Questions

This is a list of all the questions and their associated study carrel identifiers. One can learn a lot of the "aboutness" of a text simply by reading the questions.

identifier	question
work_ahsphirsu5cnro2uftcyv5ljcm	What happens t o p o p u l a r c u l t u r e when elements are s e l e c t e d and reshaped t o a t t r a c t t o u r i s t s?
work_kd7ohyl5nje4tj3qyruszf3qwu	Maybe these links could help you?
work_bkvb5di3bfeefocjrxoxnf5ftq	17 Dirk Coigneau, ‘ Een Brugse Villon of Rabelais?
work_f3k6b5wp3fbwvimg3m56ncxxzq	), Renaissance en France, Renaissance française?
work_cypgf4wbobcbbkbjztmou4xkea	After all, is n’t that what any of us would do on a good day when we ’re with those who count — our family and friends?
work_c6xsu7wnr5cmnhwxwly7ybauke	“ Pushed ” or “ Painted ”?
work_dmni7v72drbt5dhuksvsny7wpu	1103- 1128; Michael H u g h e s,"Fiat Justitia, p e r e a t G e r m a n i a?
work_ljeijh6yujh2jdwu72pzus2gpi	How did Franks differ in his approach, and what impact did he have on his peers?
work_3juckpr55fczvn7wi43hm52glu	Why should we be classed in the department that manages buildings, fur- niture, and transportation pools?
work_3juckpr55fczvn7wi43hm52glu	6Mi?
work_qwu7dq3gtrcalppu6cnrmjsaim	MLQ 61.2-01Kenny.ak 5/26/00 3:49 PM Page 262 Kenny ❙ Books in Space and Time 263 Library or Cabinet?
work_a3xouq5nxre5nfuhnofiiyn22u	Is erectile dysfunc- tion the ‘ ‘ tip of the iceberg ’ ’ of a systemic vascular dis- order?
work_a3xouq5nxre5nfuhnofiiyn22u	e u r o p e a n u r o l o g y 5 3( 2 0 0 8) 2 3 1 – 2 3 3 233 Having tasted that cock she said: ‘ ‘ My love, where did you get this? ’ ’.
work_73bmeugbyzf6zipuuldqeagpna	http://faostat.fao.org/faostat/collections?
work_73bmeugbyzf6zipuuldqeagpna	— First Image of Cucurbita in Europe 47 http://faostat.fao.org/faostat/collections?
work_silixpqaunhbve2hp74keu4sme	Skip to Main Content( Press Enter) Cart   |    Renew   |    Help   |    ?
work_bu2xxsntwrduxemtceqmz3vmsm	The sixth article ‘ The Missing Link?
work_iz2p7z2tazfppfz677r2qrqhki	For others, this might still be un- satisfactory if the basic question is policies by whom?
work_uw76h6jijvgcfpxumzzr7mxlwq	Me pourra donc tel Soleil resjouir, Quand tout Mydi m‟est nuict, voire eternelle?
work_xbmmxoee7nfxzoyjzomgyhckfu	‘ What is a dispositif? ’ In Michel Foucault, Philosopher: Essays.
work_33ymykd6yvd7nczhiel6lamvre	CITIES2_final_ktmpure Lost in Transition?
work_33ymykd6yvd7nczhiel6lamvre	Lost in Transition?
work_3lfpu5goynbuji6blbzwe7akpi	Exile, salvation or tactical retreat? ” Science in Context 6, no.
work_3lfpu5goynbuji6blbzwe7akpi	I wonder whether he was in league with Pauli to pull my leg?
work_y4tf2zzr7rdcbgpxjnykyioooq	An obvious question is, therefore, why is the book published in Danish and not in English?
work_5d2tmvqpbjb4beupehts7zhflq	What evidence is there, though, that the change in the descriptor which Montaigne wishes to bring about had any influence on contemporary opinion?
work_tblpfwut2zd6zlbcgnw5mblmuq	Was she not out of touch with the most vital current of her time — namely, the humanist reconsti- tution and dissemination of ancient texts?
work_tblpfwut2zd6zlbcgnw5mblmuq	Why bother with what would seem to have been a rearguard action of an essentially medieval press?
work_7q46cpci7vcifmfefofcsisnim	How does that peculiar microstructure have formed?
work_7q46cpci7vcifmfefofcsisnim	How does that peculiar microstructure have formed?
work_7q46cpci7vcifmfefofcsisnim	Why looking especially at the glaze- paste interface region?
work_er3qvs4h6ndrzdtv7g35v7qqzq	601–21; J. H. Ohlmeyer, ‘ The ‘ ‘ old ’ ’ British histories? ’, Historical Journal, 50( 2007), pp.
work_er3qvs4h6ndrzdtv7g35v7qqzq	What exactly was this Irish kingdom described by O’Ferrall and disputed by Lynch?
work_ewkbhxyazvfyzpg72adrgi4mce	Rio de Janeiro: Eduerj, 2009. agmarcia@uol.com.br H is tó ri a ou r om an ce?
work_w25mvqwlezcmfcyomcev7f5d2a	“ A Profession but Not a Career?
work_uud3yv7rtjhzzlrluzpmo74jdq	Email address/ Username?
work_uud3yv7rtjhzzlrluzpmo74jdq	Sign in Do n''t already have an account?
work_w2fq2rmb5zbjdfxsoahdslmal4	9 Janet NELSON, « Women at the court of Charlemagne: A case of monstrous regiment?
work_w2fq2rmb5zbjdfxsoahdslmal4	How can this sudden expansion be explained?
work_rj3wxhaa3nclzd6fqixoutjweq	Shall I recover from my illness?
work_rj3wxhaa3nclzd6fqixoutjweq	What career shall I choose?
work_rj3wxhaa3nclzd6fqixoutjweq	Whom should I marry?
work_krxaoq623ffq5fsuizvruyopza	And, secondly, how are human subjects affected by opposition?
work_krxaoq623ffq5fsuizvruyopza	Firstly, what role does human perception or understanding play in opposition?
work_krxaoq623ffq5fsuizvruyopza	In other words, are human beings subject to opposition?
work_krxaoq623ffq5fsuizvruyopza	That is, what effects does the human gaze or the human mind exert upon opposition?
work_5nndc5rlw5esvnhbb2ytotmpku	?, By,.
work_4dt36egr2nbhjipjd24mhrmla4	Bolle C: Wann erscheint die Weymouthskiefer zuerst in Europa?
work_4dt36egr2nbhjipjd24mhrmla4	Did nitric oxide aid in the recovery from scurvy?
work_4dt36egr2nbhjipjd24mhrmla4	Hodges RE: What''s new about scurvy?
work_4dt36egr2nbhjipjd24mhrmla4	Vanholder R, Schepers E, Meert N, Lameire N: What is uremia?
work_qpwej7xlynhqdd5k2kxknk2mae	L’Ercole giovane della Frick Collection ’ CH CH locate via Denise?
work_choof2ky7zhefcpyzluwqnclxi	Are the limits of schematization well defined?
work_choof2ky7zhefcpyzluwqnclxi	Are there any schemas left out of consideration that are significant to our understanding of the experience?
work_choof2ky7zhefcpyzluwqnclxi	It generalizes the theory of Systems by asking: What else is there that is like a system, yet different?
work_choof2ky7zhefcpyzluwqnclxi	The question becomes whether there are any gaps in the nesting of this hierarchy of schemas?
work_en6fn2m2t5hk3i4zhcxizd3cbu	But what leads people to prefer one garden style over others?
work_en6fn2m2t5hk3i4zhcxizd3cbu	Environmental preference and restoration:( How) are they related?
work_en6fn2m2t5hk3i4zhcxizd3cbu	Residential management of urban front- yard landscape: A random process?
work_an3jsfjzjjfzhgb2t6rbkvkjgy	(( bends over toward a mushroom)) do we accept mushrooms?
work_an3jsfjzjjfzhgb2t6rbkvkjgy	Why everyday experience?
work_an3jsfjzjjfzhgb2t6rbkvkjgy	so are we trying to find something to eat yet?
work_an3jsfjzjjfzhgb2t6rbkvkjgy	“ How stupid can a person be? ”- Students coping with authoritative dimensions of science lessons.
work_gsietnceebeqndzl7vdecosm3m	Do some urban farmers maintain relations with kin elsewhere in the country, and what are the economic dimensions of such relations?
work_gsietnceebeqndzl7vdecosm3m	To what extent is residence in the city a reaction to in- tolerable conditions in the rural areas, and what is it that was intolerable?
work_gsietnceebeqndzl7vdecosm3m	To what extent is the move an attempt to seek a better life in the city?
work_v6hv4rnymvebbbxpcpffp3lona	Do you know what kind of myth that''s going to make in a thousand years?
work_v6hv4rnymvebbbxpcpffp3lona	Neumer, Katalin( 2004)"Wittgenstein und die''Philosophen des Lebens''oder War Wittgenstein ein''österreichischer''Philosoph?
work_v6hv4rnymvebbbxpcpffp3lona	What gives it life?
work_xwtt3tc7e5am5hpb5cv3cvvyfe	Exile, salvation or tactical retreat? ” Science in Context 6, no.
work_xwtt3tc7e5am5hpb5cv3cvvyfe	I wonder whether he was in league with Pauli to pull my leg?
work_grbdr4sg25b7xl6er63nicrivu	Are historians reifying a category and pretending to make it more real and expressed than it actually was?
work_grbdr4sg25b7xl6er63nicrivu	Shall we call him a mystical atheist, a freethinker, or a freebeliever?
work_grbdr4sg25b7xl6er63nicrivu	So when should the term atheist be used?
work_grbdr4sg25b7xl6er63nicrivu	What do we make of this last point?
work_ljd3ap6h55bnzna2drvcx4ydyu	But what should be kept for consultation?
work_ljd3ap6h55bnzna2drvcx4ydyu	Does n''t this just show how bureaucratic bureaucratic design really is?
work_ljd3ap6h55bnzna2drvcx4ydyu	Does this eliminate talent, even genius, from architectural history?
work_ljd3ap6h55bnzna2drvcx4ydyu	Well, so what?
work_ljd3ap6h55bnzna2drvcx4ydyu	What does it matter if a building was designed by one government architect instead of another?
work_zhkrsti4zfe6zb3axw6osrl5ci	2 Donald Malcolm Reid, Whose Pharaohs?
work_zhkrsti4zfe6zb3axw6osrl5ci	3 Reid, Whose Pharaohs?, 10, 118- 119, 205.
work_zhkrsti4zfe6zb3axw6osrl5ci	Whose Pharaohs?
work_mlzv72m2obfrtdzmuh7mcmfqfe	( A death mask of ISAAC NEWTON?)
work_mlzv72m2obfrtdzmuh7mcmfqfe	POVZI?
work_mlzv72m2obfrtdzmuh7mcmfqfe	Passages in Sanskrit with English translation are given of the Karanapaddhati( 1596 AD?).
work_mlzv72m2obfrtdzmuh7mcmfqfe	The second fascicle; for the first see#? 99.
work_mlzv72m2obfrtdzmuh7mcmfqfe	WATTENBERG, DIEDRICH 1977 Eine Totenmaske Isaac Newtons?
work_rzxkdt5kl5hrhhbqr44bzyjohq	J.R. Francis( 1990) “ After Virtue?
work_rzxkdt5kl5hrhhbqr44bzyjohq	Regan( 1993) “ Does Studying Economics Inhibit Cooperation? ” Journal of Economic Perspectives 7(2): 159- 171.
work_r2jgsxdmmnfrzlqpeehugxnjp4	( 2011) The origins of the experimental method — mathematics or magic?, in: H. Busche, and S. Heßbrüggen- Walter( eds.
work_r2jgsxdmmnfrzlqpeehugxnjp4	Jean Fernel, mathematician manqué, and physican Why, then, did Fernel abandon mathematics and turn his attention entirely to medicine?
work_r2jgsxdmmnfrzlqpeehugxnjp4	Johnston, S( 2006) Like father, Like son?
work_r2jgsxdmmnfrzlqpeehugxnjp4	What caused this dramatic change of direction?
work_r2jgsxdmmnfrzlqpeehugxnjp4	What inspired Fernel to think that he might, against the odds, make a living as a mathematical practitioner?
work_4zx2nvwbbbfs7byvoijjxel3am	1525?)
work_4zx2nvwbbbfs7byvoijjxel3am	London[ i.e., Flor- ence?
work_4zx2nvwbbbfs7byvoijjxel3am	Perhaps the Florentine sculptor( Niccolò Lamberti?)
work_rsxujydg25gcfm4ltbphzfjh4a	How can we explain their ugliness and occasional beauty and changing mood; their frequent correction by means of large insets?
work_rsxujydg25gcfm4ltbphzfjh4a	Why did this work, begun in 1530, take so long in the making?
work_rsxujydg25gcfm4ltbphzfjh4a	Why were the great hand- coloured volumes, printed on vellum, never presented to the King and why do they contain no dedication leaf?
work_ygp4224vijcorbzpmn3fgukusm	( C. V. Jones) MOORE, Charles W 6? Jicholas PYLE Editors 1974 The Yale Mathe- maticsBui1dingCompetition.
work_ygp4224vijcorbzpmn3fgukusm	MAY, Kenneth 0 1975 What is good history and who should do it?
work_ygp4224vijcorbzpmn3fgukusm	PUTNAM, Hilary 1975 What is mathematical TRUTH?
work_ygp4224vijcorbzpmn3fgukusm	Some of the translations are very old, as the one of Dioscoride ’s REP?
work_g6dfophsb5divdrzgi4w2osloi	Bearing in mind that a rosette is the Virgin Mary''s symbol, is this a hint at her line o f descent?
work_g6dfophsb5divdrzgi4w2osloi	Bound by M W( meaning Melchior Wagner, Leipzig?)
work_g6dfophsb5divdrzgi4w2osloi	Justitia and Fortuna on the upper and lower cover, respectively, of a German Renaissance binding by H W( meaning Hans Welcker, Nuremberg?)
work_g6dfophsb5divdrzgi4w2osloi	W h o is capable o f u n d e r s t a n d i n g h i m?"
work_g6dfophsb5divdrzgi4w2osloi	or C2,(? 3, Ca.
work_kataom5thfha7fdsfu4a4jsznu	Baronii vero iniquitatem nescio dicam, an supinitatem incredibilem, quis ferat?
work_kataom5thfha7fdsfu4a4jsznu	What was the appeal of Josephus, and when and how was he read?
work_kataom5thfha7fdsfu4a4jsznu	Why was he the most popular of the ancient historians?
work_zi5jhvshknakhboctp76hdq5ya	Do some urban farmers maintain relations with kin elsewhere in the country, and what are the economic dimensions of such relations?
work_zi5jhvshknakhboctp76hdq5ya	To what extent is residence in the city a reaction to in- tolerable conditions in the rural areas, and what is it that was intolerable?
work_zi5jhvshknakhboctp76hdq5ya	To what extent is the move an attempt to seek a better life in the city?
work_urjxnvi55jal7ipxpboqqayntu	11 So how does Anne ’s manuscript relate to Annius ’ popularity in France and the dissemination of the Antiquities in the early sixteenth century?
work_urjxnvi55jal7ipxpboqqayntu	And as a gift, what might it then tell us about Anne ’s own literary interests and her marriage to Pierre de Balsac?
work_urjxnvi55jal7ipxpboqqayntu	• User may use extracts from the document in line with the concept of ‘ fair dealing ’ under the Copyright, Designs and Patents Act 1988(?)
work_qfew4w2mzbhotfqo2kpuk6hipi	3 See, for example, the discussion in STEPHEN W. SILLMAN, “ Cultural contact or colonialism?
work_552um5cl5vh4jatyxt7zxmlgra	( 23)"Ten minutes?"
work_552um5cl5vh4jatyxt7zxmlgra	How is a writer to respond to a society in which the absurd has become commonplace?
work_552um5cl5vh4jatyxt7zxmlgra	Is it paradoxical to demand restraint of a work whose underlying mode is excess?
work_552um5cl5vh4jatyxt7zxmlgra	When Baldy Li and Song Gang arrive and recognize the body by its clothes, they are mocked by bystanders for asking"Is that my father?"
work_szohlnsamrhhxbhmefpvms4kim	( I m welchem Style sollen wir bauen?).
work_szohlnsamrhhxbhmefpvms4kim	( I m welchem Style sollen wir bauen?).
work_szohlnsamrhhxbhmefpvms4kim	2b), dzie- lił ją na dwa przęsła, a dodatkowo stanowił podporę dla „ re ne san sowej ” niszy, w której umieszczono posąg Dionizo- sa(?).
work_uql34i43n5httnbxeqyqcponcy	92 Cushner, Why Have You Come Here?
work_uql34i43n5httnbxeqyqcponcy	America posed a problem to this claim: was it possible that the Apostles missed a landmass?
work_uql34i43n5httnbxeqyqcponcy	Cushner, Nicholas P., Why Have You Come Here?
work_uql34i43n5httnbxeqyqcponcy	Two important questions thus had to be asked: could a market be created for yerba mate, and was such a market desirable?
work_q75dxl3b3fcqvkqvi2sjd35psu	- El Panteffn Real de las Huelgas c???
work_q75dxl3b3fcqvkqvi2sjd35psu	- El Panteffn Real de las Huelgas c???
work_q75dxl3b3fcqvkqvi2sjd35psu	- El Panteffn Real de las Huelgas c???
work_q75dxl3b3fcqvkqvi2sjd35psu	14)-+ Some early examples of th?
work_q75dxl3b3fcqvkqvi2sjd35psu	?
work_q75dxl3b3fcqvkqvi2sjd35psu	b: Spanish?
work_q75dxl3b3fcqvkqvi2sjd35psu	b: Spanish?
work_s567f3sxfrhnfjverv652bkwum	25 John W. O’Malley, ‘ Was Ignatius Loyola a Church Reformer?
work_s567f3sxfrhnfjverv652bkwum	A. de Leon Pinelo, Vida del Illustrissimo i Reverendissimo D. Toribio Alfonso Mogrovejo([ Madrid?
work_s567f3sxfrhnfjverv652bkwum	But marke … the cause of his affection towards Rome: to wite the bodies of the Apostles lying there, and why the bodies?
work_jjjp7vixsrawfjwewfvy5tnlvi	( 1990: 409) A luciole is a firefly, but what is a fulgore — perhaps a sort of lightening spirit?
work_jjjp7vixsrawfjwewfvy5tnlvi	Feu des sorciers, ton père est où?
work_jjjp7vixsrawfjwewfvy5tnlvi	Francophonie or négritude?
work_jjjp7vixsrawfjwewfvy5tnlvi	Qui t’a nourri?
work_jjjp7vixsrawfjwewfvy5tnlvi	Ta mère est où?
work_jjjp7vixsrawfjwewfvy5tnlvi	Where did the texts come from?
work_m6wcbhclbfgr7edspafmbvwbke	Au lieu de ma grand ’ robbe avoir ceste cuirasse?
work_m6wcbhclbfgr7edspafmbvwbke	Comment expliquer cette transformation?
work_m6wcbhclbfgr7edspafmbvwbke	Pour la plume en la main ceste pesante masse?
work_igr2gyy23be5zg5kwgrybncswu	As a young c i t y, was Vancouver concerned.about a"p u b l i c park"open- space f o r i t s c i t i z e n s?
