth ouer more then the Tlmthus ofthe Bafi ofthe pillor, the whtchisjhwedin theground plotte named Ichnographia pid is marked'^ith C. '^htch ^roundels to h made thus . Make you nto this Cornifhe/s added Echinus , marked with G. ftandmgbetwixt (Dentictdi and Corona, being in height like l)nto the Ipndermofi Fafcia, marked wttlylD . the TroieBure ofthe Cornifh/s increajcdfomiu he as Echinus is tn height alfo Jynto the Architraue is added Ifnder the feconde Fdfcia , markedwith E. Afiragalus , being in height the eight parte ofthatFafcid,make alfo that Aflragalus, to be in height the eight part ofthe highfl Fafcia, marked with Fthc whiche Afiragalus, flalbe as it were certaine rounde beiyes and the other Aflragalus /hat lieth lender the myddle Fafcia, jhalbe wrothonne like a wreathas concerning the Frifejt is to be or den das before is mencioned in the meafures ofthe lonica, the proieBure c f the fore faid Architraue, Is before reherfed in lonica. Now it behoueth to make mention ojan other order andcomen rule that the antiques hereto* .fore hauelpfedm their time of buildinges appertaining to the whole Trabeations of the Corin* the /he meafures is as hereafter followeth.(Deuide the height of the pillor with the Bafe and Qipitall/nto.^.partes , the which whole Trabeationes, fhalbe in height afinuch as.iof the.^-' partes ofthe height ofthe pillor, and that height deuide into lo.partes jwherofye Jhatlgeue. ^. "lynto the height ofEpflilium, the which We callAfchitraue, marked with.I.and alfo geue.^. J>nto the height of Zophorus, which we caly frefe, marked With I^thole.^.which remdigne ^eue yntoy Cornifh,whichVuruuius called Coronices /narked with L.Cocerning thje.^. par tes thataregeuen Ipnto Coronix , deuideyou into.z.par tes geue. i.lynto Cymatium marked "4. M.dnd geue alfo i.parts into Echinus , with his edge whofe marke is N.and alfogeue z.fuch parteslpnto Mutili, whtche is alfo named Modtgltons pith his Cymatium markedwith Oalfl geue.Z, of thofe partes lynto Corona, and hit Cymatium, which is the forthepa rte of Corona, and ts markedwithT^.and the other.z.l>artes geuetmto Syma,and his edge at the top whichis the (iglytpart ofthe whole Syma, which is marked with Q^^he TroieBure. fhalh^s before is re* Jyiojed faulty ondy that Mutdi Jhall hange ouer Jo farre asye maye conueniently not hyddM^e orfladowing hisCymatium the which doth anjwere right to the TroieBure of Corona . Vitrtf iiius declarethalfo the whok height ofthe Trabeationes, to he the fifthe part ofthe lenghtof th pdlor /y Jo he writteth that it was made in That rum , whrofhe maketh mention in hs fifth booke andfeuenth chapitt r,thts Trabeattone/s of that height the iplnche hejj>ake of and is markedwith H. Now as touching the other fide that fiandeth ouer y garnifhed pillor, that is alfo antique At is inrichcdbeawtifulbe hauinge in it Denticuli, Echinus , and, alfo Mutuli, th which Vitruuius, doth not allowe faing in his forth booke and fecon IChttpiter/hat (Denticuli, jerue theT^k of Vitruuius, To the third Coronix , that_ the antiques, haue deuijed in their builSms Of .Archiredure, Foliojfiil. buildinges they haue add^dMuttlos or Denticulos acconding to their wilks isr hduegarnifiyed ,it mofl triumphantly /IS IS wamf^ in diuers of their doinges . For the whidythey ought tobe conhndtd. For l^itruumsJfacth/^ Mutdi fhaib: a ncciji'ary thinge in all Coronices , and be teacheth aljo /hat Dentii uiijhould he o feruedin lonn a . Jang tha t it may be juff. redtn Io* ntca /t is neceflarye to be objeru ed m Corinthia , andis made in It.ilic to their commendation andjamejwjyoleTroi'Bure therby doth more abound in bawtie. Thus ende the meafures and the making'e ofConnthui . iEuerthdiJSe I phinh itgood to make a brief rehefall,rctou >-ning to the place where I began at, ^ aljo for that her is added diuers thinges p the.