Questions

This is a list of all the questions and their associated study carrel identifiers. One can learn a lot of the "aboutness" of a text simply by reading the questions.

identifier	question
2589	The Star- Spangled Bannerstill further restored confidence, and when we played"Oh Dear, What Can the Matter Be?"
29280	This amused Handel immensely and he exclaimed,"You vill jump, vill you?
19958	Why, then, did not these young reformers find at hand in the madrigal arranged for solo voice the suggestion for their line of lyric reconstruction?
29112	Ladies have come to me saying,"Do you think my wrist loose enough for me to play the violin?"
29112	May we infer that he had equal facility in the fabrication of historical"facts"?
16248	''How is she to know,''she cries,''that the swan will not come some day as mysteriously as before and take her beloved from her arms?''
16248	Did not Wagner himself recommend a budding bard to start his musical career with a Singspiel?
16248	In vain Lohengrin tries to soothe her; she will not be appeased, and in frenzied excitement puts to him the fatal question,''Who art thou?''
16248	Just as the knife is about to descend, the dying words of Orestes,''Was it thus thou didst perish in Aulis, Iphigenia my sister?''
16248	Mime breaks down at the question,''Who is to forge the sword Nothung anew?''
33160	What Is a Hymn?
33160	Or others like them?
33160	The author pictures all creation aghast at the crucifixion of Jesus, saying, What new mystery then is this?
33160	What new mystery is this?
13504	As for the mediocrities for whose benefit Haydn is held to have"stereotyped"the form, what could they learn from him?
13504	How many could be heard with pleasure?
13504	How many of them are heard to- day?
13504	The great ones were in their element: at Esterház or elsewhere_ their_ world and mode of life were the same-- but the poor artists?...
13504	Who would know this of old Clementi--[ Illustration: some bars of music]--if Mozart had not woven the_ Zauberflöte_ overture out of it?
35592	Frankie went to the bar- keeper''s to get a bottle of beer; She says to the bar- keeper:"Has my living babe been here?"
35592	Frankie went to the church house and fell upon her knees, Crying"Lord''a''mercy, wo n''t you give my heart some ease?
35592	Or to put it interrogatively, why do the members of this particular class sing, and why do their songs contain the thoughts that they do?
35592	The colored semi- rural proletarian, then-- how shall I describe him so that you may see him in your mind''s eye, as I read these songs?
35592	What kind of pants does a gambler wear?
35592	Why do n''t you be like me, why do n''t you be like me?
35592	where was you when the rolling mill burned down?
31582	CITHARA[ Illustration: CITHARA] IN WHAT DID THE WORK OF ST. GREGORY CONSIST?
31582	The further important question arises, did Gregory carry out this musical work himself, or was it done by others under his direction?
31582	What was the musical material on which he had to work, which he had to put into shape, and to which he added new pieces?
31582	What was the name of the king of that province?
31582	What were these musical additions?
34302	O sing unto the Lord a new song,"How shall we sing the Lord''s song in a strange land?
34302	The question arises now of the most practical manner in which this care can be exercised?
34302	What better can be imagined than a theatre conducted by a gathering representative of, nobility, fashion, and wealth?
34302	Who can say what impulse native creative talent will receive in this country, when it is cared for as it certainly deserves?
34302	Yet who is there to- day who will deny that Molière helped to correct the follies of his age, by exposing them to ridicule?
23800	But what self- respecting violinist could endure such profanation without striking a blow for his fanes?
23800	Can he have referred to the limbo of classicism?
23800	What would part- song writers do if the Vikings had never been invented?
23800	Where is the piano- piece since Beethoven that has the depth, the breadth, the height of this huge solemnity?
23800	Where would they get their wild choruses for men, with a prize to the singer that makes the most noise?
23800	With the exception of a certain excess of dissonance for a love- song,"Wilt Thou Be My Dearie?"
21204	Perfectly,replied Ousley,"but why do you ask me in that way?"
21204	You know that the pipes are a long way off; did the pedals seem to go exactly together with the manuals?
21204	After the service Goss said to Ousley, who was present,"What do you think of the pedal organ?"
21204	Are you going to play it yourself?''
21204	For instance, who has not longed at times that the Swell Bourdon could be played by the pedals?
21204	Now that his genius is at work in this country, who shall set limit to our progress?
21204	Or that the Choir Clarinet were also in the Swell?
14109	Is not the sonata dependent for its complete understanding upon a knowledge of its literary basis?
14109	To be sure, this tailoring may serve to cover a beautiful thought; but-- why cover it?
14109	What are the distinguishing traits, after all, of MacDowell''s music?
14109	What is it I am playing?''
18284	Is that a dog barking?
18284	If music can do so much for mankind, why are not all musicians great and good?
18284	Of what avail is education if it does not lead to the unfolding of our God- given intuitions?
18284	Suddenly he rose up, and, in vibrant tones, exclaimed:"Where hath the soul of literature fled, its vital part?
18284	This ideal union is the goal at which Tolstoi aims in his"What is Art?"
18284	Was it in imitation of these small winged creatures that man first experimented with the friction of bow and strings as a means of making music?
18284	When she heard a songstress extolled for rapid vocalization she would ask:"Can she sing six plain notes?"
18284	Why should this be the case?
36535	But what are the facts left for our consideration in connection with caliper measurement?
36535	Is the like said of new violins at the present time?
36535	We now arrive at a point when the question may be fairly put, how much help did he have, and of what kind was it?
36535	What would have been said of Montagnana of Venice?
36535	was it resulting from the correct air mass inside?
34568	8. Who was Hans, the Player?
34568	But what do you think happened when he had copied everything in that big book?
34568	Do you happen to know the name of this Oratorio?
34568	For what purpose did Bach travel from place to place, as a boy?
34568	In what year did Bach die?
34568	Were any of Bach''s children musical?
34568	What famous castle can be seen from the streets of Eisenach?
34568	What instruments could Bach play?
34568	What music by Bach have you heard?
34568	What other great German composer lived in Bach''s time?
34568	What was the name of Sebastian''s father?
31880	A worthy, respectable, and well- to- do man is Mr. Smith, the elder; he pays his taxes and he loves his children, and who can do more?
31880	Gentle reader, are you wearied out with this insufferable nonsense?
31880	He conducts this ceremony with the greatest solemnity, occasionally pronouncing these incantatory words,"Plate or shell, sah?"
31880	If they can find means to run incessantly to parties and balls, watering places and operas, why can not they get married?"
31880	Miss Smith concludes her observations on the over- fond lovers, by emphasising the words"so stupid, is it not?"
31880	Query?
31880	Query?
31880	Why do the handsomest women at an opera_ always_ talk and laugh the loudest?
31880	Why does the crowd always stare at those who are going into a theatre or opera?
31880	Why is it that_ every_ Frenchman is supposed to be an infallible judge of sweet sounds?
31880	dear creature, is n''t he?"
31880	said my mother, what is all this story about?
20571	Among the celebrated decisions is one given by the Countess of Champagne upon the question,"Can real love exist between married people?"
20571	But why should it be denied?
20571	If music is to be regarded as one of the feminine accomplishments, why should this debar the more earnest students from doing more earnest work?
20571	In a Leipsic tribute, he inquires:"Is it the gifted child of genius(_ Wunderkind_), at whose stretch of a tenth people shake their heads, but admire?
20571	Is it the hardest of difficulties, which she throws off to the public as if they were wreaths of flowers?
20571	Let me ask you: Is it very hard to get a Doctor''s degree at Jena?"
20571	Naturally a crowd of boys gathered under the window, whereupon he roared out,''Now, what do those---- boys want?''
20571	The composer, after trying it, cried in admiration:"I say, that''s not bad; whose is it?"
20571	Who is the greatest woman composer?
37786	= SPEECH DISTINCT AND PLEASING=, or Why not Learn to Speak Correctly?
37786	Is not the creation of this college as a branch of a university course, proof of this comparatively new but happily increasing appreciation?
37786	True; but how many reflect that the organ, so to speak, first_ dictated_ counterpoint to the world?
35097	13. Who was Jenny Lind?
35097	1?
35097	3. Who was his first teacher?
35097	6. Who were some of Grieg''s teachers?
35097	Do you think any one could help loving such mountains as these?
35097	How many have you heard?
35097	How old was he?
35097	Through whose advice did he go to the Conservatory at Leipzig?
35097	What Danish composer gave Grieg good advice about his compositions?
35097	What composition by Grieg was given first prize in the contest in Sweden?
35097	What famous song did Grieg dedicate to Mina Hagerup?
35097	When and where was Grieg born?
35097	When did Grieg die?
35097	While they were looking at it and talking about it, whom do you think came creeping up behind them?
22104	)_ Whence do you come?
22104	)_ Who are you?
22104	)_ You will slay us?
22104	)_{ Red Cloud} The heart of the acorn is good?
22104	--Old Man, where is the cunning cloth that is better than all grasses and hides?
22104	And is it not told that the Sun Man will destroy us?
22104	Who will plant them now?
22104	{ Red Cloud} But before that day you will slay, as you have this day slain us?
22104	{ Red Cloud} Carries he the thunder in his hand?
22104	{ Red Cloud} Do you carry the thunder in your hand?
22104	{ Red Cloud} Have you come from the sun?
22104	{ Sun Man}_( Pointing to bear)_ Can you slay that with your strong bow?
22104	{ War Chief} Who comes?
22104	{ Young Brave} Is it told that the women of the Sun are good to the eye, soft to the arm, and a fire in the heart of man?
34582	Can you remember, without turning back, the year in which Mozart was born?
34582	Did Mozart play games and have a good time like other boys?
34582	Do you see his wig and sword?
34582	Have you ever heard a piece by Mozart?
34582	How old was he then?
34582	I wonder if Washington ever heard of Mozart?
34582	In what city was Mozart born?
34582	In what country was Mozart born?
34582	In what year was he born?
34582	Was Mozart spoiled by meeting many people?
34582	What great American patriot was born in the same year as Haydn?
34582	Where did Mozart play before the Emperor and the Empress?
34582	Which lived the longer life, Haydn or Mozart?
34582	Whose compositions did the King of England ask Mozart to play?
34582	Why did people ask Mozart to play upon the harpsichord with a cloth stretched over the keys?
35157	5. Who was Handel''s first teacher?
35157	How did Handel come to write it?
35157	How did it come about that Handel was allowed to study music?
35157	How does it differ?
35157	In what other cities and countries did Handel live?
35157	In what year was Handel born?
35157	Of what country did he become a citizen?
35157	What form of music is the_ Messiah_?
35157	What instruments did Handel play?
35157	What kinds of music did Handel write?
35157	What other great composer was born the same year in Germany?
35157	What subjects did he study with his teacher?
35157	What was the profession of Handel''s father?
35157	What was the_ Water Music_?
35157	When did Handel die and where was he buried?
34550	3. Who was his first teacher?
34550	By what name was he known at home?
34550	Can you find in what year George Washington died?
34550	Do you know who composed each of these?
34550	In what year did Haydn die?
34550	This President''s birthday was in what month?
34550	What day of the month?
34550	What great composer was his pupil for a time in Vienna?
34550	What should he cut with them?
34550	What studies had he at St. Stephen''s?
34550	What two great works did he write after he returned from England?
34550	Where and in what year was Joseph Haydn born?
34550	Why did Mozart think that Haydn should not travel through so many strange countries?
34550	With what distinguished family did he live for many years?
16351	The king said,''How can that be omitted? 16351 The man answered,''Shall we then omit the consecration of the bell?''
16351	For what is the symphony, sonata, etc., but a remnant of the dance form?
16351	Now what is mankind''s strongest emotion?
16351	The king saw him, and asked,''Where is the ox going?''
16351	They ask,"Why play another entirely different kind of sound until one has already enjoyed to the full what has gone before?"
16351	We must admit, therefore, that from this point of view their orchestra is well balanced, for what will rhyme better with noise than more noise?
16351	What were the books which people read and loved in those days( 1750- 1800), that is, books upon which operas might be built?
16351	[ 01] What would that shudder of horror in Weber''s"Freischütz"be without that throb of the basses?
16840	Forgettest thou what is engaged?''
16840	Know''st thou the fate of that unhappy man?
16840	Look, canst thou feel the pain, the grief, With which his gaze on me he bends?
16840	Or yet-- is''t new error?
16840	Say, what is love?
16840	So wounds him nowhere a weapon?
16840	Still to be faithful thou hast vowed, Yet has not God thy promise?
16840	What can thy sorrow be?
16840	Whom shall I summon Hither to help me?
16840	by what signs shall we know it?
35596	6. Who wrote Hiawatha?
35596	Can you name some pieces for the piano composed by Schumann?
35596	How did he help people find new composers?
35596	How many of his poems do you know besides_ Hiawatha_?
35596	In what country was Schumann born?
35596	In what year was Schumann born?
35596	Tanglewood Tales?
35596	Through what was Schumann best known?
35596	What did he write when he was a little boy?
35596	What do you think the Father and Mother of Robert Schumann wanted him to be when he was grown up?
35596	What does the composer picture for us in the"Happy Farmer?"
35596	What great pianist did Robert hear when a boy?
35596	What misfortune came to Schumann late in life?
35596	Where did Schumann teach?
35596	Whom did Robert Schumann marry?
35596	Whose name is spelled by these notes?
35596	With whom did Robert Schumann study the piano?
37309	Ca n''t you hear how perceptible the difference?
37309	If a plaintive air streams in delicious and heart- touching cadences from the strings, what soul is there so dead to feeling as not to respond?
37309	Now what is the reason of this mode of working?
37309	WHY ARE CERTAIN VIOLINS OF MORE VALUE THAN OTHERS?
37309	What effect can not be produced by the Violin,( except that of speech,) which the voice can accomplish?
37309	What then is real power?
37309	What then shall we do?
37309	Who has not heard of this now celebrated Italian city?
37309	Why therefore did the elder Amati, contemporary and probably pupil of Gaspar di Salo, change the model and size of the instrument?
20293	Is that all?
20293	And who shall stand in His holy place?"
20293	Da- ik mab gwenn Drouiz, o- re; Da- ik pe- tra fell d''id- de?
20293	It would have been well for Mozart if he had accepted this liberal offer; but his answer was,"How can I abandon my good emperor?"
20293	The young American asked,"Is that all?"
20293	To which the boy responded:"Perhaps; I sometimes have dreams of that sort; but who can do anything after Beethoven?"
20293	What is it which fills my ears with sounds so sweet and powerful?
20293	Whence came the crwth?
20293	Who shall ascend into the hill of the Lord?
20293	Why was this?
20293	canst thou not endure That thus the well graced poet should delight His hearers with a theme to which his mind Is inly moved?
36472	Do you think they know up there,he queried,"that a little boy has been playing down here with Mendelssohn?"
36472	Hast thou done well to- day, Robert?
36472	It is, then, at present, eluding you-- the study of sacred music?
36472	The hour is late, the night is cold,-- Who through the forest rides so bold? 36472 Well?
36472	What are they playing? 36472 What are those distant wind- instruments?"
36472	Do n''t you hear?
36472	I wonder whether an angel imagined the names together?"
36472	The hour is late, the night is cold,-- Who through the forest rides so bold?
36472	What ails you?"
36472	Yet who should know it if he does not?...
36472	he whispers, clasping her tenderly,"what should I be without your loving care of me?
36472	she exclaims,"what is the matter?
21722	Of what music is our hymn- book to be constructed, which shall be at once dignified, sacred, and popular?
21722	To the next question,_ Whose emotion_ is this congregational music to excite or heighten?
21722	We know the need; how is it to be supplied?
21722	What is it that is wrong with our hymnody?
21722	What is the matter?
21722	Where then is the appeal?
21722	_ Quis custodiet_?
35070	6. Who taught Schubert harmony?
35070	9. Who was the noted singer who helped to make Schubert''s songs famous?
35070	Can anyone make a melody more lovely than this?
35070	Do you remember the author''s name?
35070	Do you remember the name of any one of the books?
35070	He looks like a good friend even in a picture-- do you not think so?
35070	How much older was he than Franz Schubert?
35070	In what year was he twenty- one?
35070	Is it not worth remembering all one''s life?
35070	Is not this a jolly one?
35070	What famous musician died in Vienna when Schubert was twelve years old?
35070	What other composer also wrote nine symphonies?
35070	What was the father of Franz Schubert?
35070	When did Schubert die?
35070	When was Schubert born?
35070	Where was Schubert born?
14441	How could I hear that if the horns were near?
14441	Siebererbot("Liebesverbot"?)
14441	Tansig("Tausig"?)
14441	Waltrante("Waltraute"?)
14441	Wilt thou be true?
14441	You remember your mother''s art,says Brangaena:"do you think she would have sent me over- seas with you without a means of helping you?"
14441	But one would like to ask the sages how many songs are there which do not afford a finer artistic enjoyment when the words are understood?
14441	He presses home to them their sin and his suffering, his affection and their indifference to it; and he ends up with the question,"Why?"
14441	In fancy she sees the swan returning to carry off her lover; and, wholly terrified, she asks,"Who are you and where do you come from?"
14441	Some years ago an excited discussion took place on a very momentous question--"Did Isolda marry King Mark or not?"
14441	They must talk about something-- what should it be?
14441	Underlying this is the profounder truth that when men-- and we will even say women-- fall off high places, they get killed or seriously hurt"?
14441	and he says,"Where are we?"
35158	But most of all-- what do you think he loved?
35158	Can you mention three works of Verdi that are not operas?
35158	Do you know that of one of Verdi''s operas the scene is laid in our country?
35158	How many operas can you name from memory?
35158	How many operas, in all, did Verdi compose?
35158	How old was he when he died?
35158	In what famous city did he study as a boy?
35158	The title of his last two operas?
35158	To what did Verdi devote his fortune?
35158	What did Verdi love to do besides compose music?
35158	What instruments did Verdi play as a boy?
35158	What is a Spinet?
35158	What was the title of Verdi''s first opera?
35158	When and where was Verdi born?
35158	When he was ten years old( what year was that?)
35158	Where is the scene of Aida laid?
38534	''_ Tancredi_ was your first opera which really made a great hit, maestro; how much did you get for it?'' 38534 Have you then your parts to accompany these pieces?"
38534	''It will warm them, perhaps,''I said to myself;''besides, what is the use of composing music, if one can not compose like Rossini?''"
38534	Barbaja called the porters to his room and, giving each a box on the ears, exclaimed,"Which of you two brutes was in fault?"
20264	What is the Grail?
20264	And is this the guileless one?
20264	But who is Parsifal?
20264	Gurnemanz strides excitedly up to Parsifal, who stands stupefied with what he has seen--"Why standest thou silent?
20264	How shall I render it?
20264	How shall she reconcile them?
20264	How, through corruption, win incorruption?
20264	How, through indulgence, win peace and freedom from desire?
20264	Is he the appointed deliverer?
20264	Is it a cloud passing over the sky?
20264	Is it a rock, or forest, or palace?
20264	Is the Grail, too, then turned into a mocking spirit to the unhappy Amfortas?
20264	Knowest thou what thine eyes have seen?"
20264	This wild youth who slays the fair swan-- who knows not his own name nor whence he comes, nor whither he goes, nor what are his destinies?
20264	Was he"enlightened by pity"?
20264	When I came out they asked me who was Amfortas?
20264	Who is the wild horsewoman?
20264	Why is she now recalled to life?
35128	10] WALTER''S PRIZE SONG Do you wonder that with such lovely music Walter wins the contest and the hand of Eva whom he loves?
35128	14. Who composed_ Oberon_?
35128	6. Who sings it?
35128	8. Who was the jolly cobbler singer?
35128	Can you guess his name?
35128	Can you name some of the musicians who lived when Richard Wagner was a boy?
35128	Can you tell one fact about each of the men whose pictures come next?
35128	How long did Wagner study music?
35128	How many characters from the Dickens''novel can you name from memory?
35128	In what opera by Richard Wagner is_ The Prize Song_?
35128	What happened to Beckmesser in the contest with Walter?
35128	What is the name of the house in which Richard Wagner was born?
35128	What kind of music did Richard Wagner compose?
35128	What other opera did this composer write?
35128	What should we remember about childhood thoughts?
35128	What sort of characters occur in the operas?
35128	When was he born?
35128	Who were the great musicians when he was a boy?
40597	Comment s''étonner alors qu''il laisse haletants sur le bord de la route bon nombre de ceux qui s''efforcent de le suivre?
15141	Are there notasks this Junius,"in the ideal world of tones many dissonances?
15141	Have you been patient with every one to- day?
15141	In what part of me am I not injured and torn?
15141	Is a blind painter to be imagined?
15141	After he had been playing for some time Beethoven interrupted him with the question,"When are you going to begin?"
15141	And you wish me to deliver it?
15141	At the conclusion of the service the Prince made the rather inane remark,"but my dear Beethoven, what have you been doing now?"
15141	CHAPTER III THE NEW PATH I tremble to the depths of my soul and ask my dæmon:"Why this cup to me?"
15141	Does not the mind instantly revert to the C minor Symphony?
15141	How could they, we naturally ask, get an audience, when so many performances were in progress, and how could the people get around to so many places?
15141	In speaking of him in after years, he said,"Who can thank sufficiently a great poet?
15141	Muss es sein?
15141	On one occasion, however, she was playing his_ Kennst Du das Land?_ when he came in unexpectedly.
15141	This art of improvising, as these masters practised it,--who can explain it or tell how it is done?
15141	Why should these not also exist in the actual world?"
15141	and do you think you could fill a post that has been offered to me?''
34737	13 BEETHOVEN''S PIANO] Can you think of anything more cruel, more terrible, more depressing, more awful?
34737	2. Who was his first teacher?
34737	Do you sometimes wonder what the great composer looked like?
34737	Do you wonder what kind of a boy he was?
34737	How did he describe him?
34737	How long did little Ludwig go to school?
34737	How old was Beethoven when he died?
34737	How old was he when he first played in public?
34737	On his sixteenth birthday what do you think happened?
34737	What composer, as a little boy, went to see Beethoven?
34737	What composition of his was first to be published?
34737	What description of him as a boy in school has been given?
34737	What did he say about the little boy''s future?
34737	What did his father do?
34737	What is a concerto?
34737	When and where was Beethoven born?
34737	Where did Beethoven go when he was sixteen years old?
34737	Which of his teachers took great interest in him?
34737	Who was happier, he said to one of his friends, than I, so long as I was able to speak the sweet name of Mother and know that she heard me?
34737	With what two great masters did he study?
34737	a sonata?
35601	2. Who was his first teacher?
35601	3 JOSEPH HAYDN] Do you remember that once upon a time Joseph Haydn lived as court musician in the Esterhazy family?
35601	And does he not look kind?
35601	And the position of the left hand?
35601	But do you not think his face is a fine one?
35601	Do you see his baton and the score on the desk?
35601	Does he not have a round, good- natured face?
35601	Full of light and life and eagerness?
35601	In what Italian city did Liszt live?
35601	In what family did he live?
35601	Is it not wonderful to think of a man, so loved by the public, giving with such great generosity?
35601	What famous musician did he meet in Vienna?
35601	What great composer of opera did he assist?
35601	What great musician''s life was written by Franz Liszt?
35601	What was his father''s occupation?
35601	When and where did Franz Liszt die?
35601	When and where was Franz Liszt born?
35601	Where was his mother born?
35601	Whose songs did he arrange for piano?
35601	With whom did Franz study piano in Vienna?
13767	But how?
13767	You know the flour?
13767	AT AN OLD TRYSTING- PLACE Where, dearest, fare thy feet this summer eve?
13767	But what is caprice?
13767	Dance on, gaunt shadows, beside the wall, We shrink from you in your cruel mirth; But what are_ you_ and the dreams of Earth?
13767	Dare I disturb Fancies so tender, E''en to surrender?
13767	Did the Great Artist have any left after planting the fence- corners, roadsides and deep woods of Peterboro?
13767	Hast found a pasture green in which to tread, Beside refreshing waters art thou led, Content beyond my powers to conceive?
13767	In its depths holden, With maiden art, Whose image hath she?
13767	Some think that the negro melodies should form the basis of our American music; but why?
13767	What lady hands in lilac hedge Or tansy bed went gleaning?
13767	What says her heart, Fragrant and golden?
13767	What sturdy youth and maid demure Within that garden olden, Their vows of love and constancy Pledged in the sunset golden?
13767	What was to be done?
13767	When the larder needed replenishing she would break the news to her employer like this:"Marse John?"
13767	Who placed that rusty flintlock there, Against the stone fence leaning?
13767	Why encourage the production of distinctive American music in a country in which there is not even a distinctive type of face or mode of speech?
13767	Why try to foster the limited local idea with regard to music, or any artistic or intellectual pursuit?
13767	Will she requite me?
35013	7. Who were some of the people who welcomed Chopin to Paris?
35013	And people not merely asked:"Who can he be?"
35013	In what city was Mozart born?
35013	In what country was Chopin born?
35013	In what country was Grieg born?
35013	In what two countries did Handel live?
35013	In what two great cities did he live?
35013	In what year was Chopin born?
35013	On page 14, the question mark at the end of question 17("Name some of the kinds of music that Chopin composed?)
35013	What famous river flows by the City of Warsaw?
35013	What great German composer discovered Chopin to be a genius?
35013	What led Chopin to want to leave Paris?
35013	What music by Chopin have you heard?
35013	What other composer was born about the same time?
35013	What two works had he already composed when he set out for Paris?
35013	When did Chopin first appear in public?
35013	Who can he be?"
35013	Why did he change his mind and remain there?
35013	[ Illustration 11: CHOPIN PLAYING FOR THE PRINCE] Do you wonder what kind of a man the little Polish boy became after he found success in Paris?
17465	And the cellar, also?
17465	How much are the expenses of your concert?
17465	Many persons, artists and amateurs,said Fiorentino,"absolutely asked on the morning of her_ début_, Who is this Alboni?
17465	Well, how does this concern me?
17465	''But have I not still a disengaged evening?''
17465	Do n''t you know what love is?"
17465	Do you know that I could propose a little partnership affair?
17465	Do you want it buttered?''
17465	He fixed his flashing eyes upon her:''What did you say?''
17465	Jealous as she was by temperament, she always wept when Madamoiselle Sontag achieved a great success, saying, naively,"Why does she sing so divinely?"
17465	She whispers to him with a rather coarse epithet:''Why do n''t you take it?
17465	The great pianist and composer Moscheles writes:"What shall I say of Jenny Lind?
17465	The visitor then took the long golden tresses floating over Persiani''s shoulders, and asked,"Is it all your own?"
17465	Then, changing his voice:"Do n''t you know your voice is a gold- mine that has never been explored?
17465	What can she do?"
17465	What more unique triumph can be fancied than such a one violating all the laws of probability?
17465	What was the reason of this unanimous disdain or this unanimous doubt?
17465	Whence does she come?
36215	''And you wo n''t flunk, will you?'' 36215 But you changed your mind?"
36215	Did you ever have to walk?
36215	Do you think I can do it?
36215	What is the most enjoyable part I ever had?
36215	When did I first sing in public? 36215 ''Could he do them now?'' 36215 Do you mean when did I make my real début in opera? 36215 InThe Bride Elect,"he gave us marches-- shall we say"galore"?
36215	Miss Russell also described interestingly her methods of working up a part:--"How do I study my parts?
36215	Of course, I love music, but what can be more gratifying than to portray the heroines of Shakespeare and other great dramatists?
36215	Still, is her condition of mind to be wondered at?
36215	The fair- haired Lillian sang at this concert"Let Me Dream again"by Sullivan and"Connais- tu le Pays?"
36215	Where, in all that, is to be found the simple graciousness, the dainty, delicate, unobtrusive art of Marie Tempest?
36215	Which is right?
36215	Why not give Miss Hall a chance to play the girl next door?
36215	Why scour Europe for a human specimen which only warps a personality that belongs right here at home?
36308	And how is it you live?
36308	Do you admire the view?
36308	If seven maids with seven mops Swept it for half a year, Do you suppose,the Walrus said,"That they could get it clear?"
36308	What matters it how far we go?
36308	Who are you, aged man?
36308	15 PIG AND PEPPER 17 THE LOBSTER QUADRILLE 19''TIS THE VOICE OF THE LOBSTER 21 BEAUTIFUL SOUP 23 THE QUEEN OF HEARTS 24 WHO STOLE THE TARTS?
36308	Do you think I can listen all day to such stuff?
36308	He sent them word I had not gone( We know it to be true): If she should push the matter on, What would become of you?]
36308	Shall we be trotting home again?"
36308	They are waiting on the shingle-- will you come and join the dance?
36308	Who cares for fish, Game, or any other dish?
36308	Who for such dainties would not stoop?
36308	Will you, wo n''t you, will you, wo n''t you, will you join the dance?
36308	Will you, wo n''t you, will you, wo n''t you, will you join the dance?
36308	Will you, wo n''t you, will you, wo n''t you, wo n''t you join the dance?"
36308	Will you, wo n''t you, will you, wo n''t you, wo n''t you join the dance?"]
36308	[ Illustration][ Illustration][ Illustration: The Lobster Quadrille][ Music:"Will you walk a little faster?"
36147	And why is it they infest this particular branch of business more than any other?
36147	And why?
36147	Are we not bound to consider them as our fellow brethren and to care for them as well as for those receiving premiums?
36147	But suppose the awards were made with proper knowledge and strictest impartiality, what then?
36147	But what was the result?
36147	But when Gemünder told him they were new ones made by him, the amateur stared at him as much as to say,"Do you make fun of me?
36147	Disappointed in his effort to find employment, winter at the door and far away from home, what could he do?
36147	He then remarked that he wished to find an Italian violin of first class, and asked Gemünder if he had something of that kind in his possession?
36147	I have often shown this art in exceptional repairs; but what can be gained by it?
36147	Is this fair on the part of human society?
36147	Thus a moral prize values higher than a piece of metal?
36147	Upon expressing my surprise, he replied with the following insult:"What do you know about the position of the sounding post?
36147	What have the remaining competitors gained who are less gifted by nature, and therefore could not receive any award?
36147	What is the reason of this and where is it to be found, and why does good luck generally lie in the opposite extreme?
36147	Wherein, therefore, do we find that which frightens the purchasers?
36147	Whereupon Poznanski replied in an excited tone,"Have you not heard that we do not want a new violin?"
36147	Why is it we hear no such conflicting opinions about the productions of any other branch of industry or art?
17074	What shall we call it?
17074	3)?"
17074	7--have four movements?
17074	And what is more fatal than a lack of gradation of interest?
17074	But under such extraordinary circumstances can help be hoped for?
17074	But what, it may be asked, is the character of the changes made by Bach?
17074	But, it will be asked, Why is he mentioned in a book which is concerned with the sonata?
17074	In 1745(?)
17074	Is Liszt''s sonata a Phoenix rising from its ashes?
17074	Is the coincidence accidental, or did Mendelssohn know the sonata, and was he unconsciously influenced by it?"
17074	Joseph Bottomley, another English composer( 1786-?
17074	May we, then, not conclude that young Beethoven''s attention was attracted to these"masterly sonatas,"and also to those of his teacher Neefe?
17074	Now, was Beethoven acquainted with Rust''s music?
17074	Some change has taken place: have the lovers grown cold?
17074	The following story is also told by Davidson in a preface contributed by him to the Brewer edition of the Woelfl sonata:--"Who will play it?"
17074	What other composer creates this almost irresistible desire?"
17074	Why, one may ask, did not the editor indicate the additions in smaller notes?
17074	[ 68] He therefore asks:"Are the hard, rough, passionate expressions of an angry and indignant man beautiful?"
17074	or has death divided them?
17074	says Schindler,"then you will next set about writing an_ angry_ sonata?"
26427	[ 6] And with him, as with St. Philip, may we not say that music helda foremost place in his thoughts and plans"?
26427	38,_ Regina Apostolorum_, in the Hymn Book, the sweet music thereto being his own composition,( or in part adaptation?)
26427	Bateman:"And which are you for, Gothic with Handel, or Roman with Gregorian?"
26427	Bateman:''... Rome has corrupted the pure Apostolic doctrine, can we wonder that it should have a corrupt architecture?''
26427	Could mediæval work, largely out of touch with the times, claim for itself a monopoly of existence to the exclusion of the modern?
26427	Do you mean the twelve semitones, as some suggest?
26427	I can not, indeed, help liking Mozart; but surely his music is not religious?"
26427	Later on he inquires:"How do you and Dr. Crotch get on?"
26427	Mrs. J. Mozley says,"We are pleased at your tribute to music, but what do you mean by fourteen notes?
26427	On what occasion did he march?
26427	Reding:''Why, then, go to Rome for Gregorians?
26427	What can be more beautiful than Handel''s, Mozart''s, and Beethoven''s melodies?"
26427	What has become of them?
26427	When people who are not musicians have accused Handel and Beethoven of not being_ simple_ I have always said,''is Gothic architecture_ simple_?''
26427	Will Rousseau answer your question?
26427	Would a harmonium do?
26427	You say,"How_ can_ he manage it?
27502	And you have written of me to Göethe, have you not? 27502 Melody gives a sensible existence to poetry; for does not the meaning of a poem become embodied in melody?
27502	And would you know the true principle on which the arts_ may_ be won?
27502	But if this indefatigable search after originality be a sin, to what new and extraordinary effects, to what wonders, has it not given birth?
27502	But what shall be said of"Lascia che io pianza?"
27502	Can empty sound such joys impart?
27502	Can he keep himself still, if he would?
27502	Can not a man live free and easy Without admiring Pergolesi?
27502	Hast thou no poison mixed To kill me?
27502	Or through the earth with comfort go, That never heard of Doctor Blow?
27502	Was aught ever heard like his fiddle and him?
27502	What genius could have composed the Fantasia in C, commonly called the"Moonlight or the Moonshine Sonata,"without such a passion?
27502	What-- what does the enchantment mean?
27502	Who ever loved England more dearly than Shakespeare?
27502	Why do not British trees and forest throng To hear the sweeter notes of Handel''s song?
27502	Why thus deprived thy prime decree?
27502	With whom may I speak of this great divinity?
27502	banishment?
27502	tit you not tell me dat you could sing at soite?"
27502	who comprehends the meaning of this word?
36144	Everyone predicts a career for this young artist, and who knows but the managers may find in her their long- looked- for sensation?
36144	Is it not too bad?
36144	Where did you get this horrible stuff?
36144	Who is that young man?
36144	_ Vermuth?_ It is not_ vermuth_ at all. 36144 Am I her father, her brother, her lover, or what?
36144	But what, if not music teachers, are the pupils of our four leading musical academies to become?
36144	Can he be the son of my enemy?"
36144	Do you understand?"
36144	Gerster, you have heard about that kissing affair between Governor Crittenden and Patti?"
36144	How, it will be asked, can such an illustrious lady have friends whom she would like to send to the gallery?
36144	I replied,"Can not you interview me instead?"
36144	In Liverpool, as well as in Bradford, both said to be great musical centres(?
36144	One question he puts to me is:''Did I ever lose money by Wagner?''
36144	REPORTER( interrogatively):"You do n''t?"
36144	What did the rascal who sold it to you charge for it?"
36144	What possible use can they serve?
36144	What would one give for a prima donna who, like Miss Ellen Terry or Mrs. Kendal, would be ready to play every night?
36144	What, except a music teacher, or an orchestral player, or, by rare good luck, a concert singer, is he or she to become?
36144	When my people came in to me and said:"What shall I do?
36144	Where is Coffee John, our friend, our friend?"
36144	a week?
17464	Did they not?
17464	Do you not know,said the King,"that this grandee is your deadly enemy?"
17464	For,said she,"how can you best convey a just notion of slight vibrations in the pitch of a note?
17464	Où allez vous, madame?
17464	Pray, on what instrument does he play?
17464	So you are going to sing me something?
17464	What are you thinking of?
17464	Being present with a country friend in the pit, the latter asked him, as Mrs. Billington appeared in the garden- scene,"Is that Rosetta?"
17464	But what matters it?
17464	By a fixed instrument?
17464	By the voice?
17464	Cata- lani?
17464	Grassini, who was present, rose majestically from her chair, with a theatrical tone and gesture exclaiming,''Et sa blessure, monsieur?''
17464	If the rapid vocalization of a singer was praised, Mara would significantly ask,"Can she sing six plain notes?"
17464	Might she not be ruining herself in giving the Grand Duke of Russia a bad opinion of her powers?
17464	People have often said to me,"Madame Mara, why do you not introduce more pretty things, and passages, and graces in your singing?"
17464	See how ugly she is; and as for singing-- did you ever hear such a vile jargon of sounds?"
17464	The maligner was triumphant, and said to all,"Did n''t I say so?
17464	To the director of the opera, De Vismes, who, enraged at some want of respect, said to him,"Do you know who I am?"
17464	What would you have?
17464	When Pacchierotti had finished the air, he turned to the orchestra, which remained silent, saying,"What are you about?"
17464	can you sing at sight?"
17464	ejaculated the astonished composer;"do you think the Greeks, whose manners we are endeavoring to depict, knew what a chacone was?"
17464	what?"
39671	Can it be recovered to any extent, and, if so, how?
39671	How was it possible to realise all the suppleness and subtleties of elocution on the orchestra?
39671	Was Alessandro Scarlatti still in Venice when Handel met him?
39671	Was such protection as useful to Handel as he had hoped?
39671	Who can say from memory the titles of even six of his thirty- nine operas, from whence may be culled many of his choicest flowers of melody?
39671	[ 197] Handel wrote the third act, Bononcini the second, the first had been already set by a certain Signor Pippo( Phillipo Matti?).
39671	[ 298] Is not even_ Joseph_ entitled"a sacred Drama,"and_ Hercules_"a musical Drama"?
39671	[ 319] Yet what would be the advantage of restoring these ornaments?
39671	[ 321]_ Teseo_, duet,_ Addio, mio caro bene_;_ Esther_, duet by Esther and Ahasuerus:"Who calls my parting soul?"
39671	[ 43]"Is it the orchestra which is the hero?"
38268	... pourquoi partez- vous?
38268	All of this is quite unanswerable; yet, so far as musical Germany is concerned, is not the situation rather singular?
38268	But are we very greatly nourished by the contemplation of that which must inevitably arouse disgust rather than compassion?
38268	But those aspects of life which sicken the sense, which are loathsome rather than terrible-- are they fit matter for the artist?
38268	But what, actually, do we get?
38268	Has the vital, if crude, imagination which gave issue to the music of"Tosca"acquired finesse and delicacy at a cost of independent impulse?
38268	Is not Strauss, in such a work as"Salome,"but another Berlioz( though a Berlioz with a gleaming past)?
38268	We find a foreshadowing of this kind of effect in such a passage as_ Tristan''s_"Bin ich in Kornwall?"
38268	Yet what becomes of"Tristan und Isolde,"of"Meistersinger,"of"Götterdämmerung,"when this principle is tested by their quality and effect?
38268	wherefore didst thou not look at me, Jokanaan?..."
43873	Does n''t Signor So- and- so conduct admirably?
43873	Is n''t Madame So- and- so fine?
43873	Is n''t it beautifully put on?
43873	Once more,says Scarpia,"where is Angelotti?"
43873	Who can not detect,they say,"in the delicate profile of one woman the personality both of Mimi and Francine?
43873	Who as he reads of Mimi''s little hands, whiter than those of the Goddess of Ease, is not reminded of Francine''s little muff?"
43873	said the official,"do you want to brand your child for life with the memory of a failure?"
30560	Is the music conveying a logical message to me, or is it merely a sea of sound?
30560	Answer the question I''ve put you so oft: What do you mean by your mountainous fugues?
30560	But how about the tune when it is in the_ bass_ as is the case so frequently in Beethoven''s Symphonies or in Wagner''s Operas?
30560	But why all this pother?
30560	Every man was asking himself and his comrades the question posed by the most popular novel of the day:''What shall we do?''
30560	For what is music without dissonance?
30560	For who can limit the combinations of sound and rhythm, or forecast the range of the human imagination?
30560	How could it be otherwise?
30560	In regard to any work of large dimensions the final test is this: can we sing all the themes and follow them in their polyphonic development?
30560	It was characteristic of the Romantic unrest of the German mind to question everything-- especially"Why am I not more happy in love?"
30560	Schumann''s well- known comment is apropos--"How is gravity to clothe itself if jest goes about in dark veils?"
30560	The first question, in the presence of an elaborate work of music, should never be,"Do I like it or not?"
30560	The mood of dreamy contemplation with which the Slow Movement begins can not be translated into words; why attempt it?
30560	The question, therefore, faces us: how shall we learn this mysterious language so as readily to understand it?
30560	WARUM?
30560	What, now, in this connection can be said of America?
30560	Why expect the work of any one composer to manifest all possible merits?
30560	[ Footnote 188: Perhaps the whirligig of time may restore them; who can say?]
30560	but"Do I understand it?"
19557	After all, may it not be that he has flinched?
19557	And after one is dead, what does it all matter?
19557	And from whom did Tolstoy learn more than from that conserver of the pristine and dominating Russian traits, the moujik?
19557	And had M. Rachmaninoff instead of being a musician been a painter, would not a like destiny await his compositions?
19557	And was not this restatement of the national character Borodin''s great contribution to his age''s life?
19557	And where was this music more immanent than in the New World, in America, that essentialization of the entire age?
19557	Are not the piano- pieces of M. Rachmaninoff the result of a relationship to the instrument that is fast becoming outmoded?
19557	Are they not a sort of throwback to the salon school, the school of velocity, of effect, of whatever Rubinstein and Liszt could desire?
19557	But if there is such a thing as form without significance in music, might not these compositions serve to exemplify it?
19557	By what environment was it more justly appreciated, Saxon though the accents of its recitative might be?
19557	Do you know the"Phaeton"of Saint- Saëns?
19557	For do they not proceed from the point of departure of the entire brilliant school of piano- compositions?
19557	Has it a melodic line quite properly its own?
19557	If there is such a thing as rhythmless music, would not the stagnant orchestra of the"Five Orchestral Pieces"exemplify it?
19557	In 1911 he returned to Berlin, remaining there till 1916(?).
19557	Is it the blind hovering of the spirit that has quit its earthly habitation in the moment of dissolution?
19557	Is it"the wind of death''s imperishable wing"?
19557	Take away the sound and fury signifying nothing from the third concerto, and what is left?
19557	The whole world is sham and advertisement and opportunism, is it not?
19557	What instrument but the viola could appreciate the famous"Harold"theme?
19557	When was there a time when composers did not deform their themes in amorous, rustic and warlike variations?
19557	Would not the two rhapsodies"L''Etang"and"La Cornemuse"have transmuted to music the macabre and sinister note of so much symbolist poetry?
19557	Would not the"Pagan Poem"have been the musical equivalent of the mystic and sorrowful sensuality of Verlaine?
18138	But what words am I to use in describing my happiness?
18138	Can you send me by bearer sixty thalers? 18138 Was I right in calling her a Musical fairy''?"
18138	And Therese?
18138	And why should she not love it?
18138	B."?
18138	Beethoven was a man of noble nature, yet what had he to offer her in return for her love?
18138	But how should he, an exile, secure its production?
18138	Decadence?
18138	Does it seem possible now that he had to struggle for twenty- five years before he could secure the production of his"Ring of the Nibelung"?
18138	For was it not the incomparable Delphine who was destined to"soothe the bitterness of sorrow"during his final hours on earth?
18138	How long did Delphine survive Chopin?
18138	If she was unable to discover his genius in these, how could she be expected to follow its loftier flights in his later works?
18138	In fact, has any woman, professional musician or not?
18138	Is it a wonder that but little more than a year after they met, the Princess decided to burn her bridges behind her and leave her husband?
18138	Is it not true-- those from the last year of his life are just as tender as those written during the first year of our marriage?"
18138	Realizing that his lame finger rendered him incapable of playing, he called out despairingly:"Who will lend me fingers?"
18138	Tell me if I could ask a better wife for myself?"
18138	Was it Fate-- or fatality-- that led him thither with Cosima?
18138	What did Wagner do?
18138	What drew him to Constance?
18138	What shall I do?"
18138	What would have become of them both, and of his genius with him?"
18138	When they finished singing, Minna asked Praeger:"Is it really as beautiful as you say?
18138	exclaimed the lady,"do you really love me so deeply?"
30409	And when we are employ''d in the Work of Angels, we talk the Language of the Infant- Church, and speak in Types and Shadows?
30409	Better than our Saviour and his Apostles preach''d, and the Spirit of God hath recorded?
30409	Can we compose better Sermons than_ Moses_ or_ Solomon_?
30409	Can we pretend to make better Prayers{ 269} than the Spirit of God has made and scatter''d up and down thro''all the Old and New Testament?
30409	Have we nothing more of the Nature of God revealed to us than_ David_ had?
30409	How peculiarly do these Commands refer to the_ Israelites_?
30409	Is not our Heart often warm''d with holy Delight in the Contemplation of the Son of God our dear Redeemer whose Love was stronger than Death?
30409	Is not the Mystery of the ever- blessed Trinity brought out of Darkness into open Light?
30409	Nov why should we make Conscience of praying in the Name of_ Christ_ always, and offer up our Praises in his Name when we speak in Prose?
30409	Where can you find a Psalm that speaks the Miracles of Wisdom and Power as they are discover''d in a crucify''d_ Christ_?
30409	Why then should not we use Scripture Forms of praying and preaching, as well as of Singing?
30409	_ Ye brought that which was torn, and the Lame, and the Sick, thus ye brought an Offering, saith the Lord, should I accept this of your Hands_?
30409	how little respect is paid to''em in comparison of the Jewish Psalms?
39935	1563(?)--1628.
39935	1st Page: Shall we clap into''t roundly, without hawking or spitting or saying we are hoarse; which are the only prologues to a bad voice?
39935	But what patron should my music choose in preference to your lordship?
39935	But why, oh why?
39935	Died?
39935	I. DR JOHN BULL, 1563(?)
39935	MATTHEW LOCKE 1630(?)
39935	MATTHEW LOCKE, 1630(?)
39935	May not Deering''s mother have been of Italian extraction?
39935	RICHARD DEERING 1580(?)
39935	RICHARD DEERING, 1580(?)
39935	THOMAS WEELKES, 1575(?)
39935	The puzzle, then, is: Who was the father of Henry Purcell the Elder and of Thomas Purcell?
39935	Then who taught him?
39935	Was it an instance of coming events casting their shadows before?
39935	What did the elder Purcell do before he attained to such a position?
39935	What was he before he became a scrivener?
39935	and whence did he get his musical knowledge?
36143	''So you were bitten by rats last evening?'' 36143 Are these the only rooms you have to offer us?
36143	At least we could see them?
36143	For you?
36143	What are you about, Benedict?
36143	What is the meaning of this?
36143	Why,he indignantly demanded,"should the tenor''s part in the opera be thus cut short?
36143	With eighty pounds a year and five children, how,she asked,"can he drink port wine and eat new- laid eggs?"
36143	You wish to ruin me?
36143	Albani had virtually contracted?
36143	Appealing to an animal whose superior intelligence he recognized, Ravelli said in the French language--"Est ce que ton mâitre doit chanter?"
36143	But what, he wished to know, was to be done with his body after death?
36143	But why, above all, should the habitual impersonator of heroes fall beneath the sword of one who was accustomed only to play a villain''s part?"
36143	He then got calmer, and I casually observed,"By- the- bye, is the opera over yet, Mongini?"
36143	How am I to answer you until I have talked to my friends and read the criticisms in the morning papers?"
36143	I replied,"Are you sure?"
36143	Maple, and said to him--"Have you not another suite of rooms as good, or nearly so, as the one for which these ladies are disputing?"
36143	She then asked me how I could possibly think of such a thing when the chintz and the crumbcloth of his dressing- room had not been fixed?
36143	The heading of the letter announced the character of his new business, and he added in a postscript:"Do you ever want any tin?"
36143	Then, addressing his partner, he simply said:"Mr. Wood, can I have a minute''s conversation with you outside?"
36143	What would attract them?
36143	Who is to have the best dressing- room at the theatre?
36143	Who the best suite of apartments at the hotel?
36143	Would Blondin fetch them?
36143	Would you mind coming over here, or would you prefer our meeting somewhere in town?
15369	And then?
15369	But the majority of the crowd of visitors are not pleased by them; and what can they do in Bayreuth after the freshness of novelty is worn off?
15369	But when we come to think of it, might not Buononcini and Cuzzoni laugh to see how time has avenged them on their old enemy?
15369	He sent Pelham Humphries to Paris, and when Humphries came back"an absolute Monsieur"( who does not remember that ever- green entry in the Diary?)
15369	How long, O Lord, shall Israel groan In bondage and in pain?
15369	Is it indeed so?
15369	One might ask, for instance, how, seeing that no man can save his brother''s soul, Parsifal saves the soul of Amfortas?
15369	Or is the abrupt third line of Joachim''s speech to be regarded as a masterstroke of characterisation?
15369	The young Verdi has already aged-- how long will the old Verdi remain young?
15369	They ask, in chorus,"Herr, bin ich''s?"
15369	What is the libretto of"Otello"or of"Falstaff"compared with this libretto?
15369	What is the stagecraft of Scribe compared with this?
15369	What was it to the Dutchman''s damned soul if all the women in the world swore to love him eternally, so long as he was unable to love one of them?
15369	did you know that Schubert had used your Mime theme in a quartet before you?
15369	do you know that I could mention a hundred things you borrowed from Schubert?
15369	has your Spear theme nothing in common with the last line but one of''The Wanderer''?
15369	how else could the avowal of love be brought about with such instant and stupendous effect?
28252	1, what is there about it?
28252	3, as_ it_ burns; and do not say,"You invariably have nothing but praise for your best things, how is that?"
28252	And again,"this is a grand''copy''of so- and- so,"when_ example_ of such is meant; how can an example of, say"Mayson"be a"copy"of him?
28252	And do you now wonder that I so insist on every test possible being brought to bear in this important matter of selection?
28252	But before I go farther into this interesting, consequently absorbing process, I must answer some question such as"but why use sandpaper?
28252	But to_ what_ oil varnish is not my present purpose; why should I seek to close the door on research and on experiment?
28252	But what then?
28252	But who says the ancients did not use it, or crocodile skin, or a cloth made in Venice, and somewhat after our emery cloth?
28252	Does nature do this to the lungs of a Madame Patti or a Sims Reeves before she turns them on the world?
28252	Exactly, a question of degree, as purity of air is, but who chooses the foul when he can live in the pure?
28252	For example or examples, suppose I found, crowning the severe, almost rigid column of the soundhole of Del Jesu, the mobile bend of Stradivari?
28252	I think so: and am sure the whole world would to- day be only too glad if the old masters had been silly(?)
28252	Is such flabby nonsense as_ this_ to be put into an immortal violin, because it purports to be fine Swiss pine at tenpence?
28252	Then you must get this choice wood, but how?
28252	What does it matter to me if only a few or but one of these faults be apparent?
28252	What is the origin of this violin or fiddle, and to what country does the honour belong?
28252	What of that sonority which could fill a mighty hall where we find five thousand listeners?
28252	Which of you would hesitate one moment in his choice between these three bellies_ now_?
28252	Will it not be utterly impossible under this system to pass off anything spurious?
28252	With what result?
28252	or variously shaped files of different cuttings?
28252	or, at the turn of the companion lines of Stradivari, the Gothic arch of Del Jesu?
28252	with the base of each of a like nature-- do you think I should pass such without a severe growl of condemnation?
35520	Ah, composition?
35520	And where?
35520	He is,she replied;"but why?"
35520	What does this mean?
35520	What''s the matter?
35520	Who is the gentleman?
35520	A quarter of a century had elapsed since I had seen Raff, and naturally one of my first questions was,"Raff, how is the Wagner cause?"
35520	And when did garden ever better repay the personal love and care of the gardener?
35520	As I was walking along with him, he said,"I''m out of money; wo n''t you lend me three louis d''or?"
35520	But when we left the Altenburg, he said casually,"You say you are going to Leipsic for a few days on business?
35520	Do you continue your familiar intercourse with the Old Cognac in the New World, my dear Mason?
35520	Do you remember the fact?
35520	Finally, you will ask:"Stranger, who art thou?"
35520	Has he, perhaps, a method of his own?"
35520	He entered the room, and after the usual friendly greeting said,"What were you playing just now as I came up the stairs?"
35520	His sole comment was,"Have you ever heard Tausig?"
35520	How can this value be determined?
35520	Just as I was turning to leave, I heard a voice at the head of the stairs call out,"Wer ist da?"
35520	Just now my time is very much engaged, but we are going up the river on a picnic this afternoon-- Joachim and others; will you come along?
35520	Many years afterward I reminded Mr. Webb of this remark, whereupon he said,"William, is it possible that I was so foolish?"
35520	My name was mentioned, and Wehle asked,"Did you ever hear his wonderful tale about Timm, the New York player?"
35520	PEDAL AND PEDAL SIGNS-- WHY NOT DISPENSE WITH THE LATTER?
35520	The result was that when the next lesson- hour came around and I asked her how she found the new exercise, she exclaimed:"How do I like it?
35520	Then, noticing the passport, which was uncommonly large and was bound like a book, he asked,"Is that an American passport?
35520	What can be better adapted to the cultivation of a musical ear than the constant presence of musical tones of the highest quality and purity?
35520	What?"
35520	Where were ever seen such radiant, waving poppies, such hundred- hued pansies, such stately and brilliant hollyhocks, and such fragrant sweet peas?
35520	Why should he not conduct Wagner as well as anybody else, or better?
35520	Will you see him?"
35520	Would Thomas come to the rescue?
35520	You did not know Rubinstein in Weimar?
35520	[ Illustration: LISZT IN MIDDLE LIFE]"That''s one of your own?"
46526	Are the race often as good looking?
46526	Elizabeth,said the old lady,"is it true that thee is learning music, and can play upon the guitar?"
46526	Her first notes of"Where are now the hopes?"
46526	Mother, tell me, would you chide me, If I bound it round my hair?
46526	She gave us first the arietta,"Where are now the Hopes I''ve cherished?"
46526	That we were delighted and surprised?
46526	The dress itself was handsome, but why wear that_ white lace bertha_?
46526	The mocking crowd are all I now shall see; Can I not''scape and hide me?
46526	What shall we say?
46526	tergete il ciglio, Perchè tremar, perchè?
46526	who cares for Jenny Lind?
35721	Who is this King Lear?
35721	You wander about with a book in your hands; are you making plans?
35721	+ Dr Arne''s+ version of"Who is Sylvia?"
35721	+ Schubert''s+ setting of"Come, thou monarch of the vine"is not so successful as his"Who is Sylvia?"
35721	3, is headed with these words from_ Macbeth_:"When shall we three meet again?"
35721	After a little dialogue comes Autolycus''s last song,"Will you buy any tape?"
35721	After four bars of slow music the theme of Ophelia''s song in_ Hamlet_,"How shall I my true love know?
35721	But if there is no song like"Sigh no more, ladies,"or"Who is Sylvia?
35721	But the best setting of"Who is Sylvia?"
35721	But why call it the"Overture to_ The Comedy of Errors_"?
35721	Could he not improve on Auber''s music and produce an opera in which the action should be equally swift?
35721	For some strange reason,"Who is Sylvia?"
35721	Here a great stirring is made in the orchestra, and a cry( violin solo) is heard:--_ Macbeth_: Wherefore was that cry?
35721	In any decent production the song must be given to Feste, but how often is it?
35721	It was produced in 1885, and the_ motto_ is from_ The Tempest_, Act iii., Scene 3:"What harmony is this?
35721	So why should not Ambroise Thomas have put a ballet in_ Hamlet_?
35721	The best chorus is"Who can resist such mighty charms?
35721	The music for the appearance of Fairies is by Purcell, to words by Dryden,"Where does the black fiend ambition reside?
35721	The next number is a quintet with words from_ The Two Gentlemen{ 154} of Verona_--"Who is Sylvia?"
35721	The scene- change music before Ophelia''s first scene is founded on"How shall I my true love know?
35721	The third act is brought to a brilliant finish by Bishop''s famous glee from_ As You Like It_,"What shall he have who killed the deer?"
35721	The words begin,"Art thou afeared?"
35721	This is quickly followed by a label, Act ii., Scene 3, Sir Toby,"Shall we rouse the night owl in a catch?"
35721	What more can one desire?
35721	Why, in the name of all things musical-- why?"
35721	_ Much Ado About Nothing_ one"spots"at once under the title_ Beaucoup de Bruit pour Rien_, or_ Béatrice et Bénédict_; but why_ Hero_ or_ Ero_?
35721	_ Romeo and Juliet_ is easy to discover under the title_ I Capuletti ed i Montecchi_; but why_ Les Amants de Verone_?
35721	{ 158} THE TWO GENTLEMEN OF VERONA With the exception of the perfect lyric"Who is Sylvia?"
32835	But why should you wish to leave Berlin?
32835	Did I do it well, mamma?
32835	Do you sing in German?
32835	Here-- in Berlin-- sing in Italian?
32835	If I let you sing here in Italian, will you sign it?
32835	Meanwhile, you sing only in Berlin?
32835	Monte Carlo, eh?
32835	Why do you use only the black keys?
32835	Will you study''Elsa''s Dream''?
32835	Would you like to sing for the Intendant of the Royal Opera?
32835	Would you like to sing with the orchestra of the Royal Opera?
32835	As a kind afterthought he added, no doubt to soften the sting of my disappointment:"Would you like to sing in one of our Sunday night concerts?"
32835	But how could I find her?
32835	But why should n''t I?
32835	Could this drooping young person be the erstwhile very confident embryo prima donna?
32835	Do you care to sign it?"
32835	How can you?"
32835	I decided that Paris must be the next stepping- stone; but how?
32835	I have been asked, in summing up these experiences of my artistic career, so far, if it has all been worth while?
32835	I may own that every time we meet and he says, half laughingly, half quizzically,"Well, when are you going to forsake opera and come into the drama?"
32835	May I not then go and sing a little among the palms and the flowers?"
32835	Shall I ever forget it?
32835	Then there flashed through my mind: How should I endure this enforced inactivity?
32835	What could I say?
32835	What more can you gain elsewhere?"
32835	What shall it be?"
32835	When shall I come?
32835	Who can ever forget the first intoxicating impression of this queen of cities?
32835	Who can say that it was"only acting"?
32835	Who knows?
32835	Why?...
32835	Will Miss Farrar please come down and sing for him?
32835	Will you come to Boston and meet her?"
32835	Would I like to sing for him?
32835	Would I?
32835	[ Illustration: THE ROYAL OPERA HOUSE, BERLIN]"Could you learn to sing in German in ten days?"
46587	Is it not strange,he writes,"that in process of composition it seemed charming?
46587	Why are we peasants not nobles? 46587 ''What''s to be done?'' 46587 Is it likely that the teachers sent out into the world from our future academies will be any better than those hitherto sent to us from abroad? 46587 Or why is the song of Agnes Sorel so reminiscent of the land of the steppes and birch forests? 46587 Were these men really only amateurs? 46587 Why must this be? 46587 Why then have we cause to complain of the wretched state of musical education in Russia? 46587 in common with a folk- song of Malo- Russian origin? 43915 For,"said Leschetizky,"if a pupil has not sufficient courage to stand buffetings from me, how will he stand them later on from the world?"
43915	Well,said the tradesman,"that certainly is expensive-- but does it include the black keys as well as the white?"
43915	Why should the orchestra rise? 43915 Will a mud pie give you a fair idea of a mountain?"
43915	_ Little_ things? 43915 How is it possible one should have them? 43915 She had a piano, but-- one or two notes stuck a little-- could you manage? 43915 She would not speak, he said, so why should he? 43915 The pedal squeaked-- well, you need not use it much, need you? 43915 What sort of things are you writing this morning? 43915 Why do you bring me this?
43915	Why should so much be said about the way in which things are done?
43915	what is that I see out there?"
49747	Du zürnest mir?]
49747	How is it, then, that so many choral societies flourish for a few seasons, only to eventually die a lingering death?
49747	Ihr Entzücken ist herrlich deklamirt, aber für wen?
49747	Kann irgend ein Zuhörer von dem Eintritt_ dieser Singstimme_, und sie ist die wesentliche oder sollte es doch sein, auch nur eine Ahnung bekommen?
49747	What are to be the musical ethics of the twentieth century composers?
49747	What have they done even indirectly for the cause of orchestration?
49747	What shall be said about Mascagni and Leoncavallo?
49747	Why, therefore, should modern music be reared solely upon a similar realistic basis of imitation instead of upon an idealistic one of representation?
16459	A single act by you, Master? 16459 What music will he play when he is twenty?"
16459	What,she replied,"is n''t he satisfied with his position?
16459	And they sing: Quel est l''auDAcieux Qui dans ces SOMbres lieux Ose porTER ses pas Et devant LE trepas Ne frémit pas?
16459	And where can one find more or better situations than in history?
16459	Because prose is far removed from art, it is unsuited to music, despite the fact that this ill- assorted union is fashionable to- day?
16459	But I said to myself-- and I still say--"Why not enlighten these people, who obviously want light?"
16459	But what am I saying?
16459	But what is primitive man''s idea in such attempts?
16459	CHAPTER VII ART FOR ART''S SAKE What is Art?
16459	Did they even know themselves?
16459	Do not the rhythmic and sonorous passages of verse naturally call for song to set them off, since singing is but a better method of declaiming them?
16459	I was constantly being asked,"Are you for Pouchet or Pasteur?"
16459	If this is so, why should we demand that Art be useful or moral?
16459	In the final analysis where are these young composers of genius?
16459	Is n''t that enough for him?"
16459	Is that permissible?
16459	One of them near me said, with a knowing air,"What wo n''t science do next?"
16459	We know that after she had sung the aria from_ Le Barbier_, he said to her, after the usual compliments,"Who wrote that aria you just sang?"
16459	What Christian is ever shocked by_ La Juive_ or Catholic frightened away from_ Les Huguenots_?
16459	What about Ingres''s violin?
16459	What about the actions attributed to them, which need not be true but only seem to be so?
16459	What about the long- drawn- out conversations in books and on the stage that are attributed to historical persons?
16459	What can we put on after that?
16459	What use is it to encourage them and their efforts when the public obstinately refuses to pay any attention to them?
16459	When will this typical work appear in the concert repertoires?
16459	While this may be unexpected, what does n''t happen?
16459	Who are they and what are their names?
16459	Who was it, I wonder, who had the happy idea of giving me, elegantly bound, the first volumes of Victor Hugo''s poems?
16459	Will it ever be known whether the Emperor provoked Gramont or Gramont the Emperor?
16459	Wo n''t you ask them to play it at one of my evenings?"
16459	that the prophecy would be realized so soon?
31526	What shall I now tell you? 31526 _ Who better than the poet can guide?_"CHICAGO: JANSEN, McCLURG& COMPANY.
31526	A Saxon poet, Apel, imitated the Greek tragedies, why should he not do the same?
31526	After all, was it the mere gratification of the senses that he really longed for?
31526	And after the style of youthful inexperience:"You likewise do not like women?
31526	And what of the Catholic syllabus and Protestant"Culturkampf"as well?
31526	But have we also by this time a German spirit that sways the nation''s life?
31526	But what of the real goal?
31526	But why take note of time when great and grand things are to be accomplished?
31526	Could German art then remain in the background?
31526	Did he, while at work on his grand tragedy, occupying him fully two years, neglect his studies?
31526	For is not religion divided into warring factions and science into special cliques, jealous of each other?
31526	Had he not once before beheld a being wasting away in the constant longing for the eternal home and yet destined never to find rest?
31526	Have we come to detest mere might which we have hitherto worshipped and that yet"bears within its lap evil and thralldom?"
31526	Herodias thou wast and what more?
31526	His disposition is indicated by the words:"You are a Protestant?
31526	How could it be otherwise amid such a public as then existed in Germany?
31526	How could such common treasures be heeded by him who had at his disposal the Holy Grail?
31526	How does our poet interpret the legend?
31526	In it was the question:"Will this prince be found?"
31526	Of what importance in this direction was Germany at that time?
31526	The boy heard him say to his mother in an undertone:"Can it be that he has a talent for music?"
31526	These tones utter anew a world- saving prophesy, and shall we not then appropriate them fully and forever?
31526	To which shall be the victory?
31526	What could inflict more injury to our higher nature, to our real culture?
31526	Where would such pretensions, such extravagance lead?
31526	Who is there to- day who will doubt that Faust denial of the curse and the prophetic presentment of a new world?
31526	Who that was present does not think with joyous emotion of those Munich May- days of 1868?
31526	Why should not he then, this youth of twenty- one, ready for any deed and every pleasure, earnestly longing for success, enter upon the same course?
31526	recognized the theatre as"contributing to the refinement of manners and of taste"?
39861	Can anything have detained her?
39861	Have you thought of nothing?
39861	Pray tell me the name of the saviour of myself and children?
39861	Well, what is it?
39861	What is the matter with you?
39861	What, old Fidalma? 39861 Who is there?"
39861	And how has time worked upon Sontag?
39861	And now I desire to praise this enchantress, who has transformed an entire nation; but where shall I find the words?
39861	But now I think otherwise, and I say: It is lovely; let us enjoy the moment, and why refuse to enjoy it?
39861	Could she?
39861	Have not Auber and Scribe, in their pretty opera_ L''Ambassadrice_, given us the story of Mademoiselle Sontag transformed into the Countess de Rossi?
39861	IS IT THE MOTHER, OR THE DAUGHTER?
39861	If the Emperor thought right to ask her to sing, would the King of Sardinia think proper to allow her to sing?
39861	If, to take the exact measure of this phenomenon by comparison, we turn to the very few who were her contemporaries on the stage, what do we behold?
39861	It is twenty- two years since she left the stage; and how do we know whether she still possesses the talents which made her once so celebrated?"
39861	What could the happy girl of former days, whose short life had been a series of triumphs, do but carol, like the lark, at the gates of Heaven?
39861	Who can describe her face?
39861	Who knows if, after all, bitter regrets did not follow to disturb the repose which she had promised herself?
39861	ought she to sing?
39861	why sacrifice it to the future?
39861	would she?
28056	And how can happiness be better expressed than by song or music? 28056 Are the race often as good- looking?"
28056	Beethoven seemed re- animated; his eyes shone: he struggled for utterance, and gasped,''Is it not true, Hummel, that I have some talent, after all?'' 28056 But where has he taken his first lessons?
28056	Elizabeth,said she,"is it true that thee is learning music, and can play upon the guitar?"
28056	How shall we sing the Lord''s song in a strange land?
28056	And is there to be no aim beyond the singing of"Jubilee songs"?
28056	And yet who can speak at all of an agency so charming in other than words of warmest praise?
28056	Are we but one in heart?
28056	As a reflection of the terrible, the foul spirit of caste, then so largely prevailing, I regret that it is my duty to append the following elegant(?)
28056	But does all I have been saying apply to the colored people of New Orleans as well, almost, as to the others?
28056	But what is his history in particular?
28056	But what was the germ from which grew this remarkable concert- tour, and its splendid sequence, the noble Fisk University?
28056	Confucius said,"Wouldst thou know if a people be well governed, if its laws be good or bad?
28056	For, in this instance, why may not what has been be again?
28056	From"The Milwaukee Sentinel,"April, 1852:--"What shall we say?
28056	Have ye heard that music, with cadence sweet And merry peal, Ring out like the echoes of fairy feet O''er flowers that steal?
28056	Her first notes of''Where are now the hopes?''
28056	How did this son of America become the equal of the greatest violinists known in Europe?
28056	If taste or fancy incline them to wind- instruments, why should they not try them?"
28056	In view of all this, may we not ask, Is the minstrel guild going back to the standards of its ancient and more noble days?
28056	ROMANCE.--"Alice, where art Thou?"
28056	Still, as will be seen hereafter, this complexional advantage(?)
28056	Still, who can now tell what the"music of the future"_ may_ be?
28056	That we were delighted and surprised?
28056	What have been the beginnings, the circumstances, that have united to produce a character so pleasingly and so harmoniously formed?
28056	What is music?
28056	What mind Conceived thee, what intelligence began, And out of chaos thy rare shape designed, Thou delicate and perfect work of man?"
28056	What remains to say after all these proofs of an incontestable talent?
28056	Who ever heard of an idiot possessing such power of memory, such fineness of musical sensibility, such order, such method, as he displays?
28056	canst thou tell the grief that in my heart doth dwell, For my love, we soon must sever; But say, love, ere we part, Wilt thou be mine forever?
28056	you say;''but can he express as well as he perceives?''
21056	''Floating after those women with their arms up? 21056 ''What is he doing?''
21056	''What is that fellow doing?'' 21056 ''What is the name of that hymn?''
21056	And does that thought affect thee too, The thought of Sylvio''s death, That he who only breath''d for you Must yield his faithful breath? 21056 Ask''st thou how long my love will stay, When all that''s new is past?
21056	But ca n''t you buy a substitute for him?
21056	Has any misfortune happened to you?
21056	Have you any fault to find with it?
21056	How can yours, which is contrary to the rules, be the best?
21056	How could I get such a large sum? 21056 How has that happened?"
21056	I say so to myself, sometimes,said Schubert,"but who can do anything after Beethoven?"
21056	What''s the matter, child?
21056	What, Baptiste,said he,"have you burnt your opera?
21056	When will it be ready?
21056	Why not?
21056	''Did I not say that I was writing the"Requiem"for myself?''
21056	''Would you like to know,''writes Leopold to Hagenauer, his host at Salzburg,''what Wolferl''s( a pet name for Wolfgang) dress is like?
21056	And they said,"How can we desist from that which is our duty, for fear of anything that man can do unto us?"
21056	And what did she choose?
21056	Delia, can I say How long my life will last?
21056	Do n''t you see?
21056	Is it not so?"
21056	On the evening of the 3d of June he asked his friend Göschen, with a smile,''Have you anything to say to your father?
21056	Says Liszt;"Who could have ventured to oppose his wish?
21056	The composer Haydn paid the singer a happy compliment suggested by this portrait when he said to Sir Joshua,"What have you done?
21056	Then Almachius, struck with terror and rage, exclaimed,"What art thou, woman?"
21056	This nettled Haydn, who suggested that the pupil(?)
21056	Upon the same evening, he set two more of Shakespeare''s songs to music,"Who is Sylvia?"
21056	Well, who knows but that this shoe may earn its weight in gold?"
21056	What is it?"
21056	What should I do there?
21056	What was to be done to supply what was wanted, so as to further the true understanding on all sides, and with it the ultimate success of the work?
21056	With this feeling, in which gleamed one last ray of cheerfulness, he wrote:''How will you receive me?
21056	You will pardon me, my dear master, wo n''t you?
21056	answered Haydn;"when shall we begin?"
43214	Is this a Man to recieve the treatment you now give me? 43214 --perhaps shed tears? 43214 But where Garrick is pleased to exercise his judgment, as in his own parts, by a fair trial of his opinion pro and con? 43214 Could this have been the Ode which, it is said, he composed as an exercise for his degree? 43214 Did I ever desire a shilling of all she got before and after or wish otherwise than that it had been ten times as much for your sake? 43214 Did I make the blunder or is it a joke, like Mrs. Cibber''s asking you how you could possibly spell King with a Q? 43214 Have I been studying the longitude? 43214 How can you imagine that I have an irresistible_ apathy_ to you? 43214 Next we find a Glee by Arne,The love rapture"; then his Catch,"Which is the properest day to drink?"
43214	O what is Music to the ear that''s deaf; Or a goose pye to him that has no taste?
43214	Risum tencatis amici?
43214	Risum teneatis amici?
43214	Risum teneatis amici?
43214	You ask me why I will not make use of your pupils?--Shall I tell you fairly?
43214	what Price or Gifts can both engage Here to remain, to save a sinking age?
43214	what notes enchant my Ears, Sweet as the musick of the Spheres?
21542	Are we to beg and cringe and hang on the outer edge of life,--we who should walk grandly? 21542 H''m,"say the corpulent,"why ca n''t they leave well alone and be comfortable?"
21542	Religion, love, and Music, are they not the three- fold expression of the same fact, the need of expansion under which every noble soul labours? 21542 What is Art?"]
21542	And are not all these so many aids to higher ends?
21542	And these electrons and protons-- what are they?
21542	And what of Art-- and Music?
21542	And why should not the same consideration apply to my mental outfit?
21542	CHAPTER IV SPIRIT A LIVING FACT"Is Music the inarticulate Speech of the Angels on earth?
21542	Could one say anything finer than this, and would not anything added to it but serve to spoil it?
21542	Divinity and spirit( are not the terms synonymous?)
21542	Does not the simple appreciation of music tend to unlock the doors of imagination and set it free in regions far removed from the gross?
21542	In this he may have been eminently successful, but what is the value of such success?
21542	Is any tune in itself"beastly"?
21542	Is it for man to tremble and quake-- man who in his spiritual capacity becomes the interpreter of God''s message,--the focus of Divine Light?
21542	Is it not obvious that Art has had but scanty share in designing our towns and manufactories?
21542	L. Rawson_ The point has been raised in discussion--"Is there such a thing as pure music?"
21542	On the other hand if the child never hears anyone sing, from where is the motor impulse to come?
21542	Or a voice of the Undiscovered Bringing great truths to the birth?"
21542	Or is it that the brain- recognition, to which we have alluded, decks out the tune in sordid or sweet trappings according to its own nature?
21542	So where is now our seeming- solid matter?
21542	Was there ever a mother who did not croon to her fretful child, and who did not rock her babe to sleep with rhythmic lullaby?
21542	Was there ever a time when no man sang?
21542	What can it profit a pupil if he gain the whole world of scales and lose his artistic soul?
21542	What is the most emotional of all the Arts?
21542	What is to be said to the singer of royalty ballads?
21542	Wherein is the particular glory of a top note, or the specific value of a compass that extends a note- and- a- half beyond that of anyone else?
21542	Which, then, is to receive the first consideration?
21542	Why should it be considered meritorious to be able to bang louder or to scramble more quickly over the keys than one''s competitors?
21542	Why should they?
21542	Will anybody''s clothes fit me: am I not likely to secure a better fit by being measured for my own?
32248	Art thou not it that hath cut Rahab and wounded the dragon? 32248 Eli, Eli, lama sabacthani?"
32248	*****"Then Jessie said,''The slogan''s dune, But can ye no hear them noo?
32248	6, quartet("Who hath seen the Troubadour?
32248	And let the Prince of Ill Look grim as e''er he will, He harms us not a whit; For why?
32248	And why prefer Acis to my embraces?"
32248	Are you Christian monks or heathen devils, To pollute this convent with your revels?"
32248	As it comes to an end he continues his song("Heavenly Tones, why seek me in the Dust?
32248	Before she enters she sings an aria, of a tranquil, dreamy nature("Whither away, my Heart?
32248	Do you not think that this might develop into a new style of cantata?
32248	For why, rejecting the Cyclop, dost thou love Acis?
32248	Huntsman, who gave thee the Diamond Ring?
32248	In the next two numbers, an adagio("To whom can I turn me?
32248	Is this a tavern and drinking- house?
32248	It is followed by Mephistopheles''serenade("Why dost thou wait at the Door of thy Lover?
32248	It is followed by the tenor recitative and aria,"Why hast Thou, O my God, in my sore Need so turned Thy Face from me?"
32248	Know ye not it is forbidden By the edicts of our foemen?"
32248	Mazeppa( 1862); The Page(?).
32248	O dinna ye hear The slogan far awa?
32248	Say, who can lift the deathly blight That covers king and lord and knight, To give them back to life and light, And awake them?"
32248	The MacGregors?
32248	The Queen appeals to him,"What seest thou, O King?"
32248	The cantata has no overture, but opens with a choral introduction("Where is the Maiden of Mortal Strain?").
32248	The catastrophe accomplished, the work closes with the sad lament of Galatea for her lover("Must I my Acis still bemoan?")
32248	The chorus intervenes with a reflective number("What thinks she now?
32248	The chorus,"Why, my Soul, art thou vexed?"
32248	The last scene opens with a joyous chorus of the people("Say, have ye heard the Tidings of Joy?
32248	The musical setting of the question,"What sought they?"
32248	The next melody, an_ allegro vivace_,--"What see I?
32248	The next number is an effective alto solo("Art thou not it which hath dried the Sea?")
32248	The second part opens with the curse of the prefect, a very passionate aria for bass("What mean these Zealots vile?
32248	The second("Thou Delphic Rock, who can he be?")
32248	The sentiment of the latter is expressed by the following verse:--"What mean this revel and carouse?
32248	Then follows a full chorus beginning with male voices in unison("Why, my Soul, art thou cast down?
32248	Then who shall call the branches bare, When gems like those are sparkling there?"
32248	Wrapt not in Eastern balms, But with thy fleshless palms Stretched, as if asking alms, Why dost thou haunt me?''"
29361	And the father?
29361	Can it be? 29361 Do n''t you think,"said Bennett,"that his genius was the better for his poverty-- that he learned in suffering what he taught in song?"
29361	Do you think so?
29361	Ist es wahr? 29361 Now could anything be finer in its way than the Midsummer Night''s Dream music?
29361	Oh, yes,said Schumann;"will you sing it to us?"
29361	Shall we try?
29361	That''s nice of you, David,replied Schumann,"but as to Mendelssohn and me, who shall decide which of us is right?
29361	Wait a moment,said Mendelssohn; and going to the door he called softly,"Cecile, are you there?"
29361	What do you mean?
29361	What do you think of it, Bennett?
29361	What is it, sir?
29361	What was it?
29361	Yes; but what does stir them deeply?
29361	You are from England?
29361	You believe in a programme then?
29361	You have seen much of England, have you not, sir?
29361	And did I hear the strains of a vocal recital?"
29361	And has it pleased our God to lend His cheering smile in child or friend?
29361	At length I turned to Mendelssohn and said,"Is that part of the new work of yours you mentioned just now?"
29361	Can it be?
29361	Can it be?
29361	Dost thou wander through the bower, Wishing I was there with thee?
29361	Lonely, midst the moonlight''s splendour, Dost thou seek for me?
29361	May we enter, may we enter?"
29361	Means this, love will be requited?
29361	Mendelssohn and I differ about things, sometimes; but who could quarrel with him?"
29361	Mendelssohn dotes on you all, does n''t he, Bennett?"
29361	Now I no more can stay at home, The Maybells call me so: The flowers to the dance all roam, Then why should I not go?"
29361	Or, will hope by death be blighted?"
29361	Shall you mind if I scratch it through?"
29361	She turned to Schumann and said softly,"And how is Clara?"
29361	The flowers to the dance all roam, Then, why should I not go?"]
29361	Two male voices were heard declaiming in a sort of mock- melodramatic duet,"Are you at home, are you at home?
29361	When will it be ready?"
29361	You recall the verses?
29361	You''ll show him up, if he breaks his word, wo n''t you?"
29361	he said, smiling,"you like my Overture, then?"
29361	interposed Mendelssohn; and turning to me with a smile he said,"Will you allow Mr. Bennett to slander your countrymen like this?"
29361	ist es wahr?"
54999	CHAPTER VI WHAT ARE THE INFLUENCING FACTORS IN DECIDING MUSICAL DESTINIES?
54999	WHAT ARE THE INFLUENCING FACTORS IN DECIDING MUSICAL DESTINIES?
54999	WHAT CONSTITUTES MUSICAL INTELLIGENCE?
54999	WHAT CONSTITUTES MUSICAL INTELLIGENCE?
54999	WHO IS TO BE OUR SEVENTH HIGH- PRIEST?
54999	WHO IS TO BE OUR SEVENTH HIGH- PRIEST?
54999	What agency produces life, starts and keeps in motion the machinery of our bodies, and places a soul behind our features?
54999	Why may genius do this, which is so uniformly fatal to the less gifted?
17462	''Sire,''what do you mean?
17462	Did they not?
17462	Do you know that the Chevalier( Gluck''s title) has an Armida and Orlando in his portfolio?
17462	Do you not think I remember my sister, Marie Antoinette?
17462	Do you think the Greeks, whose manners we are endeavoring to depict, knew what a chaconne was?
17462	How much can you lose by his opera,the prince replied,"supposing it be a perfect fiasco?"
17462	How, sire?
17462	I asked him if he had met Byron in Venice? 17462 Well, what do you want?"
17462	Well?
17462	What wretch has dared to tamper with the great Beethoven?
17462	What''s the use? 17462 What, Baptiste,"the former said,"have you burned your opera?
17462	Where would they not go,answered Cherubini,"led by such a hero as you?"
17462	Where''s your music?
17462	Who has taken upon him to revise Gluck?
17462	You have written a mass?
17462	''Papa,''he cried,''wilt thou be friends?''
17462	A Milanese gentleman, whose father was very ill, met his friend in the street--"Where are you going?"
17462	After my son''s death, what have you not done to honor my son''s name and render it dear to posterity?
17462	Alluding to a performance of''Semiramide,''he said with a malicious smile,''I suppose you saw the beautiful decorations in it?''
17462	And old Cherubini?
17462	Are we at a hunting- party?
17462	Are you not ashamed of such undeserved triumph?"
17462	Are you surprised that he should have forgotten it too?
17462	But what of the mean while?
17462	But why are you here, and what can I do for you?"
17462	Can we wonder that his work was a failure?
17462	Do n''t you know what love is?"
17462	Do n''t you remember the libretto of''Il Proscritto,''which you procured for me, and for which I have never composed the music?
17462	Mendelssohn many years afterward, writing to Moscheles in Paris, asked:"Has Onslow written anything new?
17462	One of the singers, every time he came to the passage, Ce mortel qu''on remarque Tient- il Plus que nous de la Parque Le fil?
17462	One question only was thought of:"Is he a Gluckist or Piccinist?"
17462	The clarionets were too much for him, but on seeing third and fourth horn- parts, he exclaimed:"What does the man want?
17462	The conversation turning upon German music, I asked him''which was his favorite among the great masters?''
17462	The following retort shows the nobility of genius:"I, sir?
17462	The question was no longer,"Is he a Jansenist, a Molinist, an Encyclopædist, a philosopher, a free- thinker?"
17462	Then changing his tone:"Do n''t you know your voice is a goldmine that has not been fully explored?
17462	Trying in vain to reach a book on the table, he said:"Can I do nothing now in time?"
17462	What can I do to please you?"
17462	What would you call the man who would seek to assure you that you were superior to Raphael?"
17462	Who that has once heard can forget the thrilling power of"La Marseillaise"in Schumann''s setting of Heinrich Heine''s poem of"The Two Grenadiers"?
17462	Why will you not come to Konigsberg at the festival?
17462	Why, in other words, are you not in Berlin?
17462	he cried,"study anatomy; dissect; take part in horrible operations?
26878	But how about the post, sir?
26878	But how,rejoins the owner,"are you going to put studs along the joint inside without opening the instrument?"
26878	Can you not do the repair without?
26878	Does it require the''lining''--I think that is what it was called?
26878	Good, madam? 26878 How about that wormhole, James, that we were worrying over before the separation of the upper table?"
26878	I hope the treatment has not ruined the instrument, can it be restored, will it be of much value?
26878	Now, James, what do you propose doing? 26878 Shall I trace the other side, sir, and mark it down on the fresh wood so as to make it balance?"
26878	That will require careful work, James, think you can do it sufficiently neat and make the new wood match well?
26878	Then why did you bring it to me,says the chief,"if it is impossible for me to remedy the breakage?
26878	Well, what method would you propose for correcting all this and making a good restoration of it, James? 26878 Why, its back is not broken; where is the fracture?"
26878	--"Don''t you see, all the way down, it is quite loose and open?"
26878	----?"
26878	Have you got everything ready for placing the bar?"
26878	Have you got the groove cleanly cut and routed out?"
26878	He asked me why I wanted"to do this all at once, instead of a part at a time?
26878	How did you manage that?
26878	I asked him how he had managed the rectification of the matter; did he take the upper table off?
26878	Is it of nice straight grain and from the stock of that old Italian?"
26878	The joint of the back too, and if there remained any evidence of system in working different to what we moderns would do?
26878	The owner at once asks,"Is the back in a very bad state?"
26878	There was another word underneath which I think was alum, that''s English, is n''t it?"
26878	What is to be done?
26878	Will it have to be taken all to pieces?
26878	he calls out,"just look at this; is it past our mending?"
26878	making a clean sweep of the ragged parts with the knife or letting in angular portions in the German manner?"
26878	said the owner, and you say there was no necessity to take the front off?
62257	Why omit the Swell, the greatest improvement of modern organs?
62257	As there are five stops, and five sliders for them, are we to understand that we shall have also five upper boards?
62257	Is a turning- lathe absolutely necessary as part of the plant of our factory?
62257	What is to be their compass?
62257	Why should the effective management of organs without pedals be among the lost arts?
62257	_ THE STOPPED DIAPASON._ WHY do we begin by making a set of wooden pipes?
43467	He was despised and rejected,is sung by the alto;"I know that my Redeemer liveth,"by the soprano;"But who may abide the day of His coming?"
43467	What is Good Music? 43467 Alessandro Stradella( 1645(?)-1681(?)) 43467 And how prominent would Marcel be without his costume, and his war cryEin feste Burg?"
43467	At this point I must ask the reader to accept a somewhat long quotation from another book of my own("What is Good Music?
43467	C''est donc Ju- non?
43467	Canst thou meet the ac- cu- sa- tion?
43467	Est- ce la Ju- non des Fran- çois?
43467	Henderson, W. J., the"Story of Music"of, 249; his"What is Good Music?
43467	I''m here, to my misfortune, and you, Sir?
43467	Leporello, where are you?
43467	The people cry,"Help, Lord; wilt Thou quite destroy us?"
43467	The question, therefore, naturally arises: Who were the composers of the secular music?
43467	Then thy guilt dost thou con- fess?
43467	What impression would be left of St. Bris without his black velvet clothes and courtly bearing?
43467	Where is there to- day a nobler specimen of Tragicomedia than the"Don Juan"of Mozart?
43467	Who''s dead, th''old man, or you Sir?
43467	Why?
43467	_ pp_ Nun sag- e mir wahr wel- ches Ge- schlecht Now rede me as well what is the race wohnt auf wol- ki- gen Höh''n?
43467	and Antonio Cesti( 1620-?
43467	that dark- ly is al- leged a- gainst thee?
43467	wards the wel- kin a- bove?
43467	| STRINGS| WOODWINDS So be- kennst du dei- ne Schuld?
43467	| STRINGS| WOODWINDS Was ent- geg- nest du der kla- ge?
5144	''Is she seriously ill?''
5144	''What is to become of my poor wife and children,''he wrote,''if that is really the case?''