work_igr2gyy23be5zg5kwgrybncswu	I L L U 3 1 I?
work_igr2gyy23be5zg5kwgrybncswu	VAMCocjLMGR C l T^ ARCtAiV6S- m-- 1 9 7--/
work_igr2gyy23be5zg5kwgrybncswu	Were there d i r e c t design i n f l u e n c e s from B r i t a i n, Europe, the U.S.?
work_igr2gyy23be5zg5kwgrybncswu	When the land f o r V i c t o r i a Park was acquired, the Commission f o r the Improvement of the M e t r o p o l i s was set up?
work_iqzuoh7f4naqvnr5vxkcvhdqx4	But is this evidence strong enough to suggest the existence of a deliberate ennoblement policy?
work_iqzuoh7f4naqvnr5vxkcvhdqx4	Did Imperial Government Regulate Noble Status?
work_iqzuoh7f4naqvnr5vxkcvhdqx4	See Gerhard Dilcher, “ Der alteuropäische Adel — ein verfassungs- geschichtlicher Typus? ” in Europäischer Adel 1750–1950, ed.
work_iqzuoh7f4naqvnr5vxkcvhdqx4	What does the fact that noble status was bought and sold teach us about the idea of nobility?
work_iqzuoh7f4naqvnr5vxkcvhdqx4	What returns did they expect when they applied for ennoblement in the seventeenth or eighteenth century?
work_n4cdi57q2ja5bd357tfyvhqeti	A t: 0 1: 5 2 1 4 A p r i l 2 0 1 0 Capital and the Transfiguring Monumentality of Raffles Hotel 179 cultural flows?
work_n4cdi57q2ja5bd357tfyvhqeti	The Straits Times( 1980a) Incentive offer to preserve Raffles?
work_n4cdi57q2ja5bd357tfyvhqeti	The Straits Times( 1987a) Restoration of Raffles to start soon?
work_n4cdi57q2ja5bd357tfyvhqeti	What kind of derivative memories, histories, meaning- values, translat- ability, authority and power are therefore produced?
work_n4cdi57q2ja5bd357tfyvhqeti	Why did they opt for the portico over the ballroom?
work_n4cdi57q2ja5bd357tfyvhqeti	Why was the portico so fetishized by the urban planners and restoration architects?
work_oqaujrhgnrfwvirpy3caexw2bu	And where did the nerve cells come in?
work_oqaujrhgnrfwvirpy3caexw2bu	But how to prove this postulated continuity between nerve fibres?
work_oqaujrhgnrfwvirpy3caexw2bu	Did this knee- kick really implicate an anatomical reflex arc in keeping with his definition?
work_oqaujrhgnrfwvirpy3caexw2bu	HoFFMANN, PAUL( 1884?
work_oqaujrhgnrfwvirpy3caexw2bu	TscHnEw[ CHnuv], SERGEI IvANovicH( 1850?
work_oqaujrhgnrfwvirpy3caexw2bu	Was the soul not the one and only ruler over man''s entire behaviour?
work_oqaujrhgnrfwvirpy3caexw2bu	Was this truly one of Hall''s prophetic reflexes?
work_44plwco6b5f2pjx4qt532tzwde	1140?
work_44plwco6b5f2pjx4qt532tzwde	In this, he emulates his father, Moses Yahia, who, in the recent plague( 1559?
work_44plwco6b5f2pjx4qt532tzwde	The author[ Joseph ibn Nagrella?]
work_44plwco6b5f2pjx4qt532tzwde	They describe the character or type: Someone who is “ with me ” here[ in his house?]
work_44plwco6b5f2pjx4qt532tzwde	Who is the pesado?
work_44plwco6b5f2pjx4qt532tzwde	imply a snowy landscape rather than a muddy one?
work_n3khfbviwze4vkk5v7li3n4mx4	( A r r a s?)
work_n3khfbviwze4vkk5v7li3n4mx4	, p. 9?
work_n3khfbviwze4vkk5v7li3n4mx4	1?.
work_n3khfbviwze4vkk5v7li3n4mx4	2 Monluc, Commentaires, I I, 402; Commentaires et L e t t r e s, IV, 11?.
work_n3khfbviwze4vkk5v7li3n4mx4	8?
work_n3khfbviwze4vkk5v7li3n4mx4	?
work_n3khfbviwze4vkk5v7li3n4mx4	? 6 f u n c t i o n of v i g u i e r f o r the enseigne was denied.
work_n3khfbviwze4vkk5v7li3n4mx4	Que sais- je?
work_n3khfbviwze4vkk5v7li3n4mx4	Should not N o a i l l e s, as mayor of the town, l i v e i n the mayor''s residence?
work_n3khfbviwze4vkk5v7li3n4mx4	^Doucet, I n s t i t u t i o n s, I I, 64?.
work_w6gefjam6jhiteyypdivv45piq	Camden, opposing the argument for common law copyright in , asked rhetorically, “[ C]an the purchaser lend his Book to his Friend?
work_w6gefjam6jhiteyypdivv45piq	Can he let it out for Hire as the circulating Libraries do?
work_w6gefjam6jhiteyypdivv45piq	I asked if this was not unlucky: would they not hurt one another? ” James Boswell, Journal of a Tour to the Hebrides, ed.
work_w6gefjam6jhiteyypdivv45piq	Linda L. Berger, “ The Lady, or the Tiger?
work_w6gefjam6jhiteyypdivv45piq	how far the liberty of Borrowing may extend?
work_uqmnp5nvynhihj7b4x4t4p6kyq	Balzac, what do you want from me? ’ It is unbearable.
work_uqmnp5nvynhihj7b4x4t4p6kyq	Finally, Gozlan,"Le château de Monte- Cristo ”, 35, commented:"Which architect in the world would have designed such a monument?
work_uqmnp5nvynhihj7b4x4t4p6kyq	The great man pursues you day and night like Banquo ’s shadow: ‘ Dumas, what have I done to you?
work_uqmnp5nvynhihj7b4x4t4p6kyq	– Right here, where we are now?
work_uqmnp5nvynhihj7b4x4t4p6kyq	– What do you want?
work_uqmnp5nvynhihj7b4x4t4p6kyq	– What is a very literary park, my dear Dumas?
work_7ialjddep5hfrbkvgztdrbqrxa	*=-..= 5I QB ’; J;Y~*''° ”"‘4 ‘*_ g:.''/?.
work_7ialjddep5hfrbkvgztdrbqrxa	..... 235 Q? “ Lex Hermans Dynastic Pride in the FarneseTheatre at Parma.
work_7ialjddep5hfrbkvgztdrbqrxa	: ‘ iZ@;.I6''¥ Kg ‘._~_;W i%''55? ‘ J F=-.—§=é:£=t “ 7,_,.
work_7ialjddep5hfrbkvgztdrbqrxa	:-F;\ iF.=,"-"72"hm,";.-_=- I A “ M=,, ‘"""''i Ti?
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work_7ialjddep5hfrbkvgztdrbqrxa	?_,.,=‘g{,- ’_ 1 A( 1655) J___ 4 TE!
work_7ialjddep5hfrbkvgztdrbqrxa	A~ V- aw: W---._>‘~*<
work_7ialjddep5hfrbkvgztdrbqrxa	Yet, this leads to a further prob~ lem: if 19"‘ century critics missed these differences, would 16 ° ‘ century observers be aware of them?
work_nk7bxfb4kjem3pp7sxpmjsma5u	8 Would you not make obeisance before the East- erners who have discovered the beauty of letters and of philosophy itself?
work_nk7bxfb4kjem3pp7sxpmjsma5u	But do you not understand that Athens alone of all Greece was able to give birth to more philosophers than all Italy had or has?
work_nk7bxfb4kjem3pp7sxpmjsma5u	Who among the Europeans is wiser than Socrates, Timaeus, and Pythagoras?
work_nk7bxfb4kjem3pp7sxpmjsma5u	Who among the Westerners is equal to Plato and Aristotle and Zeno; who equal to Herodotus, Thucydides, and Xenophon?
work_nk7bxfb4kjem3pp7sxpmjsma5u	Who can be compared with Cyril, Gregory, and Basil; who, in the field of grammar, can equal or approach Herodian, Apollonius, and Trypho?
work_nk7bxfb4kjem3pp7sxpmjsma5u	Who can rival Antiphon, Hyperides, and Demos- thenes?
work_2gxoaqdmkrgmtlyivpoaa2kblq	If Valerius Maximus is included among the historians, then Aulus Gellius, another commonplacer, perhaps deserves a place there too?
work_2gxoaqdmkrgmtlyivpoaa2kblq	Is this a product of the southern, rather than the northern, Renaissance, and particular networks of producers?
work_2gxoaqdmkrgmtlyivpoaa2kblq	What does this mean for statistical analyses using the USTC?
work_2gxoaqdmkrgmtlyivpoaa2kblq	 – ; see also Grafton, What was history?
work_2gxoaqdmkrgmtlyivpoaa2kblq	–; Fred Schurink, ‘ War, what is it good for?
work_775ebxatm5aidbdilc6dskaxpi	Dark Emu Black Seed: Agriculture or Accident?
work_775ebxatm5aidbdilc6dskaxpi	Early on in my research it became clear I needed to ask: what is a garden?
work_775ebxatm5aidbdilc6dskaxpi	How as a painter could I best exploit such highly composed gardens?
work_775ebxatm5aidbdilc6dskaxpi	John Glover, Detail from John Glover ’s sketchbook( 1834?)
work_775ebxatm5aidbdilc6dskaxpi	Left: Detail from John Glover ’s sketchbook( 1834?
work_775ebxatm5aidbdilc6dskaxpi	What could my painting practice contribute to my understanding and practice as a gardener?
work_l5m4zqbegzaw5i6tlyu6xmhu2i	Alas why loved I? ’ ’( NA, 432), we may, in context, scarcely notice the repetition.
work_l5m4zqbegzaw5i6tlyu6xmhu2i	Or could she con- spire without somebody to conspire with? ’ ’( OA, 389).
work_l5m4zqbegzaw5i6tlyu6xmhu2i	Or had she a practice without conspiracy?
work_l5m4zqbegzaw5i6tlyu6xmhu2i	So did Pamphilius really have to inflict that final twist of the knife?
work_l5m4zqbegzaw5i6tlyu6xmhu2i	Vivit?
work_l5m4zqbegzaw5i6tlyu6xmhu2i	When in the New Arcadia( 1593) Pyrocles exclaims, ‘ ‘ Why lived I, alas?
work_l5m4zqbegzaw5i6tlyu6xmhu2i	no practice to lead her unto it?
work_6t54xbqp4baf7ibkg27kqqg2sa	174   political   platforms,   such   as   should   small   plots   be   collectively   folded   into   larger   operations?
work_6t54xbqp4baf7ibkg27kqqg2sa	181   Now   what   shall   I   say   about   your   little   piece   about   the   plants   and   the   rain?
work_6t54xbqp4baf7ibkg27kqqg2sa	Had   he   been   seduced   by   the   impasto?
work_6t54xbqp4baf7ibkg27kqqg2sa	Is n’t   that   wonderful?
work_6t54xbqp4baf7ibkg27kqqg2sa	Is   the   viewer   within   and   looking   down   or   glancing   across   a   field?
work_6t54xbqp4baf7ibkg27kqqg2sa	Ought   or   may   the   association   have   a   commercial   character,   yes   or   no?
work_6t54xbqp4baf7ibkg27kqqg2sa	Pencil,   watercolor,   chalk,   brush   and  ( oil?)
work_6t54xbqp4baf7ibkg27kqqg2sa	Pencil,   watercolor,   chalk,   brush   and  ( oil?)
work_2lq2dwwrrrgpto2i3rialvoos4	68 Lucien Romier, La Conjuration d''Amboise( Paris: Perrin, 1923) 167 as cited in Philip Benedict, “ Qui étaient les députés?
work_2lq2dwwrrrgpto2i3rialvoos4	Also see Max Engammare( “ Calvin monarchomaque?
work_2lq2dwwrrrgpto2i3rialvoos4	Can one comment on other reasons?
work_2lq2dwwrrrgpto2i3rialvoos4	Or, indeed, shall we risk our lives? ” If we reduce.
work_2lq2dwwrrrgpto2i3rialvoos4	Philip Benedict, “ Prophets in Arms?
work_2lq2dwwrrrgpto2i3rialvoos4	What meanness would you not commit, to Stamp out meanness?
work_2lq2dwwrrrgpto2i3rialvoos4	Why would they do this?
work_2lq2dwwrrrgpto2i3rialvoos4	“ What! ” they say, “ Shall we all depart and run away to an unknown place?
work_lyz56oyuqnfq3gktvtnn5n4zsu	But how well do we really know these people and their achievements?
work_lyz56oyuqnfq3gktvtnn5n4zsu	Did he die not knowing?
work_lyz56oyuqnfq3gktvtnn5n4zsu	Did he know he had discovered something deeply profound about nature?
work_lyz56oyuqnfq3gktvtnn5n4zsu	How do we get answers to these often non- technical and perhaps seemingly personal questions?
work_lyz56oyuqnfq3gktvtnn5n4zsu	How would you like that?
work_lyz56oyuqnfq3gktvtnn5n4zsu	It is interesting to ponder, even momentarily, upon questions like: What were they like as people?
work_lyz56oyuqnfq3gktvtnn5n4zsu	One often wondered: Did he stumble onto his law?
work_lyz56oyuqnfq3gktvtnn5n4zsu	What lead them to make their discover- ies?
work_lyz56oyuqnfq3gktvtnn5n4zsu	What motivated them?
work_lyz56oyuqnfq3gktvtnn5n4zsu	What thoughts did they have about the state of science in their time?
work_lyz56oyuqnfq3gktvtnn5n4zsu	What visions did they have for the future of hydrogeology?
work_jzb6bfs7jze3nivbdruimip4iu	Constance Hamilton D’où viens- tu, bergère?/ Whence, O shepherd maiden?
work_jzb6bfs7jze3nivbdruimip4iu	Dusseau( b. Ruth Cleveland, 1893-?)
work_jzb6bfs7jze3nivbdruimip4iu	Hamilton S’ébahiton si je vous aime/ Is it a wonder I should love thee?
work_jzb6bfs7jze3nivbdruimip4iu	Laquelle marierons- nous?
work_jzb6bfs7jze3nivbdruimip4iu	Sommeiles- tu, ma petite Nanon?/ Are you asleep my so dainty Nanon?
work_jzb6bfs7jze3nivbdruimip4iu	What art though, little Chiefling, babe of my heart?
work_jzb6bfs7jze3nivbdruimip4iu	What shall I sing to thee, son on my back?
work_jzb6bfs7jze3nivbdruimip4iu	Where art though, little Chiefling, Babe of my heart?
work_jzb6bfs7jze3nivbdruimip4iu	do you want a nosegay?
work_jzb6bfs7jze3nivbdruimip4iu	“ What ’s the difference?
work_gsgkk6yknrceph4ts3cc2ld7uq	!- but go to the baynes and p l a y at d i c e?
work_gsgkk6yknrceph4ts3cc2ld7uq	0 ye k n i g h t s of England, where i s the custome and usage of noble c h i v a l r y that was used i n those days? work_gsgkk6yknrceph4ts3cc2ld7uq What''s the t r o u b l e?
work_gsgkk6yknrceph4ts3cc2ld7uq	Is i t j u s t that Hollywood i s a low pressure a r e a i n our n a t i o n a l c u l t u r e?
work_gsgkk6yknrceph4ts3cc2ld7uq	The most famous poet of t h i s p e r i o d i s the Frenchman, F r a n c o i s V i l l o n( d.1462?)
work_lpyeymq45zavljkk6t5lupvide	Beyond Cultural History?
work_lpyeymq45zavljkk6t5lupvide	Determining sex became more complicated, leading to the question: Who had the power to decide: doctor or patient?
work_lpyeymq45zavljkk6t5lupvide	Finally, does it pay due attention to the material aspect of racial research?
work_lpyeymq45zavljkk6t5lupvide	So what does this approach offer historians of the body?
work_lpyeymq45zavljkk6t5lupvide	To what extent is praxiography useful for historians to get around the opposition between social constructionism and essentialism in body history?
work_lpyeymq45zavljkk6t5lupvide	“ Microstudies versus big picture accounts? ” Studies in History and Philosophy of Biological and Biomedical Sciences 40( 2009): 13–19.
work_lpyeymq45zavljkk6t5lupvide	“ The Body as Method?
work_g63tefd7ibgvflhishzolnsr6e	2 So, how were fictions and poems employed to imagine the apocalyptic end or to approach revelation?
work_g63tefd7ibgvflhishzolnsr6e	But what would such reading look like?
work_g63tefd7ibgvflhishzolnsr6e	How did apocalyptic expectation shape conceptions of poetic prophecy or of fiction?
work_g63tefd7ibgvflhishzolnsr6e	If I have s poken to you earthl y thi ngs, and you bel i eve not: how wi l l you bel i eve, i f I s hal l s peak to you heavenl y thi ngs?
work_g63tefd7ibgvflhishzolnsr6e	Introduction Can fictions ‘ prophesy ’?
work_g63tefd7ibgvflhishzolnsr6e	So, how might reading allow for this role of the literal?
work_g63tefd7ibgvflhishzolnsr6e	So, how should readers engage with this ‘ revelation ’?
work_g63tefd7ibgvflhishzolnsr6e	What can we deduce about the mechanisms for playing with words and seeking truth?
work_g63tefd7ibgvflhishzolnsr6e	What relationship might they have to apocalypse, in the sense of both the end of the world and also revelation?
work_g63tefd7ibgvflhishzolnsr6e	What relationships existed between literary and non- literary prophecy?
work_g63tefd7ibgvflhishzolnsr6e	ii Can Novel i s ts Predi ct the Future?
work_fdviy55ao5favbz54qgnw2zavy	''Is not this carrying the separation a little too far?''
work_fdviy55ao5favbz54qgnw2zavy	76''... should the mistress not have the fun of her own house?
work_fdviy55ao5favbz54qgnw2zavy	BUILDING AN IMAGE?
work_lpcgo4mfujdgljpngpmvgyp3qe	He[ Confucius] asked Tze- Kung: who comprehends most, you or Hui?
work_lpcgo4mfujdgljpngpmvgyp3qe	Is Pound perhaps alluding to the Song of Songs, Cantar de los Cantares?
work_lpcgo4mfujdgljpngpmvgyp3qe	[ or?]
work_lpcgo4mfujdgljpngpmvgyp3qe	gilded? ”[ 708]).
work_lpcgo4mfujdgljpngpmvgyp3qe	“ Quis erudiet without documenta? ”, he asks in Canto LXXXVI/581,33 a phrase in 30 The Sacred Edict, 5 n.9.
work_glrpzdim5zf7jdkbzqvtur3m5e	), Perspektiven in der Fremde?
work_glrpzdim5zf7jdkbzqvtur3m5e	37 JEFFERIES, Hamburg, 2011, p. 150; Jefferies, Hamburg: a city held together by brick?
work_glrpzdim5zf7jdkbzqvtur3m5e	Bemühten sie sich um die Schaffung eines eigenen, lokalen Stadtbildes, das sich von anderen abhob?
work_glrpzdim5zf7jdkbzqvtur3m5e	HINKKANEN, Merja- Liisa; Expressions of Longing, Sources of Anxiety?
