Portal:Literature

Introduction

Literature broadly is any collection of written work, but it is also used more narrowly for writings specifically considered to be an art form, especially prose fiction, drama, and poetry. In recent centuries, the definition has expanded to include oral literature, much of which has been transcribed. Literature is a method of recording, preserving, and transmitting knowledge and entertainment.

Literature, as an art form, can also include works in various non-fiction genres, such as autobiography, diaries, memoir, letters, and the essay. Within its broad definition, literature includes non-fictional books, articles or other printed information on a particular subject. (Full article...)

Selected work

History of a Six Weeks' Tour through a part of France, Switzerland, Germany, and Holland; with Letters Descriptive of a Sail Round the Lake of Geneva and of the Glaciers of Chamouni is a travel narrative by the British Romantic authors Mary Shelley and Percy Bysshe Shelley. Published in 1817, it describes two trips taken by Mary, Percy, and Mary's stepsister, Claire Clairmont: one across Europe in 1814, and one to Lake Geneva in 1816. Divided into three sections, the text consists of a journal, four letters, and Percy Shelley's poem "Mont Blanc". Apart from the poem, the text was primarily written and organised by Mary Shelley. In 1840 she revised the journal and the letters, republishing them in a collection of Percy Shelley's writings.

Part of the new genre of the Romantic travel narrative, History of a Six Weeks' Tour exudes spontaneity and enthusiasm; the authors demonstrate their desire to develop a sense of taste and distinguish themselves from those around them. The romantic elements of the work would have hinted at the text's radical politics to nineteenth-century readers. However, the text's frank discussion of politics, including positive references to the French Revolution and praise of Enlightenment philosopher Jean-Jacques Rousseau, was unusual for a travel narrative at the time, particularly one authored primarily by a woman.

Selected figure

Ion Heliade Rădulescu (January 6, 1802 – April 27, 1872) was a Wallachian-born Romanian academic, Romantic and Classicist poet, essayist, memoirist, short story writer, newspaper editor and politician. A prolific translator of foreign literature into Romanian, he was also the author of books on linguistics and history. For much of his life, Heliade Rădulescu was a teacher at Saint Sava College in Bucharest, which he helped reopen. He was a founding member and first president of the Romanian Academy.

Heliade Rădulescu is considered one of the foremost champions of Romanian culture from the first half of the 19th century, having first risen to prominence through his association with Gheorghe Lazăr and his support of Lazăr's drive for discontinuing education in Greek. Over the following decades, he had a major role in shaping the modern Romanian language, but caused controversy when he advocated the massive introduction of Italian neologisms into the Romanian lexis. A Romantic nationalist landowner siding with moderate liberals, Heliade was among the leaders of the 1848 Wallachian revolution, after which he was forced to spend several years in exile. Adopting an original form of conservatism, which emphasized the role of the aristocratic boyars in Romanian history, he was rewarded for supporting the Ottoman Empire and clashed with the radical wing of the 1848 revolutionaries.

Selected excerpt

“ All these, however, were mere terrors of the night, phantoms of the mind that walk in darkness; and though he had seen many spectres in his time, and been more than once beset by Satan in divers shapes, in his lonely perambulations, yet daylight put an end to all these evils; and he would have passed a pleasant life of it, in despite of the devil and all his works, if his path had not been crossed by a being that causes more perplexity to mortal man than ghosts, goblins, and the whole race of witches put together, and that was—a woman. ” — Washington Irving, "The Legend of Sleepy Hollow"

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Selected illustration

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  Rootabaga Stories

  Illustration: Maud and Miska Petersham; restoration: Adam Cuerden

  Rootabaga Stories is a children's book of interrelated short stories by Carl Sandburg, written in 1922. The stories are whimsical and sometimes melancholy, making use of nonsense language. Rootabaga Stories was originally created for Sandburg's own daughters, Margaret, Janet and Helga—whom he nicknamed "Spink", "Skabootch", and "Swipes"—and those nicknames occur in some of the Rootabaga stories. The book was born of Sandburg's desire for fairy tales to which American children could relate, rather than the traditional European stories involving royalty and knights. He therefore set the book in a fictionalized American Midwest called the "Rootabaga country", in which fairy-tale concepts were mixed with trains, sidewalks, and skyscrapers.
  
  This picture shows the frontispiece of the 1922 edition of the book.

