Questions

This is a list of all the questions and their associated study carrel identifiers. One can learn a lot of the "aboutness" of a text simply by reading the questions.

identifier	question
work_feo66qdrkbhwdilmytrqflejwe	How often, for example, do scholars think of American literary history beginning in 10,000 BCE?
work_uqizyllyafg4fglj3b55ecwti4	Who will buy it?
work_f2vnr4iplva3zihzjrrgavei4a	Remission versus response as the goal of therapy in ADHD: a new standard for the field?
work_f2vnr4iplva3zihzjrrgavei4a	역사 속 유명인사 중에 ADHD가 있었을까?
work_3rnpb5ei3feuzn2zc5m3rnpra4	How Wide the Circle of the''We''? work_3rnpb5ei3feuzn2zc5m3rnpra4 But “ Now you will ask, what ’s wrong? work_3rnpb5ei3feuzn2zc5m3rnpra4 How to assess these attributes? work_3rnpb5ei3feuzn2zc5m3rnpra4 What did the Ashkenazy know of Teddy Roosevelt ’s Rough Riders? work_3rnpb5ei3feuzn2zc5m3rnpra4 Why Are Jews Preeminent in Science and Scholarship? work_3rnpb5ei3feuzn2zc5m3rnpra4 Why have historians of economics walked away from such matters? work_h2skrzmbv5clnddvstwk74cfmq Strengths? work_h2skrzmbv5clnddvstwk74cfmq Weaknesses? work_h2skrzmbv5clnddvstwk74cfmq Why do I want to be a physician? work_65ylzwafnza5npxzfszqsnfl64 And what of the nonwage- earning wife whose last child left home ten years ago? work_65ylzwafnza5npxzfszqsnfl64 And what of the wife whose children are in school? work_65ylzwafnza5npxzfszqsnfl64 But what is a marital enterprise? work_65ylzwafnza5npxzfszqsnfl64 How much does it cost a woman tomake the beds?"
work_65ylzwafnza5npxzfszqsnfl64	IDEALS IN CONTEMPORARY MARRIAGE- ARE WE ONE FLESH?
work_65ylzwafnza5npxzfszqsnfl64	L. 121 1993- 1994 107] PARTNERSHIP MODEL DIVORCE 121 even if she stays home from 9:00 to 3:00?
work_65ylzwafnza5npxzfszqsnfl64	Most obviously, what if estimated income is not realized?
work_65ylzwafnza5npxzfszqsnfl64	REALITIES OF CONTEMPORARY MARRIAGE- WHO MAKEs THE BED AND How MUCH DOES IT COST?
work_65ylzwafnza5npxzfszqsnfl64	Who makes the bed?
work_rdbxjatig5fevam4loqogcl5sy	He asserts “... the question is simple: what have we to lose in suspending belief and acting as if there is nothing?
work_rdbxjatig5fevam4loqogcl5sy	If not Death, is the enemy rationality slain at the altar of dogma?
work_rdbxjatig5fevam4loqogcl5sy	Is Alapack relenting?
work_rdbxjatig5fevam4loqogcl5sy	Is acceptance germinating?
work_rdbxjatig5fevam4loqogcl5sy	Is he giving in?
work_rdbxjatig5fevam4loqogcl5sy	Nothing?
work_rdbxjatig5fevam4loqogcl5sy	With Death as both an ontological and existential idea, Alapack ’s challenge is situated in the question: How do we keep Death alive?
work_54potqslzjgmzdy4jwcddd4epu	Hanging cursed from the tree of death, of wrath, of death, for me?
work_54potqslzjgmzdy4jwcddd4epu	Have you eaten from the tree of knowledge of good and evil?
work_54potqslzjgmzdy4jwcddd4epu	Have you eaten from the tree of which I commanded you not to eat? ’( 3.11).
work_54potqslzjgmzdy4jwcddd4epu	In the first section of his composition, Beatch ’s threefold repetition of the line ‘ Who is this? ’ underlines the key question of identity.
work_54potqslzjgmzdy4jwcddd4epu	July 4, Available online: http://chiesa.espresso.repubblica.it/articolo/1351089bdc4.html?
work_54potqslzjgmzdy4jwcddd4epu	These questions are: ‘ Where are you? ’( 3.9b); ‘ Who told you that you were naked?
work_54potqslzjgmzdy4jwcddd4epu	These questions are: ‘ Where are you? ’( 3.9b); ‘ Who told you that you were naked?
work_54potqslzjgmzdy4jwcddd4epu	What happens, then, in this encounter with theology?
work_54potqslzjgmzdy4jwcddd4epu	What have you done? ’ In the second half of the composition, it is now man who questions God on the cross: ‘ For whom are you naked?
work_54potqslzjgmzdy4jwcddd4epu	What have you done? ’ In the second half of the composition, it is now man who questions God on the cross: ‘ For whom are you naked?
work_54potqslzjgmzdy4jwcddd4epu	What is this you have done, my saviour?
work_54potqslzjgmzdy4jwcddd4epu	Who told you you were naked?
work_acm5o7pzeja35dhuldwdklchcu	Ms. Chicago, Party of 39? work_acm5o7pzeja35dhuldwdklchcu 20 This question,Is this all?,"helped spark and ground the feminist movements of the 1960s and 1970s.
work_acm5o7pzeja35dhuldwdklchcu	ABSTRACT This thesis begins with one central question: How did second- wave feminist artists represent motherhood and how is it represented today?
work_acm5o7pzeja35dhuldwdklchcu	CHAPTER 1 GUESS WHO''S COMING TO DINNER?
work_acm5o7pzeja35dhuldwdklchcu	Chapter one,"Guess Who''s Coming to Dinner?
work_acm5o7pzeja35dhuldwdklchcu	Does framing the maternal breast as phallus implicitly deny the female body?
work_acm5o7pzeja35dhuldwdklchcu	From this omission questions arise: Why is motherhood marginalized in The Dinner Party?
work_acm5o7pzeja35dhuldwdklchcu	GUESS WHO''S COMING TO DINNER?
work_acm5o7pzeja35dhuldwdklchcu	Goddarnrnit, do n''t you know that he should have a football in his hand!?!"
work_acm5o7pzeja35dhuldwdklchcu	How can"Global Feminisms"be seen as a guest that both critiques and revises Chicago''s seminal work?
work_acm5o7pzeja35dhuldwdklchcu	In fact, I began this study with the question: How did 1970s feminists represent motherhood and how is it represented today?
work_acm5o7pzeja35dhuldwdklchcu	Of this suspicion, Opie said:"Right, because we''re[ the gay community] not supposed to have children, do n''t you know that?
work_acm5o7pzeja35dhuldwdklchcu	Returning to the originally question: How did 1970s feminists represent motherhood and how is it represented today?
work_acm5o7pzeja35dhuldwdklchcu	Robin Pogrebin,"Ms. Chicago, Party of 39?
work_acm5o7pzeja35dhuldwdklchcu	The Truth Behind the Mommy Wars: Who Decides What Makes a Good Mother?
work_acm5o7pzeja35dhuldwdklchcu	The basic premise of these editorials: What did feminism accomplish and where is it now?
work_acm5o7pzeja35dhuldwdklchcu	The result?
work_acm5o7pzeja35dhuldwdklchcu	What is the relationship between The Dinner Party and"Global Feminisms"at the Sackler Center for Feminist Art?
work_acm5o7pzeja35dhuldwdklchcu	Why Have there Been no Great Women Artists?"
work_acm5o7pzeja35dhuldwdklchcu	Why was this subject marginalized by 1970s feminist artistic practices?
work_acm5o7pzeja35dhuldwdklchcu	Yet, what are the implications of fragmenting the maternal body?
work_acm5o7pzeja35dhuldwdklchcu	in"Why Have there Been no Great Women Artists?"
work_wpv3eviyczdtlg4cs5rc5plxwy	Is it still fun?
work_wpv3eviyczdtlg4cs5rc5plxwy	( 2) What mechanisms enable the behavior( activity)-how does it operate?
work_wpv3eviyczdtlg4cs5rc5plxwy	( i.e., What are the sys- tem''s limitations?)"
work_wpv3eviyczdtlg4cs5rc5plxwy	Are they competing or complementary explanations of recreation behavior?
work_wpv3eviyczdtlg4cs5rc5plxwy	Are we welcome?
work_wpv3eviyczdtlg4cs5rc5plxwy	Capacities refer to the"what''s needed?"
work_wpv3eviyczdtlg4cs5rc5plxwy	Could Emily Dickenson have written her poems had she been extraverted and gregarious?
work_wpv3eviyczdtlg4cs5rc5plxwy	Does one concept subsume the other?
work_wpv3eviyczdtlg4cs5rc5plxwy	How often?
work_wpv3eviyczdtlg4cs5rc5plxwy	How?
work_wpv3eviyczdtlg4cs5rc5plxwy	Is leisure theory needed for leisure studies?
work_wpv3eviyczdtlg4cs5rc5plxwy	It is often difficult to decide between activi- ties- should you go bowling?
work_wpv3eviyczdtlg4cs5rc5plxwy	S T R U C T U~~ OF RECREATION BEHAVIOR 391 What are some of the recent alternatives?
work_wpv3eviyczdtlg4cs5rc5plxwy	STRUCTURE OF RECREATION BEHAVIOR 373( 1960) arousal theory?
work_wpv3eviyczdtlg4cs5rc5plxwy	The question they ask is uWhy?
work_wpv3eviyczdtlg4cs5rc5plxwy	The three remaining questions- why?
work_wpv3eviyczdtlg4cs5rc5plxwy	What kinds of information would be required?
work_wpv3eviyczdtlg4cs5rc5plxwy	What outcomes are produced?
work_wpv3eviyczdtlg4cs5rc5plxwy	What would be needed to construct a more holistic, comprehensive, and better- integrated explanation of any particu- lar recreation activity?
work_wpv3eviyczdtlg4cs5rc5plxwy	When studying a particular activity we tend to examine correlates: Who does it?
work_wpv3eviyczdtlg4cs5rc5plxwy	Why?
work_wpv3eviyczdtlg4cs5rc5plxwy	With any phenomenon, the great questions remain: What?
work_wpv3eviyczdtlg4cs5rc5plxwy	and What''s needed?
work_wpv3eviyczdtlg4cs5rc5plxwy	how?
work_wpv3eviyczdtlg4cs5rc5plxwy	must a person have to pa^rticipate?
work_wpv3eviyczdtlg4cs5rc5plxwy	play cards?, or just nap?
work_wpv3eviyczdtlg4cs5rc5plxwy	play cards?, or just nap?
work_hv6yspvsnfhdrocjxbxtybtcfq	26   1.6 Conclusion: Where is here?
work_hv6yspvsnfhdrocjxbxtybtcfq	: ” Re- Living the Frontier Frame To know you are right and then go ahead is a pretty plan, but how to know?
work_hv6yspvsnfhdrocjxbxtybtcfq	A New Home — Who’ll Follow?
work_hv6yspvsnfhdrocjxbxtybtcfq	And that is — Why climb?
work_hv6yspvsnfhdrocjxbxtybtcfq	And wings to the very soul?
work_hv6yspvsnfhdrocjxbxtybtcfq	Did you feel like that last summer at Newport or Narragansett? ”( 11).
work_hv6yspvsnfhdrocjxbxtybtcfq	For instance, why does Turner describe the nation- building frontier movement as “ steady ”( 167)?
work_hv6yspvsnfhdrocjxbxtybtcfq	How do they articulate and problematize such definitions?
work_hv6yspvsnfhdrocjxbxtybtcfq	How does one analyze texts that are at once so telling of the cultural currents of their time, and yet which remain so seemingly off the grid?
work_hv6yspvsnfhdrocjxbxtybtcfq	How does the process of finding and analyzing this meaning contribute to a new way of reading texts?
work_hv6yspvsnfhdrocjxbxtybtcfq	How does this meaning shed light on the other texts in my dissertation?
work_hv6yspvsnfhdrocjxbxtybtcfq	In other words, how do they illuminate the mechanisms by which we define our sense of place in Canada and Canada ’s place in the world?
work_hv6yspvsnfhdrocjxbxtybtcfq	Or miss the best that the mountains have to reveal? ”( 6).
work_hv6yspvsnfhdrocjxbxtybtcfq	Schäffer ’s question of “ why not? ”( 17) calls attention to the leveling language of the body to in turn make and revise meaning.
work_hv6yspvsnfhdrocjxbxtybtcfq	She invites us to question whose cultural progress it is anyway — to ask who gets to represent and define collective values and why?
work_hv6yspvsnfhdrocjxbxtybtcfq	She pokes fun at this same young woman visiting from a big city, asking “[ d]id she see the mountains? ”( 44).
work_hv6yspvsnfhdrocjxbxtybtcfq	The Movement/ Change of female frontier revival authors does not just go from here to there; it asks, where is here?
work_hv6yspvsnfhdrocjxbxtybtcfq	The question of where is here?
work_hv6yspvsnfhdrocjxbxtybtcfq	The question of “ why climb? ” becomes symbolic of how women ’s lives can be improved by expanding their physical freedom.
work_hv6yspvsnfhdrocjxbxtybtcfq	Then we looked into each other ’s eyes and said: “ Why not?
work_hv6yspvsnfhdrocjxbxtybtcfq	Then we looked into each other ’s eyes and said: “ Why not?
work_hv6yspvsnfhdrocjxbxtybtcfq	Was it prudent to go two thousand miles from the nearest settlement? ”( “ Northward ” 46).
work_hv6yspvsnfhdrocjxbxtybtcfq	We are prompted to ask ourselves: which bodies get to represent what ideas and why?
work_hv6yspvsnfhdrocjxbxtybtcfq	What does this passage mean and where does the meaning come from?
work_hv6yspvsnfhdrocjxbxtybtcfq	What exactly does this contradictory Canadian identity look like and how does it relate to Duncan ’s take on gender?
work_hv6yspvsnfhdrocjxbxtybtcfq	What is the beginning point and the destination?
work_hv6yspvsnfhdrocjxbxtybtcfq	What was I to do?
work_hv6yspvsnfhdrocjxbxtybtcfq	Who or what exactly is creating and propelling this movement?
work_hv6yspvsnfhdrocjxbxtybtcfq	Why does he describe the same westward movement as two different movements( away from Europe and towards America)?
work_hv6yspvsnfhdrocjxbxtybtcfq	Why fly?
work_hv6yspvsnfhdrocjxbxtybtcfq	Why study frontier adventure literature?