5144	As I had not looked after my best friends, such as M. Lucy, was not the ill- success of that evening to be ascribed to my own conduct?
5144	I could not help wondering whether I should have to give up my Penzing establishment, but, on the other hand, what alternative was open to me?
5144	The young man, completely unabashed, answered,''Que voulez- vous?
5144	Wagner?''
5144	le Pape ne vient pas en scene?
40384	But how shall we excuse for those instances of coarseness and indelicacy which occur so frequently in the airs of his oratorios? 40384 Dear Mozart, you will leave me?"
40384	Why not?
40384	[ 37]_ Hiller._Tancredi was the first of your operas which proved a decided hit; how much did you get for it, Maestro?"
40384	328?
40384	Again, on another occasion the beautiful lady immediately comes at the sound of the flute, inquiring,"Husband, what can I do for you?
40384	And did he not feel, with a certain pride, that he deserved a good smoke after all his exertions with the fiddlestick?
40384	But the jacket felt so unusually heavy;--could there, perhaps, be gold in it to make up in some measure for the cruel infliction?
40384	Did not our ancestors at the time of Hucbald relish consecutive Fifths and Octaves as an harmonious accompaniment to a melody?
40384	Eagerly he rummaged the pockets; but what should he find?
40384	Has the man not had trustworthy sources for information?
40384	Have you then written parts for all these pieces?
40384	How is it then possible that the''Almira''could have been represented thirty times without interruption?
40384	I to be frightened by a bagpipe?
40384	I want to convince you"----"Convince me?"
40384	Is this not thoroughly practical in an artistic point of view?
40384	When, and in what body was I before?
40384	Who could face such a woman with her claws?
40384	Who so happy as the disburthened fiddler?
40384	[ 8] Wych?
40384	_ King._--"Are my subjects happy and prosperous?"
40384	_ Mattheson._"What does that prove?
9089	Mr. Sharp, have you never read''the Scriptures? 9089 Do you not remember? 9089 _ Rodrigo_( Florence, 1707?). 9089 _ Salve Regina_( 1707?). 9089 _ Silete Venti_( 1707?). 9089 _ Te Deum_ in A( 1727?). 9089 _ Te Deum_ in D( 1714?). 51365 Its powers, who has yet been able to test them to the full?
51365	Are you really going to have some music?''
51365	Can we not find here an enormous influence exerted by Gounod?
51365	He replied:--"''Do you imagine I think otherwise?
51365	How could we tell of what a pianist''s fingers might be capable until we had heard Leopold Godowsky?
51365	How judge of the future of opera until we had heard Puccini''s"Madame Butterfly"?
51365	If so, is there no power to cast out the evil spirit?"
51365	Is it not suggestive very strongly of Hummel?
51365	Is the catalogue of defects full?
51365	Its limitations, who shall define them?
51365	You would not accuse an architect of being a copyist if he put windows in a house, would you?
3788	Can anyone here play the drum?
3788	How can you expect me to shake,replied the enfant terrible,"when Herr Frankh himself can not shake?"
3788	How is it, my little man,he said,"that you can not shake?"
3788	If I was Haydn at forty,said he,"why should you transmit to posterity a Haydn of seventy- eight?"
3788	What has HE written, then? 3788 What is that?"
3788	What is the good of such rules?
3788	; a dozen larks, 1 coron[?
3788	An"Upper Servant"?
3788	And is there not a crowing cock in Bach''s"St Matthew Passion"?
3788	And now, my esteemed patroness, when am I to have the inexpressible happiness of seeing you in Estoras?
3788	And what about the audiences of Haydn''s time?
3788	And who can tell when these happy hours may return?
3788	Does my sweet Fraulein Pepi ever sing poor"Ariadne"?
3788	Friends?
3788	Garrets are famous, in literary annals at any rate; and is it not Leigh Hunt who reminds us that the top story is healthier than the basement?
3788	Handel declined the Doctor of Music degree with the characteristic remark:"What the devil I throw my money away for that the blockhead wish?"
3788	Haydn, entering, inquired,"Whose minuet is that you are playing?"
3788	Here in Esterhaz no one asks me, Would you like some chocolate, with milk or without?
3788	His Septet?
3788	How many a sweet- voiced chorister, even in our own days, reaches manhood with a love for music?
3788	Is a thought of Haydn sometimes recalled by your fair hand?
3788	Is that odious proverb,"Out of sight, out of mind,"to prove true everywhere?
3788	Like the hero in"Locksley Hall,"Haydn may have asked himself,"What is that which I should do?"
3788	Material Advantages Haydn had no self- pity: why should we pity him?
3788	Now, my dear, good, kind lady, what is your piano about?
3788	Plagiarism or Coincidence?
3788	What can I offer you, my good Haydn?
3788	What do I say?
3788	What is Pater---- doing?
3788	Where are all those inspired moments?
3788	Who was the lady thus celebrated?
3788	Why should you, who have already produced so many wonderful and charming compositions, still fatigue yourself with such close application?
3788	Will you have vanille ice or pineapple?''
3788	Will you take some coffee, with or without cream?
3788	those charming meetings?
3788	wherefore?
38153	And will he never find her?
38153	Do we offend Heaven in ceasing to suffer? 38153 In what opera did you first appear?"
38153	Is it true, Madame Sembrich, that you walk two hours every day?
38153	She is not yet a finished artist,these critics say, but at four- and- twenty what would you?
38153	The Lilli Lehmannsmiled and said:"Why not?
38153	What did you practice when you first began with the voice?--single tones?
38153	Where is Carmen?
38153	Who are you?
38153	Who is there?
38153	After telling Senta that the stranger has come to be her bridegroom, he turns to the Holländer, asking,"Did I exaggerate her loveliness?
38153	As the lovers start to go, Aida asks,"By what route do the Egyptians march?
38153	But her thoughts are varied, and she suddenly turns and asks:"Why do you whisper to each other?
38153	But the sound of Faust''s voice recalls to her that first meeting so long ago, when he said,"My fair lady, may I walk with you?"
38153	But you will come back?"
38153	Calvé looked thoughtful-- she could hardly recall, until a friend who was present suggested--"it was rather intervals and arpeggios, n''est ce pas?"
38153	Calvé was asked first what she thinks of when she steps before the public-- her voice, her acting, or the music?
38153	Do n''t you know me?
38153	He astonishes Daland with the sudden question,"Have you a daughter?"
38153	He unties her hands and asks desperately,"Carmen, Carmen, do you mean it?"
38153	How could it be?
38153	Is she not an ornament to her sex?"
38153	Now where will you get another to fill his place?''
38153	She calls to him, and he asks:"Who calls in the night?
38153	She entreats Werther to turn his heart elsewhere:"Why do you love me?"
38153	She was then asked, by way of suggestion:"Did you ever_ hum_ in your practice?"
38153	Then I asked,''Are you ready for_ anything_?
38153	Then she took a pencil and paper,--and what do you suppose she wrote first?
38153	Valentine exclaims,"What have I done to earn such disgrace?"
38153	Valentine starts to go, but Marcel detains her with the question,"Who art thou?"
38153	What did I think of it?
38153	What else did I do?
38153	What is it Mrs. Carter says in''Zaza''about success?
38153	When Daland comes nearer, she grasps his hand, whispering,"Who is that stranger?"
38153	When teaching a phrase, instead of dictating, as you would expect so great a man to do, he always asked,''How do you_ feel_ when you hear that?
38153	Why can she not banish him from her mind as she did from her presence?
38153	Why should she be on the Metropolitan stage?
38153	With bitter tones he adds:"What joy are such riches to me?
38153	then you speak German?"
16595	& S._ 15) Original(?)
16595	''A what?''
16595	''An excellent woman, that mother of yours, Christopher,''said Mr. Swiveller;''"Who ran to catch me when I fell, and kissed the place to make it well?
16595	''And whose should you say it was?''
16595	''And wot''ud be the good of that?''
16595	''Daisy, you know-- Chigwell Church-- bell- ringer-- little desk on Sundays-- eh, Johnny?''
16595	''Did_ you_ ever hear a tom- tom, sir?''
16595	''Do they often go where glory waits''em?''
16595	''Nor a gum- gum?''
16595	''What should you say this was?''
16595	''What_ is_ a gum- gum?''
16595	''Whose?''
16595	''Wot do you mean?''
16595	And how do ye thrive, And how many bairns hae ye now?
16595	Bishop._ And has she then failed in her truth, The beautiful maid I adore?
16595	Bishop._ If I had a beau, for a soldier who''d go, Do you think I''d say no?
16595	Did they inherit this love from their father?
16595	GO WHERE GLORY WAITS THEE(_ M.C._ 11)(''Do they often go where glory waits''em?''
16595	In the proof Dickens struck out all the words after''when,''and inserted in their place the following:''King Charles the First had his head cut off?''
16595	MASTER HUMPHREY''S CLOCK,''DID YOU HEAR ANYTHING KNOCK?''
16595	O we''re a''noddin, nid nid noddin, O we''re a''noddin at our house at home; How''s o''wi''ye, kimmer?
16595	Richard?''
16595	Shall I never again hear her voice, Nor see her lov''d form any more?
16595	Smallweed?''
16595	The first verse of the song is as follows: If I''d a donkey wot would n''t go, D''ye think I''d wollop him?
16595	The word?
16595	WHAT ARE THE WILD WAVES SAYING?
16595	WHAT ARE THE WILD WAVES SAYING?
16595	WHAT ARE THE WILD WAVES SAYING?
16595	WHO PASSES BY THIS ROAD SO LATE?
16595	What art can wash her guilt away?
16595	What was John Browdie''s north- country song?
16595	What was Little Nell''s repertoire?
16595	When lovely woman stoops to folly, And finds, too late, that men betray, What charm can soothe her melancholy?
16595	Who''ll buy my grey sand?
16595	Will you, will you, will you, will you come to the Bower?
16595	Will you, will you, will you, will you come to the Bower?
16595	Would they never be still?
16595	[ Figure 3] or[ Figure 4] White sand and grey sand: Who''ll buy my white sand?
16595	_ Could_ you give us"British Grenadiers,"my fine fellow?''
16595	you''re singing, are you?''
17463	''You think you can play anything, then?'' 17463 But are they not to be performed during that time?"
17463	But we will give you enough for it to enable you to purchase a better,he added;"and why is not your violin like others?"
17463	How so?
17463	I see you are astonished at the metamorphosis,said Viotti;"it is certainly_ drôle_--unexpected; but what_ could_ you expect?
17463	My dear fellow,was the reply,"do you believe you are a fit man for a curacy in Finmarken or a mission among the Laps?
17463	Who is it?
17463	Who would not,he says,"envy me this enjoyment?
17463	You are joking, then?
17463	''And do you think, boy, that you can play it?''
17463	''Dear grandmother,''I said,''ca n''t I get some of Paganini''s music?''
17463	''Have you ever played on it?
17463	''Where was the object?''
17463	''Will you sell it?''
17463	After rehearsing his mishaps, he says:"After all, of what use is such information to you?
17463	And now the fourth-- what do you think of it?
17463	But all this is nothing compared to the last( have you any more wine, Julius?).
17463	But of what use were all these difficulties?
17463	But what is execution, without some thought and meaning in the combinations to be executed?...
17463	Chopin?
17463	Did you ever dream of such a curiosity?"
17463	Do you remember_ Leporello''s_ springs in thirds?
17463	Had he learned these reverences from an automaton or a performing dog?
17463	Have you ever tried it?''
17463	I do n''t to this day see why I should have told a story about it-- do you?
17463	I never heard of the name-- who can he be?
17463	In passages[ technical figures], some notes may be left to their fate without notice, but is that right?
17463	In reply to the latter''s question,"Where are you going?"
17463	Is it that she presents to us the most interesting productions of recent art in as short a time as possible?
17463	Is it the special pride of the city with which a people regards its own natives?
17463	Is this beseeching look the look of one who is sick unto death, or does there lurk behind it the mocking cunning of a miser?
17463	It was his habit, when an inferior addressed him, to inquire of his companion,"What does this animal want with me?"
17463	Naturally, a crowd of street- boys collected under the window, when he roared out,''Now, what do these confounded boys want?''
17463	That night, as the lovers were returning home in the carriage, Spohr said to her,"Shall we thus play together for life?"
17463	That seems to me somewhat unfitted to the theme; but the theme-- why did he write that in A flat?
17463	The committee said,"What if the affair should not pay expenses?
17463	To what end all those rapid octave passages?
17463	What are all prodigies as compared with him?
17463	What was to be done to supply what was wanted, so as to further the true understanding on all sides and, with it, the ultimate success of the work?
17463	Who can wonder that admiration and pride should arise to enthusiasm in the breasts of his grateful countrymen?
17463	Why all that rapid tossing of handfuls of chords from the middle to the highest octaves, lifting the hand with such conscious appeal to our eyes?
17463	Will he not, like so many other brilliant children, suddenly collapse?
17463	again interrupted his friend;"the art of which you are one of the finest representatives-- you can not have entirely abandoned it?"
17463	can you boast of that in Germany?''
17463	would they not be personally saddled with the debt?"
59672	How did the old composers who were pianists, play?
59672	Know''st thou the house, its roof on columns white? 59672 Know''st thou the land, where sweet the citron blows, Where deep in shade the golden orange glows?
59672	_ Joy, thou heavenly spark of Godhead!_Was it the irony of Fate that made this thought the highest pinnacle of Beethoven''s marvellous achievements?
59672	Fair gleams the hall, the hearth is glimmering bright; And marble statues ask, with glances mild,''What have they done to thee?
59672	Hours upon hours could thus be dreamed away; yet who shall say that they were wasted?
59672	Know''st thou it well?
59672	Know''st thou it well?
59672	Know''st thou it well?
59672	Know''st thou the crag, and all its cloudy grey, Where scarce the muleteer may grope the way?
59672	Know''st thou the house, its roof on columns white?
59672	Never?
59672	Was it not rather one of those divine compensations by which Heaven bestows, with both hands lavishly,"above all that we can desire or deserve?"
59672	shall I again be able to feel it in the temple of nature and of man?
59672	that house dost know?
59672	that land dost know?
19528	Do we forget the angels when once they visit us?
19528	Hark, is it not the angel voices? 19528 How did you happen to come here?"
19528	My dear sir, do you still remember me?
19528	What are you doing here, are all the Eastern soldiers here in this place?
19528	Who is your sister?
19528	After a short silence she heard another sound and she called,"Are you ill, Mary?
19528	As I passed he said,"Are you going to forget your old postman of 120 Charles street, Boston?"
19528	At last father spoke, with tears of gladness in his eyes,"Where is Mary, your mother, my children?"
19528	Can he surmount the technical difficulties and the mechanism of the vocal organs?
19528	He came up and said in an off- hand way,"Maggie, how would you like to make a Bear flag?"
19528	He replied,"Will it make me sing?"
19528	He said,"Are you not Miss Kroh?
19528	How is it possible for them to guide the young singer when they can not give a pure tone example themselves for the pupil to follow?
19528	How many of these thousands of dollars come back to these students?
19528	How should the longer sung notes be taught?
19528	I could not reply for a moment, and I looked at him and said,"Are you Charles Blake?"
19528	I looked at him in astonishment and said,"My dear comrade, where have I seen you before?"
19528	I looked up in surprise and said,"A bear flag?
19528	I said,"What song would you like best to hear, now that you are sick, if you could hear anyone sing?"
19528	I said,"Yes, will you do it?"
19528	I said,"You were unable to hear the music today?"
19528	I saw the situation and let out a merry laugh, saying,"Was it then so bad you had to cry?"
19528	I was so dissatisfied, I said,"What is the matter that you do not take this note?"
19528	In her girlish way Pauline used to say,"Oh, dear auntie, when I am a great singer wo n''t you be glad and proud of me?"
19528	Is it real?
19528	Is not then this constant vibration of the voice a gross fault?
19528	Mother was awakened during the night and said,"Mary, are you up?"
19528	Now what do we hear?
19528	Shall I hear her sing before I go?"
19528	Was ever such a windfall of good fortune as this proved to me?
19528	Was this then San Francisco?
19528	What kind of a flag is that?"
19528	What more could anyone ask?
19528	What was to be done for music?
19528	When George came home he said to mother,"Where''s Maggie?"
19528	When they turned to leave she asked,"Whom shall I say called?"
19528	Who would not justly feel grateful for such deep respect and appreciation from neighbors and strangers?
19528	Why all this work to acquire the art of producing beautiful tones?
19528	Will you do one more thing for me?"
19528	[ Illustration:"Should Auld Acquaintance be forgot?"
19528	is it death?
32979	Did you ever see a thin Violetta?
32979	''How do you do?
32979	And are not these the most difficult and trying rôles in the répertoire of the lyric stage to- day?
32979	Are there many sopranos who have not, whatever the general nature of their répertoires?
32979	But has any one ever characterized Selika?
32979	But has it occurred to any one that the Queen in_ The Golden Cockerel_ is a part absolutely suited to the Garden genius?
32979	But where is there anything better?
32979	But will_ Elektra_ have the same effect on future audiences?
32979	Can one say as much for any other interpreter?
32979	Can she turn to Puccini, whose later operas seem bereft of merit, to Mascagni, to Strauss, to any other of the living opera composers?
32979	Did Haydn or Prince H---- conduct the first performance of the_ Symphony in X major_?
32979	Did Rachel touch greater heights?
32979	Did Weber arrive in England on Thursday or Friday?
32979	Do you remember the splendid_ apache_ saluting his head before he goes to the guillotine?
32979	Do you who saw him still remember those flickering fingers and toes?
32979	Farrar hear that remarkable performance of_ Carmen_ in which both Saleza and Jean de Reszke appeared?
32979	Fremstad as Isolde, Venus, Elsa, Sieglinde, Kundry, Armide, Brünnhilde in_ Götterdämmerung_, or Salome?
32979	Garcia possibly suggests a warrior, but do Malibran and Viardot make us think of music?
32979	Has any one else achieved this effect?
32979	Has any one else done this?
32979	Have you heard her sing_ L''Hotel Numero 3_, one of the répertoire of the_ gants noirs_ and the old days of the Divan Japonais?
32979	Have you heard her sing_ Le Lien Serré_ and witnessed the impression she produces by sewing, a piece of action not indicated in the text of the song?
32979	How could any one sing the music of the tremendous finale after getting thoroughly out of breath in the terpsichorean exhibition before Herod?
32979	How has she done this?
32979	How long did he study the art of singing?
32979	In how many_ Manon_ scores did Massenet write his tender eternal finalities?
32979	Munich adored the Fremstad Carmen( was it not her characterization of the Bizet heroine which caused Heinrich Conried to engage her for America?)
32979	Now she is raucous, now tender; have you ever seen so sweet a smile; have you ever observed so coarse a mien?
32979	Of how many nights in the theatre can I say as much?
32979	Pasta seldom sang an opera through without many similar slips from the pitch?
32979	Ravel''s one opera is not particularly suited to her, but why, I might ask, does not Ravel write something for her?
32979	Should I be deprived of their society because I happen to be a critic?
32979	The music, the setting, the costumes-- what else was left to celebrate?
32979	The pregnant line of the first act:_ Artiste?....
32979	V What is to become of Mary Garden?
32979	Was Beethoven in a cold sweat when he composed the_ Ninth Symphony_ or was he merely angry?
32979	Was it Philip Hale who remarked that she sang_ Who is Sylvia?_ as if the woman were not on her calling list?...
32979	Was it Philip Hale who remarked that she sang_ Who is Sylvia?_ as if the woman were not on her calling list?...
32979	Was the French Jewess more electric?
32979	What can she do now?
32979	What could I tell you that you have not already known and felt in advance?
32979	What is there left for her to do?
32979	Who can hope to do it?
32979	Who, indeed, has not?
32979	Why not John Carpenter?
32979	Why not Leo Ornstein?
32979	Why not Strawinsky?
32979	Why not?
32979	Will there rise another singing actress in our generation to make us forget it?
32979	Will you believe me when I tell you that I was never less nervous?...
32979	Young singer though he was, he rebelled and asked,"Why not?"
10957	But now, who is the object of my love? 10957 But what did the angelic girl do when her guardian was gone?
10957	How will you receive me? 10957 MY DEAR AND BELOVED FRIEND:--You still, I hope, allow me to give you this name?
10957	Afterward Weber would groan,"Alas, why did I ever teach you the trick?"
10957	And who can comfort my Constanze if you do not stay here?"
10957	At my age, life requires a uniform equality; can this be found in our mutual relations?
10957	At that time his memory was no doubt enfeebled; he had forgotten the book, why did he not re- read it?
10957	At the end of the concert he was led to his room, where he sank down, a complete wreck in mind and hope, muttering:"What do you say to that?
10957	But I beg you not to think so, for how could I write so beautifully if I were dead?"
10957	But need we withdraw charity from one, to give to the other?
10957	But now, freed of their shackles, why do they not rush to each other''s arms?
10957	By every thought, in every action, in every moment of his life, there was but one feeling ever present--''How will she receive me?''
10957	Can you alter the fact that you are not wholly mine, nor I wholly yours?
10957	Can you not comprehend, then, why I now hold for so important that which has always played but a subordinate part in my life?
10957	Could any one have woven a happiness about the life of that ferocious master of art, that pinioned, but struggling, victim of fate?
10957	Had he not said in this very letter,"love me as I love you, and then we shall never cease loving each other?"
10957	Had he not thence broken into French?
10957	He writes:"What should I do there?
10957	I do not wish to give up dreaming, for what mortal on the whole compass of the earth does not often dream?
10957	I must write to beg to know_ how you do_?
10957	I shall still live on,--marry perhaps some day,--who knows?
10957	I was a fool about Madame Lange, I own; but what is a man not when he is in love?
10957	Is not our love a truly celestial mansion, but firm as the vault of heaven itself?"
10957	It is wonderful, by the way, how many musicians have earned distinction as soldiers-- what, indeed, would the soldiers do without music?
10957	It runs:"What are you dreaming about, saying that you can be nothing to me?
10957	Liszt, that Hungarian rhapsodist in amours, was he not also an abbé?
10957	Madame Leitgeb tied my neck- cloth for me to- day-- but how?
10957	May I venture to say that, though I have not had the pleasure of seeing you, I already love and esteem you as the sister of so excellent a brother?
10957	Need we rob Pauline to pay Peter?
10957	Not one of the Webers, surely?
10957	On one occasion the singer Rochis, being in a condition that compelled a postponement of"Armide,"he demanded, angrily,"_ Qui t''a fait cela_?"
10957	Ought he not rather have said, the shells?
10957	She includes an anonymous poem on Mozart''s death, beginning:"Wo ist dein Grab?
10957	Surely you do not hate me so much that I may no longer be your friend, nor you mine?
10957	To this ill- timed reproof Mozart answered:"What do you mean by dreams of pleasure?
10957	Was it perhaps that she did not dare?
10957	What could I do?
10957	What is to be done?''
10957	What means this?
10957	What reader can refuse this sympathy to one who felt and gave so much to one who craved sympathy as the very food of his soul?
10957	What will be the result?
10957	What will my own pearl say to be dissolved in the sour vinegar of domestic life, and swallowed by a bear of a husband?"
10957	Who can wish that he had been?
10957	Who that sincerely and truly loves can forsake his beloved?
10957	Who then remains?
10957	Whom now can I say it to?
10957	Why indeed need we judge harshly at all?
10957	Why this deep grief when Necessity decides?--can our love exist without sacrifices, and by refraining from desiring all things?
10957	Why, then, thus warm- hearted and clean- hearted, thus woman- loving, did he never marry?
10957	Wo duften die Cypressen?"
10957	Would not the mother of the girl herself have placed the worst interpretation on such conduct?
10957	Yet what is more pitiful?
10957	that that bright, pure, aspiring spirit should have been dulled by distress or torn with agony?
10957	to ears that heard?
10957	why must one fly from what he so fondly loves?
21982	''Has age much to do with it, think you?'' 21982 ''Mein Gott!--if I do n''t, who de teifil does?''
21982	I would ask how comes it that the bow was unknown to the Greeks and the Romans? 21982 Is that the Stradivari?"
21982	Well, gentlemen, shall I say one hundred and fifty guineas?
21982	''And what will you do for the nation?''
21982	''Difficult do you call it, sir?''
21982	''Well, then, just at that very moment did you not-- with your jaws extended wide enough to swallow a sixpenny loaf-- yawn?''
21982	''What do you do now?''
21982	''What were you doing during the time of the tyrant?''
21982	''_ Ah, my poor Mr. Reade, the Bass of Spain was all but lost!_''"Was not this a true connoisseur-- a genuine enthusiast?
21982	And were not those countries better known to the ancients than to the modern until within the last three hundred years?
21982	Chanot rubbed his eyes, and asked himself was he dreaming?
21982	Cooke?"
21982	Did not Alexander the Great conquer India and Persia?
21982	Do Fiddlers always, or most generally, stand or sit according to the points of the compass?"
21982	Dr. Grey asks,"Why the north- east side?
21982	How do you like him?
21982	How does he play?...
21982	How is this"Joseph,"unaccustomed to elbow his legitimate namesakes in the world of Fiddles, to maintain the character he has assumed?
21982	Is he about anything in the way of composition?
21982	Is it possible we can help talking of Haydn first?
21982	Is that true?
21982	It may be asked, then, if not from Stradivari, from whom did Guarneri receive instruction?
21982	Often is the question asked, What can there be in a simple Violin to attract so much notice?
21982	Schnapps?''
21982	Shall I say one hundred guineas?"
21982	Upon turning to other makers, what will be the result if we judge them by the criterion above mentioned?
21982	Vat you sall gif for him?''
21982	What does he do?
21982	What does he play upon?
21982	What does he say?
21982	What fury Doth you to these dire actions hurry?
21982	What is it that causes men to treat this instrument as no other, to view it as an art picture, to dilate upon its form, colour, and date?
21982	What is the result of a careful investigation of every particle of evidence that we can glean?
21982	What was to be done?
21982	What''s o''clock?"
21982	Where were they to be found?
21982	While Beneke gave our names to the sergeant, I anxiously asked one of the soldiers who stood round the carriage,''Is the trunk still secured?''
21982	Who but an artist acquainted with the best work of Italy in Violin- making could have made those exquisite Violins known as"Elector Stainers"?
21982	Who can say what old associations these Cremona gems brought to his memory?
21982	Who has not got a friend who is the fortunate owner of a veritable"Duke"?
21982	Why so?
21982	Will you employ your conq''ring sword To break a Fiddle, and your word?
21982	Would he not in these days of microscopic biography have furnished work for the genealogist, and been made the subject of numberless pictures?
21982	stupid fool-- but how should a man of my reading make himself understood by-- a---- Answer me-- was not the house very still?''
21982	vat is it?''
21982	vat is the matter-- vat I haf do?
13291	''Why not? 13291 ''Will you play?''
13291	And do you want to be a musician when you grow up?
13291	And those over there?
13291	Can you sing at sight?
13291	Did n''t you say you could sing at sight?
13291	Did you like that, Franzerl?
13291	Does he know all about it?
13291	Is it for the opera?
13291	Really?
13291	Second violins in a Soviet state orchestra? 13291 Tell me,"said the reporter,"just between you and me-- where did Stoky get that juicy accent?"
13291	Then_ you_, will come with me to my home, which is quite near, will you not?
13291	Was this not geniality itself? 13291 Well my little fellow,"said the Capellmeister, drawing him to his knee,"can you make a shake?"
13291	What''s the matter with you?
13291	Whatever are you doing, Wolferl?
13291	Where are you going?
13291	Who are those people?
13291	Whose music did you play?
13291	Whose music was that you were playing?
13291	Why not,answered the mother;"you long ago promised to begin lessons with Nannerl; can she not start this very night?"
13291	Yes, indeed, Papachen, may I not learn to play the piano? 13291 A Canon in the Cathedral offered to teach him Latin, and tried to make a priest of him, saying,What do you want to study music for?
13291	After THAT performance?
13291	And what does Liszt do?
13291	But from where would the funds be forthcoming?
13291	But where was the money to come from?
13291	But who shall measure the father''s pride and satisfaction to have his boy return a real musical hero?
13291	Did it contain joy or sorrow?
13291	Do you remember your subject?
13291	Do you think that some day you will become organist of Busseto?
13291	Does anybody know his name?"
13291	He came smiling towards me and said in the most genial manner:"''We have had some little correspondence, have n''t we?''
13291	How are my friends faring?
13291	How on earth was any one going to see what her friends were wearing?
13291	How would Leipsic behave towards this new and serious music?
13291	Is he really Leopold Antoni Stanislaw Stokowski?
13291	Is it a bargain?"
13291	One day the young hot heads exclaimed:''Why do we look idly on?
13291	Or is Stoky just plain Lionel Stokes, the sprout of a humble cockney family?
13291	Outside, his friend asked him:"Why did you drink that vile stuff?"
13291	The Maestro exploded:"What?
13291	The boy laughingly exclaimed,"Who could ever read such writing as that?"
13291	Was his father one Joseph Boleslaw Kopernicus Stokowski, a Polish emigre who became a London stockbroker?
13291	Was his mother an Irish colleen and the granddaughter of Tom Moore, who wrote"Believe Me If All Those Endearing Young Charms"?
13291	Was it possible, they asked themselves, that a child could produce such beautiful music?
13291	What do you expect from your music?
13291	What do you say?
13291	What was to be done?
13291	When he came to the conclusion he complimented the lad and said:"But how is it that you have written a double canon on my subject?"
13291	When he returned home after this concert, his mother asked:"What did the people like best?"
13291	When the music ceased the Duke asked:"Who is that child?
13291	Whom do you think I should appoint?"
13291	Why am I doomed to be here so lonely and forsaken?
13291	XII FREDERIC CHOPIN What would the piano playing world do without the music of Frederic Chopin?
13291	Yes, you do?
13291	what are you doing?
45705	''Tancredi''was your first opera which really made a great hit, maestro; how much did you get for it?
45705	And your opera,''Ermione,''which one of your biographers informs us you preserve mysteriously to bequeath to posterity-- what has become of that?
45705	Had you not the intention,Hiller asked,"of composing an opera on the text of''Faust?''"
45705	I am not joking in the least,returned Hiller;"how can you exist without composing?"
45705	Like her? 45705 New music?"
45705	Now which do you like best?
45705	''Have you, then, your parts to accompany these pieces?''
45705	''It will warm them, perhaps,''I said to myself;''besides, what is the use of composing music, if one can not compose like Rossini?''"
45705	***** Why, it may be asked, does Méry point out that Rossini''s music, in the year 1829, was applauded both by Royalists and Liberals?
45705	Are we at a hunting party?
45705	Dare you take such a liberty because you have paid two or three paoli for admittance?
45705	If Rossini could have produced anything finer than"Guillaume Tell,"who knows but that it would have been hissed?
45705	If they had begun to"embroider"before presenting the motive in all its simplicity, where would have been the proof of their inventive talent?
45705	Indeed, as to pure melody, who is to be the judge?
45705	Indeed, what melody, unless it be a reminiscence, is_ not_ an improvisation?
45705	Is it thus that you recompense a man who for so many years has produced you enjoyment?
45705	It may be thought that he at least got something for the copyright of the music?
45705	Literary honours have been paid to the great impresario by Scribe, who introduces him into one of his ingenious opera- books("La Sirène,"is it not?
45705	These remarks occur in Stendhal''s"Vie de Rossini,"page 263 of the 1864 edition( chapter XXXI.--Rossini se répète- t- il plus qu''un autre?
45705	What would Italian singers of the year 1813 have thought of"William Tell?"
45705	What, indeed, were Artemisia and Artaxerxes to them, or they to Artemisia and Artaxerxes?
45705	Why did you not make an opera of it?
45705	and how would their highly- decorative style have suited that simple, energetic, thoroughly dramatic music?
45705	he cried;"what does the man want?
45705	said Rossini,"would you have me without motive, without excitement, without a definite intention, write a definite work?
45705	the whole of it?"
16431	Are you not conducting the opera to- night?
16431	Have had it,Reissiger replied;"how''s that for smart conducting?"
16431	What more shall I write? 16431 Who would not yield who heard the heavenly maid?"
16431	("Was ever poet so trusted?"
16431	But supposing that he did wish to teach us something in the_ Dutchman_, what on earth can it be?
16431	But was it?
16431	But what am I saying?
16431	Can we wonder that both sides were disappointed?
16431	Did they or the still mightier Beethoven dream of creating a Bayreuth?
16431	Do you happen to know anything definite about the state of the police inquiry?
16431	Finely endowed personalities like Mozart and Chopin did much: did they write a_ Ring_ or a_ Tristan_?
16431	For instance: does the general management propose to place my work upon the stage with the outlay indispensable to a brilliant effect?
16431	Had ever such a life so perfectly beautiful an ending?
16431	He begins a long expostulation:"How is it that the two people dearer to him than all the world have so betrayed his trust?"
16431	He replies that he can not answer Mark''s"Why?"
16431	How few men care more for themselves than for their stomachs?
16431	I have written to Herr Tichatschek, and commended myself to his amiability: shall I be able to count on this gentleman?"
16431	In vain Fricka expostulates, repeating( in homely phrase),"What about Freia?"
16431	In_ Hamlet_ the hero has been philosophizing to his heart''s content, when a funeral procession approaches--_ Hamlet_: What, the fair Ophelia?
16431	King Ludwig was supposed to do it; but where on earth was Ludwig''s money to come from if not out of the taxpayers''pockets?
16431	Krebs is clever-- so is Michalesi-- what more do you want?
16431	Not any casuistry or splitting of hairs can alter the plain fact--"Wirst du des Vaters Wahl nicht schelten?
16431	Not, surely, that one should not swear rash oaths in a temper?
16431	One asked,"Are you afraid?"
16431	Presently the shepherd looks over the wall and asks how the master fares, does he still sleep?
16431	The red dawn slowly breaks; Tristan hides Isolda with his cloak; Melot turns to Mark and says,"Did I not tell you so?"
16431	The salary lifted a burden off his shoulders for a while; and was he not appointed to the very post his idol Weber had occupied?
16431	The theme is, What is love, and how do we recognize it?
16431	They have only a few minutes to live and to love: why not speak?
16431	Wann wirst du, bleicher Seemann, sie finden?
16431	Was er versprach, wie?--dürft''es gelten?"
16431	Was it the only way to get rid of the lady-- a_ pis aller_?--a last remnant of the old- fashioned technique?
16431	Well, do I seem quite mad to you?
16431	What could possibly happen?
16431	What did the luxury amount to?
16431	What is the meaning of it all?
16431	What is the ordinary care about the so- called future of citizen life compared with the feeling that we are not tyrannized over in our noblest aims?
16431	What then?
16431	Which is the nearer approach to an ideal of noble manhood?
16431	Yet, I say, how can we feel surprise?
16431	and Tristan, bewildered, asks,"Where are we?"
16431	and, above all, what is any one called on to renounce?
16431	and, if so, in what sense?
16431	but Mark continues, putting in a dozen ways the same question,"Why, why have they done this?"
16431	or loses anything by not renouncing?
16431	was he to run the chance of failure by writing, or copying, one really expressive measure?
16431	who gains anything by renouncing?
42097	And is this your prize gavotte?
42097	And did you hear That little twitter- and- cheep, Breaking inordinately loud and clear On this still spectral exquisite atmosphere?
42097	And is it nothing to have achieved that this benediction should have been possible after such a life?...
42097	And the finale?
42097	But is it not all just a little too cruel?
42097	Did he not achieve in his"Third Leonora"something that no one has ever equalled or can ever hope to equal in the domain of the dramatic overture?
42097	Did he not individualise Leonora in music as well as Mozart had individualised the much less exalted characters of Donna Anna and Zerlina?
42097	Did he not make music in association with Goethe''s"Egmont"that seems to belong for evermore to that drama?
42097	Dr. Elgar is another composer whose music means something; but what chance is there for us to understand him?
42097	For musicians there are schools; but what school is there for critics?
42097	How then can one blame Elgar for not composing two in six months?
42097	I heard him once appeal to his wife;''Am I not always open to conviction?''
42097	In a letter of 1881, he writes:--"How can we escape from Swinburne?
42097	In the meantime what about the truth and the critical currency?
42097	Is it Strauss''s deliberate intention to abolish rhythm?
42097	Johnstone is in the grand circle, what does he think?''
42097	Perhaps the most absolutely perfect examples occur at the words"What are these wounds in Thine hands?"
42097	To what did this sensibility tend, what did it crave for?
42097	Was not Darwin known for many years as the preposterous eccentric who said men were descended from monkeys?
42097	What other pianist at the present day, we venture to ask, could give us such a thing?
42097	When he desires to shake off his habitually gloomy and brooding state, how does he set about it?
42097	Who ever heard a"satisfactory"performance of the"Missa Solennis"?
42097	Who will fill his place?"
42097	Why does he always play Liszt''s second Rhapsodie?
42097	Why does he never play Bach?
42097	Why does he not write a play?
42097	Why will he insist on using a pianoforte with so hard a tone?
42097	Would he add to the well- known saying,"_ Am Anfang war der Rhythmus_"the rider"_ aber jetzt nicht mehr_?"
42097	Yes, those bonfires which blaze up-- do you know what they are?
39571	Are you sure that this was true?
39571	Is that a man brought into the arena at the moment of death, like a dying gladiator, to delight the public with his convulsions? 39571 _ A la Giraffe?_"asked the salesman.
39571	A Signora Righetti, a singer, writing in 1823(?
39571	A certain M. Bergman, a( Swedish?)
39571	But did violin playing benefit?
39571	But how was Rossini likely to know the facts of the case?
39571	But how?
39571	But the question remains: did Paganini''s playing result in any permanent benefit to the art?
39571	But what are gorgeous monuments?
39571	Can one recall"the touch of a vanished hand?"
39571	Did Paganini influence the art of violin playing, and in what direction?
39571	Did he and Paganini ever meet?
39571	Does the true artist value the case more than the instrument?
39571	Everyone asked himself: What will he do with that?
39571	Had he a permanent influence, and if so, was it for good?
39571	How shall we account for this pitiful state of things, this gulf between the performer and the auditor?
39571	How was it that the devil and the violin came into relationship?
39571	In 1793 Paganini made his_ début_ in the great Theatre of Genoa( the Carlo Felice?).
39571	In the present day Paganini''s music is looked upon with pity not far removed from scorn; how did his contemporaries esteem it?
39571	Is it as easy to account for other traits of his character?
39571	Is it worth while at this distance of time to refer to the actual playing of Paganini?
39571	Is not Bach''s"Aria"played everywhere as a fourth string solo?
39571	Is there anything more beautiful than the tribute paid him by Leigh Hunt?
39571	Is there no brighter side to this picture?
39571	Or is it one risen from the dead, a vampire with a violin, who, if not the blood out of our hearts, at any rate sucks the gold out of our pockets?
39571	That aloofness, that scorn of the world, that hard bargaining:"Take me or leave me,"revealing callous indifference, was there no cause for all that?
39571	The importunities of the youth, aided by the prayers of the mother, at length prevailed, and in care of the elder brother afterwards Dr. Paganini(?)
39571	They engaged a young composer, Danna( Dana?
39571	What I want to ask is simply this:--upon what work, or whose work, was Paganini''s first concerto modelled?
39571	What kind of age was it that produced Paganini?
39571	Where then is the authority for the former?
39571	Why seek ye the living among the dead?
39571	Why?
39571	Would Berlioz write a solo for him?
39571	Would you believe it, Sir?
39571	[ 31] Now, what was the reason for exhuming the remains?
39571	[ 36] In the"Bow Bell''s Annual"for 1878(?)
39571	[ 40] Now was this the outcome of a subsequent conversation with Rossini, or an amplification of the"gossip"at Trouville?
39571	[ 9] Son of Giuseppe Dana, of Naples?
39571	and his fiddle?"
32980	Advertising?
32980	And now, one question,says Mademoiselle,"Is your stage level, or does it slope towards the back?
32980	But where do the artists of the theatres usually live?
32980	Well, after all,answered my mother,"who knows where most of the great singers of today made their débuts?"
32980	What is this institution?
32980	What were they doing?
32980	_ Sind Sie satt?_They would ask each other gravely--"_Ich bin nicht satt!_"Meaning literally,"Are you full?"
32980	_ Sind Sie satt?_They would ask each other gravely--"_Ich bin nicht satt!_"Meaning literally,"Are you full?"
32980	A Cockney super, on his way out, remarked in passing me,"I s''y, wot price Destinn''s hat?"
32980	A porter caught sight of me, pushed back the other men on both sides of me, and said,"Get out of the loidy''s wy, cahn''t yer, Bill?
32980	And indeed why should one have?
32980	And then why stick slavishly to the bow tie of white cotton?
32980	And yet what is a young fellow in his position to do?
32980	Are n''t my things good enough for you?"
32980	But_ what_ would the Kaiser say?
32980	Can you flip them from the edge of the table into your own hand?
32980	Can you?"
32980	Could n''t the curls then be worn at least three times without being re- dressed?
32980	During the second year I was told one day:"This is Irene''s wedding day; will you say something to her?"
32980	F---- hailed him and said,"But where''s your horse?"
32980	For form''s sake he kept saying,"_ Sie verstehen mich, Fräulein?_"and when I answered"_ Ja_,"he was satisfied.
32980	He rushed at me and caught my wrists and shouted,"_ Was faellt Ihnen denn ein_"("What''s the matter with you?")
32980	How can they enter into the spirit of an opera when they are guessing whether that is a love phrase or an insult that the tenor is singing?
32980	I remember his singing,"And how would you get your ships along, Admiral, If your sails and oars were shot overboard?"
32980	I said once to F----,"Is Karl your servant?"
32980	I used to say to them,"But how can I ever get experience if you wo n''t give me a chance?"
32980	My sister said,"Why did you make up with rouge and not have the pallor we agreed upon?"
32980	One clever actor always made his greatest climax by suddenly throwing back his coat edge as he finished a"There, what do you say to that?"
32980	S---- was famous for his sharpness in choosing and trading horseflesh, and F---- used to call him on the''phone, saying"Is this Herr S----?
32980	Students often ask me"How did you get your first engagement?"
32980	The Director said at once,"How much did they offer you in----?"
32980	The Parthenon freeze-- is it not music?
32980	The old Dames call out to you,"Well, Madamsche'', nothing from me today?
32980	Then I thought"Flowers or no flowers?"
32980	There is a curious phrase for parents--"How are your_ Herren_ Parents?"
32980	There was a tank of real water on the stage, in which they loved to splash, but do you suppose a German goose was ever allowed to go near it?
32980	Therefore in our short talk before the second act, I told him my positions as nicely as I could, he saying to everything,"_ Aber warum?
32980	Unbecoming-- it was admitted--, but"man"did it in Paris and should Darmstadt lag behind?
32980	Warum?_"( But why, why?).
32980	Warum?_"( But why, why?).
32980	What example was he to the others?
32980	When I appeared on the stage, they all demanded"And what, pray, are_ you_ supposed to represent?"
32980	Where in America in a town of Darmstadt''s size could you see such a performance?
32980	Who longed for real, that is, one- side real, tents-- with steam escaping from a semi- hidden pipe through the top?
32980	Would I be so awfully kind as I was coming anyway, to help her out?
32980	Yesterday I bought a bunch of violets, and do you know why?
32980	endlich weiss man was est ist ein schoenes Weib i m Arm zu haben?_"("Ah!
33168	Are you sure?
33168	Do n''t you know me?
33168	Indeed, and of what is she guilty?
33168	Well, ca n''t we look at them?
33168	What do you want?
33168	( Livia Gerhard)| 1818| 1832|?
33168	Anna| 1814| 1831|?
33168	Bernacchi, Antonio| 1690|_1712_| 1730| 1756 Galeratti, Catherina|?
33168	Boschi, Giuseppe|?
33168	Caffarelli, Gaetano Majorano| 1703| 1724| 1750| 1783 Fenton, Lavinia( Duchess of Bolton)|?
33168	Camporese, Violanti| 1785|_1816_| 1829|?
33168	Carestini, Giovanni| 1705| 1721| 1758|_1758_ Farinelli( Carlo Broschi)| 1705| 1722|_1762_| 1782 Borosini, Francesco| 1695|_1723_|?
33168	Eugenie|?
33168	Lemmens| 1834| 1860|| Scaria, Emil| 1838| 1860| 1884| 1886 Krauss, Marie Gabrielle| 1842| 1860|?
33168	Leveridge, Richard| 1670| 1695| 1730| 1758 Tofts, Mrs. Katharine|?
33168	Manzuoli, Giovanni| 1725| 1764| 1771|?
33168	Maria| 1792| 1814| 1836|?
33168	Minna| 1839| 1856|| 1890 Giuglini, Antonio| 1826| 1857| 1862| 1865 Fancelli, Giuseppe| 1836|?
33168	Pasta, Giuditta| 1798| 1816| 1850| 1865 Donzelli, Domenico| 1790| 1816| 1841| 1873 Boccabadati, Luigia|?
33168	Ranzzini, Venanzio| 1747| 1765|| 1810 Pacchierotti, Gasparo| 1744| 1769| 1796| 1821 Ansani, Giovanni| 1750| 1770| 1800|_1815_ Allegranti, Madalena|?
33168	Robinson, Anastasia|?
33168	Valentini, Valentino Urbani|?
33168	| 1703| 1709|_1740_ Epine, Francesca Margherita|?
33168	| 1704| 1718|?
33168	| 1707| 1714|?
33168	| 1711| 1728|?
33168	| 1714| 1721|?
33168	| 1726| 1731| 1760 Fabri, Annibale| 1697| 1729|?
33168	| 1760 Gizziello, Gioacchino Conti| 1714| 1729| 1753| 1761 Monticelli, Angelo Maria| 1710| 1730|?
33168	| 1764 Beard, John| 1717| 1736| 1767| 1791 Raff, Anton| 1714| 1738|_1779_| 1797 Amorevoli, Angelo| 1716| 1741|?
33168	| 1771| 1799|?
33168	| 1783| 1791|?
33168	| 1798 Guarducci, Tommasso Toscano| 1720| 1745| 1771|?
33168	| 1804 Babbini, Matteo| 1754|_1780_| 1802| 1816 Crouch, Mrs. Anna Maria| 1763| 1780| 1800| 1805 Garat, Pierre Jean| 1764|?
33168	| 1806 Adamberger, Valentin| 1743| 1780|?
33168	| 1814| 1823 Storace, Ann Selina| 1766| 1780| 1808| 1817 Sestini, Giovanna|?
33168	| 1817|?
33168	| 1849 Begnis, Signora Claudine Ronzi de| 1800| 1819|?
33168	| 1884 Persiani, Fanny| 1812| 1832| 1858| 1867 Stoltz, Rosina| 1815| 1832| 1849|?
33168	| 1887|| Melba, Nellie( Mitchell)| 1864| 1887|| Ternina, Milka|?
33168	| 1888|| Eames, Emma| 1867| 1888|| Sanderson, Sybil| 1865| 1889|| Davies, Ffrançon|?
33168	| 1890|| Delna, Marie| 1875| 1892|| Brema, Marie|?
33168	|?
33168	|?
33168	|?
33168	|?
33168	|?
14339	And thou? 14339 And thou?
14339	Have I not been a pleasure and a comfort to you? 14339 All these things, are they true, you ask? 14339 Am I not there? 14339 And am I not ever about you, at home, in school, in church? 14339 And are they not already more_ luminous_ to you? 14339 And do you remember what we said luminous means? 14339 And dost thou know why? 14339 And how are blessings bestowed? 14339 And how do they get it? 14339 And how shall this be done? 14339 And is it not quite as plain to see that no one can get much if he gives but a few unwilling minutes to it? 14339 And what do we gain by pursuing it? 14339 And what is in thy heart when thou art before the glass? 14339 And what is music making our thoughts say? 14339 But how? 14339 Did we not say then that the first duty of a listener is to the one who speaks for his good? 14339 Did you ever notice how people seem willing to stop any employment if music comes near? 14339 Did you think when I read you that bit from the letter of Mendelssohn that all a composer has to do is to find in his heart just what he wants to say? 14339 Do you know how it is that people do great things? 14339 Do you know the inscription that used to be over the north gate of the city of Siena, in Italy? 14339 Do you know what a sad thing it was for the man not to increase that one talent which had been given to him? 14339 Do you think that is strange? 14339 Do you wonder that composers revere their art? 14339 Does this not teach us how thankful we should be to all those who live usefully? 14339 Dost thou know that there are in the world uncounted poor ones, children like thyself, who have not their daily bread? 14339 Dost thou not know that often, even with much trouble, thou canst not please thyself? 14339 Every one does it do you say? 14339 For if this does its part, for what more can you wish? 14339 From this can we learn to understand the great secret of it all? 14339 Have I not let you sing your greatest happiness? 14339 Have I not set you to singing and to dancing many and many times? 14339 Have you ever stopped to think of another matter: that all things about us, except the things that live, have been made by hands? 14339 How do we command? 14339 How do you imagine such a man was to his friends? 14339 If music gives us happiness, do we not in learning it gain a power to contribute happiness to others? 14339 May I go for the others some day?
14339	Nothing, do you say?
14339	Now more and more, and now will you give me up because I make you work a little?"
14339	Now what does vivacious mean?
14339	Now, is it not clear that this can come about only when we watch over our own thoughts and govern them as if they were the thoughts of others?
14339	Now, what can be the value of speaking about the Roman lady?
14339	Now, what have we learned about schools and school- tasks?
14339	Now, when it is all over, what is there of it?
14339	Sometimes it leads him to say very droll things; for instance:"Have you any sense in your head?
14339	That the plant was given more room?
14339	The fingers are drumming, twitching, twirling, closing, opening, doing a multitude of motions which mean what?
14339	The pupils of the great Viennese teacher of the piano, Theodor Leschetizky, say he asks no question more frequently than"Can you not hear?"
14339	Well, let us not stop to hear about the way he found, but he did get his request to the Emperor and, after a while, what happened do you think?
14339	What am I to do?"
14339	What are they all doing?
14339	What do we learn?
14339	What for?
14339	What relation is there between the music in the mind and the tones produced by the piano?
14339	What shall these truths teach us?
14339	When is the best time to lead water out of the spring, and music out of the heart?
14339	Where shall we look for music that it may be led out?
14339	Where, do you think?
14339	Why do you not make use of it then?
14339	Why?
14339	You can sing them quite loudly(_ can_ you sing them?)
14339	[ 37] It comes from two other words, does it not?
14339	[ 8] Do you wonder?
14339	not the hands alone but all we do and say?
17461	''A musician? 17461 ''I hope, sir,''observed the doctor,''you do not include me among those who did injustice to your talents?''
17461	''Now, how gan you demand of me dat zilly question, you who are a musician and a man of science, Togder Peepbush? 17461 ''So, sir, I presume you are come to witness the trial of skill at the old round church?
17461	''Well, and how do you find yourself, my dear sir?'' 17461 ''What, down- stairs?''
17461	''Where is he?'' 17461 ''Whom have you got there, then?''
17461	And the Germans,he goes on to say,"what palm is due to them?
17461	Do n''t you see Handel''s wig?
17461	The old woman was the first to speak:''Any coaches or mourners coming?'' 17461 We both desired to correspond, but through whom?
17461	What do you think of the charming Billington''s picture?
17461	What do you wish?
17461	What is that?
17461	What is the meaning of all this?
17461	Where on earth could they be?
17461	Who are you?
17461	Whose music is it?
17461	Why not?
17461	''Who holds up hands?''
17461	After greeting Beethoven, I said:''Will you permit me to introduce my brother to you?''
17461	Again, to you nod remember dat ubstardt buppy Senesino, and the goxgomb Farinelli?
17461	Again:"What is all this compared to the grandest of all Masters of Harmony-- above, above?"
17461	And for vot?
17461	Are not the pleasures of a transient, capricious passion widely different from the happiness produced by rational and true love?
17461	Arne?"
17461	Barth glanced through the composition, then sang it, and soon grew into such enthusiasm as to draw from Beethoven the expression,"No?
17461	But who is that gentlemanly man leaning over the chamber- organ?
17461	Do you not every day become more convinced of the truth of the little lectures I used to inflict on you?
17461	Handel?''
17461	Have I not been kissed by the queen?"
17461	Hey, mine friendt?
17461	His father refused, saying,"How can you?
17461	Next, again, mine some- dimes nodtable rival Bononcini, and old Borbora?
17461	Oh first created Beam, and thou, great Word,''Let there be light,''and light was over all, Why am I thus bereaved thy prime decree?
17461	Pompadour refused to kiss him, saying:"Who is she, that she will not kiss me?
17461	Some of the above are real masterpieces; but, with the exception of''The waves of the sea rage horribly,''and''Who is God but the Lord?''
17461	The characteristic reply was a Parthian arrow:"Vat te tevil I trow my money away for dat vich the blockhead vish''?
17461	The composer cried out, in a rage:"Do n''t you see he is lying?
17461	Then, laughing:''Berhaps, Mister Golley Cibbers, you may like to pote this to the vote?
17461	Vat gan it concern you whether I have one votdermans or two votd- ermans-- whether I bull out mine burce for to pay von shilling or two?
17461	Veil, mein friendts, andt how vags the vorldt wid you, mein tdears?
17461	Vogl, a fortnight afterward, sang it in the lower key to his friend, who remarked:"Really, that_ Lied_ is not so bad; who composed it?"
17461	What''s your name?"
17461	Who would grudge the moisture of his eyes if he could render it immortal in the strains of Schubert''s''Lob der Thrâne?''"
17461	Who would not battle with the iciest blast of the north if out of storm and snow he could bring back to his chamber the germs of the''Winterreise?''
17461	With abrupt, passionate intensity of tone Schubert answered,"What''s the use of that?
17461	Would the solitary man at the opposite table assist us?
17461	and Beethoven immediately rushed off, seized hold of my brother, saying:''Am I such a savage that you are afraid to come near me?''
17461	do n''t I know better as yourself vaat it pest for you to sing?
17461	do you think I have not dined?"
17461	if the trees at moonlight sang always so harmoniously?"
17461	is Handel dead?"
17461	when shall I feel it again in the temple of Nature and man?
17461	you do n''t mean to say that little blackamoor"( alluding to Haydn''s brown complexion and small stature)"composed that symphony?"
11419	''Do you see that stout English woman in the proscenium? 11419 And do you mean to say that all my industry and simplicity, and all that I have done are quite lost upon your father?
11419	And he wrote her:"Did you not feel that I was there?"
11419	And speaking of types, what shall we say of this cloud of witnesses, bearing the most honoured name in music, the name of Bach?
11419	Another day Clara saw him taking his coffee with his sister- in- law, and she repeated his query:"Did you not feel that I was there?"
11419	As for Wagner''s heroism for his art, has there ever been anything like it?
11419	But how shall we blame or praise music for its effect upon Beethoven''s heart, in the face of the antipodal life of such a fellow bachelor as Händel?
11419	But love me well; do you hear?
11419	But speaking of violinists, what would become of them if there never had been makers of violins, especially such luthiers as the Amati?
11419	But who could estimate the value of the struggle in strengthening and deepening their love for each other and their worthiness for each other?
11419	Can there be any secret technical virtue in being kidnapped thus?
11419	Can we not say the same of the sentimental?
11419	Could God turn my eighteenth birthday into a day of mourning?
11419	Do I truly love her?
11419	Do you imagine that my heart did not tremble?"
11419	Do you realise what that means?
11419	Do you remember that two years ago on Christmas Eve you gave me white pearls and mother said then:''Pearls mean tears''?
11419	Do you truly love her and for all time?
11419	Even Minna seems to have been extremely fond of Liszt-- what woman was not?
11419	He gave this answer to the maid:"Who then is this Mam''selle Wieck?
11419	He wrote:"Am I not an expert accountant?
11419	How could she have expected I was to be shackled and fettered as any ordinary cold common mortal?
11419	How do the Germans compare?
11419	How is such an art as this to compel, or to deny anything or anybody?
11419	How many children did they want for compatibility''s sake?
11419	If I did not love her and did not wish to incite her further love for me, why did I call on her and how could all this end?
11419	If, by chance, either of these presentiments had proved true, who would have been satisfied with the explanation of mere coincidence?
11419	Is it not the man and the environment rather than the music that makes such a life what it is?
11419	It is this: Will you not devote a few moments of your life to acting as messenger between two parted souls?
11419	Once, she jokingly demanded why he had never dedicated anything to her, and the legend says he cried:"Why should I, when everything I write is yours?"
11419	Robert has 12,000 thalers, and shall he give his wife two- thirds?"
11419	Shall we not say that he was as truly influenced by music as Jacques de Wert?
11419	Shall we not, then, thank old Wieck for his fine lessons in psychical culture?
11419	True, our future is known only to God, but why should you foresee that you will be robbed of your career?
11419	Wait and ask each other,''Do I really love him?
11419	Was it from him that Beethoven caught his own fickleness along with so much of his musical manner?
11419	What could have been better for the purpose than to have made them parade before us in historic mardi- gras?
11419	What did she know of the divine right of passion, which I announce in the flame- death of the Walküre who has fallen from the grace of the gods?
11419	What do you expect?
11419	What next then, my dear Clara, what next?
11419	Which of these is fairly typical as a musician?
11419	Who can doubt that their progeny will be remarkable?"
11419	Who was she?
11419	Who would not love to hear that?
11419	Whose fault was it?
11419	Why did I do this?
11419	Why worry whether you live at Moscow or St. Petersburg?
11419	Will he( or she) share with me the joys and sorrows of life unto the grave?''"
11419	Would it not be a great pity if there were never such a gymnasium as parental resistance for lovers to exercise their hearts in?
11419	Would you believe it?
11419	and ca n''t we once in a while drink champagne?"
11419	do you understand that?
18560	Is it possible to play those tones on your instrument?
18560	And if so, by what means?
18560	And is it not equally true that Wagner''s style of music discourages singing of this sort, or, in fact, singing of any sort?
18560	Are not all my compositions dedicated to you?"
18560	At sight of these confused groups of chairs and tables Weber suddenly exclaimed,"Look here, Roth, does n''t that look like a great triumphal march?
18560	But one day she asked him why he never dedicated any of his compositions to her, whereupon he replied,"Why should I?
18560	Chopin not able to master the sonata form?
18560	Do you know his symphony in C?
18560	Does it make us less inclined to murder, stealing, lying, lust, avarice, anger, hatred, jealousy, dishonesty, cruelty, and other vices?
18560	Does it not bring many pictures before your mind?"
18560	Does it not seem incredible that the Italian operatic composers should have ignored such poetic means of deepening the emotional color of their songs?
18560	Does not this amount to an eloquent and universal presumption that musical people are generous and kind- hearted?
18560	Does the influence of music make us less inclined to perpetrate murder, suicide, or cruel practices?
18560	During the period of captivity the Israelites at first gave way to despondency, exclaiming,"How shall we sing the Lord''s song in a strange land?"
18560	For, what is the object of life?
18560	In what manner does music affect our moral character?
18560	Is it not about time to put an end to this absurd Jumboism in music?
18560	Is it not absurd to say that such an art has no moral value?
18560	Is it not asking a good deal of the Leipsic citizens to support the poor relatives and descendants of all the great men that city has produced?
18560	Is it only among the ancient and primitive people, and among the musically uneducated, that the divine art exerts an emotional influence?
18560	Is it to toil like a galley slave and never have any amusements?
18560	Is not such a pleasure worth cultivating, even if it involves some toil at first?
18560	Is not that remarkable?
18560	Is this a compliment?
18560	Now, why has the world been so slow in recognizing that Chopin stands in the very front rank of creative musicians?
18560	Of course it is not"beautiful;"but is that a reasonable objection?
18560	On the other hand, have you ever heard anyone compare the voices of Lehmann, Materna, Sucher, or Malten to a bird''s voice?
18560	Or are you, perhaps, like myself, who have all my life placed vocal music below instrumental, and never considered it a great art?
18560	To this class of stockholders what difference can it make whether they have German or Italian opera?
18560	V ITALIAN AND GERMAN VOCAL STYLES Why is it that most persons are more interested in vocal than in instrumental music?
18560	Was it not to refresh the mind of man After his studies, or his usual pain?"
18560	What do we do when we go to a restaurant and look over the bill of fare?
18560	What is this advantage?
18560	When Congreve wrote that"music hath charms to soothe the savage breast,"did he not mean to imply that educated people are not affected by it?
18560	When will teachers and pupils wake up and recognize the new situation?
18560	Who, on the other hand, has ever heard of a renegade Wagnerite?
18560	Why are the lower classes in Germany so much less brutal, degraded, and dangerous than the same classes in England?
18560	Why is so large a proportion of our plays frivolous and vulgar?
18560	Why worry one''s self for a public that does not even listen?"
18560	Why, then, taboo the opera and jeopardize its existence, leaving the field to the frivolous operettas and farces?
18560	Why?
18560	Would anyone assert that a man who thus loudly beats time with his boots is more deeply affected by the music than you or I who keep quiet?
18560	Yet is not a rosebud a thousand times more beautiful than a full- blown rose?
39925	AND WILL HE NOT COME AGAIN?
39925	Englishmen? 39925 HOW SHOULD I YOUR TRUE LOVE KNOW?"
39925	_ Clown_:''Hold thy peace, thou knave,''knight? 39925 After listening carefully for some time, I turned to my table companion and said,Could you tell me who is speaking, and what the language is?"
39925	And will he not come a- gain?
39925	Do you make an ale- house of my lady''s house, that ye squeak out your cozier''s catches without any mitigation or remorse of voice?
39925	Had he, at last, gauged the true inwardness of the spirit of the people among whom he had elected to live the rest of his days?
39925	Have you no wit, manners, nor honesty, but to gabble like tinkers at this time of night?
39925	How much longer then is it intended to continue on these lines?
39925	I replied,"Sir Charles, it was perfectly splendid, and, if not a liberty, may I say, that your conducting was simply magnificent?"
39925	In the course of the conversation, I said,"I can never understand what caused you to write so virulently about----"He interrupted me with"Did I?
39925	In"Hamlet":--"_ Hamlet_:... Will you play upon this_ pipe_?
39925	Is there no respect of place, persons, nor time in you?"
39925	It is then, obviously unfair to public and critic alike, and if to them, what is to be said of the person criticised?
39925	It may be said,"Why cite a man who is known to have had fits of temporary insanity?"
39925	Jésus de Nazareth?...
39925	Shall we do that?
39925	She asked me how I came there?
39925	The retort came instantly:"Dat is so?
39925	Then one of them said to his mate,"Where shall we our break- fast take?"
39925	To what other cause than the lack of individuality or national genius can such a state of things be attributed?
39925	To what, then, must we look for its failure to retain so honourable a position?
39925	We are going to stay over here and shew that we are your superiors, and you will have to submit quietly while we are taking time to do it?"
39925	Well, has he succeeded after his hundred years''trial?
39925	Well, when the high priests of a cult differ, who is to decide?
39925	What led Handel to devote himself to the composition of sacred music?
39925	What words, for instance, could adequately portray the work of such men as Oscar Beringer or Johannes Wolff?
39925	What, for instance, must have been their feeling of ecstacy when the first harmonious_ triad_ fell upon the ears of the amazed monks?
39925	What, then, had happened to hold out a promise of better results?
39925	Who can tell?
39925	Why?
39925	Why?
39925	Will not some of the young English composers, in their days of youth and enthusiasm, emulate so splendid an example?
39925	[ Illustration][ Text alternative: And how should I your true love know From ma- ny an- o- ther one?
39925	[ Illustration][ Text alternative: And will he not come a- gain?...
39925	or what are you?
39925	with all the resources of their art at their hands?
13272	Heart, my Heart,and"Knowest Thou the Land?"
13272	( Do you think that the latter ought to be also offered here?
13272	(?
13272	111?]
13272	120] sent off yet to London?
13272	After that, what is not credible??!!!
13272	After that, what is not credible??!!!
13272	Am I doomed again to experience such detestable ingratitude?
13272	Are you aware that this affair of the Correpetitor, including board and lodging, amounts to 2000 florins a year?
13272	Are you not aware of my present condition, which is like that of Hercules with Queen Omphale???
13272	Are you not aware of my present condition, which is like that of Hercules with Queen Omphale???
13272	Are you not aware of my present condition, which is like that of Hercules with Queen Omphale???
13272	But I do n''t understand your allusion about gossip?
13272	But tell me what are they about in Paternoster Street?
13272	Could I not be of use to you in many ways here?
13272	DEAR CZERNY,-- Can you in any way assist the man I now send to you( a pianoforte maker and tuner from Baden) in selling his instruments?
13272	Did not Holz bring Rampel''s receipt[ the copyist] unasked, and do not others act in the same way?
13272	Did the Correpetitor come?
13272	Do not forget to call on Riess(??).
13272	Do not forget to call on Riess(??).
13272	Do you know any one who could translate it verbally for us?
13272	Has the Leipzig musical paper yet retracted its lies about the medal I got from the late King of France?
13272	Have you had no letters from Moscheles or Cramer?
13272	Have you_ one or two sets of wind instruments_?
13272	Hetzendorf, 1823(?).
13272	How am I to subsist until I can succeed in arousing my decayed powers, and once more earn my living by my pen?
13272	How could you possibly accept such a proposal from our churlish landlord when accompanied by a threat?
13272	How many violins,& c.?
13272	I am myself writing to Wocher[ cabinet courier to Prince Esterhazy?
13272	I ought not, properly, to have any such apprehensions, but what sorrow have I not already experienced?!
13272	I say so in writing, but who knows whether it may not soon be in person?
13272	I suppose you received the packet?
13272	I wish you never may have cause to feel ashamed of your want of love for me; if I alone suffer, what matters it?
13272	If this goes on, my illness will certainly continue one half the summer, and in that case, what is to become of me?
13272	If you have any Muterhall[?]
13272	Inquire immediately at Höbel''s in the Kothgasse, whether the Höbel who belongs to this place set off from Vienna to Baden?
13272	Is Dr. Spiecker still in Vienna?
13272	Is the concert room large and sonorous?
13272	Let me know what time would suit you best?
13272	MY ESTEEMED FRIEND,--_ Doctor._"How does our patient get on?"
13272	May I ask you graciously to inform me what length of stay you intend to make in Olmütz?
13272	My wafers are done; can not you manage to send me a box in some way or other?
13272	Possibly I may come to town on Saturday, and if so you will perhaps drive out here with me at six o''clock in the evening?
13272	Rest assured that you may at all times expect every possible kindness from me, but can I hope for the same from you?
13272	So Holz is not to be here till Thursday, and who can tell whether even this is certain?
13272	So of the two I have named, which is to have the variations?
13272	Sonata for pianoforte in E major"109(""? 1821)."
13272	Such is the impression you have made on my mind-- for what avail even the most gentle reproofs?
13272	Take care that the venison is not devoured by rats or mice-- you understand?
13272	The lodging A. was again advertised in the paper on Tuesday; could you not have arranged about this?
13272	The old witch and Satan and I?!
13272	Vienna, April[ March?]
13272	What can I do?
13272	What is the proper price for fronting a pair of boots?
13272	What is the strength of your orchestra?
13272	What is to be done?
13272	What is to become of me if this lasts much longer?
13272	What shall I get in return for all my outlay, as the copying alone costs so much?
13272	What will be the result of this much- talked- of concert if the prices are not raised?
13272	What would the Philharmonic give me for a symphony?
13272	What, then, was I to do?
13272	Where are the coverlets for the beds?
13272	Where was your good sense?
13272	Where?
13272	Whither will you lead us?
13272	Who knows whether she may not have some interest in the matter?
13272	Why am I also ill?
13272	Why should I give up so much profit to these rogues here?
13272	Why such hypocrisy?
13272	_ Il fait trop froid._ So I am to see you on Saturday?
13272	and why should he do so?
13272	therefore honor these poems by permitting your august name to be prefixed to them, as a token of your sympathy for the benefit of this man?
13272	what can be done in such a case?
13272	where?]
13272	will not listen to certain reports about me?
43413	Did I not say that I was writing the Requiem for myself?
43413	Did I not say that I was writing the Requiem for myself?
43413	Do you really hear Mozart''s works often, and love them?
43413	I rubbed my eyes,says Leopold Mozart,"and said,''Where the deuce did you get that idea?''
43413	''You will surely allow Kapellmeister Mozart to hear the rehearsal?''
43413	( 197) with no support but a simple bass, in strong contrast to the rich accompaniment elsewhere employed?
43413	( 357) tongue-- I taste death; and who will support my dearest Constanze if you do not stay with her?"
43413	( 357) tongue-- I taste death; and who will support my dearest Constanze if you do not stay with her?"
43413	Aile schwiegen darauf und lächelten; aber der Vater Sagte: nicht wahr, mein Freund, er kennt nur Adam und Eva?!!!
43413	But who knows whether he can or will keep his word?
43413	But, good heavens I do I write any oftener to my father?
43413	Calandrino, hearing from Auretta that Chichibio is very jealous, embraces her in jest and says,"What would Chichibio say if he saw us?"
43413	Do n''t you think that I shall do myself some good by it?
43413	Do thy sins cause thee still to wander?"
43413	Dost thou demand satisfaction?
43413	Dost thou suffer still the pains of purgatory?
43413	E dite per pietade Quando terminaran questi miei guai?"]
43413	Even the piquant conceit by which she answers his urgent questions,"Verrai?
43413	Every nation has its opera, why should we Germans not have ours?
43413	He was indeed offered an opera, but the libretto,''''Welches ist die beste Nation?"
43413	How came it, then the Mozart could choose such a subject for his opera, and that the public could accept it with approbation?
43413	How can it please him that his name should appear set in diamonds upon a golden tablet, and the tablet suspended on a pillory?
43413	In case I should feel disposed to set it to music, I should wish to know beforehand whether it is intended for performance at any particular place?
43413	Is not our language as fit for singing as the French and English?
43413	La fedeltà dov''è?"
43413	Nacqui all''aura trionfale, Del Romano Campidoglio E non trovo per le scale, Che mi venga ad incontrar?
43413	Now, what do you think of that?
43413	On July 4, 1781, he writes:"And now I should like to know how it stands with you and our very good friend?
43413	Or have I lost your confidence in this affair?"
43413	Some time after he asks again( June 7, 1783) Do you know nothing of Varesco?
43413	To the Commendatore''s reproach:"Cosi pretendi da me fuggir?"
43413	What is thy will?
43413	What is to be done?
43413	When, with chattering teeth and shaking limbs, he sings his triplets when, upon the Commendatore''s question"Verrai?"
43413	Whether Varesco refused to give up the"goose business,"whether he was afraid of further endless emendations, or what his reasons were, who can tell?
43413	Who can say that Mozart, if he had finished the opera, would not have succeeded in overcoming the weaker points of the libretto?
43413	Why hast thou left God''s throne?
43413	You both know Vienna t How can a man without a penny of income do anything here but work day and night to earn a living?
43413	You do not mean that I never answer your letters?
43413	[ Footnote 4: In the possession of Mr. Gouny[?
43413	[ Footnote 4: In the possession of Mr. Gouny[?
43413	and more so than the Russian?
43413	cf., Affmo Signore,--Vorrei seguire il vostro consiglio, ma come riuscirvi?
43413	cf., Affmo Signore,--Vorrei seguire il vostro consiglio, ma come riuscirvi?
43413	have n''t you a theme on your mind for me too?"
43413	ma dove?"
43413	non mancherai?"
59085	And again, why should he now neglect his choir?
59085	And if he tried a new organ?
59085	And is a fugue anything but a syllogism?
59085	But had not Luther said,"Why should the Devil have all the best tunes?"
59085	But was there ever a thinker less enigmatical?
59085	Did Aristotle invent the syllogism, or did he not merely gather from about him some fragments of rudimentary procedure?
59085	Do those voices mount towards God, or do they call from heaven?
59085	F major( P. III, 2)( with fugue), xviii(?
59085	Froberger, with all his inheritance of past centuries; Wagner, proclaiming the dawn of a new art?
59085	From what savage cave can such a barbarous custom have emerged?
59085	Già trafitto ha il mesto seno, chi soccorso, o ciel, mi da?]
59085	If the dexterity of his feet drew from the Prince so rich a present, what should he have given him in recognition of the genius of his hands?"]
59085	In the expression of joy, was it Bach''s intention to remind us that happiness is never complete, that it is always accompanied by mourning?
59085	Is it a prayer which rises, or the dew of a grace which softly falls like the rain?
59085	Is it not of some interest to see brought together, in a work of Bach''s, these extremes in music?
59085	Is this not wholly characteristic of the temperament of a youth?
59085	Jesus schläft, was soll ich hoffen?"
59085	Liebster Gott, wann werd''ich sterben?"
59085	Moreover, had not Bach singularly outstayed his leave of absence?
59085	Sertin( serpent?
59085	Was Apelles able to portray a divine image, working upon human lines?
59085	Was soll ich aus dir machen, Ephraim?"
59085	Wer weiss, wie nahe mir mein Ende?
59085	What is rhythm?
59085	Where did he pass this time?
59085	Why no more"music"?
59085	Will you believe that sixty years ago one would have searched Paris in vain to find two organists who knew the fugue in B minor?
59085	Would you like a lesson in rhythm?
59085	[ 17] Where could the entrances be effected?
43539	Oh where, and oh where does your Highland laddie dwell? 43539 Suppose, oh, suppose that your Highland lad should die?
43539	What clothes, in what clothes is your Highland laddie clad? 43539 Why come from yon leaf- shaded hill A suppliant at my door?-- Why ask of me to whip poor Will?
43539	Wo n''t you tell me how the song was written?
43539	A comrade who was with me sang out,''Good heavens, Cap, what are those fellows made of, anyway?
43539	And he said to him,"What are you doing here?
43539	And is Will really poor?"
43539	And shall we basely view the ruin, While lawless force, with guilty stride, Spreads desolation far and wide, With crimes and blood his hands embruing?
43539	And where is that band who so vauntingly swore That the havoc of war and the battle''s confusion A home and a country should leave us no more?
43539	As he went up the path, he said, for he had some doubt in his own mind,--"Are you Dan Emmett, who wrote_ Dixie_?"
43539	Can dungeon, bolts, and bars confine thee, Or whips thy noble spirit tame?
43539	De darkey stay?
43539	De massa run?
43539	Dearest love, do you remember, When we last did meet, How you told me that you lov''d me, Kneeling at my feet?
43539	Do you not like it?"
43539	He says of the experience:"Who can picture my thoughts on that notable occasion?
43539	Here we''ve licked them six days running, and now, on the eve of the seventh, they''re singing"Rally round the Flag?"''
43539	His most popular songs were_ Who will Care for Mother Now?__ Mother would Comfort Me_, and the one we have selected--_When this Cruel War is Over_.
43539	No other clime has skies so blue, Or streams so broad and clear, And where are hearts so warm and true As those that meet me here?
43539	Once having felt thy gen''rous flame?
43539	Shall hateful tyrants, mischief breeding, With hireling hosts, a ruffian band, Affright and desolate the land, While peace and liberty lie bleeding?
43539	Then, shall they longer lash and goad us?
43539	These lines were very unsatisfactory to Drake, and he said to Fitz- Green Halleck,"Fitz, ca n''t you suggest a better stanza?"
43539	When will I hear de banjo tumming Down in my good old home?
43539	When will I see de bees a- humming All round de comb?
43539	Where breathes the foe but falls before us?
43539	Who could n''t have marched or fought with such songs?
43539	Who''ll shield it from the foe''s design?
43539	Why whip poor Will?--what has he done-- And who is Will, I pray?
43539	Will the gentlemen kindly allow us to come over and hear them sing?"
43539	With Freedom''s soil beneath our feet, And Freedom''s banner streaming o''er us?"
43539	do you hear him where he comes?
43539	do you know him as he comes?
43539	he exclaimed;''How did you come by it?''
43539	how well I know your answer; To my fate I meekly bow, If you''ll only tell me truly Who will care for mother now?"
43539	was it the night- wind that rustled the leaves, Was it moonlight so wondrously flashing?
43539	was it the night- wind that rustled the leaves, Was it moonlight so wondrously flashing?
43539	what, tell me what, does your Highland laddie wear?
43539	what, tell me what, does your Highland laddie wear?
43539	where, tell me where is your Highland laddie gone?
43539	where, tell me where, did your Highland laddie stay?
43539	where, tell me where, did your Highland laddie stay?
43539	where, tell me where, is your Highland laddie gone?
5197	''Are you going to write scores for the barricades?''
5197	''But what do you expect to get out of the revolution?''
5197	''Has it come too early or too late?''
5197	''Is Monsieur Meyerbeer here?''
5197	''Provisional government?''
5197	''What does this mean for me?''
5197	''What is the matter?''
5197	''What on earth am I to wear as Venus?''
5197	''Where are you going?''
5197	''Will you undertake my business?''
5197	(''Are you on our side against the foreign troops?'').
5197	And, after all, what nation could produce the composer who could surpass HIM?
5197	But what was I to do next?
5197	Do you really think the performance of an opera by an unknown composer can be anything but a matter of money?''
5197	Had I done anything criminal in the eye of the law or not?
5197	He hoped that I was not thinking of the so- called romantic style a la Freischutz?
5197	How could we expect the kindlers of such a fire to retain any consciousness after so vast a devastation?
5197	How was this to be done?
5197	I played Ueb''immer Treu und Redlichkeit, and my father said to her,''Is it possible he has musical talent?''
5197	Lending money again?''
5197	Suddenly turning towards them he called in a sepulchral tone,''Are the violas dying?''
5197	Tell me frankly, so that I may know if I can rely on your friendship in the future?''
5197	To all this I said not a word, but finally with a smile asked him whether he would like to go over to Zurich?
5197	Very much astonished he asked:''Est- ce que je n''ai pas de trombones?''
5197	Was any one of us so mad as to fancy that he would survive the desired destruction?
5197	What would be the consequence?
5197	Why do I deserve such favour?''
5197	With a ring of compassion in his voice, he replied that my question was wholly mistaken; in what would the novelty consist?
5197	have you come to me again with your Rienzi?''
38223	( May Elisha sing soprano? 38223 ... Will you soon be able to fulfil your promise about''Elijah''?
38223	BIRMINGHAM,_ August_ 26[? 38223 But tell me, should the whole series of performances not be better postponed till_ autumn_?
38223	But what is this? 38223 Do you know a Scotch air, called''Robin Gray''?
38223	What on earth have you got that for?
38223	Will you consider, too, whether it is justifiable that no other dramatic figure besides Elijah appears? 38223 ''Would not that be splendid for an oratorio?'' 38223 ( Is that a reason why you should come then?) 38223 15{ 11}, is not the accent extírpate a wrong one? 38223 18{ 13}, could not the words''with lancets cut yourselves after your manner''be kept? 38223 22{ 16}, could not the end be:''and we shall have no other god before Him,''or''the Lord''( from Exodus xx., 3)? 38223 30,''that Thou would''st please destroy me''sounds so odd to me-- is it scriptural? 38223 Again the music should be altered for the Bible version''s sake in this:--[ Music: Wilt thou indeed show wonders to the dead?] 38223 An Irishman, boasting of his country, said:''It had an Echo, which, if you said''How d''ye do?'' 38223 And if not, could not the sentence be''Blessed is the man who fears Him, who delights,''and so on? 38223 And now he does not come? 38223 And perhaps would it be possible to leave out''of the sun,''and only say''from the rising''( this is done very often, at least in our German Bible)? 38223 And why not? 38223 At its conclusion Mendelssohn took him by both hands and said:What can I give you in return for what you have done for my work?"
38223	But in reading over these words I wonder whether the word''Gentiles''can not be objected to?
38223	But what is Elijah to say before and after this?
38223	Can one say of Baal that he is an idol of the''Gentiles''?
38223	Can such an one be found?"
38223	Can we meet on the 18th at Mr. Klingemann''s?
38223	Can you find appropriate words for this purpose?
38223	Can you furnish me with, first, a duet and also a chorus in this sense?
38223	Could you find an English word which might be applied as well?
38223	Do you know any passage where Elisha is called a boy?
38223	Do you know this gentleman, or the name of the poet, J. Barry, a clergyman?
38223	Do you like my way of getting rid of''to slay,_ to_ slay my son?
38223	Does Staudigl not come?
38223	Has my prayer been heard by the Lord?]
38223	Have you quite put him aside?"
38223	How can you ask whether I wish you to proceed in the same way?
38223	How is one to know what is running through your mind on this or that occasion?
38223	I do not quite like_ your two_ slurs at the end; and as you do not like_ my_ notation, what if we tried a third mode?
38223	I have not as yet got a final chorus; what would you advise it to be?
38223	In England the oratorio has taken its place, if not on a level with"The Messiah,"very near it; and what more does any work of musical art require?
38223	In a letter to Mendelssohn, dated January 17, 1840, Schubring says:"How about''Elijah''?
38223	Indeed, Jeremiah seems to use the word in that sense, but do we not use it exclusively in another sense?
38223	Is this the inference you also draw from the subject, and is this the sense in which you conceived an affection for it?
38223	It is in the slow movement, the passage of Isaiah liii., 1,''Aber wer glaubt uns''rer Predigt?''
38223	It is very difficult to fathom a composer''s mind; but what_ can_ be the connection between"torches"and the key of F minor?
38223	Not to me certainly, who like to shake my English friends by the hand the sooner the better-- but to all others?
38223	Now, could you not say''_ call His name_,''instead of''call upon His name?''
38223	Or would the music to the''Midsummer Night''s Dream''be the thing?
38223	Say, who art thou that despairest, and forgettest the Lord thy Maker; who hath stretched forth the heavens, and laid the earth''s foundations?
38223	Seriously speaking, must he appear at the ascension as a prophet, or can he do so still as a youth?)
38223	Such a triumphant first performance has, I should think, seldom been known...."And where was your cousin Edward[ Bache] all the time?
38223	The first reference to him is in 1 Kings xix., 19[?
38223	What if an instrumental interlude( short) gave time for the journey?
38223	What is to become of my''Elijah''then?
38223	Why should I not feel a similar pleasure in hearing that his last work is being so fully appreciated in England?
38223	You know, do n''t you, that I am not ungrateful?
38223	You want something, whether new or old, for the Friday: would the''Walpurgisnacht''do for it?
38223	[ 39] Is it as scriptural to say''the men''as''the man''?
38223	[''Who hath believed our report?
38223	and then--[ Music: art thou come to call my sin, to call my sin to remembrance, to slay my son, to slay, to slay my son?]
38223	and what could the chorus say?
38223	or is this inadmissible, as in the same chapter he is described as a''bald head''?
11633	But who thy father?
11633	Whence art thou?
11633	Who is the foe that assails us? 11633 Who sent thee here?"
11633	''Tis Kundry, wretched Kundry, mad old Kundry-- Perhaps she brings us urgent news?
11633	And Gurnemanz cried out:"Who shot the swan?
11633	And Klingsor asked:"What has there come to thee?
11633	And Klingsor spake again:"Awakest thou?
11633	And Klingsor spake with a great voice of scorn:"Thou wouldst amend the mischief thou hast done?...
11633	And Parsifal in sudden sorrow cried:"What have I done to let this curse go on?
11633	And Parsifal spake slowly to himself:"Was all this nothing but a passing dream?"
11633	And Parsifal, still standing high aloof, Spake courteously:"Didst thou call to me And name me who am nameless unto all?"
11633	And art thou but another wanton flower That bloomest in this evil garden here?"
11633	And can it be that now the trials are ended And peace has come, and holiness at last?
11633	And eagerly the herald asked:"What cure is this, And who the healer that can save the King?"
11633	And how didst thou come here, and whence, and why?"
11633	And on his asking,"Whence this healing balm?"
11633	And one spake up:"Why lies that woman there,-- A foul and snarling thing on holy ground?
11633	And pacified they ask:"Thou comest here And wilt not harm us, but be kind to us?"
11633	And straight he asked:"And shall I see the King?"
11633	And the King asked:"Whence came this balsam flask, So strange in form, and who has brought it here?"
11633	And this poor swan, so mild and beautiful,--- How could thy heart determine on such deed?
11633	Are these my thanks, that from the sleep of death I waked thee?"
11633	Art thou astray, and may I give thee aid?...
11633	Besides, dost thou not know what day this is?
11633	But Gurnemanz, who knew her well, replied:"What harm has ever come to you from her?
11633	But Kundry-- for''t was she-- cried out in grief:"O heart, that feelest for Amfortas''woe, Hast thou no feeling for my dire distress?
11633	But tell me, what has passed since last we met?
11633	But what care I, you puny, craven race?
11633	But who is this That now I see approaching through the woods And drawing slowly near the holy spring?
11633	But, do I err, this place seems somehow changed From what it was in days of yore?
11633	Can blindness mean impurity and sin, And may it be that I am all deceived,-- My way all lost, my hopes forever gone?"
11633	Didst thou not hear her sorrowful lament When thou didst roam too far or late from home?
11633	Didst thou not marvel at its queenly flight, And feel a reverence in thine inmost soul?
11633	Do I not treat thee with a better grace, And use thee for the mightiest of deeds?
11633	Dost thou not see how wicked is thy deed?"
11633	From whence then hast thou come?
11633	Has some one else awaked thee from thy sleep?"
11633	Hast thou gone?
11633	He listened for awhile, then spake:"What moans From yonder thicket come?
11633	How fares my Lord Amfortas''health to- day?
11633	I only wait for Him,--''_ By pity''lightened._''Was not this the word?"
11633	No word for me, but bowing of thy head?
11633	Not know the day?
11633	Or must I die, denied the saving vision?"
11633	Say, Kundry, wake and answer me this word?
11633	Then Gurnemanz:"Hast thou no word for me?
11633	Then Gurnemanz:"Too true thine every word, But tell me, pray, for whom thou here dost seek?"
11633	Then asked the boy in sweetest innocence:"And who are wicked, tell me, and who good?"
11633	Then asked the lad:"What is this thing, the Grail?"
11633	Then did they chide him:"Art afraid of us, Or art thou also cold, as well as coward?
11633	Then on they moved, and softly spake the lad:"I scarcely move, and yet I seem to run,-- What is the meaning of this strange new thing?"
11633	Then said the King:"Without our word?
11633	Then spake the King:"O Kundry, restless, strange, Am I again thy debtor for such help?
11633	Thou camest here to save the King from sin, Why not save me and bring me my redemption?
11633	To whom spake Gurnemanz:"What mean''st thou, boy, By such a cruel, shameless deed as this?"
11633	Wagner mentions that this Scripture was often in his mind when writing Parsifal--"Hath not God made foolish the wisdom of this world?