work_glrpzdim5zf7jdkbzqvtur3m5e	How did the trading function of port cities affect the construction of urban space and the proliferation of architectural styles?
work_glrpzdim5zf7jdkbzqvtur3m5e	JEFFERIES, Matthew; Hamburg: a city held together by brick?
work_glrpzdim5zf7jdkbzqvtur3m5e	Wie wirkte sich der Handel auf die Bebauung des öffentlichen raumes in Hafenstädten und auf die Verbreitung bestimm- ter Baustile aus?
work_glrpzdim5zf7jdkbzqvtur3m5e	aber in wie großem Umfange bedienten sich die Praktiker in den Hafenstädten dabei internationaler Symbo- lik und moderner Bautechniken?
work_4x6rk5t43jfytin6q7jpmqhsoy	94 Belleforest, 2013, 540: “ adaptés à nos façons. ” 95 Belleforest, 2013, 548: “ Quoy?
work_4x6rk5t43jfytin6q7jpmqhsoy	Are you destined to be the Spaniards ’ slaves?
work_4x6rk5t43jfytin6q7jpmqhsoy	Are you less brave than these Africans?
work_4x6rk5t43jfytin6q7jpmqhsoy	Are you weaker than the blacks?
work_4x6rk5t43jfytin6q7jpmqhsoy	Can you see their slaves the Moors who are ready to rebel, because they can no longer bear the or- ders or the tyranny of these cruel lords?
work_4x6rk5t43jfytin6q7jpmqhsoy	Enriquillo directly ad- dresses Judge Vadillo, decrying his unjust sentence: “ What?
work_4x6rk5t43jfytin6q7jpmqhsoy	Est- ce l’office d’un magistrat d’estre accepteur de personnes?
work_4x6rk5t43jfytin6q7jpmqhsoy	How and why did the New World become the theater of violent conflicts that replicated the wars of the Old?
work_4x6rk5t43jfytin6q7jpmqhsoy	How then can a just sentence be passed on those who have not abided by them?
work_4x6rk5t43jfytin6q7jpmqhsoy	Is it a magistrate ’s duty to judge in view of one ’s status?
work_4x6rk5t43jfytin6q7jpmqhsoy	What were the merits of attempting to master such a harsh environment and hostile nature as those described in the tale of the damoiselle?
work_4x6rk5t43jfytin6q7jpmqhsoy	Will it be said that you now let your courage and resolve be defeated, without showing the slightest bit of bravery?
work_4x6rk5t43jfytin6q7jpmqhsoy	Will you suffer slaves to be bolder than you, who stood up to the Caribs, and terrified the armies of the very same men who now want to enslave you?
work_qu73tzemafcp3ecaz7kb2yy2a4	/ Ces barbares pour se conduire/ N’ont pas tant que nous de raison,/ Mais qui ne voit que la foison/ N’en sert que pour nous entrenuire? ”.
work_qu73tzemafcp3ecaz7kb2yy2a4	/ Sebastian: No marrying ‘ mong his subjets?
work_qu73tzemafcp3ecaz7kb2yy2a4	/ Will money buy them?
work_qu73tzemafcp3ecaz7kb2yy2a4	66 “ Gonzalo: Who would believe that there were mountaineers/ Dew- lapp ’s like bulls, whose throats had hanging at them/ Wallets of flesh?
work_qu73tzemafcp3ecaz7kb2yy2a4	67 “ Gonzalo: And where the king on’t, what would I do?
work_qu73tzemafcp3ecaz7kb2yy2a4	En vez de trabajar para subsistir se pasan las semanas en absurdas discusiones: ¿ Cómo se debe interpretar la Cena?
work_qu73tzemafcp3ecaz7kb2yy2a4	Supone, pero hay un problema: ¿ como vencer a los salvajes sin volverse como ellos?
work_qu73tzemafcp3ecaz7kb2yy2a4	También: “ What things are these, my lord Antonio?
work_qu73tzemafcp3ecaz7kb2yy2a4	or that there were such men/ Whose heads stood in their breasts?
work_qu73tzemafcp3ecaz7kb2yy2a4	¿ Cómo explicar esta formidable fortuna del canibalismo en el imaginario colectivo del Renacimiento?
work_qu73tzemafcp3ecaz7kb2yy2a4	¿ Hay que mezclar el agua y el vino para la Consagración?
work_qu73tzemafcp3ecaz7kb2yy2a4	¿ Por qué Colón se orienta hacia esta nueva explicación?
work_qu73tzemafcp3ecaz7kb2yy2a4	¿ Por qué esa obsesión por la antropofagia que acompaña toda la conquista del Nuevo Mundo, desde el primer viaje de Colón?
work_qu73tzemafcp3ecaz7kb2yy2a4	¿ Por qué?
work_qu73tzemafcp3ecaz7kb2yy2a4	¿ Que relación hay entre la visión cosmográfica de un Alter Orbis y la reiteradas acusaciones a sus habitantes de comer carne humana?
work_avergtn2kzg2hkqvfm6xfh5miy	Are men than we in greater grace with Heaven?
work_avergtn2kzg2hkqvfm6xfh5miy	Humanities 2018, 7, 61 13 of 17 Keeps me from being the Arabian ’s wife?
work_avergtn2kzg2hkqvfm6xfh5miy	Or can not women hate as well as men?
work_avergtn2kzg2hkqvfm6xfh5miy	Or give they but their body, not their mind, Reserving that, though best, for others ’ prey?
work_avergtn2kzg2hkqvfm6xfh5miy	Or given to them, why barred from women then?
work_avergtn2kzg2hkqvfm6xfh5miy	Or will you submit to the will, the laws, the customs, even the whims of authority, as you patiently and obediently wait for death?
work_avergtn2kzg2hkqvfm6xfh5miy	Why do you not as well our battles fight, And wear our armor?
work_avergtn2kzg2hkqvfm6xfh5miy	Why should such privilege to man be given?
work_avergtn2kzg2hkqvfm6xfh5miy	You ’d rather have them inside you than me?
work_5ml7vqictrbvzblwhch76fnm6u	H o w a r e s u c c e s s f u l t h e a t r e r e s t o r a t i o n p r o j e c t s h a n d l e d i n C a n a d a a n d t h e U n i t e d S t a t e s?
work_5ml7vqictrbvzblwhch76fnm6u	H o w c a n w e l i v e w i t h o u t o u r l i v e s?
work_5ml7vqictrbvzblwhch76fnm6u	H o w w i l l t h e h i s t o r i c m o v i e t h e a t r e b e v i e w e d f r o m t h e s e p e r s p e c t i v e s?
work_5ml7vqictrbvzblwhch76fnm6u	H o w w i l l w e k n o w i t''s u s w i t h o u t o u r p a s t?
work_5ml7vqictrbvzblwhch76fnm6u	H o w?
work_5ml7vqictrbvzblwhch76fnm6u	R e a d i n g i n H i s t o r i c P r e s e r v a t i o n: W h y?
work_5ml7vqictrbvzblwhch76fnm6u	T h e m o p p e t a s k s,"M o m m y- d o e s G o d l i v e h e r e?"
work_5ml7vqictrbvzblwhch76fnm6u	T i c k e t s t o P a r a d i s e: M o v i e P a l a c e s, D i d n''t W e H a v e F u n?
work_5ml7vqictrbvzblwhch76fnm6u	W h a t a b o u t h e r i t a g e p o h c i e s?
work_5ml7vqictrbvzblwhch76fnm6u	W h a t f a t e t h e a g e i n g d o w a g e r?
work_5ml7vqictrbvzblwhch76fnm6u	W h a t i s t h e l e s s o n to b e l e a r n e d f r o m t h i s?
work_5ml7vqictrbvzblwhch76fnm6u	W h a t?
work_5ml7vqictrbvzblwhch76fnm6u	W h y s h o u l d w e w a n t t o i n v e s t t i m e a n d m o n e y t o p r e s e r v e t h i s s y m b o l o f f o r e i g n d o m i n a t i o n?
work_5ml7vqictrbvzblwhch76fnm6u	W i t h o u t O u r P a s t?
work_g3q46dkhm5du5lvlfgtrnesry4	$ 7.95 arvard University PrpssI I Cambridge, Massachusetts 02138 MOVING?
work_g3q46dkhm5du5lvlfgtrnesry4	.?
work_g3q46dkhm5du5lvlfgtrnesry4	4?
work_g3q46dkhm5du5lvlfgtrnesry4	4?
work_g3q46dkhm5du5lvlfgtrnesry4	Alabama, January 1977,$ 8.00 WHAT IS ROMANTICISM?, by Henri Peyre, trans, from the French by Roda P. Roberts.
work_g3q46dkhm5du5lvlfgtrnesry4	Epilogue: What Does the Future Hold?
work_g3q46dkhm5du5lvlfgtrnesry4	IJI?
work_g3q46dkhm5du5lvlfgtrnesry4	J L 4?
work_g3q46dkhm5du5lvlfgtrnesry4	Montreal, 1976,$ 4.50 AVEZ- VOUS RELU DUCHARME?, Revue Etudes franQaises.
work_g3q46dkhm5du5lvlfgtrnesry4	The Polymorphic Worlds of John Brunner: How Do They Happen?...
work_g3q46dkhm5du5lvlfgtrnesry4	The result?
work_g3q46dkhm5du5lvlfgtrnesry4	Who does n''t need a workbook?
work_g3q46dkhm5du5lvlfgtrnesry4	Why has THE COMPLETE STYLIST AND HANDBOOK found its room at the top?
work_2t4ypvns7be7lgoquav7dw4v2e	Are n’t I lucky? ”), it is because he knows how to exploit what is unfolding in the world around him as a comedic prompt.
work_2t4ypvns7be7lgoquav7dw4v2e	As each day of the campaign passes, news consumers want to know: Who did Trump offend this time?
work_2t4ypvns7be7lgoquav7dw4v2e	But did Dean really sound so out of control?
work_2t4ypvns7be7lgoquav7dw4v2e	But would any of these actions have damaged Trump ’s candidacy?
work_2t4ypvns7be7lgoquav7dw4v2e	Did Donald Trump call for Hillary Clinton ’s assassination?
work_2t4ypvns7be7lgoquav7dw4v2e	Do you want that for your president?
work_2t4ypvns7be7lgoquav7dw4v2e	Excerpt 2: The Food- Shoveling Governor Now you look at Kasich, I do n’t think he knows what — you know, did you see him?
work_2t4ypvns7be7lgoquav7dw4v2e	Gesture What is it about Trump ’s public movements that allow him to appear comedic yet serious enough to become the Republican Party candidate?
work_2t4ypvns7be7lgoquav7dw4v2e	Haugerud poses the question: What follows “ after satire ”?
work_2t4ypvns7be7lgoquav7dw4v2e	How do we explain the success of Trump ’s divergence from what appears to be normative gestural behavior for politicians seeking the Oval Office?
work_2t4ypvns7be7lgoquav7dw4v2e	Media scholar Robert Thompson asks in a recent documentary on fatal campaign blunders( History Channel 2016): What must Howard Dean be thinking now?
work_2t4ypvns7be7lgoquav7dw4v2e	The same ambiguity offered a peculiar advantage to Trump during the Republican primaries: Was Trump ’s bullying behavior reality or performance?
work_2t4ypvns7be7lgoquav7dw4v2e	This is fourteen years ago he still — They did n’t do a retraction?
work_2t4ypvns7be7lgoquav7dw4v2e	Were n’t his poll numbers already fading?
work_2t4ypvns7be7lgoquav7dw4v2e	Would anyone vote for that? ”).
work_2t4ypvns7be7lgoquav7dw4v2e	“ Does political humor matter?
work_2t4ypvns7be7lgoquav7dw4v2e	“ Where did she go? ” he asks the crowd.
work_c7wlyvoei5apzouddn5gvorqy4	And how are we going to do that?
work_c7wlyvoei5apzouddn5gvorqy4	Is n''t she a technician?
work_c7wlyvoei5apzouddn5gvorqy4	What shall I do?
work_c7wlyvoei5apzouddn5gvorqy4	Where are you going?
work_c7wlyvoei5apzouddn5gvorqy4	A G E N E R A T I V E D I S T I N C T I O N?
work_c7wlyvoei5apzouddn5gvorqy4	E L E K T R O N I S C H E M U S I K: A G E N D E R E D D I C H O T O M Y?
work_c7wlyvoei5apzouddn5gvorqy4	How accurate was Schaeffer''s definition of the other studio?
work_c7wlyvoei5apzouddn5gvorqy4	If the cricket had come from my own garden, had a name and would talk to me every day, would I still be able to slow it down?
work_c7wlyvoei5apzouddn5gvorqy4	Is this because of Westerkamp''s contextual soundscape approach to composing, which is often misunderstood?
work_c7wlyvoei5apzouddn5gvorqy4	Is this simply manipulation?
work_c7wlyvoei5apzouddn5gvorqy4	Oliveros asks"did you know there are over one hundred spe- cies of fish which change sex regularly?
work_c7wlyvoei5apzouddn5gvorqy4	One person was quite upset and said"Why do you have to write music like this?"
work_c7wlyvoei5apzouddn5gvorqy4	To what extent is it possible to speak of shared practices among composers, artists, producers and mixers?
work_c7wlyvoei5apzouddn5gvorqy4	What Can She Know?
work_c7wlyvoei5apzouddn5gvorqy4	What significance can these shifts in ideas about the role of the soundmaker have for the acceptance of electroacoustic genres?
work_c7wlyvoei5apzouddn5gvorqy4	Why would I slow down the crickets voice but not my daughters?
work_c7wlyvoei5apzouddn5gvorqy4	Would I need to?
work_c7wlyvoei5apzouddn5gvorqy4	but what will we do?"
work_4jdcjrygnbh4rdhxbxalq6xa2i	10 Who, then, were those other exceptionally skilled female aviation pioneers who remain largely underrepresented in writings on aviation history?
work_4jdcjrygnbh4rdhxbxalq6xa2i	107 And what about Barbette himself?
work_4jdcjrygnbh4rdhxbxalq6xa2i	34 C. D. Chamberlin, “ Shall We All Fly Soon?, ” North American Review 226( 4)( 1928): 410.
work_4jdcjrygnbh4rdhxbxalq6xa2i	42 Jacques Patin, “ Cirque Medrano: Barbette?
work_4jdcjrygnbh4rdhxbxalq6xa2i	62 Denise Heikinen, “ Is Bakhtin a Feminist or Just Another Dead White Male?
work_4jdcjrygnbh4rdhxbxalq6xa2i	67 Brady, “ Is a Hard Woman Good to Find?, ” 217.
work_4jdcjrygnbh4rdhxbxalq6xa2i	And my knees?
work_4jdcjrygnbh4rdhxbxalq6xa2i	Et les genoux?
work_4jdcjrygnbh4rdhxbxalq6xa2i	Houndmills, Basingstoke, Hampshire: Macmillan Press LTD, 1997, 60- 61; Jacqueline Brady, “ Is a Hard Woman Good to Find?
work_4jdcjrygnbh4rdhxbxalq6xa2i	How can I use this work to promote feminist thinking 61 without having to excuse him?
work_4jdcjrygnbh4rdhxbxalq6xa2i	It was just a fact, and how could full transport dependability be expected in the face of it?
work_4jdcjrygnbh4rdhxbxalq6xa2i	Was it a fully clothed Charmion- meaning she would perform her disrobing act- or was it ‘ just ’ Charmion the trapeze performer?
work_4jdcjrygnbh4rdhxbxalq6xa2i	Who can better perform this task than our girl pilots?
work_4jdcjrygnbh4rdhxbxalq6xa2i	“ Cirque Medrano: Barbette?
work_4jdcjrygnbh4rdhxbxalq6xa2i	“ Is Bakhtin a Feminist or Just Another Dead White Male?
work_4jdcjrygnbh4rdhxbxalq6xa2i	“ Is a Hard Woman Good to Find?
work_4jdcjrygnbh4rdhxbxalq6xa2i	“ Shall We All Fly Soon? ” North American Review 226( 4)( October 1928): 409- 415.
work_grrln3bepza2pos3egh5wpz3ru	74 1985"Pragmatism and literary theory III: A reply to R o r t y: What is pragmatism?"
work_grrln3bepza2pos3egh5wpz3ru	A n d first of all what is it''to write''?
work_grrln3bepza2pos3egh5wpz3ru	A n orator uses ink to write out his compositions: does that mean ink is a very eloquent liquid?
work_grrln3bepza2pos3egh5wpz3ru	C a v e l l, Stanley 1969 Must We Mean What We Say?
work_grrln3bepza2pos3egh5wpz3ru	Does one paint a principle( produce its''genuine reproduction'')?
work_grrln3bepza2pos3egh5wpz3ru	How is it that the f a c t of writing can disturb the very question''what is?''
work_grrln3bepza2pos3egh5wpz3ru	L a n g, C a n d a c e 1983"A b e r r a n c e in c r i t i c i s m?"
work_grrln3bepza2pos3egh5wpz3ru	Miller 1985"The role of theory in the study of literature?"
work_grrln3bepza2pos3egh5wpz3ru	Our considerations are certainly intended to represent something, but could they constitute a document, or the thing represented, a thing?
work_grrln3bepza2pos3egh5wpz3ru	Perhaps a warrant for identifying Derrida''s work with the literary should therefore be sought in some explicit statement or manifesto?
work_grrln3bepza2pos3egh5wpz3ru	Posed in this c o n t e x t, the question"What is literature?"
work_grrln3bepza2pos3egh5wpz3ru	R y a n, M a r i e- L a u r e 1979"Is there l i f e for Saussure after structuralism?"
work_grrln3bepza2pos3egh5wpz3ru	Since the consequences of such a leveling are well known, how can a body of work proposing it be taken seriously in the final analysis?''
work_grrln3bepza2pos3egh5wpz3ru	T o what and to whom is this due?
work_grrln3bepza2pos3egh5wpz3ru	The text above continues, giving some sense of the scope of Derrida''s interest: What is literature?
work_grrln3bepza2pos3egh5wpz3ru	What is to be made, when writing already has a place in sociology, of the place of writing in sociology?
work_grrln3bepza2pos3egh5wpz3ru	Will it do to construe this text in turn as a f a c t about H a b e r m a s, damning or otherwise?
work_grrln3bepza2pos3egh5wpz3ru	Would it not in the 58 same moment lose all possibility of savouring its success?
work_grrln3bepza2pos3egh5wpz3ru	and even''what does it mean?''
work_t4q3lc5vqbcpha3cpg7sgd7zjq	Article: “ Écoles d’Art Américaines en sursis? ” January 31, 1994.
work_t4q3lc5vqbcpha3cpg7sgd7zjq	Boulanger ’s master classes: are they to exploit her one or two most talented and make complete fools of the others[?]
work_t4q3lc5vqbcpha3cpg7sgd7zjq	Finally, where would students come from?
work_t4q3lc5vqbcpha3cpg7sgd7zjq	How could any serious musician resist the lure of studying under such a figure?
work_t4q3lc5vqbcpha3cpg7sgd7zjq	How large would scholarships be, and how would they be overseen and dispersed?
work_t4q3lc5vqbcpha3cpg7sgd7zjq	How many does she have to bring to get free lessons?