work_hv6yspvsnfhdrocjxbxtybtcfq	as subject? ”( Sidonie Smith and Watson, “ Mapping ” 13).
work_hv6yspvsnfhdrocjxbxtybtcfq	“ Is ‘ Generic is Specific ’ a Metaphor? ” Meaning, Form,& Body.
work_nfhh36u7dnhhff6llecbd5waie	( 1) What is creativity?
work_nfhh36u7dnhhff6llecbd5waie	( 2) How can the use of artistic competencies and communication forms contribute to organi- zational change and new product development?
work_nfhh36u7dnhhff6llecbd5waie	( 3) What can business leaders learn from artists?
work_nfhh36u7dnhhff6llecbd5waie	, why then for us normal mortals? ”( Darso, 2004: 182).
work_nfhh36u7dnhhff6llecbd5waie	Are these just the naïve beliefs of an 85-year- old Dutch artist?
work_nfhh36u7dnhhff6llecbd5waie	Do we, as English and French Canadians, invite each other into our homes?
work_nfhh36u7dnhhff6llecbd5waie	Given the extremely competitive nature of the global economy, is it reasonable to simultaneously aspire to business success and societal well- being?
work_nfhh36u7dnhhff6llecbd5waie	How do companies find such dreamers?
work_nfhh36u7dnhhff6llecbd5waie	How does business hope to influence life on the planet?
work_nfhh36u7dnhhff6llecbd5waie	How is business influencing life on this planet?
work_nfhh36u7dnhhff6llecbd5waie	Is it irrational to believe that we would treat other people and our environment with more respect if we saw it more accurately?
work_nfhh36u7dnhhff6llecbd5waie	Is the M.B.A. obsolete?
work_nfhh36u7dnhhff6llecbd5waie	LL-no2-june08.qxp 187LEARNing Landscapes| Volume 1, Number 2, Spring 2008 The Ar ts& Leadership: Now That We Can Do Anything, What Will We Do?
work_nfhh36u7dnhhff6llecbd5waie	Nancy J. Adler 213LEARNing Landscapes| Volume 1, Number 2, Spring 2008 The Arts& Leadership: Now That We Can Do Anything, What Will We Do?
work_nfhh36u7dnhhff6llecbd5waie	Perhaps more important, who are we as human beings?
work_nfhh36u7dnhhff6llecbd5waie	The Art Of Leadership: Hope Made Real Who are we as artists?
work_nfhh36u7dnhhff6llecbd5waie	The Arts& Leadership: Now That We Can Do Anything, What Will We Do?
work_nfhh36u7dnhhff6llecbd5waie	The Arts& Leadership: Now That We Can Do Anything, What Will We Do?
work_nfhh36u7dnhhff6llecbd5waie	The Arts& Leadership: Now That We Can Do Anything, What Will We Do?
work_nfhh36u7dnhhff6llecbd5waie	The Arts& Leadership: Now That We Can Do Anything, What Will We Do?
work_nfhh36u7dnhhff6llecbd5waie	The Arts& Leadership: Now That We Can Do Anything, What Will We Do?
work_nfhh36u7dnhhff6llecbd5waie	The Arts& Leadership: Now That We Can Do Anything, What Will We Do?
work_nfhh36u7dnhhff6llecbd5waie	The Arts& Leadership: Now That We Can Do Anything, What Will We Do?
work_nfhh36u7dnhhff6llecbd5waie	The Arts& Leadership: Now That We Can Do Anything, What Will We Do?
work_nfhh36u7dnhhff6llecbd5waie	What does it mean to be human?
work_nfhh36u7dnhhff6llecbd5waie	What inspires people to give their best to organizations?
work_nfhh36u7dnhhff6llecbd5waie	What skills does business bring to the task of creation?
work_nfhh36u7dnhhff6llecbd5waie	Who determines whether or not something is creative?
work_nfhh36u7dnhhff6llecbd5waie	Why would anyone choose to work for you? ” Drucker understood the essential nature of intrinsic motivation for leaders and organizations.
work_nfhh36u7dnhhff6llecbd5waie	c o m/ h o m e/ p r e v i e w. p h p?
work_nfhh36u7dnhhff6llecbd5waie	“ Ask yourself, ” Mintzberg challenged his friends and neighbors, “ Do our Anglophone and Francophone children play together?
work_nfhh36u7dnhhff6llecbd5waie	“ By what law, ” demand the busi- ness strategists,“must competitiveness come at the expense of hope? ”( Hamel, 2000: 24).
work_nfhh36u7dnhhff6llecbd5waie	• Why else would the 2004 World Economic Forum in Davos, Switzerland have offered the workshop entitled “ If an Artist Ran Your Business”?7 Why?
work_wqgpuzs56fdrbpww7cdyebhj3q	( For example, that ’s why Joe speech- sings his last lines on C( dominant of F which “ leads home. ”) Does that sound too trite?
work_wqgpuzs56fdrbpww7cdyebhj3q	( It was n’t clear, but I ’m assuming one was the use of her name also?)
work_wqgpuzs56fdrbpww7cdyebhj3q	( other than the obvious subject matter) Might it be some of the musical elements?
work_wqgpuzs56fdrbpww7cdyebhj3q	- especially Sister Helen and Mrs. Patrick Dc Rocher?
work_wqgpuzs56fdrbpww7cdyebhj3q	170 Worobec, Christine D. “ Temptress or Virgin?
work_wqgpuzs56fdrbpww7cdyebhj3q	Are there specific composers who have influenced you?
work_wqgpuzs56fdrbpww7cdyebhj3q	Can you briefly elaborate on that?
work_wqgpuzs56fdrbpww7cdyebhj3q	Can you comment about that?
work_wqgpuzs56fdrbpww7cdyebhj3q	Can you comment about your musical compositional style and how if affects your composition of opera?
work_wqgpuzs56fdrbpww7cdyebhj3q	Can you comment on that?
work_wqgpuzs56fdrbpww7cdyebhj3q	Can you discuss how you go about developing the characters in DMW in the music you created for them?
work_wqgpuzs56fdrbpww7cdyebhj3q	Can you tell me about your relationship with your mom?
work_wqgpuzs56fdrbpww7cdyebhj3q	Co kdybych radéji dité nëkam za vezia?
work_wqgpuzs56fdrbpww7cdyebhj3q	Did that change anything for you?
work_wqgpuzs56fdrbpww7cdyebhj3q	Did you change any of McNally ’s texts or repeat sections of text to fit your melody?
work_wqgpuzs56fdrbpww7cdyebhj3q	Did you have specific motives for the characters outlined before you started writing their music?
work_wqgpuzs56fdrbpww7cdyebhj3q	Did you have the specific singers in mind first,( Susan Graham and Frederica von Stade) with the idea ofwriting a part for them or was it organic?
work_wqgpuzs56fdrbpww7cdyebhj3q	Do you all ask me questions, or do Ijust talk?
work_wqgpuzs56fdrbpww7cdyebhj3q	Do you have an outline of the key structure for the opera set out when you first started composing the opera?
work_wqgpuzs56fdrbpww7cdyebhj3q	Has that been influenced at all by the Musical Theatre style,( Gershwin, Sondheim, for example)?
work_wqgpuzs56fdrbpww7cdyebhj3q	Has this impacted you as a composer, and in how you create/ empathize with characters?
work_wqgpuzs56fdrbpww7cdyebhj3q	Has this impacted your characterization of Mrs. De Rocher?
work_wqgpuzs56fdrbpww7cdyebhj3q	How much influence did you have over the decision about voices types for the characters?
work_wqgpuzs56fdrbpww7cdyebhj3q	I have also read that you consider your music to be “ first and foremost Ameri can. ”( Carolyn Redman thesis) Can you comment on that?
work_wqgpuzs56fdrbpww7cdyebhj3q	Is she written as soprano merely to balance the score and give Jade and herself the duet in the ensemble?
work_wqgpuzs56fdrbpww7cdyebhj3q	Is there a move away from the traditional stereotypes, towards the portrayal ofmothers in their maternal, loving role as characters in opera?
work_wqgpuzs56fdrbpww7cdyebhj3q	Is this based on the vocal range of the singer- voice type or because that ’s the key the texts are best suited to?
work_wqgpuzs56fdrbpww7cdyebhj3q	Janáóek: Years ofa Lfi?.
work_wqgpuzs56fdrbpww7cdyebhj3q	London: Printed, pub., and sold exclusively by T. Brettell, 1849?
work_wqgpuzs56fdrbpww7cdyebhj3q	Melville, N.Y.: Belwin Mills, 1970- 1979?
work_wqgpuzs56fdrbpww7cdyebhj3q	Or is part ofyour voice type casting based on the general stereotype we are used to in opera?
work_wqgpuzs56fdrbpww7cdyebhj3q	She quotes, Christine D. Worobec, “ Temptress or Virgin?
work_wqgpuzs56fdrbpww7cdyebhj3q	Th to irme bu de-.hemt-- de- st mu- a- te u hoc- nout That interests me very much I am sixty- three years old Can you pitch an ‘ A ’?
work_wqgpuzs56fdrbpww7cdyebhj3q	Wanted to explore that experience ofmotherhood... and boy did she make a great choice or what?
work_wqgpuzs56fdrbpww7cdyebhj3q	What about Joseph ’s mother?
work_wqgpuzs56fdrbpww7cdyebhj3q	What does that mean?
work_wqgpuzs56fdrbpww7cdyebhj3q	What if I took the child off somewhere?
work_wqgpuzs56fdrbpww7cdyebhj3q	What is “ American ” about American Opera to you?
work_wqgpuzs56fdrbpww7cdyebhj3q	What made you decide what was recitative- like, more lyrical “ speech ”( arioso), or aria?
work_wqgpuzs56fdrbpww7cdyebhj3q	What was it like for her coping with 4 children, a job etc., as you experienced it?
work_wqgpuzs56fdrbpww7cdyebhj3q	What was your and possibly Terrence McNally ’s rationale( if you know), in this?
work_wqgpuzs56fdrbpww7cdyebhj3q	Why is she identified only through a husband and not by her given name?
work_wqgpuzs56fdrbpww7cdyebhj3q	Why the anonymity?
work_wqgpuzs56fdrbpww7cdyebhj3q	aja Si mám zatim pi’ejIt celou vënost ce Ië spaseni?
work_wqgpuzs56fdrbpww7cdyebhj3q	or do ust talk?
work_wqgpuzs56fdrbpww7cdyebhj3q	the psychology?
work_wqgpuzs56fdrbpww7cdyebhj3q	“ Is this what I talk into?
work_wqgpuzs56fdrbpww7cdyebhj3q	“ Where are the Mothers in Opera? ” Opera Quarterly 79( 1995): 402- 2 1.
work_eon6dhehqjfm3lsadfjxxhy7ty	( Derrett: 2003: 38) So where are the guidelines when deciding upon an event of this sort?
work_eon6dhehqjfm3lsadfjxxhy7ty	( MacCannell, 1976: 155) What might be the difference in these two forms?
work_eon6dhehqjfm3lsadfjxxhy7ty	128 Chapter Six: Conclusion Illustration 11 – New Year celebration What was it, forcibly stirring?
work_eon6dhehqjfm3lsadfjxxhy7ty	85 http://www.spongobongo.com/Perk2.htm But how is this achieved in praxis?
work_eon6dhehqjfm3lsadfjxxhy7ty	And if this is so, what might be the consequences?
work_eon6dhehqjfm3lsadfjxxhy7ty	Are there new scales to conquer, new revolutions that will make the top- down revelations of the industrial age look minor by comparison?
work_eon6dhehqjfm3lsadfjxxhy7ty	Are we witnessing a widespread corruption of genuine cultural expression in favour of simulacra experiences designed only to make money?
work_eon6dhehqjfm3lsadfjxxhy7ty	But to what?
work_eon6dhehqjfm3lsadfjxxhy7ty	Can it be revived or must new symbolic vehicles be discovered?
work_eon6dhehqjfm3lsadfjxxhy7ty	Does the host organisation have a fixed ideological position that it wants to promote?
work_eon6dhehqjfm3lsadfjxxhy7ty	How adequate are such symbolic complexities to the expressive needs of people in modern western societies …?
work_eon6dhehqjfm3lsadfjxxhy7ty	How can a holistically structured assemblage be created to accompany new rituals?
work_eon6dhehqjfm3lsadfjxxhy7ty	How can we leave our normally stable world and enter that most ‘ holy ’ of states, the virtual world of metaphor and myth, ritual and celebration?
work_eon6dhehqjfm3lsadfjxxhy7ty	How do artists create sacred space or, as we might term them, physical systems of symbolic function able to induce reinforcement?
work_eon6dhehqjfm3lsadfjxxhy7ty	How does one control the uncontrollable?
work_eon6dhehqjfm3lsadfjxxhy7ty	How then can we set up a helpful new categorisation that will inform contemporary practice?
work_eon6dhehqjfm3lsadfjxxhy7ty	In whose keeping, then, do our rituals and celebrations lie?
work_eon6dhehqjfm3lsadfjxxhy7ty	In whose keeping?
work_eon6dhehqjfm3lsadfjxxhy7ty	In whose keeping?
work_eon6dhehqjfm3lsadfjxxhy7ty	Is the host organisation trying to pursue an agenda that is unknown to the participants?
work_eon6dhehqjfm3lsadfjxxhy7ty	So then, how is this realised in practice?
work_eon6dhehqjfm3lsadfjxxhy7ty	The ethics of engagement in transcendence The question arises: who judges what is a healthy transcendence and what is an unhealthy transcendence?
work_eon6dhehqjfm3lsadfjxxhy7ty	There is at the moment a greater concern with( a return to?)
work_eon6dhehqjfm3lsadfjxxhy7ty	This demonstrates the differences in the performance process the participant goes through, but how does it produce a feeling of reinforcement?
work_eon6dhehqjfm3lsadfjxxhy7ty	We might ask at this point: how does one determine what is a genuine attempt at celebration?
work_eon6dhehqjfm3lsadfjxxhy7ty	We might ask the question: if commerce produces a good festival, what is wrong with that?
work_eon6dhehqjfm3lsadfjxxhy7ty	What is it about this story that provides a myth of such enduring power?
work_eon6dhehqjfm3lsadfjxxhy7ty	What needs do we have for such experiences in contemporary culture and how do we understand them?
work_eon6dhehqjfm3lsadfjxxhy7ty	What was it, forcibly stirring?
