This is a list of all the questions and their associated study carrel identifiers. One can learn a lot of the "aboutness" of a text simply by reading the questions.
| identifier | question |
|---|---|
| work_23ousutz7fbsxbqelau4jrov54 | Mathematical beauty is an abstract beauty, cold beauty, how to turn this cold beauty into hot thinking? |
| work_3hmjyh2idvdjhhu4yylbu2uwye | The normalisation constant C was set to 2.3 mb GeV‘2 corresponding to a total single and u=2.8, b= O.7 GeV?. |
| work_6iwizcoxrzb6vchg4e3svtg2uq | Or is it? |
| work_4qtuz5vj6bbidoxsb6ocl7g2pa | The soul collision of the spiritual world caused by these visual feelings, is it not the beauty of the imagery of paintings? |
| work_72owoddvhzghjgq5owfllh7qky | What greater vote of confidence could the scheme possibly hope for? |
| work_5azotc7yn5hm3oftjj5rryeqpq | ( London: Warne,[ n. d., 1872? |
| work_4cp6tn4vzjg6hl5llmpwvokyra | The particles forming it are( Σ++c, Σ+ c, Σ 0 c, Ξ,+ c, Ξ,0? |
| work_4u5ifj5cdbaqfm53dlrqlbzv6a | & Huang, L. In Vivo Gene Delivery by Nonviral Vectors: Overcoming Hurdles? |
| work_5vu2ans45reafh533e2ndlivki | Input Image … … … … 256x256 x3 256x256 x64 128x128 x128 64x64 x256 1x1x1024? |
| work_7fxopbh6j5dpdiye3py73zvs5q | Markowitz K. Pretty painful: why does tooth bleaching hurt? |
| work_3cd7isgcbveoxeecnwfikqsg4y | СПОСОБНОСТЬ ИЛИ МУДРОСТЬ? |
| work_3js3vu4s6jeazh2jetdps7gff4 | ; Zwahlen, R.A. Are Neoclassical Canons Valid for Southern Chinese Faces? |
| work_3js3vu4s6jeazh2jetdps7gff4 | Borelli, C.; Berneburg, M. “ Beauty lies in the eye of the beholder ”? |
| work_7spvnpvrmjgmbkvuaszdqrfqlm | Specifically, how might aesthetics enhance their quantitative, functional and scientific dimensions? |
| work_67b3mfawyfemdgg2i6wdehfrum | Can facial cosmetics affect the matching accuracy of face recognition systems? |
| work_67b3mfawyfemdgg2i6wdehfrum | Langlois, J.; Rubenstein, A.; Larson, A.; Hallam, M.; Smoot, M. Maxim or Myths of Beauty? |
| work_6kqp36pl2fczdgov7r3bktimgi | And who could blame them? |
| work_6kqp36pl2fczdgov7r3bktimgi | Or do you? |
| work_4fnqcubqirfmrir73ujw47kvna | Calcium antagonists and sympathetic nerve activation: are there differences between classes? |
| work_7hluyfcedrah3kntjpg3whgo6m | To what beliefs could she assign such probabilities? |
| work_7hluyfcedrah3kntjpg3whgo6m | To what beliefs, at b0, can the observer assign a probability of 1/2? |
| work_46pqossf2fh6dkaxni6jxz34qi | Does this reflect sexism, the disbelief that beauty is compatible with intelligence? |
| work_46pqossf2fh6dkaxni6jxz34qi | Would we be less surprised if her on- screen persona had been less erotic and more like Katharine Hepburn ’s? |
| work_4bpdg4qg3befxbrvaxzdwgsul4 | Electrophysiological indices of pro- cessing aesthetics: Spontaneous or intentional processes? |
| work_4bpdg4qg3befxbrvaxzdwgsul4 | Why should a mate- detecting system respond in the same way to both extreme values on the attractive- ness scale? |
| work_5lmoxo7wvredfggnvh6h3qzsky | Level‐k auctions: Can a nonequilibrium model of strategic thinking explain the winner''s curse and overbidding in private‐value auctions?. |
| work_5lmoxo7wvredfggnvh6h3qzsky | Level‐k auctions: Can a nonequilibrium model of strategic thinking explain the winner''s curse and overbidding in private‐value auctions?. |
| work_67oxs32mkrbvnl7amocefxwote | Questions? |
| work_67oxs32mkrbvnl7amocefxwote | https://nrc-publications.canada.ca/eng/copyright Vous avez des questions? |
| work_6yb62cpf5bfxjeeukxbricmvdq | Conference on Can Decentralization Help Rebuild Indonesia? |
| work_6yb62cpf5bfxjeeukxbricmvdq | [ 10] Musgrave, R.( 1993) Who should tax, Where and What? |
| work_27v75ffltbc6vmt6dsstcvnrqu | Heights and locations of artificial structures in viewshed calculation: How close is close enough? |
| work_27v75ffltbc6vmt6dsstcvnrqu | Landscape and the philosophy of aesthetics: Is landscape quality inherent in the landscape or in the eye of the beholder? |
| work_27v75ffltbc6vmt6dsstcvnrqu | Whither scenic beauty? |
| work_35j5z6ijxnhcrpzdjxgomve4uu | Relationships between transposable elements based upon the integrase- transposase domains: is there a common ancestor? |
| work_35j5z6ijxnhcrpzdjxgomve4uu | What frequency of transposition is required for optimal mutagenesis? |
| work_35j5z6ijxnhcrpzdjxgomve4uu | What restricts the activity of mariner- like transposable elements? |
| work_7ltcmk75kncfdfv6no75ldeaki | But can mathematics be playful? |
| work_7ltcmk75kncfdfv6no75ldeaki | Can it be fun? |
| work_46wmz2hmybd3bp23vpzkxqofpi | Goetzmann, W. “ How costly is the fall from fashion? |
| work_46wmz2hmybd3bp23vpzkxqofpi | “ Follow your heart? |
| work_5j37lhj7bjdfld4awogjmwpmpe | Philos Sci 4:556–578 Arendt J, Reznick D( 2007) Convergence and parallelism reconsidered: what have we learned about the genetics of adaptation? |
| work_5j37lhj7bjdfld4awogjmwpmpe | Precisely what degree of repeatability are we contemplating? |
| work_5xlpcnvc65dfxmutp5ohplpb5m | So what justifies it? |
| work_6zpldo2gyjf7tkjsyzflrc47lq | How does this large asymmetry come about? |
| work_6zpldo2gyjf7tkjsyzflrc47lq | O r a re th ere d irect C P v io la tin g e � ects? |
| work_6pe7h7t2yna4zkbpqdniql33ra | Why had she missed them? |
| work_6pe7h7t2yna4zkbpqdniql33ra | “ Because Willy needs me. ” “ Willy? ” I inquired. |
| work_6pe7h7t2yna4zkbpqdniql33ra | “ What happened? ” I asked fearfully. |
| work_7k6pyklfvzc2piuytk3kf26nhe | Kogej, T.; Gostinčar, C.; Volkmann, M.; Gorbushina, A.A.; Gunde- Cimerman, N. Mycosporines in extremophilic fungi- Novel complementary osmolytes? |
| work_7k6pyklfvzc2piuytk3kf26nhe | Mycosporines: Are they nature ’s sunscreens? |
| work_7k6pyklfvzc2piuytk3kf26nhe | Oren, A.; Gunde- Cimerman, N. Mycosporines and mycosporine- like amino acids: UV protectants or multipurpose secondary metabolites? |
| work_2jgshgsavjhu3d3ytlxhlz7ucu | In A Treasure Trove: Friend of the Photoplay – Visionary – Spy? |
| work_2jgshgsavjhu3d3ytlxhlz7ucu | Quo Vadis? |
| work_2jgshgsavjhu3d3ytlxhlz7ucu | [ Albert?]. |
| work_b627r5wyvjddjhzfdqxuzhyp5i | VLC_46_3- 4_BookReviews 583.. 587 Beauty LUCY HARTLEY WHAT does it mean to be interested in beauty? |
| work_7ok54wjsxzdpvkwp7jwkstoebm | What is the secret to the department ’s success? |
| work_brwo4s6s7za2xinjugi5ulofkm | Login nowDon''t have an account? |
| work_daexjs6ujfdhfg363av7wvogku | What Is Discrimination? |
| work_55boeahxirbujotuwa4weyhao4 | How should we represent this? |
| work_55boeahxirbujotuwa4weyhao4 | Is that good enough? |
| work_55boeahxirbujotuwa4weyhao4 | “ Can We Do Without Pragmatic Encroachment? ” Philosophical Perspectives 19: 417- 443, doi:10.1111/ j.1520- 8583.2005.00068.x. |
| work_55fw4mc2dvgwzickvmsurbomlm | 4 Josefsson EC, Hartwig JH, Hoffmeister KM: Platelet storage temperature – how low can we go? |
| work_55fw4mc2dvgwzickvmsurbomlm | So why not simply keep the temper- ature at the level it is inside the organism? |
| work_55fw4mc2dvgwzickvmsurbomlm | [ 8] in this issue to diversify into a ‘ biobank ’? |
| work_db2w53ybtvatjj5s2vcqqxdtdq | Their gro''? |
| work_4o7krgz3j5fqvdjt5gj3ltc5au | What makes a polygon pleasing? |
| work_5i5h25gtw5avrbkkyvhr32iqzi | Landscape and the philosophy of aesthetics: Is landscape quality inherent in the landscape or in the eye of the beholder? |
| work_5i5h25gtw5avrbkkyvhr32iqzi | Soliva, R.; Hunziker, M. How do biodiversity and conservation values relate to landscape preferences? |
| work_5i5h25gtw5avrbkkyvhr32iqzi | Whither scenic beauty? |
| work_dcovsdmpzfdbtk4bw5deczanou | Some strains in search of a genus- Corynebacterium, Mycobacterium, Nocardia or what? |
| work_dhty3k673nf67d35ezc3jr5bba | Keep young and beautiful: evidence for an “ anti‐aging ” product? |
| work_ckvvh6adireabjr2kse77gmxwy | Do Mynahs prefer peacock feathers of more regular pattern? |
| work_ckvvh6adireabjr2kse77gmxwy | Sex- typicality and attractiveness: are supermale and superfemale faces super- attractive? |
| work_cmb5a3ntvzalhowblcxqo6o7xy | Postma DS, Steenhuis EJ, van der Weele LT, Sluiter HJ: Severe chronic airflow obstruction: can corticosteroids slow down progression? |
| work_cmb5a3ntvzalhowblcxqo6o7xy | published in this issue of the journal[ 13] add to the literature? |
| work_b3s77bogfngp5j4wn2bdbvwiwi | Body dissatisfaction: Can a short media literacy message reduce negative media exposure effects amongst adolescent girls? |
| work_b3s77bogfngp5j4wn2bdbvwiwi | But do such strategies work in reducing the idealisation of the images, and thus the negative effects on our self- perceptions? |
| work_b3s77bogfngp5j4wn2bdbvwiwi | What works in secondary schools? |
| work_24xuicllazfvzedfjmrosip6mu | Why does feminine beauty have such a strong, persistent and universal appeal? |
| work_24xuicllazfvzedfjmrosip6mu | Yu, D.& Shepard, G. H. 1998 Is beauty in the eye of the beholder? |
| work_2enwtteijncatitowg4yvyroky | 8 John Baines, ‘ What is Art? ’, in Hartwig( ed. |
| work_2enwtteijncatitowg4yvyroky | Page 14 of 22 red ’ – maroon and pink, in contemporary English? |
| work_27j75zbdvbduhd2fxzmr2pewhy | Could the Keynesian- beauty- contest effect justify the withdrawal of some noisy public information? |
| work_27j75zbdvbduhd2fxzmr2pewhy | Given the presence of the Keynesian- beauty- contest effect, how could we improve market effi- ciency through accounting disclosure? |
| work_27j75zbdvbduhd2fxzmr2pewhy | How does the quality of public information affect market efficiency? |
| work_27j75zbdvbduhd2fxzmr2pewhy | How is the intensity of the dual role of public information related to its quality? |
| work_27j75zbdvbduhd2fxzmr2pewhy | In this case, does the withdrawal of public information drive stock prices closer to the fundamental value? |
| work_dl6dc7hea5fubi344vdpgi2lxu | Things of beauty nature physics| VOL 6| MARCH 2010| www.nature.com/naturephysics 147 editorial What is the most beautiful concept in physics? |
| work_7k7caouvh5efzjp7ikemnmn54u | After all, how should theory be judged? |
| work_7k7caouvh5efzjp7ikemnmn54u | How does a protein fold? |
| work_7k7caouvh5efzjp7ikemnmn54u | Is burst hydrophobic collapse necessary for rapid folding? |
| work_7k7caouvh5efzjp7ikemnmn54u | Is this factor crucial? |
| work_5dtauvudfrcuxhro7lvgn4c7da | ? I:0 systematic mass effects were uncov- ered with these checks. |
| work_5dtauvudfrcuxhro7lvgn4c7da | ALEPH- 1.21+~:;~*0.04 DELPHf-~,~g+0.21+ 0.07-0.18- 0.08 OPAL_ c_ 1.14 ’;:? |
| work_5dtauvudfrcuxhro7lvgn4c7da | Bigi, et al., ‘* Son-1eptonic Decays of Beauty Hadrons,? |
| work_5dtauvudfrcuxhro7lvgn4c7da | That difference is mhb- mg0= 340 k S(stut) h l(sys)? deV/ c2. |
| work_ai7wayyrn5gkzot3f7z3thvimq | The letter from a mother donating her child ’s brain? |
| work_ai7wayyrn5gkzot3f7z3thvimq | The video of the top of a head being put back on? |
| work_ai7wayyrn5gkzot3f7z3thvimq | Was it the photo of the kid awaiting brain surgery? |
| work_ai7wayyrn5gkzot3f7z3thvimq | Was it the photographer ’s picture of herself in the head brace with the nee- dle going in? |
| work_5n4fl45ylnge7jb3tgr75krewe | At the beginning of her Monday awakening, what credence does Beauty assign to the hypothesis HEADS that the result of the coin toss is heads? |
| work_5n4fl45ylnge7jb3tgr75krewe | What credence does she assign to the hypothesis TAILS that it ’s tails? |
| work_5n4fl45ylnge7jb3tgr75krewe | What more can be said? |
| work_5n4fl45ylnge7jb3tgr75krewe | What should we do? |
| work_5n4fl45ylnge7jb3tgr75krewe | Where did Elga get it? |
| work_7dm2orpntjeunmzdazeqfmrzwm | ( p. 94) Educational Theory of Education? |
| work_7dm2orpntjeunmzdazeqfmrzwm | Does he doubt whether genuine educational way of thinking is actually possible? |
| work_7dm2orpntjeunmzdazeqfmrzwm | Is philosophy of education a historical mistake? |
| work_dhgyfpsitbgkrevhj3pf5srwy4 | E R R A T U M Erratum to: Beauty will save the world, but will the world save beauty? |
| work_3ce7upgi6beibd6j53hz6mt75u | So, following Sible? |
| work_3ce7upgi6beibd6j53hz6mt75u | T h e core thought is that what we take delight in is itself delightful, in terms of unit? |
| work_3ce7upgi6beibd6j53hz6mt75u | T h e standard move is to use the same form of explanation, where beauty mas taken as the paradigmatic aes- t h e t~ c qualit? |
| work_3ij2pren5fbwfisqc7oadmkt3i | 1 HALFERS AND THIRDERS Let ’s begin with question Q1: what should be the value of P1(HEADS)? |
| work_3ij2pren5fbwfisqc7oadmkt3i | : 0 0 1/4 1/2 0 0 1/4 0 Now the question is: how should the agent handle the infor- mation I2? |
| work_3ij2pren5fbwfisqc7oadmkt3i | The question that has drawn so much attention since( Elga 2000) is the following: what should be Sleep- ing Beauty ’s degree of belief that HEADS? |
| work_3ij2pren5fbwfisqc7oadmkt3i | What lesson can we draw from this example? |
| work_3ij2pren5fbwfisqc7oadmkt3i | of partial belief change? |
| work_bfzrmoyubbamrgjprslcy4r7f4 | ( 2006): “ Friend or Foe? |
| work_bfzrmoyubbamrgjprslcy4r7f4 | Langlois, J. H., L. Klakanis, A. J. Rubenstein, A. Larson, M. Hallam, and M. Smoot( 2000): “ Maxims or Myths of Beauty? |
| work_bfzrmoyubbamrgjprslcy4r7f4 | Ruffle, B. J., and Z. Shtudiner( 2010): “ Are Good- Looking People More Employ- able?, ” Working Paper. |
| work_bfzrmoyubbamrgjprslcy4r7f4 | Vanberg, C.( 2008): “ Why Do People Keep Their Promises? |
| work_dlihjrrvavaorf4r4g2icz65cq | Pluripotency and the endogenous retrovirus HERVH: conflict or serendipity? |
| work_dlihjrrvavaorf4r4g2icz65cq | The sleeping beauty transposon vector system for treatment of rare genetic diseases: an unrealized hope? |
| work_3lro625lnvaspo6fptw7ynfv3i | WHAT REMAINS FOR B PHYSICS? |
| work_3lro625lnvaspo6fptw7ynfv3i | Will e+e− machines reach to even higher luminosities[ 2], with a “ Super Flavour Factory ” to complete the picture? |
| work_3lro625lnvaspo6fptw7ynfv3i | With the LHC start up becoming tan- talizingly close, does this mark the beginning of a new era for flavour physics? |
| work_aka7hqh7ejh5fgeq6ywgrf4e3y | ( 2003), Better late than never? |
| work_aka7hqh7ejh5fgeq6ywgrf4e3y | ( 2012), Why and how can “ sleeping beauties ” be awakened? |
| work_aka7hqh7ejh5fgeq6ywgrf4e3y | ( 2016), Sleeping beauties in genius work: When were they awakened? |
| work_aka7hqh7ejh5fgeq6ywgrf4e3y | Figures 1, 2, and 3 about here So why were such papers dormant and then ‘ awakened ’ from their sleep? |
| work_aka7hqh7ejh5fgeq6ywgrf4e3y | Garfield, E.( 1980), Premature discovery or delayed recognition: Why? |
| work_byj7t27bkjd7nd6sotkcwfabje | ( 2010), “ Are good- looking people more employable? ” Monaster center for economic research and ben- gurion University on the Negev. |
| work_byj7t27bkjd7nd6sotkcwfabje | Bertrand M. and Mullainathan S.( 2004), “ Are Emily and Greg more employable than Lakisha and Jamal? |
| work_byj7t27bkjd7nd6sotkcwfabje | Is such discrimination a novelty in Italian labor market? |
| work_dbak66z4hvfwhjfen66ad5k56m | Small is beautiful? |
| work_dbak66z4hvfwhjfen66ad5k56m | Small is beautiful? |
| work_dbak66z4hvfwhjfen66ad5k56m | Small is beautiful? |
| work_amckfrycyfentmouadvgrsrswq | Are only emotional strengths emotional? |
| work_amckfrycyfentmouadvgrsrswq | Are there multiple channels through which we connect with beauty and excellence? |
| work_amckfrycyfentmouadvgrsrswq | Do positive psychology exercises work? |
| work_amckfrycyfentmouadvgrsrswq | Processing fluency and aesthetic pleasure: Is beauty in the perceiver''s processing experience? |
| work_eczkxhofmnavvdgdf2ara7557q | It was learned from her history that she was anesthetized with 2.5- 3 vials( 1000- 1200 mg?) |
| work_6jbzr4d47nelnbaoovqhvgbj7y | Do asset prices reflect aver- age opinion, and average opinion about average opinion, in the manner that Keynes suggests? |
| work_6jbzr4d47nelnbaoovqhvgbj7y | How quickly does the price adjust to the shift in fundamentals at date 1? |
| work_6jbzr4d47nelnbaoovqhvgbj7y | Is there any systematic difference between the price pt and the consensus value of the fundamentals given by Etð � Þ? |
| work_daw7ybimvfcolpkoiqs3nvsk4u | For example, what is meant by the term customer? |
| work_daw7ybimvfcolpkoiqs3nvsk4u | Is it an individual, the household or a corporate client? |
| work_daw7ybimvfcolpkoiqs3nvsk4u | Is the customer really willing to pay a significant higher price for this? |
| work_dq3utuxdzvg2vggaq3i6prkx3e | See also Hew Strachan, ‘ Clausewitz en anglais: la césure de 1976 ’, in Laure Bardiès and Martin Motte( eds), École pratique De la guerre? |
| work_dq3utuxdzvg2vggaq3i6prkx3e | What did Clausewitz mean by the phrase ‘ the most beautiful of wars ’? |
| work_ef4gxi75zbfc7j3frhvu4e46eq | Do the odd origins of Kekulé ’s hypothesis make the structure any less plausible? |
| work_2kz53sm24zgxpitbwq6okpt6nu | Shown in Figure 4 is the B meson 2 cross section where the meson was detected from the decays B+ J/11,+ I? |
| work_2kz53sm24zgxpitbwq6okpt6nu | The relationship between the CP asymmetry uncertainty and the dilution is 6A2 ‘ Y~/NED ’?. |
| work_2kz53sm24zgxpitbwq6okpt6nu | This rate is based on the partial rate of the decay B-+ D''+? r which has similar phase space and form factors. |
| work_2kz53sm24zgxpitbwq6okpt6nu | c? |
| work_2kz53sm24zgxpitbwq6okpt6nu | c? |
| work_7tkfbu5ytfh47jchcn6zcoctcm | Did you find yourself looking at some people more than others, and are there some people in particular you could now pick out of a line up? |
| work_7tkfbu5ytfh47jchcn6zcoctcm | The commitment calibration hypothesis: When do people de- value attractive alternatives? |
| work_7tkfbu5ytfh47jchcn6zcoctcm | Too many women? |
| work_7tkfbu5ytfh47jchcn6zcoctcm | What might account for this slippage between attention and frequency estimation? |
| work_eokswfrl6rfepjmstwpzzmelqy | Wells, How can a heavy Higgs boson be consistent with the precision electroweak measurements?, Phys. |
| work_es7hhnorl5esbg47jla7zsnvf4 | Form follows function? |
| work_bd45gvr6wrdx7fr5vrfvlyuriu | In your professional opinion, what are the most critical treatment areas for women aged[ 18–30/31–40/41–55/[55] years? |
| work_bd45gvr6wrdx7fr5vrfvlyuriu | Jayaratne YS, Deutsch CK, McGrath CP, Zwahlen RA( 2012) Are neoclassical canons valid for southern Chinese faces? |
| work_bd45gvr6wrdx7fr5vrfvlyuriu | Rawlings AV( 2006) Ethnic skin types: are there differences in skin structure and function? |
| work_bd45gvr6wrdx7fr5vrfvlyuriu | Tzou CH, Giovanoli P, Ploner M, Frey M( 2005) Are there ethnic differences of facial movements between Europeans and Asians? |
| work_3rca3tx2krhujfrkvhx4cmepsi | But is beauty really judged differently by different individuals? |
| work_3rca3tx2krhujfrkvhx4cmepsi | Is it merely ‘ in the eye of the beholder ’? |
| work_3rca3tx2krhujfrkvhx4cmepsi | Is this a result of familiarity? |
| work_3rca3tx2krhujfrkvhx4cmepsi | Of safety? |
| work_3rca3tx2krhujfrkvhx4cmepsi | Or is it an inherent difference in the sexes? |
| work_3rca3tx2krhujfrkvhx4cmepsi | Should beauty have a place in determining environmental policy? |
| work_3i7jhc3xhzh5hnu4qnoeljbccy | 23 Thornhill R, Grammer K. The body and face of woman: one ornament that signals quality? |
| work_3i7jhc3xhzh5hnu4qnoeljbccy | 25 Anderson JL, Crawford CB, Nadeau J, Lindberg T. Was the Duchess of Windsor right? |
| work_3i7jhc3xhzh5hnu4qnoeljbccy | 28 Voracek M, Fisher M. Shapely centrefolds? |
| work_3i7jhc3xhzh5hnu4qnoeljbccy | How does an attractive female really look? |
| work_3i7jhc3xhzh5hnu4qnoeljbccy | Is beauty in the eye of the beholder? |
| work_3i7jhc3xhzh5hnu4qnoeljbccy | Is beauty in the eye of the beholder? |
| work_dogtc3jyxjgibi74glrufigv3m | So what justifies it? |
| work_e5jkf5df2jcyrfytekgtizh4zq | ANNIE DILLARD, THE MAYTREES 38( 2008)( quoting Keats: “ Who shall say/ between Man and Woman/ which is the …[ more] delighted? ”). |
| work_e5pkfzjhgzhpjlo4dwnu26kzy4 | But does their study provide the final word on the evolution of modern avian cranial disparity? |
| work_e5pkfzjhgzhpjlo4dwnu26kzy4 | But what underlies this regional variation in evolvability? |
| work_d6pvgx47xnfz3memkakaihlypu | @article{Habeck2011IntrinsicFN, title={Intrinsic Functional- Connectivity Networks for Diagnosis: Just Beautiful Pictures? |
| work_d6pvgx47xnfz3memkakaihlypu | DOI:10.1089/ brain.2011.0021 Corpus ID: 15465533Intrinsic Functional- Connectivity Networks for Diagnosis: Just Beautiful Pictures? |
| work_d6pvgx47xnfz3memkakaihlypu | PDF] Intrinsic Functional- Connectivity Networks for Diagnosis: Just Beautiful Pictures? |
| work_3ynl2l6auzhhjgfbjnn6u6ch7e | And, why did they choose low oxygen when high oxygen conditions were still available? |
| work_3ynl2l6auzhhjgfbjnn6u6ch7e | But, did you know that some frogs also undergo a form of hibernation? |
| work_3ynl2l6auzhhjgfbjnn6u6ch7e | But, how were they able to stay in low oxygen conditions for so long? |
| work_3ynl2l6auzhhjgfbjnn6u6ch7e | Downloaded from orbit.dtu.dk on: Apr 06, 2021 Sleeping beauties — how do frogs stay alive without oxygen? |
| work_3ynl2l6auzhhjgfbjnn6u6ch7e | Sleeping beauties — how do frogs stay alive without oxygen? |
| work_462aw7gl2bb2hjroekjciumjym | 12 What is the economic significance of our results compared to inferences of competence based on facial traits in other settings? |
| work_462aw7gl2bb2hjroekjciumjym | Are competent looking CEOs actually more competent? |
| work_462aw7gl2bb2hjroekjciumjym | Hence the next question that arises is whether competent looking CEOs are actually more competent? |
| work_462aw7gl2bb2hjroekjciumjym | Reading Faces: Window to the Soul? |
| work_462aw7gl2bb2hjroekjciumjym | What about the economic impact? |
| work_462aw7gl2bb2hjroekjciumjym | What leads to assessments of competence based on facial attributes? |
| work_ah3gw6euerb67dny63jfnnmage | ( 1993) Isolated profundaplasty in critical limb ischemia – still of any use? |
| work_ah3gw6euerb67dny63jfnnmage | ( 2004) Does deep femoral artery revascularization as an isolated procedure play a role in chronic critical limb ischemia? |
| work_ah3gw6euerb67dny63jfnnmage | Does it have any role at all in vascular sur- gery, or should it simply become part of medical history? |
| work_ah3gw6euerb67dny63jfnnmage | The inevitable question today is: Does surgical profundaplasty have any role in the modern management of peripheral vascular disease? |
| work_ah3gw6euerb67dny63jfnnmage | The question is: Can profundaplasty alone still be useful? |
| work_3we4ha4nvbbuthxyxlv43dkbai | 10 Cookson W. A new gene for asthma: would you ADAM and Eve it? |
| work_3we4ha4nvbbuthxyxlv43dkbai | Is big beautiful? |
| work_3we4ha4nvbbuthxyxlv43dkbai | Is late diagnosis of lung cancer inevitable? |
| work_3we4ha4nvbbuthxyxlv43dkbai | NOD2/ CARD15, TLR4 and CD14 mutations in Scottish and Irish Crohn ’s disease patients: evidence for genetic heterogeneity within Europe? |
| work_3we4ha4nvbbuthxyxlv43dkbai | Pulmonary function in interstitial lung disease: what role do they have? |
| work_3we4ha4nvbbuthxyxlv43dkbai | What is the risk? |
| work_bzfkampsizbhvgyo3d2wqovrri | And importantly, how have feminists conceptualized these tendencies? |
| work_bzfkampsizbhvgyo3d2wqovrri | Grotesque bodies? |
| work_bzfkampsizbhvgyo3d2wqovrri | Reclaiming( fake) beauty? |
| work_bzfkampsizbhvgyo3d2wqovrri | What, though, are we to make of the more recent trend towards women who actively ‘ enhance ’ their breasts, buttocks and lips through surgery? |
| work_axyplgnub5bmdo7liopelq4jwy | But could it track prey accurately? |
| work_axyplgnub5bmdo7liopelq4jwy | But why did the treated bees die? |
| work_axyplgnub5bmdo7liopelq4jwy | So, what information does the brain send to the nerve clusters controlling locomotion in order to produce these precise movements? |
| work_cmlq4gqrxnbhtimvmcydnu3b3q | Do cosmetics enhance female Caucasian facial attractiveness? |
| work_cmlq4gqrxnbhtimvmcydnu3b3q | Do cosmetics increase attractiveness? |
| work_cmlq4gqrxnbhtimvmcydnu3b3q | Is “ what has been cared for ” necessarily good? |
| work_cmlq4gqrxnbhtimvmcydnu3b3q | What factors of attractiveness do cosmetics alter to achieve this? |
| work_cmlq4gqrxnbhtimvmcydnu3b3q | Why might this be? |
| work_7nolq64cvrhgbf24uylmmns4xu | 01 Cli I still find it hard to imagine how you 02 actually do it? |
| work_7nolq64cvrhgbf24uylmmns4xu | ? |
| work_7nolq64cvrhgbf24uylmmns4xu | Analysing a recorded instance of salon interaction, we ask: what does it take to do that which sociologists have theorized as emotional labour? |
| work_7nolq64cvrhgbf24uylmmns4xu | McHoul, A. and M. Rapley( 2000) ‘ Still on Holidays Hank? |
| work_7nolq64cvrhgbf24uylmmns4xu | { BTh ’s R hand extends towards Cli ’s R shoulder 29 BTh[ Mm] hm 30 BTh{ Suza:: nne? |
| work_7nolq64cvrhgbf24uylmmns4xu | { BTh ’s gaze shifts{ BTh turns right hand so facing palm- down over Cli ’s body 31 Cli Yea:[: h? |
| work_ezzabxylqbfc3a7ojfribxuthi | K. Coomaraswamy, in: Figures of Speech or Figures of Thought? |
| work_ezzabxylqbfc3a7ojfribxuthi | K. Coomaraswamy, in: Figures of Speech or Figures of Thought?, World Wisdom, Bloomington, Indiana. |
| work_7ztzv7jw4zf7hbeokw4vhfcd2u | Available: http://doi.apa.org/getdoi.cfm? |
| work_7ztzv7jw4zf7hbeokw4vhfcd2u | Does human facial attractiveness honestly advertise health? |
| work_7ztzv7jw4zf7hbeokw4vhfcd2u | Facial adiposity: A cue to health? |
| work_7ztzv7jw4zf7hbeokw4vhfcd2u | Fooled by first impressions? |
| work_7ztzv7jw4zf7hbeokw4vhfcd2u | Is diabetes associated with cognitive impairment and cognitive decline among older women? |
| work_7ztzv7jw4zf7hbeokw4vhfcd2u | Langlois JH, Kalakanis L, Rubenstein AJ, Larson A, Hallam M, Smoot M. Maxims or myths of beauty? |
| work_7ztzv7jw4zf7hbeokw4vhfcd2u | Moutafi J, Furnham A, Paltiel L. Why is conscientiousness negatively correlated with intelligence? |
| work_bju5xiqhvrfelhdtlywijhmfci | And, connected to those questions, how did the Uni- verse, and with it space- time and matter, come into being at the moment of the Big Bang? |
| work_bju5xiqhvrfelhdtlywijhmfci | Aside from pure mathematics, what is the wider significance of this achievement? |
| work_bju5xiqhvrfelhdtlywijhmfci | For instance, what sets the pattern of elementary particles found in nature apart from other possible such patterns? |
| work_bju5xiqhvrfelhdtlywijhmfci | Why is this so striking? |
| work_5tepnlhakbaobhkcun7emmiwwa | 1991 What determines the capacity of autoassociative memories in the brain? |
| work_5tepnlhakbaobhkcun7emmiwwa | 1992 Could information theory provide an ecological theory of sensory processing? |
| work_5tepnlhakbaobhkcun7emmiwwa | 1997 Sparse coding with an overcomplete basis set: a strategy employed by V1? |
| work_5tepnlhakbaobhkcun7emmiwwa | Could the original association be free of any utilitarian strings and thus match the Darwinian, aesthetic view of mate choice? |
| work_5tepnlhakbaobhkcun7emmiwwa | Does the initiating mechanism continue to influence mate choice in conjunction with other mechanisms? |
| work_5tepnlhakbaobhkcun7emmiwwa | Efficient coding influences attractiveness Beyond this correlational relationship, what is the effective influence of sparseness on attractiveness? |
| work_5tepnlhakbaobhkcun7emmiwwa | Reber R, Schwarz N, Winkielman P. 2004 Processing fluency and aesthetic pleasure: is beauty in the perceiver ’s processing experience? |
| work_g63bu3xytvadrh2ji6wdr6nu5u | Is Blade Runner 2049 sexist – or a fair depiction of a dystopian future? |
| work_g76zxbuwqzgircof3ki27nulne | [ 8] M. Cacciari and P. Nason, ” Is There a Significant Excess in Bottom Hadroproduction at the Tevatron? ”, Phys. |
| work_3pkhbuqb2jgrljf7k45vzlm3fu | Are different biodiversity metrics related to the same factors? |
| work_3pkhbuqb2jgrljf7k45vzlm3fu | Do biogeographie parameters matter? |
| work_3pkhbuqb2jgrljf7k45vzlm3fu | Does size matter? |
| work_3pkhbuqb2jgrljf7k45vzlm3fu | How can we make new ponds biodiverse? |
| work_3pkhbuqb2jgrljf7k45vzlm3fu | However, if ponds provide such fascination and utility for human beings then why do we neglect them more than other habitats? |
| work_3pkhbuqb2jgrljf7k45vzlm3fu | Pond or lake: does it make any difference? |
| work_3pkhbuqb2jgrljf7k45vzlm3fu | Vegetation ofMediterranean temporary pools: a fading jewel? |
| work_3pkhbuqb2jgrljf7k45vzlm3fu | Warmer and richer? |
| work_fcdje4brrveaxkfsfr4xvbt7mu | Jamilah, O., and Nur Syazwani, R.Whether Perception or Expert Paradigm? |
| work_fcdje4brrveaxkfsfr4xvbt7mu | Whither scenic beauty? |
| work_favbejgbcvbrhoeql66gejhk7q | [ 12] C. Borelli and M. Berneburg, “ ‘ Beauty lies in the eye of the beholder ’? |
| work_favbejgbcvbrhoeql66gejhk7q | [ 31] F. Torsello, L. Mirigliani, R. D’Alessio, and R. Deli, “ Do the neoclassical canons still describe the beauty of faces? |
| work_ajmt2kl7krcu5lhr4w6h35m57u | ), ‘ Millions Like Us ’? |
| work_ajmt2kl7krcu5lhr4w6h35m57u | But how exactly did the critics deal with this conspicuously opulent affair? |
| work_ajmt2kl7krcu5lhr4w6h35m57u | For example, see Nick Hayes, ‘ More Than ‘ ‘ Music- While- You- Eat ’ ’? |
| work_ajmt2kl7krcu5lhr4w6h35m57u | Or are we to change our policy altogether and set to work to become the National Theatre and the National English Opera? |
| work_fkd47r3bfrfhrk7om2kply5xiy | Quantifying landscape spatial pattern: what is the state of the art? |
| work_fkd47r3bfrfhrk7om2kply5xiy | Whither scenic beauty? |
| work_fmoqsylyanhrvfdmmdk6f44ocm | What Do We Study with Dynamical Modeling? |
| work_bphzkrtkbrcmjiaeqq2byxsoom | ( 1987) Infant preferences for attractive faces: Rudiments of a stereotype? |
| work_bphzkrtkbrcmjiaeqq2byxsoom | Baenninger, M.( 1994) The development of face recognition: Featural or configurational processing? |
| work_bphzkrtkbrcmjiaeqq2byxsoom | Burton, A. M., Bruce, V.& Dench, N.( 1993) What''s the difference between men and women? |
| work_bphzkrtkbrcmjiaeqq2byxsoom | Cunningham, M. R., Barbee, A. P.,& Pi en want? |
| work_bphzkrtkbrcmjiaeqq2byxsoom | In B. Schölkopf, Jo the eye of the beholder? |
| work_bphzkrtkbrcmjiaeqq2byxsoom | L what is not average about attractive faces? |
| work_bphzkrtkbrcmjiaeqq2byxsoom | Y formation in face perception Perception, 16, 747- 759. new orientations? |
| work_3qdzjsmiordmhh3ej2tpi7glbq | If “ life ” is a machine that can be understood in strictly chemical/ physical terms, then how does it differ from Paley ’s stone? |
| work_3qdzjsmiordmhh3ej2tpi7glbq | Where is the distinction among the sciences? |
| work_3qdzjsmiordmhh3ej2tpi7glbq | Why in 2018 is a “# metoo ” campaign even nec- essary? |
| work_3qdzjsmiordmhh3ej2tpi7glbq | Why is violence against women almost a norm of human cultures? |
| work_3qdzjsmiordmhh3ej2tpi7glbq | “ What is it that you women want? ” is a famous grumpy male response to feminism. |
| work_gxwgkwtssjbzxhs7kcckcu5j7i | 1||296- 310| metabolites useful for medicinal chemistry? |
| work_3ehybzpqvbdsjlegtnkdycupja | ( Keynes, The General Theory of Employment, Interest and Money, 1936) Does short- termism breed informational price inefficiency? |
| work_3ehybzpqvbdsjlegtnkdycupja | 49 Which equilibrium does the market coordinate on? |
| work_3ehybzpqvbdsjlegtnkdycupja | Can information heterogeneity explain the exchange rate determination puzzle? |
| work_3ehybzpqvbdsjlegtnkdycupja | How well do adverse selection components measure adverse selection? |
| work_3ehybzpqvbdsjlegtnkdycupja | Is information risk a deter- minant of asset returns? |
| work_3ehybzpqvbdsjlegtnkdycupja | What happened to the quants in august 2007? |
| work_3ehybzpqvbdsjlegtnkdycupja | What is the effect of a shock to parameter values on the market ’s equilib- rium? |
| work_3ehybzpqvbdsjlegtnkdycupja | Why do security prices change? |
| work_3rogmsy4cfbxfkycytl4vov674 | ( 2015), Can we measure beauty? |
| work_3rogmsy4cfbxfkycytl4vov674 | Are US coral reefs on the slippery slope to slime? |
| work_3rogmsy4cfbxfkycytl4vov674 | Can we measure beauty? |
| work_3rogmsy4cfbxfkycytl4vov674 | Can we measure beauty? |
| work_3rogmsy4cfbxfkycytl4vov674 | Distributed under Creative Commons CC- BY 4.0 OPEN ACCESS Can we measure beauty? |
| work_3rogmsy4cfbxfkycytl4vov674 | One fish two fish red fish blue fish: why are coral reefs so colorful? |
| work_3rogmsy4cfbxfkycytl4vov674 | Processing fluency and aesthetic pleasure: is beauty in the perceiver ’s processing experience? |
| work_4qgqhlwgm5gtfdzm3am65y2eba | Studying transformative learning: What methodology? |
| work_4qgqhlwgm5gtfdzm3am65y2eba | Thus far, there has appeared little research that considers such questions as What else could be happening? |
| work_4qgqhlwgm5gtfdzm3am65y2eba | What is this disorienting dilemma? |
| work_4qgqhlwgm5gtfdzm3am65y2eba | What makes a concept good? |
| work_4qgqhlwgm5gtfdzm3am65y2eba | What “ form ” transforms? |
| work_4qgqhlwgm5gtfdzm3am65y2eba | Why does it appear to work for one person and not another? |
| work_4qgqhlwgm5gtfdzm3am65y2eba | Why is it not replicable? |
| work_4qgqhlwgm5gtfdzm3am65y2eba | and What is it that is taking place here? |
| work_a62tqu4v7zc3lihxxuvjtuidtm | And what exactly does it do with so many arms? |
| work_a62tqu4v7zc3lihxxuvjtuidtm | But what happens if a group is hierarchical, as is the case for animals such as hyenas, wolves and us? |
| work_a62tqu4v7zc3lihxxuvjtuidtm | But with so many possibilities, where and how does the octopus go? |
| work_a62tqu4v7zc3lihxxuvjtuidtm | How are conflicts between the wishes of the majority and those of the leadership resolved? |
| work_a62tqu4v7zc3lihxxuvjtuidtm | How do they make sure that they stay together? |
| work_a62tqu4v7zc3lihxxuvjtuidtm | So what do flatworms, cuttlefish, rays and knifefish all have in common? |
| work_a62tqu4v7zc3lihxxuvjtuidtm | So what ’s the secret to an effortless swim? |
| work_fl7zuqo5fbebpht2ywn3v43yzy | How does Hsp90 function in piRNA biogenesis and which of the two piRNA production pathways is it involved in? |
| work_fl7zuqo5fbebpht2ywn3v43yzy | Science 2004, 305:1437- 1441. doi:10.1186/ gb-2010- 11- 3- 109 Cite this article as: Sato K, Siomi H: Is canalization more than just a beautiful idea? |
| work_fl7zuqo5fbebpht2ywn3v43yzy | © 2010 BioMed Central Ltd Is canalization more than just a beautiful idea? |
| work_ftytn7lwibgq3imjrrftmq7tfa | : 011 670 6134 accoglienza.bem@unito.it Dove siamo/ Where are we? |
| work_ftytn7lwibgq3imjrrftmq7tfa | Biblioteca di Economia e Management Attività formative Metodologie di ricerca più efficaci ed efficienti... Hai dei dubbi? |
| work_gpl3hff72ng7vl3i3vaxte6j6m | Upon awakening on Monday, what should her degree of belief be that the coin landed Heads? |
| work_dxqiftp2sngrhocqkwqkm5etmu | But will it work? |
| work_dxqiftp2sngrhocqkwqkm5etmu | If that is the U.S. goal, what resources are then needed? |
| work_fxc4y6pflne3naur5uno53roqe | 4A)? |
| work_fxc4y6pflne3naur5uno53roqe | Jordan EJ, Iyer G. Targeted therapy in advanced bladder cancer: what have we learned? |
| work_aukmq2demfdptanieycdb6uiom | How, then, do fans engage this narrative, and bear the meanings of sub- alternity that are thrust upon them? |
| work_aukmq2demfdptanieycdb6uiom | Such discourses dichotomize kampungan and gedongan( trans: urban?) |
| work_aukmq2demfdptanieycdb6uiom | Sujana explained Dodhy ’s antics as a case of a ‘ kacang yang(?) |
| work_aukmq2demfdptanieycdb6uiom | This method of tracking consumption practices(?) |
| work_aukmq2demfdptanieycdb6uiom | What does this instance of co- creative labour suggest of agency? |
| work_h4bu7oqdznahxnxnfm7i7ozoby | Why this difference? |
| work_44agm4md2jbsjl6vm65er2xgqq | But is it correct? |
| work_44agm4md2jbsjl6vm65er2xgqq | Is it 1/2, since she could be interviewed on either day? |
| work_44agm4md2jbsjl6vm65er2xgqq | Or 2/3, since two of the three possible interview situations( heads- Monday, tails- Monday, tails- Tuesday) involve Monday? |
| work_44agm4md2jbsjl6vm65er2xgqq | Or 3/4, 7 reasoning that the probabilities of those three possible interview situations are respectively 1/2, 1/4, and 1/4, and 1/2+ 1/4= 3/4? |
| work_44agm4md2jbsjl6vm65er2xgqq | So, how could this simple conditional probability problem create such controversy? |
| work_44agm4md2jbsjl6vm65er2xgqq | The question is, what probability should she assign to this? |
| work_44agm4md2jbsjl6vm65er2xgqq | Under these circumstances, what probability should Peon assign, upon being interviewed, to the event that the nickel showed heads? |
| work_44agm4md2jbsjl6vm65er2xgqq | What is the probability that the chosen box was Box# 3? |
| work_44agm4md2jbsjl6vm65er2xgqq | What is the probability that you will win the car if you stick with your original choice? |
| work_44agm4md2jbsjl6vm65er2xgqq | What probability should each of them assign, upon being interviewed, to the event that the nickel showed heads? |
| work_6apy4wsiwje3tkra4irkvjq7dq | Behav Ecol Sociobiol 43:345–358 Møller AP, Pomiankowski A( 1993) Why have birds got multiple sexual ornaments? |
| work_6apy4wsiwje3tkra4irkvjq7dq | Behav Ecol Sociobiol 67:913–918 Lifjeld JT, Kleven O, Jacobesen F, McGraw KJ, Safran RJ, Robertson RJ( 2011) Age before beauty? |
| work_6apy4wsiwje3tkra4irkvjq7dq | Curr Zool 63:569–572 Møller AP, Jennions MD( 2001) How important are direct fitness benefits of sexual selection? |
| work_6apy4wsiwje3tkra4irkvjq7dq | J Evol Biol 29:2410–2421 Wong BBM, Candolin U( 2005) How is female mate choice af- fected by male competition? |
| work_b2fkvaqnbjbxrhvl2ymnrzlvv4 | Mothers and infants? |
| work_b2fkvaqnbjbxrhvl2ymnrzlvv4 | Did you know Mommy loves you? |
| work_b2fkvaqnbjbxrhvl2ymnrzlvv4 | Dissanayake''s three books-- What Is Art For? |
| work_b2fkvaqnbjbxrhvl2ymnrzlvv4 | Ellen Dissanayake, What Is Art For? |
| work_b2fkvaqnbjbxrhvl2ymnrzlvv4 | First and foremost, Dissanayake establishes the need for a functional account of art in What Is Art For? |
| work_b2fkvaqnbjbxrhvl2ymnrzlvv4 | How much power does art have to reintegrate our experience? |
| work_b2fkvaqnbjbxrhvl2ymnrzlvv4 | What are these rhythms and modes? |
| work_dpuuuotzifc43kwxeqk5ha2mpi | ( 2015): Is moral beauty different from facial beauty? |
| work_dpuuuotzifc43kwxeqk5ha2mpi | Fan Y, Duncan NW, de Greck M, Northoff G( 2011): Is there a core neural network in empathy? |
| work_dpuuuotzifc43kwxeqk5ha2mpi | Leder H, Gerger G, Brieber D, Schwarz N( 2014): What makes an art expert? |
| work_dpuuuotzifc43kwxeqk5ha2mpi | Nummenmaa L, Hirvonen J, Parkkola R, Hietanen JK( 2008): Is emotional contagion special? |
| work_dpuuuotzifc43kwxeqk5ha2mpi | Ruby P, Decety J( 2004): How would you feel versus how do you think she would feel? |
| work_dexft7rz3rdetco63vwketkgzu | How dependent are we on the good quality of insurance data? |
| work_dexft7rz3rdetco63vwketkgzu | How much data on customers is gathered by insurers? |
| work_dexft7rz3rdetco63vwketkgzu | Is it worth storing billions of Megabytes? |
| work_dexft7rz3rdetco63vwketkgzu | Should actuaries still work under the premise that gender is a risk factor? |
| work_dexft7rz3rdetco63vwketkgzu | So, what are the next steps? |
| work_dexft7rz3rdetco63vwketkgzu | Who takes care about data quality? |
| work_b3ftiyv34jhylmblxzqccxhcby | ( Keynes, The General Theory of Employment, Interest and Money, 1936) Does short- termism breed informational price inefficiency? |
| work_b3ftiyv34jhylmblxzqccxhcby | 49 Which equilibrium does the market coordinate on? |
| work_b3ftiyv34jhylmblxzqccxhcby | Can information heterogeneity explain the exchange rate determination puzzle? |
| work_b3ftiyv34jhylmblxzqccxhcby | How well do adverse selection components measure adverse selection? |
| work_b3ftiyv34jhylmblxzqccxhcby | Is information risk a deter- minant of asset returns? |
| work_b3ftiyv34jhylmblxzqccxhcby | What happened to the quants in august 2007? |
| work_b3ftiyv34jhylmblxzqccxhcby | What is the effect of a shock to parameter values on the market ’s equilib- rium? |
| work_b3ftiyv34jhylmblxzqccxhcby | Why do security prices change? |
| work_3jshd4uxyvhdjftk7g4c6uflxe | ( Does a sleeping Sleeping Beauty 13 have a centered world?) |
| work_3jshd4uxyvhdjftk7g4c6uflxe | 5 How should Eternal Beauty convert beliefs about her world into beliefs about her location in her world? |
| work_3jshd4uxyvhdjftk7g4c6uflxe | But what if Ephemeral Beauty first updated her worldly beliefs before updating her locative beliefs? |
| work_3jshd4uxyvhdjftk7g4c6uflxe | How should she conceptualize this peculiar transformation of( T1 and T2) into( T1 or T2)? |
| work_3jshd4uxyvhdjftk7g4c6uflxe | Should not the endosperm ’s relatedness to dad be the same as the embryo ’s relatedness to dad? |
| work_3jshd4uxyvhdjftk7g4c6uflxe | What credence should a gene in endosperm have about its parental origin? |
| work_3jshd4uxyvhdjftk7g4c6uflxe | What if you asked Eternal Beauty about her beliefs? |
| work_3jshd4uxyvhdjftk7g4c6uflxe | What is the ‘ probability ’ that a gene in the endosperm comes from dad? |
| work_3jshd4uxyvhdjftk7g4c6uflxe | What should be her waking credence that the coin landed heads? |
| work_3jshd4uxyvhdjftk7g4c6uflxe | Why should she have prior beliefs if nothing is at stake? |
| work_dj5mnfkkk5dh3oloxxwch56axi | 2005 Increasing walking: how important is distance to, attractiveness, and size of public open space? |
| work_dj5mnfkkk5dh3oloxxwch56axi | 2016 Are safer looking neighborhoods more lively? |
| work_dj5mnfkkk5dh3oloxxwch56axi | But what makes an outdoor space beautiful? |
| work_dj5mnfkkk5dh3oloxxwch56axi | Does a beautiful outdoor location differ from an outdoor location that is simply natural? |
| work_dj5mnfkkk5dh3oloxxwch56axi | What about areas that are not primarily natural? |
| work_dj5mnfkkk5dh3oloxxwch56axi | What environments in towns and cities might also be considered beautiful, and thus worthy of preservation? |
| work_dj5mnfkkk5dh3oloxxwch56axi | Yet, should we deem all natural areas worthy of protection? |
| work_isniuwdkcvb23gsp4zzuu35xvi | ( 2000) Maxims or myths of beauty? |
| work_brvqx46h6jbh3igiruwwfvfupi | Financing patterns around the world: Are small firms different? |
| work_brvqx46h6jbh3igiruwwfvfupi | Is Small Beautiful? |
| work_brvqx46h6jbh3igiruwwfvfupi | Similarly, are small or large financial institutions better in serving low- end customers? |
| work_brvqx46h6jbh3igiruwwfvfupi | Which institutions are best suited to expand financial services to low- end customers, including small and medium- sized enterprises? |
| work_brvqx46h6jbh3igiruwwfvfupi | World Bank Document Policy Research Working Paper 5806 Is Small Beautiful? |
| work_brvqx46h6jbh3igiruwwfvfupi | “ Bank- Based or Market- Based Financial Systems: Which Is Better? ” Journal of Financial Intermediation 11: 398- 428. |
| work_brvqx46h6jbh3igiruwwfvfupi | “ Financial and Legal Constraints to Firm Growth: Does Firm Size Matter? ” Journal of Finance 60( 1): 137–77. |
| work_brvqx46h6jbh3igiruwwfvfupi | “ Industry Growth and Capital Allocation: Does Having a Market- or Bank- Based System Matter? ” Journal of Financial Economics 64: 147- 180. |
| work_i4sapfxxqjggtntnl5ahun2msa | To what beliefs could she assign such probabilities? |
| work_i4sapfxxqjggtntnl5ahun2msa | To what beliefs, at b0, can the observer assign a probability of 1/2? |
| work_aamhv5gnsbg4jirl7ezi3eah4y | Could we not find beauty, for example, in a science that includes the representations and practices of scientists? |
| work_aamhv5gnsbg4jirl7ezi3eah4y | Rationalist connections How could the perception of beauty give us access to reality? |
| work_aamhv5gnsbg4jirl7ezi3eah4y | See CJ, 5:351 ff., and the prize essay “ Welches sind die wirklichen Fortschritte …?, ” 20:279–280. |
| work_aamhv5gnsbg4jirl7ezi3eah4y | Why should it be impossible, as Kant seems to suggest, to answer the quest for truth in a way that has aesthetic merit? |
| work_aamhv5gnsbg4jirl7ezi3eah4y | Why, then, does he nevertheless maintain that there can be no beautiful science? |
| work_aamhv5gnsbg4jirl7ezi3eah4y | “ Beauty, Genius, and Mathematics: Why Did Kant Change his Mind? ” History of Philosophy Quarterly 18( 2001): 415–432. |
| work_a4vcwr26hncp5kygo47tfl3oka | But who, if not the city, possessed this praise? |
| work_a4vcwr26hncp5kygo47tfl3oka | CONCLUSION: IDEOLOGY AND “ FUNERARY IDEOLOGY ” But was this funerary ideology? |
| work_a4vcwr26hncp5kygo47tfl3oka | In light of words such as homoioi and agathoi, was this the equality of democratic Athens or an aristocracy? |
| work_a4vcwr26hncp5kygo47tfl3oka | Was burning the dead instead of burying them only a prophylactic measure? |
| work_a4vcwr26hncp5kygo47tfl3oka | Was it simply about conserving their remains until the funeral ceremony at the combat season ’s end? |
| work_a4vcwr26hncp5kygo47tfl3oka | We might ask: did death erase differences? |
| work_a4vcwr26hncp5kygo47tfl3oka | When it comes to funerary practice, were there, it can be asked, behaviours that escaped symbolism? |
| work_e6bomlzpbngaxbeyxsh32lvvj4 | BrJrSports Med 1996;30:5- 1O0 REVIEW ARTICLE The athlete''s heart: is big beautiful? |
| work_e6bomlzpbngaxbeyxsh32lvvj4 | D o w n lo a d e d fro m http://bjsm.bmj.com/ The athlete''s heart: is big beautiful? |
| work_e6bomlzpbngaxbeyxsh32lvvj4 | D o w n lo a d e d fro m http://bjsm.bmj.com/ The athlete''s heart: is big beautiful? |
| work_e6bomlzpbngaxbeyxsh32lvvj4 | Fact or fallacy? |
| work_e6bomlzpbngaxbeyxsh32lvvj4 | What is exertion- related sudden cardiac death? |
| work_e6bomlzpbngaxbeyxsh32lvvj4 | What is the longevity of the endurance athlete relative to that of the general population? |
| work_hetfk6bjwzamtmmm6ni64lvzwq | C a n s o c i a l n e t w o r k s s a v e h u m a n r e l a t i o n s? |
| work_hetfk6bjwzamtmmm6ni64lvzwq | I s t h e r e a c a s e o f b a d g e o g r a p h y? |
| work_5k7our5hfjejjangn5kqtbifbe | 12 This may seem self- evident: what reason might there be to invent philosophy other than to present ideologies of a particular sub- ject- location? |
| work_5k7our5hfjejjangn5kqtbifbe | But what if ‘ beauty ’ need not be universal, or even visible, to be potent? |
| work_5k7our5hfjejjangn5kqtbifbe | How can aesthetic theory be engaged in relation to African American dance practice? |
| work_5k7our5hfjejjangn5kqtbifbe | More than this, how can African American dance participate on its own terms in a discourse of ‘ beauty ’? |
| work_5k7our5hfjejjangn5kqtbifbe | References Appiah, Anthony: 1996, ‘ African- American Philosophy? ’, in Pittman, 11–34. |
| work_5k7our5hfjejjangn5kqtbifbe | We can easily understand why: the concept seems at once extremely unstable – what are the terms for recognizing ‘ beauty ’? |
| work_5k7our5hfjejjangn5kqtbifbe | What sorts of aesthetic imperatives surround African American dance and how does black performance make sense of these imperatives? |
| work_5k7our5hfjejjangn5kqtbifbe | Who has access to it?). |
| work_5k7our5hfjejjangn5kqtbifbe | Who names the quality of performance, or who determines that a performance may be accu- rately recognized as ‘ black ’? |
| work_5k7our5hfjejjangn5kqtbifbe | and the access of black Americans to advanced training in white- operated academies and schools( how can it press toward distribution? |
| work_57sazq7wevcebmwpuxvniad5ii | Are some works of art “ objectively beautiful, ” or is beauty merely in the eye of the beholder, an entirely subjective affair? |
| work_57sazq7wevcebmwpuxvniad5ii | Is there any set of standards or criteria by means of which high aesthetic quality( and low) can be objectively recognized? |