11633	Were not the woodland creatures kind to thee,-- Did not the sweet birds sing their songs to thee, When first thou camest to these leafy haunts?
11633	What better hast thou found than me and mine?"
11633	What drew thee here but the desire to know?"
11633	What have I done, O sweetest, dearest, gentlest mother mine, That I thy son shouldst bring thee to thy death?
11633	What have I yet remembered to my good?
11633	What heathen darkness hath been thine abode That thou rememberest not this holy day,-- The ever- hallowèd Good- Friday morn?
11633	What saw I?
11633	What tempted thee to shoot the fatal shaft, And slay the bird and grieve the loving King?...
11633	What will it help,--or this, or e''en the bath?
11633	Where hadst thou been in those dark evil days,-- At home, afar, awake or fast asleep,-- When our good King did lose the holy Spear?
11633	Where has he wandered since that luckless day?
11633	Where is my dear Gawain?"
11633	Who calls me by that gentle mystic name, That once my mother named me in her dreams?"
11633	Who dared to wound him with the sacred Spear?"
11633	Who knows?
11633	Why have I wasted all these precious years In wandering, while here was deepest woe?
11633	Why should I turn again to dreadful life?
11633	Why were you not at hand to give us help?"
11633	Wilt thou unveil the Grail and bid me live?...
11633	Yet dare I sleep?
11633	what wouldst thou do to save thy soul?
20318	Brush?
20318	Did you ever hear me do a storm?
20318	Did you meet Michelangelo in Rome?
20318	Did you see Michelangelo while you were in Rome?
20318	Do I like music? 20318 Do you like music?"
20318	Do you think God is proud of a work like that?
20318	Does he play?
20318	Does it not seem,said he,"as if he had the iron cross- pole still between his legs?
20318	Grazia, dear, here is the little boy we saw the other day-- you remember? 20318 How much for your opera?"
20318	How now, Dick Savage?
20318	Me?
20318	Shall I live to see the anniversary of her death?
20318	Think''ee so?
20318	Why do n''t they tune up at home, or behind the scenes?
20318	Why do you play so fast, dear Johannes? 20318 Would you like to meet him?"
20318	*****"Musicians?"
20318	Am I a miserable egotist, possessed of stupid vanity?
20318	And then, do you not remember that expression of Renan''s,"The unconscious coquetry of the flowers"?
20318	And those tear- stained eyes-- have they not seen sights of which no tongue can tell, nor tongue make plain?
20318	And why not?
20318	And yet is that peculiarly wonderful?
20318	As to the question,"Should women propose?"
20318	Behold the face of Ludwig Beethoven-- is there not something Titanic about it?
20318	But this afternoon we are playing Beethoven''s music-- will you oblige me?"
20318	But who ever lived fuller and applied himself to hard work more conscientiously in order to make his point?
20318	But wo n''t you tell us your name?"
20318	Can you not close your eyes and see them-- the mighty giant of fourscore, with his whitened locks, and the slight, slender, handsome boy?
20318	Did the young heart anticipate this?
20318	Do you know that I am making great strides in water- colors?
20318	Do you wonder that people go distracted over him?
20318	Express what I think or feel, or what you feel?
20318	H. R. Haweis_ GEORGE HANDEL"Did you meet Michelangelo while you were in Rome?"
20318	Had a string of the violin really snapped?
20318	Had he learnt these complimentary bows from an automaton, or a dog?
20318	Have you never shared the mocking shame and biting pain of a drunkard''s household?
20318	How shall I live?
20318	In the time of the Crusaders, the tired children would ask at night- time, when the tents were pitched,"Is this Jerusalem?"
20318	Is that a man brought into the arena at the moment of death, like a dying gladiator, to delight the public with his convulsions?
20318	Is that the entreating gaze of one sick unto death, or is there lurking behind it the mockery of a crafty miser?
20318	It was about this time that Zelter threw out the hint that he was going down to Weimar to see his friend Goethe-- would Felix like to go?
20318	Knowing these things, do we wonder at the question of long ago,"Who is my mother, and who are my brethren"?
20318	Lasting fame and a name that never dies?
20318	No one ever asked this man,"Kind sir, are you anybody in particular?"
20318	Or is it one risen from the dead, a vampire with a violin, who, if not the blood out of our hearts, at any rate sucks the gold out of our pockets?
20318	Robert''s mother believed in her boy-- what mother does not?
20318	Room for many passengers?
20318	She kept to her bed merely to be warm; and then if one did n''t move around much, less food was required-- don''t you see?
20318	Take it home to yourself-- haven''t the best things and the worst that have ever been said about you, been expressed by the same person?
20318	The calamity of blindness did not much depress him--"What matters it so long as I can hear?"
20318	This instinct that makes men long to live again in the lives of their children-- is it reaching out for immortality?
20318	This is my busy night-- do you not see?"
20318	Towards the exiled Heine, Mendelssohn had only a patronizing pity--"Why should any man offend the people in power?"
20318	Was Irving''s action art?
20318	Was that sphere the sun?
20318	What could have been more complimentary to college striplings?
20318	What finer than that the"Messiah"should give deliverance?
20318	What if the critics were really right?
20318	What more can any man desire?
20318	Who shall expound the mystery of the lyre?
20318	Who was it that I heard say once, that years ago he saw Clara Schumann sitting in tears near the platform during one of Liszt''s performances?
20318	Why do you come to hear it?"
20318	Without mother- love how would the cross- grained, perverse little tyrant ever survive the buffets which the world is sure to give?
20318	Yet Achille always stoutly maintained the distinction-- but what boots it, since he could not play his father''s violin?
20318	Yet for quite a number of years after their marriage, Madame Schumann was at times asked this question:"Is your husband musical?"
20318	[ Illustration: JOHANNES BRAHMS] JOHANNES BRAHMS What is music?
20318	your reverence?"
40288	''What is change of ethos?
40288	''What modes of music([ Greek: harmoniai]),''he asks, are plaintive([ Greek: thrênôdeis])?''
40288	''Which then remain?''
40288	''Why did the ancient seven- stringed scales include Hypatê but not Nêtê?
40288	''Why is a descending scale more musical than an ascending one?
40288	([ Greek: ê oud''ekei, ean mê mimêtai, homoiôs hêdy?])
40288	).. 1''"Z E E(?)]
40288	).. s 10-I?
40288	):[ Greek: hê de metabolê kata êthos?
40288	40 n][ Greek: katoloPHYROMAIZMATEROS haima sas][ Symbols: Z(?
40288	40(?)]
40288	And how and when was the notation adapted to exhibit the several keys in which any such System might be set?
40288	And what is the source of their influence on human emotion and character?
40288	Are they, then, earlier?
40288	Are we to suppose that the scheme was devised in the first instance for that key only?
40288	But if a mode is somehow characterised by a particular succession of intervals, what becomes of the standard octave?
40288	But if it did, why did he give an equally prominent place to Lydian, one of the modes which Heraclides condemned?
40288	Do we ever find ethos attributed to this or that_ species_ of the Octave?
40288	Does the fragment of the_ Orestes_ tell for or against the Modes described by Aristides?
40288	Has not the flute the greatest number of notes, and are not the scales which admit all the modes simply imitations of the flute?
40288	How then about makers of the flute([ Greek: aulos]) and players on the flute?
40288	How then did this octave come to be recognised by Lamprocles as distinctively Mixo- lydian?
40288	I/4.?]
40288	In what sense, then, was the Mesê a''beginning''([ Greek: archê]), and the Hypatê an''end''?
40288	In what sense, we naturally ask, can a key or a mode be said to be''opposite''or''similar''to another?
40288	L, I/4 i v^%., L)?
40288	Or should we say that the note omitted was not Nêtê, but the present Paramesê and the interval of a tone(_ i.e._ the disjunctive tone)?
40288	Rep. p. 399[ Greek: ti de?
40288	Shall we say, the writer answers,''that the human voice too is comparatively without charm if it does not_ represent_ something?
40288	The Mixo- lydian(_ e.g._) is high- pitched and plaintive: what more can the Hyper- mixolydian be?
40288	Ti de?
40288	U][ Greek: nyn] de Ga- la- tan a- rês.. n epe- ras''a- sep- t[os[ Symbols:][ Greek: sal- li- ô](?)
40288	V V Lo V V V L.?
40288	V?
40288	What is the scale or System for which the notation was originally devised?
40288	What is there, then, in the special characteristics of Greek music which can be connected with the exceptional relation in which it stood to language?
40288	What, then, is the basis of this grouping of certain modes together as Dorian, while the rest are Phrygian in character?
40288	Which of these two uses, then, was the original and which the derived one?
40288	Why should this species have more than one name?
40288	[ Greek: bareos epi to oxy; poteron hoti to apo tês archês ginetai archesthai?
40288	[ Greek: ho s''anab AKCHEUEIZOMEGAS olbos ou][ Symbols:-ii P C. I''Z][ Greek: monimoSEMBROTOISZANA de laiphos][ Symbols: C P- A C p- i?.
40288	[ Greek: ponôN[Symbols:???
40288	[ Greek: ponôN[Symbols:???
40288	[ Greek: ponôN[Symbols:???
40288	[ Greek: theseis de tetrachordôn hois to melos horizetai eisin hepta?
40288	[ Greek: tropous])[ Greek: de tês phônês posous legomen einai?
40288	[ Symbols: II P C. P?
40288	] ÔÔSPONT ou][ Symbols: I C: C: Pvl(?)
40288	_ Credibility of Aristides Quintilianus._ But what weight can be given to Aristides as an authority on the music of the time of Plato?
40288	_ Statement of the question._ What then are the musical forms to which Plato and Aristotle ascribe this remarkable efficacy?
40288	aulopoious ê aulêtas paradexei eis tên polin?
40288	aulopoious ê aulêtas paradexei eis tên polin?
40288	i v1/4d][ Greek: hoson| zês phai-| nou; mêden| holôs sy ly-| pou; pros oli-|][ Symbols:"\s 10 V1/4.0,?
40288	tinas?
40288	z?]
40288	ê eulogôs touto symbainei?
40288	ê ou touto polychordotaton, kai auta ta panarmonia aulou tynchanei onta mimêma?
40288	ê ou touto polychordotaton?]
36728	And if I want you to?
36728	Do you know he left still another work?
36728	Do you mean it?
36728	Do you still sing?
36728	How could I dare to speak of my work to the director of the Opéra?
36728	In this_ Suite_,I asked him with a start,"is there a fugue, a march, and a nocturne?"
36728	Is it finished?
36728	May I hear the music?
36728	So a debutant no longer recognizes a debutante?
36728	Then you intend to perform the work?
36728	This evening?
36728	What are you doing?
36728	What shall I accept?
36728	What, you do n''t know? 36728 What?
36728	What? 36728 Who is your librettist?"
36728	Why awakest me, breath of the Spring? 36728 _ A carcassier!_"I replied in utter astonishment;"_ a carcassier!_ What kind of an animal is that?"
36728	_ Illustrious master_he began,"what good wind brings you?
36728	_ Manon Lescaut_, do you mean_ Manon Lescaut_?
36728	_ Manon Lescaut_?
36728	A year before he had written me,"Are you going to let me die without seeing_ Griseldis_ at the Opéra- Comique?"
36728	After that who can deny that self- esteem survives after death?
36728	Are not all contrasts of that kind?
36728	But is not life always so?
36728	But was there ever unalloyed bliss?
36728	But would they come?
36728	Did I need comforting?
36728	Does not that_ toi_ indicate the first cry of the old lover on seeing his mistress again?
36728	Does one ever know?...
36728	Had my career as a composer really begun?
36728	How could I have hoped for it?
36728	How could it be otherwise?
36728	How could they pretend that he did not like music when they inflicted so much of it on him, in that work at any rate?
36728	How did it happen?
36728	How was I to find it among the ninety churches in Venice?
36728	How was I to hear what I had written?
36728	However why be surprised?
36728	I can still hear honest Pedrotti saying repeatedly to me:"Are you satisfied?
36728	Is it a bargain,_ bibi_?"
36728	It amused me to reappear there as an author... how shall I say it?
36728	Lainé?
36728	Must I put him too in my collection of wooden- faced directors?
36728	Pauline Viardot leaned over the keyboard and said with an accent of emotion never to be forgotten,"What is that?"
36728	Silence?
36728	So you leave me no copy?"
36728	That detail is eloquent, is it not?
36728	The Gentleman( insinuatingly).--"Do you not find that love is stronger than sounds in banishing heart pain?"
36728	The Gentleman.--"So you are ever the child of the Muses, a new Orphea?"
36728	The Lady.--"Isn''t music the consolation of souls in distress?"
36728	The charming artiste smiled, but had she understood?
36728	Then she added,"As I was deprived of the evening, will you not let me hear some of the motifs of the opera?"
36728	They gave you the cross yesterday?"
36728	Was it my work or that of some one else?
36728	Was it sympathy for the departed or ambition to see their names among those distinguished persons mentioned as having been present?
36728	What an incomparable health bulletin, is it not?
36728	What brought about this catastrophe?
36728	What made me change the theater?
36728	What master can boast of a success like that in his own career?
36728	What more simple, more touching, and more just homage could be paid to the memory of her who was no more?
36728	What whims will not one pardon in such an artiste?
36728	What would the good old people of Savoy say if they could hear the music of to- day?
36728	When I say friends, the word is too weak; perhaps it is necessary to go to mathematics to get the word, and even then?
36728	Where and in what theater were we to be played?
36728	Where would_ Hérodiade_ bring up?
36728	Where would_ Manon_ go?
36728	Who does not remember his masterpiece_ Le Tasse_?
36728	Who is to be the victim?"
36728	Who would get_ Marie Magdeleine_?
36728	Who would have my_ Suites d''Orchestra_?
36728	Why should I complain?
36728	Why then should bitter discouragement arise?
36728	Will they not be able to triumph in the second?
36728	Will you be able to come again, or rather, shall I see you here again?
36728	Would it ever be played?
36728	_ Quantum mutatus_.... Like the poet I may say,"What changes since that time?"
39392	And wine, monsieur?
39392	Are its palaces and pleasures Fantasies that fade? 39392 Are you all right, mister, now?"
39392	But if you had to die,he insisted,"how would you prefer to go?"
39392	Ca n''t ye be aisy out of respect for the dead?
39392	How long have you been playing?
39392	I''m an ugly blighter, are n''t I?
39392	Is n''t it a shame?
39392	Only sixteen shillings? 39392 Say_ something_, ca n''t you?"
39392	Shall I?
39392	Well?
39392	Well?
39392	Well?
39392	Well?
39392	Wh- what makes you all lau- lau- laugh so?
39392	What are you doing here?
39392	What do you pay?
39392	What''s happened Harry?
39392	What''s it like?
39392	What,I asked him,"do you mean by that?"
39392	Where''s the book?
39392	Who are those for?
39392	Who are you?
39392	You did very well,they told me afterwards,"did n''t you hear the laughs?"
39392	''Here, master,''she said,''who''s''e?''
39392	''Is it?''
39392	And the glory of its treasures Shadows of a shade?"
39392	But where is the way of escape?
39392	By Shelford Walsh[ Harrogate?]
39392	Can it be improved in keeping with the spirit of genuine artistry?
39392	Could he, as a means of thwarting his relative, be allowed to marry?
39392	Do you know what you are doing?
39392	For every young artist who comes for the first time before the footlights, may I bespeak always the same kindly feeling?
39392	Frederic, even on Mabel''s entreaties, can not save him, for is he not himself a pirate again?
39392	Hildebrand retorts,"If you enlist all women in your cause-- how is this posterity to be provided?"
39392	How well I remember those lines:-- Second Demon( sepulchral and sinister): Who calls on me in this unfriendly way?
39392	Is its beauty but a bubble, Bound to break ere long?"
39392	Long after this it was Mr. Carte''s custom, when making enquiries as to my wife, to say dryly,"And how''s your sister, Lytton?"
39392	Not once, but many times, I have been asked"Why do n''t you write your reminiscences, Lytton?"
39392	One of the Japanese nobles asks,"Who are you?"
39392	Only the night before he died, while we were in our dressing- room, he surprised me with the question,"How would you like to die, Harry?"
39392	Or between his studies of the engaging and more than candid_ Lord Chancellor_ in"Iolanthe"and that pretentious humbug_ Bunthorne_ in"Patience"?
39392	Others declare,"Is n''t he a marvel for sixty- five?"
39392	P. 97"arn''t"changed to"are n''t"( I''m an ugly blighter, are n''t I?).
39392	Raked the soil?
39392	Shall I say I was anxious to return to them?
39392	Should an utter stranger be allowed to pay her pretty compliments?
39392	This little chorus contains two exquisite verses--"Is it but a world of trouble Sadness set to song?
39392	Watered them?
39392	Were they so little moved by the closing scene of the piece that they were going out in indifference or in disgust?
39392	What about Gilbert?
39392	What did I want to be?
39392	What had happened?
39392	What is the secret?
39392	What shall I do?"
39392	What was he to do?
39392	What was to be done?
39392	What was wrong?
39392	When at the close of"Yeomen"_ Elsie_ is wedded to_ Fairfax_, does_ Jack Point_ die of a broken heart, or does he merely swoon away?
39392	Which of the two will be last to go-- The Gondoliers or the latest show?"
39392	You will remember that in"The Yeomen"poor_ Jack Point_ puts his riddle,"Why is a cook''s brainpan like an overwound clock?"
39392	are n''t they?"
39392	he whispered anxiously, his nose still to the floor,"What have I done?"
39392	she returned,''and who''s''e?''
40644	The young man likes musicsaid Brahms to the landlady,"will he be able to hear a little pianoforte playing or singing here sometimes?"
40644	''And have you told him that he very often lies when he opens his mouth?''
40644	''And where are you going to lead us to- night, Herr Doctor?''
40644	''And who are ye?''
40644	''Are you expecting Hausmann?''
40644	''But what did Brahms say when he found he was causing such trouble?''
40644	''Do you know if he is at home?''
40644	''Does Avé often go to see you?
40644	''Have you a great deal too much money, or may I send some?
40644	''Have you had any conversation with X?''
40644	''How about the photograph of the girls''quartet?
40644	''How is your great brother?''
40644	''I have heard there is an empty flat here, and have come to look at it,''responded Frau Truxa indifferently;''but perhaps it is not to let?''
40644	''Is this your pianoforte- teacher''s pace?''
40644	''It is assumed that they go away,''replied Bulthaupt;''do you mean to say that you wish actually to see them come out again on to the stage?''
40644	''Saul among the prophets?''
40644	''So you want to brag with them?''
40644	''We have seen Brahms and Joachim together again, both in full vigour; may we not hope for a prolongation of this happy state of things?''
40644	''What do you mean?''
40644	''What have you been about that you have, so to say, run away?
40644	''What is it, Brahms?
40644	''What is your_ tempo_?''
40644	''What shall we have next?''
40644	''Will you not join us one day, Herr Doctor?
40644	''s matter to me?
40644	Am I not to have it?
40644	Brahms?''
40644	Brahms?''
40644	By- and- by, taking up a copy of the''Four Serious Songs,''he said:''Have you seen my protest?
40644	Could one compare the various works of Michael Angelo, Raphael, Beethoven, Mozart when they were at the height of their powers?
40644	Could the marriage state be happy except under the rarest combination of circumstances?
40644	Could you lend me the volume for a little while?
40644	Every time I write I forget to ask about Fritz.... Is he very industrious?
40644	Has he told you anything particular about Stockhausen?
40644	How many drops of perspiration may adhere to these note- heads?''
40644	I wished to ask you and Widmann if you would not like, as I should, to go for a little while to Italy?
40644	I wonder if it could have been because he was pleased with my little Paula?
40644	If not my sweetheart, what care I for dancing?
40644	Loved one, without thee what were there in pleasure?
40644	Loved one, without thee what were there in pleasure?
40644	Next Sunday, perhaps?''
40644	O death, where is thy sting?
40644	Of what avail is the perfect, clear beauty of the principal subject in its thematically complete form?
40644	Or is it floating in the evening air?''
40644	Shall I see about another for him?
40644	Sleeps under flow''rs the new- born creature rare?
40644	Stockhausen has not returned, and you have had great success?''
40644	Sweet one, without thee what joy in the dance?
40644	Sweet one, without thee what joy in the dance?
40644	The tall figure, bent forward and lost in tones and memories; was it not the tragic muse herself and was she not sounding a song of fate?
40644	To what purpose?
40644	Were there children of the widow''s first marriage to be provided for?
40644	Who could the wife- elect be?
40644	Who from the fulness of love Hath drunk but the hate of men?
40644	Who is ill?''
40644	Who knows whether a Riehl may not turn up in 1950 to beplutarch them as maestrinelli?
40644	Who shall say that even at this time he had not a presentiment that before very long he was to follow?
40644	Who was to keep the rooms in order and see to the very few of Brahms''daily requirements which he was not in the habit of looking after himself?
40644	Would it not be possible to arrange his affairs quietly without having to speak about them with strangers?
40644	Would she make Jakob happy?
40644	You are probably rid of your guests again now and will be able to find a moment of time to write to me?
40644	You must have travelled through by the earlier Sunday extra train?
40644	[ 2]''Did you sit together on Wednesday over the egg- punch?
40644	and on her replying,''I did it, Herr Doctor,''would answer,''You?
40644	how comfort his sorrows Who in balsam found poison?
40644	if so, by whom?
40644	insisted the lady;''pray look at your things; do you not like scent?''
40644	what are we to do with it?''
19676	''Dare any be so bold to sound retreat or parley, when I command them kill''?
19676	( saith the one), you keepe not time in your proportions: you sing them false( saith the other), what proportion is this?
19676	(_ a_) And will he not come a- gain?
19676	(_ a_) How should I your true love know from a- noth- er one?
19676	... Will you_ play upon this pipe_?
19676	Also in B. and F.''s_ Faithful Friends_--"_ Bell._--Shall''s have a_ catch_, my hearts?
19676	And will he not come a- gain?
19676	And will thy favour never better be?
19676	At this the rest of the company"wonder"--and some whisper to their neighbours,"How was he brought up?"
19676	Beaumont and Fletcher''s_ Coxcomb_ has"Where were the_ watch_ the while?
19676	But shall we make the welkin dance indeed?
19676	Canst thou hold up thy heavy eyes awhile, And_ touch_ thy_ instrument_ a_ strain_ or two?
19676	Do ye make an_ alehouse_ of my lady''s house, that ye squeak out your_ cozier''s catches_ without any mitigation or remorse of voice?
19676	Do you_ note_ me?
19676	Have you no wit, manners, nor honesty, but to_ gabble like tinkers_ at this time of night?
19676	How shall we find the_ concord of this discord_?
19676	If she does, she is accounted foolish( sotte), for if she does n''t want to dance, what is she sitting there for amongst the rest?
19676	Is there no respect of place, persons, or_ time_ in you?
19676	Rich.__ Music_ do I hear?
19676	Shall we do that?
19676	Shall we rouse the night- owl in a_ catch_, that will_ draw three souls out of one weaver_?
19676	TREBLE VIOL, as used in England and Italy; label inside-- Andreas(?)
19676	The first verse of''Fortune my foe''is as follows:--"Fortune my foe, why dost thou frown on me?
19676	Was it not to refresh the mind of man,_ After his studies_, or his usual pain?
19676	What dost thou mean?
19676	What hast here?
19676	What joy have ye to wander thus by night, Save that_ ill doers alway hate the light_?''
19676	What pleasure take you in this your foolishness?
19676	What should this mean?
19676	Why should we not of her learn thus To live godly?''
19676	Wilt thou, I say, for ever breed my pain, And wilt thou not restore my joyes again?"
19676	You would have them_ always_ play but_ one thing_?
19676	[ Footnote 18: What is a''woollen bagpipe''?
19676	[ To Cesario]--How dost thou like_ this tune_?
19676	[_ Music._]_ Enter Clown.__ Clo._ Why, masters,_ have your instruments been in Naples_, that they_ speak i''the nose_ thus?
19676	_ 1 Mus._ How, sir, how?
19676	_ 1 Mus._ Why"Heart''s ease?"
19676	_ 1 Page._ Shall we_ clap into''t roundly, without hawking, or spitting_, or_ saying we are hoarse_, which are the_ only prologues to a bad voice_?
19676	_ 1 Soldier._ What say you to his expertness in war?
19676	_ 4 Sold._ It signs well, does it not?
19676	_ 4 Soldier._... Peace, what noise?
19676	_ Arm._ How meanest thou?
19676	_ Bap._ How now, my friend?
19676	_ Bap._ What, will my daughter[ Kate] prove a good musician?
19676	_ Bap._ Why, how now, daughter Katherine?
19676	_ Bap._ Why, then thou canst not_ break her_ to the lute?
19676	_ Clo._ Are these, I pray you, called_ wind_-instruments?
19676	_ Clo._"Hold thy peace, thou knave,"knight?
19676	_ Countess._ Will your answer serve fit to all questions?
19676	_ Duke._ Who was it?
19676	_ Hor._ You''ll leave his lecture, when I am in tune?
19676	_ Host._ How do you, man?
19676	_ Host._ How?
19676	_ Host._ Why, my pretty youth?
19676	_ Jaques._ Have you no_ song_, forester, for this purpose?
19676	_ Jul._ And why not you?
19676	_ Jul._ But shall I_ hear him speak_?
19676	_ Jul._ You do not?
19676	_ Jul.__ Heavy?_ belike, it hath some_ burden_ then.
19676	_ Leon._---- still_ virginalling_ Upon his palm?
19676	_ Mal._ My masters, are you mad?
19676	_ Moth._ Master, will you win your love with a_ French brawl_?
19676	_ Pan._ At whose pleasure, friend?
19676	_ Pan._ Who play they to?
19676	_ Pandarus._ Know you the_ musicians_?
19676	_ Pandarus._ What music is this?
19676	_ Peter._ Pretty too!--what say_ you_, James_ Soundpost_?
19676	_ Peter._ Pretty!--what say_ you_, Hugh_ Rebeck_?
19676	_ Prince Henry._ Doth he still rage?
19676	_ Romeo._ How is''t, my soul?
19676	_ Sir And._ There''s a_ testril_ of me too; if one knight give a----_ Clown._ Would you have a_ love- song_, or a_ song of good life_?
19676	_ Sir To._ What is thy excellence in a_ galliard_, knight?
19676	_ Sir To._ Wherefore are these things hid?...
19676	_ Sir To._[ Drunk, and with a bloody coxcomb]--Sot, didst see Dick surgeon, sot?
19676	_ Ste._ What is this same?
19676	_ Theseus._ Say, what abridgment have you for this evening?
19676	_ Val._ Why, how know you that I am in love?
19676	_ What masque, what music?_...*****[ Reads from the paper]"A tedious brief scene of young Pyramus, And his love Thisbe; very tragical mirth."
19676	_ ballads_?
19676	_ brawling in French_?
19676	_ out of tune on the strings_?
19676	are there_ masques_?
19676	do you think I am_ easier to be played on than a pipe_?
19676	in your_ dumps_?
19676	is it a world to hide virtues in?
19676	or what are you?
19676	out of my conversation, that he dares in this manner assay me?''
19676	what say you, Simon_ Catling_?
19676	why dost thou look so pale?
19676	why dost thou not_ go to church in a galliard_, and_ come home in a coranto_?
19676	why"music with her_ silver_ sound"?
39384	Qui?
39384	Why?
39384	And now I might as well stop, for why attempt to describe what is, in fact, indescribable?
39384	But till I have the words, you would not wish me to be idle-- even if it were possible for me to be so?
39384	But to speak seriously, your child is scarcely six months old yet, and you can think of anything but Sebastian?
39384	But what does it matter?
39384	But why should Clauren be effaced from the literature of the day?
39384	Dear Rebecca, I went yesterday to the Chambre des Députés, and I must now tell you about it; but what do you care about the Chambre des Députés?
39384	Did you ever hear a G horn take the high G without a squeak?
39384	Do you mean to play something during the intervals to these people?
39384	Do you not think that this might develop into a new style of Cantata?
39384	Does not this notion please you?
39384	Fortunately you already know this valley, so there is no occasion for me to describe it to you; indeed, how could I possibly have done so?
39384	Has Zelter expressed this wish to you, or do you only imagine that he entertains it?
39384	Have you hitherto composed nothing on a greater scale; some wild symphony, or opera, or something of the kind?
39384	Have you read them?
39384	Having seen the pictures in the Louvre in the morning, I went to Baillot''s; so what chance is there of living in retirement?
39384	He certainly does not live in the Reichmann Hotel, nor next door; so where does he live?
39384	He supposed that I must have seen St. Peter''s?
39384	How can I describe the scene?
39384	How can I even try to describe it to you?
39384	How can a traveller with any experience possibly accept of a brother, who is also an ensign, in the place of a charming mother and sister?
39384	I also tried to sketch the Mönch; but what can you hope to do with a small pencil?
39384	I always fancy that the right man has not yet appeared; but what can I do to find him out?
39384	I declare to heaven that I am become quite tolerant, and listen to bad music with edification; but what can I do?
39384	I really can not compose a tolerable song here, for who is there to sing it to me?
39384	If a person be incapable of feeling true greatness, I should like to know how he intends to make_ me_ feel it?
39384	In a dark little hole on the ground floor, overlooking a small damp garden, where my feet are like ice, how can I possibly write music?
39384	In the forenoon?
39384	Is it prejudicial to any one that he should remain where he is?
39384	Is this new, arrogant, overbearing spirit, this perverse cynicism, as odious to you as it is to me?
39384	Of course you do n''t care for all this; but what of that?
39384	Perhaps very early in the morning?
39384	She certainly, as she acknowledges, learned much from Fodor; but why should not another German in turn learn the same from Sonntag?
39384	So when am I to compose?
39384	So you have had an_ émeute_ in Berlin?
39384	Tell me, Fanny, do you know Auber''s"Parisienne?"
39384	The word"Pater"with a little flourish, the"meum"with a little shake, the"ut quid me"--can this be called sacred music?
39384	Then[ Music: De- us me-- us, ut quid me de- re- li-- qui- sti?
39384	There is certainly no false expression in it, because there is_ none_ of any kind; but does not this very fact prove the desecration of the words?
39384	They urged another young man to join them, and when he said that he did not know how to sing, his friend rejoined,"Qu''est- ce que ça fait?
39384	This struck me as very remarkable, for in England they would have spoken exactly in the same way of Italy; but_ quo me rapis_?
39384	Unluckily the man replied,"I am General Ertmann: what is your pleasure?"
39384	What can be more grand or superb?
39384	What did it all mean?
39384	What is it that shines through the leaves, and glitters like gold?
39384	What the deuce made you think of setting your G horns so high?
39384	When I went at an early hour to take leave of Goethe, I found him seated beside a large portfolio, and he said,"So you are actually going away?
39384	When do you mean to send me something new to cheer me?
39384	Who can at such a moment think either of writing or music?
39384	Who can wonder that I find it impossible to return to my misty Scotch mood?
39384	Who can write or think with any degree of warmth?
39384	Who knows, however, whether we may not come here together in future years, and then think of this day, as we now do of former ones?
39384	Who would not have been confused by all this?
39384	Why pursue the subject?
39384	Why should I even attempt to portray it?
39384	Why then make them sound like a mere formula?
39384	_ Apropos_, shall I be lithographed full length?
39384	_ I._ Are you sure they came from Ischl?
39384	_ Per Bacco!_ if you had the inclination, you certainly have sufficient genius to compose, and if you have no desire to do so, why grumble so much?
39384	and do you read what is really good with less interest?
39384	and that, too, an_ émeute_ of tailors''apprentices?
39384	can you not procure the words of some songs, and send them to me?
39384	cried I; what name?--Don''t know.--Pereira?
43411	How so? 43411 How so?"
43411	What do you think of this idea?
43411	Who do you think,he writes to Wolfgang( December 29,1777),"is appointed organist at the Holy Trinity?
43411	You might certainly manage to live alone in Munich,he wrote( October 6, 1777),"but what good would this do you?
43411	( 23) Father: What are you doing?
43411	( 378) heard the other I asked,"Who is that?"
43411	( 392) since you were here before?"
43411	( 397)"But will she be able to learn it?"
43411	( 412) father was justified in writing as follows( February 23, 1778) So you intend only to give lessons as a favour, do you?
43411	After all, it is much easier to play fast than slow; notes can be dropped out of passages without being noticed; but is that desirable?
43411	After the( violin??
43411	After the( violin??
43411	And what said the father?
43411	And why was it, the father must have asked himself, that Wolfgang was so suddenly blind to his own interests, and forgetful of his duty to his family?
43411	And you were thinking of leaving Mannheim on the 15th, and have been making expeditions to Kirchheim?
43411	Are you afraid that I shall come to grief on the organ?"
43411	But how shall we be treated in Salzburg?
43411	But what kind of playing at sight is that?
43411	But what more can I wish for you than I am always wishing?
43411	But your father is still at Salzburg?"
43411	Che sarà, giusti Dei, questo ch''io provo?
43411	Do you, indeed, read my works and encourage your friends to do the same?
43411	Does my last poem,"Der Christ,"meet with your approval?
43411	Have you the one which I composed last year, Christus begraben?
43411	He said directly:"What is your butter- fiddle about?"
43411	He took snuff and said,"I should like it, but would it not do her harm to have two masters?"
43411	He was pleased to remember all about it, and asked me:"How has the gentleman been all this time?"
43411	How long shall you remain here?"
43411	I did not give him time, and said,"Why should you read the letter now?
43411	I only said,"What do you think, Herr Stein?
43411	In the meantime, through the exertions of his friends, a public concert was given on October 22:-- What do you think came next after the symphony?
43411	In what does the art of playing at sight consist?
43411	Leo( 1694- 1756?
43411	Leopold Mozart announces all this to Hagenauer, with the question:"What do you think of that for a Kapellmeister''s pay?"
43411	Let me ask you whether Wolfgang has not forgotten to go to confession lately?
43411	Lætari, iocari Fruique divinis honoribus stat, Dum hymen optimus Tædis et floribus Grata, beata Connubia iungit et gaudia dat?
43411	May I add one word on the musical criticism contained in my work?
43411	Mozart writes to his sister from Vienna( July 4, 1781):"Is it not about time for the shooting supper?
43411	Nine days without a play, and on the tenth we get a De profundis-- What?
43411	Now, have I not reason enough to remain here and await the issue?
43411	On account of their brevity?
43411	On account of their church style?
43411	Once, seeing himself surrounded by a fashionable assemblage, he said before he began:"Is Herr Wagenseil here?
43411	Ought I to leave now that so important a step is taken?
43411	Rose-- who was three rooms off and busied with the linen-- had finished, she came in and said to me,"Is it your pleasure that we begin?"
43411	Second question:"How did he behave to great people when they admired his talent and proficiency in music?"
43411	So it is to be hidden away from the eyes of the world; for what could manifest it more openly than a public performance in a large and populous city?
43411	The Empress asked him why?
43411	The rapidity allows the right and left hand to be used indiscriminately: but should that be so?
43411	Third question:"What was his favourite study?"
43411	This is meant to be pathetic?
43411	We have to produce two Oratoria every Lent, and where are we to find subjects enough?
43411	Were you kept too close?"
43411	What can not a man do with sense and a kind heart?
43411	What is their connection with you, and what services will they demand in return?
43411	When I heard him I asked,"Who is at the organ?"
43411	Who are these philanthropists and lovers of music?
43411	Who knows?
43411	Why do you hesitate?
43411	Why was this?
43411	Why?
43411	Why?"
43411	Your first question is:"What were the favourite amusements of your late lamented brother in his childhood, apart from his passion for his music?"
43411	[ 10034] Fourth question:"What particular qualities, maxims, rules of life, singularities, good or evil propensities had he?"
43411	[ Footnote 10020:"Wherein consists good execution?"
43411	[ Footnote 1008:"Have you a good subject for an oratorio?"
43411	and should I not accept it, if it is really in earnest?"
43411	and you mean to leave your old father in his present straits?
43411	are you the famous boy of whom I have heard so much?"
43411	have you left Salzburg altogether?"
43411	said I,"did his Serene Highness mention me?"
43411	said I,"no answer yet?"
43411	said she,"is it really true?
43411	writes Wolfgang, overjoyed;"is it not an act of friendship?
43411	you are going to remain here?"
4386	Martial yet courtly:do not these two epithets almost define the Polish character?
4386	After having chanted the splendor of glory, may he not sing of grief?
4386	After having rejoiced with the victorious, may he not mourn with the vanquished?
4386	Among the varied feelings with which so many noble hearts throbbed high, were there indeed many which never incurred this fearful malediction?
4386	And may not the artist revenge the man?
4386	Besides, why should he have tasked himself to scrutinize the beautiful sites in Spain which formed the appropriate setting of his poetic happiness?
4386	But how could they have known that his real, though rare attachments, were so vivid, so profound, so undying?...
4386	But of what consequence is the subject?
4386	Can the royal purple and burning flames of genius ever float upon the immaculate azure of woman''s destiny?...
4386	Could he not always find them again through the descriptions of his inspired companion?
4386	Did Chopin suffer from this inevitable dissimilarity between the prophetic whispers of the heart, and the thronging doubts of the questioning mind?
4386	Did he dread, that after having touched him with his icy hand, he would still suffer him to linger upon earth?
4386	Did he feel that life would be almost unendurable with its fondest ties broken, its closest links dissevered?
4386	Did he not regain strength only because he now wished to live?
4386	Does not Petrarch owe his fame to his Sonnets?
4386	Even if he had ceased to speak of it, would he not always have thought of it?
4386	Even in the midst of joy, may he not be permitted to be gloomy and oppressed?
4386	Few understood him:--did those few indeed understand him aright?
4386	Has not the force of genius its own exclusive and legitimate exactions, and does not the force of woman consist in the abdication of all exactions?
4386	How did Weber divine the Poland of other days?
4386	If the acts of the poet have sometimes denied the spirit of his song, have not his songs still more powerfully denied his acts?
4386	In literature, is Beranger less a great poet, because he has condensed his thoughts within the narrow limits of his songs?
4386	In others he relinquished this broad style: Shall we say always with a more decided success?
4386	In very truth are not the Sclavic women utterly incomparable?
4386	Is it not the idea which is developed through it, the emotion with which it vibrates, which expands, elevates and ennobles it?
4386	Of what use are excursions into realms in which no real fruit can ever be gathered?
4386	Of what value the vain words, which only nourish sterile feelings?
4386	The nurse of his sick- room-- was she not also a great artist?
4386	This high poetic disdain,--how did it comport itself when struggling with material interests?
4386	Those who exalted integrity,--were they always equitable?
4386	Those who felt such holy indignation,--were they indeed always just?
4386	Those who so admired fortitude,--have they never compromised with their own weakness?
4386	Those who sung of honor,--did they never stoop?
4386	Was he considering what pallet, what brushes, what canvas he must use, to introduce them into visible life through his art?
4386	Was it not rather because his life was full of bliss that he found strength to live?
4386	Was it the effect of the balmy climate alone which recalled him to health?
4386	What are the dying bouquets of an hour to those whose brows claim the laurel of immortality?
4386	What leisure has ardent youth to interpret their gravity, to resolve their chill problems?
4386	Which among them has ever danced through a Mazourka, whose cheeks burned not more from the excitement of emotion than from mere physical fatigue?
4386	Who can measure the amount of suffering arising from such contrasts?
4386	Who can say where the dominion of mind over matter ceases?
4386	Who can tell how far the influence of the will extends over the body?
4386	Who could bear the sepulchral ghastly array?
4386	Who could have ventured-- to oppose his wish?
4386	Who shall restrict the rights of a poet over the various phases of his subject?
4386	Who would willingly call them from their sheeted sleep?
4386	Will not the most glorious among the beloved constellation of the Pleiades there disappear?
4386	Would the graceful elegancies of life, the high culture of the arts, indeed be safe in the rude and devastating hands of the new barbarians?
4386	and among those who most frequently repeat their soothing rhymes, how many know any thing of the existence of his long poem on Africa?
4386	if the trees at moonlight sang always so harmoniously?"
4386	of whom he demanded news:"If she still continued to drape her silvery veil around the flowing locks of her green hair, with a coquetry so enticing?"
13065	36, which he afterwards dedicated to the Archduke?
13065	96, which, though sold to a publisher in April, 1815, was designated as quite new in the_ Allgemeine Zeitung_ on July, 29, 1816?]
13065	Am I not your true friend?
13065	And now, what is this spirit which, for an intelligent mind, binds together these scattered fragments into a whole, and what is its actual power?
13065	Are you satisfied?
13065	Are you satisfied?
13065	Are you satisfied?
13065	Are you to be at the"Swan"to- day?
13065	At my age, life requires a uniform equality; can this be found in our mutual relations?
13065	At what hour shall we call on Walter to- day?
13065	But to whom can I now say it?
13065	Can you alter the fact that you are not wholly mine, nor I wholly yours?
13065	DEAR RIES,-- May I beg you to be so obliging as to copy this_ andante_[ in the Kreuzer Sonata] for me, however indifferently?
13065	DEAR TREITSCHKE,-- Have you read the book, and may I venture to hope that you will be persuaded to undertake it?
13065	Do the musical pauses still continue?
13065	Do you mean to go post- haste to the devil, gentlemen, by proposing that I should write_ such_ a_ sonata_?
13065	Do you not require all the papers connected with the Kinsky case?
13065	Does Amenda think that I can ever forget him, because I do not write?
13065	F---- seems to have taken Herr M----( Wenzel Müller?)
13065	Has Dr. Wolf[ the previous advocate] shown you the papers, or shall I make you acquainted with them?
13065	Have I not always been an infirm creature?
13065	Have you read Goethe''s"Wilhelm Meister,"and Schlegel''s"Translations of Shakspeare"?
13065	Herr----[ Mollo?]
13065	Hope sustains me, as it does half the world; through life she has been my close companion, or what would have become of me?
13065	How can I send you my portrait?
13065	How can my remembrance of you ever fade?
13065	How did he obtain it?
13065	How in the world did such an unfounded idea ever occur to you as that I was displeased?
13065	How is it, then, that I have as yet received no reports of the carrying out of my orders, which, however, have no doubt been attended to?
13065	I can not endure either of these vile creatures; I wonder if Nany will behave rather better from the departure of her colleague?
13065	I had determined to rise superior to all this, but how is it possible?
13065	I have a conviction that good fortune will not forsake me, for to what may I not at present aspire?
13065	I hear wonders of galvanism; what do you say to it?
13065	I might take advantage of that opportunity to let the people of Prague hear something-- what think you?
13065	I need not tell you how very flattering I consider such a commission, for how could I think otherwise?
13065	If the salary were to be paid in bank- notes, what should I get?
13065	In what way can I be of service to you in my own art?
13065	Is not our love a truly celestial mansion, but firm as the vault of heaven itself?
13065	Let me know if you are to dine at the tavern to- day, or where?
13065	MY DEAR AND ESTEEMED K.,-- What can I think, or say, or feel?
13065	May I now, therefore, Illustrious Prince, presume to lay the first- fruits of my juvenile labors at the foot of your throne?
13065	Mr. B[irchall] sayd that Mr. Salomon has a good many tings to say concerning the Synphonie in G[?
13065	No?
13065	People have so much leisure in the country, that perhaps you would like me to send you these works?
13065	Perhaps it is now too late?
13065	QUERY?
13065	Such is the custom here; and indeed, were it not so, what is there to attract a larger audience?
13065	The Trio in[??]
13065	The Trio in[??]
13065	The above note[ to Zmeskall?]
13065	There are ample proofs for those who wish to act justly; and what does the_ Einlösung Schein_ now amount to??!!!
13065	There are ample proofs for those who wish to act justly; and what does the_ Einlösung Schein_ now amount to??!!!
13065	To what can I compare your fidelity and devotion to me?
13065	Was this the chorus which occurred to him?
13065	What are you about?
13065	What can I say to you of myself?
13065	What indeed could make me happier?
13065	What is your opinion of Schmidt[ an army surgeon]?
13065	What the deuce has become of you?
13065	What were my thoughts amid the glorious scenery of my father- land?
13065	What would be the result were I to leave this, and indeed the kingdom of Austria altogether?
13065	Where truth could injure me it has been accepted, so why reject it when it could have benefited me?
13065	Who could ascribe such a thought to the volatile Thérèse, who takes the world so lightly?
13065	Who could bear to be forced to bestow a_ friendly gift_ on such a man?
13065	Why did you conceal your necessities from me?
13065	Why must I fly from her I so fondly love?
13065	Why this deep grief when necessity compels?--can our love exist without sacrifices, and by refraining from desiring all things?
13065	Will he be content with this?
13065	Would the life- certificate, if signed by the authorities of a non- Austrian place, still be valid?
13065	Yet I am very poor in all else-- owing to the times?
13065	You have no doubt written to Goethe about me?
13065	You still have some regard for me?
13065	You will write to me as soon as possible?
13065	[ 1] I beg to inquire whether, being in some degree restored, I am to wait on you this evening?
13065	[ 1] My dear, victorious, and yet sometimes nonplussed(?)
13065	[ Zmeskall?]
13065	_ Adieu, mon ami à bon marché._ Perhaps we may meet at the"Swan"?
13065	_ Ch''a detto l''amato bene?_ 34.
13065	and may I hope that you will condescend to cast an encouraging and kindly glance on them?
13065	and what would more mature artists say?
13065	desire another hour?
13065	how could I possibly quit the world before bringing forth all that I felt it was my vocation to produce?
13065	or what????
13065	or what????
13065	or what????
13065	or what????
13065	thought I; does the character of an author befit me?
13065	to poverty of spirit?
13065	when shall I again feel it in the temple of Nature and of man?--never?
13065	where can an appointment be found at the Imperial Court for such a_ parvum talentum com ego_?
13065	who comprehends it?
13065	who was happier than I, when I could still utter the sweet name of mother, and it was heard?
13065	whose talent has failed on this occasion( for those I send require to be fresh mended), when do you intend at last to cast off your fetters?--when?
13065	with whom can I discuss this mighty goddess?
19748	''And-- er-- how did he seem-- well, eh?''
19748	''Can you sing at sight?''
19748	''Did not you say you could sing at sight?''
19748	''Have you ever read it?
19748	''Have you made up your mind to go back to the school?
19748	''Have you seen your brother Michael?
19748	''How can he have found time,''he asked,''for the setting of such long poems, many of them containing ten others?''
19748	''Is it the new opera?''
19748	''Now, Joseph, what do you propose to do?''
19748	''Now, tell me, who do you think I ought to appoint to the post?''
19748	''Oh,''said Felix thoughtfully; then, indicating Mr. Benedict,''Does_ he_ know all about it?''
19748	''Perhaps,''replied Franz thoughtfully;''I sometimes have dreams of that sort, but who can do anything after Beethoven?''
19748	''What are you about, Haydn?''
19748	''What are you doing?
19748	''What will the Archbishop think of the work?
19748	''Where is Herr Wagenseil?
19748	''Why do n''t you try to write it for_ two_ voices before attempting it in twelve?''
19748	''You are sure of that?''
19748	''Your Grace is dissatisfied with me, then?''
19748	''Your antum?''
19748	13, Lord, how long?
19748	1751(?)
19748	1752(?)
19748	1761(?)
19748	1767(?)
19748	1772(?)
19748	1777(?)
19748	1781(?)
19748	1786(?)
19748	1788(?)
19748	1788(?)
19748	1795(?)
19748	And if we admit that Handel excelled in operatic work, what shall we say of the oratorios which formed the later creations of his genius?
19748	And what of the parents whom he had left behind in the little village?
19748	And why was Archbishop Sigismund so desirous of testing the boy''s powers of composition?
19748	At length, when Handel ceased to play, the Duke turned to those about him with the inquiry:''Who is that child?
19748	Beckoning to Haydn, he inquired,''Whose music is that which you were playing just now?''
19748	But he at once checked himself in his walk, and, turning to Hans, said abruptly:''Have you taken the child his food?''
19748	But if the Octet serves to mark a distinct stage in the development of Mendelssohn''s genius, what are we to say of the work which followed it?
19748	But to whom can I now say it?
19748	Could it possibly be true, he asked himself, that throughout the length and breadth of Germany so stupendous a work as this remained unheard, unknown?
19748	Dismayed by this reflection, he took his hands from the keyboard and, turning to Mozart, said,''Will you give me a theme on which to extemporise?''
19748	Dismayed by this unlooked- for resolution, the Emperor exclaimed:''What, Mozart, do you mean to forsake me?''
19748	Do n''t I deserve a place above ground?''
19748	Does anybody know his name?''
19748	He therefore seized Benedict by the arm, exclaiming,''You will come to my father''s house with me, will you not?''
19748	How can it be possible to read such manuscript?''
19748	How had they fared during these long years of struggle and success?
19748	How is it possible to give, in a few words, an idea of this great work?
19748	If his kind tutor was going away, how did he know whether he would find his deputy equally willing to teach him?
19748	Is he here?''
19748	Mignon''s Song,''Kennst du das Land?''
19748	Shall we send for him?''
19748	The Capellmeister eyed the boy kindly, and, drawing him to his knee, said,''Well, my little fellow, can you make a shake?''
19748	The few groschen which my father gives me are all spent the first day, and what is one to do the rest of the time?
19748	Was he not with the rest?''
19748	Was it possible, they asked themselves, that a child could produce such beautiful music?
19748	What could be more touchingly beautiful than the air,''He was despised and rejected of men''?
19748	What was the secret of this wonderful success?
19748	Where does he live?''
19748	Where have you been living?''
19748	Who could I give it to with my warmest love so well as to you, true, good, noble Stephen?
19748	Who is the father?
19748	Who, indeed, could for long withstand so imperious a will, backed by such unquenchable genius?
19748	Why should his life be made so much harder than that of other children?
19748	Will he laugh at it, and tell the father that he is mistaken in believing that his son can write good music?
19748	Would he turn out an even harder task- master than his own father had been?
19748	Would nobody hold out a helping hand?
19748	Would this week of toil be thrown away, and the sheets be cast into the fire?''
19748	[ 25] Did n''t he mention me in his letter?
19748	can it be you?
19748	cried Handel, looking up in surprise,''do you say you vill jump?
19748	for what sall de Foundlings put mein moosic in de Parliament?
19748	or will you send word to your people that you intend to return home?''
19748	that a creation so deathless in itself could be permitted to sleep without even the hope of an awakening?
19748	what are you doing?
19748	who was happier than I, when I could still utter the sweet name of mother, and it was heard?
44767	But is it not good?
44767	But where is better music to be got, then?
44767	Der Fliegende Holländer: Dutchman theme, 245; Senta, the redeeming element, 245; Yearning, 246;"Wie, hor''ich recht?"
44767	Do I hear the light? 44767 Kurvenal, siehst du es nicht?"
44767	Then why do they not give his operas?
44767	What dreamed I of Isolde''s shame?
44767	What dreamed I of Tristan''s honour?
44767	What has befallen the eternal gods?
44767	What matters it for me? 44767 Who is he?"
44767	( How was it that the Devil was so often mistaken about women?)
44767	("Kurvenal, seest thou it not?")
44767	("What watches yonder darkly concealed in chaste Night?")
44767	And was it not a good omen when at last there fell across his childhood the shadow of his artistic progenitor, Weber?
44767	And with this Wagner ushers in a very Italian duet:[ Music: Wie?
44767	Before this society on June 16 Wagner read a paper entitled"What is the Relation of our Efforts to the Monarchy?"
44767	Brünnhilde says:"What man art thou?"
44767	But he felt that only a monarch could afford to give the financial support to such a scheme, and he wrote,"Will that king be found?"
44767	But how about the few who love these works?
44767	But how was the necessary money to be raised?
44767	CHAPTER I THE LYRIC DRAMA AS HE FOUND IT What was this man Wagner trying to do?
44767	Daland,"joyful yet perplexed,"exclaims:"Wie?
44767	Does she forget her mother''s magic art, which has provided her with potions of strange power?
44767	Dost thou not see what I see?
44767	Finally the god asks:"What did Odin whisper in the ear of his son before he ascended the funeral pile?"
44767	HENDERSON AUTHOR OF"THE STORY OF MUSIC,""PRELUDES AND STUDIES,""WHAT IS GOOD MUSIC?"
44767	He wrote to Liszt in the fall of 1849:"How and whence shall I get enough to live?
44767	Hence, though struck to the heart by more than mortal wound, Elizabeth thinks first of her lover''s sin:"Was liegt an mir?
44767	How can I endure the anguish?"
44767	How shall the King endure?
44767	How was it that the French romantic poets were engaged in celebrating the doings of English heroes?
44767	Hör ich recht?
44767	Hör''ich recht?
44767	In a letter of March 30, 1853, he says to Liszt:"What can help me?
44767	Indeed I believe I have done my best to state both things distinctly: but who has yet heeded?
44767	Is my finished work''Lohengrin''worth nothing?
44767	Is not Melot Tristan''s friend?
44767	Is the opera which I am longing to complete worth nothing?
44767	Kurvenal, man, art thou blind?
44767	Meine Tochter sein Weib?
44767	Meine Tochter sein Weib?
44767	Seest thou it not?"
44767	Should not they be allowed to offer to the poor suffering creator-- not a remuneration, but the bare possibility of continuing to create?...
44767	Siegmund calls upon his father and says,"Where is the promised sword?"
44767	Staring vacantly into space she murmurs:"Unloved by the noblest of men, must I stand near and see him?
44767	The giant recognises Odin by this question, and says,"Who can tell what thou didst whisper of old in the ear of thy son?
44767	The words of Wolfram''s poem here are nearly the same as those of Chrétien, which are these:"Knowest thou not the day, sweet youth?
44767	What is this?
44767	What though it outraged the rules of the masters and even puzzled him?
44767	When he says,"Was dort in keuscher Nacht dunkel verschlossen wacht?"
44767	When shall it be night for these two?
44767	When will the blazing of the torch cease to keep him sundered from Isolde?
44767	Whence came the lovely character, one of the noblest of all Wagner''s heroines, Elizabeth, the Landgrave''s niece?
44767	Whence did they procure them?
44767	Where, then, was Wagner to find eternal ideas suitable for dramatic treatment except in their personifications in mythology?
44767	Who was he, this unknown young composer, to trouble the darlings of the public?
44767	Who, then, is this Venus, and what is she doing in the subterranean world of the 12th century?
44767	Why had Wagner selected Bayreuth as the scene of the crowning labour of his career?
44767	Why has she broken Wotan''s command against visiting Brünnhilde?
44767	Why?
44767	Why?
44767	Will Brünnhilde give back the ring?
44767	Wollt Ihr sein ewig Heil ihm rauben?"
44767	Wotan at once falls into the trap, and says:"What pratest thou there?
44767	Would you rob him of his eternal salvation?"
44767	Yet was there nothing in all this to show the bent of the young mind?
44767	[ Footnote 37: This explains the meaning of Kothner''s question to Walther in the first act,"What master taught you the art?"
44767	_ Isolde._--"Was träumte mir von Isolde''s Schmach?"
44767	_ Tristan._--"Was träumte mir, von Tristan''s Ehre?"
34381	''A musician? 34381 ''I hope, sir,''observed the doctor,''you do not include me among those who did injustice to your talents?''
34381	''Now, how gan you demand of me dat zilly question, you who are a musician and a man of science, Togder Peepbush? 34381 ''Sire,''what do you mean?"
34381	''So, sir, I presume you are come to witness the trial of skill at the old round church? 34381 ''Well, and how do you find yourself, my dear sir?''
34381	''What, downstairs?'' 34381 ''Where is he?''
34381	''Whom have you got there, then?'' 34381 And the Germans,"he goes on to say,"what palm is due to them?
34381	Did they not?
34381	Do n''t you see Handel''s wig?
34381	Do you not think I resemble my sister, Marie Antoinette?
34381	Do you think the Greeks, whose manners we are endeavouring to depict, knew what a chaconne was?
34381	How much can you lose by his opera,the prince replied,"supposing it to be a perfect fiasco?"
34381	How, sire?
34381	I asked him if he had met Byron in Venice? 34381 The old woman was the first to speak:''Any coaches or mourners coming?''
34381	We both desired to correspond, but through whom? 34381 Well, what do you want?"
34381	Well?
34381	What do you think of the charming Billington''s picture?
34381	What do you wish?
34381	What is that?
34381	What is the meaning of all this?
34381	What wretch has dared to tamper with the great Beethoven?
34381	What''s the use? 34381 What, Baptiste,"the former said,"have you burned your opera?
34381	Where on earth could they be?
34381	Where would they not go,answered Cherubini,"led by such a hero as you?"
34381	Where''s your music?
34381	Who are you?
34381	Who has taken upon him to revise Gluck?
34381	Whose music is it?
34381	Why not?
34381	You have written a mass?
34381	''Papa,''he cried,''wilt thou be friends?''
34381	''Who holds up hands?''
34381	A Milanese gentleman, whose father was very ill, met his friend in the street--"Where are you going?"
34381	After greeting Beethoven, I said,''Will you permit me to introduce my brother to you?''
34381	After my son''s death, what have you not done to honour my son''s name and render it dear to posterity?
34381	Again, to you nod remember dat ubstardt buppy Senesino, and the goxgomb Farinelli?
34381	Again:"What is all this compared to the grandest of all Masters of Harmony-- above, above?"
34381	Alluding to a performance of''Semiramide,''he said, with a malicious smile,''I suppose you saw the beautiful decorations in it?''
34381	And for vot?
34381	And old Cherubini?
34381	Are not the pleasures of a transient, capricious passion widely different from the happiness produced by rational and true love?
34381	Are we at a hunting- party?
34381	Are you not ashamed of such undeserved triumph?"
34381	Are you surprised that he should have forgotten it too?
34381	Arne?''
34381	Barth glanced through the composition, then sang it, and soon grew into such enthusiasm as to draw from Beethoven the expression,"No?
34381	But what of the meanwhile?
34381	But who is that gentlemanly man leaning over the chamber- organ?
34381	Can we wonder that his work was a failure?
34381	Do n''t you know what love is?"
34381	Do n''t you remember the libretto of''Il Proscritto,''which you procured for me, and for which I have never composed the music?
34381	Do you not every day become more convinced of the truth of the little lectures I used to inflict on you?
34381	Handel?''
34381	Have I not been kissed by the queen?"
34381	Hey, mine friendt?
34381	His father refused, saying,"How can you?
34381	Mendelssohn, many years afterwards, writing to Moscheles in Paris, asked,"Has Onslow written anything new?
34381	Next, again, mine somedimes nodtable rival Bononcini, and old Borbora?
34381	Oh first created Beam, and thou, great Word,''Let there be light,''and light was over all, Why am I thus bereaved thy prime decree?
34381	One of the singers, every time he came to the passage,"Ce mortel qu''on remarque Tient- il Plus que nous de la Parque Le fil?"
34381	One question only was thought of,"Is he a Gluckist or Piccinist?"
34381	Pompadour refused to kiss him, saying,"Who is she, that she will not kiss me?
34381	Some of the above are real masterpieces; but, with the exception of''The waves of the sea rage horribly,''and''Who is God but the Lord?''
34381	The characteristic reply was a Parthian arrow:"Vat te tevil I trow my money away for dat vich the blockhead vish?
34381	The clarionets were too much for him, but on seeing third and fourth horn- parts, he exclaimed,"What does the man want?
34381	The composer cried out, in a rage,"Do n''t you see he is lying?
34381	The conversation turning upon German music, I asked him''which was his favourite among the great masters?''
34381	The following retort shows the nobility of genius--"I, sir?
34381	The question was no longer,"Is he a Jansenist, a Molinist, an Encyclopædist, a philosopher, a free- thinker?"
34381	Then changing his tone,"Do n''t you know your voice is a gold- mine that has not been fully explored?
34381	Then, laughing:''Berhaps, Mister Golley Cibbers, you may like to pote this to the vote?
34381	Trying in vain to reach a book on the table, he said,"Can I do nothing now in time?"
34381	Vat gan it concern you whether I have one votdermans or two votdermans-- whether I bull out mine burce for to pay von shilling or two?
34381	Vell, mein friendts, andt how vags the vorldt wid you, mein tdears?
34381	Vogl, a fortnight afterwards, sang it in the lower key to his friend, who remarked:"Really, that_ Lied_ is not bad; who composed it?"
34381	What can I do to please you?"
34381	What would you call the man who would seek to assure you that you were superior to Raphael?"
34381	What''s your name?"
34381	Who that has once heard can forget the thrilling power of"La Marseillaise"in Schumann''s setting of Heinrich Heine''s poem of"The Two Grenadiers?"
34381	Who would grudge the moisture of his eyes if he could render it immortal in the strains of Schubert''s''Lob der Thräne?''"
34381	Who would not battle with the iciest blast of the north if out of storm and snow he could bring back to his chamber the germs of the''Winterreise?''
34381	Why will you not come to Königsberg at the festival?
34381	Why, in other words, are you not in Berlin?
34381	Will Italy One and Free continue to produce great and original musicians?
34381	With abrupt, passionate intensity of tone Schubert answered,"What''s the use of that?
34381	Would the solitary man at the opposite table assist us?
34381	[ E]"Do you know that the Chevalier( Gluck''s title) has an Armida and Orlando in his portfolio?"
34381	and Beethoven immediately rushed off, seized hold of my brother, saying,''Am I such a savage that you are afraid to come near me?''
34381	do n''t I know better as yourself vaat it pest for you to sing?
34381	do you think I have not dined?"
34381	he cried,"study anatomy; dissect; take part in horrible operations?
34381	if the trees at moonlight sang always so harmoniously?"
34381	is Handel dead?"
34381	when shall I feel it again in the temple of Nature and man?
34381	you do n''t mean to say that little blackamoor"( alluding to Haydn''s brown complexion and small stature)"composed that symphony?"
46982	And Siglinda, will she come also?
46982	And who obtained it?
46982	Are we not enough already?
46982	Art thou timid in the presence of women?
46982	Can I believe myself delivered, since once again I hear the rustling of this forest, and salute thee again, thou good old man?
46982	Can it be an angel sent by God?
46982	Dost thou not see it yet? 46982 Dost thou repel me?"
46982	From whence came this mysterious phial?
46982	Greeting, my guest,says Gurnemanz:"Dost thou not know what day this is?
46982	Intoxication of the soul, rapture without measure, impetuous and overheated, blood, how shall I support you chained to this couch? 46982 Is it thou who hast killed the swan?"
46982	It is so difficult then?
46982	It was my kiss which rendered thy eyes clear? 46982 Knowing by compassion, was it not thus?"
46982	Must I again thank thee, indefatigable and unknown maid? 46982 My son, Amfortas,"he says,"doest thou officiate?
46982	Perhaps you have made a good pair of buskins?
46982	So you wish to become master?
46982	Tell me, to whom should the path which thou seekest lead?
46982	Well, does the shoe fit at last?
46982	Were those who menaced me wicked? 46982 What dost thou ask, cursed woman?"
46982	What fragrant perfume you exhale,says Parsifal, with tranquil gayety;"are you flowers?"
46982	What has struck down him whom even God protected?
46982	What is it?
46982	What is that?
46982	What is the matter with you?
46982	What, thou knowest me yet? 46982 What,"they reply,"thou knowest naught of the marvellous gold?
46982	Who art thou,he says,"who appearest to me so beautiful and so grave?"
46982	Who is it?
46982	Who prevented him from beholding the Grail and its blessings?
46982	Who wounded it?
46982	Whom does this casket that you bear in sorrow enclose?
46982	Why dost thou chide?
46982	A cry is immediately heard:"In what school have you studied?
46982	And approaching two knights who descend from the castle he cries:"Greetings to you: how does Amfortas find himself to- day?
46982	Are the enchantments of music capable of working this miracle?
46982	Behold the snowy plumage stained with blood, the drooping wings, the dying glance,--Dost thou recognize thy fault?"
46982	But Isolde?
46982	But Wagner had not ceased to think of it, and who knows if at this moment Paris was not the aim of his dreams?
46982	But how should I be received?
46982	But the rules, what has he done with them?
46982	Can repose exist for such a mind, always pushing irresistibly forward and higher?
46982	Does a theatre exist in Paris, this world''s capital, where the great works, lyrical and dramatic, of the entire world may be represented?
46982	Does he laugh now, and does he jeer at me by thy month, thou bride of the devil?
46982	Has the new generation ever seen the representations of this master''s greatest works?
46982	How earnest thou here, and from what place?"
46982	How is that?"
46982	I already feel the shadow of death upon me, and must I return once again to life?
46982	I hoped and waited for an answer with extreme anxiety: would it come?
46982	I remember, among others, this phrase:"Since the public at the opera do not like my music why inflict it upon them?"
46982	Is it not in her arms that the King of the Grail forgot his holy duties?
46982	Is it not on her account that he now suffers and writhes in the cruel flame of guilty desire?
46982	Is she not his twin sister, formerly carried off from the devastated fireside?
46982	Is there any sort of indignity or outrage which has been spared him in his own country?
46982	May it not be his mother''s soul?
46982	Must I behold the Grail yet again to- day and live?
46982	Must I die, no longer sustained by my Saviour?"
46982	Of what good is this balm?
46982	Oh, eternal sleep, thou only blessing, how attain thee?"
46982	Tell us thou hast known Klingsor?
46982	They all fear the valiant youth"--"Who fears me, say?"
46982	They question him:"From whence dost thou come?
46982	Too audacious Amfortas, who could''st have restrained thyself when armed with this lance, thou resolvedst to attack the magician?
46982	Was this letter really from him?
46982	Well, where do you imagine I am now?"
46982	Well, where is Victor Hugo''s theatre?
46982	What had this faithful swan done to thee?
46982	What is it now to thee?
46982	What is the wound and its agony of pain compared with the infernal suffering of being damned here to officiate?
46982	What is thy name?
46982	Where may he find strength with which to defend himself?
46982	Which of you would force me to live since you can give me nothing but death?
46982	Who has sent thee?"
46982	Who is good?"
46982	Who troubles himself about Calderon, Schiller, Goethe, Shakspeare?
46982	Who will come to his aid in this bitter distress?
46982	Who will do combat with me?"
46982	and the tabulature,--the rules laid down in the tables?
46982	can no one measure the torment which the sight that transports you awakens in me?
46982	cried Elsa,"thou who defendest me in my distress, how could I do other than faithfully keep to the law thou imposest upon me?"
46982	dost thou remember him, whom grief and distress have bent so low?
46982	she cries with a harsh laugh,"would''st thou be chaste?"
46982	what have I ever remembered?
46982	who are you masters?"
46982	who is the criminal?"
46982	who says that?"
37996	And dare I now, most Serene Highness, venture to lay the first fruits of my youthful labour before your throne? 37996 I hear wonders of galvanism-- what say you to it?
37996	Those lovely scenes of my Fatherland, what part had I in them? 37996 WHO HAS FORBIDDEN THEM?"
37996	Well?
37996	Why?
37996	You want to know something about my position? 37996 _ The Mount of Olives_,"an oratorio; text by Franz Xaver Huber; composed 1800(?).
37996	( Of course there were little misunderstandings between us; but did they not serve rather to cement our friendship?)
37996	1798(?
37996	1799(?).
37996	4), the most delicately finished and bright in colouring which we possess?
37996	53), composed 1803(?).
37996	A very strong will( is not even this beyond the reach of most?)
37996	And how?
37996	And why should he not wait upon himself, and look after the kitchen himself?
37996	As for my affection, the sister has so large a share of it that not much is left for the brother-- will he be content with this?
37996	But may not the light- heartedness which distinguishes this overture have been intentional on the part of Beethoven?
37996	Could it be more difficult to prepare a dinner than to compose a C minor symphony?
37996	Dare we now really claim his creations, which breathe the highest humanity, as specially_ German_?
37996	Did the perplexity arise simply from his unbusiness- like habits?
37996	Do we not feel ourselves blown upon by the fresh mountain air?
37996	Do we not sometimes hear it surging like a wave of the mighty stream through the Beethoven harmonies?
37996	Eleven years old, thought I, how would the character of author become me?
37996	First, then, how is it that Beethoven''s genius as a composer was so late, comparatively speaking, in developing?
37996	Has there ever existed a poet who transported our souls into his ideal kingdom with more irresistible force than our Beethoven?
37996	Have you still a little love for me?
37996	How comes it, then, that with all these qualifications Beethoven would not afterwards allow that he had profited by his instructions?
37996	How could it be otherwise?
37996	If his work were worthy of a decoration, why not have given it in addition to the paltry sum asked for it?
37996	In a very short time, however, the latter became so wealthy( how?)
37996	In passing, he seized the violoncello part of Steibelt''s quintet, placed it upside down on the desk( was this designedly?
37996	Is not a calm, serene autumn day enough to entrance our inmost nature?
37996	Is not some such scene the background to the Adagio in the"Sonata quasi Fantasia,"dedicated to the Countess Giulietta?
37996	Is the B flat major Symphony, after all, as much the exponent of the master passion as is, in another way, the C sharp minor Sonata?
37996	My youth, I feel it, is only beginning; have I not always been a sickly creature?
37996	Never?
37996	Servility from man to his fellow- creature pains me; and, when I consider myself in relation to the universe, what am I?
37996	Shall we say, not_ because_, but--_in spite of_ her?
37996	So you have written about me to Goethe, have you not?
37996	To the silent images resembling her, which my fancy presents to me?
37996	Was it a foreshadowing of bliss that might be his?
37996	Were his means swallowed up by his frequent removals?
37996	What a ruinous waste of time!--Why this deep sorrow where Necessity speaks?
37996	What could be kinder than the tone of this letter?
37996	What do you think of Schmidt?
37996	What greater contrast to all this can be imagined than our proud, reserved, brusque Beethoven?
37996	What shall I say to you about myself?
37996	What was Beethoven''s object in choosing this theme for his labours?
37996	What were Beethoven''s intentions with regard to this visit?
37996	What would there be, indeed, to make me happier?
37996	What, then, was the cause of it?
37996	Who can exaggerate the immense benefit that a loving, tender wife would have been to Beethoven-- a wife like Mozart''s Constance?
37996	Who can tell?
37996	Who could have felt this more keenly than Beethoven?
37996	Why should that particular trio be kept back?
37996	Would a youth spent in the midst of a great song- world have led our master along other paths?
37996	Would you have had me walk with my eyes shut?"
37996	_ Forsaken by the whole world in Vienna_, was he to starve?
37996	_ Fourteen Variations_ for piano, violin, and violoncello, on an original theme; composed 1802(?).
37996	_ Romance_ for violin and orchestra, in F major; composed in 1802(?).
37996	_ Romance_ for violin and orchestra, in G major; composed 1802(?).
37996	_ Seven Variations_ for piano and violoncello, in E flat; Theme from the"_ Magic Flute_;"composed 1801(?).
37996	_ Sonata_ for piano, in F major; composed 1803(?).
37996	_ Three Sonatas_ for piano, in G major, D minor, and E flat major; composed 1802(?).
37996	_ Two Easy Sonatas_ for piano, in G minor and G major; composed 1802(?).
37996	_ Variations_ for piano, in D major, on an original(?)
37996	a single verse to console us?
37996	and may I hope that you will cast on them the encouraging glance of your approval?
37996	and to whom can I now say it?
37996	and what would riper artists say to it?
37996	asks the master, testily,"and who has forbidden them?"
37996	can our love exist otherwise than by sacrifices, than by our not expecting everything?
37996	exclaims the reader, is this an instance of the so- called"aristocratic leanings"of Beethoven?
37996	has gone up from many a thousand hearts to the eternal throne; but who may presume to fathom the dispensations of a mysterious providence?
37996	may he not have wished to represent his heroine before the shadow of grief had fallen upon her, in the enjoyment of the highest wedded bliss?
37996	or to question that wisdom which gives to every earthborn soul the necessary discipline for immortality?
37996	shall I again feel it in the temple of nature and man?
37996	the friendly glance of a maiden to throw us into the sweetest_ reverie_?
37996	to Count Waldstein; composed in 1803(?).
37996	to Fräulein Brentano; composed 1821(?).
37996	to Prince Lobkowitz and Count Rasoumowski; composed 1808(?).
37996	to Prince Lobkowitz and Count Rasoumowski; composed 1808(?).
37996	to the Archduke Rudolph; composed 1806(?).
37996	to the Countess Julia Guicciardi; composed 1801(?).
37996	to the Princess Esterhazy; composed 1802(?
37996	to the Princess Odescalchi; composed in 1802(?).
37996	to whom could he turn?
37996	we ask;"on what account?"
37996	what is he who is called the greatest?
37996	who understands her?
37996	with whom can I discuss this great goddess?...
5995	Back to New York so soon? 5995 In what respect?"
5995	Inspiring, is n''t it?
5995	What are you up to now, Colonel?
5995	What is the price of your box?
5995	What, nowhere?
5995	Will she do it?
5995	("What more could she do were her husband sick?"
5995	A German opera?
5995	A colloquy with the musicians, if not exactly in these words, was to this effect:"What''s the meaning of this?
5995	A lyric drama in the Wagnerian manner?
5995	And how has this play been set to music?
5995	And if you thought me competent to do what I have done, why should you not be guided by my counsels?
5995	And the melodramatic music upon which Sardou''s play floats,--what is it like?
5995	And when deceived by him, whom did you take in place of him?
5995	And why was this?
5995	Answer at least these questions: Did you not request from me an Italian company?
5995	Avez- vous des habits a vendr''?"
5995	But it had this in the Astor Place Opera House; why, then, did it live its little span only?
5995	But to whom do you imagine it was now abandoned by the exemplary wisdom of its proprietors?
5995	But why?
5995	Did Garcia oppose his daughter''s marriage, and did she wilfully have her own way in a matter in which she was scarcely a proper judge?
5995	Did I not tell you and reiterate in my writing and verbally that Rivafinoli was not to be trusted?
5995	Did anyone ever hear a tone come out of her throat that was not pure, free, and firm?
5995	Did not I, and I alone procure them?
5995	Does she find him, when she rushes down the stairs, pursued by her father''s broken- hearted calls?
5995	Had not I a right to expect thus much, or at least justice?
5995	Has a drama abhorrent, bestial, repellent, and loathsome been changed into a thing of delectability by the potent agency of music?
5995	Has a mephitic odor been changed to a sweet savor by the subtle alchemy of the musical composer?
5995	Has a rock of offense been removed?
5995	Have I been compensated for my labor, reimbursed my actual expenses, or even honored by those most benefited by my losses and labors?
5995	Have not Mignon''s songs drawn forth music from nearly every composer of eminence since Beethoven?
5995	He paid his tribute to the tendency which Wagner made dominant( where is the composer of the last thirty years who has not?)
5995	In considerable distress he went to Faure, who had set the fashion:"What pose, gesture, effect of yours is it that I have failed to copy?"
5995	Is it a curse?
5995	Is it a strike?
5995	Is that true?
5995	It might be easier to answer the question if it were put in the negative: Why not"Iris"?
5995	Mr. White wrote in 1881; would he have been able to be so complimentary to the opera audiences of 1908?
5995	Or was the marriage repugnant to her, and was she sacrificed to her father''s selfishness?
5995	The reason?
5995	Then, still half turned, he remarked without a touch of feeling in the tone of his voice:"Encouraging, is n''t it?
5995	There was too much reiteration, and I shall never discipline my taste to like common colloquial expressions of life:"How do you do, madame?"
5995	Thereupon he indited an epistle to Mr. Dana in these wingèd words: Friend Dana: What would it cost to burn the Opera House?
5995	Was Italian opera dead?
5995	Was ever a more perfect musical coquette dreamed of than Philine?
5995	Was it a French opera?
5995	Was it an Italian opera?
5995	Were they not excellent?
5995	What but fashion could tempt reasonable creatures to sit and applaud-- what was really perpetrated-- Deshayes dancing"The Death of Nelson"?
5995	What chances of a happy issue?
5995	What experience?
5995	What judgment?
5995	What lyric possibilities do not lie in the Harper?
5995	What talents?
5995	What will they say, the Trollops and the Halls and Hamiltons who nodum in scripto quoerunt with the microscope of national aversion?
5995	What''s the matter in Cincinnati?"
5995	Which of them might with most propriety be applied to this work?
5995	Who can know the ways of a maid fourscore years after?
5995	Who would listen now to Rossini''s"Otello"?
5995	Why did n''t I think of doing that?"
5995	Why did you ask this of me?
5995	Why do you work so?
5995	Why"Iris"?
5995	Why?"
5995	Will this splendid and refined amusement be supported in New York?
5995	With what means?
5995	Would she, under the circumstances, be the guest of a number of gentlemen, representative of the legal, artistic, and literary professions?
5995	Would you know why they wished it?
5995	and where?
5995	and"Please, Miss Cary, wo n''t you let me kiss you?"
5995	are n''t you ever going to sing for us again?"
5995	asked the irascible little doctor;"ein eigenthümlicher Sänger, nicht war?
5995	asks Juvenal;"what if the physicians had despaired of her infant son?")
5995	do you know Schott?"
5995	more valuable than the German in an opera conceived in German, written in German, and composed in the German spirit by a German?
5995	thirty years ago?
16467	Do you know?
16467	I have been to-- guess whom?... 16467 Legouvé said to Berlioz,''Who told you this abominable thing?
16467	Man''s character,did I say?
16467	My name? 16467 Now does n''t that sound well?"
16467	Patriotism? 16467 Where?
16467	Would you believe it?
16467	[ 19] But of what use was this pity? 16467 [ 33]"Ah, my poor Louis,"he wrote to him,"what should I do without you?"
16467	''How could I?''
16467	***** Well, what did it matter?
16467	All is nothing.... To love or hate, enjoy or suffer, admire or sneer, live or die-- what does it matter?
16467	And Berlioz did nothing--"How could I?
16467	And an opera, now?...
16467	And what can be said of that evening?
16467	And yet how can we tell?
16467	Are we not in France?
16467	Are we really witnessing the return of its spring?
16467	Berlioz at home?''
16467	But is his reason always in agreement with his heart?
16467	But what did it matter?
16467	But what government, pope, emperor, or president could oblige an artist to think and write against his will?
16467	But what of that?
16467	But what shall be said of those who die little by little, who outlive themselves, and watch the slow decay of their souls?
16467	But why should it be truthful to depict life only as a bad thing?
16467	Can an artist write anything that he does not clearly conceive?
16467	Can one blame him for that?]
16467	Can one find elsewhere a more dazzling musical debut?
16467	Can this strange combination exist at all?
16467	Can we not tear ourselves away from that romantic suffering in music which was begun by Beethoven?
16467	Do not the two words contradict each other?
16467	Do people think he composes at random as his genius whispers to him?
16467	Do they not lean on the example of the past?
16467	Do they think that gesture associates itself very happily with music?
16467	Do we find his faith, as expressed through his music always full of peace and calm?
16467	Do you know the amusing account Tolstoy gave of a performance of_ Siegfried_?
16467	Do you know the programme?
16467	Do you remember Goethe''s ballad of_ Der Zauberlehrling_(_ L''Apprenti Sorcier_) which Dukas so cleverly made into music?
16467	Does it mean that Berlioz could not love as well as Wagner?
16467	Does the wonderful spread of musical culture in Germany during the last century correspond with its artistic creation?
16467	For what reason?
16467	Have we now come to the end of our difficulties?
16467	He fell in love with an English actress who played Juliet( Was it she or Juliet whom he loved?).
16467	His music is practically unknown in France, though he wrote two well- known operas,_ Fauler Hans_ and_ Wem die Krone_?
16467	How can it be otherwise, when the composers represented are mere names to them?
16467	How can that opinion help forward the growth of art?
16467	How did Berlioz come to have this genius for orchestration almost from the very first?
16467	How do such works come to be neglected by our Republic?
16467	How is it they have not a place in our public life?
16467	How should I?
16467	How should they appreciate the boldest musical achievement of the nineteenth century?
16467	I ask, What is an indefinite art?
16467	I can understand people arguing about him in a country that produced Beethoven and Bach; but with us in France, who can we set up against him?
16467	If that good Oulibicheff pretends to see the burning of Moscow in a discord in the first_ Heroic_, what would he find here?
16467	If you have them, will you lend them to me?"]
16467	Is it the incoming of some great tide of melody, which will wash away the gloom and doubt of our life to- day?
16467	Is it the monk Denys in his cell at Mount Athos?
16467	Is not Siegfried the heroic incarnation of a free and healthy man, sprung directly from Nature?
16467	Is that conviction justified?
16467	Is that voice of instinct cursed or blessed?
16467	Is the Wagnerian drama perfectly adapted to German genius?
16467	Is this the family feeling of Germany to- day?
16467	It has torn my heart to bury him alive, and I had a hard and painful fight with myself before I could do it.... Shall I ever go back to him?
16467	Look about you, and tell me if from this point of view there is any career finer than that of an artist who is conscious of his mission?
16467	On this subject he says:"Where shall we find the quickening life that will give us fresh forms and formulas?
16467	Or Cennini, who spread the pious teaching of the Giotteschi?
16467	Politics?"
16467	The Army?
16467	The Law?
16467	The University?
16467	They hissed its performance?
16467	To live with her?
16467	To what work or to what worker, worthy of interest, or seeming to be so, has he ever refused his advice and help?
16467	Was spricht die tiefe Mitternacht_?
16467	What could he have heard beyond the operas of Gluck and Spontini while he was at the Conservatoire?
16467	What did his compeers think of him-- at least, those who called themselves such?
16467	What does this heroism aspire to?
16467	What drama is more sober or more disdainful of exterior effect than_ Tristan_?
16467	What is a vague art?
16467	What is all this fury leading to?
16467	What is he waiting for?
16467	What is the good of these great aims if misery is all that lies at the end of it?...
16467	What man can, during a whole lifetime, gaze into the depths of this world with a calm reason and a cheerful heart?
16467	What might not Berlioz have done if the means had been given him, or if his works had found a place in the fêtes of the Revolution?
16467	What more could he want?
16467	What says dark midnight?
16467	What secret is being hidden from us?
16467	What unity is there in the adventures of Don Quixote or Till Eulenspiegel?
16467	What was she really?
16467	What was the bitterness of failure compared with the great anguish of death?
16467	What was the meaning of it?
16467	What was to be done?
16467	What were his dreams?
16467	What would Wagner have done on a like occasion?
16467	When has he time to be alone to listen to the music that sings within him?
16467	Where were you when I had need of you?
16467	Which of the two parents is he like?
16467	Which of us does not feel a little glow of pride at the thought of what has been done in the last thirty years?
16467	Who does not feel the infectious warmth and beauty of these spirited words?
16467	Who does not know his passion for Henrietta Smithson?
16467	Who has not met these censors of music?
16467	Who has understood the Southern nature, beautiful form, and harmonious movement like Berlioz?
16467	Who is this Stranger?
16467	Who speaks like this?
16467	Who, since Gluck, has recognised so well the secret of classical beauty?
16467	Why are they not part of our great ceremonies?
16467	Why are we not dead?
16467	Why be astonished at it?
16467	Why did n''t you turn her out of the house?''
16467	Why not?
16467	Why should the general public appreciate a Bach fugue, an intricate symphony or a piece of chamber- music?
16467	Will that revolution still be accomplished?
16467	[ 106] After all, why be astonished that his mighty mission was too much for him?
16467	[ 158] But in doing this is not his eclecticism trying to reconcile arts that are naturally disunited?
16467	[ 60] Who does not see what a poor figure the young Wagner cut at that time, working away in laborious and self- satisfied mediocrity?
16467	[ Footnote 18:"Is n''t it really devilish,"he said to Legouvé,"tragic and silly at the same time?
16467	[ Footnote 90:"What will then remain of actual art?
16467	what is the use of all this fame?
35812	Alone?
35812	And where is your rough draft?
35812	Are you really always so hard at work?
35812	But surely you know somebody who could write you one?
35812	But what are you dreaming of? 35812 But-- do you know you draw like your father?"
35812	But-- when can I see you without disturbing you?
35812	Did you do this?
35812	Gentlemen,he said,"who wrote these lines?"
35812	Is that so? 35812 Vous plait- il recevoir des lois de l''étranger?
35812	Well, Jean, what is it?
35812	Well, little man,said he,"what is this I hear?
35812	After all, what is this so- called_ naturalism_ in Art?
35812	And how goes your work, my dear fellow?
35812	And is not universal suffrage, the great achievement of these modern days, the irrevocable verdict of the sovereign populace?
35812	And what are you doing with yourself?"
35812	And what compensation for that which is bestowed on them can be expected from such a class?
35812	And what has this century done, I will not say for the pleasure, but for the happiness of the human race?
35812	And what is a school, after all, but a gymnasium?
35812	And what will happen now?
35812	And will no director produce that charming opera,"Beatrix et Bénédict?"
35812	Are you afraid there will not be room enough for you?
35812	Astronomy?
35812	At each change he would ask,"What key am I playing in?"
35812	But how about genius?
35812	But how about those letters of introduction, frequently requesting some service on your part which you can not well refuse?
35812	But the musician?
35812	But these fears( some of them were hopes perhaps?)
35812	But what could be more hideous than to hear all the bells in the town strike at once?
35812	But what does this prove?
35812	But what is a musician to do at Rome?
35812	But why?
35812	By what right, I ask, do they invoke the Future, when within a few days they must have become in its eyes that very Past they will have none of?
35812	Can you get him up in the mornings when you get up yourself, you early bird?
35812	Chemistry?
35812	Did Beethoven slay Mozart?
35812	Did not Voltaire( a clever man, if ever there was one) declare that no one person was as clever as all the rest put together?
35812	Do I mean that it is the best thing I have written?
35812	Do they really believe he is given over utterly to_ technique_, as though mechanical proficiency constituted his whole art?
35812	Do you believe that, as Celimène says in the play,"C''est être savant que trouver à redire"?
35812	Do you know how to draw?"
35812	Do you really and truly think?..."
35812	Does it mean that Nature should be the foundation and starting point in all art?
35812	Does not his whole existence depend on an amassed capital of knowledge?
35812	Does not the voice of the people equal the voice divine?
35812	Eh, dear boy?
35812	Eh?
35812	Has not each department its own special form of gymnastics?
35812	He caught sight of the sketch- book under my arm, and with that bright and piercing glance of his, he said--"What''s that under your arm?"