work_eon6dhehqjfm3lsadfjxxhy7ty	Where are the pathways, the road signs and the maps that can lead us forward?
work_eon6dhehqjfm3lsadfjxxhy7ty	Where are the rituals, ceremonies and celebrations by means of which we can access the liminal states necessary for such experiences?
work_eon6dhehqjfm3lsadfjxxhy7ty	Where do the signposts lie?
work_eon6dhehqjfm3lsadfjxxhy7ty	Where is the arbitration between one culture and another, one group and another?
work_eon6dhehqjfm3lsadfjxxhy7ty	Where then can we turn to find the structures we need to attend, to wholly attend, to ourselves?
work_eon6dhehqjfm3lsadfjxxhy7ty	Where, then, do artists look to find guidelines and directions in this complex field?
work_eon6dhehqjfm3lsadfjxxhy7ty	Where?
work_eon6dhehqjfm3lsadfjxxhy7ty	Where?
work_eon6dhehqjfm3lsadfjxxhy7ty	Why do mountains produce such powerful responses?
work_eon6dhehqjfm3lsadfjxxhy7ty	Will vast sections of our population only experience the simulacrum, the copy, the shallow imitation of ritual and celebration?
work_eon6dhehqjfm3lsadfjxxhy7ty	Would the community want to dance on the very spot where this terrible tragedy happened?
work_eon6dhehqjfm3lsadfjxxhy7ty	questions concerning the function of art and how is it being used: what does art ‘ do ’ to us and how does it work?
work_zuge22jlgfhsrjqewqd6mjadwu	But why should n''t we believe each other just for tonight?... work_zuge22jlgfhsrjqewqd6mjadwu Did I say a l l this?
work_zuge22jlgfhsrjqewqd6mjadwu	How much s h a l l I make up?
work_zuge22jlgfhsrjqewqd6mjadwu	Is love no more the wish to torment another?
work_zuge22jlgfhsrjqewqd6mjadwu	Ready to s t a r t a l l over again in no time, I''ve no doubt.... You g i r l s are too naive to l i v e, are n''t you?
work_zuge22jlgfhsrjqewqd6mjadwu	The damned room grinning at me... Qu''est- ce qu''elle fout i c i, l a v i e i l l e?
work_zuge22jlgfhsrjqewqd6mjadwu	Why a l l t h i s barbarity?
work_zuge22jlgfhsrjqewqd6mjadwu	Yes? work_zuge22jlgfhsrjqewqd6mjadwu ... I have sold my soul, or you have sold i t, and after a l l i s i t such a bad bargain? work_zuge22jlgfhsrjqewqd6mjadwu 6 See Harry Levin,What Was Modernism?"
work_zuge22jlgfhsrjqewqd6mjadwu	A n d w h a t s h o u l d i t b e?"
work_zuge22jlgfhsrjqewqd6mjadwu	And that''s the right you hold most dearly, i s n''t i t?
work_zuge22jlgfhsrjqewqd6mjadwu	Are we a l l mad or merely overwrought?
work_zuge22jlgfhsrjqewqd6mjadwu	But then how i s anything the least b i t autobiographical to be written?
work_zuge22jlgfhsrjqewqd6mjadwu	But you did n''t k i l l me a f t e r a l l, did you?
work_zuge22jlgfhsrjqewqd6mjadwu	Did styles and methods of l i t e r a r y self- representation a l t e r with the waves of Modernism?
work_zuge22jlgfhsrjqewqd6mjadwu	Do they remain hold- overs from pure Modernism?
work_zuge22jlgfhsrjqewqd6mjadwu	Does gender i n fact determine styles of speaking, reading and writing?
work_zuge22jlgfhsrjqewqd6mjadwu	F i n a l l y, what distinguishes Modernist s e l f- p o r t r a i t u r e i n f i c t i o n?
work_zuge22jlgfhsrjqewqd6mjadwu	F i r s t, what i s the r e l a t i o n s h i p of autobiography to f i c t i o n?
work_zuge22jlgfhsrjqewqd6mjadwu	For t h i s reason Nora comes to him with her question,"Watchman, what of the night?"
work_zuge22jlgfhsrjqewqd6mjadwu	He goes on to ask as the r e s u l t of a l l t h i s"verifying"--How many facts does a l i f e story require?
work_zuge22jlgfhsrjqewqd6mjadwu	How i s writing sexually d i f f e r e n t i a t e d?
work_zuge22jlgfhsrjqewqd6mjadwu	If Nora i s not an a r t i s t and therefore not Djuna Barnes, how then i s the authorial s e l f represented in the text?
work_zuge22jlgfhsrjqewqd6mjadwu	In answer to a questionnaire published in the Paris l i t e r a r y journal t r a n s i t i o n which asked"Why do you l i v e abroad?
work_zuge22jlgfhsrjqewqd6mjadwu	In the adult Nora, i s i t the covertly lesbian and devouring grandmother who appears i n dream to undermine her younger version of herself?
work_zuge22jlgfhsrjqewqd6mjadwu	In what senses were they late- Modernists and therefore s i g n i f i c a n t"t r a n s i t i o n a l"writers as I have defined that term?
work_zuge22jlgfhsrjqewqd6mjadwu	Is i t possible to formulate strategies for turning autobiography into f i c t i o n?
work_zuge22jlgfhsrjqewqd6mjadwu	Is the tattooed wrestler, the harlequined a e r i a l i s t, the creative a r t i s t"embodying"himself in his a r t i s t r y?
work_zuge22jlgfhsrjqewqd6mjadwu	No?"
work_zuge22jlgfhsrjqewqd6mjadwu	Or are they precursors of Post- Modernism?
work_zuge22jlgfhsrjqewqd6mjadwu	S h o u l d a d i a r y b e w r i t t e n o n t h e m o r n i n g o f 81 t h e d a y d e s c r i b e d o r b e f o r e?"
work_zuge22jlgfhsrjqewqd6mjadwu	Secondly, can we d i s t i n g u i s h s p e c i f i c a l l y female strategies for t h i s process?
work_zuge22jlgfhsrjqewqd6mjadwu	She seems to be half- witted.... Just a hopeless, helpless l i t t l e f o o l are n''t you?... Well, are n''t you?
work_zuge22jlgfhsrjqewqd6mjadwu	Stein''s r e l a t i o n to autobiography( and f i c t i o n?)
work_zuge22jlgfhsrjqewqd6mjadwu	The novel''s epigram i s Imaginez- vous, a* me l i r e, que je f a i s mon p o r t r a i t?
work_zuge22jlgfhsrjqewqd6mjadwu	W h a t o f t h e"s e l f"i n t h e s e w o r k s?
work_zuge22jlgfhsrjqewqd6mjadwu	Was t h e R e n a i s s a n c e a r e n a i s s a n c e f o r women?
work_zuge22jlgfhsrjqewqd6mjadwu	We ca n''t a l l be happy, we ca n''t a l l be r i c h, we ca n''t a l l be lucky.... Isn''t i t so Mr. Blank?
work_zuge22jlgfhsrjqewqd6mjadwu	Were male 21 a n d f e m a l e w r i t e r s i n t h e M o d e r n i s t p e r i o d, M o d e r n i s t s i n t h e s a m e s e n s e?
work_zuge22jlgfhsrjqewqd6mjadwu	What am I to do?"
work_zuge22jlgfhsrjqewqd6mjadwu	What did they do instead?
work_zuge22jlgfhsrjqewqd6mjadwu	What does the narrative consist of?
work_zuge22jlgfhsrjqewqd6mjadwu	What i s a fact and what i s a l i f e story?
work_zuge22jlgfhsrjqewqd6mjadwu	What i s the status of the female s e l f as a r t i s t, or simply 30 as person i n t h e i r works?
work_zuge22jlgfhsrjqewqd6mjadwu	What''s t h i s l e t t e r got to do with false teeth?''
work_zuge22jlgfhsrjqewqd6mjadwu	When I think of you I f e e l sick,"he says in parting,... what did you do when the man you loved said a thing l i k e that?
work_zuge22jlgfhsrjqewqd6mjadwu	When N o r a s a y s t o h i m i n d e s p e r a t i o n:"What am I t o d o?"
work_zuge22jlgfhsrjqewqd6mjadwu	h a v e y o u e v e r t h o u g h t t h a t a g i r l''s c l o t h e s c o s t m o r e t h a n t h e g i r l i n s i d e t h e m?
work_pvkyj2kxgzggtpsgdkoyvvnyuq	Affect, accessibility of material in memory, and behaviour: A cognitive loop?.
work_pvkyj2kxgzggtpsgdkoyvvnyuq	Altruism or psychological escape: Why does empathy promote prosocial behaviour?
work_pvkyj2kxgzggtpsgdkoyvvnyuq	Are the windows to the soul the same in the East and West?
work_pvkyj2kxgzggtpsgdkoyvvnyuq	But why do we give?
work_pvkyj2kxgzggtpsgdkoyvvnyuq	Do n’t mind meat?
work_pvkyj2kxgzggtpsgdkoyvvnyuq	Do you feel isolated from others?
work_pvkyj2kxgzggtpsgdkoyvvnyuq	Do you feel left out?
work_pvkyj2kxgzggtpsgdkoyvvnyuq	Do you feel that you lack companionship?
work_pvkyj2kxgzggtpsgdkoyvvnyuq	Does social exclusion motivate interpersonal reconnection?
work_pvkyj2kxgzggtpsgdkoyvvnyuq	Emily Dickenson( c.1860) The Loneliness One Dare Not Sound After all, what are any of us after but the conviction of belonging?
work_pvkyj2kxgzggtpsgdkoyvvnyuq	How inclined are you to donate to this cause?
work_pvkyj2kxgzggtpsgdkoyvvnyuq	How likely are you to donate to this cause?
work_pvkyj2kxgzggtpsgdkoyvvnyuq	How low can you go?
work_pvkyj2kxgzggtpsgdkoyvvnyuq	How often do you feel alone?
work_pvkyj2kxgzggtpsgdkoyvvnyuq	How often do you feel close to people?
work_pvkyj2kxgzggtpsgdkoyvvnyuq	How often do you feel isolated from others?
work_pvkyj2kxgzggtpsgdkoyvvnyuq	How often do you feel left out?
work_pvkyj2kxgzggtpsgdkoyvvnyuq	How often do you feel outgoing and friendly?
work_pvkyj2kxgzggtpsgdkoyvvnyuq	How often do you feel part of a group of friends?
work_pvkyj2kxgzggtpsgdkoyvvnyuq	How often do you feel shy?
work_pvkyj2kxgzggtpsgdkoyvvnyuq	How often do you feel that no one really knows you well?
work_pvkyj2kxgzggtpsgdkoyvvnyuq	How often do you feel that people are around you but not with you?
work_pvkyj2kxgzggtpsgdkoyvvnyuq	How often do you feel that there are people who really understand you?
work_pvkyj2kxgzggtpsgdkoyvvnyuq	How often do you feel that there are people you can talk to?
work_pvkyj2kxgzggtpsgdkoyvvnyuq	How often do you feel that there are people you can turn to?
work_pvkyj2kxgzggtpsgdkoyvvnyuq	How often do you feel that you are no longer close to anyone?
work_pvkyj2kxgzggtpsgdkoyvvnyuq	How often do you feel that you have a lot in common with the people around you?
work_pvkyj2kxgzggtpsgdkoyvvnyuq	How often do you feel that your interests and ideas are not shared by those around you?
work_pvkyj2kxgzggtpsgdkoyvvnyuq	How often do you feel that your relationships with others are not meaningful?
work_pvkyj2kxgzggtpsgdkoyvvnyuq	How often do you feel there is no one you can turn to?
work_pvkyj2kxgzggtpsgdkoyvvnyuq	How often do you feel you are “ in tune ” with the people around you?
work_pvkyj2kxgzggtpsgdkoyvvnyuq	How often do you feel you can find companionship when you want it?
work_pvkyj2kxgzggtpsgdkoyvvnyuq	How often do you feel you lack companionship?
work_pvkyj2kxgzggtpsgdkoyvvnyuq	How willing are you to donate to this cause?
work_pvkyj2kxgzggtpsgdkoyvvnyuq	Is altruism part of human nature?
work_pvkyj2kxgzggtpsgdkoyvvnyuq	Mangy mutt or furry friend?
work_pvkyj2kxgzggtpsgdkoyvvnyuq	Motivational determinants of prosocial behaviour: What do included, hopeful excluded, and hopeless excluded individuals need to behave prosocially?.
work_pvkyj2kxgzggtpsgdkoyvvnyuq	Prosocial motivation: Is it ever truly altruistic?
work_pvkyj2kxgzggtpsgdkoyvvnyuq	Satiated with belongingness?
work_pvkyj2kxgzggtpsgdkoyvvnyuq	Social ostracism by coworkers: Does rejection lead to loafing or compensation?
work_pvkyj2kxgzggtpsgdkoyvvnyuq	The psychology of prejudice: Ingroup love and outgroup hate?
work_pvkyj2kxgzggtpsgdkoyvvnyuq	To what extent are pets useful?
work_pvkyj2kxgzggtpsgdkoyvvnyuq	To what extent do cows have intentions?
work_pvkyj2kxgzggtpsgdkoyvvnyuq	To what extent does a cheetah experience emotions?
work_pvkyj2kxgzggtpsgdkoyvvnyuq	To what extent does the average fish have free will?
work_pvkyj2kxgzggtpsgdkoyvvnyuq	To what extent does the average insect have a mind of its own?
work_pvkyj2kxgzggtpsgdkoyvvnyuq	To what extent does the average reptile have consciousness?
work_pvkyj2kxgzggtpsgdkoyvvnyuq	To what extent is a tortoise durable?
work_pvkyj2kxgzggtpsgdkoyvvnyuq	To what extent is the average amphibian lethargic?
work_pvkyj2kxgzggtpsgdkoyvvnyuq	To what extent is the average cat active?
work_pvkyj2kxgzggtpsgdkoyvvnyuq	To what extent is the average dog good looking?
work_pvkyj2kxgzggtpsgdkoyvvnyuq	What do I think you''re doing?
work_pvkyj2kxgzggtpsgdkoyvvnyuq	What drives the gender gap in charitable giving?
work_pvkyj2kxgzggtpsgdkoyvvnyuq	Where is the love?
work_pvkyj2kxgzggtpsgdkoyvvnyuq	Who are lonely?
work_pvkyj2kxgzggtpsgdkoyvvnyuq	Who is this"We"?
work_pvkyj2kxgzggtpsgdkoyvvnyuq	Who sees human?