work_t4q3lc5vqbcpha3cpg7sgd7zjq	I go someplace else unexpectedly, somebody says oh, I was in Fontainebleau in ’ 73, remember me?
work_t4q3lc5vqbcpha3cpg7sgd7zjq	I said, excuse me?
work_t4q3lc5vqbcpha3cpg7sgd7zjq	In determining the course of action to take, the brief history of the school undoubtedly was considered: was it worth preserving, and at what cost?
work_t4q3lc5vqbcpha3cpg7sgd7zjq	Is that the aim of teaching of Jean- Pierre Marty?
work_t4q3lc5vqbcpha3cpg7sgd7zjq	Remember me ’ 73, ’ 74?
work_t4q3lc5vqbcpha3cpg7sgd7zjq	Should Mrs. Dorey get free les- sons?
work_t4q3lc5vqbcpha3cpg7sgd7zjq	Should n’t the Conservatoire Américain admit them individually rather than as a group?
work_t4q3lc5vqbcpha3cpg7sgd7zjq	Was Boulanger, after all, a figure to be idolized without dissent?
work_t4q3lc5vqbcpha3cpg7sgd7zjq	Was the Conservatoire Américain, that great adventure in international relations and exchange, of value in the rapidly changing world?
work_t4q3lc5vqbcpha3cpg7sgd7zjq	Was this the kind of past policy the Alumni Association wanted to re- create?
work_t4q3lc5vqbcpha3cpg7sgd7zjq	What are we to do?
work_t4q3lc5vqbcpha3cpg7sgd7zjq	What are you thinking about here?
work_t4q3lc5vqbcpha3cpg7sgd7zjq	What constituted a viable number of students to assure success each summer?
work_t4q3lc5vqbcpha3cpg7sgd7zjq	What has caused the Conservatoire Américain to be- come such an unknown among these summer schools?
work_t4q3lc5vqbcpha3cpg7sgd7zjq	What kind of deal could be worked out?
work_t4q3lc5vqbcpha3cpg7sgd7zjq	[ Marty said,] “ No, I do not want this, we will have an independent office. ” Where are you going to get the money?
work_t4q3lc5vqbcpha3cpg7sgd7zjq	’ 76?
work_t4q3lc5vqbcpha3cpg7sgd7zjq	“ Est- ce le Palais de Fontainebleau un menace d’incendie? ” — — —.
work_t4q3lc5vqbcpha3cpg7sgd7zjq	“ Will the Écoles d’Art Américaines be forced to suspend operations? ” asked the paper.
work_dz3c3zrbkbdedf5h6fhdu2hg7a	C o m b i e n e s t i m e s- t u t o u t l''h o n n e u r t e r r i e n?
work_dz3c3zrbkbdedf5h6fhdu2hg7a	Q u i v e r r a t e s S e c r e t s dans c e s t Ombre v o l a g e?
work_dz3c3zrbkbdedf5h6fhdu2hg7a	Que d o i- j e f a i r e a f i n d''y a c c o r d e r ma L y r e?
work_dz3c3zrbkbdedf5h6fhdu2hg7a	Que p o u r r a i- j e t r o u v e r aus e s c r i s d''E p i c u r e?
work_dz3c3zrbkbdedf5h6fhdu2hg7a	0 p a r f a i t e Unite q u i t e p e u t i m i t e r?
work_dz3c3zrbkbdedf5h6fhdu2hg7a	0 p a r f a i t e Unite"q u i t e p e u t i m i t e r?
work_dz3c3zrbkbdedf5h6fhdu2hg7a	2 2 1- 2 5 7; H e n r y Weber, 58"Y a- t- i l une p o £ s i e herme''tique au X V I s i e c l e en F r a n c e?"
work_dz3c3zrbkbdedf5h6fhdu2hg7a	23''?
work_dz3c3zrbkbdedf5h6fhdu2hg7a	27) Thus w i l l h i s w o r k p r o v e o f l a s t i n g v a l u e:"O u se p o u s s e n t l e s C h a n t s de t o n e s p r i t s c a v a n t?"
work_dz3c3zrbkbdedf5h6fhdu2hg7a	P e u s- t u f a i r e c e l a, e t D i e u ne l e p e u t pas?
work_dz3c3zrbkbdedf5h6fhdu2hg7a	Q u e l l e forme v o i s- t u p l u s p a r f a i c t e ny b e l l e, Que c e l l e q u i c o n t i e n t t o u t e a u t r e forme en e l l e?
work_dz3c3zrbkbdedf5h6fhdu2hg7a	Q u i es t u q u i r£ponds?
work_dz3c3zrbkbdedf5h6fhdu2hg7a	Se d o i t- o n e s t o n n e r que p a r s e c r e t e amorce E l l e en f a c e s e n t i r aux Animaux l a f o r c e?
work_dz3c3zrbkbdedf5h6fhdu2hg7a	Y a- t- i l une p o e s i e h e r m e t i q u e au X V I s i e c l e en F r a n c e?"
work_dz3c3zrbkbdedf5h6fhdu2hg7a	a d m i r e s- t u p o i n t en t o y s i grande chose?
work_dz3c3zrbkbdedf5h6fhdu2hg7a	c a r p o i n t j e ne t e v o y?
work_dz3c3zrbkbdedf5h6fhdu2hg7a	u n i t y o f t r u t h and o f t h e harmony o f t h e w o r l d w h i c h t h a t u n i t y i m p l i e s: E t que d i r a i- j e p l u s?
work_3bqkrd7ikndhrl755rjtvovwua	( Or was she seduced, or abducted?
work_3bqkrd7ikndhrl755rjtvovwua	7 The matter under dispute was not: Did Adam and Eve have sexual relations before the Fall?
work_3bqkrd7ikndhrl755rjtvovwua	And how would they know what to do?
work_3bqkrd7ikndhrl755rjtvovwua	And, if they would have engaged in sex, what would their sexual relations have been like?
work_3bqkrd7ikndhrl755rjtvovwua	Beauvoir ’s essay “ Must We Burn Sade? ” helped garner for the Divine Marquis a scholarly appreciation, at least among French scholars.
work_3bqkrd7ikndhrl755rjtvovwua	Could it be worth thinking about Kant on sex and marriage?
work_3bqkrd7ikndhrl755rjtvovwua	Hence, for Freud, “ Why are there homosexuals? ” is the wrong question.
work_3bqkrd7ikndhrl755rjtvovwua	How did Augustine arrive at his philosophy?
work_3bqkrd7ikndhrl755rjtvovwua	Is n’t rape wrong precisely because it is involuntary by force or otherwise lacks consent?
work_3bqkrd7ikndhrl755rjtvovwua	Is sex necessary?
work_3bqkrd7ikndhrl755rjtvovwua	Must we burn Sade?
work_3bqkrd7ikndhrl755rjtvovwua	Naming the animals?
work_3bqkrd7ikndhrl755rjtvovwua	Or why “ shut out ” the third instead of inviting him or her in?
work_3bqkrd7ikndhrl755rjtvovwua	Or( nearly equivalently) if Adam and Eve had stayed longer in Eden, would they eventually have engaged in sex?
work_3bqkrd7ikndhrl755rjtvovwua	Should Murdoch be included among the canonical philosophers of sex?
work_3bqkrd7ikndhrl755rjtvovwua	The psychological issue raised by Murdoch creating a high justification for his impossible attachment?
work_3bqkrd7ikndhrl755rjtvovwua	What if Aquinas had argued from dogs and cats to humans?
work_3bqkrd7ikndhrl755rjtvovwua	What was on Adam and Eve ’s daily schedule or routine from which they would be distracted by inordinate, squandering sex?
work_3bqkrd7ikndhrl755rjtvovwua	Where does the philosophy of sex stand today?
work_3bqkrd7ikndhrl755rjtvovwua	Where is the difference in their “ philosophies ” or their approach?
work_3bqkrd7ikndhrl755rjtvovwua	White( 1899- 1985) wrote a small book( Is Sex Necessary?
work_3bqkrd7ikndhrl755rjtvovwua	Why did a U.S. president slink around the White House in search of sexual experiences?
work_3bqkrd7ikndhrl755rjtvovwua	Why did beautiful Helen take up with handsome Paris, leaving family, child, and husband?
work_3bqkrd7ikndhrl755rjtvovwua	Why do we have to be tricked into having sex?
work_o6jhzbypjjdfph2ovtzjkyy2yi	Hulin de Loo, Bruges 1902:..., LVIII: Est- ce par inconscience ou par insouciance qu''elle laisse les tresors dans I''oubli? work_o6jhzbypjjdfph2ovtzjkyy2yi Ou en est l''histoire de I''art en France?"
work_o6jhzbypjjdfph2ovtzjkyy2yi	11 all?
work_o6jhzbypjjdfph2ovtzjkyy2yi	116 frangais change or expand the way in which the term primitif was understood and applied to fifteenth century art production?
work_o6jhzbypjjdfph2ovtzjkyy2yi	18 Ecole de Nicolas Froment, Pieta, avec saint Jean, la Vierge, la Madeleine et un donateur, 1470?.
work_o6jhzbypjjdfph2ovtzjkyy2yi	An examination of this exhibition, its construction, representation and milieu provokes a series of questions: Why was this exhibition held?
work_o6jhzbypjjdfph2ovtzjkyy2yi	But did it change the canon?
work_o6jhzbypjjdfph2ovtzjkyy2yi	But did the public at large share that opinion?
work_o6jhzbypjjdfph2ovtzjkyy2yi	Cet incomparable et merveilleux tresor, do nt les monarchies abolies ont enrichi la France, n''a- t- il rein a attendre de la democratie?
work_o6jhzbypjjdfph2ovtzjkyy2yi	Did the claims succeed in''re- writing''art history?
work_o6jhzbypjjdfph2ovtzjkyy2yi	Ecole de Nicolas Froment, Pieta, avec saint Jean, la Vierge, 138 la Madeleine et un donateur, 1470?.
work_o6jhzbypjjdfph2ovtzjkyy2yi	Ford, Caroline C."Which Nation?
work_o6jhzbypjjdfph2ovtzjkyy2yi	How were the journals of the day aligned in response to the claims?
work_o6jhzbypjjdfph2ovtzjkyy2yi	Impasses methodologique ou renouvellement des modeles theoriques?"
work_o6jhzbypjjdfph2ovtzjkyy2yi	In Quels Musees, pour quelles fins aujourd''hui?
work_o6jhzbypjjdfph2ovtzjkyy2yi	Is this a religious painting because of the donor is depicted?
work_o6jhzbypjjdfph2ovtzjkyy2yi	Italian Masters Galerie d''Altenburg and Galerie Lindenau( Commercial) Jan?
work_o6jhzbypjjdfph2ovtzjkyy2yi	Or is it a secular painting because of the portrait- like depiction of the donor?
work_o6jhzbypjjdfph2ovtzjkyy2yi	Q1RARD D''ORLfeANS?, vers i35o.
work_o6jhzbypjjdfph2ovtzjkyy2yi	Qu''est- ce qu''une Nation?
work_o6jhzbypjjdfph2ovtzjkyy2yi	This incomparable and marvellous treasure, with which the abolished monarchs enriched France, does it have nothing to look forward to from democracy?
work_o6jhzbypjjdfph2ovtzjkyy2yi	To add further injury, he asked disingenuously: Is it by ignorance or thoughtlessness that[ France] neglects its treasures?
work_o6jhzbypjjdfph2ovtzjkyy2yi	To what end and to whose benefit was this event contemplated?
work_o6jhzbypjjdfph2ovtzjkyy2yi	To what end was it organized and what was the outcome or result or effect of the claims made there?
work_o6jhzbypjjdfph2ovtzjkyy2yi	What differentiates this 6 exhibition from others in this period?
work_o6jhzbypjjdfph2ovtzjkyy2yi	What does this textual absence signify for the Exposition des Primitifs frangais?
work_o6jhzbypjjdfph2ovtzjkyy2yi	What is worth noting about this particular collection exhibited at this time?
work_o6jhzbypjjdfph2ovtzjkyy2yi	What was the climate which supported collecting so many works of art into one location?
work_o6jhzbypjjdfph2ovtzjkyy2yi	What was the lasting impact, if any, of this event and its circumstances?
work_o6jhzbypjjdfph2ovtzjkyy2yi	Why were the fundamental claims about the primacy of French cultural production made in this exhibition being asserted( or reasserted) in 1904?
work_o6jhzbypjjdfph2ovtzjkyy2yi	Why, in other words, did this exhibition occur when and how it did?
work_o6jhzbypjjdfph2ovtzjkyy2yi	[ 190?].
work_o6jhzbypjjdfph2ovtzjkyy2yi	[ 190?].
work_o6jhzbypjjdfph2ovtzjkyy2yi	•''. VSE?
work_rpskhcjnwze7ra6nvdhuifjqey	Are not these names significant enough to challenge comparison?
work_rpskhcjnwze7ra6nvdhuifjqey	But are we, one may ask, always actively engaged in putting our patience to the tests?
work_rpskhcjnwze7ra6nvdhuifjqey	But are you sure you want seventeen copies of this book? ’ What do you think of that for business?
work_rpskhcjnwze7ra6nvdhuifjqey	But are you sure you want seventeen copies of this book? ’ What do you think of that for business?
work_rpskhcjnwze7ra6nvdhuifjqey	Can the literary and linguistic culture of the ages be safely entrusted to our keeping?
work_rpskhcjnwze7ra6nvdhuifjqey	European scholars with whom “ it would be unfair to suggest comparison, ” what about Whitney, Child, Gummere, Kittredge and Shorey?
work_rpskhcjnwze7ra6nvdhuifjqey	How do we appear to the more intelligent members of the public, whose interests we may be supposed to serve?
work_rpskhcjnwze7ra6nvdhuifjqey	However, who is to blame for this quixotic thrust at the grist- mill of our Ph.D. ’s?
work_rpskhcjnwze7ra6nvdhuifjqey	If the sciences have their “ romance, ” what shall we say of philology?
work_rpskhcjnwze7ra6nvdhuifjqey	Is not the the author justified in asking the publisher to assume some part of the risk in putting out such works?
work_rpskhcjnwze7ra6nvdhuifjqey	Nevertheless, how do we stand today as measured by the demon, Success?
work_rpskhcjnwze7ra6nvdhuifjqey	Of what value to others is my knowledge of the Arthurian Cycle, unless I am giving a course on Geoffrey of Monmouth, Chretien de Troyes, or Tennyson?
work_rpskhcjnwze7ra6nvdhuifjqey	Or am I, in the terms of the French adage, knocking at an open door?
work_rpskhcjnwze7ra6nvdhuifjqey	Or is there an inherent difference in scholarship, according to whether it has the European or American trade- mark?
work_rpskhcjnwze7ra6nvdhuifjqey	That being the case, has not the time come for less modesty and more asseveration and adjuration on our own part?
work_rpskhcjnwze7ra6nvdhuifjqey	Thus, admitting that the mantle of the classics has fallen on the shoulders of the moderns, the question is: Are we equal to the occasion?
work_rpskhcjnwze7ra6nvdhuifjqey	What are some of these means of cooperation?
work_rpskhcjnwze7ra6nvdhuifjqey	What are the difficulties that confront the publishers?
work_rpskhcjnwze7ra6nvdhuifjqey	What is the actual state of affairs?
work_rpskhcjnwze7ra6nvdhuifjqey	What recognition and encouragement are legiti­ mately ours?
work_rpskhcjnwze7ra6nvdhuifjqey	What remedies may be applied to conditions now prevailing?
work_rpskhcjnwze7ra6nvdhuifjqey	Where can he arrange for the publication of such books?
work_rpskhcjnwze7ra6nvdhuifjqey	Where does the scholar at present obtain serious books of this character?
work_rpskhcjnwze7ra6nvdhuifjqey	Where, for example, should the high school leave off and the college begin — in subjects like French and Spanish?
work_rpskhcjnwze7ra6nvdhuifjqey	Who cares whether X is an authority on the Peasant Vocabulary of George Sand, if the works of George Sand are never the subject of his teaching?
work_rpskhcjnwze7ra6nvdhuifjqey	Why leave this role to the French prepositions or to H. L. Mencken ’s oscillations in American Philology?
work_rpskhcjnwze7ra6nvdhuifjqey	“ Is Shelley ’s Prometheus Unbound an Allegory? ” By Newman I.
work_rpskhcjnwze7ra6nvdhuifjqey	“ What is Realism? ” by Professor Olin H. Moore.
work_3oxui22exzftbmtkxwsqdpljxy	("nous re- duirons- nous a dire que l e synthgtisme se ramene tout entire a l a teinte plate?".
work_3oxui22exzftbmtkxwsqdpljxy	: E s t- c e a d i r e que l e s r e s u l t a t s s o i e n t m e i l l e u r s?
work_3oxui22exzftbmtkxwsqdpljxy	But how f l a t?"
work_3oxui22exzftbmtkxwsqdpljxy	But why would"i m p r e s s i o n i s t print- makers,"as Reff d e s c r i b e s them, be l e s s b i a s e d than o t h e r s?
work_3oxui22exzftbmtkxwsqdpljxy	Come now, s e r i o u s l y, do you t h i n k he has a l l t h a t many i d e a s?
work_3oxui22exzftbmtkxwsqdpljxy	D i d Cezanne f u l f i l the c o n d i t i o n s t h a t l e d e a s e l p a i n t e r s toward p a i n t i n g- d e c o r a t i o n?
work_3oxui22exzftbmtkxwsqdpljxy	D i d he not c l a i m f o r h i m s e l f t h e t i t l e o f i n v e n t o r o f C l o i s o n i s m?
work_3oxui22exzftbmtkxwsqdpljxy	Did Cezanne f u l f i l the conditions that led easel painters toward V painting- decoration?
work_3oxui22exzftbmtkxwsqdpljxy	Do Cezanne''s P a i n t i n g s F i t t h e"D e c o r a t i o n Paradigm"?
work_3oxui22exzftbmtkxwsqdpljxy	Do Cezanne''s p a i n t i n g s f i t the"d e c o r a t i o n paradigm"?
work_3oxui22exzftbmtkxwsqdpljxy	Do Cezanne''s paintings f i t the"Decoration Paradigm"?.
work_3oxui22exzftbmtkxwsqdpljxy	In January 1896, L u c i e n wrote to h i s f a t h e r: What are you doing i n t h a t beer- garden?
work_3oxui22exzftbmtkxwsqdpljxy	In h i s book on d e c o r a t i o n( La D e c o r a t i o n, p u b l i s h e d i n t h e e a r l y 1 8?
work_3oxui22exzftbmtkxwsqdpljxy	M o r i c e w r o t e: A q u o i bon b r o u i l l e r l e s morts?
work_3oxui22exzftbmtkxwsqdpljxy	Ou 1''i n d u s t r i e commence- t- elle?
work_3oxui22exzftbmtkxwsqdpljxy	So what d i d he p r o v e?
work_3oxui22exzftbmtkxwsqdpljxy	V i o l l e t- l e- D u c answered t h e q u e s t i o n"What i s- 40- a t a b l e a u?"
work_3oxui22exzftbmtkxwsqdpljxy	W h i l e i t i s t r u e t h a t Gasquet i s not a r e l i a b l e w i t n e s s( but who w a s?)
work_3oxui22exzftbmtkxwsqdpljxy	Was Cezanne o u t s i d e t h i s g e n e r a l t r e n d?