35812	He opened his eyes very wide, and looking hard at me, he asked--"Where the devil did you hear that?"
35812	How can the world judge anything?
35812	How many times had she to set and clean the palettes with her own hands?
35812	How many times since then have I been told:"Saint- Saëns?
35812	How many would even now have remained unfinished, had she not taken them in hand herself?
35812	How shall I describe it as it deserves?
35812	I looked up and answered,"You surely do n''t think I''m doing it for pleasure, do you?"
35812	Is he not taught to read, and write, and ride, and walk, and use weapons, and play on various instruments?
35812	Is it not a position in itself to be able to call oneself Mozart or Rossini?"
35812	Is it the shadow cast by the dark deeds of former days, to which the city seems predestined by its very situation?
35812	Is not man primarily an_ educated_ being?
35812	Is not the balance of happiness and charm on the side of cultivation and abundant growth?
35812	Is there any poverty in all the world so pitiful as this?
35812	Is there no difference betwixt the man and the instrument he uses?
35812	Is there no middle course?
35812	Law?
35812	Look first at a fertile, well- tilled field, and then at a strip of fallow land?
35812	Mechanics?
35812	Must you refuse to admit other men''s talent or genius in order to prove your own?
35812	Now really?
35812	Now, what is society?
35812	Physical science?
35812	Shall we never hear his"Te Deum,"in all its grandeur of conception?
35812	So how was I to write to you?
35812	Supposing the heart were bidden not to work so hard, to take a little rest-- to amuse itself, in short?
35812	Victor or vanquished, will France emerge a republic?
35812	Vous convient- il qu''un homme Do nt le vrai pouvoir est à Rome Sur mon trône ose m''outrager?
35812	Was it the world at large that formed Raphael and Michael Angelo, Mozart and Beethoven, Newton and Galileo?
35812	Well, we all have our tastes; why should not Monsieur Ingres have his?
35812	Were not Raphael, Mozart, Beethoven, all men of genius?
35812	What do you think of Monsieur Ingres''s picture?
35812	What for?
35812	What have you done with Courtépée?
35812	What is his function with regard to this conception of Nature, and, as I may almost say, this investment of her capital?
35812	What is progress, forsooth, but the onward march of intelligence, in the light of love?
35812	What is the use?
35812	What music is he to listen to?
35812	What of the Tiber, with its stern waters, eloquent of the crimes they have engulphed, and the calm of that Roman Campagna through which they roll?
35812	What of the silence, which teaches a man to listen to what is passing within his own soul?
35812	What on earth are you thinking of?
35812	What will the year 1871 bring us?
35812	What, then, is an artist?
35812	What_ artistic_ benefit can he gain there?
35812	Where are they?"
35812	Who are you working with?"
35812	Why did St. Theresa never recollect having heard a bad sermon?
35812	Will Rossini prevent Mendelssohn from living on?
35812	Would you erect such wavering contradictory decrees into an infallible jurisdiction?
35812	You want to be a musician?"
35812	already?
35812	are eloquence and virtuosity one and the same thing?
35812	dear friend, will no one rise up and lead our brave- hearted Frenchmen on some steady line of conduct?
35812	he said,"is that you?
35812	were you the small boy who solfa- ed so well?"
35812	what harmonies?
35812	what''s the matter, my boy?"
35812	you look at it in that way, do you?
7834	Cornwall? 7834 Did you not slay my uncle?"
7834	No, no,she replies,"I dare not-- yet how I should like to!--but what would Masetto say?"
7834	What land?
7834	What would King Marke say were I to slay_ his best servant_?
7834	Why do you hate me?
7834	Are we to suppose that after all that happened on board the ship she consented to become the wife of King Marke?
7834	But I can not hope to make my own position clear without descending to the foundations of all art, of all life, without asking: what is drama?
7834	Can we apply this distinction to music?
7834	Can we wonder that the world''s head was turned by such a gigantic personality?
7834	Does it not tell us more than all the outpourings of Oulibichef?
7834	Does she love Tristan before they drink the potion?
7834	Does, for example,"one revolution of the sun"mean twelve hours or twenty- four?
7834	Dost thou ask of Tristan, beloved lady?
7834	Has Isolde started on the voyage to be the bride of King Marke with her own consent?
7834	He continues: How has this foretaste( of eternal night) departed from me?
7834	He replies:"Our love?
7834	Him there who shirks my gaze, and looks on the ground in shame and fear?
7834	His moral sense tells him that this ought not to be; there must be some delusion; is it in nature or is it in his own understanding?
7834	How can death ever destroy that?
7834	How could Isolde be mine in the bright light of day?
7834	How else could we endure to contemplate the failure and destruction of a Lear, a Wallenstein, a Deianira, an Antigone?
7834	How is such a miracle possible?
7834	How many have inherited his spirit?
7834	How then can it be possible for music to be a vehicle of thought?
7834	In all the vast mass how much is there which was worth the writing, or can be read with any profit by reasonable people?
7834	Is that what is troubling you?
7834	Is this life to count for nothing?
7834	Isolde, scarcely yet realizing that this is indeed the only possible ending, asks( 139''4):"Must then daylight and death together end our love?"
7834	Now he calls her to his own, to show her his possession and heritage; how should she refuse?
7834	Now_ he_ turns to her smiling and asks:"_ Soll ich lauschen_?"
7834	Or that Tristan''s reasons for carrying off Isolde are clear to him from Marke''s account?
7834	Or the_ Upanishads_?
7834	Or this, in speaking of the formation of the opera and the demand for better libretti after the period of Spontini?
7834	Popule meus, quid feci tibi?
7834	Shall I call thee a yearning memory that has driven me once more to the light of day?
7834	Shall I request him to wait upon you?
7834	She has now attained full insight, and when he finally and seriously puts the question to her:"Shall I return once more to the day?"
7834	She recalls Isolde''s strange and cold behaviour on parting from her parents in Ireland, and on the voyage; why is she thus?
7834	She turns to Brangäne, and with a look of the utmost scorn, indicating Tristan, she asks: What thinkst thou of the slave?
7834	Sick and weary in my power, why did I not then smite thee?
7834	The wound?
7834	Tristan has taken her lover from her, and does he now dare to mock her?
7834	Tristan, shall I have atonement?
7834	Under which heading are we to class, for example, Plato''s_ Republic_?
7834	Was she not thine who chose thee?
7834	Was this a fault in Wagner?
7834	Were mighty death standing before me threatening body and life-- that life which so gladly I resign to my love-- how could its stroke reach our love?
7834	What can it have to do with"temperance, courage, liberality"?
7834	What did the wicked day lie to thee that thou shouldst betray thy beloved who was destined for thee?
7834	What didst thou vow, oh woman?
7834	What else but the art- collections and musical performances?
7834	What hast thou to answer?
7834	What sane- minded person can possibly take an interest in a succession of childish tricks played by two lovesick boobies upon a half- witted old man?
7834	What would King Marke say if I were to slay his best servant who has preserved for him crown and realm?
7834	What, for example, could be more admirable than this description of Mozart?
7834	When Morold lived, who would have dared to offer us such an insult?...
7834	Where are we?
7834	Whither, oh mother, hast thou bestowed the might over the sea and the storm?
7834	Who has never had the memory of his home or of some place familiar to his childhood recalled by the scent of a flower or a plant?
7834	Who has not met with such?
7834	Who shall say?
7834	Why could he not have lowered the curtain on the lovers united with Marke''s full approval?
7834	Why did not the poet take the opportunity offered and spare us the harrowing scenes at the end?
7834	Why did the very name of Italian opera become a by- word for all that is frivolous and inartistic in dramatic art?
7834	Why may we not accept it as it is evidently intended?
7834	Why, for example, should a given melody in thirds on two bassoons denote a ring?
7834	Why, then, did it not succeed?
7834	and why should it bear a thematic kinship to another melody denoting Walhall?
7834	aut in quo contristavi te?
7834	how seems she to thee as a bride?
7834	or the book of_ Job_?
7834	the wonder of all lands, the much- belauded man, the hero without rival, the guard and ban of glory?
7834	what are its aims, and how does it express them?
7834	what is human life which it reflects?
7834	where?
7834	who has not felt their power?
43412	Ah, vous dirais- je maman?
43412	And what did the devoted girl do?
43412	And why? 43412 Comment, le dernier?
43412	Est- ce que vous étiez au Concert Spirituel?
43412	Have I not enough to do?
43412	Nor should I,answered Mozart;"but do you know why?
43412	Que dites- vous du premier coup d''archet? 43412 What are we to do?"
43412	( 156) question"il reo quai è?"
43412	( 280) you play any other pieces of my composition?"
43412	( Where is the belt, my dear?)
43412	("Si puö far di più per far stonar i professori?").
43412	), Dauer(?
43412	:[ 35]--_ Emperor_:"Have you heard Mozart?"
43412	Am I to throw away a thousand gulden because of a malicious prince who does what he likes with me for a miserable four hundred florins?
43412	And did he alter his conduct?
43412	And is not Gluck also an old man?
43412	And what was the consequence?
43412	And yet he wrote from Vienna to his father( May 16, 1781):"I was a fool about Lange''s wife, that is certain; but who is not when he is in love?
43412	At last the Duchesse de Chabot came in, and politely begged me to make allowances for the clavier, since she had none in good order; would I try it?
43412	At last, when my blood was boiling, I could hold out no longer, and said:"Then your Serene Highness is not satisfied with me?"
43412	Bad enough, you will say, but do I write often, even to my father?
43412	But now it is time I close, is it not?
43412	But who, you will ask, is the object of my love?
43412	But, after all, what harm can he do you?
43412	Can you believe that the opposition was even stronger than on the first evening?
43412	Could you have supposed all this?
43412	Do you know what I should like?
43412	Do you not daily grow more convinced of the truth of my little lecture?
43412	Even Gluck-- did Germany make him the great man he is?
43412	For what is the object of these passages after all?
43412	Has Herr von Thorwarth waited on your ladyship already?
43412	Having often heard me play fugues out of my head, she asked me if I had never written any down?
43412	He was asked by a Frenchman, at Munich or some other place:"Monsieur, vous avez été ä Paris?"
43412	How can it be otherwise?
43412	How can it be otherwise?
43412	How can you utter such a contradiction?
43412	How could Mozart resist such a petition?
43412	How could they have been contracted but by dissipation, irregular living, and extravagance?
43412	How does he treat me?
43412	How far, after all, was Salieri capable of influencing the music of his day?
43412	I believe there is something behind, for I have my enemies here, as where have I not had them?
43412	I could do nothing but ask Le Gros,"_ A propos_, have you given the Sinfonie Concertante to be copied?"
43412	I need not tell you that the Germans have excelled other nations in almost every art-- but where did the artists make their fortunes or their fame?
43412	I rubbed my eyes and said:''Where the deuce did you get that idea?''
43412	I thought to myself,"Where are you to go to?
43412	I was a fool about Madame Lange, that is true; but who is not when he is in love?
43412	I was not formerly, when her father was poor, and why should I be so now when she may make your fortune instead of you hers?
43412	In Mozart''s autograph score the flute part is left blank: was the player to improvise?]
43412	In Prater?
43412	In unpleased surprise Joseph asked:"What, do you mean to forsake me, Mozart?"
43412	Is it necessary that we should both go to him after dinner to- day?
43412	Is it not the case that all possible measures were taken to drive my son out of Salzburg?"
43412	Is it so?"
43412	Is it true that I have never answered you?
43412	Is it your d----d religion?"
43412	Is not the pleasure of a fickle and capricious love a thousand times removed from the blessedness accompanying a sincere and rational affection?
43412	Litt., XI.,?
43412	Not finding it she called to her husband:"Liebes Mandl, wo ists Bandl?"
43412	Of course I could not go, and who do you think was there?
43412	Shall I announce myself as a scoundrel, and the Archbishop as a worthy prince?
43412	Shall I embitter my life at its very opening?
43412	Tell me now, dear father, should I not have had to say this sooner or later?
43412	The Archbishop acknowledges to being in the wrong now; but had he not opportunities enough for acknowledging it before?
43412	Then suddenly springing up, as his manner was, he cried:"Now, what do you think of that?
43412	Was blauscht der?
43412	What is there to prevent his having a prosperous career in Vienna, if he only has a little patience?
43412	What is to become of an opera without singers, either male or female?
43412	What is your opinion?
43412	What other cause could there be?
43412	What prevents you?
43412	What world?
43412	What would be the end of it?
43412	When I went in he was standing in the first room by the stove, and he came straight up to me and asked if I had anything to do to- day?
43412	When did Gluck, when did Piccinni, when did all these people come forward?
43412	Whether it will please generally I do not know; and, truth to say, I care very little; for whom have I to please?
43412	Who did not know, who did not respect, who did not love our worthy brother, Mozart?
43412	Who has not been charmed again and again by the last melody, which, like a shining meteor, sheds light and cheerfulness around?
43412	Who of us that saw him then, my brethren, would have supposed his days to be numbered?
43412	Who would have thought that in three weeks we should be mourning his loss?
43412	Why did he not seek them out?
43412	Why do Italian comic operas always please, in spite of their wretched librettos-- even in Paris, as I was witness myself?
43412	With this idea he writes to his father( December 16, 1780):--_ À propos!_ how about the Archbishop?
43412	With unselfish emotion Mozart exclaimed:"How can I desert my good Emperor?"
43412	You know Frau Adlgasser?
43412	You will laugh, no doubt?
43412	[ 103] But what of Mozart''s inclination for strong drink, so often talked of?
43412	[ Footnote 21: When Stadler once complained to him of an awkward passage, and wished it altered, Mozart said:"Have you the notes in your instrument?"
43412	_ Emperor_:"Have you heard Clementi also?"
43412	_ Emperor_:"How do you like him?"
43412	ah maledetto--anche bravura?
43412	avez- vous entendu le premier coup d''archet?"
43412	de Guines her fourth lesson, and you want her to write down her own ideas; do you think that everybody has your genius?
43412	do you mean to threaten me, you rascal, you villain?
43412	geben sie mir einige alte Partituren aus der Hofbibliothek(?
43412	my one anxiety, God knows, is to help you and us all; how often must I write that I can do it better here than in Salzburg?
43412	only one hour?
43412	qui veut dire cela?"
43412	trillo di pecore( at a shake)--finisci?
43412	was blauscht der?
43412	will it not be copied?
40643	''And for the second?--Schumann, Bach, or may I venture upon some new variations of my own?
40643	''Are you here in Berlin, then?''
40643	''Are you so engrossed?''
40643	''Are you taking notes?''
40643	''Avez- vous lu l''article de Schumann dans le dernier numéro de Brendel?''
40643	''But wo n''t you smoke, Herr Brahms?''
40643	''But you did not know who I was?''
40643	''But yours is really grander and sterner, is it not?''
40643	''Do you remember that you encouraged me last winter to write an overture to"Romeo"?
40643	''HONOURED SIR,''You certainly think that your dear letter did not give me the least pleasure, as I have left it so long unanswered?
40643	''How am I to make this sound?''
40643	''How can I most quickly improve?''
40643	''How could you let yourself be put off from such business?''
40643	''How must I practise this?''
40643	''I wonder if the long walk with me did you good?
40643	''May I venture to place Frau Schumann''s name upon the title- page of my second work?
40643	''Pray, can you inform me what a Gittith was?''
40643	''What does that matter to you?''
40643	''What is this?''
40643	''What shall I play?
40643	''What shall I play?''
40643	''What?''
40643	''Who could count them?
40643	''Who was it?
40643	''Why did you give me that advice?''
40643	''Why did you not leave your address?
40643	): do you see, gentlemen?
40643	10( Ballades for pianoforte), should, perhaps, be extended... does it not include the D minor Concerto, with its wild genius?''
40643	12 of Brahms''work) which Peter sings as he walks in the garden thinking sadly of Magelone: Are we, then, for ever parted?
40643	A leaf contained this song: Does pity so tender Tell love''s sweet surrender?
40643	A zither sounds, and a sweet voice sings, Belovèd, where dwelleth Thy footstep this night?
40643	Ah, what have we here?''
40643	All the next morning he was unable to calm himself, so at last he took a lute and sang: Oh, how shall I measure The joy of our meeting?
40643	And the ballades-- the first wonderful, quite new; only I do not understand the_ doppio movimento_ either in this or the second, is it not too fast?
40643	And yet who will deny that much"lies in the air"to- day which had formerly to be won by hard fighting, or to be developed entirely from within?''
40643	Are you not doing too much, dear Clara?''
40643	Asking Marxsen if he considers the pianoforte pieces worth publishing, he adds as to the proposed title:''What do you think of it?
40643	Beethoven or Mozart?
40643	Brahms did not immediately answer, and I added:''Would you rather not?
40643	Brahms glanced at me with rather an inquiring expression, and asked,''Why?''
40643	Brendel had not only sent him each work as it appeared, but had urged him to write, asking repeatedly,''Why nothing about Brahms?''
40643	But of what use would it be if I were to delay any longer saying plainly what I feel?
40643	But the hissing was too much?...
40643	But where was Brahms?
40643	But why do you keep this ugly old face?
40643	But why have you placed your inclination upon a stranger of whom no one knows whence he came?
40643	C minor, A major, or G major?
40643	Could either of them replace amongst our highest possessions a really great play, a great poem, a great symphony?
40643	Do you not like this, my Clara, better than organ?
40643	Does n''t it please you?
40643	Dwells in earthly living so much bliss?
40643	Has he finished anything else?
40643	Has this ballade made a similar impression on you, my Clara?
40643	He continues:''Now, where is Johannes?
40643	He has only stripped off his body too soon.--If you would give me pleasure, let me find a letter from you in Ddf.--is that quite too bold?
40643	How do you know?''
40643	How many had ever heard anything about the adventures of Magelone and Peter?
40643	How many persons in the audience had read Tieck''s poems?
40643	I am dreadfully anxious to know him.... What is he like personally?
40643	I only hope you will like it, and that it is not too high?
40643	I shall myself write also to Brahms; does his portrait by de Laurens still hang in my study?
40643	If at Winsen, why not also at Lüneburg and Celle?
40643	Is he dark or fair?''
40643	Is he flying high-- or only amongst flowers?
40643	Is he setting drums and trumpets to work yet?
40643	Is he still in Düsseldorf?
40643	Is he with you?
40643	Is the overture to Hamlet published?
40643	Lischen found herself standing near the piano-- and what did she see there?
40643	Oh, am I awake?
40643	One morning my father, coming into the room at the close of my lesson, asked Brahms:''Has she been a good girl to- day?''
40643	Peter roused himself and softly sang the following song: Is it gladness that is ringing, Is it sorrow, in my heart?
40643	Some of it is copied from the newspapers; what is she to do when she has no more news?
40643	The famous Dramas are gorgeous stage poems; but are they so exceptionally and extraordinarily elevating to the mind?
40643	Then he sang with great fervour: Were they thine on which these lips were pressing, Thine the frankly- offered, tender kiss?
40643	Upon this Brahms broke silence with the words,"Do they live close by, then, like everyone else?"
40643	Was our true love all in vain?
40643	What did he mean?''
40643	What has he composed?''
40643	What have Brahms and Joachim been composing?
40643	What is his music like?
40643	What shall we call this?
40643	What was Marxsen''s share in the art of Brahms?
40643	What was to be done?
40643	What, however, is the ultimate result of the musical Dramas?
40643	What, however, were his prepossessions, his little sarcasms, and occasional roughnesses, but as the tiniest flecks on the sun?
40643	Who are the present pupils?
40643	Who are to be sponsors for the little one, and in what church is he to be baptized?...''
40643	Who could tell what might happen?
40643	Who shall yet say what will be the final judgment of this supreme arbiter of all such matters?
40643	Who the best?
40643	Why is this masterpiece so seldom heard?
40643	Why must we live broken- hearted?
40643	Why not have a handsome, curly- haired one?
40643	Why was I obliged to ask you?''
40643	Why?
40643	Will he turn to the left, to the most extreme romanticism, or to the right, to the path of our classics?''
40643	Will their like ever come again?
40643	Will you give it to Johannes on his return?
40643	Would Giesemann give him a few weeks''holiday at Winsen?
40643	You understand that, do n''t you?''
40643	a song?
40643	devoured it, but not altogether; some fragments fortunately remain for me to point to proudly in the future( when I shall have become a great man??!!
40643	devoured it, but not altogether; some fragments fortunately remain for me to point to proudly in the future( when I shall have become a great man??!!
40643	where have you come from?"
40643	who is that?"
40643	you have got what you wanted; how do you like it?''
26320	And where are your Venetian embroideries?
26320	Do you mean that the incidents are untrue?
26320	I have since wondered, could he have evoked the goddess then? 26320 Shall I bring her in here?"
26320	What is there to do in Paris in August but to enjoy oneself?
26320	What style of room?
26320	What would the Master say?
26320	When will you look up the little_ Polonaise_?
26320	Why do n''t you come along?
26320	Would he approve of such a proceeding? 26320 Your daughter, I take it, is a modern girl?"
26320	_ Et ta soeur?_he demanded as he disappeared down the staircase.
26320	_ Peut- être que la petite Polonaise vous suffira à tous les deux?_"_ Jamais de la vie!_I shouted,"_ Flûte, Mercure, allez!
26320	_ Qu''est- ce que monsieur a mangé?_Sometimes it is very difficult to remember, but it is necessary.
26320	All very well for the day, no doubt, but could Cuzzoni sing Isolde?
26320	And if they are to be thus collected may we not hope for one or two new essays with, say, for subjects, Flaubert and Huysmans?
26320	And the Signora, Pietro''s mother?
26320	And the_ monde_; who goes there?
26320	And what modern parts would be allotted to the Julian Eltinges of the Eighteenth Century?
26320	Are long compositions better than short ones?
26320	Are short compositions better than long ones?
26320	Are there no answers to these conundrums and the thousand others that might be asked by a person with a slight attack of curiosity?...
26320	Bernard Shaw says,"Who ever failed or could fail as Rosalind?"
26320	But where might Pietro''s father be?
26320	But, some one will argue, with the passing of_ bel canto_ what will become of the operas of Mozart, Bellini, Rossini, and Donizetti?
26320	By this time we were determined to dance; but where?
26320	Can any of our young misses hum_ Di Tanti Palpiti_?
26320	Can we judge music by academic standards?
26320	Could Faustina sing Mélisande?
26320	Did not the great Carmencita herself visit America twenty or more years ago?
26320	Did saucy Marie Jansen awaken your admiration?
26320	Dites, plutôt, pourquoi la vie?_"In"A Transaction in Hearts"[15] the Reverend Christopher Gonfallon falls in love with his wife''s sister, Claire.
26320	Do you know how to go there?
26320	Does she overdo the use of_ portamento_,_ messa di voce_, and such devices?
26320	Et pour monsieur, votre ami?_""_ Je ne desire rien_,"I replied.
26320	Has any one read the Joseph Jefferson acting version of_ Rip Van Winkle_?
26320	Has she ever been careless before the public?
26320	Has she taste in ornament?
26320	Have you missed the Gibbons carving?
26320	Have you seen Bernard Bégué standing before his cook stove preparing food for his patrons?
26320	He says that he dictated certain passages in the book....""What is it, then?
26320	Heinrich Conried( or was it Maurice Grau?)
26320	Her imitators( and has any other interpretative artist ever had so many?)
26320	How could it be otherwise?
26320	How is her shake?
26320	How many times did you go to see Marie Tempest in_ The Fencing Master_, or Alice Nielsen in_ The Serenade_?
26320	I gasped,''what is she doing?
26320	I walked to the window, drew aside the red curtains, and looked out into the fountain- splashed court below....*****"What is the difference?"
26320	If that were true, why is not some one else performing this drama today to large audiences?
26320	In the case of Henry Irving, who was the creator, the actor or the authors of_ The Bells_ and_ Faust_( not, in this instance, Goethe)?
26320	In the case of Sarah Bernhardt, who was the creator, the actress or Sardou?
26320	Is Christine Nilsson still alive?
26320	Is Langdon Mitchell''s version of"Vanity Fair"sufficiently a work of art to exist without the co- operation of Mrs. Fiske?
26320	Is Mozart''s_ G minor Symphony_ more important( because it is more complicated) than the same composer''s,_ Batti, Batti_?
26320	Is a string quartet better than a piece for the piano?
26320	Is an opera better than a song?
26320	Is he therefor to be regarded as the peer of Gluck?
26320	Is it Thursday, Saturday, and Sunday that the Moulin de la Galette is open?
26320	Is simple music supermusic?
26320	Is there a cooking theme in_ Siegfried_ to describe Mime''s brewing?
26320	Is what is new better than what is old?
26320	Is what is old better than what is new?
26320	It is a bore to wait in a room with red curtains and a picture of_ Amour et Psyche_ on the walls.... What have you been doing?"
26320	Madge Lessing in_ Jack and the Beanstalk_, Edna May in_ The Belle of New York_, Phyllis Rankin in_ The Rounders_, or Gertrude Quinlan in_ King Dodo_?
26320	May we not herein find some small explanation for his apparent neglect?
26320	Melba?
26320	Never was there a more popular composer, and yet aside from the violin concerto what work of his has maintained its place in the concert repertory?
26320	Nor can we trust the public with its favourite Piccinnis and Puccinis.... What then is the test of supermusic?
26320	Not long ago I heard a man speak of the cadet operas in Boston( did a man named Barnet write them?)
26320	One more, I must mention, her answer to Guido''s insistent,"_ Cet homme t''a- t- il prise_?"...
26320	Or have you seen Giacomo( and have not Meyerbeer and Puccini been bearers of this name?)
26320	Or is harmonization the important factor?
26320	Or is supermusic always grand, sad, noble, or emotional?
26320	Perhaps with you it was not Della Fox.... Who then?
26320	Schoenberg is new; is he therefor to be considered better than Beethoven?
26320	Should we not allot similar approval to the actor or actress who makes a fine effect in one part or in one kind of part?
26320	Should we regard, for example,''Imperial Purple''less a work of creative art than''The Rise of Silas Lapham''?"
26320	Should we say that there is no art of painting because the Germans have no great painters?
26320	Should we thank the behemoth for this miracle?
26320	Still the music critics with strange persistence continue to adjudge a singer by the old formulæ and standards: has she an equalized scale?
26320	Stravinsky is new; is he therefor to be considered worse than Liszt?
26320	That stinging, cynical attack on the courts of Justice(?)
26320	The book is dedicated to John S. Rutherford and bears as a motto on its title page this quotation from Rabusson:"_ Pourquoi la mort?
26320	Theresa Vaughn in_ 1492_, May Yohe in_ The Lady Slavey_, Hilda Hollins in_ The Magic Kiss_, or Nancy McIntosh in_ His Excellency_?
26320	They assembled by hundreds, and even thousands, in the great Theatre of San Carlo to do-- what?
26320	Was Saltus ballyhooing for this institution?
26320	Was Virginia Earle in_ The Circus Girl_ the idol of your youth or was it Mabel Barrison in_ The Babes in Toyland_?
26320	Was it because of the greatness of the play?
26320	Was it the Rue Jessaint?
26320	Was pert Lulu Glaser the object of your secret but persistent attention?
26320	Was the author laughing at the Eighteen Nineties?
26320	We learn from some sources that music stands or falls by its melody but what is good melody?
26320	What do you whistle in your bathtub when you are in a reminiscent mood?
26320	What else could you expect?
26320	What has become of_ Semiramide_,_ La Cenerentola_, and the others?
26320	What is the difference?
26320	What is the essential difference between an air by Mozart and an air by Jerome Kern?
26320	What is the test of supermusic?
26320	What makes a melody commonplace or cheap?
26320	What makes a melody distinguished?
26320	What more is there to say?
26320	What would we think of an actor who could make no effect save in the tragedies of Corneille?
26320	What, after all, constitutes training?
26320	When Duse electrified her audiences in such plays as_ The Second Mrs. Tanqueray_ and_ Fedora_, were the dramatists responsible for the effect?
26320	Which of our playwrights are taken seriously by the pundits?
26320	Who will sing them?
26320	Who wrote it?
26320	Why could not some similar plan of appreciation be followed in the houses of our very rich?
26320	Why do some melodies ring in our ears generation after generation while others enjoy but a brief popularity?
26320	Why is Chopin''s_ G minor nocturne_ better music than Thécla Badarzewska''s_ La Prière d''une Vierge_?
26320	Why is Musetta''s waltz more popular than Gretel''s?
26320	Why is a music drama by Richard Wagner preferable to a music drama by Horatio W. Parker?
26320	Why is this book not dedicated to author of"The Turn of the Screw"rather than to"E. A. S."?
26320	Why should he listen to his_ gigolette_?
26320	Why should the Hottentots be able to make so many delightful noises that we are incapable of producing?
26320	Why should the gamut of expression on our opera stage be so much more limited than it is in our music halls?
26320	Will any composer arise with the courage to write an opera which_ can not_ be sung?
26320	Will the young man at the back of the hall please page Avery Hopwood and Philip Moeller?...
26320	Will you rise up to deny that is singing?"
26320	Would_ monsieur_ care to visit a_ bal musette_?
26320	_ Sweet Marie_ is certainly a melody; why is it not as good a melody as_ The Old Folks at Home_?
26320	and"Who goes there?"
26320	de Thèbes done better?
26320	or Does the stage director make the actor?
46102	Again?
46102	Again?
46102	Ah, good evening,he said,"was it not a beautiful concert?
46102	All?
46102	And the new picture, is it finished yet?
46102	And who is it this time?
46102	And-- and do you fight there?
46102	Are all the stores open Sunday?
46102	Are many Wagner operas produced here?
46102	Broad?
46102	But what_ do_ you find to fight about in these peaceful times?
46102	By the bye,said I, as we were walking through Theatiner- strasse,"did I make a great many mistakes in my note to you?"
46102	Could n''t you tell me what city she lives in?
46102	Have you ever played string quarters from score, Fräulein?
46102	Is it the custom to celebrate this instead of the birthday?
46102	Is n''t it awful?
46102	Is n''t it odd that some of them choose red and the others choose green, as if they belonged to a college team?
46102	Is n''t it splendid?
46102	Is that by your national composer, Sousa?
46102	Is the class full,_ Herr Sekretariat_?
46102	Like Munich? 46102 My dear young lady, what can you possibly want of orchestral scores?"
46102	Orchestral scores?
46102	So you are enjoying the Parada, are you?
46102	Was the lieutenant in town then?
46102	We thought you were lost, is n''t it?
46102	Well, Fräulein, what have you?
46102	What can you expect when a girl betrothed to an officer makes ready for a grand wedding in the spring? 46102 What does one have to do?"
46102	What_ are_ you doing?
46102	Why not soothe our ears with a ditty akin to this?
46102	You are English, are you not?
46102	You do n''t have anything half as jolly in America, do you?
46102	You really did n''t think me lost, or kidnapped, or perchance murdered in cold blood, did you?
46102	_ Bin ich nicht nett, gnädiges Fräulein?_( Am I not fine?)
46102	_ Bin ich nicht nett, gnädiges Fräulein?_( Am I not fine?)
46102	( A_ finale_ would seem more appropriate, would n''t it?)
46102	***** How can I write you about the evening or rather afternoon and evening which followed?
46102	After all,_ kleine Amerikanerin_,"she continued naïvely,"do n''t you think that people are happier without a lot of money to look after?
46102	After much misgiving she consented and a meeting was arranged----""At a carnival ball?"
46102	Although six months ago the thought of all the delightful things money could buy----""Including a lieutenant?"
46102	Always on entering they say"Good day"and the proprietor comes up with"How can I serve you,_ gnädiges Fräulein_?"
46102	Am I living in another world?
46102	Amerika!_"What mattered it that it was only an unpretentious pupils''concert?
46102	And the drum in the scherzo-- who could ever forget it?
46102	And the giants were such wild- looking creatures with grotesque tufts of hair on the crown of their heads-- should I have taken them more seriously?
46102	Beethoven has indeed caught the spiritual note, do n''t you think so?
46102	Can Germany and the dear old Hof- Theatre be but a day''s trip away?
46102	Can you imagine anything more fascinating than living in a house where every nook and corner is alive with memories of the past?
46102	Can you imagine spending Christmas riding through the Brenner Pass?
46102	Did I play any"pieces"or only"five- finger exercises"?
46102	Did I say no carpet?
46102	Did I tell you that a servant is engaged at so much a week_ with_ beer?
46102	Did I tell you that some weeks ago I made a translation into English of the_ Rosenlied_( Rose- song) by Anna Ritter?
46102	Did I use the loud pedal much?
46102	Did I write you that the Americans in the_ pension_ opposite were to give a St. Valentine''s party?
46102	Did you ever notice the effect of a boy with pompadour hair opening his mouth very wide?
46102	Did you know the tarts here are not nearly so good as those in Berlin?
46102	Do n''t you know that ten pfennigs( two cents and a half) for each person is considered quite sufficient?"
46102	Do you know it?
46102	Do you know that the men bow first in this country?
46102	Do you not feel proud when I tell you that out of the ten medals presented two were captured by American girls?
46102	Do your æsthetic sensibilities shrink at these materialistic descriptions?
46102	Does n''t it sound interesting?
46102	Does n''t that sound imposing, as though I had graduated with honors from some academy?
46102	Does n''t that strike you as rather extraordinary?
46102	Does that stop the cry of the heart?--for it does cry: does n''t it?
46102	Have I explained that in front of the Feldernhalle is a triangular open space?
46102	Have you ever been among the mountains in winter?
46102	Have you ever seen a gull circling with wide- spread wings above a fish in the water beneath, and then suddenly dart down and bear away his prey?
46102	How did you guess?
46102	I am right, am I not,_ Herr Sekretariat_?"
46102	I can hardly imagine a placid Tschaikowsky or an unruffled Dvorák, can you?
46102	I managed to get Beethoven''s"_ Kennst du das Land?_"to suit her, but only after much toil for both of us.
46102	I was longing to ask"Reuben who"?
46102	Is it possible that it is only her money that he is after?
46102	Is it that which the fountain-- my fountain, as I claim it now-- sang to me as I passed to- day?
46102	Is n''t it queer to picture the nobility of Europe as running boarding- houses?
46102	Is n''t that fine, and does n''t it make you long to be with us?
46102	Is n''t that truly German?
46102	Is there anything in the world grander, more truly religious than a Bach choral?
46102	Is there anything in the world more marvellous than music or more indescribable than its hidden soul?
46102	Is there anything more lovely than the quintette?
46102	Is there anything more marvellously worked out than that street scene?
46102	M. Do you know the"Beethoven- Lied"by Cornelius?
46102	O departed gods of Olympus, is there anything more disheartening than this Fashionable Insincerity?
46102	Or did I myself unconsciously hum the melody and hear in the ripple of the falling water the soft rhythm of accompanying''cellos and violins?
46102	Realizing all this, I judged it wiser to change the subject by asking quickly,--"Are the girls coming to- day?"
46102	Strange, is it not, with what a keenly human note inanimate things sometimes appeal to us?
46102	Then what do you think he did?
46102	To what are we coming next?
46102	Was I at fault because when I first heard the giant motif I smiled?
46102	Was n''t it sweet of her?
46102	What do you think I paid for my seat?
46102	What do you think they are doing?
46102	What do you think?
46102	What need when I am writing to one who Understands?
46102	When I tell you that it was my first hearing of"Tristan and Isolde"in the wonderful new Prince Regent Theatre, are you surprised that I hesitate?
46102	Who do you think it was?
46102	Who ever associated sausages with anything so idyllic as a waterfall?
46102	Who ever thought of connecting them with the legends of the Middle Ages?
46102	Who was it said that in Tristan the"thrills relieve one another in squads"?
46102	Why is it that the most shrinking, retiring, and timid- appearing member of an orchestra is always the one to play the instruments of percussion?
46102	Why not?"
46102	Why on earth did n''t they rise and go out?
46102	Why, you inquire?
46102	Will you tell my aunt?
46102	Would I pardon him if he gave me my lesson in his hunting costume?
46102	You have heard that old adage, have n''t you,"Laugh and the world laughs with you, weep and you weep alone"?
46102	You remember the time when he was such a prominent conductor and musician in Boston, do you not?
46102	as in a fit of indigestion?
46102	while his wife joined in with,"Is n''t Wagner simply delicious?"
13843	Well, Musetta,I questioned:"How''s your heart?"
13843	( MUSETTA_ without noticing_ ALCINDORO_, takes a vacant seat, outside the café._) How now?
13843	( Mimi revives) Do you feel better?
13843	( archly) Who knows, sir?
13843	( aside to MARCEL) Art mad?
13843	( conducting her to a chair near the tire) A little wine?
13843	( coquettishly) Could I not come with you?
13843	( interrupting) Another tipple?
13843	( offering BENOIT a glass of wine) Some Bordeaux?
13843	( seeing the rest in the act of eating the cold pastry) What are you doing?
13843	( to BENOIT, without noticing the two) Hast seen it?
13843	(_ A timid knock is heard at the door._) Who''s there?
13843	(_ Checks himself, seeing a fire in the stove._) See I a fire here?
13843	(_ Haggling with the tinker._) What''s the price of the lot?
13843	(_ Turning to his work._) And you?
13843	(_ approaching the window_) Who are they?
13843	(_ aside to the others_) What is there to give her?
13843	(_ crying_) Who''ll buy some pretty toys from Parpignol?
13843	(_ eagerly_) What plot is brewing?
13843	(_ eating_) COL. What''s that about forgiveness?
13843	(_ endeavoring to conceal his emotion from_ Marcel,_ carelessly questions him_) What time is it now?
13843	(_ faintly in the distance_) Who''ll buy some pretty toys from Parpignol?
13843	(_ from within_) What d''ye mean?
13843	(_ huskily, almost in a speaking voice_) What''s the meaning of this going and this coming, And these glances so strange?
13843	(_ in an undertone to MIMI_) Mimi, what would you like?
13843	(_ incredulously_) Tin medals?
13843	(_ looking curiously at RUDOLPH_) Do you know who she is?
13843	(_ resuming his talk_) In a coupé?
13843	(_ rises and approaches_ Colline,_ observing with droll inquisitiveness_) What''s in the wind?
13843	(_ running to open the door_) Is it?
13843	(_ showing one to_ MARCEL) You''re deaf then, or blear- eyed?
13843	(_ suddenly seeing_ MIMI_ look round suspiciously_) What is it?
13843	(_ to RUDOLPH_) Sleeping?
13843	(_ to_ Colline) What?
13843	(_ to_ MARCEL,_ offering him some bread_) Choose, my lord marquis-- salmon or turbot?
13843	(_ to_ Rudolph) Did you give me this present?
13843	(_ watching MARCEL; in a loud voice to MARCEL_) Why, do n''t you know me?
13843	(_ with comic terror_) Intend you to read it?
13843	Are you jealous?
13843	Are you not well?
13843	Are you then in love?
13843	Are you?
13843	Beneath the pillow You''ll find my little bonnet-- Who knows?
13843	But who has got my purse?
13843	COL. Who bade him bring it?
13843	COL. Who knows what will happen now?
13843	COL. Who?
13843	Can you find me the painter, Marcel?
13843	Colline, are you dead yet?
13843	Deny?
13843	Do you hear me?
13843	Do you then dismiss me?
13843	Do you think it serious?
13843	Do you think this rose- trimmed bonnet suits me?
13843	Emma, do n''t you hear me?
13843	Found it?
13843	Going?
13843	Have they left us?
13843	Have you found it?
13843	He has good taste, then?
13843	Here?
13843	How now?
13843	How now?
13843	How shall I get them warm?
13843	Is that a living?
13843	Is that your latest whim?
13843	Let''s play together, let''s play the game of buy and sell: Who''ll give a penny for my guileless heart?
13843	Like this?
13843	Musetta?
13843	No coffee?
13843	Now that I''ve told my story, Pray tell me yours, too; Tell me frankly, who are you?
13843	Now you that once your love for me betrayed, Why should you be dismayed?
13843	Of what use are the forests all white under the snow?
13843	On returning?
13843	Our own age, less or more?
13843	Outside?
13843	Please, sir, tell me the name of that tavern Where now a painter''s working?
13843	Say, what has happened?
13843	Say, will you tell?
13843	Shall I be frank?
13843	Shall I?
13843	Shall we await another spring?
13843	Some dancing, accompanied by singing?
13843	Tell me how many years Boast you of, my dear sir?
13843	The key of my poor chamber, Where can I have left it?
13843	Then, you are going to leave me?
13843	To buy the bonnet?
13843	Wake him?
13843	Well, shall we see you later?
13843	Well?
13843	What can I do to aid her?
13843	What can it be that sets you all a- gaping?
13843	What d''ye mean?
13843	What do you there, so lonely?
13843	What face do they show?
13843	What has happened, idler?
13843	What now?
13843	What now?
13843	What said the doctor?
13843	What will people say?
13843	What''s he saying?
13843	What''s in the basket?
13843	What''s in the wind?
13843	What''s in the wind?
13843	What''s my employment?
13843	What''s the matter?
13843	What, Mimi?
13843	What, so quickly?
13843	When I seek him, in answer to my question,"When shall we start the lessons?"
13843	When shall we start the lessons?
13843	Where can it be?
13843	Where can it be?
13843	Where is Rudolph?
13843	Where is the food?
13843	Which way, then, are you going?
13843	Who can not detect in the delicate profile of one woman the personality both of Mimi and of Francine?
13843	Who can revive a love that''s dead?
13843	Who is it?
13843	Who is there?
13843	Who''ll buy my carrots?
13843	Who, as he reads of Mimi''s"little hands, whiter than those of the Goddess of Ease,"is not reminded of Francine''s little muff?
13843	Why not?
13843	Why should you weep for me?
13843	Why this anger?
13843	Why this fury?
13843	Will they come along this way?
13843	Will you aid us, then, Will you aid us to part?
13843	Yes, you are going, my little Mimi?
13843	Yet how may I reply?
13843	You heard, you heard me?
13843	You love me?
13843	You saw her?
13843	You will not leave me?
13843	You''ve found it?
13843	all he said was:"Are you very fond of dancing?"
13843	and COL. Shall King Louis Philippe at our feet thus lie low?
13843	and the key-- where can it be?
13843	but where?
13843	do you remember how we both went shopping When first we fell in love?
13843	laughing lassies, will you play at love?
13843	my most noble courtier?
13843	no more than that?
13843	no wine?
13843	sated?
13843	what of that?
13843	would you now such bitter pain recall?
13843	you hear not?
38597	(_ Pounds with his staff._) Does the majesty of the law mean naught to ye?
38597	(_ Shows them._) Do they look like useful members?
38597	(_ Takes withered flower from his breast and kisses it, then looks around him._) Where am I?
38597	A farmer''s daughter?
38597	Ah, what can be the matter?
38597	Ah,''tis agony and rapture, Thus once more her face to view, She''s consenting to my capture, Break, then, heart, what else canst do?
38597	And darn our socks and mend our shirts?
38597	And what can you do, you useless bit of baggage?
38597	Are all girls as lovely as you?
38597	Are you afraid to stay alone with me?
38597	Are you crazy?
38597	Arrest him?
38597	Arrest me?
38597	As for you, how shall I bear the memory of your treachery?
38597	Before mine eyes beheld thee, my heart recognized thee-- LADY H. Recognized me?
38597	Betsy Ann-- what do you mean?
38597	Betsy Ann?
38597	Betsy, too?
38597	But what can one expect from populace?
38597	Can we escape so-- all alone?
38597	Certainly-- and who with a lighter heart?
38597	Come here, my girl: lend a hand then, will you, Betsy?
38597	Come, can you tell me, read me the riddle, What to our lordly British name Gives power and fame-- Come, say?
38597	Come, say?
38597	Command, sir?
38597	Cruel girl, does it add to your joy To wound the heart that loves you well?
38597	Did that hand not heavy chains Heap upon me, heedless after?
38597	Did you really think I meant the girls to stick their spears into you?
38597	Do n''t you know it?
38597	Do you mean what you say?
38597	Do you think you can play fast and loose with a master in that fashion?
38597	Does he seem to have no moments when he knows you?
38597	Fair Cousin, may I ah-- dare hope that you-- er-- will so far condescend to me-- uh-- uh-- as to go for a walk in the park?
38597	Ha, ha, ha, spin, sir?
38597	Have you heard?
38597	Have you picked out your Betsy Ann?
38597	Have you taken the money?
38597	He follows._) Is it thus that masters treat a servant?
38597	How could I ever have spoken harshly to her?
38597	How so?
38597	How, sir?
38597	I old John?
38597	I wonder how such peasants talk?
38597	I, a peasant?
38597	I, old John?
38597	I, your master?
38597	I?
38597	In my dream let me take your hand, as I did once-- do you remember?
38597	Is it you?
38597	It is really too horrid, do n''t you know?
38597	John?
38597	Just to hold your hands and chatter?
38597	Kind, I?
38597	LADY H. Afraid?
38597	LADY H. Ah,''tis agony and rapture, That he loves me is too true, I''m consenting to his capture, O my heart, what can I do?
38597	LADY H. But can you not see that I am not worth my salt?
38597	LADY H. Do n''t you know?
38597	LADY H. Must we with wet fingers clasp it?
38597	LADY H. O, what shall I do now?
38597	LADY H. Oh, can these eyes, grown dim with grief, And wan with tears, seek to betray you?
38597	LADY H. What do_ you_ say?
38597	LADY H. Who but you?
38597	LADY H. Who could refuse such a tempting offer?
38597	LADY H. You mean as your servants?
38597	Lady?
38597	Listen my lads and tell me truly What in our land you most do prize?
38597	Madness?
38597	Madness?
38597	Martha, Martha, what are we going to do?
38597	Martha, why are you going?
38597	Martha?
38597	Never worked before?
38597	Now, my lass, what can you do?
38597	O who is coming?
38597	O, Lionel, do n''t you know me?
38597	O, how have I offended?
38597	O, what is it?
38597	Of you?
38597	Oh, how can I elude him?
38597	Open it, open it-- don''t you hear?
38597	Perhaps you were not kind to her?
38597	Pray tell me what this means?
38597	Set us spinning?
38597	Shall we go hunting, perhaps?
38597	Stay-- and be my wife!-- LADY H. Oh, what is he saying?
38597	That one seems quite bashful, does n''t he?
38597	There''s a voice speaks in my heart night and day, What is the word soft it would say?
38597	They might do house work?
38597	To remain alone-- with me?
38597	Turn it?
38597	We''re to spin?
38597	Well, my good man, what is it?
38597	What I?
38597	What ails you now?
38597	What are you afraid of?
38597	What are you doing here in this masquerade?
38597	What do you say, Lionel?
38597	What do you want?
38597	What else could a fellow do but try to keep you heartened up a little?
38597	What else?
38597	What folly''s this?
38597	What has alarmed you?
38597	What is it?
38597	What is she going to say now, the witch?
38597	What is the voice that whispers in your heart?
38597	What is there to laugh at?
38597	What old John?
38597	What shall we do?
38597	What should make you so sad?
38597	What was that?
38597	What will he think?
38597	What you here for, may I ask?
38597	What''s occur''d?
38597	What''s that you say?
38597	What''s the matter?
38597	What''s worth your eyes?
38597	What?
38597	What_ can_ you do?
38597	When I first that hand did claim, Was I not repulsed with laughter?
38597	Where can Lady Harriet be?
38597	Where do you suppose she was?
38597	Where have your eyes been?
38597	Where_ has_ Nancy gone?
38597	Wherefore this pretence?
38597	Who are you?
38597	Who is John?
38597	Why did you leave their company, fair cousin?
38597	Why do you disown me?
38597	Why not?
38597	Why our friendly circle shunning, Dost thou sigh alone, As were some dawning joy delayed?
38597	Why should she act so grand?
38597	Will you dance at the wedding?
38597	Will you go, sir?
38597	Wo n''t invite me?
38597	Would it amuse you to-- er-- er-- let us say-- go out for a row on the river?
38597	You agree?
38597	You do not find them funny?
38597	You had no one but mother and me, old chap, do n''t you see?
38597	You have troubles of your own?
38597	You hear, sir?
38597	You will let them go-- this useless pair of hands?
38597	You''d degrade yourself like this?
38597	You?
38597	do you know who this is?
38597	what is this?
4939	Do you see the cattle in this meadow?
4939	Is that a dog barking?
4939	Looked at from the musician''s point of view, how much do we not see novel and strange, beautiful and fascinating withal? 4939 What do you think of this?"
4939	What shall I give you?
4939	17, dedicated to Lena Freppa?
4939	2 of this set?
4939	23, in F, or the last, in D minor?
4939	25: What more do we require to pass one or several evenings in as perfect a happiness as possible?
4939	6, in F sharp minor?
4939	And is he to be blamed for evading tiresome reminders of the past?
4939	And is there any significance in the fact that Chopin, when sending this manuscript to Fontana, probably in the summer of 1841, calls it a concerto?
4939	And now, having passed over the salt and stubbly domain of pedagogics, what is the dominant impression gleaned from the twenty- seven Chopin studies?
4939	And was it the Goncourts who dared to assert that,"there are no women of genius: women of genius are men"?
4939	And why may not Art speak for once in such symbols?
4939	Are Celt and Slav doomed to follow ever the phosphorescent lights of patriotism?
4939	Are the Godowsky transcriptions available?
4939	But then as Mr. Philip Hale asks: Why this timidity at being called decadent?
4939	But what of that?
4939	But why is a Pole to receive less justice than a German?
4939	Can anything be more bewitching than the episode in C sharp minor merging into E major, with the overflow at the close?
4939	Can anything be more impressive than this opening?
4939	Charming, is it not?
4939	Chopin seldom wrote ugly music, but is this not ugly, forlorn, despairing, almost grotesque, and discordant?
4939	Could a lover''s confusion be more deliciously enhanced by silence and hesitation?"
4939	Czerny admired the young pianist with the elastic hand and on his second visit to Vienna, characteristically inquired,"Are you still industrious?"
4939	De Lenz in a note quotes Meyerbeer as saying-- Meyerbeer, who quarrelled with Chopin about the rhythm of a mazurka--"Can one reduce women to notation?
4939	Did he not once resent the visit of Liszt and a companion to his apartments when he was absent?
4939	Does the finale indicate by its minor key the gayety of a man devoid of hope-- as the Germans say?"
4939	God calls me; why do you keep me back?"
4939	He tells all about the interview in a letter to Titus:"Are you a pupil of Field''s?"
4939	Heaven- born geniuses are sometimes very keen in financial transactions, and indeed why should they not be?
4939	His lyricism is most human, while the portamento, the slides, trills and indescribably subtle turns-- are they not of the violin?
4939	How should I begin to bring it back to God?
4939	If Chopin, diseased to death''s door, could erect such a Palace of Dreams, what might not he have dared had he been healthy?
4939	If Scarlatti wrote sonatas, what is the Appassionata?
4939	If the A flat Weber is one, can the F minor Brahms be called a sonata?
4939	If"Don Quixote"is one, how can"Madame Bovary"be another?
4939	If"Les Miserables"is included in the list, what are we to say to Huysmans''"La Bas"?
4939	Indeed how could it be, with the light action and tone of the French pianos built in the first half of the century?
4939	Is it not happiness, gayety, love for the world and men?
4939	Is it not one of admiration, tinged with wonder at such a prodigal display of thematic and technical invention?
4939	Is it not rather youth exuberant with intensity and life?
4939	Is it not strong and energetic, concluding, as it does, with three cannon shots?"
4939	Is it not time the ridiculous falsehoods about the Chopin rubato be exposed?
4939	Is some forlorn princess locked behind these solemn, inaccessible bars?
4939	Is the Haydn form orthodox and the Schumann heterodox?
4939	Is the Lady with the Green Eyes and Moon White Face rescued?
4939	Is the Polish composer to become a musical Hugh Conway?
4939	Is this the nocturne of which Tausig spoke to his pupil Joseffy as belonging to the Master''s"best period,"or did he refer to the one in E minor?
4939	It is dedicated to Comtesse Moriolles, and was published in 1827(?).
4939	It is irregular and wavering in outline, the moods are wandering and capricious, yet who dares deny its power, its beauty?
4939	It is logical, but is it Chopin?
4939	It is profoundly ironical-- what else means the introduction of that lovely mazurka,"a flower between two abysses"?
4939	It looks neater, sounds the same, but is it Chopin?
4939	It was published in 1841(?
4939	Its widely dispersed harmonies, its murmuring grace and June- like beauty, are they not Chopin, the Chopin we best love?
4939	Just when his individual soul germinated, who may tell?
4939	Let me die; why do you prolong my life when I have renounced all things and God has enlightened my soul?
4939	Liszt''s influence was stimulating, but what did not Chopin do for Liszt?
4939	Mary, Queen of Scots, has her Meline; why should not Sand boast of at least one apologist for her life-- besides herself?
4939	Maybe he has not anything to buy bread for mother?
4939	Monotonous?
4939	Mother, poor suffering mother, is it for this you outlived your daughter?"
4939	Now do you ask why I believe that Sand left Chopin when she was bored with him?
4939	Now where is the"tradition"when confronted by the mighty crashing of Rosenthal in this particular part of the Polonaise?
4939	Now, which is right?
4939	Of it Schumann could not ask,"How is gravity to clothe itself if jest goes about in dark veils?"
4939	Oh, father, is this the consolation of your old age?
4939	Or is all this a De Quincey''s Dream Fugue translated into tone-- a sonorous, awesome vision?
4939	Or was he a rejected suitor?
4939	Perhaps my sisters have fallen victims to the fury of the Muscovite soldiers?
4939	Perhaps spontaneity is impaired, mais que voulez vous?
4939	Perhaps the last two movements do hold together, but what have they in common with the first two?
4939	Perhaps they hunger?
4939	Really, is any great genius quite sane according to philistine standards?
4939	Rubinstein, or was it originally Tausig who named it"Night winds sweeping over the churchyard graves"?
4939	So these sonatas of Chopin are not sonatas at all, but, throwing titles to the dogs, would we forego the sensations that two of them evoke?
4939	That draws around me at last this wind- warm space, And in regenerate rapture turns my face Upon the devious coverts of dismay?
4939	That first subject, is it not almost as ethically puissant and passionate as Beethoven in his F minor Sonata?
4939	The Jew returns indoors, shaking his head and again asking,"What was this?"
4939	The mazurkas and polonaises are danced to- day in Poland, why not the valses?
4939	The sketches of nature, of country life, have positive value, but where has vanished her gallery of Byronic passion- pursued women?
4939	There is not an abundant literature for this kingly instrument, in conjunction with the piano, so why flaunt Chopin''s contribution?
4939	This valse is a favorite, and who need wonder?
4939	Thus Von Bulow-- and who will dare cavil?
4939	To the doctor''s good wife he replied in answer to the question"George Sand is your particular friend?"
4939	Was the American pianist, Louis Moreau Gottschalk, ever his pupil?
4939	Were ever Beauty and Duty so mated in double harness?
4939	What can be more"appassionata"than the opening with its"grand rhythmical swing"?
4939	What can one say new of the tremendous F sharp minor Polonaise?
4939	What could not he have accomplished with the modern grand piano?
4939	What has reverence to do with the case, anyhow?
4939	What mighty, desperate cause is being espoused?
4939	What should I do to restore his faith, how not to lose instead of saving this beloved soul?
4939	What should I say to him?
4939	What''s in the name?
4939	When peace is presaged in the key of B, is this the prize for which strive these agonized hosts?
4939	Where are the Lelias, the Indianas, the Rudolstadts?
4939	Which is correct?
4939	Which means that Chopin was not such a realist as Beethoven?
4939	Who conquers?
4939	Who could retain everything?
4939	Why all these disjecta membra of a sketch- book?
4939	Why could it not at least have worn second mourning?
4939	Why then is Chopin singled out as the evil and solitary representative of a vicious time- beat?
4939	what is this that knows the road I came, The flame turned cloud, the cloud returned to flame, The lifted, shifted steeps and all the way?
39754	''Has he written for the piano, too?'' 39754 ''Now what is the second part of the first allegro like?''
39754	''What''s that? 39754 ''Where did you get such a ghastly idea?''
39754	''Where does Mr. Liszt live?'' 39754 Am I a piano teacher?"
39754	And Joseffy?
39754	And what soul thus cruelly bruised, when the tempest rolls away, seeks not to rest its memories in the pleasant calm of rural life?
39754	Before we had a chance to hint of one hope long deferred, that of hearing Liszt play, he asked,''Have you heard Bülow?'' 39754 Do we experience this exaltation nowadays?
39754	How is it, my esteemed and beloved friend, you have never forgiven?
39754	Is it possible, I ask, to make a more difficult avowal with more delicacy or greater frankness? 39754 Liszt smote his breast thrice, and continued:''I know a man( or is it indeed a human being?)
39754	The bit stuck in my mouth, and, trembling with indignation, I said sharply:''My prince, am I not your guest, too?
39754	What is life but a series of preludes to that unknown song whose initial solemn note is tolled by Death? 39754 What response did Liszt make to these rude words?
39754	You ask how he played? 39754 You would like to hear something about Liszt?
39754	_ Wer aber wird nun Liszt helfen?_This half humorous, half pathetic cry of his had its tragic significance.
39754	''Well, what did you think of him?''
39754	''What are you doing, my dear friend?''
39754	''Will you play?''
39754	( Query: What is the symphonic archetype?)
39754	( Which should you prefer hearing, the Norma of Thalberg or the Lucia of Liszt?
39754	("O Lord, how long?
39754	A LISZT SON?
39754	A grim smile passed over the face of the great composer as he replied:"O Herr, wie lang?"
39754	Aloud, and in a tone of astonishment, Liszt repeated the words,''Received for my playing?''
39754	Already on the way to Kalkbrenner( who plays a note of his now?
39754	Am I dreaming, or under a spell?
39754	And can not Weimar lay claim to a Tannhäuser performance as early as 1849, the Lohengrin production in 1850, and the Flying Dutchman in 1853?
39754	And do not I play in Ratibor, and with a Nachtigall?
39754	And how many more?
39754	And the public?
39754	And the third Mephisto Waltz for piano?
39754	And then were there not Liszt and his Princess Wittgenstein at Weimar, and the crew of pupils, courtiers and bohemians who collected at the Altenburg?
39754	And what soul thus cruelly bruised, when the tempest rolls away, seeks not to rest its memories in the calm of rural life?
39754	And when was there ever such a friend?
39754	Angelo consented willingly to pose for the piper, but all questions as to his family extraction were answered with a laconic Chi lo sa?
39754	Architecture is nearest allied to music in its fundamental principles-- can a formless house or church or any other building be imagined?
39754	Are there no more enchanters like Liszt?
39754	As a man or as an artist?
39754	At last she asked him in a cool and off- hand manner:"''Did you do a good stroke of business at the concert you gave in Italy?''
39754	Brahms or Reger?
39754	But an apostate?
39754	But could she have foreseen that Richard Strauss, Parsifal- like, had caught the whizzing lance of the Klingsor of Weimar, what would she have said?
39754	But for what instrument were the sonatas of Beethoven composed?
39754	But seeing that Chopin evolved so much, why should he not also have evolved this?
39754	But what boots leading motives-- as old as the hills and Johann Sebastian Bach-- or symphonic poems nowadays?
39754	But what was it that happened?
39754	But what was to be done?
39754	But why did you talk about Kalkbrenner, and a sonata by him for the left hand?
39754	But, my dear friend, how was it two months ago at the Conservatory that with the same piece you produced such a wonderful effect?
39754	Did Liszt ever love?
39754	Did Wagner mean it all?
39754	Do his hands only attend to the office of a double winch on a street organ?
39754	Do we know many of the great artists capable of writing''the defective side of my talent''?
39754	Do you know the Polonaise, by Tschaïkowsky, transcribed by him?
39754	Do you not hear the croaking of Poe''s raven?
39754	Does not invention belong to such characteristic variation?
39754	Had she not been nicknamed"Fürstin Hinter- Liszt"because of the way she followed him from town to town when he was giving concerts?
39754	Has he to dispense with his brain and with his feelings in his mechanical execution of the prescribed performance?
39754	Has he to supply the ear only with a photograph of the object before him?
39754	Has n''t some one said,"See Naples and die-- of its smells?"
39754	Have I indeed heard Liszt?
39754	Haydn, Mozart, and Beethoven had never written anything else; who would have dared to do other than they?
39754	He asks, is he never to be taken more seriously than as a pianist, is he not worthy of recognition as a musician, a composer?
39754	How can any one_ recite_ upon the pianoforte?"
39754	How did Liszt bear the disappointment?
39754	How does he accomplish this?
39754	How far will the pursuit of technic go, and what will be the effect upon the mechanical future of the instrument?
39754	How he treated the clarinet solo in the trio of the menuetto, and the winding of the rondo?
39754	How many to- day know the name of Anton Rubinstein''s master?
39754	How shall I describe what Liszt made of these genial movements on a first acquaintance?
39754	How shall I say it?
39754	I wonder what the mothers of these young Lisztians thought of their sons''tact and delicacy?
39754	I''ll be no longer a play actor; henceforth I''ll be a tragic poet''?"
39754	Is any man ever a hero to his biographer?
39754	Is he really a mere spiritless machine?
39754	Is it not a remarkable effort for an old gentleman of seventy- two?
39754	Is it not related that Pio Nono bestowed upon the great pianist the honour of hearing his confession at the time he became an abbé?
39754	Is not the shape exact?''
39754	Is the latter not exquisitely idyllic?
39754	Is the music, in itself, good or bad?
39754	Is there a composer who paints the infernal, the macabre, with more suggestive realism than Liszt?
39754	Is this the art of a hypnotiser?
39754	It was merely a friendly recognition tempered by humility, as if he meant to ask:--"Why do you need my blessing, friend?"
39754	LISZT''S CONVERSION"Have you read the story of Liszt''s conversion as told by Emile Bergerat in Le Livre de Caliban?"
39754	Liszt wrote to Wagner, June 2, 1855:"Then you are reading Dante?
39754	Now, would not one do it better_ pp._ and staccato?
39754	Of what use indeed would such information be to you?
39754	Of whom?
39754	Otherwise how explain that yawning chasm between Lohengrin and Tristan?
39754	Rubinstein, who happened to be there, said to her:''You are not going to be so crazy as to play this concerto?
39754	Shall I often meet him?
39754	Stumble and trip like a vulgar pianist, or pretend to be stopped by a defective memory?
39754	Suddenly turning to the young Bizet, whose fine memory and ability he well knew, he said:"''Did you notice that passage?''
39754	The fact is that out of the known 1,300 compositions, only 400 are original and of these latter how many are worth remembering?
39754	There is inspiration in it, but it does not reach(?!).
39754	This is C. A. Barry''s answer to the question, Why was Liszt obliged to invent the term symphonic poem?
39754	This now commonly accepted term had never previously been used, and people asked,"What does he mean?
39754	To him the Psalmist''s words,''How long shall they that hate me, be exalted against me?''
39754	Was I wrong to say my_ Anch''io_ in this land of improvisation?''
39754	Was the Church after all a disappointment to him?
39754	Wear evening dress?
39754	Were the piano to be abolished how could you have the exquisite joy of hearing Faure in your own chamber?
39754	What could he do in such a perplexing cause?
39754	What is it that brings into our dwellings an echo of the Conservatory concerts?
39754	What is it that gives us the opera at our own firesides?
39754	What is that?
39754	What was the matter?
39754	What wonder?
39754	Whenever did they present an Englishman with a_ silver breakfast service_ for gratuitous performances?''
39754	Where am I?
39754	Wherefore two servants before the cell of a monk; or if attendant spirits, why were they not, according to monastic rules, simply lay brothers?
39754	Who remembers the Warsaw of 1831 except Chopin lovers?
39754	Who was the lady in the case?
39754	Who, before Franz Liszt, would have dreamed of employing cymbal- effects in legitimate piano playing?
39754	Why did not Scheffer paint him thus, instead of representing him as one of the three Magi?
39754	Why, then, the inevitable wail from the Lisztians that the Liszt music is not heard?
39754	Would n''t his Holiness dissolve the original chains so that she could marry the man of her election?
39754	and why this half failure?
39754	and, rising with that peculiar aristocratic grace, he says in a mild, condescending tone:''For my playing-- am I to sign this document?
39093	And is it possible,said he,"that you, too, could think me such a bear as not to receive your brother with kindness?"
39093	Heart, my heart, what change comes o''er thee? 39093 Is it not beautiful?"
39093	Muss es sein?
39093	Must it be?
39093	Quousque tandem?
39093	What is Rossini?
39093	Where am I not injured and wounded? 39093 Why such a variety of dishes?"
39093	''[ 140]--''The Concertos?''
39093	(_ Wer ist ein freier Mann?_) Beethoven wished to have words for the theme of those Variations with which the grand Sonata, Op.
39093	--''None in the summer season?''
39093	--''The Solos?''
39093	--''The Symphonies?''
39093	--Is it not usual for persons in the most respectable conditions of life to purchase rare vegetables or fruit for the table?
39093	After a good deal of discussion with one and another, it was at last decided that the works should be brought before the public-- but where?
39093	Am I again to experience this hateful ingratitude?
39093	And how did Beethoven behave amidst the innumerable contradictions and contrasts that already everywhere pursued him?
39093	And what remained for me to do in this, but to give up my teaching and my whole business, in order to devote all my time to him?
39093	And why, besides, desire to secure a monopoly of the productions of mind?
39093	And you have written of me to Göthe, have you not?
39093	Are you satisfied now?
39093	Are you satisfied?
39093	Are you satisfied?
39093	Are, then, these divine compositions to be converted into show pieces for the performance of professional piano- forte players?
39093	As most of his letters addressed to me whilst in England speak of pecuniary distress, why should he not have sent me manuscripts, if possessed of any?
39093	At my years, I need some uniformity, some equality, in my way of life; can this be in our mutual situation?
39093	But is not some blame to be attributed to Beethoven himself?
39093	But was all the experience in the world of any benefit to him?
39093	But what would the practice of these exercises now avail?
39093	But, with Beethoven''s extraordinary susceptibility on the point of love, may he not actually have fared the same as others?
39093	Can our love subsist otherwise than by sacrifices, by not wishing for everything?
39093	Canst thou help it that thou art not wholly mine, that I am not wholly thine?
39093	Does not Mignon''s song breathe all her feelings through its melody, and must not these very feelings be reproductive in their turn?
39093	Does not, for example, the middle movement in C major plainly point to the rising of a star of hope?
39093	Does the devil then ride you all together, gentlemen, to propose to me to make such a Sonata?
39093	Further on, does not this same middle movement indicate the firm resolution of the hero to overcome his fate?
39093	Have I not been wrecked once before in this year through Neate?
39093	Have I not fulfilled mine towards my poor parents, and rejoiced when I was able to assist them?
39093	He consulted me only on the artistical part of the all- important question-- was he to grow rich, or remain poor?
39093	He had quarrelled with Stephen von Breuning( as with what friend did he not quarrel?
39093	He says:"What can I answer to your warmfelt excuses?
39093	He was most enthusiastic about your proposal of meeting him at Karlsbad, struck his forehead, and said,"Might I not have done this before?
39093	How can I send you my portrait?
39093	How could any rational person who is acquainted with Beethoven solely from his works, maintain the contrary?
39093	How many pounds of butchers''meat are allowed for three persons?"
39093	How often should one give them meat?--Ought they to have it both at dinner and supper?
39093	How strong is your band?
39093	How, then, did all this affect Beethoven?
39093	I did the same thing with an early song of Beethoven''s--"Who is a free man?"
39093	I feel it, my youth is but beginning-- have I not hitherto been a sickly creature?
39093	I have not yet decided for or against this change, but who has not felt the storm which is raging around us?
39093	If Cato, speaking of Cæsar, exclaimed''This man and we''--what shall we say of such a one as this?
39093	In fact, is not the explanation of every individual phrase perfectly natural?
39093	In how far could that ameliorate my condition?
39093	In whom has the like ever been seen?
39093	Is it to be supposed that he put the finishing hand to these also for the benefit of that undertaking?
39093	Is the agreement become burdensome to you?
39093	Is the reader curious to learn how Beethoven behaved towards such visitors?
39093	Is the room large-- does the music tell in it?
39093	It is said that, when he was asked,--"What is become of such a ring, or such a watch?"
39093	It may be asked what object Maelzel could have to carry his dishonesty to such a length?
39093	It may be asked, where was then his powerful patron and friend, Prince Lichnowsky, who would probably have cut the knot?
39093	Melody gives a sensible existence to poetry; for does not the meaning of a poem become embodied in melody?
39093	Might I not be your agent here for many things?
39093	Need we say with what deep regret your late retired mode of life has filled us?
39093	Or is it to be presumed that he was timid and alarmed in the year 1809 alone?
39093	Or, let me ask, is it right to drag before the tribunal of the public what has been said and done in unguarded moments among friends and acquaintance?
39093	The dedication was made by letter only; but are not such letters of greater value?
39093	The plan succeeded to admiration, but what was the consequence?
39093	They tell me wonders of galvanism; what is your opinion of it?
39093	Unless the prices are raised, what will remain for me after so many expenses, since the copying alone has cost so much?"
39093	Was there no fault in the execution?
39093	Was there no party- spirit?
39093	What a frivolous waste of time,& c.!--Why this profound sorrow, when necessity commands?
39093	What can I say to you of myself?
39093	What can such bravura players make of the melodies of Beethoven, so simple yet so profoundly imbued with sentiment?
39093	What do you think of Schmidt?
39093	What is a proper allowance for two servants for dinner and supper, both as to quality and quantity?"
39093	What is now- a- days thought of a simple_ Allegro_, as written by Mozart or Beethoven?
39093	What is to be done at last about this much- talked- of Concert?
39093	What is to be the end of it, and what will become of me if it lasts much longer?
39093	What then could be alleged in excuse of Beethoven, if Ries were right?
39093	What will the professors of the Paris Conservatoire, and M. Habeneck, the leader, say to this?
39093	What wrings thee thus with pain?
39093	When I had thus proved myself to be right, he said,"Well, and who forbids them?"
39093	When could such a mind be reproduced?--when equalled?
39093	When the composer entered, the prince said to him in an indifferent tone--"But, my dear Beethoven, what have you been about here again?"
39093	Whence was the necessary firmness to come in the conflicts with external life?
39093	Where now is feeling-- where expression, and, indeed, where opportunity for the manifestation of any sensibility?
39093	Who would not find his feelings revolted by this disgraceful fact?
39093	Who would not rejoice to see the wanderer return again to the right path?
39093	Why did not Ries insert Beethoven''s letter in that publication?
39093	Why not have sent it with the manuscript of the music?
39093	Why should no other publisher be allowed to adorn his shop with a work of Beethoven''s, when the house in question already had so many of them?
39093	Will you, my dearest Ries, inform Mr. Birchall of this without delay?
39093	You love me a little, eh?
39093	You will write as soon as possible, will you?
39093	[ 11] How happens it that Beethoven, sensible of the impropriety of this system of education, should not have avoided it in bringing up his nephew?
39093	[ 127] Who does not with deep regret feel that such gross neglect amounts almost to profanation of the works of the great master?
39093	[ 96] Am I continually to be forced to entangle myself in these abominations?
39093	add_ two notes_ to a composition already worked out and out, and completed six months ago?
39093	and should there not be beauty to render originality palatable?''
39093	how can a parvum talentum com ego look for an appointment at the Imperial court?
39093	how many violins,& c.& c., with single or double wind instruments?
39093	inquired I, writing the words on the slate.--''Neither in summer nor winter,''exclaimed he.--''What should they hear?--Fidelio?''
39093	part with thee this very day?
39093	when can I again feel it in the temple of Nature and of men?--never?
39093	who comprehends the meaning of this word?
39093	with whom may I speak of this great divinity?
38654	A dream?
38654	And how came you here?
38654	And if I prove victorious, will you be my bride?
38654	And you''ll never tell any one that you composed it?
38654	Are you not a Master Singer, Sir Walter?
38654	Can no one stop him?
38654	Do n''t you know that the singer may have seven mistakes, seven,--and no more?
38654	Do n''t you want her to hear you? 38654 Do you want to break down the door?"
38654	Eh, what?
38654	Elsa,he said,"do you choose me as your defender?"
38654	Have you courage?
38654	Have you never heard? 38654 How goes the world with you?
38654	Is it you?
38654	Oh, Elsa, dear one,he cried,"why did you strive to learn my secret?
38654	Oh, what shall we do?
38654	Oh,cried Haensel,"did you ever see anything so wonderful?"
38654	Still working?
38654	What do I want?
38654	What does this mean?
38654	What does this mean?
38654	What makes you stand so still and stare?
38654	Whence come you?
38654	Where am I?
38654	Where are you, good- for- naught?
38654	Where do you come from?
38654	Where in all the world is there such a maiden?
38654	Which witch?
38654	Who are you, maiden?
38654	Why do you cry, little girl?
38654	Why do you stay?
38654	Will he ride upon a snow- white charger?
38654	Would you know love?
38654	You will not work in this light, Master?
38654	--"Where''s his hair?"
38654	A trial song, and a love song at that?
38654	Ah, where could_ he_ look for pardon for_ his_ sins?
38654	Am I ugly, too?"
38654	And the faint music that drew him on and on?
38654	And what is his power?
38654	And would he not take his place among the minstrels as of old in a Tournament of Song on that very day?
38654	As for the husband you are to marry,--"and she looked at the frightened Elsa,--"who is he?
38654	Beautiful?
38654	Betrothed?
38654	But how?
38654	But tell me first, what of Sir Walter?"
38654	But what cared the bold Minstrel Knight for strange goddesses or their powers?
38654	But what did Eva Pogner or Sir Walter von Stolzing care for that?
38654	But where''s my prayer book?
38654	But who shall say he was reading as he turned the time- worn leaves over and over?
38654	Could he have been dreaming?
38654	Could he pray to the God whom he had forgotten?
38654	Could it be that he was not afraid of her?
38654	Could no one help?
38654	Did Eva look upon him with favor?
38654	Did I say all?
38654	Did she know the heavy charge that had been brought against her?
38654	Do n''t you know that the Witch walks there?"
38654	Do n''t you know that there is enchantment in those woods?
38654	Do n''t you know that?"
38654	Do you know the old verse,"It is always darkest just before dawn"?
38654	Do you want me to join you?
38654	Do you wonder that all the girls, even Marie, started up in alarm when they heard that strange prayer?
38654	Do you wonder, then, that Elsa walked through the forest on that morning long ago, with downcast eyes, oblivious to all save her own sad thoughts?
38654	Do you wonder, with such a story abroad, that the Horselburg was shunned by old and young?
38654	Does n''t that make your mouth water?
38654	Finally she found her voice, and in a whisper just loud enough for him to hear, ventured timidly:"Are you a man?"
38654	From whence has he come?
38654	Gold?
38654	Had Daland a daughter?
38654	Had Magdalena seen her scarfpin?
38654	Had not the knight to whom she had given her heart returned from his wanderings in foreign lands?
38654	Had she forgotten all her promises?
38654	Have you any work for me?"
38654	Have you no greeting for me?"
38654	He had promised Eva that he would become a poet, a singer, for her sake, and he wished to do so, but where and how was he to begin?
38654	He took a long breath, leaned forward, and whispered eagerly:"May I hope?
38654	Hey, fellows, what do you want?"
38654	His prayer was lifted up in silence and borne, who shall say where-- to what High and Holy presence?
38654	How could he become a Master Singer in one day?
38654	Impatient was he, also, for had he not expected to spend that very night by his own fireside with his daughter Senta?
38654	It was such a little thing, and was he not her shield, her angel, her preserver?
38654	Meanwhile the Witch was croaking in her awful voice:"Who comes here to my hut in the woods?
38654	Might he hope?
38654	Must her father''s rash command be obeyed?
38654	Must she, his wife, always remain in ignorance?
38654	Now will you give me bread?"
38654	Oh, what''s to be done?"
38654	Or are you promised to some one else?"
38654	Quick as lightning came a squeaking voice from the inside:"Nibble, nibble, mousekin, Who''s nibbling at my housekin?"
38654	Senta was quite willing, for had she not loved this stranger for a long, long time?
38654	She spoke thus:"Who is this Swan Knight who has vanquished the once powerful Frederick?
38654	She went on:"Do you see that jug over there on the table?
38654	She, the proud Princess, most cruelly wronged, would she shield one who had fallen so low?
38654	Suddenly the father, missing the children, inquired:"Where are Haensel and Gretel?"
38654	Tannhäuser exclaimed in a tone of awe,--Elizabeth, the beautiful Princess, whose name he had forgotten-- what of her?
38654	The crooked back, the burning eyes peering out from under the tangled hair, the rags, the ugliness,--oh, must she always stay?
38654	Then he said aloud:"Do n''t you know that the marker is the man who sits in the curtained box and marks the mistakes?"
38654	Then in a wee, small voice, he said:"Good wife, wo n''t you buy a broom?"
38654	This gentle strain that spoke of endless devotion and sacrifice; was that love?
38654	To whom should she turn for guidance?
38654	Was it a puzzle?
38654	Was it madness that inspired the knight?
38654	Was it there on the floor?
38654	Was not Elsa afraid that he would just as magically disappear?
38654	Was she Elsa of Brabant?
38654	Was she not going to meet her Knight, him whom God had sent to defend her?
38654	Was she still in the beautiful greenwood?
38654	Was she willing that he, King Henry, should judge her?
38654	Was there ever a more beautiful Princess?
38654	Was there pardon for such as he?
38654	Was this some marvelous dream?
38654	Was this the meek Ortrud who had come to her begging forgiveness, pleading repentance?
38654	Were people the only ugly things?
38654	What did Master Beckmesser want?
38654	What did it mean?
38654	What did you come for, then, pray tell me?"
38654	What further proof do you need?
38654	What is his rank?
38654	What magic was this?
38654	What mattered it which way he wandered-- now, since he was an outcast and accursed forever?
38654	What strange happening was this?
38654	What strange sight was there?
38654	What though the south wind had driven them a few miles out of their course?
38654	What was it that glittered, glistened from afar?
38654	What was the rosy haze that enveloped him?
38654	What was there left to be cooked for supper?
38654	What was this?
38654	What was to be done?
38654	Where could he look for pardon now?
38654	Where is your work, you good- for- nothing children?"
38654	Whither could he turn to get his loved one food?
38654	Who can tell?"
38654	Who could that be?
38654	Who was that pale visitor, so strangely like the picture above his head, entering behind him?
38654	Who was this ragged fellow who dared to interrupt the thrilling story?
38654	Who were they to judge him and deny him the opportunity to repent?
38654	With a loud cry he stretched forth his arms and called,--"Venus, goddess, do you hear my call?"
38654	Would he forsake a love like that?
38654	Would he give her to him for a wife?
38654	Would he never be able to make love in peace?
38654	Would her life never, never change?
38654	Would not the Witch show her how?
38654	Would she not trust him utterly?
38654	Would the fetters that bound the Swan Knight''s lips ne''er be loosened?
38654	Would they rob his soul of its eternal peace?
38654	and she flounced off, murmuring:"What''s to be done?
38654	answered the Knight, sadly,"what have you done?"
38654	are n''t you ashamed, you greedy boy?
38654	asked Daland,"and whither are you going?"
38654	but what does she gobble?"
38654	does she not speak of a secret lover?
38654	she cried"Who are you?"
38654	she exclaimed,"all the noise and clatter?
40383	93. Who composes the music? 40383 _ A propos!_"remarked the dwarf, just as they shook hands at parting,"What kind of music do you have to- morrow?"
40383	''Who has forbidden them?''
40383	''_ Maria._--What a caterwauling do you keep here?
40383	( Have you not seen the blue storks?)
40383	( Hush- a- bye baby, what rustles the straw?
40383	A Servian girl who has lost her brother( lover?)
40383	And another:--"Aie Bubbaie was rasselt i m Stroh?
40383	And is it not, therefore, even independently of myths and mysteries, entitled to be called the divine art?
40383	Any dances in which they imitate the peculiar movements and habits of certain animals?
40383	Any legends or fairy- tales in which allusion to music is made?
40383	Any minstrels, bards, reciters of old ballads?
40383	Any myths about a musical deity, or some superhuman musician?
40383	Any nose- flutes?
40383	Any open hand- drums with one parchment only( like our tambourine)?
40383	Any performers who evince much talent?
40383	Any professional improvisators?
40383	Any records respecting their sacred music?
40383	Any stringed instruments beaten with sticks or hammers( like the dulcimer)?
40383	Any stringed instruments played with a bow?
40383	Any stringed instruments twanged with a plectrum?
40383	Any tradition about the invention of certain favourite musical instruments?
40383	Any tradition or historical record respecting the antiquity of stringed instruments played with a bow?
40383	Any trumpets with sliding tubes( like the trombone)?
40383	Any war- dances, dances of defiance, etc.?
40383	Are the children taught music?
40383	Are the compositions generally lively or grave?
40383	Are the drums beaten with sticks or with the hands?
40383	Are the ministers of religion also musicians and medical men?
40383	Are the people fond of music?
40383	Are there certain rhythmical peculiarities predominant in the music?
40383	Are there changes in the degree of loudness?
40383	Are there military bands?
40383	Are there peculiar progressions in certain intervals which are of frequent occurrence in the tunes?
40383	Are there phrases or passages in the melodies which are of frequent re- occurrence?
40383	Are there popular traditions respecting the origin of music?
40383	Are there popular tunes, or certain rhythmical figures in the tunes, which, according to tradition, have been suggested by the songs of birds?
40383	Are there professional musicians of different grades?
40383	Are there professional musicians?
40383	Are there smaller intervals than semitones, such as 1/3 tones, 1/4 tones?
40383	Are there songs or instrumental compositions appertaining to particular occupations or trades?
40383	Are there sudden or gradual changes in the_ tempo_?
40383	But do not the purest and most beautiful conceptions of man partake of a divine character?
40383	But of what avail is this to him?
40383	But, what was the consequence?
40383	Can they easily hit a tone which is sung or played to them?
40383	Do the musicians follow other professions besides music?
40383	Do the musicians, on repeating a piece, introduce alterations, or variations of the theme?
40383	Do the people construct wind- instruments with a vibrating reed, or some similar contrivance, inserted in the mouth- hole?
40383	Do the people easily learn a melody by ear?
40383	Do the people generally sing without instrumental accompaniment?
40383	Do the people possess any musical instrument of a very peculiar construction?
40383	Do the tunes contain modulations from one key into another?
40383	Do the tunes usually conclude on the tonic( the key- note, or the first interval of the scale), or, if not, on what other interval?
40383	Do they introduce embellishments_ ad libitum_?
40383	Do they possess treatises on the history, theory, etc., of music; instruction books for singing, and for playing musical instruments, etc.?
40383	Does the band play in unison or in harmony?
40383	Does the music contain progressions in semitones, or chromatic intervals?
40383	Does the superfluous second occur in the scale?
40383	Have the airs of the songs re- occurrences of musical phrases which are traceable to the form of the poetry?
40383	Have the people musical bands or orchestras?
40383	Have the people musical compositions which they regard as very old?
40383	Have the people some kind of musical notation?
40383	Have they a good musical memory?
40383	Have they a kind of bagpipe?
40383	Have they drums with cords, or some other contrivance by means of which the parchment can be tightened or slackened at pleasure?
40383	Have they drums with definite tones( like our kettle- drums)?
40383	Have they instruments of percussion containing sonorous plates of wood, glass, stone, metal, etc., upon which tunes can be played?
40383	Have they musical institutions?
40383	Have they sacred dances performed in religious ceremonies, at funerals, etc.?
40383	Have they songs for solo and chorus,--or, with an air for a single voice, and a burden( or refrain) for a number of voices?
40383	Have they songs performed in chorus by men only, or by women only, or by both sexes together?
40383	Have they stringed instruments the strings of which are sounded by being twanged with the fingers?
40383	Have they written signs for raising or lowering the voice in singing, for giving emphasis to certain words or phrases, or for similar purposes?
40383	How are the flutes sounded?
40383	How do the people appreciate their own music?
40383	How does he direct the performers?
40383	If so, what are they?
40383	If so, what are they?
40383	If so, what are they?
40383	If works of merit only were to find admission, who would be competent to draw the line between these and such as ought to be rejected?
40383	Is it the Diatonic Major Scale( like_ c_,_ d_,_ e_,_ f_,_ g_,_ a_,_ b_,_ c_)?
40383	Is music believed to possess the power of curing certain illnesses?
40383	Is music employed to facilitate manual labour?
40383	Is not the art of music generally acknowledged to be one of these?
40383	Is that not a happy alteration?
40383	Is the seventh used sharp(_ c_-_b_), or flat(_ c_-_b flat_)?
40383	Is the time of the music generally common time, triple time, or irregular?
40383	Is the_ tempo_ generally fast or slow?
40383	Is their ear acute for discerning small musical intervals?
40383	Is their singing in regular time, or does it partake of the character of the recitative?
40383	Is their voice flexible?
40383	Is there a leader of the band?
40383	Is there any peculiar contrivance on some of the instruments in the arrangement and situation of the strings?
40383	No doubt, if seen in notation disconnected from the preceding and following bars, it looks deterrent enough; but ought it thus to be judged?
40383	On what order of intervals is the music of the people founded?
40383	Or some other order of intervals?
40383	Or the Diatonic Minor Scale( in which the third is flat; like_ c_,_ d_,_ e flat_,_ f_,_ g_,_ a_,_ b_,_ c_)?
40383	Or the Pentatonic Scale( in which the fourth and the seventh are omitted, thus_ c_,_ d_,_ e_,_ g_,_ a_,_ c_)?
40383	Since then, twenty- five years have elapsed; and what is now thought of these works by the whole world?
40383	Some boys who happened to hear him, called out to him:"What good is it for you to be thus singing and playing?
40383	Startled by the sound, the three maidens ceased dancing, and one of them asked hurriedly:"Where are my gloves?"
40383	The Musicians answer,_ I pray you good Sir, why say you so?_ Man,_ Because Jean Sanderson will not come too_.
40383	The clergyman knew at once that this must be a Neck; he, therefore, in his zeal, called out to him:--"How canst thou play so cheerfully on thy harp?
40383	The dejected giant, hearing himself thus questioned, ejaculated whiningly:"Come back again?
40383	The invitation was complied with; upon which the minister proposed the following question:--"Who art thou, stranger, and from whence?"
40383	The power of enticing and taming wild animals?
40383	The sympathetic strings merely serve to increase the sonorousness)?
40383	What are the musical intervals in which the stringed instruments are tuned?
40383	What are the substances of which the strings are made?
40383	What are the usual adornments and appendages of the musical instruments?
40383	What are their instruments of percussion( such as drums, castanets, rattles, cymbals, gongs, bells, etc.)?
40383	What impression does the music of foreign nations produce upon them?
40383	What is the number and the position of the finger- holes on the flutes?
40383	What is the number of performers in a properly constituted band?
40383	What is the quality of the voice?
40383	What is the usual compass of the voice?
40383	What musical instruments have they which are not used by them in musical performances, but merely for conveying signals and for such like purposes?