work_pvkyj2kxgzggtpsgdkoyvvnyuq	“ Where are all the lonely people? ” A population- based study of high- risk groups across the life span.
work_pvkyj2kxgzggtpsgdkoyvvnyuq	“ Why hast thou forsaken me? ” The effect of thinking about God on well- being and prosocial behaviour.
work_4zbi4dphifgolpme3eaifubdeu	2) How are volunteer tutors supporting vocabulary acquisition for adolescent ELLs in one- on- one tutoring sessions?
work_4zbi4dphifgolpme3eaifubdeu	4) How are volunteer tutors supporting vocabulary acquisition with adolescent ELLs in one- on- one tutoring sessions?
work_4zbi4dphifgolpme3eaifubdeu	; 2) What checks are in place to ensure that the discourse patterns and information I am gathering is being accurately interpreted?
work_4zbi4dphifgolpme3eaifubdeu	; and 3) Do the data collection methods produce appropriate information?.
work_4zbi4dphifgolpme3eaifubdeu	Are good texts always better?
work_4zbi4dphifgolpme3eaifubdeu	Are socioeconomic gradients for children similar to those for adults?
work_4zbi4dphifgolpme3eaifubdeu	Are the tutors helping the at- risk ELLs succeed academically and if so, how?
work_4zbi4dphifgolpme3eaifubdeu	Are the volunteer tutors, recruited to help at- risk learners succeed, helping struggling ELLs in one- on- one tutoring sessions?
work_4zbi4dphifgolpme3eaifubdeu	Are you in communication with the ESL coordinator in the building?
work_4zbi4dphifgolpme3eaifubdeu	Catching up or falling behind?
work_4zbi4dphifgolpme3eaifubdeu	Description: WHEN WILL I BE AUDIOTAPED?
work_4zbi4dphifgolpme3eaifubdeu	Did you receive any particular training to working with ELL students?
work_4zbi4dphifgolpme3eaifubdeu	Do you accommodate for ELLs in your grading procedures?
work_4zbi4dphifgolpme3eaifubdeu	Do you consider yourself a good tutor?
work_4zbi4dphifgolpme3eaifubdeu	Do you seek support or feedback from anyone else about the tutoring sessions you are conducting?
work_4zbi4dphifgolpme3eaifubdeu	Do you teach vocabulary any differently for ELLs?
work_4zbi4dphifgolpme3eaifubdeu	For example, one of the a- priori codes was: Does the tutor use a responsive or passive context when they teach a vocabulary word?
work_4zbi4dphifgolpme3eaifubdeu	For example, they would never day to a student, “ What is that word? ” If a word they had defined for a student came up in context.
work_4zbi4dphifgolpme3eaifubdeu	For instance, a tutor rarely asked a student, “ What words in this passage do you want defined?
work_4zbi4dphifgolpme3eaifubdeu	For instance, do they help students with academic vocabulary more in a math related lesson or in writing focused sessions?
work_4zbi4dphifgolpme3eaifubdeu	For instance, if a tutor was helping an ELL learn a word, how many times was the word reviewed or reinforced?
work_4zbi4dphifgolpme3eaifubdeu	Goals for your next session with the learner?
work_4zbi4dphifgolpme3eaifubdeu	Goals of the session?/ Agenda?/ Objectives?
work_4zbi4dphifgolpme3eaifubdeu	HOW LONG WILL THE TAPES BE USED?
work_4zbi4dphifgolpme3eaifubdeu	Have you taken any coursework or attended trainings on how to support ELLs?
work_4zbi4dphifgolpme3eaifubdeu	How are volunteer tutors supporting vocabulary acquisition for adolescent ELLs in one- on- one tutoring sessions?
work_4zbi4dphifgolpme3eaifubdeu	How can we help?
work_4zbi4dphifgolpme3eaifubdeu	How did the session go?
work_4zbi4dphifgolpme3eaifubdeu	How did the session go?
work_4zbi4dphifgolpme3eaifubdeu	How did you feel about it?
work_4zbi4dphifgolpme3eaifubdeu	How do you grade?
work_4zbi4dphifgolpme3eaifubdeu	How do you keep track of what the tutee learns?
work_4zbi4dphifgolpme3eaifubdeu	How do you plan for a typical week?
work_4zbi4dphifgolpme3eaifubdeu	How do you plan for each tutoring session?
work_4zbi4dphifgolpme3eaifubdeu	How do you support ELLs in your classroom?
work_4zbi4dphifgolpme3eaifubdeu	How do you teach vocabulary to your students?
work_4zbi4dphifgolpme3eaifubdeu	How do you think the learner felt?
work_4zbi4dphifgolpme3eaifubdeu	How do you try to build a relationship with your tutee?
work_4zbi4dphifgolpme3eaifubdeu	How effective are one to one tutoring programs in reading for elementary students at risk for reading failure?
work_4zbi4dphifgolpme3eaifubdeu	How involved are you with the volunteer tutoring program at the school and the work they do with ELL learners?
work_4zbi4dphifgolpme3eaifubdeu	How long does it take English learners to attain proficiency?
work_4zbi4dphifgolpme3eaifubdeu	How many ELL students do you have in your classes?
work_4zbi4dphifgolpme3eaifubdeu	How many students do you have in each class?
work_4zbi4dphifgolpme3eaifubdeu	How were you trained to work with students?
work_4zbi4dphifgolpme3eaifubdeu	How?
work_4zbi4dphifgolpme3eaifubdeu	Positives, Challenges, What was learned?
work_4zbi4dphifgolpme3eaifubdeu	Question 1: How do volunteer tutors interact in one- on- one tutoring sessions with at- risk adolescent ELLs?
work_4zbi4dphifgolpme3eaifubdeu	Question 1: How do volunteer tutors interact in one- on- one tutoring sessions with at- risk secondary ELLs?
work_4zbi4dphifgolpme3eaifubdeu	Question 2: How do volunteer tutors support at- risk ELL students ’ vocabulary acquisition in one- on- one sessions?
work_4zbi4dphifgolpme3eaifubdeu	Question# 2: How are volunteer tutors supporting vocabulary acquisition with secondary ELLs in one- on- one tutoring sessions?
work_4zbi4dphifgolpme3eaifubdeu	Reading recovery in the United States: What difference does it make to an an age cohort?
work_4zbi4dphifgolpme3eaifubdeu	Some examples of general questions I would ask during my informal interviews included: How did you think that session went?
work_4zbi4dphifgolpme3eaifubdeu	Specifically, how are volunteer tutors supporting vocabulary acquisition?
work_4zbi4dphifgolpme3eaifubdeu	Tell me about a typical day as part of the volunteer tutoring program?
work_4zbi4dphifgolpme3eaifubdeu	The following questions guided the research: How do volunteer tutors interact in one- on- one tutoring sessions with at- risk adolescent ELLs?
work_4zbi4dphifgolpme3eaifubdeu	Volunteer tutoring programs: Do we know what works?
work_4zbi4dphifgolpme3eaifubdeu	WHAT IF I CHANGE MY MIND?
work_4zbi4dphifgolpme3eaifubdeu	Was there any relationship between the amount of times a word was reinforced or reviewed in relation to if it was learned by the student?
work_4zbi4dphifgolpme3eaifubdeu	What are the main materials that students use and you use to access information?
work_4zbi4dphifgolpme3eaifubdeu	What are you responsible for in the school outside of your teaching responsibilities in the school( committees, meetings, etc.)?
work_4zbi4dphifgolpme3eaifubdeu	What did you work on?
work_4zbi4dphifgolpme3eaifubdeu	What do you think are the most important things an ELL student needs to accomplish in order to be a successful reader in the English Language?
work_4zbi4dphifgolpme3eaifubdeu	What do you think are the most important things an ELL student needs to accomplish in order to be successful in high school?
work_4zbi4dphifgolpme3eaifubdeu	What factors make the tutoring session hard or easy?
work_4zbi4dphifgolpme3eaifubdeu	What is academic language proficiency?
work_4zbi4dphifgolpme3eaifubdeu	What is time in the tutoring session mainly spent on?
work_4zbi4dphifgolpme3eaifubdeu	What is your current teaching schedule?
work_4zbi4dphifgolpme3eaifubdeu	What makes literacy tutoring effective?
work_4zbi4dphifgolpme3eaifubdeu	What part of the tutoring session do you feel is the most important part?
work_4zbi4dphifgolpme3eaifubdeu	What type(s) of teaching methods would you say you use the most in your class?
work_4zbi4dphifgolpme3eaifubdeu	What word?
work_4zbi4dphifgolpme3eaifubdeu	What, do you feel, are the best accommodations you can provide for ELLs?
work_4zbi4dphifgolpme3eaifubdeu	Where the tutors setting a time aside in their sessions to cover vocabulary?
work_4zbi4dphifgolpme3eaifubdeu	Where would general service vocabulary stop and special service purposes vocabulary begin?
work_4zbi4dphifgolpme3eaifubdeu	Who ’s left behind?
work_4zbi4dphifgolpme3eaifubdeu	Why could n’t part of this field experience requirement include a tutoring practicum with an at- risk adolescent population?
work_4zbi4dphifgolpme3eaifubdeu	Why or why not?
work_4zbi4dphifgolpme3eaifubdeu	Why?
work_4zbi4dphifgolpme3eaifubdeu	Would the sessions be as successful?
work_4zbi4dphifgolpme3eaifubdeu	Would tutors feel like they had to plan more and did not have the time to contribute?
work_4zbi4dphifgolpme3eaifubdeu	and Would you have done anything differently?.
work_4zbi4dphifgolpme3eaifubdeu	and( b) How are volunteer tutors supporting vocabulary acquisition with adolescent ELLs in one- on- one tutoring sessions?.
work_qgegmhurp5aqxb3fra2o7pi5t4	35 L I L Y: B e t t e r?
work_qgegmhurp5aqxb3fra2o7pi5t4	37 ROSE: Are you r e a l l y a c r i p p l e?
work_qgegmhurp5aqxb3fra2o7pi5t4	38 ROSE: Is i t a r t h u r i t i s?
work_qgegmhurp5aqxb3fra2o7pi5t4	50 L I L Y: Want one?
work_qgegmhurp5aqxb3fra2o7pi5t4	51 MURRAY: L i k e where?
work_qgegmhurp5aqxb3fra2o7pi5t4	69 L I L Y: Why not?
work_qgegmhurp5aqxb3fra2o7pi5t4	78 Daddy?
work_qgegmhurp5aqxb3fra2o7pi5t4	93 LLOYD: Then w e''l l know where he i s, wo n''t we?
work_qgegmhurp5aqxb3fra2o7pi5t4	?
work_qgegmhurp5aqxb3fra2o7pi5t4	?
work_qgegmhurp5aqxb3fra2o7pi5t4	?
work_qgegmhurp5aqxb3fra2o7pi5t4	A f t e r a l l, i f you can not t r u s t the p o l i c e t o p r o t e c t y o u, who can you t r u s t?
work_qgegmhurp5aqxb3fra2o7pi5t4	A l o v e b i t e?
work_qgegmhurp5aqxb3fra2o7pi5t4	A l r i g h t?
work_qgegmhurp5aqxb3fra2o7pi5t4	A n g e l?
work_qgegmhurp5aqxb3fra2o7pi5t4	A n''i t sure d i d s u r p r i s e me''cause m o s t l y I j u s t keep an eye out f o r what o t h e r s are d o i n'', eh?
work_qgegmhurp5aqxb3fra2o7pi5t4	A r e n''t you the p r e t t y one?
work_qgegmhurp5aqxb3fra2o7pi5t4	And God?
work_qgegmhurp5aqxb3fra2o7pi5t4	And the l i t t l e g i r l?
work_qgegmhurp5aqxb3fra2o7pi5t4	And where do I f i t i n t o t h e s e p l a n s?
work_qgegmhurp5aqxb3fra2o7pi5t4	And you know what?
work_qgegmhurp5aqxb3fra2o7pi5t4	And, God?
work_qgegmhurp5aqxb3fra2o7pi5t4	And, p l e a s e, God?
work_qgegmhurp5aqxb3fra2o7pi5t4	Anybody a l i t t l e more, o h, s t i m u l a t i n g?
work_qgegmhurp5aqxb3fra2o7pi5t4	Are these your new arrangements?
work_qgegmhurp5aqxb3fra2o7pi5t4	Are we gon na k i l l''em when they do?
work_qgegmhurp5aqxb3fra2o7pi5t4	Are ya comin''?
work_qgegmhurp5aqxb3fra2o7pi5t4	Are ya comin''?
work_qgegmhurp5aqxb3fra2o7pi5t4	Are ya sure ya never seen us n e c k i n''?
work_qgegmhurp5aqxb3fra2o7pi5t4	Are you s a t i s f i e d, now?
work_qgegmhurp5aqxb3fra2o7pi5t4	Borrow?
work_qgegmhurp5aqxb3fra2o7pi5t4	But we''re not c h i l d r e n anymore, are we?
work_qgegmhurp5aqxb3fra2o7pi5t4	But you know what''s funny?
work_qgegmhurp5aqxb3fra2o7pi5t4	C a n''t you hear''em?
work_qgegmhurp5aqxb3fra2o7pi5t4	C a n''t you see I''m busy?
work_qgegmhurp5aqxb3fra2o7pi5t4	C o n t r o l?
work_qgegmhurp5aqxb3fra2o7pi5t4	C r a z y, eh?
work_qgegmhurp5aqxb3fra2o7pi5t4	C r a z y, hunh?
work_qgegmhurp5aqxb3fra2o7pi5t4	C r o s s p o l l i n a t e?
work_qgegmhurp5aqxb3fra2o7pi5t4	Can y a s m e l l my sweat?
work_qgegmhurp5aqxb3fra2o7pi5t4	Can ya?
work_qgegmhurp5aqxb3fra2o7pi5t4	Can you s m e l l me?
work_qgegmhurp5aqxb3fra2o7pi5t4	Come back, hey?
work_qgegmhurp5aqxb3fra2o7pi5t4	Come back, hey?
work_qgegmhurp5aqxb3fra2o7pi5t4	Come back, hey?
work_qgegmhurp5aqxb3fra2o7pi5t4	Come back, hey?
work_qgegmhurp5aqxb3fra2o7pi5t4	D i d n''t anybody t e a c h you t o knock?
work_qgegmhurp5aqxb3fra2o7pi5t4	D i d you ever meet her?
work_qgegmhurp5aqxb3fra2o7pi5t4	D i d you get a look a t h i s face?