^. chaunges ofy Trabea* — _ — ftonsiningdfh called architraue fije , and Cornijhe /he firfl andhgefiis T^gula Sima marked-Q^^Cmatium Corona mar kedT. Cymatium MutihmarkedO.'I{cguld Echinus marked G. Aflragalus er Ajyophges (Denticuli Cymatium marked M Z OTHO TVS marked K^ETISTYLl VM marked I Cymatium FaJcia marked F. with his Aflraga* lus.Fafciafecunda marked E. Aflragalus Fafcia tertia.markedD.CAT' IT VL I marked T .Abacus marked A- Flos Voluta Maiores marked B. Voluta Mtnores. Folia Minor^e . Cau* lis Folia media.Folia ma,C 0 L VM N A marked V Afiragalus Apophigis Superior et. in* ferior.B AS IS markidO. Torus Superior marked Q^^^<^ula, Scotia fuperior. markedS» T^egula AflragalusTrimus,Aflragalus Secundus T^ula, Trochilus marked T. T^ula, Torus inferior marked%. Tlmthus marked T.STILOBjiT A , Coronicis marked C. Cymatium marked I . Corona marked K^ Sima marked L. Cymatium marked M* Aflragalus et Apophigis marked N. Quadratum Troportionis Juper Biparttentis Tertia marked A. B AS I S. to the jame marked B. Cymatium Teiarja marked (D. Afiragalus marked E.Sima Tj^uerfa marked F.Torulus markedG. Tlinthus marked H. Afiragalus ctT^gula, Tlinthus inferior j, lafl of all ICHN0G\ATHIA theground plotte and foundation where with this Worke began and a Ifo endeth. E.j. ^ C OM P O S I T A OfArcLitcaurc. I^oliaxiiii. ^COMfOSITA Oil ITALIC A THE T^IiJVMTHJNT pillor, demfed by the ^manes,andfetcheth ids compoundes out of all the other before reherfed and written . His pillor nanied Compofita fhalbe.io. Diameters in height, the iphich DyA^ meters are drawen ouerthwart the pillor, whereof the CapitalL is a wholk Dyameter in height, and Spira or Bafe is halfe a Diameter in height. Nou? as concerniugym({ajiires ofthe Tedeflat /he bredth bfth fquarejlone which is the bodye ofthe Tedeflall fiyalbe doubled m the height', which Thilander nameth the quadrante ofthe double proporlio which is marked ip'ith A whofe hdght fhalbe denidedinto.^.paftes , one juche part ye jhall adde to the 'high of his Qoronix, markedwith B.ajmtiche pujlyalladde lynto his Baje markedwith C the other meafures therin belonging jhalbe as before is reherjed m the Coyinthta ,but inthis Baje is added Cyma^ tium which lieth betwene Aflragalus j^r the fquare ofthe pedeflalLAlfo Coronix is to be made as before is rdye rfed in Corinthia, but that in this /hey haue added (Dendculo s/he tphich lie he* twene Cymatium and Echinus, thr oughe the which it mountethtoa fortber TroieBure, the. which the Tomaynes haue done for the more pleafure ofth eye . As touchinge the bodye ofthe Tedejt all they haue gamifl edit beautifully after diuers fortes as by t he jcfiVifhed figures je maye perceiue.Nowe as the other Tedefialles before mencionedyWere parted and deuided into fo many par tes as the pillors were Diameters in hdght, fo is this Tedeflall lo. partes in height of the which, the Bafe occupkthth lowe ft part, which is markedwith C. A Ifo y double fquare occupieth eight partes to his height, er the tenth part is admitted to Coronix , markedwith Bt BASIS or STITiA. Ight anddireBely Ippon the middell of the Tedefiall fhalbe fet Spira or th Baft ofth pillor markedwith D. whofe hdght fl?albe a Modulus, or halfe the thiknes^ ofth pillor ,y whichhdghtye Jhal deuidinto.6.partesgeHe one pdrtlpnto Torus aboue markedwith E.ji other.^,partcsfi:albe deuided into.^ partesgeue one part ynto Tlmthus'markvdwith F. the othcr.z.partesyou fhall deuide imonpdrtes wherof ye jhal geue.