| work_57sazq7wevcebmwpuxvniad5ii | It is, however, possible to provide a clear and persuasive response to the question, Does morality have objective validity? |
| work_57sazq7wevcebmwpuxvniad5ii | Major forms of human intelligence Cognitive intelligence Is human IQ an objectively determinable thing? |
| work_57sazq7wevcebmwpuxvniad5ii | This appears to be manifestly circular, does it not? |
| work_57sazq7wevcebmwpuxvniad5ii | What constitutes Beauty and how is it to be recognized? |
| work_f5d7ticdlfhdzmeu2mgkbg3kmm | ( 1996): “ Why bounded rationality? ” Journal of Economic Literature, 34, 669–700. |
| work_f5d7ticdlfhdzmeu2mgkbg3kmm | E- mail: marc.willinger@umontpellier.fr 1 1 Introduction To what extent does non- rational behavior by( some) individuals affect aggregate outcomes? |
| work_f5d7ticdlfhdzmeu2mgkbg3kmm | If so, how? |
| work_f5d7ticdlfhdzmeu2mgkbg3kmm | This criticism has led to our research questions: Does the strategic environment effect depend on population size? |
| work_f5d7ticdlfhdzmeu2mgkbg3kmm | — — —( 1997): “ What makes markets allocationally efficient? ” Quarterly Journal of Economics, 112, 603–630. |
| work_hspeaiyxnjhlfjvco3jm3hkcvi | CRAFT BEAUTIFUL EQUATIONS IN WORD WITH LATEX B Y D A V I D M A T T H E W S LaTeX or Word? |
| work_hspeaiyxnjhlfjvco3jm3hkcvi | So is LaTeX worth mastering? |
| work_gyo5dtorxvgudfekl7dbo4ldqe | 3 Discussion 3.1 Are the Colours Real? |
| work_gyo5dtorxvgudfekl7dbo4ldqe | However, our eyes are loga- rithmic detectors so is it more ‘ real ’ to process the CCD data to be logarithmic? |
| work_gyo5dtorxvgudfekl7dbo4ldqe | Is it ‘ real ’ then to show a picture that mostly ignores a major physical component? |
| work_bmv7zbuk4bg45ips4rzvdj5s4a | But what positively charged particle? |
| work_bmv7zbuk4bg45ips4rzvdj5s4a | But what sort of equation is this? |
| work_bmv7zbuk4bg45ips4rzvdj5s4a | Could this be guaranteed in the new quantum mechanics formalism? |
| work_bmv7zbuk4bg45ips4rzvdj5s4a | If the difference between XY and YX is not zero, what is it equal to? |
| work_bmv7zbuk4bg45ips4rzvdj5s4a | So the mathematics is now meaningful; but what is the physics of these matrices and column vectors? |
| work_bmv7zbuk4bg45ips4rzvdj5s4a | Where had he seen something like equation( 11) before? |
| work_bmv7zbuk4bg45ips4rzvdj5s4a | ω ω ω ω=+++ i t i t i t i tY t y e y e y e y e( 3) And what about X(t)Y(t)? |
| work_bzfcyz7wjjc7feserggquayzbm | One might still be worried: does n’t betting at odds that are bad according to one ’s degrees of belief violate standard decision theory? |
| work_bzfcyz7wjjc7feserggquayzbm | Should each accept the bet? |
| work_bzfcyz7wjjc7feserggquayzbm | The ques- tion now is: when she wakes up what should her degree of belief be that the outcome was heads? |
| work_bzfcyz7wjjc7feserggquayzbm | What about her degrees of belief upon waking up though? |
| work_bzfcyz7wjjc7feserggquayzbm | What is wrong with Elga ’s argument that SB should change her mind upon waking up? |
| work_bzfcyz7wjjc7feserggquayzbm | What is wrong with my argument that SB should not change her mind upon waking up? |
| work_bzfcyz7wjjc7feserggquayzbm | What should SB( and DB) do? |
| work_floj5majrvchrcsk3et6fykvgu | Is that community trial going to go on forever? |
| work_floj5majrvchrcsk3et6fykvgu | Ways should be sought to increase the power and research and public health policy? |
| work_floj5majrvchrcsk3et6fykvgu | What might be an appropriate representation of the major research disciplines on scientific and governing bodies? |
| work_floj5majrvchrcsk3et6fykvgu | Where to? |
| work_ipl5qhdudrcujg7boyl2hcrzqy | Could SSRIs also be viewed as attractive candidates for reducing myocardial damage in ischemic or post- MI heart? |
| work_ipl5qhdudrcujg7boyl2hcrzqy | Do local increases in interstitial 5-HT contribute to ischemic heart damage or ischemia- reperfusion injury? |
| work_ipl5qhdudrcujg7boyl2hcrzqy | Functional consequence of serotonin/5-HT2B receptor signaling in heart: role of mitochondria in transition between hypertrophy and heart failure? |
| work_hfikjnwuobdzpdex7cwnrg4db4 | After branching and observing either Up or Down, what should Wombat ’s credence in ST be? |
| work_hfikjnwuobdzpdex7cwnrg4db4 | On waking and seeing a red piece of paper, what should Beauty ’s credence in Heads be? |
| work_hfikjnwuobdzpdex7cwnrg4db4 | ½( so say halfers) or i( so say thirders)? |
| work_dw3ag6wcfvgbpnclnvltl5fgpq | Future experimental designs that could determine causality( does beauty cause justice, or justice cause beauty? |
| work_dw3ag6wcfvgbpnclnvltl5fgpq | General Discussion What is the difference between justice reasoning and the per- sonality trait of fairness? |
| work_dw3ag6wcfvgbpnclnvltl5fgpq | Is it necessary to avoid beauty to create a more just society? |
| work_dw3ag6wcfvgbpnclnvltl5fgpq | Sexism, hostility toward women, and endorsement of beauty ideals and practices: Are beauty ideals associated with oppressive be- liefs? |
| work_dw3ag6wcfvgbpnclnvltl5fgpq | So, was Scarry wrong? |
| work_dw3ag6wcfvgbpnclnvltl5fgpq | What is the quality of Scarry ’s arguments about the relationship between beauty and justice? |
| work_dw3ag6wcfvgbpnclnvltl5fgpq | Whatever happened to beauty? |
| work_gp45c5osyfamvptbrqkyyjhfze | Di quale amore stiamo parlando? |
| work_gp45c5osyfamvptbrqkyyjhfze | Di quello tra una madre, seppure “ adottiva ”, e una figlia? |
| work_gp45c5osyfamvptbrqkyyjhfze | Trascende qualsiasi rapporto tra un uomo e una donna? |
| work_gp45c5osyfamvptbrqkyyjhfze | È questo il più vero? |
| work_ctnys55nwve5bm7mbh7nykg2re | 177–203 ISSN 0734–1512( print)/ISSN 1477–2620( online) © 2005 Taylor& Francis Group Ltd DOI: 10.1080/07341510500103735 Will Small be Beautiful? |
| work_ctnys55nwve5bm7mbh7nykg2re | 94[ 94] Johnson, ‘ The End of Pure Science? ’ while the term post- academic science ’ is itself from Ziman, Real Science. |
| work_ctnys55nwve5bm7mbh7nykg2re | UC Santa Barbara Recent Work Title Will Small be Beautiful? |
| work_ctnys55nwve5bm7mbh7nykg2re | What is required to create a successful new science initiative? |
| work_ctnys55nwve5bm7mbh7nykg2re | ‘ The End of Pure Science? |
| work_gsnrabshnvfexkkefl4bivc3va | Are n''t the participants doing work that should rightly be done by full time workers, union men? |
| work_gsnrabshnvfexkkefl4bivc3va | Are n''t these second class jobs? |
| work_gsnrabshnvfexkkefl4bivc3va | Is n''t this slave labour? |
| work_gsnrabshnvfexkkefl4bivc3va | Would n''t it make sense if some of the unemployed helped beautify our hospitals? |
| work_jqvn7k577bhcfgajq4ikwcptoy | Nicholls AJ, Catto GRD, Edward N, Engeset J, MacLeod M. Accelerated atherosclerosis in dialysis and renal transplant patients: fact or fiction? |
| work_jqvn7k577bhcfgajq4ikwcptoy | Renalfailure- a priority in health? |
| work_kfb7o4lucjchdehnkstcvgcgwi | ( 21) and( 22)? |
| work_kf7a3qac75ac5j4coo2n2tltcm | But is it true? |
| work_e3ogtnreyrcwbco4mzfelbsfui | 53581, posted 10 Feb 2014 15:20 UTC 1 When are appearances deceiving? |
| work_e3ogtnreyrcwbco4mzfelbsfui | Belief elicitation in experiments: is there a hedging problem? |
| work_e3ogtnreyrcwbco4mzfelbsfui | Child stars vs. ugly ducklings: does adolescent attractiveness contribute to the beauty premium? |
| work_e3ogtnreyrcwbco4mzfelbsfui | Does Learning about Performance Eliminate the Beauty Premium in the Second Round? |
| work_e3ogtnreyrcwbco4mzfelbsfui | Does the Beauty Premium Vary by Gender? |
| work_e3ogtnreyrcwbco4mzfelbsfui | Is there a beauty premium in undergraduate education? |
| work_e3ogtnreyrcwbco4mzfelbsfui | Microsoft Word- JEBO When are appearances deceiving.docx Munich Personal RePEc Archive When Are Appearances Deceiving? |
| work_e3ogtnreyrcwbco4mzfelbsfui | What does it mean to find the face of the franchise? |
| work_kkta46aprvda3kxuww62zfddua | [ 43] G. Schäfer, M. Meyering- Vos, F- type or V- type? |
| work_jugp3uvyinewpny2xsjjkfbpcu | [ 37] R. D. Matheus, S. Narison, M. Nielsen, and J. M. Richard, “ Can the X(3872) be a 1++ four- quark state? ” Physical Review D, vol. |
| work_h6aig2hhz5c7dlkjtdnov2veim | MEDICINE AND SOCIETY Are Cosmetic Surgeons Complicit in Promoting Suspect Norms of Beauty? |
| work_h6aig2hhz5c7dlkjtdnov2veim | Must physicians attend to the concerns of society as a whole as well as the needs of their patients? |
| work_h6aig2hhz5c7dlkjtdnov2veim | Ought physicians to serve as moral gatekeepers? |
| work_h6aig2hhz5c7dlkjtdnov2veim | Parens E. Is better always good? |
| work_h6aig2hhz5c7dlkjtdnov2veim | What is the extent of physicians ’ responsibility to society at large versus that to individual patients? |
| work_aiy33lcomrehzjbq66xoeeipry | And how do we defend it against the surrounding culture? |
| work_aiy33lcomrehzjbq66xoeeipry | But what do we learn from this? |
| work_aiy33lcomrehzjbq66xoeeipry | But why is beauty a value? |
| work_aiy33lcomrehzjbq66xoeeipry | How do we distinguish it from its fake versions? |
| work_aiy33lcomrehzjbq66xoeeipry | Is it a feature of the world, or a figment of the imagination? |
| work_aiy33lcomrehzjbq66xoeeipry | Is it telling us something real and true that requires just this experience to be recognized? |
| work_aiy33lcomrehzjbq66xoeeipry | Or is it merely a heightened moment of sensation, of no significance beyond the delight of the person who experiences it? |
| work_aiy33lcomrehzjbq66xoeeipry | What do we gain, in terms of emotional, spiritual, intellectual, or moral development? |
| work_aiy33lcomrehzjbq66xoeeipry | What do we make of this, and how do we find our way back to the thing so many people long for, which is the vision of beauty? |
| work_aiy33lcomrehzjbq66xoeeipry | What exactly does this word imply? |
| work_aiy33lcomrehzjbq66xoeeipry | — When does this experience occur, and what does it mean? |
| work_k2uyybplafcwvd6njzfwmhppkm | “ Anadolu Sahasında İlk Bahr- ı Tavîl Ahmed Paşa‟nın mıdır? ”, Turkish Studies, Vol. |
| work_46it6o3yvjatrktfw2iwliwhsm | And why should those particular features be attractive? |
| work_46it6o3yvjatrktfw2iwliwhsm | Are we trying too hard to see in the data what we want to find? |
| work_46it6o3yvjatrktfw2iwliwhsm | But what features make an attractive face? |
| work_46it6o3yvjatrktfw2iwliwhsm | Could the estrogen- dependent female preference for higher testosterone men be a preference for more mature late- adolescent men? |
| work_46it6o3yvjatrktfw2iwliwhsm | Do people agree on those features? |
| work_46it6o3yvjatrktfw2iwliwhsm | Infant preferences for attractive faces: rudiments of a stereotype? |
| work_46it6o3yvjatrktfw2iwliwhsm | More than mere mimicry? |
| work_46it6o3yvjatrktfw2iwliwhsm | Or French heart- throb Jean- Paul Belmondo, with his big mouth and prodigious Gallic nose? |
| work_46it6o3yvjatrktfw2iwliwhsm | Robert Redford and Paul Newman I could understand, but Humphrey Bogart, with his weak chin and crooked smile? |
| work_46it6o3yvjatrktfw2iwliwhsm | What is average and what is not average about attractive faces? |
| work_46it6o3yvjatrktfw2iwliwhsm | Why would a girl want to dote on what seemed to me quite unattractive faces? |
| work_46it6o3yvjatrktfw2iwliwhsm | Would older, higher parity women show the same preference bias, or to the same degree? |
| work_dsxdhokp75ckpl5ghuxy7fujty | 2 The ancestral nest What did the ancestral ant nest look like, and how was it modified through evolution? |
| work_dsxdhokp75ckpl5ghuxy7fujty | 6 Does ant nest architecture offer wisdom for humans? |
| work_dsxdhokp75ckpl5ghuxy7fujty | And finally, if we view human group tasks as if they were being accomplished by ants, could we gain insight into how humans work? |
| work_dsxdhokp75ckpl5ghuxy7fujty | How do these shifts affect the rate and efficiency of work? |
| work_dsxdhokp75ckpl5ghuxy7fujty | How does the efficiency and proficiency of workers change with age and experience? |
| work_dsxdhokp75ckpl5ghuxy7fujty | Subterranean ant nest architecture: Trace fossils past and future? |
| work_dsxdhokp75ckpl5ghuxy7fujty | What might ant nest architecture have to offer humans? |
| work_hi4b6qr3xbdwrih4hvn2rdfqne | Can Internalization of Sociocultural Beauty Standards Predict Adolescents ’ Physical Activity? |
| work_hi4b6qr3xbdwrih4hvn2rdfqne | Does body satisfaction matter? |
| work_hi4b6qr3xbdwrih4hvn2rdfqne | Thin adolescents: Who are they? |
| work_hi4b6qr3xbdwrih4hvn2rdfqne | What do they do? |
| work_da6myl64vvhmhjjcw4nark2axq | ( 1991) Can one date a comet and its constituents? |
| work_da6myl64vvhmhjjcw4nark2axq | A N D BEGEMANN F.( 1985) Are all"martian"meteorites from Mars? |
| work_da6myl64vvhmhjjcw4nark2axq | A key question to then ask is how representative are microscopic samplcs of bodies that measure a few to many kilometers across? |
| work_da6myl64vvhmhjjcw4nark2axq | The goal of the mission is to return powdered or chipped samples from the surface( regolith?) |
| work_da6myl64vvhmhjjcw4nark2axq | The highest priority measurement is stated to be the solar wind 0-isotopic ratios, which will be measured to? |
| work_da6myl64vvhmhjjcw4nark2axq | What new techniques are needed for the analysis of the organic cometary components? |
| work_hfrqjrperrgblehejzemvfs2ky | It would not be heavy, Maybe you want to become a Russian ’s wife? |
| work_hfrqjrperrgblehejzemvfs2ky | Woven, embroidered chalma[ an Udmurt female headdress], Did you fi nd it heavy? |
| work_hfrqjrperrgblehejzemvfs2ky | Yyrad sekyt öy yötysal, Z̈uch kyshno luemed potïz- a? |
| work_jc72q34iyjflxboewdunyuntwm | ( £ WP)''OC; EOU j W h at can be concluded from tlus literary exclu''sion? work_jc72q34iyjflxboewdunyuntwm 1994 Watson D: Till''Cc)/Jl lll bin Book(? work_jc72q34iyjflxboewdunyuntwm w he re Knemo n says, H e is sIIIIburned, is I, e n[ an il e,.? work_krtysgmsljdlzl5omwenxca2ti Is this significant? work_jbztqovy55g5bceditdwd3gm54 Part IV begins with chapter 8, applying the network theory to real world aesthetic psychol- ogy; do we think and act as if this theory were true? work_djwh3ie6j5fqlc7igexbdk5jmi Are average facial configurations attractive only because of their symmetry? work_djwh3ie6j5fqlc7igexbdk5jmi Are average facial configurations attractive only because of their symmetry? work_djwh3ie6j5fqlc7igexbdk5jmi Are you always on my mind? work_djwh3ie6j5fqlc7igexbdk5jmi Are you always on my mind? work_djwh3ie6j5fqlc7igexbdk5jmi Can beauty be ignored? work_djwh3ie6j5fqlc7igexbdk5jmi Can beauty be ignored? work_djwh3ie6j5fqlc7igexbdk5jmi Infant preferences for attractive faces: Rudiments of a stereotype? work_djwh3ie6j5fqlc7igexbdk5jmi Infant preferences for attractive faces: Rudiments of a stereotype? work_djwh3ie6j5fqlc7igexbdk5jmi Is multiple object tracking carried out automatically by an early vision mechanism independent of higher- order cognition? work_djwh3ie6j5fqlc7igexbdk5jmi Is multiple object tracking carried out automatically by an early vision mechanism independent of higher- order cognition? work_aayck5zf6nbijjlev64fhl4u7q Can I be so objective myself? work_aayck5zf6nbijjlev64fhl4u7q Did you notice how long the service was? work_aayck5zf6nbijjlev64fhl4u7q Dogs are prohibited from the Serengeti National Park, so how did the lions contact them? work_aayck5zf6nbijjlev64fhl4u7q For a moment, I wondered if Wildt and Bush really collected 50 different cheetahs? ” The results were that hard to believe. work_aayck5zf6nbijjlev64fhl4u7q Maybe both? work_aayck5zf6nbijjlev64fhl4u7q Who are the people who are your best friends? work_aayck5zf6nbijjlev64fhl4u7q Who are the people you keep coming back to? work_aayck5zf6nbijjlev64fhl4u7q Who was correct? work_aayck5zf6nbijjlev64fhl4u7q Why is that important? work_aayck5zf6nbijjlev64fhl4u7q Why? work_ezeoi5udlfeg7lj63i6bhmp5uy Are you always on my mind? work_ezeoi5udlfeg7lj63i6bhmp5uy CAN BEAUTY BE IGNORED? work_ezeoi5udlfeg7lj63i6bhmp5uy Can beauty be ignored? work_ezeoi5udlfeg7lj63i6bhmp5uy Is the appraisal for beauty mandatory in such a way that attractive faces can compete automati- cally with an ongoing task for attentional resources? work_ezeoi5udlfeg7lj63i6bhmp5uy Maxims or myths of beauty? work_ezeoi5udlfeg7lj63i6bhmp5uy Psychonomic Bulletin& Review 2009, 16( 2), 276- 281 doi:10.3758/ PBR.16.2.276 J. Sui, jie.sui@hull.ac.uk CAN BEAUTY BE IGNORED? work_cuzle74nsbey5equilignacbnu But what might that have been? work_cuzle74nsbey5equilignacbnu Did n’t we already suspect that some people just do n’t ‘ get ’ music? work_cuzle74nsbey5equilignacbnu How would such an abstract activity confer a reproductive or survival advantage, of the sort required for natural selection to operate? work_cuzle74nsbey5equilignacbnu Is this a matter of volition, cognition or reward biology? work_cuzle74nsbey5equilignacbnu Might typically musically hedonic individuals show ‘ musical satiety ’ with frequent exposure to their favourite music? work_cuzle74nsbey5equilignacbnu More fundamentally, what are the wider implications for our understanding of other anhedonias? work_cuzle74nsbey5equilignacbnu What are the limits of the phenomenon? work_cuzle74nsbey5equilignacbnu What is its neuroanatomical basis? work_cuzle74nsbey5equilignacbnu What of the other end of the spectrum, individuals with ‘ musicophilia ’ who are hyper- hedonic for music? work_izpd6euhfnfb3j6adle5lmuciq How are these masks made? work_izpd6euhfnfb3j6adle5lmuciq How is COVID-19 affecting the Top 10 Global Consumer Trends 2020? work_izpd6euhfnfb3j6adle5lmuciq How these masks are made? work_izpd6euhfnfb3j6adle5lmuciq Ritchie, H. The Carbon Footprint of Foods: Are Differences Explained by the Impacts of Methane? work_hd44iyvhsvcgbhl4cnivix2pjq Education for Sustainability Development Group( ESDG)( 1999) Scotland the sustainable? work_hd44iyvhsvcgbhl4cnivix2pjq Post-1999—a new parliament: a new direction? work_hd44iyvhsvcgbhl4cnivix2pjq References Advisory Group on Sustainable Development( AGSD)( 1999) Scotland the sustainable? work_hd44iyvhsvcgbhl4cnivix2pjq The documents, Scotland the sustainable and Scotland the sustain- able? work_glundc6uona5xmyydpins32iy4 Explaining potential antecedents of workplace social support: Reciprocity or attractiveness? work_glundc6uona5xmyydpins32iy4 Is there a double standard of aging? work_glundc6uona5xmyydpins32iy4 Maxims or myths of beauty? work_glundc6uona5xmyydpins32iy4 Tit for tat? work_glundc6uona5xmyydpins32iy4 When do opposites attract? work_jfvnujea25bp3h7ht7vgrhtm74 Can beautiful ideas drive science? work_jfvnujea25bp3h7ht7vgrhtm74 Only one real issue remains: at what energies must one smash particles together to seek supersymmetry ’s elusive sig- nature? work_aytyd4iigffotcauijw3lcmnwe ( Competence: the ability to do something successfully or efficiently) Trustworthiness What is your evaluation of the trustworthiness of this person? work_aytyd4iigffotcauijw3lcmnwe ( Likability: being pleasant, friendly and easy to like) Intelligence What is your evaluation of the intelligence of this person? work_aytyd4iigffotcauijw3lcmnwe ( Trustworthiness: the ability to be relied on as honest or truthful) Likability What is your evaluation of the likability of this person? work_aytyd4iigffotcauijw3lcmnwe Appearance dimension Question Beauty What is your evaluation of the physical appearance or attractiveness of this person? work_aytyd4iigffotcauijw3lcmnwe Competence What is your evaluation of the competence of this person? work_aytyd4iigffotcauijw3lcmnwe We then ask the question whether facial appearance matters equally for male and female corporate directors? work_aytyd4iigffotcauijw3lcmnwe “ Is beauty talent? work_aytyd4iigffotcauijw3lcmnwe “ Is voting skin- deep? work_lfta6n7q3vcixfzujl5hulbdkm Not all the animals are beautiful, but the infinite variety is so interesting —why rushed the discords in, but that harmony should be prized?" |
| work_lt4ogaqnrnhw5aneteymdwxayy | Protein structure prediction: when is it useful? |
| work_jnta73r4szfdveu5inwwqprvue | @article{Tuomilehto2010TallIB, title={Tall is beautiful and heart- healthy? |
| work_jnta73r4szfdveu5inwwqprvue | DOI:10.1093/ eurheartj/ ehq183 Corpus ID: 7556830Tall is beautiful and heart- healthy? |
| work_jnta73r4szfdveu5inwwqprvue | PDF] Tall is beautiful and heart- healthy? |
| work_hbh6yska2rennnq7r6i2mrqt24 | And How does their social, cultural and geographical environment influence children ’s aesthetic preferences? |
| work_hbh6yska2rennnq7r6i2mrqt24 | How does their social, cultural and geographical environment influence children ’s aesthetic preferences? |
| work_hbh6yska2rennnq7r6i2mrqt24 | The study explored two questions: How do children represent their perceptions of beauty? |
| work_hbh6yska2rennnq7r6i2mrqt24 | They are also the kinds of questions I set out to answer when I conceived my own study: How do children represent their perceptions of beauty? |
| work_hbh6yska2rennnq7r6i2mrqt24 | Why was this? |
| work_hbh6yska2rennnq7r6i2mrqt24 | “ How Stable Are Human Aesthetic Preferences Across The Lifespan? ” Frontiers in Human Neuroscience 11. |
| work_hbh6yska2rennnq7r6i2mrqt24 | “ Why Throw The Negs Out With The Bathwater? |
| work_3zoyiw4lmjeibjcctq5vog6vim | How sick am I? |
| work_3zoyiw4lmjeibjcctq5vog6vim | I wish you well? |
| work_3zoyiw4lmjeibjcctq5vog6vim | Is Obama too smart to be president? |
| work_3zoyiw4lmjeibjcctq5vog6vim | Survive the droughts? |
| work_3zoyiw4lmjeibjcctq5vog6vim | What about the children of drug- addicted parents? |
| work_3zoyiw4lmjeibjcctq5vog6vim | Whatever the reason, the question is, do we allow these children to fall prey to bad influence simply because of circumstances of birth? |
| work_3zoyiw4lmjeibjcctq5vog6vim | Why are women attracted to thugs? |
| work_3zoyiw4lmjeibjcctq5vog6vim | Why is it so difficult for Black men to be their full and authentic selves in the United States? |
| work_gfjn7ngtojauhn7kaf6bbbsq74 | ? |
| work_gfjn7ngtojauhn7kaf6bbbsq74 | CIA NIFNu*? SUF i. |
| work_gfjn7ngtojauhn7kaf6bbbsq74 | Is there an answer? |
| work_gfjn7ngtojauhn7kaf6bbbsq74 | MITOCHONDRIA: HIGHLY RETAINED, BUT WHY? |
| work_gfjn7ngtojauhn7kaf6bbbsq74 | What makes a chloroplast? |
| work_gfjn7ngtojauhn7kaf6bbbsq74 | Why are mitochondria essential for life? |
| work_gfjn7ngtojauhn7kaf6bbbsq74 | v. v. SUF? |
| work_cbxfevlg25fa7hilze5ecewh2y | Breast Surgery – A Problem of Beauty or Health? |
| work_cbxfevlg25fa7hilze5ecewh2y | Breast surgery: A problem of beauty or health?. |
| work_cbxfevlg25fa7hilze5ecewh2y | Horlock N, Cole RP, Rossi AR: The selection of patients for breast reduction: Should health commissions have a say? |
| work_cbxfevlg25fa7hilze5ecewh2y | Hypertrophy of the breast: a problem of beauty or health? |
| work_cbxfevlg25fa7hilze5ecewh2y | Hypertrophy of the breast: a problem of beauty or health? |
| work_cbxfevlg25fa7hilze5ecewh2y | Hypertrophy of the breast: a problem of beauty or health? |
| work_cbxfevlg25fa7hilze5ecewh2y | Klassen A, Fitzpatrick R, Jenkinson C, Goodacre T: Should breast reduction surgery be rationed? |
| work_kt7oicwaffdq5i2ejh6avylmlu | Ovarian cancer: can we make the diagnosis earlier? |
| work_kt7oicwaffdq5i2ejh6avylmlu | The critical question is, Will such screening affect out- comes? |
| work_mj47vtfvgvew3pb6d57vqynwvm | Why sophisticated? |
| work_dstg5yl7qzeu7gdpooplmlp4km | Aile Hekimi, ‘ Çeki D€uzen Odası: Y€uz Nasıl Yıkanılır? ’, HMG, No.19( 16 Cemaziy€ulevvel 1313/4 November 1895), p.6. |
| work_dstg5yl7qzeu7gdpooplmlp4km | Aile Hekimi, ‘ Çeki D€uzen Odası: Y€uz Nasıl Yıkanılır? ’, p.6; Hikmet, Tuvalet ve Letafet- i Aza. |
| work_dstg5yl7qzeu7gdpooplmlp4km | Aile Hekimi, ‘ Çeki D€uzen Odası: Y€uz Nasıl Yıkanılır? ’, p.6; Hikmet, Tuvalet ve Letafet- i Aza. |
| work_dstg5yl7qzeu7gdpooplmlp4km | But was such a thing possible? |
| work_dstg5yl7qzeu7gdpooplmlp4km | If companionship rested upon pleasing the husband and pleasing the husband rested upon beauty, what did beauty rest upon in the Hamidian Era? |
| work_dstg5yl7qzeu7gdpooplmlp4km | M. Asım, ‘ Nasıl G€uzelleşmeli? |
| work_dstg5yl7qzeu7gdpooplmlp4km | M. Asım, ‘ Nasıl G€uzelleşmeli? |
| work_dnu3ulj3hfgwdcnlhqasadutkq | See especially Stanley Cavell, “ Aesthetic Problems of Modern Philosophy, ” Must We Mean What We Say? |
| work_dnu3ulj3hfgwdcnlhqasadutkq | That is, what could it be that places this person in a position to issue such a demand? |
| work_dnu3ulj3hfgwdcnlhqasadutkq | better judgment whispered: “ What difference can that make, since you wo n’t be distressed by it? |
| work_kc7gzixztfbfhjrsxhx7yxulhq | How Much Time is Needed to Make an Aesthetical Evaluation? |
| work_kc7gzixztfbfhjrsxhx7yxulhq | How Much Time is Needed to Make an Aesthetical Evaluation? |
| work_kc7gzixztfbfhjrsxhx7yxulhq | Viewing Time How much time people devote to looking at paintings? |
| work_kc7gzixztfbfhjrsxhx7yxulhq | What Processes Contribute to Positive Aesthetical Evaluation? |
| work_gzim75pv2rdh5f7ej4rdz2pfeu | B., 1983: Why can the supernumerary bows be seen in a rain shower? |
| work_gzim75pv2rdh5f7ej4rdz2pfeu | B., 1983: Why can the supernumerary bows be seen in a rain shower? |
| work_gzim75pv2rdh5f7ej4rdz2pfeu | B., 1983: Why can the supernumerary bows be seen in a rain shower? |
| work_gzim75pv2rdh5f7ej4rdz2pfeu | B., 1983: Why can the supernumerary bows be seen in a rain shower? |
| work_gzim75pv2rdh5f7ej4rdz2pfeu | Crossref Laven, P., 2005b: How are glories formed? |
| work_gzim75pv2rdh5f7ej4rdz2pfeu | Crossref Laven, P., 2005b: How are glories formed? |
| work_lg7uwni46nhjxg5pc3yrqf32wy | Why are different integration mechanisms observed with the co- injection and the double transgenic strategies? |
| work_kywlvvxt5vcrfohi2hci3bts4a | By what mechanisms did the liver cell incorporate this plasmid? |
| work_kywlvvxt5vcrfohi2hci3bts4a | Could Sleeping Beauty have therapeutic utility in terms of introducing helpful transgenes[ 7]? |
| work_kywlvvxt5vcrfohi2hci3bts4a | How could these processes work and do we have evidence that they do? |
| work_6bbpoikkjzhkjofmhydmdqp2ma | Physical Attractiveness and Sexuality: Is Hair Really Depoliticized? |
| work_6bbpoikkjzhkjofmhydmdqp2ma | To what extent does the body come into being in and through the mark(s) of gender? |
| work_6bbpoikkjzhkjofmhydmdqp2ma | Why should we feel that way? |
| work_6bbpoikkjzhkjofmhydmdqp2ma | “ Do Racial Minorities Respond in the Same Way to Mainstream Beauty Standards? |
| work_iibebsnhzfhoviayka6ra7gh5e | Do the lower con- cavities of the legs( ankles) extend cephalad in the same fashion medially as laterally? |
| work_iibebsnhzfhoviayka6ra7gh5e | How does one interpret the drawings of the great Leonardo da Vinci? |
| work_iibebsnhzfhoviayka6ra7gh5e | How many plastic sur- geons use the Golden Ratio in their daily practice? |
| work_iibebsnhzfhoviayka6ra7gh5e | Is the medial and lateral convexity of the calves symmetric? |
| work_iibebsnhzfhoviayka6ra7gh5e | The same question applies for the calves: When enhancing or reducing the volume of the calves, should it be done in a symmetric fashion? |
| work_iibebsnhzfhoviayka6ra7gh5e | Thus, the volume is reduced medially and laterally without considering any aesthetic ideal: do ankles have the same concavity medially as laterally? |
| work_n3pn3wlelbc6bnnp2fm3n4edpy | What about singular agreement in( 50b), then? |
| work_ktm3qhi2lbgiffl467lpvkaao4 | Is it an ugly object or an ugly work? |
| work_ktm3qhi2lbgiffl467lpvkaao4 | Or – who knows? |
| work_ktm3qhi2lbgiffl467lpvkaao4 | What, aesthetically, was it instead? |
| work_n4bpax2mgjbqxhnar53qnias2a | Chance or ne- cessity? |
| work_kpvdzc3tgrawxdsied3oqcv3je | How did she negotiate being a foreigner in the Unites States? |
| work_mc3bar5mejeinpmim2pqa46q7e | Is this something inherent in these phenomena, or is it something within us? |
| work_mc3bar5mejeinpmim2pqa46q7e | Why is it that such things are so vivid to us when we are small children but tend to relative dullness as we mature? |
| work_me42cidnefbvri2vsz3bqyvz34 | Channel 4[ DVD]_____( 2005) Nathan Barley, Fucking with your head yeah? |
| work_lf44yhzrrrhxvmcgwrl2fngcpa | Unless you ’re a weather geek, why else would you need to have an indoor outdoor thermometer? |
| work_nn3enyu5fffvbausngksuidply | But what is the link to transfusion medicine? |
| work_bhtqns4thjdplahzpjuryydy2q | Where''s the bunny? |
| work_bhtqns4thjdplahzpjuryydy2q | ...."What is rhyme? |
| work_bhtqns4thjdplahzpjuryydy2q | 1 Why is classification important? |
| work_bhtqns4thjdplahzpjuryydy2q | 2 On what kind of''evidence''are classification systems based? |
| work_bhtqns4thjdplahzpjuryydy2q | All beauty may by a metaphor be called rhyme, may it not?". |
| work_bhtqns4thjdplahzpjuryydy2q | How does the animal — and the zoologist — proceed? |
| work_bhtqns4thjdplahzpjuryydy2q | Is it not an agreement of sound — with a slight disagreement?".... |
| work_bhtqns4thjdplahzpjuryydy2q | Jane Goodall had written"But what if a chimpanzee wept tears when he heard Bach thundering from a cathedral organ? |
| work_bhtqns4thjdplahzpjuryydy2q | Taking rhyme as the paradigm of beauty, let me turn at once to the fundamental question: Why do we like the relation which rhyme epitomises? |
| work_bhtqns4thjdplahzpjuryydy2q | The beauty we find is from the comparison we make of the things with themselves, seeing their likeness and difference, is it not?". |
| work_bhtqns4thjdplahzpjuryydy2q | What evidence is there that classification — the core of learning — is agreeable to men and to animals also? |
| work_bhtqns4thjdplahzpjuryydy2q | What is rhyme like? |
| work_bhtqns4thjdplahzpjuryydy2q | What is the biological advantage of seeking out rhyming elements in the environment? |
| work_lrqyrvasnffldfozjhduuumad4 | 1631 What Makes Tourists Satisfied? |
| work_lrqyrvasnffldfozjhduuumad4 | Behavioral Intentions? |
| work_lrqyrvasnffldfozjhduuumad4 | Branded? |
| work_mtcjwiwhljeyzabdqnjhcpjpbq | Surely unification could never we d these antipodal concepts, or could it? |
| work_aahe7dtxdvasvcxnqk275rqg5a | But what common features make beauty identifiable across time and place? |
| work_aahe7dtxdvasvcxnqk275rqg5a | Does every- thing radiant in Homer connote beauty? |
| work_aahe7dtxdvasvcxnqk275rqg5a | Does that not smack of anachronism? |
| work_aahe7dtxdvasvcxnqk275rqg5a | How does Homer express beauty? |
| work_aahe7dtxdvasvcxnqk275rqg5a | How else does the poet express beauty without an explicit word for ‘ beauty ’ or ‘ beautiful ’? |
| work_aahe7dtxdvasvcxnqk275rqg5a | See L. Tolstoy, What is Art? |
| work_aahe7dtxdvasvcxnqk275rqg5a | So how do they compare and what can this tell us about Homeric and early Greek attitudes to beauty? |
| work_aahe7dtxdvasvcxnqk275rqg5a | What about their effects? |
| work_aahe7dtxdvasvcxnqk275rqg5a | What words, if any, does he have for ‘ beauty ’ and ‘ beautiful ’? |
| work_n3bw4ncjifdnfczsjaf4nalnu4 | Which step of the transposition event is enhanced by het- erochromatic conformation? |
| work_n3bw4ncjifdnfczsjaf4nalnu4 | Why did the excision efficiency change in tTR- expressing clones in the pres- ence or absence of DOX? |
| work_b2jgajqc4rayhimojx6sfc2xty | 239- 242] Did Galba Visit Britain in A. D. 43? |
| work_b2jgajqc4rayhimojx6sfc2xty | 601- 4)? |
| work_b2jgajqc4rayhimojx6sfc2xty | 8 7ravro[a aperw created by statesmen( 209d4-e3) is OVrE fvtEL OVT? |
| work_b2jgajqc4rayhimojx6sfc2xty | And still further on to beautiful sciences? |
| work_b2jgajqc4rayhimojx6sfc2xty | But what is the content of his vision, or what does he apprehend of the beautiful itself? |
| work_b2jgajqc4rayhimojx6sfc2xty | Does it carry on to pass from beautiful souls to beautiful institutions? |
| work_b2jgajqc4rayhimojx6sfc2xty | How far does his''ascent in value''mount? |
| work_b2jgajqc4rayhimojx6sfc2xty | How is it acquired? |
| work_b2jgajqc4rayhimojx6sfc2xty | Then how does this difference come about? |
| work_b2jgajqc4rayhimojx6sfc2xty | celle des connaissances; 4? |
| work_b2jgajqc4rayhimojx6sfc2xty | la beaut6 morale; 3? |
| work_b2jgajqc4rayhimojx6sfc2xty | la beaut6 physique; 2? |
| work_4r3cyv7ovjdebke5skpqcr5kz4 | ( 2014) Beyond the Control of God? |
| work_4r3cyv7ovjdebke5skpqcr5kz4 | ALSTON, W. P.( 1986) ‘ Does God have beliefs? ’, Religious Studies, 22, 287- 306. |
| work_4r3cyv7ovjdebke5skpqcr5kz4 | And why is it that God alone is able to instantiate it? |
| work_4r3cyv7ovjdebke5skpqcr5kz4 | Can we do better? |
| work_4r3cyv7ovjdebke5skpqcr5kz4 | How, for example, could the fragile beauty of a snowflake qualify as a reflection of the beauty of an a se and eternal being? |
| work_4r3cyv7ovjdebke5skpqcr5kz4 | Or how could two incompatible kinds of beauty both be participations in the beauty of a single object? |
| work_4r3cyv7ovjdebke5skpqcr5kz4 | PLANTINGA, ALVIN( 1980) Does God have a nature? |
| work_4r3cyv7ovjdebke5skpqcr5kz4 | ROBSON, JON( 2012) ‘ Do possible worlds compromise God''s beauty? |
| work_4r3cyv7ovjdebke5skpqcr5kz4 | ROWE, WILLIAM L.( 2002) ‘ Can God Be Free? ’, Faith and Philosophy, 19, 405- 424. |
| work_4r3cyv7ovjdebke5skpqcr5kz4 | So, why think that omni- beauty is theoretically significant? |
| work_4r3cyv7ovjdebke5skpqcr5kz4 | What, for example, is the nature of this set of beauties? |
| work_4r3cyv7ovjdebke5skpqcr5kz4 | Where to Now? |
| work_4r3cyv7ovjdebke5skpqcr5kz4 | Why should we believe that there is only one such set? |
| work_4r3cyv7ovjdebke5skpqcr5kz4 | ZANGWILL, NICK( 2002) ‘ Are There Counterexamples to Aesthetic Theories of Art? ’, The Journal of aesthetics and art criticism, 60, 111- 118. |
| work_k4v7gz2zlrd63lhnpyrtjjgepa | ( Baba qu nar? |
| work_k4v7gz2zlrd63lhnpyrtjjgepa | In consequence, family- oriented shows like Dad is Back( Baba huilai le 、 、 、 、 、) and Where Are We Going Dad? |
| work_k4v7gz2zlrd63lhnpyrtjjgepa | “ China ’s Weibo: Is faster different? ” New Media& Society 16(1), 24–37. |
| work_k4v7gz2zlrd63lhnpyrtjjgepa | “ Where are we going? |
| work_k4v7gz2zlrd63lhnpyrtjjgepa | 、 、 、 、 、?) |
| work_o3xnkbru3fbxjigf4qwlglv66u | This raises an intriguing question: do dicots and monocots utilize dis- tinctive mechanisms in responding to gravitropic signals? |
| work_mnouutyod5ef7obd7ei6ny3fde | 여고생의 뷰티행동은 멀티기능 뷰티제품 관심3) 도와 유의미한 상관관계가 있는가? |
| work_mnouutyod5ef7obd7ei6ny3fde | 여고생의 뷰티행동은 뷰티관심도와 유의미한1) 상관관계가 있는가? |
| work_mnouutyod5ef7obd7ei6ny3fde | 여고생의 뷰티행동은 뷰티제품 관심도와 유의2) 미한 상관관계가 있는가? |
| work_baj27stxwzdpnohsq5qo3kpije | extremely attractive( 11), based upon an individual''s( sad?) |
| work_baj27stxwzdpnohsq5qo3kpije | ( 3 to 1 scale) Homely QAL 1978 Same as QAL 1971 How satisfied are you with Same as QAL1978 your life as a whole? |
| work_baj27stxwzdpnohsq5qo3kpije | ( 4 to 1 scale) student? |
| work_baj27stxwzdpnohsq5qo3kpije | Carrell, Scott, and James West, “ Does Professor Quality Matter? |
| work_baj27stxwzdpnohsq5qo3kpije | Easterlin, Richard, “ Does Money Buy Happiness? ” The Public Interest, 30: 3- 10. |
| work_baj27stxwzdpnohsq5qo3kpije | Frey, Bruno, and Alois Stutzer, “ What Can Economists Learn from Happiness Research? ” Journal of Economic Literature, 40( June 2002): 402- 435. |
| work_baj27stxwzdpnohsq5qo3kpije | Microsoft Word- HappinessBeauty1210.docx VERY PRELIMINARY December 2010 “ BEAUTY IS THE PROMISE OF HAPPINESS ”*? |
| work_baj27stxwzdpnohsq5qo3kpije | Plaut, Victoria, Glenn Adams and Stephanie Anderson, “ Does Attractiveness Buy Happiness? |
| work_baj27stxwzdpnohsq5qo3kpije | Which best describes the how happy are you? |
| work_ivdjyaekfndzlhs6bzrlycugjm | Do portrayals of women in action convey another ideal that wom- en with little self- determination feel obligated to live up to? |
| work_ivdjyaekfndzlhs6bzrlycugjm | Do you see what I see? |
| work_ivdjyaekfndzlhs6bzrlycugjm | Does a Female ’s Subsequent to Being Exposed to Images of the ‘ Ideal ’ Beauty through Advertising, are Females ’ Self- Image Affected? |
| work_ivdjyaekfndzlhs6bzrlycugjm | Park JK, John DR 2010.Got to get you into my life: Do brand personalities rub off on consumers? |
| work_ivdjyaekfndzlhs6bzrlycugjm | Professional hazards? |
| work_ivdjyaekfndzlhs6bzrlycugjm | RESULTS AND DISCUSSION How Do Female Youth Consumers Perceive Beauty Product Brand Images? |
| work_ivdjyaekfndzlhs6bzrlycugjm | Why Y Women? |
| work_ivdjyaekfndzlhs6bzrlycugjm | Why? |
| work_elrtbcrr5rh53itw7r7yrzwuve | ; those who thought he was a professor estimated him to be more than 6 ft. Why is this? |
| work_elrtbcrr5rh53itw7r7yrzwuve | And what facial features do we consider attractive? |
| work_elrtbcrr5rh53itw7r7yrzwuve | Assortative mating, or who marries whom? |
| work_elrtbcrr5rh53itw7r7yrzwuve | But why should this be so? |
| work_elrtbcrr5rh53itw7r7yrzwuve | Does human facial attractiveness honestly advertise health? |
| work_elrtbcrr5rh53itw7r7yrzwuve | Infant preferences for attractive faces: Rudiments of a stereotype? |
| work_elrtbcrr5rh53itw7r7yrzwuve | Maxims or myths of beauty? |
| work_elrtbcrr5rh53itw7r7yrzwuve | The eye of the beholder: A neglected variable in the study of physical attractiveness? |
| work_elrtbcrr5rh53itw7r7yrzwuve | What is average and what is not average about attractive faces? |
| work_elrtbcrr5rh53itw7r7yrzwuve | Why do people perceive higher- status persons to be taller than lower- status persons? |
| work_elrtbcrr5rh53itw7r7yrzwuve | Why is physical attractiveness a diffused status character- istic and why does it produce the general and specific expectations of competence? |
| work_elrtbcrr5rh53itw7r7yrzwuve | Why should all humans consider some facial features more attractive than others? |
| work_oupoucqx2bhjrfhwhl5ki4xamm | • User may use extracts from the document in line with the concept of ‘ fair dealing ’ under the Copyright, Designs and Patents Act 1988(?) |
| work_orttsdtm3vhqff5yo7twd733ci | Next time, when encountering a bee or a caterpillar, what would you reminisce? |
| work_m5qvybmzcbgwpowylk3zyoqbdq | Zmierzch estetyki: Rzekomy czy autentyczny? |
| work_m5qvybmzcbgwpowylk3zyoqbdq | [ The End of Aesthetics: Alleged or Au- thentic? |
| work_k6swgqz54rhrph57nkatiu2l5y | 12 What is the economic significance of our results compared to inferences of competence based on facial traits in other settings? |
| work_k6swgqz54rhrph57nkatiu2l5y | Are competent looking CEOs actually more competent? |
| work_k6swgqz54rhrph57nkatiu2l5y | Hence the next question that arises is whether competent looking CEOs are actually more competent? |
| work_k6swgqz54rhrph57nkatiu2l5y | Reading Faces: Window to the Soul? |
| work_k6swgqz54rhrph57nkatiu2l5y | What about the economic impact? |
| work_k6swgqz54rhrph57nkatiu2l5y | What leads to assessments of competence based on facial attributes? |
| work_ovepdfyr7jfwpmkkuzdojdxfsa | University of Nebraska – Lincoln: How is a soil monolith made? |
| work_alm4rwegxbanbc4cd5y33i4rxy | ? |
| work_alm4rwegxbanbc4cd5y33i4rxy | Department of Economics Working Paper Series Productivity or Discrimination? |
| work_alm4rwegxbanbc4cd5y33i4rxy | Discussion: Why is better looking also smarter? |
| work_alm4rwegxbanbc4cd5y33i4rxy | Giam Pietro Cipriani, Angelo Zago WP Number: 18 December 2005 ISSN: 0000- 0000 Productivity or Discrimination? |
| work_alm4rwegxbanbc4cd5y33i4rxy | However, an important question remains unanswered: is the impact of beauty due to pure discrimination or productivity? |
| work_alm4rwegxbanbc4cd5y33i4rxy | III.2 It ’s not discrimination, is it? |
| work_alm4rwegxbanbc4cd5y33i4rxy | Maxims or Myths of Beauty? |
| work_alm4rwegxbanbc4cd5y33i4rxy | The other variable related to performance that we employ is the exams average grade and thus we estimate the following:, i i i i g X bd i g? |
| work_alm4rwegxbanbc4cd5y33i4rxy | We then estimate the following equation:, i i i i n X bd i g? |
| work_alm4rwegxbanbc4cd5y33i4rxy | ©? |
| work_alm4rwegxbanbc4cd5y33i4rxy | Ã Ô? |
| work_ovlmv7eidvcwrelrjdyjhcldqi | Children ’s temperament: How can teachers and classrooms be more responsive? |
| work_l6agma3qk5gfhmqmudkp5wups4 | But which kind of world do we want to leave to future generations? |
| work_l6agma3qk5gfhmqmudkp5wups4 | FOR AN ASSUMPTION OF RESPONSIBILITIES What will trigger this assumption of responsibilities? |
| work_l6agma3qk5gfhmqmudkp5wups4 | What is however the coherence among the Biblical texts concerning the relationship between God, humankind and nature? |
| work_l6agma3qk5gfhmqmudkp5wups4 | Why? |
| work_l6agma3qk5gfhmqmudkp5wups4 | so why should n’t the same be true in the face of the risks of survival of the planet? |
| work_k76mjnyyevf4bdiylujdh4vv54 | Langlois, Judith H., Lisa Kalakanis, Adam J. Rubenstein, Andrea Larson, Monica Hallam, and Monica Smoot( 2000), “ Maxims or Myths of Beauty? |
| work_o3xcyugdjzcpbhbxbfkubwheke | And How is Beethoven Like Darwin? ” The Observer, November 16. |
| work_o3xcyugdjzcpbhbxbfkubwheke | “ What is the Common Ground Between Art and Science? |
| work_kg4lcrv4nvev3pizbb6nyyryoa | Introduction Characteristics of Japanese Art What Is Japanese Beauty? |
| work_kg4lcrv4nvev3pizbb6nyyryoa | What Is Japanese Beauty? |
| work_kg4lcrv4nvev3pizbb6nyyryoa | What is the essence of Japanese beauty? |
| work_kg4lcrv4nvev3pizbb6nyyryoa | What produces this resemblance between the artworks and the form expressing Japanese beauty and natural/ physical phenomena? |
| work_kg4lcrv4nvev3pizbb6nyyryoa | What produces this resemblance between the artworks and the form expressing Japanese beauty and natural/ physical phenomena? |
| work_kg4lcrv4nvev3pizbb6nyyryoa | What produces this resemblance between the artworks and the form expressing Japanese beauty and natural/ physical phenomena? |
| work_kg4lcrv4nvev3pizbb6nyyryoa | Why do they feel Japanese beauty in the visualization of a natural/ physical phenomenon? |
| work_obtcm65jcngr3mh3ueduxa3zdi | Do younger Sleeping Beauties prefer a technological prince? |
| work_obtcm65jcngr3mh3ueduxa3zdi | van; Winnink, J.J.( 2017) Do younger Sleeping Beauties prefer a technological prince? |
| work_gzkoqllnqzfl3i4tzxfj327zjm | Baenninger M( 1994) The development of face recognition: Featural or configurational processing? |
| work_gzkoqllnqzfl3i4tzxfj327zjm | But what makes a female or male figure attractive? |
| work_gzkoqllnqzfl3i4tzxfj327zjm | Douglas WY, Glenn HS Jr( 1999) Is beauty in the eye of the beholder? |
| work_gzkoqllnqzfl3i4tzxfj327zjm | Has the construct of beauty changed over time? |
| work_gzkoqllnqzfl3i4tzxfj327zjm | Is our sense of beauty learned or innate? |
| work_gzkoqllnqzfl3i4tzxfj327zjm | Langlois H, Roggman LA, Musselman L( 1994) What is average and what is not average about attractive faces? |
| work_gzkoqllnqzfl3i4tzxfj327zjm | Langlois JH, Kalakanis L, Rubenstein AJ, et al( 2000) Maxims or myths of beauty? |
| work_gzkoqllnqzfl3i4tzxfj327zjm | Larrabee W( 1997) Facial beauty: Myth or reality? |
| work_gzkoqllnqzfl3i4tzxfj327zjm | What is beauty and why are some humans considered more beautiful than others? |
| work_gzkoqllnqzfl3i4tzxfj327zjm | What is beauty, and can we quantify it? |
| work_7gyy4v6ryvd2jovyltqplr3ydq | And does n’t symbolic mathematics then save us by allowing us to reason securely even when we can no longer see? |
| work_7gyy4v6ryvd2jovyltqplr3ydq | At a certain point, does n’t the visual and anthropomorphic fail just because we have gone beyond what we can visualize? |
| work_7gyy4v6ryvd2jovyltqplr3ydq | Must we rely on analogies to that com- mon world? |
| work_7gyy4v6ryvd2jovyltqplr3ydq | So, are there spaces ut- terly alien to our intuition? |
| work_7gyy4v6ryvd2jovyltqplr3ydq | Squash how? |
| work_7gyy4v6ryvd2jovyltqplr3ydq | This raises a hard question: How – if at all – can this living world of math- ematics become accessible? |
| work_7gyy4v6ryvd2jovyltqplr3ydq | To work out those simple queries( e.g., What is that number which when you double it and add one you get eleven?) |
| work_7gyy4v6ryvd2jovyltqplr3ydq | What about number theory, where there is no geo- metric, hence visual, ½eld, at least at ½rst glance? |
| work_7gyy4v6ryvd2jovyltqplr3ydq | What could be more enticing? |
| work_7gyy4v6ryvd2jovyltqplr3ydq | pp: Are there no spaces that are utterly alien to our intuition, only available through a kind of reasoning that is not accessible to our senses? |
| work_7gyy4v6ryvd2jovyltqplr3ydq | pp: As you confronted this secret, how did it act on you, and especially on your imagination? |
| work_7gyy4v6ryvd2jovyltqplr3ydq | pp: But what about considerations in- volving higher dimensions than the three of common spatial experience? |
| work_7gyy4v6ryvd2jovyltqplr3ydq | pp: In your view, is there, then, any part of mathematics that is radically divorced from sensual intuition? |
| work_7gyy4v6ryvd2jovyltqplr3ydq | pp: What is your earliest memory of mathematics? |
| work_nsjqc5hbkvgghh4viv26zdnwsi | A natural question then arises: how will level- k models perform beyond the classical beauty contest setting? |
| work_nsjqc5hbkvgghh4viv26zdnwsi | The belief elicitation consisted of a single question: “ What was the AVERAGE of private signals observed by other members of your group? ”. |
| work_kaim5cbh5zhqvbpb62r73ourpu | 53582, posted 11 Feb 2014 04:29 UTC 1 Does Beauty Matter in Undergraduate Education? |
| work_kaim5cbh5zhqvbpb62r73ourpu | In other words, is there evidence that the beauty advantage develops during college? |
| work_kaim5cbh5zhqvbpb62r73ourpu | Munich Personal RePEc Archive Does Beauty Matter in Undergraduate Education? |
| work_kaim5cbh5zhqvbpb62r73ourpu | Ugly Ducklings: Does Adolescent Attractiveness Contribute to the Beauty Premium? ” Working paper. |
| work_kaim5cbh5zhqvbpb62r73ourpu | “ Are Appearances Deceiving? |
| work_kaim5cbh5zhqvbpb62r73ourpu | “ Dress for success – does primping pay? ” Labour Economics, 9(3): 361- 373. |
| work_kaim5cbh5zhqvbpb62r73ourpu | “ Scholastic Assessment or G? |
| work_kaim5cbh5zhqvbpb62r73ourpu | “ What Does it Mean to Find the Face of the Franchise? |
| work_igfe6tnws5b7foihhvg3vj7gbi | 0361- 6843/07 THE F WORD: IS FEMINISM INCOMPATIBLE WITH BEAUTY AND ROMANCE? |
| work_igfe6tnws5b7foihhvg3vj7gbi | Another put- down of women? |
| work_igfe6tnws5b7foihhvg3vj7gbi | Are Attractive Women Unlikely to Be Feminists? |
| work_igfe6tnws5b7foihhvg3vj7gbi | Are Beauty and Romance Incompatible With Feminism? |
| work_igfe6tnws5b7foihhvg3vj7gbi | Gender differences in automatic ingroup bias: Why do women like women more than men like men? |
| work_igfe6tnws5b7foihhvg3vj7gbi | Implicit romantic fantasies and women ’s interest in personal power: A glass slipper ef- fect? |
| work_igfe6tnws5b7foihhvg3vj7gbi | Is there a gender difference in strength of sex drive? |
| work_igfe6tnws5b7foihhvg3vj7gbi | New wave or second stage? |
| work_igfe6tnws5b7foihhvg3vj7gbi | What ’s so special about sex? |
| work_mi7444vyfncotkyiownnkaoqji | ( B- f) I''(B-- f)+ l? |
| work_mi7444vyfncotkyiownnkaoqji | 0 For B--fwithfa CP eigenstate, the asymmetry A depends only on sin@ A- sin 24, for B-+ K~, DDK,,+? T?T, DO, D O? |
| work_mi7444vyfncotkyiownnkaoqji | 0 For B--fwithfa CP eigenstate, the asymmetry A depends only on sin@ A- sin 24, for B-+ K~, DDK,,+? T?T, DO, D O? |
| work_mi7444vyfncotkyiownnkaoqji | A- sin 2$* for B-? T+?T-, p p,. |
| work_mi7444vyfncotkyiownnkaoqji | PREJUDICES ABOUT CP VIOLATION IN THE B- B SYSTEM 0 The best signal for CP violation is an asymmetry: r(B-- f)- l? |
| work_j3zfdlberbfhlps5avu4cm3ica | Does it express emotion? |