work_qgegmhurp5aqxb3fra2o7pi5t4	D i d you?
work_qgegmhurp5aqxb3fra2o7pi5t4	D o n''t leave me, hunh?
work_qgegmhurp5aqxb3fra2o7pi5t4	D o n''t you even read the p a p e r s?
work_qgegmhurp5aqxb3fra2o7pi5t4	Do they a c t u a l l y do a n y t h i n g, o r does she j u s t keep l y i n g t h e r e l i k e a p l a n t?
work_qgegmhurp5aqxb3fra2o7pi5t4	Do y a t h i n k t h e y 1 re gon na come?
work_qgegmhurp5aqxb3fra2o7pi5t4	Does t h a t sound good?
work_qgegmhurp5aqxb3fra2o7pi5t4	Does y e r husband l i k e the s m e l l of y e r sweat?
work_qgegmhurp5aqxb3fra2o7pi5t4	G e t t i n g ready t o move out here w i t h y o u, a l r i g h t?
work_qgegmhurp5aqxb3fra2o7pi5t4	He i s?
work_qgegmhurp5aqxb3fra2o7pi5t4	He''s been d r i n k i n''a l o t, eh?
work_qgegmhurp5aqxb3fra2o7pi5t4	Hon?
work_qgegmhurp5aqxb3fra2o7pi5t4	How c o u l d Murray see somebody who was n''t t h e r e?
work_qgegmhurp5aqxb3fra2o7pi5t4	How d i d you know I''d be here t o g i v e i t to?
work_qgegmhurp5aqxb3fra2o7pi5t4	How do you know f o r sure i t was D i l l i n g e r?
work_qgegmhurp5aqxb3fra2o7pi5t4	How does an a r t i s t demarcate the l i n e between e r o t i c a and pornography?
work_qgegmhurp5aqxb3fra2o7pi5t4	How does i t f e e l t o know y o u''v e k i l l e d a l i t t l e p i e c e o f Jesus?
work_qgegmhurp5aqxb3fra2o7pi5t4	How was your swim?
work_qgegmhurp5aqxb3fra2o7pi5t4	Howzabout i t?
work_qgegmhurp5aqxb3fra2o7pi5t4	I can h e l p you l i k e an angel?
work_qgegmhurp5aqxb3fra2o7pi5t4	I d o n''t know what I''d do without y o u, a l r i g h t?
work_qgegmhurp5aqxb3fra2o7pi5t4	I know what I meant by t h a t, but what d i d they mean by i t?
work_qgegmhurp5aqxb3fra2o7pi5t4	I mean, they c a n''t happen a l l by themselves, can they?
work_qgegmhurp5aqxb3fra2o7pi5t4	I mean, what do they t h i n k?
work_qgegmhurp5aqxb3fra2o7pi5t4	I moved t o Chicago and grew horns?
work_qgegmhurp5aqxb3fra2o7pi5t4	I t''s a l r i g h t honey, your Daddy d i d n''t mean to s c a r e y o u, d i d you Murray?
work_qgegmhurp5aqxb3fra2o7pi5t4	I was l o o k i n''forward to A l l those l i t t l e t h i n g s you d i d n''t do How c o u l d y a, c o u l d y a, c o u l d ya break my h e a r t?
work_qgegmhurp5aqxb3fra2o7pi5t4	I wo n''t t o u c h you no mor< okay?
work_qgegmhurp5aqxb3fra2o7pi5t4	Is she safe?
work_qgegmhurp5aqxb3fra2o7pi5t4	Is t h a t what you c a l l i t?
work_qgegmhurp5aqxb3fra2o7pi5t4	Is t h a t y o u, honey?
work_qgegmhurp5aqxb3fra2o7pi5t4	Is t h a t you?
work_qgegmhurp5aqxb3fra2o7pi5t4	J u s t be s t r o n g e r, a l r i g h t?
work_qgegmhurp5aqxb3fra2o7pi5t4	J u s t d o n''t, eh?
work_qgegmhurp5aqxb3fra2o7pi5t4	L I L Y: Are you sure i t i s n''t how he f e l t about h i m s e l f?
work_qgegmhurp5aqxb3fra2o7pi5t4	L I L Y: Around here?
work_qgegmhurp5aqxb3fra2o7pi5t4	L I L Y: D i l l i n g e r?
work_qgegmhurp5aqxb3fra2o7pi5t4	L I L Y: Does i t say?
work_qgegmhurp5aqxb3fra2o7pi5t4	L I L Y: How do you know what the ocean looks l i k e?
work_qgegmhurp5aqxb3fra2o7pi5t4	L I L Y: How does i t f e e l, Murray?
work_qgegmhurp5aqxb3fra2o7pi5t4	L I L Y: How o l d''s your daughter?
work_qgegmhurp5aqxb3fra2o7pi5t4	L I L Y: How so?
work_qgegmhurp5aqxb3fra2o7pi5t4	L I L Y: I''m g o i n g t o p r e t e n d I d i d n''t hear t h a t, okay?
work_qgegmhurp5aqxb3fra2o7pi5t4	L I L Y: Is t h a t so?
work_qgegmhurp5aqxb3fra2o7pi5t4	L I L Y: L l o y d?
work_qgegmhurp5aqxb3fra2o7pi5t4	L I L Y: L l o y d?
work_qgegmhurp5aqxb3fra2o7pi5t4	L I L Y: L l o y d?
work_qgegmhurp5aqxb3fra2o7pi5t4	L I L Y: L l o y d?
work_qgegmhurp5aqxb3fra2o7pi5t4	L I L Y: Murray?
work_qgegmhurp5aqxb3fra2o7pi5t4	L I L Y: Rose?
work_qgegmhurp5aqxb3fra2o7pi5t4	L I L Y: SO?!
work_qgegmhurp5aqxb3fra2o7pi5t4	L I L Y: What a r e you d o i n g here a t t h i s h o u r, s h o u l d n''t you be g e t t i n g ready f o r church?
work_qgegmhurp5aqxb3fra2o7pi5t4	L I L Y: What are you t a l k i n g about?
work_qgegmhurp5aqxb3fra2o7pi5t4	L I L Y: What do you know?
work_qgegmhurp5aqxb3fra2o7pi5t4	L I L Y: What t h i n g s?
work_qgegmhurp5aqxb3fra2o7pi5t4	L I L Y: What''s he l i k e?
work_qgegmhurp5aqxb3fra2o7pi5t4	L I L Y: What''s i m p l i e d?
work_qgegmhurp5aqxb3fra2o7pi5t4	L I L Y: What''s t h i s?
work_qgegmhurp5aqxb3fra2o7pi5t4	L I L Y: What?
work_qgegmhurp5aqxb3fra2o7pi5t4	L I L Y: What?
work_qgegmhurp5aqxb3fra2o7pi5t4	L I L Y: Whatever f o r?
work_qgegmhurp5aqxb3fra2o7pi5t4	L I L Y: Where d i d you f i n d t h i s?
work_qgegmhurp5aqxb3fra2o7pi5t4	L I L Y: Where we gon na go, Murray?
work_qgegmhurp5aqxb3fra2o7pi5t4	L I L Y: Where''s her mother?
work_qgegmhurp5aqxb3fra2o7pi5t4	L I L Y: Which way was he p o i n t i n g the gun, Murray?
work_qgegmhurp5aqxb3fra2o7pi5t4	L I L Y: Who e l s e i s i n t h e r e?
work_qgegmhurp5aqxb3fra2o7pi5t4	L I L Y: Who, L l o y d?
work_qgegmhurp5aqxb3fra2o7pi5t4	L I L Y: Why d i d n''t she take the c h i l d?
work_qgegmhurp5aqxb3fra2o7pi5t4	L I L Y: You do, do you?
work_qgegmhurp5aqxb3fra2o7pi5t4	L e t''s g i v e i t another week, hunh?
work_qgegmhurp5aqxb3fra2o7pi5t4	L i k e t u r n around an''see y e r s e l f comin''up b e h i n d ya?
work_qgegmhurp5aqxb3fra2o7pi5t4	L l o y d?
work_qgegmhurp5aqxb3fra2o7pi5t4	L l o y d?
work_qgegmhurp5aqxb3fra2o7pi5t4	L l o y d?
work_qgegmhurp5aqxb3fra2o7pi5t4	L l o y d?
work_qgegmhurp5aqxb3fra2o7pi5t4	L l o y d?
work_qgegmhurp5aqxb3fra2o7pi5t4	L l o y d] L l o y d?
work_qgegmhurp5aqxb3fra2o7pi5t4	LLOYD/ LILY:''Cause i t was on a n i g h t l i k e t h i s You l e f t me and d i d n''t leave a k i s s How c o u l d ya?
work_qgegmhurp5aqxb3fra2o7pi5t4	LLOYD: About what?
work_qgegmhurp5aqxb3fra2o7pi5t4	LLOYD: Are you k i d d i n g?
work_qgegmhurp5aqxb3fra2o7pi5t4	LLOYD: C o n t r o l?
work_qgegmhurp5aqxb3fra2o7pi5t4	LLOYD: D i d you knock?
work_qgegmhurp5aqxb3fra2o7pi5t4	LLOYD: D i d you see h i s c a r when you came in?
work_qgegmhurp5aqxb3fra2o7pi5t4	LLOYD: D i d you see him then?
work_qgegmhurp5aqxb3fra2o7pi5t4	LLOYD: D i l l i n g e r?
work_qgegmhurp5aqxb3fra2o7pi5t4	LLOYD: I do embarass y o u, d o n''t I?
work_qgegmhurp5aqxb3fra2o7pi5t4	LLOYD: I f he was coming out by c a r h e''d have got here b e f o r e y o u, w o u l d n''t he?
work_qgegmhurp5aqxb3fra2o7pi5t4	LLOYD: Is your l i t t l e g i r l a l r i g h t?
work_qgegmhurp5aqxb3fra2o7pi5t4	LLOYD: J u s t be c a r e f u l, a l r i g h t?
work_qgegmhurp5aqxb3fra2o7pi5t4	LLOYD: J u s t l i k e the p r o d i g a l son?
work_qgegmhurp5aqxb3fra2o7pi5t4	LLOYD: J u s t when romance got i t s s t a r t You d e c i d e d i t was time t o p a r t How c o u l d ya?
work_qgegmhurp5aqxb3fra2o7pi5t4	LLOYD: N i c e, hunh?
work_qgegmhurp5aqxb3fra2o7pi5t4	LLOYD: Oh, you d i d, d i d you?
work_qgegmhurp5aqxb3fra2o7pi5t4	LLOYD: Sandburg?
work_qgegmhurp5aqxb3fra2o7pi5t4	LLOYD: So what was I supposed t o do?
work_qgegmhurp5aqxb3fra2o7pi5t4	LLOYD: So, then what happened?
work_qgegmhurp5aqxb3fra2o7pi5t4	LLOYD: So, what are you s t a r i n g at?
work_qgegmhurp5aqxb3fra2o7pi5t4	LLOYD: Then what d i d he do?
work_qgegmhurp5aqxb3fra2o7pi5t4	LLOYD: Then who the h e l l j u s t went s c u t t l i n g out the back l i k e a s h i t h o u s e r a t?
work_qgegmhurp5aqxb3fra2o7pi5t4	LLOYD: WHAT?!
work_qgegmhurp5aqxb3fra2o7pi5t4	LLOYD: Was he t a l l o r s h o r t?
work_qgegmhurp5aqxb3fra2o7pi5t4	LLOYD: What happened t o u s, L i l y?
work_qgegmhurp5aqxb3fra2o7pi5t4	LLOYD: What i s i t?
work_qgegmhurp5aqxb3fra2o7pi5t4	LLOYD: What''s t h a t supposed t o mean?
work_qgegmhurp5aqxb3fra2o7pi5t4	LLOYD: What?
work_qgegmhurp5aqxb3fra2o7pi5t4	LLOYD: Where e l s e are they gon na go?
work_qgegmhurp5aqxb3fra2o7pi5t4	LLOYD: Where the h e l l i s he?
work_qgegmhurp5aqxb3fra2o7pi5t4	LLOYD: Where''d you get t h a t mark?
work_qgegmhurp5aqxb3fra2o7pi5t4	LLOYD: Who c a r e s?
work_qgegmhurp5aqxb3fra2o7pi5t4	LLOYD: Who ever heard of a s i n g e r b e i n g from Saskatchewan?
work_qgegmhurp5aqxb3fra2o7pi5t4	LLOYD: Who''s coming?
work_qgegmhurp5aqxb3fra2o7pi5t4	LLOYD: Why would people be t a l k i n''about me, Murray?
work_qgegmhurp5aqxb3fra2o7pi5t4	LLOYD: Yeah?
work_qgegmhurp5aqxb3fra2o7pi5t4	LLOYD: You a f r a i d I''l l embarass you?
work_qgegmhurp5aqxb3fra2o7pi5t4	LLOYD: You came out by b o a t, d i d n''t you?
work_qgegmhurp5aqxb3fra2o7pi5t4	Looking f o r something?
work_qgegmhurp5aqxb3fra2o7pi5t4	MURRAY: A n''he had h i s f a c e changed, so how do you know i t was r e a l l y him t h a t they shot down?
work_qgegmhurp5aqxb3fra2o7pi5t4	MURRAY: A r e n''t ya happy now, L l o y d?
work_qgegmhurp5aqxb3fra2o7pi5t4	MURRAY: Are ya sure?
work_qgegmhurp5aqxb3fra2o7pi5t4	MURRAY: D i d j a ever see y e r s e l f?
work_qgegmhurp5aqxb3fra2o7pi5t4	MURRAY: D i d you r e a l l y see me l o t s o f times?
work_qgegmhurp5aqxb3fra2o7pi5t4	MURRAY: Do I?
work_qgegmhurp5aqxb3fra2o7pi5t4	MURRAY: Do ya l i k e w a t c h i n''people?
work_qgegmhurp5aqxb3fra2o7pi5t4	MURRAY: For what?
work_qgegmhurp5aqxb3fra2o7pi5t4	MURRAY: He does?
work_qgegmhurp5aqxb3fra2o7pi5t4	MURRAY: K i d s, eh?
work_qgegmhurp5aqxb3fra2o7pi5t4	MURRAY: L l o y d?
work_qgegmhurp5aqxb3fra2o7pi5t4	MURRAY: L l o y d?
work_qgegmhurp5aqxb3fra2o7pi5t4	MURRAY: L l o y d?