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  "The Queen of Hearts"

  Restoration: Lise Broer

  William Wallace Denslow's illustration of the poem "The Queen of Hearts" from a 1901 issue of Mother Goose. The poem was originally published in 1782 as part of a set of four playing card based poems, but proved to be far more popular than the others. By 1785 it had been set to music, and it forms the basis of the plot of Lewis Carroll's Alice in Wonderland, Chapter XI: "Who Stole the Tarts?" Although it was originally published in a magazine for adults, it is now best known as a nursery rhyme.

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  Midas

  Artist: Walter Crane; Restoration: Lise Broer

  An illustration from an 1893 version of A Wonder-Book for Girls and Boys by Nathaniel Hawthorne, which recounted the tale of King Midas. In Greek mythology, Midas was given ability to turn everything he touched into gold by the god Bacchus. However, he soon discovered that he was unable to even eat. Bacchus told him to wash in the river Pactolus, and the power flowed in the river, which was supposedly the reason for why the river was so rich in gold in later years. In Hawthorne's version, Midas' touch even turned his daughter to gold (pictured here).

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  The Song of Los

  Illustration: William Blake

  The Song of Los is an epic poem by William Blake first published in 1795 and considered part of his prophetic books. The poem consists of two sections, "Africa" and "Asia": in the first section Blake catalogues the decline of morality in Europe, which he blames on both the African slave trade and enlightenment philosophers, whereas in the second section he describes a worldwide revolution, urged by the eponymous Los.
  
  The illustration here is from the book's frontispiece and shows Urizen presiding over the decline of morality.

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  The Life and Opinions of Tristram Shandy, Gentleman

  Illustration: George Cruikshank; Restoration: Adam Cuerden

  In this scene from Laurence Sterne's The Life and Opinions of Tristram Shandy, Gentleman, Uncle Toby's colonel invents a device for firing multiple miniature cannons at once, based on a hookah. Unfortunately, he and Toby find the puffing on the hookah pipe so enjoyable that they keep setting the cannons off. The novel was published in nine volumes over ten years, starting in 1759. Although it was not always held in high esteem by other writers, its bawdy humour was popular with London society, and it has come to be seen as one of the greatest comic novels in English, as well as a forerunner for many modern narrative devices and styles.

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  Allan Quatermain

  Restoration: Adam Cuerden

  H. Rider Haggard's iconic character Allan Quatermain, from Thure de Thulstrup's illustrations to the 1888 novel Maiwa's Revenge, a prequel to Haggard's most famous work, King Solomon's Mines. In this scene, Quatermain orders his troops to discharge their rifles, yelling, "Fire, you scoundrels!" The character served as the basis for the modern Indiana Jones.

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  Suikoden

  Woodblock artist: Utagawa Kuniyoshi

  This woodblock print, titled Kinhyōshi yōrin, hero of the Suikoden, is one of a series created by the Japanese artist Utagawa Kuniyoshi between 1827 and 1830 illustrating the 108 Suikoden ("Water Margin"). The publication of the series catapulted Kuniyoshi to fame. The story of the Suikoden is an adaptation of the Chinese Shuǐhǔ Zhuàn; during the 1800s, the publication of this woodblock series and other translations of the novel created a Suikoden craze in Japan. Following the great commercial success of the Kuniyoshi series, other ukiyo-e artists were commissioned to produce prints of the Suikoden heroes, which began to be shown as Japanese heroes rather than the original Chinese personages. The hero portrayed in this print is Yang Lin.

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  "The Canterville Ghost"

  Artist: Wallace Goldsmith; Restoration: Adam Cuerden

  A scene from "The Canterville Ghost", Oscar Wilde's first published story, which is about an American family that moves into a haunted house in England. However, instead of being frightened of the eponymous ghost, they turn the tables and prank him, such as in this scene, where the twin boys have set up a butter-slide, causing the ghost to slip down the staircase. The story satirises both the unrefined tastes of Americans and the determination of the British to guard their traditions.

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  Headless Horseman

  Painting: John Quidor

  The Headless Horseman is a mythical figure who has appeared in folklore around the world since at least the Middle Ages. Depending on the legend, the Horseman is either carrying his head, or missing it altogether, and is searching for it. Examples include the dullahan from Ireland, who is a demonic fairy usually depicted riding a horse and carrying his head under his arm; the titular knight from the English tale Gawain and the Green Knight; and "The Legend of Sleepy Hollow," a short story written in 1820 by American Washington Irving which has been adapted into several other works of literature and film including the 1999 Tim Burton movie Sleepy Hollow.
  
  This picture, titled The Headless Horseman Pursuing Ichabod Crane, is an 1858 painting by American artist John Quidor, depicting a scene from "The Legend of Sleepy Hollow". It is in the collection of the Smithsonian American Art Museum in Washington, D.C.