^.t>artes t>nto Torus the lower markedwith G.geue alfo.i.fjartes to the two Aftrdgall with their ^le j/hofe marke is. FI. the which edge or rcgula ,is in hdght y one halfofi.Ajtra* fralus ,iT€ue aljo.i partelynto that, which is marked with I. fome name it Echinus, but the gar* nifhing therofis not like Echinus , iphich lieth Ipndcr the higher Torus, who fi edge fhalbe half apart.So that the highefi Torus, er Scotia, marked with /( (the which /grekes call Troche* lon)be'^erynighofQnehdght.TheTroicBHrci of ths ^afe areas before is rd^crfed in Co* rinthia, SCJTVS. • He ho3y ofy pillor pyalhc .% k Diameters in height y which are drawen ouerthwart the pillor. Now as touching the diminifhingoj the pillor aboue ye fhall begin thus 'i>ppon the third (Diameter thereye fhal trie the mtddk ofthe pillor Ipnder theCapi* talThen deuid th thicknes ofyour pillorinto.&partes thatis.^.on echefide ofy middk ofthe piiloi- and,^e Jhall Jette.^.fuche partes for the thicknes of the pillor lender the Capitall, * E.u. which The chiefe Groundes which fiyalbe.l.and a halfe on echefide of the pillors niyddd,from the which thiknes of thep'^ lor Ipnder thCcipit (ill drawe both the fides downeWardes perpendiculerly yppon the thirde Skiameter wheronye flail make a half cyrclejogreate asitmayebe within the (Diameter ^r thiknes of the pillor and it fhall make^ on echefide a croj^e ouer the perpendiculer linepeafure from th crofles downewardes euen l)pon the flrike ofthe halfcyrck or comfms to the ouerth* wart fit rike Ippon the third Diameter er demde it into.6. par tes,making.6. lines crofting ouer th halfcyrck. Andye fhall begin to drawe from the line marked.z.in the halfe cyrcle Ipnto the ouerthwart line at the toppe of the pillor marked with.z.and aljo from th line ofthe halfe cyr* ck.-^. drawe Ippwardes perpendiculerly to the ouerthwarte flrike marked with.:^.and fo drawe Ippwardes from, ^.to thoucrthwarte linemarked.^-andfofrom.^.to.^. and alfoperpendicu* lerly drawe from.6.to.6,T hen take a rule arid drawe from DiameterlpntoDiameter downe* wardes /loflng Ippjfide ofthe pillor asyou may perceue by you r figure for I haue drawen er clofed the one fide of the pdlor , and the other fide I haue lefte open that ye fhould plainely per* ceiue the working therof /he height ofthe (Diameter, Ipnder the C'^pd all. ye fhall deuide into iz.partes the higefi part jhalbe deuided into^ efiall partes pherojye jhal geue.z.lpnto Aflra* galus parked With L .and the third part flalbe geuen to the edge or Senta, which is marked with. M. Alfo an other title fquare edge, winch lieth Ippon the Bafe being at the lowefl parte of Scapus flyalbe inhetght likelpnto Aflragalus , at the top of Scapus. Concerningthe garni flying ofthe body of the pillor or Scapus , which oure authour calleth C^n^huli andStriges , the anti* ques haue deuijed fo many Jundry fortes ,that herin the beawtye of them cannot be exprej^ed. But amonge a ll other in Tantheon, is a pillor thus deuided.Ther be C'inaliculi,roundabought thepillor.z4-in number, and eache ofthem is deuided into 9. partes, ofthe whiche partes.^, is geuen lynto that, whiche oure author e nameth St ryges , "ppon the which are made fpright in the middk therof Afiragakphofe bredthe is.i. ofthofi.^ partes, the other 3,. partes are lefte for Stryges.So that Ipfw eache fide ofthe .Ajlragclt,is left one part The vther.