work_3oxui22exzftbmtkxwsqdpljxy	What do you t h i n k?
work_3oxui22exzftbmtkxwsqdpljxy	Who was t h i s e l i t e?
work_3oxui22exzftbmtkxwsqdpljxy	Why?
work_3oxui22exzftbmtkxwsqdpljxy	Y e t, Denis asks a r h e t o r i c a l q u e s t i o n,"are t h e r e s u l t s any b e t t e r?"
work_3oxui22exzftbmtkxwsqdpljxy	^ I t i s r e l a t e d t o t h e fundamental q u e s t i o n: f o r whom d i d t h e s e a r t i s t s produce t h e i r a r t?
work_3oxui22exzftbmtkxwsqdpljxy	e s s e n t i a l t h a t he s h o u l d be armed i n advance w i t h a l l t h e most r a p i d means o f t r a n s l a t i o n?
work_3oxui22exzftbmtkxwsqdpljxy	n''est- ce pas?
work_3oxui22exzftbmtkxwsqdpljxy	v e r s l a q u e l l e de ces concep- t i o n s s o c i a l e s d o i v e n t a l l e r l e s p r e f e r e n c e s de 1''a r t i s t e?"
work_hkdcdmm5zncn7fs7lzrnuxsekm	; where and when is restoring connectivity an appropriate strategy( Kondolf et al., 2006)?
work_hkdcdmm5zncn7fs7lzrnuxsekm	A key question that arises when quantifying connectivity is: compared with what?
work_hkdcdmm5zncn7fs7lzrnuxsekm	Are structural connectivity and func- tional connectivity more or less amenable to a standardized mea- surement approach?
work_hkdcdmm5zncn7fs7lzrnuxsekm	Bedrock versus superfi- cial deposits in the Swiss Jura Mountains: what is the legitimate soil parent material?
work_hkdcdmm5zncn7fs7lzrnuxsekm	Connectivity between landscapes and riverscapes – a unifying theme in integrating hydrology and ecology in catchment science?
work_hkdcdmm5zncn7fs7lzrnuxsekm	Do we need a suite of metrics that can cap- ture the cause and effect relationships among the drivers, attri- butes, and effects of connectivity?
work_hkdcdmm5zncn7fs7lzrnuxsekm	Does hydrolog- ical connectivity improve modelling of coarse sediment delivery in upland environments?
work_hkdcdmm5zncn7fs7lzrnuxsekm	Examples of more specific questions include: are deltas inherently more connected than dendritic drainage networks( Passalacqua, 2017)?
work_hkdcdmm5zncn7fs7lzrnuxsekm	How have human activities modified natural connectivity relationships in that system?
work_hkdcdmm5zncn7fs7lzrnuxsekm	How have these changes impacted upon the evolutionary trajectory of the system and over what timeframe?
work_hkdcdmm5zncn7fs7lzrnuxsekm	How important is connectivity for surface water fluxes?
work_hkdcdmm5zncn7fs7lzrnuxsekm	How much subsidence is enough to change the morphology of river deltas?
work_hkdcdmm5zncn7fs7lzrnuxsekm	How sensitive are connectivity metrics to the methods and tools of data collection and the temporal and spatial scales of analysis?
work_hkdcdmm5zncn7fs7lzrnuxsekm	How should we measure landscape con- nectivity?
work_hkdcdmm5zncn7fs7lzrnuxsekm	In any given geomorphic system, is there a maximum or optimum level of connectivity to compare with?
work_hkdcdmm5zncn7fs7lzrnuxsekm	Is enhanc- ing sediment disconnectivity required?
work_hkdcdmm5zncn7fs7lzrnuxsekm	Is enhancing sed- iment connectivity required?
work_hkdcdmm5zncn7fs7lzrnuxsekm	Is it possible, or desirable, for human activities to manage or reverse these traits?
work_hkdcdmm5zncn7fs7lzrnuxsekm	Quantifying fluvial non linearity and finding self organized criticality?
work_hkdcdmm5zncn7fs7lzrnuxsekm	Resilience in ecology: abstraction, distrac- tion, or where the action is?
work_hkdcdmm5zncn7fs7lzrnuxsekm	The remains of the dam: what have we learned from 15 years of US dam removals?
work_hkdcdmm5zncn7fs7lzrnuxsekm	What controls the transition from con- fined to unconfined flow?
work_hkdcdmm5zncn7fs7lzrnuxsekm	What do we still need to know?
work_hkdcdmm5zncn7fs7lzrnuxsekm	What should these rivers look like?
work_hkdcdmm5zncn7fs7lzrnuxsekm	sediment slugs, headcuts)?
work_hkdcdmm5zncn7fs7lzrnuxsekm	what is expected in any given system)?
work_hkdcdmm5zncn7fs7lzrnuxsekm	what is realistically possible)?
work_hkdcdmm5zncn7fs7lzrnuxsekm	‘ But what do you measure? ’ Prospects for a constructive critical physical geography.
work_hkdcdmm5zncn7fs7lzrnuxsekm	‘ Out with the Old? ’ Why coarse spatial datasets are still useful for catchment- scale investigations of sediment( dis)connectivity.
work_hkdcdmm5zncn7fs7lzrnuxsekm	• From where will the sediment be sourced and dispersed to enhance river recovery in the study reach?
work_hkdcdmm5zncn7fs7lzrnuxsekm	• How will rehabilitation of the treatment reach affect down- stream reaches?
work_hkdcdmm5zncn7fs7lzrnuxsekm	• Where should sediment conveyance be suppressed to pro- tect other reaches and minimize off- site impacts?
work_tuxy7gne3jfddfunkur2dmpyxe	( at least 1933)( summers) Sampson, Peggie( Scotland, 1912–2004) Fontainebleau?
work_tuxy7gne3jfddfunkur2dmpyxe	1925–1999) rue Ballu?
work_tuxy7gne3jfddfunkur2dmpyxe	1925–27 Doyon, Paul( 1903–86) École normale rue Ballu?
work_tuxy7gne3jfddfunkur2dmpyxe	192?
work_tuxy7gne3jfddfunkur2dmpyxe	1930?
work_tuxy7gne3jfddfunkur2dmpyxe	1930?
work_tuxy7gne3jfddfunkur2dmpyxe	1930–34?
work_tuxy7gne3jfddfunkur2dmpyxe	1932–35 Ronan, John( 1894–1962) rue Ballu?
work_tuxy7gne3jfddfunkur2dmpyxe	1938?
work_tuxy7gne3jfddfunkur2dmpyxe	1942–43 Lavoie, Claude( 1918 —?)
work_tuxy7gne3jfddfunkur2dmpyxe	1946–48 Blackburn, Maurice( 1914–88) rue Ballu?
work_tuxy7gne3jfddfunkur2dmpyxe	1948–49 Heller, Irving( Rhode Island, 1926–BC, 2003) Paris Conserva- toire and rue Ballu?
work_tuxy7gne3jfddfunkur2dmpyxe	1950?
work_tuxy7gne3jfddfunkur2dmpyxe	1951 Renshaw, Rosette( 1920–1998) rue Ballu?
work_tuxy7gne3jfddfunkur2dmpyxe	1951?
work_tuxy7gne3jfddfunkur2dmpyxe	1952–53?
work_tuxy7gne3jfddfunkur2dmpyxe	1953–54 Berry, Wallace( Wisconsin, 1928 – Vancouver, 1991) rue Ballu?
work_tuxy7gne3jfddfunkur2dmpyxe	1954?
work_tuxy7gne3jfddfunkur2dmpyxe	1954–55 Rogers, William Keith rue Ballu?
work_tuxy7gne3jfddfunkur2dmpyxe	1955–57 Schermann, Paul( 1907–96) rue Ballu?
work_tuxy7gne3jfddfunkur2dmpyxe	1959–60 Winters, Kenneth( 1929–2011) rue Ballu?
work_tuxy7gne3jfddfunkur2dmpyxe	1960, 1962 Buczynski, Walter( 1933 –) rue Ballu?
work_tuxy7gne3jfddfunkur2dmpyxe	1969–71 Koprowski, Peter Paul( Poland, 1947 –) rue Ballu?
work_tuxy7gne3jfddfunkur2dmpyxe	Gilbert, Kenneth( 1931 –) rue Ballu?
work_tuxy7gne3jfddfunkur2dmpyxe	Landry, Hélène( Ottawa,? –?)
work_tuxy7gne3jfddfunkur2dmpyxe	Landry, Hélène( Ottawa,? –?)
work_tuxy7gne3jfddfunkur2dmpyxe	Taught in Ottawa( Uni- versity of Ottawa, 1931 –?)
work_tuxy7gne3jfddfunkur2dmpyxe	Weisz, Robert( Roumania, 1925 –) rue Ballu?
work_tuxy7gne3jfddfunkur2dmpyxe	Wood, Robin( 1924–2004) rue Ballu?
work_rq243gupinfetb46vacza5sao4	& Root, T.L( 2002) No Orioles in Baltimore?
work_rq243gupinfetb46vacza5sao4	( 2001) What is “ dangerous ” climate change?
work_rq243gupinfetb46vacza5sao4	( 2002) Are the economic costs of stabilizing the atmosphere prohibitive?
work_rq243gupinfetb46vacza5sao4	) 19 The policy question is: Who cares?
work_rq243gupinfetb46vacza5sao4	) 23 In summary, experts should answer three questions for citizens: 1) What can happen?
work_rq243gupinfetb46vacza5sao4	) 9 When will climate impacts become “ dangerous ”?
work_rq243gupinfetb46vacza5sao4	2) What are the odds?
work_rq243gupinfetb46vacza5sao4	But does that justify ignoring it?
work_rq243gupinfetb46vacza5sao4	But what are the probabilities of the less severe or more catastrophic possibilities both shown in this figure?
work_rq243gupinfetb46vacza5sao4	But what happens if the forecast proves true( or even was too optimistic) when we bet on it being wrong?
work_rq243gupinfetb46vacza5sao4	But what if the forecast proves true?
work_rq243gupinfetb46vacza5sao4	Do the media accounts accurately represent the scientific debate?
work_rq243gupinfetb46vacza5sao4	Do we really have to wait two generations before we have cheaper 21 and more benign technologies and organizations to prevent this?
work_rq243gupinfetb46vacza5sao4	How long will it take to substantially narrow the climate sensitivity range?
work_rq243gupinfetb46vacza5sao4	How many years of economic growth would it take to catch up with the no- climate policy case?
work_rq243gupinfetb46vacza5sao4	How much is it worth to have Baltimore orioles in the city of their namesake?
work_rq243gupinfetb46vacza5sao4	If there ’s a 10% chance that there is salmonella bacteria in your salmon, are you going to eat it?
work_rq243gupinfetb46vacza5sao4	In order to know what will happen, we have to forecast what kind of energy systems will be in use: Will it be wind energy?
work_rq243gupinfetb46vacza5sao4	In other words, how do you value nature?
work_rq243gupinfetb46vacza5sao4	Microsoft Word- SchneiderFinalUnformatted.doc 1 Climate Change: Do We Know Enough for Policy Action?
work_rq243gupinfetb46vacza5sao4	Notice the bar for the A1FI scenario?
work_rq243gupinfetb46vacza5sao4	Photograph: Terry Root What else that might happen in the future must we estimate to project climate change?
work_rq243gupinfetb46vacza5sao4	So why is protecting the climate different?
work_rq243gupinfetb46vacza5sao4	So, the big question we ’re left with is: What probabilities and from whom?
work_rq243gupinfetb46vacza5sao4	So, what is$ 20 trillion relative to$ 320 trillion?
work_rq243gupinfetb46vacza5sao4	The debate is: what fraction of that warming is natural and what fraction of that warming is attributable to us?
work_rq243gupinfetb46vacza5sao4	The other major question in the climate change debate is: What is fair?
work_rq243gupinfetb46vacza5sao4	Then, there are the normative judgments, or the value judgments: What is safe?
work_rq243gupinfetb46vacza5sao4	What about A1FI?
work_rq243gupinfetb46vacza5sao4	What are the probabilities of these events happening?
work_rq243gupinfetb46vacza5sao4	What is dangerous?
work_rq243gupinfetb46vacza5sao4	What rational person or society would take that kind of risk with our life support system?
work_rq243gupinfetb46vacza5sao4	When are we going to resolve these uncertainties?
work_rq243gupinfetb46vacza5sao4	Without probabilities attached, how can decision- makers assess their risk and create policy initiatives?
work_rq243gupinfetb46vacza5sao4	and 3) How do we know?
work_rq243gupinfetb46vacza5sao4	and b) What are the odds?
work_wztmim6ulbgmfmwer3em3gb3wm	Computer Printouts as Evidence: Stricter Foundation or Presumption of Reliability?
work_wztmim6ulbgmfmwer3em3gb3wm	Motivation, Leadership, and Organization: Do American Theories Apply Abroad?
work_wztmim6ulbgmfmwer3em3gb3wm	Should Creating Agencies Keep Electronic Records Indefinitely?
work_wztmim6ulbgmfmwer3em3gb3wm	What are Historical Facts?'' work_wztmim6ulbgmfmwer3em3gb3wm ( 2) Did he believe what he said? work_wztmim6ulbgmfmwer3em3gb3wm ( 3) W a s he justified in believing whatever he did believe? work_wztmim6ulbgmfmwer3em3gb3wm 1 1 7 Felix Gilbert, History: Politics or Culture? work_wztmim6ulbgmfmwer3em3gb3wm 1 5 R.J. Morris,Electronic Documents and the History of the Late 20 Century: Black Holes or Warehouses~ What do Historians Really Want?"
work_wztmim6ulbgmfmwer3em3gb3wm	6 2 Adrian A.S. Zuckerman,"Law, Fact or Justice?"
work_wztmim6ulbgmfmwer3em3gb3wm	7 8 Jean Samuel,"Electronic Mail: Information Exchange or Information Loss?"
work_wztmim6ulbgmfmwer3em3gb3wm	8 9 Paul Marsden,"What is the Future?
work_wztmim6ulbgmfmwer3em3gb3wm	Because it is close to- what?
work_wztmim6ulbgmfmwer3em3gb3wm	Do reports or allegations that an event has occurred correspond to the best evidence of the existence of such an event?
work_wztmim6ulbgmfmwer3em3gb3wm	Elton, Which Road to the Past?
work_wztmim6ulbgmfmwer3em3gb3wm	Elton,"Two Kinds of History,"in Which Road to the Past?
work_wztmim6ulbgmfmwer3em3gb3wm	For example, how can the essential link between a record and its profile be maintained intact over time and through migrations?
work_wztmim6ulbgmfmwer3em3gb3wm	Hans Meyerhoff( New York: Doubleday, 1959), 150- 151; Carl Becker,"What are Historical Facts?"
work_wztmim6ulbgmfmwer3em3gb3wm	How can the link between the profiles of the records belonging in the same dossier be maintained intact over time and through migrations?
work_wztmim6ulbgmfmwer3em3gb3wm	How can the periodic migration of electronic records be conducted in a way that their archival bond with non- electronic records will remain intact?
work_wztmim6ulbgmfmwer3em3gb3wm	If color is an essential attribute of the document, must the exact color scheme be retained or are degrees of degradation acceptable?
work_wztmim6ulbgmfmwer3em3gb3wm	Into which class of event does the event fall?
work_wztmim6ulbgmfmwer3em3gb3wm	Knowing what the author of the document has said, we ask( 1) What did he mean?
work_wztmim6ulbgmfmwer3em3gb3wm	Some of the specific questions Hedstrom identifies include: under what circumstances is lossy compression an acceptable storage format?
work_wztmim6ulbgmfmwer3em3gb3wm	What are the lines of causality to be drawn in respect of the event?
work_wztmim6ulbgmfmwer3em3gb3wm	What degrees of responsibility do or can particular persons bear?
work_wztmim6ulbgmfmwer3em3gb3wm	Who and what are responsible for it?
work_wztmim6ulbgmfmwer3em3gb3wm	Zuckerman, Adrian A.S."Law, Fact or Justice?"
work_plit6wwwo5dhjjmjb2bemv2fla	And what i s your subject?
work_plit6wwwo5dhjjmjb2bemv2fla	Yes, Mr. Rose, you''re not going to deprive us of a l l our shops, I hope?
work_plit6wwwo5dhjjmjb2bemv2fla	( Ineffable Youth goes into testacies oner an extremely Old Master''—say, Fai PORCINBLLO BABARAGIANNO, A.D. 1206—1231?)
work_plit6wwwo5dhjjmjb2bemv2fla	13 Macdonald, Art Education, 60- 185; Gordon Sutton, A r t i s a n or 202 A r t i s t?
work_plit6wwwo5dhjjmjb2bemv2fla	69 Durant, V i c t o r i a n Ornamental Design, 75?
work_plit6wwwo5dhjjmjb2bemv2fla	6?
work_plit6wwwo5dhjjmjb2bemv2fla	A r t i s a n o r A r t i s t?
work_plit6wwwo5dhjjmjb2bemv2fla	Bowen: Are the pictures works of a r t?
work_plit6wwwo5dhjjmjb2bemv2fla	Bowen: Is the picture i n your judgment worth two hundred guineas?
work_plit6wwwo5dhjjmjb2bemv2fla	But what was t h i s human element, and what a c t u a l l y comprised the hand imprint i n design?
work_plit6wwwo5dhjjmjb2bemv2fla	But where was the beauty i n disorder and what was the a e s t h e t i c pleasure to be had from disease?
work_plit6wwwo5dhjjmjb2bemv2fla	Day to answer the q u e s t i o n — what can be done programmatically to improve the manufactured a r t s 5 and the l i v e s of the producers?
work_plit6wwwo5dhjjmjb2bemv2fla	Ewart: I t i s not necessary that a person should be an a r t i s t to enable him to cut^ e card of a pattern?
work_plit6wwwo5dhjjmjb2bemv2fla	Ewart: The a u x i l i a r y branch of the business i s purely mechanical, the c u t t i n g of the card?
work_plit6wwwo5dhjjmjb2bemv2fla	Ewart: You have not stated any sum that i s given to these persons[ Gibson''s designers], but you say i t v a r i e s according to circumstances?
work_plit6wwwo5dhjjmjb2bemv2fla	H e n r y B o w l e r, T h e D o u b t; C a n T h e s e D r y B o n e s Y e t L i v e?
work_plit6wwwo5dhjjmjb2bemv2fla	How much d i d the copyright add, i f anything, to the market price of a painting?
work_plit6wwwo5dhjjmjb2bemv2fla	How much, i f anything, d i d f r i e n d s h i p count i n a transaction?
work_plit6wwwo5dhjjmjb2bemv2fla	I f the a r t i s t retained the copyright i n a sale, was the p a i n t i n g worth less?
work_plit6wwwo5dhjjmjb2bemv2fla	I r v i n g an Arrangement i n B l a c k?"
work_plit6wwwo5dhjjmjb2bemv2fla	If i t was in fact a"movement", what was its part in Victorian culture and what meaning did i t have for those who knew it?
work_plit6wwwo5dhjjmjb2bemv2fla	London: Studio, H 1.9- 34. »- 3"?.
work_plit6wwwo5dhjjmjb2bemv2fla	Parry: Is i t worth one thousand guineas?