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  Ivanhoe

  Engraver: J. Cooper; Restoration: Adam Cuerden

  "Le Noir Faineant in the Hermit's Cell", an illustration from an 1886 edition of Sir Walter Scott's 1819 novel Ivanhoe. Here, we see Le Noir Faineant, or the Black Knight (Richard the Lionheart in disguise) with Friar Tuck. Scott was an early pioneer in the development of the modern novel, and largely created the genre of historical fiction by weaving together legends and characters into his own creations. Ivanhoe, the story of one of the remaining Saxon noble families at a time when the English nobility was overwhelmingly Norman, was greatly influential on the modern view of the English folk hero Robin Hood, and has inspired many adaptations around the world in theatre, opera, film, and television.

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  Humpty Dumpty

  Restoration: Jujutacular

  An illustration of Humpty Dumpty by American artist William Wallace Denslow, depicting the title character from the nursery rhyme of the same name. He is typically portrayed as an egg, although the rhyme never explicitly states that he is, possibly because it may have been originally posed as a riddle. The earliest known version is in a manuscript addition to a copy of Mother Goose's Melody published in 1803.

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  An Ideal Husband

  Artist: Unknown; Restoration: Adam Cuerden

  A scene from Oscar Wilde's 1895 play An Ideal Husband, originally published in a 1901 collected edition of Wilde's works. The comedy, which opened January 3, 1896, at the Haymarket Theatre in London, revolves around blackmail and political corruption, and touches on the themes of public and private honour. It has been adapted into television, radio/audio, and three films. The published version differs slightly from the performed play, for Wilde added many passages and cut others. Prominent additions included written stage directions and character descriptions. Wilde was a leader in the effort to make plays accessible to the reading public.

• 

  Jeeves

  Illustration: Unknown; restoration: Adam Cuerden

  Jeeves is a fictional character in a series of comedic short stories and novels by English author P. G. Wodehouse, in which he is depicted as the highly competent valet of a wealthy and idle young Londoner named Bertie Wooster. First appearing in the short story "Extricating Young Gussie" in 1915, Jeeves continued to feature in Wodehouse's work until his last completed novel, Aunts Aren't Gentlemen (1974). He also appeared in numerous films and television series, portrayed by such actors as Arthur Treacher, Michael Aldridge, and Dennis Price. The name and character of Jeeves have come to be identified with the quintessential valet or butler.

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  The Wonderful Wizard of Oz

  Artist: William Wallace Denslow

  An illustration from the first edition of The Wonderful Wizard of Oz, depicting the scene where Dorothy meets the Cowardly Lion, the first time the four major characters of the novel come together. The book was originally published in 1900 and has since been reprinted countless times, most often under the name The Wizard of Oz, which is the name of both the 1902 Broadway musical and the extremely popular, highly acclaimed 1939 film version. Thanks in part to the film it is one of the best-known stories in American popular culture and has been widely translated. Its initial success, and the success of the popular 1902 musical Baum adapted from his story, led to his writing and having published thirteen more Oz books.

• 

  Rob Roy

  Engraving: Dalziel Brothers; Restoration: Adam Cuerden

  A scene from Sir Walter Scott's 1817 historical novel Rob Roy, which tells the story of Frank Osbaldistone, the son of an English merchant who travels to Scotland to collect a debt stolen from his father. On the way he encounters the larger-than-life title character of Robert Roy MacGregor. Though Rob Roy is not the lead character (in fact the narrative does not move to Scotland until halfway through the book) his personality and actions are key to the story's development. The novel is a brutally realistic depiction of the social conditions in Highland and Lowland Scotland in the early 18th century.

Did you know

• ... that Norwegian surrealist poet Triztán Vindtorn changed his first name into the name of his favorite pub?
• ... that The Six Wives of Henry VIII inspired Lecia Cornwall to write historical novels?
• ... that Stolen Childhood was the first full-length book on the history of children enslaved during the American slave-era?
• ... that the Indian poet and philosopher Dwijendranath Tagore wrote the book Boxometry about the construction of boxes?
• ... that The Marriages Between Zones Three, Four and Five, a science fiction novel by Doris Lessing, was adapted for the opera in 1997 by Philip Glass?

Today in literature

29 January

• 1860 - Anton Chekhov, Russian writer born
• 1867 - Vicente Blasco Ibáñez, Spanish writer born
• 1923 - Paddy Chayefsky, American writer born
• 1933 - Sara Teasdale, American poet died
• 1939 - Germaine Greer, Australian writer born
• 1963 - Robert Frost, American poet died
• 2004 - M. M. Kaye, British writer died

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