work_qgegmhurp5aqxb3fra2o7pi5t4	MURRAY: L l o y d?
work_qgegmhurp5aqxb3fra2o7pi5t4	MURRAY: Rose?
work_qgegmhurp5aqxb3fra2o7pi5t4	MURRAY: Rose?!
work_qgegmhurp5aqxb3fra2o7pi5t4	MURRAY: Rosel Where are ya?
work_qgegmhurp5aqxb3fra2o7pi5t4	MURRAY: So ya t h i n k t h e y''l l come?
work_qgegmhurp5aqxb3fra2o7pi5t4	MURRAY: So, we''re even, eh?
work_qgegmhurp5aqxb3fra2o7pi5t4	MURRAY: So, where i s he?
work_qgegmhurp5aqxb3fra2o7pi5t4	MURRAY: T o l d y a, d i d n''t I?
work_qgegmhurp5aqxb3fra2o7pi5t4	MURRAY: Was i t h e a r i n''the music t h a t made ya want t o be a d a n c e h a l l s i n g e r, o r d i d j a always want t a be one?
work_qgegmhurp5aqxb3fra2o7pi5t4	MURRAY: Were you s p y i n''?
work_qgegmhurp5aqxb3fra2o7pi5t4	MURRAY: What''s wrong, L l o y d, s h o u l d we t a l k about i t?
work_qgegmhurp5aqxb3fra2o7pi5t4	MURRAY: What?
work_qgegmhurp5aqxb3fra2o7pi5t4	MURRAY: Where e l s e d i d j a see me?
work_qgegmhurp5aqxb3fra2o7pi5t4	MURRAY: Where e l s e?
work_qgegmhurp5aqxb3fra2o7pi5t4	MURRAY: Where''s L i l y?
work_qgegmhurp5aqxb3fra2o7pi5t4	MURRAY: Who''s t h e r e?
work_qgegmhurp5aqxb3fra2o7pi5t4	MURRAY: Why''d D i l l i n g e r wanna take her n i g h t i e t h i n g?
work_qgegmhurp5aqxb3fra2o7pi5t4	MURRAY: Ya do?
work_qgegmhurp5aqxb3fra2o7pi5t4	MURRAY: You d o n''t even have one, so how would you know how to r a i s e i t?
work_qgegmhurp5aqxb3fra2o7pi5t4	Mommy?
work_qgegmhurp5aqxb3fra2o7pi5t4	Mommy?
work_qgegmhurp5aqxb3fra2o7pi5t4	Nobody to boss around?
work_qgegmhurp5aqxb3fra2o7pi5t4	Oh, C h r i s t, I k i l l e d him, an''what am I gon na do?
work_qgegmhurp5aqxb3fra2o7pi5t4	Oh, o h, how c o u l d ya?
work_qgegmhurp5aqxb3fra2o7pi5t4	ROSE: Can I?
work_qgegmhurp5aqxb3fra2o7pi5t4	ROSE: Daddy, where are you?
work_qgegmhurp5aqxb3fra2o7pi5t4	ROSE: Daddy?
work_qgegmhurp5aqxb3fra2o7pi5t4	ROSE: Daddy?
work_qgegmhurp5aqxb3fra2o7pi5t4	ROSE: He l i v e s i n the l a k e, d o e s n''t He, Daddy?
work_qgegmhurp5aqxb3fra2o7pi5t4	ROSE: I c o u l d do s t u f f f o r ya?
work_qgegmhurp5aqxb3fra2o7pi5t4	ROSE: I''l l be your angel f o r the summer i f you want?
work_qgegmhurp5aqxb3fra2o7pi5t4	ROSE: Please?
work_qgegmhurp5aqxb3fra2o7pi5t4	ROSE: R e a l l y?
work_qgegmhurp5aqxb3fra2o7pi5t4	ROSE: Thy r o d and thy s t a f f, they comfort me?
work_qgegmhurp5aqxb3fra2o7pi5t4	ROSE: Weatherman Once the s k i e s were b l u e Now each d a y''s c o l d and gray Wo n''t you chase the c l o u d s away?
work_qgegmhurp5aqxb3fra2o7pi5t4	Read me a d i f f e r e n t one, okay?
work_qgegmhurp5aqxb3fra2o7pi5t4	Remember?
work_qgegmhurp5aqxb3fra2o7pi5t4	Rose?
work_qgegmhurp5aqxb3fra2o7pi5t4	Rose?
work_qgegmhurp5aqxb3fra2o7pi5t4	Rose?!
work_qgegmhurp5aqxb3fra2o7pi5t4	Saskatoon?
work_qgegmhurp5aqxb3fra2o7pi5t4	Says who?!
work_qgegmhurp5aqxb3fra2o7pi5t4	She was n''t s p y i n g, were you Rose?
work_qgegmhurp5aqxb3fra2o7pi5t4	Should I get o f f?
work_qgegmhurp5aqxb3fra2o7pi5t4	So then what d i d he do?
work_qgegmhurp5aqxb3fra2o7pi5t4	T h a t''s not a murder, i s i t L i l y?
work_qgegmhurp5aqxb3fra2o7pi5t4	T h a t''s the b e s t way t o say h e l l o to God, i s n''t i t?
work_qgegmhurp5aqxb3fra2o7pi5t4	T h a t''s why you s t a y e d up a t Danceland a l l n i g h t i s n''t i t?
work_qgegmhurp5aqxb3fra2o7pi5t4	The Chevy?
work_qgegmhurp5aqxb3fra2o7pi5t4	The second q u e s t i o n,"what would the c h a r a c t e r do?"
work_qgegmhurp5aqxb3fra2o7pi5t4	Then the woman comes back an''s a y s,"what''re you s t a r i n''a t?"
work_qgegmhurp5aqxb3fra2o7pi5t4	They o n l y hang ya i f ya meant t a do i t, d o n''t they?
work_qgegmhurp5aqxb3fra2o7pi5t4	Understand?
work_qgegmhurp5aqxb3fra2o7pi5t4	We had some t i m e s, hunh?
work_qgegmhurp5aqxb3fra2o7pi5t4	Weatherman Once the s k i e s were b l u e Now each d a y''s c o l d and g r a y Wo n''t you chase the c l o u d s away?
work_qgegmhurp5aqxb3fra2o7pi5t4	Were you s p y i n''?
work_qgegmhurp5aqxb3fra2o7pi5t4	Whaddaya say?
work_qgegmhurp5aqxb3fra2o7pi5t4	Whaddaya t h i n k?
work_qgegmhurp5aqxb3fra2o7pi5t4	What a r e y a d o i n''?
work_qgegmhurp5aqxb3fra2o7pi5t4	What a r e you d o i n g here?
work_qgegmhurp5aqxb3fra2o7pi5t4	What are ya d o i n'', b r i n g i n''i t back l i k e t h a t?
work_qgegmhurp5aqxb3fra2o7pi5t4	What are you t a l k i n g about?
work_qgegmhurp5aqxb3fra2o7pi5t4	What d i d you see?
work_qgegmhurp5aqxb3fra2o7pi5t4	What do you want?
work_qgegmhurp5aqxb3fra2o7pi5t4	What i f y e r wrong, and h e''s h i d i n''on the boat?
work_qgegmhurp5aqxb3fra2o7pi5t4	What i s M u r r a y''s o b j e c t i v e i n the scene?
work_qgegmhurp5aqxb3fra2o7pi5t4	What''s a l i t t l e white l i e?
work_qgegmhurp5aqxb3fra2o7pi5t4	What''s the matter?
work_qgegmhurp5aqxb3fra2o7pi5t4	What?
work_qgegmhurp5aqxb3fra2o7pi5t4	Where e l s e c o u l d ya see a b l a d e a g r a s s throw a shadow f i v e f e e t long?
work_qgegmhurp5aqxb3fra2o7pi5t4	Where e l s e c o u l d you see a b l a d e of g r a s s throw a shadow f i v e f e e t long?
work_qgegmhurp5aqxb3fra2o7pi5t4	Where i s i t?"
work_qgegmhurp5aqxb3fra2o7pi5t4	Where the h e l l i s Sandburg?
work_qgegmhurp5aqxb3fra2o7pi5t4	Where''s o l d l o n g dong D i l l i n g e r when you r e a l l y need him?
work_qgegmhurp5aqxb3fra2o7pi5t4	Which room d i d you check?
work_qgegmhurp5aqxb3fra2o7pi5t4	Who l i v e s t h e r e, what a r e they d o i n g, and why?
work_qgegmhurp5aqxb3fra2o7pi5t4	Who?
work_qgegmhurp5aqxb3fra2o7pi5t4	Why d o n''t you go home and t e l l your mother she wants you?
work_qgegmhurp5aqxb3fra2o7pi5t4	Wouldja l i k e t h a t, i f I was your angel f o r the summer?
work_qgegmhurp5aqxb3fra2o7pi5t4	YOU SEE WHAT YOU DID?!
work_qgegmhurp5aqxb3fra2o7pi5t4	Ya sweat j u s t l i k e me, d o n''t c h a?
work_qgegmhurp5aqxb3fra2o7pi5t4	You know something, L l o y d?
work_qgegmhurp5aqxb3fra2o7pi5t4	You see what you d i d?
work_qgegmhurp5aqxb3fra2o7pi5t4	You t h i n k I want people h e a r i n g farmers p l a y my arrangements?
work_qgegmhurp5aqxb3fra2o7pi5t4	You understand?
work_qgegmhurp5aqxb3fra2o7pi5t4	You were t h i r t y f o u r when we met; I was o n l y s i x t e e n, what d i d I know?
work_qgegmhurp5aqxb3fra2o7pi5t4	are you?
work_qgegmhurp5aqxb3fra2o7pi5t4	d o w n i n the bar?
work_qgegmhurp5aqxb3fra2o7pi5t4	l i e?
work_qgegmhurp5aqxb3fra2o7pi5t4	w h e n I''m s t u c k way the h e l l and gone out here?
work_qgegmhurp5aqxb3fra2o7pi5t4	when they would have been b e t t e r a s k i n g,"what would the c h a r a c t e r do i n t h i s s i t u a t i o n?"
work_qgegmhurp5aqxb3fra2o7pi5t4	where the h e l l d i d I l e a v e my makeup?
work_ke7bphjy5jaxbatz3eywblix3m	Where Did That One Go To''E r b e r t?
work_ke7bphjy5jaxbatz3eywblix3m	Would you l i k e t o see our son''s poems? work_ke7bphjy5jaxbatz3eywblix3m & one might s t a r t a r g u i n g w i t h the o l d man a l l over a g a i n? work_ke7bphjy5jaxbatz3eywblix3m ''What about a game of chequers?'' work_ke7bphjy5jaxbatz3eywblix3m ''\Reading a book
work_ke7bphjy5jaxbatz3eywblix3m	''s mind that i t would be a d v i s a b l e f o r me anyhow to proceed east where I c o u l d be under your Eye?
work_ke7bphjy5jaxbatz3eywblix3m	( 271) and"''Bombs from the b i s o n''s bung, eh?''"
work_ke7bphjy5jaxbatz3eywblix3m	( How''s t h a t, o l d f e l l e r me l a d?)
work_ke7bphjy5jaxbatz3eywblix3m	( I V) — h o w w e l l p r e p a r e d i s he i n each s u b j e c t?
work_ke7bphjy5jaxbatz3eywblix3m	( Or vas t h i s{{ perhaps}} j u s t a n o t h e r case o f"v i t h d r a v a l and r e t u r n"?)
work_ke7bphjy5jaxbatz3eywblix3m	( The same t h i n g a p p l i e s perhaps t o In B a l l a s t as t o the V o l e, f o r the p r e s e n t anyhow??.)
work_ke7bphjy5jaxbatz3eywblix3m	( The same t h i n g a p p l i e s perhaps t o In B a l l a s t as t o the V o l e, f o r the p r e s e n t anyhow??.)
work_ke7bphjy5jaxbatz3eywblix3m	( What e v e r became o f V o l c a n o, by t h e way?)
work_ke7bphjy5jaxbatz3eywblix3m	* And t a l k i n g about the F e s t i v a l-- w h e n i s Cambridge g o i n g t o see you?
work_ke7bphjy5jaxbatz3eywblix3m	* C o u l d you h e l p, do you t h i n k, a b i t here?
work_ke7bphjy5jaxbatz3eywblix3m	* Who i s t h i s p e r s o n who must be d i s e m b o w e l l e d, and shown i n the m a r k t p l a t z?
work_ke7bphjy5jaxbatz3eywblix3m	, 7 — b u t what w i l l Rye be p o s t war??
work_ke7bphjy5jaxbatz3eywblix3m	, 7 — b u t what w i l l Rye be p o s t war??
work_ke7bphjy5jaxbatz3eywblix3m	, what l i n e would most p r o f i t a b l y t a k e — i f any--?
work_ke7bphjy5jaxbatz3eywblix3m	,>?''
work_ke7bphjy5jaxbatz3eywblix3m	- And d i d I s a y l i t t l e?
work_ke7bphjy5jaxbatz3eywblix3m	- And d i d he have t o bum h i s way b a c k home?
work_ke7bphjy5jaxbatz3eywblix3m	-- i f n o t\-- a l a c k--< p o e t i c>{ p r o s a i c} j u s t i c e?
work_ke7bphjy5jaxbatz3eywblix3m	-- w e\ a l a c k?
work_ke7bphjy5jaxbatz3eywblix3m	-Is t h i s an a i r p l a n e r o a r i n g i n my room?
work_ke7bphjy5jaxbatz3eywblix3m	.1 t h i s?
work_ke7bphjy5jaxbatz3eywblix3m	.>{--}< The p r e l u d e s( which I d i d not acknowledge)& a f t e r a l l why s h o u l d I?
work_ke7bphjy5jaxbatz3eywblix3m	.J why n o t?
work_ke7bphjy5jaxbatz3eywblix3m	1 0 L o v r y''s b r o t h e r s: W i l f r i d Malbon( 1900-?)
work_ke7bphjy5jaxbatz3eywblix3m	1 0 What would you a d v i s e me t o do?
work_ke7bphjy5jaxbatz3eywblix3m	1 0 Y e t, even s o, what s''h i s a d d r e s s?
work_ke7bphjy5jaxbatz3eywblix3m	1 1 And have you s t a r t e d a new one?
work_ke7bphjy5jaxbatz3eywblix3m	1 2 D i c k i n s o n?)
work_ke7bphjy5jaxbatz3eywblix3m	1 How goes the summer s c h o o l?