| work_j3zfdlberbfhlps5avu4cm3ica | For example, are sports events artistic performances by Dutton ’s criteria? |
| work_j3zfdlberbfhlps5avu4cm3ica | Hence they include features that come to anybody ’s mind when confronted with an artifact – Does it show skill? |
| work_j3zfdlberbfhlps5avu4cm3ica | If art is an adaptation, how can it be at the same time a costly display, which is strictly speaking non- adaptive? |
| work_j3zfdlberbfhlps5avu4cm3ica | Is it pleasurable to look at or listen to? |
| work_j3zfdlberbfhlps5avu4cm3ica | What explains this uniformity? |
| work_j3zfdlberbfhlps5avu4cm3ica | Yet he does not suggest that some arts( literature?) |
| work_j3zfdlberbfhlps5avu4cm3ica | are adaptations, while others( painting?) |
| work_loe4coaeebdxbdmvajqraprxme | ( 2004), “ Shopping for a better world? |
| work_loe4coaeebdxbdmvajqraprxme | ( 2015), “ Who decides to give a gift of fresh flowers? |
| work_loe4coaeebdxbdmvajqraprxme | ( 2017), “ When is it necessary to localize product packaging? ”, Journal of Consumer Marketing, Vol. |
| work_loe4coaeebdxbdmvajqraprxme | Dennis, J.H., Behe, B.K., Fernandez, T.R., Schutzki, R., Page, T.J. and Spreng, R.A.( 2005), “ Do plant guarantees matter? |
| work_loe4coaeebdxbdmvajqraprxme | Yue, C. and Hall, C.( 2010), “ Traditional or specialty cut flowers? |
| work_loe4coaeebdxbdmvajqraprxme | and Anderson, N.( 2011), “ Do native and invasive labels affect consumer willingness to pay for plants? |
| work_powckasejzhtxdsv2ryfhnmu5q | Personality and Social managers less biased? |
| work_powckasejzhtxdsv2ryfhnmu5q | faces: rudiment of a stereotype? |
| work_ozmiigbmgjga7cjhra3woeof74 | Has she learnt anything new that should alter this judg- ment? |
| work_ozmiigbmgjga7cjhra3woeof74 | When she awakens on Monday, what should Beauty ’s credence be that the coin landed Heads? |
| work_ajotrobhxbgpxcydpffybaye2y | (?) |
| work_ajotrobhxbgpxcydpffybaye2y | 15 What if the time of the toss itself is unknown: for example, if it will occur during the first 10 minutes of the Monday waking? |
| work_ajotrobhxbgpxcydpffybaye2y | 19 What if we pose different mathematical questions on each run of the experiment? |
| work_ajotrobhxbgpxcydpffybaye2y | Does this lead to a problematic automatic confirmation for GGG? |
| work_ajotrobhxbgpxcydpffybaye2y | How should thirders respond to this argument? |
| work_ajotrobhxbgpxcydpffybaye2y | Is there then any sense in asking what Beauty ’s credences ought to be? |
| work_ajotrobhxbgpxcydpffybaye2y | Many Worlds? |
| work_ajotrobhxbgpxcydpffybaye2y | Saunders et al., Many Worlds? |
| work_ajotrobhxbgpxcydpffybaye2y | Saunders et al., Many Worlds? |
| work_ajotrobhxbgpxcydpffybaye2y | Saunders et al., Many Worlds? |
| work_ajotrobhxbgpxcydpffybaye2y | Saunders et al., Many Worlds? |
| work_ajotrobhxbgpxcydpffybaye2y | Should he take this observation to support EQM over ST? |
| work_ajotrobhxbgpxcydpffybaye2y | Since this situation genuinely is analogous to the Technicolour Beauty scenario, does an analogue of the thirder effect arise? |
| work_ajotrobhxbgpxcydpffybaye2y | These are highly controversial conclusions; how does Bradley reach them? |
| work_ajotrobhxbgpxcydpffybaye2y | What if it is unknown in a self- centred way: if it will occur 10 minutes after the Monday waking, and there is no clock in Beauty ’s room? |
| work_ajotrobhxbgpxcydpffybaye2y | What is the probability of the new evidence acquired via our agents ’ observations, given the various hypotheses being tested? |
| work_ajotrobhxbgpxcydpffybaye2y | What should her credence be that the coin landed Heads, before and after seeing that the paper is Red? |
| work_ajotrobhxbgpxcydpffybaye2y | Why does the sampling model help? |
| work_ajotrobhxbgpxcydpffybaye2y | Why is this connection epistemically relevant? |
| work_otjkv3b5n5ap7bhpegzqm6yzvu | Does the plasma volume and the renal protective effect of an infusion of albumin persist after 48 hours? |
| work_otjkv3b5n5ap7bhpegzqm6yzvu | For instance, when renal function deteriorates after paracentesis is the deterioration reversible, and if so how long does it take to recover? |
| work_otjkv3b5n5ap7bhpegzqm6yzvu | The effect of large volume paracentesis on plasma volume- a cause of hypovolaemia? |
| work_r2fkvnggpndhxdy4enlxzzkvu4 | Looking for a formerly published Socrates site? |
| work_27pvkf7yjzdfddabjqdzoixl4q | Are the good beautiful or the beautiful good? |
| work_27pvkf7yjzdfddabjqdzoixl4q | 3, 390- 423 0033- 2909/00/$5.00 DOI: 10.1037//0033- 2909.126.3.390 Maxims or Myths of Beauty? |
| work_27pvkf7yjzdfddabjqdzoixl4q | Another put- down of women? |
| work_27pvkf7yjzdfddabjqdzoixl4q | Do grades reflect treatment by a teacher and belong in designation o f academic ability? |
| work_27pvkf7yjzdfddabjqdzoixl4q | Does human facial attractiveness honestly advertise health? |
| work_27pvkf7yjzdfddabjqdzoixl4q | Does mate selection work in conjunction or compe- tition with differential parental solicitude or good genes? |
| work_27pvkf7yjzdfddabjqdzoixl4q | Embarrassing age spots or just plain ugly? |
| work_27pvkf7yjzdfddabjqdzoixl4q | Experienced and inexperienced counselors''first impressions of clients and case outcomes: Are first impressions lasting? |
| work_27pvkf7yjzdfddabjqdzoixl4q | Gender and attractiveness biases in hiring decisions: Are most experienced managers less biased? |
| work_27pvkf7yjzdfddabjqdzoixl4q | Guilty or not guilty? |
| work_27pvkf7yjzdfddabjqdzoixl4q | If attractiveness is somewhat important for w o m e n choosing long- term mates, would this finding falsify the theory? |
| work_27pvkf7yjzdfddabjqdzoixl4q | Infant preferences for attractive faces: Rudiments of a stereotype? |
| work_27pvkf7yjzdfddabjqdzoixl4q | Or do they reflect attributes o f the individual such as intelligence/ performance and belong in behaviors/ traits? |
| work_27pvkf7yjzdfddabjqdzoixl4q | Reading faces: Window to the soul? |
| work_27pvkf7yjzdfddabjqdzoixl4q | The role of physical attractiveness in the observation of adult- child interactions: Eye of the beholder or behavioral reality? |
| work_27pvkf7yjzdfddabjqdzoixl4q | What do women want? |
| work_27pvkf7yjzdfddabjqdzoixl4q | What''s average and not average about attractive faces? |
| work_27pvkf7yjzdfddabjqdzoixl4q | Why does appearance affect social experience? |
| work_mjy5ax6whfgsxmgowcuw7pv7d4 | Why worry about style? work_mjy5ax6whfgsxmgowcuw7pv7d4 Are n''t the rules arbitrary anyway? |
| work_mjy5ax6whfgsxmgowcuw7pv7d4 | But which programming style is best? |
| work_mjy5ax6whfgsxmgowcuw7pv7d4 | Does n''t it take too much time to make it look pretty? |
| work_mjy5ax6whfgsxmgowcuw7pv7d4 | One question that always generates a variety of responses is"how many spaces should I indent?" |
| work_mjy5ax6whfgsxmgowcuw7pv7d4 | Who cares what a program looks like if it works? |
| work_hvyrywdlnrgmtlnboce7snmdaa | And what kind of computer system would be needed in such a facility? |
| work_hvyrywdlnrgmtlnboce7snmdaa | And, seven years on, has this partner- ship been a success? |
| work_hvyrywdlnrgmtlnboce7snmdaa | But could such a library actually work in reality? |
| work_hvyrywdlnrgmtlnboce7snmdaa | Could we peacefully coexist, offering complementary services and collections that would enhance each library ’s own? |
| work_hvyrywdlnrgmtlnboce7snmdaa | How dependent or independent would the two libraries be? |
| work_hvyrywdlnrgmtlnboce7snmdaa | Or would the new partnership result in never- ending headaches for the managers and animosity between the two staffs? |
| work_hvyrywdlnrgmtlnboce7snmdaa | Should the collections use Library of Congress( LC) classifi cation or the Dewey Decimal System, or both? |
| work_hvyrywdlnrgmtlnboce7snmdaa | Should the two collections be integrated or separate? |
| work_hvyrywdlnrgmtlnboce7snmdaa | So why did the City of Westminster and Front Range Community College undertake such a venture? |
| work_hvyrywdlnrgmtlnboce7snmdaa | What about parking, and the fact that the college and city are on different fi scal calendars? |
| work_hvyrywdlnrgmtlnboce7snmdaa | Would the two libraries merge to become one, or function more as next- door neighbors? |
| work_hvyrywdlnrgmtlnboce7snmdaa | Would there be constant confl icts between user groups( for example, college students and preschoolers)? |
| work_ll4mv7kpxzenjod7ldcfiy73ji | ( 2005) Aberrant retinal projections in congenitally deaf mice: How are phenotypic characteristics specified in development and evolution? |
| work_ll4mv7kpxzenjod7ldcfiy73ji | Associated questions include these: How variable are features of brain orga- nization? |
| work_ll4mv7kpxzenjod7ldcfiy73ji | Hirth F, Reichert H( 2007) Basic nervous system types: One or many?. |
| work_ll4mv7kpxzenjod7ldcfiy73ji | How variable is gene expression and gene deployment during development within a population? |
| work_ll4mv7kpxzenjod7ldcfiy73ji | In addition, what factors contribute to this multilayered variability of the organism? |
| work_ll4mv7kpxzenjod7ldcfiy73ji | What Factors Contribute to Phenotypic Variability? |
| work_qvnjf62bingg3olcis5m4misje | @ � � 1 �= � � � � A& �? � � � � � 0"� A � � 1, �= � � � � � �=! |
| work_qvnjf62bingg3olcis5m4misje | Why stem cells? |
| work_kwamycsux5dwdbkcqqzrrsdsfi | 5:240).12This of course raises the issue: what is the relation between the act of judgingand the feeling of pleasure in a judgement of taste? |
| work_kwamycsux5dwdbkcqqzrrsdsfi | An interesting incidental question is: what exactly does Kantmean by ‘ roses in general ’? |
| work_kwamycsux5dwdbkcqqzrrsdsfi | But what is the content of that concept? |
| work_kwamycsux5dwdbkcqqzrrsdsfi | So what is the act inquestion? |
| work_kwamycsux5dwdbkcqqzrrsdsfi | What then could it be? |
| work_kwamycsux5dwdbkcqqzrrsdsfi | What, then, is the logical relation between the two judgements? |
| work_rzszopwpp5gtphppk4rwk2lhne | Who Owns Outsider Art? |
| work_dbrivs5tbzbqrfwdyratl5kzye | But which individuals remain longer in the workforce? |
| work_dbrivs5tbzbqrfwdyratl5kzye | Does Predictability Matter? |
| work_dbrivs5tbzbqrfwdyratl5kzye | List Sally Sadoff Mathis Wagner So you want to run an experiment, now what? |
| work_dbrivs5tbzbqrfwdyratl5kzye | Money Saved or Money Spent by the Trust Fund? |
| work_dbrivs5tbzbqrfwdyratl5kzye | N ° 50/06 Andrea Buffa Chiara Monticone Do European Pension Reforms Improve the Adequacy of Saving? |
| work_dbrivs5tbzbqrfwdyratl5kzye | N ° 71/07 Flavia Coda Moscarola Women participation and caring decisions: do different institutional frameworks matter? |
| work_dbrivs5tbzbqrfwdyratl5kzye | SENIORITY AND EARLY RETIREMENT Giovanni Mastrobuoni Filippo Taddei Age Before Beauty? |
| work_dbrivs5tbzbqrfwdyratl5kzye | Why is there mandatory retirement? |
| work_dbrivs5tbzbqrfwdyratl5kzye | Working Paper 120/11 AGE BEFORE BEAUTY? |
| work_ras7wc7ogra3rblvupciwqdzwi | Is T- violated? |
| work_ras7wc7ogra3rblvupciwqdzwi | What is the origin of the low mass peak? |
| work_o3d3beoccfh7rdbc7iky33kwni | Assessing recreational and scenic quality: How does new forestry rate? |
| work_o3d3beoccfh7rdbc7iky33kwni | The aesthetics of forestry: What has empirical preference research taught us? |
| work_o3d3beoccfh7rdbc7iky33kwni | “ Socially acceptable ” forestry: What does it imply for ecosystem man- agement? |
| work_s4gpwg5zxjhuzdgkf7hcpt3t5u | Sleeping beauty — a mouse model for all cancers? |
| work_nhs5bqarbzcbfbnmauzflhgaaq | Fra ser S., Agency Ma de Over? |
| work_nhs5bqarbzcbfbnmauzflhgaaq | Fra ser S., Agency Ma de Over? |
| work_nhs5bqarbzcbfbnmauzflhgaaq | I šta je tu sra mo ta? |
| work_nhs5bqarbzcbfbnmauzflhgaaq | Ka ko ova sko ro ri tu al na for ma ob na vlja mit o le po ti? |
| work_qjpdv32frbbudphd3t5xfq5dkm | ( 2011) Beauty contested: how much of Keynes''remains in behavioural economics''beauty contests? |
| work_qjpdv32frbbudphd3t5xfq5dkm | Poskitt, R.( 2011) Do liquidity or credit effects explain the behaviour of the LIBOR- OIS spread? |
| work_qjpdv32frbbudphd3t5xfq5dkm | Snider C.& Youle, T.( 2010) Does the LIBOR Reflect Banks ’ Borrowing Costs? |
| work_dljuyqketrhv3f53saht3oqivy | Bieri, P. Wie wäre es, gebildet zu sein? |
| work_dljuyqketrhv3f53saht3oqivy | But do we really need to know that a bird ’s song is a territorial marker in order to hear it as a melody? |
| work_dljuyqketrhv3f53saht3oqivy | Can you guess what these pictures represent? |
| work_dljuyqketrhv3f53saht3oqivy | Can you tell what season it is in the various pictures? |
| work_dljuyqketrhv3f53saht3oqivy | How would this affect the quality of your life? |
| work_dljuyqketrhv3f53saht3oqivy | However, what about the season in the last picture? |
| work_dljuyqketrhv3f53saht3oqivy | If landscapes are larger natural units, what constitutes their unity? |
| work_dljuyqketrhv3f53saht3oqivy | Is not the “ dancing ” of light reflexes or the corrugation of waves on Lake Constance anthropomorphic and expressive, after all? |
| work_dljuyqketrhv3f53saht3oqivy | It is difficult to tell, is it not? |
| work_dljuyqketrhv3f53saht3oqivy | Let me go back to the question I started with: How would a world devoid of landscape beauty affect your quality of life? |
| work_dljuyqketrhv3f53saht3oqivy | So, the question remains: How is it infused into landscape? |
| work_dljuyqketrhv3f53saht3oqivy | Which country? |
| work_dljuyqketrhv3f53saht3oqivy | Which year? |
| work_dljuyqketrhv3f53saht3oqivy | Why is it important to defend this view? |
| work_dljuyqketrhv3f53saht3oqivy | Why would you not share it? |
| work_dljuyqketrhv3f53saht3oqivy | Would it affect it only marginally, or not at all, or fundamentally? |
| work_pmd2sqx2wjgvxbjkrsddhe4j6i | However, what about the subject of the two issues? |
| work_pmd2sqx2wjgvxbjkrsddhe4j6i | Plus the obvious subsequent question: how does this affect treatment with the present day drugs, and can new targets be discovered? |
| work_psxq27kmnneplh776wgfcqfgey | “ Beyond Eurocentrism? |
| work_psxq27kmnneplh776wgfcqfgey | “ Term Limits and Rotation of Chinese Governors: Do they Matter to Economic Growth? ” Journal of the Asia Pacific Economy 13( 3): 274- 297. |
| work_psxq27kmnneplh776wgfcqfgey | “ The Reproduction of Heritage in a Chinese Village: Whose Heritage, Whose Pasts? ” International Journal of Heritage Studies 22( 3): 228- 241. |
| work_psxq27kmnneplh776wgfcqfgey | “ The end of alternatives? |
| work_nnwqvrvvtraqhadefvq6ovpevu | Finally, having said something about those axiom systems, it is possible to also address briefly what ‘ logical reasoning ’ is? |
| work_nnwqvrvvtraqhadefvq6ovpevu | Four or five areas of God ’s beautification? |
| work_nnwqvrvvtraqhadefvq6ovpevu | https://doi.org/10.1016/0001-8708(79)90018-5 Hersh, R., 1997, What is mathematics, really?, Oxford University Press, Oxford. |
| work_e6o2k5i7n5ashioq2rovhwujcu | ), The legitimacy of medical treat- ment: What role for the medical exception?. |
| work_e6o2k5i7n5ashioq2rovhwujcu | And if so, is this costly to the NHS? |
| work_e6o2k5i7n5ashioq2rovhwujcu | As McHale has asked, will the ‘ cosmetically unenhanced become an effectively unemployable underclass? ’[ 21]. |
| work_e6o2k5i7n5ashioq2rovhwujcu | But do these concerns translate into actual harm? |
| work_e6o2k5i7n5ashioq2rovhwujcu | But having considered the risks we might ask when, if ever, is non therapeutic and potentially harmful surgery in a person ’s best interests? |
| work_e6o2k5i7n5ashioq2rovhwujcu | Hanefeld, J., Horsfall, D., Lunt, N., Smith, R.( 2013) Medical tourism: A cost or benefit to the NHS? |
| work_e6o2k5i7n5ashioq2rovhwujcu | If it ai n’t broke, do n’t fix it? ’: Scandals, ‘ Risk ’ ’, and cosmetic surgery regulation in the UK and France. |
| work_e6o2k5i7n5ashioq2rovhwujcu | Is a global regulatory response possible? |
| work_e6o2k5i7n5ashioq2rovhwujcu | McHale asks; ‘ would the adolescent and parent denied surgery in the UK simply hop on Eurostar or EasyJet and receive treatment elsewhere? ’[ 21]. |
| work_e6o2k5i7n5ashioq2rovhwujcu | Reforming the Regulation of Cosmetic Surgery in the UK? |
| work_e6o2k5i7n5ashioq2rovhwujcu | See, ‘ Cosmetic surgery abroad: Is it worth the risk? ’ The Guardian, Matthew Jenkin, 4 August 2014. |
| work_e6o2k5i7n5ashioq2rovhwujcu | The medical exception and cosmetic surgery: Culpable doctors and harmful enhancement? |
| work_st5xlymqhrdk5oiwsn3nqada3q | They say a picture paints a thousand words but is it also true that a picture paints a thousand numbers? |
| work_jvoiblbbqna3hl3hxogu6cpeku | Although the movies may indeed project a stereotyped view of good- looking people, is the public influenced by these stereotyped portrayals? |
| work_jvoiblbbqna3hl3hxogu6cpeku | Are the Beautiful Good in Hollywood? |
| work_jvoiblbbqna3hl3hxogu6cpeku | Are the beautiful good in Hollywood? |
| work_jvoiblbbqna3hl3hxogu6cpeku | But does this suggest that changes in media portrayals have produced changes in public attitudes? |
| work_jvoiblbbqna3hl3hxogu6cpeku | But from where is it learned? |
| work_jvoiblbbqna3hl3hxogu6cpeku | But what is the evidence that the popular media portray an unbalanced view of physically attractive people? |
| work_jvoiblbbqna3hl3hxogu6cpeku | Do the mass media encourage or reinforce the pervasive stereotypes that link beauty and positive traits? |
| work_jvoiblbbqna3hl3hxogu6cpeku | Does it suggest that changes in public attitudes have produced changes in the programming choices of television executives? |
| work_jvoiblbbqna3hl3hxogu6cpeku | Embarrassing age spots or just plain ugly? |
| work_jvoiblbbqna3hl3hxogu6cpeku | Infant preferences for attractive faces: Rudiments of a stereotype? |
| work_jvoiblbbqna3hl3hxogu6cpeku | Or does it suggest that other variables are responsible for both changes? |
| work_riy6wf7hwrco5ns2yycbiwhczq | Beyond the Golden Section and normative aesthetics: Why do individuals differ so much in their aesthetic preferences for rectangles? |
| work_riy6wf7hwrco5ns2yycbiwhczq | What is the allure of these patterns? |
| work_riy6wf7hwrco5ns2yycbiwhczq | Why have we been compelled to create and view them over the course of human history? |
| work_o2slg3mmyvazxexqfpirewk5sa | ( 1993) Isolated profundaplasty in critical limb ischemia – still of any use? |
| work_o2slg3mmyvazxexqfpirewk5sa | ( 2004) Does deep femoral artery revascularization as an isolated procedure play a role in chronic critical limb ischemia? |
| work_o2slg3mmyvazxexqfpirewk5sa | Does it have any role at all in vascular sur- gery, or should it simply become part of medical history? |
| work_o2slg3mmyvazxexqfpirewk5sa | The inevitable question today is: Does surgical profundaplasty have any role in the modern management of peripheral vascular disease? |
| work_o2slg3mmyvazxexqfpirewk5sa | The question is: Can profundaplasty alone still be useful? |
| work_tigrdsdnizhhlarg26u7lvobei | t..? |
| work_rwj6sjifszdancgeltwvlkvppq | Should it be an incrementalistic approach or rather a brute force consideration of all the alternative combinations? |
| work_rwj6sjifszdancgeltwvlkvppq | Why stop there? |
| work_rwj6sjifszdancgeltwvlkvppq | are all the cyclical components contemporaneous with the output gap? |
| work_so7dmjiw55fe5ou3i7n6yttceu | 2014 32 PDF Save Alert Research Feed Is beautiful really usable? |
| work_pni3amp3frdktmhdkzfnmlp7r4 | 14 Otázka zněla: Jak celkově hodnotíte svou fyzickou přitažlivost? |
| work_pni3amp3frdktmhdkzfnmlp7r4 | 15 Otázka zněla: Jak celkově hodnotíte respondentovu fyzickou přitažlivost? |
| work_pni3amp3frdktmhdkzfnmlp7r4 | „ Does It Pay to Be Smart, Attractive, or Confi dent( or All Three)? |
| work_pni3amp3frdktmhdkzfnmlp7r4 | „ Dress for Success – Does Primping Pay? “ Labour Economics 9( 3): 361–373, https://doi.org/10.1016/S0927-5371(02)00014-3. |
| work_pni3amp3frdktmhdkzfnmlp7r4 | „ Maxims or Myths of Beauty? |
| work_pefpu3kgevcz3ahyxsgfhv5au4 | “ Amazon ’s Mechanical Turk: A New Source of Inexpensive, Yet High- Quality, Data? ” Perspectives on Psychological Science. |
| work_pefpu3kgevcz3ahyxsgfhv5au4 | “ Do Pretty Women Inspire Men to Discount the Future? ” Biology Letters, 271: 177- 179. |
| work_pefpu3kgevcz3ahyxsgfhv5au4 | “ Is trust a risky decision? ” Journal of Economic Behavior& Organization, 55(4): 447- 465. |
| work_pefpu3kgevcz3ahyxsgfhv5au4 | “ What ’s Advertising Content Worth? |
| work_e2hma273izbpvbzd47xvoyy7qq | ( What) do we want them to be? |
| work_e2hma273izbpvbzd47xvoyy7qq | 12 In what ways might skin lightening be encouraged and attained? |
| work_e2hma273izbpvbzd47xvoyy7qq | 24 Does that mean that selection for skin tone( a partly biological feature) is not as problematic as for race( a social category)? |
| work_e2hma273izbpvbzd47xvoyy7qq | 258 Health Care Anal( 2018) 26:246–268 123 Fair Skin Selection for Beauty What about selection for fair skin for the purposes of beauty? |
| work_e2hma273izbpvbzd47xvoyy7qq | Ai n’t I a beauty queen? |
| work_e2hma273izbpvbzd47xvoyy7qq | Gender and race:( What) are they? |
| work_e2hma273izbpvbzd47xvoyy7qq | Hashmi and Whitaker: An unjustifiable and misguided dis- tinction? |
| work_e2hma273izbpvbzd47xvoyy7qq | Is selection for beauty here discriminatory? |
| work_e2hma273izbpvbzd47xvoyy7qq | ORIGINAL ARTICLE Should We Genetically Select for the Beauty Norm of Fair Skin? |
| work_e2hma273izbpvbzd47xvoyy7qq | Race, gender, and genetic technologies: A new reproductive dystopia? |
| work_e2hma273izbpvbzd47xvoyy7qq | Returning to the variation above, despite my scepticism, what if we assume that the norm does change to darker skin? |
| work_e2hma273izbpvbzd47xvoyy7qq | Should We Genetically Select for the Beauty Norm of Fair Skin? |
| work_e2hma273izbpvbzd47xvoyy7qq | That the former can be selected for purely physical reasons absent of racialised baggage? |
| work_e2hma273izbpvbzd47xvoyy7qq | Who ’s for amniocentesis? |
| work_e2hma273izbpvbzd47xvoyy7qq | Whose debt? |
| work_e2hma273izbpvbzd47xvoyy7qq | Would pre- implantation selection for skin colour as a beauty norm follow suit? |
| work_gvlhz4ixenfpdgx6m5dre4blky | + −? |
| work_gvlhz4ixenfpdgx6m5dre4blky | +? |
| work_gvlhz4ixenfpdgx6m5dre4blky | ? |
| work_gvlhz4ixenfpdgx6m5dre4blky | ? |
| work_gvlhz4ixenfpdgx6m5dre4blky | ? |
| work_gvlhz4ixenfpdgx6m5dre4blky | Crite- rion knowledge: A moderator of using the recognition heuristic? |
| work_gvlhz4ixenfpdgx6m5dre4blky | Cue 2? |
| work_gvlhz4ixenfpdgx6m5dre4blky | Cue 3 −+? |
| work_gvlhz4ixenfpdgx6m5dre4blky | Cue 4? |
| work_gvlhz4ixenfpdgx6m5dre4blky | Cue 5? |
| work_gvlhz4ixenfpdgx6m5dre4blky | How good are simple heuristics? |
| work_gvlhz4ixenfpdgx6m5dre4blky | Objects: A B C D Recognition+++ − Cues: Cue 1+ −? |
| work_gvlhz4ixenfpdgx6m5dre4blky | Recognition ROCs are curvilinear – or are they? |
| work_gvlhz4ixenfpdgx6m5dre4blky | − −? |
| work_lnhe3vhtwva23ntxzsm4s63pje | One might still be worried: does n’t betting at odds that are bad according to one ’s degrees of belief violate standard decision theory? |
| work_lnhe3vhtwva23ntxzsm4s63pje | Should each accept the bet? |
| work_lnhe3vhtwva23ntxzsm4s63pje | The ques- tion now is: when she wakes up what should her degree of belief be that the outcome was heads? |
| work_lnhe3vhtwva23ntxzsm4s63pje | What about her degrees of belief upon waking up though? |
| work_lnhe3vhtwva23ntxzsm4s63pje | What is wrong with Elga ’s argument that SB should change her mind upon waking up? |
| work_lnhe3vhtwva23ntxzsm4s63pje | What is wrong with my argument that SB should not change her mind upon waking up? |
| work_lnhe3vhtwva23ntxzsm4s63pje | What should SB( and DB) do? |
| work_l3mudcgsejgffc25gp4bmewgdq | Did Harvard educate DuBois, or was the Crisis making an impression among leading United States intellectuals? |
| work_l3mudcgsejgffc25gp4bmewgdq | Had not James Weldon Johnson already written about beauty and racial consciousness only to end with a renunciation of aesthetics? |
| work_l3mudcgsejgffc25gp4bmewgdq | Only by using propaganda to cut a distinction between art and aesthetics can DuBois ask, what does art do to people, and what can people do with art? |
| work_l3mudcgsejgffc25gp4bmewgdq | This pronounce- ment seems muddled: how can “ all Art ” al- ready be propaganda while “ any art ” has the potential to be propaganda? |
| work_k2e2wvq4vzdx3mwc2mqf7w72t4 | ( 1993) Der Westen hat gesiegt – hat der Westen gesiegt? |
| work_k2e2wvq4vzdx3mwc2mqf7w72t4 | ( 2005) ‘ Sind fünfzig Jahre eine Ewigkeit? |
| work_k2e2wvq4vzdx3mwc2mqf7w72t4 | Austria ’s Role as a Peacemaker During the Cold War Austrian Neutrality: Peacemaker by Choice or by Fate? |
| work_k2e2wvq4vzdx3mwc2mqf7w72t4 | Citation for published version: Gebhard, C 2013,''Is Small Still Beautiful? |
| work_k2e2wvq4vzdx3mwc2mqf7w72t4 | Der Spiegel( 1962) ‘ Österreich: Neutralität in Brüssel suspekt? ’, Der Spiegel No. |
| work_k2e2wvq4vzdx3mwc2mqf7w72t4 | Gehler, M.( 2000) ‘ Quo Vadis Neutralität? ’, in Gehler, M. and R. Steininger( eds) Die Neutralen und die europäische Integration 1945- 1995. |
| work_k2e2wvq4vzdx3mwc2mqf7w72t4 | Goetschel, L.( 1999) ‘ Neutrality, a Really Dead Concept? ’, Cooperation and Conflict 34: 2, 312- 333. |
| work_k2e2wvq4vzdx3mwc2mqf7w72t4 | Is Small Still Beautiful? |
| work_k2e2wvq4vzdx3mwc2mqf7w72t4 | Microsoft Word- Gebhard 2013- FINAL AUTHOR VERSION.doc Edinburgh Research Explorer Is Small Still Beautiful? |
| work_k2e2wvq4vzdx3mwc2mqf7w72t4 | Small State Austria: Smallness as Fate or Asset? |
| work_k2e2wvq4vzdx3mwc2mqf7w72t4 | Special Issue: Natural Born Peacemakers? |
| work_q5y72zyhlrgovjizds7fc7zami | How have we come to this situation? |
| work_q5y72zyhlrgovjizds7fc7zami | Is this a bad or a good thing? |
| work_q5y72zyhlrgovjizds7fc7zami | PO W ER: WH A T''S I N A WO RD? |
| work_ehbcjcxlsfajxi6cs6uhfzdnhu | ; That one facial hair scores you a 6 in the Ugly Meter? |
| work_ehbcjcxlsfajxi6cs6uhfzdnhu | ; Your face ranks lower than your more attractive friend? |
| work_ehbcjcxlsfajxi6cs6uhfzdnhu | ; Your reemerging facial spots undermined your latest high score in the Beauty Meter? |
| work_ehbcjcxlsfajxi6cs6uhfzdnhu | Banet- Weiser, S.( 2014) Am I Pretty or Ugly? |
| work_ehbcjcxlsfajxi6cs6uhfzdnhu | Dosekun, S.( 2015) For Western Girls Only? |
| work_ehbcjcxlsfajxi6cs6uhfzdnhu | How, then, can we ‘ think together ’ these bodies of work in order to develop a critical understanding of rapidly proliferating appearance apps? |
| work_ehbcjcxlsfajxi6cs6uhfzdnhu | Ouellette, L( 2016) Dream Jobs? |
| work_ehbcjcxlsfajxi6cs6uhfzdnhu | Then why not trying a microdermabrasion? |
| work_ehbcjcxlsfajxi6cs6uhfzdnhu | What flavours or styles are added? ’( Rettberg, 2014:21) and what are ‘ the consequences of seeing ourselves as data bodies ’( ibid:61). |
| work_ehbcjcxlsfajxi6cs6uhfzdnhu | What is filtered out? |
| work_ehbcjcxlsfajxi6cs6uhfzdnhu | Your eyebags rank your face as ugly? |
| work_ehbcjcxlsfajxi6cs6uhfzdnhu | is it too ‘ wide ’, ‘ thin ’, ‘ round ’, ‘ square ’, is the nose too ‘ broad ’ or ‘ long ’?). |
| work_nfcstmqrtzajtm6qa3voczfusu | Wh at, h ast th ou din ed? |
| work_n7vo4ng5evgcnogo4v3ezwagvu | 6, n.º 1, diciembre 2013, 139- 162/ cc by- nc- nd o´ReiLLy, Tim( 2005): What Is Web 2.0? |
| work_n7vo4ng5evgcnogo4v3ezwagvu | 6, n.º 1, diciembre 2013, 139- 162/ cc by- nc- nd winneR( 1980): Do Artifacts Have Politics? |
| work_n7vo4ng5evgcnogo4v3ezwagvu | andeRson, Paul( 2007): What Is Web 2.0? |
| work_n7vo4ng5evgcnogo4v3ezwagvu | inneRaRity, Daniel and Ander guRRutxaga( 2009): ¿ Cómo Es Una Sociedad Inno- vadora? |
| work_n7vo4ng5evgcnogo4v3ezwagvu | ¿ Construcción social o tecnología autónoma? |
| work_n7vo4ng5evgcnogo4v3ezwagvu | ¿ Construcción social o tecnología autónoma? |
| work_rphilxg7tzbltdjb3mmrnuxsgm | Am J Gas- troenterol 104:2830–2836 4 Tech Coloproctol( 2017) 21:1–4 123 Irrigation, lavage, colonic hydrotherapy: from beauty center to clinic? |
| work_rphilxg7tzbltdjb3mmrnuxsgm | De Giorgio R, Volta U, Gibson PR( 2016) Sensitivity to wheat, gluten and FODMAPs in IBS: facts or fiction? |
| work_rphilxg7tzbltdjb3mmrnuxsgm | E D I T O R I A L Irrigation, lavage, colonic hydrotherapy: from beauty center to clinic? |
| work_rphilxg7tzbltdjb3mmrnuxsgm | Irrigation, lavage, colonic hydrotherapy: from beauty center to clinic? |
| work_p3j7x4375fcj5bqxgrq4k47g6a | 67 Claudia Brunner, ‘ Female Suicide Bombers – Male Suicide Bombing? |
| work_p3j7x4375fcj5bqxgrq4k47g6a | 94 Jennifer Heeg Maruska, ‘ When are states hypermasculine? ’, in Gender and International Security: Feminist Perspectives, by Laura Sjoberg( ed. |
| work_pkksflm3czb4bgdhxkginnnngu | Autistic Aphorisms 2 December 2009 Blog Post Autism and talent: Why? |
| work_rmqhmm7ckvdetn72fh7isj6x54 | Actualists say that we should f when f- ing would be preferable to what we would do otherwise, whereas possibilists say that we should? |
| work_rmqhmm7ckvdetn72fh7isj6x54 | Published and Forthcoming From Teleosemantics to Normative EthicsThis paper attempts to answer the question"what kinds of action are morally wrong?" |
| work_rmqhmm7ckvdetn72fh7isj6x54 | by first asking the question"what kinds of action is it fitting for us to morally disapprove of?" |
| work_ugec6ybcivgq3lv767rmtkyt2y | Disponível em:< http://conteudoanimal.com.br/colunas/ver.asp? titulo=''Plantas%20T%F3xicas>. |
| work_tsaqvgb55zb7jphbqe3wbf5ffa | Trouble on the Horizon? |
| work_jqo5nfubfbgjvooaexediaiudu | 6 I have discussed elsewhere the sexualized business culture and its consequences for professional women; see Jieyu Liu “ Sexualized Labour? |
| work_jqo5nfubfbgjvooaexediaiudu | After asking Xiao Zhang how her wedding preparations were going, Mr Wang asked ‘ why did you choose him? |
| work_jqo5nfubfbgjvooaexediaiudu | Gayatri Chakravorty Spivak, “ Can the Subaltern Speak?, ”, in Colonial Discourse and Post- Colonial Theory: A Reader ed. |
| work_jqo5nfubfbgjvooaexediaiudu | Have n’t you already been there? |
| work_jqo5nfubfbgjvooaexediaiudu | How would this pressure be reduced for men? |
| work_jqo5nfubfbgjvooaexediaiudu | It feels pleasant with women around, does n’t it? |
| work_jqo5nfubfbgjvooaexediaiudu | Q: How will this arrangement play in the workplace? |
| work_jqo5nfubfbgjvooaexediaiudu | Q: How? |
| work_jqo5nfubfbgjvooaexediaiudu | Q: What does a dry craving mean? |
| work_jqo5nfubfbgjvooaexediaiudu | Q: What is the most suitable proportion of women in a workplace? |
| work_jqo5nfubfbgjvooaexediaiudu | Would re- eroticization of workplace culture bring pleasure or harassment in an organizational setting? |
| work_upwkdi3birepdosk3hvch4rn5i | WHERE IS THE BEAUTY AND EXCITEMENT OF THE BACTERIAL WORLD? |
| work_do5hsbkm7nhw5iptquhxxmdme4 | 2 » Können Sie mir sagen, was Schönheit sei? |
| work_do5hsbkm7nhw5iptquhxxmdme4 | Chater, N.( 1999) The search for simplicity: A fundamental cognitive principle? |
| work_do5hsbkm7nhw5iptquhxxmdme4 | Cognitive Science, 32, 36- 67 Chater, N.& Vitanyi, P.( 2003) Simplicity: A unifying principle in cognitive science? |
| work_do5hsbkm7nhw5iptquhxxmdme4 | Conclusions So what has been achieved with these musings about beauty? |
| work_do5hsbkm7nhw5iptquhxxmdme4 | Constructivist Instruction: Success or failure? |
| work_do5hsbkm7nhw5iptquhxxmdme4 | How can we have both harmony and variety, and change as well? |
| work_do5hsbkm7nhw5iptquhxxmdme4 | How is perfect form to be achieved? |
| work_do5hsbkm7nhw5iptquhxxmdme4 | Or must it remain inconceivable? |
| work_do5hsbkm7nhw5iptquhxxmdme4 | Processing fluency and aesthetic pleasure: Is beauty in the perceiver''s processing experience? |
| work_do5hsbkm7nhw5iptquhxxmdme4 | To quote a recent newspaper article: Is beauty dead? |
| work_do5hsbkm7nhw5iptquhxxmdme4 | What allows one person to experience beauty where another remains unmoved? |
| work_do5hsbkm7nhw5iptquhxxmdme4 | What are the properties of an object so that it can be perceived as beautiful? |
| work_do5hsbkm7nhw5iptquhxxmdme4 | What do these criteria imply for mental representations that are experienced as beautiful? |
| work_do5hsbkm7nhw5iptquhxxmdme4 | What is it that can make these objects and events beautiful? |
| work_do5hsbkm7nhw5iptquhxxmdme4 | What sort of models M can result in encodings that we experience as beautiful? |
| work_do5hsbkm7nhw5iptquhxxmdme4 | What would a cognitive theory of aesthetics look like? |
| work_do5hsbkm7nhw5iptquhxxmdme4 | When is complexity compression possible? |
| work_do5hsbkm7nhw5iptquhxxmdme4 | Why is it that we can read a great book many times and it becomes more interesting with each reading? |
| work_q5eqnww3jjddzh22dj4qsd336e | DOI:10.1007/ s11019- 016- 9699- 0 Corpus ID: 33858610Borrowed beauty? |
| work_q5eqnww3jjddzh22dj4qsd336e | PDF] Borrowed beauty? |
| work_q5eqnww3jjddzh22dj4qsd336e | Understanding identity in Asian facial cosmetic surgery@article{Aquino2016BorrowedBU, title={Borrowed beauty? |
| work_gniikk56ozfrdkymnqceabofwe | ? |
| work_gniikk56ozfrdkymnqceabofwe | Department of Economics Working Paper Series Productivity or Discrimination? |
| work_gniikk56ozfrdkymnqceabofwe | Discussion: Why is better looking also smarter? |
| work_gniikk56ozfrdkymnqceabofwe | Giam Pietro Cipriani, Angelo Zago WP Number: 18 December 2005 ISSN: 0000- 0000 Productivity or Discrimination? |
| work_gniikk56ozfrdkymnqceabofwe | However, an important question remains unanswered: is the impact of beauty due to pure discrimination or productivity? |
| work_gniikk56ozfrdkymnqceabofwe | III.2 It ’s not discrimination, is it? |
| work_gniikk56ozfrdkymnqceabofwe | Maxims or Myths of Beauty? |
| work_gniikk56ozfrdkymnqceabofwe | The other variable related to performance that we employ is the exams average grade and thus we estimate the following:, i i i i g X bd i g? |
| work_gniikk56ozfrdkymnqceabofwe | We then estimate the following equation:, i i i i n X bd i g? |
| work_gniikk56ozfrdkymnqceabofwe | ©? |
| work_gniikk56ozfrdkymnqceabofwe | Ã Ô? |
| work_qe5cznrdqzfoxc636pqgklyrnm | Are there any 100 year old cups around still in use? |
| work_qe5cznrdqzfoxc636pqgklyrnm | In short, is it possible to design a beautifully fragile, yet eminently desirable to use, cup? |
| work_qe5cznrdqzfoxc636pqgklyrnm | What have been the''classic cups''to date? |
| work_qe5cznrdqzfoxc636pqgklyrnm | Would not the former force the cup behind locked glass doors? |
| work_qe5cznrdqzfoxc636pqgklyrnm | [ 23] How then to cultivate user participation in more sustainable product- lives? |
| work_utyh4ek3ljdlzjtixwavrsnhue | Looking for a formerly published Socrates site? |
| work_jkchjl5dzja55ow4jiplc6mvuy | Do simple heuristics really freeload on the effort hidden in the computation of cue orders? |
| work_jkchjl5dzja55ow4jiplc6mvuy | For example, could it be that at least one of the, say, three most valid cues is ordered correctly? |
| work_jkchjl5dzja55ow4jiplc6mvuy | How Good Are People ’s Intuitions About Cue Directions? |
| work_jkchjl5dzja55ow4jiplc6mvuy | How Well Do Heuristics Perform When Fed With People ’s Cue Directions? |
| work_jkchjl5dzja55ow4jiplc6mvuy | How good are simple heuristics? |
| work_jkchjl5dzja55ow4jiplc6mvuy | If cue order does not affect predictive accuracy much, then what does? |
| work_jkchjl5dzja55ow4jiplc6mvuy | Ignoring information in binary choice with continuous variables: When is less “ more ”? |
| work_jkchjl5dzja55ow4jiplc6mvuy | In our second investi- gation, we ask: How good or bad are people ’s intuitions about cue directions? |
| work_jkchjl5dzja55ow4jiplc6mvuy | Individual Learning From Minute Samples: How Good Could It Be? |
| work_jkchjl5dzja55ow4jiplc6mvuy | Re- visions of rationality? |
| work_jkchjl5dzja55ow4jiplc6mvuy | Simple heuris- tics from the adaptive toolbox: Can we perform the requisite learning? |
| work_jkchjl5dzja55ow4jiplc6mvuy | Why is it so? |
| work_sq6z55mxefhytgdmpdxd6g4icq | Developmental constraints on or developmental structure in brain evolution? |
| work_sq6z55mxefhytgdmpdxd6g4icq | What is a gene? |
| work_sq6z55mxefhytgdmpdxd6g4icq | What is the goal of sensory coding? |
| work_sq6z55mxefhytgdmpdxd6g4icq | Why this conservation? |
| work_trptsagiwbcapmpmc2req7he4i | Should we genetically select for the beauty norm of fair skin? |
| work_trptsagiwbcapmpmc2req7he4i | The third paper in the volume, “ Should We Genetically Select for the Beauty Norm of Fair Skin? ” is by Herjeet Marway. |
| work_l5jzoaiilzg3biaidrgp5fykxq | An Ideal Husband? |
| work_l5jzoaiilzg3biaidrgp5fykxq | Is there a desirable Migrant? |
| work_l5jzoaiilzg3biaidrgp5fykxq | They are not immigration officers are they? |
| work_l5jzoaiilzg3biaidrgp5fykxq | What should registrars be doing to tell? |
| work_l5jzoaiilzg3biaidrgp5fykxq | Where is the Border? |
| work_l5qhum563rfj3ep3glqcd5gsne | 2) Do NHS- systems indeed spend less on health care as% of GDP and per capita and are they better in cost control over the same period in time? |
| work_l5qhum563rfj3ep3glqcd5gsne | 3) Is, indeed, the population in SSH- systems more posi- tive about its health care system than in NHS- systems? |
| work_l5qhum563rfj3ep3glqcd5gsne | 4) If differences exist, do they converge over time? |
| work_l5qhum563rfj3ep3glqcd5gsne | Delnoij D, Brenner G: Importing budget systems from other countries: what can we learn from the German drug budget and the British GP fundholding? |
| work_l5qhum563rfj3ep3glqcd5gsne | Delnoij D, Van Merode G, Paulus A, Groenewegen P: Does general practitioner gatekeeping curb health care expenditure? |
| work_l5qhum563rfj3ep3glqcd5gsne | Did we use the right( outcome) indicators? |
| work_l5qhum563rfj3ep3glqcd5gsne | Polikowski M, Santos- Eggimann B: How comprehensive are the basic packages of health services? |
| work_l5qhum563rfj3ep3glqcd5gsne | Ros CC, Groenewegen PP, Delnoij DM: All rights reserved, or can we just copy? |
| work_l5qhum563rfj3ep3glqcd5gsne | The point is, however: what is equity and is it an unequivocal concept? |
| work_l5qhum563rfj3ep3glqcd5gsne | Vienonen MA, Wlodarczyk WC: Health care reforms on the European scene: evolution, revolution or seesaw? |
| work_k7zbdnp5lrguxjwffvdgvtlurq | 20 What of someone who wanted to defend the beauty of mathematical the- orems and proofs, but rejected propositions? |
| work_k7zbdnp5lrguxjwffvdgvtlurq | 5 Is this genuinely aesthetic? |
| work_k7zbdnp5lrguxjwffvdgvtlurq | Are these the most beautiful? |
| work_k7zbdnp5lrguxjwffvdgvtlurq | But one can now ask a further question: is mathematics, like painting and literature, an art? |
| work_k7zbdnp5lrguxjwffvdgvtlurq | Could a proof be elegant if it was invalid, or did not possess properties which tend to make proofs valid?. |
| work_k7zbdnp5lrguxjwffvdgvtlurq | How might one argue for the thesis that some mathematics, of the pure sort which its practitioners say is pursued for aesthetic reasons, is an art? |
| work_k7zbdnp5lrguxjwffvdgvtlurq | Suppose we colour each point of the complex plane according to which root it converges to — what do we get? |
| work_k7zbdnp5lrguxjwffvdgvtlurq | The third case is more difficult to pinpoint — perhaps it is a fact which is beautiful? |
| work_k7zbdnp5lrguxjwffvdgvtlurq | What actual arguments can be adduced pro and con? |
| work_k7zbdnp5lrguxjwffvdgvtlurq | What else is it? |
| work_k7zbdnp5lrguxjwffvdgvtlurq | [ Bôcher, 1904, p. 133] Why are numbers beautiful? |
| work_hg72fo4c7raqdbnbitjd5dlvfq | 08- 01 Oprea, R., Porter, D., Hibbert, C., Hanson, R. and Tila, D. Can Manipulators Mislead Prediction Market Observers? |
| work_hg72fo4c7raqdbnbitjd5dlvfq | 08- 06 Anctil, R., Dickhaut, J., Johnson, K., and Kanodia, C. Does Information Transparency Decrease Coordination Failure? |
| work_hg72fo4c7raqdbnbitjd5dlvfq | 10- 04 Lin, S. and Rassenti, S. Are Under- and Over- reaction the Same Matter? |
| work_hg72fo4c7raqdbnbitjd5dlvfq | 10- 05 Shields, T. Do Analysts Tell the Truth? |
| work_hg72fo4c7raqdbnbitjd5dlvfq | 10- 16 Deck, C. and Kimbrough, E. Can Markets Save Lives? |
| work_hg72fo4c7raqdbnbitjd5dlvfq | 10- 18 Deck, C. and Sheremeta, R. Fight or Flight? |
| work_hg72fo4c7raqdbnbitjd5dlvfq | 10- 19 Sheremeta, R. and Shields, T. Do Investors Trust or Simply Gamble? |
| work_hg72fo4c7raqdbnbitjd5dlvfq | 11 Economic Science Institute Working Papers 2011 11- 07 Grether, D., Porter, D., and Shum, M. Intimidation or Impatience? |
| work_hg72fo4c7raqdbnbitjd5dlvfq | 11- 01 Corgnet, B., Kujal, P. and Porter, D. Reaction to Public Information in Markets: How Much Does Ambiguity Matter? |
| work_hg72fo4c7raqdbnbitjd5dlvfq | Are Risk Aver- sion and Impatience Related to Cognitive Ability? |
| work_hg72fo4c7raqdbnbitjd5dlvfq | Brown and J. M. Shapiro, 2006. Who is"Behav- ioral"? |
| work_hg72fo4c7raqdbnbitjd5dlvfq | Can Groups Solve the Problem of Over- Bidding in Contests? |
| work_hg72fo4c7raqdbnbitjd5dlvfq | Do Shareholders Listen? |
| work_hg72fo4c7raqdbnbitjd5dlvfq | How much does the ball cost? |
| work_hg72fo4c7raqdbnbitjd5dlvfq | If it takes 48 days for the patch to cover the entire lake, how long would it take for the patch to cover half of the lake? |
| work_hg72fo4c7raqdbnbitjd5dlvfq | Price Increasing Competition? |
| work_ubqjdwldszfstjgjyjualh3miq | What structural intricacies are at work which create the entrancing flash of colours exhibited by opals with such chromatic purity? |
| work_ubqjdwldszfstjgjyjualh3miq | Why do rubies display a dazzling red lumines- cence when illuminated with blue light? |
| work_dqh2gqckmfdhlcnniwmxlhsgem | Are the good beautiful or the beautiful good? |
| work_dqh2gqckmfdhlcnniwmxlhsgem | 3, 390- 423 0033- 2909/00/$5.00 DOI: 10.1037//0033- 2909.126.3.390 Maxims or Myths of Beauty? |
| work_dqh2gqckmfdhlcnniwmxlhsgem | Another put- down of women? |
| work_dqh2gqckmfdhlcnniwmxlhsgem | Do grades reflect treatment by a teacher and belong in designation o f academic ability? |
| work_dqh2gqckmfdhlcnniwmxlhsgem | Does human facial attractiveness honestly advertise health? |
| work_dqh2gqckmfdhlcnniwmxlhsgem | Does mate selection work in conjunction or compe- tition with differential parental solicitude or good genes? |
| work_dqh2gqckmfdhlcnniwmxlhsgem | Embarrassing age spots or just plain ugly? |
| work_dqh2gqckmfdhlcnniwmxlhsgem | Experienced and inexperienced counselors''first impressions of clients and case outcomes: Are first impressions lasting? |
| work_dqh2gqckmfdhlcnniwmxlhsgem | Gender and attractiveness biases in hiring decisions: Are most experienced managers less biased? |
| work_dqh2gqckmfdhlcnniwmxlhsgem | Guilty or not guilty? |
| work_dqh2gqckmfdhlcnniwmxlhsgem | If attractiveness is somewhat important for w o m e n choosing long- term mates, would this finding falsify the theory? |
| work_dqh2gqckmfdhlcnniwmxlhsgem | Infant preferences for attractive faces: Rudiments of a stereotype? |
| work_dqh2gqckmfdhlcnniwmxlhsgem | Or do they reflect attributes o f the individual such as intelligence/ performance and belong in behaviors/ traits? |
| work_dqh2gqckmfdhlcnniwmxlhsgem | Reading faces: Window to the soul? |
| work_dqh2gqckmfdhlcnniwmxlhsgem | The role of physical attractiveness in the observation of adult- child interactions: Eye of the beholder or behavioral reality? |
| work_dqh2gqckmfdhlcnniwmxlhsgem | What do women want? |
| work_dqh2gqckmfdhlcnniwmxlhsgem | What''s average and not average about attractive faces? |
| work_dqh2gqckmfdhlcnniwmxlhsgem | Why does appearance affect social experience? |
| work_urs3yl5gbjhbfklueuww6nuzdm | Structure 10, this issue, 1489–to the chaperone function in SurA, and if so, which parts 1498.of it actually form the binding surface? |
| work_urs3yl5gbjhbfklueuww6nuzdm | USA 94, 13093–13098.both? |
| work_s2yebj2c4ncb5jhudfewsxjaee | 7 Given that systematicity is an idea and not an empirical concept or a cate- gory of the understanding, how if at all can it be symbolized? |
| work_s2yebj2c4ncb5jhudfewsxjaee | Do we have any indication of whether such a mind is really possible? |
| work_s2yebj2c4ncb5jhudfewsxjaee | Is there any content to the idea at all? |
| work_s2yebj2c4ncb5jhudfewsxjaee | Is this a transcendental idea, rather than an empirical concept or an a priori category? |
| work_s2yebj2c4ncb5jhudfewsxjaee | ’ 10 For further discussion of the evidential role of certain kinds of symbolization see my ‘ Are Supersensibles Really Possible? |
| work_t2vkdbhx4jfyvpeeurbgkelltq | Ко од лу чу је ко ја мо да ће би ти про гла ше на гло бал ном ући у ар хив? |
| work_u5qqyeobgfb3rg2g4npeuuyzh4 | Brisson, L. À quelles conditions peut- on parler de"matière"dans la Timeé de Platon? |
| work_u5qqyeobgfb3rg2g4npeuuyzh4 | Socrates:"And does not this line, reaching from corner to corner, bisect each of these spaces?" |
| work_u5qqyeobgfb3rg2g4npeuuyzh4 | Stewart, I.; Golubitsky, M. Fearful symmetry: is God a geometer? |
| work_eezzkhqqi5hhvbasttel5u7y3e | ( 1993), � What is Coe¢ cient Alpha? |
| work_eezzkhqqi5hhvbasttel5u7y3e | 29 Eckel, Catherine and Philip Grossman( 1998), � Are Women Less Sel � sh Than Men? |
| work_eezzkhqqi5hhvbasttel5u7y3e | Behavior of Attractive People Why do attractive men and women make more money? |
| work_eezzkhqqi5hhvbasttel5u7y3e | Behavior of Men and Women Are women more sel � sh than men? |
| work_eezzkhqqi5hhvbasttel5u7y3e | But are there implications of the beauty and gender e¤ects 26 we found for the real world? |
| work_eezzkhqqi5hhvbasttel5u7y3e | Could this be punishment of behavior that does not meet expectations? |
| work_eezzkhqqi5hhvbasttel5u7y3e | Could this signi � cant increase in cooperation with information be explained by favoritism based on sex stereotypes? |
| work_eezzkhqqi5hhvbasttel5u7y3e | Does Beauty Pay? |
| work_eezzkhqqi5hhvbasttel5u7y3e | Does Gender Pay? |
| work_eezzkhqqi5hhvbasttel5u7y3e | Favoritism and Beauty Stereotypes Could the observed beauty premium be due to favoritism towards attractive peo- ple? |
| work_eezzkhqqi5hhvbasttel5u7y3e | Gender Di¤erences in Beauty Stereotypes Does favoritism di¤er by gender? |
| work_eezzkhqqi5hhvbasttel5u7y3e | Langlois, Judith, Lisa Klakanis, Adam Rubenstein, Andrea Larson, Monica Hallam, and Monica Smoot( 2000), � Maxims or Myths of Beauty? |
| work_eezzkhqqi5hhvbasttel5u7y3e | The Combined E¤ects of Beauty and Gender Dothee¤ectsof beautyandgenderholdwhenwecontrol for themtogether? |
| work_eezzkhqqi5hhvbasttel5u7y3e | Why are these results important? |
| work_eezzkhqqi5hhvbasttel5u7y3e | Why do men attain this information bene � t and women do not? |
| work_eezzkhqqi5hhvbasttel5u7y3e | Why do nonattractive people reverse their behavior from one treatment to the next? |
| work_eezzkhqqi5hhvbasttel5u7y3e | Zebrowitz, L.A.( 1997), Reading Faces: Window to the Soul?, Boulder, CO: Westview Press. |
| work_eezzkhqqi5hhvbasttel5u7y3e | � Good Examples � and Sex Stereotypes Are people more cooperative with men than with women? |
| work_iasolepbgjcp3jmhohr47xhqem | Are good- looking people more employable? |
| work_iasolepbgjcp3jmhohr47xhqem | Do Attractiveness- Based Biases Generalize to Between- Ethnicity Evaluations? |
| work_iasolepbgjcp3jmhohr47xhqem | Do Attractiveness- Based Social Evaluation Biases Generalize to Other Ethnic Groups? |
| work_iasolepbgjcp3jmhohr47xhqem | Do human females use indirect aggression as an intrasexual competition strategy? |
| work_iasolepbgjcp3jmhohr47xhqem | Does being attractive always help? |
| work_iasolepbgjcp3jmhohr47xhqem | Does self- threat promote social con- nection? |
| work_iasolepbgjcp3jmhohr47xhqem | Is actual simi- larity necessary for attraction? |