work_plit6wwwo5dhjjmjb2bemv2fla	Parry: What i s the value of t h i s picture of T i t i a n''s?
work_plit6wwwo5dhjjmjb2bemv2fla	S i r John: Is two hundred guineas a pretty good price f o r an a r t i s t of reputation?
work_plit6wwwo5dhjjmjb2bemv2fla	S i r John: Not a view of Cremorne?
work_plit6wwwo5dhjjmjb2bemv2fla	S i r John: What i s the subject of the Nocturne i n Black and Gold?
work_plit6wwwo5dhjjmjb2bemv2fla	S i r John: You do n''t approve of c r i t i c i s m?
work_plit6wwwo5dhjjmjb2bemv2fla	W h y* w h e n m e d i o c r i t i e s w e r e s o p e r c e p t i v e* w a s g e n i u s s o b l i n d?
work_plit6wwwo5dhjjmjb2bemv2fla	What matter i f there i s gold or s i l v e r i n the neglected working, i f i t i s brass or pewter which happens to be the fashion?
work_plit6wwwo5dhjjmjb2bemv2fla	Why t h i s l i f t i n g of the brow i n deprecation of the p r e s e n t — t h i s pathos i n reference to the past?
work_plit6wwwo5dhjjmjb2bemv2fla	Why were W. Mi Rossetti and Edward Burne- Jones on 5 opposite sides and why were they both such reluctant'';,witnesses?
work_plit6wwwo5dhjjmjb2bemv2fla	[ Laughter] S i r John: A r t i s t s do not endeavour to get the highest price f o r t h e i r work i r r e s p e c t i v e of value?
work_6efcnzdc2zabtjhyszxngnai5y	2 Music Encoding Conference Proceedings 2020 3 The forgotten classroom?
work_6efcnzdc2zabtjhyszxngnai5y	And, for scholars interested in machine learning and AI, the obvious next step is: can one predict fame, especially for musicians today?
work_6efcnzdc2zabtjhyszxngnai5y	Are there broader patterns of attaining fame particular to specific artforms or, in the case of music, genres?
work_6efcnzdc2zabtjhyszxngnai5y	But how could these models be developed without any advanced experience in measuring difference of mensural music?
work_6efcnzdc2zabtjhyszxngnai5y	But what kind of error did Beethoven see?
work_6efcnzdc2zabtjhyszxngnai5y	But why would both manners be used side by side?
work_6efcnzdc2zabtjhyszxngnai5y	But, what in that particular context is the source and what features of it need to be maintained?
work_6efcnzdc2zabtjhyszxngnai5y	Did musical works acquire fame in view of criticism or performance?
work_6efcnzdc2zabtjhyszxngnai5y	Digital pedagogy?
work_6efcnzdc2zabtjhyszxngnai5y	Do the subcommunities have similar structural patterns or do some of them differ( and why?).
work_6efcnzdc2zabtjhyszxngnai5y	Do we profess it?
work_6efcnzdc2zabtjhyszxngnai5y	Do we profess it?
work_6efcnzdc2zabtjhyszxngnai5y	Do we profess to teach it?
work_6efcnzdc2zabtjhyszxngnai5y	Do we profess to teach it?
work_6efcnzdc2zabtjhyszxngnai5y	Does the behaviour of musical communities change over the course of time?
work_6efcnzdc2zabtjhyszxngnai5y	Even so, as Rebecca Frost Davis asked, “.. but how do you teach collaboration? ”.
work_6efcnzdc2zabtjhyszxngnai5y	For example, are there any direct connections between Gluck and Johann Adam Hiller?
work_6efcnzdc2zabtjhyszxngnai5y	How did we get here?
work_6efcnzdc2zabtjhyszxngnai5y	How should such different levels of objectivity be mod- elled?
work_6efcnzdc2zabtjhyszxngnai5y	Introduction How do we teach music encoding?
work_6efcnzdc2zabtjhyszxngnai5y	Is it more “ whole- tone ” sounding?
work_6efcnzdc2zabtjhyszxngnai5y	Is it “ fifthy? ” Applying the DFT to macroharmo- nies allows us to see a broad overview of a composition ’s sound.
work_6efcnzdc2zabtjhyszxngnai5y	My presentation today is therefore not going to answer the questions outlined 1 Hirsch ’s original quote is “... do we teach digital humanities?
work_6efcnzdc2zabtjhyszxngnai5y	Now, for a more complex example: did Mozart have connections to Berlin?
work_6efcnzdc2zabtjhyszxngnai5y	So, what is the music encoding community to do?
work_6efcnzdc2zabtjhyszxngnai5y	Some interesting ques- tions might include: did communities for symphonic music look different than communities concerned with opera?
work_6efcnzdc2zabtjhyszxngnai5y	The question that lies at the heart of my current project is: how did music become famous at the time of the emergence of the classic?
work_6efcnzdc2zabtjhyszxngnai5y	This was back in the 1960s, and what else were two college students to do with a bucket of sodium?
work_6efcnzdc2zabtjhyszxngnai5y	What does “ digital pedagogy ” mean?
work_6efcnzdc2zabtjhyszxngnai5y	What to compare?
work_6efcnzdc2zabtjhyszxngnai5y	“ Digital Pedagogy? ”.
work_6efcnzdc2zabtjhyszxngnai5y	“ Matthesons Probstücke als Partimenti? ” Schola Cantorum Basiliensis, 2013.
work_6efcnzdc2zabtjhyszxngnai5y	• Are there non- musical reasons which explain a modification, for example additional hints for a copyist?
work_6efcnzdc2zabtjhyszxngnai5y	• Into which categories could we classify Beethoven ’s entries?
work_e5b7czkqx5f3jo7iosf55vrj2m	1 Chapter 2 On Whose Authority?
work_e5b7czkqx5f3jo7iosf55vrj2m	102 Audrey Oldfield, Woman Suffrage in Australia: A Gift or a Struggle?
work_e5b7czkqx5f3jo7iosf55vrj2m	33 Chapter 3 In Their Own Image: Did the delegates to the Federal Conventions see themselves as models of an ideal senator?
work_e5b7czkqx5f3jo7iosf55vrj2m	70 Charles Arrowsmith Bernays, Queensland Politics During Sixty( 1859–1919) Years,( Brisbane: Queensland Government Printer, 1920?
work_e5b7czkqx5f3jo7iosf55vrj2m	Again we must ask: Why?
work_e5b7czkqx5f3jo7iosf55vrj2m	But did they?
work_e5b7czkqx5f3jo7iosf55vrj2m	But why does n’t Tasmania?
work_e5b7czkqx5f3jo7iosf55vrj2m	Chapter 2: On Whose Authority 33 Chapter 2 On Whose Authority?
work_e5b7czkqx5f3jo7iosf55vrj2m	Chapter 3 final Chapter 3 In Their Own Image: did the delegates to the Conventions see themselves as models of an ideal senator?
work_e5b7czkqx5f3jo7iosf55vrj2m	Did it emerge fully fledged from the minds of the Convention delegates and was there ever really any choice?
work_e5b7czkqx5f3jo7iosf55vrj2m	George Reid interrupted saying: ‘ Is that in Bryce? ’ Reid: They sound exactly like Bryce.
work_e5b7czkqx5f3jo7iosf55vrj2m	If it was not necessary why was it established?
work_e5b7czkqx5f3jo7iosf55vrj2m	La Nauze,''Who Are the Fathers? ’ Historical Studies, Vol.13, No.51, October,( 1968).
work_e5b7czkqx5f3jo7iosf55vrj2m	Produced in the Hansard tradition using reporters from the Colonial parliaments... H. Chapter 2 final Chapter 2 On Whose Authority?
work_e5b7czkqx5f3jo7iosf55vrj2m	R. An Attack Upon the Legislative Council: Do the Facts Justify It?
work_e5b7czkqx5f3jo7iosf55vrj2m	The following two chapters ask: what other models were discussed in the Convention debates and what issues were they introduced in relation to?
work_e5b7czkqx5f3jo7iosf55vrj2m	The question is: would Britain have accepted a unicameral legislature for New South Wales if a serious proposal had been made?
work_e5b7czkqx5f3jo7iosf55vrj2m	To what extent did their vision of an ideal parliament draw upon these factors?
work_e5b7czkqx5f3jo7iosf55vrj2m	Turning from the Canadian model what did the delegates learn from the United States example?
work_e5b7czkqx5f3jo7iosf55vrj2m	Vic 1891 Zeal, William Vic 1897- 98 Chapter 1: Introduction 1 Chapter 1 Introduction Why does Australia have a Senate?
work_e5b7czkqx5f3jo7iosf55vrj2m	Was it another example, if by a circuitous route, of path dependence?
work_e5b7czkqx5f3jo7iosf55vrj2m	Was this another example of path dependence?
work_e5b7czkqx5f3jo7iosf55vrj2m	What did Australia learn from their examples and what did it copy or adopt for its own Constitution?
work_e5b7czkqx5f3jo7iosf55vrj2m	What influence did the United States example have on the Convention delegates?
work_e5b7czkqx5f3jo7iosf55vrj2m	What then were the experiences of the delegates of these structures and how, if at all, did they affect their decisions on the Federal Senate?
work_e5b7czkqx5f3jo7iosf55vrj2m	Who were these authorities and in what context were they introduced?
work_e5b7czkqx5f3jo7iosf55vrj2m	Why does Australia have a Senate?
work_e5b7czkqx5f3jo7iosf55vrj2m	Why is there a silence on the creation of the Australian Senate?
work_e5b7czkqx5f3jo7iosf55vrj2m	Why?
work_e5b7czkqx5f3jo7iosf55vrj2m	Will they, like Parkes and Forrest, betray their vision of men like themselves as ‘ ideal senators ’?
work_e5b7czkqx5f3jo7iosf55vrj2m	Woman Suffrage in Australia: A Gift or a Struggle?
work_e5b7czkqx5f3jo7iosf55vrj2m	‘ Who Are the Fathers? ’ Historical Studies, vol.13, no.51, October 1968, pp.333—52.
work_lmtu7ehrifghnfk3za7uabkzaa	), 1488(?
work_lmtu7ehrifghnfk3za7uabkzaa	225 Pairs of shoes already made are scattered on the floor between them, while a finished(?)
work_lmtu7ehrifghnfk3za7uabkzaa	239 W as his wealth acquired through his printing enterprise?
work_lmtu7ehrifghnfk3za7uabkzaa	289 Did Marchant finance the first edition of the Danse alone?
work_lmtu7ehrifghnfk3za7uabkzaa	295 This seems all the more likely since Vérard had published his own editions of the Danse macabre books: 1485/86(?)
work_lmtu7ehrifghnfk3za7uabkzaa	505 W ho exactly was doing the satirizing and why?
work_lmtu7ehrifghnfk3za7uabkzaa	Although the inker is not actually seized by Death( yet?
work_lmtu7ehrifghnfk3za7uabkzaa	Although there has been much debate as to the status of the dead in the Danse – do they represent Death personified or the dead in general?
work_lmtu7ehrifghnfk3za7uabkzaa	And how much did it take to set up a printing workshop in the first place?
work_lmtu7ehrifghnfk3za7uabkzaa	And, if not, why?
work_lmtu7ehrifghnfk3za7uabkzaa	Are the Printers and the Bookseller somehow part of the same procession as the other figures?
work_lmtu7ehrifghnfk3za7uabkzaa	Are they mirror images of the living in the Danse or merely their dead companions?
work_lmtu7ehrifghnfk3za7uabkzaa	But, where does the Danse lead?
work_lmtu7ehrifghnfk3za7uabkzaa	Did Vérard offer financial backing or other form of support to Marchant?
work_lmtu7ehrifghnfk3za7uabkzaa	Did he have a financial backer or a publisher with whom he collaborated?
work_lmtu7ehrifghnfk3za7uabkzaa	Fooling with Death At what point, we might ask, did the Fool begin to dance in the Danse?
work_lmtu7ehrifghnfk3za7uabkzaa	How accurate was this placement?
work_lmtu7ehrifghnfk3za7uabkzaa	How did Marchant fund the publication of the Danse?
work_lmtu7ehrifghnfk3za7uabkzaa	How long will it last?
work_lmtu7ehrifghnfk3za7uabkzaa	How popular was the Danse macabre series?
work_lmtu7ehrifghnfk3za7uabkzaa	How then are we to read Husz ’s image?
work_lmtu7ehrifghnfk3za7uabkzaa	How was his business organized and what kind of books did he make?
work_lmtu7ehrifghnfk3za7uabkzaa	If so, why are they in different spaces?
work_lmtu7ehrifghnfk3za7uabkzaa	In other words, are the Four Dead Musicians really making music or merely producing noise?
work_lmtu7ehrifghnfk3za7uabkzaa	Is it the dance of death or the dance of the dead?
work_lmtu7ehrifghnfk3za7uabkzaa	Of what value are notarial inventories when it comes to assessing the popularity of a given title?
work_lmtu7ehrifghnfk3za7uabkzaa	Que signifiait danse au quinzième siècle?
work_lmtu7ehrifghnfk3za7uabkzaa	Should this concept not be extended to printed books?
work_lmtu7ehrifghnfk3za7uabkzaa	The Ambiguous Image of Death What exactly is the Dance of Death?
work_lmtu7ehrifghnfk3za7uabkzaa	The Question of Audience Who were the readers of the Danse books?
work_lmtu7ehrifghnfk3za7uabkzaa	The woodcuts for the women ’s Danse, however, appear to be more crudely executed, as if another( lesser?)
work_lmtu7ehrifghnfk3za7uabkzaa	W as Marchant paying a tribute to his family ’s trade or constructing a clever allegory, the meaning of which is now lost?
work_lmtu7ehrifghnfk3za7uabkzaa	W hat accounts for so many adaptations not only within the medium of illustrated books, but in other media as well?
work_lmtu7ehrifghnfk3za7uabkzaa	W hat costs were involved in running an illustrated edition?
work_lmtu7ehrifghnfk3za7uabkzaa	W hat is the meaning of this?
work_lmtu7ehrifghnfk3za7uabkzaa	W hat made the subject so appealing to Marchant and later other printers that they would decide to make multiple editions of the books?
work_lmtu7ehrifghnfk3za7uabkzaa	W hat made the theme of the Dance of Death so appealing that the early printers would return to it with such frequency at the turn of the century?
work_lmtu7ehrifghnfk3za7uabkzaa	W hat role did the Fool serve in the composition that already relied on humor and satire even before the jester was added to the roster of figures?
work_lmtu7ehrifghnfk3za7uabkzaa	W hat use is honor, what use worldly glory?
work_lmtu7ehrifghnfk3za7uabkzaa	W hat was his strategy?
work_lmtu7ehrifghnfk3za7uabkzaa	W hy the Danse and not some other subject?
work_lmtu7ehrifghnfk3za7uabkzaa	W ill they die at the same time as their counterparts?
work_lmtu7ehrifghnfk3za7uabkzaa	Why did Marchant decide to publish an illustrated book on the Dance of Death?
work_lmtu7ehrifghnfk3za7uabkzaa	chapter 2; Jane H. M. Taylor, “ Que signifiait danse au quinzième siècle?
work_lmtu7ehrifghnfk3za7uabkzaa	“ ‘ Fro Paris to Inglond ’?
work_b6pyge6pmrgavjx7rrfswkig5i	118 It would be a mistake, though, to think that the All Right?
work_b6pyge6pmrgavjx7rrfswkig5i	168 Frontman, Buzz Osborne, was quoted as saying, “ What are the odds of us being in TWO major earthquakes on TWO continents in about TWO weeks?
work_b6pyge6pmrgavjx7rrfswkig5i	283 “ How many awards has Scribe got?
work_b6pyge6pmrgavjx7rrfswkig5i	358 Ciaran Fox, interviewed on 18 Dec 2015, at the All Right?
work_b6pyge6pmrgavjx7rrfswkig5i	364 For the full range of All Right?
work_b6pyge6pmrgavjx7rrfswkig5i	365 “ Outrageous Burst: The Ten Tenors, ” All Right?
work_b6pyge6pmrgavjx7rrfswkig5i	368 “ Outrageous Burst: BYO CSO, ” All Right?
work_b6pyge6pmrgavjx7rrfswkig5i	374 As the All Right?
work_b6pyge6pmrgavjx7rrfswkig5i	375 “ Compliments, ” All Right?
work_b6pyge6pmrgavjx7rrfswkig5i	376 “ Walking Festival, ” All Right?
work_b6pyge6pmrgavjx7rrfswkig5i	383 Physical activity is one of the ‘ five ways to wellbeing ’ that underpinned the All Right?
work_b6pyge6pmrgavjx7rrfswkig5i	386 The festival ’s artistic director, Adam Hayward, was “ delighted with the collaboration between the All Right?
work_b6pyge6pmrgavjx7rrfswkig5i	389 In both 2014 and 2015, the All Right?
work_b6pyge6pmrgavjx7rrfswkig5i	390 “ Do a Little Dance Workplace Challenge, ” All Right?, n.d. ca.
work_b6pyge6pmrgavjx7rrfswkig5i	396 Macfie, “ Can Christchurch be revitalised? ”.
work_b6pyge6pmrgavjx7rrfswkig5i	398 Macfie, “ Can Christchurch be revitalised? ”.
work_b6pyge6pmrgavjx7rrfswkig5i	42 George H. Lewis, “ Who do you love?
work_b6pyge6pmrgavjx7rrfswkig5i	435 “ A summary of All Right?
work_b6pyge6pmrgavjx7rrfswkig5i	438 There is no reliable, scientific method of determining how much of an effect the All Right?
work_b6pyge6pmrgavjx7rrfswkig5i	442 One thing the study ’s authors did not mention is the All Right?
work_b6pyge6pmrgavjx7rrfswkig5i	443 The goals of the All Right?
work_b6pyge6pmrgavjx7rrfswkig5i	444 “ A summary of All Right?
work_b6pyge6pmrgavjx7rrfswkig5i	446 The All Right?
work_b6pyge6pmrgavjx7rrfswkig5i	64 Songs such as Do You Know What it Means to Miss New Orleans?
work_b6pyge6pmrgavjx7rrfswkig5i	65 Jack Sullivan, “ In New Orleans, did the Music die?, ” Chronicle of Higher Education 53 no.
work_b6pyge6pmrgavjx7rrfswkig5i	69 with the line: ‘ How many dudes you know roll like this?
work_b6pyge6pmrgavjx7rrfswkig5i	93 oversaw the creation of the All Right?
work_b6pyge6pmrgavjx7rrfswkig5i	97 telegrams on the All Right?
work_b6pyge6pmrgavjx7rrfswkig5i	A key tool of the All Right?
work_b6pyge6pmrgavjx7rrfswkig5i	After the initial disaster phases, when electricity supply and internet connections had been restored, Fox says the All Right?
work_b6pyge6pmrgavjx7rrfswkig5i	All Right?
work_b6pyge6pmrgavjx7rrfswkig5i	All Right?
work_b6pyge6pmrgavjx7rrfswkig5i	All Right?
work_b6pyge6pmrgavjx7rrfswkig5i	As McGrath recalls, “ We just wanted to play music, you know?
work_b6pyge6pmrgavjx7rrfswkig5i	As Summer Starter co- ordinator, Jo Blair, says, 378 “ The Summer Starter, ” All Right?, n.d. ca.