^.pa rtes are left for C'^naliculi/h which are hollows inwardes. There is an other pillor , the which flandeth in Bafilta delforo tranfitorio, in 'I^me/he which is made much after onefajhign but that the ArchiteB hath made htsCanahulijomwhat biggar or largar.Andthat meafure is thus.The pillor rounde nbout Jhalbe deuided into.z%.or.p..partes The occafion wherfore the number of thofe doth differ, IS for theplacinge ofithi pillor Jlandmg farre or nighe lynto the eye, for if this piller fiande farre from the eye/there fiyalbe in number.z^ andat the mofl but.z6.Andifthe pillor flandeth nigh Ipnto the eye,there fhalbe in number.zS-or.^o.and at the mofle , they made ^.rounde about the pillor. Nowe eche of thfe partes fiyalbe deuided tnto.-^ partes , let.z.of thofe' partes be geuen to Canaliculi/he thirde parteyefhal deuide into.^- partes wherofgeue.i lynto Aflragalus , and the cther.z.that remaine geuelpnto theStrigeus, thatflande on echefide of the Aflragalus /he bredthe of eche ofthem isapartc/isye may per ceiue by this Ichnographia the whiche figure is and flandeth here betwene your z. pillors being your parfaiBe o round of the bodyf ofthe ptlkr or Scapus, whiche is markedwith N. Thus finiflyinge the meafures /he TroieBures Jhalbe as isbejore declared in making ofthe other pillors. CJ^ITAL. Of Architcdure. Folio. xV: Nthe toppe of Scapus, or pdlor jhalbe frtt the Capitall, whofi hdght fhalk a (Diof , meter /n the which Capitall Abacus With his long andfhorte leaues, and his Caules 'i out of ihe which jpring thefmalkr Helices, be a portion taken from Corinthia. Alfo ^^ they haue brought to pas in this Capitall, Voluta and Echinus and Aflragalus, Wdh his rule, which is andareportiones of lonica- The yneajures ofthis C apital are thus. From the pillor Ippuifirdes to the toppe ofthe Capitall, that is marked with O.whoje height is a Didmetef Jhalbe deuided into. -J partes, wl)erof one fiyalbe ge^en to .Abacus , lieng at the toppe ofthe Cd' pit all, which is markedwith T.the which partes, jome ArchiteBes haue added to the high of the Capitalljo that they haue made it tobe tn height a Diameter^ and the feuentb parte of a (Diameter, as before is reherj^edm theCapitall oj Corinthia, but /o muche as theyhautadded to the height ofthe Capital, fomuche haue they abated from the height ofScapus.Nowe ofthe forfaid.j.partes ,doo remaygneyet 6. the which Jhalbe reduced into.ipartes, the one jhalbe ge* mn Ipnto ibe Jhorte leaues for their hetglyt, the fecond part fiyalbe added Ipnto the height ofthe wyddle learns, and ihe third part IpntoVoluta parked with Q^s for the height of Echinus, marked widy T^ fioalbe founde in the mdkttige ofVoluta,as before is mencioned in lonica . The TroieBuretof this Abacus , whofe marke isT.fhalbe euen fomuche as is the TroieBure ofthe Tlmthus, the which is the lowefl parte ofthe Bafes. ofth pillor euen as tt is before fatde jn the rrroundplot of Corinthia, This done drawe from the Iptter mofle ofthe Abacus , downewar* des along by theflde ofthe Capitall, Ipnto the lyttermofl ofthe Aflragali Itenge l^ider the Ca* pitall,whoJeTroicBure , jhalbe fo muche as it is in height This done )0u flail caufe Voluta to touche the flrike thatyou haue drawen by the flde ofthe C ts a corner pillor, being foure jqua re/phofe (Diameter marked with A. {faith heys like Ipntothe roiid fillers j which heflandeth by but my Diagonall line marked B.he is thicker then th rounde pillers. It is thatpiP^er tphich Vitruuiusnameth Atticurga or Jttica,made by,/ Atheniens ,tlye which natio lyfedalfoy mefures-ofCor'mthiu in their pdler s.So that the C apital ofthis for ejaide ptlkr , is much like to} Capitd ofCorinthia.TheSpira,orBafi ofthefaide Attica, wherwith alfo they tifedtogamiJhCormthia,Vttruuius,alfo,witneJ^ethoffucheapillor,decka rin^ and Jaith, that Spirdatticafiyould be like lynto Sfura or Bafe lonica. Thus haueyou all the maner and meafures of pillers that dnye notable matflersofArchiteBure ot Aitthours therof haue written . Attn order dofollowe. Tujcand conteineth in height . 