| work_iasolepbgjcp3jmhohr47xhqem | Is beauty in the eye of the beholder? |
| work_iasolepbgjcp3jmhohr47xhqem | Is love colorblind? |
| work_iasolepbgjcp3jmhohr47xhqem | Is there an own- race preference in attractiveness? |
| work_iasolepbgjcp3jmhohr47xhqem | Maxims or myths of beauty? |
| work_iasolepbgjcp3jmhohr47xhqem | Or, instead, might differences in their ethnicities change their social schema such that the applicant is no longer perceived as a threat? |
| work_iasolepbgjcp3jmhohr47xhqem | The weirdest people in the world? |
| work_iasolepbgjcp3jmhohr47xhqem | What leads to romantic attraction: Simi- larity, reciprocity, security, or beauty? |
| work_iasolepbgjcp3jmhohr47xhqem | When does race matter? |
| work_iasolepbgjcp3jmhohr47xhqem | Would the candidate ’s attractiveness give him or her an advan- tage in the job selection process? |
| work_iasolepbgjcp3jmhohr47xhqem | Would the manager still derogate the attractive same- sex applicant? |
| work_bmd6jl5ybzb4pa7sudq6vwnjxi | ( How can what she learns on Monday be relevant to the coin flip? |
| work_bmd6jl5ybzb4pa7sudq6vwnjxi | ( Would n’t Beauty wonder what day it is? |
| work_bmd6jl5ybzb4pa7sudq6vwnjxi | 20 7.2 Does Beauty lose relevant evidence when she awakes? |
| work_bmd6jl5ybzb4pa7sudq6vwnjxi | 7.1 Does Beauty gain relevant evidence when she awakes? |
| work_bmd6jl5ybzb4pa7sudq6vwnjxi | And how can she lose relevant evidence? |
| work_bmd6jl5ybzb4pa7sudq6vwnjxi | At that point, should you then ignore your evidence that you are awake? |
| work_bmd6jl5ybzb4pa7sudq6vwnjxi | But consider a second question: when Beauty wakes up on Monday what should be her degree of belief that it is Monday? |
| work_bmd6jl5ybzb4pa7sudq6vwnjxi | But what, in the eyes of the optimist, is wrong with thirder arguments for( EQ)? |
| work_bmd6jl5ybzb4pa7sudq6vwnjxi | Does the case of Cal show that inertia is false? |
| work_bmd6jl5ybzb4pa7sudq6vwnjxi | Does the revised case show that, given inertia, Cal gains relevant evidence? |
| work_bmd6jl5ybzb4pa7sudq6vwnjxi | Is it 1/3 as thirders claim? |
| work_bmd6jl5ybzb4pa7sudq6vwnjxi | Is n’t one free to stipulate anything one likes? |
| work_bmd6jl5ybzb4pa7sudq6vwnjxi | Or 1/2 as halfers say? |
| work_bmd6jl5ybzb4pa7sudq6vwnjxi | She does n’t forget anything or have a cognitive mishap — how can she lose relevant evidence in some other way?) |
| work_bmd6jl5ybzb4pa7sudq6vwnjxi | Should one conclude by inertia that Beauty gains relevant evidence? |
| work_bmd6jl5ybzb4pa7sudq6vwnjxi | Should we respond to evil with indifference? |
| work_bmd6jl5ybzb4pa7sudq6vwnjxi | That is, what is P( M ON)? |
| work_bmd6jl5ybzb4pa7sudq6vwnjxi | What does she learn that is relevant to the coin flip? |
| work_bmd6jl5ybzb4pa7sudq6vwnjxi | What evidence does she lose and how does she lose it? |
| work_bmd6jl5ybzb4pa7sudq6vwnjxi | When Beauty wakes on Monday, what should be her degree of belief that the coin lands heads? |
| work_bmd6jl5ybzb4pa7sudq6vwnjxi | Which reasoning should we accept, the optimist ’s or the thirder ’s? |
| work_bmd6jl5ybzb4pa7sudq6vwnjxi | Would n’t she learn something if she is told that it is Monday?) |
| work_bmd6jl5ybzb4pa7sudq6vwnjxi | Would n’t you doubt whether your memories are accurate?) |
| work_wkhrfigojncdbixbsdg6yjkhyy | Is the Netherlands sustainable as a global- scale inner- city? |
| work_ut3g3sx2z5hyldadlfzbyhf2jm | The first question that should be asked, the first of those many decisions to make should be: Would your loved one have wanted to be a tissue donor? |
| work_ut3g3sx2z5hyldadlfzbyhf2jm | Who has to be notified? |
| work_twseyqgrdbbh5avurodohjrxwe | What could be the way forward in further exploring the mechanism(s) by which pancreatic β- cells adapt to changes in the level of blood glucose? |
| work_twseyqgrdbbh5avurodohjrxwe | What would the islet do with the extra pancreatic β- cells when the individual is fasting or exposed to low glucose levels? |
| work_twseyqgrdbbh5avurodohjrxwe | What, then, is the driving force behind the secretion and effective insulin molecule? |
| work_twj3rsubsnhnniur3ii3xc66le | Drafting ’s Improvement of 3000-m Running Performance in Elite Athletes: Is It a Placebo Effect? |
| work_twj3rsubsnhnniur3ii3xc66le | How could this be? |
| work_twj3rsubsnhnniur3ii3xc66le | Realistic? |
| work_szo5qj2qpjha3mmd475q4krpby | “ Amazon ’s Mechanical Turk: A New Source of Inexpensive, Yet High- Quality, Data? ” Perspectives on Psychological Science. |
| work_szo5qj2qpjha3mmd475q4krpby | “ Do Pretty Women Inspire Men to Discount the Future? ” Biology Letters, 271: 177- 179. |
| work_szo5qj2qpjha3mmd475q4krpby | “ Is trust a risky decision? ” Journal of Economic Behavior& Organization, 55(4): 447- 465. |
| work_szo5qj2qpjha3mmd475q4krpby | “ What ’s Advertising Content Worth? |
| work_pyqgbje5tjf6jbogsi7bkyoejq | 53582, posted 11 Feb 2014 04:29 UTC 1 Does Beauty Matter in Undergraduate Education? |
| work_pyqgbje5tjf6jbogsi7bkyoejq | In other words, is there evidence that the beauty advantage develops during college? |
| work_pyqgbje5tjf6jbogsi7bkyoejq | Munich Personal RePEc Archive Does Beauty Matter in Undergraduate Education? |
| work_pyqgbje5tjf6jbogsi7bkyoejq | Ugly Ducklings: Does Adolescent Attractiveness Contribute to the Beauty Premium? ” Working paper. |
| work_pyqgbje5tjf6jbogsi7bkyoejq | “ Are Appearances Deceiving? |
| work_pyqgbje5tjf6jbogsi7bkyoejq | “ Dress for success – does primping pay? ” Labour Economics, 9(3): 361- 373. |
| work_pyqgbje5tjf6jbogsi7bkyoejq | “ Scholastic Assessment or G? |
| work_pyqgbje5tjf6jbogsi7bkyoejq | “ What Does it Mean to Find the Face of the Franchise? |
| work_kpr6df5pwzgu7iii46iuvwruu4 | 11 ‘ So much the worse for Reflection ’ or ‘ so much the worse for the putative counter- example ’? |
| work_kpr6df5pwzgu7iii46iuvwruu4 | But now let us ask, how can the bookie arrange to sell the second bet to Beauty without violating this restriction? |
| work_kpr6df5pwzgu7iii46iuvwruu4 | Can a Dutch Book be made against Mary? |
| work_kpr6df5pwzgu7iii46iuvwruu4 | Does this strategy provide us with a rival Dutch Book argument, support- ing the answer 1/2? |
| work_kpr6df5pwzgu7iii46iuvwruu4 | First, how does the bookie know to sell the bet on Monday? |
| work_kpr6df5pwzgu7iii46iuvwruu4 | How did the halfer get into this mess? |
| work_kpr6df5pwzgu7iii46iuvwruu4 | How narrow? |
| work_kpr6df5pwzgu7iii46iuvwruu4 | Now what about Beauty ’s ‘ priors ’ of the form P( Mon)? |
| work_kpr6df5pwzgu7iii46iuvwruu4 | That is, how can the bookie formulate an appropriate Dutch Strategy? |
| work_kpr6df5pwzgu7iii46iuvwruu4 | Then what would her degrees of belief be in the propositions Sun, Mon, etc? |
| work_kpr6df5pwzgu7iii46iuvwruu4 | Upon awakening on Monday,1 what should be her degree of belief in H, the proposition that the coin landed heads? |
| work_kpr6df5pwzgu7iii46iuvwruu4 | What should Beauty ’s degrees of belief over these centered propos- itions look like? |
| work_x2ddxaksnjbjxo44s5jg2i4jzm | What can naturally occurring mutations tell us about the pathogenesis of COPD? |
| work_h4rky7zd25b6niv565xeomvkja | But why should this same reasoning not apply to the Heads run, as well? |
| work_h4rky7zd25b6niv565xeomvkja | For example, what credence should Beauty assign to the coin toss having come up Heads, if after waking up she were informed that it is day 1? |
| work_h4rky7zd25b6niv565xeomvkja | How can we explain this? |
| work_h4rky7zd25b6niv565xeomvkja | How does this observation affect the probability of H? |
| work_h4rky7zd25b6niv565xeomvkja | Is there a correct or most plausible assignment of value to α? |
| work_h4rky7zd25b6niv565xeomvkja | Is this enough to get standard Conditionalization off the hook? |
| work_h4rky7zd25b6niv565xeomvkja | Moreover, does the value assigned to α match the value assigned to β, or do they differ? |
| work_h4rky7zd25b6niv565xeomvkja | Pt1( A)= Pt1( A|E)= Pt0( A|E) The question now is: Does Beauty update her credences via Conditionalization upon waking up on day 1? |
| work_h4rky7zd25b6niv565xeomvkja | Should we respond to Evil with Indifference? |
| work_h4rky7zd25b6niv565xeomvkja | The first question( What is the probability of Heads, if today is day 1?) |
| work_h4rky7zd25b6niv565xeomvkja | To answer the second question( what is the probability of H, if today is the last time you wake up? |
| work_h4rky7zd25b6niv565xeomvkja | What can possibly have gone wrong? |
| work_h4rky7zd25b6niv565xeomvkja | What is the probability that you are awake? |
| work_h4rky7zd25b6niv565xeomvkja | What is the probability that you wake up? |
| work_h4rky7zd25b6niv565xeomvkja | Why conditionalize? |
| work_cwn5urx2yrbe7img6v7c7v2cpe | #$) 88%1#)2&3<% 1.&''%/-&#$-)8%)-+%#B&#$-)89%D-%&''/*%*(#,/5,%)$#)%&''#%,2*&.6#$%&.2,''%(./-&%.0%/-+/4#-.2*%?-. work_cwn5urx2yrbe7img6v7c7v2cpe #$/-4%&''#%7)8)3%)$,''/(#8)4.%)-+%/&*%$/,''%''/*&.$3%)-+%,28&2$#%'')"#%.0&#-%1##-%,8)/6#+%13%,.6(#&/-4%D-+.-#*/)-%1#)2&3%($.+2,&*%* 2,''%)*%72*&/? |
| work_cwn5urx2yrbe7img6v7c7v2cpe | ( 6#-&<%6)-)4#6#-&%)-+%6)$?#&/-49%V-8/?#%/&*%,.6(#&/&.$*<%&''#%,.6()-3%'')*%)8*.%1##-%1.8+%#-.24''%&.%8)2-,''%0.2$%+/00#$#-&%*()%(),? |
| work_cwn5urx2yrbe7img6v7c7v2cpe | (.-#-&%.0%/-+/4#-.2*%?-. |
| work_cwn5urx2yrbe7img6v7c7v2cpe | (.8/&)-% E..? |
| work_cwn5urx2yrbe7img6v7c7v2cpe | (/-4%;.$8+<%*2,''%)*%/-%&''#%,.-&/-#-&*%.0%L0$/,)%)-+%L*/)<%/-+/4#-.2*%?-.;8#+4#%'')*%8/0&#+%6)-3%.2&%.0%(."#$&3%13%($. |
| work_cwn5urx2yrbe7img6v7c7v2cpe | (/-4%J,.-.6/#* Malaysia A Notion of Beauty: Brown is Not Beautiful? |
| work_cwn5urx2yrbe7img6v7c7v2cpe | ) 9 E)$)? |
| work_cwn5urx2yrbe7img6v7c7v2cpe | ),''%/-%&''#%.-4./-4%,.66#$,/)8/=)&/.-%.0%1#)2&3>%&'')&%/-+/4#-.2*%?-. |
| work_cwn5urx2yrbe7img6v7c7v2cpe | * 9^/)''<%G9%79<%WXXf9%Kitab Tib: Ilmu Perubatan Melayu9%F2)8)%g26(2$>%^#$(2*&)? |
| work_cwn5urx2yrbe7img6v7c7v2cpe | *&%.&''#$%7)8)3*/)-%1#)2&3%1$)-+*<%])&)*3)%$# 8/#*%.-%/-A''.2*#%*(.?#*(#. |
| work_cwn5urx2yrbe7img6v7c7v2cpe | *&%/6(.$&)-&83<%/-+/4#-.2*%?-.;8#+4#%#6(.;#$*%;.6#-%)-+%#-'')-,#*%&''#/$%*.,/)8%(.*/&/.-%13%($. |
| work_cwn5urx2yrbe7img6v7c7v2cpe | *&.->%G)$")$+%E2*/-#**%R,''.. 8%^$#**9 g/6<%g9<%WXXT9 Ingredients for Success<%SS%b2839% 7#$)-<%L9%E9<%WXXa9%C);)&)-%R()%2-&2?%F)-)?AF)-)?. |
| work_cwn5urx2yrbe7img6v7c7v2cpe | ;+#+% 6)$?#&%)&%&''#%/-/&/)8%*&)4#<%12&%&''#%$)(/+%+/002*/.-%.0%&''#/$%($.+2,&*%&''$.24''%(218/,/&3<%6)$?#&/-4%)-+%+/*&$/12&/.-%-#&;.$? |
| work_cwn5urx2yrbe7img6v7c7v2cpe | ?#+% 0.$%)*%&''#%+#6)-+%/-%&''#%6)$?#&% 4$. |
| work_cwn5urx2yrbe7img6v7c7v2cpe | ?/-4%0.$<%*244#*&/-4%(.&#-&/)8%0.$%/-&#$-)&/.-)8%+/*&$/12&/.-%&.%,'')88#-4#%#*&)18/*''#+%1$)-+*9%^#$'')(*%6. |
| work_cwn5urx2yrbe7img6v7c7v2cpe | L''6)+<%L9%R9<%WXXf9Warisan perubatan Melayu9%F2)8)%g26(2$>%I#;)-%E)'')*)%I)-%^2*&)? |
| work_qmktq5e3ufci3disdxgweyedty | 1977[ 43] Donohoe M., “ Beauty and Body Modification: What Is Beautiful? |
| work_qmktq5e3ufci3disdxgweyedty | 2 Beauty in human sciences and medicine 2.1 Research on attractiveness: a short history What is beauty? |
| work_qmktq5e3ufci3disdxgweyedty | ;"The Stability of Facial Attractiveness: Is It What You ’ve Got or What You Do with It?" |
| work_qmktq5e3ufci3disdxgweyedty | This raises another problem: how many samples are required for an adequate sampling of the face space from the point of view of attractiveness? |
| work_mbynvna4rrglnbhsbfzweuopba | Alesina, A., La Ferrara, E., 2002. Who trusts others? |
| work_mbynvna4rrglnbhsbfzweuopba | Competition to Default? |
| work_mbynvna4rrglnbhsbfzweuopba | Do Philanthropic Citizens Behave Like Governments? |
| work_mbynvna4rrglnbhsbfzweuopba | Maxims or myths of beauty? |
| work_mbynvna4rrglnbhsbfzweuopba | Microfinance and gender: is there a glass ceiling in loan size? |
| work_mbynvna4rrglnbhsbfzweuopba | Screening in New Credit Markets: Can Individual Lenders Infer Borrower Creditworthiness in Peer- to- peer Lending? |
| work_mbynvna4rrglnbhsbfzweuopba | The impact of group- based credit programs on poor households in Bangladesh: does the gender of participants matter? |
| work_mbynvna4rrglnbhsbfzweuopba | What determines giving to hurricane Katrina victims? |
| work_mbynvna4rrglnbhsbfzweuopba | What ’s in a picture? |
| work_mbynvna4rrglnbhsbfzweuopba | When choice is demotivating: can one desire too much of a good thing? |
| work_vwm4xtbzwzfmfm6ii6dxhlfqzq | BEAUTIFUL CONJECTURES IN GRAPH THEORY Adrian Bondy What is a beautiful conjecture? |
| work_vwm4xtbzwzfmfm6ii6dxhlfqzq | Tutte 1956 What is a beautiful theorem? |
| work_vwm4xtbzwzfmfm6ii6dxhlfqzq | What is a beautiful proof? |
| work_xkmnbfnt4rba7oiutrvnxwft4a | Petitjean, M. Order, entropy and symmetry: An awkward relation? |
| work_xkmnbfnt4rba7oiutrvnxwft4a | Schrödinger, E. What is Life? |
| work_fxgr5wc3pna7hg3vlfjiwhb7dy | But if what the young man loves in anne is her blond hair, will he also love this property when it is manifested in any other woman? |
| work_fxgr5wc3pna7hg3vlfjiwhb7dy | But which qualities and in which ways? |
| work_fxgr5wc3pna7hg3vlfjiwhb7dy | Can one draw a neat line between rational and irrational( or at least, non- rational) motives for loving another, or for pursuing love? |
| work_fxgr5wc3pna7hg3vlfjiwhb7dy | Can the love of a person ’s physical attributes be so strong as to eclipse love of the self “ alone ”? |
| work_fxgr5wc3pna7hg3vlfjiwhb7dy | Is anne truly loved if she is loved simply for her beauti- ful hair, and not for herself? |
| work_fxgr5wc3pna7hg3vlfjiwhb7dy | Is rorty ’s skepticism here justified? |
| work_fxgr5wc3pna7hg3vlfjiwhb7dy | Is that not better, after all, than not being loved in the first place? |
| work_fxgr5wc3pna7hg3vlfjiwhb7dy | Is the parent- child connection itself not reason enough for love? |
| work_fxgr5wc3pna7hg3vlfjiwhb7dy | Is there anything general philosophical to be said here, or must we be satisfied with rorty ’s particularism? |
| work_fxgr5wc3pna7hg3vlfjiwhb7dy | Love anne for her sweet disposition; for her ability always to say the right thing; for her kindness; but for her yellow hair? |
| work_fxgr5wc3pna7hg3vlfjiwhb7dy | Must we believe the poet? |
| work_fxgr5wc3pna7hg3vlfjiwhb7dy | Perhaps he tells anne that she is loved, concealing( out of propriety?) |
| work_fxgr5wc3pna7hg3vlfjiwhb7dy | What is love, if not love for concrete others? |
| work_fxgr5wc3pna7hg3vlfjiwhb7dy | Why do I claim that the poem ’s message is dark? |
| work_fxgr5wc3pna7hg3vlfjiwhb7dy | Why should it dismay anne if she is loved for the beauty of her hair? |
| work_fxgr5wc3pna7hg3vlfjiwhb7dy | and what would it be to love anne for herself “ alone ”? |
| work_fxgr5wc3pna7hg3vlfjiwhb7dy | are we to accept that beauty can be so alluring as to arouse love, in addition to desire? |
| work_fxgr5wc3pna7hg3vlfjiwhb7dy | so why is the poet so confident that anne is truly loved? |
| work_rj3dty3ssrdjxglm73trvcmlsi | Bisbal, M.( 2007), “ Los medios en Venezuela,+ D � onde estamos? ”, Espacio Abierto Cuaderno Venezolano de Sociologı́a, Vol. |
| work_rj3dty3ssrdjxglm73trvcmlsi | Redalyc. Miss Venezuela: more than just beauty? |
| work_rj3dty3ssrdjxglm73trvcmlsi | We congratulate our people, and the key questions are “ What are you planning to do? |
| work_rj3dty3ssrdjxglm73trvcmlsi | What new projects are there? |
| work_rj3dty3ssrdjxglm73trvcmlsi | What should I do? |
| work_rj3dty3ssrdjxglm73trvcmlsi | Why did n’t this work out? ” People were closely supervised, making for visible promotion decisions and improved pay. |
| work_rj3dty3ssrdjxglm73trvcmlsi | and Gutiérrez, H.( 2010), “ La economı́a venezolana:+ Y si el milagro no llega? ”, Debates IESA, Vol. |
| work_yktm6ibcrbdyxe5wvms5lielba | Could electrical activity self- organizes at the mesoscopic level in brain organoids? |
| work_ucjre62ewvgyzj3uq3jymwpxja | Are there similar features that might make a male face stick in memory? |
| work_ucjre62ewvgyzj3uq3jymwpxja | But are all locations retrieved with equal fluency? |
| work_ucjre62ewvgyzj3uq3jymwpxja | Who attains social status? |
| work_z4kldqlvenh7xdaqq345ohf3hy | How is a soil monolith made? |
| work_tvpopkdqbbhjrhm247n7vn5ae4 | BRIEF REPORT Is better beautiful or is beautiful better? |
| work_tvpopkdqbbhjrhm247n7vn5ae4 | Maxims or myths of beauty? |
| work_tvpopkdqbbhjrhm247n7vn5ae4 | Processing fluency and aesthetic pleasure: Is beauty in the perceiver ’s processing experience? |
| work_tvpopkdqbbhjrhm247n7vn5ae4 | Psychon Bull Rev( 2013) 20:566–573 573 Is better beautiful or is beautiful better? |
| work_xz23rxqqk5cylbpk35ikgub6eu | Can quantum- mechanical description of physical reality be considered complete? |
| work_xz23rxqqk5cylbpk35ikgub6eu | How then can universities such as Waterloo capitalize on this uncommon research legacy? |
| work_vv5bzxuocnahxdgec3ftcj346q | How do we continue to replicate God ’s glory in time and space? |
| work_vv5bzxuocnahxdgec3ftcj346q | What is the chief end of man and woman( and of all creation, for that matter)? |
| work_vv5bzxuocnahxdgec3ftcj346q | What particular shape should it take in human speech and action? |
| work_z7tf2litqjf2jfhkd3jqr6uoh4 | Professor Stephens has a novel answer as to its attraction: ‘ Why rebuild dry stone walls? |
| work_ygsa72fnanabrndpm7fmk3vdo4 | Ten out of ten. ” “ Got it. ” “ Start with the nitros, right? ” “ Please. ” “ Already gave him three, ” he says. |
| work_ygsa72fnanabrndpm7fmk3vdo4 | “ Now what do you want me to do? ” Time to close the notebook. |
| work_v2klqbfyyfd27ewy2thg2xihaq | De Angeli A., Sutcliffe A.,& Hartmann J., Interaction, usability and aesthetics: what influences users''preferences? |
| work_v2klqbfyyfd27ewy2thg2xihaq | However, when asked; “ would you still like it if it was green? ” the answer was an instant “ No! ”. |
| work_v2klqbfyyfd27ewy2thg2xihaq | If beauty really is so rare, how can people compare the beauty of individual items and what are they really thinking about when they do this? |
| work_v72mlveg5ffhfjxfnkyoyx6wcu | Are Disability Images in Advertising Becoming Bold And Daring? |
| work_v72mlveg5ffhfjxfnkyoyx6wcu | Dove: Changing the Face of Beauty? |
| work_v72mlveg5ffhfjxfnkyoyx6wcu | Missing in Action? |
| work_xfe7lfnzybecph64rnb3mz5bvq | Is tractable reason- ing in extensions of the description logic EL useful in practice? |
| work_xfe7lfnzybecph64rnb3mz5bvq | Polynomial time reasoning in a description logic with existential restrictions, GCI axioms, and — what else? |
| work_xfe7lfnzybecph64rnb3mz5bvq | Using an expressive description logic: FaCT or fic- tion? |
| work_olr2xcinerggtjylfcdldcxm3q | ( 1982) National Parks: Conservation or Cosmetics? |
| work_olr2xcinerggtjylfcdldcxm3q | 36 Blunden, J. and Curry, N.( 1990) A People ’s Charter? |
| work_olr2xcinerggtjylfcdldcxm3q | Can a fresh look at the psychology of perception and the philosophy of aesthetics contribute to the better management of forest landscapes? |
| work_olr2xcinerggtjylfcdldcxm3q | Is scenic beauty a proxy for acceptable management? |
| work_olr2xcinerggtjylfcdldcxm3q | Journal of Environmental Psychology 21, 249- 260. xxxiv Purcell, T., Peron, E. and Berto, R.( 2001) Why do preferences differ between scene types? |
| work_olr2xcinerggtjylfcdldcxm3q | Landscape and the philosophy of aesthetics: is landscape quality inherent in the landscape or in the eye of the beholder? |
| work_olr2xcinerggtjylfcdldcxm3q | Preference or preferences for landscape? |
| work_olr2xcinerggtjylfcdldcxm3q | The Lancet, 372, 1655- 1660. xxx Harmon, D.( 2004) Intangible values of protected areas: What are they? |
| work_olr2xcinerggtjylfcdldcxm3q | Why do preferences differ between scene types? |
| work_olr2xcinerggtjylfcdldcxm3q | Why do they matter? |
| work_olr2xcinerggtjylfcdldcxm3q | and Van der Wulp, N.Y.( 2003) Environmental preference and restoration:( How) are they related? |
| work_olr2xcinerggtjylfcdldcxm3q | and Van der Wulp, N.Y.( 2003) Environmental preference and restoration:( How) are they related? |
| work_xk4op2q5sveitgkr4nwpgnm76e | Adorno or Messiaen? |
| work_xk4op2q5sveitgkr4nwpgnm76e | Introduction: The End of Aesthetics? |
| work_zlqi63h2czc3jbv473rxucb4su | Beauty spot or blemish? |
| work_i22xspbae5dcvnm5rldekn6j4u | But what types of jobs do they create? |
| work_i22xspbae5dcvnm5rldekn6j4u | Is Small Beautiful? |
| work_i22xspbae5dcvnm5rldekn6j4u | Keywords: aid, small enterprise, employment, firm exit, Africa JEL classification: J23, O14, O17, O19 1 Is Small Beautiful? |
| work_i22xspbae5dcvnm5rldekn6j4u | Page, J. and M. Söderbom( 2014) ‘ Are Small Firms Job Creators in Low Income Countries? |
| work_i22xspbae5dcvnm5rldekn6j4u | We draw on data from two sources to address the question: how good are the jobs created by small firms? |
| work_i22xspbae5dcvnm5rldekn6j4u | What are the implications for aid policy? |
| work_i22xspbae5dcvnm5rldekn6j4u | What do our results mean for aid? |
| work_i22xspbae5dcvnm5rldekn6j4u | What do we know about small enterprises and job creation? |
| work_i22xspbae5dcvnm5rldekn6j4u | What do we know about small enterprises and job creation? |
| work_i22xspbae5dcvnm5rldekn6j4u | Why? |
| work_i22xspbae5dcvnm5rldekn6j4u | ‘ Does Management Matter? |
| work_i22xspbae5dcvnm5rldekn6j4u | ‘ Is Small Beautiful and Worthy of Subsidy? |
| work_i22xspbae5dcvnm5rldekn6j4u | ‘ Is Small Beautiful? |
| work_i22xspbae5dcvnm5rldekn6j4u | ‘ What Determines Productivity? ’ Journal of Economic Literature, 49(2): 326- 65. |
| work_i22xspbae5dcvnm5rldekn6j4u | ‘ Who Creates Jobs? |
| work_i22xspbae5dcvnm5rldekn6j4u | ‘ Why Do Firms in Developing Countries Have Low Productivity? ’ American Economic Review: Papers and Proceedings, 100(2), 619- 23. |
| work_vrg6wmlzgfcy5lgbgfa34hgije | Am I jealous? |
| work_vrg6wmlzgfcy5lgbgfa34hgije | Irigaray, L.( 1993) ‘ How Can We Create Our Beauty? ’, pp. |
| work_vrg6wmlzgfcy5lgbgfa34hgije | Luce Irigaray ’s essay ‘ How Can We Create Our Beauty? ’ is a helpful starting point( Irigaray, 1993). |
| work_vrg6wmlzgfcy5lgbgfa34hgije | ‘ How did I first become conscious of what was always there – her astonishing beauty? |
| work_r3ayln4j4faezeldnnpiml3x6q | + C))- Y****''*''s observation amounts t o l t i l l c more than numerology, since the origins of these parameters are very different: c.± art? |
| work_r3ayln4j4faezeldnnpiml3x6q | 19 I, I a,''• I saturate the total scmt- leptonic width? |
| work_r3ayln4j4faezeldnnpiml3x6q | Beauty physics on tin? |
| work_r3ayln4j4faezeldnnpiml3x6q | In all of litis we should k< vp iti mind that the apparent! ow- mMs cnhanromo.nl might not In* a bona fide A resonance? |
| work_r3ayln4j4faezeldnnpiml3x6q | The problem is not that only half the Kx in aemiteptonic D decays come from a K* resonance- why not? |
| work_vwesfuinkbg6zmyckwhornmu24 | At the beginning of her Monday awakening, what credence does Beauty assign to the hypothesis HEADS that the result of the coin toss is heads? |
| work_vwesfuinkbg6zmyckwhornmu24 | What credence does she assign to the hypothesis TAILS that it ’s tails? |
| work_vwesfuinkbg6zmyckwhornmu24 | What more can be said? |
| work_vwesfuinkbg6zmyckwhornmu24 | What should we do? |
| work_vwesfuinkbg6zmyckwhornmu24 | Where did Elga get it? |
| work_4qcy6gxduvf5dhjbta2tukv3c4 | 83- 112 83 Is the golden section a key for understanding beauty? |
| work_4qcy6gxduvf5dhjbta2tukv3c4 | Figura 51 Is the Golden Section a Key for Understanding Beauty? |
| work_4qcy6gxduvf5dhjbta2tukv3c4 | Is the Golden Section a Key for Understanding Beauty? |
| work_4qcy6gxduvf5dhjbta2tukv3c4 | Is the Golden Section a Key for Understanding Beauty? |
| work_4qcy6gxduvf5dhjbta2tukv3c4 | Is the Golden Section a Key for Understanding Beauty? |
| work_4qcy6gxduvf5dhjbta2tukv3c4 | Is the Golden Section a Key for Understanding Beauty? |
| work_4qcy6gxduvf5dhjbta2tukv3c4 | Is the Golden Section a Key for Understanding Beauty? |
| work_4qcy6gxduvf5dhjbta2tukv3c4 | Is the Golden Section a Key for Understanding Beauty? |
| work_4qcy6gxduvf5dhjbta2tukv3c4 | Is the Golden Section a Key for Understanding Beauty? |
| work_4qcy6gxduvf5dhjbta2tukv3c4 | Is the Golden Section a Key for Understanding Beauty? |
| work_4qcy6gxduvf5dhjbta2tukv3c4 | Is the Golden Section a Key for Understanding Beauty? |
| work_4qcy6gxduvf5dhjbta2tukv3c4 | Is the Golden Section a Key for Understanding Beauty? |
| work_4qcy6gxduvf5dhjbta2tukv3c4 | Ma cosa intendeva Maxwell per interazione fra campo elettrico e campo magnetico? |
| work_4qcy6gxduvf5dhjbta2tukv3c4 | Ma perché la bellezza, e quindi l’invarianza, risulta essere garante della verità di una teoria fisica? |
| work_4qcy6gxduvf5dhjbta2tukv3c4 | Ma perché ricorrere a un esperimento ideale, e quale può essere la sua validità? |
| work_4qcy6gxduvf5dhjbta2tukv3c4 | Ma qual era l’ideale estetico di questo geniale fisico inglese di origine francese? |
| work_4qcy6gxduvf5dhjbta2tukv3c4 | Part III( La sezione aurea è una chiave per la comprensione del bello?) |
| work_4qcy6gxduvf5dhjbta2tukv3c4 | Qual è il suo scopo? |
| work_4qcy6gxduvf5dhjbta2tukv3c4 | Tra bellezza e coazione: le immagini nella pubblicità Spesso noi ci chiediamo: che cos’è la pubblicità? |
| work_4qcy6gxduvf5dhjbta2tukv3c4 | https://it.wikipedia.org/wiki/MathWorld Is the Golden Section a Key for Understanding Beauty? |
| work_usdayvxotzfuxaomdqcy45soxa | ? i? i Fig. |
| work_usdayvxotzfuxaomdqcy45soxa | ? i? i Fig. |
| work_usdayvxotzfuxaomdqcy45soxa | Graphics Forum 5(3), 203- 209( 1986); C. Pickover, What is chaos? |
| work_usdayvxotzfuxaomdqcy45soxa | L. Kadanoff, Fractals: where''s the physics? |
| work_usdayvxotzfuxaomdqcy45soxa | ~ ° 2 2~;:~? |
| work_gzwodddcpfgz3on4esbfjp3dwq | 2019, 3, 64 18 of 32 What does the Mirror of Self test tell us about wholeness? |
| work_gzwodddcpfgz3on4esbfjp3dwq | Dare we say then that urban planning is an oxymoron? |
| work_gzwodddcpfgz3on4esbfjp3dwq | Evocative Art or Mathematical Precision? |
| work_gzwodddcpfgz3on4esbfjp3dwq | For example, even if we, say, devised simulations of wholeness or algorithms that approximate it, what would we learn? |
| work_gzwodddcpfgz3on4esbfjp3dwq | However, what of simplicity? |
| work_gzwodddcpfgz3on4esbfjp3dwq | On the other hand, what about all that mathematical training at Cambridge? |
| work_gzwodddcpfgz3on4esbfjp3dwq | Reber, R.; Schwarz, N.; Winkielman, P. Processing Fluency and Aesthetic Pleasure: Is Beauty in the Perceiver ’s Processing Experience? |
| work_gzwodddcpfgz3on4esbfjp3dwq | The question is, can we be wrong in ways interesting enough to spur and inspire those who follow? |
| work_gzwodddcpfgz3on4esbfjp3dwq | What did I do? |
| work_gzwodddcpfgz3on4esbfjp3dwq | What did he not say? |
| work_gzwodddcpfgz3on4esbfjp3dwq | Where did he go wrong? |
| work_gzwodddcpfgz3on4esbfjp3dwq | Where is the gate? |
| work_gzwodddcpfgz3on4esbfjp3dwq | Who is to make or implement any given decision? |
| work_gzwodddcpfgz3on4esbfjp3dwq | Why is this? |
| work_gzwodddcpfgz3on4esbfjp3dwq | Why? |
| work_z5uxnneti5hwfmrzwzynyaidhi | The differ- ent possible wakings will be indistinguishable.1 When she wakes on Monday, what should her credence be that the coin landed Heads? |
| work_z5uxnneti5hwfmrzwzynyaidhi | What follows? |
| work_uqy3akyrczaozkvw5rsij6u55u | And what would the characteristics of moral beauty be? |
| work_uqy3akyrczaozkvw5rsij6u55u | But what are the characteristics that confer beauty on a more complex scene, such as a theatrical, operatic or cinematic one? |
| work_uqy3akyrczaozkvw5rsij6u55u | Cloutier J, Heatherton TF, Whalen PJ, Kelley WM( 2008) Are attractive people rewarding? |
| work_uzfwyf5gdjfo7liadf2aex2tzy | Beauty or the beast? |
| work_uzfwyf5gdjfo7liadf2aex2tzy | Do facial averageness and sym- metry signal health? |
| work_uzfwyf5gdjfo7liadf2aex2tzy | Is there anything special, then, about the relationship between disease threats and preferences for physically attractive leaders? |
| work_ay2sb66gtbe7dc6sgqmpjb4w34 | 51 If beauty is transcendental, if it can be predicated of all that ex- ists, how can the ugly even exist? |
| work_ay2sb66gtbe7dc6sgqmpjb4w34 | 55 Who can find reason in such behavior? |
| work_ay2sb66gtbe7dc6sgqmpjb4w34 | A youthful love or “ Baby ”? |
| work_ay2sb66gtbe7dc6sgqmpjb4w34 | And while examining the beloved painting, who would not be curious about a new detail when they discover one? |
| work_ay2sb66gtbe7dc6sgqmpjb4w34 | And, as regards beauty itself: why is the moon so beautiful? |
| work_ay2sb66gtbe7dc6sgqmpjb4w34 | But what is beautiful about it? |
| work_ay2sb66gtbe7dc6sgqmpjb4w34 | For, just as Moses could not bear to see the face of God, could we bear the excessive light of such a beauty? |
| work_ay2sb66gtbe7dc6sgqmpjb4w34 | How many people popu- late our cities, oblivious to libraries full of splendid books and concert halls full of exceptional music? |
| work_ay2sb66gtbe7dc6sgqmpjb4w34 | In Search of Beauty Where can we find beauty? |
| work_ay2sb66gtbe7dc6sgqmpjb4w34 | Or that beings exist? |
| work_ay2sb66gtbe7dc6sgqmpjb4w34 | Or within? |
| work_ay2sb66gtbe7dc6sgqmpjb4w34 | Outside us? |
| work_ay2sb66gtbe7dc6sgqmpjb4w34 | The old friendships or “ Stupid Hoe ”? |
| work_ay2sb66gtbe7dc6sgqmpjb4w34 | What was accomplished? |
| work_ay2sb66gtbe7dc6sgqmpjb4w34 | Who has ever professed one ’s love and failed to expe- rience the glory, when the beloved accepts it? |
| work_ay2sb66gtbe7dc6sgqmpjb4w34 | Who would not identify more with the disfigured spectrum of The Phantom of the Opera rather than the pretentious Raoul? |
| work_ay2sb66gtbe7dc6sgqmpjb4w34 | Who would not prefer the tender Beast over the bland Prince in The Beauty and the Beast? |
| work_ay2sb66gtbe7dc6sgqmpjb4w34 | Why are stars so pleasant? |
| work_ay2sb66gtbe7dc6sgqmpjb4w34 | Why then sin, ugly actions, and the crimes against humanity? |
| work_ay2sb66gtbe7dc6sgqmpjb4w34 | “ Beauty in the Middle Ages: A Forgotten Transcendental? ” Medieval Philosophy& Theology 1( 1991): 68–97, DOI: 10.5840/ medievalpt199115. |
| work_ay2sb66gtbe7dc6sgqmpjb4w34 | “ ¿ Es lo bello un trascendental personal? ” Persona: revista iberoamericana de personalismo comunitario 11( 2009): 76–80. |
| work_vy5gr3uxynawvgcev5svsb4ow4 | Insel, T. R.& Bruce, N. C.( 2015) Brain disorders? |
| work_vy5gr3uxynawvgcev5svsb4ow4 | Is this a matter for doctors to consider? |
| work_vy5gr3uxynawvgcev5svsb4ow4 | doi: 10.1016/ j.brainresbull.2015.05.005 Mental illness and creativity – is there a link? |
| work_vy5gr3uxynawvgcev5svsb4ow4 | doi: 10.1038/ nn.4040 Stranded and drowned in the Mediterranean – who cares? |
| work_uz74k42qwvdf3liea6s72ow4ui | !, 021 � 435%6!7%98;:23<= 35%>:?@%6+. |
| work_xijv5vckujfgxewvp6r5q6eedy | ( …) Ama âĢık hangisi, mâĢuk hangisi? |
| work_xijv5vckujfgxewvp6r5q6eedy | Bu noktada zihinlerde Ģu soru belirir: BaĢlangıç aĢaması ve son aĢama aynı olduğuna göre, “ devr”in amacı nedir? |
| work_zlwuanp7yzb5hj3pxcrnxxzlna | Upon awakening on Monday, what should her degree of belief be that the coin landed Heads? |
| work_rzfjggxqcvf7dfe3krileebcji | 3.1 Ratings results 3.1.1 Does attractiveness influence age ratings? |
| work_rzfjggxqcvf7dfe3krileebcji | 3.1.2 Does face age influence attractiveness ratings? |
| work_rzfjggxqcvf7dfe3krileebcji | 3.2.1 How often were different facial features fixated? |
| work_rzfjggxqcvf7dfe3krileebcji | 3.2.2 Does face age or attractiveness affect eye movements? |
| work_ueokwozk4zakhn55tt33suelku | Participants performed evaluative aesthetic judgments( beautiful or not?) |
| work_ueokwozk4zakhn55tt33suelku | What may be the particular role of memory retrieval in aesthetic judgment as compared to symmetry judgment? |
| work_ueokwozk4zakhn55tt33suelku | Why am I unsure? |
| work_ueokwozk4zakhn55tt33suelku | and descriptive symmetry judgments( symmetric or not?) |
| work_yumcnfzmmrh6ldri77okv6nxki | C a n s o c i a l n e t w o r k s s a v e h u m a n r e l a t i o n s? |
| work_quctxdoejvgznfpfyi5uzlrn3m | ( 2005),"Empowering participants or corroding learning? |
| work_quctxdoejvgznfpfyi5uzlrn3m | ( 2011),"Can a higher education institution''s marketing strategy improve the student- institution match? |
| work_quctxdoejvgznfpfyi5uzlrn3m | ( 2012),""The Best Education in the World": Reality, Repetition or Cliche? |
| work_quctxdoejvgznfpfyi5uzlrn3m | ( 2013), Are students customers in Finnish higher education? |
| work_quctxdoejvgznfpfyi5uzlrn3m | ( 2013),"Tuition fees for international students in Finland: where to go from here? |
| work_quctxdoejvgznfpfyi5uzlrn3m | Gibbs, P.( 2008),"Marketers and educationalists- two communities divided by time? |
| work_quctxdoejvgznfpfyi5uzlrn3m | Svensson, G. and Wood, G.( 2007),"Are university students really customers? |
| work_quctxdoejvgznfpfyi5uzlrn3m | Symes, C.( 1996), Selling Futures: A New Image for Australian Universities? |
| work_quctxdoejvgznfpfyi5uzlrn3m | The research question is: how do the programmes articulate market differentiation on their websites? |
| work_quctxdoejvgznfpfyi5uzlrn3m | Vauterin, J.J., Linnanen, L. and Marttila, E.( 2011),"Customer orientation in higher education: the missing link in international student recruitment? |
| work_kkkruq6q5bepfip3vesdujpzzq | А где употребљавамо ту моћ? |
| work_kkkruq6q5bepfip3vesdujpzzq | Али, шта је са осталим чулима укуса, мириса и љубавних наслада? |
| work_kkkruq6q5bepfip3vesdujpzzq | Зашто онда Сократ одбацу- је и ову тезу? |
| work_kkkruq6q5bepfip3vesdujpzzq | Који би онда био циљ оваквог напорног дијалектичког процеса? |
| work_kkkruq6q5bepfip3vesdujpzzq | На какву се корист овде мисли? |
| work_yi5neo4upzfk3ire5ydjj4f3mi | ( p( S) T jclass) � PdE dx( dE dx; � dE dx jclass) � Pt(t; � tjclass) The P? |
| work_yi5neo4upzfk3ire5ydjj4f3mi | The � t was performed 14 times with the P? |
| work_yi5neo4upzfk3ire5ydjj4f3mi | To evaluate possible systematics related to the parameterization of the P? |
| work_zbltkny6cbgelnpgb2tvnddfqy | Creativity in art and science: are there two cultures? |
| work_kucidqm6tbh4zkvchxiq5ape7y | Do we have to agree with those theologians who have speculated about the existence of a divine darkness? |
| work_kucidqm6tbh4zkvchxiq5ape7y | Does this account work as an objection to my argument? |
| work_kucidqm6tbh4zkvchxiq5ape7y | Have we lost sight of the divine beauty amid the endless discussions about power and knowledge? |
| work_kucidqm6tbh4zkvchxiq5ape7y | He might say, ‘ Do we want God to be ignorant of what is possible? |
| work_kucidqm6tbh4zkvchxiq5ape7y | How can these kinds of story be made beautiful? |
| work_kucidqm6tbh4zkvchxiq5ape7y | I am always at a loss to understand how worlds are possible if it is absolutely impossible for the Ground of All Being to actualize them? |
| work_kucidqm6tbh4zkvchxiq5ape7y | If, then, God hates the story of child rape and murder( which surely He does), is He hating a part of Himself? |
| work_kucidqm6tbh4zkvchxiq5ape7y | In any case, exactly what form is God supposed to use? |
| work_kucidqm6tbh4zkvchxiq5ape7y | In what sense are possible worlds possible, if they could never be actualized? |
| work_kucidqm6tbh4zkvchxiq5ape7y | In what sense is something possible if it can not( possibly) ever be or ever have been? |
| work_kucidqm6tbh4zkvchxiq5ape7y | Leibniz says, ‘ where shall we find the source of evil? |
| work_kucidqm6tbh4zkvchxiq5ape7y | On this see Hans Urs von Balthasar Dare We Hope ‘ That All Men Will Be Saved ’? |
| work_kucidqm6tbh4zkvchxiq5ape7y | What have I tried to convey in this parable? |
| work_kucidqm6tbh4zkvchxiq5ape7y | You ask her: ‘ Are these your thoughts, Beautiful One, or are they copied from elsewhere? ’. |
| work_o7ekrwinpva2jjfgqjei5fh2ay | = � �-- � � � � � � � �$ �+$ � 1 4 � � 2 � � � � �+ � � � � �? |
| work_vfakqb6kozgavbl2xvctc6tr7y | So, ‘ ‘ how much soda do you have to drink so that the center of gravity reaches its lowest point? ’ ’ You may have noticed a few things here. |
| work_vfakqb6kozgavbl2xvctc6tr7y | Some chapters focus on the challenges of parking your car: How can you model, mathematically, the act of parallel parking? |
| work_vfakqb6kozgavbl2xvctc6tr7y | What is it? |
| work_vfakqb6kozgavbl2xvctc6tr7y | What ’s the right position to enter a parking space? |
| work_j3feyslghbalzktmg47mvskcje | A could such a generalization apply in a consistent way to finite and infinite numbers? |
| work_j3feyslghbalzktmg47mvskcje | And how could you empirically observe a line, if it only has length but no width? |
| work_j3feyslghbalzktmg47mvskcje | And what about other kinds of infinite sets, with more challenging properties? |
| work_j3feyslghbalzktmg47mvskcje | But, why someone interested in infinity would attempt to give rigorous foundations to finite numbers as well? |
| work_j3feyslghbalzktmg47mvskcje | Cantor ’s next question was, are all infinite sets countable? |
| work_j3feyslghbalzktmg47mvskcje | Could such sets be put in one- to- one correspondence with the natural numbers? |
| work_j3feyslghbalzktmg47mvskcje | He addressed questions such as: Are there more natural numbers than even numbers? |
| work_j3feyslghbalzktmg47mvskcje | How could you possibly test a conjecture about Euclidean points by carrying out an experiment with real points if they do n’t have dimension? |
| work_j3feyslghbalzktmg47mvskcje | How do you count them if they are infinitely many? |
| work_j3feyslghbalzktmg47mvskcje | Is then the set of rationals bigger than the naturals? |
| work_j3feyslghbalzktmg47mvskcje | Journal of Pragmatics 2 mathematics? |
| work_j3feyslghbalzktmg47mvskcje | So what about say, rationa l numbers, which do n’t have this property? |
| work_j3feyslghbalzktmg47mvskcje | What are the major implicit cognitive steps he has gone through? |
| work_j3feyslghbalzktmg47mvskcje | What cognitive mechanisms make it possible? |
| work_j3feyslghbalzktmg47mvskcje | What did Weierstrass really define? |
| work_j3feyslghbalzktmg47mvskcje | What is special about Mathematics? |
| work_j3feyslghbalzktmg47mvskcje | Where does then the infinite come from? |
| work_j3feyslghbalzktmg47mvskcje | Why the various forms of infinities in mathematics have the exact conceptual structure they have? |
| work_wmk6xiy5kfe7dn7a3d7r523pgm | 2013)? |
| work_wmk6xiy5kfe7dn7a3d7r523pgm | Finally, could it be just a by- product that does not really have a defined function of its own? |
| work_wmk6xiy5kfe7dn7a3d7r523pgm | NOTE ON THE COVER PHOTOGRAPH Unseen beauty of flowers – hidden signals or spectacular by- product? |
| work_wmk6xiy5kfe7dn7a3d7r523pgm | Unseen beauty of flowers – hidden signals or spectacular by- product? |
| work_wmk6xiy5kfe7dn7a3d7r523pgm | “ Is the Flower Fluorescence Relevant in Biocommunication? ” Naturwissenschaften 97: 915–924. |
| work_rrogbduvyverjc65rh7ttcurmy | Are the structure and course of appreciative experience similar among individuals and cultures? |
| work_rrogbduvyverjc65rh7ttcurmy | How can we best conceptualise this understanding of aesthetic judgment? |
| work_rrogbduvyverjc65rh7ttcurmy | How have they changed over time and from outside influences? |
| work_rrogbduvyverjc65rh7ttcurmy | How varied are the standards within and among different cultures? |
| work_rrogbduvyverjc65rh7ttcurmy | What significance do the answers to these questions have to the cultures in which these standards arise? |
| work_rrogbduvyverjc65rh7ttcurmy | What similarities do they possess and how do they differ? |
| work_rrogbduvyverjc65rh7ttcurmy | What, then, can philosophy contribute here? |
| work_rrogbduvyverjc65rh7ttcurmy | can we continue to maintain that beauty is something objective and universal, independent of empirical evidence? |
| work_rrogbduvyverjc65rh7ttcurmy | can we identify the varied influence of biological commonalities and of the cultural appropriation of genetic predispositions? |
| work_rrogbduvyverjc65rh7ttcurmy | metaphysical? |
| work_rrogbduvyverjc65rh7ttcurmy | on what other grounds can we retain the belief in the objectivity of beauty? |
| work_vzr3nhivrregpakcbcqxm7p63a | Is money really that hard to manage? |
| work_vzr3nhivrregpakcbcqxm7p63a | So, what are some things that kids need to know about money? |
| work_vzr3nhivrregpakcbcqxm7p63a | That ’s something that has to change[ …] Insurance Cancer Cover Read More Does a Sudden Death in the Family Have to Lead to Financial Disaster? |
| work_h5chkj7ybffqxpum5gobg4l7ua | Andreoni, J. and A.A. Payne( 2009), Is Crowding Out Due Entirely to Fundraising? |
| work_h5chkj7ybffqxpum5gobg4l7ua | Have you already donated this year to a charitable organization? |
| work_h5chkj7ybffqxpum5gobg4l7ua | Have you ever received a donation receipt for your donation? |
| work_h5chkj7ybffqxpum5gobg4l7ua | Have you made a donation to a charitable organization before? |
| work_h5chkj7ybffqxpum5gobg4l7ua | How can your marital status be described? |
| work_h5chkj7ybffqxpum5gobg4l7ua | How many children live in your household? |
| work_h5chkj7ybffqxpum5gobg4l7ua | How many people, including you, live in your household? |
| work_h5chkj7ybffqxpum5gobg4l7ua | If you answered question 16 with “ yes ”, how much have you donated this year altogether? |
| work_h5chkj7ybffqxpum5gobg4l7ua | If you answered question 16 with “ yes ”, in which month have you donated last? |
| work_h5chkj7ybffqxpum5gobg4l7ua | Steinberg, R.( 1991), Does Government Spending Crowd Out Donations? |
| work_h5chkj7ybffqxpum5gobg4l7ua | To which purpose have you to date donated most often? |
| work_h5chkj7ybffqxpum5gobg4l7ua | What are the monthly net earnings of your household( how much money per month is available for your household altogether?) |
| work_h5chkj7ybffqxpum5gobg4l7ua | What is your ID- number? |
| work_h5chkj7ybffqxpum5gobg4l7ua | What is your first language? |
| work_h5chkj7ybffqxpum5gobg4l7ua | What is your highest educational achievement? |
| work_h5chkj7ybffqxpum5gobg4l7ua | What is your original nationality? |
| work_h5chkj7ybffqxpum5gobg4l7ua | What is your religious affiliation? |
| work_h5chkj7ybffqxpum5gobg4l7ua | What is your year of birth? |
| work_h5chkj7ybffqxpum5gobg4l7ua | Which party would you vote for if there were federal elections on the coming Sunday? |
| work_y54z4egsqnawtf5ezrqfrtllim | Are Flt-1 and Nrp-1 not expressed by the endothelium in WAT? |
| work_y54z4egsqnawtf5ezrqfrtllim | Does VEGF- B affect FA uptake in other types of cells apart from vascular endothelial cells? |
| work_y54z4egsqnawtf5ezrqfrtllim | Or, does FA uptake in WATs utilize dif- ferent molecules other than VEGF- B? |
| work_y54z4egsqnawtf5ezrqfrtllim | VEGF- B: A survival, or an angiogenic factor? |
| work_psvvxvlnrzc6jmojgzyhpirq6e | And what bid c will a firm make if she anticipates that others are going to bid b because they think others are going to bid a? |
| work_psvvxvlnrzc6jmojgzyhpirq6e | And, if so, what are the determinants and the characteristics of this learning process? |
| work_psvvxvlnrzc6jmojgzyhpirq6e | Are all managers created equal? |
| work_psvvxvlnrzc6jmojgzyhpirq6e | Does publicity affect competition? |
| work_psvvxvlnrzc6jmojgzyhpirq6e | In particular, do firms learn to think and bid strategically as they participate in more and more auctions? |
| work_psvvxvlnrzc6jmojgzyhpirq6e | Is it because, though all firms are making their optimal decisions, the winners have some structural or informational advantage over the losers? |
| work_psvvxvlnrzc6jmojgzyhpirq6e | Level- k auctions: can a nonequilibrium model of strategic thinking explain the winner ’s curse and overbidding in private- value auctions? |
| work_psvvxvlnrzc6jmojgzyhpirq6e | Or is it simply because the losers are making the wrong decisions, or, in game- theoretic language, they are not playing their equilibrium strategies? |
| work_psvvxvlnrzc6jmojgzyhpirq6e | To review or not to review? |
| work_psvvxvlnrzc6jmojgzyhpirq6e | Why does this happen? |
| work_psvvxvlnrzc6jmojgzyhpirq6e | [ 21] Goldfarb, A., Xiao, M., 2011. Who thinks about the competition? |
| work_zhxkoxap7rb5xeno6k5zziipcm | 300 ms Visible un � l response A B Visible un � l response Aesthe � c evalua � on: How much do you like this image? |
| work_zhxkoxap7rb5xeno6k5zziipcm | Colour evalua � on: How colourful is this image? |
| work_x45qhtuwfvbclovk4s7mw7jofe | 13 Moorlock G, Ives J, Draper H. Altruism in organ donation: an unnecessary requirement? |
| work_x45qhtuwfvbclovk4s7mw7jofe | 22 Saunders B. Altruism or solidarity? |
| work_x45qhtuwfvbclovk4s7mw7jofe | 7 Wright L, Campbell M. Ethical issues in dialysis: soliciting kidneys on web sites: is it fair? |
| work_x45qhtuwfvbclovk4s7mw7jofe | untitled Directed altruistic living donation: what is wrong with the beauty contest? |
| work_ef47kux6tbgedisi7tchyltz3u | 3 Past and Future Perfect? |
| work_ef47kux6tbgedisi7tchyltz3u | And is that in school or out of school? |
| work_ef47kux6tbgedisi7tchyltz3u | Anna: well yeah cos whenever you think you feel good, someone always puts you down Beckie: Really? |
| work_ef47kux6tbgedisi7tchyltz3u | Beauty and the future Beckie: do ever kind of imagine your body and yourself in the future at all? |
| work_ef47kux6tbgedisi7tchyltz3u | Can the inclination to beauty be captured completely with the concept of cruel optimism? |
| work_ef47kux6tbgedisi7tchyltz3u | Catherine: yeah, happier Beckie: what do you think? |
| work_ef47kux6tbgedisi7tchyltz3u | Did n’t I? |
| work_ef47kux6tbgedisi7tchyltz3u | Fay: yeah sometimes, I just think what I ’ll be like when I grow up 13 Beckie: and what would that be like? |
| work_ef47kux6tbgedisi7tchyltz3u | JCR Hope Coleman&MorenoFigueroa FINAL 1 Journal for Cultural Research Special Issue on Hope and Feminist Theory Past and Future Perfect? |
| work_ef47kux6tbgedisi7tchyltz3u | So I remember in the nursery I was happy and everything, but I was kind of shy because of how I looked, can you imagine? |
| work_ef47kux6tbgedisi7tchyltz3u | What can possibly have made me feel like that? |
| work_ef47kux6tbgedisi7tchyltz3u | What is the ‘ unfulfilled actuality of the present ’ that might make this different future possible? |
| work_kn7jlvtabba3ngbamyngompmna | At which point can we no longer believe what we say? |
| work_kn7jlvtabba3ngbamyngompmna | How are these inscriptions obtained? |
| work_kn7jlvtabba3ngbamyngompmna | How did they color the different strands? |
| work_kn7jlvtabba3ngbamyngompmna | How do you show that? |
| work_kn7jlvtabba3ngbamyngompmna | How is the 3-D effect achieved? |
| work_kn7jlvtabba3ngbamyngompmna | How much can you de- fend to put into those interpretations? |
| work_kn7jlvtabba3ngbamyngompmna | JS: How did you decide which variables and parameters to work with? |
| work_kn7jlvtabba3ngbamyngompmna | JS: How do you establish that line? |
| work_kn7jlvtabba3ngbamyngompmna | JS: OK, so it ’s the quality of the description that gets better? |
| work_kn7jlvtabba3ngbamyngompmna | JS: So, it ’s becoming a code? |
| work_kn7jlvtabba3ngbamyngompmna | JS: Then why did you choose red? |
| work_kn7jlvtabba3ngbamyngompmna | The next thing that comes to mind is: how much does it vary, is it very flat or does it go up and down? |
| work_kn7jlvtabba3ngbamyngompmna | There must be some boxes to put the results into? |
| work_kn7jlvtabba3ngbamyngompmna | They do not offer an easy way just to look at the bacteria represented; on the contrary, you are struck by questions such as How did they make this? |
| work_kn7jlvtabba3ngbamyngompmna | Where do we stop? |
| work_kn7jlvtabba3ngbamyngompmna | grows on a surface, then how thick is it? |