40383	What tones do the flutes yield if the finger- holes are closed in regular succession upwards or downwards?
40383	When he saw that I was right, he said,''Well, and who has forbidden them?''
40383	When they sing together, do they sing in unison, or in harmony, or with the occasional introduction of some drone accompaniment of the voice?
40383	Whereupon Jacob, getting a little courage, asked him:"And when do you intend to come back again?"
40383	Which are the instruments commonly used singly?
40383	Which are the instruments generally used in combination?
40383	Which is the prevailing female voice-- soprano or alto?
40383	Which is the prevailing male voice-- tenor, baritone or bass?
40383	Would it not be advisable to have all the books relating to music entered in the musical catalogue?
40383	and do these compositions exhibit the same characteristics which are found in the modern ones?
40383	and how are they constituted?
40383	and if so, how is it done?
40383	and, if so, what are the tones in which they are tuned when two or more are played together?
40383	have they?
40383	is it loud or soft, clear or rough, steady or tremulous?
40383	is there a plug in the mouth- hole?
40383	or the Clown''s"O mistress mine where are you roaming?"
40383	shall we do that?''
38023	''Well, Mr. Fields,''she said, with great impressiveness,''what have you new in literature to- day? 38023 About the American''twang''?
38023	Did n''t I tell you so?
38023	Did you see the advertisement?
38023	Do n''t you know why everything on the stage has been going so badly to- night?
38023	Do you remember,he said, laughing,"how embarrassed I was when you kissed me?
38023	For heaven''s sake, Behrens,said I,"what''s the public going to do while we stand there?
38023	Heavens, Louise,they exclaimed,"what do you do in this opera anyway?
38023	How can I tell?
38023	How did you do it?
38023	How did you manage to reach the Czar?
38023	How do you know that?
38023	I have never heard her-- do I know that she can sing? 38023 I''ve come,"said she in a soft, small voice,"to ask you if you would please kiss me?"
38023	Indeed? 38023 My dear,"she exclaimed,"tell me what are''buttered nuts''?"
38023	My pin is upside- down, is n''t it?
38023	Oh, Miss,she cried in a tone of awe and curtseying to his name,"you do n''t mean''i m that wrote_ Tell me not in mournful numbers_?
38023	Sing where?
38023	Sing?
38023	Then I do n''t sing wrong?
38023	Was all that gossip about disputes and jealousies between Kellogg and Gary last season a managerial dodge for notoriety?
38023	Well,remarked that gentleman casually, winking at Jarrett,"can she sing?"
38023	What are you going to do about it?
38023	What are you going to wear?
38023	What do you expect me to do?
38023	What do you expect,I demanded, in my old- fashioned yet childish way, being at the time eighteen,"what do you expect of a person of my age?"
38023	What do you mean,he demanded,"by taking liberties with the music like that?"
38023	What do you think it is worth?
38023	What do you think of Americans as an opera- going people?
38023	What do you wear it that way for?
38023	What have we done?
38023	What is all this talk I hear about a lot of rich men coming to the front in New York to support Mapleson''s operatic ventures with their money?
38023	What is your song?
38023	Where are you bound for?
38023	Who is she,they would demand indignantly,"to come and take the bread out of our mouths?"
38023	Why did n''t you say so in the first place?
38023	Why did n''t you say so?
38023	Why on earth,cried the publisher,"do n''t you get a new hat?"
38023	Will you bet?
38023	You sang that for me in Washington, did n''t you, Miss Kellogg?
38023	You would n''t expect me to sing?
38023	You-- don''t think that she will be offended if I send her this message-- now-- do you?
38023	_ Nichts?_he repeats.
38023	_ That?_ I would n''t sing like that for anything! 38023 _ Was hast du gesehen?_"says he.
38023	A tenor?
38023	After another lovely thing which he played for us, I was so impressed by the rare tone of his instrument that I asked:"Is that a Böhm flute?"
38023	Although one woman did write,"who ever saw more simplicity on the stage?"
38023	And how, often and often, it is then that victory comes?
38023	And then he asked,"How would you like to sing?"
38023	And, my dear Miss Kellogg, who_ was_ Tennyson?"
38023	Are you not crying for the moon in union with your Emersons and Longfellows-- with your La Farges and your Gilders?
38023	Are you not yourself the_ Spirit Nightingale of the West_?
38023	Besides, what rivalry could there possibly be between a soprano and a contralto?
38023	But did she ever give a double a chance to lead her battle charge?
38023	But what do they care for the twilight of the Valley?
38023	But why, O why, the eternal_ Soldiers''Chorus_?
38023	CHAPTER XXXII GOOD- BYE TO RUSSIA-- AND THEN?
38023	Can we hold their interest for so long while nothing is happening?"
38023	Clara Louise Kellogg, eh?
38023	Colonel Stebbins, who was anxious, said to Maretzek:"Do n''t you think she had better have a German coach in the part?"
38023	Could anything be more delicious than the taste of black birch?
38023	Could anything be more entertaining than this naïve fashion of making a date in Heaven?
38023	Did they grasp the moon in the waters and at last disturb the image?
38023	Did you hear that''la''in the second act?
38023	Do I make myself understood, I wonder?
38023	Do n''t you know how, after striving and straining for something, you at last relax and let some inner part of your brain carry on the battle?
38023	Do n''t you notice the difference?
38023	Do they speak English in America?"
38023	Do you find your artists difficult to manage?
38023	Do you think I''d better do my bicycle act next?"
38023	Everyone in the front of the house is asking''where''s the_ prima donna_?''"
38023	GOOD- BYE TO RUSSIA-- AND THEN?
38023	Has she the means for experimenting, or does she have to earn her living in some way meanwhile?
38023	Have I mentioned her name?
38023	He idly struck a note and asked my mother:"What note is that I am striking?
38023	He would come panting into the house, his round face beaming, and gasp:"Any new American jokes?
38023	He?
38023	How am I going to do it?_"I sang around in circles until I was able to give the Contessa the correct note.
38023	How could it have been otherwise, considering the care she has always taken of herself?
38023	How do you do it?"
38023	How does he breathe?
38023	How many people know that Miss Cushman had studied singing and had a very fine_ baritone_ contralto voice?
38023	I carry away America in your voice; and what better token can your nation offer?
38023	I cried from the next room,"do n''t you know what note that is?"
38023	I explained volubly and eagerly,"she was of the well- to- do class-- the burghers-- don''t you remember?
38023	I gasped,"what is she doing?
38023	I gazed with horror at the brown liquid in my tumbler, and then said faintly to the waiter:"Ca n''t you get me some clear water, please?"
38023	I imagine it is because you do n''t mind putting yourselves under obligations, is n''t it?"
38023	I remember Jenny Lind sang:"Birdling, why sing''st thou in the forest wild?
38023	I sometimes wonder if other singers do the same with obdurate auditors?
38023	I suppose you''ve seen one before, Miss Kellogg?"
38023	I wonder how many people to- day know even the name of Fanny Elssler, the dancer who captivated the young King of Rome and lived with him for so long?
38023	I wonder if anybody besides singers get such an extraordinary sense of contact and connection with members of their audiences?
38023	I wonder if such mad, national excitement could come to people to- day?
38023	If Gary was n''t pleased with her treatment last year, why should she engage with us again?
38023	In Rostand''s play, they ask Chanticleer:"What is your life?"
38023	Is it because all civilisations are destined to have their days and nights of Brahma?
38023	Is n''t this a masterpiece?
38023	Is this believable?
38023	It became quite a joke with them to cry out suddenly, at any sort of sound-- a whistle, or a bell:"Now, what note is that?
38023	Lucca came to me laughing and said that some one had asked her:"How do you dare to sing on the same bill with Miss Kellogg, the American favourite?"
38023	Next day every one was rushing about demanding,"Who was her teacher?
38023	Nilsson, even, was too-- shall I say,_ knowing_?
38023	Now how does he do it?"
38023	Now, suppose you go on and find that you can''t-- what will you do then?
38023	Odd?
38023	Or am I mistaken?
38023	Or was the principle that organised the European nations itself a false one?
38023	Past the back of Taurus, away among the Pleiades, whither dost thou go?
38023	Shall my soul return, or-- never?)
38023	She has often brought me a book of poetry, pointed out the best thing in it, and said in her soft way:"Do n''t you think this is nice?
38023	So I said to my young Connecticut friend:"My dear, you are trying to support yourself and your mother, are n''t you?
38023	The thing that one has chosen for one''s life work in the world:--what labour could be too great for it, or what too minute?
38023	To each I brought a clearer vision, a surer touch, a more flexible method, a finer( how shall I say it in English?)
38023	What are you fitted for?
38023	What can you turn your hand to?
38023	What do you think this jewelry is really worth?"
38023	What have you acquired?
38023	What is the use of diadems and coronets if the owner does not wear them?
38023	What key was that in, Miss Kellogg?"
38023	When the girl had finished, I said:"My dear, have you read those words?"
38023	When?
38023	Where is the future of music to be?
38023	Who gave her this wonderful style and tone?"
38023	Who is this Miss Kellogg anyway?"
38023	Who was it said"the world goes round with revolutions"?
38023	Who wrote them?"
38023	Why did n''t these rich men that want opera in New York give me any money?
38023	Why this everlasting, tedious march,_ when there are so many excellent band pieces on the market that would fit the occasion better_?"
38023	Why?
38023	Why?
38023	Why_ did_ we choose that day of all others on which to begin a journey?
38023	Will you allow me to do so?
38023	Will you also condescend to write to me at your leisure?
38023	Will you not favour me by writing again?
38023	[ Illustration:= Carl Strakosch= From a photograph by H. W. Barnett] The last time I saw Patti I said to her:"Adelina, have you got through singing?"
38023	and the Israelite climbed down exclaiming in crestfallen accents:"How did you know it?"
38023	and then--"I wonder--_could_ it also be the crazy woman who wanted me to kiss her?"
38023	exclaimed the landlord, in a new tone,"you will pay_ extra_ for the dinner, if we are willing to serve it for you now?"
38023	he cried,"did you ever see anything so splendid?
38023	where''s your music?"
54426	How now, ye secret black and midnight hags; what is''t ye do?
54426	If Tristan is under any obligation to you, how can he discharge it better than by making you Mark''s queen? 54426 Unloved by the lordliest man, yet always near him, how could I bear that anguish?"
54426	Will the gold make pretty ornaments for women?
54426	A backward gaze on earth they fix, And ask,"Where doth dear Music go?
54426	A harmony?
54426	AUX ITALIENS I.--ITALIAN OPERA OF TO- DAY What do ye singing?
54426	And Loge?
54426	And then we wonder if the musically unprogressive will still be clinging to their jingling classic,"Lucia di Lammermoor"?
54426	Are not those, with the matchless comedy of manners,"Die Meistersinger,"enough for one mind to have created?
54426	Are these things beautiful?
54426	Are they sincere, or does Wagner shadow forth just a suspicion of the dishonesty which lurks in the utterance?
54426	Are we afraid of it?
54426	Brünnhilde complains:"Why are you angry at me, father?"
54426	But does it tell all?
54426	But if he failed( and who can doubt that he did after studying the bloodless philosophy of the last product of his genius?
54426	But what can we ask?
54426	But what do we find in"Parsifal"?
54426	But who ever expected to find a consistent logic in the mind of fair woman, even a resident of high Olympus?
54426	But who thinks of all this while the performance is in progress?
54426	But why go farther with this catalogue?
54426	Call ye this a hero of all the world?
54426	Can any one show that it has a direct connection with the development of the story?
54426	Did Joseph of Arimathea catch the precious drops in it; and was it really the vessel used at the Last Supper of Jesus and his apostles?
54426	Did Wagner realize the fathomless depths of his own sarcasm here?
54426	Did he see the ridiculous aspect of it?
54426	Did the blood of Christ ever sanctify it?
54426	Did you ever chance to hear his"Chansons de Miarka,"settings of texts of Jean Richepin''s"Miarka, the Bear''s Foundling"?
54426	Do they need a model?
54426	Even if he himself did the wooing for his uncle, why should you object?
54426	From this Wagner could not escape, even in his"Parsifal,"for Kundry, in the final scene, dies of what?
54426	Having turned upon the hand that sought to benefit her, what does she?
54426	How came Wagner not to remember the law of operatic tradition?
54426	How came Wagner to fail in his puerile attempt to make a drama out of a supposed incident in the life of Christ?
54426	How can the dotard Wotan sit by the hearthstone playing at riddles with Mime and not feel the breath of Loge on his neck?
54426	How did Siegfried learn his own musical theme?
54426	How long did it take the musician to discover that the Virgin was not such inspiring musical material as Mary Magdalen?
54426	How long was it before the musicians ceased to content themselves with their tone pictures of ocean waves and murmuring streams?
54426	How many of our ultra- refined orchestral studies in logic will stand examination in the searching light of that proclamation?
54426	How many viewless ages yet shall run before the process be complete?
54426	How much introspection is there in Wotan''s interesting interview with the unseen Fafner?
54426	How much more necessary is it to read Maeterlinck''s"Death of Tintagiles"in order to understand Charles Martin Loeffler?
54426	How much more of German mystic philosophy, of mediævalism, of the teachings of Siddartha, and lastly of pure paganism?
54426	How much of all this did Wagner perceive when he was constructing his extraordinary drama in four plays?
54426	How often shall we who are treading the downward slopes of life croon that old couplet and yearn for the cradle songs of Schubert and Beethoven?
54426	Howsoever these things be, the ultimate question remains: Will the compositions of Mr. Strauss and his kind stand the test of Ambros?
54426	II.--THE CLASSIC OF THE UNPROGRESSIVE But how may he find Arcady Who hath nor youth nor melody?
54426	III.--WHAT DOES IT ALL MEAN?
54426	If the lovers of"Lucia"are unprogressive, is, then, a great singer who still sings this part their leader?
54426	If we may go so far, how are we to be estopped from prying further into the mysteries of musical depiction?
54426	Is Kundry to be explained?
54426	Is Parsifal to be analyzed?
54426	Is Strauss not a maker, but a product?
54426	Is he not only a musical Rabelais, but also that malodorous jest of a Rabelaisian brain, Gargantua himself?
54426	Is it art?
54426	Is it not a purely Wagnerian touch?
54426	Is that a heroic act?
54426	Is the embodiment of craft absent?
54426	Is the embodiment of subtle psychologic problems in tone hostile to unaffected beauty?
54426	Is the green glass chalice which now reposes peacefully in Genoa a holy vessel?
54426	Is their æsthetic basis lofty and wholesome?
54426	Is their æsthetic centre of gravity within themselves?
54426	It is Loge''s triumph, is it not?
54426	It was a long way round, was it not?
54426	More bitter wars than that have been waged for the sake of acquiring wealth and power, and to what end?
54426	Must husbands have had outings in the elemental days even as now?
54426	Must the lyric drama follow the march of symphonic music into the screaming regions of the Strauss soul analysis?
54426	Now what happens?
54426	Now, what has Edward Elgar accomplished, and what does the character of his work indicate as the present tendency of oratorio?
54426	Oh, Siegfried and Fafner, Fafner and Siegfried, which of ye is the more comic?
54426	Or is it all a beautiful chance?
54426	Or is it all, this music of Strauss, a monstrous joke, and does the man laugh in his sleeve at the troubled world?
54426	Or is it simply that certain good people to whom the theatre is a place accursed must have their dramatic excitements in some other form?
54426	Or was the curse imposed solely that this theatrical picture might be introduced?
54426	Shall we say that therefore Beethoven''s psychometry was saner and more artistic than that of Strauss and his few brothers in art?
54426	She cries:"The drink, for whom?
54426	So he turns to Loge, who comes waving and caracoling upon the scene-- to what theme?
54426	The only question that remained to be solved after this was, How far would the musician go?
54426	The wound certainly existed; but who can vouch for the preservation of the spear as an object of reverence?
54426	These songs have atmosphere, and if it is painted in familiar and safe tints, who shall blame a man for assuring himself of correct methods?
54426	Tristan?
54426	WHAT DOES IT ALL MEAN?
54426	Was it strange that the primitive mind could not conceive a god who was himself the law?
54426	Was the epic man inconstant of soul?
54426	Was there any touch of Schopenhauer or Buddha in this?
54426	Was there ever a Holy Grail?
54426	We are driven inward upon the central and all- important question, How far can music go in the direction of depicting things which lie outside itself?
54426	What does all this mean?
54426	What does the man mean?
54426	What effect has the disappearance of the futile gods upon the dramatic development of the story?
54426	What evidence is there that Wagner perceived the full significance of the final triumph of Loge over the erring Wotan?
54426	What had the Greek?
54426	What has Strauss done in these works to"so get the start of the majestic world"?
54426	What has become of the enlightenment by pity?
54426	What has so got the start of the majestic art of music as to lead it to the grave?
54426	What is it?
54426	What is the real truth about this huge ragoût of mysticism and orchestration which in the looming shadows of the Festspielhaus is called"sacred"?
54426	What is the result?
54426	What is this work, after all, but a summary of the blind gropings of the imaginative Wagner after a philosophy beyond his reach?
54426	What is this ye sing?
54426	What kind of impression did this drama make upon the unprejudiced and equipoised mind?
54426	What majestic development of the Erda theme is this we hear in the Dusk of the Gods motive?
54426	What more can one say to recommend it to the general reader?
54426	What music has Wagner evolved to body forth the traits and accessories of this godless deity?
54426	What was a god to do who was short of power?
54426	What was really in Wagner''s mind when he wrote that extraordinarily beautiful passage of song for Loge in the first scene of"Das Rheingold"?
54426	What was to be done?
54426	What will he do with her?
54426	What, then, becomes of this manifestation of Wagnerian philosophy, this joyous tempter of wooden gods?
54426	When she has tacitly consented to the theft of the gold, what does she?
54426	Where are Brangäne''s heroics in the drama?
54426	Where is Italian opera?
54426	Which is the truer tale, the more convincing art?
54426	Whither is it going?
54426	Who are we, to make final conclusions and splutter our puny"Quod erat demonstrandum"?
54426	Who was it said recently that the good Mr. Loeffler of Boston thought music in a scale of his own?
54426	Who writes now an"overture, scherzo, and finale"?
54426	Whoever before heard the lascivious harmony of the third made to chant a psalm of mischief?
54426	Why all this pother about the sacrilege of putting the Holy Grail on the stage?
54426	Why enact"Parsifal"and not this?
54426	Why should it?
54426	Why should we believe it incumbent upon us to uphold all that Wagner did?
54426	With what heroine is she to be compared?
54426	Would not a heroic nature have grasped the significance of the moment, and, foreseeing the approaching shame, have acquiesced in Isolde''s decision?
54426	Yet how far beyond Liszt has the psychologic composition of to- day advanced?
54426	Yet shall not Idea, subtle, crafty, remorseless, triumph at last?
43289	Children, children,it says,"Are you not afraid?"
43289	(_ Besieht ihren mit Milch begossenen Rock; Hänsel kichert verstohlen._) Was, Bengel, du lachst mich noch aus?
43289	(_ Giebt Hänseln einen Puff._) Lasst seh''n, was habt ihr beschickt?
43289	(_ Goes back some steps to the back of the stage and calls through his hands._) Who''s there?
43289	(_ He takes his basket and begins to display he contents._) Look, mother, does n''t all this food please you?
43289	(_ Ruft durch die hohlen Hände._) Wer da?
43289	(_ Setzt ihre Kiepe nieder._) Nennt ihr das Arbeit?
43289	(_ The mother comes in, unstraps the basket, and puts it down._) Call you it working, yodelling and singing?
43289	(_ Turns to Hänsel._) See there, the sleepy lazybones?
43289	(_ Weinend._) Was soll ich nun zum Abend kochen?
43289	-- Weisst Du, was der Wald jetzt spricht?
43289	--Wie, Gretel, den Strumpf nicht fertig gestrickt?
43289	Allein was nutzt der Kommandör, fehlt euch i m Topf die Zubehör?
43289	Am Ilsenstein?--Ei, juckt Dich das Fell?
43289	And did you also behold all this?
43289	And the gingerbread children?
43289	And you, you lazybones, have you nothing to show?
43289	Arbeiten?
43289	Are n''t you ashamed?
43289	Are you senseless?
43289	At this moment the cuckoo is heard._) Cuckoo, cuckoo, how d''you do?
43289	Been in mischief?
43289	Bin gar so dumm, nimm mir''s nicht krumm; drum zeige mir eben, wie soll ich mich heben?
43289	Bist du bei Sinnen?
43289	But Hänsel says the angels beguiled their footsteps and why should n''t they nibble a bit at the cottage?
43289	But say, what will you with my brother do?
43289	But stay, why, where are the children?
43289	But the gobbling witch?
43289	But there, what''s grinning so there at me?
43289	But where, where think you the children can be?
43289	Crosspatch, crosspatch, what is the use, growling and grumbling, full of abuse?
43289	Cuckoo, cuckoo, where are you?
43289	Cuckoo, how are you?
43289	Cuckoo, where are you?
43289	Cuckoo, why do you do so?
43289	D''you hear?
43289	D''you like it?
43289	Da, sieh nur die artigen Kinderlein, wo mögen die hergekommen sein?
43289	Dear heart, what makes you say such things?
43289	Did you hear?
43289	Die Böse?
43289	Doch halt-- wo bleiben die Kinder?
43289	Doch sag, wo mögen die Kinderchen sein?
43289	Dort sucht mir Erdbeeren!--Nun, wird es bald?
43289	Dost thou not know the awful magic place, the place where the evil one dwells?
43289	Eh?
43289	Eh?
43289	Ei, wie fang ich''s an, dass ich komme dran?
43289	Eia- popeia, pray what''s to be done?
43289	Ein Geheimnis?
43289	Fandst du nicht auch, lieb''Weib?
43289	For the ogress?
43289	Gone with Hans?
43289	Gretel!--Wo steckt der Hans?
43289	Hast Du denn alles das auch gesehn?
43289	Hast Du''s gehört?
43289	Hoho!-- Wer spek-- spektakelt mir da i m Haus und rallalakelt aus dem Schlaf mich heraus?
43289	How come I in the wood to lie?
43289	Hänsel covertly titters._) How, saucy, how dare you laugh?
43289	Hänsel, Gretel, what''s gone with Hans?
43289	Hänsel, however can you make so bold?
43289	Hänsel, what have you done?
43289	Hörst du?
43289	I m Dunkeln wohl gar, unter Hecken und Buchen?
43289	I wonder who the mankin is?
43289	Ich mach''dir''ne Nase, hörst du''s, Wicht?
43289	In all den Stunden nicht mal die wenigen Besen gebunden?
43289	Indes die Eltern vom frühen Morgen bis spät in die Nacht sich mühen und sorgen?
43289	Is some one there?
43289	Ist es ein Traum?
43289	Ist jemand da?
43289	Johlen und singen?
43289	Junge, wie magst du so dreist nur sein?
43289	Kennst Du nicht den schauerlich düstern Ort?
43289	Know you what the forest says?
43289	Knusper, knusper Knäuschen, wer knuspert mir am Häuschen?
43289	Knusper, knusper Knäuschen, wer knuspert mir am Häuschen?
43289	Lass los!--Wer bist du?
43289	Man, man, what see I?
43289	Mann, was seh''ich?
43289	Nibble, nibble, mousekin, who''s nibbling at my housekin?
43289	Nibble, nibble, mousekin, who''s nibbling at my housekin?
43289	Not know the way?
43289	O Hänsel dear, O brother dear, d''you take me for a fool?
43289	O herrliches Schlösschen, so schmuck du und fein, welch Waldes- Prinzesschen mag drinnen wohl sein?
43289	O say, do I dream?
43289	O what shall we do?
43289	O what shall we do?
43289	O, did you hear?
43289	O, who''s to know?
43289	Oho!-- Who''s sing- sing- singing all around the house, and tra- la- la- ing me out of my sleep?
43289	Or do I dream?
43289	Pray how many besoms have you finished?
43289	Sag doch, was soll denn der Besen?
43289	Sagt, wer mag das Männlein sein, das da steht i m Wald allein mit dem kleinen schwarzen Käppelein?
43289	Sagt, wer mag das Männlein sein, das da steht i m Wald allein mit dem purpurroten Mäntelein?
43289	Say, who can the mankin be, standing there beneath the tree, with the little mantle of velvet brown?
43289	Say, who can the mankin be, standing there so silently, with the little black cap upon his head?
43289	Schämst du dich nicht?
43289	So haben die Rangen Unfug wieder angefangen?
43289	Suse, liebe Suse, was raschelt i m Stroh?
43289	Susy, little Susy, pray what is the news?
43289	Tanzen?
43289	Tell me, cuckoo, why are you?
43289	The angels?
43289	The besom, the besom, why what is it for?
43289	The cobbler has leather, and plenty to spare, why ca n''t he make the poor goose a new pair?
43289	Und die Lebkuchenkinder?
43289	Und dort, was grinset daher vom Sumpf?
43289	Von der Hexe?
43289	Wach ich?
43289	Waking?
43289	Was fangen wir an?
43289	Was für ein wunderlich Gesicht Macht er soeben-- siehst Du''s nicht?
43289	Was haben wir thörichten Kinder gethan?
43289	Was ist das für eine Geschichte?
43289	Was macht man damit?
43289	Was macht man damit?
43289	Was mag das für ein Männchen sein?
43289	Was sagst Du?
43289	Was schimmert denn dort in der Dunkelheit?
43289	Was willst du meinem Bruder thun?
43289	Was?
43289	Weisst nicht, dass die_ Böse_ dort wohnt?
43289	Welche Freude steht mir bevor?
43289	Wen meinst Du?
43289	Wer schenkt mir einen Dreier zu Zucker und Brot?
43289	Wer weiss, wer da drin wohl i m Häuschen fein?
43289	What is all this disturbance?
43289	What is the great treat in store for me?
43289	What mean''st thou?
43289	What now can I cook for supper?
43289	What were you saying, little goose?
43289	What''s glimmering there in the darkness?
43289	What, Hänsel, tasting?
43289	What, here in the dark, under hedges and bushes?
43289	Where am I?
43289	Where hides the princess who has so great a treat?
43289	Where?
43289	Who are you, ugly one?
43289	Who are you?
43289	Who knows who may live there, in that lovely house?
43289	Who''ll give me milk and sugar, for bread I have none?
43289	Why, Gretel, your stocking not ready yet?
43289	Wie auf der Kirmes tanzen und springen?
43289	Wie gefällt Dir dies Futter?
43289	Wie schmeckt das?
43289	Wie, Hänsel, naschen?
43289	Wo bin ich?
43289	Wo denkst du hin?
43289	Wo er steckt?
43289	Work again?
43289	Your eyes are shut-- pray who are you?
43289	den Weg nicht mehr?
43289	der neue Topf entzwei?
43289	it was a lovely day, do n''t you think so, dear wife?
43289	the jug is smashed to bits?
43289	what say you?
43289	who''s nibbling at my housekin?
43289	» Kindlein! « sagt er, » fürchtet ihr euch nicht? «(_ Späht unruhig umher._) Gretel!
39078	De gospel ship is sailin'', O Jesus is de captain, De angels are de sailors, O is yo''bundle ready? 39078 Do n''t you hear Gabriel''s trumpet in de mornin''"?
39078	How loud mus''I blow?
39078	I made hit maself, did n''t you know I''m a songster?
39078	Now ai n''t dis hard trial and tribulation?
39078	Now stan''back, satan, an''let me go by... why doan de debbil let a me be?
39078	Weepin''Mary, weep no mo''--"Mary wept, Martha cried", why ca n''t they too?
39078	What makes ole satan follow me so? 39078 You are the Christ, I''m sure it''s true, For none do de miracles dat you do, But how can a man, now old in sin, Turn back still and be born again?"
39078	A group of negroes sing while working; one sings a new verse of the song:"Where you git dat?"
39078	All I wants to know is,"Does you love the Lord?"
39078	An''how you know dey''s angels?
39078	Another asks what ship is that"you''re enlisted upon"?
39078	Another chorus inquired:"O brothers where were you?
39078	Brother do n''t you hear the blind cries, blind cries?
39078	Brother do n''t you hear the blind cries, blind cries?
39078	Brother, ai n''t you glad?"
39078	Dem pooty angels I shall see-- Why doan de debbil let a me be?
39078	Did you say that you love the Lord?
39078	Did you see Jesus when he wore the starry crown?
39078	Do n''t you wish you could pray like Paul?
39078	Does he not sing well and truthfully?
39078	Every day, every day, Well ai n''t it a pity, ai n''t it a pity?
39078	For my Lord is a waitin'', Why do n''t you come to His call?
39078	For what has he to attract him at home where he unwillingly begins to think of work again?
39078	Go''way satan I doan min''you; You wonder, too, you ca n''t come through?
39078	God told Noah''bout de rainbow sign--_ Lawd, did n''t it rain?_ No more water but fier nex''time--_ O did n''t it rain?
39078	God told Noah''bout de rainbow sign--_ Lawd, did n''t it rain?_ No more water but fier nex''time--_ O did n''t it rain?
39078	Halleluyer, did n''t it rain?
39078	Halleluyer.__ O did n''t it rain, O did n''t it rain?
39078	Hark, the blind man stood by the wave and cried, He cried,"O Lord, do n''t you hear po''me?"
39078	He asks"How do you know?
39078	He cried,"O Lord, do n''t you hear po''me?"
39078	He look so pale an''bleed so free: O do n''t you think it was a shame, He hung three hours in dreadful pain?
39078	Hear my Jesus callin''?
39078	Hear my Jesus when he call you?
39078	Ho, ho, did n''t it rain?
39078	How does you know he wore the crown?
39078	How does you know he wore the crown?
39078	How does you know he wore the crown?
39078	I went down de hillside to make a one prayer, An''when I get dere ole satan wus dere, O what you think he said to me?
39078	In a general mixture of old song and new song, of old traits and new traits, the negro sings a beautiful song which he has called:"Whar''shall I be?"
39078	In one of the old songs, the above verses were sung to the chorus Oh, what you say, John?
39078	In the old slave song the sinner asks: My Lord, My Lord, what shall I do?
39078	In the same manner he sings,"Wo n''t you come an''see yo''Lord?"
39078	Is it surprising that he is unwilling to leave the church until a late hour or that he does not tire of singing?
39078	It, too, is called"Did n''t it rain?"
39078	Jesus is a listenin'', Jesus die._ Where was Ezekiel when the church fell down?
39078	John declar''d he saw a man, Whar''shall I be?
39078	Mathew, Mark, Luke and John, Whar''shall I be?
39078	May these not speak for him, both the good and the bad, in the following chapters?
39078	Must be children of the Israelites", which is the common version for the answer to"Who''s all them come dressed in white?"
39078	No more water but fire nex''time, Whar''shall I be?
39078	Now wo n''t you blow Gable at the judgment bar?
39078	Now wo n''t you blow Gable at the judgment?
39078	O Lord, ai nt it a pity-- ain''t it a shame-- To see how my Lord and Saviour was slain?
39078	O brother, do n''t you hear the blind cries?
39078	O my Lord, shall I be the one?
39078	O my Lord, shall I be the one?
39078	O sinner man, how can it be?
39078	O sinners, O Christians, O mourners, etc., where were you?"
39078	O sisters where were you?
39078	Oh was n''t that sad on Sunday mornin''?
39078	Oh, what you say, John?
39078	Oh, what you say, John?
39078	Once the negroes sang:"Who''s that yonder all dressed in black?
39078	Others sung it"Nobody knows the trouble I see, or I''ve had", and asked:"Brother, sister, preacher, will you pray for me?"
39078	Should they be permitted to become a lost record of the race?
39078	Sinner, what you gwine do when the lamp stops burnin'', Let yo''light shine all over the world?
39078	Stop young man, I''ve something to say; You know you''re sinful and why do n''t you pray?
39078	The meaning of the expression is something like"Yes?"
39078	The old plantation song, instead of saying,"Brother Daniel over yonder,"had it,"Wonder where is good ole Daniel?
39078	The old slave and plantation song asked:"Who''ll jine de Union?"
39078	The old songs asked:"Wus you dere when dey crucified my Lord?
39078	The plantation song asked, O whar you runnin'', sinner?
39078	The plantation songs called to him:"Where you goin''sinner?
39078	Then when he has finished he begins all over again, if he wishes and sings:"Sister, ai n''t you glad?
39078	To this place the negro imagines he will go and who knows but that he may fly there?
39078	Tole me whar''my Saviour gone; Whar''shall I be?
39078	Well ai n''t it a pity, pity?
39078	Well ai n''t you goin''to get ready?
39078	Well did you say you love Jesus?
39078	Well do n''t you know it''s mournin''time?
39078	Well my mother got a letter, O yes, Well she could not read it, O yes, What you reckon that letter said?
39078	Well, did you say that you love Jesus?
39078	Well, wo n''t you get in the Union?
39078	Whar''shall I be when it sounds so loud?
39078	What does he mean when he asks:"Does yo''love continue true?"
39078	What if his words were rude and its music ill- constructed?
39078	What kin''er shoes is dem you wear?
39078	What make ole satan hate me so?
39078	What''s dat yonder dat I see?
39078	When dey put the crown of thorns on?"
39078	When it sound so loud that it wake up the dead, Whar''shall I be when it sounds?_ Well God showed Noar de rainbow sign, Whar''shall I be?
39078	When it sound so loud that it wake up the dead, Whar''shall I be when it sounds?_ Well God showed Noar de rainbow sign, Whar''shall I be?
39078	Where wus Ezekiel when de church fell down?
39078	Who is that yonder all dressed in red?
39078	Who knows if the negroes often dream of the grandeurs of the sky?
39078	Why did n''t you take heed at the judgment?
39078	Why do n''t you go to meetin''an''pray all day long?
39078	Why does you tarry, sinner, Why does you wait so long?
39078	Wid seben lamps in his right han'', Whar''shall I be?
39078	Wo n''t you come an''get ready to die?
39078	Wo n''t you come, for my Lord is callin''you?_ How do you know that my Lord is callin'', O yes?
39078	Wo n''t you come, for my Lord is callin''you?_ How do you know that my Lord is callin'', O yes?
39078	Wo n''t you come, wo n''t you come?
39078	Wo n''t you ride on Jesus?
39078	Wonder where is sinkin''Peter?"
39078	Wonder where''s dem Hebrew children?
39078	Wonder where''s doubtin''Thomas?
39078	Yer say yo''Jesus set you free; Why do n''t you let yo''neighbors be?
39078	Yes''who''s that yonder all dressed in blue?
39078	Yes, I say I love the Lord._ All I wants to know is,"Does you love Jesus?"
39078	Yes, ai n''t you goin''to get ready?
39078	_ An''heaven bell ring an''praise God._ What shall I do for hiding place?
39078	_ Down on my knees, Down on my knees, I heard the angels singing._ Well who that yonder all dressed in black?
39078	_ En, ho, ho, did n''t it rain?
39078	_ O my Lord, shall I be the one?
39078	_ Or you ca n''t cross there._ Where are you goin'', sinner, Where are you goin'', I say?
39078	_ Was n''t that a witness for my Lord?
39078	_ Was n''t that a witness for my Lord?
39078	_ Wo n''t you come, wo n''t you come?
39078	_ Wo n''t you ride on Jesus?
39078	_ Yes, I say that I love Jesus, Yes, I say I love the Lord._ If you love Jesus, you ca n''t keep it, All I want to know is,"Does you love the Lord?"
39078	and had not the"blood done sign his name"?
39078	or when he insists:"I wants to know, does you love yo''Jesus?"
39078	wore the crown?
47080	''Who is there?'' 47080 A charade?
47080	And does not that exasperate him?
47080	And what is there so attractive about it?
47080	Are these thine eyes?
47080	At what hour?
47080	But how is he able to maintain order and harmony in his harem, and to keep down jealousy and rivalry?
47080	But the King, what does the King say?
47080	Did he speak in the name of his Master?
47080	Do you know how we were occupied when you arrived?
47080	Do you know who she was?
47080	Do you not see that she is fainting?
47080	Do you recall that sentence of_ King Lear_,he asked me,"''The worst is not yet,''when they had said:''this is the worst''?
47080	Dost thou still belong to me?
47080	How can I, in the open streets? 47080 How,"said I,"could you believe that I would bring such a rabble here?"
47080	In what way, and why?
47080	Is he asleep?
47080	Is this thy mouth?
47080	It is incredible, is it not? 47080 Madeira at his age?"
47080	May we have supper?
47080	My beloved?
47080	My darling, art thou truly mine?
47080	My friends,I said to them,"in the face of a delicate situation do you feel the moral force to do something unusual, grand, heroic?"
47080	Not in the service of the Master?
47080	Oh, did you see?
47080	Then Master, what will you be able to do here before Thursday?
47080	Then there is a connection between you?
47080	Then there was an original?
47080	Thy heart?
47080	True enough, but what?
47080	What can such a word mean?
47080	What dost thou seek, thou who comest up from below?
47080	What is the matter? 47080 What on earth is that extraordinary word,''Dampfschifffahrtgesellschaft?''"
47080	What people?
47080	What time is it?
47080	What will become of this precious paper, then?
47080	What, do you imagine that I am intoxicated? 47080 Where do these beings come from?"
47080	Where is the Alte Pferdestrasse?
47080	Who is that young man?
47080	Who is that?
47080	Who is this Scheffer, then?
47080	Will you come to see my gallery?
47080	Would you like it?
47080	''[ 2] The melancholy of the hour, the clear evening, the shining star and the pastoral life, it is all there; why seek for anything further?"
47080	("Fidi, how big are you?")
47080	******** De quel mica de neige vierge, De quelle moelle de roseau, De quelle hostie et de quel cierge A- t- on fait le blanc de sa peau?..."
47080	A mystification?
47080	A wager?
47080	Adhere can I get the information necessary in order not to be misleading?"
47080	Before Wagner, we two alone?"
47080	But can I not persuade you to prolong your stay in Lucerne for a little, in order that the pleasure you grant me may not be too soon over?
47080	But how can I feel any ill- will toward the King for his impatience?
47080	But how should I be received?
47080	But how?
47080	But what architect would be capable of constructing this monument according to the ideas of the Master?
47080	But what serious thing can have happened to bring you to my house so late?"
47080	But why should we cause such a commotion amid the placid population of Lucerne?
47080	But, all the same, we must not arrive too soon at Tribschen, and how should we pass the time until the fitting moment arrived?
47080	By the lake?
47080	Can you imagine my emotion in listening to them?
47080	Could anything be going wrong?
47080	Could it be possible that a tenor acclaimed by all should have so little vanity and be so nobly conscious of his artistic mission?
47080	Could it be that he was a saint?
47080	Could it be that we were surrounded by a luminous mist, visible to less fortunate mortals?
47080	Could we be dreaming?
47080	Did that ill- omened ship come to roam by night upon this impassable stream?
47080	Do you love the Florentine style?
47080	Do you not understand?
47080	Does not his habit make a difference to them?"
47080	Does not the staff still burden our hands?
47080	For what purpose?
47080	Greatly surprised and relieved I cried out, impulsively--"Will you authorise me to write that to Cosima?"
47080	How could he foresee that this little slip of paper marked the end of all his troubles, and that happiness was in store for him?
47080	How did they know?...
47080	I demanded,"and whither do they go?"
47080	I find that he has the very suave manners of a priest-- but how can he be a priest, and why are all these women so taken with him?
47080	I have composed one myself, very absurd, but who could find a rhyme to add to it?
47080	I was evidently out of the running, I was ignorant of everything: why that long black cassock?
47080	I was greatly moved, troubled, even frightened, for was it not a presumption, almost a sacrilege, to surprise in this way the sacred mystery?
47080	In fact, as soon as we were alone, he said to me in a low voice:--"You have seen Cosima?"
47080	In whom could I confide?
47080	Is n''t that magnificent?
47080	Is not the drinking horn of the pilgrim still hanging from our shoulders?
47080	Is that in the play?
47080	Is that why he grew so pale?"
47080	Of this character one did not ask,"Who is he?"
47080	Poet, musician, philosopher-- what, indeed, was he not?
47080	Shall I let him go?
47080	So the barbers of Lucerne were Wagnerians?
47080	The first telegram which arrived the next day was for Richter:"Will they really offer me such an insult as to give my work to- morrow?"
47080	The lady starts:"Who can be ringing at my house at such an hour?"
47080	The management was stubborn: nevertheless it would have to concede one point; who would conduct the orchestra, if not Richter?
47080	They ask him:"Fidi, wie gross bist du?"
47080	To be sure, we had never before seen him, but how could anyone fail to recognise him?
47080	Toward him who has endeavoured in every way to put through the theatre project which would have permitted the bringing out of my work as a whole?
47080	Truly it was very terrifying; what would come of all this mystery?
47080	Was he a priest?
47080	Was it because he had an intimation of some change, or had they sent him to bear us a last salute?
47080	Was it because they knew us to be friends of Richard Wagner, and because the jealously- guarded retreat in which he lived was open for us?
47080	Were his enemies still so implacable, and what could they do?
47080	What can I say?
47080	What can he mean?
47080	What can that word mean?"
47080	What could be happening?
47080	What could he wish to say?
47080	What could one add to that?
47080	What could result from all these artful under- hand dealings?
47080	What had he to fear?
47080	What has happened?
47080	What has she done to you?"
47080	What in the world could it be?
47080	What is happening?
47080	What plans of future glory have they already formed for him?"
47080	What would it be in French?
47080	What would they say, and what attitude of mind would they reveal?"
47080	Where is he going?"
47080	Who would not feel the fascination and submit joyfully to the supremacy of such a genius?
47080	Why are you so late?
47080	With that smooth- shaven face, had he also a tonsure in the locks that fell long and straight to his shoulders?
47080	Would attention be paid to the author''s suggestions?
47080	Would everything be ready?
47080	Would there still be boats at that hour?
47080	You could find time for that?"
47080	You will come presently to''Tribschen,''will you not, as soon as you have rested a little?
47080	[ 3] But since there are no airs?
47080	and did they really imagine that we would proceed to play at charades in the city?
47080	asked Villiers,"always so silent and buried in his beard?
47080	cried I,"have you not sent it yet?
47080	do they really believe so?
47080	he said,"are you there?
47080	was he already so far advanced in that tremendous work?"
47080	what does it matter?
47080	where have you been?
47080	without seeing even one rehearsal of your work?"
36621	''Sdeath, sir, how dare you!--_ Sir Chr._''Sdeath, sir, how dare you look an honest man in the face?
36621	''Sdeath, sir, would you have me travel like a lord?
36621	''sbud, do you doubt my glass?
36621	All right, think ye?
36621	And how came you, sir, to impose upon me, and assume the name of Inkle?
36621	Ar''n''t I governor of Barbadoes?
36621	Are you then really acquainted with the whole affair?
36621	At it again, eh?
36621	But are you sure, now, you ar''n''t mistaken?
36621	But did you mind the women?
36621	But do we muster all hands?
36621	But how do you like this, Wows?
36621	But how the plague am I to live here?
36621	But suppose you meet an old shabby friend in misfortune, that you do n''t wish to be seen speak to-- what would you do?
36621	But then, the report of his hospitality-- his odd, blunt, whimsical friendship-- his whole behaviour--_ Nar._ All stare you in the face; eh, Campley?
36621	But what are we to do next, sir?
36621	But where shall I look for safety?
36621	But you have had a lover or two in your time; eh, Wowski?
36621	But, in two words, will you dispose of her, or no?
36621	But, old Medium, what have you to say for your hopeful nephew?
36621	D''ye understand your lesson?
36621	Do you like it?
36621	Do you think I travel merely for motion?
36621	He great prince?
36621	His hair puffed?
36621	How can I, in honour, retract?
36621	I had forgot one material point-- you ar''n''t married, I hope?
36621	I wish my countrywomen could see me----But wo n''t your warriors kill us?
36621	Is n''t it fine?
36621	Is not it, as it were, a marriage made above?
36621	Is that young Indian of yours going to our market?
36621	My presence might distress her-- You conceive me?
36621	Od''s my life!----Now for the news-- If it is but as I hope-- Any dispatches?
36621	Our black fair?
36621	Sail._ Do?
36621	Tell me how it happened?
36621	Tell me, my good fellow-- what said the wench?
36621	What did your countrymen do for the poor fellow?
36621	What he''s at his multiplication table again?
36621	What make you love me now?
36621	What must we do, lads?
36621	What plan can I follow?
36621	What say you, girl?
36621	What the deuce should I be afraid of?
36621	What the plague made you loiter so long?
36621	What then?
36621	What was it?
36621	What?
36621	Why hover about the city, instead of boldly attacking the guard?
36621	Why not?
36621	Why, sure, friend, you would not live here with a black?
36621	With white and grey hair, eh, my pretty beauty spot?
36621	You are acquainted with his character, no doubt, to a hair?
36621	You remember the instructions I gave you on the voyage?
36621	Zounds, have not I given you proofs?
36621	Zounds, what harm did I ever do to be hunted to death by a pack of bloodhounds?
36621	[_ Aside._] I fancy, young gentleman, as you are such a bosom friend of the Governor''s, you can hardly do any thing to alter your situation with him?
36621	[_ Aside._][_ Exit.__ Inkle._''Sdeath, what am I about?
36621	[_ Aside._]_ Med._ Why, what the devil is the matter with you?
36621	[_ Clapping INKLE on the shoulder._]_ Sir Chr._ How came you to know him?
36621	[_ Exit.__ Sir Chr._ Well-- shall I see the girl?
36621	[_ Exit.__ Wows._ Who be that fine man?
36621	[_ In a whisper._]_ Inkle._ Are they all gone by?
36621	[_ Kisses her._] Well, how do you do?
36621	[_ Peeping in at the door._]_ Trudge._ May I come in, sir?
36621	[_ Stroking his chin._] Was it like mine?
36621	[_ To the Governor._]_ Sir Chr._ Well, young gentleman?
36621	[_ WOWSKI goes to TRUDGE._]_ Yar._ And shall we-- shall we be happy?
36621	_ 2d Plant._ What were the sailors aboard?
36621	_ Camp._ Will my Narcissa consent to my happiness?
36621	_ Inkle._ And where is Yarico?
36621	_ Inkle._ Are there no better inns in the town?
36621	_ Inkle._ Have you provided a proper apartment?
36621	_ Inkle._ I follow you-- Yet, can you run some risk in following me?
36621	_ Inkle._ I have no means-- how can I?
36621	_ Inkle._ Is he so hasty?
36621	_ Inkle._ Joy!----of what?
36621	_ Inkle._ Suppose, old gentleman, you had a son?
36621	_ Inkle._ Trudge, how far are the sailors before us?
36621	_ Inkle._ Well, is the coast clear?
36621	_ Inkle._ What does the booby want?
36621	_ Inkle._ Whence comes your intelligence, sir?
36621	_ Inkle._ Why sure you ar''n''t afraid?
36621	_ Med._ And is n''t it determined, between the old folks, that you are to marry Narcissa, as soon as we get there?
36621	_ Med._ Shall they?
36621	_ Med._ Then what the devil do you do here, hunting old hairy negroes, when you ought to be obliging a fine girl in the ship?
36621	_ Med._ Well, Sir Christopher, what do you say to my hopeful nephew now?
36621	_ Med._ Who, I afraid?
36621	_ Med._ You were?
36621	_ Nar._ What signifies talking to_ me_, when you have such opposition from others?
36621	_ O say, simple maid, have you form''d any notion__ Of all the rude dangers in crossing the ocean?__ When winds whistle shrilly, ah!
36621	_ Oh then turn about, my little tawny tight one!__ Do n''t you like me?_ Wows.
36621	_ Patty._ And this is she he has brought to Barbadoes?
36621	_ Patty._ Gemini; what did you do?
36621	_ Patty._ Lord your honour, what young lady could refuse a captain?
36621	_ Patty._ Lord, ma''am, how could that be?
36621	_ Patty._ Lord, madam, how is it possible to help talking?
36621	_ Patty._ Well; and tell me, Trudge;--she''s pretty, you say-- Is she fair or brown?
36621	_ Patty._ Well?
36621	_ Patty._ What, all alone?
36621	_ Plant._ Aye, aye, natural enough at sea.--But at how much do you value her?
36621	_ Plant._ I mean, is she for our sale of slaves?
36621	_ Plant._ She''s your slave, I take it?
36621	_ Sir Chr._ And did you, Narcissa, join in--_ Nar._ How could I, my dear sir, disobey you?
36621	_ Sir Chr._ But you would not sell her, and be hang''d to you, you dog, would you?
36621	_ Sir Chr._ From the quay?
36621	_ Sir Chr._ So much the better.----Foibles, quotha?
36621	_ Sir Chr._ Who?
36621	_ Sir Chr._ Who?
36621	_ Trudge._ And what became of him at last?
36621	_ Trudge._ Aye, what was that for?
36621	_ Trudge._ Can you keep a secret?
36621	_ Trudge._ Did n''t you hear a noise?
36621	_ Trudge._ Fine men, eh?
36621	_ Trudge._ Let''s see now-- What are you to do, when I introduce you to the nobility, gentry, and others-- of my acquaintance?
36621	_ Trudge._ Me?
36621	_ Trudge._ No?
36621	_ Trudge._ Why would you do that?
36621	_ Trudge._ Why, there''s no great harm in''t, I hope?
36621	_ Trudge._ Will you?
36621	_ Trudge._ Wo n''t you look and see?
36621	_ Wampum, Swampum, Yanko, Lanko, Nanko, Pownatowski,__ Black men-- plenty-- twenty-- fight for me,__ White man, woo you true?_ Trudge.
36621	_ Who?_ Wows.
36621	_ Wows._ For what you leave me?
36621	_ Wows._ No, no-- not you-- no--[_Running to him anxiously._]_ Trudge._ No?
36621	_ Wows._ Steal!--What that?
36621	_ Wows._ What that?
36621	_ Wows._ You great man in your country?
36621	_ Wows._ You not love me now?
36621	_ Wows._ Your countrymen dress so?
36621	_ Yar._ And do you know the danger that surrounds you here?
36621	_ Yar._ And sha n''t it, sha n''t it indeed?
36621	_ Yar._ I knew we should-- and yet I feared-- but shall I still watch over you?
36621	_ Yar._ Nay, do not laugh at me-- but is it so?
36621	_ Yar._ Say, stranger, whence come you?
36621	a tawny?
36621	and how are you to recommend yourself, when you have nothing to say, amongst all our great friends?
36621	and what were her colours?
36621	and you learnt it from a strange man, that tumbled from a big boat, many moons ago, you say?
36621	another woman?
36621	blood, ar''n''t I in the West Indies?
36621	did he teach you to smoke?
36621	did n''t you do as you were ordered?
36621	did n''t you speak to her?
36621	did she say she''d come?
36621	he!--Do you think any smart, tight, little, black- eyed wench, would be struck with my figure?
36621	he''ll arrive with the next vessel, depend on''t-- besides, have not I had this in view ever since they were children?
36621	how can she unmov''d e''er see__ Her swain his death incur?__ If once the squire is seen expire,__ He lives with her._ All.
36621	how could you help it?
36621	is this a time to jest?
36621	let it be light and airy, d''ye hear?
36621	pardon me; but you''ll find that hereafter-- besides, you, doubtless, know his character?
36621	the fine lady''s complexions?
36621	was he like me?
36621	what form is this?----are you a man?
36621	what means, then, must be used for my safety?
36621	what''s that?
36621	what''s the meaning of this?
36621	whence can it proceed?
36621	why this?
36621	why what shall I do, if I get in their paws?
36621	with what?
36621	wo n''t they remind you,__ To sigh with regret, for the grot left behind you?_ Yar.
36621	you mean to sell her?
15915	''Tis strange... can it be?...
15915	''tis there that breathes The dove who''s now your amorous care, The beautiful Olympia?
15915	Ah comprends- tu, dis moi, cette joie éternelle Des coeurs silencieux?
15915	Ah dear Antonia, shall I appreciate What you do for me?
15915	Ah malheureux, mais tu ne sais donc pas Qu''une heure, qu''un moment, peuvent t''être funestes?
15915	Ah, qu''elle est cette voix qui me trouble l''esprit?
15915	Ah, unfortunate, but you do not know That an hour, a moment, may prove fatal?
15915	Ah, what is this voice that troubles my spirit?
15915	Aime- t- on une courtisane?
15915	Am I nothing?
15915	And I?
15915	And what dream ever could be born By such realities?
15915	Antonia?
15915	Après?...
15915	Are you coming?
15915	As- tu le cauchemar, Hoffmann?
15915	At the feet of the beauty who gives us joy Does pleasure sigh?
15915	Au moins sait-- elle que tu l''aimes?
15915	Aux pieds de la beauté qui nous vient enivrer Le plaisir doit il soupirer?
15915	But is it not she?
15915	By whom thy latent sorrow Exhales in heavenly dreams?
15915	Car toi, tu ne vas pas sans doute me défendre De chanter, comme a fait mon père?
15915	Ce qu''il nous faut, c''est la légende De Klein- Zach?...
15915	Ce que tu fais pour moi?
15915	Comment obtenir d''elle Un pareil sacrifice?
15915	Dans ton coeur?
15915	Dare you invoke her?
15915	Did I love you for it, or it for you?
15915	Do you know what a sacrifice?
15915	Do you want us to drink without you?...
15915	Does one love a courtezan?
15915	Eh bien, Antonia?
15915	Eh bien, mon père qu''a- t- il dit?
15915	Eh bien?
15915	Est- ce l''enfer qui parle ou Dieu qui m''avertit?
15915	Est- ce un fantôme?
15915	Est- il mort?
15915	Et moi?
15915	Et quelles rêves, jamais, pourraient être enfantés Par de telles realités?
15915	Et sans rideau?
15915	Et tout à l''houre encor, sur son coeur adoré, Quel amour eternal ne m''a- t- il pas juré... Ah qui me sauvera du démon, de moi- même?...
15915	Grace, beauty, talent, sacred gift; All these blessings that heaven gave for your share, Must they be hid in the shadow of a household?
15915	Ha, ha, plus sourd encore que l''au passe?
15915	Have I wounded you?
15915	Have you a nightmare, Hoffmann?
15915	He imposes on your youth, and have you measured it?
15915	He, doctor?
15915	Hein?
15915	Hey, who''s there?
15915	Hoffman?
15915	Hoffman?...
15915	Hoffmann?
15915	How obtain from her Such a sacrifice?
15915	How old are you, please?
15915	I, the faithful friend, Whose hand wiped thy tears?
15915	In your heart?
15915	Is he dead?
15915	Is it Hell that speaks or Heaven that warns me?
15915	Is it a ghost?
15915	Is it not a dream born of fever?
15915	Klein- Zach?
15915	Klein- Zach?...
15915	Lui, medicin?
15915	MIRACLE( re- appears behind Antonia) Your mother?
15915	Mais n''est- ce pas elle Qui parle par ma voix, ingrate, et te rappelle, La splendeur de son nom que tu veux abdiquer?
15915	Mais toi même?
15915	Moi, la fidèle amie Do nt la main essuya tes yeux?
15915	Mon coeur m''avait bien dit que j''étais regretté Mais pour quoi nous a- t- on séparés?
15915	Mon reflet?
15915	Must I lose her I adore?
15915	My heart told me that I was regretted, But why were we separated?
15915	My reflection?
15915	My reflection?
15915	N''est-- ce pas un rêve enfanté par la fièvre?
15915	Ne suis- je rien?
15915	O Dieu de quelle ivresses embrases tu mon âme?
15915	Oh, oh, whence comes this ill temper?
15915	On what thorn have you trod?
15915	Oserai- je?
15915	Ou donc est- il?
15915	Oui, c''est sa voix, l''entends tu?
15915	Où vas tu?
15915	Par qui la douleur endormie S''exhale en rêve dans les cieux?
15915	Perdrai- je l''enfant que j''adore?
15915	Plait- il?
15915	Plaît- il?
15915	Pour l''assassiner?
15915	Pourquoi ces cris?
15915	Pourquoi cette chanson?
15915	Pourquoi t''arrêter?
15915	Pourquoi?
15915	Pourquoi?...
15915	Pourrai- je reconnaître?
15915	Pourtant, ô ma fiancée, Te dirai- je une pensée Qui me trouble malgre moi?
15915	Q''attendez- vous de votre servante?
15915	Qu''as tu donc?
15915	Qu''attendez vous, monsieur?
15915	Qu''elle ardeur m''entraine et me dévore?
15915	Qu''en fais tu maintenant?
15915	Qu''en peut on dire?
15915	Quant aux traits de sa figure?...
15915	Que dis tu?
15915	Que dit il?
15915	Que fais tu, traitre?
15915	Que mon amour te perd a jamais si tu restes?
15915	Que parles- tu de trois maîtresses?
15915	Que veux tu dire?
15915	Que voulez vous qu''on dise?
15915	Quel age avez vous, je vous prie?
15915	Quel âge?...
15915	Quels amours sont donc les vôtres?
15915	Qui de nous les arrêtera?
15915	Qui sait?
15915	Qui, moi?
15915	Qui, mon père à présent, m''impose la vertu Du silence( vivement) Veux tu m''entendre?
15915	Qui?
15915	Quoi d''un regard?...
15915	Quoi?
15915	Quoi?
15915	Quoi?
15915	Sais tu quel sacrifice, S''impose ta jeunesse et l''as tu mesuré?
15915	Sans couvre- pied?
15915	Sans oreiller?
15915	Son reflet... tu doutes De la puissance de tes yeux?
15915	Still, oh my affianced, Shall I speak my thought?
15915	Sur quelle herbe as- tu donc marché?
15915	T''aimé- je donc pour elle, ou elle pour toi?
15915	Ta maîtresse est donc un trésor Que tu méprises tant les nôtres?
15915	Ta mère?
15915	That Schlemil, this night, may strike you in my arms?
15915	That my love will cost your life if you remain?
15915	The deuce... why reopen old wounds?
15915	Then your mistress is such a treasure That you despise so much our own?
15915	This good monsieur Crespel, I like him, But where is he?
15915	This time do you hear?
15915	Tu me fuis?
15915	Un rayon de flamme Pare ta beauté, Verras tu l''été, Fleur de l''âme?
15915	Until then Will you do me the favor To keep company with my Olympia?
15915	Veux- tu qu''on se grise sans toi?...
15915	Viens tu?
15915	Voulez- vous le récit de ces folles amours?...
15915	Vous me quittez?
15915	Vous voyez, jusque là Voulez vous me faire la grâce De tenir compagnie à mon Olympia?
15915	Well, Antonia?
15915	Well, this trouble she inherited From her mother?
15915	Well?
15915	Well?
15915	What ardor draws and devours me?
15915	What are you saying of three mistresses?
15915	What can they say?
15915	What can we possibly say?
15915	What did my father say?
15915	What did you say?
15915	What do you await from your servant?
15915	What do you mean?
15915	What do you wait for?
15915	What do you, traitor?
15915	What is he saying?
15915	What say you?
15915	What then?
15915	What will you do with him now?
15915	What?
15915	What?
15915	What?
15915	What?
15915	What?
15915	What?
15915	Where are you going?
15915	Who of us will do it?
15915	Who speaks by my voice ingrate, and recalls to you The splendor of the name that you would abdicate?
15915	Who, me?
15915	Who?
15915	Why stop?
15915	Why these cries?
15915	Why this song?
15915	Why, what is the matter?
15915	Why?
15915	Why?
15915	Will you see the summer?
15915	Wo n''t she take supper?
15915	Would you like the story of my crazy loves?...
15915	Ye gods with what bliss ye fire my heart?
15915	Yes, yes,''tis her voice, do you hear?
15915	You do not answer?...
15915	You doubt The power of your eyes?
15915	You escape me?...
15915	Your mother?
15915	am I the plaything of a dream?
15915	by a look... through a window?
15915	ce mal qu''elle hérita, De sa mère toujours en progrès?
15915	combien de temps Vivra- t- elle?
15915	d''où vient cet air fâché?
15915	entends tu, cette fois?
15915	how long will it be That it lives?
15915	mon reflet?
15915	oses tu l''invoquer?...
15915	par la fenêtre?
15915	qu''ai je fait?
15915	suis- je jouet d''un rêve?
15915	t''ai- je irritee?
15915	trois drames dans un drame Olympia?
15915	we''re not all of us deaf?
15915	à quoi bon rouvrir une vieille blessure?
14884	Perhaps you think you could play this at sight, boy?
14884	To what shall we compare Ole Bull''s playing? 14884 What else can you do?"
14884	What? 14884 Would not a single string suffice for your talent?"
14884	1678| Paris 1753| Geminiani, Francesco| Lucca 1680| Dublin 1762| Alberti, Guiseppe Matteo| Bologna 1685|?
14884	1700| Laurenti, Bartolomeo G.| Bologna 1644|?
14884	1700|?
14884	1726| Vitali, Tomasso| Bologna c1650|?
14884	1743| Eccles, Henry| London 1660| London?
14884	1749| Gentili, Georges| Venice 1688|?
14884	1760|?
14884	1763| Aubert, Jacques|?
14884	1765|?
14884	1770|?
14884	1777| Van Malder, Pierre| Brussels 1724| Brussels 1768| Glaser, John Michel| Erlangen 1725|?
14884	1784| Leclair, Jean Marie| Lyons 1697| Paris 1764| Graun, Jean G.| Germany 1698| Berlin 1771| Francoer, François| Paris 1698|?
14884	1785|?
14884	1787| Abaco, Evaristo F. Dall| Verona c1700|?
14884	1794|?
14884	1794|?
14884	1797| London 1871| Girard, Narcisse| Nantes 1797| Paris 1860| Müller, Karl Friedrich| Brunswick 1797|?
14884	1800|?
14884	1800|?
14884	1805|?
14884	1813| Schlick, Regina( Sacchi)| Mantua 1764|?
14884	1815|?
14884	1819| Haack, Friedrich| Potsdam 1760|?
14884	1823| Weiss, Franz| Silesia 1778|?
14884	1830|?
14884	1830|| Garcin, Jules A. S.| Bourges 1830|?
14884	1839| Labarre, Louis J.C.| Paris 1771|?
14884	1861| Benesch, Joseph| Batelow 1793|?
14884	1873| Arditi, Emilia|?
14884	?
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14884	?
14884	But do you wish to hear the fantasia before or after the sonata?"
14884	Caroline|?
14884	Cloud 1866| Lafonde|?
14884	L.|?
14884	On arrival at the theatre he asked the driver,"How much?"
14884	Ten francs?
14884	The rehearsal was about to commence when Von Büllow paused and asked,"Which of you gentlemen is Burmester?"
14884	Then why not employ them?
14884	c1600|?
14884	c1700|?
14884	c1750|?
14884	c1750|?
14884	c1800| Stamitz, Anton| Mannheim 1753| Paris?
14884	c1850| Müller, John Henry| Königsberg 1780|?
14884	de Sales| Passy 1771| Paris 1842| Festa, Guiseppe M.| Naples 1771|?
14884	| Alberghi, Paolo| Italy c1600|?
14884	| Amsterdam 1799| Königsberg 1866| Gattie, Henry|?
14884	| Anderle, F.J.|?
14884	| Bagatella, Antonio| Padua 1750|?
14884	| Baltazarini| Italy c1550|?
14884	| Batta, Alexandre| Maastricht 1816|?
14884	| Bayonne 1815| Paris?
14884	| Bazzini, Antonio| Brescia 1818| Milan 1897| Dancla, Jean B. C.| Bagnières de||| Bignon 1818|?
14884	| Belgium 1797| Paris 1869| Coronini, Paolo| Vincenza 1798|?
14884	| Bitti, Martini|?
14884	| Bonnet, Jean Baptiste| Montauban 1763|?
14884	| Borghi, Luigi|?
14884	| Boucher, Alexandre Jean| Paris 1770| Paris 1861| Gerbini, Luigia|?
14884	| Brown, Abram|?
14884	| Carbonelli, Stefano| Rome c1700| London?
14884	| Cartier, Jean Baptiste| Avignon 1765| Paris 1841| LaCroix, Antoine|?
14884	| Collins, Isaac|?
14884	| Cortellini, Camillo| Italy c1600|?
14884	| Cothen c1700|?
14884	| Danzi, Franz| Mannheim 1763| Carlsruhe 1826| Peshatschek, François| Bohemia 1763| Vienna 1816| Alday, P| Perpignan 1764|?
14884	| Eberwen, Karl| Weimar 1786| Weimar 1868| Granafond, Eugene| Compiegne 1786|?
14884	| Eccles, John| London 1650| London 1735| Marini, Carlo Antonio| Bergamo c1650|?
14884	| Eller, Louis| Graz 1819| Pau 1862| Hering, Karl| Berlin 1819|?
14884	| England c1600|?
14884	| Farina, Carlo| Italy c1580|?
14884	| Festing, Michael C.| London?
14884	| Fiorillo, Federigo| Brunswick 1753|?
14884	| Fuchs, Peter| Bohemia 1750| Vienna 1804| Henry, Bonventure|?
14884	| Gautherot, Louise|?
14884	| Givet 1749|?
14884	| Guiliani, François| Florence 1760|?
14884	| Hampeln, Karl von| Mannheim 1765| Stuttgart 1834| Eck, Johann F.| Mannheim 1766| Bamberg 1809| Hunt, Karl| Dresden 1766|?
14884	| Hellmesberger, Georg| Vienna 1800| Newaldegg 1873| Meerts, Lambert| Brussels 1800| Brussels 1863| Müller, Theodore Heinrich| Brunswic 1800|?
14884	| Hesse 1687| Eisenach 1733| Montanari, Francesco| Padua?
14884	| Kramer, Traugott| Codburg 1818|?
14884	| Kriegck, J.J.| Bebra 1750| Meiningen 1813| Sirmen, Maddalena| Venice c1750|?
14884	| Leduc, Pierre| Paris 1755| Holland 1816| Fauvel, André Joseph| Bordeaux 1756|?
14884	| London 1752| Ferrari, Domenico| Piacenza?
14884	| London 1790| London 1830| Lipinski, Karl Joseph| Poland 1790| Urlow 1861| Goetz, Jean N.C.| Weimar 1791|?
14884	| London 1806|?
14884	| Lorenziti, Bernado| Würtemburg 1764|?
14884	| Madorus, Giovanni| Venice c1600|?
14884	| Manoir, Guillaume|?
14884	| Milan 1778|?
14884	| Morigi, Angelo|?
14884	| Obermeyer, Joseph| Bohemia 1749|?
14884	| Padua 1657| Ferrara 1716| Vivaldi, Antonio| Venice 1660|?
14884	| Paris 1769| Paris 1839| Paravicini, Signora| Turin 1769|?
14884	| Paris 1771| Pagin, André Noel| Paris 1721|?
14884	| Paris 1780| Enderle, Wilhelm C.| Bayreuth 1722| Darmstadt 1793| Nardini, Pietro| Tuscany 1722| Florence 1793| Lefêbre, Jacques| Prinzlow 1723|?
14884	| Parma 1788| Lemière|?
14884	| Pichatschek, François| Vienna 1793| Carlsruhe 1840| Filipowicz, Elizabeth M.|?
14884	| Piedmont 1753| London 1824| Kranz, Johann F.| Weimar 1754| Stuttgart 1807| Mosel, Giovanni F.| Florence 1754|?
14884	| Piedmont 1759|?
14884	| Poland? 1779|?
14884	| Poland? 1779|?
14884	| Prume, François Herbert| Liège 1816| Liège 1849| Deldevez, Ernest| Paris 1817| Paris 1897| Göbel, Johann Ferdinand| Baumgarten 1817|?
14884	| Rome 1730| Matheis, Nicola|?
14884	| Turin 1778|?
14884	| Turin 1778|?
14884	| Turin 1781| Turin 1853| Mazas, Jacques F.| Beziers 1782|?
14884	| Valentini, Guiseppe| Florence 1690|?
14884	| Veracini, Francesco| Florence c1685| 1750| Senaillé, Jean Baptiste| Paris 1687|?
14884	| Wanski, Johann N.| Posen c1800|?
14884	| Woldemar, Michael| Orleans 1750| Clermont-|||-Ferrand 1816| Barthelemon, François H.| Bordeaux 1751|?
14884	|------------------------------------------------------------------- Alessandro, Romano| Italy c1530|?
14884	|?
14884	|?
14884	|?
14884	|?
14884	|?
14884	|?
14884	|?
6443	''And might not a widower try?'' 6443 ''And shall this woman here,''he asks,''whom I love, go with me and with you there?''
6443	''And what people,''asks the dwarf,''live upon the mountains?'' 6443 ''And who live up among the clouds?''
6443	''But could I pass through the fire?'' 6443 ''But suppose,''says the Fire God,''that some one should steal the ring from you while you were asleep?''
6443	''Fear?'' 6443 ''What must I give you?''
6443	''Who is that,''he thinks,''covered with the shield? 6443 Ambrosia?
6443	And did you really, really see it all in the fire?
6443	And is that all?
6443	And what became of the princess?
6443	And what now of the hero? 6443 And whom do you think I see now?
6443	And will the knight get well again?
6443	And wo n''t the knight come back at all?
6443	And you can see all those things in the fire?
6443	Are there any marshmallows left?
6443	But how can anybody see such things? 6443 But oh, what of those to whom the letters were sent?
6443	But the new year will begin to- morrow,I said,"and it will be just as good as the old one, will it not?"
6443	But what is this more wonderful sight still that he sees? 6443 But what made the man who was wrong ever fight at all,"the little girl asked,"if everybody believed that he was sure to get beaten?"
6443	But why ca n''t I see such things as you see?
6443	Can you? 6443 Did you want to know more about the Daughter of the God and the Hero who knew no fear?"
6443	Do you mean Jupiter and Juno?
6443	Do you see how very wrong it is for the knight to go away after the goddess into the mountain? 6443 Do you think anybody could see anything in a fire like that?"
6443	Do you want him to be a knight?
6443	Does she, indeed? 6443 He sees all this just as plainly as I see it here in the fire; but do you think he is afraid?
6443	Is he a knight?
6443	Is he braver than the one that killed the dragon?
6443	Is n''t it time,she said,"that the daughter of somebody else was asleep, too, if she wants to grow to be a woman?"
6443	Is she Venus then?
6443	Is she the one that had the apples?
6443	It ends just like''The Sleeping Beauty,''does n''t it?
6443	Now the stranger looks stern and says:''But who shall mend the sword that it may be fit for the fight?'' 6443 Oh, I believe anything you say,"said the child,"but where is the green knight?"
6443	Oh, that''s the way they always are,said the little girl;"is she beautifuller than the one that had the fire all round her?"
6443	Perhaps you know what this is, but I am afraid you do n''t Do you remember what I told you once about the Holy Grail? 6443 The town clerk hobbles away, and now who should come in but the goldsmith''s daughter herself?
6443	Were the apples like that-- oh, what was it? 6443 What are you two doing here all alone?
6443	What can you see in it?
6443	What do you mean by''the people in those days''?
6443	You can see things all around the fire, just the same as in it, ca n''t you?
6443	''A pleasant- looking fellow you are,''he says;''can you teach me what fear is?
6443	''And what will you give us now,''they cry,''if we will untie you and let you go?''
6443	''But why should he not win?''
6443	''Can it be,''he thinks,''that this is the Fool, taught by pity, for whom we were to wait?''
6443	''Did you kill this poor bird?''
6443	''Do you know what you have seen?''
6443	''Do you not know,''the old knight asks him,''what holy day this is, and that none now should come here bearing arms?''
6443	''Have you ever known fear?''
6443	''Have you not a daughter?''
6443	''Is the knight awake?''
6443	''Is the ransom ready for us?''
6443	''Is the ship nowhere in sight?''
6443	''This is my daughter,''he says;''is she not all and more than all that I told you?''
6443	''What is the matter?''
6443	''What people, then,''he asks for his first question,''live under the ground?''
6443	''Why should we try all these things,''he thinks again,''when none can help him but the simple Fool?''
6443	''Why, do you see this magic helmet of mine?
6443	Ah, when will her hero come back to her?
6443	And because of that did his sweetheart perhaps lose a ribbon or a trinket?
6443	And how does your mother know what I can see in the fire or what I ca n''t see?"
6443	And is there any thing that such a hero loves better than a good sword?
6443	And what do you see in the fire now?"
6443	And who do you think is working at the forge?
6443	And whom do you think the king''s new bride sees in all this happy crowd?
6443	Are the King''s men coming then to carry back the princess, perhaps to kill the knight?
6443	Are the flowers alive, and are they running about and playing together?
6443	Are they the sea fairies, dancing and playing together and calming the water, to bring the sailors safe back to their homes, do you think?"
6443	But a harder task than all is to come for the Father of the Gods; how shall he deal with his own daughter, who has disobeyed him?
6443	But how do you suppose the minstrel knight likes it?
6443	But what was this other music that followed it?
6443	But who would do it and give up her own life?''
6443	Can he save her and go back again to the rage of the storm and live in it forever, live in it till doomsday?
6443	Can you hear that too?"
6443	Can you not see her yet?''
6443	Can you see them all the time?"
6443	Can you see them?
6443	Can you think how a bunch of sweet, fresh, red and white roses would look if it should get terribly angry?
6443	Can you think of anything more horrible?
6443	Did he catch at this very stick as he sank?
6443	Did his wife wait and wait for him at home, till his shipmate came and told her?
6443	Did the captain''s daughter and the young mate sit under it and whisper stories to each other in the calm evenings of the voyage?
6443	Did you ever hear of such absurd conduct from a young man dressed in green?
6443	Did you ever hear of the Holy Grail?
6443	Did you see the big, bright spark that flew up the chimney?
6443	Do n''t you know you''ll catch your death o''cold sitting here so long?"
6443	Do you know who Davy Jones is?
6443	Do you see, then, why he has kept him and fed him and brought him up so carefully?
6443	Does everything in the place know that he is here, too, and feel sad to see him lying sick and wounded and weak and weary?
6443	Does it not tell of green palm- groves and sunny skies and warm breezes?
6443	For what was he to any woman that she should give her life, or even an hour of it, for him?
6443	How could anybody sing when he was thinking of that?
6443	How do you see them?"
6443	I mean can anybody?"
6443	Is it a pleasant thing to have or to know or to do?
6443	Is it something I ought to know how to do, something you ought to have taught me and have not?
6443	Is that all you care for a promise?
6443	Is this the promise that the Father of the Gods made to his daughter?
6443	It must be a knight, but is it not hard for him to lie there all dressed in armor?''
6443	Now can you?
6443	THE HERO WHO KNEW NO FEAR"Do n''t you think the fire is very good to- night?"
6443	That he is a fool the old man thinks is clear enough, but how could he kill the swan?
6443	That is enough, is it not?"
6443	The Father of the Gods hesitates; how can he get the treasure?
6443	The child came to me with a face full of perplexity and said:"What do you suppose mamma just told me?"
6443	The king asks, just as everybody always asks when he is told that,''Whom do you want me to have?''
6443	This is a good answer, and the stranger asks again:''What sword must he use to kill the dragon?''
6443	Was his life or his peace better than another''s, that another''s should be given for his?
6443	Was it again the bells of Monsalvat, this soft chime that came on the still air?
6443	Was it blown away from the mast in a gale?
6443	Was the net torn when it broke away, and did the fisherman lose some fish?
6443	What can she do?
6443	What do the nymphs say to the dwarf?
6443	What do you think became of her?"
6443	What does it look like to you?"
6443	What does it to you?"
6443	What has he done?
6443	What is it like?''
6443	What is there in her face that could melt into a woman''s compassion and pity?
6443	What man cruel enough to kill this beautiful, harmless swan can have found his way here, where none can come who is not chosen by the Grail?
6443	What right had he to expect anything when he meant to give nothing?
6443	What shall he do now?
6443	What shall he do?
6443	Where are his thoughts now?
6443	Where is he?
6443	Where is he?"
6443	Where is the sweetness of a woman''s lips?
6443	Who is he that has done it?
6443	Who is the strongest of heroes whom the Father of the Gods loves?''
6443	Why should any woman love him when there were so many others for her to love?
6443	Why should her coming bring him hope?
6443	Why should they love such men as these and never him?
6443	Will it not be good for her to remember Brünnhilde''s fearless truth, Senta''s sacrifice, Elizabeth''s constancy?
6443	Will she give up the ring?
6443	Will she help the gods to find the rest that they long for?
6443	Will their great father let the Goddess of Love be taken from them again, and must they all grow old and die, that he may keep this ring?
6443	With her to help him, what can he not do?
6443	Would he find and help her in her greatest need, like Lohengrin?
6443	Would he only love her and sing a song for her, like Walter?
6443	Would he seek her out and come to her like Siegfried, through struggles and through fire?
6443	Yet where is the tenderness that one would seek in a woman''s eyes?
6443	You can puff yourself up like a dragon, of course, but can you make yourself small as easily?
6443	he answers;''no, what is fear?
6443	who''s attending to the fire?
6443	you know the name of it-- that the other gods used to eat?"
16250	Ah, where, mother, hast given thy might that commands the wave and the tempest?
16250	Am I in Cornwall?
16250	Am I not duped?
16250	And shall not its dawn be dreaded by us?
16250	And where must I then follow?
16250	Are these thine eyes?
16250	Are they balmy beauteous billows?
16250	Art thou mine?
16250	Art thou then dead?
16250	Away, and watch for her, foolish I see so well and plainly, let not thine eye seek vainly Dost thou not hear?
16250	Behind the reef?
16250	Being so careful, my lord Tristan, another custom can you not learn?
16250	Betrayed am I then?
16250	Betrayed e''en here?
16250	Betrays he me?
16250	Brighter growing, o''er me flowing, are these breezes airy pillows?
16250	But now attempt thy fate to foretell me?
16250	But tell me truly, trusty friend, why languishes our lord?
16250	But the Day must dawn and rouse thee?
16250	But when you bade him hither?
16250	Can I bear it now?
16250	Can I bear to lie couched here in quiet?
16250	Can I believe it?
16250	Can I not heal it?
16250	Canst thou not see her?
16250	Comes no relief for my load of grief?
16250	Dare you to flout me?-- Was he not my betrothed, that noble Irish knight?
16250	Deprived by Tristan of this our solitary, swiftly fleeting, final earthly joy?-- His wound, though-- where?
16250	Do I behold thee?
16250	Do I embrace thee?
16250	Does he still sleep?
16250	Dost thou not hear?
16250	Dost thou not see?
16250	Dost thou see her now?
16250	Dost thou see?
16250	Extolled by ev''ry nation, his happy country''s pride, The hero of creation,-- whose fame so high and wide?
16250	For Tristan''s sake contrived was this scheme by means of Melot, in truth: now would you decry his friendship?
16250	Friendship wilt thou still deny?
16250	Full of grace and loving mildness, floating o''er the ocean''s wildness?
16250	Go ask himself, our gracious host, dare he approach my side?
16250	Ha!--who is speaking?
16250	Hast not a word to offer?
16250	Hast thou preserved them?
16250	Have I herds, then?
16250	Have I repulsed thee?
16250	Have I then lost thee?
16250	He serves Isolda better than you his hand gives help which yours denies: what need of such delay?
16250	Hear and feel ye not?
16250	Heard I not ev''ry sentence?
16250	Here I remain: heard you not?
16250	Here thy hand?
16250	Here thy heart?
16250	How came I here?
16250	How came you so wrong- minded and by mere fancy blinded?
16250	How can I support such anguish?
16250	How could Isold''from this world be free, which only holds Isolda for me?
16250	How fair, how sweet art thou!-- And Kurvenal, why!-- what ails thy sight?
16250	How now?
16250	Howe''er can Tristan thank thee?
16250	I staked my head thereon: How is the pledge redeemed?
16250	If I unheeding left the helm, how might I pilot her ship in surety to King Mark?
16250	If he awoke it would be but for evermore to leave us, unless we find the lady- leech; alone can she give help.-- See''st thou nought?
16250	If horns yet brayed, how could I hear that?
16250	If wife he''d make thee unto King Mark why wert thou in this wise complaining?
16250	In Morold''s lifetime dared any have dreamed to offer us such an insult?
16250	In haste to we d thee to my hero with flying sails I followed thy track: but howe''er can happiness o''ertake the swift course of woe?
16250	Is he Melot''s ally?
16250	Is he not Tristan''s trustiest friend?
16250	Is he not worth thy gaining?
16250	Is it I alone am hearing strains so tender and endearing?
16250	Is it no dream?
16250	Is it thy own self?
16250	Is she with travel worn?
16250	Is''t I?--Is''t thou, held in my arms?
16250	Kareol''tis; dost thou not know thy fathers''halls?
16250	Kurvenal!--thou?
16250	Kurvenal, dost thou not see?
16250	Liv''st thou not?
16250	Lost are thy senses?
16250	Love''s goddess dost thou not know?
16250	May I an answer make her?
16250	May thus the Day''s evil threats be defied?
16250	Mean you Sir Melot?
16250	Mean you Sir Tristan, lady mine?
16250	Mindest thou not my mother''s arts?
16250	Mindest thou not thy mother''s arts?
16250	Mindst thou that?
16250	Must I be wailing at his side, who, in rapture coming to seek him, fearless sailed o''er the sea?
16250	Must I live, then?
16250	Must I waken?
16250	Must honor, fame, power and might, must all thy noble service done be paid with Mark''s dishonor?
16250	Must not daylight dawn, and rouse me?
16250	Must thou ever wake my woe?
16250	Must thy light be burning ever, e''en by night our hearts to sever?
16250	My lov''d one hides in darkness unseen: wouldst thou hold from my side my dearest?
16250	No ship yet on the sea?
16250	Now dost thou see her?
16250	Now say to me, my sov''reign, was my impeachment just?
16250	Now, wilt thou obey?
16250	O sweetest, highest, fairest, strongest, holiest bliss?
16250	O why, Isolda, Why this to me?
16250	Of royal race and mild of mood, who passes King Mark in might and power?
16250	On what account?
16250	Say, must our sails be weighted, filled by thy sighs unbated?
16250	Say, where sail we?
16250	Say, wilt suffer such scorn?
16250	See you not how his heart with lion zest, calmly happy beats in his breast?
16250	See''st thou Isolda?
16250	See''st thou herself?
16250	See, oh comrades, see you not how he beameth ever brighter-- how he rises ever radiant steeped in starlight, borne above?
16250	Seemed the reward too slight and scant that what thou hast won him-- realms and riches-- thou art the heir unto, all?
16250	Seemeth my saying obscure to you?
16250	Shall I beseech him to attend thee?
16250	Shall I breathe them?
16250	Shall I listen?
16250	Shall I listen?
16250	Shall I sip them, dive within them, to my panting breathing win them?
16250	Silent art keeping while I am weeping?
16250	Sir Tristan gives thee Cornwall''s kingdom; then, were he erst thy debtor, how could he reward thee better?
16250	TRISTAN(_ drawing his sword and turning quickly round_) Who''s he will set his life against mine?
16250	The buckler Tristan once did don, where is that shield of virtue now?
16250	The draught-- for whom?
16250	The draught?
16250	The guest I sometime helped to nurse--?
16250	The pennon?
16250	The queen who grants unquailing hearts, the witch whose will the world obeys, life and death she holds in her hands, which of joy and woe are wove?
16250	The rapture of night O let us feel it?
16250	The ship-- is''t yet in sight?
16250	The ship?
16250	The tune so well known-- why wake to that?
16250	The unexplained, unpenetrated cause of all these woes, who will to us disclose?
16250	The wind so wild blows homewards now; my Irish child, where waitest thou?
16250	There, that hero who from mine eyes averts his own: in shrinking shame my gaze he shuns-- Say, how hold you him?
16250	These thy lips?
16250	Think you that she who''d mastered those would have sent me o''er the sea, without assistance for thee?
16250	Think you that she who''d mastered those would have sent thee o''er the sea without assistance for me?
16250	Think''st highly of yon minion?
16250	This my fathers''?
16250	Those dangerous breakers ships have oft shattered.-- Who steereth the helm?
16250	Those whom thou holdest, lapped in delight, how could e''en the boldest unmoved endure thy flight?
16250	Thou hear''st the cry?
16250	Thy wound was heavy: how to heal it?
16250	Thy-- act?
16250	Together, at least, let fade life''s enfeebled fire!-- How lifeless his look!-- still his heart!-- Dared he to deal me Buch a smart?
16250	Tristan traitor, what hope stayeth that the honor he betrayeth should by Melot''s rede rest to me indeed?
16250	Tristan, is warfare ended?
16250	Tristan, my master, why mock me thus?
16250	Tristan, to me?
16250	Tristan, where art thou?
16250	Tristan?
16250	Trust I my wits?
16250	What are those cries?
16250	What awoke me?
16250	What foreign land?
16250	What hast thou sworn?
16250	What is''t, Brangæna?
16250	What king mean you?
16250	What land?
16250	What mean you, mistress?
16250	What meanest thou?
16250	What moves me to fear him makes thee his friend then?
16250	What now?
16250	What of the boat so bare and frail, that floated by our shore?
16250	What of the broken stricken man, feebly extended there?
16250	What secret dost thou hide?
16250	What troubled dream Of Isolda''s shame?
16250	What troubled dream of Tristan''s honor?
16250	What want you here?
16250	What was that draught?
16250	What wight dares insult me?
16250	What would my lady?
16250	What wouldst thou wish to reply?
16250	What''s this, my lady?
16250	When will the house repose?
16250	When wilt thou-- when, ah, when-- let the torchlight dwindle, that so my bliss may kindle?
16250	Where Tristan now is going, wilt thou, Isolda, follow?
16250	Where am I?
16250	Where are we?
16250	Where art thou?
16250	Where is Isolda?
16250	Where lives there a man would not love thee?
16250	Where now are faith and friendship fair, when from the fount of faith, my Tristan, they are gone?
16250	Where now has truth fled, if Tristan can betray?
16250	Where-- was I?-- Where-- am I?
16250	While knowing not what my demand is, wert thou afraid still to fulfil it, fleeing my presence thus?
16250	Who comes?
16250	Who could see Isolda And not sink at once into bondage blest?
16250	Who is my foe?
16250	Who-- calls me?
16250	Whom mean''st thou?
16250	Why could I not see this?
16250	Why endure disgrace unhealed by tears or grief?
16250	Why hast thou noble service done, and honor, fame and potent might amassed for Mark, thy king?
16250	Why in hell must I bide, without hope of a heaven?
16250	Wilt thou be true?
16250	Wilt thou be true?
16250	Wilt thou not heed?
16250	With foes do you come?
16250	Wouldst thou flee?
16250	Yet do you hear?
16250	deeming that horns thou hearest?