6. Diameters S)orica.ji (D tameters in height . Ionica.% Diameters in hdght, Corinthia.^. (Didi meters in height, and Compoflta, contaigneth .io.Diameters Hi hdght , Noive ofthis for fayde pillor Jtticurga, I finde no mencion made of his height. But of the multitude of his Canahculi, whiche Be y. on either fide of the pillor. And as touchinge his height , wherof M mention is made fit is to be thought that he mufl bear e fuche height as the refi ofthe pillors for Vitruuius Jaith that f highefi pdlor pafleth not.io (Diameters, in height fo that his height maybe agreabletothe height ofthofe round pillors dyaS are loynedwith him,whitlyer they be Compofita or Corinthia ,which In^ fife haue fen e in T^me in thearke triumphant ofSeuerus, beings oined with Compojita, alfo inTantheon where bis three fides plainely are fene, the fourth ftandingm the Wal, the Capital and baje a Ike to th round piUers,wherwith hefladeth bemg CorinthiaTheTroieBure of his bafe was like ynto Spira attica/he which is halfe a Mo* dulus /neither fide ofthe Bafe, the which Vitruuius more plainly at large dedareth. / Thechiefe Groundes ^THE CHAVNGE OF THE FIVE TILLET(S 0%DE%Lr to be Ipfed eche ofthem in hiskynde whiche order of buildinges be named of Vitrunms asfnUowetbTlcnOSTTLOS, SISTYLOS, DiASTYLOS J^W STYLOS, EVST YL OS, whofi piBurts injew.dy dcvionfi rated m order. Oweforfomucheas I haue reherfed the beginning and the Injiitution ofthis arte ofArchiteBure, naming the Writers andaudyors ofthefaiifcience , and dec la* red dye metfuresgeometrycall therto belon^tngm their fimetries/puh all their gannfhementes :it is ther fire alfo requ-fit to reher fi andto ktyou lynderftand by iphat meanes the order ofthe before named ptlkr s fiyalbe altered in'thir flan* ding,adding, or abating to orfro,euiryofthem accordm^ly as thy fiyalbe placed,by whtche knowledge or like knowledges ma>y may come te th righteperfeBiojlppon whiche occafion tt fhalbe declared what mention Vitriiu usdothwakein the third hoke and fecond C hapiter eP" alfo theopinion ofSebaflianus-Serbus and otherypon thejame ,hwfarand hwnerethe pil» lers fhalbe fet a furider Saying tht this order ofTicnoflylos ought thus to be made /hat whkh isthfjace htwene the.z.pillers fiyalbe a Diameter anda hlfe the pdkr behtgin hdght.tOi Diameters.SiJ}yhs is that which hath.zDiameters betwixt the.z ptlkrs, whofi height flalbe ^.Diameters anda halfe.Dtaflylos Jhall tlmsh made,the pillers fiyall fiand.^.Diarnettrs one from another , whofe height Jhalbe.S^Diameters anda halfe.Ariofiylos is that, which bat hthe Jfaceor bredtJy betwene the pillers. 4.5. or.'6.Diameters,andiitthefurdeJl.y.7)iameters,the whiche pillers comonly are. 8 Diameters in height : but in the Euflylos the authors differ Jhe cne faith that his meafure is like Diaflyli, and the other jaith that it ought to be like Siflyli, andfo becaufe Diaflyh is .%. Diameters anda halfe and Siflyli. p. anda fialfe. therfore ou re authoure hath made betwene them both an lPmformity,and caujeth Eufiylos tobe. p. Diame* ters in heigh . This done Ano fiyli is. 8- Diameters tn hdght .D'uijlyli. g. Diameters hnd a halfe, Euflylos cy.Dianiet ers. Sijlyli.p anda halfe, andTicnoJtylt.io.Diameters. Islowe like as Tufcana ^Dorica .fonica ,C ormthia , er (ompofita , increafe rhdr heightes by Diameters, jo do thefe ^. here before reherfed increafe tijeir heightes by Modulus or half (Diameters, and you fhalaljogarnijh iiS'falhion them according to their kngthes,as I haue by their len^ht fJyewed he for): their fimilitude andflrength , whicheyoujhallfeeandperceiuemorepUindyin thede* monj: rations folio winge. AT^EOSTYLOS. Egmning with tjyisfiffi being Areofiylos,as Ce* fa rianusfaieth, ought to be m height.