| work_kn7jlvtabba3ngbamyngompmna | how much can you conclude from such a thing, and where is the line? |
| work_m7dpxarxpnbenkz3ienugxcxiy | 124 G. Monbiot,''Why are Britain''s Conservation Groups so Lacking in Ambition? |
| work_m7dpxarxpnbenkz3ienugxcxiy | 161 K. Sanders, ‘ Beyond Human Ownership? |
| work_m7dpxarxpnbenkz3ienugxcxiy | 56 M. Adams,''Beyond Yellowstone? |
| work_m7dpxarxpnbenkz3ienugxcxiy | BEAUTY: A VIABLE VALUE FOR ENVIRONMENTAL LAW? |
| work_m7dpxarxpnbenkz3ienugxcxiy | Beauty: A Lingua Franca for Environmental Law? |
| work_m7dpxarxpnbenkz3ienugxcxiy | Can and should beauty be codified into functional legal standards? |
| work_m7dpxarxpnbenkz3ienugxcxiy | Can beauty contribute to a global language for environmental law? |
| work_m7dpxarxpnbenkz3ienugxcxiy | Can we reconcile beauty with non- aesthetic values in environmental governance? |
| work_m7dpxarxpnbenkz3ienugxcxiy | Firstly, what knowledge and values can beauty convey to environmental governance, such as for nature conservation or pollution control? |
| work_m7dpxarxpnbenkz3ienugxcxiy | If a society values its aesthetic relationships with fauna, flora and landscapes, can it codify them into governance standards? |
| work_m7dpxarxpnbenkz3ienugxcxiy | Secondly, can, and should, beauty be codified into functional legal standards? |
| work_m7dpxarxpnbenkz3ienugxcxiy | So, what would the foregoing mean for the incorporation of aesthetics with other factors in environmental regulation? |
| work_m7dpxarxpnbenkz3ienugxcxiy | Thirdly, can beauty be reconciled with other non- aesthetic values in governance, such as scientific and economic values? |
| work_m7dpxarxpnbenkz3ienugxcxiy | What knowledge and values can beauty convey to environmental governance? |
| work_w5hly72zw5c3fdr7h35zc4v2nm | Are average facial configurations only attractive because of their symmetry? |
| work_w5hly72zw5c3fdr7h35zc4v2nm | How can these two conflicting sets of results be recon- ciled? |
| work_w5hly72zw5c3fdr7h35zc4v2nm | If facial symmetry is a standard of beauty set by nature rather than culture, then how might a preference for symmetry have evolved? |
| work_w5hly72zw5c3fdr7h35zc4v2nm | Infant preferences for at- tractive faces: Rudiments of a stereotype? |
| work_w5hly72zw5c3fdr7h35zc4v2nm | What is average and what is not average about attractive faces? |
| work_w5hly72zw5c3fdr7h35zc4v2nm | as described above) and rated all four ver- sions of all 24 opposite- sex faces for mate appeal("How appealing is this person as a life partner?" |
| work_wfkdhy4wsjhupb3rwrv2liseom | states Υ OK; Υ′? |
| work_wfkdhy4wsjhupb3rwrv2liseom | states ψ OK; ψ′? |
| work_wfkdhy4wsjhupb3rwrv2liseom | Υ, Υ′ OK; Υ′′? |
| work_wfkdhy4wsjhupb3rwrv2liseom | Υ, Υ′ OK; Υ′′? |
| work_wfkdhy4wsjhupb3rwrv2liseom | Υ, Υ′ OK; Υ′′? |
| work_wfkdhy4wsjhupb3rwrv2liseom | ψ OK; ψ′? |
| work_wfkdhy4wsjhupb3rwrv2liseom | ψ OK; ψ′? |
| work_wfkdhy4wsjhupb3rwrv2liseom | ψ OK; ψ′? |
| work_4onivheppfbmtiwgdf42rqbsya | ( 1986) Bayes or Bust? |
| work_4onivheppfbmtiwgdf42rqbsya | 47- 53 Strevens, M.( 2004) “ Bayesian confirmation theory: Inductive logic or mere inductive framework? ”, Synthese, forthcoming Van Fraassen, B. |
| work_4onivheppfbmtiwgdf42rqbsya | 7 An Escape Route? |
| work_4onivheppfbmtiwgdf42rqbsya | First, what is it for a subject ’s credences in old and new alternatives to be ‘ appropriately continuous ’? |
| work_4onivheppfbmtiwgdf42rqbsya | Given tails, what should your credence be that it ’s Monday versus Tuesday? |
| work_4onivheppfbmtiwgdf42rqbsya | Given tails, what should your credence be that you ’re the duplicate? |
| work_4onivheppfbmtiwgdf42rqbsya | How bad is this? |
| work_4onivheppfbmtiwgdf42rqbsya | How many of these me- slices are in subjectively indis- tinguishable states? |
| work_4onivheppfbmtiwgdf42rqbsya | How severe a constraint on our priors does a continuity principle impose? |
| work_4onivheppfbmtiwgdf42rqbsya | How should we generalize conditionalization to de se beliefs? |
| work_4onivheppfbmtiwgdf42rqbsya | How should your credences change if you then learn that it ’s Monday? |
| work_4onivheppfbmtiwgdf42rqbsya | I.e., when should an old and new alternative be continuous? |
| work_4onivheppfbmtiwgdf42rqbsya | If you then learn that it ’s Monday, what should your credence in heads become? |
| work_4onivheppfbmtiwgdf42rqbsya | Is there an argument analogous to the many brains argument against compartmentalized conditionalization? |
| work_4onivheppfbmtiwgdf42rqbsya | Second, what are the ‘ appropriate circumstances ’ in which a subject ’s credences in old and new alternatives should be continuous? |
| work_4onivheppfbmtiwgdf42rqbsya | So how are credences assigned in cases where the number of alternatives at a world increases? |
| work_4onivheppfbmtiwgdf42rqbsya | So how would Lewis address Elga ’s argument? |
| work_4onivheppfbmtiwgdf42rqbsya | Well, what if we do assign a 0 credence to the relevant propositions, those that multiply our doxastic alternatives? |
| work_4onivheppfbmtiwgdf42rqbsya | What about a belief change which just eliminates one alternative at a world and replaces it with two? |
| work_4onivheppfbmtiwgdf42rqbsya | What about a belief change which just removes two alternatives at a world and re- places it with one? |
| work_4onivheppfbmtiwgdf42rqbsya | What about the sadistic scientists argument? |
| work_4onivheppfbmtiwgdf42rqbsya | What if at 9:01 am you learn that it ’s Monday? |
| work_4onivheppfbmtiwgdf42rqbsya | What if we adopt compartmentalized conditionalization? |
| work_4onivheppfbmtiwgdf42rqbsya | What if we reject Elga ’s Indifference Principle? |
| work_4onivheppfbmtiwgdf42rqbsya | What if we reject the Principal Principle? |
| work_4onivheppfbmtiwgdf42rqbsya | What if you then learn at 9:01 am that it ’s Monday? |
| work_4onivheppfbmtiwgdf42rqbsya | What should the prisoner ’s credences be on centered and compartmentalized conditionalization? |
| work_4onivheppfbmtiwgdf42rqbsya | What should your credences in heads and tails be when you wake up on Monday? |
| work_4onivheppfbmtiwgdf42rqbsya | When she sees the clock register 6:01 pm, what should her credences in A6:01pm and B6:01pm be? |
| work_4onivheppfbmtiwgdf42rqbsya | When you wake up, what should your credence be that the coin came up heads? |
| work_4onivheppfbmtiwgdf42rqbsya | Which of the two options should we choose? |
| work_xsvwzurwvngfnj4ubi324mvlje | Finally, should we just accept it as fact that no matter what we attempt, the results with DLI will end up being the same? |
| work_xsvwzurwvngfnj4ubi324mvlje | Maybe we should be giving relatively small(< 1 � 106 CD3þ cells/ kg) on a more frequent( weekly?) |
| work_xsvwzurwvngfnj4ubi324mvlje | Out of all the other options, what do you do? |
| work_xsvwzurwvngfnj4ubi324mvlje | Relative to content, should they specifi- cally be just CD3þ cells or subsets, natural killer cells, or some combination? |
| work_xsvwzurwvngfnj4ubi324mvlje | So, as we step back and look across the dance floor, do we really find ourdate, DLI, attractive? |
| work_xsvwzurwvngfnj4ubi324mvlje | Sound familiar? |
| work_lwzrozmv4neclo5hgnpkac6mfu | ( 1996), “ Gender and attractiveness biases in hiring decisions: are more experienced managers less biased? ”, Journal of Applied Psychology, Vol. |
| work_lwzrozmv4neclo5hgnpkac6mfu | ( 2004), “ Should I stay or should I go? |
| work_lwzrozmv4neclo5hgnpkac6mfu | ( 2006), “ Social and commercial entrepreneurship: same, different, or both ”? ”, Entrepreneurship Theory and Practice, Vol. |
| work_lwzrozmv4neclo5hgnpkac6mfu | ( 2006), “ Work integration social enterprises: are they multiple- goal and multi- stakeholder organisations? ”, in Nyssens, M. |
| work_lwzrozmv4neclo5hgnpkac6mfu | ( 2009), “ Does it pay to be smart, attractive, or confident( or all three)? |
| work_lwzrozmv4neclo5hgnpkac6mfu | Do they deserve cooperation? |
| work_lwzrozmv4neclo5hgnpkac6mfu | Does the expectation of compliance with appearance norms reflect interpersonal treatment with respect and dignity? |
| work_lwzrozmv4neclo5hgnpkac6mfu | EM- JMHJ170018 37.. 56 The business of black beauty: social entrepreneurship or social injustice? |
| work_lwzrozmv4neclo5hgnpkac6mfu | However, are these seemingly expedient outcomes fair? |
| work_lwzrozmv4neclo5hgnpkac6mfu | Should conformity to these appearance norms be considered as part of the process to determine outcomes? |
| work_lwzrozmv4neclo5hgnpkac6mfu | Will ceding to authority about appearance norms lead to better outcomes or exploitation? |
| work_xpgrx46x4ve6pku7n6mi7xpp7e | 6 profound perception of complexity? |
| work_xpgrx46x4ve6pku7n6mi7xpp7e | [ 18] sauchelli, a., functional beauty, architecture, and morality: a beautiful konzentrazion- slager? |
| work_xpgrx46x4ve6pku7n6mi7xpp7e | are n’t these chains manifestations of inner order, profoundly connected to the beauty of spatial arrangements? |
| work_xpgrx46x4ve6pku7n6mi7xpp7e | can we avoid calculating the importance of aesthetics of linking volumes in particular sets or chains to facilitate specific uses? |
| work_xpgrx46x4ve6pku7n6mi7xpp7e | so is there a beauty of structure? |
| work_xpgrx46x4ve6pku7n6mi7xpp7e | there are simple questions illus- trating this unity – can we ignore aesthetic component in how function is distributed within architecture? |
| work_oc6752ffcbbuzcrojqq7pfgptm | Do you mean literally or figuratively? work_oc6752ffcbbuzcrojqq7pfgptm Do you think we are walking four miles an hour?" |
| work_oc6752ffcbbuzcrojqq7pfgptm | Do you wonder? work_oc6752ffcbbuzcrojqq7pfgptm ( Are not gardenstempting"places?) |
| work_oc6752ffcbbuzcrojqq7pfgptm | And when he has finally got her alone:"Do I astonish you? |
| work_oc6752ffcbbuzcrojqq7pfgptm | Are you not going to tell me so?" |
| work_oc6752ffcbbuzcrojqq7pfgptm | Could he deserve more and yet remain Henry Crawford as the novel has defined him? |
| work_oc6752ffcbbuzcrojqq7pfgptm | Is it saucy and impeni- tent, or is the nearest she can come to a gesture of apology and regret? |
| work_oc6752ffcbbuzcrojqq7pfgptm | Is it, even, the neurotic''s desperate plea to be understood and forgiven despite all his resistances? |
| work_oc6752ffcbbuzcrojqq7pfgptm | Is there any thing in my present intreaty that you do not understand? |
| work_oc6752ffcbbuzcrojqq7pfgptm | Mary inquires:"What gentleman among you am I to have the pleasure of making love to?" |
| work_oc6752ffcbbuzcrojqq7pfgptm | Was it part of your last sermon? |
| work_oc6752ffcbbuzcrojqq7pfgptm | What must be his sense of it now, therefore? |
| work_oc6752ffcbbuzcrojqq7pfgptm | What should Sir Thomas want you for? |
| work_oc6752ffcbbuzcrojqq7pfgptm | nineteen times out of twenty I am thinking how such a prayer ought to be read, and longing to have it to read myself- Did you speak?." |
| work_oc6752ffcbbuzcrojqq7pfgptm | stepping eagerly to Fanny, and addressing her in a softened voice; and upon her saying,"No,"he added,"Are you sure you did not speak? |
| work_nqrarbvmm5fpxg2dakfw7w3inu | Are Non- Pro � t Firms Simply For- Pro � ts in Disguise? work_nqrarbvmm5fpxg2dakfw7w3inu Do Government Grants to Private Charities Crowd Out Giving or Fund- raising?" |
| work_nqrarbvmm5fpxg2dakfw7w3inu | Does aid availability a¤ect e¤ectiveness in reducing poverty? work_nqrarbvmm5fpxg2dakfw7w3inu How much is a seat on the Security Council worth? |
| work_nqrarbvmm5fpxg2dakfw7w3inu | Is crowding out due entirely to fundraising? work_nqrarbvmm5fpxg2dakfw7w3inu What do non- governmental organizations do?" |
| work_nqrarbvmm5fpxg2dakfw7w3inu | Who gives foreign aid to whom and why? |
| work_nqrarbvmm5fpxg2dakfw7w3inu | 4 composition of the non- pro � t and for- pro � t sectors in terms agents � intrinsic motivation? |
| work_nqrarbvmm5fpxg2dakfw7w3inu | Localizing Development: Does Participation Work? |
| work_nqrarbvmm5fpxg2dakfw7w3inu | NGOs and Civil Society: Democracy by Proxy? |
| work_nqrarbvmm5fpxg2dakfw7w3inu | This raises two questions: What is the e¤ect of partial public � nancing on the motivational composition and size of the non- pro � t sector? |
| work_nqrarbvmm5fpxg2dakfw7w3inu | What are the implications of the external � nancing on the behavior of the non- pro � t sec- tor? |
| work_nqrarbvmm5fpxg2dakfw7w3inu | What are the implications of this insight for public policies towards the non- pro � t sector? |
| work_nqrarbvmm5fpxg2dakfw7w3inu | What happens when donations respond positively to a better perceived motivational composition of the non- pro � t sector? |
| work_nqrarbvmm5fpxg2dakfw7w3inu | What types of policies can improve the motivational composition of the non- pro � t sector? |
| work_pwe2laue35bcpecqwkxrpjz6ca | ( 2006), Friend or Foe? |
| work_pwe2laue35bcpecqwkxrpjz6ca | 5.5 Insidious discrimination? |
| work_pwe2laue35bcpecqwkxrpjz6ca | And if they are aware, is this knowledge conscious or sub- conscious? |
| work_pwe2laue35bcpecqwkxrpjz6ca | Are they more cooperative or do they engender cooperation? |
| work_pwe2laue35bcpecqwkxrpjz6ca | Are they more likely to be chosen by their peers when a selection decision has to be made? |
| work_pwe2laue35bcpecqwkxrpjz6ca | Are third parties aware of the possibility of discriminatory behavior? |
| work_pwe2laue35bcpecqwkxrpjz6ca | At the end, we asked subjects a qualitative question: what, in their opinion, are the most important factors determining the elimination decision? |
| work_pwe2laue35bcpecqwkxrpjz6ca | Do men care more about looks than women do? |
| work_pwe2laue35bcpecqwkxrpjz6ca | Do people care more about the looks of the opposite sex? |
| work_pwe2laue35bcpecqwkxrpjz6ca | Questions? |
| work_pwe2laue35bcpecqwkxrpjz6ca | We can ask: are attractive people more productive, and do they exhibit greater confidence? |
| work_pwe2laue35bcpecqwkxrpjz6ca | [ 11] Eckel, C. and R. Wilson( 2004), Detecting Trustworthiness: Does Beauty Confound Intuition?, mimeo. |
| work_pwe2laue35bcpecqwkxrpjz6ca | [ 6] Belot, M., V. Bhaskar and J. van de Ven( 2008), Can Observers Predict Trustworthiness?, http://else.econ.ucl.ac.uk/papers/uploaded/298.pdf. |
| work_pwe2laue35bcpecqwkxrpjz6ca | [ 9] Bertrand, M., and S. Mullainathan( 2004), Are Emily and Greg more Employable than Lakisha and Jamal? |
| work_zi52hktvcjcgbooayepnrglxqy | @article{Webster2011MedicalDD, title={Medical data debates: Big is better? |
| work_zi52hktvcjcgbooayepnrglxqy | DOI:10.1503/ cmaj.109- 3799 Corpus ID: 38712002Medical data debates: Big is better? |
| work_zi52hktvcjcgbooayepnrglxqy | PDF] Medical data debates: Big is better? |
| work_zi52hktvcjcgbooayepnrglxqy | Small is beautiful? |
| work_zi52hktvcjcgbooayepnrglxqy | Small is beautiful? |
| work_zi52hktvcjcgbooayepnrglxqy | Small is beautiful? |
| work_zxx6htnoxzfbvphjwm627sj534 | Could the Keynesian- beauty- contest effect justify the withdrawal of some noisy public information? |
| work_zxx6htnoxzfbvphjwm627sj534 | Given the presence of the Keynesian- beauty- contest effect, how could we improve market effi- ciency through accounting disclosure? |
| work_zxx6htnoxzfbvphjwm627sj534 | How does the quality of public information affect market efficiency? |
| work_zxx6htnoxzfbvphjwm627sj534 | How is the intensity of the dual role of public information related to its quality? |
| work_zxx6htnoxzfbvphjwm627sj534 | In this case, does the withdrawal of public information drive stock prices closer to the fundamental value? |
| work_zfjtdwcxf5dsjb3rdljndbf7y4 | What Makes a Great Teacher? |
| work_zfjtdwcxf5dsjb3rdljndbf7y4 | what happens with similar integrals????? |
| work_zfjtdwcxf5dsjb3rdljndbf7y4 | what happens with similar integrals????? |
| work_zfjtdwcxf5dsjb3rdljndbf7y4 | what happens with similar integrals????? |
| work_zfjtdwcxf5dsjb3rdljndbf7y4 | what happens with similar integrals????? |
| work_zfjtdwcxf5dsjb3rdljndbf7y4 | what happens with similar integrals????? |
| work_udkhooofsfhqzcute2dkby7k2q | Abstracting away the fact that your awake on that day, what do you think the probability is of it being a Monday? |
| work_udkhooofsfhqzcute2dkby7k2q | But if this is all correct, why ca n’t one make this calculation already on Sunday? |
| work_udkhooofsfhqzcute2dkby7k2q | First, is reference relevant for conditionalization in other cases or is it just a special feature of the sleeping beauty case? |
| work_udkhooofsfhqzcute2dkby7k2q | Second, how do different reference protocols influence credences? |
| work_udkhooofsfhqzcute2dkby7k2q | What is the probability that Smith has two boys? |
| work_udkhooofsfhqzcute2dkby7k2q | What now is the probability that Smith has two boys? |
| work_udkhooofsfhqzcute2dkby7k2q | When you are first awakened, to what degree ought you believe that the outcome of the coin toss is Heads? |
| work_udkhooofsfhqzcute2dkby7k2q | Would a reflection principle warrant a Sunday credence shift? |
| work_yin5brfbznfv7beaghrw2aasse | But the comment ‘ Hey, shall we eat soon, or what? ’ is what Martin presents as particularly important. |
| work_yin5brfbznfv7beaghrw2aasse | It is not very polite to ask, ‘ Hey, shall we eat soon, or what? ’ when one is a guest. |
| work_yin5brfbznfv7beaghrw2aasse | References Album, D.( 1995) ‘ Hvordan går det med Goffman og Garfinkel? |
| work_yin5brfbznfv7beaghrw2aasse | Teorier om samhandling ansikt til ansikt ’[ How is it Going with Goffman and Garfinkel? |
| work_noarukcrlvftjjqmmjug7afrze | Are these carbohydrates me- tabolized for fuel? |
| work_noarukcrlvftjjqmmjug7afrze | Are these or- ganelles important to quiescent cells? |
| work_noarukcrlvftjjqmmjug7afrze | Arf proteins: the membrane traffic police? |
| work_noarukcrlvftjjqmmjug7afrze | How does nutrient availability regulate the PKA pathway? |
| work_noarukcrlvftjjqmmjug7afrze | How is a quiescent cell poised to make such an enormous and coor- dinated response? |
| work_noarukcrlvftjjqmmjug7afrze | Is inhibition of the TOR pathway important for the forma- tion of quiescent cells triggered by starvation? |
| work_noarukcrlvftjjqmmjug7afrze | Neu- rofibrillary degeneration of the Alzheimer- type: an alternate pathway to neuronal apoptosis? |
| work_noarukcrlvftjjqmmjug7afrze | Regulation of longevity and stress resistance: a molecular strategy conserved from yeast to humans? |
| work_noarukcrlvftjjqmmjug7afrze | Sensing Nutrients How does a quiescent cell sense the presence of nutrients? |
| work_noarukcrlvftjjqmmjug7afrze | The AMP- activated/ SNF1 protein kinase subfamily: metabolic sensors of the eukaryotic cell? |
| work_noarukcrlvftjjqmmjug7afrze | There is no answer at present to the obvious question: what are quiescent cells using as an energy source? |
| work_noarukcrlvftjjqmmjug7afrze | What are the downstream targets of the PKA pathway? |
| work_noarukcrlvftjjqmmjug7afrze | What is the role of Gcs1p during exit from quiescence? |
| work_noarukcrlvftjjqmmjug7afrze | What is the role of Gcs1p in proliferating cells? |
| work_noarukcrlvftjjqmmjug7afrze | What is the source of nucleoside triphosphates for this synthesis, and where are they stored? |
| work_noarukcrlvftjjqmmjug7afrze | What makes neurons particularly vulnerable to protein dam- age and/or the loss of proteins that protect against such dam- age? |
| work_noarukcrlvftjjqmmjug7afrze | Which signaling pathways regulate each stage during entry and exit? |
| work_noarukcrlvftjjqmmjug7afrze | Why, then, is Snz1p( and presum- ably Snz1p activity) induced in quiescence? |
| work_zaindkkxofazta7qpkruey2rby | How can then we explore the realm beyond the anti-, to exercise the full force of courageous intelligence? |
| work_zaindkkxofazta7qpkruey2rby | However, what is useful knowledge for human beings? |
| work_zaindkkxofazta7qpkruey2rby | In response to the question, “ What is useful knowledge? ” Democracy and Education is a book that gives us some practical wisdom. |
| work_zaindkkxofazta7qpkruey2rby | The challenging questions then posed to his own pragmatism are: How can we fully live in the obscure twilight of mind and body, of inner and outer? |
| work_zaindkkxofazta7qpkruey2rby | What does this principle signify? |
| work_zaindkkxofazta7qpkruey2rby | What kind of place should a university be if it is to be in service of democracy as a way of life? |
| work_zaindkkxofazta7qpkruey2rby | What might be the task of philosophy in service of life? |
| work_yaey6scj2ngc5lr24rvznowiau | Are attractive people rewarding? |
| work_yaey6scj2ngc5lr24rvznowiau | Are numbers special? |
| work_yaey6scj2ngc5lr24rvznowiau | Are numbers special? |
| work_yaey6scj2ngc5lr24rvznowiau | How does the brain weigh someone ’s attractiveness in relation to a given standard and perform such subjective comparisons? |
| work_yaey6scj2ngc5lr24rvznowiau | Is beauty talent? |
| work_yaey6scj2ngc5lr24rvznowiau | Maxims or myths of beauty? |
| work_yaey6scj2ngc5lr24rvznowiau | Participants had to compare the height( Which woman � or dog � is taller?) |
| work_yaey6scj2ngc5lr24rvznowiau | or beauty( Which woman � or dog � is more beautiful?) |
| work_ustwsoitlzhfdosaor3w2hmn2q | Buden, “ A tko to Zagreb s# ini palankom? ” 24. |
| work_ustwsoitlzhfdosaor3w2hmn2q | The headline poses the question, “ Zašto nas ne vole? ”( Why Do n’t the Great Powers Love Us?). |
| work_ustwsoitlzhfdosaor3w2hmn2q | The headline poses the question, “ Zašto nas ne vole? ”( Why Do n’t the Great Powers Love Us?). |
| work_oq6uisw5pnblvaum3hgtdbv3cu | But how should we understand the qualification made in( iii)? |
| work_oq6uisw5pnblvaum3hgtdbv3cu | But how, exactly, should we conceive of the character of beauty in mathematics? |
| work_oq6uisw5pnblvaum3hgtdbv3cu | Does this account help to answer the questions raised in the previous section about Kant''s third claim? |
| work_oq6uisw5pnblvaum3hgtdbv3cu | How, exactly, should we conceive of the character of such beauty? |
| work_oq6uisw5pnblvaum3hgtdbv3cu | In particular, should the admiration we may feel in the face of mathematical proofs really be characterised as an aesthetic response? |
| work_oq6uisw5pnblvaum3hgtdbv3cu | In what sense can mathematical demonstrations, but not the properties of mathematical objects, be regarded as beautiful? |
| work_oq6uisw5pnblvaum3hgtdbv3cu | In what sense can we meaningfully speak of the objects of mathematical investigation as appealing to us aesthetically? |
| work_oq6uisw5pnblvaum3hgtdbv3cu | Is beauty a property of mathematical objects or statements, or is it a subjective response particular to the perspective of the mathematician? |
| work_oq6uisw5pnblvaum3hgtdbv3cu | Wenzel, H. C.( 2001), ‘ Beauty, Genius, and Mathematics: Why Did Kant Change his Mind? ’, History of Philosophy Quarterly, 18: 415- 432. |
| work_oq6uisw5pnblvaum3hgtdbv3cu | What, then, is it about the a priori synthetic nature of mathematical constructions and demonstrations that elicits such admiration? |
| work_oq6uisw5pnblvaum3hgtdbv3cu | What, then, is the scope of Kant''s account of mathematical beauty within the wider context of his theory of mathematics? |
| work_oq6uisw5pnblvaum3hgtdbv3cu | Why should mathematical demonstrations but not mathematical properties be called beautiful? |
| work_zjpibsyhczda7jnunlnpzxvifu | Do we see, then, similarities or differences between Beauty- contest experiments run in labs and in newspapers? |
| work_zjpibsyhczda7jnunlnpzxvifu | How did this value come up? |
| work_vispiqc2zrfoleqby5m4gnoutq | Cooperative propagation mimics ( or is?) |
| work_vispiqc2zrfoleqby5m4gnoutq | How did they come to be? |
| work_vispiqc2zrfoleqby5m4gnoutq | Is the seed living? |
| work_vispiqc2zrfoleqby5m4gnoutq | What strange array of chemicals are in the wine? |
| work_vispiqc2zrfoleqby5m4gnoutq | What about the virus? |
| work_vispiqc2zrfoleqby5m4gnoutq | – but one might add the question: what about life, and death!? |
| work_zq2n3l6cdfcgplunzdxaiyhaky | And as far as ‘ aesthetic enjoyment ’ goes: Does Adorno expect these great poets to write bad poems? |
| work_zq2n3l6cdfcgplunzdxaiyhaky | Should we view the poems of Celan or Miklós Radnóti as barbaric? |
| work_zq2n3l6cdfcgplunzdxaiyhaky | Whether we like it or not, art always views life as a celebration. ’ — ‘ As a carnival or as a funeral? ’ — ‘ As a celebration. ’ 7. |
| work_zq2n3l6cdfcgplunzdxaiyhaky | ‘ Glorify? ’ answers Kertész. |
| work_xt2ghxyst5advmmnekazoosfqy | 60,000 years ago? |
| work_xt2ghxyst5advmmnekazoosfqy | Appenzeller T( 1998) Art: Evolution or Revolution? |
| work_xt2ghxyst5advmmnekazoosfqy | Balter M( 2002) What made humans modern? |
| work_xt2ghxyst5advmmnekazoosfqy | Chabris CF, Kosslyn SM( 1998) How do the cerebral hemispheres contribute to encoding spatial relations? |
| work_xt2ghxyst5advmmnekazoosfqy | Frith CD, Nias DKB( 1974) What determines aesthetic preferences? |
| work_xt2ghxyst5advmmnekazoosfqy | How could the evolution of these differences be inter- preted in phylogenetic terms? |
| work_xt2ghxyst5advmmnekazoosfqy | If such sex- related differences have evolved, the issue arises, how could they be detected? |
| work_xt2ghxyst5advmmnekazoosfqy | Sommer IEC, Aleman A, Bouma A, Kahn RS( 2004) Do women really have more bilateral language representation than men? |
| work_xt2ghxyst5advmmnekazoosfqy | When did the capacity to appreciate beauty evolve? |
| work_xeuti2cvubeuhgluyilkygf6fi | Are current critiques of the theropod origin of birds science? |
| work_xeuti2cvubeuhgluyilkygf6fi | But why do human beings so often find these flow- ers and fruit beautiful? |
| work_xeuti2cvubeuhgluyilkygf6fi | How are a male ’s ornaments and performances adapted to grip her with a desire to mate with him? |
| work_xeuti2cvubeuhgluyilkygf6fi | Learn more biomedcentral.com/submissions Ready to submit your research? |
| work_xeuti2cvubeuhgluyilkygf6fi | Mat- ing with an individual with different MHC genes yields healthier young, and odor allows these rodents( and human beings?) |
| work_xeuti2cvubeuhgluyilkygf6fi | Some males, however, may more closely match the female ’s criteria of being in her species, so they appear more attractive( beautiful?) |
| work_xeuti2cvubeuhgluyilkygf6fi | What does this tell us about the evolution of beauty? |
| work_xeuti2cvubeuhgluyilkygf6fi | What has Prum done with Darwin ’s idea? |
| work_xeuti2cvubeuhgluyilkygf6fi | What, in the end, has Prum accomplished? |
| work_ldfuyutgtjb5vo3x5ffphmypp4 | (%) Are you in favor of or against plastic surgery? |
| work_ldfuyutgtjb5vo3x5ffphmypp4 | Cosmetic surgery: is it science or art? |
| work_ldfuyutgtjb5vo3x5ffphmypp4 | Do racial minorities respond in the same way to mainstream beauty standards? |
| work_ldfuyutgtjb5vo3x5ffphmypp4 | If you are going to undergo aesthetic plastic surgery, what are the three most important factors to consider? |
| work_ldfuyutgtjb5vo3x5ffphmypp4 | Likert How do you get information about aesthetic plastic surgery? |
| work_ldfuyutgtjb5vo3x5ffphmypp4 | Select one People were then asked to answer the following questions: Who has the most attractive face? |
| work_ldfuyutgtjb5vo3x5ffphmypp4 | Select one Which information do you regard as usually correct among the above information sources? |
| work_ldfuyutgtjb5vo3x5ffphmypp4 | Where is most plastic surgery performed? |
| work_ldfuyutgtjb5vo3x5ffphmypp4 | Who do you think that most Chinese people like? |
| work_ldfuyutgtjb5vo3x5ffphmypp4 | Who do you think that most White people like? |
| work_ldfuyutgtjb5vo3x5ffphmypp4 | Who has a beautiful skin condition? |
| work_ldfuyutgtjb5vo3x5ffphmypp4 | Who has the most Westernized face? |
| work_ldfuyutgtjb5vo3x5ffphmypp4 | Who has the most attractive cheeks? |
| work_ldfuyutgtjb5vo3x5ffphmypp4 | Who has the most attractive eyes? |
| work_ldfuyutgtjb5vo3x5ffphmypp4 | Who has the most attractive facial volume? |
| work_ldfuyutgtjb5vo3x5ffphmypp4 | Who has the most attractive lips? |
| work_ldfuyutgtjb5vo3x5ffphmypp4 | Who has the most attractive nose? |
| work_ldfuyutgtjb5vo3x5ffphmypp4 | Who is the most beautiful woman that has a traditional Korean face? |
| work_ldfuyutgtjb5vo3x5ffphmypp4 | Whose chin is the most attractive? |
| work_ldfuyutgtjb5vo3x5ffphmypp4 | Whose eyes are the most attractive? |
| work_ldfuyutgtjb5vo3x5ffphmypp4 | Whose face has a V- shaped jaw? |
| work_yjz2xg2zezfhvpu2grrapo2h7i | ;( b) does value co- creation help in meeting the expectations of tourists for valuable CST? |
| work_yjz2xg2zezfhvpu2grrapo2h7i | ;( c) does value co- creation exert any influence on CST- seeking tourists ’ behaviors? |
| work_yjz2xg2zezfhvpu2grrapo2h7i | Are tourists with higher expectations more sensitive to service performance? |
| work_yjz2xg2zezfhvpu2grrapo2h7i | Buying, bidding, playing or competing? |
| work_yjz2xg2zezfhvpu2grrapo2h7i | Do brand competence and warmth always influence purchase intention? |
| work_yjz2xg2zezfhvpu2grrapo2h7i | Want to make me emo- tional? |
| work_yjz2xg2zezfhvpu2grrapo2h7i | What is known about the patient ’s experience of medical tourism? |
| work_yjz2xg2zezfhvpu2grrapo2h7i | Why do medical tourists travel to where they do? |
| work_u52da7u4orddlefy7hibslomqa | 5 The Beautiful Game? |
| work_u52da7u4orddlefy7hibslomqa | 5 The Beautiful Game? |
| work_u52da7u4orddlefy7hibslomqa | 5 The Beautiful Game? |
| work_u52da7u4orddlefy7hibslomqa | 5 The Beautiful Game? |
| work_u52da7u4orddlefy7hibslomqa | 5 The Beautiful Game? |
| work_u52da7u4orddlefy7hibslomqa | 5 The Beautiful Game? |
| work_u52da7u4orddlefy7hibslomqa | 567–581, 2018 The Beautiful Game? |
| work_u52da7u4orddlefy7hibslomqa | Goellner, S.( 2000) ‘ Pode a mulher praticar o futebol? ’ in P. C. R. Carrano( ed.) |
| work_u52da7u4orddlefy7hibslomqa | Hegemonic masculinity, women and football in Brazil and Argentina This is a repository copy of The Beautiful Game? |
| work_u52da7u4orddlefy7hibslomqa | The Beautiful Game? |
| work_u52da7u4orddlefy7hibslomqa | da Costa, L. M.( 2007) ‘ O que é uma torcedora? |
| work_u52da7u4orddlefy7hibslomqa | ¿ ter- ritorio conquistado o a conquistar? ’ in P. Alabarces( ed.) |
| work_wpg6uc3xunf77i7xfpttoxpqeq | Bornmann L, Leydesdorff L, Wang J( 2013) Which percentile- based approach should be preferred for calculating normalized citation impact values? |
| work_wpg6uc3xunf77i7xfpttoxpqeq | Garfield E( 1980) Premature discovery or delayed recognition — why? |
| work_wpg6uc3xunf77i7xfpttoxpqeq | Glänzel W, Schlemmer B, Thijs B( 2003) Better late than never? |
| work_wpg6uc3xunf77i7xfpttoxpqeq | How Rare Are SBs? |
| work_wpg6uc3xunf77i7xfpttoxpqeq | How are SBs distributed among different( sub)disciplines? |
| work_wpg6uc3xunf77i7xfpttoxpqeq | What Triggers the Awakening of an SB? |
| work_zyqjor65gjhmlpkuhhqclw77be | ( 2011) Under- tapped? |
| work_zyqjor65gjhmlpkuhhqclw77be | ( 2013) Value creation processes and value outcomes in marketing theory: Strangers or siblings? |
| work_zyqjor65gjhmlpkuhhqclw77be | 2.6 Principles: Localisation and engagement What is the relationship, if any, between localisation, scale and sustainability( Wells, 2012)? |
| work_zyqjor65gjhmlpkuhhqclw77be | Berry, R.H. and Yeung, F.( 2013) Are Investors Willing to Sacrifice Cash for Morality? |
| work_zyqjor65gjhmlpkuhhqclw77be | Bower, J. and Cox, H.( 2012) How Scottish& Newcastle became the U.K.''s largest brewer: A case of regulatory capture? |
| work_zyqjor65gjhmlpkuhhqclw77be | Gittleson, K.( 2012) Can a company live forever? |
| work_zyqjor65gjhmlpkuhhqclw77be | Nelson, L.( 2009) Is this the brewery of the future? |
| work_uoa75hvy2vgahmm6shuafaifdy | A Beauty Center? |
| work_uoa75hvy2vgahmm6shuafaifdy | At what spatial scale, and within what brain regions, do we find these correlations? |
| work_uoa75hvy2vgahmm6shuafaifdy | But can these tools advance our understanding of aesthetics beyond Fech- ner ’s insights[ 1]? |
| work_uoa75hvy2vgahmm6shuafaifdy | Cloutier J, Heatherton TF, Whalen PJ, Kelley WM( 2008) Are attractive people rewarding? |
| work_uoa75hvy2vgahmm6shuafaifdy | How can this be accomplished? |
| work_uoa75hvy2vgahmm6shuafaifdy | Leaving aside meth- odological challenges[ 25,26], is such a correlation meaningful to understanding aesthetics? |
| work_uoa75hvy2vgahmm6shuafaifdy | Poldrack RA( 2006) Can cognitive processes be inferred from neuroimaging data? |
| work_uoa75hvy2vgahmm6shuafaifdy | Should we deny someone ’s experience of beauty if the mOFC is not activated? |
| work_uoa75hvy2vgahmm6shuafaifdy | So, what is neuroaesthetics supposed to study? |
| work_uoa75hvy2vgahmm6shuafaifdy | What Questions Can Neuroaesthetics Answer? |
| work_uoa75hvy2vgahmm6shuafaifdy | What functions do the brain regions implicated serve in other behaviors? |
| work_uoa75hvy2vgahmm6shuafaifdy | What signals during development and experi- ence are responsible for wiring up these circuits? |
| work_uoa75hvy2vgahmm6shuafaifdy | Yu DW, Shepard GH Jr( 1998) Is beauty in the eye of the beholder? |
| work_ra5kgnly7nfsvjxbydufua4tua | Are there any interesting differences between the two kinds of cases? |
| work_ra5kgnly7nfsvjxbydufua4tua | Does E confirm MWI? |
| work_ra5kgnly7nfsvjxbydufua4tua | Does E confirm Tails? |
| work_ra5kgnly7nfsvjxbydufua4tua | Even if D. J. Bradley8 occurs? |
| work_ra5kgnly7nfsvjxbydufua4tua | How should we describe the evidence? |
| work_ra5kgnly7nfsvjxbydufua4tua | Monday Tuesday Heads Awake Tails Awake Awake 30 When she is woken, what credence should she have that the coin landed Heads? |
| work_ra5kgnly7nfsvjxbydufua4tua | Nevertheless, can we give a positive argument that Beauty should assign 50% credence to ‘ this is a red paper day given Tails ’? |
| work_ra5kgnly7nfsvjxbydufua4tua | So we can see that when a centred proposition is learnt, we have to ask: is there a reason I am in one location rather than another? |
| work_ra5kgnly7nfsvjxbydufua4tua | That is, what is the 10 selection procedure by which I have observed one location rather than another? |
| work_ra5kgnly7nfsvjxbydufua4tua | This amounts to: is P(E|MWI)> P(E|ST)? |
| work_ra5kgnly7nfsvjxbydufua4tua | This amounts to: is P(E|Tails)> P(E|Heads)? |
| work_ra5kgnly7nfsvjxbydufua4tua | Why? |
| work_ra5kgnly7nfsvjxbydufua4tua | [ 1965]: ‘ Puzzle or Paradox? ’, American Statistician, 19, pp. |
| work_ra5kgnly7nfsvjxbydufua4tua | [ 2005]: ‘ Should We Respond to Evil with Indifference? ’, Philosophy and Phenomenological Research, 70, pp. |
| work_pa7ijmonpbhvzpbtfzl3qfowua | And what role did photography play in this transformation? |
| work_pa7ijmonpbhvzpbtfzl3qfowua | But how ‘ civic ’ was this new masculine ideal? |
| work_pa7ijmonpbhvzpbtfzl3qfowua | If health was not commonly understood as a beautiful body ’s defining characteristic, then what was? |
| work_pa7ijmonpbhvzpbtfzl3qfowua | Nude, or Not Nude? |
| work_pa7ijmonpbhvzpbtfzl3qfowua | What kinds of new notions of male beauty were emerging here? |
| work_pa7ijmonpbhvzpbtfzl3qfowua | İdman Sütunları: Güzel Vücut Nedir? |
| work_pa7ijmonpbhvzpbtfzl3qfowua | ‘ what is a beautiful body? ’ 213 Middle East Journal of Culture and Communication 8( 2015) 192–214 Ersoy, Ahmet( 2012). |
| work_ubvm5wdukbcllihrlpiw4a6w2m | A Good Life in Old Age? |
| work_ubvm5wdukbcllihrlpiw4a6w2m | A Good Life in Old Age? |
| work_ubvm5wdukbcllihrlpiw4a6w2m | Do public nursing home care providers deliver higher quality than private providers? |
| work_ubvm5wdukbcllihrlpiw4a6w2m | Does person- centered care improve residents ’ satisfaction with nursing home quality? |
| work_ubvm5wdukbcllihrlpiw4a6w2m | Does size matter in aged care facilities? |
| work_ubvm5wdukbcllihrlpiw4a6w2m | Explaining resident satisfaction in Swedish nursing home care RESEARCH ARTICLE Open Access Small is beautiful? |
| work_ubvm5wdukbcllihrlpiw4a6w2m | In: Vad tycker de äldre om äldreomsorgen? |
| work_ubvm5wdukbcllihrlpiw4a6w2m | Moberg L, Blomqvist P, Winblad U. Professionalized through audit? |
| work_ubvm5wdukbcllihrlpiw4a6w2m | Moberg L. Marketisation of Nordic eldercare – is the model still universal? |
| work_ubvm5wdukbcllihrlpiw4a6w2m | Nursing home profit status and quality of care: is there any evidence of an association? |
| work_ubvm5wdukbcllihrlpiw4a6w2m | Privatization of social care delivery – how can contracts be specified? |
| work_ubvm5wdukbcllihrlpiw4a6w2m | Small is beautiful? |
| work_ubvm5wdukbcllihrlpiw4a6w2m | Spangler D. Data for: small is beautiful? |
| work_ubvm5wdukbcllihrlpiw4a6w2m | Vad tycker de äldre om äldreomsorgen? |
| work_ubvm5wdukbcllihrlpiw4a6w2m | Whose quality of life is it anyway? |
| work_hdpnkwl33fby7kb25o7nbvsuc4 | ? |
| work_hdpnkwl33fby7kb25o7nbvsuc4 | ? |
| work_hdpnkwl33fby7kb25o7nbvsuc4 | ? |
| work_hdpnkwl33fby7kb25o7nbvsuc4 | ? |
| work_hdpnkwl33fby7kb25o7nbvsuc4 | ? |
| work_hdpnkwl33fby7kb25o7nbvsuc4 | ABC genes A class APETALA1( AP1) — MADS domain APETALA2( AP2)? |
| work_hdpnkwl33fby7kb25o7nbvsuc4 | AP2 domain AINTEGUMENTA? |
| work_hdpnkwl33fby7kb25o7nbvsuc4 | AP2 domain LEUNIG( LUG)? |
| work_hdpnkwl33fby7kb25o7nbvsuc4 | C class regulators WUSCHEL? |
| work_hdpnkwl33fby7kb25o7nbvsuc4 | CHORIPETALA? |
| work_hdpnkwl33fby7kb25o7nbvsuc4 | DESPENTEADO? |
| work_hdpnkwl33fby7kb25o7nbvsuc4 | EARLY BOLTING IN SHORT DAYS( EBS)? |
| work_hdpnkwl33fby7kb25o7nbvsuc4 | EMBRYONIC FLOWER1( EMF1)? |
| work_hdpnkwl33fby7kb25o7nbvsuc4 | EMBRYONIC FLOWER2( EMF2)? |
| work_hdpnkwl33fby7kb25o7nbvsuc4 | FISTULATA( FIS)? |
| work_hdpnkwl33fby7kb25o7nbvsuc4 | HUA2? |
| work_hdpnkwl33fby7kb25o7nbvsuc4 | Homeodomain General ABC repressors CURLY LEAF( CLF)? |
| work_hdpnkwl33fby7kb25o7nbvsuc4 | Plant- specific, nuclear? |
| work_hdpnkwl33fby7kb25o7nbvsuc4 | Plant- specific, nuclear? |
| work_hdpnkwl33fby7kb25o7nbvsuc4 | Plant- specific, nuclear? |
| work_hdpnkwl33fby7kb25o7nbvsuc4 | Polycomb group( Enhancer of zeste) INCURVATA2( ICU2)? |
| work_hdpnkwl33fby7kb25o7nbvsuc4 | Polycomb group( Suppressor of zeste 12) General ABC activators POLYPETALA( POLY)? |
| work_hdpnkwl33fby7kb25o7nbvsuc4 | RNA binding domain ABC cofactors SEPELLATA1- 3? |
| work_hdpnkwl33fby7kb25o7nbvsuc4 | STYLOSA( STY)? |
| work_hdpnkwl33fby7kb25o7nbvsuc4 | Tup1-like corepressor, WD40 repeats STERILE APETALA( SAP)? |
| work_hdpnkwl33fby7kb25o7nbvsuc4 | YABBY domain SPATULA( SPT)? |
| work_hdpnkwl33fby7kb25o7nbvsuc4 | Zinc finger? |
| work_hdpnkwl33fby7kb25o7nbvsuc4 | bHLH domain HUA1? |
| work_vlrhp7rq75eo5nwwnbb4q3ho6e | ( 2006), Friend or Foe? |
| work_vlrhp7rq75eo5nwwnbb4q3ho6e | 5.5 Insidious discrimination? |
| work_vlrhp7rq75eo5nwwnbb4q3ho6e | And if they are aware, is this knowledge conscious or sub- conscious? |
| work_vlrhp7rq75eo5nwwnbb4q3ho6e | Are they more cooperative or do they engender cooperation? |
| work_vlrhp7rq75eo5nwwnbb4q3ho6e | Are they more likely to be chosen by their peers when a selection decision has to be made? |
| work_vlrhp7rq75eo5nwwnbb4q3ho6e | Are third parties aware of the possibility of discriminatory behavior? |
| work_vlrhp7rq75eo5nwwnbb4q3ho6e | At the end, we asked subjects a qualitative question: what, in their opinion, are the most important factors determining the elimination decision? |
| work_vlrhp7rq75eo5nwwnbb4q3ho6e | Do men care more about looks than women do? |
| work_vlrhp7rq75eo5nwwnbb4q3ho6e | Do people care more about the looks of the opposite sex? |
| work_vlrhp7rq75eo5nwwnbb4q3ho6e | Questions? |
| work_vlrhp7rq75eo5nwwnbb4q3ho6e | We can ask: are attractive people more productive, and do they exhibit greater confidence? |
| work_vlrhp7rq75eo5nwwnbb4q3ho6e | [ 11] Eckel, C. and R. Wilson( 2004), Detecting Trustworthiness: Does Beauty Confound Intuition?, mimeo. |
| work_vlrhp7rq75eo5nwwnbb4q3ho6e | [ 6] Belot, M., V. Bhaskar and J. van de Ven( 2008), Can Observers Predict Trustworthiness?, http://else.econ.ucl.ac.uk/papers/uploaded/298.pdf. |
| work_vlrhp7rq75eo5nwwnbb4q3ho6e | [ 9] Bertrand, M., and S. Mullainathan( 2004), Are Emily and Greg more Employable than Lakisha and Jamal? |
| work_k3h4kiljafg5hnxx2vanuyo5za | 20 “ Quem quer ser artista do Fox?, ” Cinearte, August 25, 1926, 5. |
| work_k3h4kiljafg5hnxx2vanuyo5za | 21 “ Quem quer ser artista do Fox? ” Cinearte, September 1, 1927, 5. |
| work_k3h4kiljafg5hnxx2vanuyo5za | 39 Pedro Lima, “ Quem é Lia Torá?, ” Cinearte, July 20, 1927, 32. |
| work_k3h4kiljafg5hnxx2vanuyo5za | 41 Lima, “ Quem é Lia Torá?, ” 5. |
| work_k3h4kiljafg5hnxx2vanuyo5za | 43 “ Quem é Olympio Guilherme? ” Figure 7: “ Quem é Lia Torá?, ” Cinearte, July 20, 1927, 5. |
| work_k3h4kiljafg5hnxx2vanuyo5za | 43 “ Quem é Olympio Guilherme? ” Figure 7: “ Quem é Lia Torá?, ” Cinearte, July 20, 1927, 5. |
| work_k3h4kiljafg5hnxx2vanuyo5za | Beauty in Black and White? |
| work_k3h4kiljafg5hnxx2vanuyo5za | Beauty in Black and White? |
| work_k3h4kiljafg5hnxx2vanuyo5za | Beauty in Black and White? |
| work_k3h4kiljafg5hnxx2vanuyo5za | DOI: https://doi.org/10.25222/larr.4 HISTORY Beauty in Black and White? |
| work_k3h4kiljafg5hnxx2vanuyo5za | From Rio de Janeiro? |
| work_k3h4kiljafg5hnxx2vanuyo5za | From São Paulo? |
| work_k3h4kiljafg5hnxx2vanuyo5za | From the states of the center, of the north, or the South? |
| work_k3h4kiljafg5hnxx2vanuyo5za | From where will they come? |
| work_k3h4kiljafg5hnxx2vanuyo5za | One advertisement for the contest in Cinearte asked, “ Who will be the girl and boy that luck will take to the studios of Hollywood? |
| work_k3h4kiljafg5hnxx2vanuyo5za | Suk: Beauty in Black and White? |
| work_k3h4kiljafg5hnxx2vanuyo5za | Suk: Beauty in Black and White? |
| work_k3h4kiljafg5hnxx2vanuyo5za | Suk: Beauty in Black and White? |
| work_k3h4kiljafg5hnxx2vanuyo5za | Suk: Beauty in Black and White? |
| work_k3h4kiljafg5hnxx2vanuyo5za | Suk: Beauty in Black and White? |
| work_k3h4kiljafg5hnxx2vanuyo5za | Suk: Beauty in Black and White? |
| work_k3h4kiljafg5hnxx2vanuyo5za | Underneath their mutable identities, in their costumed 40 Lima, “ Quem é Lia Torá?, ” 32. |
| work_k3h4kiljafg5hnxx2vanuyo5za | Which type of beauty would be Brazilians ’ tool to conquer Hollywood? |
| work_o3m5wlludnhblmfsc7ykumbg5i | A Variation on the 50:50 Lifeline in`` Who Wants to Be a Millionaire?'''' |
| work_o3m5wlludnhblmfsc7ykumbg5i | How can Sleeping Beauty herself tell her own potential awakenings apart? |
| work_o3m5wlludnhblmfsc7ykumbg5i | How can we tell Sleeping Beauty ’s potential awakenings apart? |
| work_o3m5wlludnhblmfsc7ykumbg5i | In Bayesian terms, what is her posterior Pr(H| A)? |
| work_o3m5wlludnhblmfsc7ykumbg5i | Question# 2: What is the probability that an arbitrarily chosen awakening happens during a run in which the coin comes up heads? |
| work_o3m5wlludnhblmfsc7ykumbg5i | Should he stay with the door they initially picked? |
| work_o3m5wlludnhblmfsc7ykumbg5i | Should he switch? |
| work_o3m5wlludnhblmfsc7ykumbg5i | Sleeping Beauty on Monty Hall Switch or Stay? |
| work_o3m5wlludnhblmfsc7ykumbg5i | Switch or Stay? |
| work_o3m5wlludnhblmfsc7ykumbg5i | Switch or Stay? |
| work_o3m5wlludnhblmfsc7ykumbg5i | What should Sleeping Beauty ’s degree of belief be upon being awakened that the coin came up heads? |
| work_o3m5wlludnhblmfsc7ykumbg5i | “ Who Wants to Be a Millionaire? ” could thus get a new lease on life by borrowing some ideas from Sleeping Beauty and Monty Hall. |
| work_ej6ohqrnvvabfdntvna5xhyo7e | 4P A J 2 91JLJ1 0fl12! 1JCIf11 qq40uj Cp9L9CSGU2IIC C0wb9L!u 4 G COGWCIGUS2 111 SJJG COIfIUJU() ojspc P0440W WPIG9II O1.I9PJG? work_ej6ohqrnvvabfdntvna5xhyo7e ( oTo)( ooeo)( o22)( oo82) 2cqq oo28 — 00313 — OO btoppT]rç? work_ej6ohqrnvvabfdntvna5xhyo7e 0 q?irnunc 20UU vuq rpc Lojc o Cfl21OwcL pcpvAIoL CC0L pvcq ou qicp pcvniA) vjc vgouJcA2) bLopvpA oj Uff!U!U vu cvq? work_ej6ohqrnvvabfdntvna5xhyo7e 00014( o411)( o) V18o8)( 3ee1) ET''JTJJ rgç — 03Q 02 T3 818( 034)( o3)( T8)( 020) ETIJT2}J 2TOMT? work_ej6ohqrnvvabfdntvna5xhyo7e : W6gIJ O83 OO3 003? work_ej6ohqrnvvabfdntvna5xhyo7e COPOLi C 011 EUJ!u( 3L0MJJ: JçCCxuJ!ui0U OUPC AqCUCC ojcouow1c j( jô): ggj- oo QO0LC J, AIJCp%j O!PP iJq BGU4 H01W1LQU? work_ej6ohqrnvvabfdntvna5xhyo7e LOL mp!cp i ta LcboI4cq ° w g11 cowbgl.12ou2 VLC! U couwIu( jog- g''t) LOL MIJOW 111C ILJW9J IJ9LA bLopJpj? work_ej6ohqrnvvabfdntvna5xhyo7e MJIIJC SIILSCI!AC13C22 qq 1101 2IIIiLIC9UIJ? work_ej6ohqrnvvabfdntvna5xhyo7e bLScIicc M92 wuiuj? work_ej6ohqrnvvabfdntvna5xhyo7e bviwcl2plb LjC pcUGL- JooJcIu qrnu ipoc u ipc bnpjic 2CC1OLqip ipe qcicucc qu v2 0LJCCL oi.i vci.o iujbvcj o pcvn ou cvunu vwou jg) v''owc? |
| work_ej6ohqrnvvabfdntvna5xhyo7e | c 3 JJJC& OMIUg LCIfIUJ2 SIC bLc2mnSpJ? |
| work_ej6ohqrnvvabfdntvna5xhyo7e | cjcu qcuumJvic 01. pccn2c pcucL- JooJqu! AJIp pcvfllA jpc LC21J12 2cthbou v qJcoL? |
| work_ej6ohqrnvvabfdntvna5xhyo7e | ipc ccurp? cvz. |
| work_ej6ohqrnvvabfdntvna5xhyo7e | j 12 uo 2iuiucur bo2!Ac GjJGC On 2flCCG22 uq 2rICCG22 IUCLGg2G2} JG bLoppJA o LG2bOU2 G JJJG IUCLGUCG iLl GL IT qoJJL bucc uqcx? i. |
| work_ej6ohqrnvvabfdntvna5xhyo7e | mq bøc!bur i r CAW1J LIJZ MTip 1C nuqcLj?4u 2fILACA2 JC JjO qJUI( AI EC1CLCIIJ ELVIJCC WWCUJJIJ v''q!w flCnOU qc im, u? |
| work_ej6ohqrnvvabfdntvna5xhyo7e | pcaniA WG92flLG pOMGAGI? |
| work_ej6ohqrnvvabfdntvna5xhyo7e | tu qc buAvc 2CC10L 1.c oipct w!u cdnvj vu qcc rpv tcIi CACU jLCL p? |
| work_ej6ohqrnvvabfdntvna5xhyo7e | wSiuJ? |
| work_sz3jdh2s4fdtdk4qefoml5frzm | ( 1983) Men and women graduate students: who succeeds and why? |
| work_sz3jdh2s4fdtdk4qefoml5frzm | Burton, L.( 1999a) Fables: the tortoise? |
| work_sz3jdh2s4fdtdk4qefoml5frzm | Burton, L.( 1999b) The practices of mathematicians: what do they tell us about coming to know mathematics? |
| work_sz3jdh2s4fdtdk4qefoml5frzm | Can I set up a time to meet you?'' |
| work_sz3jdh2s4fdtdk4qefoml5frzm | He said,` Can you come back in ten minutes?'' |
| work_sz3jdh2s4fdtdk4qefoml5frzm | Herzig, A. H.( 2002) Where have all the students gone? |
| work_sz3jdh2s4fdtdk4qefoml5frzm | I''ve very, very rarely had faculty members say,` So what are you working on? |
| work_sz3jdh2s4fdtdk4qefoml5frzm | So no particular mentor? |
| work_sz3jdh2s4fdtdk4qefoml5frzm | Sonnert, G.,& Holton, G.( 1995) Who succeeds in science? |
| work_sz3jdh2s4fdtdk4qefoml5frzm | The hare? |
| work_sz3jdh2s4fdtdk4qefoml5frzm | The mathematically underachieving male? |
| work_sz3jdh2s4fdtdk4qefoml5frzm | Well, they could be more encouraging, right? |
| work_sz3jdh2s4fdtdk4qefoml5frzm | What does this mean for women in mathematics? |
| work_sz3jdh2s4fdtdk4qefoml5frzm | ` How should I be proceeding about this, that, the other thing?'' |
| work_sz3jdh2s4fdtdk4qefoml5frzm | and he would n''t respond for ® ve days and then he''d say,` Why do n''t you come to my of ® ce hours?'' |
| work_wimil4274bhtdopifrkn4kmq7i | ( p. 107)18 What does this statement mean in practice? |
| work_wimil4274bhtdopifrkn4kmq7i | During KCF19 in Karlsruhe, 28 February–01 March 2019, we conducted a survey with the following two questions:( 1) what is beautiful about leading? |
| work_wimil4274bhtdopifrkn4kmq7i | Gofeminin, 2014, Was ist eigentlich schön? |
| work_wimil4274bhtdopifrkn4kmq7i | He raised the question: ‘ who leads the church? ’ With reference to John 16:3, Bohren( 1969:170) argues that the Holy Spirit leads the church. |
| work_wimil4274bhtdopifrkn4kmq7i | His research question was ‘ how has the theological aesthetics informed the way missional pastors lead? ’( Boren 2018:18). |
| work_wimil4274bhtdopifrkn4kmq7i | How can this statement( 4) become visible? |
| work_wimil4274bhtdopifrkn4kmq7i | Results on the question ‘ what is beautiful about leading? ’ We collected 116 index cards on the first question. |