16250	hails me the light?
16250	how you came?
16250	if their friendship all men do sell thee, what foe can seek to fell thee?
16250	living?
16250	loveless thou?
16250	nor all her magic arts?
16250	of Tristan?
16250	the pennon?
16250	truest of friends, must thou again be to thy king a traitor?
16250	what mean''st thou?
16250	when from my friends it flies, and Tristan''s honor dies?
16250	why should I shun that land by which the world is spann''d?
4972	Are you not coming sometime to St. Petersburg,said I to George Sand in the most polite tone,"where you are so much read, so highly admired?"
4972	But Mendelssohn,the reader will say,"surely Chopin must have admired and felt in sympathy with this sweet- voiced, well- mannered musician?"
4972	Do you believe?
4972	Do you practise when the day of the concert approaches?
4972	Doctor, would you take it amiss if I were to force your wife to do it?
4972	How is''gravity''to clothe itself, if''jest''goes about in dark veils?
4972	Not even George Sand then,she asked,"is a particular friend?"
4972	Welcomed there in a very friendly manner, people asked me when I was introduced:''You are, I suppose, a brother of the pianist?'' 4972 Well,"replied Balzac,"what shall I do?
4972	What do you read then? 4972 What do you say to it?"
4972	What do you wish? 4972 Who is near me?"
4972	Why do you play less well to- day?
4972	Why? 4972 You see,"said the virtuoso rising,"that Liszt can be Chopin when he likes; but could Chopin be Liszt?"
4972	You think so?
4972	''And my duty?''
4972	( 1824?)
4972	( Bright sunshine?
4972	--"25,000 francs?
4972	--"Do you believe as your mother taught you?"
4972	20?
4972	57. published in May, 1845, or, lastly, is it simply a misprint?]
4972	After the Andante the queen whispered to a lady- in- waiting:"Would it not be indiscreet to ask them to play it again?"
4972	And George Sand?
4972	And how did he play them?
4972	And my servant, what is he doing?
4972	And the health of Madame Franchomme and of the little children?
4972	And was this expression of his inner life really"mysterious and vague"?
4972	And what did the national poet dream and see in these dreams and visions?
4972	And why did Chopin regard Mozart as the ideal type, the poet par excellence?
4972	And, lastly, who are the pianist friends that were as devotedly attached to him as the most romantic of his aristocratic worshippers?
4972	Are the roses at home still in their flame- hued pride?
4972	Are we not now comrades?
4972	Are you comfortable?
4972	As soon as she appeared with her two charming daughters[ daughter and cousin?
4972	As to the portier, he very likely tells lies, but who will prove it?
4972	At a round table sat the queen with an elegant work- basket before her( perhaps to embroider a purse for me?
4972	But are not Beethoven''s scherzos, too, misnamed?
4972	But how did the composer himself describe it?
4972	But how does the matter stand when there is genius on both sides, and self- sacrifice of either party entails loss to the world?
4972	But how many years before this visit was it composed?
4972	But is she really a woman?
4972	But outsiders ask: How is it, then, that so great a virtuoso has not trained players who have made the world ring with their fame?
4972	But supposing Chopin and George Sand to have really met at the Marquis de Custine''s, was this their first meeting?
4972	But what is the use of carping at a name?
4972	But what is this( the four bars before the tempo I.)?
4972	But what shall I do?
4972	But who would expect religious adherence to fact from Heine, who at all times distinguishes himself rather by wit than conscientiousness?
4972	But why do you not write a word about yourself?
4972	But, then, how could Chopin have composed on that occasion a Prelude included in a work the manuscript of which he sent away on the lath?
4972	Chopin to Gutmann; Calder House, October 16, 1848( twelve miles from Edinburgh):-- Very dear friend,--What are you doing?
4972	Chopin when applied to for his signature wrote:"La lettre venant des Allemands, comment voulez- vous que je m''arroge le droit de la signer?"
4972	Could it possibly be Loch Lomond?
4972	Could she not select something better than just this etude, the least interesting for those who do not know that it is written for the black keys?
4972	Dark clouds?)
4972	Did Dib dance in last night''s pantomime?
4972	Did I happen to lend you Witwicki''s songs?
4972	Did Miss Wieck play my Etude well?
4972	Did fame and publications travel so slowly in the earlier part of the century?
4972	Did not Chopin himself say to Hiller that he wished to be to his countrymen what Uhland was to the Germans?
4972	Did you prepay when you sent them the letter?
4972	Did you prepay?
4972	Do the trees still sing as beautifully in the moonlight?
4972	Do we not hear-- yea, and see too-- a high- spirited chivalry approaching and passing?
4972	Do you board at the club?
4972	Do you know how much Wessel paid him for them?
4972	Do you not know that the hour for working has come?"
4972	Does he agree to the transaction I proposed to him?
4972	Does it not rather suggest a Titan in commotion?
4972	Does the white- bearded sea- god still persecute her with his foolish, stale love?
4972	Est- ce un chien qui vient d''aboyer?]
4972	Gutmann asked what he intended to do?
4972	Gutmann tells us that he had an early opportunity of making these observations, for Chopin visited his pupil the very day after his arrival(?
4972	Had Chopin or her brother, or both, to do with this paroxysm of despair?
4972	Had Chopin, when he left Paris, really in view the possibility of settling in London?
4972	Had genius to wait so long for recognition?
4972	Has a dog been barking?"
4972	He ought to give me 300 francs for it, n''est- ce pas?
4972	He was there, he was present at the triumph of his pupil, the anxious audience asked itself:"Shall we hear him?"
4972	Heaven be thanked, they are all well; but why are they concerned about me?
4972	Hereupon Rollinat asked him naively:--"Well, why, then, do you not set about it at once?"
4972	How are you and your wife and the dear children?
4972	How are your people, your country, your art?
4972	How are your people?
4972	How many days( between August 23 and September 7?)
4972	How should I receive this precious soul so as to give it to God?
4972	I saw Chopin every day; how, then, could I remain ignorant of it?"
4972	I was with Chopin at the time the letter arrived, and he said to me,"They have only me, and should I close my door upon them?
4972	In what state of mind are you?
4972	Is Madame de Lauvergeat also at the sea- side?
4972	Is it not possible that Chopin may have afterwards substituted the new Prelude for one of those already forwarded to France?
4972	Is there not something pleonastic in the title"Fantaisie- Impromptu?"
4972	Is this not like a shriek of despair?
4972	It was evident that the money given to the portiere had not arrived at its destination; but how to be assured of this?
4972	Keep your millions for me till another time-- is it not already too much to dispose of your time as I do?
4972	Let him know that I have six new manuscripts, for which I want 300 francs each( how many pounds is that?).
4972	Looked at from the musician''s point of view, how much do we not see that is novel and strange, and beautiful and fascinating withal?
4972	No?
4972	Now, how are you?
4972	Now, what remains of this statement after subtracting prejudices and narrow- mindedness?
4972	Now, what thoughts did Chopin''s playing call up in Heine?
4972	On what floor, and how much do you pay?
4972	Or are you so lazy?
4972	Or must we assume that the man Moscheles was less congenial to Chopin than the artist?
4972	Perhaps to pay his debts?
4972	Seeing that so many of Chopin''s letters have been published with wrong dates, why not also that of January 12?
4972	Shall I tell you how well founded this disgust was?
4972	That is why I write you such a foolish letter, is it?
4972	The air?
4972	The latter came with an old friend, a Russian Capellmeister[ Soliva?].
4972	The tender commencement of the second part is followed, as it were, by the several times repeated questions-- Yes?
4972	They expected also to see me, in full dress, in the very middle of the choir; what not?
4972	This is also the place to dispose of the question: What was done with Chopin''s MSS.?
4972	To take liberties with another artist''s works and complain when another artist takes liberties with your own works is very inconsistent, is it not?
4972	Was Chopin a good teacher?
4972	Was Solange the chief subject of George Sand''s lamentations?
4972	Was his attachment to the composer weaker than his attachment to his cash- box?]
4972	Was it written first for the pianoforte and orchestra, as Schumann suspects?
4972	Well, did she not come and fulfil her promise, or, at least, take leave of her friend of many years?
4972	What Pole does not hate the Jews?
4972	What can I do?
4972	What had he not always feared on this terrain?
4972	What is it to me if Schlesinger makes Probst pay dearer for my manuscripts?
4972	What more would I not want if that were your fancy?
4972	What name has been more misapplied than that of impromptu?
4972	What other work of the composer could be pointed out exhibiting the like feature?
4972	What shall I say?
4972	What shall you do with my papers?
4972	What was to be done?
4972	Where are they?
4972	While thus controverting the so- called vox Dei( are not popular opinions generally popular prejudices?)
4972	Who can sound the sufferings proceeding from this contrast?
4972	Who could retain everything?
4972	Who sent them to me?
4972	Who would suspect the composer''s fragility and sickliness in this work?
4972	Why did he keep it in his portfolio?
4972	Why have I not expressed an opinion on the moral aspect of Chopin''s connection with George Sand?
4972	Why should he write?
4972	With what do you occupy yourself generally?"
4972	Would it be an honest action?
4972	Would it not have been possible to live in retirement without drawing upon himself the accusation of supercilious hauteur?
4972	Would the praise which is generally lavished upon her have been so enthusiastic if the lady had been a professional pianist instead of a princess?
4972	You begin at last to become more tranquil,[ FOOTNOTE: This, I think, refers to some loss Franchomme had sustained in his family] do you not?
4972	You have read the German letters, sealed them, and done everything I asked you, have you not?
4972	[ 1827?]
4972	[ Qu''est- ce?
4972	a pupil of Liszt''s, an artist?"
4972	and Madame Franchomme and her dear children?
4972	and these 25,000 francs which were sent you lately?"
4972	and what follows, bewildered efforts of a soul shut in by a wall of circumstances through which it strives in vain to break?
4972	and what had become of it?
4972	at last sinking down with fatigue, dreaming a dream of idyllic beauty?
4972	but beginning the struggle again as soon as its strength is recruited?
4972	replied Chopin, with a drawl, but in the politest tone,"what do you want me for then?
45806	Catherine que j''adore, Pourquoi refuser A l''amant qui vous implore Un si doux baiser?...
45806	Vous qui faites l''endormie, N''entendez- vous pas, O Catherine, ma mie, Ma voix et mes pas...?
45806	Will you not permit me, my fairest demoiselle, To offer you my arm, and clear for you the way?
45806	--Ne permettez- vous pas, ma belle demoiselle, Qu''on vous offre le bras pour faire le chemin?"
45806	A moi leurs désirs?
45806	A qui de vous dois- je demander compte De mon malheur et de ma honte?...
45806	Abundance of gold?
45806	Ah, Siebel, is it thou?
45806	Allow me to offer you some from my cellar?
45806	And Marguerite?
45806	Are they wither''d?
45806	Are you afraid of me?
45806	Are you, then, Martha Schwerlein?
45806	Avant d''écouter, Pourquoi vous hâter De vous mettre en route?
45806	But come, Doctor Faust, what is your will?
45806	But this God, what will he do for me?
45806	But what is this?
45806	C''est ici?
45806	C''est là que cette enfant a grandi sous ton aile, A dormi sous tes yeux?
45806	Can I be dreaming?
45806	Can the accursed wizard''s words be true?
45806	Comment m''y prendre?
45806	D''où ce riche coffret peut- il venir?...
45806	Dame Marthe Schwerlein?
45806	Dare I to take his life, Who but resents an outrage?
45806	Darest thou live, ingrate?
45806	Darest thou still exist?
45806	Dieu ne m''a t''il pas Conduit sur ta route?...
45806	Do ye not like my singing?
45806	Dois- je verser le sang Du frère que j''outrage?...
45806	Eh bien?
45806	Elles se fanent?...
45806	Est- ce de plaisir et d''amour Que la feuille tremble et palpite?...
45806	Est- ce déjà l''heure du châtiment?
45806	Est- ce toi, Marguerite?
45806	Est- ce toi, Marguerite?
45806	Et Marguerite?
45806	Fain would I his birth And station also know?
45806	Fain would I know the name Of the fair youth I met?
45806	Faut- il attester Qu''on voudrait rester Quand on vous écoute?
45806	Faut- il qu''une fille á danser Vous invite?
45806	From which of ye must I demand Satisfaction for this foul outrage?
45806	From whom did this splendid casket come?
45806	Hear''st thou their call?
45806	How knew you her name?
45806	I laugh, as I pass, to look into a glass; Is it truly Marguerite, then?
45806	I laugh, as I pass, to look into a glass; Is it truly Marguerite, then?
45806	I. Maiden, now in peace reposing, From thy sleep awake, Hear my voice with love imploring, Wilt thou pity take?
45806	Is it you?
45806	Is it you?
45806	Je voudrais bien savoir quel était ce jeune homme, Si c''est un grand seigneur, et comment il se nomme?
45806	Know''st thou not How happy''tis to love?
45806	Me rendra- t''il l''amour, l''espérance et la foi?
45806	Mon bouquet n''est- il pas charmant?
45806	My bouquet is charming indeed?
45806	Ne permettrez- vous pas, ma belle demoiselle, Qu''on vous offre le bras pour faire le chemin?
45806	Ne suis- je pas mis à ta guise?
45806	Ne veux- tu pas Aux plus belles D''entre elles Offrir ton bras?
45806	Nous ferez vous l''honneur de trinquer avec nous?
45806	O coupe des aïeux, qui tant fois fus pleine, Pourquoi trembles- tu dans ma main?...
45806	O goblet, which my ancestors So many times have filled, Why tremblest thou in my grasp?
45806	O mort, quand viendras- tu m''abriter sous ton aile?
45806	Of what now are you thinking?
45806	Or am I really awake?
45806	Or was''t mere witchcraft?
45806	Parle, voyons!...--Te fais- je peur?
45806	Plait- il?
45806	Pour fêter l''infâme idole, Peuples et rois confondus, Au bruit sombre des écus Dansent une ronde folle Autour de son piédestal?...
45806	Pourquoi donc quitter ces bijoux?
45806	Pray seek you a partner to join in the dance?
45806	Qu''as- tu donc?
45806	Qu''attendez- vous de moi?
45806	Que faut- il pour te décider?
45806	Que me veux- tu?...
45806	Que ne serait heureux d''échanger avec vous La bague d''hyménée?
45806	Que vois- je là?
45806	Quelle mouche vous pique?
45806	Qui de vous deux doit tomber sous mes coups?...
45806	Qui vous a dit son nom?
45806	Religieux._ Que dirai- je alors au Seigneur?
45806	Say, Doctor, what would you of me?
45806	See you this line?
45806	Sent he nothing else to me?
45806	Si je trempais mes doigts dans l''eau bénite?...
45806	Since death thus evades me, Why should I not go in search of him?
45806	So, I surprise you?
45806	Tell me, I pray, are you Martha Schwerlein?
45806	Tu veux la gloire?
45806	Vous l''aimez encore?
45806	Vous n''aimez donc pas la musique?
45806	Vous voyez cette ligne?
45806	Vous voyez qu''elle a fait bel accueil aux bijoux?
45806	What is it?
45806	What say you?
45806	What utters she in tones subdued?
45806	What''s to be done?
45806	What, here again, dear boy?
45806	Whence this dire trepidation?
45806	Wherefore lay aside these jewels?
45806	Which of ye must I now slay?
45806	Who gave to you these jewels?
45806	Who shall protection find When innocence such persecution meets?
45806	Who would not gladly unto You present the wedding- ring?
45806	Why do you tremble so, you who menace me?
45806	Why falters now my courage?
45806	Why fear''st thou to listen?
45806	Why tarry, then?
45806	Why this sorrowful farewell?
45806	Why, what has happened?
45806	Why, what has happened?
45806	Will he return to me youth, love, and faith?
45806	Will you honor us by partaking of wine?
45806	Will you not ask of them To accept you?
45806	Will you not permit me, my fairest demoiselle, To offer you my arm, and clear for you the way?
45806	With what shall we begin?
45806	Would you kick me out the very same day?
45806	You think so?
45806	_ Faust._ Ah, cruel one, would''st fly?
45806	_ Faust._ And what can I do with riches?
45806	_ Faust._ Art always thus alone?
45806	_ Faust._ Et que peux- tu pour moi?
45806	_ Faust._ Je la reverrai?
45806	_ Faust._ Là- bas?...
45806	_ Faust._ Où se cache la belle enfant Que ton art m''a fait voir?--Est- ce un vain sortilège?
45806	_ Faust._ Qu''est se donc?
45806	_ Faust._ Qu''importe?
45806	_ Faust._ Quand?
45806	_ Faust._ Que ferais- je de la richesse?
45806	_ Faust._ Que regardes- tu là?
45806	_ Faust._ Say, shall I again behold her?
45806	_ Faust._ Siebel?
45806	_ Faust._ Then what will you do for me?
45806	_ Faust._ What fear is this unnerves my arm?
45806	_ Faust._ What is it thou doest?
45806	_ Faust._ What is''t she says?
45806	_ Faust._ When?
45806	_ Faust._ Where bides the beauteous maid Thine art did show to me?
45806	_ Faust._ Whom dost thou see?
45806	_ Faust._ Would''st thou have me leave thee?
45806	_ Faust._ You overheard us?
45806	_ Mar._ Pourquoi ce regard menaçant?
45806	_ Mar._ Pourquoi ces mains rouges de sang?
45806	_ Mar._ Qu''est ce donc?
45806	_ Mar._ Qui donc?
45806	_ Mar._ Qui m''appelle?
45806	_ Mar._ See''st thou yon demon crouching in the shade?
45806	_ Mar._ Who calls me?
45806	_ Mar._ Whose life?
45806	_ Mar._ Why that glance with anger fraught?
45806	_ Mar._ Why, what has happened?
45806	_ Mart._ Ainsi vous voyagez toujours?
45806	_ Mart._ Qui m''appelle?
45806	_ Mart._ Why so?
45806	_ Mep._ A quoi bon la revoir, après l''avoir quitté?
45806	_ Mep._ Dame Marthe Schwerlein, s''il vous plait?
45806	_ Mep._ Do you doubt my power?
45806	_ Mep._ Doutes- tu ma puissance?...
45806	_ Mep._ Pourquoi trembler, vous qui me menacez?
45806	_ Mep._ Qu''attendez- vous encore?
45806	_ Mep._ Tout.--Mais dis- moi d''abord Ce que tu veux;--est- ce de l''or?
45806	_ Mep._ Well, how do you like it?
45806	_ Mep._ What scruple now assails thee?
45806	_ Mep._ Why see her again, then, after leaving her?
45806	_ Mep._ Why tarry ye?
45806	_ Mep._( to VALENTINE) Why this anger?
45806	_ Religious Cho._ What shall we say unto high heav''n?
45806	_ Sie._ Dost love him still, then?
45806	_ Sie._ Faut- il que je le nomme?
45806	_ Sie._ I?
45806	_ Sie._ Need I name him?
45806	_ Sie._ Vous êtes donc sorcier?
45806	_ Val._ Good sir, what want you here?
45806	_ Val._ Pourquoi?...--tu détournes la tête?
45806	_ Val._ Que veux- tu dire?
45806	_ Val._ Que voulez- vous, messieurs?
45806	_ Val._ What mean''st thou?
45806	_ Val._ Why not, I pray?--Thou turn''st away; Thy silent glance doth seek the ground-- Speak, Siebel-- what hath happened?
45806	_ Wag._ Eh bien?
45806	_ Wag._ Hein?
45806	_ Wag._ Qu''as- tu donc?...
45806	_ Wag._ What sayst thou?
45806	at the bottom of the casket is a glass: I there can see myself!-- But am I not becoming vain?
45806	but what must I give in return?
45806	comme vous voilà belle, Mon ange!...--D''où vous vient ce riche écrin?
45806	comment N''être pas coquette?
45806	comprends- tu ce mot sublime et doux?...
45806	d''écouter?...
45806	daignez m''attendre ici?
45806	does thy hand tremble?
45806	je puis contenter ton caprice_ Faust._ Et que te donnerai- je en retour?
45806	le démon!--Le vois- tu?...
45806	leave we this spot, The dawn hath appeared; Hear''st thou not the fiery chargers, As with sonorous hoof they paw the ground?
45806	of Maidens._ Why thy eyes so lustrous Hidest thou from sight?
45806	par où commencerai- je?
45806	puisque la mort me fuit, Pourquoi n''irais- je pas vers elle?...
45806	que t''ensemble?
45806	quelle est cette voix qui me parle dans l''ombre?
45806	quels regrets attristent nos adieux?
45806	see''st thou not my grief?
45806	taisez- vous?...
45806	toujours seule?...
45806	what can I do?
45806	what is''t I see?
45806	what voice is this That in the shade doth speak to me?
45806	when will thy dusky wings Above me hover and give me-- rest?
48214	ALBERICH Do I spoil sport By standing and gazing here?
48214	ALBERICH Dost thou believe I lie, as would Loge?
48214	ALBERICH Has the gold no value Apart from your games?
48214	ALBERICH How capture this coy, Elusive fish?
48214	ALBERICH Seest thou the hoard Yonder heaped High by my host?
48214	ALBERICH Then why this delay To show thy work?
48214	ALBERICH What is there to finish?
48214	ALBERICH What says he?
48214	ALBERICH[_ Horrified._ The ring?
48214	ALBERICH[_ Raising himself with furious laughter._ Am I now free, Free in truth?
48214	ALBERICH[_ Reaching the topwith a last spring._ Still undismayed?
48214	ALBERICH[_ Starting in alarm._ Wretches, dare ye thus scoff?
48214	ALBERICH[_ Turning round._ What?
48214	Ah, can it be so?
48214	Ah, have I lost her?
48214	All stand in dismay and apprehension regarding Wotan, whose eyes are fixed broodingly on the ground._ LOGE Does a mist mock me?
48214	And why frets Fricka?
48214	Are the others all there?
48214	Art thou content?
48214	Art thou still here, Fervently loved one, Beautiful brother?
48214	As if coming out of a deep reverie, he at last begins, very softly._ What if, when uttered, Weaker it made The controlling might of my will?
48214	BRÜNNHILDE All that thou gavest Thou dost recall?
48214	BRÜNNHILDE And what is the doom That I must suffer?
48214	BRÜNNHILDE I know thee not thus: What gnaws at thy heart?
48214	BRÜNNHILDE Of victory wouldst Siegmund deprive?
48214	BRÜNNHILDE Which of you, sisters, Eastward has journeyed?
48214	BRÜNNHILDE[_ Greatly terrified._ Thou dost cast me off?
48214	BRÜNNHILDE[_ Very softly._ To Wotan''s will thou speakest When thou speakest to me?
48214	Beckon they not, The stately walls, Waiting to offer Welcome kind to their lord?
48214	But say, Loge, How shall I learn To forge and fashion it true?
48214	By what misdeed have thy daughters Vexed and provoked thee To terrible wrath?
48214	Can he be sick?
48214	Can ye not see The gold is all gone?
48214	Canst thou deny That thy cunning it was Which led him where it lay hid?
48214	Couldest thou turn To something quite tiny As well as bigger?
48214	DONNER[_ Confronting the giants._ Fasolt and Fafner, Have ye not felt With what weight my hammer falls?
48214	Daunted so soon?
48214	Deem ye Holda Worthy of such a price?
48214	Didst thou call?
48214	Does Wotan now pledge me his oath?
48214	Dost thou not hear?
48214	Dost thou not hear?
48214	Dost thou not hear?
48214	Dost thou, child, know my wrath?
48214	FAFNER What means thy threat?
48214	FASOLT Jeerest thou?
48214	FASOLT What wouldst thou here?
48214	FASOLT_ Stands for a space speechless with angry surprise._ What is this?
48214	FLOSSHILDE What ails thee, dwarf?
48214	FLOSSHILDE Who listens below?
48214	FREIA Where tarry ye, my brothers, When help ye should bring me, Weak and bartered away by my kin?
48214	FRICKA Ah, dare I hope it?
48214	FRICKA Can such be thy thought, Merciless man?
48214	FRICKA Thou wilt grant him no aid, When to arms the avenger calls?
48214	FRICKA To this tricky deceiver O why wilt thou trust?
48214	FRICKA What means the name Valhall?
48214	FRICKA Who breathed their souls into men?
48214	FRICKA[_ Anxiously to Wotan._ Dost bring joyful tidings?
48214	FRICKA[_ Caressing and coaxing him._ Why linger, Wotan?
48214	FRICKA[_ Softly to Loge._ Could this gaud, This gleaming trinket Forged from the gold, Be worn by a woman too?
48214	FRICKA[_ With a burst of deep indignation._ Then nothing to thee Are the gods everlasting Since the wild Wälsungs Won thee for father?
48214	Faint- hearted wooer, Why couldst not hold The maid, when won, more fast?
48214	Faints he from weariness?
48214	Father, what news Hast thou to tell me?
48214	Find thou a sweetheart Fonder than I?
48214	Floutest thou me?
48214	Flying from him?
48214	Fool, dost now see the trick?
48214	For love art thou pining?
48214	Froh and Fricka throw themselves in his way and prevent him._ FRICKA What meanest thou, madman?
48214	From off the field Who bade thee thus bear me?
48214	GERHILDE Where found she the maid?
48214	Give my ring?
48214	Gossiping art With the pilgriming pair?
48214	HUNDING Hast succoured him?
48214	Hast thou forgot so soon?
48214	Hast thou not heard That one alone Can hope to fashion the gold?
48214	Have ye enough now?
48214	Hearest, Brünnhilde?
48214	Hearing my voice thus accusing, Dost hide from me in terror, A coward who shirks her doom?
48214	Heedless one, hast thou forgotten The price that was to be paid?
48214	How could that be Thine which reft was, Thou rogue, from watery deeps?
48214	How far hast thou ranged and roamed?
48214	How fashion the free one By me unshielded, In his proud defiance Most precious to me?
48214	How get me the other Who, not through me, But of himself Will perform my will?
48214	How keepest thou watch?
48214	How small shall I be?
48214	I speak plainly-- Is that thy thought?
48214	If love be beyond me My cunning could compass delight?
48214	In caverns cold Where once thou didst crouch, Who gave thee light And fire for thy comfort, Had Loge not smiled on thee?
48214	In parlous plight myself, What help have I for others?
48214	Is he in sight?
48214	Is it the look That lingered behind, Yonder clinging, When forth from the hall The lovely woman went?
48214	Is this your valour, Given by me?
48214	LOGE And wherefore, wise one, Sped not the plan?
48214	LOGE But, Mime, how has he Thus made thee his thrall?
48214	LOGE Even the helm?
48214	LOGE Just now, then, an idler Roused him to wrath?
48214	LOGE Since I am known, Ignorant elf, Say then, with growling Whom dost thou greet?
48214	LOGE The Rhine- daughters Thy aid invoked: Not vainly they hoped for thy help then?
48214	LOGE[_ Bends over Mime._ Why all this whimpering noise?
48214	LOGE[_ Calling down towards the valley._ Ye in the water, Why wail ye to us?
48214	LOGE[_ To Wotan._ Ought I to free him?
48214	Lingering there?
48214	Live ye on lies Alone, O ye false nixie brood?
48214	Loitering still?
48214	MIME[_ Embarrassed._ Here-- and there---- ALBERICH How here and there?
48214	MIME[_ Looks round in amaze._ Where art thou?
48214	MIME[_ Observes the Gods more attentively._ Who are you, ye strangers That ask all these questions?
48214	Mark ye my word?
48214	May I ask of my guest In return to tell me his name?
48214	Measure must thou?
48214	Must I aid, idlers?
48214	Must thou no longer Gallop beside me, Nor bring me mead at banquet?
48214	Need ye my urging?
48214	ORTLINDE What lies on her saddle?
48214	Or what hadst thou fashioned Had not I heated thy forge?
48214	Precious only is she?
48214	Pursued by Warfather?
48214	ROSSWEISSE If we all are assembled Why linger longer?
48214	SCHWERTLEITE Has she no greeting For her sisters?
48214	SCHWERTLEITE Went ye twain on one quest?
48214	SIEGLINDE But tell me further, stranger: Where dwells thy father now?
48214	SIEGLINDE Say, whither shall my flight be?
48214	SIEGLINDE The name of thy father was Wölfe?
48214	SIEGLINDE Who pursues thee so close at thy heels?
48214	SIEGMUND In Walhall''s hall Wotan alone shall I find?
48214	SIEGMUND Knowest this sword?
48214	SIEGMUND What hero to- day Shall hew me down?
48214	SIEGMUND''S VOICE[_ From farther back in the gorge._ Where hidest thou, That I have missed thee thus?
48214	SIEGMUND[_ Joyfully surprised._ Who steals this way?
48214	SIEGMUND[_ Looking up at her._ Who art thou, say, That dost stand so fair and so stern?
48214	SIEGMUND[_ Regarding Hunding firmly and calmly._ Drink she gave, Shelter too: Wouldst therefore chide the woman?
48214	SIEGMUND[_ Tenderly._ Will any woman Welcome me there?
48214	SIEGRUNE Wouldst have us too Madly rebel?
48214	Sawest thou Loge?
48214	Say, how wouldst thou save thyself then?
48214	Sees she with sorrow That Wotan''s hair, growing grey, Has made him gloomy and old?
48214	Shall I be Despised by the basest, To the lawless a spur, A scoff to the free?
48214	Shall I never more Give thee love''s greeting?
48214	Shall the maiden droop And be withered by man?
48214	Shall we dive Sheer through the depths of the Rhine?
48214	Sieglinde comes out in a white garment and advances softly but quickly towards the hearth._ SIEGLINDE Art asleep?
48214	Siegmund, where art thou?
48214	Sister embraced As bride by the brother-- Who has ever heard Of brother and sister as lovers?
48214	THE THREE RHINE- MAIDENS What wouldst thou below there?
48214	THE THREE RHINE- MAIDENS Where dost thou hail from, O churl, Of the Rhinegold not to have heard?
48214	THE VALKYRIES What threatens the woman?
48214	THE VALKYRIES Whence rodest thou hither, Hasting so hard?
48214	THE VALKYRIES[_ Terribly alarmed._ Hast thou gone crazy?
48214	Taunts?
48214	Tell me what ails thee?
48214	Tell me what ails thee?
48214	Tell me what ails thee?
48214	Tell the truth; Whence was gotten the gold To fashion the glittering gaud?
48214	The Valkyries, horror- stricken, recoil from her violently._ Fear ye her fate?
48214	The beautiful Goddess Light and bright-- For churls what charm could she have?
48214	The horse that is swiftest Which of you lends, That forth the woman may fly?
48214	The sister and bride, Shall she follow the brother?
48214	The thick mist in the foreground gradually clears away._ LOGE Hadst thou ears For his fond farewell?
48214	The third one, so dear, Does she too betray?
48214	The work is finished, And forfeit the pledge: Hast thou then no care for the cost?
48214	Tricks me a dream?
48214	WALTRAUTE[_ Calling towards the wood._ Who hangs at thy saddle?
48214	WELLGUNDE Art thou in love?
48214	WELLGUNDE He wishes to join us?
48214	WELLGUNDE Knows not the elf Of the famed eye golden That wakes and sleeps in turn?
48214	WELLGUNDE O prudent sister, Why chide and reproach?
48214	WELLGUNDE[_ From above._ Woglinde, watchest alone?
48214	WELLGUNDE[_ Sinking down till she is a little nearer him._ Well, now am I near?
48214	WOGLINDE Is he in jest?
48214	WOGLINDE Of the star resplendent Down in the depths Whose light illumines the waves?
48214	WOTAN A golden ring Girdles thy finger: Hearest, elf?
48214	WOTAN And yet thou didst dare To shield him, knowing''twas so?
48214	WOTAN But what is gained by the hoard In joyless Nibelheim, Where wealth finds nothing to buy?
48214	WOTAN But, my friend, how compass that goal?
48214	WOTAN By my command Didst thou fight for the Walsung?
48214	WOTAN Fools, would ye flout me?
48214	WOTAN Have this pair then Done such harm, Whom spring united in love?
48214	WOTAN Have ye not heard Wotan''s decree?
48214	WOTAN The ring thou claimest as thine?
48214	WOTAN The river- maidens?
48214	WOTAN The sword?
48214	WOTAN Then his own heart''s courage Counts not at all?
48214	WOTAN What nonsense is this?
48214	WOTAN What wailing sound do I hear?
48214	WOTAN What woman woe thus foretells?
48214	WOTAN Wilt yield up the hoard?
48214	WOTAN[_ Calmly._ From such greed Was Fricka then free Herself when the castle she craved?
48214	WOTAN[_ Gloomily._ What then wouldst thou?
48214	Was the dishonour Truly so deep That it must rob me of honour for aye?
48214	Was what I did So base and so vile That I must suffer abasement so low?
48214	We never were idle, So why shouldst thou fear?
48214	What a thief stole Steal thou from the thief; How better could object be won?
48214	What ails the high, happy Gods?
48214	What am I If I am not thy will?
48214	What corner, say, Wilt give to me for my stall?
48214	What deed by hero Could be accomplished That was beyond the strength of the gods, By whose grace alone he is strong?
48214	What does it mean?
48214	What has occurred?
48214	What keeps thee so long?
48214	What payment will appease you?
48214	What profit were mine?
48214	What remains holy Or precious to men Once grown greedy of might?
48214	What she desires Is also my choice, For what does my own will profit, Since it can not fashion a free one?
48214	What thy spear wards Are they but sport, All the runes of solemn bargain?
48214	What wondrous gift has the gold, That the dwarf desires it so?
48214	What?
48214	Where are thy wounds?
48214	Where is the guilty one?
48214	Where is thy sword?-- The trusty sword To be swung in battle, When from my bosom should burst The fury that fills my heart?
48214	Who are they That thus intrude?
48214	Who art thou-- who but the choiceless, Blind slave of my will?
48214	Who beats and bullies thee so?
48214	Who entered there?
48214	Who is there?
48214	Who lies on the ground?
48214	Who opened their eyes, that they see?
48214	Who soothes and comforts me so?
48214	Why did I try To trick myself vainly?
48214	Will Siegmund find Sieglinde there?
48214	With what I possess not How can I, shameless ones, pay you?
48214	Would ye defy me And hide the rebel?
48214	Wouldest deceive?-- Go back on thy bond?
48214	Wouldst thou deceive me Who, day and night, At thy heels follow close?
48214	Wouldst thou not have me Curse thee for flying?
48214	Wouldst thou, robber, Reproach in me The sin so sweet to thyself?
48214	Ye scoffers, Are ye convinced?
48214	[_ After a pause._ Art thou Wehwalt in truth?
48214	[_ Beside himself._ While her sweet eyes I behold thus, From the woman how can I part?
48214	[_ Coming nearer._ What man came in And lies on the hearth?
48214	[_ Gazes before her as if gone crazed._ Where art thou, Siegmund?
48214	[_ He bends low over Sieglinde._ BRÜNNHILDE[_ Moved._ So little prizest thou Life everlasting?
48214	[_ He puts on the ring._ LOGE[_ To Wotan._ Shall he go free?
48214	[_ He puts the Tarnhelm on his head._ The helmet fits the head; But will the spell prosper too?
48214	[_ He raises him with difficulty._ MIME What help for me?
48214	[_ He vanishes, and a pillar of cloud takes his place._ Brother, canst see me?
48214	[_ Howling and shrieking, the Nibelungs, among them Mime, scatter, and creep down into the clefts in all directions._ ALBERICH What seek ye here?
48214	[_ Passionately._ Must we be parted?
48214	[_ Slowly and with hesitation._ All thy care Is thy helpless wife Who, sad and weary, Heavily hangs in thy arms?
48214	[_ The outer door swings open._ SIEGLINDE[_ With a start of alarm tears herself away._ Ha, who went?
48214	[_ To Alberich._ Who would gaze not in wonder, Beholding Alberich''s work?
48214	hither they stride: Where lingers now thine ally?
48214	not yet caught?
48214	tell me What task is thy child''s?
5307	Comment le dernier? 5307 Do you know whether Mozart has not enough from his family to enable him to remain here with a little assistance?
5307	Do you know,said she,"that I mean to be very attentive to- day?"
5307	Est- ce que vous etiez au Concert Spirituel?
5307	From whom did you learn?
5307	How so? 5307 I hope you will stay and dine with us to- day?"
5307	I say,rejoined he,"I suppose I may, if need be, leave out the spur?"
5307	I? 5307 If I can be of any service to you, I beg"--"Before I leave this I must take the liberty to ask you"--"Not for money?"
5307	Is the letter ready?
5307	May I then rely on this?
5307	Que dites- vous du premier coup d''archet? 5307 So you have finally left Salzburg?"
5307	Well, perhaps I may; why not?
5307	What air do you mean?
5307	What may it have cost? 5307 Why not?"
5307	Why? 5307 Yes, but what does that avail when there is no vacancy?"
5307	''Is it possible?''
5307	68] being made prelate?
5307	A long pause; at length,"A propos, are you disposed to write a grand symphony for me for Corpus Christi day?"
5307	A propos, Herr Johannes[ Hagenauer], no doubt, received the letter of congratulation which we intended to write to him?
5307	A propos, did you give my letter to Robinsiegerl?
5307	A propos, how goes on the Archbishop?
5307	A propos, how goes on your French?
5307	A. propos, what do you mean by DREAMS OF PLEASURE?
5307	Already?
5307	And the noble Herr Carl von Vogt, does he still deign to listen to your tiresome voices?
5307	And why did he say all this?
5307	Approposito, do you know the history that occurred here?
5307	Are they good likenesses?
5307	As I was going into the house I met Madame Niesser, the actress, just coming out, who said,"I suppose you wish to see the Count?"
5307	As this important step is finally taken, ought I at this moment to set off?
5307	At last he said,"Do you think that she will be able to learn it?"
5307	At night I hear perpetual shouts of"Who goes there?"
5307	But at last I have the honor to inquire how you are, and how you fare?
5307	But how can it be otherwise?
5307	But is this genuine music?
5307	But what avails any discussion?
5307	But where, at present, is even ONE to be found?
5307	But why do you write at night, and without spectacles?
5307	But your father is still in Salzburg?"
5307	By the by, can you recall the name of Freysingen-- the papa of the two pretty girls I mentioned?
5307	Can any one be considered a boy who is married?
5307	Can this be the kind, worthy Baron Hopfgarten whom we knew at Paris with Herr von Bose?
5307	Could such a thing be possible?
5307	Count Seeau went by, and greeted me very kindly:"How are you, dear Mozart?"
5307	Did he go about on foot in Salzburg, or always drive in a carriage, as he does here?
5307	Do people go to see them?
5307	Do they give satisfaction?
5307	Do you know why I am thinking about the canary?
5307	Do you not miss me at all?
5307	Do you pay extra for leave to do so?
5307	Do you remain here, or go to Mannheim?"
5307	Do you understand?
5307	Does Herr Deibl often come to see you?
5307	Does Herr Feiner play the English horn?
5307	Does he still honor you by his amusing conversation?
5307	Does he still sing?
5307	Fair maiden, say, where have you been, eh?"
5307	For Heaven''s sake tell me, do you really think that I can at once fix a day for my journey; or is it your belief that I do n''t mean to come at all?
5307	For whom is it to please?
5307	From their being short?
5307	From their church style?
5307	Giovanni Hagenauer da parte mia, che non dubiti, che andro a veder sicuramente in quella bottega delle armi, se ci sono quei nomi[?]
5307	Happily this seems equally tedious to himself, so it does not last long; but then, what follows?
5307	Has Schikaneder still good receipts?
5307	Have I not then sufficient cause to stay here and await the result?
5307	Have you any answer yet from our plenipotentiary at Wetzlar?
5307	He deigned graciously to remember you, and said,"And pray how have things gone with him?"
5307	He is the leader of the choir at St. Peter''s, in Salzburg, and knows you very well; his name is Zendorff; perhaps you may not remember him?
5307	He said to me,"I hear you wrote an opera at Munich"["La finta Giardiniera"]?
5307	He said,"I must reflect on your wish; how long do you intend to remain here?"
5307	He smiled, and said,"I should also like it; but would it not be prejudicial to her to have two masters?"
5307	He stared at me for some time, and at last said,"You surely are Herr Mozart?"
5307	He took the letter and was about to break the seal instantly, but I gave him no time for that, saying,"What is the use of reading the letter just now?
5307	He was asked by a Frenchman, in Munich or elsewhere,--"Monsieur, vous avez ete a Paris?"
5307	How can I help the clock choosing at this moment to strike a quarter after seven o''clock?
5307	How can you suppose that I would stay here without good cause?
5307	How do I like Mannheim?
5307	How do the comedians please at Salzburg?
5307	How does Probst get on with his wife?
5307	How does papa like this idea?
5307	How is Miss Bimbles?
5307	How is it likely to turn out?
5307	I beg you will not think so, for how could I write so beautifully if I were dead?
5307	I could not understand this, as wine is usually thought heating; but when I said so, every one exclaimed,"How can you say so?
5307	I do not wish to give up dreaming, for what mortal on the whole compass of the earth does not often dream?
5307	I have, indeed, suffered and wept, but what did it avail?
5307	I hear that the two Barisanis are also coming to Munich; is this true?
5307	I hope the affair is not by this time known all over Salzburg?
5307	I instantly rejoined,"and I hope things have also gone well with you?"
5307	I kiss mamma''s hand, and send you a little note and a little kiss; and remain, as before, your----What?
5307	I kiss your hands a thousand times, and have a great deal to say to my sister; but what?
5307	I kissed the Elector''s hand, who said,"I think it is now fifteen years since you were here?"
5307	I know, and, believe me, deeply feel, how much you deserve rest and peace, but am I the obstacle to this?
5307	I only said in reply,"Do you then think, Herr Stein, that I am likely to run wild on the organ?"
5307	I really could not help laughing:"What could I do at Mannheim now?
5307	I see a number of wretched bunglers who make a livelihood, and why, with my talents, am I to fail?
5307	I shall not be found wanting; how can you possibly doubt me?
5307	I think I have left my diplomas at home?
5307	I took no notice, but said to Le Gros,"A propos, have you given my sinfonie to be copied?"
5307	I would have been off long ago, but every one says to me,"Where do you intend to go for the winter?
5307	If I am sometimes in your mind?
5307	If I engaged an orchestra, it would with the lighting cost me more than three louis- d''or, and who knows whether we shall get as much?
5307	If I recollect rightly, there are also some cadenzas which I once jotted down, and at all events an aria cantabile with coloraturas?
5307	If to hang yourself you''re inclined?
5307	If we do leave this, we shall go straight to-- where?
5307	If we soon shall have a talk?
5307	If you write with a lump of chalk?
5307	If you''re angry with me, poor fool?
5307	In my opinion the second is preferable to the first; for when I heard the former, I asked,"Who is that playing on the organ?"
5307	In rapid playing the right and left hands may be changed, and no one either see or hear it; but is this good?
5307	Is Herr Schikaneder to remain in Salzburg?
5307	Is he afraid of losing them?
5307	Is it not friendly?
5307	Is it not so, Herr Bullinger?
5307	Is it possible that I did not tell you this?
5307	Is it true that Hagenauer is become a professor of sculpture in Vienna?
5307	Is it true that the Archbishop intends to come to Munich?
5307	Is it true that the Emperor is ill?
5307	Is my sister''s begun yet?
5307	Is not that dear?
5307	Is there no ass- eared old periwig, no dunderhead forthcoming, to restore the concern to its former disabled condition?
5307	It is always satisfactory to explain a thing distinctly, and the arias of Esopus are, I suppose, still lying on the table?
5307	It just occurs to me that you already know this; but what am I to do?
5307	It seems that I have enemies here also; where have I not had them?
5307	Josepha-- I mean the youngest, and pray why not?
5307	Keiserin?
5307	M. Grimm recently said to me,"What am I to write to your father?
5307	MADEMOISELLE, MA TRES- CHERE COUSINE,-- You perhaps think or believe that I must be dead?
5307	Maidli, lass Da saga, wo list dan gwesa he?
5307	Mamma:"Well, where is it?"
5307	May I soon write you a French letter?
5307	Mozart?"
5307	My dear sister, to- morrow we dine with Herr von Mayer; and do you know why?
5307	My kind friend, how can I sufficiently thank you?
5307	N. B., have not you a horror of the very name of Paris?
5307	Next Wednesday I set off, and do you know how I travel?
5307	Now let the matter rest as it is, or as it may be, what avail useless speculations?
5307	Now, what is to be deduced from that?
5307	One thing I very much regret, which is that I can not give you house- room, because I am not at an hotel, but am living with-- whom do you think?
5307	Ought not I to accept it if they are in earnest?
5307	Perhaps you may laugh at this?
5307	Pray, what do you hear about the war?
5307	Rose( who was in the third room from us, busy with the linen) had finished, she came in and said to me,"Do you wish me to begin now?"
5307	Some days after, when he saw me, he said with a sneer,"Well, did you discover anything very fine-- did you learn anything from it?
5307	Surely you can not have got my letters from there?
5307	Tell me how Master Canary is?
5307	The Count then said to me,"I hear that you play the piano very tolerably?"
5307	The Elector asked him,"Did you really compose these?"
5307	The Munich company of comedians are, I conclude, now acting?
5307	There is no theatre, no opera there; and if they really wished to have one, who is there to sing?
5307	They are indeed taking a certain powder-- how do I know what?
5307	This seems incredible, does it not?
5307	This sounds rather oracular, does it not?
5307	To whom?
5307	WHY have I not as yet written anything about Misliweczeck?
5307	We dine at a restaurateur''s, after dinner I write, and then we go out again, and afterwards sup, but on what?
5307	We were going home straight from Count Firmiani''s, and when we came into our street we opened our door, and what do you think happened?
5307	Weep, weep, as you can not fail to weep, but take comfort at last; remember that God Almighty has ordained it, and how can we rebel against Him?
5307	Well, instead of remaining NOT BAD, no doubt it soon becomes good?
5307	Were you very merry during the Carnival?
5307	What are the words?"
5307	What can I wish for more?"
5307	What course do you intend to pursue?
5307	What do you mean?--Why?"
5307	What do you think was the first piece after the symphony?
5307	What does it matter if he does not answer you?
5307	What kind of mask did Madame Rosa wear, and Herr von Molk, and Herr von Schiedenhofen?
5307	What means this?
5307	What merit is there in this?
5307	What of the family portraits?
5307	What of the family portraits?
5307	What other cause could I possibly have?
5307	What other resource have we to make us calm?
5307	When the Elector came up to me, I said,"Will your Royal Highness permit me to pay my homage and to offer your Royal Highness my services?"
5307	When the other began, I said,"Who may that be?"
5307	Who can tell whether he may not please?
5307	Who can tell?
5307	Who does not know the varied riches of Mozart''s life?
5307	Who knows?
5307	Who knows?
5307	Who would not feel happy to have completed such a great and laborious work-- and completed it, too, with honor and renown?
5307	Why are we still here?
5307	Why did we go direct to Mannheim?
5307	Why is a great opera never intrusted to a Frenchman?
5307	Why is it always given to a foreigner?
5307	Why must I be so brief?
5307	Why not?
5307	Why were they so improvident as to allow Misliweczeck to give them the slip, and he so near too?
5307	Why were we fourteen days in Augsburg?
5307	Why, then, did I not laugh at her in my letter to you?
5307	Why, to Heckmann-- a charming man, is he not?
5307	Why?
5307	Why?
5307	Why?
5307	Why?
5307	Why?
5307	Wish Herr von Heffner a happy journey from me, and ask him if he has seen Annamindl?
5307	Would you like to know how I was received by him?
5307	You desire to have a faithful portrait of Rothfischer?
5307	You do not write to me how Herr Esser accompanied my sonatas-- ill, or well?
5307	You probably know that the worthy musico Marquesi, the Marquessius di Milano, has been poisoned in Naples, but how?
5307	You say I ought to have practised with her?
5307	You think she put off being bled too long?
5307	You write that you have heard nothing for a very long time of my pupil in composition; very true, but what can I say about her?
5307	[ Footnote:"Fine writing, is it not?"
5307	and do they live in bliss or in strife?
5307	and in what does the art of reading prima vista consist?
5307	and still whistle?
5307	avez- vous entendu le premier coup d''archet?"
5307	from Paris, I suppose?
5307	how could I find words sufficient?
5307	must you have permission to wear it?
5307	net wor?
5307	que veut dire cela?"
5307	said I,"still no answer?"
5307	said I,"to puzzle me, I suppose?"
5307	said Madame,"so it has all come to nothing?"
5307	said she,"is this quite certain?
5307	said they,"shall we permit a man who does us so much honor to leave this without even hearing him?
5307	three ducats?
5307	what is to be done in such a case?
5307	what would you do with the cross?"
5307	whither does my grief lead me?"
5307	why are we so far apart, dearest Signor Maestro?
5307	why should I not ask her pardon?
38726	---- Where go the boats?
38726	---- Windy nights?
38726	ASC Oh what do you think came down last night?
38726	ASC Oh, wo n''t you take me to your party?
38726	ASC What do you say to the snow to- day?
38726	April, April, are you here?
38726	Are you here?
38726	Are you here?
38726	BG-- HC-- JB-- USI Have you seen the Shah?
38726	BG-- HC-- JB-- USI Oh, have you seen the shak?
38726	BG-- HC-- JB-- USI* Do you know the way to plant the choux?
38726	BG-- USI)---- Do the little brown twigs complain?
38726	BSS Oh, what do birdies dream of?
38726	BSS Shall I tell you how the farmer sows his barley and wheat?
38726	BSS What are little boys made of?
38726	BSS) What''s this dull town to me?
38726	BSS)---- Who stole the bird''s nest?
38726	BSS---- Oh, would n''t you like to go?
38726	Black sheep, have you any wool?"
38726	Bond?"
38726	Bond?"
38726	CBO Oh, what is this?
38726	CBO What are you saying?
38726	CBO) Pussy cat, where have you been today?
38726	CBO-- LBS Where are you, my baby?
38726	CGV)---- Where go the boats?
38726	CGV_ For other composers see Stevenson._ Where go the boats?
38726	CL Oh, where is Little Boy Blue?
38726	CL What do birdies dream?
38726	CL Where do you think Wooley Foster can be?
38726	CL) What does the baker make, we say?
38726	CL)* How d''ye do, sir?
38726	CL* How should I your true love know?
38726	CM Where, oh, where is little Boy Blue?
38726	CM Who taught the little bird?
38726	CM---- What can you do?
38726	CPP Poor chickabiddy, where''s she gone?
38726	CPP Who''ll be the binder?
38726	CPP Will you surrender?
38726	CPP---- How should I your true love know?
38726	CPP---- O mistress mine, where are you roving?
38726	CPP---- Who liveth so merry in all this land?
38726	Can a little child like me?
38726	Can a little child like me?
38726	Can a little child like me?
38726	Can a little child like me?
38726	Can a little child like me?
38726	Did you ever see a lassie?
38726	Do you know how many stars?
38726	Do you know how many stars?
38726	Do you know how many stars?
38726	Dost thou no longer love me?
38726	EFS Dost thou no longer love me?
38726	EFS What says the book?
38726	EFS-- FS* Can a little child like me?
38726	EFS-- FS-- GS-- MSG Oh, say have you heard of the sing- away bird?
38726	EFS-- FS-- GS-- MSG Say, can you tell what the sweet birds are singing?
38726	EL What do you think mother saw on the hill?
38726	EL What shall we do when we go out?
38726	EL Will you attend to my saga old?
38726	EL) Oh where is Marguerite?
38726	EL) Where is Marguerita?
38726	EL* Canst thou count the stars?
38726	EL* Do you lack for silk or satin?
38726	EL* Little Blue Jay, what does she say?
38726	EL* What does little birdie say?
38726	ES2 Do you hear the song of rain?
38726	ES2 Where are the merry merry little men?
38726	FC Children, can you truly tell?
38726	FC Where, oh, where do the birdies go?
38726	FC* How many miles to Babylon?
38726	FC* Who is this so late doth come?
38726	FC-- KC---- Who has the whitest lambkins?
38726	FDM Music only Paddy dear, and did you hear?
38726	FS Have you lost your old mother?
38726	FS Oh, who will take a walk with me?
38726	FS Where is little Boy Blue?
38726	FS Who made the first flag?
38726	FS Who will take a walk with me?
38726	FS"Where are you going to, my pretty maid?"
38726	FS* Can you count the stars?
38726	FS* Hark, what mean the children''s voices?
38726	FS-- OYA Oh, do you know the Land of Nod?
38726	FS-- RCS---- What does little birdie say?
38726	FSC---- Why do bells for Christmas ring?
38726	FSK How do you do, Mister Sunshine?
38726	FSK How do you like to go up in a swing?
38726	FSK Where, tell me where is your Highland laddie gone?
38726	GS Where ha''ye been a''the day?
38726	GS) Where do you come from, you little drops of rain?
38726	GS)---- Which way does the wind blow?
38726	GS* Children, can you truly tell?
38726	GS---- Who would not be glad?
38726	HC Have you seen the swimming school?
38726	HC) Here come two creatures, now who can they be?
38726	HC* Soldier, soldier, will you marry me?
38726	HC* Who has the finest lambkins?
38726	HMC2 Music only Will winter never be over?
38726	HR Busy blacksmith, what are you doing?
38726	HR Miller, have you nought for grinding?
38726	HR Now what shall I send to the earth today?
38726	HR Oh, shall I sing you a song that tells you how?
38726	HR What is it fills our hearts with cheer?
38726	HR) Shall I sing you a song that tells you how our farmers of old did their sowing?
38726	HR) Who is at the meadow bars?
38726	HR)( Can you show me how the farmer?
38726	HR)( Shall I show you how the farmer?
38726	HR)( Shall I show you how the farmer?
38726	HR)( Shall I show you how the farmer?
38726	HR)( Shall I show you how the farmer?
38726	HR)( Shall I show you the farmer?
38726	HR)* Who has the whitest lambkins?
38726	HR)---- Who stole the bird''s nest?
38726	HS What sweet tunes can babies play?
38726	HS Who would not be glad?
38726	HS Why do bells for Christmas ring?
38726	HS Yes, here I am and how do you do?
38726	HS* Did you ever see a lassie?
38726	How can I leave thee?
38726	How can I leave thee?
38726	How do you do?
38726	How does my lady''s garden grow?
38726	How many miles to Babylon?
38726	JB Do you see these tiny tracks in the snow?
38726	JB Have you seen the muffin man?
38726	JB Oh where is my little dog gone?
38726	JB Oh, say, busy bee, whither now are you going?
38726	JB Say, busy bee, whither now are you going?
38726	JB Where is my little dog gone?
38726	JB Who killed Cock Robin?
38726	JB Will you walk into my parlour?
38726	JB) Oh, have you seen the swimming school?
38726	JB)( Shall I show you how the farmer?
38726	JB)* Have you seen the soldier?
38726	JB)* How many miles to Banbury?
38726	JB* Have you seen the mocking bird?
38726	KC What, what shall Santa Claus bring Helen?
38726	KK Know you the song that the bluebird is singing?
38726	KK Will you buy my sweet lavender?
38726	KK( Can you show me how the farmer?
38726	KK* Goosey, goosey gander, whither do you wander?
38726	LBS Shall we show you how the carpenter?
38726	LBS There was an old woman and what do you think?
38726	LBS What plant we in this apple tree?
38726	LBS What song does the cricket sing?
38726	LBS( Can you show me how the farmer?
38726	LBS( Can you show me how the farmer?
38726	LBS) And what are you trilling, O Katy- did- did?
38726	LBS* Pussy cat, pussy cat, where have you been?
38726	LCD Baby, what do the blossoms say?
38726	LCD Brave little crocus, what''s in your cup?
38726	LCD Oh, who will buy my toys?
38726	LCD What does it mean when the blue bird flies?
38726	LCD Where shall we walk on our way home from school?
38726	LCD* Who taught the bird?
38726	LCD---- Can you count the stars?
38726	LL Oh, why does the charcoal- burner stay up in the woods?
38726	LL Who would n''t be a bounding ball?
38726	LL Why are red roses red?
38726	LL( Variant: How many miles to Banbury?
38726	LL( Variant: How many miles to Banbury?
38726	LL)* Mistress mine, where are you roving?
38726	LL* Who is Silvia?
38726	LL---- How many miles to Babylon?
38726	MG Who can this little maiden be?
38726	MG) Dear, what can the matter be?
38726	MG* Mother, will you buy me a milking can?
38726	MG* Who liveth so merry in all this land?
38726	MG-- SL1---- Is John Smith within?
38726	MSG Oh, what do you ever suppose, Mama?
38726	MSG We went to the meadow and what did we see?
38726	MSG What do I see in baby''s eyes?
38726	MSG Why do you scratch me?
38726	MSG Would you know the baby''s skies?
38726	MSG) Oh, say, can you see?
38726	MSG) Say, can you see?
38726	MSG) Who will buy my top?
38726	MSG---- Do you know how many stars?
38726	MSG---- What''s this?
38726	MSG---- Who taught the little bird?
38726	MSL Hark, what mean those wonderous voices?
38726	NEB1 Will you hear a Spanish lady?
38726	NG Who''ll buy caller herrin''?
38726	NG* Do the little brown twigs complain?
38726	NG* Oh mistress mine, where are you roving?
38726	NS Come will you dance?
38726	NS Who comes along the upland ways?
38726	NS) How do you do?
38726	OSM What does the rumbling thunder say?
38726	OSM What is so rare as a day in June?
38726	OYA Oh, where do you come from?
38726	OYA Oh, where, oh, where is little Boy Blue?
38726	OYA Oh, where, tell me where is your Highland laddie gone?
38726	OYA Where are you going, lonely little sparrow?
38726	OYA Where''s the milk for baby''s supper?
38726	OYA Whom shall I choose for the beautiful band?
38726	PFP Oh, where are you going Billy Boy?
38726	PFP Where are you going, Billy Boy?
38726	PS How do robins build their nests?
38726	PS Pussy, where have you been today?
38726	PS)( Can you show us how the farmer?
38726	PTS Shall we show you how the farmer?
38726	Paddy dear, and did you hear the news that''s going round?
38726	RCS Schlaf''in gute Ruh?
38726	RCS What do birdies dream?
38726	RCS What song shall we sing upon Christmas?
38726	RCS Why does the charcoal burner stay?
38726	RCS( Can you show me how the farmer?
38726	RCS) Can you tell us how the farmer?
38726	RCS) Do you know of the Land of Nod?
38726	RCS)* Have you heard the news?
38726	RCS)* Shall I tell you how we sew in our garden?
38726	RCS* Can you show me how the farmer?
38726	SC1 Are you here, my little birdies?
38726	SC1 Do you know the muffin man?
38726	SC1 Little Indian maiden, have you come to play?
38726	SC1 Oh, do you know the muffin man?
38726	SC1 Oh, pretty white clouds, now what have you done?
38726	SC1* Where do all the daisies go?
38726	SC2 Do n''t you think so?
38726	SC2 What have we here?
38726	SC2 Who is coming?
38726	SC2 Who would n''t be a soldier when the band begins to play?
38726	SHS Say, have you heard of the sing- away bird?
38726	SHS What can you do?
38726	SHS* Do you know how many stars?
38726	SL1 Echo, echo, are you near?
38726	SL1( Canst thou count the stars?
38726	SL1( Canst thou count the stars?
38726	SL1* List, fairest maiden, will you tread a dance with me?
38726	SL1---- Did you ever see a lassie?
38726	SL2 Now, who should know when pansies grow?
38726	SL2 Pray, where are the little blue- bells gone?
38726	SL2 Would you know how does the farmer?
38726	SL2( Did you ever see a lassie?
38726	SL2)* Is John Smith within?
38726	SL2* What''s this?
38726	SM Where are you three foxes going?
38726	SM( Can you show me how the farmer?
38726	SM) Lady moon, lady moon, where are you roving?
38726	SM* How can I leave thee?
38726	SM* Oh, can ye sew cushions?
38726	SSS Little lamb, who made thee?
38726	SV Here I am and how do you do?
38726	SV What becomes of all the babies?
38726	SV) Why do you come to my apple tree?
38726	SZ Where go the boats?
38726	SZ Who is hiding in the wood?
38726	Shall I tell you I spilled the ink?
38726	StN Oh, say Mister Cube, what now are you hiding?
38726	StN Say, Mr. Cube, what now are you hiding?
38726	StN Was eilst du so?
38726	StN What do you ever suppose, Mamma?
38726	StN What do you think came down last night?
38726	StN What shall little children bring on Christmas day?
38726	StN* Which way does the wind blow?
38726	StN* Would n''t you like to go?
38726	StN---- Where go the boats?
38726	TC Weisst du, wie viel Sternlein?
38726	TC What child is this?
38726	TC Who learned you to dance, Babity, Babity?
38726	TC* Why do bells for Christmas ring?
38726	TC---- Where go the boats?
38726	TLB What is this?
38726	TLB Who comes here?
38726	TLB* Have you seen the beggar- man?
38726	TLB* Oh, would n''t you like to go?
38726	TLB* Shall I show you how the farmer?
38726	TLB---- Who is Silvia?
38726	WS Oh, have you seen the muffin man?
38726	WS What does the moon say tonight?
38726	WS What shall we do the long winter thro''?
38726	WS Wo n''t you take me to your party?
38726	WS( Can you count the stars?
38726	WS) Oh where, O where''s my little dog gone?
38726	WS) Where, O, where is my little dog gone?
38726	WS)* Can you plant the seeds?
38726	WS---- Where do all the daisies go?
38726	Was raschelt i m Stroh?
38726	What can you do?
38726	What do birdies dream?
38726	What does little birdie say?
38726	What does little birdie say?
38726	What does little birdie say?
38726	What does little birdie say?
38726	What does little birdie say?
38726	What does little birdie say?
38726	What''s this?
38726	What''s this?
38726	What''s this?
38726	Where do all the daisies go?
38726	Where do all the daisies go?
38726	Where go the boats?
38726	Where go the boats?
38726	Where go the boats?
38726	Where go the boats?
38726	Where go the boats?
38726	Where go the boats?
38726	Where has the summer gone?
38726	Which way does the wind blow?
38726	Who has the whitest lambkins?
38726	Who has the whitest lambkins?
38726	Who has the whitest lambkins?
38726	Who taught the bird?
38726	Who taught the bird?
38726	Who taught the little bird?
38726	Who would not be glad?
38726	Who would not be glad?
38726	Why do bells for Christmas ring?
38726	Why do bells for Christmas ring?
38726	Why do bells for Christmas ring?
38726	_ See_ Lassie and I. KK* Oh, list, fairest maiden, will you tread a dance with me?
38726	_ See_ O where is my little dog gone?
38726	_ See_ O where is my little dog gone?
38726	_ See_ Oh, dear, what can the matter be?
38726	_ See_ Shall I show you how the farmer?
38726	_ See_ Who''ll be the binder?
38726	dear, what can the matter be?
38726	poor chickabiddy, where''s she gone?
38726	where are the merry, merry little men?
38726	who would n''t be a soldier when the band begins to play?
38726	who''s the friendly little chap?
38726	whom shall I choose for the beautiful band?
4973	A great honour for me, is it not?
4973	And have heard him speak?
4973	And you have heard him?
4973	And you know him?
4973	Are you not coming sometime to St. Petersburg,said I to George Sand in the most polite tone,"where you are so much read, so highly admired?"
4973	But Mendelssohn,the reader will say,"surely Chopin must have admired and felt in sympathy with this sweet- voiced, well- mannered musician?"
4973	Do you believe?
4973	Do you practise when the day of the concert approaches?
4973	Doctor, would you take it amiss if I were to force your wife to do it?
4973	How is''gravity''to clothe itself, if''jest''goes about in dark veils?
4973	Not even George Sand then,she asked,"is a particular friend?"
4973	Oui, n''est- ce pas? 4973 Welcomed there in a very friendly manner, people asked me when I was introduced:''You are, I suppose, a brother of the pianist?''
4973	Well,replied Balzac,"what shall I do?
4973	What do you read then? 4973 What do you say to it?"
4973	What do you wish? 4973 Who is near me?"
4973	Why do you play less well to- day?
4973	Why? 4973 You see,"said the virtuoso rising,"that Liszt can be Chopin when he likes; but could Chopin be Liszt?"
4973	You think so?
4973	''And my duty?''
4973	( 1824?)
4973	( Bright sunshine?
4973	--"25,000 francs?
4973	--"Do you believe as your mother taught you?"
4973	--"Et Liszt?"
4973	20?
4973	22 or another work?
4973	57. published in May, 1845, or, lastly, is it simply a misprint?]
4973	After the Andante the queen whispered to a lady- in- waiting:"Would it not be indiscreet to ask them to play it again?"
4973	All the romances of my brain disappear?
4973	And George Sand?
4973	And are not the names of Poland''s most popular heroes, Sobieski and Kosciuszko, household words all the world over?
4973	And even though the evidence of deeds were wanting, have we not that of her words and opinions as set forth in her works?
4973	And has he forgotten his ideal?
4973	And how did he play them?
4973	And how long was Spohr known as an excellent violinist before he had written Faust, Jessonda, and other works?
4973	And my servant, what is he doing?
4973	And poor Berton?
4973	And the health of Madame Franchomme and of the little children?
4973	And was this expression of his inner life really"mysterious and vague"?
4973	And what did the national poet dream and see in these dreams and visions?
4973	And why did Chopin regard Mozart as the ideal type, the poet par excellence?
4973	And, lastly, who are the pianist friends that were as devotedly attached to him as the most romantic of his aristocratic worshippers?
4973	Are genius, greatness, and fame the measures of trustworthiness?
4973	Are the roses at home still in their flame- hued pride?
4973	Are we not now comrades?
4973	Are you comfortable?
4973	As soon as she appeared with her two charming daughters[ daughter and cousin?
4973	As to the portier, he very likely tells lies, but who will prove it?
4973	At a round table sat the queen with an elegant work- basket before her( perhaps to embroider a purse for me?
4973	But are not Beethoven''s scherzos, too, misnamed?
4973	But be their shortcomings ever so great and many, who would dispense with these works?
4973	But do we not all rather yearn for what we have not than enjoy what we have?
4973	But how can a conscientious biographer help this ungraciousness and inaccommodativeness?
4973	But how did the composer himself describe it?
4973	But how does the matter stand when there is genius on both sides, and self- sacrifice of either party entails loss to the world?
4973	But how many years before this visit was it composed?
4973	But is she really a woman?
4973	But outsiders ask: How is it, then, that so great a virtuoso has not trained players who have made the world ring with their fame?
4973	But seeing that Chopin evolved so much, why should he not also have evolved this?
4973	But supposing Chopin and George Sand to have really met at the Marquis de Custine''s, was this their first meeting?
4973	But the touchy artist, in true artist fashion-- or shall we be quite just and say"in true human fashion"?
4973	But were Chopin''s friends correct in saying that he played better than Kalkbrenner, and could learn nothing from him?
4973	But what did Chopin think of Thalberg?
4973	But what is the use of carping at a name?
4973	But what is this( the four bars before the tempo I.)?
4973	But what shall I do?
4973	But what was it then that attracted him to Kalkbrenner, and made him exalt this pianist above all the pianists he had heard?
4973	But what was the reason of this indignation?
4973	But what was to be done now?
4973	But who could describe that wondrous blending of loving strength and lovable weakness of a true woman''s character?
4973	But who could recount all the happy and hapless loves that have made poets?
4973	But who would expect religious adherence to fact from Heine, who at all times distinguishes himself rather by wit than conscientiousness?
4973	But why do you not write a word about yourself?
4973	But, it may be asked, did all this happen in exactly the same way in which it is told here?
4973	But, it may be asked, was not this languid monotony which results from the employment of these means just what Chopin intended?
4973	But, it will be asked, what music did they play?
4973	But, then, how could Chopin have composed on that occasion a Prelude included in a work the manuscript of which he sent away on the lath?
4973	Chopin does not envy him the honour:-- Will the time come[ he writes] when Lafont will accompany me?
4973	Chopin to Gutmann; Calder House, October 16, 1848( twelve miles from Edinburgh):-- Very dear friend,--What are you doing?
4973	Chopin when applied to for his signature wrote:"La lettre venant des Allemands, comment voulez- vous que je m''arroge le droit de la signer?"
4973	Chopin''s style, then, was not original?
4973	Could it possibly be Loch Lomond?
4973	Could she not select something better than just this etude, the least interesting for those who do not know that it is written for the black keys?
4973	Dark clouds?)
4973	Did Dib dance in last night''s pantomime?
4973	Did I happen to lend you Witwicki''s songs?
4973	Did Miss Wieck play my Etude well?
4973	Did fame and publications travel so slowly in the earlier part of the century?
4973	Did not Chopin himself say to Hiller that he wished to be to his countrymen what Uhland was to the Germans?
4973	Did you prepay when you sent them the letter?
4973	Did you prepay?
4973	Did you receive my little note the day before yesterday?
4973	Do the trees still sing as beautifully in the moonlight?
4973	Do we not hear-- yea, and see too-- a high- spirited chivalry approaching and passing?
4973	Do you board at the club?
4973	Do you know Chopin''s wonderful studies?)
4973	Do you know how much Wessel paid him for them?
4973	Do you not know that the hour for working has come?"
4973	Does he agree to the transaction I proposed to him?
4973	Does it not rather suggest a Titan in commotion?
4973	Does the white- bearded sea- god still persecute her with his foolish, stale love?
4973	Does this question sound arrogant?
4973	Est- ce un chien qui vient d''aboyer?]
4973	For did he not consider his own playing as good as that of Herz, and feel that he had in him the stuff to found a new era in music?
4973	For is not leaping the mind''s natural mode of locomotion, and walking an artificially- acquired and rare accomplishment?
4973	Gutmann asked what he intended to do?
4973	Gutmann tells us that he had an early opportunity of making these observations, for Chopin visited his pupil the very day after his arrival(?
4973	Had Chopin or her brother, or both, to do with this paroxysm of despair?
4973	Had Chopin, when he left Paris, really in view the possibility of settling in London?
4973	Had genius to wait so long for recognition?
4973	Has Liszt correctly represented it?
4973	Has a dog been barking?"
4973	Have you delivered any of the messages it contained?
4973	Have you received the letter?
4973	Have you thrown up redoubts?
4973	He may not have recognised us at once, quickened his steps, stopped before us, and said to her harshly:"Qu''est- ce que vous faites ici?"
4973	He ought to give me 300 francs for it, n''est- ce pas?
4973	He was there, he was present at the triumph of his pupil, the anxious audience asked itself:"Shall we hear him?"
4973	Heaven be thanked, they are all well; but why are they concerned about me?
4973	Hereupon Rollinat asked him naively:--"Well, why, then, do you not set about it at once?"
4973	How are my friends faring?
4973	How are you and your wife and the dear children?
4973	How are your people, your country, your art?
4973	How are your people?
4973	How is this strange silence to be accounted for?
4973	How many days( between August 23 and September 7?)
4973	How often have they not conquered the conquerors of their country?
4973	How should I receive this precious soul so as to give it to God?
4973	How, indeed, could a lasting concord be maintained by two such disparate characters?
4973	I saw Chopin every day; how, then, could I remain ignorant of it?"
4973	I was with Chopin at the time the letter arrived, and he said to me,"They have only me, and should I close my door upon them?
4973	I wonder if that will have a good effect?
4973	In what state of mind are you?
4973	Indeed, how could they?
4973	Is Madame de Lauvergeat also at the sea- side?
4973	Is it not his duty to tell the truth, and nothing but the truth, in order that his subject may stand out unobstructed and shine forth unclouded?
4973	Is it not possible that Chopin may have afterwards substituted the new Prelude for one of those already forwarded to France?
4973	Is it possible to imagine anything more inconsistent and self- delusive than these ravings of our friend?
4973	Is she at Radom?
4973	Is she really so much changed in appearance?
4973	Is there not something pleonastic in the title"Fantaisie- Impromptu?"
4973	Is there still no end to the bloodshed?
4973	Is this not a quite unusual politeness?
4973	Is this not an altogether mad idea?
4973	Is this not like a shriek of despair?
4973	It was evident that the money given to the portiere had not arrived at its destination; but how to be assured of this?
4973	Keep your millions for me till another time-- is it not already too much to dispose of your time as I do?
4973	Let him know that I have six new manuscripts, for which I want 300 francs each( how many pounds is that?).
4973	Looked at from the musician''s point of view, how much do we not see that is novel and strange, and beautiful and fascinating withal?
4973	No?
4973	Now, how are you?
4973	Now, what congeniality could there be between the rugged German and the delicate Pole?
4973	Now, what remains of this statement after subtracting prejudices and narrow- mindedness?
4973	Now, what thoughts did Chopin''s playing call up in Heine?
4973	On December 21, 1830, he writes to his parents:-- I do not know whether I ought to go soon to Italy or wait a little longer?
4973	On what floor, and how much do you pay?
4973	Or are you so lazy?
4973	Or must we assume that the man Moscheles was less congenial to Chopin than the artist?
4973	Perhaps she mocks at me-- laughs at me?
4973	Perhaps she only appeared so to you, or was she afraid of anything?
4973	Perhaps she was ill?
4973	Perhaps to pay his debts?
4973	Seeing that so many of Chopin''s letters have been published with wrong dates, why not also that of January 12?
4973	Shall I go to Paris?
4973	Shall I kill myself?
4973	Shall I not write to you any more?
4973	Shall I return home?
4973	Shall I stay here?
4973	Shall I tell you how well founded this disgust was?
4973	Stoepel?"
4973	Surely this passionate lover could not have forgotten her beneath whose feet he wished his ashes to be spread after his death?
4973	Tantae animis coelestibus irae?
4973	That is why I write you such a foolish letter, is it?
4973	The Count said--"Chopin, how is it that you, who have such admirable ideas, do not compose an opera?"
4973	The air?
4973	The latter came with an old friend, a Russian Capellmeister[ Soliva?].
4973	The reader may perhaps already have asked the question-- What was Chopin like in his outward appearance?
4973	The tender commencement of the second part is followed, as it were, by the several times repeated questions-- Yes?
4973	They expected also to see me, in full dress, in the very middle of the choir; what not?
4973	This is also the place to dispose of the question: What was done with Chopin''s MSS.?
4973	To complete the idea of the man, we must not omit to mention his essay In how far is the Polish language suitable for music?
4973	To take liberties with another artist''s works and complain when another artist takes liberties with your own works is very inconsistent, is it not?
4973	To- morrow I shall hold a rehearsal[ of the E minor Concerto] with quartet, and then drive to-- whither?
4973	Was Chopin a good teacher?
4973	Was Solange the chief subject of George Sand''s lamentations?
4973	Was his attachment to the composer weaker than his attachment to his cash- box?]
4973	Was it written first for the pianoforte and orchestra, as Schumann suspects?
4973	Well, did she not come and fulfil her promise, or, at least, take leave of her friend of many years?
4973	What Pole does not hate the Jews?
4973	What can I do?
4973	What do we know of Blangini, the"Musical Anacreon,"and his twenty operas, one hundred and seventy two- part"Notturni,"thirty- four"Romances,"& c.?
4973	What do you think of this?
4973	What else, indeed, had Vienna to offer to the earnest musician?
4973	What had he not always feared on this terrain?
4973	What is going on at home?
4973	What is it to me if Schlesinger makes Probst pay dearer for my manuscripts?
4973	What more would I not want if that were your fancy?
4973	What name has been more misapplied than that of impromptu?
4973	What necessity was there to expatiate on her brother''s drunkenness?
4973	What other work of the composer could be pointed out exhibiting the like feature?
4973	What shall I say?
4973	What shall you do with my papers?
4973	What virtuous motives can have prompted her to publish her mother''s shame?
4973	What was I to do?
4973	What was to be done?
4973	What will be the result?
4973	Where are Paer''s oratorios, operas, and cantatas performed now?
4973	Where are they?
4973	Whether the other artists had so too I did not know as yet; but why should they be against me?
4973	While thus controverting the so- called vox Dei( are not popular opinions generally popular prejudices?)
4973	Who can help smiling at this combination of pompous authoritativeness and wretched short- sightedness?
4973	Who can sound the sufferings proceeding from this contrast?
4973	Who could resist?
4973	Who could retain everything?
4973	Who sent them to me?
4973	Who would suspect the composer''s fragility and sickliness in this work?
4973	Why am I doomed to be here so lonely and forsaken?
4973	Why did he keep it in his portfolio?
4973	Why have I not expressed an opinion on the moral aspect of Chopin''s connection with George Sand?
4973	Why may I not at least be your drummer?
4973	Why should I not embrace it?...
4973	Why should he write?
4973	With what do you occupy yourself generally?"
4973	Would it be an honest action?
4973	Would it not have been possible to live in retirement without drawing upon himself the accusation of supercilious hauteur?
4973	Would the praise which is generally lavished upon her have been so enthusiastic if the lady had been a professional pianist instead of a princess?
4973	You begin at last to become more tranquil,[ FOOTNOTE: This, I think, refers to some loss Franchomme had sustained in his family] do you not?
4973	You have read the German letters, sealed them, and done everything I asked you, have you not?
4973	You will come back to us in the month of September, will you not?
4973	You write that you and your regiment are going to take the field; how will you forward the note?
4973	[ 1827?]
4973	[ Chopin, avec vos idees admirables, pourquoi ne nous faites- vous pas un opera?]
4973	[ Have you studied diligently?]
4973	[ Qu''est- ce?
4973	a pupil of Liszt''s, an artist?"
4973	and Madame Franchomme and her dear children?
4973	and these 25,000 francs which were sent you lately?"
4973	and what follows, bewildered efforts of a soul shut in by a wall of circumstances through which it strives in vain to break?
4973	and what had become of it?
4973	at last sinking down with fatigue, dreaming a dream of idyllic beauty?
4973	but beginning the struggle again as soon as its strength is recruited?
4973	does she love me?
4973	replied Chopin, with a drawl, but in the politest tone,"what do you want me for then?
49507	I kept thee as safe As I keep my skin....SIEGFRIED[_ With increasing urgency._ Next tell me, who was my father?
49507	I made the mite clothing To keep it warm....SIEGFRIED Now tell me, what name was my mother''s?
49507	..[_ In Siegfried''s arms, looking faintly up at him._ Siegfried... knows me not?
49507	A VASSAL Was that the end of the singing?
49507	A surly old dwarf Said to me once That men might learn To follow the sense Of birds when they were singing; Could it indeed be done?
49507	A wish- maiden I bore to Wotan; From fields of battle She brought him slain heroes; Bold is she And wise to boot: Why waken me?
49507	ALBERICH And what of thyself Couldst aright have fashioned, thou bungler?
49507	ALBERICH Art thou intent On mischief again?
49507	ALBERICH Have I disturbed thee, Thief, at thy work, Secret and sly?
49507	ALBERICH Just for rearing him, The old niggardly, Beggarly knave, Bold as brass, A king now would become?
49507	ALBERICH Rogue, has my gold Provoked thy greed?
49507	ALBERICH What the boy has won Would the niggard deny him?
49507	ALBERICH Who was it robbed The Rhine of gold for the ring?
49507	ALBERICH[_ Violently._ Wilt thou hold thy hand from the hoard?
49507	ALBERICH[_ With anxious amazement, aside._ Does the madman mean it?
49507	ALDERICH And yet it is not to be mine?
49507	ALDERICH Does none but Mime Dispute me the ring?
49507	Alberich is seen crouching in front of him, leaning his arms on Hagen''s knees._ ALBERICH[_ Softly._ Hagen, son, art asleep?
49507	All stand fixed in silent mutual contemplation._ SIEGFRIED[_ Leaning on his horse, remains quietly standing by the boat._ Who is Gibich''s son?
49507	Am I to have it?
49507	And how weld the splinters Of obstinate steel?
49507	And where shall I find The runes for this riddle?
49507	And whose cunning wrought The spell of magical might?
49507	And why hast callèd us here?
49507	Anguished with terror?
49507	Apart-- who shall divide us?
49507	Armed men arrive in haste by different paths; first singly, and then in larger and larger groups._ THE VASSALS Why sounds the horn?
49507	Art awake?
49507	Art thou a mortal, Or dost thou hie From Hella''s dark host?
49507	Art thou alone?
49507	Art thou then a bird or a fox?
49507	As my blood like a torrent Surges and leaps, The fire fierce- flaming Dost thou not feel?
49507	At last thou beginnest to fear?
49507	BRÜNNHILDE On Siegfried?
49507	BRÜNNHILDE The Rhine- daughters-- I-- the ring?
49507	BRÜNNHILDE The ring-- away?
49507	BRÜNNHILDE Were I now thine?
49507	BRÜNNHILDE Where hast thou hid the ring That thou didst capture from me?
49507	BRÜNNHILDE[_ Alarmed._ What ails, then, the Gods everlasting?
49507	BRÜNNHILDE[_ Bewildered._ Confused are my senses, My mind is blank: Wisdom, dost thou forsake me?
49507	BRÜNNHILDE[_ Here, for the first time, notices with surprise Waltraute''s wildly excited state._ Art afraid?
49507	BRÜNNHILDE[_ Looking round dully._ On whom?
49507	BRÜNNHILDE[_ Scarcely able to control herself._ Siegfried... here?
49507	BRÜNNHILDE[_ Stares, as if fainting, before her; exhausted._ O woman undone, Where now thy defence?
49507	BRÜNNHILDE[_ Trembling violently._ What man has done This deed undaunted That the boldest only dares?
49507	BRÜNNHILDE[_ With animation._ Then a waste is my hall of rock?
49507	BRÜNNHILDE[_ With fearful vehemence._ I?
49507	Behind what hill Hast suddenly hidden my game?
49507	Betrayed by drowsiness And rest thou dost not hear?
49507	Blithe hero, Whither bound?
49507	Brünnhilde starts up in delight._ Siegfried?
49507	But answer me this: Has the brute a heart?
49507	But how, Mime, Can it be mine?
49507	But where hast thou, Mime, A wife dear and loving, That I may call her mother?
49507	By the blaze of my eyes Thou art not struck blind?
49507	By what wizard''s spell Worked was the woe?
49507	Can I awaken the bride?
49507	Can it mean Fafner''s death?
49507	Canst thou not see?
49507	Canst thou tell us the end?
49507	Could babe without mother Be born to thee?
49507	Did I say that?
49507	Did the dear one but sleep?
49507	Didst thou take nothing besides?
49507	Do I drivel or dote?
49507	Does my subtle scheming Please thee now?
49507	Does revolt''s teacher Chide revolt?
49507	Does the deed he urged to Anger him, done?
49507	Dost covet my goods?
49507	Dost thou know how he fared?
49507	Dost thou see That cavern yawning dark?
49507	Ever- brightening tongues of flame shoot up over the edge of the rock._ Why leap so wildly The billows that blaze round the rock?
49507	Explain: this fearing, what is it?
49507	FAFNER Is this insolence?
49507	FAFNER''S VOICE Who troubles my sleep?
49507	FAFNER[_ At the sight of Siegfried has paused on the high ground, and remains there._ What is that?
49507	FAFNER[_ In a weaker voice._ Who art thou, boy bold- hearted, That hast pierced my breast?
49507	FLOSSHILDE Is she a shrew?
49507	FLOSSHILDE What art thou scolding about?
49507	False to his vow?
49507	Fearest thou not The wild, love- frenzied maid?
49507	Fearest thou, Siegfried?
49507	From woe and wrath Rises the Nibelung''s ring; A curse of revenge Ruthlessly gnaws at the strands:-- Canst thou the end foretell?
49507	GRUTUNE Siegfried faithless?
49507	GUNTHER And Brünnhild''no other can win?
49507	GUNTHER And Siegfried won it in fight?
49507	GUNTHER Broke he the bond?
49507	GUNTHER But how can he be found?
49507	GUNTHER But how wilt deceive her?
49507	GUNTHER He only who braves the fire... SIEGFRIED[_ As if making an intense effort to remember something._"He only who braves the fire"...?
49507	GUNTHER Suffices my strength for the task?
49507	GUNTHER Thou wouldst seize Gutrune''s dower, Insolent Niblung son?
49507	GUNTHER Was I betrayed?
49507	GUNTHER Who is that hero unmatched?
49507	GUNTHER Whom wouldst thou have me woo, To win more wide renown?
49507	GUNTHER Will he go by?
49507	GUNTHER[_ In great perplexity._ The ring?
49507	GUNTHER[_ Rises angrily from his seat._ Why wake dissension and doubt?
49507	GUNTHER[_ Seized with horror._ Siegfried''s death?
49507	GUNTHER[_ Softly._ Brünnhilde''s ring?
49507	GUNTHER[_ Springing up in the greatest consternation._ What says he?
49507	GUNTHER[_ Turns away doubtful and angry._ But how could I force this man To woo the bride for me?
49507	GUTRUNE A wrong?
49507	GUTRUNE And no harm didst thou take?
49507	GUTRUNE And so the bold maid was tamed?
49507	GUTRUNE But how got Gunther his wife from thee?
49507	GUTRUNE Comes then Brünnhild''with my brother?
49507	GUTRUNE Did Brünnhild''think thee Gunther?
49507	GUTRUNE Did she give herself to thee?
49507	GUTRUNE For her husband thou didst pass?
49507	GUTRUNE Siegfried-- mine?
49507	GUTRUNE Siegfried?
49507	GUTRUNE Was he not scorched by the fire?
49507	GUTRUNE[_ Breaking out in sudden despair._ Accursèd Hagen, Why didst thou give the poison That stole her husband away?
49507	GUTRUNE[_ In great fear._ What is wrong, Hagen?
49507	GUTRUNE[_ With growing terror._ What bring they here?
49507	Guardest thou Fafner''s house?
49507	Gunther?
49507	Gutrune comes out of her chamber into the hall._ Was that his horn?
49507	Gutrune''s lord?
49507	HAGEN And nothing took at all?
49507	HAGEN But thou didst hear them once?
49507	HAGEN Didst thou take The Tarnhelm and ring?
49507	HAGEN Hast thou won Brünnhild''?
49507	HAGEN No luck at all?
49507	HAGEN The wood- bird''s counsel Didst thou follow?
49507	HAGEN Then no weapon forged could wound him?
49507	HAGEN Which safe thou dost hold?
49507	HAGEN With me art wroth for that?
49507	HAGEN''Twas well that he warned?
49507	HAGEN[_ Bending confidentially towards Gutrune._ What of the drink in the chest?
49507	HAGEN[_ Remains motionless as before._ The might of the Gods Who then shall wield?
49507	HAGEN[_ Stepping between them._ Brünnhild'', dauntless queen, Knowest thou this ring well?
49507	Hagen, son, art asleep?
49507	Has grief enough Not deluged the earth through thy guile?
49507	Has he made off?
49507	Has he stained Gunther''s honour?
49507	Has she gone mad?
49507	Hast thou gone crazy?
49507	Hast thou not fostered a stripling To pluck the fruit thou durst not[_ With growing violence._ Pluck frankly for thyself?
