This is a list of all the questions and their associated study carrel identifiers. One can learn a lot of the "aboutness" of a text simply by reading the questions.
| identifier | question |
|---|---|
| 36446 | Hi, Mister, may we have some Apples? |
| 36446 | = Photogravure Worker.== Have you tried== THE ORIGINAL= ZEISS LENS? |
| 39691 | What does she say? |
| 39691 | How near can a camera fitted with a lens of 8- 1/2-inch focus be placed to the moving object? |
| 39691 | LANDSCAPES AND GROUPS ON THE DINING- ROOM TABLE Did you ever try building landscapes on the dining- room table? |
| 39691 | Why six- sided?_"We do not know the special conditions which determine the formation of one or the other form of snow crystals. |
| 42547 | But is silver printing necessarily a fading process? |
| 42547 | How are we to fix the strength of the bath? |
| 42547 | This is, perhaps(? |
| 42547 | What do they teach? |
| 42547 | What principles must we follow? |
| 42547 | Why is this? |
| 63517 | ( who has already made a good beginning), G. W. D., of the same place, and Mr. G. G., of Pa. Friends and co- laborers, shall we hear from you? |
| 63517 | (?) |
| 63517 | As iodate of potash is thought to render collodion insensitive(? |
| 63517 | E. F. S."How can any Operator afford to be without it?" |
| 63517 | [ Footnote L: If the water contained much sulphate of lime, it is likely that the sensitiveness of the paper would be impaired(?).] |
| 45714 | But it may be asked, where is the demand for pictures taken at such a speed? |
| 45714 | CHAPTER XX WHY NOT NATIONAL CINEMATOGRAPH LABORATORIES? |
| 45714 | How can it be detected? |
| 45714 | How is the work rewarded? |
| 45714 | Surely what has been possible at a French establishment is not beyond the resources of other countries? |
| 45714 | Under these circumstances the question arises"How should a photo- play be prepared?" |
| 45714 | WHY NOT NATIONAL CINEMATOGRAPH LABORATORIES? |
| 45714 | Where is it? |
| 63427 | What is the reason of your not sending me my Journals? 63427 Is that enough?--_Tribune._ Wonder if the Tribune''s calculations is made from the actual measurement of thetail"of the"old white coat?" |
| 63427 | It is_ essential_ that the plates should be very pure, free from scum? |
| 63427 | T. says--"Will you give a ready and easy method of detecting chlorine? |
| 63427 | The question is often asked, what constitutes the difference between wrought iron, cast iron and steel? |
| 63427 | Where is it? |
| 40468 | 20, in which detail is almost entirely absent? |
| 40468 | But you may say"Can not we often by changing our point of view get an otherwise ill- composed subject to compose well?" |
| 40468 | To what then is the pleasure we feel when looking at a good picture due? |
| 40468 | Why is this? |
| 40468 | _ John H. Avery.__ The Hand Camera and its use._[ Illustration] What is the best form of hand camera? |
| 35709 | But when is payment made? |
| 35709 | And how does it pay? |
| 35709 | But what if one ca n''t obtain copies of the magazines which print material which the reader may easily find? |
| 35709 | For no one ever outgrows the question,"What ya doin'', mister?" |
| 35709 | Is the field overcrowded? |
| 35709 | Not much, the making and selling of photographs? |
| 35709 | Similarly under a photograph of three men standing in a row and looking with a"where''s- the- birdie?" |
| 35709 | THE HIGH ROAD 93 MAKING YOUR CAMERA PAY I WHAT IT''S ALL ABOUT Whence come the thousands of photographs used every month by newspapers and magazines? |
| 35709 | The field-- how wide is it? |
| 35709 | This little book is a practical, up- to- the- minute answer to the question:"How can I make my camera- work profitable?" |
| 35709 | What could be simpler? |
| 35709 | XV THE HIGH ROAD Not much of an exalted vocation, the selling of photographs? |
| 38866 | ''Never,''he exclaimed;''and how is it possible? |
| 38866 | And every time you come to a public- house he will say his"horse wants a dthrink,"and"Wo n''t yer honours have a dthrop?" |
| 38866 | And why should these scenes of natural beauty and charming romance not be photographed on the spot? |
| 38866 | But what of that? |
| 38866 | But, before proceeding farther, let me ask-- Has such a thing as a triple alliance ever been considered? |
| 38866 | Did you ever ride a spavined horse down a hill? |
| 38866 | During an examination of those grand old pictures, two questions naturally arise in the mind: What is conventionality in art? |
| 38866 | For what aspect of life is photography not called upon to witness?--what phase of this world''s weal or woe is photography not required to depict? |
| 38866 | Has it been ascertained that an amicable amalgamation with the Photographic Society of London is impossible? |
| 38866 | Have the Cantabs made up their minds not to be_ cabinet_ men in opposition to Oxford? |
| 38866 | Hill, a preacher in the Catskills, to negotiate with the reverend gentlemen(?) |
| 38866 | How many thousands amongst those who owe their means of subsistence to this process must have experienced such a feeling of gratitude? |
| 38866 | If so, what are the motives of the proposers of the union of the North and South London Societies? |
| 38866 | Is such an"outsider"or hanger- on a fit and proper person to join a photographers''provident society, or be the recipient of a benevolent relief fund? |
| 38866 | Next month some of the London photographic societies will commence the session of 1868- 9, and it might be asked, What are their prospects? |
| 38866 | The discussion on"Sharpness: what is it?" |
| 38866 | The most noticeable of that class of Irish art and industry is a clever group, entitled,"Where''s the man that dare tread on my coat?" |
| 38866 | The question then naturally arises,"How could plaster casts be obtained from which the photographs were produced?" |
| 38866 | Then why should we not honour Archer as the French honoured Daguerre, and call the wet collodion process the Archertype? |
| 38866 | There is also an observatory at Washington, which I visited; but not being fortunate enough to meet the-- what shall I say? |
| 38866 | To what more dignified and sublime uses could any art be put? |
| 38866 | What have not been the improvements and wonderful workings of photography in a quarter of a century? |
| 38866 | What have not the thousands of active brains devoted to its advancement done for it already? |
| 38866 | What improvements have not been effected in the lifetime of any old Daguerreotypist? |
| 38866 | What would Thomas Wedgwood not have given for a handful of that now common commodity? |
| 38866 | Whatever would_ mashers_ have said or done, if they had gone to be photographed in those days of photographic darkness? |
| 38866 | Where are they all now? |
| 38866 | and-- In whose works do we see it? |
| 38866 | or is the fact due to the lukewarmness of the Cambridge photographers themselves? |