work_ke7bphjy5jaxbatz3eywblix3m	1 I hope you a r e g o i n g t o snd me one?
work_ke7bphjy5jaxbatz3eywblix3m	1* Let me have a l i n e before that?
work_ke7bphjy5jaxbatz3eywblix3m	2 or Mr_§_ Untermeyer, the f i r s t?
work_ke7bphjy5jaxbatz3eywblix3m	2''''A You may be c i r c u m a m b i e n t or t e r s e B?
work_ke7bphjy5jaxbatz3eywblix3m	214.22 b e s t f o r me?\ b e s t f o r me<.>{?}
work_ke7bphjy5jaxbatz3eywblix3m	3 But how good too a l l your news i s-- d o you mean you r e a l l y went t o see o l d miasmal Cow''shorn cuernavaca a g a i n?
work_ke7bphjy5jaxbatz3eywblix3m	3 That w i l l or s h o u l d c o m f o r t you t o do, t h a t and whatever you d e c i d e t o do as w e l l — s o m e more p o m e s?
work_ke7bphjy5jaxbatz3eywblix3m	3 Time in the Rock?
work_ke7bphjy5jaxbatz3eywblix3m	3"Mrs Untermeyer, the f i r s t?"
work_ke7bphjy5jaxbatz3eywblix3m	368.10 I f by the way\ I f< as you prepare t o d e p a r t)< you> by< should> by the way 368.12 a l a c k?
work_ke7bphjy5jaxbatz3eywblix3m	369.9- 10 as i r r i t a t i n g-- p e r h a p s you s a y — a s when\ as i r r i t a t i n g{-- p e r h a p s you s a y--} a s when 369.23[?
work_ke7bphjy5jaxbatz3eywblix3m	7 Or am I a t C r e c y, t h e n, w i t h the B l a c k P r i n c e?
work_ke7bphjy5jaxbatz3eywblix3m	7 See B l u e Voyage:"''W i l s t hog i t w i t h me over the way?''"
work_ke7bphjy5jaxbatz3eywblix3m	8 Have you got a s p a r e copy of t h i s i n R y e 9 t h a t you c o u l d s e l l me?
work_ke7bphjy5jaxbatz3eywblix3m	9 Which I d i d not acknowledge?
work_ke7bphjy5jaxbatz3eywblix3m	: and''D u b l i n e r s,''-- w h y D u b l i n e r s?
work_ke7bphjy5jaxbatz3eywblix3m	< Men have s i l e n c e> Death h a t h t h i s s i l e n c e i n common w i t h us Home r u n s,( perhaps) but who may f i n d the b a l l?)
work_ke7bphjy5jaxbatz3eywblix3m	<<(>> i s t h i s mr demarest?
work_ke7bphjy5jaxbatz3eywblix3m
work_ke7bphjy5jaxbatz3eywblix3m	>{)}?
work_ke7bphjy5jaxbatz3eywblix3m	?
work_ke7bphjy5jaxbatz3eywblix3m	?
work_ke7bphjy5jaxbatz3eywblix3m	?
work_ke7bphjy5jaxbatz3eywblix3m	?
work_ke7bphjy5jaxbatz3eywblix3m	?
work_ke7bphjy5jaxbatz3eywblix3m	?
work_ke7bphjy5jaxbatz3eywblix3m	?
work_ke7bphjy5jaxbatz3eywblix3m	?
work_ke7bphjy5jaxbatz3eywblix3m	?
work_ke7bphjy5jaxbatz3eywblix3m	?
work_ke7bphjy5jaxbatz3eywblix3m	?
work_ke7bphjy5jaxbatz3eywblix3m	?
work_ke7bphjy5jaxbatz3eywblix3m	?
work_ke7bphjy5jaxbatz3eywblix3m	?
work_ke7bphjy5jaxbatz3eywblix3m	?
work_ke7bphjy5jaxbatz3eywblix3m	?
work_ke7bphjy5jaxbatz3eywblix3m	?
work_ke7bphjy5jaxbatz3eywblix3m	?
work_ke7bphjy5jaxbatz3eywblix3m	?
work_ke7bphjy5jaxbatz3eywblix3m	?
work_ke7bphjy5jaxbatz3eywblix3m	?
work_ke7bphjy5jaxbatz3eywblix3m	?
work_ke7bphjy5jaxbatz3eywblix3m	?
work_ke7bphjy5jaxbatz3eywblix3m	?
work_ke7bphjy5jaxbatz3eywblix3m	?
work_ke7bphjy5jaxbatz3eywblix3m	?
work_ke7bphjy5jaxbatz3eywblix3m	?
work_ke7bphjy5jaxbatz3eywblix3m	?"
work_ke7bphjy5jaxbatz3eywblix3m	?)
work_ke7bphjy5jaxbatz3eywblix3m	A i n''t l i f e c u t e and f u l l of c u n n i n g t r i c k s?
work_ke7bphjy5jaxbatz3eywblix3m	A sad s t o r y, you say, a l m o s t as p o i g n a n t as The Triumph of Egg??
work_ke7bphjy5jaxbatz3eywblix3m	A sad s t o r y, you say, a l m o s t as p o i g n a n t as The Triumph of Egg??
work_ke7bphjy5jaxbatz3eywblix3m	Am I r i g h t?
work_ke7bphjy5jaxbatz3eywblix3m	And I t h o u g h t y o u meant t o s e n d i t t o L i n s c o t t?
work_ke7bphjy5jaxbatz3eywblix3m	And a f t e r a l l why s h o u l d I?
work_ke7bphjy5jaxbatz3eywblix3m	And do you know J Davenport''s a d d r e s s by any 355 remote chance??
work_ke7bphjy5jaxbatz3eywblix3m	And do you know J Davenport''s a d d r e s s by any 355 remote chance??
work_ke7bphjy5jaxbatz3eywblix3m	And my own e r o t i c c a r e e r, dear god, dear j e s u s, what a r e people g o i n g t o t h i n k of t h a t--?
work_ke7bphjy5jaxbatz3eywblix3m	And what about a mutual c r a c k a t dad?
work_ke7bphjy5jaxbatz3eywblix3m	And what e l s e?
work_ke7bphjy5jaxbatz3eywblix3m	And you-- how does the new house go and grow?
work_ke7bphjy5jaxbatz3eywblix3m	And, f i n a l l y, would you t r y and r e a l i z e the d i f f i c u l t i e s of working, or t r y i n g t o, i n what amounts to a vacuum?
work_ke7bphjy5jaxbatz3eywblix3m	And, of c o u r s e, Gawd w i t h a c a p i t a l H. And good god, why n o t?
work_ke7bphjy5jaxbatz3eywblix3m	Are you drinking''eavy- like?
work_ke7bphjy5jaxbatz3eywblix3m	B u t\ S e a?
work_ke7bphjy5jaxbatz3eywblix3m	B.V?
work_ke7bphjy5jaxbatz3eywblix3m	B.V?)}
work_ke7bphjy5jaxbatz3eywblix3m	Bob M o r s s 1 and f a m i l y may spend the w i n t e r w i t h u s —( y o u remember him?
work_ke7bphjy5jaxbatz3eywblix3m	But as for the allowance- what can I say, Conrad?
work_ke7bphjy5jaxbatz3eywblix3m	But b e t t e r without the horse and Yvonne--?
work_ke7bphjy5jaxbatz3eywblix3m	But the problem i s, what of the o t h e r e a r l i e r t h i n g s — i f indeed any?
work_ke7bphjy5jaxbatz3eywblix3m	But v h a t, under the c i r c u m s t a n c e s, c o u l d I do?)
work_ke7bphjy5jaxbatz3eywblix3m	But w i l l I get f o r c e d out f o r b e i n g E n g l i s h?
work_ke7bphjy5jaxbatz3eywblix3m	But what a r e g u t s, as P o n t i u s P i l a t e might have s a i d?
work_ke7bphjy5jaxbatz3eywblix3m	But what can I do t o h e l p you--?
work_ke7bphjy5jaxbatz3eywblix3m	C o n s t a n t i b l o o d y n o p l e • s r i g h t enough- Used to be, eh?
work_ke7bphjy5jaxbatz3eywblix3m	Came home f o r C h r i s t m a s?
work_ke7bphjy5jaxbatz3eywblix3m	Can you 280 get e a s t — c a n you get in???
work_ke7bphjy5jaxbatz3eywblix3m	Can you 280 get e a s t — c a n you get in???
work_ke7bphjy5jaxbatz3eywblix3m	Can you 280 get e a s t — c a n you get in???
work_ke7bphjy5jaxbatz3eywblix3m	Can you t e l l me some mags where one might send pomes w i t h hope of s m a l l payments?.
work_ke7bphjy5jaxbatz3eywblix3m	Conrad W i l l you thank M. Carey f o r h i s l e t t e r, on my b e h a l f-- a n d t e l l him I much a p p r e c i a t e d i t —?
work_ke7bphjy5jaxbatz3eywblix3m	Could not Conrad, perhaps, t a k e c a r t e- b l a n c h e under these c i r c u m s t a n c e s?
work_ke7bphjy5jaxbatz3eywblix3m	Could you not l e n d me''The C o n v e r s a t i o n*- b l a s t ye- i f I r e t u r n i t?
work_ke7bphjy5jaxbatz3eywblix3m	Could you not, i n the S h i t e h o u s e, 2 reread the Lighthouse?
work_ke7bphjy5jaxbatz3eywblix3m	Demarest?''"
work_ke7bphjy5jaxbatz3eywblix3m	Did you g e t the r e v i e w I s e n t you on C o n v e r s a t i o n?
work_ke7bphjy5jaxbatz3eywblix3m	Did you know i n c i d e n t a l l y of t h a t t r a g e d y--?
work_ke7bphjy5jaxbatz3eywblix3m	Do you know anybody who might be i n t e r e s t e d?
work_ke7bphjy5jaxbatz3eywblix3m	Do you remember a German w i r e l e s s o p e r a t o r i n the book?
work_ke7bphjy5jaxbatz3eywblix3m	Do you see any p e o p l e?
work_ke7bphjy5jaxbatz3eywblix3m	Does one have t o p r i n t an e x p l a n a t o r y note w i t h e v e r y book?
work_ke7bphjy5jaxbatz3eywblix3m	E d?
work_ke7bphjy5jaxbatz3eywblix3m	Ed?
work_ke7bphjy5jaxbatz3eywblix3m	Eh?
work_ke7bphjy5jaxbatz3eywblix3m	F e e l a b i t ashamed- as who would n''t, a f t e r your book?
work_ke7bphjy5jaxbatz3eywblix3m	For the r e s t I do not know: your daemon has l e d you i n t o a s t r a n g e path i n d e e d,& a f t e r a l l, what can you do but obey?
work_ke7bphjy5jaxbatz3eywblix3m	G e r a l d 8 r e p o r t s you have got your p a s s p o r t s t r a i g h t e n e d o u t — d o you t h i n k of coming e a s t?
work_ke7bphjy5jaxbatz3eywblix3m	G e r a l d wrote me a t g r e a t l e n g t h i n p r a i s e of your book i 0--why not l e t i t come o u t, my dear f e l l o w?
work_ke7bphjy5jaxbatz3eywblix3m	Had he s e e n t h e new v e r s i o n, o r was he s p e a k i n g o f t h e o l d?
work_ke7bphjy5jaxbatz3eywblix3m	Have you f i n i s h e d B a l l a s t —?
work_ke7bphjy5jaxbatz3eywblix3m	Have you news- my Godl- of John?
work_ke7bphjy5jaxbatz3eywblix3m	How do you survive?
work_ke7bphjy5jaxbatz3eywblix3m	How goes the p o e t r y?
work_ke7bphjy5jaxbatz3eywblix3m	How i s t h e A u s t r i a n g i r l?
work_ke7bphjy5jaxbatz3eywblix3m	I am only deeply thankful, f i n a l l y?
work_ke7bphjy5jaxbatz3eywblix3m	I am,& by J e s u s nov I LIVE i n Vancouver 1 9 Or do n''t I?
work_ke7bphjy5jaxbatz3eywblix3m	I s h o u l d t h i n k, y o u c o u l d w a n g l e s o m e t h i n g?
work_ke7bphjy5jaxbatz3eywblix3m	I think i t i s r e a l l y good, though the Lost Week End may have deprived i t of some of i t s impact- alack- prosaic justice?
work_ke7bphjy5jaxbatz3eywblix3m	If you do n''t know, maybe you could find out from the authorities there in Vancouver?
work_ke7bphjy5jaxbatz3eywblix3m	In that event, what are we to do?
work_ke7bphjy5jaxbatz3eywblix3m	Is he, you say, r e a l l y i n love with h i s wife?
work_ke7bphjy5jaxbatz3eywblix3m	Is t h i s possibly the reason why he wants you to stay in Canada?
work_ke7bphjy5jaxbatz3eywblix3m	J 110.2- 6 S e a?
work_ke7bphjy5jaxbatz3eywblix3m	John?
work_ke7bphjy5jaxbatz3eywblix3m	L e t us n o t, h o w e v e r, m e n t i o n t h a t: y o u s u r e l y, I f e e l, wo n''t be d r a g g e d i n: n o r n e e d y o u be?
work_ke7bphjy5jaxbatz3eywblix3m	L e t''s have t h a t u n d e r s t o o d, eh?
work_ke7bphjy5jaxbatz3eywblix3m	L i k e t o come??
work_ke7bphjy5jaxbatz3eywblix3m	L i k e t o come??
work_ke7bphjy5jaxbatz3eywblix3m	Look here you do n''t hate me a l r e a d y do you?
work_ke7bphjy5jaxbatz3eywblix3m	My mother which a r t i n tomb Who c a r r i e d s t me i n t h y womb, What i s i t t h a t I i n h e r i t?
work_ke7bphjy5jaxbatz3eywblix3m	N i c h t wahr?????
work_ke7bphjy5jaxbatz3eywblix3m	N i c h t wahr?????
work_ke7bphjy5jaxbatz3eywblix3m	N i c h t wahr?????
work_ke7bphjy5jaxbatz3eywblix3m	N i c h t wahr?????
work_ke7bphjy5jaxbatz3eywblix3m	N i c h t wahr?????
work_ke7bphjy5jaxbatz3eywblix3m	Next time we v i s i t our$ 14 a month s l u m l e t i n NYC( d i d you know?
work_ke7bphjy5jaxbatz3eywblix3m	No s e c r e t d r i n k i n g s round the c o r n e r, eh?