work_b6pyge6pmrgavjx7rrfswkig5i	As well as working with a planned evening event in a traditional performance space, the All Right?
work_b6pyge6pmrgavjx7rrfswkig5i	During her time in Christchurch, Ladi6 was shown around the city by the All Right?
work_b6pyge6pmrgavjx7rrfswkig5i	Gap Filler Like the All Right?
work_b6pyge6pmrgavjx7rrfswkig5i	In the billions? ”.
work_b6pyge6pmrgavjx7rrfswkig5i	Lewis, George H. “ Who do you love?
work_b6pyge6pmrgavjx7rrfswkig5i	Much of the early work done by the All Right?
work_b6pyge6pmrgavjx7rrfswkig5i	One of the early All Right?
work_b6pyge6pmrgavjx7rrfswkig5i	Several of the campaign events organised by the All Right?
work_b6pyge6pmrgavjx7rrfswkig5i	Starting the run in 373 “ Little Burst: Singing Telegrams, ” All Right?
work_b6pyge6pmrgavjx7rrfswkig5i	The All Right?
work_b6pyge6pmrgavjx7rrfswkig5i	The All Right?
work_b6pyge6pmrgavjx7rrfswkig5i	The All Right?
work_b6pyge6pmrgavjx7rrfswkig5i	The All Right?
work_b6pyge6pmrgavjx7rrfswkig5i	The lack of previous long- term and co- ordinated examples in similar post- disaster contexts meant the All Right?
work_b6pyge6pmrgavjx7rrfswkig5i	The latest research conducted for the All Right?
work_b6pyge6pmrgavjx7rrfswkig5i	There is most definitely still a need for some bursts of All Right?.
work_b6pyge6pmrgavjx7rrfswkig5i	To Fox, it presented the perfect venue for another ‘ Outrageous Burst of All Right? ’, this time a flashmob featuring members of the CSO.
work_b6pyge6pmrgavjx7rrfswkig5i	Two key organisations – All Right?
work_b6pyge6pmrgavjx7rrfswkig5i	While the latest All Right?
work_b6pyge6pmrgavjx7rrfswkig5i	Who Loves Who the Most?
work_b6pyge6pmrgavjx7rrfswkig5i	Why Does Love do This to Me?
work_b6pyge6pmrgavjx7rrfswkig5i	With an active and engaged community congregating and finding comfort through the All Right?
work_b6pyge6pmrgavjx7rrfswkig5i	posters featured a dancing granny in curlers and pyjamas, and posed the question: “ Had a good boogie lately? ”.
work_b6pyge6pmrgavjx7rrfswkig5i	“ Communities in Disasters: Helpless or Helping? ” Perspectives on Global Development and Technology 10( 2011): 429- 440.
work_b6pyge6pmrgavjx7rrfswkig5i	“ In New Orleans, did the Music die? ” Chronicle of Higher Education 53 no.
work_b6pyge6pmrgavjx7rrfswkig5i	“ What Ever Happened to Tracy? ”.
work_ykei74fc7zd2vc6qc6ad27rwpq	A: Do you like these plums?
work_ykei74fc7zd2vc6qc6ad27rwpq	Ar tai realus dalykas, ar diskusijos objektas?
work_ykei74fc7zd2vc6qc6ad27rwpq	Ar tokie klausimai turi prasmę?
work_ykei74fc7zd2vc6qc6ad27rwpq	Arba karelų kalba: ar tai suomių ar nesuo- mių kalba, o azerbaidžianiečių kalba: ar tai turkų kalba, ar dvi skirtingos kalbos?
work_ykei74fc7zd2vc6qc6ad27rwpq	Are ideologies reflected in metaphors?
work_ykei74fc7zd2vc6qc6ad27rwpq	Beprotis?
work_ykei74fc7zd2vc6qc6ad27rwpq	Bet jeigu jie jau nebėra liaudies( pavyzdžiui, rusų) nariai, tada kyla klausimas: kokia kalba jie kalba?
work_ykei74fc7zd2vc6qc6ad27rwpq	Bet tada iškyla klausimas, kas yra tos „ tautos “ daugiskaitoje?
work_ykei74fc7zd2vc6qc6ad27rwpq	Būti ar nebūti postmodernizmui?
work_ykei74fc7zd2vc6qc6ad27rwpq	Economy metaphors: what associated conceptions underlie Lithuanian business?
work_ykei74fc7zd2vc6qc6ad27rwpq	Faut- il que les langues aient un nom?
work_ykei74fc7zd2vc6qc6ad27rwpq	He gives the following examples: A: It was an interesting exhibition, was n’t it?
work_ykei74fc7zd2vc6qc6ad27rwpq	How does a verbal lie function within Brown and Levinson ’s Theory of Poli- teness?
work_ykei74fc7zd2vc6qc6ad27rwpq	I asked my informants the following question: What does “ a polite lie ” mean to you?
work_ykei74fc7zd2vc6qc6ad27rwpq	I think everyone is familiar with typical- ly Polish responses to the question How ’s life?
work_ykei74fc7zd2vc6qc6ad27rwpq	If so, what are its linguistic realizations?
work_ykei74fc7zd2vc6qc6ad27rwpq	In this respect, the conference “ Towards a Eu- ropean Society?
work_ykei74fc7zd2vc6qc6ad27rwpq	In: Нано- технологии в лингвистике и лингводидактике: миф или реальность?
work_ykei74fc7zd2vc6qc6ad27rwpq	In: Нано- технологии в лингвистике и лингводидактике: миф или реальность?
work_ykei74fc7zd2vc6qc6ad27rwpq	Kaip aš galėčiau nežinoti Puškino eilių?
work_ykei74fc7zd2vc6qc6ad27rwpq	Kaip galima mylėti kalbą, kuri nėra gimtoji, taip, tarsi tai būtų gimtoji kalba?
work_ykei74fc7zd2vc6qc6ad27rwpq	Kaip ją pasiekti?
work_ykei74fc7zd2vc6qc6ad27rwpq	Kalbos pabaiga?
work_ykei74fc7zd2vc6qc6ad27rwpq	Kas yra tauta, kas yra kalba, jei jų ribos gali būti keičiamos suinteresuotųjų noru ar administraciniu sprendimu?
work_ykei74fc7zd2vc6qc6ad27rwpq	Kodėl Radzevičius?
work_ykei74fc7zd2vc6qc6ad27rwpq	Kokia tai kalba, jei jos vienybei, vientisumui, panašiai kaip tėvynei, gali grėsti pavojus?
work_ykei74fc7zd2vc6qc6ad27rwpq	Kokia tai visuma, apie kurią galime pasakyti, kad ją mylime?
work_ykei74fc7zd2vc6qc6ad27rwpq	Konservatyvus diskursas apie visuomenę?
work_ykei74fc7zd2vc6qc6ad27rwpq	Kur yra kalba?
work_ykei74fc7zd2vc6qc6ad27rwpq	Ką daryti? “; „ Jis vis reikalauja naujų žaislų “).
work_ykei74fc7zd2vc6qc6ad27rwpq	Laikas valgo, geria, jaučia alkį, nuovargį: kai širdį vakaras valgo,/ aš klausiu – kodėl?
work_ykei74fc7zd2vc6qc6ad27rwpq	Man neduoda ramybės mintis: argi ji[ močiutė – M. G.] manė, kad jos anūkas ją taip greitai pamirš? “( „ Kaltė “, p. 74).
work_ykei74fc7zd2vc6qc6ad27rwpq	Mane labiau domino šuo...<...> – Na ir kas?
work_ykei74fc7zd2vc6qc6ad27rwpq	Milner 1978)?
work_ykei74fc7zd2vc6qc6ad27rwpq	Net smalsu, kas yra tasai kitas?
work_ykei74fc7zd2vc6qc6ad27rwpq	Pavyzdžiui, moldavų kalba: kas ji?
work_ykei74fc7zd2vc6qc6ad27rwpq	Pourquoi la langue russe est- elle grande?
work_ykei74fc7zd2vc6qc6ad27rwpq	Reklama … Rekla- ma?
work_ykei74fc7zd2vc6qc6ad27rwpq	Tamsybių pasiuntinys? “( Gavelis 1990, p. 61).
work_ykei74fc7zd2vc6qc6ad27rwpq	Tačiau kas atsitiks, jei kylant vandens lygiui pastebėsime, kad mūsų ekonomikos valtis yra visiškai skylėta?
work_ykei74fc7zd2vc6qc6ad27rwpq	The Landscapes of Language If we reject the onto- theological estimation of the notion of truth, then what status do we assign to language?
work_ykei74fc7zd2vc6qc6ad27rwpq	Už ką?
work_ykei74fc7zd2vc6qc6ad27rwpq	Viename kitame pavyzdyje ryški in- telektinė percepcija: apie ką tu galvoji rugsėji( Jonynas 1991, p. 56); intelekto požymiai: kas tie jie?
work_ykei74fc7zd2vc6qc6ad27rwpq	What, indeed, will happen when, as the waters rise, we discover that our economic boat is full of holes?
work_ykei74fc7zd2vc6qc6ad27rwpq	o gal visiškai skirtinga kalba?
work_ykei74fc7zd2vc6qc6ad27rwpq	rumunų kalba ar jos atmaina, ar atskiras dialektas?
work_ykei74fc7zd2vc6qc6ad27rwpq	Čto takoe obščestvennaja priroda jazyka?
work_ykei74fc7zd2vc6qc6ad27rwpq	Šis „ nesurandamas“6 objektas, kurį griebiamasi ginti ir puoselėti nuolat jį „ konstruojant “ ir nurodant gaires to, kas draudžiama?
work_ykei74fc7zd2vc6qc6ad27rwpq	Žvėris ar de- monas?
work_ykei74fc7zd2vc6qc6ad27rwpq	А в среднем роде с ударением на « о » – конкретные, вот эти, деньги?
work_ykei74fc7zd2vc6qc6ad27rwpq	Значит ли это, что поляки – народ, склонный к мечтательности?
work_ykei74fc7zd2vc6qc6ad27rwpq	К какого рода жанрам – первичным или вторичным – относится поздравление?
work_ykei74fc7zd2vc6qc6ad27rwpq	МАС, хвойный во втором значении) прилагательное « хвойный »?
work_ykei74fc7zd2vc6qc6ad27rwpq	Могут сказать, к чему, мол, заморачиваться из- за такой ерунды?
work_ykei74fc7zd2vc6qc6ad27rwpq	Нанотехнологии в лингвистике и лингводи- дактике: миф или реальность?
work_ykei74fc7zd2vc6qc6ad27rwpq	О чем говорят запахи?
work_ykei74fc7zd2vc6qc6ad27rwpq	Приведем текст с некоторыми купюра- ми: – Ну что, евро- то накрылось?
work_ykei74fc7zd2vc6qc6ad27rwpq	С.)?
work_ykei74fc7zd2vc6qc6ad27rwpq	Хотел я, было, переспросить: а ведь евро, кажется, мужского рода?
work_ykei74fc7zd2vc6qc6ad27rwpq	Чего же желают в литов- ских текстах?
work_ykei74fc7zd2vc6qc6ad27rwpq	Чего же нам не хватает?
work_ykei74fc7zd2vc6qc6ad27rwpq	Чем?
work_ykei74fc7zd2vc6qc6ad27rwpq	Что входит в правильное счастье?
work_ykei74fc7zd2vc6qc6ad27rwpq	Что принесли нам кровопролития?
work_ykei74fc7zd2vc6qc6ad27rwpq	‘ Battered hero ’ or ‘ innocent victim ’?
work_dp2m4gdo7vgnfmtjr62p2niedm	122 So should the interpretation of episodes such as Australia ’s Federation marches only be viewed as communal?
work_dp2m4gdo7vgnfmtjr62p2niedm	123 Dilthey was also asking: how is historical knowledge possible?
work_dp2m4gdo7vgnfmtjr62p2niedm	13 Ann Curthoys and Andrew Markus: Who are our Enemies?
work_dp2m4gdo7vgnfmtjr62p2niedm	152 Does this type of observation really convey the relevant information clearly to the spectator?
work_dp2m4gdo7vgnfmtjr62p2niedm	167 However, are they often too close for objective evaluation; so close that they often do not notice the established codes under which they operate?
work_dp2m4gdo7vgnfmtjr62p2niedm	18 What were attitudes of ordinary Australians at the turn of the century?
work_dp2m4gdo7vgnfmtjr62p2niedm	20 Have you seen the Bush by moonlight, from the train, go running by, Here a patch of glassy water, there a glimpse of mystic sky?
work_dp2m4gdo7vgnfmtjr62p2niedm	203 merchants and a shaving strop manufacturer?
work_dp2m4gdo7vgnfmtjr62p2niedm	21 and effective?
work_dp2m4gdo7vgnfmtjr62p2niedm	261 being presented in the media of today, and which are overlooked by current commentators?
work_dp2m4gdo7vgnfmtjr62p2niedm	29 which it relates?
work_dp2m4gdo7vgnfmtjr62p2niedm	294 So with both cities ’ primary cathedrals occupying such notable sites, what can we learn from a thick description of the two structures?
work_dp2m4gdo7vgnfmtjr62p2niedm	306 Did this actually reflect the hopes and aspirations of the citizens of the city, or for that matter, the nation?
work_dp2m4gdo7vgnfmtjr62p2niedm	360 Ann Curthoys and Andrew Markus: Who are our Enemies?
work_dp2m4gdo7vgnfmtjr62p2niedm	40 Did Australians always wish to think of themselves as being tolerant; and how would they have evaluated this tolerance?
work_dp2m4gdo7vgnfmtjr62p2niedm	43 Ann Curthoys and Andrew Markus: Who are our Enemies?
work_dp2m4gdo7vgnfmtjr62p2niedm	44 Ann Curthoys and Andrew Markus: Who are our Enemies?
work_dp2m4gdo7vgnfmtjr62p2niedm	50 So, are the created myths perpetuated through the same communication pathways?
work_dp2m4gdo7vgnfmtjr62p2niedm	50 THE IMAGINED AUSTRALIAN COMMUNITY What have we learned about this Australian community that was being imagined at the time?
work_dp2m4gdo7vgnfmtjr62p2niedm	52 Are there, however, new attitudes that can be gleaned from a new approach to what actually constitutes historical records?
work_dp2m4gdo7vgnfmtjr62p2niedm	68 Ann Curthoys and Andrew Markus: Who are our enemies?
work_dp2m4gdo7vgnfmtjr62p2niedm	A rapidly lost enthusiasm?
work_dp2m4gdo7vgnfmtjr62p2niedm	And are we truly certain that the questions we are asking remain valid?
work_dp2m4gdo7vgnfmtjr62p2niedm	And did you see the fearsome crowd At Robbie Burns ’s statue?
work_dp2m4gdo7vgnfmtjr62p2niedm	And will such processes provide new insights, or simply re- iterate what has gone before?
work_dp2m4gdo7vgnfmtjr62p2niedm	And will this provide new insights, or simply re- iterate what has gone before?
work_dp2m4gdo7vgnfmtjr62p2niedm	Ann Curthoys and Andrew Markus: Who are our Enemies?, 1978, Hale& Iremonger, Sydney, Australia.
work_dp2m4gdo7vgnfmtjr62p2niedm	Are footstepping and thick description effective processes for researching other previously inaccessible sources of historical evidence?
work_dp2m4gdo7vgnfmtjr62p2niedm	As a result, what attitudes developed and changed with these changing circumstances and to what the degree did national myths reflect this reality?
work_dp2m4gdo7vgnfmtjr62p2niedm	But what is more ridiculous than some of the pickles into which Jack Tar gets himself?
work_dp2m4gdo7vgnfmtjr62p2niedm	By adopting an empirical approach, 1 I will be asking, what can we learn about the Australian society that existed a century ago?
work_dp2m4gdo7vgnfmtjr62p2niedm	Can this evidence be relied upon to tell us what we want to know?
work_dp2m4gdo7vgnfmtjr62p2niedm	Gilbert Ryle: The Thinking of Thoughts – What is ‘ Le Penseur ’ Doing?
work_dp2m4gdo7vgnfmtjr62p2niedm	HISTORY AND THE COMMUNITY How does this notion of historical myth relate to the evaluation of communities?
work_dp2m4gdo7vgnfmtjr62p2niedm	How have this methodology and the results of my investigation added to the historical record of the time?
work_dp2m4gdo7vgnfmtjr62p2niedm	How then do we discover the meaning historical events have, or have had for others?
work_dp2m4gdo7vgnfmtjr62p2niedm	If so, how can we go about this, and will the results be useful for both the practicing historian and the readers from the present period?
work_dp2m4gdo7vgnfmtjr62p2niedm	In describing what we are seeing, we have to employ terms that spectators know what was really happening?
work_dp2m4gdo7vgnfmtjr62p2niedm	In particular, what have we learned by footstepping that may have been previously overlooked or even ignored?
work_dp2m4gdo7vgnfmtjr62p2niedm	In summary, I will be asking; whose social history is it, and how do we collect and collate the evidence that comprises this history?
work_dp2m4gdo7vgnfmtjr62p2niedm	Is the gardening being done primarily to create a garden, or for exercise, or as an excuse to get out of the house?
work_dp2m4gdo7vgnfmtjr62p2niedm	Note the opinion of the Communist Party of Australia in 1922: “ The blacks are by no means as bad as they are painted. ” Painted by whom?
work_dp2m4gdo7vgnfmtjr62p2niedm	Rodolphe C Escouflaire: Ireland: an enemy of the Allies?
work_dp2m4gdo7vgnfmtjr62p2niedm	So the question arises; to what degree were my own investigations a party to these same historical evidential limitations?
work_dp2m4gdo7vgnfmtjr62p2niedm	The much older inner city Victorian professional residences would have been long gone; but replaced by what?
work_dp2m4gdo7vgnfmtjr62p2niedm	The official table of precedence was so much departed from that certain dignitaries refused 42 Ann Curthoys and Andrew Markus: Who are our Enemies?
work_dp2m4gdo7vgnfmtjr62p2niedm	Were the imaginings of the whole population really being expressed?
work_dp2m4gdo7vgnfmtjr62p2niedm	What are the common features of human experience that we can use for the understanding of historical processes?
work_dp2m4gdo7vgnfmtjr62p2niedm	What kind of society was being imagined at the time and who was to be considered part of this society?
work_dp2m4gdo7vgnfmtjr62p2niedm	What was Collingwood referring to when he spoke of the process of re- enactment in the mind?
work_dp2m4gdo7vgnfmtjr62p2niedm	What was considered necessary for membership of the Australian community as it developed from isolated colonies into a modern nation state?
work_dp2m4gdo7vgnfmtjr62p2niedm	Wilhelm Dilthey is therefore asking, how is such historical knowledge possible?
work_dp2m4gdo7vgnfmtjr62p2niedm	“ So was Garibaldi ever found?
work_cujgdvepijfyxiunn4gedllleq	& que tard j’entendisse Ton parler double& tes chantz de chasseur?
work_cujgdvepijfyxiunn4gedllleq	113–14 of “ ‘ Des postes ’ et ‘ Des pouces ’: Plaisanteries ou points de repère?, ” in Columbia Montaigne Conference Papers, ed.
work_cujgdvepijfyxiunn4gedllleq	16 Did I say that?