49507	Hast thou not heard?
49507	Hast thou rejoiced Thyself to see Reflected clear in the stream?
49507	Hast thou such wisdom, Explain, I pray thee, A thing I have wondered at: Though I go roaming Just to avoid thee, Why do I always return?
49507	Have I found A path to peace?
49507	He listens with growing interest to one singing in the branches above him._ O lovely warbler, I know not thy note; Hast thou thy home in this wood?
49507	He looks into the wood at the side and comes forward a little._ What lies in shadow, Asleep in the wood?
49507	He who guards the right, To whom vows are sacred, Hinders the right?-- Reigns through falsehood?
49507	He... Siegfried?
49507	Here stands one Who would learn to fear; Say, wilt thou be his teacher?
49507	How brace my heart?
49507	How conquer my fear?
49507	How could I weld it?
49507	How could we look in her face If her husband we had slain?
49507	How earnest thou by The ring thou hast on?
49507	How help myself now?
49507	How hold the boy here?
49507	How lead the young madcap To Fafner''s lair?
49507	How rede aright such a riddle?
49507	How shall I dare To look on their light?
49507	How, coward, could it be taught me?
49507	If I be thine?
49507	If Siegfried learn fear, The dragon will never be slain; And, if so, how gain the ring?
49507	In front of this Hagen is seated._ GUNTHER Give ear, Hagen; Tell me the truth: Is my fame on the Rhine Worthy of Gibich''s son?
49507	Is Gunther sore pressed?
49507	Is it the dragon''s slayer?
49507	Is it the glare That dazzles me still?
49507	Is she within?
49507	Is that what is meant by fearing?
49507	Is the work finished?
49507	Is there a spell, Perhaps, in the blood?
49507	Is this what fear means?
49507	Just one thing more I would learn, sweet singer: Say, shall I break through the fire?
49507	Know I all thou wouldst learn?
49507	Know ye why that was?
49507	Knowest thou Wotan''s will?
49507	Knowest thou more thereof?
49507	Laughing, the flames Allure thee to follow?
49507	MIME And where is the ring?
49507	MIME But the dragon grim Has fallen before thee?
49507	MIME But what proof will convince thee?
49507	MIME Now the file is ruined, The rasp is useless; Why grind thus the steel to splinters?
49507	MIME The sword?
49507	MIME Thou knowest not that, Yet wouldst from the forest Forth to the world?
49507	MIME Thou wilt not refuse Cooling refreshment When the fierce fight is over?
49507	MIME What father?
49507	MIME Who made the Tarnhelm, Changing its wearer''s form?
49507	MIME[_ Alarmed._ What wouldst thou to- day with the sword?
49507	MIME[_ Angrily._ What dost thou mean?
49507	MIME[_ As before._ Where shall I turn in my need?
49507	MIME[_ Astonished._ What makes thee think that?
49507	MIME[_ Comes forward, greatly upset and confused._ The sword?
49507	MIME[_ Furiously._ Do what, child?
49507	MIME[_ In a small voice, from behind the anvil._''Tis thou then, child?
49507	MIME[_ Starting up in alarm._ Who seeks for me here In desolate woods, Finds my home in the forest wild?
49507	MIME[_ Very angrily._ How canst thou talk Such terrible stuff?
49507	MIME[_ Who has been staring at the Wanderer open- mouthed, now shrinks back; aside, dejectedly._ Now how to get rid of the spy?
49507	Meanest thou her?
49507	Motionless, gloomy silence._ THE FIRST NORN What light glimmers there?
49507	Must I help thee?
49507	Must then all human mothers Thus die on giving Birth to a son?
49507	My head, say, is it Still, Wanderer, mine?
49507	Now answer: Think ye my counsel good?
49507	Now how shall I teach thee to fear?
49507	Now say, whence came the name Siegfried?
49507	Or perchance-- O say!--[_ With some hesitation._ Has he at last Softened to his child?
49507	Pale art thou dawning Athwart the dark?
49507	Round the sharp edge Of the rock I wind the rope: Sing, O sister, Catch as I throw; Further canst thou tell?
49507	SIEGFRIED Courage or insolence, What matter?
49507	SIEGFRIED From a dragon grim I won the ring in fight; And think ye for a worthless bear- skin I would exchange the gold?
49507	SIEGFRIED I trust thee not with my ears, I trust thee but with mine eyes: What witness speaks for thee?
49507	SIEGFRIED If I must swear, The slander to still, Which of you offers His sword for the oath?
49507	SIEGFRIED It lies not far from the world?
49507	SIEGFRIED It lies, however, Where all hearts lie, Brute and human alike?
49507	SIEGFRIED Of a cooling drink I were glad; Say, how has this one been brewed?
49507	SIEGFRIED Said not thy song Thy wisdom drew Its light from thy love of me?
49507	SIEGFRIED Still art thou dumb, Stubborn old man?
49507	SIEGFRIED That I am hated Pleases me; But must I lose my life for thy pleasure?
49507	SIEGFRIED To me thou art plotting harm, then?
49507	SIEGFRIED Wakes Gutrune?
49507	SIEGFRIED What know I of that?
49507	SIEGFRIED When I was a babe Thou wert my nurse, Made the mite clothing To keep him warm; But tell me, whence Did the tiny mite come?
49507	SIEGFRIED Where has he his lair?
49507	SIEGFRIED Where stable my horse?
49507	SIEGFRIED Where the master has failed What hope for the scholar, Had he obeyed him in all?
49507	SIEGFRIED Who was my father?
49507	SIEGFRIED[_ Goes a few steps towards Brünnhilde, who has begun to tremble._ Why looks Brünnhild''amazed?
49507	SIEGFRIED[_ Halts and turns round._ Did some one speak?
49507	SIEGFRIED[_ Impatiently._ What absurd Invention is this?
49507	SIEGFRIED[_ Laughing._ Under the anvil?
49507	SIEGFRIED[_ Laughing._''Twas under the seat That thou wert sitting; What weighty thing foundest thou there?
49507	SIEGFRIED[_ Regarding them with a smile._ Have ye, then, hither charmed The shaggy- hided fellow Whom I have lost?
49507	SIEGFRIED[_ Sits down under the lime- tree and looks about him._ So here I shall learn what fear is?
49507	SIEGFRIED[_ Slowly._ My poor mother died, then, through me?
49507	SIEGFRIED[_ Softly and timidly._ My mother did not die, then?
49507	SIEGFRIED[_ Softly._ Can those be good runes That in her eyes I am reading?
49507	SIEGFRIED[_ Surprised._ At what dost thou laugh?
49507	SIEGFRIED[_ Turning to Hagen._ My name thou knowest; Where have we met?
49507	SIEGFRIED[_ Turns with animation to Gunther._ In what canst thou fail With me for friend?
49507	SIEGFRIED[_ Vehemently._ Dost thou by shuffling Seek to escape?
49507	SIEGFRIED[_ Vehemently_ Is it an art?
49507	SIEGFRIED[_ Violently._ Wilt thou speak plainly Or must I help thee?
49507	SIEGFRIED[_ With quiet wonder._ This fear then, what is it?
49507	Say, bold fighter, Hast thou been taught how to fear?
49507	Say, what foe is nigh?
49507	Say, what next?
49507	Say, what sword, If Fafner to fall is, Must be by Siegfried swung?
49507	See p. 129] WALTRAUTE This is thy faith, then?
49507	See p. 86] On whom shall I call, For aid imploring?
49507	Shall it be mine?
49507	Shining armour?
49507	Siegfried a traitor?
49507	Siegfried gazes at her with sudden passion._ SIEGFRIED O thou who dost scorch And blind with thine eyes, Why sink them abashed by my gaze?
49507	Siegfried returned?
49507	Siegfried''s love- pledge?
49507	Siegfried?
49507	Sing, O sister-- Catch as I throw-- Canst thou tell us why?
49507	Sleepest, Hagen, my son?
49507	So the stern one does not forgive?
49507	Swift- footed hero, Whence stormest thou now?
49507	THE SECOND NORN Is it already dawn?
49507	THE SECOND NORN[_ To the first._ Where for our spinning and singing Wilt thou fasten the rope?
49507	THE THREE RHINE- MAIDENS Wilt grant it?
49507	THE VASSALS And after that, Hagen?
49507	THE VASSALS Got Mime due payment?
49507	THE VASSALS Her kinsmen and vassals Follow for vengeance?
49507	THE VASSALS How then can his vassals avail him?
49507	THE VASSALS Is he in straits, Pressed by the foe?
49507	THE VASSALS The drink- horn in hand, What task awaits us still?
49507	THE VASSALS Then the peril is past, And the foe put to flight?
49507	THE VASSALS What''s wrong?
49507	THE VASSALS[_ With increasing cheerfulness._ What shall we do When the beasts we have slain?
49507	That light dost thou see?
49507	The Wanderer''s way who bars?
49507	The horrible winking, The nods and blinking-- When shall I see The last of them, And rid be at length of the fool?
49507	The sword?
49507	This corner is mine; What huntest thou here?
49507	Thou fearest his punishing wrath?
49507	Thou neighest with joy To think thou shalt join him?
49507	Thou?
49507	Though thou didst want it, Was it designed by thee?
49507	Timid day, Tremblest thou forth?
49507	To her sorrow Thus coldly thou leavest thy sister?
49507	To whom?
49507	To whom?
49507	VASSALS and WOMEN Deceit?
49507	VASSALS and WOMEN Siegfried?
49507	WALTRAUTE For Brünnhild''s sake War- father''s ban Hast thou thus bravely broken?
49507	WANDERER A wood- bird chatters idly What no man understands; How then couldst thou tell The song''s true meaning?
49507	WANDERER But who made The mighty splinters From which the sword was welded strong?
49507	WANDERER The Valkyrie, Brünnhild''?
49507	WANDERER Who bade thee seek This rock flame- circled?-- Taught thee to yearn for the woman?
49507	WANDERER Who forged the sword So hard and keen That it slew the daunting foe?
49507	WANDERER Who was it urged thee on To try thy strength, And slay this dragon so dread?
49507	WANDERER[_ Enters from the wood, and stops opposite Alberich._ To Neidhöhl''By night I have come; In the dark who is hiding there?
49507	WANDERER[_ Quietly._ Schwarz- Alberich Wanders here?
49507	WELLGUNDE And beats thee sore?
49507	WELLGUNDE In bargains so hard?
49507	WELLGUNDE With what elf art thou so wroth?
49507	WOGLINDE Art thou so mean?
49507	WOGLINDE Has the hero felt her hand?
49507	WOGLINDE Hast thou been tricked by some sprite?
49507	We come with our arms?
49507	Were I to pray the same of thee, Wouldst thou like him be proud?
49507	Wert thou grinding the sword?
49507	What ails thee, coward?
49507	What arts have I to bind him?
49507	What brings thee here?
49507	What buzzes and whirs?
49507	What can I say?
49507	What flickers and flashes?
49507	What glitters and gleams In the sun''s hot glow?
49507	What heir will succeed him?
49507	What help in the trustiest sword, Hadst thou not learned to fear?
49507	What hero broke Brünnhilde''s sleep?
49507	What mother?
49507	What path soonest leads to the fell?
49507	What races so swift Through soul and senses?
49507	What rustles and hums And rings so loud?
49507	What shall I do?
49507	What sways there and swings And circles about?
49507	What wilt thou here?
49507	What woman was it I saw go down to the shore?
49507	What work hast thou done?
49507	Where art thou?
49507	Where hidest thou?
49507	Where is thy welcome?
49507	Where shall I hide My luckless head?
49507	While I melt steel, What art thou brewing?
49507	While doing so he watches Mime, who, from the other side of the hearth, carefully puts his pot on the fire._ What does the booby Make in his pot?
49507	Whispered ye this In councils dark?
49507	Whither away?
49507	Who again Has locked thee in sleep And bound thee in slumber so fast?
49507	Who are my father and mother?
49507	Who art thou, frightful one?
49507	Who calls us to arms?
49507	Who comes there, shining in shadow?
49507	Who forces war?
49507	Who hath suffered scathe?
49507	Who seeks me here?
49507	Who seeks the lonely one here?
49507	Who stirred up thy childish soul To the murderous deed?
49507	Who then art thou That wilt not let me pass?
49507	Why art thou come, wild and wayward, To trouble the Wala''s sleep?
49507	Why dost delay?
49507	Why endure their scorn?
49507	Why hang thy head in grief?
49507	Why seek not counsel From Erda''s and Wotan''s child?
49507	Why spin we not, singing the while?
49507	Why stir up my desire And yearning for joys That can not be won?
49507	Why was I not taught?
49507	Why wearest thou Such a monstrous hat, And why hangs it so over thy face?
49507	Why, what doest thou there?
49507	Will none of you lend a sword With which I may sever my bonds?
49507	Wilt eat the meat I have roasted, Or wouldst thou prefer the broth?
49507	Wilt never learn the lesson Of gratitude, I wonder?
49507	Within thine eyes, So over- weary, Gleams wavering fire; With thy wan visage, O pale- faced sister, What wouldst thou, wild one, of me?
49507	Wouldst have this pin Pass for a sword?
49507	[_ A distant horn sounds._ Was that his horn?
49507	[_ A storm arises in the wood on the right, and from the same quarter there shines down a bluish light._ What comes yonder, gleaming bright?
49507	[_ Approaching slowly he stops in surprise when, still at some little distance from her, he sees Brünnhilde._ What radiant thing lies yonder?
49507	[_ As she goes towards the hall she turns round again._ Wilt thou rest, wicked man?
49507	[_ Calling to the wing, and then hastening to the edge of the rock._ Dost thou, sister, Boldly swinging come this way?
49507	[_ He bends lower over the sleeper._ His bosom is heaving, Stirred by his breath; Ought I to loosen the breastplate?
49507	[_ He goes still nearer to the Wanderer._ But what art thou like?
49507	[_ He goes towards the back._ WANDERER[_ Still in the same position._ Boy, pray tell me, Whither away?
49507	[_ He has another drinking- horn filled, and drops the juice of a herb into it._ THE VASSALS What further did the bird tell thee?
49507	[_ He holds the sword anxiously in his hand; Siegfried snatches it from him._ What matters an edge keen sharpened, Unless hard and true the steel?
49507	[_ He leans his ear towards the cave, listening._ FAFNER''S VOICE What would he?
49507	[_ He pauses in surprise._ Where hides the smith?
49507	[_ He rubs his hands confidingly._ ALBERICH[_ With a mocking laugh._ Share it with thee?
49507	[_ He sinks as if fainting on to Brünnhilde''s bosom; then he starts up sighing._ How waken the maid, Causing her eyelids to open?
49507	[_ He turns to go, and beckons Gunther to follow him._ GUNTHER Wilt thou not rest awhile?
49507	[_ Much pleased._ A second time My head have I saved?
49507	[_ Tenderly._ Her eyelids to open?
49507	[_ The maidens laugh._ WOGLINDE What would our guerdon be, Siegfried, if we restored him?
49507	[_ They laugh and dive down._ SIEGFRIED[_ Comes down nearer to the river._ Why should I stand Their taunts and blame?
49507	[_ Tittering._ SIEGFRIED So thou of my sword And all it has won me-- Ring and booty-- wouldst rob me?
49507	[_ Tittering._ SIEGFRIED Thou wouldst, then, slay me when sleeping?
49507	[_ Two ravens fly up out of a bush, circle above Siegfried, and then fly away towards the Rhine._ HAGEN Didst understand What the ravens there said?
49507	[_ Very softly._ In fear and woe she bore me, But why did she die through me?
49507	[_ With a trembling voice._ Gunther, what name is thy sister''s?
28711	A handsome fellow?
28711	Ah, dost hear the challenge?
28711	Ah, ha?
28711	Ah, my lovely boy, hast thou now learned to fear?
28711	Ah, this is where thou hast hidden thyself?
28711	Ah-- then you are not going to mass?
28711	Ah?
28711	Alas, then, what can I do?
28711	Alas, why should I meet thee,she sobbed,"since thou wilt marry Amneris to- morrow?"
28711	Alone with me?
28711	Am I to have the gaiety of my guests spoiled because of this old dotard? 28711 And Pamina?"
28711	And Sieglinde?
28711	And by the way, what are your names?
28711	And do you smell that delicious odour? 28711 And does he know that you have followed this sweetheart of his?"
28711	And how do you want your money?
28711	And if I went back-- what about you?
28711	And now what can ye do, Molly Pitt?
28711	And now you, Polly Smith?
28711	And thou, Elsa, wilt thou name thy champion, and leave thy honour in his hands?
28711	And who is this good old woman, pray?
28711	And-- and who may be''old Rob,''your ladyship?
28711	Answer me, Frederick, wilt thou do battle here with whoever may appear to defend this Lady?
28711	Are n''t you afraid of being discovered?
28711	Are these for me?
28711	Are ye good for nothing?
28711	Are you a poet?
28711	Are you afraid?
28711	Are you demented? 28711 Are you then a''scholar''?"
28711	Art thou mourning because thou art sorry to lose thy Lord so soon, sweet Lady?
28711	Art thou not my son? 28711 Art thou sleeping?"
28711	Art thou still near me, Papageno?
28711	Art thou there, Aïda?
28711	Art thou waking, mother?
28711	At once, dear mother?
28711	At what point is the service?
28711	Because if so, I feel nothing yet-- although maybe I do, and do not know it?
28711	Betray his people?
28711	But do you not see that though the King should favour us, yet Amneris''s rage would be beyond all bounds?
28711	But now canst thou tell me who are they who dwell upon cloud- hidden heights?
28711	But since he loves me, how can I betray him, father?
28711	But what about Mozart?
28711	But what about her husband?
28711	But what can I do, since I should have to fight against my own enchantments?
28711	But wilt thou not ask him, Rocco?
28711	But, Rocco, instead of digging a grave for the poor man, to whom we go, couldst thou not set him free?
28711	But, father, must I certainly marry the best singer?
28711	By whom are the Ethiopians led?
28711	Can I not watch ye at play?
28711	Can it be the Dragon''s burning blood has some virtue which makes me understand the bird''s song?
28711	Can it be thou hast dreamed a song?
28711	Can that light mean the coming of him who is to slay Fafner?
28711	Can this be true, my child?
28711	Can you not sing?
28711	Canst thou deny the accusation?
28711	Care well for the horse, Hagen; for it is of the mightiest strain ever known, and dear to me as my eyes; but how do you know my name?
28711	David, what are you doing there?
28711	Desert my soldiers?
28711	Di Luna, mother?
28711	Did I not give an eye to win thee, Fricka?
28711	Did I not rescue thee from the forest when thou wert born, and have I not fed and clothed thee?
28711	Did any one ever know such a stupid, dismal life as we are leading?
28711	Did n''t he just pass me on the stairs?
28711	Did not Loge promise to ransom thee? 28711 Did you ever notice that there are often some tremendously pretty girls over there?"
28711	Do I find there Wotan, and the Wälsungs-- my kinsmen who have gone before me?
28711	Do the mists trick us?
28711	Do ye who have betrayed me, now think to make that which is mine your own?
28711	Do you dare throw yourself into the arms of this man, when I love him?
28711	Do you expect to do nothing but entertain us with conversation? 28711 Do you expect to find her here?"
28711	Do you know that when a rival tries to take a gipsy girl from her lover there is a price to pay?
28711	Do you notice anything extraordinary about that man-- John of the inn?
28711	Do you see how these disgusting rustics are staring? 28711 Does anybody love you?"
28711	Doing? 28711 Dost know why I go forth and yet return, day after day?"
28711	Dost think to grasp Gutrune''s dower?
28711	Dost thou determine to hold thy court of judgment here, O King?
28711	Dost thou know the crime with which thou art charged?
28711	Dost thou not know of the Nibelungs''ring?
28711	Dost thou not own the treasure of the Nibelungen, then?
28711	Dost thou remember a magic potion I brought here to the hall of the Gibichungs? 28711 Doubtless thou wouldst be safe enough-- if such magic could be,"he answered, incredulously,"but----""You doubt?"
28711	Even if I had, what help would it bring me, friend Sachs, since the Mastersingers will not treat me fairly?
28711	Father, do you hear that traitor?
28711	Father, what brings thee here?
28711	Father?
28711	For that beautiful maiden?
28711	Force the girl? 28711 Go?"
28711	Good- bye?
28711	Good- night? 28711 Hand to hand and heart to heart, Who shall those I''ve united part?"
28711	Has this sailor dared to lift his eyes to the Captain''s daughter? 28711 Hast thou not promised to give my sister Freïa to the Giants who builded it for thee?
28711	Have done there, and answer-- where did he go?
28711	Have you no horse?
28711	Have you noticed any one following Gilda?
28711	Have you seen Alfio, Turiddu?
28711	Have you told him?
28711	He is brave?
28711	Here too?
28711	Here, what does this mean? 28711 Herr Pogner, may I have speech with you?"
28711	Hovel?
28711	Hovel?
28711	How about that constant love of thine? 28711 How can we go?"
28711	How comes my power to naught?
28711	How could I manage that?
28711	How do I know? 28711 How does your Captain behave himself?"
28711	How is this, after thy gentleness of last night?
28711	How old are you, anyway?
28711	How wilt thou avenge me? 28711 How wilt thou evade it?"
28711	How? 28711 Huh?"
28711	Hänsel, where are we?
28711	I guess that may be the one?
28711	I have led others into danger-- dare I desert them?
28711	I should like to know why, the moment those chaps go out, we find ourselves in the dark?
28711	I wonder could it be possible that I have had an inspiration in my sleep that might lead me to win my dear Eva?
28711	I wonder if he can be ill?
28711	I wonder where I can be?
28711	I wonder will he welcome a wounded and defenceless guest?
28711	If I should n''t come back----"What can you mean, my son?
28711	If we grant thee some game to- day, wilt thou give us that ring upon thy finger?
28711	If you would have that, you must go through every trial; and how about you, Papageno?
28711	In another hour shall we not be forever parted?
28711	In heaven''s name, why does n''t some one think of something to do that will vary the monotony of this routine existence? 28711 In love with me?"
28711	Is he alive? 28711 Is he thy child?"
28711	Is it thou who hast gone through flame for me?
28711	Is it time to be afraid?
28711	Is n''t your reigning chief Sarastro?
28711	Is some one there?
28711	Is that for me?
28711	Is that how you make your living?
28711	Is there not a rock surrounded by flames, near by? 28711 Is there nothing to attract you in Memphis, that you wish to be off to the war?"
28711	Is this the face of your great Queen?
28711	Is this thy justice? 28711 It is Sieglinde?"
28711	It''s most awfully good,she declared, but at that very minute came the voice again: Nibble, nibble, mousekin, Who''s nibbling at my housekin?
28711	Just what shall I get if I go into your housey?
28711	Just who are you?
28711	Last night thou wert mild and repentant, why now so bitter?
28711	Leave the fight and Escamillo? 28711 Loge?"
28711	Madame?
28711	Mama Lucia, where is thy son?
28711	May not this youth be able, in return for our services to him, to help us in our own troubles?
28711	Me? 28711 Nancy-- Julia-- where are you?
28711	No haste? 28711 Now one more answer, as wise as those gone before, and thy head is free: Who shall fashion this same sword, Nothung, for Siegfried?"
28711	Now what do you mean by standing there and talking love?
28711	Now what have you done? 28711 Now who will lend me a horse to put this poor wife upon?"
28711	Now, pray tell me, ye wise ones, is it to be my lot to loosen Pamina''s bonds?
28711	Now, then, ye have heard? 28711 Oh, Thaddeus, did I not also dream-- which pleased me most-- that you loved me still the same?"
28711	Oh, come now-- do you think you can frighten me? 28711 Oh, how shall I awaken her?"
28711	Oh, how shall I save him?
28711	Oh, who can save him now?
28711	Oh-- he is? 28711 Our duties?"
28711	Pray what is the news?
28711	Pray what_ is_ the news?
28711	Pray, where did you get this?
28711	Quick, what is thy news?
28711	Say, Marker,he asked of Beckmesser,"is this not as it should be?"
28711	Say, friend, who is this man?
28711	Say, old hag, how long hast thou been among the Biscay mountains? 28711 Shall we not go through the river Rhein?"
28711	She has n''t been cooking,he explained;"simply hiding-- and I ca n''t abide idle ways-- never could-- now what is wrong with you two?"
28711	She knifed one of the girls, did she? 28711 So much the better,"the Duke answered,"I''ll stay here all night, and you clear out,"to Sparafucile;--"go to the devil, will you?
28711	So, you love him?
28711	So, you took the song, did you?
28711	Solder? 28711 Tell me how you lure people to your home?"
28711	Tell me the ring''s secret, wilt thou?
28711	Tell me, Hagen,Gunther asked of his half brother,"is there anything I have left undone that could enhance the fortunes of my race?"
28711	Tell me, are the ladies of the court beautiful?
28711	Tell us, guest, how thy weapons were lost?
28711	Telramund, what hast thou said? 28711 That is the only the reason for your tears?"
28711	That sounds very bad; but tell me if this thing has a heart which is placed where other hearts are placed?
28711	The Countess has a jealous husband, Rigoletto; pray what do you advise?
28711	The Duke can not be disturbed-- do you understand? 28711 The bravest?"
28711	The deuce you say? 28711 The prize?
28711	The ring given me by Siegfried? 28711 The rosiest and roundest, eh?
28711	The sand- man was here?
28711	Then dost thou confess thy guilt?
28711	Then where is it?
28711	Then will you fly with me?
28711	Think not?
28711	This is a good business, eh?
28711	Thou hast come to see Turiddu? 28711 Thou, Santuzza?
28711	To our spinning?
28711	United?--to a strolling fellow like this?
28711	Very well, but in this dense wood who can see anything at this time of the night? 28711 Very well, very well, I''ll go first-- but what''s to be done with us now?"
28711	We do, we do-- aren''t we British sailors? 28711 Well, Mime, is my head which I pledged to thee, free?"
28711	Well, do you call that something new? 28711 Well, good lassies, what can ye do?"
28711	Well, it does no good to complain, does it? 28711 Well, what do ye want?
28711	Well, what harm?
28711	Well, where?
28711	Well, why not? 28711 Were you never before at a singing trial?"
28711	What about the knight? 28711 What aileth thee?"
28711	What am I to do with this Count? 28711 What are you doing here, thief,"cried the black revengeful spirit,"you who took the Rheingold?
28711	What are_ you_ about? 28711 What art thou doing there, mother?"
28711	What can I tell thee?
28711	What can that mean?
28711	What can we do?
28711	What cry was that? 28711 What do I care for the lustre of gold?
28711	What do I see?
28711	What do we gather for? 28711 What do ye do here?"
28711	What do you mean by that?
28711	What do you mean by this? 28711 What do you say?"
28711	What do you see, that you sit staring down there into the valley?
28711	What does the Queen look like?
28711	What does this mean?
28711	What for, pray?
28711	What for?
28711	What for?
28711	What for?
28711	What good can thy treasures do thee here in this perpetual night?
28711	What happened to the handsome knight?
28711	What harm? 28711 What has happened to Lady Harriet?"
28711	What hast thou done?
28711	What hast thou done?
28711	What have I to do with a misshapen thing like thee, whose heart is as wicked as its body is ugly? 28711 What if they have gone to the Ilsenstein?"
28711	What is all this noise?
28711	What is all this strife?
28711	What is all this?
28711	What is his race? 28711 What is it ye tell me?"
28711	What is it?
28711	What is that monster pursuing us?
28711	What is that so bright and shining?
28711	What is that you say?
28711	What is that, ye sleek ones,he asked,"that gleams so brightly there?"
28711	What is that?
28711	What is the race which dwells upon the surface of the earth?
28711	What is the secret of this ring?
28711	What is the secret of thy ring that a man must forswear love for it?
28711	What is the trouble there?
28711	What is this that ye tell me?
28711	What is this you say?
28711	What is thy sister''s name?
28711	What is wrong with thee, thou merry dwarf?
28711	What is wrong with you?
28711	What man has a friend, whose own greatness makes other men feel small?
28711	What matters its edge if it be not hard and true?
28711	What misfortune has come to Siegfried?
28711	What next?--how escape?
28711	What path shall we take to avoid the Egyptian soldiers?
28711	What prevents some one stealing thy magic ring? 28711 What seek ye here?"
28711	What shall I do for thee, Father Wotan?
28711	What shall I do, then?
28711	What shall I do? 28711 What shall I do?"
28711	What sort of place is this?
28711	What think ye? 28711 What troubles thee, friend?"
28711	What was that dreadful language I heard you use?
28711	What was that?
28711	What will happen now?
28711	What work?
28711	What work?
28711	What would ye that I become?
28711	What wouldst thou do?
28711	What!--NEVER?
28711	What''s that you say, you ungrateful child? 28711 What''s that?
28711	What''s that?
28711	What''s that?
28711	What''s the matter now?
28711	What''s the matter? 28711 What''s this?"
28711	What''s this?
28711	What, Sir Tristram, is that the extent of your love for me?
28711	What, Sir Walther seeks me in singing school?
28711	What, as your servants?
28711	What, never?
28711	What, not a word for me?
28711	What, not even the great Duke if he should come to inquire for you?
28711	What, what is all this?
28711	What, wo n''t she do, Sir Joseph?
28711	What, ye speak thus to me, Wotan? 28711 What, you pretend that you can do better than Brander?"
28711	What, you? 28711 What, you?
28711	What-- a Polish soldier?
28711	What-- does he not drink to the Emperor? 28711 What-- never?"
28711	What-- the pretty girl I saw in the square? 28711 What-- what?"
28711	What-- you do not favour Beckmesser, then?
28711	What? 28711 What?
28711	What?
28711	What?
28711	What?
28711	What?
28711	When I have died, where do I go?
28711	Where are Brünnhilde and Gunther?
28711	Where art thou, Ortrud?
28711	Where do you go, my son?
28711	Where does this pretty girl live, your Highness?
28711	Where in the world did all of these things come from?
28711	Where is now thy fine Loge?
28711	Where is she?
28711	Where is that strong sword you are to make for me?
28711	Where is your home?
28711	Which way shall we go?
28711	Who are they?
28711	Who are you?
28711	Who art thou, intruder?
28711	Who art thou, whose glances are so fierce? 28711 Who art thou?"
28711	Who art thou?
28711	Who art thou?
28711	Who can shield thee from our father''s wrath, Brünnhilde?
28711	Who has heard?
28711	Who hath done this wicked thing?
28711	Who is it?
28711	Who is it?
28711	Who is it?
28711	Who is that youth, whose faltering feet with difficulty bear him on his course?
28711	Who is that? 28711 Who is the Marker?"
28711	Who is this man?
28711	Who is this woman?
28711	Who spoke?
28711	Who told thee that? 28711 Who''s there?"
28711	Who''s there?
28711	Who''s there?
28711	Whom have we here?
28711	Whose house is this?
28711	Why are you in this place?
28711	Why did he turn away from us?
28711	Why is my armour so heavy, and why does it hurt me so?
28711	Why not have these things for thyself?
28711	Why not swim down and torment him?
28711	Why not? 28711 Why should he know it?
28711	Why weep, Inez?
28711	Why what should happen? 28711 Why, my child, what is wrong with it?
28711	Will no one come? 28711 Will none of you let me finish my song, good friends?
28711	Will you go with me?
28711	Wilt answer me three questions?
28711	Wilt give us the gold for Freïa?
28711	Wilt thou not let the condemned prisoner live another day, your highness?
28711	Wilt thou not rest, first?
28711	With no escort? 28711 With thee-- when Wotan himself has tricked me?
28711	Without consulting the Prophet?
28711	Ye hear, do ye not, that we are banished?
28711	Yes, yes-- where did he go?
28711	Yes-- kind and good----"What if the Queen should hear of this?
28711	Yet who dares affront the King or resist his will?
28711	You are laughing?
28711	You are that false rogue, the Spirit of Flame, then?
28711	You do n''t care much about me, I should say?
28711	You do n''t mean that this tender creature is to clean stables, brother?
28711	You have heard-- that I may not sing to win thee?
28711	You love me, father?
28711	You mean truly, that I may use that song as I like?
28711	You say so? 28711 You speak the truth?"
28711	You think so? 28711 You think we will acknowledge him as heir to the estates of Huntingdon?
28711	You? 28711 Young?"
28711	Your daughter? 28711 _ Now_ see what you have done?"
28711	(_ preparing to set his foot on the bridge, stops and turns round._) What plaints come hither to me?
28711	... What, oh tell us did she see?
28711	After a little she spoke words of comfort to Ortrud:"Hast thou no place to go this night?"
28711	Alberich trembled with fear when an awful voice roared in answer:"Who wakes me from my sleep?"
28711	All three became ill at ease, but the Princess called the slave girl to her, pretending great affection for her, and said:"Why do you weep, Aïda?
28711	Am I governing this prison or are you?"
28711	Am I to overwhelm these two with ruin because thy cruel Hunding has come to thee for help?
28711	And is there not a maiden?"
28711	And who but the God Wotan put the weapon there for thy deliverance?
28711	Are n''t you nearly through?"
28711	Are we too to leave home and country and fight a people who ne''er harmed us, because of this new comer?"
28711	Are you certain of that?"
28711	Are you not going to tell me?"
28711	Are you on your way to church?"
28711	Are you the beauty who is to teach me to be afraid?
28711	At morning when she woke and gazed about her, Sorely stricken was she, And what sight do ye think did so confound her?
28711	Being a gay little girl, she sang to pass the time:[ Music: Susy little Susy, pray what is the news?
28711	But the old woman, surprised and confused at the turn things seemed to be taking, persisted:"How so?
28711	But there, what''s grinning so there at me?
28711	But when Gods, such as thou, misbehave, what can be expected of mere mortals?"
28711	By the way, whom do you think that fellow to be?"
28711	Can I do anything for you?"
28711	Can you wish me greater ill than this, Princess?"
28711	Did he succeed?"
28711	Did it ever occur to you that beneath my gay exterior a fearful tragedy may be brewing?"
28711	Did not Wotan give one of his to win his wife, Fricka?
28711	Did ye not hire to us?
28711	Did you hear that?"
28711	Do I dream?
28711	Do n''t you eat whenever the rest of us do?"
28711	Do n''t you understand anything about this business?"
28711	Do we not all grow younger?"
28711	Do ye never think of that poor child Marguerite, lonely and far away, awaiting thee month after month?"
28711	Do ye not hear that she raves about a lover?
28711	Do you know anything more about that awful ogress?"
28711	Do you not remember me?
28711	Do you see that pretty girl?
28711	Does n''t the entire universe depend on us for its existence?
28711	Dost thou not know the story of the Rheingold?
28711	Dost thou remember that many years ago-- fifteen-- a young child was stolen from a noble, by one of thy people?"
28711	Eh?
28711	Elsa, can you who are so happy, speak harshly to one so forlorn and deserted?
28711	Finding him gone and seeing di Luna,"Where hast thou taken him?"
28711	Fleet of foot, and clad with neatness, Come and let the master choose; Sweet of temper, all discreetness, Who a prize like this would lose?
28711	Florestan?
28711	From yourselves have I not heard That he''s fiercer than the pard?
28711	Good day to you-- have you any more of that famous wine?"
28711	Good- bye?"
28711	Hast thou no feeling?
28711	Hast thou not a wife, Gunther-- why hast thou none?"
28711	Have I not tended thee as my own, and loved thee?"
28711	Have you ears?
28711	He fell in battle; have you not heard?"
28711	He made this known without any help, by singing: Is no succour near at hand?
28711	How about that medallion of mine which you have on your neck?
28711	How are we to lure him hither?"
28711	How can he return and tell Zuniga''s men what has happened?
28711	How have you purchased my freedom?"
28711	How on earth is a man to make a choice with such confusion all about him?"
28711	How thick is the cream?"
28711	How, then, would you forge your precious rings?"
28711	I am repulsed?
28711	I ask her, before thee all, if she will entrust to me her fame?"
28711	I declare that I have spoken truly, and who will dare give me the lie?"
28711	I find it a very fine fit?"
28711	I want to go in----""To see Escamillo----""Why not-- since I love him----""How is that?"
28711	I wish the Prince at all the devils; For death nowise I search; What if, to crown my many evils, He should leave me in the lurch?
28711	I would find that out from thee; and may I ask who gives me shelter?"
28711	I would go if it were not for love of him, but how can I leave him?"
28711	If I ever should need thee, where could I address thee?"
28711	If the wagoner knew of this, what do you think he would do?"
28711	If you will take me along with you as one of you, I may stand a chance of escaping with my life-- what do you say?"
28711	In return for a paltry bearskin give to you a ring which I gained in battling with the Dragon?"
28711	Is it Rigoletto?"
28711	Is it a phantom?
28711	Is our Lord, Gunther, in danger?"
28711	Is that thy only reason for being lonely?
28711	Is the man dead, already, Rocco?"
28711	Is there anything new under the sun?
28711	Is there no hope?"
28711	Is this your taste?"
28711	It is Martha----""Yes, is this not enough to prove to thee that I am ready to renounce my rank and station for thee?
28711	Know ye not the fate that has overtaken you?"
28711	Let us tell our fortunes, eh?"
28711	May I not go into the dungeon and look about?"
28711	May he count upon the loyalty of all?"
28711	My ear caught not the clock''s last chime, And might I beg to ask the time?
28711	My friend, whom I have so long believed was dead?
28711	Nibble, nibble, mousekin, Who''s nibbling at my housekin?
28711	Not in prison?"
28711	Now come, old babbler, is this the thing that is to teach me fear-- this thing that spits a bit and lashes about with a clumsy old tail?"
28711	Now for thyself?"
28711	Now what do you think?--that I can serve you?"
28711	Now what is going to happen?"
28711	Now what was to be done?
28711	Oh where is band so jolly As Robin''s band in their Lincoln green?
28711	Oh, bitter is my cup, However could I do it?
28711	Pray tell me what you would do in your underground caverns with your forges and smithies if I were to deny you my flame?
28711	Pray what do the people know about art?
28711	Pray, who ever saw the Queen of the Night?"
28711	Put him in chains, my boys,"he says to the rest of the crew,"and Captain-- have you such a thing as a dungeon on board?"
28711	Rossini summed up Mozart very properly:"Who is the greatest musician in the world?"
28711	See him fishing about in every corner for her?
28711	Shall I do the job at once, or wait a bit?"
28711	Shall I go with them, or shall I once more wander, flickering, dancing, wavering, glancing-- a Spirit of Flame that shall destroy while others build?"
28711	Shall it be wealth, or fame?--what shall it be?
28711	Shall it not be so?"
28711	Shall this be so?"
28711	She shall not be forced; and who sings so well as you?"
28711	She started up:"He is coming here-- I shall see him?"
28711	Should she let her brother kill him or not?
28711	Siegfried knew nothing of gold and power, and so, why should he not willingly hand the treasure over to the Mime?
28711	Since I am a wolf''s son, who will believe that I have loving thoughts?"
28711	Sir Marker?
28711	Sir Tristram?
28711	Surely those shoes of yours do not give you trouble so soon?"
28711	Surely you can spare a sad and despairing heart?
28711	Tell me, stranger, where roams thy father, now?"
28711	Tell me, then: What race does Wotan the War- god favour?"
28711	That is where the shoe pinches, eh?
28711	The cobbler has leather and plenty to spare, Why ca n''t he make the poor goose a new pair?]
28711	The fair is on at Richmond----""Well-- it is always on, is n''t it?"
28711	The little black villain looked gloatingly upon it; then turning to Wotan and Loge he asked:"What are ye doing in my domain?"
28711	Then Alberich, becoming himself again shouted,"Now will you doubt?"
28711	Then addressing the little manikin,"Do not hurt us, sir-- and will you tell us who you are?"
28711	Then for to- day thou shalt go free-- the bear can eat thee another day?"
28711	Then putting his hands to his mouth, he called loudly:"Who''s there?"
28711	Then she whispered:"Who cometh?"
28711	Then to Hans:"But tell me, dear Hans, was there not one who was his friend?
28711	Then who shall find me when I sleep?"
28711	There was confusion among the spectators who said among themselves:"Whose wife can Brünnhilde be?"
28711	They are going to have a torch- light procession, eh?"
28711	They no longer dared carry matters with a high hand, and yet how could they spin?
28711	They were speaking in the road:"Do you still love the Duke, my child?"
28711	Thinkest thou I go to thy Walhall without Sieglinde?
28711	This sounded rather gay, and, before he knew it, Hänsel had joined in: Eia popeia, pray what''s to be done?
28711	Tho''the icy wind may blow, Let it rain or let it snow, What in the world care I?]
28711	Thou art here?"
28711	Thou art looking for miscreants, thou art looking for revenge?
28711	Thou darest deride me?
28711	Thou darest----""To fight thee?
28711	Thou hast no friend in all the world, so when you sleep who shall guard the ring?"
28711	Thou who wert the friend of the oppressed, who tried to bring to punishment this very wretch?"
28711	Was he going mad?
28711	Was there ever so droll a situation?
28711	Well, what''s your name, mam?"
28711	Wert thou not told to go far away from this place, where you tried so hard to wrong me?"
28711	What about it?
28711	What about me, pray?
28711	What are you here for, Santuzza?
28711	What art thou doing here?
28711	What blow has served to break thee?
28711	What chance has one like you-- a slave-- beside a princess like me?
28711	What do they know of the singing master''s rules?
28711	What do you charge to kill a noble?"
28711	What do you think?
28711	What do you want up here?"
28711	What does he want here, I should like to know?"
28711	What does she mean?"
28711	What has happened?
28711	What have you done?
28711	What have you done?"
28711	What if it should be heard of at court?"
28711	What if ye got going and could n''t stop?"
28711	What in the world can a man do, in such a fix?"
28711	What is a''scholar?"
28711	What is happening?"
28711	What is the use of such as I continuing to live?
28711	What is this wicked woman doing here beside thee?"
28711	What is to be done?"
28711	What is your real name?
28711	What lies on her saddle?"
28711	What may that be?"
28711	What must I sing?"
28711	What screams?
28711	What shall we do now?"
28711	What shall we do?
28711	What shall we do?"
28711	What shall we do?"
28711	What should I do with solder?"
28711	What wilt thou, my dear?"
28711	What would Costa, autocratic, severe, and quick to take offence, say to such a message delivered by a stage hand?
28711	What''s glimmering there in the darkness?
28711	What, think you I am a fool?
28711	When those two had been united in holy wedlock----?"
28711	Where are his lands?
28711	Where are the children?"
28711	Where can we have got to?
28711	Where is the beautiful Gutrune?"
28711	Where is this fine sword?
28711	Where''s the Duke?
28711	Whereupon the crew, which is very punctilious where the truth is concerned, cries:"What, never?"
28711	Which of us here has that?"
28711	Who are these?"
28711	Who are you?"
28711	Who is that prisoner?"
28711	Who is there who would do that?"
28711	Who says so, since I say otherwise?"
28711	Who wants her?"
28711	Who was my mother, dear father?"
28711	Who will hire her?"
28711	Who would betray so gentle and trusting a maid?"
28711	Who would give them a thought?"
28711	Who''ll give me milk and sugar, for bread I have none?
28711	Whom seekest thou, hero?"
28711	Whom shall we fight?
28711	Why are you forever bringing the family name into some ill- sounding affair?"
28711	Why are you still awake?
28711	Why did ye not kill the young Count when ye fought?"
28711	Why do n''t you do as father does-- laugh and make the best of it?"
28711	Why does n''t the cook send me some flowers-- or maybe the hostler-- somebody, something new?
28711	Why is it not weighty business to- day?
28711	Why should Wotan not have the treasure for himself?
28711	Why should he not become one of us?"
28711	Why should this youth have the most beautiful maiden for a wife, and also a golden treasure that gives him power over us all?"
28711	Will that suit you?"
28711	Will you give me shelter?"
28711	Wilt thou not pity me a little?"
28711	Wilt thou not tell me the secret if there is one?"
28711	Would he not prevent it?
28711	Would not the ring and the treasure of the Rhein thus come into the hands of the Gibichungs?"
28711	Wouldst thou take it in exchange for Freïa?"
28711	You are still at work?"
28711	You ca n''t go back to your company, eh?"
28711	You vagabonds-- have you seen anything of a stranger who has passed this way?"
28711	You want to fight?
28711	You''re hired, do you understand?
28711	You''ve got the girl, José?"
28711	Your daughter?"
28711	[ Music: Ah why recall in misery, What tempests dread have moved me?
28711	_ Do_ you suppose we have her fast?"
28711	_ Scene III_"Thou sly and slippery knave,"Alberich began pleasantly to address the Mime;"thou wouldst have the ring and the gold, eh?"
28711	_ Scene II_"Which is the son of the Gibich?"
28711	_ Scene II_"Who art thou?"
28711	art thou wounded?"
28711	do ye hear nothing?"
28711	do you hear that noise in the bushes?
28711	do you see her?
28711	dost see three strange figures coming along there?"
28711	must I lead you?"
28711	my own, dear son?"
28711	the Prophet is thou?
28711	the wife inquired,"and why do you take the broom?"
28711	what are you about?"
28711	what goings on are these?"
28711	who is John?"
28711	you wo n''t attend to business?"
27265	A gigantic dragon I slew for the ring, and I am to part with it in exchange for the paws of a worthless bear?
27265	Already I feel the night of death closing around me, and must I be forced back into life? 27265 Am I alive?..."
27265	Am I in the way?
27265	Am I, dwarf, in the second instance still to retain my head?
27265	Among what heathen have you lived, not to be aware that this is the most holy Good- Friday? 27265 And I would endure it, do you think?
27265	And how, my good fellow, shall you accomplish this?
27265	And was your father indeed Wolf?
27265	And what enemy?
27265	And what may the great thing be,the dull august shrew inquires,"that a hero can do which the gods can not, through whose grace alone a hero acts?...
27265	And what, Hagen, are we to do after that?
27265	And when we have slaughtered the animals, what shall we do?
27265	And you I ask, Elsa von Brabant, will you entrust your cause to a champion who shall fight for you under the judgment of God?
27265	And you brought away no part of it?
27265	And you took from the Hort nothing further?
27265	Are we all here?
27265	Are you asleep, Hagen, my son? 27265 Are you at your post?
27265	Are you concerned for that?
27265	Are you not afraid? 27265 Are you not one?"
27265	Are you so niggardly?... 27265 Are you the one who killed the swan?"
27265	Are you then dead?
27265	As a foe? 27265 Ay,--why should you so particularly care?"
27265	Beloved, where are your thoughts?
27265	But can you not see, there is no more gold?
27265	But how, Loge, should I learn the art to shape it?
27265	But is he not, by reason of his perjury, reserved for my spear?
27265	But my mother spoke the name?
27265	But the Serpent- Worm which you slew, a fearsome fellow, was he not?
27265	But this drink...falters the appalled girl,"for whom?"
27265	But where loiters,he is inquiring,"the one whom God sent to the glory, the greatness of Brabant?"
27265	But,remarks Wotan,"of what use is all that wealth in cheerless Nibelheim, where there is nothing to buy?"
27265	Can you understand, too, the croaking of these ravens?
27265	Dare you to mock me?
27265	Dear little Eva, are you making a fool of me?
27265	Did I not say so? 27265 Did I order you to fight for the Wälsung?"
27265	Did I say anything of the sort?
27265	Did my fate, sister, allure you? 27265 Did you gather anything from that torrent of words?"
27265	Did you hear his affectionate greeting?
27265	Did you hear nothing? 27265 Did you mean the name you spoke for me, who have no name?"
27265	Do I find you in this hall which for so long time you have avoided? 27265 Do you acknowledge me as your rightful judge?"
27265	Do you ask? 27265 Do you believe so?"
27265	Do you doubt my heart?
27265	Do you feign not to understand me?
27265	Do you forget your mother''s magic? 27265 Do you hear it?"
27265	Do you imagine it? 27265 Do you know that road?"
27265	Do you know what it is Wotan wills? 27265 Do you know,"he asks further,"whereof you are accused?"
27265	Do you not know my wish, when the dread of fulfilling it has kept you afar from my glance?
27265	Do you see it, friends,--do you not see it?
27265	Do you see me?
27265	Do you swear it to me, Hagen, my hero?
27265	Does it strike you as judicious?
27265	Elsa, have you perfectly understood?
27265	Erik, what is it?
27265	For you I shall go to this trouble?
27265	Friendly bird, I ask you now: will you assist my quest for a good comrade? 27265 Ha, child, dear Evchen, out so late?
27265	Ha? 27265 Hagen, what have you done?"
27265	Has he broken his word? 27265 Has not a shoe- maker his fill of troubles?"
27265	Have you a daughter?
27265	Have you finished? 27265 Have you met the ship on the seas,"sings Senta,"blood- red of sail and black of mast?
27265	Have you really?
27265	Have you taken leave of your senses... with you bond?
27265	Heinrich, you?... 27265 Here, in this chair?"
27265	Hopelessly, you say? 27265 Horn in hand,--what then?"
27265	How dare you venture here, in danger as you are from the hand of every churl?
27265	How did my father look?
27265	How have I endured it?
27265	How now, my lord, what is this you say? 27265 How shall I contrive to teach him fear?"
27265	How shall I reward you for so much kindness, powerless and destitute as I am? 27265 How should you have received the ring from him?"
27265	How then shall his followers further help him?
27265	How you got here? 27265 How-- how could you commit such a wrong?"
27265	How? 27265 How?...
27265	I am come to look on, not to act,Wotan replies, grandly mild and unruffled;"who shall deny me a wanderer''s right of way?"
27265	I ask you, therefore, Friedrich, Count von Telramund, will you, in life and death combat, entrust your cause to the judgment of God?
27265	I hear you, harassed spirit; what message have you for my sleep?
27265	If Evchen''s voice can strike out the candidate, of what use to me is my supremacy as a master?
27265	If I rightly recognise the power,he speaks,"which has brought you to this land, you come to us sent by God?"
27265	If I utter it aloud, shall I not be loosing the grasp of my will?
27265	If it is an art, why am I unacquainted with it? 27265 If, of your graciousness, you call yourself happy, do you not give to me too the very happiness of Heaven?
27265	In the hall of Walhalla shall I find none but the Father of Battles?
27265	In the solitary forest, where I lived quiet and at peace, what had I done to you,Ortrud upbraids,"what had I done to you?
27265	In what can you fail,speaks Siegfried''s brisk assurance,"if I stand by you?"
27265	In what direction shall I go?
27265	Is he in trouble? 27265 Is he pursued by the hostile kindred of the maid?"
27265	Is it a practical joke you are playing on me? 27265 Is it already the slayer of the dragon?"
27265	Is it the effect of tasting the blood?
27265	Is it truly yourself?
27265	Is she dreaming?
27265	Is that your hand?
27265	Is this insolence?
27265	Is this your manner of hastening to set aright the evil bargain concluded by you?
27265	Kurwenal... is it you? 27265 May I not rather go as your groom''s- man?
27265	Might not a widower be successful?
27265	Mr. Marker, how are you getting on?
27265	Must I live?
27265	My Kurwenal, you faithful friend, whose loyalty knows no wavering, how shall Tristan ever thank you? 27265 No weapon then can hurt him?"
27265	Now where have you barbarian lived,they reply,"never to have heard of the Rhine- gold?"
27265	Now, where, Mime, is your loving mate, that I may call her mother?
27265	Oh, Elsa, what have you done to me? 27265 Oh, tell me, what shall your child do?"
27265	Shall I in Walhalla be greeted gladsomely by a woman?
27265	Shall I in Walhalla find Wälse, my own father?
27265	Shall I see you again?
27265	Shall I see you again?
27265	Shall such a braggart go on bragging? 27265 Shall we descend through the Rhine?"
27265	Shall we see whether neighbour Sachs be at home? 27265 She is a shrew, no doubt?...
27265	Siegfried, winged hero, whence do you come so fast?
27265	Siegfried?... 27265 So little do you care for eternal joy?"
27265	So you are meditating harm to me?
27265	Tell me, Elsa, what have you to impart to me?
27265	That curious little bird there, hark, what is he saying to me?
27265	That she should open her eyes?
27265	The Rhine- daughters, then,speaks wicked Loge,"may look to have their prayer granted?"
27265	The Rhine- daughters?
27265	The breast heaves with the swelling breath, shall I break the cramping corslet?
27265	The danger then is past? 27265 The master- singer?..."
27265	The people?... 27265 The reef?..."
27265	The ring? 27265 The ring?...
27265	The ring?...
27265	The stern one has not forgiven? 27265 The sword?..."
27265	Then do you tell us, how?...
27265	Then it is not far from the world?
27265	Then, I ask you, what was my father''s name?
27265	This is the place where I am to learn fear?
27265	This ring?...
27265	Those who threatened me were wicked? 27265 To me-- this?
27265	To share the tumult which, insensate, possesses you? 27265 To the Rhine- daughters, I, this ring?
27265	Tristan, my lord, are you mocking me? 27265 Tristan, shall I obtain amends?
27265	We are not expecting any guest, are we?
27265	What I do not own, I shall bestow upon you shameless louts?
27265	What about fear?
27265	What ails me, coward? 27265 What am I to do?"
27265	What am I to think?
27265	What are you laughing at me? 27265 What are you prating?"
27265	What concern of Master Sachs''s is it on what sort of feet I go? 27265 What delusion is this?
27265	What do I see? 27265 What do we see?"
27265	What do you require?
27265	What do you trouble me with them?
27265	What do you want this very day of the sword?
27265	What does it matter to you that I should sing? 27265 What does the woman mean?"
27265	What dreadful charge is this you bring?
27265	What have I heard?
27265	What have you to reply to the accusation?
27265	What is it, you sleek ones,he asks in awed curiosity,"glancing and gleaming up there?"
27265	What is that you say, Wolfram? 27265 What is that?
27265	What is that?
27265	What is the matter?
27265	What is this?
27265	What is your name?
27265	What makes you look like that?
27265	What more do I want? 27265 What the master can not do,"Siegfried aptly retorts,"the apprentice might, if he had always minded him?
27265	What was I dreaming,he falters,"of Tristan''s honour?"
27265	What was I dreaming,she wonderingly asks,"of indignities to Isolde?"
27265	What was my mother''s name?
27265	What will you give us, Siegfried, if we find your game for you?
27265	What would King Mark say if I were to slay his best servant, the most faithful of his retainers, who won for him crown and land? 27265 What''s this?...
27265	What, dear heart, have you so long been concealing from me? 27265 What?
27265	What? 27265 What?"
27265	What?... 27265 When she had born me, wherefore did she die?
27265	Where am I?
27265	Where are we?
27265	Where are you? 27265 Where do you come from?"
27265	Where do you conceal the ring,Brünnhilde presses him,"which you robbed from me?"
27265	Where is his lair?
27265	Where were my eyes? 27265 Where you are?
27265	Wherefore to me this hell which no heaven can deliver me from? 27265 Wherefore?"
27265	Which is the son of Gibich?
27265	Whither Tristan now departs, will you, Isolde, follow him? 27265 Who I am?"
27265	Who are you, dreadful one? 27265 Who are you, tell me, appearing to me, so beautiful and grave?"
27265	Who bade you seek the rock? 27265 Who calls me?
27265	Who directed you here?
27265	Who disturbs my sleep?
27265	Who enters the lists as a candidate? 27265 Who is it that has forced his way to me?"
27265	Who is the Grail?
27265	Who is this unparalleled champion?
27265	Who is your father?
27265	Who prevented him from beholding the glory of the Grail?
27265	Who slew him, whom God Himself held in His care?
27265	Who went out?... 27265 Who will match his life against mine?"
27265	Who, then, is to be the bridegroom?
27265	Whom do you bring, with tokens of mourning, in the dark casket?
27265	Whom do you choose for your champion?
27265	Whom do you mean?
27265	Why did you not help us at that time?
27265	Why do I suffer such a mean report of myself? 27265 Why does the horn sound?
27265	Why should I, after all? 27265 Why, surely, the Knight?"
27265	Why, why, what is that we hear? 27265 Why,"it occurs to Siegfried,"did not you, Hagen, join in the oath?"
27265	With broken weapon the coward has fled?
27265	Would her glance not blind me? 27265 You all heard,"he proceeds, steeled to severity,"how she promised me never to ask who I am?
27265	You find me in straits myself, how should I help others?
27265	You have a mind to fresh wine, have you not? 27265 You have it no doubt in safe keeping?"
27265	You know me, childish elf? 27265 You know nothing about it, and you are thinking of going from the woods out into the world?
27265	You repulsing me?
27265	You sing the praise of my love, and wish at the same time to flee from it? 27265 You surely are not having any more trouble with the shoes?"
27265	You wanted to come to us? 27265 You were sunk quite under the seat,"laughs Siegfried;"what of great importance did you discover there?"
27265	You will keep your hand from the treasure?
27265	You will take away then the victory from Siegmund?
27265	Your work?
27265	(_ Machst mir blauen Dunst?_ Are you blinding me with blue haze?)
27265	(_ Machst mir blauen Dunst?_ Are you blinding me with blue haze?)
27265	(_ Neidliches Schwert_ is literally"covetable sword") Why must you of old be shattered?
27265	--"A beautiful song, and a master- song, how am I to seize the distinction between them?"
27265	--"A knight?
27265	--"Afflict your heart?..."
27265	--"All- merciful God,"exclaims Elsa,"What is the meaning of this?"
27265	--"Am I in Cornwall?"
27265	--"Am I to bid him come and offer his duty?"
27265	--"And I?..."
27265	--"And if I should please my audience?"
27265	--"And suppose I made use of it?"
27265	--"And the other?"
27265	--"And yet you are to wear them to- morrow as a bride?"
27265	--"And you will give me such a one?"
27265	--"And you wish to become a master, off- hand, like that?"
27265	--"Are you a poet?"
27265	--"Are you a singer?"
27265	--"Are you gone mad?"
27265	--"Are you moved at last,"he asks kindly,"to open your heart to me?"
27265	--"At the instep?"
27265	--"At the singing- school, do you mean?"
27265	--"Because I used to be fond of carrying you in my arms?"
27265	--"Because for an hour I forgot my proper worth,"Radbot''s daughter continues violently,"do you think that I am fit only to crawl before you?
27265	--"But my sufferings, Senta, do they no longer move you?"
27265	--"But our wind?"
27265	--"But the Day must rouse Tristan?"
27265	--"But what?
27265	--"But yet, suppose your dream contained the magic spell by which you might win over the guild?"
27265	--"But you have at least been a''school- frequenter''and a''pupil?''"
27265	--"Can I keep from my face the compassion I feel?"
27265	--"Can you tell us whether his lineage, his nobility, be well attested?
27265	--"Come,"replies Pogner sensibly,"if you have no hopes of the daughter''s regard, how do you come to enter the lists as her suitor?"
27265	--"Could he betray me?
27265	--"Day- break shall never more frighten us apart?"
27265	--"Did I not know it?"
27265	--"Did you not see him to- day?"
27265	--"Do I understand aright,"asks Kothner;"that we are placed in the hands of the young lady?
27265	--"Do you ask me?"
27265	--"Do you come as friend or foe?"
27265	--"Do you threaten me?
27265	--"Don''t you know?
27265	--"Elsa, is my voice so strange to you?
27265	--"Elsa, what are you daring to do?"
27265	--"For him who betrayed me!"--"Tristan?"
27265	--"For what reason?"
27265	--"From Sachs, perhaps?"
27265	--"Give it up?...
27265	--"Hans Sachs, my friend?"
27265	--"He failed?..."
27265	--"Here, at the left?"
27265	--"Ho, ho, from finches and tomtits you acquired the art of master- singing?"
27265	--"How can you know then that I am to be a bride?"
27265	--"How could I prevent it,"says Sachs, not upset apparently by the fearful thought,"if he is successful?
27265	--"How did I get here?"
27265	--"How is that?"
27265	--"How should I know?"
27265	--"How should I tie you to me?"
27265	--"I may sing it, then?"
27265	--"I suppose you call it a biblical lay?"
27265	--"I worked on your shoes until late at night,"Sachs disingenuously replies;"is that the sort of consideration one shows an enemy?"
27265	--"If you fail, there is still left the expedient of violence."--"Violence?"
27265	--"Must the Day rouse Tristan?"
27265	--"My flocks?..."
27265	--"Nay, did you not hear?
27265	--"Nay, it is you, why do you torture me?
27265	--"No, the heel."--"What?"
27265	--"Not in the contest?
27265	--"Of my fathers?"
27265	--"Of what, in God''s name, do you accuse me?"
27265	--"Oh, Senta,"he goes on, subdued by her shocked amazement, sorrowfully to explain the simple rhetoric of his misstatement,"will you deny it?
27265	--"Or perhaps a widower?"
27265	--"Ortrud, is it you?
27265	--"Say,"the girls continue addressing the unresponding crew,"have you no sweethearts on land?
27265	--"Shall I awake?"
27265	--"Should I not be moved by the terrible doom of that unhappiest man?"
27265	--"Tell us what is implied by your return?"
27265	--"The pennant?...
27265	--"The ship?...
27265	--"The shoe- maker?..."
27265	--"Then you have not been?...
27265	--"To what land?"
27265	--"Unhappy woman?..."
27265	--"Was she not yours, whose elect you were?
27265	--"We will brave then the threats of the Day?"
27265	--"Well, then?"
27265	--"Were you not present at the holy festival?"
27265	--"What can justify such a hope?"
27265	--"What did you swear, lady?"
27265	--"What do you mean, too old?
27265	--"What do you mean?"
27265	--"What do you mean?"
27265	--"What do you think, masters,"inquires Kothner, upon this hopeless revelation,"shall I proceed with the questions?
27265	--"What does it matter about me?"
27265	--"What draught do you mean?"
27265	--"What else so meet?
27265	--"What enormous difficulty does the matter present?"
27265	--"What frightens you so?"
27265	--"What have you in mind?"
27265	--"What high duty?
27265	--"What is it?"
27265	--"What is it?"
27265	--"What is it?"
27265	--"What is it?"
27265	--"What is that?"
27265	--"What is the good?
27265	--"What king?"
27265	--"What land?"
27265	--"What man is that?"
27265	--"What manner of man are you?"
27265	--"What other road can we take?"
27265	--"What road do you mean?"
27265	--"What should I know?"
27265	--"What was it then that brought you back?"
27265	--"What would you give to know?
27265	--"What would your answer be?"
27265	--"What, Sachs?
27265	--"What, so unconditionally?
27265	--"What, the Marker?
27265	--"What--"the sick man asks after a vague glance,"what was the sound I heard?"
27265	--"Where am I?"
27265	--"Who is it?
27265	--"Who is the Marker?"
27265	--"Who lied?"
27265	--"Why exactly alike?"
27265	--"Will you renounce your extravagant imaginings?"
27265	--"Woe, what have you done?"
27265	--"Yes,"Sachs owns, amused;"Was that it?"
27265	--"You acknowledge then your guilt?"
27265	--"You believe so?
27265	--"You bestow the sheet on me then outright?"
27265	--"You see?
27265	--"You shrink from me?"
27265	--"You shrink from the wound which yourself you made, the madness of love you inspired?
27265	--"You would be glad of a mistress in the house?"
27265	--"You, lost to me?"
27265	--"Younger than I, too?...
27265	--"_Ach_, master,"she exclaims,"do you know better than I where my shoe pinches me?"
27265	--Not a god, Wotan?--"What are you come, wild and turbulent spirit, to disturb the Wala''s sleep?
27265	... Are you flowers?"
27265	A burning chill shakes your frame, your senses swim and fail; the alarmed heart trembling in your breast hammers to the point of bursting?
27265	A murmur runs through the assembly:"What ails her?
27265	A shepherd looks over the wall and, after a moment watching, calls to Kurwenal, asking if_ he_ does not yet awake?
27265	After that, how dare he trust her?
27265	Alberich turns an angry eye upon the intruders:"What do you want?"
27265	Already at work?"
27265	Am I misled by a dream?
27265	Am I never to hear them, never to see them more?"
27265	Am I not from any one of you to have a hearing?"
27265	Amazement reigns among master- singers and people:"A song of Sachs''s?
27265	And do you make it into a reproach to him?
27265	And do you now haughtily demand precedence of me, you, the wife of a man convicted by God?"
27265	And do you, finding no mercy anywhere, come seeking love now in my arms?"
27265	And have I understood at last what it is you want of me?...
27265	And how can he, poor belaboured wretch, find the necessary peace of mind to compose a new one?
27265	And if my heart breaks with its misery, tell me, Senta, who is there will speak a word for me?"
27265	And if through him you are to we d Mark, how should you find fault with the choice?
27265	And is not your neighbour to have something too?
27265	And is that what will be Brünnhilde''s prophesied world- delivering act?
27265	And music is shed from this luminous ascending form...."Am I alone to hear it?"
27265	And shall I see the daughter this very day?"
27265	And she speaks, to herself, half- aloud:"Have I sunk into a wonderful dream?
27265	And the raw boy, acquitting himself rather neatly for such a beginner:"Ought I not to have beaten them?
27265	And this, who could conquer it back?
27265	And was he admitted?"
27265	And what does this teach-- but that one must be great?
27265	And when in his effort to grasp the situation exactly he continues asking questions, she answers his interrogative:"The bride then chooses?..."
27265	And you, Senta, how should I count upon you?
27265	Approach me not with ardent approach.... Constrain me not with shattering constraint.... Have you not seen your own image in the clear stream?
27265	Are the liquor and the feast to be solely for you?"
27265	Are they your eyes?
27265	Are they your lips?
27265	Are they_ good runes_ which I read in her eye?..."
27265	Are you a bird or a fox?"
27265	Are you a mortal?
27265	Are you afraid of a song, a picture?"
27265	Are you alone?"
27265	Are you asleep and deaf to my voice, whom sleep and rest have forsaken?"
27265	Are you mad?"
27265	Are you not coming on board yourselves?"
27265	Are you not my enemy?"
27265	Are you planning flight?
27265	Are you so bold as, unabsolved, to have let your feet take the road to this region?"
27265	Are you there?...
27265	Are you, too, a flower in this garden of flowers?"
27265	As he revives a little, he asks faintly:"Shall I be taken to- day to Amfortas?"
27265	As he said in answer to Kothner, what should be put into his song unless the essence of all he had known and lived?
27265	As he turns to the door she detains him with the quick cry:"What pursues you, that you should thus flee?"
27265	As she is moving towards the hut, he asks:"Have you no word for me?
27265	At the end of the second verse, the masters inquire of one another,"What does it mean?
27265	At the greeting he speaks from the threshold to the"wise smith,"Mime starts up in affright:"Who is it, pursuing me into the forest wilderness?"
27265	At the sound of Elsa''s voice calling:"Ortrud, where are you?"
27265	At the spectacle of his emotion, Wolfram turns to the Landgrave:"Have I your leave, my lord, to be the herald to him of his good fortune?"
27265	At this she recovers her voice to hurl at him startlingly:"I-- to Gunther?...
27265	Because you are blind, do you believe the eyes of the world dulled to your actions and his?"
27265	Before starting upon a new voyage, he is sure to wish to carry out what he so often has spoken of..."--"And what is that?"
27265	Brünnhilde''s madness clamours to heaven:"Did you appoint this in your councils?
27265	But how can you, Mime, bring it about?"
27265	But how should I have promised to perform the impossible?"
27265	But how should I hope to grasp that which struck me as illimitable?
27265	But never should I be audacious to the point of boasting that so fine a song had been written by me, Hans Sachs."--"What?...
27265	But she, how should she in this moment not promise whatever he asked or do whatever be required?
27265	But speak, you went on the pilgrimage to Rome?"
27265	But tell me the truth, old friend, what has happened to our master?"
27265	But to- day, at her father''s"the master of your choice"she wistfully inquires,"Dear father,_ must_ it be a master?"
27265	But you?
27265	But,"How shall we find him?"
27265	But,--he suddenly holds in, and puckers his forehead,--if this were a trap?
27265	But-- may I ask what is the cargo of your ship?"
27265	But... this information he desires of me-- How am I to say it?
27265	Ca n''t you hear?"
27265	Can I believe myself at last delivered from them, since I hear once more the rustle of this forest, and behold you, worthy elder?
27265	Can I waken the bride?"
27265	Can it be fact?"
27265	Can it be that your secret is of such a nature that your lip must keep it from the whole world?
27265	Can it be truth?
27265	Can the voice of deepest pity deceive?
27265	Can this be true, this which seems like the most madly impossible of beautiful dreams?
27265	Can you fail to prize and honour the man?
27265	Cast it from me?"
27265	Certainly, he wrested a ring from this woman, in the twilight.... What became of it?...
27265	Could I endure the light?..."
27265	Could any doubt be more culpable than that which should disturb my faith in you?
27265	Could anything be easier?
27265	Could you forever give yourself to me?
27265	Dare you lay hands on Gutrune''s inheritance?"
27265	Did I not say she lived and knit me still to life?
27265	Did he not find among the masters a single friend?"
27265	Did he sing so badly, so faultily, that there is no possibility more of his becoming a master?"
27265	Did not my hero overcome your husband by the power of God in singular combat?
27265	Did you find rest?
27265	Did you instruct him to some purpose?
27265	Discontented so soon with being a god?
27265	Do I deserve, Senta, such a welcome?"
27265	Do I find you here?
27265	Do I hear the light?"
27265	Do I hold you close?
27265	Do human mothers always die of their sons?
27265	Do n''t you know that?"
27265	Do our ears deceive us?"
27265	Do you call your own cowardice God?"
27265	Do you come from Hella''s army of the night?"
27265	Do you create ignominy for me such as never was endured?
27265	Do you dare to brave us?
27265	Do you ever grant one of my requests?
27265	Do you grudge me the dear sound of yours?
27265	Do you hear?
27265	Do you imagine that she, who ponders all things so sagely, has sent me void of counsel along with you to a strange land?"
27265	Do you impose upon me sufferings such as never were suffered?
27265	Do you intend to dream away your whole young life before that portrait?"
27265	Do you know how this came to be?..."
27265	Do you know what the fate is of that poor soul?"
27265	Do you make no distinction between the night and the day?"
27265	Do you need lights?
27265	Do you not daily hurt and afflict my heart?"
27265	Do you not hear jubilant music?"
27265	Do you not hear me?...
27265	Do you not know her power, her miracles?
27265	Do you not know the Lady of Love?
27265	Do you not know what holy day it is?"
27265	Do you not recognise the castle of your fathers.?"
27265	Do you not see her yet?...
27265	Do you not see it?...
27265	Do you not smell exquisite odours?...
27265	Do you not wish to come and dance on the friendly shore?"
27265	Do you punish me so with ruthless sentence?
27265	Do you refuse to drink to our peace- making?"
27265	Do you refuse to remember that day when you called me to you in the valley?
27265	Do you remember how from the steep rocks on the shore we watched your father departing?
27265	Do you see her again?"
27265	Do you see her self?"
27265	Do you see her?...
27265	Do you see not the light?...
27265	Do you shut your heart to my complaint?...
27265	Do you wish to make me really cross?"
27265	Do you wish to question me?"
27265	Do you wish to waken my father?
27265	Do you, in such stress of weather, deny me anchorage?"
27265	Does his lordship,"to Walther,"choose a sacred subject?"
27265	Earnestly she asks this other guest:"Is your name in very truth Wehwalt?"
27265	Elizabeth?
27265	Elsa shrinks back a little, murmuring,"Disaster?"
27265	Everything looks changed....""What road is it you seek?"
27265	Fine?...
27265	First: What race reigns in the depths of the earth?
27265	For a full year he has been learning, and how far does Walther suppose he has got?
27265	From the world which for me contains her only, how should Isolde have departed?"
27265	From whence the river brought him and whither he will go when he leaves?
27265	Go then and ask himself, the presumably free man, whether he dare to venture near me?
27265	God knows how it all came about?"
27265	Good care have you taken of a young fellow-- not so?--who cunningly shall pluck the fruit which you dare not yourself break off?"
27265	Gunther''s mediocrity and his sense of it stand ingenuously confessed in his question:"Is my courage sufficient for the test?"
27265	Gurnemanz approaches him hopefully:"Well, did you understand what you saw?"
27265	Gutrune catches her breath:"Deceit?..."
27265	Gutrune''s husband?"
27265	Had it not been that which was forcing tears from him at the moment of the Wanderer''s arrival?
27265	Had you ever seen us before?"
27265	Hardly might such music come from_ her!_"--"Who are you, pilgrim, wandering thus alone?"
27265	Has Wotan''s disposition softened toward me?
27265	Has a water- sprite bothered you?...
27265	Has he gone mad?
27265	Has he lost his senses?
27265	Has he smirched Gunther''s honour?"
27265	Has he so soon forgotten the old unhappiness?
27265	Has it not gladdened you, glad one?
27265	Has the world condemned and rejected you?
27265	Has your ship sustained damage?"
27265	Have I Wotan''s oath?"
27265	Have I here your hand?
27265	Have I here your heart?
27265	Have I hit the mark?
27265	Have I the hardihood?
27265	Have I waked for this?
27265	Have you come to pasture your sight upon my bliss, to share that which has befallen me?"
27265	Have you fallen into the unrest of doubt?
27265	Have you finished?
27265	Have you never been to a song- trial?"
27265	Have you no letters, no commissions for shore?
27265	Have you succumbed to the curse?"
27265	Haye you forgotten so soon?
27265	He drops privately to Hagen his interpretation of the friend''s gloom:"Brünnhilde is giving him trouble?"
27265	He goes quietly to the woman and asks:"What trouble burdens Brünnhilde''s gaze?"
27265	He has come forth victorious from the encounter?"
27265	He is stopped by the Wanderer''s voice:"Whither, boy, does your way lead you?"
27265	He is willing to win an advantage by a deception, let him follow his head, why should honest Sachs be tender of him?
27265	He tries by questions to complete the dwarf''s bare account:"Whence am I named Siegfried?"
27265	He turns quickly, inquiring naïvely,"Do you mean me?"
27265	He turns upon her a vaguely pleased wonder:"Who is afraid of me?
27265	He watches them, smiling, and replies in their own vein:"Have you charmed into your dwellings the shaggy fellow who disappeared from my sight?
27265	He, too?...
27265	Heartbreak much more than resentment stamps Brünnhilde''s cry:"Where is my wisdom against this enigma?
27265	Heinrich, Heinrich, what had you done to me?"
27265	Her heart- broken murmur:"Siegfried.... knows me not?"
27265	Here is one who does not know fear; can he learn it from you?"
27265	Here shall you never prevail!--Tell me, Elsa,"he bends over her tearful face,"tell me that she tried vainly to drop her venom into your heart?"
27265	Here we are with our weapons.... Hagen, what danger threatens?
27265	Hey, David, are n''t you coming?"
27265	His sword was well- tested and was feared-- But yours, tell me, who that is present knows him?
27265	His voice comes very faint:"The ancient tune.... what does it wake me?"
27265	His voice is heard, faint, from his hiding- place:"Is it you, child?
27265	How can this be an agent of Heaven''s at all?
27265	How can you ask?
27265	How can you stultify yourself till you neither can see nor hear?
27265	How come they in my house?"
27265	How could I suppose it was a source of affliction to you?"
27265	How could I, poor wretch, believe that my faithful devotion would suffice you?
27265	How did you derive the meaning of his song?"
27265	How did you know what was weighing on my heart?"
27265	How is it that after all the troubles between us you are to- day kindly disposed toward me?"
27265	How shall I bring this fear to an end?
27265	How shall I find the way to her rock?"
27265	How shall I gain back my courage?
27265	How shall he, Beckmesser, avoid a disappointment, a public defeat?
27265	How should I avoid the realm which lies about the whole world?
27265	How should I be able to attach Siegfried to me?"
27265	How should you grasp it, unfeeling maid?
27265	How then can I the most quickly spend and scatter all my strength and blood in gratitude to you?"
27265	How then should it fare but ill with me?
27265	How will he obtain the Ring for me?
27265	How"--he faintly wails, with a beginning of restlessness--"how have I lost the sense of it?
27265	How, in the brilliant light of the Day, how could Isolde be mine?"
27265	How, my precious child, should you not care for them?
27265	How, now, shall I hide my endangered head?
27265	How, she asks him, very humanly, how could he do to her the thing he did, betray her as he had done, claim her for another, give her over to death?
27265	How?..."
27265	I am awake.... Who is the hero that has awakened me?"
27265	I believe I have finally succeeded, eh?
27265	I feel as if I were dreaming-- He wishes to know whether I am already betrothed?"
27265	I gave him none.... Are you sure that is the one?"
27265	I might, after a life of torment, find in your truth the long craved- for peace?"
27265	I shall have something further to communicate to you then, a message which a certain person charged me with privately."--"Who?..
27265	I speak rightly, do I not, in calling you lovely?"
27265	I will avenge you on him who betrayed you....""On whom?..."
27265	I would not fall upon them all, sword in hand?"
27265	If I am chosen as your champion, will you without doubt or fear entrust yourself to my protection?"
27265	If I should forsake the helm at this moment, how could I safely guide the keel to King Mark''s land?"
27265	If Tristan then has betrayed me, am I to hope that my honour, which his treason has struck at, has been loyally defended by Melot?"
27265	If he be protected by supernal power, of what use to you is your gallant sword?"
27265	If it troubles you, how should it leave me untroubled?
27265	If the master- singers''verdict then does not agree with hers, how is it to operate?"
27265	If then you apply to the question a grateful mind: how can that art be of no account which holds such prizes?
27265	If we punish her husband so, with what face shall we stand before her?"
27265	If you are the wisest woman in the world, tell me now: how shall the god overcome that care?"
27265	In Morold''s lifetime who had ventured to offer us such an affront?
27265	In the cold hollow where you lay shivering, how would you have had light and cheering warmth, if Loge had never laughed for you?..."
27265	In the silence of recollection which falls upon all, a voice is heard, as if from the grave:"My son Amfortas, are you at your post?"
27265	Is Gunther in need of us?"
27265	Is Gutrune awake?"
27265	Is he among the pardoned?
27265	Is he hard pressed by the foe?"
27265	Is it I?
27265	Is it a case for rejoicing?
27265	Is it a delusion?
27265	Is it chagrin to see the greyness of age creeping over Wotan?"
27265	Is it no dream?
27265	Is it no fancy?
27265	Is it not a higher duty still to observe that which you once swore to me,--eternal constancy?"--"What?..."
27265	Is it not holiday- time for you, too?"
27265	Is it one whom verily she need fear?
27265	Is it possible,"he cries despairingly,"that you do not see it yet?"
27265	Is it possible?
27265	Is it possible?
27265	Is it the force of thy sighs which fills my sails?"
27265	Is it the influence of the holy day?"
27265	Is it true?"
27265	Is it you again, unforgotten longing, driving me back to the light of the day?
27265	Is it you, singing about love, grim wolf?
27265	Is it you?
27265	Is it your mind to disclaim all acquaintance with the wretch whom you have driven forth to exile and misery?"
27265	Is my saying dark to you?
27265	Is not he Tristan''s dearest friend?
27265	Is not the best afforded by kitchen and cellar, cupboard and store- room, deserving of any gratitude whatever?"
27265	Is she out of her mind?"
27265	Is that the bearing of arrogance?
27265	Is this fear?
27265	Is this love?...
27265	Is this my thanks for having waked you once more out of the sleep of death?"
27265	Is this which I see an illusion?
27265	Is your home here in the forest?..."
27265	Isolde inquires, reached in her trance by the clamour;"Brangaene, what cry is that?"
27265	It grows, it swells, it penetrates, uplifts.... And what is this enfolding her?
27265	It is an answer, this enigmatic pledge, to her wistful question:"What have you to say to me?"
27265	It is the soft purling of the fountain whose music comes so sweetly borne to us; how could I hear it, if hunting- horns were still blaring near by?
27265	Its beam scorches the heart within my breast-- Gunther, what is your sister''s name?...
27265	Joining the stranger ashore,"Who are you?"
27265	Kothner passes thereupon to the question:"Of what master are you a disciple?"
27265	Kothner proceeds without comment to the next question:"In what school did you learn to sing?"
27265	Kurwenal, do you not see it?"
27265	Let us see, now, what it attracts this time, whether a dear comrade will come to the call?"
27265	Loge returning his attention to the gods, voices his amazement at the sight which meets him:"Am I deceived by a mist?
27265	May he not be permitted, after the fight, to refresh the victor with a drink?
27265	May they not also be hungering for redemption now?...
27265	Melot steps forward and points at him:"You shall now tell me,"he speaks to Mark,"whether I rightfully accused him?
27265	Melot?
27265	Might he be a confederate of Melot''s?"
27265	Mime becomes cross:"What has come over you, mad boy?
27265	Mime watches him, and at this which looks like folly, can not restrain the exclamation:"What are you doing?
27265	Murmurs fly from one to the other:"What?
27265	Must I add more still to my overflowing praise?
27265	Must I count the days during which I still may keep you?
27265	Must I lend a hand?
27265	Must I, indeed?...
27265	Must I?"
27265	Must she give up her hopes because of him?
27265	My beauty, is it possible, has brought surfeit?"
27265	My heart with its unchanging love, my humble fortune, my hunter''s luck, these things being all I have to offer, will not your father repulse me?
27265	My sorrows, is it possible, have moved you to such deep compassion?"
27265	Nay, but can you?"
27265	No competition- song?"
27265	No embrace?
27265	No kiss?
27265	No sooner has Magdalene caught sight of him than she becomes absent- minded, and when Eva urges,"What am I to tell him?
27265	Nothing beside do you deem of high value?"
27265	Now you see her in person, does she rightly please you?
27265	Now, if I intend to offer myself as a suitor for her to- morrow, can you not see how I might be destroyed by her not taking kindly to my song?
27265	Now, if the Marker go on lover''s feet, how should he not yield to the temptation of bringing a rival to derision before the assembled school?"
27265	Now, what is wrong with it?"
27265	Of great lineage and gentle nature, where is his equal in power and splendour?
27265	Of what avail to me is the treasure?
27265	Of what use to you would be the strongest sword, if you had no knowledge of fear?...
27265	Oh, eternal sleep, only balm, how, how shall I win you?"
27265	Oh, tell me, how long is it that I hear them no more?
27265	Oh, when, pale sea- farer, when shall you find her?
27265	Open your eyes.... Who sealed you again in sleep?...
27265	Or am I still baffled in my search for the right road?
27265	Or have I until this moment lived in a world of dream, and is this the day of awakening?
27265	Or is there danger in it?...
27265	Or renewed battle?"
27265	Or why, she asks, when that counsel is rejected, why does he not, still mote aptly, consult Brünnhilde, wise child of Wotan and Erda?
27265	Or, is the latter act Brünnhilde''s supreme vengeance?
27265	Or, was I actuated peradventure-- by vanity?"
27265	Or,--this seems more likely,--an act of supreme benevolence, the result of at last understanding"everything, everything, everything!"?
27265	Or-- how?
27265	Ortrud listens till it has died away; then asks, with cold quiet:"What makes you waste yourself in these wild complaints?"
27265	Ought not on this day everything which blooms and breathes to be steeped in mourning and tears?"
27265	Passionately you clung to him, and kissed him ardently...."--"And then?"
27265	Pogner''s courtesy interferes:"One word, friend Marker, are you not out of temper?"
27265	Reproachful questions succeed on her part: Of what neglect has her love been guilty, of what can he accuse her?
27265	Restoring the Ring to the Rhine, thus saving the world definitely from Alberich and the army of the night?
27265	Sachs looks up, joyfully surprised, at her greeting:"Good- evening, master; still so diligent?"
27265	Sachs still excuses himself;"How should so much honour accrue to me?
27265	Sachs, what you say is nonsense.... Are the rules of art to be set aside for the people?"
27265	Scarce arrived in Nuremberg, were you not hospitably received?
27265	Scornfully calm and cold as before,"Friedrich, you Count of Telramund, for what reason,"she asks,"do you distrust me?"
27265	Second: What race rests upon the back of the earth?
27265	Senta answers gently, still without taking her eyes from the pale face:"Why did you tell me who he is, and relate his story?...
27265	Shall I go in?..."
27265	Shall I guide you?"
27265	Shall I lend myself to gibes of the sort?
27265	Shall I look upon the Grail once more and live?"
27265	Shall Siegmund clasp Sieglinde there?"
27265	Shall the bride and sister accompany the brother?
27265	Shall you endure this outrage?"
27265	She considers this quietly:"Day and death then with a simultaneous stroke shall overtake our love?"
27265	She does not hear this time the sailor at the topmast singing over again the song she had before resented;"O Irish maid, where tarriest thou?
27265	She presses fondly against this unaccountably humble- minded mistress:"What are you dreaming, perverse one?
27265	She presses rapid questions upon her:"You dared then for love of Brünnhilde brave Walvater''s commandment?
27265	She, indeed, asks him, does he not fear?...
27265	Siegfried interrupts Mime''s meditations;"what is the name of the sword which I have ground into filings?"
27265	Siegfried''s love- token?
27265	Siegfried, however, replies:"What do I know?
27265	Siegmund gazes quietly and long and inquiringly into her eyes, and:"The hero who must follow you, whither do you take him?"
27265	Since the men are all your adherents, who is to smite Tristan?"
27265	So higgling at a bargain?...
27265	So late at night?"
27265	So long as the tailor has done his work successfully, who ever will divine where I suffer inconvenience, where secretly my shoe pinches me?"
27265	So you too were driven by the hurricane on to the bare rocky coast?
27265	So, from the question,"Who prompted you to attack the strong Worm?"
27265	Some one of great consequence, I suppose?"
27265	Some sketch of a project for winning her it must be prompting his next words:"Have you, Gunther, a wife?"
27265	Speak to me again, charming singer: shall I break through the fiery wall?
27265	Speak, Senta, should you be sorry that the stranger should dwell with us?"
27265	Starting awake at the ring of her own words, she laughs unpleasantly and, turning to Brangaene:"What do you think of the lackey yonder?"