work_ke7bphjy5jaxbatz3eywblix3m	No s e c r e t d r i n k i n g s round the c o r n e r, eh?
work_ke7bphjy5jaxbatz3eywblix3m	No, the new novel is The Conversation, 2 a sinfonia domestica, a l i t t l e poem of marital love(?????)
work_ke7bphjy5jaxbatz3eywblix3m	No, the new novel is The Conversation, 2 a sinfonia domestica, a l i t t l e poem of marital love(?????)
work_ke7bphjy5jaxbatz3eywblix3m	No, the new novel is The Conversation, 2 a sinfonia domestica, a l i t t l e poem of marital love(?????)
work_ke7bphjy5jaxbatz3eywblix3m	No, the new novel is The Conversation, 2 a sinfonia domestica, a l i t t l e poem of marital love(?????)
work_ke7bphjy5jaxbatz3eywblix3m	No, the new novel is The Conversation, 2 a sinfonia domestica, a l i t t l e poem of marital love(?????)
work_ke7bphjy5jaxbatz3eywblix3m	Note w r i t t e n by A i k e n on v e r s o:"A fragment of Great C i r c l e( or B. Voyage?
work_ke7bphjy5jaxbatz3eywblix3m	Oo y o u remember M i l l e r, t h e l i t t l e c o m m u n i s t i n M e x i c o?
work_ke7bphjy5jaxbatz3eywblix3m	Or i s she F r a u l e i n?
work_ke7bphjy5jaxbatz3eywblix3m	Or s h a l l we t r y a n o t h e r p a r t of england e n t i r e l y?
work_ke7bphjy5jaxbatz3eywblix3m	Or was i t spontaneous combustion of a hot m a n u s c r i p t?
work_ke7bphjy5jaxbatz3eywblix3m	P.S I s the new n o v e l''Reading a b o o k''?
work_ke7bphjy5jaxbatz3eywblix3m	PPPPS( Or vas t h i s perhaps j u s t a n o t h e r case of"v i t h d r a v a l and r e t u r n"?)
work_ke7bphjy5jaxbatz3eywblix3m	Please give my love to the drugstore where the(?
work_ke7bphjy5jaxbatz3eywblix3m	R o y a l l Snow, Who would w i s h t o be R o y a l l Snow?
work_ke7bphjy5jaxbatz3eywblix3m	Robert L i n s c o t t( 1886- 1964): see l e t t e r 17, n. 7, p. 94. x?
work_ke7bphjy5jaxbatz3eywblix3m	S p e c i a l C o l l e c t i o n s:"was i t not b e t t e r t o f a l l w i t h I c a r u s t h a n t h r i v e w i t h S m i t h?"
work_ke7bphjy5jaxbatz3eywblix3m	S t i l l, i t i s a beach, and we a r e k e e p i n g f i t:( f o r what?)
work_ke7bphjy5jaxbatz3eywblix3m	See?
work_ke7bphjy5jaxbatz3eywblix3m	Send i t t o B e r n i c e Baumgarten, Brandt& B r a n d t, 101 Park Ave., N Y C?
work_ke7bphjy5jaxbatz3eywblix3m	Since you do not l i k e the one long chapter, have you any c o n s t r u c t i v e suggestions to o f f e r as to what I should do with i t?
work_ke7bphjy5jaxbatz3eywblix3m	So I r e p l i e d''Well why not keep i t — i t s''good luck to have a f a r t h i n g?
work_ke7bphjy5jaxbatz3eywblix3m	So w e l l might we i n q u i r e, c o n t e n t t o r o t, What do you o f f e r, l o v e, which d r i n k does not?
work_ke7bphjy5jaxbatz3eywblix3m	So why not New Zealand?
work_ke7bphjy5jaxbatz3eywblix3m	Some h i n t i s here& what s h o u l d i t be but t h i s?
work_ke7bphjy5jaxbatz3eywblix3m	T e x t u a l Notes 433.4- 5 f r i e n d of Mary''s\ f r i e n d of Mar< g> y*s 433.11 never t i r e?
work_ke7bphjy5jaxbatz3eywblix3m	That would put t h i n g s on a s q u a r e r f o o t i n g?
work_ke7bphjy5jaxbatz3eywblix3m	Think i t o v e r, anyway?
work_ke7bphjy5jaxbatz3eywblix3m	Tolstoy?
work_ke7bphjy5jaxbatz3eywblix3m	U n f o r t u n a t e l y i t would seem t o i n v o l v e one i n such r o t t e n bad a r t: or need i t not?
work_ke7bphjy5jaxbatz3eywblix3m	Up where?
work_ke7bphjy5jaxbatz3eywblix3m	V?)
work_ke7bphjy5jaxbatz3eywblix3m	W i l l he be a f o r g i v i n g C h r i s t i a n, a b e n e v o l e n t M a r t y r, and b l e s s me from the C r o s s?
work_ke7bphjy5jaxbatz3eywblix3m	Was n''t he f o o l i n g h i m s e l f?
work_ke7bphjy5jaxbatz3eywblix3m	We a r e s t i l l s i t t i n g i n our c o t t a g e on the sea- which we own, the c o t t a g e t h a t i s, and damn i t, the sea t o o, why not?
work_ke7bphjy5jaxbatz3eywblix3m	We would be only too delighted to get out of this hell- hole immediately, but what to do about my permission to reenter U.S.A?
work_ke7bphjy5jaxbatz3eywblix3m	We''ll be here long enough to have a l e t t e r from you-- so l e t''s have i t?
work_ke7bphjy5jaxbatz3eywblix3m	What about your getting into the U S?
work_ke7bphjy5jaxbatz3eywblix3m	What b o o t s i t?
work_ke7bphjy5jaxbatz3eywblix3m	What can you say f a i r l y of a f a t man With a bent hand behind him& a c i g a r e t t e i n i t?
work_ke7bphjy5jaxbatz3eywblix3m	What d e r r i c k s of the s o u l Plunge i n t h a t muted room, a d r i f t, menacing?
work_ke7bphjy5jaxbatz3eywblix3m	What do you t h i n k of t h i s?
work_ke7bphjy5jaxbatz3eywblix3m	What i s now 429 the s t a t u s of the play?
work_ke7bphjy5jaxbatz3eywblix3m	What kind of existance do they think he i s leading i n this barren and dreary town?
work_ke7bphjy5jaxbatz3eywblix3m	What news — i f any?
work_ke7bphjy5jaxbatz3eywblix3m	What o t h e r news?
work_ke7bphjy5jaxbatz3eywblix3m	What would s a y o f f h a n d l i k e?
work_ke7bphjy5jaxbatz3eywblix3m	What''s t h i s about s h i p''s e n g i n e s, and my d o u b l e?
work_ke7bphjy5jaxbatz3eywblix3m	When a t t h a t moment a s m a l l boy suddenly came up to me, a small& very grimy u r c h i n,& s a i d''Would you l i k e a f a r t h i n g?''
work_ke7bphjy5jaxbatz3eywblix3m	When w i l l you come e a s t, or are you now permanent waves, and what do you l i v e on????
work_ke7bphjy5jaxbatz3eywblix3m	When w i l l you come e a s t, or are you now permanent waves, and what do you l i v e on????
work_ke7bphjy5jaxbatz3eywblix3m	When w i l l you come e a s t, or are you now permanent waves, and what do you l i v e on????
work_ke7bphjy5jaxbatz3eywblix3m	When w i l l you come e a s t, or are you now permanent waves, and what do you l i v e on????
work_ke7bphjy5jaxbatz3eywblix3m	Where a r e a l l gone my f r i e n d s the g r e a t unanchored?
work_ke7bphjy5jaxbatz3eywblix3m	Where a r e the f i n e l y drunk?
work_ke7bphjy5jaxbatz3eywblix3m	Where would you go?
work_ke7bphjy5jaxbatz3eywblix3m	Where?
work_ke7bphjy5jaxbatz3eywblix3m	Who c o u l d be l u c k i e r t h a n we?
work_ke7bphjy5jaxbatz3eywblix3m	Why do you not c o n s i d e r our r e l a t i o n s h i p t o be a n e c e s s a r y e x p e r i m e n t?
work_ke7bphjy5jaxbatz3eywblix3m	Would he not r a t h e r l a y him down lengthwise along the l i n e of the E q u a t o r?
work_ke7bphjy5jaxbatz3eywblix3m	Would not Lazarus r a t h e r be i n Sumatra than here?
work_ke7bphjy5jaxbatz3eywblix3m	You do n''t say how you managed i t-- i t must have t a k e n some d o i n g?
work_ke7bphjy5jaxbatz3eywblix3m	You knew, I s u p p o s e, t h a t J a n e 7 i s i n C a m b r i d g e, w o r k i n g on M e l v i l l e f o r H a r r y M u r r a y?
work_ke7bphjy5jaxbatz3eywblix3m	Yvonne j u s t o f f?
work_ke7bphjy5jaxbatz3eywblix3m	[ Up where?}
work_ke7bphjy5jaxbatz3eywblix3m	\ D i c k i n s o n?
work_ke7bphjy5jaxbatz3eywblix3m	\ break up<{& so would I}> because< l know she would>{ —{{ b u t}} why go on?}
work_ke7bphjy5jaxbatz3eywblix3m	\ c o u l d I do?
work_ke7bphjy5jaxbatz3eywblix3m	\ l i k e t h i s{ w i t h m o d i f i c a t i o n s?}
work_ke7bphjy5jaxbatz3eywblix3m	\ never tire< d>?
work_ke7bphjy5jaxbatz3eywblix3m	\ over a g a i n?
work_ke7bphjy5jaxbatz3eywblix3m	\ r o o t{ — s y m b o l i c a l p e r h a p s?}
work_ke7bphjy5jaxbatz3eywblix3m	^ Having 416.13- 14( How''s t h a t, o l d f e l l e r me l a d?)
work_ke7bphjy5jaxbatz3eywblix3m	a c o t t a g e i n Westmoreland, a f l a t i n London?
work_ke7bphjy5jaxbatz3eywblix3m	a r e the s a d d l e b o a r d s on and t i g h t?
work_ke7bphjy5jaxbatz3eywblix3m	a s o o t y house i n mortuary Glasgow?
work_ke7bphjy5jaxbatz3eywblix3m	and Other S t o r i e s( New York: B o n i& L i v e r i g h t, 1925):"''Where a r e we g o i n g t o hog i t, t o n i g h t?''
work_ke7bphjy5jaxbatz3eywblix3m	and do you never tire?
work_ke7bphjy5jaxbatz3eywblix3m	and how the merry h e l l do you get money out of e n g l a n d, or i s i t t h a t you f i n a l l y c o l l a r e d the funds i n Los Ang?
work_ke7bphjy5jaxbatz3eywblix3m	and what about you??
work_ke7bphjy5jaxbatz3eywblix3m	and what about you??
work_ke7bphjy5jaxbatz3eywblix3m	and what e l s e?
work_ke7bphjy5jaxbatz3eywblix3m	any J a p s?
work_ke7bphjy5jaxbatz3eywblix3m	anyhow??.
work_ke7bphjy5jaxbatz3eywblix3m	anyhow??.
work_ke7bphjy5jaxbatz3eywblix3m	are you confused, or is a l l now lucid?
work_ke7bphjy5jaxbatz3eywblix3m	away?
work_ke7bphjy5jaxbatz3eywblix3m	by"Or, h a v i n g t a k i n g i t i n, d i d she g e t the p o i n t p r o p e r l y?"
work_ke7bphjy5jaxbatz3eywblix3m	by"Or,\ i n?"
work_ke7bphjy5jaxbatz3eywblix3m	c h e e r y a i n''t t h e y?
work_ke7bphjy5jaxbatz3eywblix3m	c o u l d I d o?)
work_ke7bphjy5jaxbatz3eywblix3m	c u t s me o f f v i t h o u t a penny or n o t?
work_ke7bphjy5jaxbatz3eywblix3m	c u t the u m b i l i c a l c o r d?
work_ke7bphjy5jaxbatz3eywblix3m	has the phoenix c l a p p e d i t s wings?
work_ke7bphjy5jaxbatz3eywblix3m	i s t h i s mr_ demarest?
work_ke7bphjy5jaxbatz3eywblix3m	l a t e?
work_ke7bphjy5jaxbatz3eywblix3m	l o s t?
work_ke7bphjy5jaxbatz3eywblix3m	l o v e t o you both Conrad Do you ever hear from John Dav.?
work_ke7bphjy5jaxbatz3eywblix3m	not w i l l i a m demarest of Y o n k e r s,& anyway what s''h i s address<
work_ke7bphjy5jaxbatz3eywblix3m	not w i l l i a m demarest of Yonkers?
work_ke7bphjy5jaxbatz3eywblix3m	not w i l l i a m demarest?
work_ke7bphjy5jaxbatz3eywblix3m	not w i l l i a m demarest?
work_ke7bphjy5jaxbatz3eywblix3m	on her way?
work_ke7bphjy5jaxbatz3eywblix3m	or d i r t y work by the j a p s?
work_ke7bphjy5jaxbatz3eywblix3m	or j u s t s t a y here amongst the mussels and p o i s o n i v o r y?
work_ke7bphjy5jaxbatz3eywblix3m	or long, as we do passionately, for something else?
work_ke7bphjy5jaxbatz3eywblix3m	or why bother?
work_ke7bphjy5jaxbatz3eywblix3m	r e t u r n?)
work_ke7bphjy5jaxbatz3eywblix3m	t h i s?}
work_ke7bphjy5jaxbatz3eywblix3m	the g r e a t d r u n k a r d?
work_ke7bphjy5jaxbatz3eywblix3m	typographical error<> deletion<<>> deletion within a deletion{} insertion{{}} insertion within an insertion[] editorial interpolation or alteration t?
work_ke7bphjy5jaxbatz3eywblix3m	where o l d c l u b f o o t e d B i l l, the c a r- p a r k demon, f e l l i n, i n the b l a c k o u t, and went t o sea?
work_ke7bphjy5jaxbatz3eywblix3m	you do n''t mind w a i t i n g a l i t t l e while f o r your''Blue Voyage.''?
work_ke7bphjy5jaxbatz3eywblix3m	you< both> send 126 108.8''Reading a book?
work_ke7bphjy5jaxbatz3eywblix3m	{ And, of c o u r s e, Gawd w i t h a c a p i t a l H. And good god, why n o t?)
work_ke7bphjy5jaxbatz3eywblix3m	̂?