%. Diame* iers, and tbedijlaunce betwene thei. pillors to be 4. 5. or. 6. Diameters as is before reher fid, whiche ptlkr forhisfirength is liknedor tobefembledlyntoTufiand necefiaryfor all fiyundations and fortifications both to jithflande great forfe,erfupporte wdyghtkburdens,as y maifler builder can Ipfe htm phich is to be fene in diuers places in Italie /ailing it ^uflicke or^ghe hewed flone, and in other places to beotherwije^armjhed. lAREOSrYLCSi'fl^ S^ OfArchite<^urc. i^oh' o.xvii. DIASTYLOS. He fecond order as I haue placed it/s that whiche Vttruuius calleth Diaflylos', whofe heigh (filth he)!^: 8 Diameters and a halfe, [and the diflaunce betwene the.z.pillers ought to be.^.Diametersor.^. at yfurdefi.whtch pdlor is likned lynto Dorica made to hs perfeBion m thtepk of Mars. which alfo is a pdler togarnijhe cyties andgatesfomwhat pkafauntandftronge as is to be fene in diuers places, as alfogates ofpallaces with the lytter galleries. EVSTYLOS. He third order IS that whiche Vitruuius calleth Euflylos, the whiche oure Author I hathbroughtto a Ipmformity, faying the piller to be tn height.^. Diameters, er the diJtaUce hetwen the.z.ptllers to be.z.Dnfneters er a quar* ter /IS GulihelineThilander afflrmethjbutat the furdefl. z.Diameters anda halfe or.^.which piller ts likned Ipnto lontca budded tohis parfeBion in th tepk of Diana er Apollo cr to belyfedin ma ny meane edifices to begarniflyed accorfinglye . SISTYLOS. I He fourth order ts that whiche Vitruuius cat* ' leth Sifly los, whofeheight (faith he /s).g.diame ters anda half ;^hofi pdlers flandeth dtflant one from the other.z. Diameters /ir.z. and a halfe at thefourdefl and after this maner it was made in the tempk of Fortune, which piller ts likned tmto Co* nnthia, whofi meafures areflerider erferueth togarnifh princes pallacef and for diuers other thinges necej^arye whiche multitude nedeth not to be reherfed Jbut as time fioall ferue they maye be praBifed and brought in lyre to diuers Iffes mofl neceJJane. F.J. Thechiefe Groundes TICNOSTJLOS. He firfl er lafl order is that whichVitiuutus, calkthTicnoJljilos whofe height fakth he is.io Diameters whofe pillers flandeth dtflant fro echeothera Diameter, erahalf€or.%.aty fur defer thus wasitmade in the tepk of Venus which piller isfemhkdor to he comparedOynto Compofita hduing in it the full beawtie of althe for jaide meafures dndg^rnijh* ments for al excellent artificers, hawtifully tofetfurth whether it beingoldeorfiluer or other richefione or fine ¦^oodcs tnmarketrey orimbopnge orcaruing as Jhalbe thought pkajatit er necefiaryfor nobker mighty prices orfordiucrs'other e fates louers of excellency or coninge* fAN OTHEdl pon the meafure, a r before is Jay d, and the fecond pillor /hatflandeth ouer him , both in height and bredthe fiydfi diminif he hisfourrheparte.Jndhis Architraue!, firefe or Cornifh fhalbe iri heigth the fiueth parte ofthe height of that piller , and fo fettinge the one lypon the other, dimi* ntjfyingeajter tht: fayde order. Some ofthe andquesaforfaid haue obferued thefe orders and miafures,as Scbaftianus,doth witnef^e in his third boke and fourth Capiter that there are many edifices ofthe antiques wJyerin allthe orders of thefe fillers haue hne fette one lyppon an other: garnifhing them accordingly e as it is jet to be fene in the Amphitiatrum named Co HoJIeum in Q^ome whofe excellent and praife Worthy doing Jhalbe more plainely fette fourth hereafter i. OfArchiteaurt. Fo!io.xviii fHE^n IS AN OTHE% NECESSJ^tB ^le appointed ofVttruuius for the dtm'tnifhing of Scopus, lynder the Capitall by the increajing of his height i Itruuius, in hh thifd booke and thir d Chapiter, fainth thus ifScdp)isamountein heighte frOrh.l^. fote lynto.zo. th Dia meter is to be deuided mt 0.6. par tes er a Jyalfe,erS thichyes 'ofthe pillorlynder the Cdpitall,flalbe.