27265	Still up?
27265	Surely you are thirsty?"
27265	Suspiciously he observes him:"I do not like him.... What is he doing here?
27265	Tell me now who it was that sought for election?"
27265	Tell me now, what little corner in it do you intend as a kennel for me?"
27265	Tell me, did you not go to Rome?"
27265	Tell me, does it still hurt?"
27265	Tell me, how does he impress you?"
27265	Tell me, whence are you come?
27265	Tell me, you soul of courage, have you learned fear?"
27265	That crazy rubbish?
27265	That is for my precious treasure, but first, quick, tell me, what success had the Knight?
27265	That is one of the suitors?
27265	That is where the surf rages, the ships founder.... Who is at the helm?"
27265	That one?
27265	That unhappy woman at your side?"
27265	That which he promised-- what?
27265	That which thrilled me at the pressure of your hand, tell me, was it not the assurance of your constancy?"
27265	The King''s herald asks if the court of justice shall be held on the spot?
27265	The Knight has caught sight of him and is instantly at Elsa''s side, crying astonished,"Elsa, with whom are you conversing?"
27265	The Knight?"
27265	The Marker in my power?
27265	The Rhine, with its infesting nymphs?...
27265	The cleverer brother asks Loge,"What great advantage is involved in the possession of the gold, that the Nibelung should find it all- sufficient?"
27265	The conscience- smitten girl flings her arms around him again:"Oh, Sachs, my friend, oh, noble heart, how can I ever repay you?
27265	The dreadful, deep, undiscoverable, thrice- mysterious reason,--who will reveal it to the world?"
27265	The evil wound, how to heal it?
27265	The father smiles:"You are eager to know?
27265	The guest whom I once helped to nurse...?"
27265	The light... when will it go out?...
27265	The masters exchange glances:"Anoble?...
27265	The new shoes?"
27265	The one who is waiting for me in the hushed night, are you determined to keep him away from me as if horns were still close at hand?"
27265	The pennant?"
27265	The possession of it will doom you to dark ruin...."Wotan, struck, inquires in awe,"Who are you, warning woman?"
27265	The question he proposes is: How may a rolling wheel be arrested in its course?
27265	The quickly roused suspicion of the crowd takes up Brünnhilde''s word:"Treachery?...
27265	The song is yours?
27265	The sullen glow which I feel burning in my breast, should I, unhappy man, call it love?
27265	The terror which drove me forth from Walhalla, drives me back thither....""What has happened to the eternal gods?"
27265	The unhappy man whom a potent dreadful enchantment holds bound, what, shall he never come to Heaven through repentance and expiation in this world?
27265	The words penetrate through Isolde''s absorption; she starts up in sudden fury, crying:"Who dares to mock me?"
27265	The wound,--where?
27265	Then Gunther inquires whom should he we d that lustre might be added to the glory of the House?
27265	Then, say, who am I, that you should be surly?
27265	There is some sternness apparently in Hunding''s tone as he inquires:"Have you offered him refreshment?"
27265	There was no way then by which he might have been saved?
27265	These treasures?--But who is so rich as to have an equivalent to tender?"--"Equivalent?
27265	They adopt with him the playful, teasing tone of pretty girls with a likely- looking young fellow:"What are you grumbling into the ground?....
27265	They vent themselves in such childish, fond, incredulous exclamations as: Is it you yourself?
27265	Third: What race dwells on the cloudy heights?
27265	This sorrow which burns within my bosom, this going out of desire toward him, what must I call it?
27265	This, Tristan, to me?
27265	Threaten a woman?"
27265	To what destiny?...
27265	To what purpose, any expression of mine?
27265	To whom?..."
27265	Tristan asks, dazed:"Who approaches?"
27265	Tristan by a great effort brings his mind to consider these sounds, and with great effort speaks:"Who... calls me?"
27265	Tristan murmurs,"Do you not see it yet?"
27265	Unloved?
27265	Upon the last note of it, he addresses the shoe- maker with what sickly civility he can summon:"How is this, master?
27265	Upon which thought naturally follows the other:"The victor whom I now must fall back upon, who knows if my child will care for him?
27265	Wanderer, with a laugh for his antics, felicitates him:"The most keen- witted are you among the wise; who can equal you in acuteness?
27265	Was he made a master?"
27265	Was it not he who considered that I went too far?
27265	Was it not your testimony, your report, which induced me to accuse that innocent girl?
27265	Was it too small a reward that the King had made him his heir?
27265	Was it your father?
27265	Was not that question the very hub around which turned all his troubled reflections?
27265	What about fear?"
27265	What ails Fricka?
27265	What are wounds from your swords beside the death- stroke I have received from him?"
27265	What are you doing here, unhappy woman?"
27265	What bargain concluded by me?..."
27265	What brings you in this neighbourhood?
27265	What can there be but warfare forever between him and them?
27265	What do you think of her as a wife?
27265	What draught was that?"
27265	What else have I forgotten?
27265	What enemy is near?
27265	What falsehoods did the evil Day tell you, that you should betray the faithful one, who had preferred you?"
27265	What force so quickly prevailed with you to make you break this devoted heart?
27265	What good will it do?
27265	What have you forged and furbished to- day?"
27265	What have you to say to me?"
27265	What idle raving?
27265	What if this dream now should contain a hint how you may to- day be made a master?"
27265	What imp excites your ire?...
27265	What is he doing so late at night?"
27265	What is it rushing so wildly through my heart and senses?...
27265	What is it, tell me, makes you so unhappy?
27265	What makes men brave?
27265	What more do you require of the masters?...
27265	What more is necessary?"
27265	What proper work can you do now?"
27265	What security for you can I hold?"
27265	What shall the wages be?
27265	What success with the sword?"
27265	What suspicion darkens your mind?"
27265	What sword now must Siegfried wield, if he is to deal death to Fafner?"
27265	What unholy power swept you along?
27265	What was the purpose, she asks, of that provision made by her mother for their assistance in a strange land?
27265	What were I, without you?
27265	What, indeed, have I ever remembered?
27265	What, is he so soon weary of the marvels with which her love surrounds him?
27265	What, the question asks itself, what is this still familiar surrounding scene, when they ought, by true working of the drug, to be dead?
27265	What, you poverty- stricken wight-- what pleasure of love may have fallen to your share?
27265	What-- never return?
27265	Whatever debt of gratitude Sir Tristan owes you, tell me, could he better repay it than with the most magnificent of crowns?
27265	When Tristan is forced to keep afar from her, with whom does he spend the time but Sir Melot?
27265	When a man undertakes a course out of the usual, how should he accept advice?...
27265	When he stops at last, for lack of breath, Sachs asks artlessly:"Was that your song?...
27265	When in order to gather the upland flowers for you I endured dangers and labours innumerable?
27265	When my heart is breaking with anguish, will not Senta herself speak a word for me?"
27265	When shall it sound, the trump of doom, at which the earth will crumble away?
27265	When shall you dawn upon my night?
27265	When will the house be wrapped in rest?"
27265	When your arm encircled my neck, did you not own once more your love for me?
27265	Where am I?"
27265	Where are my runes?
27265	Where are you going?"
27265	Where are you?
27265	Where did you tarry so long?"
27265	Where does the man live who would not love you?
27265	Where have I been?...
27265	Where is your sword?..."
27265	Where look for honour and uprightness, since the pattern of all honour, Tristan, has lost them?
27265	Where now shall one look for truth, since Tristan has deceived me?
27265	Where shall I find a sword with which to cut the thongs?"
27265	Where shall you find her who will be your own true and loyal love until death?"
27265	Where to turn to find out something?"
27265	Where were you roaming when our master lost the Spear?"
27265	Wherefore to me this indignity which no suffering can wash out?
27265	Whether I am to retain my head which I placed at stake?
27265	Whither has virtue fled, since she is gone from Tristan, who had made her into his shield and defence, yet has now betrayed me?"
27265	Whither must I follow you?"
27265	Whither, blithesome hero?"
27265	Who am I, if not your will?"
27265	Who among you will fight with me, casting slur upon my honour?"
27265	Who attacks us?
27265	Who bound you in joyless slumber?
27265	Who came in?"
27265	Who could be silent hearing you?
27265	Who could persist in violence after hearing the supplications of an angel?
27265	Who could see Isolde and not blissfully dissolve in love for her?
27265	Who did it?"
27265	Who incited the child to the murderous deed?
27265	Who is good?"
27265	Who is he, who came to shore guided by a wild swan?
27265	Who is there unacquainted with that fountain?
27265	Who is this, she asks herself, that has overcome her husband, that has placed a term to her power?
27265	Who shall compel me to live?
27265	Who shall find a name for it?
27265	Who taught you to wish for the woman?"
27265	Who will inherit from him?
27265	Who will stand up against him when he is in command?"
27265	Who would have thought it?"
27265	Who would not wish to be a bachelor?..."
27265	Who would not wish to share his good fortune, as consort to tarry beside him, whom the greatest of heroes so devotedly serves?"
27265	Who, indeed?
27265	Why Tristan''s innumerable services, the greatness he had won for his King, if they were to be paid with the receiver''s dishonour?
27265	Why are we called to arms?
27265	Why did you beat our beloved?"
27265	Why did you do us this injury?
27265	Why did you wrest from me my secret?
27265	Why do I not leave you alone, and flee by myself away, away, where my conscience may find rest?
27265	Why do we continue to call?"
27265	Why do you hang back there in dejection?"
27265	Why does he not consult them?
27265	Why does it hang down so over your face?...
27265	Why indeed should not his dishonesty be turned to use?
27265	Will Tristan defraud her, defraud Isolde of this single infinitely- short last earthly joy?
27265	Will he, on the ground of insufficient nobility, refuse likewise to answer you?"
27265	Will the illustrious Hort come once more into the possession of the Nibelung?
27265	Will you deny that it was your own stratagem which guided him to the spot where he should find it?"
27265	Will you guide me to the right one?
27265	Will you therefor chide your wife?"
27265	With whispered laughter they vanish into the house, and Parsifal, in the once more solitary garden, asks himself:"Was it all a dream?"
27265	With your own eyes seen how Elsa drowned her brother in the tarn?
27265	Without giving Tristan time to hesitate, Kurwenal jumps up:"May I frame an answer?"
27265	Without your love, what were I?
27265	Wotan calms the maiden in distress, and asks, as one fancies, a little uneasily,"Have you seen nothing of Loge?"
27265	Wotan pauses with his foot on the bridge:"What wail is that?"
27265	Would you not trust Brangaene?
27265	Would you rob him of his soul''s eternal salvation?"
27265	Would you take away the hope of the sinner?
27265	Yet, in forsaking the beaten track, was I not doing even as he does?
27265	You are anxious, are you not, to have your shoes finished?"
27265	You are lured at last by the song- festival we are preparing?"
27265	You are not listening?
27265	You could hold out your hand to the stranger?
27265	You give your hand to the man who has hardly more than crossed your doorstep?"
27265	You have, no doubt,"he insinuates,"committed the thing perfectly to memory?"
27265	You shall see her, and if she pleases you..."--"She shall be my wife.--Will she prove to be my angel?"
27265	You stand in terror of his anger?"
27265	You stand in your place as if bewitched?
27265	You were up late-- you did, however, finally sleep?"
27265	You who are so strong in the pure faith, do you apprehend so ill the mind of the Most High?
27265	You, living in the dusky woods, did you not mendaciously aver to me that from your wild castle you had seen the dark deed committed?
27265	Your country?"
27265	and when Siegfried replies that he did this himself, insists further:"But who shaped the strong pieces, out of which you forged the sword?"
27265	ask some, under- breath, and others,"Is she mad?"
27265	asks the King, in natural doubt;"How were guilt so prodigious possible?"
27265	asks the Landgrave;"Have you come back to the community which you forsook in impatient arrogance?"
27265	calls down to them,"You, down there in the water, what are you complaining about?
27265	complains Elsa,"Was I duped by your feigning, when you stole to me last night with your pretended grief?
27265	cries Elsa, painfully startled;"What sudden change has taken place in you?"
27265	cries Eva, in acute exasperation,"If I were to come to your house, should I so much as be made at home?"
27265	cries Siegfried, amazed,"who are you, trying to prevent me?"
27265	do you know what the ring is to me?
27265	he asks incredulously,"Something wrong too with the heel?"
27265	he asks trembling,"Is there danger in it?...
27265	he cries in incredulous anguish;"O God, what have I seen?
27265	he cries, in a moment, to Wolfram wrestling all unheeded to turn him from his deadly purpose,"Ha, do you not feel soft gusts of air?...
27265	he cries,"What is it keeps me still bound to you?
27265	he goes on to show the jealous core of his unhappiness;"That picture..."--"What picture?..."
27265	he murmurs, now as absent- minded as she,"What is this buzzing in my head?"
27265	he passes to the question:"Who shaped the sword, so sharp and hard, that the strongest enemy should succumb to its stroke?"
27265	he replies, studying her face dubiously;"Tell me, have I no reason to be afraid?"
27265	he replies:"How shall I tell you what I would be willing to undertake for your sake?
27265	he sighs aside;"Do I still permit myself the folly of an illusion that an angel''s heart will pity me?
27265	he unceremoniously flings at her;"Has not God because of it, through his judgment, brought me to shame?"--"God?..."
27265	he weeps,"Do you still live?...
27265	he wonders;"is it he, already, who shall kill Fafner?"
27265	her uncle argues with her, and the others add their voices to his,"What must I hear?
27265	or"Do you imagine that you can deceive me, who night and day have been hard upon your heels?"
27265	persist the girls;"Do you not wish for golden wine?
27265	rails the irritated god,"For you I shall circumvent this enemy?
27265	says Daland, impressed;"Am I to take you at your word?
27265	says the minstrel Biterolf;"Reconciliation?
27265	shall it hold good?
27265	she asks reassuringly;"Do you doubt that it is full of kindness toward you?
27265	she cries, almost impatiently;"What can your sufferings be?
27265	she cries, in utmost dismay;"You say that I swore eternal constancy to you?"
27265	she moans,"How do I still endure it?"
27265	she pursues undeterred her fatal train of thought;"How might I hope for such power?
27265	she taunts the shocked, pale- grown bride, who has found no more than force to gasp,--"What does she say?
27265	snaps Beckmesser;"How could he learn the canons from him?"
27265	the Valkyrie asks wistfully;"all in all to you is the poor woman who, tired and full of trouble, lies strengthless in your lap?
27265	the handmaid asks, not understanding, yet half frightened;"What are you meditating?
27265	the pious knight shudders;"Where have you been?
27265	their wondering question runs,"What?
27265	they continue calling to the invisible Dutch crew;"Are you so lazy as to have gone already to bed?
27265	wails her passionate alarm,"What must I hear?
27265	who would have thought it of you?"
27265	you?..."
808	Hallo,cries the new- born baby,"Where''s my parents?
808	How long is this to last?
808	Is it weakness of intellect, birdie?
808	Where is the Public Exploder?
808	Which of them has his affection?
808	Whose hands? 808 ''Marry, fool,''quothe the councillor,''whither away?'' 808 ( All rise with the last note) RECIT — COUNSEL Where is the Plaintiff? 808 ( Aloud) And why poor, Ralph? 808 ( Aside) God bless my heart, what''s the matter with me? 808 ( BALLAD) Fairfax FAIRFAX Is life a boon? 808 ( Bell) Why, what''s that? 808 ( Bitterly to Lady Blanche) How say you, Lady Blanche — Can I with dignity my post resign? 808 ( Coming down) Is this the end? 808 ( Coming down) Who lectures in the Hall of Arts to- day? 808 ( Covering him with pistol) FREDERIC: Oh, mad intruders, How dare ye face me? 808 ( Covering him with pistol) FREDERIC: Who calls? 808 ( Enter Hildebrand) Hilarion: Well, father, is there news for me at last? 808 ( Enter Hildebrand) RECITATIVE Princess: Audacious tyrant, do you dare To beard a maiden in her lair? 808 ( Enter Hildebrand, Hilarion, Cyril and Florian) Gama: So this is Castle Hildebrand? 808 ( Enter King Hildebrand with Cyril) Hildebd: See you no sign of Gama? 808 ( Enter MABEL) SOLO — MABEL Dear father, why leave your bed At this untimely hour, When happy daylight is dead, And darksome dangers low''r? 808 ( Enter Mrs. Partlet with Constance, her daughter) RECITATIVE MRS. P. Constance, my daughter, why this strange depression? 808 ( Exit Chloe) Where''s my bandmistress? 808 ( Re- enter Gama, Arac, Guron, and Scynthius heavily ironed, followed by Hildebrand) RECITATIVE Gama: Must we, till then, in prison cell be thrust? 808 ( To CYRIL and FLORIAN) And you, young ladies, will you please to pray King Hildebrand to set me free again? 808 ( To Florian) Are you a courtier? 808 ( To Scaphio) What do you say — Shall we entrust her to this officer of Household Cavalry? 808 ( aloud) May I ask how you came by this? 808 ( aside): What would I do? 808 ( coyly) What may you be at, now? 808 2ND CITIZEN Thou dost not see the humour of it, eh? 808 2ND YEOMAN Didst thou not, when prisoner taken, And debarred from all escape, Face, with gallant heart unshaken, Death in most appalling shape? 808 : And cut off real live legs and arms? 808 : Are you really under the impression that English girls are so ridiculously demure? 808 : Clever? 808 : I should command here — I was born to rule, But do I rule? 808 : I''ll row and fish, And gallop, soon — No longer be a prim one — And when I wish To hum a tune, It need n''t be a hymn one? 808 : Then I may laugh and shout? 808 : Then I may sing and play? 808 : Then we must part? 808 : These maxims you endorse? 808 : What, put me to bed? 808 : Why, what put that in your head? 808 :( Alarmed) What, heal the wounded? 808 A Royal salute fired? 808 A Statutory Duel? 808 A Statutory Duel? 808 A change? 808 A common sailor? 808 A cry- baby? 808 A doubt as to his whereabouts? 808 A doubt? 808 A headless bridegroom why refuse? 808 A hit, sir? 808 A hunting song? 808 A loveless life apart from thee Were hopeless slavery, Were hopeless slavery, If kindly death will set me free, Why should I fear to die? 808 A maiden, and in tears? 808 A month? 808 A nobleman shady, who can look back upon ninety- five quarterings? 808 A nobleman shady, who is blazing in the lustre of unaccustomed pocket- money? 808 A plate of macaroni and a rusk? 808 A quarter of an hour ago? 808 A recent creation, probably? 808 A secret? 808 A substitute? 808 A terrible surprise What is this strange confusion Excites a strange confusion That veils my aching eyes? 808 ALEXIS And how soon does it take effect? 808 ALEXIS Is Mr. Wells there? 808 ALEXIS Now I want to know if you can confidently guarantee it as possessing all the qualities you claim for it in your advertisement? 808 ALEXIS Then you absolutely refuse? 808 ALINE Dear Dr. Daly, what has puzzled you? 808 ALINE Oh, Alexis — do you hear that? 808 ALINE Oh, Alexis, can you doubt it? 808 ALINE Oh, Alexis, do you doubt me? 808 ALINE( alarmed) You do n''t mean a love- potion? 808 ALL[ uncovering their eyes] What means this interference? 808 ANGELA But whom? 808 ANGELA Sir, will it please you read to us? 808 ANGELA Will it please you read it to us, sir? 808 ANGELA[ coming R. of BUNTHORNE] Is there no chance for any other? 808 About him? 808 According to professional position? 808 After all, what does it matter? 808 Ah, but what''s to become of Olympus in the meantime? 808 Ah, but you do not say you did not love me? 808 Ah, is not one so tied A pris''ner still? 808 Ah, why? 808 All baronets are bad; but was he worse than other baronets? 808 All on account of a cruel little hen? 808 All the locks, chains, bolts, and bars in good order? 808 All: What never? 808 All: What never? 808 Alter all, what is a few months? 808 Although we live by strife, We''re always sorry to begin it, For what, we ask, is life Without a touch of Poetry in it? 808 Am I alone and unobserved? 808 Am I mad? 808 Am I never to be permitted to soliloquize? 808 Am I not to be allowed to pull her to pieces? 808 Am I particularly intelligent, or remarkably studious, or excruciatingly witty, or unusually accomplished, or exceptionally virtuous? 808 Am I quite the dashing sposo That your fancy could depict you? 808 Am I to stand this? 808 Am I to understand that all of us high Officers of State are required to perjure ourselves to ensure your safety? 808 Am I to understand that the Queen of Barataria may be called upon at any time to witness her honoured sire in process of liquidation? 808 And I said to him,Dicky- bird, why do you sit Singing Willow, titwillow, titwillow''?"
808	And I''m three- cornered too, ai n''t I?
808	And I''ve been going on like this for how long?
808	And am I to understand that I was on the point of marrying a dead man without knowing it?
808	And are you pretty comfortable?
808	And by what laws Should we so joyously Rejoice, because Our Strephon did not die?
808	And change our minds afterwards?
808	And do these Wise Men denounce him to me?
808	And do you find I''m an impressive character to play?
808	And do you mean to say that one of these Monarchs was already married?
808	And even if I could, how should I confess it unto him?
808	And has n''t he consulted you?
808	And have you found it answer?
808	And have you the heart to apply the prosaic rules of evidence to a case which bubbles over with poetical emotion?
808	And he declined?
808	And her"How are you?"
808	And how came you to leave your last employ?
808	And how did you find it answer?
808	And how old may you all be?
808	And if I do, will you then take my place?
808	And if he commit himself for contempt of his own Court, can he appear by counsel before himself, to move for arrest of his own judgement?
808	And if he marries his own Ward without his own consent, can he commit himself for contempt of his own Court?
808	And if it be none of these, say I, Ah, why do you sit and sob and sigh?
808	And is the booby comely?
808	And may I ask why you have left your frames?
808	And needs good food, and many things that thou canst not buy?
808	And now — which of you is King?
808	And now, my love—(aside to Duchess) Shall we tell her?
808	And now, tell me, with all the world to choose from, why on earth did you decide to live at the bottom of that stream?
808	And of whom?
808	And pray where is my mother dear?
808	And pray, why did n''t you tell us all about it before they left Venice?
808	And she refuses?
808	And so, good fellow, you are a jester?
808	And that is?
808	And that neither of us will be a Queen?
808	And the band who were to have had the honour of escorting us?
808	And the glory of its treasures Shadow of a shade?
808	And the salaries attached to them?
808	And the year is up?
808	And this is the return you make?
808	And to whom?
808	And we may take our friends with us, and give them places about the Court?
808	And what do the countesses say?
808	And what has your Highness done?
808	And what have you been doing?
808	And what is amiss?
808	And what is he?
808	And what may be your business with Yum- Yum?
808	And what then?
808	And which of us is Queen?
808	And who art thou thyself?
808	And who has dared to brave our high displeasure, And thus defy our definite command?
808	And who is this, whose manly face Bears sorrow''s interesting trace?
808	And why does the latter recoil from him so?
808	And why?
808	And why?
808	And will your Highness promise never to do it again?
808	And wilt thou not be glad to welcome thy brave brother, with the fame of whose exploits all England is a- ringing?
808	And yet, who knows?
808	And you love this Bunthorne?
808	And you wo n''t hate me because I''m just a little teeny weeny wee bit bloodthirsty, will you?
808	And you, my Lords, how say you, will you join our ranks?
808	And — and if I refuse you, will you go and do the same?
808	And — what in the world is the matter with you?
808	Answer?
808	Anything else?
808	Apollo your husband?
808	Are foemen in the land?
808	Are its palaces and pleasures Fantasies that fade?
808	Are n''t you happy dear?
808	Are the birds all caged?
808	Are there any more of them?
808	Are there no grapes this year?
808	Are there no grapes this year?
808	Are these the accents of a heart that really feels?
808	Are we a stake For fighting men?
808	Are we all mad?
808	Are ye man and wife?
808	Are you absolutely resolved?
808	Are you all crazy?
808	Are you aware that once upon a time she was engaged to be married to me?
808	Are you considered a good likeness?
808	Are you faint- hearted, girl?
808	Are you in sentimental mood?
808	Are you indeed that small phenomenon?
808	Are you not delighted?
808	Are you not very, very happy?
808	Are you old enough to marry, do you think?
808	Are you peeping?
808	Are you sure that this is all right?
808	Are you that learned little Psyche who At school alarmed her mates because she called A buttercup"ranunculus bulbosus"?
808	Are you, by any chance, in earnest?
808	Are you?
808	Are{ we} but slaves?
808	Art thou mad?
808	As First Lord of the Treasury, Lord Chamberlain, Attorney General, Chancellor of the Exchequer, Privy Purse, or Private Secretary?
808	As before?
808	As he says, a British seaman is any man''s equal excepting his, and if Sir Joseph says that, is it not our duty to believe him?
808	As one individual?
808	As they know we object To pavilions and palaces, How can they respect Our Republican fallacies?
808	As two- and- six?
808	At elegant high society talk She''ll bear away the bell, With her"How de do?"
808	At once the truth declare?
808	At once?
808	At what time does your expedition march against these scoundrels?
808	Attentive?
808	Aye, aye, my boy, What cheer, what cheer?
808	Aye, but has your honour a heart that ups and looks you in the face, and gives you quarter- deck orders that it''s life and death to disobey?
808	BUNTHORNE And are you going a ticket for to buy?
808	Be mine — he will never know — he dares not show himself; and if he dare, what art thou to him?
808	Because I fly In realms above, In tendency To fall in love, Resemble I The amorous dove?
808	Belay?
808	Besides, if a man ca n''t forge his own will, whose will can he forge?
808	Besides, who knows what will happen in two years?
808	Better?
808	Both: The English fashion?
808	Bound to an unknown bride For good and ill; Ah, is not one so tied A pris''ner still, a pris''ner still?
808	Busy to- day?
808	But I say — you wo n''t take an unfair advantage of your day of office?
808	But are you quite sure that you have nerve enough to carry you through the fearful ordeal?
808	But as she''s not His mother, it appears, Why weep these hot Unnecessary tears?
808	But does your mother know you''re — I mean, is she aware of our engagement?
808	But heaven ha''mercy, whom wouldst thou marry?
808	But how about your big right arm?
808	But how do they propose To let impartial Fate Select for them a mate?
808	But if I should turn out not to be a bad baronet after all, how would you love me then?
808	But if I''m to be buried alive?
808	But if he''s not marrying Lisa, whom is he marrying?
808	But is it possible that you have never loved anybody?
808	But is there not one among them who is faultless, in thine eyes?
808	But never mind that — the question is, how shall we celebrate the commencement of our honeymoon?
808	But should A perish?
808	But suppose I were to lose?
808	But suppose you fail?
808	But surely they know His Grace?
808	But surely you are jesting?
808	But surely you would never do that?
808	But surely, surely the servants''-hall is the place for these gentry?
808	But tell me, is not all working marvelously well?
808	But the Lord Chancellor?
808	But to what new misery is she referring?
808	But what in the world am I to do?
808	But what in the world has come over you all?
808	But what is the use of talking to us about Statutory Duels when we none of us know what a Statutory Duel is?
808	But what is this to you or me, who think Of all mankind with undisguised contempt?
808	But what of that?
808	But what of us, who one and all adore you?
808	But what then?
808	But when I became a bad baronet, you very properly loved Richard instead?
808	But where are they?
808	But where''s the Duke?
808	But which is it?
808	But which is it?
808	But which of you is married to which of us, and what''s to become of the other?
808	But who are these?
808	But who cursed him?
808	But who is this, whose god- like grace Proclaims he comes of noble race?
808	But whom did you get that from?
808	But why did n''t you tell me this before?
808	But why do you not refuse him?
808	But why does he sit, night after night, in this draughty old ruin?
808	But why is your Highness disguised?
808	But why should you not marry a bad Baronet of Ruddigore?
808	But why?
808	But will my ghostly ancestors be satisfied with what I have done, or will they regard it as an unworthy subterfuge?
808	But you are not happy with him?
808	But you do love me, do n''t you?
808	But you do not love him?
808	But you remember the conditions?
808	But you will not recognize this marriage?
808	But you wo n''t prejudice her against me, will you?
808	But — do you really think you would care to play that part?
808	But''vast heavin'', messmate, what''s brought you all a- cockbill?
808	But, I do n''t want to ask any injudicious questions, but who accompanies you?
808	But, I say, you''ve never been and bought a newspaper?
808	But, axin''your pardon, miss( wiping his lips with his hand), might I be permitted to salute the flag I''m a- goin''to sail under?
808	But, before proceeding to a more serious topic, can you tell me, sir, why a cook''s brain- pan is like an overwound clock?
808	But, my good girl, have you seen her?
808	But, papa, where in the world is the Court?
808	But, tell me — who''s the youth whose faltering feet With difficulty bear him on his course?
808	By half- a- crown?
808	By the by, can I offer you anything after your voyage?
808	By the terms of our contract, signed and sealed, You''re bound to bring the Princess here to- day: Why is she not with you?
808	CHORUS Although your Royal summons to appear From courtesy was singularly free, Obedient to that summons we are here — What would your Majesty?
808	CHORUS Yes, who is this, whose god- like grace Proclaims he comes of noble race?
808	COLONEL Are you better now?
808	Ca n''t you see I''m soliloquizing?
808	Calynx: But what is your grievance?
808	Can I do aught to relieve thine anguish, for it seemeth to me that thou art in sore trouble?
808	Can I do aught to soften thy sorrow?
808	Can I inactive see my fortune fade?
808	Can I survive this overbearing Or live a life of mad despairing, My proffered love despised, rejected?
808	Can he give his own consent to his own marriage with his own Ward?
808	Can he marry his own Ward without his own consent?
808	Can it be Custom House?
808	Can it be that you do n''t recognize me?
808	Can that be so?
808	Can that be so?
808	Can this be possible?
808	Can this be vanity?
808	Can you dance a hornpipe?
808	Can you give me an example?
808	Can you resign?
808	Can you see me?
808	Can you sing?
808	Can you wait till then?
808	Can you wonder that I love her so passionately?
808	Can you, do you think?
808	Can you?
808	Care to play it?
808	Carry it?
808	Carry off a lady?
808	Ceremony of some sort going on?
808	Certainly not — but what am I to do?
808	Charming little girl, is n''t she?
808	Charming persons, are they not?
808	Chorus: A company limited?
808	Chorus: Who can tell?
808	Chorus: Who can tell?
808	Chorus: Who can tell?
808	Come now, why wet?
808	Come, his name?
808	Come, my poor fellow, we all have unpleasant duties to discharge at times; after all, what is it?
808	Come, tell me why, When hope is gone, Dost thou stay on?
808	Come, tell me why, When hope is gone, Dost thou stay on?
808	Come, what d''ye say?
808	Come, why November?
808	Compared with other women, are you beautiful?
808	Consequently, that gentleman is as good as dead — practically, he is dead — and if he is dead, why not say so?
808	Couldst thou not love him?
808	Customer come to try on?
808	Cyril too?
808	Cyril: Are you indeed that Lady Psyche, who At children''s parties, drove the conjuror wild, Explaining all his tricks before he did them?
808	Cyril: Jests?
808	Cyril: What need to waste your words on such as he?
808	Cyril: Would you know the kind of maid Sets my heart aflame- a?
808	Cyril:( Sobered) Hilarion, are you mad?
808	Cyril:( Tipsy) Do n''t you remember that old kissing- song He''d sing to blushing Mistress Lalage, The hostess of the Pigeons?
808	D''ye think I''m blind?
808	DAME Marry?
808	DRAGOONS Now is not this ridiculous, and is not this preposterous?
808	DRAGOONS Then tell us, we pray you, Why thus they array you — Oh, poet, how say you — What is it you''ve done?
808	DUKE But who is the gentleman with the long hair?
808	DUKE Envy me?
808	DUKE Has he succeeded in idealizing you?
808	DUKE[ C.] Of rite sacrificial, By sentence judicial, This seems the initial, Then why do n''t you run?
808	Dear father, why leave your bed When happy daylight is dead?
808	Dear master, it shall be as you wish, for have I not sworn to obey you for ever in all things?
808	Dear, dear, what will Her Majesty say?
808	Destinies?
808	Did ever maiden close Her eyes on waking sadness, To dream of such exceeding gladness?
808	Did ever pirate roll His soul in guilty dreaming, And wake to find that soul With peace and virtue beaming?
808	Did he not save thy life?
808	Did he really die of love?
808	Did n''t I mention it?
808	Did she?
808	Did you ever kill anybody?
808	Did you hear him?
808	Did you hear him?
808	Did you never hear of the young lady who was engaged to Cousin Robin?
808	Did you?
808	Didst thou hear her say,"Hands off"?
808	Diplomacy?
808	Disappointed?
808	Do I find, for instance, a guard of honour to receive me?
808	Do I not love you beyond all on earth, and am I not beloved in return?
808	Do all you maidens love them?
808	Do n''t let''s have any row about it; whose husband are you?
808	Do n''t you find it lonely out by yourself all night?
808	Do n''t you know the story of the gentleman who undermined his influence by associating with his inferiors?
808	Do n''t you like your part?
808	Do n''t you think you could wait two years?
808	Do n''t you?
808	Do n''t you?
808	Do the Royal tradesmen tip you?
808	Do they give you wine for dinner; Peaches, sugar- plums, and ices?
808	Do they keep you at a distance?
808	Do they not say that a live ass is better than a dead lion?
808	Do they quarrel for his dross?
808	Do you approve my determination?
808	Do you consider it consistent with my duty as a total abstainer to grow anything stronger than ginger beer?
808	Do you know this paper?
808	Do you know what it is to be heart- hungry?
808	Do you know what it is to seek oceans and to find puddles?
808	Do you know what it is to yearn for the Indefinable, and yet to be brought face to face, dally, with the Multiplication Table?
808	Do you know who I am?
808	Do you really think so?
808	Do you suppose I intend to give up a magnificent part without a struggle?
808	Do you suppose that I am insensible to the effect of manly beauty?
808	Do you take me?
808	Do you take?
808	Do you think Yum- Yum would really be distracted at my death?
808	Do you think your subjects like you?
808	Do you understand, ma''am?
808	Does n''t that convey any idea to the Grand Ducal mind?
808	Does your honour know what it is to have a heart?
808	Does your human being inner Feed on everything that nice is?
808	Does your new employment please ye? — GIA.
808	EDITH What ought we to do, Gentle sisters, say?
808	EDITH: But who are you, sir?
808	ELSIE If the good, brave man — is he a brave man?
808	ELSIE Of Colonel Fairfax?
808	ELSIE Thou?
808	ELSIE[ aside to POINT] What have I done?
808	Eh, Lord Chamberlain?
808	Eh?
808	Eh?
808	Enter Defendant RECIT — DEFENDANT Is this the court of the Exchequer?
808	Enter all the characters except Lady Sangazure and Mr. Wells CHORUS Oh, what is the matter, and what is the clatter?
808	FAIRFAX And thou didst see all this?
808	FAIRFAX Art thou sure of all this?
808	FAIRFAX Aye, fair as a peach blossom — what then?
808	FAIRFAX Dost thou love me, or hast thou been insensible these two days?
808	FAIRFAX He was to have died, and he did not die?
808	FAIRFAX Jesting?
808	FAIRFAX Nay, pretty one, why weepest thou?
808	FAIRFAX Now, dost thou know, I am consumed with a parlous jealousy?
808	FAIRFAX Now, sweetheart, tell me — wilt thou be this poor goodfellow''s wife?
808	FAIRFAX So thou leavest us to- night?
808	FAIRFAX Thanks to Dame Carruthers''kind nursing, eh?
808	FAIRFAX Then when thou didst faint in my arms, it was for joy at his safety?
808	FAIRFAX Thou a wife?
808	FAIRFAX Thyself, forsooth?
808	FAIRFAX[ aside to MERYLL] True?
808	FAIRFAX[ puzzled] I beg your pardon?
808	FAIRFAX[ still puzzled] Phoebe?
808	FREDERIC: A paradox?
808	FREDERIC: Ah, but lately?
808	FREDERIC: Do you really think so?
808	FREDERIC: He escaped from you on the plea that he was an orphan?
808	FREDERIC: His girls likewise?
808	FREDERIC: My comrades?
808	FREDERIC: Not one?
808	FREDERIC: Oh, is there not one maiden here Whose homely face and bad complexion Have caused all hope to disappear Of ever winning man''s affection?
808	FREDERIC: Ought I to tell you?
808	FREDERIC: That is your candid opinion?
808	FREDERIC: What do you think of yourself?
808	FREDERIC: Yes, but it has got about, and what is the consequence?
808	FREDERIC: You do n''t mean to say you are going to hold me to that?
808	FREDERIC:( in despair) Not one?
808	Fair moon, to thee I sing, Bright regent of the heavens, Say, why is everything Either at sixes or at sevens?
808	Family Pride, how do you like that, my buck?
808	Fancy ball?
808	Firstly, what on earth is this love that upsets everybody; and, secondly, how is it to be distinguished from insanity?
808	Florian: And there are no males whatever in those walls?
808	Florian: But what are these?
808	Florian: But who comes here?
808	Florian: Renounce mankind!?
808	Florian: Will Ida break the vows that she has plighted?
808	Florian: Will she back out, and say she did not mean them?
808	For another hundred years?
808	For it is unselfish, is n''t it?
808	For she''s only a darned Mounseer, D''ye see?
808	For there is a wealth of love within this little heart — saving up for — I wonder whom?
808	Forsake his hideous duty, mission To find her daylight To find himself break betrothed With such exceeding To lady of position?
808	Frankly now, have I?
808	Free?
808	Friday?
808	From his position, To rescue such an one as I From his unfortunate position?
808	GENERAL: Are your devoted followers at hand?
808	GENERAL: I ask you, have you ever known what it is to be an orphan?
808	GENERAL: Tell me, have you ever known what it is to be an orphan?
808	GENERAL: Then why this delay?
808	GENERAL: Why do I sit here?
808	GIRLS: Now what is this, and what is that, and why does father leave his rest At such a time of night as this, so very incompletely dressed?
808	GIRLS:( aside): The question is, had he not been A thing of beauty, Would she be swayed by quite as keen A sense of duty?
808	GROSVENOR A Sewell and Cross young man, A Howell& James young man, A pushing young particle —"What''s the next article?
808	GROSVENOR[ C.] Prithee, pretty maiden, will you marry me?
808	Gama: Consider this, my love, if your mama Had looked on matters from your point of view( I wish she had), why where would you have been?
808	Gama:( Enraged) Why, harkye, sir, How dare you bandy words with me?
808	Gama:( Furiously) Do you permit this, King?
808	Gaunt vision, who art thou That thus, with icy glare And stern relentless brow, Appearest, who knows how?
808	Gentlemen, I pray you tell me Where a gentle maiden dwelleth, Named Yum- Yum, the ward of Ko- Ko?
808	Gentlemen, will you allow us to offer you a magnificent banquet?
808	Given?
808	Good morrow, pretty maids; for whom prepare ye These floral tributes extraordinary?
808	Goodness gracious How audacious Earth is spacious Why come here?
808	Goodness me — Why, what was that?
808	Goodness me, Why, what was that?
808	Grand Duchess?
808	Great heavens, what is there to adulate in me?
808	Had I a headache?
808	Had he any reason to be dissatisfied with his position?
808	Had n''t you better go and put her out of her suspense?
808	Had you mercy on him?
808	Has anybody blessed you with a sample of his charity?
808	Has he"brother"writ large on his brow?
808	Has it happed as we expected?
808	Has no reprieve arrived for the poor gentleman?
808	Has the wedding taken place?
808	Hate you?
808	Have I given you any encouragement?
808	Have I misread you?
808	Have I not hands and eyes and ears and limbs like another?
808	Have all the painful preparations been made?
808	Have fifteen years so greatly changed me?
808	Have n''t you been rash unduly?
808	Have not our Flowers of Progress more than justified their name?
808	Have we not all cause?
808	Have we your worship''s word for it that this gentleman will die to- day?
808	Have you carried her off?
808	Have you e''er a lover a- dangling after you?
808	Have you ever heard of the firm of J. W. Wells& Co., the old- established Family Sorcerers in St. Mary Axe?
808	Have you ever known what it is to be one?
808	Have you ever looked in the glass?
808	Have you forgotten the friend of your youth, your Archibald?
808	Have you given him any encouragement?
808	Have you spoken to her?
808	Have you such a thing about you?
808	Have you such a thing as a catalogue of the Museum?
808	Have you such a thing as a dungeon on board?
808	Have you?
808	He has brought one lump of sugar for the claret- cup?
808	Heavens, how did he know that?
808	Here''s a petition from the associated wine merchants of Mytilene?
808	Here, look at that( showing her a pocket mirror), and tell me if you think it rational to expect me to wait two years?
808	Hilarion: will set me free, If kindly death will set me free, Why should I fear, Why should I fear to die?
808	Hilarion:( Aside to Cyril) What shall I say?
808	Hildebd: Where is she now?
808	Him?
808	His most aesthetic, Very magnetic Fancy took this turn —"If I can wheedle A knife or a needle, Why not a Silver Churn?"
808	His name?
808	His shell- like ears he does not close Now is not this ridiculous, and is not this preposterous?
808	His shell- like ears he does not close Now is not this ridiculous, and is not this preposterous?
808	How came your captain so far to forget himself?
808	How can I consent to your marrying Yum- Yum if I''m going to marry her myself?
808	How can I express my gratitude?
808	How can it possibly concern me?
808	How can we bring ourselves to do that which will deprive the Court of Chancery of one of its most attractive features?"
808	How can you have the face to stand there and say such a thing?
808	How could I?
808	How could you tell?
808	How could you?
808	How dare you kiss me before we are quite married?
808	How dare you?
808	How dare you?
808	How de do, little girls, how de do?
808	How did the Grand Duke die?
808	How do we do it?
808	How do you account for this?
808	How do you know he''s young and handsome?
808	How do you like ruling the world?
808	How do you like your King?
808	How do you sell it?
808	How does Royalizing strike you?
808	How foil my foe?
808	How is the election going?
808	How old is he?
808	How say you, Adam, is not the scheme well planned?
808	How say you, maiden, will you we d A man about to lose his head?
808	How say you?
808	How shall I break it to her?
808	How should I know?
808	How should you like to be a fairy guardsman?
808	How stand we with respect to gunpowder?
808	How would I play it?
808	How would I play this part — The Grand Duke''s Bride?
808	How?
808	However could I do it?
808	However could you do it?
808	I am anxious to elicit, Is it plain and easy steering?
808	I am the wife of one, that''s very clear; But who can tell, except by intuition, Which is the Prince, and which the Gondolier?
808	I beg your pardon — a what?
808	I beg your pardon, but what is this?
808	I believe you advertise a Patent Oxy- Hydrogen Love- at- first- sight Philtre?
808	I come here in state with Her Grace the Duchess and Her Majesty my daughter, and what do I find?
808	I cried,"Or a rather tough worm in your little inside?"
808	I have not yet been informed which title your ladyship has pleased to select?
808	I hope I make myself clear, lady?
808	I knew''twould blight thy budding fate — I knew''twould cause thee anguish great — But did I therefore hesitate?
808	I long have loved — as who would not? — Our kind and reverend rector.
808	I say — it''s a beast of a name, ai n''t it — Dick Deadeye?
808	I think he''ll do?
808	I think we''re rather an improvement on the original gods — don''t you?
808	I think you ought to recollect You can not show too much respect Towards the highly titled few; But nobody does, and why should you?
808	I wanted to see you so much that I might ask you if you still love me as fondly as ever?
808	I wonder whether They''ll live together, In marriage tether In manner true?
808	I wonder who lives here?
808	I''ll be a countess, shall I not?
808	I''m not in the habit of saying"How de do, little girls, how de do?"
808	I''m ugly too, ai n''t I?
808	I''m ugly, and they hate me for it; for you all hate me, do n''t you?
808	I''ve a highly intelligent face — My features can not be denied — But, whatever I try, sir, I fail in — and why, sir?
808	I''ve no idea at all, have you?
808	I''ve no idea at all, have you?
808	I?
808	If I do n''t mind, why should you?
808	If he did but know what?
808	If heart of stone for heart of fire, Be all thou hast to give, If dead to my heart''s desire, Why should I wish to live?
808	If love is a nettle that makes you smart, Then why do you wear it next your heart?
808	If what, your honour?
808	If what?
808	If what?
808	If what?
808	If what?
808	If you do what you ought not to, Do they give the usual warning?
808	If you kill yourself, what''s to become of me?
808	In a Statutory Duel?
808	In earnest?
808	In public?
808	In the army, thought I, I shall be occasionally snubbed, perhaps even bullied, who knows?
808	In truth, I ventured to ask a poor riddle, sir — Wherein lay the difference between His Grace and poor Jack Point?
808	In which of my capacities?
808	In"all but"perfection?
808	Indeed?
808	Information I''m requesting On a subject interesting: Is a maiden all the better when she''s tough?
808	Injudicious?
808	Is B more worthy?
808	Is London to be wrecked?
808	Is all this true?
808	Is he not our very slave?
808	Is he pretty?
808	Is he the King?
808	Is it absolutely certain that you are resolved to die?
808	Is it but a world of trouble — Sadness set to song?
808	Is it difficult or easy? — GIA.
808	Is it injudicious to marry a mortal?
808	Is it necessary that such love as ours should be secured by artificial means?
808	Is it not so, Kate?
808	Is it possible?
808	Is it quite, quite certain that you will always be a commonplace young man?
808	Is it thus that brave soldiers speak to poor girls?
808	Is it true that you have never loved?
808	Is it, and can it be, Nature hath this decree, Nothing poetic in the world shall dwell?
808	Is its beauty but a bubble Bound to break ere long?
808	Is life a boon?
808	Is life a thorn?
808	Is n''t he well?
808	Is not my heart as true as another''s?
808	Is not my love as good as another''s?
808	Is not that enough for thee?
808	Is not the world a big butt of humour, into which all who will may drive a gimlet?
808	Is not this enough for thee?
808	Is not true love, faithfully given and faithfully returned, the source of every earthly joy?
808	Is our little plot detected?
808	Is she delicate?
808	Is she not designed for capture?
808	Is that all?
808	Is that so?
808	Is that the best you can do?
808	Is the Little Ease sufficiently comfortable?
808	Is the Princess with him?
808	Is the populace exacting?
808	Is there none hereaway whom thou couldst love?
808	Is this Court Mourning or a Fancy Ball?
808	Is this Hilarion?
808	Is this Phoebe?
808	Is this a time for airy persiflage?
808	Is this indeed Hilarion?
808	Is this indeed a man?
808	Is this indeed the King?
808	Is this public gratitude?
808	Is this your fidelity to the laws you are bound to obey?
808	Is this your gratitude for boons conferred?
808	It adds to the tasks Of a merryman''s place, When your principal asks, With a scowl on his face, If you know that you''re paid to be funny?
808	It ca n''t be Phoebe, surely?
808	It can not be That lion- heart quails at the coming conflict?
808	It can not be blissful as` tis said, Or why are their eyes so wondrous red?
808	It can not be joy and rapture deep, Or why do these gentle ladies weep?
808	It can not be kind as they''d imply, Or why do these ladies sigh?
808	It come uncommon near, But we answered with a cheer, Which paralysed the Parley- voo, D''ye see?
808	It cometh so unexpectedly — and yet — and yet — were I thy bride — WILFRED Aye! — wert thou my bride —?
808	It is hard, is it not, my dear?
808	It is very painful to me to have to say"How de do, little girls, how de do?"
808	It is?
808	It seems odd, does n''t it?
808	It was my fault — I blushed and stammered so that she exclaimed,"Can these be men?"
808	It — it makes a difference, does n''t it?
808	It''s a lubberly thing for to do; For we, with all our faults, Why, we''re sturdy British salts, While she''s only a Parley- voo, D''ye see?
808	It''s asking too much, ai n''t it?
808	It''s not a practical joke, is it?
808	It''s true that he has gone astray, But pray Is that a reason good and true Why you Should all be deaf to pity''s name?
808	JANE[ surprised] Most certainly I am; why should n''t I?
808	JULIA Each sympathetic heart''twill bruise When you have heard the frightful news( O will it not?)
808	Jimp, is n''t she?
808	KATE: But what shall we do until Papa and the servants arrive with the luncheon?
808	KING/ RUTH: What is the matter?
808	KING/ SAMUEL: An orphan boy?
808	KING: Am I to understand that, to save his contemptible life, he dared to practice on our credulous simplicity?
808	KING: What do you mean?
808	KING: Why not, my boy?
808	KING:( baffled) You do?
808	Kalyba: Are you?
808	King: A Company Limited?
808	King: And do I understand that Great Britain Upon this Joint Stock principle is governed?
808	King: Defunct?
808	King: It''s English, is it?
808	King: Like this?
808	King: My dear Zara, how can I thank you?
808	King: Now, is every one in his place?
808	King: Omitted something?
808	King: What means this most unmannerly irruption?
808	King: What — must I really?
808	King: You think not?
808	King:( looking at cartoon) Eh?
808	Know his story?
808	Know ye not that I have those within my call who, at my lightest bidding, would immure ye in an uncomfortable dungeon?
808	Know ye not that it is death to marry a mortal?
808	Know ye not, oh rash ones, That I have doomed you to extermination?
808	LADY S. Why do you glare at one with visage lowering?
808	LEONARD Well?
808	Lady S.: By you?
808	Lady S.:( suspiciously) How do you know that?
808	Lady S: He lives, you say?
808	Lawn- tennis may share her favours fair — Her eyes a- dance, and her cheeks a- glowing — Down comes her hair, but then what does she care?
808	Let the nuptial knot be tied: In fair phrases Hymn their praises, Hail the Bridegroom — hall the Bride?
808	Like that?
808	Like this?
808	Little Buttercup, still on board?
808	Logic?
808	Look here, Apollo, whose husband are you?
808	Lord D.: But may I ask — is this extreme delicacy — this shrinking sensitiveness — a general characteristic of Utopian young ladies?
808	Lord D.: One or two judicious innovations, I think?
808	Lord D.: Rude?
808	Lord D.: Well, what do you think of our first South Pacific Drawing- Room?
808	Lots of trumpeting and drumming?
808	Love you?
808	Loved her?
808	Loves me?
808	MABEL: Will no one in his cause a weapon wield?
808	MABEL:( wildly) Is he to die, unshriven, unannealed?
808	MAIDENS DRAGOONS In a doleful train Now is not this ridiculous, Two and two we walk all day, and is not this preposterous?
808	MAIDENS His most aesthetic, Very magnetic Fancy took this turn —"If I can wheedle A knife or a needle, Why not a Silver Churn?"
808	MAIDENS It drove them home?
808	MAJOR The only question is, who will take who?
808	MAJOR[ in agony] I wonder what the Inner Brotherhood usually recommend for cramp?
808	MEN Ev''ry house, ev''ry chink, ev''ry drain, WOMEN Warders are ye?
808	MERYLL All brave men?
808	MERYLL And not otherwise?
808	MERYLL And shall I reckon risks I run When services are to be done To save the life of such an one?
808	MERYLL Dost thou speak in earnest, my lad?
808	MERYLL Is it?
808	MERYLL None has seen thee but ourselves?
808	MERYLL Phoebe, hast thou heard the brave news?
808	MERYLL Who could have helped him to escape?
808	MERYLL[ aside] Is it true, sir?
808	Mad, I?
808	Married to Vulcan or married to Mars, what does it signify?
808	Married to the infant son of the King of Barataria?
808	May I kiss him?
808	May not a cheated maiden die?
808	Melissa: And would n''t you like to clear the coast, Of malice and perversity?
808	Mercy, whom?
808	Mercy?
808	Messmates — what do you say?
808	Miya sama, miya sama, On n''m- ma no maye ni Pira- Pira suru no wa Nan gia na Toko tonyare tonyare na?
808	Monday?
808	Mother, none can resist your fairy eloquence; you will go to him and plead for us?
808	Mr. Wells, if he must die that all may be restored to their old loves, what is to become of me?
808	Must it be so, Casilda?
808	Must it?
808	My Frederic in tears?
808	My Lady Blanche, How do you solve the riddle?
808	My Lady Psyche — you who superintend Our lab''ratory — are you well prepared To blow these bearded rascals into shreds?
808	My beloved foster- brother?
808	My body can creep through a keyhole, but what''s the good of that when my legs are left kicking behind?
808	My dear Rudolph, do you think I''m mad?
808	My dear sir, how can I help it?
808	My good friend, if you do n''t produce the piece how can I play the part?
808	My good sir, if I ca n''t disinherit my own unborn son, whose unborn son can I disinherit?
808	My little bride that was to have been?
808	My love — that remark is a little hard, I think?
808	My shell- like ears I can not close Now is not this ridiculous, and is not this preposterous?
808	My shell- like ears I can not close Now is not this ridiculous, and is not this preposterous?
808	My wife?
808	No bullying, I trust — no strong language of any kind, eh?
808	No — no — what are you talking about?
808	No?
808	Not even a Lord High Cook?
808	Not even to oblige a lady?
808	Not to some gilded lordling?
808	Now as a judge of what the public likes are you impressed with my appearance as father of the gods?
808	Now is not this ridiculous, and is not this preposterous?
808	Now is not this ridiculous, and is not this preposterous?
808	Now is not this ridiculous, and is not this preposterous?
808	Now tell me pray, and tell me true, What in the world should the( young man\maiden) do?
808	Now tell me pray, and tell me true, What in the world should the( young man\maiden) do?
808	Now tell me — don''t be afraid — how does your captain treat you, eh?
808	Now tell us, pray, Without delay, What does she say — What cheer, what cheer?
808	Now tell us, we pray you, Why thus they array you — Oh, poet, how say you — What is it you''ve done?
808	Now the question I was going to ask your honour is--Ought I to tell your honour this?
808	Now the question is, how shall we summon the people?
808	Now then, Daphne, what''s the matter with you?
808	Now then, Lord Mayor, what is it?
808	Now then, what does this mean?
808	Now then, what is it?
808	Now what would be the good of that?
808	Now wherewithal shall we please you?
808	Now you take?
808	Now — would you have any objection — to — to give me some idea — if it''s only a mere sketch — as to how you would play it?
808	Now, Preposteros, what is the matter with you?
808	Now, am I not the worst Of Nature''s blunders?
808	Now, as my Solicitor, how do you advise me to deal with this difficulty?
808	Now, do you ever happen to see the Palace Peeper?
808	Now, how should a maiden deal with such an one?
808	Now, how to find him a bride at such short notice?
808	Now, how to get access to the Colonel''s cell?
808	Now, let us set to work; Where is our lady surgeon?
808	Now, let''s see about your execution — will after luncheon suit you?
808	Now, my dear old father is kindness itself, and — — MERYLL And leaves thee pretty well to thine own ways, eh?
808	Now, of all the world of men, I wonder whom?
808	Now, pray, what is the cause of this remarkable hilarity?
808	Now, sir, what excuse have you to offer for having disobeyed an order of the Court of Chancery?
808	Now, that''s not true?
808	Now, then, as First Lord of the Treasury?
808	Now, what sayest thou?
808	Now, what sayest thou?
808	Now, what should a maiden do when she is embraced by the wrong gentleman?
808	Now, what''s that for?
808	Now, where are the other five who signed the Articles of Association?
808	Now, who''s this with his moustache coming off?
808	O Luiz, Luiz — what have you said?
808	O moralists all, How can you call Marriage a state of union true?
808	O moralists all, How can you call Marriage a state of unitee, When excellent husbands are bisected, And wives divisible into three?
808	Obliged to be careful?
808	Obliged?
808	Ods bodikins, what does it mean?
808	Of some high- born beauty?
808	Of what avail art thou To serve us now?
808	Of what avail is it that my body is free, if my legs are working out seven years''penal servitude?
808	Of what?
808	Of whom is he thinking?
808	Off whom?
808	Oh why did the gods make me a manager?
808	Oh — is that all?
808	Oh — that is it?
808	Oh — then you have n''t heard?
808	Oh, I do n''t think you could forget Yum- Yum so easily; and, after all, what is more miserable than a love- blighted life?
808	Oh, Mr. Wells, what, what is to be done?
808	Oh, Patience, Patience, with the love of thee in my heart, what have I for these poor mad maidens but an unvalued pity?
808	Oh, but perhaps you''re the two noblemen I''m engaged to?
808	Oh, did he so?
808	Oh, foolish fay, Think you, because His brave array My bosom thaws, I''d disobey Our fairy laws?
808	Oh, he''s a Duke, is he?
808	Oh, only once a year?
808	Oh, perhaps there are a thundering lot?
808	Oh, poet, how say you — What is it you''ve done?
808	Oh, spectre, wo n''t anything lay thee?
808	Oh, tell us, tell us, pray, What doth the maiden say?
808	Oh, that is your idea of a good part?
808	Oh, then I suppose there are some complaints?
808	Oh, where shall I find another?
808	Oh, where shall I find another?
808	Oh, who has been taking it easy?
808	Oh, why am I husky and hoarse?
808	Oh, why does he batter the girl he did flatter?
808	Oh, will you swear by yonder skies, Whatever question may arise,''Twixt rich and poor,''twixt low and high, That you will well and truly try?
808	Oh, would n''t you like to retire?
808	Oh, you think not?
808	Oh, you''ve had an execution, have you?
808	On maiden''s coldness do you brood?
808	On some errand of charity, as is thy wo nt?
808	On what ground do you base This senseless resolution?
808	One of my own poems?
808	Or do they provide assistance?
808	Or give a guarantee?
808	Or have you been adopted by a gentleman of quality?
808	Or that in all her works Something poetic lurks, Even in colocynth and calomel?
808	Or this my brother?
808	Ought you to stand off and on, and let this young gal take this false step and never fire a shot across her bows to bring her to?
808	PATIENCE And is it possible that you condescend to love such a girl as I?
808	PATIENCE And you, too, are a Poet?
808	PATIENCE But surely that does n''t make you unhappy?
808	PATIENCE But why do you make yourself so picturesque?
808	PATIENCE Happy?
808	PATIENCE Is it a hunting song?
808	PATIENCE Is it quite certain that you have absolutely reformed-- that you are henceforth a perfect being — utterly free from defect of any kind?
808	PATIENCE Oh — but why?
808	PATIENCE What on earth does it all mean?
808	PATIENCE Why, how could I love him and love you too?
808	PATIENCE[ down L.] Recognize you?
808	PATIENCE[ going to him] What is the matter, dear Reginald?
808	PATIENCE[ turning to him] Fifteen years?
808	PHOEBE Aye — hast thou brought Colonel Fairfax''s reprieve?
808	PHOEBE But art thou sure it was Colonel Fairfax?
808	PHOEBE Do n''t you know me?
808	PHOEBE Is it?
808	PHOEBE Then the Colonel is free?
808	PHOEBE Why am I grizzling?
808	PHOEBE and LEONARD And shall we reckon risks we run To save the life of such an one?
808	POINT An hundred crowns?
808	POINT And so thou wouldst be a jester eh?
808	POINT And that the maiden will be allowed to depart the very instant the ceremony is at an end?
808	POINT Difficult?
808	POINT Oh, woe is you?
808	POINT Thee?
808	POINT Thou dost not see the humour of that?
808	POINT Thou dost not?
808	POINT[ bitterly] Cause?
808	Painful, is n''t it?
808	Pardoned you, mother?
808	Pass the fox, I think?
808	Per chi questi fiori — Questi fiori bellissimi?
808	Perhaps he was A kind, well- spoken gentleman?
808	Perhaps you suppose this throng Ca n''t keep it up all day long?
808	Perhaps you think I''m only so- so?
808	Phantis: Scaphio, I think you once told me that you have never loved?
808	Phantis: There — tell me, Scaphio, is she not beautiful?
808	Phantis: Yes — bizarre, is it not?
808	Phantis:( overjoyed) Then you will assist me in this?
808	Please do not keep us all on tenter- hooks- Now, what''s the matter?
808	Poor child, where will she go?
808	Practically off?
808	Pray, what do you complain of?
808	Preposteros, what is it?
808	Pretty Lisa, fair and tasty, Tell me now, and tell me truly, Have n''t you been rather hasty?
808	Pretty, you think?
808	Princess: And shall I find The Lady Psyche here?
808	Princess: And you Melissa, shall I find you here?
808	Princess: But have you left no lovers at your home Who may pursue you here?
808	Princess: But we go further: Will you undertake That you will never marry any man?
808	Princess: Contempt?
808	Princess: Exactly — is he well?
808	Princess: He breathes our name?
808	Princess: The subject''s deep — how do you treat it, pray?
808	Princess: What do they do here?
808	Princess: Why, how is this?
808	Princess: Why, what''s this?
808	Princess: You know him then?
808	Princess: You say you know the court of Hildebrand?
808	Princess:( Horrified) Astride?
808	Princess:( Horrified) Hilarion?
808	Prithee, where''s the moral?
808	Psyche: Senseless?
808	Psyche: The Prince Hilarion?
808	Psyche: Why, madam — Princess: Well?
808	Question is, Have I a right to disregard its promptings?
808	Quite well; and you, sir?
808	RECIT — FREDERIC What shall I do?
808	RECITATIVE LADY S. What is this fairy form I see before me?
808	RUTH: And Ruth, your own Ruth, whom you love so well, and who has won her middle- aged way into your boyish heart, what is to become of her?
808	RUTH: I have deceived you?
808	RUTH:( wildly) And, master, am I not so?
808	Rather cruel, perhaps?
808	Really, this tone — ah, but perhaps you have not completely grasped the situation?
808	Red, am I?
808	Refreshment provided?
808	Result in consequence?
808	Robin, do you call to mind how, years ago, we swore that, come what might, we would always act upon our hearts''dictates?
808	Rose, all glowing With virgin blushes, say — Is anybody going To marry you to- day?
808	Rose, all glowing With virgin blushes, say — Is anybody going To marry you to- day?
808	Rose, when you believed that I was a simple farmer, I believe you loved me?
808	Rose, why dost thou harden that little heart of thine?
808	Rudolph?
808	Rule a Grand Duchy?
808	Ruth, tell me candidly and without reserve: compared with other women, how are you?
808	SAMUEL: An error?
808	SAPHIR On Patience?
808	SAPHIR[ coming L. of BUNTHORNE] Are you resolved to we d this shameless one?
808	SIR D. And why am I guiltily mad?
808	SIR D. He did not?
808	SIR D. Oh, why am I moody and sad?
808	SOLO — MABEL Did ever maiden wake From dream of homely duty, To find her daylight break With such exceeding beauty?
808	SOLO — Melissa Pray, what authors should she read Who in Classics would succeed?
808	SOLO — Sacharissa Pray you, tell us, if you can, What''s the thing that''s known as Man?
808	SOLO- Florian Florian: Will Prince Hilarion''s hopes be sadly blighted?
808	SONG — CAPTAIN Fair moon, to thee I sing, Bright regent of the heavens, Say, why is everything Either at sixes or at sevens?
808	SONG — FREDERIC Oh, is there not one maiden breast Which does not feel the moral beauty Of making worldly interest Subordinate to sense of duty?
808	Sad and sorry — weak and weary Death the Friend or Death the Foe, Shall I call upon thee?
808	Sad my lot and sorry, What shall I do?
808	Said she,"He loved me never, Did that great oak tree, But I''m neither rich nor clever, And so why should he?
808	Salata: Then in a few months Utopia may hope to be completely Anglicized?
808	Salata: What have we to gain?
808	Saw you his face?
808	Say that I had sat me down hurriedly on something sharp?
808	Sca, Phant, and Tara( Aside) What does he mean?
808	Scaphio: And you dare to threaten?
808	Scaphio: Are we to understand that we are defied?
808	Scaphio: Attractive?
808	Scaphio: Boons?
808	Scaphio: Do?
808	Scaphio: No?
808	Scaphio: Now tell me, is your affection requited?
808	Scaphio: Personal?
808	Scaphio: Reasonable wear and tear and damages by fire excepted?
808	Scaphio:( furiously) What do we complain of?
808	See, I am a salaried wit; and is there aught in nature more ridiculous?
808	Shady?
808	Shall I be frank with thee?
808	Shall I fly at him?
808	Shall I give you a sound thrashing before all the people?
808	Shall I introduce them?
808	Shall I rend him asunder?
808	Shall I tear him limb from limb?
808	Shall I tell her?
808	Shall I tell you one of poor Mad Margaret''s odd thoughts?
808	Shall I?
808	Shall{ we} submit?
808	She spurns your suit?
808	She''s whose?
808	Silly one, what have you to fear?
808	Simple?
808	Simple?
808	Sir, you are England''s Lord High Chancellor, but are you Chancellor of birds and trees, King of the winds and Prince of thunderclouds?
808	So we made for the bold Mounseer, D''ye see?
808	So, under the circumstances, would you allow me to put my arm round your waist?
808	Some rascal come a- poaching Who''s heard that wine we''re broaching?
808	Somebody''s birthday, I suppose?
808	Somewhat uncalled- for, I venture to believe?
808	Sparkeion?
808	Standard lost in last campaign, Rescue it at deadly peril — Bear it safely back again?
808	Stop it, will you?
808	Sunday refused to take its place?
808	Suppose we reserve it for argument before the full Court?
808	Suppose we take off our shoes and stockings and paddle?
808	Suppose — I wo n''t go so far as to say that I will do it — but suppose for one moment I were to curse you?
808	Surely I''m not late?
808	Surely you''ve a room in your Palace — with blinds — that would do?
808	Take it altogether, is it Better fun than gondoliering?
808	Tarara: A plot?
808	Tarara: That''s the theory — but in practice, how does it act?
808	Tell me, Major, are you fond of toffee?
808	Tell me, are you fond of reigning? — How''s the food, and what''s the wages?
808	Tell me, are you fond of reigning? — How''s the food, and what''s the wages?
808	Tell me, are you mad?
808	Tell me, girl, do you ever yearn?
808	Tell me, what are your qualifications for such a post?
808	Terminate your existence?
808	Thanks very much; and, ladies, what do you say to a dance?
808	That is untrue?
808	That paradox?
808	That paradox?
808	That the high and the lowly may be truly happy together, provided that they truly love one another?
808	That''s all very well, but what is to become of me?
808	That''s true, my lass, but it''s done now, ai n''t it, Rob?
808	The Duke of Plaza- Toro, I believe?
808	The bells set ringing?
808	The child who was stolen in infancy by the Inquisition?
808	The ladies rise at cockcrow every morn — Cyril: Ah, then they have male poultry?
808	The light- hearted cup and the convivial jest for them — but for me — what is there for me?
808	The maiden has bright brown hair, Oh, where will this end — oh, where?
808	The only question is, who shall it be?
808	The petitions?
808	The philtre — you have tasted it?
808	The price of thy silence is — DAME Meryll''s heart?
808	The question is, Is it meet that an utter stranger should thus express himself?
808	The racks, pincers, and thumbscrews all ready for work?
808	The son of the King of Barataria?
808	The town illuminated?
808	The wild beasts all littered down?
808	The young lady one of us married?
808	Then I sing and I play and I paint: Though none are accomplished as I, To say so were treason: You ask me the reason?
808	Then do you mean to say that I am married to one of two gondoliers, but it is impossible to say which?
808	Then the Lord Chancellor has at last given his consent to your marriage with his beautiful ward, Phyllis?
808	Then vhy do n''t you say so?
808	Then when you nurse sick people, and find them not as well as could be expected, why go into hysterics?
808	Then why do n''t you do it?
808	Then why not forgive her?
808	Then why not summon her and ask her?
808	Then why object to Vulcan?
808	Then you are married?
808	Then you do n''t love Sir Despard Murgatroyd?
808	Then you''ve not married Ludwig?
808	Then — I suppose you''re a fairy?
808	Then, the only question is, which of us shall give way to the other?
808	There are, are there?
808	There is a Prince there — I forget his name — Hilarion: Hilarion?
808	There is beauty in extreme old age — Do you fancy you are elderly enough?
808	There — I ca n''t say fairer than that, can I?
808	There''s a fascination frantic In a ruin that''s romantic; Do you think you are sufficiently decayed?
808	There, there — it''s all right — he''s married you now — that is, I''ve married you( turning to Despard)—I say, which of us has married her?
808	There, what do you think of that?
808	They wo n''t be offended?
808	They''ll all swear to it — won''t you?
808	This is in accordance with the prac- tice at the Court of St. James''s?
808	This is too bad of you, J. W. Wells — What wrong have they done you?
808	This lady''s his what?
808	This lady''s his what?
808	This sudden ebullition of unmitigated jollity?
808	Those are the three new students?
808	Those of the contrary opinion?
808	Those who are in favour of his carrying off a lady?
808	Thou lovest the bad Baronet of Ruddigore?
808	Thou wilt not let my heart be eaten up?
808	Threats, entreaties, prayers — all useless?
808	Thy shell- like ears, ah, do not close Now is not this ridiculous, and is not this preposterous?
808	Thy shell- like ears, ah, do not close Now is not this ridiculous, and is not this preposterous?
808	Thy son, whose deeds of derring- do Are echoed all the country through, Has come to join the Tower Warders?
808	Time was when it might have been; but I have left it too long — I am an old fogy, now, am I not, my dear?
808	To be sure — what does it matter?
808	To me, sir?
808	To me?
808	To which?
808	To whom do you refer?
808	To whom?
808	To whom?
808	To- day?
808	Tolloller, are you prepared to make this sacrifice?
808	Triumphal arches erected?
808	Truly?
808	Try we life- long, we can never Straighten out life''s tangled skein, Why should we, in vain endeavour, Guess and guess and guess again?
808	Tuesday?
808	Twenty love- sick maidens we, Now is not this ridiculous, and is not this preposterous?
808	Two- shilling gloves?
808	Unless you undertake to — well, suppose we say, carry off a lady?
808	Very simple is n''t it?
808	Vhy; you''re Viscount Mentone, ai n''t you?
808	WILFRED And thou wilt qualify me as a jester?
808	WILFRED Have n''t you anything to say to me?
808	WILFRED How do I know this?
808	WILFRED I am to lie?
808	WILFRED Is that sure?
808	WILFRED Now what could he have wanted with her?
808	WILFRED Oh, they say that, do they?
808	WILFRED The man thou lovest is to marry Elsie Maynard?
808	WILFRED Why, what matter of brother is this, thou lying little jade?
808	WOMEN Night has spread her pall once more, And the pris''ner still is free: MEN Warders are we?
808	WOMEN Warders are ye?
808	War is universal?
808	Warders are we?
808	Warders are ye?
808	Was I consulted?
808	Was I very bad?
808	Was ever a man placed in so delicate a situation?
808	Was it not that Thespis might consult you whenever he was in a difficulty?
808	Was n''t he?
808	Was to have been?
808	Wast thou glad when he escaped?
808	We know how delicate it is, do n''t we?
808	We may succeed — who can foretell?
808	Wednesday?
808	Well but I suppose the experiment are ingenious?
808	Well — what news?
808	Well — what''s the news?
808	Well, Preposteros, what have you brought?
808	Well, but what are we to do?
808	Well, but why November?
808	Well, but why wet?
808	Well, cut short — in a month, ca n''t you let me forget it?
808	Well, do you consent?
808	Well, have you settled which it''s to be?
808	Well, he is dead, and where shall I find another?
808	Well, miscreant, are you prepared to meet me on the field of honour?
808	Well, now, what does my heart say in this here difficult situation?
808	Well, sir, and what would you with me?
808	Well, well, it''s the way of the world, etc....[ After song — very loud and majestic music is heard] DIA and MER[ looking off] Why, who''s this?
808	Well, well, well, what''s the matter?
808	Well, what is it?
808	Well, what''s a month?
808	Well, what''s wrong with the associated wine merchants of Mytilene?
808	Well, who am I that I should take upon myself to withhold my gifts from you?
808	Well, you are a Despot — have you taken steps to slay this scribbler?
808	Well?
808	Well?
808	What a plague art thou grizzling for now?
808	What am I but a trustee?
808	What am I to say?
808	What are lobster and claret compared with the society of those we love?
808	What are we to do?
808	What are we to expect?
808	What are you crying about?
808	What are you doing here — and who are these?
808	What are you doing out of your tomb at this time of day — apparition?
808	What are you going to do with that rope?
808	What are you grinning at, you greedy old man?
808	What are you talking about?
808	What are you?
808	What ca n''t be?
808	What can girls learn within its walls worth knowing?
808	What can the portent mean?
808	What can they have done with her?
808	What could I do?
808	What could she have done to have deserved so terrible a punishment?
808	What crime do you propose to commit to- day?
808	What d''ye seek?
808	What danger is at hand?
808	What deed?
808	What did I do the day we took office?
808	What did we leave you behind for?
808	What do I want with a heart, innately?
808	What do you mean by carrying off this lady?
808	What do you mean by that, Mercury?
808	What do you mean by"no, not yet?"
808	What do you mean?
808	What do you mean?
808	What do you mean?
808	What do you mean?
808	What do you mean?
808	What do you play?
808	What do you say to that?
808	What do you think of that?
808	What do you want me to do to them?
808	What does he mean?
808	What does he mean?
808	What does he mean?
808	What does it matter?
808	What does it say?
808	What error?
808	What fiend possesses thee, That thou has come with offers such as these From such as he to such an one as I?
808	What for?
808	What good would that do?
808	What have I allowed you to do?
808	What have I done?
808	What if it should prove that I am no other than the son of his Majesty the Mikado?
808	What if it should prove that, after all, I am no musician?
808	What in the world are you thinking of?
808	What in the world can he have to say to me?
808	What is he going to do?
808	What is his position?
808	What is such a dower to the dower I have here?
808	What is that?
808	What is the matter?
808	What is the matter?
808	What is the pother?
808	What is this mysterious fascination that I seem to exercise over all I come across?
808	What is to be done with this here hopeless chap?
808	What is to be done?
808	What is wrong?
808	What kind of plaint have I, Who perish in July, who perish in July?
808	What makes you think that?
808	What man for any other joy can thirst, Whose loving wife adores him duly?
808	What may that be?
808	What means our Julia by those fateful looks?
808	What means this agitato?
808	What means this mirth unseemly, That shakes the listening earth?
808	What more could maiden want?
808	What name have you for such an one?
808	What sayest thou?
808	What sentiment Does this express?
808	What shall I read?
808	What shall we do?
808	What shall we do?
808	What strange occurrence can it be that calls dear father from his rest At such a time of night as this, so very incompletely dressed?
808	What the deuce do you call him?
808	What then?
808	What though mortal joys be hollow?
808	What was that, sir?
808	What was that, sir?
808	What was that?
808	What was that?
808	What was your love to mine?
808	What will she do?
808	What would you with me, fellow?
808	What would you with me, spectre?
808	What would you with me?
808	What would you with us?
808	What''s a bachelor?
808	What''s that?
808	What''s that?
808	What''s the matter with the man?
808	What''s the matter?
808	What''s the matter?
808	What''s the matter?
808	What''s the matter?
808	What''s the matter?
808	What''s the matter?
808	What''s the matter?
808	What''s the use of being half a fairy?
808	What''s the use of yearning for Elysian Fields when you know you ca n''t get` em, and would only let` em out on building leases if you had` em?
808	What''s this about there being no battles?
808	What''s to be done?
808	What''s to become of the survivor?
808	What, both of you?
808	What, here?
808	What, never?
808	What, never?
808	What, never?
808	What, never?
808	What, never?
808	What, never?
808	What, now?
808	What, though solemn shadows fall, Sooner, later, over all?
808	What?
808	What?
808	When chorused Nature bids me take my love, shall I reply,"Nay, but a certain Chancellor forbids it"?
808	When one of the Human Family proposes to eat a sausage- roll, it is his duty to ask himself,"Am I a conspirator?"
808	When the breeze is out a- wooing, Who can woo so well?
808	When the tempest rose, And the ship went so — Do you suppose We were ill?
808	When you came to me, palsied with love for this girl, and implored my assis- tance, did I not unhesitatingly promise it?
808	When you said"orphan", did you mean"orphan",a person who has lost his parents, or"often", frequently?
808	When you''re busy, have you got to Get up early in the morning?
808	Where are the Prin- cesses?
808	Where are the halberdiers who were to have had the honour of meeting us here, that our visit to the Grand Inquisitor might be made in becoming state?
808	Where are you intruding to?
808	Where are your rifles, pray?
808	Where can it be?
808	Where in the world did you get this from?
808	Where is our suite?
808	Where shall I find another?
808	Where''s the claret?
808	Wherefore waste our elocution On impossible solution?
808	Whether you are supposed to be married to your father — or your grandfather, what does it matter?
808	Which half?
808	Which paralysed the Parley- voo, D''ye see?
808	Which shall it be?
808	Which was grateful of the poor Mounseer, D''ye see?
808	While he, the very cynosure of our eyes and hearts, remains icy insensible — what have we to strive for?
808	While she''s only a Parley- voo, D''ye see?
808	Whither away, dear Rose?
808	Whither, whither art thou fleeting?
808	Who am I to raise objection?
808	Who am I?
808	Who are our respective kin?
808	Who are these young people?
808	Who are we?
808	Who are you, sir, who presume to address me in person?
808	Who are you, sir?
808	Who are you?
808	Who are you?
808	Who can tell?
808	Who can tell?
808	Who fired that shot?
808	Who had pity on a poor Parley- voo, D''ye see?
808	Who has ventured to approach our all but inaccessible lair?
808	Who is he?
808	Who is he?
808	Who is he?
808	Who is the man who, The man to whom thou art In his pride, allied Claims thee as his bride?
808	Who is the object of your young affections?
808	Who is the wretch who hath betrayed thee?
808	Who is this man?
808	Who is, who is the misbegotten knave Who hath contrived this deed to do?
808	Who knows whose husband you are?
808	Who may this be?
808	Who may this be?
808	Who says twenty- four hours make a day?
808	Who taught me to curl myself inside a buttercup?
808	Who taught me to dive into a dewdrop — to nestle in a nutshell — to gambol upon gossamer?
808	Who taught me to swing upon a cobweb?
808	Who thinks slightingly of the cocoanut because it is husky?
808	Who will?
808	Who would not give up willingly All matrimonial ambition, To rescue such a one as I From his unfortunate position?
808	Who''s this?
808	Who?
808	Who?
808	Whom are you alluding to?
808	Whom do we ward?
808	Whom do we ward?
808	Whom do we ward?
808	Whom do we ward?
808	Whom do ye ward?
808	Whom do ye ward?
808	Whom do ye ward?
808	Whom do ye ward?
808	Whom do ye ward?
808	Whom do ye ward?
808	Whom do ye ward?
808	Whom?
808	Whose cheque?
808	Whose will?
808	Whose?
808	Why did five- and- twenty Conservative Peers come down to fish your pond?
808	Why did five- and- twenty Liberal Peers come down to shoot over your grass- plot last autumn?
808	Why did n''t we marry ten years ago?
808	Why did the gods make him a manager?
808	Why did the gods make him a manager?
808	Why do you hate him?
808	Why do you not do yourself the honour to kneel when you address His Grace?
808	Why do you permit these things?
808	Why does he expect me to love him?
808	Why does he love me?
808	Why have we wasted all this time?
808	Why linger here, Where all is drear?
808	Why not disguise yourself, disfigure yourself, anything to escape this persecution?
808	Why not settle it in the English fashion?
808	Why not?
808	Why not?
808	Why not?
808	Why not?
808	Why not?
808	Why not?
808	Why not?
808	Why not?
808	Why should I kill you when making an affidavit that you''ve been executed will do just as well?
808	Why so?
808	Why waken from its slumbers The aching memory of the old, old days?
808	Why, bless my heart, do n''t you see that, as your leading lady, I am bound under a serious penalty to play the leading part in all your productions?
808	Why, do n''t you know me?
808	Why, how came you here?
808	Why, how''s that?
808	Why, that''s never you?
808	Why, what did you suppose I was going to play?
808	Why, what does this mean?
808	Why, what''s that?
808	Why, what''s that?
808	Why, what''s the matter with the little donkey?
808	Why, what''s the matter, sir, with you?
808	Why, what''s the matter?
808	Why, what''s the matter?
808	Why, what''s the matter?
808	Why, what''s the matter?
808	Why, what''s the matter?
808	Why, what''s the matter?
808	Why, what''s this?
808	Why, what''s this?
808	Why, what''s wrong now?
808	Why, where be oi, and what be oi a doin'', A sleepin''out, just when the dews du rise?
808	Why, who are you who ask this question?
808	Why, who is this approaching, Upon our joy encroaching?
808	Why, who is this whose evil eyes Rain blight on our festivities?
808	Why, you forward little hussy, how dare you?
808	Why?
808	Why?
808	Why?
808	Why?
808	Why?
808	Will not Lisa look delightful?
808	Will nothing shake you?
808	Will nothing shake your resolution?
808	Will she, lads?
808	Will the insult be cash down, or at a date?
808	Will you do this thing for me?
808	Will you obleege me with a copy of it, In clerkly manuscript, that I myself May use it on appropriate occasions?
808	Will you present me?
808	Will you refrain from putting in your oar?
808	Will you share my cottage shady?"
808	Wilt thou be that wife?
808	With a beautiful robe of gold and green, I''ve always understood; I wonder whether She''d wear a feather?
808	With a horse do they equip you?
808	Wo n''t it be a pretty wedding?
808	Wo n''t that satisfy you?
808	Wo n''t you wait till you are eighty in the shade?
808	Would anybody else like to marry me?
808	Would it be kindly, think you, to parade These brilliant qualities before your eyes?
808	Would suit thee, thou death''s head and cross- bones?
808	Would you like to go into Parliament?
808	Would you like to see how we say"good- bye"to visitors of distinction?
808	Would you mind not coming quite so near?
808	Wouldst thou earn an hundred crowns?
808	Yes, Patience, is it not strange?
808	Yes, Patience?
808	Yes, but what are we to do in the meantime?
808	Yes, but where''s the wine?
808	Yes, but why does he hate me?
808	Yes, how are you to get butter, milk, and eggs up here?
808	Yes, that''s all very well, but who''ll be fool enough to be the survivor?
808	Yes; would it be troubling you too much if I asked you to produce him?
808	Yet, am I happy?
808	You are Rose Maybud?
808	You are not making fun of us?
808	You are still true to me?
808	You could n''t expect a lady to read any other?
808	You cry at marrying me?
808	You did n''t expect me?
808	You do n''t mean to say you are married?
808	You do n''t mind, I suppose?
808	You do n''t?
808	You do not happen to possess the accomplishment of tootling like a cornet- a- piston?
808	You do?
808	You hear?
808	You heard us then?
808	You here?
808	You love him then?
808	You love in vain?
808	You pity me?
808	You say you cease to love me?
808	You see my difficulty, do n''t you?
808	You swear it?
808	You the most miserable man in my whole dominion?
808	You think it does?
808	You think not?
808	You think the part of Grand Duchess will be good enough for you?
808	You two, eh?
808	You understand?
808	You were about to say? — ROB.
808	You were not thinking of either of us for yourself, I presume?
808	You will?
808	You will?
808	You wish to succeed to the throne?
808	You wo n''t go tipping people, or squandering my little savings in fireworks, or any nonsense of that sort?
808	You would?
808	You — you would n''t like to put down a deposit, perhaps?
808	You''re not going to kiss me before all these people?
808	You''ve five minutes to spare?
808	You, you alone are sad and out of spirits; What is the reason?
808	Your Grand Duchess?
808	Your mother is ill?
808	Your own decree?
808	Yum- Yum, are you particularly busy?
808	Zara: Calls himself English?
808	Zara: Why, Arthur, what does it matter?
808	Zara:( aside) Oh, dear, Captain Fitzbattleaxe, what is to be done?
808	Zara:( looking at cartoon) Why do they represent you with such a big nose?
808	[ Aloud] And why is my boy to take heed of her?
808	[ Aloud] Why should she marry a man who had but an hour to live?
808	[ Aloud] Wilfred — has no reprieve arrived?
808	[ Assuming a fixed smile] PATIENCE But, Reginald, how long will this last?
808	[ C.] Angela — Ella — Saphir — what — what does this mean?
808	[ Disturbed] Oh, perhaps there are a good many?
808	[ Embracing her] PHOEBE[ in great agitation] Why, what''s all this?
808	[ Enter ANGELA, L.] ANGELA Why, Patience, what is the matter?
808	[ Enter DAME CARRUTHERS and KATE DAME Warders are ye?
808	[ Enter SERGEANT MERYLL FAIRFAX Well, Sergeant Meryll, and how fares thy pretty charge, Elsie Maynard?
808	[ Enter WILFRED WILFRED In tears, eh?
808	[ GUARDS push CROWD off, and go off with them] Now, my girl, who are you, and what do you here?
808	[ In great terror] What have I done?
808	[ Nicemis comes down R.] Well, Nicemis, I should say, Diana, what''s wrong with you?
808	[ Resuming] What is there for me but anxiety — ceaseless gnawing anxiety that tears at my very vitals and rends my peace of mind asunder?
808	[ Seeing WILFRED] Why, what''s all this?
808	[ Shakes MERYLL''s hand; MERYLL begins to weep] Why, man, what''s all this?
808	[ They start, and turn to her] ANGELA I beg your pardon?
808	[ Up- stage, he looks off L. and R.] Am I alone, And unobserved?
808	[ as guessing a riddle] Why did the gods make him a manager?
808	[ aside] But how shall I account for your presence?
808	[ aside] Can I trust her?
808	[ aside] Who the deuce may she be?
808	[ beginning to cry] ANGELA Why are you crying?
808	[ eagerly] Do n''t you?
808	[ in great terror] Please sir, what have I done, sir?
808	[ seeing PATIENCE] Crying, eh?
808	[ sees MERYLL] Sergeant Meryll, is it not?
808	[ snappishly] Whom were you talking with just now?
808	[ to LIEUTENANT] May I greet my old friend?
808	[ to SAPHIR] Oh, Saphir, are they not quite too all — but?
808	[ to Tim] Abolished battles?
808	[ very angry] Well, do you consider it consistent with your duty as the god of wine to make the grapes yield nothing but ginger beer?
808	and am I not his foster- brother?
808	and are you then Indeed young men?
808	beauty?
808	do you propose to leave the Navy then?
808	eh?
808	his hour is not yet come?
808	how can I repay the debt I owe you?
808	is there not beauty even in bloodthirstiness?
808	it''s you, is it?
808	little Phoebe?
808	or you?
808	pretty one — in my power at last, eh?
808	quoth she — then,"Is it certain he will die in an hour?"
808	sighed the maids assembled; Had I a cold?
808	then your lordship is of opinion that married happiness is not inconsistent with discrepancy in rank?
808	they they Love comes alike to high and low — Britannia''s sailors rule the waves, And shall they stoop to insult?
808	thou livest?
808	welled forth the silent tear; Did I look pale?
808	what has that to do with it?
808	what have I said?
808	what is the matter with me?
808	what is the meaning of this?
808	what profit we, O maids that sigh, Though gold, though gold should live If wedded love must die?
808	what would I do?
808	which may they be?"
808	which seems to be the modern fashion of love- making?
808	you would n''t have us absolutely merciless?
808	— your little playfellow?