| work_wimil4274bhtdopifrkn4kmq7i | Results on the question ‘ what is not beautiful about leading? ’ We collected 47 index cards on this question. |
| work_wimil4274bhtdopifrkn4kmq7i | The aim of this article is to investigate two links between beauty and leadership: What is beautiful about spiritual leadership? |
| work_wimil4274bhtdopifrkn4kmq7i | The research questions for this article are: what is beautiful about spiritual leadership, that is, why is it a beautiful task? |
| work_wimil4274bhtdopifrkn4kmq7i | Why should spiritual leaders bother about beauty? |
| work_wimil4274bhtdopifrkn4kmq7i | Why should spiritual leaders bother about beauty? |
| work_wimil4274bhtdopifrkn4kmq7i | and( 2) what is not beautiful about leading? |
| work_gywb7uvekrh5voytksdmgzxvee | DUFFY, BROOKE ERIN( 2010) ‘ Empowerment through endorsement? |
| work_gywb7uvekrh5voytksdmgzxvee | Her image stands apart from the group, as she is separated Figure 1 “ wrinkled? |
| work_gywb7uvekrh5voytksdmgzxvee | LACHOVER, EINAT& BRANDES, SIGAL BARAK( 2009) ‘ A beautiful campaign? |
| work_gywb7uvekrh5voytksdmgzxvee | One image( “ half empty? |
| work_gywb7uvekrh5voytksdmgzxvee | The UK version says, “ fat? |
| work_gywb7uvekrh5voytksdmgzxvee | Their images are accompanied by ballot boxes next to descriptive labels, posed as questions: “ wrinkled? |
| work_gywb7uvekrh5voytksdmgzxvee | fab? ” These sentiments are strikingly similar to the US version. |
| work_gywb7uvekrh5voytksdmgzxvee | fit? ” and the Canadian version asks, “ fat? |
| work_gywb7uvekrh5voytksdmgzxvee | fit? ” and the Canadian version asks, “ fat? |
| work_gywb7uvekrh5voytksdmgzxvee | flawless? ” Copyright 2004 Ogilvy& Mather. |
| work_gywb7uvekrh5voytksdmgzxvee | gorgeous? ”( Second Wave) and “ flawed? |
| work_gywb7uvekrh5voytksdmgzxvee | gorgeous? ”( Second Wave) and “ flawed? |
| work_gywb7uvekrh5voytksdmgzxvee | half full? ” Copyright 2004 Ogilvy& Mather. |
| work_gywb7uvekrh5voytksdmgzxvee | it ’s why we started the campaign for real beauty. ” CFRB ’s texts connote a Figure 2 “ flawed? |
| work_gywb7uvekrh5voytksdmgzxvee | outstanding? ” Copyright 2004 Ogilvy& Mather. |
| work_gywb7uvekrh5voytksdmgzxvee | wonderful? ” Copyright 2004 Ogilvy& Mather. |
| work_gywb7uvekrh5voytksdmgzxvee | wonderful? ”( First Wave), “ gray? |
| work_gywb7uvekrh5voytksdmgzxvee | wonderful? ”( First Wave), “ gray? |
| work_y3tminxc7zcrlbsee7bvcuqqta | ( 2006), Friend or Foe? |
| work_y3tminxc7zcrlbsee7bvcuqqta | 5.5 Insidious discrimination? |
| work_y3tminxc7zcrlbsee7bvcuqqta | And if they are aware, is this knowledge conscious or sub- conscious? |
| work_y3tminxc7zcrlbsee7bvcuqqta | Are they more cooperative or do they engender cooperation? |
| work_y3tminxc7zcrlbsee7bvcuqqta | Are they more likely to be chosen by their peers when a selection decision has to be made? |
| work_y3tminxc7zcrlbsee7bvcuqqta | Are third parties aware of the possibility of discriminatory behavior? |
| work_y3tminxc7zcrlbsee7bvcuqqta | At the end, we asked subjects a qualitative question: what, in their opinion, are the most important factors determining the elimination decision? |
| work_y3tminxc7zcrlbsee7bvcuqqta | Do men care more about looks than women do? |
| work_y3tminxc7zcrlbsee7bvcuqqta | Do people care more about the looks of the opposite sex? |
| work_y3tminxc7zcrlbsee7bvcuqqta | Questions? |
| work_y3tminxc7zcrlbsee7bvcuqqta | We can ask: are attractive people more productive, and do they exhibit greater confidence? |
| work_y3tminxc7zcrlbsee7bvcuqqta | [ 11] Eckel, C. and R. Wilson( 2004), Detecting Trustworthiness: Does Beauty Confound Intuition?, mimeo. |
| work_y3tminxc7zcrlbsee7bvcuqqta | [ 6] Belot, M., V. Bhaskar and J. van de Ven( 2008), Can Observers Predict Trustworthiness?, http://else.econ.ucl.ac.uk/papers/uploaded/298.pdf. |
| work_y3tminxc7zcrlbsee7bvcuqqta | [ 9] Bertrand, M., and S. Mullainathan( 2004), Are Emily and Greg more Employable than Lakisha and Jamal? |
| work_7xjsdkkmsjfy5kfw37saaw3c24 | ( circle your response) Yes No Alcohol? |
| work_7xjsdkkmsjfy5kfw37saaw3c24 | ( circle your response) Yes No Desserts? |
| work_7xjsdkkmsjfy5kfw37saaw3c24 | ( circle your response) Yes No Have any of your close friends or family ever been employed as a waiter or waitress? |
| work_7xjsdkkmsjfy5kfw37saaw3c24 | ( circle your response) Yes No If you answered yes, what was the percent tip automatically added?______ 7. |
| work_7xjsdkkmsjfy5kfw37saaw3c24 | ( includes soups, salads)( circle your response) Yes No Entrees? |
| work_7xjsdkkmsjfy5kfw37saaw3c24 | Are good- looking people more employable? |
| work_7xjsdkkmsjfy5kfw37saaw3c24 | Did anyone whom you paid for, including yourself, have: Appetizers? |
| work_7xjsdkkmsjfy5kfw37saaw3c24 | Do you regularly attend religious services? |
| work_7xjsdkkmsjfy5kfw37saaw3c24 | Does beauty pay? |
| work_7xjsdkkmsjfy5kfw37saaw3c24 | Dress for success – Does primping pay? |
| work_7xjsdkkmsjfy5kfw37saaw3c24 | For tax purposes, are you a dependent of your parents? |
| work_7xjsdkkmsjfy5kfw37saaw3c24 | Have you ever been employed as a waiter or waitress? |
| work_7xjsdkkmsjfy5kfw37saaw3c24 | How did you pay for your bill? |
| work_7xjsdkkmsjfy5kfw37saaw3c24 | How many checks did your table have?________ 3. |
| work_7xjsdkkmsjfy5kfw37saaw3c24 | How many people were at your table?________ 2. |
| work_7xjsdkkmsjfy5kfw37saaw3c24 | How many people, including yourself, did you pay for?_____________ 4. |
| work_7xjsdkkmsjfy5kfw37saaw3c24 | Maxims or myths of beauty? |
| work_7xjsdkkmsjfy5kfw37saaw3c24 | On a scale from 1 to 5, how would you rate your attractiveness? |
| work_7xjsdkkmsjfy5kfw37saaw3c24 | On a scale from 1 to 5, how would you rate your server ’s attractiveness? |
| work_7xjsdkkmsjfy5kfw37saaw3c24 | On a scale from 1 to 5, how would you rate your server ’s weight? |
| work_7xjsdkkmsjfy5kfw37saaw3c24 | On a scale from 1 to 7, how would you rate the frequency with which you dine at this particular restaurant? |
| work_7xjsdkkmsjfy5kfw37saaw3c24 | On a scale from 1 to 7, how would you rate the service you received from your waiter/ waitress? |
| work_7xjsdkkmsjfy5kfw37saaw3c24 | Was the tip automatically added to your bill? |
| work_7xjsdkkmsjfy5kfw37saaw3c24 | What do you think the norm is regarding percent tip in a restaurant? |
| work_7xjsdkkmsjfy5kfw37saaw3c24 | What is the highest level of education that you have completed? |
| work_7xjsdkkmsjfy5kfw37saaw3c24 | What is your age?________ 19. |
| work_7xjsdkkmsjfy5kfw37saaw3c24 | What is your marital status? |
| work_7xjsdkkmsjfy5kfw37saaw3c24 | What is your sex? |
| work_7xjsdkkmsjfy5kfw37saaw3c24 | What was your family ’s( all of the people in your household) approximate total income last year? |
| work_7xjsdkkmsjfy5kfw37saaw3c24 | What was your server ’s sex? |
| work_7xjsdkkmsjfy5kfw37saaw3c24 | Which of the following categories best describes you? |
| work_7xjsdkkmsjfy5kfw37saaw3c24 | Why does beauty pay? |
| work_7xjsdkkmsjfy5kfw37saaw3c24 | Why pay extra? |
| work_i5jewootsnhvrcvfsugrmdljaa | ( 2006): “ Privately Held or Publicly Owned? |
| work_i5jewootsnhvrcvfsugrmdljaa | ( a) Why do private signals contain more precise information than the professionally audited statements? |
| work_i5jewootsnhvrcvfsugrmdljaa | ( b) Who is doing the aggregation? |
| work_i5jewootsnhvrcvfsugrmdljaa | ( i) What is the data that constitutes “ private ” information? |
| work_i5jewootsnhvrcvfsugrmdljaa | ( iv) If private signals are unobserved, how could common knowledge of the structure be attained? |
| work_i5jewootsnhvrcvfsugrmdljaa | ( v) Why are private signals more informative than audited public signals? |
| work_i5jewootsnhvrcvfsugrmdljaa | But if the objective is an understanding 18 of the dynamics of asset prices, is such a detailed description necessary? |
| work_i5jewootsnhvrcvfsugrmdljaa | But then one asks the simpler question: if these signals are not publically observed, how does the common knowledge come about? |
| work_i5jewootsnhvrcvfsugrmdljaa | But then what is common knowledge among traders with diverse beliefs? |
| work_i5jewootsnhvrcvfsugrmdljaa | But then, how different are these two theories of belief diversity? |
| work_i5jewootsnhvrcvfsugrmdljaa | But then, how do traders update their beliefs when they observe? |
| work_i5jewootsnhvrcvfsugrmdljaa | But then, how do we describe the individual and market beliefs? |
| work_i5jewootsnhvrcvfsugrmdljaa | But then, what does theW i t%1''S i t( Qt%1% μ) liquidation value reflect? |
| work_i5jewootsnhvrcvfsugrmdljaa | Does it make sense to postulate that audited statements are less reliable than the sum of all the fragmentary signals that individuals obtain? |
| work_i5jewootsnhvrcvfsugrmdljaa | For such a description do we really need to give a full, detailed, development of all the diverse theories of the traders? |
| work_i5jewootsnhvrcvfsugrmdljaa | Hence, Ψ i t%1 bt%1 bt his problem is how to go from to a prior of? |
| work_i5jewootsnhvrcvfsugrmdljaa | How does agent i know that his own signal takes the form and that is an unbiased estimate of θ? |
| work_i5jewootsnhvrcvfsugrmdljaa | How does trader i knows that the signal of k x i''Q% εi x i takes the form? |
| work_i5jewootsnhvrcvfsugrmdljaa | How is this equilibrated? |
| work_i5jewootsnhvrcvfsugrmdljaa | If he is a neutral agent with a duty not to exploit the public, why does he not simply announce Q? |
| work_i5jewootsnhvrcvfsugrmdljaa | In formulating an asset pricing theory should we provide a detailed description and motivate the subjective models of each trader in the model? |
| work_i5jewootsnhvrcvfsugrmdljaa | Swanson, E.( 2006): “ Have Increases in Federal Reserve Transparency Improved Private Sector Forecasts of Short Term Interest Rates? |
| work_i5jewootsnhvrcvfsugrmdljaa | What are the differences between these two theories and do these differences matter? |
| work_i5jewootsnhvrcvfsugrmdljaa | What are the differences in their theoretical and empirical implications? |
| work_i5jewootsnhvrcvfsugrmdljaa | What are the incentives of this aggregating agent? |
| work_i5jewootsnhvrcvfsugrmdljaa | What does a trader learn in round 1? |
| work_i5jewootsnhvrcvfsugrmdljaa | When Should the Assumption of Asymmetric Information Be Avoided? |
| work_i5jewootsnhvrcvfsugrmdljaa | With such complexity how do we describe an equilibrium? |
| work_i5jewootsnhvrcvfsugrmdljaa | structure needed to arrive at an aggregation? |
| work_myft2o5ionhehkgstitmfey47e | 1)? |
| work_myft2o5ionhehkgstitmfey47e | Are any of men''s traits properly considered sexual ornaments( i.e., function primarily in mate attraction)? |
| work_myft2o5ionhehkgstitmfey47e | Are men more competitive than women? |
| work_myft2o5ionhehkgstitmfey47e | Croaks and tails or teeth and claws? |
| work_myft2o5ionhehkgstitmfey47e | Does female choice drive male dominance competition? |
| work_myft2o5ionhehkgstitmfey47e | Does female choice drive male dominance competition? |
| work_myft2o5ionhehkgstitmfey47e | Does sexual selection explain human sex differences in aggression? |
| work_myft2o5ionhehkgstitmfey47e | Does size matter? |
| work_myft2o5ionhehkgstitmfey47e | For example, is a particular trait a weapon or an ornament, a dominance signal or a mate attraction display? |
| work_myft2o5ionhehkgstitmfey47e | Heritable true fitness and bright birds: A role for parasites? |
| work_myft2o5ionhehkgstitmfey47e | Human hips, breasts and buttocks: Is fat deceptive? |
| work_myft2o5ionhehkgstitmfey47e | Is mate choice in humans MHC- dependent? |
| work_myft2o5ionhehkgstitmfey47e | Sex- typicality and attractiveness: Are supermale and superfemale faces super- attractive? |
| work_myft2o5ionhehkgstitmfey47e | Sexual dimorphism in Australopithecus afarensis revisited: How strong is the case for a human- like pattern of dimorphism? |
| work_myft2o5ionhehkgstitmfey47e | Sexual ornaments in men? |
| work_myft2o5ionhehkgstitmfey47e | The body and face of woman: One ornament that signals quality? |
| work_myft2o5ionhehkgstitmfey47e | The dominance dilemma: Do women really prefer dominant mates? |
| work_myft2o5ionhehkgstitmfey47e | The evolution of female orgasm: Adaptation or byproduct? |
| work_myft2o5ionhehkgstitmfey47e | The orang- utan mating system and the unflanged male: A product of increased food stress during the late Miocene and Pliocene? |
| work_myft2o5ionhehkgstitmfey47e | The scent of symmetry: A human sex pheromone that signals fitness? |
| work_myft2o5ionhehkgstitmfey47e | To what extent did these possibilities apply to ancestral humans? |
| work_myft2o5ionhehkgstitmfey47e | Waist- hip ratio and cognitive ability: Is gluteofemoral fat a privileged store of neurodevelopmental resources? |
| work_myft2o5ionhehkgstitmfey47e | Why do men hunt? |
| work_myft2o5ionhehkgstitmfey47e | Why is muscularity sexy? |
| work_myft2o5ionhehkgstitmfey47e | Why is sex fun? |
| work_myft2o5ionhehkgstitmfey47e | Why might women compete for mates? |
| work_ykipg5prjjddxhcw6pvzzwtg4a | 80 Is there a distinctive Christian ethics? work_ykipg5prjjddxhcw6pvzzwtg4a 410 THEOLOGICAL STUDIES alongside other beings? work_ykipg5prjjddxhcw6pvzzwtg4a 420 THEOLOGICAL STUDIES motivation, perspective, or habitual moral stance? |
| work_ykipg5prjjddxhcw6pvzzwtg4a | But if this redefinition of moral action is so complete, what role do moral standards play? |
| work_ykipg5prjjddxhcw6pvzzwtg4a | Did he expect moral discernment based on the new sense of beauty to guide the Christian? |
| work_ykipg5prjjddxhcw6pvzzwtg4a | In normative terms, if the great command- ment to love God and neighbor sums up the law and the prophets, what becomes of all the lesser commandments? |
| work_ykipg5prjjddxhcw6pvzzwtg4a | It can mean"Are there values and standards that morally oblige Christians which do not oblige others?" |
| work_ykipg5prjjddxhcw6pvzzwtg4a | Or did the cultural atmosphere and social sanctions of the godly common- wealth of Massachusetts provide sufficient guidelines for behavior al- ready? |
| work_ykipg5prjjddxhcw6pvzzwtg4a | Were the converts content with the secondary beauty of a morality largely unconnected with the love of God? |
| work_ykipg5prjjddxhcw6pvzzwtg4a | What disposition in the human subject can correlate with the goodness and reality of God as its object? |
| work_ykipg5prjjddxhcw6pvzzwtg4a | What is distinctively Christian about reason reflecting on human nature? |
| work_ykipg5prjjddxhcw6pvzzwtg4a | What role does Christ play in this Christian ethics? |
| work_ykipg5prjjddxhcw6pvzzwtg4a | Yet how does the simple existence of God provide an object of benevolent consent? |
| work_v2ompsptvzc43fhr5mqphspm6y | A few naughty people who spoil things for the rest of us? |
| work_v2ompsptvzc43fhr5mqphspm6y | But when an organization – a corporation- claims responsibilities, what might that mean? |
| work_v2ompsptvzc43fhr5mqphspm6y | How do you propose to do that? |
| work_v2ompsptvzc43fhr5mqphspm6y | Is Small Always Beautiful? |
| work_v2ompsptvzc43fhr5mqphspm6y | Is it credible to imagine that he knew nothing about a widespread policy to evade emissions regulation in many countries? |
| work_v2ompsptvzc43fhr5mqphspm6y | Might I persuade you to agree with me here? |
| work_v2ompsptvzc43fhr5mqphspm6y | Parker, M and Pearson, G( 2013) ‘ What Should Business Schools Teach Managers? ’ Business and Society Review 118/1:1- 22. |
| work_v2ompsptvzc43fhr5mqphspm6y | Pearson, G and Parker M( 2008) ‘ Management or Organizing? |
| work_v2ompsptvzc43fhr5mqphspm6y | So, are you prepared to acknowledge that ‘ culture ’ is( in part at least) a function of scale? |
| work_v2ompsptvzc43fhr5mqphspm6y | The Dialogue ‘ How then can we rightly order the distribution of the land? |
| work_v2ompsptvzc43fhr5mqphspm6y | The big question is ‘ why? ’ Asserting that it is because their organisations are so big is simply not a necessary or sufficient explanation. |
| work_v2ompsptvzc43fhr5mqphspm6y | The real question is what gives rise to wilful blindness? |
| work_v2ompsptvzc43fhr5mqphspm6y | We should be asking what is it that is responsible for such corruption? |
| work_v2ompsptvzc43fhr5mqphspm6y | What ’s wrong with that? |
| work_v2ompsptvzc43fhr5mqphspm6y | Why is that conclusion so unpalatable to you? |
| work_v2ompsptvzc43fhr5mqphspm6y | Why should growth be synonymous with success? |
| work_yttymbqcvncqfalgfxpfn6nfna | 93--126 eISSN: 2282- 7765 93 Is the golden section a key for understanding beauty? |
| work_yttymbqcvncqfalgfxpfn6nfna | Is the Golden Section a Key for Understanding Beauty? |
| work_yttymbqcvncqfalgfxpfn6nfna | Is the Golden Section a Key for Understanding Beauty? |
| work_yttymbqcvncqfalgfxpfn6nfna | Is the Golden Section a Key for Understanding Beauty? |
| work_yttymbqcvncqfalgfxpfn6nfna | Is the Golden Section a Key for Understanding Beauty? |
| work_yttymbqcvncqfalgfxpfn6nfna | Is the Golden Section a Key for Understanding Beauty? |
| work_yttymbqcvncqfalgfxpfn6nfna | Is the Golden Section a Key for Understanding Beauty? |
| work_yttymbqcvncqfalgfxpfn6nfna | Is the Golden Section a Key for Understanding Beauty? |
| work_yttymbqcvncqfalgfxpfn6nfna | Is the Golden Section a Key for Understanding Beauty? |
| work_yttymbqcvncqfalgfxpfn6nfna | Is the Golden Section a Key for Understanding Beauty? |
| work_yttymbqcvncqfalgfxpfn6nfna | Is the Golden Section a Key for Understanding Beauty? |
| work_yttymbqcvncqfalgfxpfn6nfna | Is the Golden Section a Key for Understanding Beauty? |
| work_yttymbqcvncqfalgfxpfn6nfna | Is the Golden Section a Key for Understanding Beauty? |
| work_yttymbqcvncqfalgfxpfn6nfna | Is the Golden Section a Key for Understanding Beauty? |
| work_yttymbqcvncqfalgfxpfn6nfna | Part I( La sezione aurea è una chiave per la comprensione del bello?) |
| work_nl7hlfimebayppvw2brrsd5smy | After all, are not many evil things superficially lovely and attractive and beautiful? |
| work_nl7hlfimebayppvw2brrsd5smy | Are possible worlds analogous to stories? |
| work_nl7hlfimebayppvw2brrsd5smy | Are possible worlds themselves made real, or are they complete models for the real? |
| work_nl7hlfimebayppvw2brrsd5smy | But how can something so ugly be so beautiful? |
| work_nl7hlfimebayppvw2brrsd5smy | But will Tom be satisfied with only a list? |
| work_nl7hlfimebayppvw2brrsd5smy | Can the saint in heaven avert her gaze from the contemplation of the Godhead? |
| work_nl7hlfimebayppvw2brrsd5smy | Can there be anything which would be neither beautiful nor ugly in the being of God? |
| work_nl7hlfimebayppvw2brrsd5smy | Could ugly parts be needed in God ’s beauty? |
| work_nl7hlfimebayppvw2brrsd5smy | Do the Dinka see a murder, which is then transformed into a sacrifice? |
| work_nl7hlfimebayppvw2brrsd5smy | Do the Dinka see aesthetically depraved parts mixed with some beauty and see that the ugliness helps to make the whole aesthetically better? |
| work_nl7hlfimebayppvw2brrsd5smy | Does it show that some things really are more beautiful if there are some local aspects which are ugly? |
| work_nl7hlfimebayppvw2brrsd5smy | Does n’t the resurrected Lord have scars in heaven? |
| work_nl7hlfimebayppvw2brrsd5smy | Does this accommodation of the ugly with the beautiful tell against my account of God ’s complete, utter, and full beauty? |
| work_nl7hlfimebayppvw2brrsd5smy | For example, in that bestseller of the late nineteenth century, Quo Vadis? |
| work_nl7hlfimebayppvw2brrsd5smy | GAINES, SIMON FRANCIS( ) Will There Be Free Will in Heaven? |
| work_nl7hlfimebayppvw2brrsd5smy | How will God know what hue Adam ’s skin will possess if He does not have some kind of image? |
| work_nl7hlfimebayppvw2brrsd5smy | I ask this question: Can God be anything else but full of beauty? |
| work_nl7hlfimebayppvw2brrsd5smy | If so, are n’t there ugly things in heaven? |
| work_nl7hlfimebayppvw2brrsd5smy | If they are not, why do people feel such attraction for them? |
| work_nl7hlfimebayppvw2brrsd5smy | ROBSON, JON( ) ‘ Do possible worlds compromise God ’s beauty? |
| work_nl7hlfimebayppvw2brrsd5smy | What is the alternative to possible worlds? |
| work_nl7hlfimebayppvw2brrsd5smy | What, then, could the beauty of God be like? |
| work_nl7hlfimebayppvw2brrsd5smy | Will these scars somehow ruin the beauty of heaven? |
| work_dmitbbrb5zhxnmvr4frm6f45ka | ( H o w m a n y r e a d e r s did n o t reply for such reasons?) |
| work_dmitbbrb5zhxnmvr4frm6f45ka | ( How do mathematicians t e n d to distinguish b e t w e e n beautiful a n d pretty?) |
| work_dmitbbrb5zhxnmvr4frm6f45ka | A r e a t h e o r e m a n d its d u a l e q u a l l y b e a u t i f u l? |
| work_dmitbbrb5zhxnmvr4frm6f45ka | Are T h e s e the M o s t Beautiful? |
| work_dmitbbrb5zhxnmvr4frm6f45ka | Are easy t h e o r e m s less beautiful? |
| work_dmitbbrb5zhxnmvr4frm6f45ka | Are mathematicians similarly varied? |
| work_dmitbbrb5zhxnmvr4frm6f45ka | Are t h e y? |
| work_dmitbbrb5zhxnmvr4frm6f45ka | Are there no s y m p h o n i e s or epics in the world of beautiful proofs? |
| work_dmitbbrb5zhxnmvr4frm6f45ka | Are these the most beautiful? |
| work_dmitbbrb5zhxnmvr4frm6f45ka | But w h a t h a p p e n s w h e n t h e novelty wears off? |
| work_dmitbbrb5zhxnmvr4frm6f45ka | But w h a t h a p p e n s w h e n the m y s t e r y is re- solved? |
| work_dmitbbrb5zhxnmvr4frm6f45ka | C a n loss of d e p t h h a v e d e s t r o y e d t h e b e a u t y of( 24)? |
| work_dmitbbrb5zhxnmvr4frm6f45ka | Can a n d do mathematicians deliberately u n d o such ef- fects b y placing themselves empathically in t h e posi- tion of the original discoverers? |
| work_dmitbbrb5zhxnmvr4frm6f45ka | Can a small a n d"inessential"c h a n g e in a t h e o r e m c h a n g e its aesthetic value? |
| work_dmitbbrb5zhxnmvr4frm6f45ka | Equivalent o r related? |
| work_dmitbbrb5zhxnmvr4frm6f45ka | H o w a b o u t H a r d y''s"inevitable?" |
| work_dmitbbrb5zhxnmvr4frm6f45ka | H o w come o n e particular transformation of this iden- tity into triangle terms is t h o u g h t so beautiful? |
| work_dmitbbrb5zhxnmvr4frm6f45ka | H o w d o aesthetic j u d g e m e n t s c h a n g e a n d d e v e l o p, in q u a n t i t y a n d quality, during this temporal roller coaster? |
| work_dmitbbrb5zhxnmvr4frm6f45ka | H o w d o e s j u d g m e n t c h a n g e w i t h time? |
| work_dmitbbrb5zhxnmvr4frm6f45ka | H o w might"natural"b e interpreted in mathemat- ical terms? |
| work_dmitbbrb5zhxnmvr4frm6f45ka | H o w simple can a beautiful entity be? |
| work_dmitbbrb5zhxnmvr4frm6f45ka | H o w w o u l d i i= e-~''t2 have scored? |
| work_dmitbbrb5zhxnmvr4frm6f45ka | H o w? |
| work_dmitbbrb5zhxnmvr4frm6f45ka | I s n''t this difficult, d e e p, sur- prising, a n d s i m p l e relative to its s u b j e c t matter?! |
| work_dmitbbrb5zhxnmvr4frm6f45ka | Is it n o longer deep or diffi- cult? |
| work_dmitbbrb5zhxnmvr4frm6f45ka | Is it partly a surprise factor, w h i c h the p e d e s t r i a n identity lacks? |
| work_dmitbbrb5zhxnmvr4frm6f45ka | Is it t r u t h that is b o t h natural and beautiful? |
| work_dmitbbrb5zhxnmvr4frm6f45ka | Is t h e b e a u t y t r a n s f o r m e d into a n o t h e r beauty, or m a y it evaporate? |
| work_dmitbbrb5zhxnmvr4frm6f45ka | Is"rr, a n d a n y t h i n g to do w i t h it, coloured b y the feeling that-a"is unique, that there is n o other n u m b e r like it? |
| work_dmitbbrb5zhxnmvr4frm6f45ka | Le Lionnais, u n f o r t u n a t e l y, d o e s n o t qualify"n o w s e e m s"b y asking,"''to w h o m?" |
| work_dmitbbrb5zhxnmvr4frm6f45ka | P. R. Halmos, Why is a congress? |
| work_dmitbbrb5zhxnmvr4frm6f45ka | Roger P e n r o s e[ 10] a s k e d w h e t h e r a n u n a d o r n e d square grid was beautiful, or was it too simple? |
| work_dmitbbrb5zhxnmvr4frm6f45ka | Should it be? |
| work_dmitbbrb5zhxnmvr4frm6f45ka | Should readers h a v e been asked to r e s p o n d only to those t h e o r e m s w i t h w h i c h t h e y w e r e extremely fa- miliar? |
| work_dmitbbrb5zhxnmvr4frm6f45ka | T h e m e 1: A r e T h e o r e m s B e a u t i f u l? |
| work_dmitbbrb5zhxnmvr4frm6f45ka | To w h a t extent w a s the g o o d score for( 4) a v o t e for the b e a u t y of the Platonic solids themselves? |
| work_dmitbbrb5zhxnmvr4frm6f45ka | W h y? |
| work_dmitbbrb5zhxnmvr4frm6f45ka | Was it outside the m a i n field of interest of most r e s p o n d e n t s, a n d rated d o w n for that reason? |
| work_dmitbbrb5zhxnmvr4frm6f45ka | What m o r e d o y o u want? |
| work_xwq24g6z75c63erw7ccnag7jbu | ... Do partnered women discriminate men''s faces less along the attractiveness dimension? |
| work_xwq24g6z75c63erw7ccnag7jbu | ... Mirror, mirror on the wall, who''s the fairest one of all? |
| work_xwq24g6z75c63erw7ccnag7jbu | ... To each its own? |
| work_xwq24g6z75c63erw7ccnag7jbu | Does dopamine mostly mediate the hedonic impact of reward(''liking'')? |
| work_xwq24g6z75c63erw7ccnag7jbu | Does dopamine mostly mediate the hedonic impact of reward(''liking'')? |
| work_xwq24g6z75c63erw7ccnag7jbu | Does it instead mediate learned predictions of future reward, prediction error teaching signals and stamp in associative links( learning)? |
| work_xwq24g6z75c63erw7ccnag7jbu | Does it instead mediate learned predictions of future reward, prediction error teaching signals and stamp in associative links( learning)? |
| work_xwq24g6z75c63erw7ccnag7jbu | Email · HintTip: Most researchers use their institutional email address as their ResearchGate login PasswordForgot password? |
| work_xwq24g6z75c63erw7ccnag7jbu | How deeply can it be processed? |
| work_xwq24g6z75c63erw7ccnag7jbu | Keep me logged in Log in or Continue with LinkedIn Continue with Google No account? |
| work_xwq24g6z75c63erw7ccnag7jbu | Or does dopamine motivate the pursuit of rewards by attributing incentive salience to reward- related stimuli(''wanting'')? |
| work_xwq24g6z75c63erw7ccnag7jbu | Or does dopamine motivate the pursuit of rewards by attributing incentive salience to reward- related stimuli(''wanting'')? |
| work_xwq24g6z75c63erw7ccnag7jbu | Read more Last Updated: 04 Dec 2020 Looking for the full- text? |
| work_xwq24g6z75c63erw7ccnag7jbu | Request full- text Already a member? |
| work_xwq24g6z75c63erw7ccnag7jbu | Researchers of subliminal stimulation ask the following fundamental questions: What kind of subliminal information can be processed? |
| work_xwq24g6z75c63erw7ccnag7jbu | To what extent can it influence behavior? |
| work_xwq24g6z75c63erw7ccnag7jbu | View Show abstract Is it possible to dissociate ‘ liking ’ and ‘ wanting ’ for foods in humans? |
| work_xwq24g6z75c63erw7ccnag7jbu | View Show abstract What Does Sexual Orientation Orient? |
| work_xwq24g6z75c63erw7ccnag7jbu | What are the determinants of its influence? |
| work_xwq24g6z75c63erw7ccnag7jbu | What is attractiveness? |
| work_xwq24g6z75c63erw7ccnag7jbu | Why? |
| work_3cjvwqbf5vbevld7r4wrppdjhm | ; Moi, “ What Can Literature Do? ”). |
| work_3cjvwqbf5vbevld7r4wrppdjhm | And if you do n’t keep quiet – then what? |
| work_3cjvwqbf5vbevld7r4wrppdjhm | And what conclusions will people draw from the fact that you did give it to him? |
| work_3cjvwqbf5vbevld7r4wrppdjhm | But what is beauty without vine leaves? |
| work_3cjvwqbf5vbevld7r4wrppdjhm | But why does Hedda acquiesce in the idea that testifying in court must mean telling the truth about why she gave Løvborg the gun? |
| work_3cjvwqbf5vbevld7r4wrppdjhm | But why does Hedda prefer to die rather than explaining in court( or anywhere else) why she gave Løvborg the gun? |
| work_3cjvwqbf5vbevld7r4wrppdjhm | But why say such a thing to an unhinged alcoholic? |
| work_3cjvwqbf5vbevld7r4wrppdjhm | Cavell writes, “ How is acknowledgement expressed; that is, how do we put ourselves in another ’s presence? ”. |
| work_3cjvwqbf5vbevld7r4wrppdjhm | Could n’t you arrange that – that it ’s done beautifully? |
| work_3cjvwqbf5vbevld7r4wrppdjhm | Do you recognize it? |
| work_3cjvwqbf5vbevld7r4wrppdjhm | Everything now turns on her decision; as we watch, the tension[ spændingen] mounts: will Hedda speak or remain silent? |
| work_3cjvwqbf5vbevld7r4wrppdjhm | How can Hedda take the witness stand and explain that she gave Løvborg the pistol as a complex re- minder of her own incapacity to love? |
| work_3cjvwqbf5vbevld7r4wrppdjhm | How could Hedda, who feels radically estranged from everything in her world, bring herself to choose community? |
| work_3cjvwqbf5vbevld7r4wrppdjhm | How, then, are we to read Hedda Gabler philosophically? |
| work_3cjvwqbf5vbevld7r4wrppdjhm | In her universe, the very existence of confidants is ruled out: what ’s a confidant to someone who does n’t believe that her words carry meaning? |
| work_3cjvwqbf5vbevld7r4wrppdjhm | Is her suicide a last, reckless act of freedom? |
| work_3cjvwqbf5vbevld7r4wrppdjhm | Is it a final idealist masterpiece, doomed to remain unacknowledged by her mediocre surroundings? |
| work_3cjvwqbf5vbevld7r4wrppdjhm | Is it because she does n’t want to make Løvborg out to be a thief? |
| work_3cjvwqbf5vbevld7r4wrppdjhm | Is that the souvenir? |
| work_3cjvwqbf5vbevld7r4wrppdjhm | Like the German schweigen, it often implies that something is deliberately withheld( “ kan du tie? ” means “ can you keep a secret? ”). |
| work_3cjvwqbf5vbevld7r4wrppdjhm | Like the German schweigen, it often implies that something is deliberately withheld( “ kan du tie? ” means “ can you keep a secret? ”). |
| work_3cjvwqbf5vbevld7r4wrppdjhm | Must We Mean What We Say? |
| work_3cjvwqbf5vbevld7r4wrppdjhm | Or is Hedda simply succumbing to despair in a world that has no place for her? |
| work_3cjvwqbf5vbevld7r4wrppdjhm | Que peut la littérature? |
| work_3cjvwqbf5vbevld7r4wrppdjhm | She is turning her friends( friends?) |
| work_3cjvwqbf5vbevld7r4wrppdjhm | Surely, Hedda still has the option of testifying that Løvborg must have stolen the pistol? |
| work_3cjvwqbf5vbevld7r4wrppdjhm | That she told Løvborg to shoot himself “ in beauty ”? |
| work_3cjvwqbf5vbevld7r4wrppdjhm | That? |
| work_3cjvwqbf5vbevld7r4wrppdjhm | WHY DOES HEDDA NEVER SAY THAT SHE HAS THE MANUSCRIPT? |
| work_3cjvwqbf5vbevld7r4wrppdjhm | WHY DOES HEDDA REFUSE TO SAY THAT LØVBORG STOLE THE PISTOL? |
| work_3cjvwqbf5vbevld7r4wrppdjhm | What are these “ si- lences ” I am about to investigate? |
| work_3cjvwqbf5vbevld7r4wrppdjhm | What could she say? |
| work_3cjvwqbf5vbevld7r4wrppdjhm | What is going on with Hedda here? |
| work_3cjvwqbf5vbevld7r4wrppdjhm | What is the connection between Hedda ’s silence and despair and our own cul- tural moment? |
| work_3cjvwqbf5vbevld7r4wrppdjhm | What kind of philosophy does not? |
| work_3cjvwqbf5vbevld7r4wrppdjhm | What kind of philosophy finds room for the illuminations of Hedda Gabler? |
| work_3cjvwqbf5vbevld7r4wrppdjhm | What would happen? |
| work_3cjvwqbf5vbevld7r4wrppdjhm | What? |
| work_3cjvwqbf5vbevld7r4wrppdjhm | Who would believe her? |
| work_3cjvwqbf5vbevld7r4wrppdjhm | Why does Hedda kill herself? |
| work_3cjvwqbf5vbevld7r4wrppdjhm | With vine leaves in my hair, as you used to dream in the old days? |
| work_3cjvwqbf5vbevld7r4wrppdjhm | Would she say that her own suicide, a clean shot through the temple, was a deed done in beauty? |
| work_3cjvwqbf5vbevld7r4wrppdjhm | [ What can literature do?] |
| work_3cjvwqbf5vbevld7r4wrppdjhm | hedda Do you think they ’ll succeed? |
| work_3cjvwqbf5vbevld7r4wrppdjhm | hedda When I did n’t dare shoot you – løvborg Yes? |
| work_3cjvwqbf5vbevld7r4wrppdjhm | løvborg Beautifully? |
| work_3cjvwqbf5vbevld7r4wrppdjhm | “ What Can Literature Do? |
| work_zqgnn6s2kfg3tduga7re5wokxq | Andreoni, J. and A.A. Payne( 2009), Is Crowding Out Due Entirely to Fundraising? |
| work_zqgnn6s2kfg3tduga7re5wokxq | Have you already donated this year to a charitable organization? |
| work_zqgnn6s2kfg3tduga7re5wokxq | Have you ever received a donation receipt for your donation? |
| work_zqgnn6s2kfg3tduga7re5wokxq | Have you made a donation to a charitable organization before? |
| work_zqgnn6s2kfg3tduga7re5wokxq | How can your marital status be described? |
| work_zqgnn6s2kfg3tduga7re5wokxq | How many children live in your household? |
| work_zqgnn6s2kfg3tduga7re5wokxq | How many people, including you, live in your household? |
| work_zqgnn6s2kfg3tduga7re5wokxq | If you answered question 16 with “ yes ”, how much have you donated this year altogether? |
| work_zqgnn6s2kfg3tduga7re5wokxq | If you answered question 16 with “ yes ”, in which month have you donated last? |
| work_zqgnn6s2kfg3tduga7re5wokxq | Steinberg, R.( 1991), Does Government Spending Crowd Out Donations? |
| work_zqgnn6s2kfg3tduga7re5wokxq | To which purpose have you to date donated most often? |
| work_zqgnn6s2kfg3tduga7re5wokxq | What are the monthly net earnings of your household( how much money per month is available for your household altogether?) |
| work_zqgnn6s2kfg3tduga7re5wokxq | What is your ID- number? |
| work_zqgnn6s2kfg3tduga7re5wokxq | What is your first language? |
| work_zqgnn6s2kfg3tduga7re5wokxq | What is your highest educational achievement? |
| work_zqgnn6s2kfg3tduga7re5wokxq | What is your original nationality? |
| work_zqgnn6s2kfg3tduga7re5wokxq | What is your religious affiliation? |
| work_zqgnn6s2kfg3tduga7re5wokxq | What is your year of birth? |
| work_zqgnn6s2kfg3tduga7re5wokxq | Which party would you vote for if there were federal elections on the coming Sunday? |
| work_ybvmapar5fbunf6sncdsddcgd4 | 12 4 Does Body Size matter above and beyond Beauty? |
| work_ybvmapar5fbunf6sncdsddcgd4 | 3.2 How do Anthropometric Measures correlate with Beauty? |
| work_ybvmapar5fbunf6sncdsddcgd4 | No No Yes No Yes Interviewer × Interviewee interactions? |
| work_ybvmapar5fbunf6sncdsddcgd4 | No No Yes No Yes Interviewer × Interviewee interactions? |
| work_ybvmapar5fbunf6sncdsddcgd4 | No Yes No Yes Interviewer × Interviewee interactions? |
| work_ybvmapar5fbunf6sncdsddcgd4 | No Yes No Yes No Interviewer fixed effects? |
| work_ybvmapar5fbunf6sncdsddcgd4 | No Yes No Yes No Interviewer fixed effects? |
| work_ybvmapar5fbunf6sncdsddcgd4 | Yes No Yes No Interviewer fixed effects? |
| work_ybvmapar5fbunf6sncdsddcgd4 | Yes Yes Yes Yes Interviewer controls? |
| work_ybvmapar5fbunf6sncdsddcgd4 | Yes Yes Yes Yes Interviewer controls? |
| work_ybvmapar5fbunf6sncdsddcgd4 | Yes Yes Yes Yes Interviewer controls? |
| work_ybvmapar5fbunf6sncdsddcgd4 | Yes Yes Yes Yes Interviewer × Interviewee interactions? |
| work_ybvmapar5fbunf6sncdsddcgd4 | Yes Yes Yes Yes Interviewer × Interviewee interactions? |
| work_ybvmapar5fbunf6sncdsddcgd4 | Yes Yes Yes Yes Yes Interviewer controls? |
| work_ybvmapar5fbunf6sncdsddcgd4 | Yes Yes Yes Yes Yes Interviewer controls? |
| work_ybvmapar5fbunf6sncdsddcgd4 | “ Beauty is the promise of happiness? ” European Economic Review 64:351–368. |
| work_ybvmapar5fbunf6sncdsddcgd4 | “ Does Beauty Matter in Undergraduate Education? ” Economic Inquiry 53( 2):940–961. |
| work_ybvmapar5fbunf6sncdsddcgd4 | “ Does body weight affect wages? |
| work_ybvmapar5fbunf6sncdsddcgd4 | “ Dress for success – does primping pay? ” Labour Economics 9( 3):361–373. |
| work_ybvmapar5fbunf6sncdsddcgd4 | “ Looks and Labor: Do Attractive People Work More? ” LABOUR 28( 3):269–287. |
| work_ybvmapar5fbunf6sncdsddcgd4 | “ Myth or Fact? |
| work_ybvmapar5fbunf6sncdsddcgd4 | “ Where Does the Wage Penalty Bite? ” In Economic Aspects of Obesity, edited by Michael Grossman and Naci Mocan. |
| work_tmbbyevr2vblxmewrsqigjt3qu | 129--176 eISSN: 2282- 7765 129 Is the golden section a key for understanding beauty? |
| work_tmbbyevr2vblxmewrsqigjt3qu | Is the Golden Section a Key for Understanding Beauty? |
| work_tmbbyevr2vblxmewrsqigjt3qu | Is the Golden Section a Key for Understanding Beauty? |
| work_tmbbyevr2vblxmewrsqigjt3qu | Is the Golden Section a Key for Understanding Beauty? |
| work_tmbbyevr2vblxmewrsqigjt3qu | Is the Golden Section a Key for Understanding Beauty? |
| work_tmbbyevr2vblxmewrsqigjt3qu | Is the Golden Section a Key for Understanding Beauty? |
| work_tmbbyevr2vblxmewrsqigjt3qu | Is the Golden Section a Key for Understanding Beauty? |
| work_tmbbyevr2vblxmewrsqigjt3qu | Is the Golden Section a Key for Understanding Beauty? |
| work_tmbbyevr2vblxmewrsqigjt3qu | Is the Golden Section a Key for Understanding Beauty? |
| work_tmbbyevr2vblxmewrsqigjt3qu | Is the Golden Section a Key for Understanding Beauty? |
| work_tmbbyevr2vblxmewrsqigjt3qu | Is the Golden Section a Key for Understanding Beauty? |
| work_tmbbyevr2vblxmewrsqigjt3qu | Is the Golden Section a Key for Understanding Beauty? |
| work_tmbbyevr2vblxmewrsqigjt3qu | Is the Golden Section a Key for Understanding Beauty? |
| work_tmbbyevr2vblxmewrsqigjt3qu | Is the Golden Section a Key for Understanding Beauty? |
| work_tmbbyevr2vblxmewrsqigjt3qu | Is the Golden Section a Key for Understanding Beauty? |
| work_tmbbyevr2vblxmewrsqigjt3qu | Is the Golden Section a Key for Understanding Beauty? |
| work_tmbbyevr2vblxmewrsqigjt3qu | Is the Golden Section a Key for Understanding Beauty? |
| work_tmbbyevr2vblxmewrsqigjt3qu | Le due radici di questa equazione di 2 ° grado, sono: Is the Golden Section a Key for Understanding Beauty? |
| work_tmbbyevr2vblxmewrsqigjt3qu | Nel XIV capitolo del Liber Abbaci Leonardo Pisano( 1170-?) |
| work_tmbbyevr2vblxmewrsqigjt3qu | Part II( La sezione aurea è una chiave per la comprensione del bello?) |
| work_tmbbyevr2vblxmewrsqigjt3qu | propone al lettore un curioso problema la cui domanda finale è: « Quot paria cuniculorum ex uno pario in uno anno germinentur? ». |
| work_rekuwlrqkfbrjgsx2hyfhy6hra | And what about today? |
| work_rekuwlrqkfbrjgsx2hyfhy6hra | And where are we? |
| work_rekuwlrqkfbrjgsx2hyfhy6hra | Assumption 4: statements on percep- tions are generated in our brain or elsewhere(?) |
| work_rekuwlrqkfbrjgsx2hyfhy6hra | Being as the lack of limos? |
| work_rekuwlrqkfbrjgsx2hyfhy6hra | But does it make a difference, if you are, hate, cheat, kill, and chill, using words of the ancient Greek or Latin language? |
| work_rekuwlrqkfbrjgsx2hyfhy6hra | Do all models and concepts start out with a no, absence, and lack? |
| work_rekuwlrqkfbrjgsx2hyfhy6hra | Does it all originate out of a lack logos absence of perception? |
| work_rekuwlrqkfbrjgsx2hyfhy6hra | Finally, who will survive the tide? |
| work_rekuwlrqkfbrjgsx2hyfhy6hra | Have we given up and cut off ourselves from the logos? |
| work_rekuwlrqkfbrjgsx2hyfhy6hra | May a book be as good to replace a real face? |
| work_rekuwlrqkfbrjgsx2hyfhy6hra | Maybe change is a must driven out of the limos[ 6, 7]? |
| work_rekuwlrqkfbrjgsx2hyfhy6hra | Maybe sugar is as good to snow upon a real mountain top? |
| work_rekuwlrqkfbrjgsx2hyfhy6hra | Maybe the truth is as good to replace a decision? |
| work_rekuwlrqkfbrjgsx2hyfhy6hra | Or maybe it simply mirrors the present tide that is going to rush over the accident from the east? |
| work_rekuwlrqkfbrjgsx2hyfhy6hra | The meaning of pause, the meaning of absence, deficit lack limos gap? |
| work_rekuwlrqkfbrjgsx2hyfhy6hra | The question remains: who in this highly social sce- nario rescues whom from whom and what? |
| work_rekuwlrqkfbrjgsx2hyfhy6hra | They put us into question, as we were the pause? |
| work_rekuwlrqkfbrjgsx2hyfhy6hra | Those living in the ark? |
| work_rekuwlrqkfbrjgsx2hyfhy6hra | Well- being, what a being is that? |
| work_rekuwlrqkfbrjgsx2hyfhy6hra | Well- powered, what mood is that? |
| work_rekuwlrqkfbrjgsx2hyfhy6hra | Well- tuned, what tune is that? |
| work_rekuwlrqkfbrjgsx2hyfhy6hra | What type of tide is going to come up? |
| work_rekuwlrqkfbrjgsx2hyfhy6hra | Where do the human beings stand with their outstand- ing and exclusive spider capacity of oral language- based communication? |
| work_rekuwlrqkfbrjgsx2hyfhy6hra | Who fits the teeth for the bite? |
| work_rekuwlrqkfbrjgsx2hyfhy6hra | Who opens the window of close? |
| work_rekuwlrqkfbrjgsx2hyfhy6hra | Why did Beethoven let his symphony start with a pause? |
| work_rekuwlrqkfbrjgsx2hyfhy6hra | Why do things appear to be in motion? |
| work_rekuwlrqkfbrjgsx2hyfhy6hra | Why do things move and groove? |
| work_rekuwlrqkfbrjgsx2hyfhy6hra | Why it flows and nourishes? |
| work_rekuwlrqkfbrjgsx2hyfhy6hra | Why should we worry about air if we are not at all understanding the essence of water? |
| work_rekuwlrqkfbrjgsx2hyfhy6hra | Why then bother with these issues? |
| work_le3albr3nfcbhlt4wtec3lsjlu | ( 18)(!?) |
| work_le3albr3nfcbhlt4wtec3lsjlu | ( 18?) |
| work_le3albr3nfcbhlt4wtec3lsjlu | ( siol)( s3oQ)(? 4) EWbI0A1JJCU 1000 QQ3 Q4 QQ3 3Q4 3033 bL{h!UJJDW} 143 340 33Q 3QX 00? |
| work_le3albr3nfcbhlt4wtec3lsjlu | ( siol)( s3oQ)(? 4) EWbI0A1JJCU 1000 QQ3 Q4 QQ3 3Q4 3033 bL{h!UJJDW} 143 340 33Q 3QX 00? |
| work_le3albr3nfcbhlt4wtec3lsjlu | (.s33)( 103)( 184)( 184)( 183) VIu(9I) 0?! |
| work_le3albr3nfcbhlt4wtec3lsjlu | ): J21-.t bL!CC JçGCUOU O nqqcuEXtIWG Dcp: pubjlc9pou2 jpL pa UCLJ[''pOL LJCC4 1OflUJJ BII1CG 10pu201f KOPCLL uqn WL91U iiq HL W''"J V''VIJT? |
| work_le3albr3nfcbhlt4wtec3lsjlu | 01 1384 13? |
| work_le3albr3nfcbhlt4wtec3lsjlu | 040 040 0?! |
| work_le3albr3nfcbhlt4wtec3lsjlu | 04Q OQ( J000 iot DEl'')( ct?30)( 4H)( 480)( 430)(? 003)(?? 8?) |
| work_le3albr3nfcbhlt4wtec3lsjlu | 04Q OQ( J000 iot DEl'')( ct?30)( 4H)( 480)( 430)(? 003)(?? 8?) |
| work_le3albr3nfcbhlt4wtec3lsjlu | 04Q OQ( J000 iot DEl'')( ct?30)( 4H)( 480)( 430)(? 003)(?? 8?) |
| work_le3albr3nfcbhlt4wtec3lsjlu | 04Q OQ( J000 iot DEl'')( ct?30)( 4H)( 480)( 430)(? 003)(?? 8?) |
| work_le3albr3nfcbhlt4wtec3lsjlu | 0?! |
| work_le3albr3nfcbhlt4wtec3lsjlu | 108 1Q5 AL qnunm Ac2( os)( 030)( o) 050 01? |
| work_le3albr3nfcbhlt4wtec3lsjlu | 1834 40 QQQ GUJL2( uxs)( 3)( 8Q)( Q8)( 184)( 104)( 110) 140 00L 383 183 1OQ F?? |
| work_le3albr3nfcbhlt4wtec3lsjlu | 1834 40 QQQ GUJL2( uxs)( 3)( 8Q)( Q8)( 184)( 104)( 110) 140 00L 383 183 1OQ F?? |
| work_le3albr3nfcbhlt4wtec3lsjlu | 1E[''J4 ° 1J liflA iox MBE fiOLJU jbGL] 40 QØ3 wig DUJ 2 flGLUJC2JJ C''I Yf BouJm? |
| work_le3albr3nfcbhlt4wtec3lsjlu | 331 3?0 3Q3( 303?) |
| work_le3albr3nfcbhlt4wtec3lsjlu | 9LC nuccq ijc cxcjnqc ju(jc imj cou ioim bj 2npa19upJ LOJC in qic jqccppooq 0CCC22 j''nqi.ccji uq j,1pwooq( J?) |
| work_le3albr3nfcbhlt4wtec3lsjlu | : U cuqu onumj ojj Acpojo j( jôgô):? 4?O D''qq jcuucqA uq qILq pp) bpAa!cI vuL!Acuc2a uq iucowc''wou COLbOL4!OU JOO? |
| work_le3albr3nfcbhlt4wtec3lsjlu | : U cuqu onumj ojj Acpojo j( jôgô):? 4?O D''qq jcuucqA uq qILq pp) bpAa!cI vuL!Acuc2a uq iucowc''wou COLbOL4!OU JOO? |
| work_le3albr3nfcbhlt4wtec3lsjlu | BGØfl( ou 2"I iq( tu ponuq ii DEr) nJmJqq( 015)( olS) tol?) |
| work_le3albr3nfcbhlt4wtec3lsjlu | Jô? |
| work_le3albr3nfcbhlt4wtec3lsjlu | P!L&t jo! IJ bgu LOL uA bocucj bLopJcw tsci, uc oC9C iuquqqnj jjicA MGLC Vj20 oq o vcconu LOL bLcnJJA rnnpucuu bo2 ob W9UCL qIUGL i qcj? |
| work_le3albr3nfcbhlt4wtec3lsjlu | W MJJOJG G9UJHJ2 OL6XGcfl4iA6! U! 42 WGUJGL 9GUC!G2 MV2 onuq? 00O& 1IJqGLJQ MG MOLIC MUP V LVUG IU4GLA!GM M14p 4JJG qGbn4A qILGC4OI. |
| work_le3albr3nfcbhlt4wtec3lsjlu | c{uJc2}\gc9nA.018 o54 o51 14JULJ 580 NO 550 508? |
| work_le3albr3nfcbhlt4wtec3lsjlu | j jpc ai8uqjcucc suq 21U opC C2WC2 ovn(Ic2)\g9cnt? |
| work_le3albr3nfcbhlt4wtec3lsjlu | ro viicic flubnpj!2pcq bbCt WID ojyccon1uJu mg couounc( JOg? |
| work_4r5lofjnijfozfso55yp7hzxk4 | Acaba her süje gerçekten hayatın anlamı noktasında kendisine özel bir yer ayırıyor mu? |
| work_4r5lofjnijfozfso55yp7hzxk4 | Akla gelen bir soru da Ģu: Neden Ģair, rüyasını kendi yorumlamak istiyor? |
| work_4r5lofjnijfozfso55yp7hzxk4 | Ama asıl önemli olan bu birlikli yapıyı yine süjenin fark etmesi değil midir? |
| work_4r5lofjnijfozfso55yp7hzxk4 | Bilgisel tavırla esere yönelen biri estetik haz alamaz mı? |
| work_4r5lofjnijfozfso55yp7hzxk4 | Birisini çok sevmek anlamında kullanılan “ sonsuza dek sevmek ” ifadesi “ ezelden beri sevmek ” ifadesinden farklı bir anlamda mıdır? |
| work_4r5lofjnijfozfso55yp7hzxk4 | Bu anlamda süje için metin nedir, metin karĢısında süje nedir? |
| work_4r5lofjnijfozfso55yp7hzxk4 | Bu durumda metnin ilk okunma zamanında yaĢanılanların hükmü nedir? |
| work_4r5lofjnijfozfso55yp7hzxk4 | Bu neyin göstergesidir? |
| work_4r5lofjnijfozfso55yp7hzxk4 | Bu Ģiirin ne amaçla kime yazıldığı konusunda elimizdeki bilgiler ne kadardır? |
| work_4r5lofjnijfozfso55yp7hzxk4 | Bundan hareketle Ģair bu Ģiiri herhangi bir yere yazıp Ģah dediği kiĢiye doğrudan veya dolaylı olarak ulaĢtırmıĢtır diyemez miyiz? |
| work_4r5lofjnijfozfso55yp7hzxk4 | Bunun kontrolü nasıl olacak? |
| work_4r5lofjnijfozfso55yp7hzxk4 | Böyle bir rüyayı kim görmüĢtür? |
| work_4r5lofjnijfozfso55yp7hzxk4 | Böyle düĢünmeyen süje acaba var mı? |
| work_4r5lofjnijfozfso55yp7hzxk4 | Böylesi baĢlayan bir süreç hangi boyutlara kadar gider? |
| work_4r5lofjnijfozfso55yp7hzxk4 | Dahası böyle bir kontrol olmak zorunda mı? |
| work_4r5lofjnijfozfso55yp7hzxk4 | Edebî bir eserin süjece algılanmasından, özellikle haz boyutunda algılanmasından öte ne vardır? |
| work_4r5lofjnijfozfso55yp7hzxk4 | Edebî eserin ortaya çıktığı zaman ile bu eserin sonraki zamanlarda ilk okunması aynı anlamda mıdır? |
| work_4r5lofjnijfozfso55yp7hzxk4 | En önemlisi bu hayal gücü kimin? |
| work_4r5lofjnijfozfso55yp7hzxk4 | En önemlisi metnin ilk okunması ve sonrası okumada süjede asıl olup biten, bu olup bitenin de niteliği ve niceliği nedir? |
| work_4r5lofjnijfozfso55yp7hzxk4 | Hayal gücünün göstergesi ise bunun oluĢmasına neden olan Ģey nedir? |
| work_4r5lofjnijfozfso55yp7hzxk4 | Hele metni ilk okuyan süjenin/ süjelerin yaĢadıklarının bir hük mü, bir önceliği var mıdır? |
| work_4r5lofjnijfozfso55yp7hzxk4 | Hem böylesi bir rüya yorumlanmak istenmez mi? |
| work_4r5lofjnijfozfso55yp7hzxk4 | Hepsinin hayal gücünün kesiĢmesi midir, ayrıĢması mıdır? |
| work_4r5lofjnijfozfso55yp7hzxk4 | Kaç kiĢi görmüĢtür? |
| work_4r5lofjnijfozfso55yp7hzxk4 | Kaç süje böyle düĢünüyor? |
| work_4r5lofjnijfozfso55yp7hzxk4 | Metinle ilk karĢılaĢan süjeleri böyle bir durumda nereye koyacağız? |
| work_4r5lofjnijfozfso55yp7hzxk4 | Metnin İlk Okunma Zamanı, Süjenin İlk Okuma Zamanı Süjenin zihninde canlanan bu düĢünceler süjeyle mi alakalı? |
| work_4r5lofjnijfozfso55yp7hzxk4 | Neden sadece “ Ģaha ” kelimesiyle seslenmiĢtir? |
| work_4r5lofjnijfozfso55yp7hzxk4 | Okumalar ve Hayal Gücü Bir önceki adımda bahsedilen tam anlamanın olmaması durumunda anlaĢılan Ģeyler hayal gücünün ürünü mü? |
| work_4r5lofjnijfozfso55yp7hzxk4 | Onlar kendi varlıklarını nasıl görüyor ve anlamlandırıyor? |
| work_4r5lofjnijfozfso55yp7hzxk4 | Ruhların sonsuza dek var olup birbirlerini sevme durumu söz konusuyken, birbirlerini ezelden beri sevme durumu neden söz konusu olmasın? |
| work_4r5lofjnijfozfso55yp7hzxk4 | Rüyasını tabir etmek istemesi bundan mı kaynaklanmaktadır? |
| work_4r5lofjnijfozfso55yp7hzxk4 | Sevdiğine “ Ben seni ezelden beri seviyorum. ” demiĢ olamaz mı? |
| work_4r5lofjnijfozfso55yp7hzxk4 | Son sınır nedir? |
| work_4r5lofjnijfozfso55yp7hzxk4 | Süje güzel düĢünüp varlığa bu nazarla bakmadığı sürece bu birlikli güzeli görebilir mi? |
| work_4r5lofjnijfozfso55yp7hzxk4 | Süje varlığa bu nazarla bakmadığı sürece onu tam anlamıyla nasıl görecektir? |
| work_4r5lofjnijfozfso55yp7hzxk4 | Veya hayal gücünün okumalarda yeri olmalı mı, olmamalı mı? |
| work_4r5lofjnijfozfso55yp7hzxk4 | Yaratıcının insanla beraber olması gibi güzel bir Ģeyin öncelikli anlatılması gerekmez mi? |
| work_4r5lofjnijfozfso55yp7hzxk4 | Yaratıcıya yönelik dua, istek varsa ve bu da Ģiirde hakim olan duygu, düĢünce ise neden Ģair seslenme ünlemlerini çok kullanmamıĢtır? |