^.and a halfe. And if Scapus, 4mountefrom.zo.lynto.^Q.foote then fiyall the Diameter ie deuided into.y.partes, wherof 6. partes Jhalbe th thtcknes of the pillor lyn* de'rthe Capitajl andfo augmenting and diminiflying after.this order Ipntjll Scapus /fit were poflibte ^fiyoulde dmounteto the number of uo.foote whichis the ende ofdyis tdbk that flandeth here hefide •wherinye maye percetue in euety. 10. foote increajlin^e in height doth pew the thicknes of Scapus lynder thCjipttalffo that the Uo.foote in hdghtof Scapus , the Diameter tobe deuidedinto ih partes, thn fiyalbe the thtcknes ofScapus , lynder the Ca' pttall.io.ofthofe.u.partes,erj6 furth ifnede flail require, ^.AU OTHETl EXAMTLE TO BR ohferuedlyery necefiaryfor the maifler builder or ArchiteBe that is for theinlarging ofthe Epifiilium, when the pdlor amounteth to certaine heightes. ttrtmins in the latter ende of his tirdboke declaring when the pdkr that is tofaye Bafe Scapus, andCapitallamoun* t eth from.\>y foot e to.zo.fote in height /hen fhal the hdght Kfthe wholk pillor' be deuided into.z.par tes, on fuch apart fhalbe th high ofthe Epifliltum,alfo if the pillor do increafe from 2o.t0^^ fote thenjhall the piller be deuidedinto a partes anda half wherof the height ofthe Epifltlium.flalloccnpie one fuche part , alfo if the piller furmount fro.z^ to.^o. the height ofth pillor mufl be de* \ uidedinto.n partes wherof the height ofthe Epiflilmm,flydll occupie ^ onefuch part er fo forth as the colume tncreafeth in hightfo incred* \feth the height of Epifldmm, as inthis iabk is euidenly difcufied the encreafingfrom.x^.to.66 foote increajedby.^ at ones the whiche ptl* lor of.6o.foote in height fiyalbedtuided'tnto.cf.partesphere oj the E* pifliliii occupieth for his height onefuch part, andjopaf^ing forward as necef^itiejhallrequyre m order as is bej'orc mencioned. f.y. Ther hi Thechiefe Groundes Tfyerh alfo diuers other orders of meajures and example thdt tjye Antiques alwayes lyfedm *hir times, which fiyoulde be to tedious jor the hearer, and to long for the Trader, hauing nofii gures out ofthe whiche flringeth both dejire andaljo encouragment to thefame.Thus^ ending this treatie of the IntrcduBton and meajures of thefe for fayd pillers ^whiche are the original firfi grounds and ent ring mto this noble jcience of ArchiteBure JyraBifed anddlowed by ruht piighty andwoi thye potentates, and Emperours for perpetuall memory e of their iPiBorious and triumphant feates /he Elegance thcrofofallantfquitie hath bene and yet prcfentely is as aparfaiBe example and a myrroure to behold, krne and take trewe meafui es , afwell to all fuche, as aeli^ht in durable Edifices and buildinges ,as alfo to all noble pdrjona^js and ArchiteBures , whiche do or fiiall take pkajure to ereBeer builde the like to any beawte atidpi rfeBion accordmge to the deufe andnyndes ofthe for* JaidAuthoiin Vitruuius , and Sebafiianus Serlius/o whom Ipndoubtrdly, the praife andcomendation is chiefiy to be attrybutedandgeu n.I jubmyt my trauel, lynto allother that in any parte be or fhalbe of more parfaiB erdeper karninge , knowledge and experience, a nd of like Well wyllivg aficBion , wherwtht I do offer this my poore atemptes and final trauaiks. flMTT^INT ED AT LONDON IN Fktefirete nere to SainB DunUans church by Thomas Marjhe. 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