| work_4r5lofjnijfozfso55yp7hzxk4 | Yaratıcıyı düĢte görmek mümkün müdür? |
| work_4r5lofjnijfozfso55yp7hzxk4 | Yine pratik noktalardan ele alınan eserden haz olarak bir Ģeyler duyulamaz mı? |
| work_4r5lofjnijfozfso55yp7hzxk4 | Yoksa bu yaĢananlar tamamen farklı bir Ģey mi? |
| work_4r5lofjnijfozfso55yp7hzxk4 | Yoksa Ģair kimi gördüğünden emin değil mi? |
| work_4r5lofjnijfozfso55yp7hzxk4 | Özellikle yukarıda bahsedilen ilk okumada süjenin yaĢadığı Ģey nedir? |
| work_4r5lofjnijfozfso55yp7hzxk4 | Ġki ifadenin de anlamı, vurgusu aynı değil mi? |
| work_4r5lofjnijfozfso55yp7hzxk4 | Ġnsanlık tarihi güzele, güzelin özüne ulaĢmak gayretinden baĢka zaten neydi? |
| work_4r5lofjnijfozfso55yp7hzxk4 | ġair niçin sürece bırakmıĢtır? |
| work_4r5lofjnijfozfso55yp7hzxk4 | ġair sevdiği kiĢiyi ne kadar sevdiğini hem miktar hem zaman olarak belirtmek için bezm- i ezel kullanımı seçmiĢ olamaz mı? |
| work_4r5lofjnijfozfso55yp7hzxk4 | ġairin mi, eseri okuyanların mı? |
| work_4r5lofjnijfozfso55yp7hzxk4 | “ Ben seni benimile görüridim ” ne demektir? |
| work_4r5lofjnijfozfso55yp7hzxk4 | “ Ben seni severim ezel ezeli/ Bana cefa etme dünya güzeli( Karacaoğlan) ” 5 ifadesi gibi bir kullanımı tercih etmiĢ olamaz mı? |
| work_4r5lofjnijfozfso55yp7hzxk4 | … üstü okumayı ancak süjenin yapacağı gerçeği belirmez mi? |
| work_zqydk6puy5gfrnsbw6txpdi4wm | A Bronze Age Battlefield? |
| work_zqydk6puy5gfrnsbw6txpdi4wm | An Historical Homeric Society? |
| work_zqydk6puy5gfrnsbw6txpdi4wm | Are the visual appearance and bodily movements of the ancient warrior, sensu Treherne, at all present in the archaeology of warfare now blooming? |
| work_zqydk6puy5gfrnsbw6txpdi4wm | Armeen in der Frühbronzezeit? |
| work_zqydk6puy5gfrnsbw6txpdi4wm | But what about the notion of ‘ beauty ’ specific to such warriors? |
| work_zqydk6puy5gfrnsbw6txpdi4wm | Conflicting Evidence? |
| work_zqydk6puy5gfrnsbw6txpdi4wm | Did these physical attributes also have an influence on the appearance and status of the warrior as much as their dress and accou- trements? |
| work_zqydk6puy5gfrnsbw6txpdi4wm | Does Cranial Trauma Provide Evidence for Projectile Weaponry in Iron Age Dorset? |
| work_zqydk6puy5gfrnsbw6txpdi4wm | Feared and symbolically dispatched enemy? |
| work_zqydk6puy5gfrnsbw6txpdi4wm | Good Fences Make Good Neighbours? |
| work_zqydk6puy5gfrnsbw6txpdi4wm | Household deity, toy, game- piece, warrior- god, mythic ancestor( Stead, 1988: 25)? |
| work_zqydk6puy5gfrnsbw6txpdi4wm | How might modifications to the body aim to meet the expectations of others rather than of self? |
| work_zqydk6puy5gfrnsbw6txpdi4wm | However, what about the common fighter? |
| work_zqydk6puy5gfrnsbw6txpdi4wm | In an age before mirrors, did men groom themselves or was this done for them? |
| work_zqydk6puy5gfrnsbw6txpdi4wm | In the case of the latter, was identity, therefore, a co- cre- ation? |
| work_zqydk6puy5gfrnsbw6txpdi4wm | Intimate surrogate, even, for a body lost in conflict, defiled and defamed? |
| work_zqydk6puy5gfrnsbw6txpdi4wm | Male Symbols or Warrior Identities? |
| work_zqydk6puy5gfrnsbw6txpdi4wm | The Bronze Age warrior: epic hero or militant professional? |
| work_zqydk6puy5gfrnsbw6txpdi4wm | The Osteology of Conflict: What Does It All Mean? |
| work_zqydk6puy5gfrnsbw6txpdi4wm | The War to Begin All Wars? |
| work_zqydk6puy5gfrnsbw6txpdi4wm | The problem is, are we not becoming lazy if we simply go on accepting this article ’s inter- pretation as the norm? |
| work_zqydk6puy5gfrnsbw6txpdi4wm | Venerated mnemonic of an hon- oured relative? |
| work_zqydk6puy5gfrnsbw6txpdi4wm | War Without Warriors? |
| work_zqydk6puy5gfrnsbw6txpdi4wm | Were They All Men? |
| work_zqydk6puy5gfrnsbw6txpdi4wm | Were these men physically dis- tinctive? |
| work_zqydk6puy5gfrnsbw6txpdi4wm | What was their purpose? |
| work_zqydk6puy5gfrnsbw6txpdi4wm | What ’s Cooler: Wearing your Sword on your Back or at the Waist? |
| work_zqydk6puy5gfrnsbw6txpdi4wm | Where did they come from, and to whom were they related? |
| work_zqydk6puy5gfrnsbw6txpdi4wm | Who ’s Come a Long Way, Baby? |
| work_zqydk6puy5gfrnsbw6txpdi4wm | ‘ Warrior Graves ’? |
| work_qokr26ghebbihic6lsxg4a6ohq | ( circle one) 25 24 Yes No If yes, how often does this happen to you? |
| work_qokr26ghebbihic6lsxg4a6ohq | ( circle one) Yes No If yes, how differently did it make you think about yourself? |
| work_qokr26ghebbihic6lsxg4a6ohq | ( circle one) Yes No If yes, how differently did you see the world? |
| work_qokr26ghebbihic6lsxg4a6ohq | ( circle one) Yes No If yes, how often did you think about what you learned? |
| work_qokr26ghebbihic6lsxg4a6ohq | ( circle one) Yes No If yes, how often do you learn something in science and then tell other people about it like Sarah did? |
| work_qokr26ghebbihic6lsxg4a6ohq | ( circle one) Yes No If yes, how often do you try to see examples of things you learned in science outside of class? |
| work_qokr26ghebbihic6lsxg4a6ohq | ( circle one) Yes No If yes, how often does something like this happen to you? |
| work_qokr26ghebbihic6lsxg4a6ohq | ( circle one) Yes No If yes, what science ideas or concepts were you studying at the time? |
| work_qokr26ghebbihic6lsxg4a6ohq | 1) Have you ever had an experience in science class like Sarah? |
| work_qokr26ghebbihic6lsxg4a6ohq | And"What kinds of things do I need to know more about to really re- see this?" |
| work_qokr26ghebbihic6lsxg4a6ohq | Do you see what they see? |
| work_qokr26ghebbihic6lsxg4a6ohq | Have you ever had a powerful learning experience in science like the one Sarah had( student in vignette)? |
| work_qokr26ghebbihic6lsxg4a6ohq | Have you ever learned about something in science and then seen the world differently because of it? |
| work_qokr26ghebbihic6lsxg4a6ohq | Have you ever learned about something in science class and then tried to learn more about it outside of class? |
| work_qokr26ghebbihic6lsxg4a6ohq | Have you ever learned something in science and then seen the world differently because of it? |
| work_qokr26ghebbihic6lsxg4a6ohq | Have you ever learned something in science and then thought about it all the time outside of class? |
| work_qokr26ghebbihic6lsxg4a6ohq | Have you ever learned something in science and then told other people about it? |
| work_qokr26ghebbihic6lsxg4a6ohq | Have you ever learned something in science class and then tried to see examples of it outside of class? |
| work_qokr26ghebbihic6lsxg4a6ohq | Have you ever learned something in science class that really helped you to understand more about the world? |
| work_qokr26ghebbihic6lsxg4a6ohq | Have you ever learned something in science that made you think differently about yourself? |
| work_qokr26ghebbihic6lsxg4a6ohq | Have you ever learned something in science that made you think differently about yourself? |
| work_qokr26ghebbihic6lsxg4a6ohq | How can one teach in ways that foster aesthetic understanding? |
| work_qokr26ghebbihic6lsxg4a6ohq | How will students talk about their experiences learning science for aesthetic understanding? |
| work_qokr26ghebbihic6lsxg4a6ohq | If so, how different did you see the world? |
| work_qokr26ghebbihic6lsxg4a6ohq | If so, how differently did it make you feel? |
| work_qokr26ghebbihic6lsxg4a6ohq | If so, how often do you learn something like this? |
| work_qokr26ghebbihic6lsxg4a6ohq | If so, how often does something like this happen to you? |
| work_qokr26ghebbihic6lsxg4a6ohq | If so, how often does something like this happen to you? |
| work_qokr26ghebbihic6lsxg4a6ohq | If so, how often does this happen to you? |
| work_qokr26ghebbihic6lsxg4a6ohq | If so, how often does this happen to you? |
| work_qokr26ghebbihic6lsxg4a6ohq | If so, how similar was it? |
| work_qokr26ghebbihic6lsxg4a6ohq | If yes, how similar was your experience to Sarah''s? |
| work_qokr26ghebbihic6lsxg4a6ohq | Re- seeing is also a disposition that causes us to ask questions of what we perceive such as,"What''s really going on here? |
| work_qokr26ghebbihic6lsxg4a6ohq | Students should ask more,"what if..."style questions such as,"What if this rock could talk? |
| work_qokr26ghebbihic6lsxg4a6ohq | Typically, how similar is your learning like Sarah when she learned about friction? |
| work_qokr26ghebbihic6lsxg4a6ohq | What story could it tell of its travels?" |
| work_qokr26ghebbihic6lsxg4a6ohq | What teacher has not cringed as students ask''When are we ever going to use this?'' |
| work_qokr26ghebbihic6lsxg4a6ohq | Where did it come from? |
| work_qokr26ghebbihic6lsxg4a6ohq | Why do things look the way they do?" |
| work_qokr26ghebbihic6lsxg4a6ohq | or''Why do we have to learn this?'' |
| work_syl2ox3mufhhnkukggcwq2tpvi | Biotechnology to the Rescue? work_syl2ox3mufhhnkukggcwq2tpvi What''s a citizen gon na do?" |
| work_syl2ox3mufhhnkukggcwq2tpvi | 12 see for example Who Will Tell the People?, by William Greider, and Who Rules America Now?, by G. William Domhoff. |
| work_syl2ox3mufhhnkukggcwq2tpvi | 12 see for example Who Will Tell the People?, by William Greider, and Who Rules America Now?, by G. William Domhoff. |
| work_syl2ox3mufhhnkukggcwq2tpvi | 126 155 Gil Friend,"Stranded Assets: Why Ca n''t You Ever Find a Capitalist Around When You Need One? |
| work_syl2ox3mufhhnkukggcwq2tpvi | 25 Mary Crowley,"Do Kids Need Prozac? |
| work_syl2ox3mufhhnkukggcwq2tpvi | 25"Is Bigger Better? |
| work_syl2ox3mufhhnkukggcwq2tpvi | 26 Black wood, p.? |
| work_syl2ox3mufhhnkukggcwq2tpvi | 28 Black wood, p.? |
| work_syl2ox3mufhhnkukggcwq2tpvi | 3"Big Biz to Run Small Countries? |
| work_syl2ox3mufhhnkukggcwq2tpvi | 30"Is Bigger Better? |
| work_syl2ox3mufhhnkukggcwq2tpvi | 35 Clifford Cobb, Ted Halstead, and Jonathan Rowe,"If the GDP Is Up, Why Is America Down? |
| work_syl2ox3mufhhnkukggcwq2tpvi | 37 Peter Montague,"Is Regulation Possible? |
| work_syl2ox3mufhhnkukggcwq2tpvi | 41 Tim Lang and Hugh Raven,"Who Will Tame the Supermarkets? |
| work_syl2ox3mufhhnkukggcwq2tpvi | 56 Ronnie Cummins,"Whose Organic Standards? |
| work_syl2ox3mufhhnkukggcwq2tpvi | Because corporations will take away our jobs? |
| work_syl2ox3mufhhnkukggcwq2tpvi | Because it''s too late to learn to act as sovereign people?... |
| work_syl2ox3mufhhnkukggcwq2tpvi | Because they will run away to another state, to another country?... |
| work_syl2ox3mufhhnkukggcwq2tpvi | Because we do n''t know how to run our towns and cities and nations without global corporations? |
| work_syl2ox3mufhhnkukggcwq2tpvi | But what is small, and what is local? |
| work_syl2ox3mufhhnkukggcwq2tpvi | But what of other''rules of the game'', like regulations with the avowed purpose of protecting human health and the environment? |
| work_syl2ox3mufhhnkukggcwq2tpvi | Do corporations have an inalienable right of access to the broadcast spectrum? |
| work_syl2ox3mufhhnkukggcwq2tpvi | Do cultures-- and individuals-- have the right to declare themselves offlimits to the commercial messages others wish to send them? |
| work_syl2ox3mufhhnkukggcwq2tpvi | How can the communication tower be built without ruining the aesthetic appeal of the mountain? |
| work_syl2ox3mufhhnkukggcwq2tpvi | How long shall we the people, the sovereign people, stand hat in hand outside corporate boardrooms waiting to be told our fate? |
| work_syl2ox3mufhhnkukggcwq2tpvi | How, after all, can we stand in the way of''natural evolution''? |
| work_syl2ox3mufhhnkukggcwq2tpvi | On one level this is certainly a small business; but if it has clients on four different continents, to what degree is it a''local''business? |
| work_syl2ox3mufhhnkukggcwq2tpvi | Or would it be the soft energy path brought to you by you and your neighbors? |
| work_syl2ox3mufhhnkukggcwq2tpvi | Our food?... |
| work_syl2ox3mufhhnkukggcwq2tpvi | Our hospitals? |
| work_syl2ox3mufhhnkukggcwq2tpvi | Should they be allowed the unlimited right to position their communications satellites where they can reach everyone on earth? |
| work_syl2ox3mufhhnkukggcwq2tpvi | What little debate there is generally focuses on the margins: Whose backyard will the superhighway run through? |
| work_syl2ox3mufhhnkukggcwq2tpvi | What safeguards will be in place at the nuclear power plant? |
| work_syl2ox3mufhhnkukggcwq2tpvi | When the campaign contributions and lobbying arms of huge businesses determine public policy, is this really democracy? |
| work_syl2ox3mufhhnkukggcwq2tpvi | Would it be coal and oil brought to you by large, multinational corporations? |
| work_syl2ox3mufhhnkukggcwq2tpvi | Would it be synthetic fuels subsidized and administered by the state? |
| work_syl2ox3mufhhnkukggcwq2tpvi | cit., p. 130; Black wood? |
| work_iciliril6bc6zmuxfcxilh7q6e | Are these definitions correct? |
| work_iciliril6bc6zmuxfcxilh7q6e | Are these definitions correct? |
| work_iciliril6bc6zmuxfcxilh7q6e | Conal Elliott( LambdaPix) Beautiful differentiation 1 September, 2009 ICFP 10/ 32 What does AD mean? |
| work_iciliril6bc6zmuxfcxilh7q6e | Conal Elliott( LambdaPix) Beautiful differentiation 1 September, 2009 ICFP 11/ 32 What does AD mean? |
| work_iciliril6bc6zmuxfcxilh7q6e | Conal Elliott( LambdaPix) Beautiful differentiation 1 September, 2009 ICFP 12/ 32 How does a correct implementation arise? |
| work_iciliril6bc6zmuxfcxilh7q6e | Conal Elliott( LambdaPix) Beautiful differentiation 1 September, 2009 ICFP 13/ 32 How does a correct implementation arise? |
| work_iciliril6bc6zmuxfcxilh7q6e | Conal Elliott( LambdaPix) Beautiful differentiation 1 September, 2009 ICFP 15/ 32 Where else might these answers take us? |
| work_iciliril6bc6zmuxfcxilh7q6e | Conal Elliott( LambdaPix) Beautiful differentiation 1 September, 2009 ICFP 19/ 32 Where else might these answers take us? |
| work_iciliril6bc6zmuxfcxilh7q6e | Conal Elliott( LambdaPix) Beautiful differentiation 1 September, 2009 ICFP 21/ 32 Where else might these answers take us? |
| work_iciliril6bc6zmuxfcxilh7q6e | Conal Elliott( LambdaPix) Beautiful differentiation 1 September, 2009 ICFP 21/ 32 Where else might these answers take us? |
| work_iciliril6bc6zmuxfcxilh7q6e | Conal Elliott( LambdaPix) Beautiful differentiation 1 September, 2009 ICFP 21/ 32 Where else might these answers take us? |
| work_iciliril6bc6zmuxfcxilh7q6e | Conal Elliott( LambdaPix) Beautiful differentiation 1 September, 2009 ICFP 23/ 32 Where else might these answers take us? |
| work_iciliril6bc6zmuxfcxilh7q6e | Conal Elliott( LambdaPix) Beautiful differentiation 1 September, 2009 ICFP 24/ 32 Where else might these answers take us? |
| work_iciliril6bc6zmuxfcxilh7q6e | Conal Elliott( LambdaPix) Beautiful differentiation 1 September, 2009 ICFP 24/ 32 Where else might these answers take us? |
| work_iciliril6bc6zmuxfcxilh7q6e | Conal Elliott( LambdaPix) Beautiful differentiation 1 September, 2009 ICFP 24/ 32 Where else might these answers take us? |
| work_iciliril6bc6zmuxfcxilh7q6e | Conal Elliott( LambdaPix) Beautiful differentiation 1 September, 2009 ICFP 32/ 32 Differentiation What does AD mean? |
| work_iciliril6bc6zmuxfcxilh7q6e | Conal Elliott( LambdaPix) Beautiful differentiation 1 September, 2009 ICFP 5/ 32 Differentiation What ’s a derivative? |
| work_iciliril6bc6zmuxfcxilh7q6e | Conal Elliott( LambdaPix) Beautiful differentiation 1 September, 2009 ICFP 7/ 32 Differentiation What is automatic differentiation? |
| work_iciliril6bc6zmuxfcxilh7q6e | Conal Elliott( LambdaPix) Beautiful differentiation 1 September, 2009 ICFP 9/ 32 Differentiation What is automatic differentiation — really? |
| work_iciliril6bc6zmuxfcxilh7q6e | Could they work for D? |
| work_iciliril6bc6zmuxfcxilh7q6e | For scalar domain: d:: Scalar s ⇒( s → s) →( s → s) d f x= lim ε→0 f( x+ ε) − f x ε What about non- scalar domains? |
| work_iciliril6bc6zmuxfcxilh7q6e | For scalar domain: d:: Scalar s ⇒( s → s) →( s → s) d f x= lim ε→0 f( x+ ε) − f x ε What about non- scalar domains? |
| work_iciliril6bc6zmuxfcxilh7q6e | Higher- dimensional functions What ’s a basis? |
| work_iciliril6bc6zmuxfcxilh7q6e | Higher- dimensional functions What ’s a derivative – really? |
| work_iciliril6bc6zmuxfcxilh7q6e | Higher- dimensional functions What ’s a derivative – really? |
| work_iciliril6bc6zmuxfcxilh7q6e | Higher- dimensional functions What ’s a derivative – really? |
| work_iciliril6bc6zmuxfcxilh7q6e | Higher- dimensional functions What ’s a derivative – really? |
| work_iciliril6bc6zmuxfcxilh7q6e | Higher- dimensional functions What ’s a derivative – really? |
| work_iciliril6bc6zmuxfcxilh7q6e | Higher- dimensional functions What ’s a derivative – really? |
| work_iciliril6bc6zmuxfcxilh7q6e | Higher- dimensional functions What ’s a linear map? |
| work_iciliril6bc6zmuxfcxilh7q6e | Higher- dimensional functions What ’s a linear map? |
| work_iciliril6bc6zmuxfcxilh7q6e | Higher- dimensional functions What ’s a linear map? |
| work_iciliril6bc6zmuxfcxilh7q6e | How does a correct implementation arise? |
| work_iciliril6bc6zmuxfcxilh7q6e | How does a correct implementation arise? |
| work_iciliril6bc6zmuxfcxilh7q6e | How does a correct implementation arise? |
| work_iciliril6bc6zmuxfcxilh7q6e | How does a correct implementation arise? |
| work_iciliril6bc6zmuxfcxilh7q6e | How does a correct implementation arise? |
| work_iciliril6bc6zmuxfcxilh7q6e | I How does a correct implementation arise? |
| work_iciliril6bc6zmuxfcxilh7q6e | I What does AD mean? |
| work_iciliril6bc6zmuxfcxilh7q6e | I Where else might these answers take us? |
| work_iciliril6bc6zmuxfcxilh7q6e | What does AD mean? |
| work_iciliril6bc6zmuxfcxilh7q6e | What does AD mean? |
| work_iciliril6bc6zmuxfcxilh7q6e | What is fmap? |
| work_iciliril6bc6zmuxfcxilh7q6e | Where else might these answers take us? |
| work_iciliril6bc6zmuxfcxilh7q6e | Where else might these answers take us? |
| work_iciliril6bc6zmuxfcxilh7q6e | Where else might these answers take us? |
| work_w7toe4ck25ccha2li3r3ughoze | - 19- 19 The Last Laughs What do you think is the most “ serious ” complaint made by professors against their students? |
| work_w7toe4ck25ccha2li3r3ughoze | But the second answer? |
| work_w7toe4ck25ccha2li3r3ughoze | Can one or even two papers answer all of them? |
| work_w7toe4ck25ccha2li3r3ughoze | Can the arguments be presented differently? |
| work_w7toe4ck25ccha2li3r3ughoze | Can the points be made more clearly? |
| work_w7toe4ck25ccha2li3r3ughoze | Can you garner your will power to sustain this process? |
| work_w7toe4ck25ccha2li3r3ughoze | Can you handle the disappointment or frustration when for three, four, five months you ca n’t show what you have wanted to show? |
| work_w7toe4ck25ccha2li3r3ughoze | Can you rewrite some of the sentences, or paragraphs to improve them? |
| work_w7toe4ck25ccha2li3r3ughoze | Do I seem like splitting hairs? |
| work_w7toe4ck25ccha2li3r3ughoze | Does it sound like a skill in interpersonal relationship? |
| work_w7toe4ck25ccha2li3r3ughoze | Experience Now your ask, what is it that you can expect from your thesis advisor? |
| work_w7toe4ck25ccha2li3r3ughoze | Finally, what should you do if you feel that working with your supervisor has been a mistake? |
| work_w7toe4ck25ccha2li3r3ughoze | Have n’t you read this sequence before in published papers? |
| work_w7toe4ck25ccha2li3r3ughoze | Have you seen the movie?) |
| work_w7toe4ck25ccha2li3r3ughoze | How can they be standard? |
| work_w7toe4ck25ccha2li3r3ughoze | How do you become a good scientific writer? |
| work_w7toe4ck25ccha2li3r3ughoze | How does one come up with research ideas? |
| work_w7toe4ck25ccha2li3r3ughoze | How does one do research? |
| work_w7toe4ck25ccha2li3r3ughoze | How does one manage to say “ I can do this. ”? |
| work_w7toe4ck25ccha2li3r3ughoze | How much mathematics should you learn for your Ph.D.? |
| work_w7toe4ck25ccha2li3r3ughoze | How much tax burden? |
| work_w7toe4ck25ccha2li3r3ughoze | How to Approach a Research Topic? |
| work_w7toe4ck25ccha2li3r3ughoze | How? |
| work_w7toe4ck25ccha2li3r3ughoze | If I spend six months “ proving ” the results I want to find, I expect to spend another six months “ writing them up. ” Why? |
| work_w7toe4ck25ccha2li3r3ughoze | If you do not make use of your supervisor ’s experience, what kind of an economist are you( or will you become)? |
| work_w7toe4ck25ccha2li3r3ughoze | If you keep THINKING about party and holiday, how do you THINK about research? |
| work_w7toe4ck25ccha2li3r3ughoze | Is it really true that monotonicity and inversion are EXACTLY the same? |
| work_w7toe4ck25ccha2li3r3ughoze | Is there a Tradeoff between Intelligence and Work Discipline? |
| work_w7toe4ck25ccha2li3r3ughoze | Is this a 24/7 job? |
| work_w7toe4ck25ccha2li3r3ughoze | It takes some courage, right? |
| work_w7toe4ck25ccha2li3r3ughoze | Log of wage? |
| work_w7toe4ck25ccha2li3r3ughoze | Mathematics What about mathematics? |
| work_w7toe4ck25ccha2li3r3ughoze | Now what about the repertoire of mathematics that you should learn? |
| work_w7toe4ck25ccha2li3r3ughoze | Or how about “ Why We Grow Large, and then Grow Old: Economics, Biology and Mortality? ” a working paper written by a very senior economist. |
| work_w7toe4ck25ccha2li3r3ughoze | Rejection of a submission is common in our profession, so what ’s the big deal? |
| work_w7toe4ck25ccha2li3r3ughoze | What Makes a Good Researcher? |
| work_w7toe4ck25ccha2li3r3ughoze | What are the goals in your graduate study and research? |
| work_w7toe4ck25ccha2li3r3ughoze | What do I mean by mathematical maturity? |
| work_w7toe4ck25ccha2li3r3ughoze | What do you think movie directors and producers do when the shooting is done? |
| work_w7toe4ck25ccha2li3r3ughoze | What do you think newspaper and magazine editors do when they have received all the scripts from authors or wire services? |
| work_w7toe4ck25ccha2li3r3ughoze | What do you think trial lawyers do when the detectives, clerks or assistants have gotten them all the “ facts ” of the case? |
| work_w7toe4ck25ccha2li3r3ughoze | What do you want to do when you feel like you have all the results? |
| work_w7toe4ck25ccha2li3r3ughoze | What does this simple maximizing behavioral model buy you? |
| work_w7toe4ck25ccha2li3r3ughoze | What is it that your mind has to learn? |
| work_w7toe4ck25ccha2li3r3ughoze | What is the point of a convoluted way of stating your ideas? |
| work_w7toe4ck25ccha2li3r3ughoze | What kind of actions? |
| work_w7toe4ck25ccha2li3r3ughoze | What kind of asymmetric information? |
| work_w7toe4ck25ccha2li3r3ughoze | What next? |
| work_w7toe4ck25ccha2li3r3ughoze | What would happen if you found the wrong supervisor? |
| work_w7toe4ck25ccha2li3r3ughoze | What ’s the next step? |
| work_w7toe4ck25ccha2li3r3ughoze | Why? |
| work_w7toe4ck25ccha2li3r3ughoze | Why? |
| work_w7toe4ck25ccha2li3r3ughoze | Why? |
| work_w7toe4ck25ccha2li3r3ughoze | Why? |
| work_w7toe4ck25ccha2li3r3ughoze | Why? |
| work_w7toe4ck25ccha2li3r3ughoze | • Inattentive consumers • Big elephants in small ponds: Do large traders make financial markets more aggressive? |
| work_uy7cheud2rglpi7auevs3ei76e | ( Is it so?) |
| work_uy7cheud2rglpi7auevs3ei76e | ( b) The High- Energy LHC? |
| work_uy7cheud2rglpi7auevs3ei76e | ( c) A 100-TeV pp Collider( FCC- hh)? |
| work_uy7cheud2rglpi7auevs3ei76e | ( d) A 250-GeV ILC? |
| work_uy7cheud2rglpi7auevs3ei76e | ( e) A circular Higgs factory( FCC- ee or CEPC)? |
| work_uy7cheud2rglpi7auevs3ei76e | ( f) A 380-GeV CLIC? |
| work_uy7cheud2rglpi7auevs3ei76e | ( g) A µ+µ− → H Higgs factory? |
| work_uy7cheud2rglpi7auevs3ei76e | ( h) LHeC/ FCC- eh? |
| work_uy7cheud2rglpi7auevs3ei76e | ( i) A muon- storage- ring neutrino factory? |
| work_uy7cheud2rglpi7auevs3ei76e | ( j) A multi- TeV muon collider? |
| work_uy7cheud2rglpi7auevs3ei76e | ( k) The instrument of your dreams? |
| work_uy7cheud2rglpi7auevs3ei76e | ( or an electron – ion collider?) |
| work_uy7cheud2rglpi7auevs3ei76e | )? |
| work_uy7cheud2rglpi7auevs3ei76e | )? |
| work_uy7cheud2rglpi7auevs3ei76e | ? |
| work_uy7cheud2rglpi7auevs3ei76e | ? |
| work_uy7cheud2rglpi7auevs3ei76e | ? |
| work_uy7cheud2rglpi7auevs3ei76e | ? ” need more info if JPC= 0++, ¿ X( 3915)? |
| work_uy7cheud2rglpi7auevs3ei76e | Any surprise sources of H(125)? |
| work_uy7cheud2rglpi7auevs3ei76e | Are absolute couplings to W and Z as expected in the standard model? |
| work_uy7cheud2rglpi7auevs3ei76e | Are all production rates as expected? |
| work_uy7cheud2rglpi7auevs3ei76e | Are fermion couplings proportional to fermion masses? |
| work_uy7cheud2rglpi7auevs3ei76e | Are there additional electroweak gauge bosons, beyond W± and Z? |
| work_uy7cheud2rglpi7auevs3ei76e | Are there additional kinds of matter? |
| work_uy7cheud2rglpi7auevs3ei76e | Are there new species of quarks and leptons? |
| work_uy7cheud2rglpi7auevs3ei76e | Are there tt̄ resonances? |
| work_uy7cheud2rglpi7auevs3ei76e | Can we establish or exclude decays to new particles? |
| work_uy7cheud2rglpi7auevs3ei76e | Can we establish the HHH trilinear self- coupling? |
| work_uy7cheud2rglpi7auevs3ei76e | Can we find evidence for charged- lepton flavor violation? |
| work_uy7cheud2rglpi7auevs3ei76e | Can we find evidence of flavor- changing top decays t →( Z, γ)(c, u)? |
| work_uy7cheud2rglpi7auevs3ei76e | Can we find evidence of right- handed charged- current interactions? |
| work_uy7cheud2rglpi7auevs3ei76e | Can we find signs of new strong dynamics or( partial) compositeness? |
| work_uy7cheud2rglpi7auevs3ei76e | Chris Quigg Beauty 2019 Opening Ljubljana · 30.09.2019 35/ 41 Have we found the “ periodic table ” of elementary particles? |
| work_uy7cheud2rglpi7auevs3ei76e | Do flavor parameters mean anything at all? |
| work_uy7cheud2rglpi7auevs3ei76e | Do loop- induced decays( gg, γγ, γZ) occur at standard- model rates? |
| work_uy7cheud2rglpi7auevs3ei76e | Does H(125) act as a portal to hidden sectors? |
| work_uy7cheud2rglpi7auevs3ei76e | Does H(125) fully account for electroweak symmetry breaking? |
| work_uy7cheud2rglpi7auevs3ei76e | Does it match standard- model branching fractions to gauge bosons? |
| work_uy7cheud2rglpi7auevs3ei76e | Does the EW vacuum seem stable, or suggest a new physics scale? |
| work_uy7cheud2rglpi7auevs3ei76e | How can we detect H → cc̄? |
| work_uy7cheud2rglpi7auevs3ei76e | How free is t? |
| work_uy7cheud2rglpi7auevs3ei76e | How well can we constrain the top- quark lifetime? |
| work_uy7cheud2rglpi7auevs3ei76e | How well can we test the notion that H regulates Higgs – Goldstone scattering, i.e., tames the high- energy behavior of WW scattering? |
| work_uy7cheud2rglpi7auevs3ei76e | How well can we test the standard- model correlation among B(K+ → π+νν̄), B(Bs → µ+µ−), and the quark- mixing matrix parameter γ? |
| work_uy7cheud2rglpi7auevs3ei76e | If flavor parameters have meaning( beyond engineering information), what is the meta- question? |
| work_uy7cheud2rglpi7auevs3ei76e | Is H(125) the only member of its clan? |
| work_uy7cheud2rglpi7auevs3ei76e | Is charged- current universality exact? |
| work_uy7cheud2rglpi7auevs3ei76e | Is the 3 × 3( CKM) quark- mixing matrix unitary? |
| work_uy7cheud2rglpi7auevs3ei76e | Is the Higgs field the only source of fermion masses? |
| work_uy7cheud2rglpi7auevs3ei76e | Is the electroweak phase transition first- order? |
| work_uy7cheud2rglpi7auevs3ei76e | Is there a family symmetry? |
| work_uy7cheud2rglpi7auevs3ei76e | Is there any link to a dark sector? |
| work_uy7cheud2rglpi7auevs3ei76e | Lifetime: ∼ 1 3 ps?? |
| work_uy7cheud2rglpi7auevs3ei76e | Lifetime: ∼ 1 3 ps?? |
| work_uy7cheud2rglpi7auevs3ei76e | Might there be others — charged or neutral — at higher or lower masses? |
| work_uy7cheud2rglpi7auevs3ei76e | Mostly narrow, seen in hadronic transitions or decays What are they? |
| work_uy7cheud2rglpi7auevs3ei76e | What about lepton- flavor universality? |
| work_uy7cheud2rglpi7auevs3ei76e | What accounts for the immense range of fermion masses? |
| work_uy7cheud2rglpi7auevs3ei76e | What do generations mean? |
| work_uy7cheud2rglpi7auevs3ei76e | What does it mean? |
| work_uy7cheud2rglpi7auevs3ei76e | What is the relationship of left- handed and right- handed fermions? |
| work_uy7cheud2rglpi7auevs3ei76e | What role does the Higgs field play in generating neutrino masses? |
| work_uy7cheud2rglpi7auevs3ei76e | What will resolve the disparate values of|Vub| and|Vcb| measured in inclusive and exclusive decays? |
| work_uy7cheud2rglpi7auevs3ei76e | When can we measure ΓH? |
| work_uy7cheud2rglpi7auevs3ei76e | Where are flavor- changing neutral currents in quark transitions? |
| work_uy7cheud2rglpi7auevs3ei76e | Why are there three families of quarks and leptons? |
| work_uy7cheud2rglpi7auevs3ei76e | Why is isospin a good symmetry? |
| work_uy7cheud2rglpi7auevs3ei76e | Why not? |
| work_uy7cheud2rglpi7auevs3ei76e | Will we establish and diagnose a break in the SM? |
| work_uy7cheud2rglpi7auevs3ei76e | e+e−?? |
| work_uy7cheud2rglpi7auevs3ei76e | e+e−?? |
| work_uy7cheud2rglpi7auevs3ei76e | exotic charges? |
| work_uy7cheud2rglpi7auevs3ei76e | possible 23P2 ¿ ψ(4660)? |
| work_uy7cheud2rglpi7auevs3ei76e | possible 5S ψ(4230), ¿ ψ(4360)? |
| work_uy7cheud2rglpi7auevs3ei76e | possible hybrids E J E ic h te n When can we find( bb̄) analogues? |
| work_uy7cheud2rglpi7auevs3ei76e | up to( QiQj)( QkQl)( QmQn): B= 2, but QpQqQr color structure? |
| work_uy7cheud2rglpi7auevs3ei76e | µ+µ− soon? |
| work_6njrz573gzbuthspfobzkosyou | ! �"�# �@? |
| work_6njrz573gzbuthspfobzkosyou | ! �"�# �@? |
| work_6njrz573gzbuthspfobzkosyou | ; 1@ � � � � � � � � � � � �''?. |
| work_6njrz573gzbuthspfobzkosyou | ; 2@ � �? � A �@ �? � A � � � � �@ � �? � A � � � � �@ � � � � � � � � � � � �? |
| work_6njrz573gzbuthspfobzkosyou | ; 2@ � �? � A �@ �? � A � � � � �@ � �? � A � � � � �@ � � � � � � � � � � � �? |
| work_6njrz573gzbuthspfobzkosyou | ; 2@ � �? � A �@ �? � A � � � � �@ � �? � A � � � � �@ � � � � � � � � � � � �? |
| work_6njrz573gzbuthspfobzkosyou | ; 2@ � �? � A �@ �? � A � � � � �@ � �? � A � � � � �@ � � � � � � � � � � � �? |
| work_6njrz573gzbuthspfobzkosyou | ; L@ VW? � � � � � �@ G VW? � � � � � � �@? |
| work_6njrz573gzbuthspfobzkosyou | ; L@ VW? � � � � � �@ G VW? � � � � � � �@? |
| work_6njrz573gzbuthspfobzkosyou | ; L@ VW? � � � � � �@ G VW? � � � � � � �@? |
| work_6njrz573gzbuthspfobzkosyou | ; �@ � � � � � � � � � � � � � � � � � � � � � � � � � � � � �''?. |
| work_6njrz573gzbuthspfobzkosyou | ;+@ 2 3 � � � � � �''?. |
| work_6njrz573gzbuthspfobzkosyou | ;,@ � �? |
| work_6njrz573gzbuthspfobzkosyou | ;,@ � �? � � � � � � � � �@ � �? � � � � � � � � �@ �$? |
| work_6njrz573gzbuthspfobzkosyou | ;,@ � �? � � � � � � � � �@ � �? � � � � � � � � �@ �$? |
| work_6njrz573gzbuthspfobzkosyou | ;,@ � �? � � � � � � � � �@ � �? � � � � � � � � �@ �$? |
| work_6njrz573gzbuthspfobzkosyou | ;-@ � � � � � �''?. |
| work_6njrz573gzbuthspfobzkosyou | ;;@ 6 � � � �* � � � � �''?. |
| work_6njrz573gzbuthspfobzkosyou | ? |
| work_6njrz573gzbuthspfobzkosyou | @ � � � � � � � � � � � � � � � � � � � � � � � � � 3 � � � � � �? |
| work_6njrz573gzbuthspfobzkosyou | @ � � � � � � � � �? |
| work_6njrz573gzbuthspfobzkosyou | @ � � � � � � � �''?. |
| work_6njrz573gzbuthspfobzkosyou | @ � � � � � � �? � � � � � � � � �@ � �? � � � � � � � � �@ �! �"�# �. |
| work_6njrz573gzbuthspfobzkosyou | @ � � � � � � �? � � � � � � � � �@ � �? � � � � � � � � �@ �! �"�# �. |
| work_6njrz573gzbuthspfobzkosyou | @& � � � �''?. |
| work_6njrz573gzbuthspfobzkosyou | � L � � � � � � � �% � � � � � � � � � � � � � � � � � � � � � �"-/- �;-1? |
| work_6njrz573gzbuthspfobzkosyou | �&# �# � �''+, � � � �& � � � � � � � � � � � � �( � �''?. |
| work_6njrz573gzbuthspfobzkosyou | �, �, LM �? |
| work_agtkwdwninffpdyd3k7gpv7g2q | Does your research concern the physical design of organizations? work_agtkwdwninffpdyd3k7gpv7g2q ), 2) identity( which is ambiguous and subjective construct? work_agtkwdwninffpdyd3k7gpv7g2q ), 3) authenticity( shows the concept of a natural and authentic impression? work_agtkwdwninffpdyd3k7gpv7g2q ), 4) involve all the senses( be as many senses? work_agtkwdwninffpdyd3k7gpv7g2q ), 5) problems( adjust all elements within the context of the theme? work_agtkwdwninffpdyd3k7gpv7g2q ), 6) harmony( all variables are aligned?) work_agtkwdwninffpdyd3k7gpv7g2q -- Accomplish- ment Which goals and learning goals have been achieved? work_agtkwdwninffpdyd3k7gpv7g2q -- Avoid NAEs Which product and services, company philosophy, goals/ strategy, mission and image are perceived as ugly? work_agtkwdwninffpdyd3k7gpv7g2q / How can we do beautiful things in a beautiful way? work_agtkwdwninffpdyd3k7gpv7g2q 5) Which two arguments do you have for starting or rejecting the idea of organizational aesthetics in your organization? work_agtkwdwninffpdyd3k7gpv7g2q ; 2) What do you experience as beautiful and ugly in your work and organization? work_agtkwdwninffpdyd3k7gpv7g2q ; 3) Which of the showed design principles for beautiful organizations will you apply in your organization? work_agtkwdwninffpdyd3k7gpv7g2q ; 4) Which actions or interventions will you apply in your organization? work_agtkwdwninffpdyd3k7gpv7g2q ; 6) What has been the effect of the workshop for you? work_agtkwdwninffpdyd3k7gpv7g2q ; Are you making meaningful distinctions? work_agtkwdwninffpdyd3k7gpv7g2q ; Does the UX continue the same concept? work_agtkwdwninffpdyd3k7gpv7g2q ; Have you made the distinction between personalization and customization? work_agtkwdwninffpdyd3k7gpv7g2q A matter of feeling? work_agtkwdwninffpdyd3k7gpv7g2q Act/ Adapt: Are we continuing doing beautiful things in a beautiful way? work_agtkwdwninffpdyd3k7gpv7g2q Aesthetic principles and cognitive emotion appraisals: How much of the beauty lies in the eye of the beholder? work_agtkwdwninffpdyd3k7gpv7g2q All ye need to know? work_agtkwdwninffpdyd3k7gpv7g2q An essential question is: How many different methods are needed? work_agtkwdwninffpdyd3k7gpv7g2q And can something in organizations be beautiful without being( a degree of) good? work_agtkwdwninffpdyd3k7gpv7g2q And if so, in which stimuli and because of which properties do they experience aesthetic value? work_agtkwdwninffpdyd3k7gpv7g2q And if so, which design principles can be applied to develop beautiful organizations? work_agtkwdwninffpdyd3k7gpv7g2q And is aesthetic value in organizations equal to functional value? work_agtkwdwninffpdyd3k7gpv7g2q And is an aesthetic judgment equal to a moral judgment? work_agtkwdwninffpdyd3k7gpv7g2q And is organization design receptive for semantics, value and meaning, or even aesthetics like other design disciplines? work_agtkwdwninffpdyd3k7gpv7g2q And we say that it serves no purpose but itself, then whose purpose is that? work_agtkwdwninffpdyd3k7gpv7g2q Apparently, a new director, a real person..... no transition, I worry.......... vision or urge retention? work_agtkwdwninffpdyd3k7gpv7g2q Are beauty or aesthetic value recognized and common used terms in the organization? work_agtkwdwninffpdyd3k7gpv7g2q Are employees continuously challenged and encouraged to discover aesthetic value? work_agtkwdwninffpdyd3k7gpv7g2q Are interior/ exterior, house style/ internal communication perceived as beautiful? work_agtkwdwninffpdyd3k7gpv7g2q Bridging the gap between the qualitative and quantitative worlds? work_agtkwdwninffpdyd3k7gpv7g2q But how to realize development opportunities? work_agtkwdwninffpdyd3k7gpv7g2q But ‘ Beauty is in the eye of the beholder ’ is a well known phrase, so what is there more to say? work_agtkwdwninffpdyd3k7gpv7g2q But, what are the OAS? work_agtkwdwninffpdyd3k7gpv7g2q Can aesthetic value contribute for example to economic value and to affective commitment? work_agtkwdwninffpdyd3k7gpv7g2q Can we design and reform organizations by adapting design principles of other design disciplines? work_agtkwdwninffpdyd3k7gpv7g2q Can we speak of''aesthetic experience''? work_agtkwdwninffpdyd3k7gpv7g2q Check: Is it beautiful( enough)? work_agtkwdwninffpdyd3k7gpv7g2q Coherence Do product and services, company philosophy, goals/ strategy, mission and image show coherence with each other? work_agtkwdwninffpdyd3k7gpv7g2q Collaboration Contribute employees work attitude and their qualities to internal collaboration? work_agtkwdwninffpdyd3k7gpv7g2q Collaboration Is good internal collaboration considered as a competitive advantage? work_agtkwdwninffpdyd3k7gpv7g2q Commitment to organization versus commitment to profession: Conflict or compatibility? work_agtkwdwninffpdyd3k7gpv7g2q Complexity Do employees demand challenges and task variety? work_agtkwdwninffpdyd3k7gpv7g2q Contributesinterior of the organization to internal collaboration? work_agtkwdwninffpdyd3k7gpv7g2q Controversy about aesthetic attitude: Does aesthetic attitude condition aesthetic experience? work_agtkwdwninffpdyd3k7gpv7g2q Designing Aesthetic Concepts: Can It Be Done?. work_agtkwdwninffpdyd3k7gpv7g2q Development& Change e. Are interventions developed and implemented which induce positive aesthetic experiences? work_agtkwdwninffpdyd3k7gpv7g2q Do employees experience alongside functional value in their work and organization also aesthetic value? work_agtkwdwninffpdyd3k7gpv7g2q Do employees have a need for aesthetic experiences? work_agtkwdwninffpdyd3k7gpv7g2q Do we choose to stay part of the ‘ machine organization ’ or the ‘ hedonistic treadmill ’ or do we embrace the aesthetic perspective? work_agtkwdwninffpdyd3k7gpv7g2q Do: Are we doing beautiful things in a beautiful way? work_agtkwdwninffpdyd3k7gpv7g2q Does aesthetics affect the users ’ ‘ perceptions of VLEs? work_agtkwdwninffpdyd3k7gpv7g2q Does aesthetics of web page interface matters to mandarin learning? work_agtkwdwninffpdyd3k7gpv7g2q Does its look reflect what it is great at? work_agtkwdwninffpdyd3k7gpv7g2q Does management deliberately incorporate ambiguity, complexity and''unsettledness''in the organization? work_agtkwdwninffpdyd3k7gpv7g2q Does management know what employees perceive as ugly and beautiful in their work and organization? work_agtkwdwninffpdyd3k7gpv7g2q Does the feature allow users to express an element of themselves? work_agtkwdwninffpdyd3k7gpv7g2q Does the field of aesthetics, examining art, prove the contrary? work_agtkwdwninffpdyd3k7gpv7g2q Emotions at work: What do people feel and how should we measure it?. work_agtkwdwninffpdyd3k7gpv7g2q En zoja, in welke stimuli en door welke eigenschappen van deze stimuli ervaren zij esthetische waarde? work_agtkwdwninffpdyd3k7gpv7g2q En zoja, met behulp van welke ontwerp- en veranderprincipes zijn organisaties mooier te maken? work_agtkwdwninffpdyd3k7gpv7g2q Fit c. Is their an opinion that there is too much focus on business economic value and too little on affective value of the organization? work_agtkwdwninffpdyd3k7gpv7g2q Guard mystery How are attitude qualities, collegiality, contacts with customers, development opportunities and internal cooperation kept exciting? work_agtkwdwninffpdyd3k7gpv7g2q Guard mystery How are product and services, company philosophy, goals/ strategy, mission and image kept exciting? work_agtkwdwninffpdyd3k7gpv7g2q He also asked the question ‘ Can or may organizations also be beautiful? ’. work_agtkwdwninffpdyd3k7gpv7g2q How are interior/ exterior, house style/ internal communication kept exciting? work_agtkwdwninffpdyd3k7gpv7g2q How are these aesthetic principles implemented? work_agtkwdwninffpdyd3k7gpv7g2q How can aesthetic experiences be related to organization ’ outcomes such as employee commitment, satisfaction and performance? work_agtkwdwninffpdyd3k7gpv7g2q How can aesthetic experiences be related to organization ’ outcomes such as employee commitment, satisfaction and performance? work_agtkwdwninffpdyd3k7gpv7g2q How can aesthetic experiences be related to organization ’s outcomes such as employee commitment, satisfaction and performance? work_agtkwdwninffpdyd3k7gpv7g2q How do they appreciate organizational aesthetic stimuli( OAS)? work_agtkwdwninffpdyd3k7gpv7g2q How do they value their aesthetic experiences( aesthetic judgment and emotional impact)? work_agtkwdwninffpdyd3k7gpv7g2q How do you achieve beauty in a design? work_agtkwdwninffpdyd3k7gpv7g2q How durable are their aesthetic experiences? work_agtkwdwninffpdyd3k7gpv7g2q How will it continue? work_agtkwdwninffpdyd3k7gpv7g2q In which stimuli and through what qualities in these stimuli do people have aesthetic experiences? work_agtkwdwninffpdyd3k7gpv7g2q Is aesthetic appreciation a requirement for interior/ exterior, house style/ internal communication? work_agtkwdwninffpdyd3k7gpv7g2q Is it beautiful in a functional way? work_agtkwdwninffpdyd3k7gpv7g2q Is it necessary? work_agtkwdwninffpdyd3k7gpv7g2q Is management style supportive to employees and to their learning needs? work_agtkwdwninffpdyd3k7gpv7g2q Is management style supportive to internal collaboration? work_agtkwdwninffpdyd3k7gpv7g2q Is what aspect show management style coherence? work_agtkwdwninffpdyd3k7gpv7g2q Leidinggeven aan professionals? work_agtkwdwninffpdyd3k7gpv7g2q Lottery winners and accident victims: Is happiness relative? work_agtkwdwninffpdyd3k7gpv7g2q Many times they asked,do you mean the flowers at the reception office or our new interior? ”. |
| work_agtkwdwninffpdyd3k7gpv7g2q | Mogelijk moet dan een weg via uw PandO- afdeling worden bewandeld? |
| work_agtkwdwninffpdyd3k7gpv7g2q | Narrative thought? |
| work_agtkwdwninffpdyd3k7gpv7g2q | Or are they dependent of each other or just separated like Kant ’s distinction between free and dependent beauty? |
| work_agtkwdwninffpdyd3k7gpv7g2q | Or more specific and related to the PDCA- cycle: Plan: Do we plan beautiful things and goals? |
| work_agtkwdwninffpdyd3k7gpv7g2q | Organizational Success and Worker Dignity: Complementary or Contradictory? |
| work_agtkwdwninffpdyd3k7gpv7g2q | Part 2| Literature study on Organizational Aesthetics| 2 Aesthetics 196 Designer What does beauty mean in your work? |
| work_agtkwdwninffpdyd3k7gpv7g2q | Processing fluency and aesthetic pleasure: Is beauty in the perceiver''s processing experience? |
| work_agtkwdwninffpdyd3k7gpv7g2q | Professional and organizational commitment among engineers: Conflicting or complementing? |
| work_agtkwdwninffpdyd3k7gpv7g2q | Represent interior/ exterior, house style/ internal communication the values of employees? |
| work_agtkwdwninffpdyd3k7gpv7g2q | Second: What kind of sources, these data will provide? |
| work_agtkwdwninffpdyd3k7gpv7g2q | Securing g. Is the role of aesthetic value embedded in daily routines such as PDCA- cycle, a quality system and HR- system? |
| work_agtkwdwninffpdyd3k7gpv7g2q | So, what are aesthetic properties or qualities? |
| work_agtkwdwninffpdyd3k7gpv7g2q | Starting with organizational aesthetics? |
| work_agtkwdwninffpdyd3k7gpv7g2q | The arts and leadership: Now that we can do anything, what will we do? |
| work_agtkwdwninffpdyd3k7gpv7g2q | The essential question is: how many different methods are needed? |
| work_agtkwdwninffpdyd3k7gpv7g2q | The five- factor model of personality and organizational commitment: Is there any relationship? |
| work_agtkwdwninffpdyd3k7gpv7g2q | The nature of activation dimensions in self- reports of affect: Are energetic arousal and tense arousal mixtures of pleasure and activation?. |
| work_agtkwdwninffpdyd3k7gpv7g2q | Therefore a ninth research question was added for the literature study: Which methods are suitable for examining aesthetic experiences in practice? |
| work_agtkwdwninffpdyd3k7gpv7g2q | These seven principles are: 1) theme( what''s the story? |
| work_agtkwdwninffpdyd3k7gpv7g2q | Thus, seemingly beauty is a kind of good or functional, like Plato believed? |
| work_agtkwdwninffpdyd3k7gpv7g2q | To what extent does the organization use aesthetics as a strategic starting point? |
| work_agtkwdwninffpdyd3k7gpv7g2q | Two questions that precede are firs: What data is collected? |
| work_agtkwdwninffpdyd3k7gpv7g2q | User requirements answer the question ‘ What do users like? ’. |
| work_agtkwdwninffpdyd3k7gpv7g2q | Wat is voor jouw persoonlijk het effect geweest van deze workshop? |
| work_agtkwdwninffpdyd3k7gpv7g2q | Welke 2 activiteiten adviseer je om morgen mee te starten om te komen tot een mooie(re) organisatie? |
| work_agtkwdwninffpdyd3k7gpv7g2q | Welke 2 ontwerpprincipes zijn volgens jou momenteel het meest geschikt voor je organisatie? |
| work_agtkwdwninffpdyd3k7gpv7g2q | Welke 3 aspecten in je werk en/ of organisatie ervaar je als lelijk? |
| work_agtkwdwninffpdyd3k7gpv7g2q | Welke 3 aspecten in je werk en/ of organisatie ervaar je als mooi? |
| work_agtkwdwninffpdyd3k7gpv7g2q | What approaches can be used to design, create or enhance and sustain organizational beauty? |
| work_agtkwdwninffpdyd3k7gpv7g2q | What are the important"small things"seen often or by many? |
| work_agtkwdwninffpdyd3k7gpv7g2q | What are the most important parameters of organization design, particularly of professional organizations? |
| work_agtkwdwninffpdyd3k7gpv7g2q | What are the revenues of attention to aesthetics in the organization? |
| work_agtkwdwninffpdyd3k7gpv7g2q | What are the revenues of attention to organizational aesthetics? |
| work_agtkwdwninffpdyd3k7gpv7g2q | What characterizes an aesthetic experience? |
| work_agtkwdwninffpdyd3k7gpv7g2q | What characterizes the aesthetic process? |
| work_agtkwdwninffpdyd3k7gpv7g2q | What characterizes the aesthetic process? |
| work_agtkwdwninffpdyd3k7gpv7g2q | What characterizes ‘ modern organizations ’ and to what extent does attention to organizational aesthetics fit within these organizations? |
| work_agtkwdwninffpdyd3k7gpv7g2q | What characterizes ‘ modern organizations ’ and to what extent does attention to organizational aesthetics fit within these organizations? |
| work_agtkwdwninffpdyd3k7gpv7g2q | What conditions are needed to create organizational beauty? |
| work_agtkwdwninffpdyd3k7gpv7g2q | What defines organizational aesthetic experiences? |
| work_agtkwdwninffpdyd3k7gpv7g2q | What good are positive emotions? |
| work_agtkwdwninffpdyd3k7gpv7g2q | What is aesthetics anyway? |
| work_agtkwdwninffpdyd3k7gpv7g2q | What is it that gives life to human organizing? |
| work_agtkwdwninffpdyd3k7gpv7g2q | What is the relationship between aesthetic experiences and emotions in organizations? |
| work_agtkwdwninffpdyd3k7gpv7g2q | What is the relationship between beauty of organizations and work processes and performance? |
| work_agtkwdwninffpdyd3k7gpv7g2q | What is your UX great at? |
| work_agtkwdwninffpdyd3k7gpv7g2q | What makes a experience aesthetic?. |
| work_agtkwdwninffpdyd3k7gpv7g2q | What makes an experience aesthetic? |
| work_agtkwdwninffpdyd3k7gpv7g2q | What makes one organization more life affirming and sustaining than another? |
| work_agtkwdwninffpdyd3k7gpv7g2q | What makes the object in an aesthetic experience an aesthetic object? |
| work_agtkwdwninffpdyd3k7gpv7g2q | What passes as a rigourous case study? |
| work_agtkwdwninffpdyd3k7gpv7g2q | What personal characteristics of the observer influence his aesthetic judgment? |
| work_agtkwdwninffpdyd3k7gpv7g2q | What personal characteristics of the observer influence his aesthetic judgment? |
| work_agtkwdwninffpdyd3k7gpv7g2q | When is everything correct? |
| work_agtkwdwninffpdyd3k7gpv7g2q | Which OAS in your organization do you experience ugliness and beauty? |
| work_agtkwdwninffpdyd3k7gpv7g2q | Which daily aesthetic experiences( PAEs and NAEs) do professionals have? |
| work_agtkwdwninffpdyd3k7gpv7g2q | Which daily aesthetic experiences( PAEs) do employees have? |
| work_agtkwdwninffpdyd3k7gpv7g2q | Which interior/ exterior, house style/ internal communication perceived as ugly? |
| work_agtkwdwninffpdyd3k7gpv7g2q | Which methods are suitable for examining aesthetic experiences in practice? |
| work_agtkwdwninffpdyd3k7gpv7g2q | Which non- aesthetic properties, according to this literature constitutes an organization? |
| work_agtkwdwninffpdyd3k7gpv7g2q | Which organizational aesthetic stimuli( OAS) do employees perceive? |
| work_agtkwdwninffpdyd3k7gpv7g2q | Which organizational aesthetic stimuli( OAS) do managers perceive? |
| work_agtkwdwninffpdyd3k7gpv7g2q | Which principles of organization design and organization development can be used to apply organizational aesthetics? |
| work_agtkwdwninffpdyd3k7gpv7g2q | Which principles of organization design and organization development can be used to apply organizational aesthetics? |
| work_agtkwdwninffpdyd3k7gpv7g2q | Why do they have attention for organizational aesthetics? |
| work_agtkwdwninffpdyd3k7gpv7g2q | Why does the aesthetic supervene on the non- aesthetic? |
| work_agtkwdwninffpdyd3k7gpv7g2q | Why? |
| work_agtkwdwninffpdyd3k7gpv7g2q | Wil je de 3 onderstaande vragen beantwoorden en deze fysiek of elektronisch voor 6 april a.s. aan me sturen( steven.de.groot@vtspn.nl)? |
| work_agtkwdwninffpdyd3k7gpv7g2q | Will it work? |
| work_agtkwdwninffpdyd3k7gpv7g2q | and 7) memory( the organization is aware that these''memories makes?). |
| work_agtkwdwninffpdyd3k7gpv7g2q | andemployee recognition and appreciation to accomplishment? |
| work_agtkwdwninffpdyd3k7gpv7g2q | c. Do personal characteristics influence their aesthetic appreciation? |
| work_agtkwdwninffpdyd3k7gpv7g2q | c. How durable are their aesthetic experiences? |
| work_agtkwdwninffpdyd3k7gpv7g2q | c. To what extent do personal characteristics influence the appreciation of OAS? |
| work_agtkwdwninffpdyd3k7gpv7g2q | c. What are the conditions for positive aesthetic experiences? |
| work_agtkwdwninffpdyd3k7gpv7g2q | d. Does management believe that beauty could contribute to good? |
| work_agtkwdwninffpdyd3k7gpv7g2q | d. Is the BEL- book a valid method for collecting aesthetic experiences? |
| work_agtkwdwninffpdyd3k7gpv7g2q | d. To what extent is this appreciation sustainable? |
| work_agtkwdwninffpdyd3k7gpv7g2q | d. What are the conditions for positive aesthetic experiences of professionals? |
| work_agtkwdwninffpdyd3k7gpv7g2q | d. Which organizational aesthetic stimuli( OAS) contribute to ‘ aesthetic value ’ and ‘ affective commitment ’? |
| work_agtkwdwninffpdyd3k7gpv7g2q | f. Are interventions developed and implemented which avoid negative aesthetic experiences? |
| work_agtkwdwninffpdyd3k7gpv7g2q | h. Is aesthetic appreciation of employees measured periodically? |
| work_agtkwdwninffpdyd3k7gpv7g2q | have you introduced a new concept? |
| work_agtkwdwninffpdyd3k7gpv7g2q | management style, decision making, management support, offered challenges, balance between organization and personal and attention to new ideas? |
| work_agtkwdwninffpdyd3k7gpv7g2q | variety of tasks, autonomy, internal communication, alignment management with employees, goal achievement and task completion? |
| work_agtkwdwninffpdyd3k7gpv7g2q | x Co14 Proud culture and humor 3 5 x Co15 Freedom/ mental space( autonomy) 4 1 x Co16 Development opportunities 4 2? |
| work_agtkwdwninffpdyd3k7gpv7g2q | x Co17 Management 4 3 x Co18 Cooperation 4 4? |
| work_agtkwdwninffpdyd3k7gpv7g2q | ‘ Can designers ’ ways of knowing, relating, and being expand our current models and theories of Appreciative Inquiry ’( Avital et al., 2008)? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | ! K � � Pj!Sl M � �! X � � P p � L N � x �| � P? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | ! Q � Y! 6!X � o � �!ÏR � � Y �` � LZ`! Q � � l Y � Uvtl Y! S � � � � P? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | ! Q � � b � �]! X � � � UPj �\R L � M � � O �!Q � �!Xl L � Y P M lnbZ �#!KNX �$ � � NX � � P? � Y! |
| work_fuzplhyyznbrtcm3ccb7lo2udq | ! Q � �!X � M � � P L � Y v# � � R$ �[ R L � Y P? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | ! Q � �!X � � P � � NX � L p! S � � � L NQv � � � N L � p! X � � �*P? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | ! Q �! S � � � ÁÀ � � � P � � � P? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | ! Q �! SlqP? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | ! Q �! SlqP? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | ! Q �! SlqP? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | ! Q �! SlqP? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | ! Q �! SlqP? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | ! Q �! SlqP? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | ! Q �! SlqR � � � � � N L � � l M � �! Xl LZYEJ6} � � � YKL � Y � � l Y~ � � � P? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | ! Q �! SlqR � � � � � N L � � l M � �! Xl LZYEJÏ � P? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | ! Q �! SlqR/ � � � � � N L � � l M � �! Xl LZY l Y! S � � � p � L N M � � �% � · Ô P? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | ! X � � � KNX �$ � q �! Sln~ � lqP? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | ! XN LZY b J �} � � lqP � P? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | ! XNQ � �!X � � b[ � J � PK �; � oNQP? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | ! XOov[ zL p! S � � � � P[ P? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | ! Xl Rþ � K � � v L � Y � L!^ � � � � lqP?! |
| work_fuzplhyyznbrtcm3ccb7lo2udq | ! XlVb � �! Sl LZY P � � � NX � � � VlqP? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | ! Xln � V �/!X � � � � � Rr!Xl LZY � p � L N � � � lqRQ � M*L P?!sNS � � PjO � � n!QP � � � � � lqP?! |
| work_fuzplhyyznbrtcm3ccb7lo2udq | ! aPj � � NSl L O � P; � 1 � L NS!3 � Ã Ò= J ¼ Y! S � � � p � L � V � L � � l Y b] � � �{ � � P? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | ! � NX � � bZl M � � lqP/!X � � � � P? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | J ¼ Y P? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | J ¼ Y! X � � � KNX �$ � q �! Sln~ � lqP? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | J\ � � �? OoP? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | J\ � � �? OoP? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | Jß& Ã �;=@ �, � f � ulqP L � Y �[ R L � Y PjlqP? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | L N JD � sY � � P? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | L N M � � P L � Y P? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | L N M � � P LZY v# � UR � �[ R L � Y P? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | L NC �& �% �] �& � �] � � � ¸ P? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | L NS � � � q � �!Xln~ � �$ �[ � q � � NXb � � þv#lqP? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | L NSln � � P � � Ò= JÏ � lnNQP? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | L N[ l Y! X � � � G � Î Wf a 6 � � � � � Y � J/ � � L � Y b^!X � � l P �!XNQ � o �? � � R1! |
| work_fuzplhyyznbrtcm3ccb7lo2udq | L Ndc ý � Q � W] � � � � lqRQ � l Y! X � � � � R L � Y! Xl Y O � O M � Y vä � �!av#lqP? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | L O Y v � � � NQP? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | L P LZM � � � � � �! X � Y!^OoPjl Y bA!S � � � � P? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | L P? � � � NwRT � p � L Nu � � V!X � � N Y �! Sln~ � � � P/! |
| work_fuzplhyyznbrtcm3ccb7lo2udq | L P[ P? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | L R LZY Pjl v# � � N �!X � � � L �` Pj � � NS~ � �` � n � UP L � p l Y! S � � NX � � P? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | L R LZY! SNXl` O �!Xl L � Y P` �[ �$ � � R1lV!X � � v � P? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | L RQ � o � Y bZ � p N LZM � � � � NX � Uv#lqR1!Sl LZY l Y O Y lV!QP L � p! S � � � � P? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | L b � lV~ � � � R L � Y P?lqP? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | L bZ � �!X � � � � N � lV!X �!X � � �^NX � � P?O � � n! � l Y! X � � � aP? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | L p �_uÀôM � � P L � Y P LZY! S � � � M � � PXP L � p! X � � � M � � P L � Y � NS � � P?O` �? � � R1!/! |
| work_fuzplhyyznbrtcm3ccb7lo2udq | L p! X � � � p O � � n � � Pj � o � � Rr!XNXO M L p! X � � �*P? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | L v � lqPXRrOoPXP �!S � � � �~ � � � NXl L OoP^P[ P? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | L v � �! S � K � p � � N M*L NS � � � nl M ln!S � � vtO Y v# � � NQP? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | L � ° � ± � lqP Y � L! � �? OoP? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | L � ° � ± � lqP Y � L! � �? OoP? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | L � � 1 � � � � R1!QPA±Cæ JK} � � � � NS � p � L NS �]! X � � � � P? � � � � P? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | L � K � � �& �% �] E& � s � J ¼=! � lqP M*L P? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | L � L PSPjl` � n � aR LZY! w � M l Y �! Sl L � Y P`#[ � � � � R1ln!S � � v*P? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | L � L � � � � P?! |
| work_fuzplhyyznbrtcm3ccb7lo2udq | L � M � � NSb � �] b � lV~#l Y b Y � � � L � o � p � L N*!S � � �{ � � � � lqP? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | L � Y l R v# � � R$ �[ R L � Y P? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | L � Y l Rsv � � � R � �[ R L � Y P? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | L � Y � � �[ m � �` � � � L � � KJ I � pSJ x P? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | L � YE] � � t � � � �]# � � � � � NS � K!X � � l P � � L NSW � � ZPsP? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | L � oNQP?! |
| work_fuzplhyyznbrtcm3ccb7lo2udq | L � p NX � pSJ � � �''& o � L � Y � s � � P? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | L � p � L N M! S � � � KNQ �! Sl L � û Þ � � J � � �[ � � � � v � � Y � L! S � K!X � � � K � � P? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | L � Ë � J ¼ Y P? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | L � � D � � ½& � � � F � p � M � J � OoRQ � kv#lqP? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | L � � NXNSln~ � � � �! K � Y � � P? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | L � � O` � VlqR � � �!Xl LZYEJ � � � o^} � � � K � � OoRr � nlqv � � � � Y P? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | L � � P? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | L � � P? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | L � � � � R1ln!S � � v{P? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | L � � � � f � Jz �"L �]! S � � � � � � � L! Xl RôP? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | L � � �#! SNQ � ZR1! �!X � � � � b � N L O Y v � P? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | L �; � Y lV!X � a � q �! S!Xl R1 �^P? � o � � R1l Y b\ � NS �; � � P? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | L �^v# � UR � �[ R L � Y P? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | L �` oL O �! � ú » ½& x- � J � �!^~ � �$N[ � q � NSb � � v#lqP? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | L �` � uv# � �!S � � N M l Y � � v p N LZM � a �''O � lV!X � � � Vl M lV!X � � v^P?!Q � �!XlqP? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | L �` � � P? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | L �| P? � � � M � � vd �?OoP? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | L �| P? � � � M � � vd �?OoP? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | L! S � � � � b � N L O Y v Pj!w �! S � � v# � � R � �[ R L � Y P? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | L! X � o � �! � R L � M � � O �!Q � �!Xl LZY Pj � L � PK!X � o � �!^P[ P? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | L! X � � l P � � � v � v � ln!Xl L � Y � � �/v � � �!Q �] � M*L P?! |
| work_fuzplhyyznbrtcm3ccb7lo2udq | L! X � � � LZY � � PEl Y · x; � Y v � � � � qP L � � � � R1lV!X � � v � P? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | L! X � � � LZY � � � L � L � � � � P? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | L! X � � � M � � PSP L p! S � � � � �[#` NXlqv M � � P LZY � o � ZP` �$ � Y � � P? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | L! X � � � Pj � � l Y P[ � M*M � �! SN[ l Y! S � � � � P? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | L! X � � � aP? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | L! X � � � aR L � Y P? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | L! X � � � � v#lqP? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | L! X � � �% � � NX �$ � � NX � � P? � Y! Q �! Sl LZY �! 6 � L P?ln!Xl L � Y ë � Y v � � ZR � R L NQv#l Y bs! |
| work_fuzplhyyznbrtcm3ccb7lo2udq | L! X � � �*bZN L O Y vzP? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | L;` � � R L � Y Pjlqv � � � NX � � v � � ZP¥N L O � bZ �{ � � P? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | LZY lqRav# � � R$ �[ R LZY Pj!w � Y! QP;!S � � � � NX �\lqPaPXR � � � NQR1 �$ �[ � àP? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | L^` � v# � MkL � Y P? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | La` � �~ � � � N[ P? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | M �[ �] � L � � � �~ � �$N] �` � � l Y! X �$NX � � P? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | M*L P?! |
| work_fuzplhyyznbrtcm3ccb7lo2udq | Pj!XN L � Y b{ � � 1 � � � � Rr!QP6 � NX � � � � NX � � P? � Y! |
| work_fuzplhyyznbrtcm3ccb7lo2udq | Pjl Y R1 � �!S � � � � R L � M � � O �!Q � �!Xl LZY P � ln!S � � l Y! X � � � � P? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | QÐ � Ð? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | R LZY! w � l Y P-!X � � � p O � � V � � l Y#p � L N M � �! Xl LZY � L � Y! S � � � Dv# � � R � �[ R L � Y P? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | RQ � � lnNw � � oP? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | [ BL p! S � � � �!X � � � L N[ � Y v � l Y! XN L v � OoR1 � � P^P? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | [ R LZY Pjl v# � � NX � Uv JS[ �$~ � � � NX!S � � � � � n � UPXP] ln! � lqP L p l Y! X �$NX � � P?! |
| work_fuzplhyyznbrtcm3ccb7lo2udq | [ l PË � � NX � � P? � Y! El Y ÿ ± � Y v � ÿ W � Y v �!X � � �/ � 1 � � � � R1! |
| work_fuzplhyyznbrtcm3ccb7lo2udq | [ � U � NQP J} � � � � � � NS � � R1l Pj � � P?!XOov � ln � � PÏ � � NX � � P? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | [ � � � ZP¥ � oNQP? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | [ � � � � lqP? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | [^L p! X � � � Kv � � � R � �[ R L � Y P? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | ] Ë � �; � VlqP? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | ` � � NX � � �$~ � � � � nOo � �!X � � v LZY R1 � p O �!XO � NS � � l Y~ � � � P? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | ` � � P? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | ` � � �$~ � � Y � ZP � � NXbZ � K � � P! X � � � � P?!Q � �!XlqP? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | l Y! X � � � � P? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | lV! � lqP PjlVm � � � �` � n � � l Y � � NX � � P? � Y! |
| work_fuzplhyyznbrtcm3ccb7lo2udq | p � L N �!X � � � � P? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | p � L N_ � À v# � � R � �[ R L � Y P? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | ~Z � � VO � � � P L � p! X � � �^ � q �! S!Xl R1 � aPj � o � ZR1l Y b J^ � � p � L NX � aP?OoRT � B � � P? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | Î Wf D a 6ND � � � Þ Ò J � �''O � ln~ Z � � V � Y! S �[ �] oL � Y! X � � �^!XNQ � o �? � � R1! |
| work_fuzplhyyznbrtcm3ccb7lo2udq | � Cä g*P? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | � L � � �~ � � � N]! X � o � �!/!X � � � � � NSN L N/ � � P? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | � ln!S � �!X � � �^ � � NSb � � � P? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | � lqR1 � Á �! X � � � aPj � � � p � Y � � NXb[{ L � p � � P? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | � o � �~ � � � P?O 0 � Rrln � Y! K � � N L �? � UR1!Xl L � YALZY! |
| work_fuzplhyyznbrtcm3ccb7lo2udq | � s �$ � ìl Y � ob Jo � � t � lV!X �*!S � � � � � � NX � � P? � Y! |
| work_fuzplhyyznbrtcm3ccb7lo2udq | � � J ÄZÃ lqP � RQ � L P? � Y P?OoRT � �!S � o �! |
| work_fuzplhyyznbrtcm3ccb7lo2udq | � � KP? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | � � L P? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | � � L � J/} � � � � � oNQP? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | � � L � JB � ¥p! S � � N �!S � o �! aP? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | � � L � nl Y � � PKl Y! Q �` � n � � �] v# � � R � �[ R L � Y P? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | � � ZP p � L O Y vzl Y! X � � � M*L P? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | � � � NX � Kl Y~ � � � P? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | � � � P � P? � L � � � Y! S � o �! �! S � � lqPD �''O � � Y! Xln! |
| work_fuzplhyyznbrtcm3ccb7lo2udq | � � � � Y P? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | � � � � Y! X � � �\ � t � � K � � I � � P? |
| work_fuzplhyyznbrtcm3ccb7lo2udq | �^Pj � M l �''O � � Y! Xln!w �! Sln~ � � � O Y v � � � NQP? |
| work_c6gze3wpzrfwviitspadpn6h74 | / à û � � � � � � � � Ô M Ë ø ¼? |
| work_c6gze3wpzrfwviitspadpn6h74 | / � � � � � � � ü M Ë ø ¼?XÔ MOË ø ¼? |
| work_c6gze3wpzrfwviitspadpn6h74 | : ß � â? |
| work_c6gze3wpzrfwviitspadpn6h74 | : ß � â? |
| work_c6gze3wpzrfwviitspadpn6h74 | < ð � Ä? |
| work_c6gze3wpzrfwviitspadpn6h74 | ? Ì L ¾ þ, J × ÿ Ì? LlÔ þ Ì? M ¿ × þ � C � dÌ M ¾oþ, J Ô þ Ì? LlÔ Ì? M ¿ ×$ cþ^ �? |
| work_c6gze3wpzrfwviitspadpn6h74 | ? Ì L ¾ þ, J × ÿ Ì? LlÔ þ Ì? M ¿ × þ � C � dÌ M ¾oþ, J Ô þ Ì? LlÔ Ì? M ¿ ×$ cþ^ �? |
| work_c6gze3wpzrfwviitspadpn6h74 | ? Ì L ¾ þ, J × ÿ Ì? LlÔ þ Ì? M ¿ × þ � C � dÌ M ¾oþ, J Ô þ Ì? LlÔ Ì? M ¿ ×$ cþ^ �? |
| work_c6gze3wpzrfwviitspadpn6h74 | ? Ì L ¾ þ, J × ÿ Ì? LlÔ þ Ì? M ¿ × þ � C � dÌ M ¾oþ, J Ô þ Ì? LlÔ Ì? M ¿ ×$ cþ^ �? |
| work_c6gze3wpzrfwviitspadpn6h74 | ? Ì L ¾ þ, J × ÿ Ì? LlÔ þ Ì? M ¿ × þ � C � dÌ M ¾oþ, J Ô þ Ì? LlÔ Ì? M ¿ ×$ cþ^ �? |
| work_c6gze3wpzrfwviitspadpn6h74 | ? Ì L ¾ þ, J × ÿ Ì? LlÔ þ Ì? M ¿ × þ � C � dÌ M ¾oþ, J Ô þ Ì? LlÔ Ì? M ¿ ×$ cþ^ �? |
| work_c6gze3wpzrfwviitspadpn6h74 | @ ¾;J Ô Ì? L Ô Ì L Ì M Ô Ì? M � ¿ÁÀ � � J Ô ß6Ì L × Ì M â;? � � � � J Ô ß6Ì L × Ì M â? |
| work_c6gze3wpzrfwviitspadpn6h74 | @ ¾;J Ô Ì? L Ô Ì L Ì M Ô Ì? M � ¿ÁÀ � � J Ô ß6Ì L × Ì M â;? � � � � J Ô ß6Ì L × Ì M â? |
| work_c6gze3wpzrfwviitspadpn6h74 | @ ¾;J Ô Ì? L Ô Ì L Ì M Ô Ì? M � ¿ÁÀ � � J Ô ß6Ì L × Ì M â;? � � � � J Ô ß6Ì L × Ì M â? |
| work_c6gze3wpzrfwviitspadpn6h74 | @c � ïJ Ô ß Ì L × Ì M â? |
| work_c6gze3wpzrfwviitspadpn6h74 | B ã? Ô@ J? |
| work_c6gze3wpzrfwviitspadpn6h74 | B ã? Ô@ J? |
| work_c6gze3wpzrfwviitspadpn6h74 | B ã? Ô@ J? |
| work_c6gze3wpzrfwviitspadpn6h74 | B ã? Ô@ J? |
| work_c6gze3wpzrfwviitspadpn6h74 | E ß � â? |
| work_c6gze3wpzrfwviitspadpn6h74 | J ² ø þ �/?dÌ L ¾ Ô þ, J × � ¡ Ì? L × þ � Ì? M ¿ × �/?C Ô �/? |
| work_c6gze3wpzrfwviitspadpn6h74 | J ² ø þ �/?dÌ L ¾ Ô þ, J × � ¡ Ì? L × þ � Ì? M ¿ × �/?C Ô �/? |
| work_c6gze3wpzrfwviitspadpn6h74 | J ² ø þ �/?dÌ L ¾ Ô þ, J × � ¡ Ì? L × þ � Ì? M ¿ × �/?C Ô �/? |
| work_c6gze3wpzrfwviitspadpn6h74 | J ¾ J Ô Ì? L ¿? |
| work_c6gze3wpzrfwviitspadpn6h74 | J ¾ J Ô Ì? L ¿? |
| work_c6gze3wpzrfwviitspadpn6h74 | J? |
| work_c6gze3wpzrfwviitspadpn6h74 | J? |
| work_c6gze3wpzrfwviitspadpn6h74 | J? |
| work_c6gze3wpzrfwviitspadpn6h74 | J? |
| work_c6gze3wpzrfwviitspadpn6h74 | J^`_ � Ta? |
| work_c6gze3wpzrfwviitspadpn6h74 | L Ì? M Ô& ßÜJ Ô n)? � â d$ � � � ý � ý � � Û Ì d L Ì d M ü$ g? |
| work_c6gze3wpzrfwviitspadpn6h74 | L Ì? M Ô& ßÜJ Ô n)? � â d$ � � � ý � ý � � Û Ì d L Ì d M ü$ g? |
| work_c6gze3wpzrfwviitspadpn6h74 | LlÔ ì? þ¿ß ì? |
| work_c6gze3wpzrfwviitspadpn6h74 | LlÔ ì? þ¿ß ì? |
| work_c6gze3wpzrfwviitspadpn6h74 | M Ë ø{? |
| work_c6gze3wpzrfwviitspadpn6h74 | M Ë ø{C ßÜJyâ)ü/5 �/? |
| work_c6gze3wpzrfwviitspadpn6h74 | P ß � â S â î â � ü^` � N/ Ù% �/(''� bª^)''�/ Ù P/ ô M bF^qô M/ Ù © I/ï � � bß � â? |
| work_c6gze3wpzrfwviitspadpn6h74 | P ß � â S â î âÜü F? |
| work_c6gze3wpzrfwviitspadpn6h74 | S J î M ü ß Ì# � × Ì# �"× Ñ îM â? |
| work_c6gze3wpzrfwviitspadpn6h74 | S Jyâ � ü ä. � ßà0/: à/"H ½ ð ò ä. � ßà21: à/"H ½ ð ò î 3 pÄ ® � °: ßOò S ò � î S Jyâß � ò Ô â? |
| work_c6gze3wpzrfwviitspadpn6h74 | S â î9? |
| work_c6gze3wpzrfwviitspadpn6h74 | S â î9? |
| work_c6gze3wpzrfwviitspadpn6h74 | S â î9? |
| work_c6gze3wpzrfwviitspadpn6h74 | ] b � � ý � ÛK>? |
| work_c6gze3wpzrfwviitspadpn6h74 | ^ ëcë b;Ì M ßÜJ? |
| work_c6gze3wpzrfwviitspadpn6h74 | ^`_ � Ta? |
| work_c6gze3wpzrfwviitspadpn6h74 | ^`_ � a? |
| work_c6gze3wpzrfwviitspadpn6h74 | ^Ü_ � � a? |
| work_c6gze3wpzrfwviitspadpn6h74 | b Ô$ � � ý � � Ì d M_ �>^ a d b × � 3 � 3 � ß � ÿ � » â^ ë a ë bÜü Ì Mþ ÔÎÊ � Ï)Ì? M_ �>^ a? |
| work_c6gze3wpzrfwviitspadpn6h74 | b Ô$ � � ý � � Ì d M_ �>^ a d b × � 3 � 3 � ß � ÿ � » â^ ë a ë bÜü Ì Mþ ÔÎÊ � Ï)Ì? M_ �>^ a? |
| work_c6gze3wpzrfwviitspadpn6h74 | b ü ß � � � � � � ý7 � L � � � � � � þfâ � � µÒ � � ¤Ì L ß � â? |
| work_c6gze3wpzrfwviitspadpn6h74 | b � ß �$ Ô é � â � � ý � ÛK>? |
| work_c6gze3wpzrfwviitspadpn6h74 | b$ Ì Mp Ö$ � I d HÔ 2 Ô ÿ Ô+ � é Ô é=?$ � � � þK> Ì L^ Z � Z·b ßÜJ Ô Ìw?L â;?J? |
| work_c6gze3wpzrfwviitspadpn6h74 | b> Ì L ß`J Ô Ì? L âMOË ø úC ü � R � � � × ÿ × þ»é × ÿ»é=?$Zþ Û^> J? |
| work_c6gze3wpzrfwviitspadpn6h74 | b> Ì L ß`J Ô Ì? L âMOË ø úC ü � R � � � × ÿ × þ»é × ÿ»é=?$Zþ Û^> J? |
| work_c6gze3wpzrfwviitspadpn6h74 | bEß`J? |
| work_c6gze3wpzrfwviitspadpn6h74 | byß%$ Ô é}â � � ý Û^>? |
| work_c6gze3wpzrfwviitspadpn6h74 | d â d C$ � � d â C;? |
| work_c6gze3wpzrfwviitspadpn6h74 | r\s÷tlÔÎÍÎË à û þ D M Ë ø ú? |
| work_c6gze3wpzrfwviitspadpn6h74 | ¢ Ê � Ý � r¥È � Ê � sEÈcr � HfÒ � æ � Þ � sEÈ � Ñ]Í � Ê � sÊ � æ Ì � E � Ciæ � Ê � Ý{Ì C üÓÌ? |
| work_c6gze3wpzrfwviitspadpn6h74 | ± ß%$ × ± â ù$ × ± × þ ±$ ×_ � û � ô � ü þ × þ Ì-? � Ô Ì-? � êì? |
| work_c6gze3wpzrfwviitspadpn6h74 | ± ß%$ × ± â ù$ × ± × þ ±$ ×_ � û � ô � ü þ × þ Ì-? � Ô Ì-? � êì? |
| work_c6gze3wpzrfwviitspadpn6h74 | ± � ß`+ � � â_ � ü Ì � Ì �$ Ô ±$ × ± � µ � ü L$ ×_ � ß �$ × ± â;?+ ±êì? |
| work_c6gze3wpzrfwviitspadpn6h74 | ²_ � Ì L Ì M JýBß`J × g? |
| work_c6gze3wpzrfwviitspadpn6h74 | ¶ ß; � � � â MOË ø ë � ¨? |
| work_c6gze3wpzrfwviitspadpn6h74 | Å@ Ô+ t �? d ¾ J × � Ì? L ¿ Ô ß � �?? |
| work_c6gze3wpzrfwviitspadpn6h74 | Å@ Ô+ t �? d ¾ J × � Ì? L ¿ Ô ß � �?? |
| work_c6gze3wpzrfwviitspadpn6h74 | Å@ Ô+ t �? d ¾ J × � Ì? L ¿ Ô ß � �?? |
| work_c6gze3wpzrfwviitspadpn6h74 | Å@ Ô+ t �? d ¾ J × � Ì? L ¿ Ô ß � �?? |
| work_c6gze3wpzrfwviitspadpn6h74 | Ì L ¾;J Ô Ì? L � ¿? |
| work_c6gze3wpzrfwviitspadpn6h74 | Ì L ¾;J Ô Ì? L � ¿? |
| work_c6gze3wpzrfwviitspadpn6h74 | Ì M × Ì d Lß ì? |
| work_c6gze3wpzrfwviitspadpn6h74 | Ì? L ß6Ì? LtÔ Ì? M â× J}ß Ô Ì{ L ×+ � Ì ¤ L Ì? M × � Ì? L Ì ¤ M × þ � Ì{ M â × Ì? M ß Ì? L Ô Ì? M â d B× þK �? |
| work_c6gze3wpzrfwviitspadpn6h74 | Ì? L ß6Ì? LtÔ Ì? M â× J}ß Ô Ì{ L ×+ � Ì ¤ L Ì? M × � Ì? L Ì ¤ M × þ � Ì{ M â × Ì? M ß Ì? L Ô Ì? M â d B× þK �? |
| work_c6gze3wpzrfwviitspadpn6h74 | Ì? L ß6Ì? LtÔ Ì? M â× J}ß Ô Ì{ L ×+ � Ì ¤ L Ì? M × � Ì? L Ì ¤ M × þ � Ì{ M â × Ì? M ß Ì? L Ô Ì? M â d B× þK �? |
| work_c6gze3wpzrfwviitspadpn6h74 | Ì? L ß6Ì? LtÔ Ì? M â× J}ß Ô Ì{ L ×+ � Ì ¤ L Ì? M × � Ì? L Ì ¤ M × þ � Ì{ M â × Ì? M ß Ì? L Ô Ì? M â d B× þK �? |
| work_c6gze3wpzrfwviitspadpn6h74 | Ì? L ß6Ì? LtÔ Ì? M â× J}ß Ô Ì{ L ×+ � Ì ¤ L Ì? M × � Ì? L Ì ¤ M × þ � Ì{ M â × Ì? M ß Ì? L Ô Ì? M â d B× þK �? |
| work_c6gze3wpzrfwviitspadpn6h74 | Ì? L ß6Ì? LtÔ Ì? M â× J}ß Ô Ì{ L ×+ � Ì ¤ L Ì? M × � Ì? L Ì ¤ M × þ � Ì{ M â × Ì? M ß Ì? L Ô Ì? M â d B× þK �? |
| work_c6gze3wpzrfwviitspadpn6h74 | Ì? L ß6Ì? LtÔ Ì? M â× J}ß Ô Ì{ L ×+ � Ì ¤ L Ì? M × � Ì? L Ì ¤ M × þ � Ì{ M â × Ì? M ß Ì? L Ô Ì? M â d B× þK �? |
| work_c6gze3wpzrfwviitspadpn6h74 | Ì? L ß6Ì? LtÔ Ì? M â× J}ß Ô Ì{ L ×+ � Ì ¤ L Ì? M × � Ì? L Ì ¤ M × þ � Ì{ M â × Ì? M ß Ì? L Ô Ì? M â d B× þK �? |
| work_c6gze3wpzrfwviitspadpn6h74 | Ì? L ß6Ì? LtÔ Ì? M â× J}ß Ô Ì{ L ×+ � Ì ¤ L Ì? M × � Ì? L Ì ¤ M × þ � Ì{ M â × Ì? M ß Ì? L Ô Ì? M â d B× þK �? |
| work_c6gze3wpzrfwviitspadpn6h74 | Ì? M ×_ � Ì L ß �$cÿ ì? |
| work_c6gze3wpzrfwviitspadpn6h74 | Ì? M ×_ � Ì L ß �$cÿ ì? |
| work_c6gze3wpzrfwviitspadpn6h74 | Ô Ì ¤ L â × · ß6Ì? M â p Ö$ � I d HÔ 2 Ô ÿ × þ»é × ÿ»é=?$cÿ � � � ýK>? |
| work_c6gze3wpzrfwviitspadpn6h74 | Ô Ì ¤ L â × · ß6Ì? M â p Ö$ � I d HÔ 2 Ô ÿ × þ»é × ÿ»é=?$cÿ � � � ýK>? |
| work_c6gze3wpzrfwviitspadpn6h74 | Ô Ì? L × þ Ì-? |
| work_c6gze3wpzrfwviitspadpn6h74 | Ô Ì? L × þ Ì-? |
| work_c6gze3wpzrfwviitspadpn6h74 | Ô Ì? L â d Ì M Ô � Ê � Ï)Ì? M × � 3 � 3 � ß � ÿ$\â&9¼ Â ü Ô_ � Ì L � � ý �^> � ß ì? |
| work_c6gze3wpzrfwviitspadpn6h74 | Ô Ì? L â d Ì M Ô � Ê � Ï)Ì? M × � 3 � 3 � ß � ÿ$\â&9¼ Â ü Ô_ � Ì L � � ý �^> � ß ì? |
| work_c6gze3wpzrfwviitspadpn6h74 | Ô Ì? L â d Ì M Ô � Ê � Ï)Ì? M × � 3 � 3 � ß � ÿ$\â&9¼ Â ü Ô_ � Ì L � � ý �^> � ß ì? |
| work_c6gze3wpzrfwviitspadpn6h74 | Ô Ì? L â d Ì? M × � ª � 3 � ß � ÿ � ÿ»â& æM ¼ M ü Ô Ì L ì? þ¿ß ì? |
| work_c6gze3wpzrfwviitspadpn6h74 | Ô Ì? L â d Ì? M × � ª � 3 � ß � ÿ � ÿ»â& æM ¼ M ü Ô Ì L ì? þ¿ß ì? |
| work_c6gze3wpzrfwviitspadpn6h74 | Ô Ì? L â d Ì? M × � ª � 3 � ß � ÿ � ÿ»â& æM ¼ M ü Ô Ì L ì? þ¿ß ì? |
| work_c6gze3wpzrfwviitspadpn6h74 | Ô Ì? L â d Ì? M × � ª � 3 � ß � ÿ � ÿ»â& æM ¼ M ü Ô Ì L ì? þ¿ß ì? |
| work_c6gze3wpzrfwviitspadpn6h74 | Ô Ì? L â Ì M Ô_ � Ì L ì?+ t> � ß ì? |
| work_c6gze3wpzrfwviitspadpn6h74 | Ô Ì? L â Ì M Ô_ � Ì L ì?+ t> � ß ì? |
| work_c6gze3wpzrfwviitspadpn6h74 | Ô Ì? L â Ì M Ô_ � Ì L ì?+ t> � ß ì? |
| work_c6gze3wpzrfwviitspadpn6h74 | Ô Ì? L â Ì d M ×_ � ß ì? |
| work_c6gze3wpzrfwviitspadpn6h74 | Ô Ì? L â Ì d M ×_ � ß ì? |
| work_c6gze3wpzrfwviitspadpn6h74 | Ô Ì? L â � � ý � � K> � ß ì? |
| work_c6gze3wpzrfwviitspadpn6h74 | Ô Ì? L â � � ý � � K> � ß ì? |
| work_c6gze3wpzrfwviitspadpn6h74 | Ô Ì? L â? |
| work_c6gze3wpzrfwviitspadpn6h74 | Ô Ì? L â? |
| work_c6gze3wpzrfwviitspadpn6h74 | Ô Ì? L â? |
| work_c6gze3wpzrfwviitspadpn6h74 | Ô Ì? L â? |
| work_c6gze3wpzrfwviitspadpn6h74 | Ô ß6Ì? LlÔ Ì? M â d ß Ì? L × Ì? M â B× þK � C � d Ì L@ Ô J ¤ × J d ßOÿ Ì? L × Ì? M â × J? |
| work_c6gze3wpzrfwviitspadpn6h74 | Ô ß6Ì? LlÔ Ì? M â d ß Ì? L × Ì? M â B× þK � C � d Ì L@ Ô J ¤ × J d ßOÿ Ì? L × Ì? M â × J? |
| work_c6gze3wpzrfwviitspadpn6h74 | Ô ß6Ì? LlÔ Ì? M â d ß Ì? L × Ì? M â B× þK � C � d Ì L@ Ô J ¤ × J d ßOÿ Ì? L × Ì? M â × J? |
| work_c6gze3wpzrfwviitspadpn6h74 | Ô ß6Ì? LlÔ Ì? M â d ß Ì? L × Ì? M â B× þK � C � d Ì L@ Ô J ¤ × J d ßOÿ Ì? L × Ì? M â × J? |
| work_c6gze3wpzrfwviitspadpn6h74 | Ô ß6Ì? LlÔ Ì? M â d ß Ì? L × Ì? M â B× þK � C � d Ì L@ Ô J ¤ × J d ßOÿ Ì? L × Ì? M â × J? |
| work_c6gze3wpzrfwviitspadpn6h74 | Ô ß6Ì? LlÔ Ì? M â d ß Ì? L × Ì? M â B× þK � C � d Ì L@ Ô J ¤ × J d ßOÿ Ì? L × Ì? M â × J? |
| work_c6gze3wpzrfwviitspadpn6h74 | Ô ß6Ì? LlÔ Ì? M â d ß Ì? L × Ì? M â B× þK � C � d Ì L@ Ô J ¤ × J d ßOÿ Ì? L × Ì? M â × J? |
| work_c6gze3wpzrfwviitspadpn6h74 | Ô þ Ì? L â � � þ � � K> � ß ì? |
| work_c6gze3wpzrfwviitspadpn6h74 | Ô þ Ì? L â � � þ � � K> � ß ì? |
| work_c6gze3wpzrfwviitspadpn6h74 | Ô � C � üY � b � d Ô Ì C � C × Ì? |
| work_c6gze3wpzrfwviitspadpn6h74 | Ô �? |
| work_c6gze3wpzrfwviitspadpn6h74 | Ô �? |
| work_c6gze3wpzrfwviitspadpn6h74 | Ô �? C â Ì L × ß � � C × �? |
| work_c6gze3wpzrfwviitspadpn6h74 | Ô �? C â Ì L × ß � � C × �? |
| work_c6gze3wpzrfwviitspadpn6h74 | Ô �? C â � Ì L J × þK �? d Ì L Ì? M Ô � C � d Ì M J Ô �? |
| work_c6gze3wpzrfwviitspadpn6h74 | Ô �? C â � Ì L J × þK �? d Ì L Ì? M Ô � C � d Ì M J Ô �? |
| work_c6gze3wpzrfwviitspadpn6h74 | Ô �? C â � Ì L J × þK �? d Ì L Ì? M Ô � C � d Ì M J Ô �? |
| work_c6gze3wpzrfwviitspadpn6h74 | Ô �? C â � Ì L J × þK �? d Ì L Ì? M Ô � C � d Ì M J Ô �? |
| work_c6gze3wpzrfwviitspadpn6h74 | Ô �? C â � Ì L Å ý@ Ì? L J? |
| work_c6gze3wpzrfwviitspadpn6h74 | Ô �? C â � Ì L Å ý@ Ì? L J? |
| work_c6gze3wpzrfwviitspadpn6h74 | Ô �? C â � Ì L Å ý@ Ì? L J? |
| work_c6gze3wpzrfwviitspadpn6h74 | Ô �? ú û âyß � â î9? |
| work_c6gze3wpzrfwviitspadpn6h74 | Ô �? ú û âyß � â î9? |
| work_c6gze3wpzrfwviitspadpn6h74 | Ô �? úEû âyß � â î9? |
| work_c6gze3wpzrfwviitspadpn6h74 | Ô �? úEû âyß � â î9? |
| work_c6gze3wpzrfwviitspadpn6h74 | Ô$$ cý ¿ � g? |
| work_c6gze3wpzrfwviitspadpn6h74 | Õ � ÞDË6ÝIÞDÔÎÒ � Õ¥ø/z �/? |
| work_c6gze3wpzrfwviitspadpn6h74 | × J Ô ß Ì L × Ì M â;?Û � Ì L Ì M � g? |
| work_c6gze3wpzrfwviitspadpn6h74 | × Jyâ%E Þ Ê � ݪY � r\s÷tQß g? |
| work_c6gze3wpzrfwviitspadpn6h74 | × Jyâ) � � J Ô ß6Ì L Ô Ì M â? |
| work_c6gze3wpzrfwviitspadpn6h74 | × n? |
| work_c6gze3wpzrfwviitspadpn6h74 | × n? |
| work_c6gze3wpzrfwviitspadpn6h74 | × n? |
| work_c6gze3wpzrfwviitspadpn6h74 | × n? |
| work_c6gze3wpzrfwviitspadpn6h74 | × ß Ì L × Ì M â? |
| work_c6gze3wpzrfwviitspadpn6h74 | × ß Ì L × Ì M â? |
| work_c6gze3wpzrfwviitspadpn6h74 | × ß Ì L × Ì M â? |
| work_c6gze3wpzrfwviitspadpn6h74 | × ß Ì ¤ L Ô þ Ì? L Ì? M Ô Ì ¤ M â J × þGÌ? L Ì ¤ M B ã C Ô ý/ J@ Ì? L J × ß Ì? LlÔ Ì? M â? |
| work_c6gze3wpzrfwviitspadpn6h74 | × ß Ì ¤ L Ô þ Ì? L Ì? M Ô Ì ¤ M â J × þGÌ? L Ì ¤ M B ã C Ô ý/ J@ Ì? L J × ß Ì? LlÔ Ì? M â? |
| work_c6gze3wpzrfwviitspadpn6h74 | × ß Ì ¤ L Ô þ Ì? L Ì? M Ô Ì ¤ M â J × þGÌ? L Ì ¤ M B ã C Ô ý/ J@ Ì? L J × ß Ì? LlÔ Ì? M â? |
| work_c6gze3wpzrfwviitspadpn6h74 | × ß Ì ¤ L Ô þ Ì? L Ì? M Ô Ì ¤ M â J × þGÌ? L Ì ¤ M B ã C Ô ý/ J@ Ì? L J × ß Ì? LlÔ Ì? M â? |
| work_c6gze3wpzrfwviitspadpn6h74 | × ß Ì ¤ L Ô þ Ì? L Ì? M Ô Ì ¤ M â J × þGÌ? L Ì ¤ M B ã C Ô ý/ J@ Ì? L J × ß Ì? LlÔ Ì? M â? |
| work_c6gze3wpzrfwviitspadpn6h74 | × ß Ì ¤ L Ô þ Ì? L Ì? M Ô Ì ¤ M â J × þGÌ? L Ì ¤ M B ã C Ô ý/ J@ Ì? L J × ß Ì? LlÔ Ì? M â? |
| work_c6gze3wpzrfwviitspadpn6h74 | × ß Ì ¤ L Ô þ Ì? L Ì? M Ô Ì ¤ M â J × þGÌ? L Ì ¤ M B ã C Ô ý/ J@ Ì? L J × ß Ì? LlÔ Ì? M â? |
| work_c6gze3wpzrfwviitspadpn6h74 | × ß Ì ¤ M Ô þ Ì? M Ì? L Ô Ì ¤ L â J × þ Ì? M Ì ¤ L B ã C × ý, J@ Ì? M J × ß6Ì? MtÔ Ì? L â? |
| work_c6gze3wpzrfwviitspadpn6h74 | × ß Ì ¤ M Ô þ Ì? M Ì? L Ô Ì ¤ L â J × þ Ì? M Ì ¤ L B ã C × ý, J@ Ì? M J × ß6Ì? MtÔ Ì? L â? |
| work_c6gze3wpzrfwviitspadpn6h74 | × ß Ì ¤ M Ô þ Ì? M Ì? L Ô Ì ¤ L â J × þ Ì? M Ì ¤ L B ã C × ý, J@ Ì? M J × ß6Ì? MtÔ Ì? L â? |
| work_c6gze3wpzrfwviitspadpn6h74 | × ß Ì ¤ M Ô þ Ì? M Ì? L Ô Ì ¤ L â J × þ Ì? M Ì ¤ L B ã C × ý, J@ Ì? M J × ß6Ì? MtÔ Ì? L â? |
| work_c6gze3wpzrfwviitspadpn6h74 | × ß Ì ¤ M Ô þ Ì? M Ì? L Ô Ì ¤ L â J × þ Ì? M Ì ¤ L B ã C × ý, J@ Ì? M J × ß6Ì? MtÔ Ì? L â? |
| work_c6gze3wpzrfwviitspadpn6h74 | × ß Ì ¤ M Ô þ Ì? M Ì? L Ô Ì ¤ L â J × þ Ì? M Ì ¤ L B ã C × ý, J@ Ì? M J × ß6Ì? MtÔ Ì? L â? |
| work_c6gze3wpzrfwviitspadpn6h74 | × ß Ì ¤ M Ô þ Ì? M Ì? L Ô Ì ¤ L â J × þ Ì? M Ì ¤ L B ã C × ý, J@ Ì? M J × ß6Ì? MtÔ Ì? L â? |
| work_c6gze3wpzrfwviitspadpn6h74 | × ß6Ì L × Ì M â? |
| work_c6gze3wpzrfwviitspadpn6h74 | × ßOÿ Ì-? |
| work_c6gze3wpzrfwviitspadpn6h74 | × ø �^n ¤$R � � þ × n)?j � ß`J Ô n)? � â$Zÿ � � ý Ì L Ì M Ô ôíßÜJ Ô n)? � â;?þ/+fÿ � � � ý Ì-? |
| work_c6gze3wpzrfwviitspadpn6h74 | × ù ø? B ×$+ � �? � ¾yß6 �? úEû Ô �? � Ô Jyâ ø> D × ù ø>: ¿? |
| work_c6gze3wpzrfwviitspadpn6h74 | × ù ø? B ×$+ � �? � ¾yß6 �? úEû Ô �? � Ô Jyâ ø> D × ù ø>: ¿? |
| work_c6gze3wpzrfwviitspadpn6h74 | × ù ø? B ×$+ � �? � ¾yß6 �? úEû Ô �? � Ô Jyâ ø> D × ù ø>: ¿? |
| work_c6gze3wpzrfwviitspadpn6h74 | × ù ø? B ×$+ � �? � ¾yß6 �? úEû Ô �? � Ô Jyâ ø> D × ù ø>: ¿? |
| work_c6gze3wpzrfwviitspadpn6h74 | × ù ø? B ×$+ � �? � ¾yß6 �? úEû Ô �? � Ô Jyâ ø> D × ù ø>: ¿? |
| work_c6gze3wpzrfwviitspadpn6h74 | × ÿ � ß � þ Ì? L Ô Ì? M â6J × Ì ¤ L Ô ÿ � Ì? L Ì? M Ô þ � Ì ¤ M Boù C;ò;?L!M ÇÔ þ^ � C � d Ì M Å ý@ Ì? M J? |
| work_c6gze3wpzrfwviitspadpn6h74 | × ÿ � ß � þ Ì? L Ô Ì? M â6J × Ì ¤ L Ô ÿ � Ì? L Ì? M Ô þ � Ì ¤ M Boù C;ò;?L!M ÇÔ þ^ � C � d Ì M Å ý@ Ì? M J? |
| work_c6gze3wpzrfwviitspadpn6h74 | × ÿ � ß � þ Ì? L Ô Ì? M â6J × Ì ¤ L Ô ÿ � Ì? L Ì? M Ô þ � Ì ¤ M Boù C;ò;?L!M ÇÔ þ^ � C � d Ì M Å ý@ Ì? M J? |
| work_c6gze3wpzrfwviitspadpn6h74 | × ÿ � ß � þ Ì? L Ô Ì? M â6J × Ì ¤ L Ô ÿ � Ì? L Ì? M Ô þ � Ì ¤ M Boù C;ò;?L!M ÇÔ þ^ � C � d Ì M Å ý@ Ì? M J? |
| work_c6gze3wpzrfwviitspadpn6h74 | × ÿ � ß � þ Ì? L Ô Ì? M â6J × Ì ¤ L Ô ÿ � Ì? L Ì? M Ô þ � Ì ¤ M Boù C;ò;?L!M ÇÔ þ^ � C � d Ì M Å ý@ Ì? M J? |
| work_c6gze3wpzrfwviitspadpn6h74 | × ÿ � ß � þ Ì? L Ô Ì? M â6J × Ì ¤ L Ô ÿ � Ì? L Ì? M Ô þ � Ì ¤ M Boù C;ò;?L!M ÇÔ þ^ � C � d Ì M Å ý@ Ì? M J? |
| work_c6gze3wpzrfwviitspadpn6h74 | × ÿ � ß � þ Ì? MlÔ Ì? L â6J × Ì ¤ M«Ô ÿ � Ì? M Ì? L«Ô þ � Ì ¤ L B ù M!L Ç � Ç ß; � � ÿ»âMOË ømú? |
| work_c6gze3wpzrfwviitspadpn6h74 | × ÿ � ß � þ Ì? MlÔ Ì? L â6J × Ì ¤ M«Ô ÿ � Ì? M Ì? L«Ô þ � Ì ¤ L B ù M!L Ç � Ç ß; � � ÿ»âMOË ømú? |
| work_c6gze3wpzrfwviitspadpn6h74 | × ÿ � ß � þ Ì? MlÔ Ì? L â6J × Ì ¤ M«Ô ÿ � Ì? M Ì? L«Ô þ � Ì ¤ L B ù M!L Ç � Ç ß; � � ÿ»âMOË ømú? |
| work_c6gze3wpzrfwviitspadpn6h74 | × ÿ � ß � þ Ì? MlÔ Ì? L â6J × Ì ¤ M«Ô ÿ � Ì? M Ì? L«Ô þ � Ì ¤ L B ù M!L Ç � Ç ß; � � ÿ»âMOË ømú? |
| work_c6gze3wpzrfwviitspadpn6h74 | × ÿ � ß � þ Ì? MlÔ Ì? L â6J × Ì ¤ M«Ô ÿ � Ì? M Ì? L«Ô þ � Ì ¤ L B ù M!L Ç � Ç ß; � � ÿ»âMOË ømú? |
| work_c6gze3wpzrfwviitspadpn6h74 | × � 3 � 3 � ß`+ � Û»âMOË& ¼J ü_ � Ì L Ì M JýP � � J Ô ß Ì L Ô Ì M â? |
| work_c6gze3wpzrfwviitspadpn6h74 | × � ± ¤ � � þ ± Ô Ì � ß Ì � Ô Ì � âêì? |
| work_c6gze3wpzrfwviitspadpn6h74 | ×+ t �? d â Å$ cþ@ J? |
| work_c6gze3wpzrfwviitspadpn6h74 | ×+ t �? d â Å$ cþ@ J? |
| work_c6gze3wpzrfwviitspadpn6h74 | ×+ t �? d â;Ì L Ì M × � C � d ß Ì? L × Ì? MlÔ J � âÈÇ ß; � � ý»âM Ë ø ¼? |
| work_c6gze3wpzrfwviitspadpn6h74 | ×+ t �? d â;Ì L Ì M × � C � d ß Ì? L × Ì? MlÔ J � âÈÇ ß; � � ý»âM Ë ø ¼? |
| work_c6gze3wpzrfwviitspadpn6h74 | ×+ t �? d â;Ì L Ì M × � C � d ß Ì? L × Ì? MlÔ J � âÈÇ ß; � � ý»âM Ë ø ¼? |
| work_c6gze3wpzrfwviitspadpn6h74 | ×+ t �? d â;Ì L Ì M × � C � d ß Ì? L × Ì? MlÔ J � âÈÇ ß; � � ý»âM Ë ø ¼? |
| work_c6gze3wpzrfwviitspadpn6h74 | ×@ J d Ô � � J? |
| work_c6gze3wpzrfwviitspadpn6h74 | ×ð? |
| work_c6gze3wpzrfwviitspadpn6h74 | ß Ì ¤ L × Ì ¤ M â Ô þ � Ì ¤ L Ì ¤ M B ã C Ô$ cþ/ J? |
| work_c6gze3wpzrfwviitspadpn6h74 | ß Ì? L × � Ì? M â × J}ß Ì? L × Ì? M âyß6Ì? LtÔ � Ì? M â Ô ß6Ì? LlÔ Ì? M â d B×+? �? d Ì L Ì M@ Ô J d × J? |
| work_c6gze3wpzrfwviitspadpn6h74 | ß Ì? L × � Ì? M â × J}ß Ì? L × Ì? M âyß6Ì? LtÔ � Ì? M â Ô ß6Ì? LlÔ Ì? M â d B×+? �? d Ì L Ì M@ Ô J d × J? |
| work_c6gze3wpzrfwviitspadpn6h74 | ß Ì? L × � Ì? M â × J}ß Ì? L × Ì? M âyß6Ì? LtÔ � Ì? M â Ô ß6Ì? LlÔ Ì? M â d B×+? �? d Ì L Ì M@ Ô J d × J? |
| work_c6gze3wpzrfwviitspadpn6h74 | ß Ì? L × � Ì? M â × J}ß Ì? L × Ì? M âyß6Ì? LtÔ � Ì? M â Ô ß6Ì? LlÔ Ì? M â d B×+? �? d Ì L Ì M@ Ô J d × J? |
| work_c6gze3wpzrfwviitspadpn6h74 | ß Ì? L × � Ì? M â × J}ß Ì? L × Ì? M âyß6Ì? LtÔ � Ì? M â Ô ß6Ì? LlÔ Ì? M â d B×+? �? d Ì L Ì M@ Ô J d × J? |
| work_c6gze3wpzrfwviitspadpn6h74 | ß Ì? L × � Ì? M â × J}ß Ì? L × Ì? M âyß6Ì? LtÔ � Ì? M â Ô ß6Ì? LlÔ Ì? M â d B×+? �? d Ì L Ì M@ Ô J d × J? |
| work_c6gze3wpzrfwviitspadpn6h74 | ß Ì? L × � Ì? M â × J}ß Ì? L × Ì? M âyß6Ì? LtÔ � Ì? M â Ô ß6Ì? LlÔ Ì? M â d B×+? �? d Ì L Ì M@ Ô J d × J? |
| work_c6gze3wpzrfwviitspadpn6h74 | ß Ì? L × � Ì? M â × J}ß Ì? L × Ì? M âyß6Ì? LtÔ � Ì? M â Ô ß6Ì? LlÔ Ì? M â d B×+? �? d Ì L Ì M@ Ô J d × J? |
| work_c6gze3wpzrfwviitspadpn6h74 | ß Ì? L × � Ì? M â × J}ß Ì? L × Ì? M âyß6Ì? LtÔ � Ì? M â Ô ß6Ì? LlÔ Ì? M â d B×+? �? d Ì L Ì M@ Ô J d × J? |
| work_c6gze3wpzrfwviitspadpn6h74 | ß Ì? L × � Ì? M â × J}ß Ì? L × Ì? M âyß6Ì? LtÔ � Ì? M â Ô ß6Ì? LlÔ Ì? M â d B×+? �? d Ì L Ì M@ Ô J d × J? |
| work_c6gze3wpzrfwviitspadpn6h74 | ß Ì? L × � Ì? M â × J}ß Ì? L × Ì? M âyß6Ì? LtÔ � Ì? M â Ô ß6Ì? LlÔ Ì? M â d B×+? �? d Ì L Ì M@ Ô J d × J? |
| work_c6gze3wpzrfwviitspadpn6h74 | ß Ô � Ì ¤ L ×+ � Ì? L Ì? M × � Ì ¤ M â× �, J}ß Ì? LlÔ Ì? M âyß6Ì? L × Ì? M â? |
| work_c6gze3wpzrfwviitspadpn6h74 | ß Ô � Ì ¤ L ×+ � Ì? L Ì? M × � Ì ¤ M â× �, J}ß Ì? LlÔ Ì? M âyß6Ì? L × Ì? M â? |
| work_c6gze3wpzrfwviitspadpn6h74 | ß Ô � Ì ¤ L ×+ � Ì? L Ì? M × � Ì ¤ M â× �, J}ß Ì? LlÔ Ì? M âyß6Ì? L × Ì? M â? |
| work_c6gze3wpzrfwviitspadpn6h74 | ß Ô � Ì ¤ L ×+ � Ì? L Ì? M × � Ì ¤ M â× �, J}ß Ì? LlÔ Ì? M âyß6Ì? L × Ì? M â? |
| work_c6gze3wpzrfwviitspadpn6h74 | ß Ô � Ì ¤ L ×+ � Ì? L Ì? M × � Ì ¤ M â× �, J}ß Ì? LlÔ Ì? M âyß6Ì? L × Ì? M â? |
| work_c6gze3wpzrfwviitspadpn6h74 | ß Ô � Ì ¤ L ×+ � Ì? L Ì? M × � Ì ¤ M â× �, J}ß Ì? LlÔ Ì? M âyß6Ì? L × Ì? M â? |
| work_c6gze3wpzrfwviitspadpn6h74 | ß Ô � Ì ¤ L ×+ � Ì? L Ì? M × � Ì ¤ M â× �, J}ß Ì? LlÔ Ì? M âyß6Ì? L × Ì? M â? |
| work_c6gze3wpzrfwviitspadpn6h74 | ß%$$ cýfâÔ_ � L Ì L Ì M ² ß Ì L × Ì M â;?/ � ïJ Ô ß Ì L × Ì M â;? � �$Zý| � g? |
| work_c6gze3wpzrfwviitspadpn6h74 | ß6 �? úEû S �? � S Jyâ ø? |
| work_c6gze3wpzrfwviitspadpn6h74 | ß6 �? úEû S �? � S Jyâ ø? |
| work_c6gze3wpzrfwviitspadpn6h74 | ß6 �? úEû S �? � S Jyâ ø? |
| work_c6gze3wpzrfwviitspadpn6h74 | ß6 �? úEû S �? � S Jyâ@ ø þ¿ß ø> D â? |
| work_c6gze3wpzrfwviitspadpn6h74 | ß6 �? úEû S �? � S Jyâ@ ø þ¿ß ø> D â? |
| work_c6gze3wpzrfwviitspadpn6h74 | ß6 �? úEû S �? � S Jyâ@ ø þ¿ß ø> D â? |
| work_c6gze3wpzrfwviitspadpn6h74 | ß6_ C_? |
| work_c6gze3wpzrfwviitspadpn6h74 | ß6Ì C × Ì? |
| work_c6gze3wpzrfwviitspadpn6h74 | ß6Ì ¤ L«Ô Ì ¤ M â ã? |
| work_c6gze3wpzrfwviitspadpn6h74 | ß6Ì? L Ô Ì? M â ã? Ô þ@ þ, J? |
| work_c6gze3wpzrfwviitspadpn6h74 | ß6Ì? L Ô Ì? M â ã? Ô þ@ þ, J? |
| work_c6gze3wpzrfwviitspadpn6h74 | ß6Ì? L Ô Ì? M â ã? Ô þ@ þ, J? |
| work_c6gze3wpzrfwviitspadpn6h74 | ß6Ì? L Ô Ì? M â ã? Ô þ@ þ, J? |
| work_c6gze3wpzrfwviitspadpn6h74 | ß6Ì? L × Ì? M â Ô+ J%Ì? L Ì? M × þ Ì? L Ì? M ß6Ì? L × Ì? M â B ã CÔ$ cþ/ J? |
| work_c6gze3wpzrfwviitspadpn6h74 | ß6Ì? L × Ì? M â Ô+ J%Ì? L Ì? M × þ Ì? L Ì? M ß6Ì? L × Ì? M â B ã CÔ$ cþ/ J? |
| work_c6gze3wpzrfwviitspadpn6h74 | ß6Ì? L × Ì? M â Ô+ J%Ì? L Ì? M × þ Ì? L Ì? M ß6Ì? L × Ì? M â B ã CÔ$ cþ/ J? |
| work_c6gze3wpzrfwviitspadpn6h74 | ß6Ì? L × Ì? M â Ô+ J%Ì? L Ì? M × þ Ì? L Ì? M ß6Ì? L × Ì? M â B ã CÔ$ cþ/ J? |
| work_c6gze3wpzrfwviitspadpn6h74 | ß6Ì? L × Ì? M â Ô+ J%Ì? L Ì? M × þ Ì? L Ì? M ß6Ì? L × Ì? M â B ã CÔ$ cþ/ J? |
| work_c6gze3wpzrfwviitspadpn6h74 | ß6Ì? L × Ì? M â Ô+ J%Ì? L Ì? M × þ Ì? L Ì? M ß6Ì? L × Ì? M â B ã CÔ$ cþ/ J? |
| work_c6gze3wpzrfwviitspadpn6h74 | ß6Ì? L × Ì? M â Ô+ J%Ì? L Ì? M × þ Ì? L Ì? M ß6Ì? L × Ì? M â B ã CÔ$ cþ/ J? |
| work_c6gze3wpzrfwviitspadpn6h74 | ß6Ì? L × Ì? M â Ô+ J%Ì? L Ì? M × þ Ì? L Ì? M ß6Ì? L × Ì? M â B ã CÔ$ cþ/ J? |
| work_c6gze3wpzrfwviitspadpn6h74 | ß6Ì? L × Ì? M â Ô+ J%Ì? L Ì? M × þ Ì? L Ì? M ß6Ì? L × Ì? M â B ã CÔ$ cþ/ J? |
| work_c6gze3wpzrfwviitspadpn6h74 | ßÜJyâ)ü � ¯?D^ Z)Z·bý,+t> J ù d ò;?L!M Å þ¿ß � �? C × �?? |
| work_c6gze3wpzrfwviitspadpn6h74 | ßÜJyâ)ü � ¯?D^ Z)Z·bý,+t> J ù d ò;?L!M Å þ¿ß � �? C × �?? |
| work_c6gze3wpzrfwviitspadpn6h74 | ßÜJyâ)ü � ¯?D^ Z)Z·bý,+t> J ù d ò;?L!M Å þ¿ß � �? C × �?? |
| work_c6gze3wpzrfwviitspadpn6h74 | ßÜJyâ)ü �/5 �/? |
| work_c6gze3wpzrfwviitspadpn6h74 | ßÜJyâ)ü$$ cþ � ÛK> d J Å ß � þK �? d × �?? |
| work_c6gze3wpzrfwviitspadpn6h74 | ßÜJyâ)ü$$ cþ � ÛK> d J Å ß � þK �? d × �?? |
| work_c6gze3wpzrfwviitspadpn6h74 | ßÜJyâ)ü$$ cþ � ÛK> d J Å ß � þK �? d × �?? |
| work_c6gze3wpzrfwviitspadpn6h74 | ßÜJyâ)ü^ Z)Z·bÛK> J ù C;ò;?L!M Å Ô ßC �? C × �?? |
| work_c6gze3wpzrfwviitspadpn6h74 | ßÜJyâ)ü^ Z)Z·bÛK> J ù C;ò;?L!M Å Ô ßC �? C × �?? |
| work_c6gze3wpzrfwviitspadpn6h74 | ßÜJyâ)ü^ Z)Z·bÛK> J ù C;ò;?L!M Å Ô ßC �? C × �?? |
| work_c6gze3wpzrfwviitspadpn6h74 | ßÜJyâ)ü^Ü_ � � a? ¡ b � Û/+?>? |
| work_c6gze3wpzrfwviitspadpn6h74 | ßÜJyâ)ü^Ü_ � � a? ¡ b � Û/+?>? |
| work_c6gze3wpzrfwviitspadpn6h74 | ßÜJyâ)ü^Ü_ � � a? ¡ b � Û/+?>? |
| work_c6gze3wpzrfwviitspadpn6h74 | â D Ì dÌ C Ì? |
| work_c6gze3wpzrfwviitspadpn6h74 | â S ß%$ � � � fâ Ê � sDÒSr � Õ]ÕoÞDË¾Ò � ÕBÑ]åEr � Ñ æ � Ê � Ý � â|? |
| work_c6gze3wpzrfwviitspadpn6h74 | â d × ø Ô � Kn ¤ ßÜJ Ô n? |
| work_c6gze3wpzrfwviitspadpn6h74 | â dþ/+fÿ> � � ý Ì? L Ì? M ü$ ß g? |
| work_c6gze3wpzrfwviitspadpn6h74 | â dþ/+fÿ> � � ý Ì? L Ì? M ü$ ß g? |
| work_c6gze3wpzrfwviitspadpn6h74 | â dþ/+fÿ> � � ý Ì? L Ì? M ü$ ß g? |
| work_c6gze3wpzrfwviitspadpn6h74 | â ¤ ß%$$, � � â × ø �^n)? � ß`J Ô n)? � â?$ R � � þ × � ßÜJ Ô n)? � â d$Zÿ � � ý � Ì L Ì M ü n)?ß g? |
| work_c6gze3wpzrfwviitspadpn6h74 | â ¤ ß%$$, � � â × ø �^n)? � ß`J Ô n)? � â?$ R � � þ × � ßÜJ Ô n)? � â d$Zÿ � � ý � Ì L Ì M ü n)?ß g? |
| work_c6gze3wpzrfwviitspadpn6h74 | â Ô ´? |
| work_c6gze3wpzrfwviitspadpn6h74 | â × ¢IsDÊ � s¿KqÐEÒcÝIÑcõ � Ñ]ÒcÝIËVÕ � £ 4^` � N/ Ù% �/(''� bª^qô M/ Ù © I/ �> b øâ: ßÜJyâß � â? |
| work_c6gze3wpzrfwviitspadpn6h74 | â ×` � � ³ LqJ M@ ß ± × ± E � C âEßC ´? |
| work_c6gze3wpzrfwviitspadpn6h74 | â ü$> ä.³ ½ ð J � � J Ô n? |
| work_c6gze3wpzrfwviitspadpn6h74 | â � Ì L Ì M@ Ô J d × J? |
| work_c6gze3wpzrfwviitspadpn6h74 | â � Ì M@ Ô J ¤ × J d ßOþ Ì? L × ÿ Ì? M âÔ J? |
| work_c6gze3wpzrfwviitspadpn6h74 | â � Ì M@ Ô J ¤ × J d ßOþ Ì? L × ÿ Ì? M âÔ J? |
| work_c6gze3wpzrfwviitspadpn6h74 | â � Ì M@ Ô J ¤ × J d ßOþ Ì? L × ÿ Ì? M âÔ J? |
| work_c6gze3wpzrfwviitspadpn6h74 | â � ïJ Ô ß Ì L Ô Ì M â? |
| work_c6gze3wpzrfwviitspadpn6h74 | â � ïJ Ô ß6Ì L Ô Ì M â? |
| work_c6gze3wpzrfwviitspadpn6h74 | â � ü$> ä. � äà á: à û H ½ð J Ô_ � Ì L Ì M JÚß`J Ô Ì? L � Ô Ì L Ì M Ô Ì? M âþ`ßÜJ Ô ì? |
| work_c6gze3wpzrfwviitspadpn6h74 | â � ü$> ä. � äà á: à û H ½ð J Ô_ � Ì L Ì M JÚß`J Ô Ì? L � Ô Ì L Ì M Ô Ì? M âþ`ßÜJ Ô ì? |
| work_c6gze3wpzrfwviitspadpn6h74 | â � ü$> ä. � äà á: à û H ½ð J Ô_ � Ì L Ì M JÚß`J Ô Ì? L � Ô Ì L Ì M Ô Ì? M âþ`ßÜJ Ô ì? |
| work_c6gze3wpzrfwviitspadpn6h74 | â � ü$> ä.D ð J � « � Ì& 9¼ � ½ ß`J � âJ Ô ì? |
| work_c6gze3wpzrfwviitspadpn6h74 | â$ � � � þ Ô n? |
| work_c6gze3wpzrfwviitspadpn6h74 | â)@1^Ü_ � a? |
| work_c6gze3wpzrfwviitspadpn6h74 | â? |
| work_c6gze3wpzrfwviitspadpn6h74 | â? |
| work_c6gze3wpzrfwviitspadpn6h74 | â?$ cÿ � � � ý Ì L Ì M × ô ß`J Ô n? |
| work_c6gze3wpzrfwviitspadpn6h74 | â?$ cÿ � � � ý Ì L Ì M × ô ß`J Ô n? |
| work_c6gze3wpzrfwviitspadpn6h74 | âDü$> ä. � ßà á: à û H ½ ² Ô_ � Ì L Ì M JÚßÜJ Ô Ì? L Ô Ì L Ì M Ô Ì? M âþ`ß g? |
| work_c6gze3wpzrfwviitspadpn6h74 | âDü$> ä. � ßà á: à û H ½ ² Ô_ � Ì L Ì M JÚßÜJ Ô Ì? L Ô Ì L Ì M Ô Ì? M âþ`ß g? |
| work_c6gze3wpzrfwviitspadpn6h74 | âDü$> ä. � ßà á: à û H ½ ² Ô_ � Ì L Ì M JÚßÜJ Ô Ì? L Ô Ì L Ì M Ô Ì? M âþ`ß g? |
| work_c6gze3wpzrfwviitspadpn6h74 | âf � d Ì M B ã? |
| work_c6gze3wpzrfwviitspadpn6h74 | âyß � ò î Ô â î9? |
| work_c6gze3wpzrfwviitspadpn6h74 | âyßOò î Ô â î9? |
| work_c6gze3wpzrfwviitspadpn6h74 | âyßOò î Ô â î9? |
| work_c6gze3wpzrfwviitspadpn6h74 | ó � d H ß � �? |
| work_c6gze3wpzrfwviitspadpn6h74 | ó¿ßÜJ Ô � ¯? |
| work_c6gze3wpzrfwviitspadpn6h74 | ó¿ßÜJ Ô � ¯? |
| work_c6gze3wpzrfwviitspadpn6h74 | õ ö � ÍÎÏDõt+ � øtJ M KOt¿ÒcÐEÒcsEt � Òcs÷È � ÒÚÊ\æ@Ñ]åDÒ � � � ËVr � ÕIÕ¹æ � Ý]Ê � Ë øtC r\sEt øt? |
| work_c6gze3wpzrfwviitspadpn6h74 | ù C;ò;?L!M Å ßOþ^ �? d × �?? |
| work_c6gze3wpzrfwviitspadpn6h74 | ù C;ò;?L!M Å ßOþ^ �? d × �?? |
| work_c6gze3wpzrfwviitspadpn6h74 | ù C;ò;?L!M Å ßOþ^ �? d × �?? |
| work_c6gze3wpzrfwviitspadpn6h74 | ù d ò;?L!M Å þ¿ß � �? C � Ô �?? |
| work_c6gze3wpzrfwviitspadpn6h74 | ù d ò;?L!M Å þ¿ß � �? C � Ô �?? |
| work_c6gze3wpzrfwviitspadpn6h74 | ù d ò;?L!M Å þ¿ß � �? C � Ô �?? |
| work_c6gze3wpzrfwviitspadpn6h74 | ü J Ô ß6Ì L Ô Ì M â? |
| work_c6gze3wpzrfwviitspadpn6h74 | ü ÔÎÊ � Ï ß6Ì? L × Ì? M â J × ß6Ì? L Ô Ì? M â � ß ù C;ò �?L!M Ô Ì? L × Ì? M âþ � Ì L Ì M J � ü ù C;ò �? |
| work_c6gze3wpzrfwviitspadpn6h74 | ü ÔÎÊ � Ï ß6Ì? L × Ì? M â J × ß6Ì? L Ô Ì? M â � ß ù C;ò �?L!M Ô Ì? L × Ì? M âþ � Ì L Ì M J � ü ù C;ò �? |
| work_c6gze3wpzrfwviitspadpn6h74 | ü ÔÎÊ � Ï ß6Ì? L × Ì? M â J × ß6Ì? L Ô Ì? M â � ß ù C;ò �?L!M Ô Ì? L × Ì? M âþ � Ì L Ì M J � ü ù C;ò �? |
| work_c6gze3wpzrfwviitspadpn6h74 | ü ÔÎÊ � Ï ß6Ì? L × Ì? M â J × ß6Ì? L Ô Ì? M â � ß ù C;ò �?L!M Ô Ì? L × Ì? M âþ � Ì L Ì M J � ü ù C;ò �? |
| work_c6gze3wpzrfwviitspadpn6h74 | ü ÔÎÊ � Ï ß6Ì? L × Ì? M â J × ß6Ì? L Ô Ì? M â � ß ù C;ò �?L!M Ô Ì? L × Ì? M âþ � Ì L Ì M J � ü ù C;ò �? |
| work_c6gze3wpzrfwviitspadpn6h74 | ü ÔÎÊ � Ï ß6Ì? L × Ì? M â J × ß6Ì? L Ô Ì? M â � ß ù C;ò �?L!M Ô Ì? L × Ì? M âþ � Ì L Ì M J � ü ù C;ò �? |
| work_c6gze3wpzrfwviitspadpn6h74 | ü ÔÎÊ � Ï ß6Ì? L × Ì? M â J × ß6Ì? L Ô Ì? M â � ß ù C;ò �?L!M Ô Ì? L × Ì? M âþ � Ì L Ì M J � ü ù C;ò �? |
| work_c6gze3wpzrfwviitspadpn6h74 | üÓÌ? L â ü ßÜ+¿ � ¦ ý � � 7 � L � � � � � � ÿfâ � � µÒ � � ß � ý � ÿ»âÌ M ß � â? |
| work_c6gze3wpzrfwviitspadpn6h74 | üÓÌ? L â ü ßÜ+¿ � ¦ ý � � 7 � L � � � � � � ÿfâ � � µÒ � � ß � ý � ÿ»âÌ M ß � â? |
| work_c6gze3wpzrfwviitspadpn6h74 | üá^ � 14/ ïó � d H ß � �? |
| work_c6gze3wpzrfwviitspadpn6h74 | ÿÿÿ à û � � � à û ü Ô^Ü_ � a? |
| work_c6gze3wpzrfwviitspadpn6h74 | � E I ò �? |
| work_c6gze3wpzrfwviitspadpn6h74 | � E I ò;? |
| work_c6gze3wpzrfwviitspadpn6h74 | � I ò;? |
| work_c6gze3wpzrfwviitspadpn6h74 | � I ò;? |
| work_c6gze3wpzrfwviitspadpn6h74 | � d ¾ J Ô Ì? L Ô þ Ì? MÕ ¿ B ã C Ç ß6Û$\âMOË ø ë � ¨C ßÜJyâ)ü � ¯?D^ Z)Z·bý,+t> J? |
| work_c6gze3wpzrfwviitspadpn6h74 | � d ¾ J Ô Ì? L Ô þ Ì? MÕ ¿ B ã C Ç ß6Û$\âMOË ø ë � ¨C ßÜJyâ)ü � ¯?D^ Z)Z·bý,+t> J? |
| work_c6gze3wpzrfwviitspadpn6h74 | � d ¾ J Ô Ì? L Ô þ Ì? MÕ ¿ B ã C Ç ß6Û$\âMOË ø ë � ¨C ßÜJyâ)ü � ¯?D^ Z)Z·bý,+t> J? |
| work_c6gze3wpzrfwviitspadpn6h74 | � d Ì L Ì M � ù C;ò �?L!M×$ cþ � Ì L Ì M@ Ô þ^ �? d Ì L Ì M × þ^ � C � d ¾;J Ô þ � Ì? L Ô � Ì? MÕ¿× þK �? |
| work_c6gze3wpzrfwviitspadpn6h74 | � d Ì L Ì M � ù C;ò �?L!M×$ cþ � Ì L Ì M@ Ô þ^ �? d Ì L Ì M × þ^ � C � d ¾;J Ô þ � Ì? L Ô � Ì? MÕ¿× þK �? |
| work_c6gze3wpzrfwviitspadpn6h74 | � d Ì L Ì M � ù C;ò �?L!M×$ cþ � Ì L Ì M@ Ô þ^ �? d Ì L Ì M × þ^ � C � d ¾;J Ô þ � Ì? L Ô � Ì? MÕ¿× þK �? |
| work_c6gze3wpzrfwviitspadpn6h74 | � d Ì L Ì M � ù C;ò �?L!M×$ cþ � Ì L Ì M@ Ô þ^ �? d Ì L Ì M × þ^ � C � d ¾;J Ô þ � Ì? L Ô � Ì? MÕ¿× þK �? |
| work_c6gze3wpzrfwviitspadpn6h74 | � d Ì L@ Ô J ¤ × þ, J d ß � þ Ì? L × Ì? M â Ô þ, J? |
| work_c6gze3wpzrfwviitspadpn6h74 | � d Ì L@ Ô J ¤ × þ, J d ß � þ Ì? L × Ì? M â Ô þ, J? |
| work_c6gze3wpzrfwviitspadpn6h74 | � d Ì L@ Ô J ¤ × þ, J d ß � þ Ì? L × Ì? M â Ô þ, J? |
| work_c6gze3wpzrfwviitspadpn6h74 | � d Ì M ß`J Ô þ Ì? L â B ã C Ô ý, J@ ß � �?? |
| work_c6gze3wpzrfwviitspadpn6h74 | � d Ì M ß`J Ô þ Ì? L â B ã C Ô ý, J@ ß � �?? |
| work_c6gze3wpzrfwviitspadpn6h74 | � d Ì M ß`J Ô þ Ì? L â B ã C Ô ý, J@ ß � �?? |
| work_c6gze3wpzrfwviitspadpn6h74 | � d Ì M ü ù C;ò;?L!M × ý@ ß � �?? |
| work_c6gze3wpzrfwviitspadpn6h74 | � d Ì M ü ù C;ò;?L!M × ý@ ß � �?? |
| work_c6gze3wpzrfwviitspadpn6h74 | � d ò;? |
| work_c6gze3wpzrfwviitspadpn6h74 | � d ò;? |
| work_c6gze3wpzrfwviitspadpn6h74 | � d ò;? |
| work_c6gze3wpzrfwviitspadpn6h74 | � d@ J ¤ × J d ß Ô+ � Ì? L Ô � � Ì? M â × �, J? |
| work_c6gze3wpzrfwviitspadpn6h74 | � d@ J ¤ × J d ß Ô+ � Ì? L Ô � � Ì? M â × �, J? |
| work_c6gze3wpzrfwviitspadpn6h74 | � d@ J ¤ × J d ß Ô+ � Ì? L Ô � � Ì? M â × �, J? |
| work_c6gze3wpzrfwviitspadpn6h74 | � ± ü D$ Ô+ Ì L Ì Mêì? |
| work_c6gze3wpzrfwviitspadpn6h74 | � ² ß Ì L × Ì M â? |
| work_c6gze3wpzrfwviitspadpn6h74 | � Ã ò;? |
| work_c6gze3wpzrfwviitspadpn6h74 | � É ò;? |
| work_c6gze3wpzrfwviitspadpn6h74 | � ß Ì C × Ì? |
| work_c6gze3wpzrfwviitspadpn6h74 | � ß � ý,+ � â[äÒÚåEr � HfÒ¥ÞEÕoÒ � t¾Ñ]åDÒGH � r\Ô � ÞDÒ � Õ � � ÿ, � � ø^Ü_ � Fa? |
| work_c6gze3wpzrfwviitspadpn6h74 | � ßÜJ Ô n? |
| work_c6gze3wpzrfwviitspadpn6h74 | � � » â � ø Ô_ � L Ì L Ì M$Zý| � g? |
| work_c6gze3wpzrfwviitspadpn6h74 | � � É ò;? |
| work_c6gze3wpzrfwviitspadpn6h74 | �? |
| work_c6gze3wpzrfwviitspadpn6h74 | �? Ì C × Ì? |
| work_c6gze3wpzrfwviitspadpn6h74 | �? Ì C × Ì? |
| work_c6gze3wpzrfwviitspadpn6h74 | �@@ ß Ì L × Ì M â? |
| work_c6gze3wpzrfwviitspadpn6h74 | �@@ ÿ¿ß Ì L × Ì M â ¤ × g? |