work_cujgdvepijfyxiunn4gedllleq	16 O l’ai je dict?
work_cujgdvepijfyxiunn4gedllleq	?
work_cujgdvepijfyxiunn4gedllleq	?]
work_cujgdvepijfyxiunn4gedllleq	?]
work_cujgdvepijfyxiunn4gedllleq	A 1588 and a post-1588 addition continue the discussion: “[ B] Que ne diroit on, que ne feroit on pour fuyr à si griefves douleurs?
work_cujgdvepijfyxiunn4gedllleq	And I, too simple, had to try it out Upon myself, and all too late would hear Your double speech and your songs of the hunt?
work_cujgdvepijfyxiunn4gedllleq	And so you were your sister ’s sister still?
work_cujgdvepijfyxiunn4gedllleq	And when Montaigne seemed not to understand: “ mon frere, me refusez- vous doncques une place? ”[ my brother, are you then refusing me a place?
work_cujgdvepijfyxiunn4gedllleq	And when Montaigne seemed not to understand: “ mon frere, me refusez- vous doncques une place? ”[ my brother, are you then refusing me a place?
work_cujgdvepijfyxiunn4gedllleq	And why does the statement in II: 9 about how some nations go to war without it find its only specific illustration in II: 29?
work_cujgdvepijfyxiunn4gedllleq	Antoine Compagnon once asked, “ How are we to read the Essays?
work_cujgdvepijfyxiunn4gedllleq	Are these just minor, decorative details and does the real sense of the chapters lie elsewhere?
work_cujgdvepijfyxiunn4gedllleq	As Montaigne once said of his cat( II: 12, 452c; 331), who knows if his text is playing with the reader or the reader with the text?
work_cujgdvepijfyxiunn4gedllleq	Book One 71( would a charge give one ’s soldiers greater momentum or would it merely waste their strength?).
work_cujgdvepijfyxiunn4gedllleq	Book Three 213 se tenir là?
work_cujgdvepijfyxiunn4gedllleq	Book Two 189 dying of anguish?
work_cujgdvepijfyxiunn4gedllleq	But can a crime like mine seek clemency?
work_cujgdvepijfyxiunn4gedllleq	But how does this help us to read these two chapters?
work_cujgdvepijfyxiunn4gedllleq	But is Montaigne even telling the truth about what happened to him?
work_cujgdvepijfyxiunn4gedllleq	But what did he really think?
work_cujgdvepijfyxiunn4gedllleq	But what does he mean by “ crotesques ”?
work_cujgdvepijfyxiunn4gedllleq	Can one really believe their publication was a mere stop- gap?
work_cujgdvepijfyxiunn4gedllleq	Can you see how the winds play with her at their whim?
work_cujgdvepijfyxiunn4gedllleq	Combien de belles actions particulieres s’enseve- lissent dans la foule d’une bataille?
work_cujgdvepijfyxiunn4gedllleq	Comment de toy pourrois j’estre content?
work_cujgdvepijfyxiunn4gedllleq	Constat ou signe? ” Nouveau Bulletin de la Société Internationale des Amis de Montaigne 50( July – December 2009): 91–107.
work_cujgdvepijfyxiunn4gedllleq	Constat ou signe? ” Nouveau Bulletin de la Société Internationale des Amis de Montaigne 50( July – December 2009): 91–107.
work_cujgdvepijfyxiunn4gedllleq	Could he have known about the symmetrical arrangement of 107 harpoons?
work_cujgdvepijfyxiunn4gedllleq	Could then these two crime victims be the same?
work_cujgdvepijfyxiunn4gedllleq	Diriez vous pas qu’elle se meurt d’angoisse?
work_cujgdvepijfyxiunn4gedllleq	Do we want to take away from them the occasion for desiring our death?
work_cujgdvepijfyxiunn4gedllleq	Do you imagine that I could bear more?
work_cujgdvepijfyxiunn4gedllleq	Does not the fact which is about to be related reveal a very express act of Fortune ’s favor, of her singular kindness and piety?
work_cujgdvepijfyxiunn4gedllleq	Does she not sometimes address our plans and correct them?]
work_cujgdvepijfyxiunn4gedllleq	Does this mean that his friendship with La Boétie had something conjugal about it?
work_cujgdvepijfyxiunn4gedllleq	En ce faict icy se descouvre il pas une bien expresse application de sa faveur, de bonté et pieté singuliere?
work_cujgdvepijfyxiunn4gedllleq	Et moy trop simple il failloit que j’en fisse L’essay sur moy?
work_cujgdvepijfyxiunn4gedllleq	Given that they occupy the center of Book One, what might be the center of this center?
work_cujgdvepijfyxiunn4gedllleq	He was speaking of his desire to name his beloved before the world: Quand viendra ce jour la, que ton nom au vray passe Par France, dans mes vers?
work_cujgdvepijfyxiunn4gedllleq	How could I ever be happy with you?
work_cujgdvepijfyxiunn4gedllleq	How could so many details be true of both stories?
work_cujgdvepijfyxiunn4gedllleq	How then might we readers understand this rien that we read?
work_cujgdvepijfyxiunn4gedllleq	If I ca n’t feel, why think you I could love?
work_cujgdvepijfyxiunn4gedllleq	If a musician liked only one kind, what would he have to say?
work_cujgdvepijfyxiunn4gedllleq	If we do not soon begin to tend ourselves, when will we have provided for so many sores and so many maladies?
work_cujgdvepijfyxiunn4gedllleq	In “ What does Montaigne mean by ‘ marqueterie ’?, ” Studies in Philology 67.
work_cujgdvepijfyxiunn4gedllleq	Is it by chance that Montaigne calls these comparisons “ essays ” made “ les uns contre les autres ”[ each against the other]?
work_cujgdvepijfyxiunn4gedllleq	Is this really a case of saying the same thing twice by inadvertence?
work_cujgdvepijfyxiunn4gedllleq	Is this to say that in comparing his book to those “ grotesques ” Montaigne admits to having adopted a resolutely ludic and ornamental agenda?
work_cujgdvepijfyxiunn4gedllleq	Journey to the Center of the Book 14 O coeur leger, o courage mal seur, Penses tu plus que souffrir je te puisse?
work_cujgdvepijfyxiunn4gedllleq	Journey to the Center of the Book 233 Does my heart race ahead, my fingers itch to write?
work_cujgdvepijfyxiunn4gedllleq	Le musi- cien qui n’en aymeroit que les uns, que voudroit il dire?
work_cujgdvepijfyxiunn4gedllleq	Les saillies poetiques, qui emportent leur autheur mesme& le ravissent hors de soy, pourquoy ne les atribuerons nous à son bon heur?
work_cujgdvepijfyxiunn4gedllleq	Mais un tel faict, faut il qu’il se pardonne?
work_cujgdvepijfyxiunn4gedllleq	N’adresse elle pas quelque fois nos conseils& les corige?
work_cujgdvepijfyxiunn4gedllleq	Or are they to be considered as some sort of sign pointing to what makes these chapters parts of a single text?
work_cujgdvepijfyxiunn4gedllleq	Or did in fact I speak such blasphemy?
work_cujgdvepijfyxiunn4gedllleq	Or is it not rather another instance of the myriad of symmetrically and intentionally placed echoes in the text?
work_cujgdvepijfyxiunn4gedllleq	Osereois tu m’ayant ainsi traicté Parler à moi jamais de fermeté?
work_cujgdvepijfyxiunn4gedllleq	Ou si pour vrai j’ai dict blaspheme telle?
work_cujgdvepijfyxiunn4gedllleq	P. 147 of Barbara Bowen, “ What does Montaigne mean by ‘ marqueterie ’?, ” Studies in Philology 67.
work_cujgdvepijfyxiunn4gedllleq	Poetic sallies, which transport their author and ravish him out of himself, why shall we not attribute them to his good luck?
work_cujgdvepijfyxiunn4gedllleq	Qui apprendra ton coeur d’estre constant, Puis que le mien ne le luy peut aprendre?
work_cujgdvepijfyxiunn4gedllleq	Qu’est ce meshuy que je pourrois attendre?
work_cujgdvepijfyxiunn4gedllleq	Richard Regosin put the question this way: “ Why did he choose not to modify his opening remarks by explaining his change of mind?
work_cujgdvepijfyxiunn4gedllleq	Si je ne sens, commant veux tu que j’aime?
work_cujgdvepijfyxiunn4gedllleq	Simply put, what is their unity?
work_cujgdvepijfyxiunn4gedllleq	Since the day that I started to love you I would have conquered the waves of the sea, But from now on what can I hope to gain?
work_cujgdvepijfyxiunn4gedllleq	So how does it happen that Montaigne finds himself talking about armor — specifi- cally, the lack thereof — in a chapter on virtue?
work_cujgdvepijfyxiunn4gedllleq	Surpassa elle pas Protogenes en la science de son art?
work_cujgdvepijfyxiunn4gedllleq	The book, the chapter, the sentence?
work_cujgdvepijfyxiunn4gedllleq	The question arises, why did he not also put it there in 1580?
work_cujgdvepijfyxiunn4gedllleq	To what purpose do we dis- member by divorce a building whose fabric of such conjoined and brotherly correspondence?
work_cujgdvepijfyxiunn4gedllleq	To what purpose do we dismember by divorce a building made up of such close and brotherly correspondence?]
work_cujgdvepijfyxiunn4gedllleq	Tu estois donc tousjours soeur de ta soeur?
work_cujgdvepijfyxiunn4gedllleq	Voy tu comme à leur gré les vans se joüent d’elle?
work_cujgdvepijfyxiunn4gedllleq	Was it a dream?
work_cujgdvepijfyxiunn4gedllleq	Was one a true story and the other a fiction concocted to match so many details of the first?
work_cujgdvepijfyxiunn4gedllleq	We have seen that the two chapters talk about the same thing; do they also talk about it in opposite ways, as do I: 1 and I: 57?
work_cujgdvepijfyxiunn4gedllleq	What causes do we not invent for the misfortunes that befall us?]
work_cujgdvepijfyxiunn4gedllleq	What good does it do a man to lay in a supply of paints if he does not know what he is to paint?]
work_cujgdvepijfyxiunn4gedllleq	What good does it do us to have our belly full of meat if it is not digested, if it is not transformed into us?]
work_cujgdvepijfyxiunn4gedllleq	What is the point behind this delicate choice of echoing words?
work_cujgdvepijfyxiunn4gedllleq	What place should be given to trustworthiness in dealings with the enemy?
work_cujgdvepijfyxiunn4gedllleq	What would be the odds of this happening by chance?
work_cujgdvepijfyxiunn4gedllleq	Where did Montaigne see this painter of his create such a work?
work_cujgdvepijfyxiunn4gedllleq	Where else could they have been seen( apart from the earlier editions)?
work_cujgdvepijfyxiunn4gedllleq	Where else do we find a “ forte lumiere ” in the Essays?
work_cujgdvepijfyxiunn4gedllleq	Who could ever teach your heart constancy, When mine was such a failure at that task?
work_cujgdvepijfyxiunn4gedllleq	Why did he not simply issue one book with 94( 57+ 37) chapters?
work_cujgdvepijfyxiunn4gedllleq	Why do we not likewise judge a man by what is his own?]
work_cujgdvepijfyxiunn4gedllleq	Why does Montaigne pretend to discover the theft at the last minute?
work_cujgdvepijfyxiunn4gedllleq	Why not just go count the teeth?
work_cujgdvepijfyxiunn4gedllleq	Would you dare then, in light of what you ’ve done, Entreat me now to have a steadfast heart?
work_cujgdvepijfyxiunn4gedllleq	[ Did she not surpass Protogenes in the science of his art?
work_cujgdvepijfyxiunn4gedllleq	[ Do we want to be loved by our children?
work_cujgdvepijfyxiunn4gedllleq	[ Is it not an error to consider some actions less worthy because they are necessary?
work_cujgdvepijfyxiunn4gedllleq	[ When will that day come, when your name will truly pass Through France, in my verse?
work_cujgdvepijfyxiunn4gedllleq	combien& quantesfois S’en empresse mon coeur, s’en demangent mes doits?
work_cujgdvepijfyxiunn4gedllleq	c’est par nostre beauté ”[ Then it is no longer by our reason, our intel- ligence, and our soul that we excel over the beasts?
work_cujgdvepijfyxiunn4gedllleq	helas l’ai je songé?
work_cujgdvepijfyxiunn4gedllleq	le souverain bien de nature?
work_cujgdvepijfyxiunn4gedllleq	seul appuy de nostre liberté?
work_cujgdvepijfyxiunn4gedllleq	“ Qui ne voit qu’en un estat tout dépend de l’education& nourriture des enfans?
work_cujgdvepijfyxiunn4gedllleq	“ What does Montaigne mean by ‘ marqueterie ’? ” Studies in Philology 67.
work_w7bsiz2vzffkfan7hugr6efvli	''Quid dormitis? work_w7bsiz2vzffkfan7hugr6efvli A sagitta uolante per diem?...
work_w7bsiz2vzffkfan7hugr6efvli	An Unnoticed Tract of the Tyndale- More Dispute?
work_w7bsiz2vzffkfan7hugr6efvli	Did Munday Compose Sir Thomas More?
work_w7bsiz2vzffkfan7hugr6efvli	Is Heywood''s Hand in Sir Thomas More?
work_w7bsiz2vzffkfan7hugr6efvli	John Aubrey''s Brief Life of More: Facts, Half- Truths, or Fictions?
work_w7bsiz2vzffkfan7hugr6efvli	La. Bt sich die Utopia des Thomas More` Okumenisch''deuten?
work_w7bsiz2vzffkfan7hugr6efvli	More''s Utopia: Persuasion or Polyphony?
work_w7bsiz2vzffkfan7hugr6efvli	Opening of the Roper Vault in St Dunstan''s Canterbury and Thoughts on the Burial of William and Mary(?) work_w7bsiz2vzffkfan7hugr6efvli Sir Thomas More: une enigme resolue?"
work_w7bsiz2vzffkfan7hugr6efvli	The Restive Wife in Erasmus''Colloquy: Mistress More or Lady Mountjoy?
work_w7bsiz2vzffkfan7hugr6efvli	Was More a Utopian or a Realpolitiker?
work_w7bsiz2vzffkfan7hugr6efvli	Was Sir Thomas More a''Roman lawyer?''
work_w7bsiz2vzffkfan7hugr6efvli	What,I said,"were you ever in our country?"
work_w7bsiz2vzffkfan7hugr6efvli	Why is There No University in Utopia?
work_w7bsiz2vzffkfan7hugr6efvli	With a Coal? work_w7bsiz2vzffkfan7hugr6efvli nonne praestiterit egisse mutam personam, quam aliena recitando talem fecisse tragicomoediam?
work_w7bsiz2vzffkfan7hugr6efvli	( 249/31- 250/1) The Messenger then asks"Why quod your frende[ the Messenger] what thyng dyd I graunt hym that I sholde not?"
work_w7bsiz2vzffkfan7hugr6efvli	110. e qua cum ipso usu sublata penitus omni auiditate pecuniae, quanta moles molestiarum recisa, quanta scelarum seges radicitus euulsa est?
work_w7bsiz2vzffkfan7hugr6efvli	18 Chancellor More asks the Messenger: Dyd you quod I rede that law your selfe?
work_w7bsiz2vzffkfan7hugr6efvli	33. uides inquit hunc?
work_w7bsiz2vzffkfan7hugr6efvli	3?
work_w7bsiz2vzffkfan7hugr6efvli	53 Raphael does not fall for the bait and replies:"''Should I,''said Raphael,''make it more prosperous by a way which my soul abhors?
work_w7bsiz2vzffkfan7hugr6efvli	57 The second, third and fourth temptations are interpreted( Homily 68): Nor the arrow that flies by day?...
work_w7bsiz2vzffkfan7hugr6efvli	64. quid aliud quaeso quam facitis fures,& ijdem plectitis?
work_w7bsiz2vzffkfan7hugr6efvli	79. quam procul aberit felicitas, si philosophi regibus nec dignentur saltem suum impartiri consilium?
work_w7bsiz2vzffkfan7hugr6efvli	8?
work_w7bsiz2vzffkfan7hugr6efvli	?
work_w7bsiz2vzffkfan7hugr6efvli	?
work_w7bsiz2vzffkfan7hugr6efvli	?
work_w7bsiz2vzffkfan7hugr6efvli	?
work_w7bsiz2vzffkfan7hugr6efvli	After such toil how and why could he have been fooled by the deceiver?...
work_w7bsiz2vzffkfan7hugr6efvli	Also?
work_w7bsiz2vzffkfan7hugr6efvli	And also couldest y U enuy a perpetual sick man,... a man that is but a prysoner damned to deth, a man that is in ye cart alredy carying forward?"
work_w7bsiz2vzffkfan7hugr6efvli	And how knowe you quod he[ the Unnamed Critic] yt the chyrche sayth trouth?
work_w7bsiz2vzffkfan7hugr6efvli	And may the nepheus be sure of their vncle?
work_w7bsiz2vzffkfan7hugr6efvli	And than why sholde good workes be ioyned to fayth/ or why shold god exacte good workes of vs?
work_w7bsiz2vzffkfan7hugr6efvli	And ye wordes of Cryst to his apostles were they not his wordys tyll they were wryten?"
work_w7bsiz2vzffkfan7hugr6efvli	But howe knowe you that saynt Luke made it?
work_w7bsiz2vzffkfan7hugr6efvli	But if their heresies were once accepted, how much suffering would befall before the World were set once again in order and peace?
work_w7bsiz2vzffkfan7hugr6efvli	But to those who persevered in professing Christ, what could the sword do, by killing the body at one stroke, and sending the soul to God?
work_w7bsiz2vzffkfan7hugr6efvli	Chancellor More is just about ready to throw his hands up:"Are ye there yet agayne quod I?"
work_w7bsiz2vzffkfan7hugr6efvli	Could anything be more clever or profound or sophisticated than Linacre''s mind?
work_w7bsiz2vzffkfan7hugr6efvli	Did Nature ever create anything kinder, sweeter, or more harmonious than the character of Thomas More?
work_w7bsiz2vzffkfan7hugr6efvli	Felicioremne inquit Raphael, ea uia facerem, a qua abhorret animus?
work_w7bsiz2vzffkfan7hugr6efvli	Figure 3.1)?
work_w7bsiz2vzffkfan7hugr6efvli	For who would sin if he truly believed that sin should bring him to Hell?
work_w7bsiz2vzffkfan7hugr6efvli	Hic igitur, quo pacto, quave ratione post tantos labores ab insidiatore delusus,...?
work_w7bsiz2vzffkfan7hugr6efvli	Hoc faciebant et diuturna tormenta; sed quis tandem inueniretur qui duraret aduersus tantos et tam longos cruciatus?
work_w7bsiz2vzffkfan7hugr6efvli	How can there be a sufficient supply of goods when each withdraws himself from the labor of production?
work_w7bsiz2vzffkfan7hugr6efvli	How coud they say that onely fayth suffyseth/ yf they shold meane that without charyte and good workis no fayth suffyseth?
work_w7bsiz2vzffkfan7hugr6efvli	How knowe I quod he other bokys/ but by that they here the names of theyr authors wrytten vppon them?
work_w7bsiz2vzffkfan7hugr6efvli	How knowe you that quod I?
work_w7bsiz2vzffkfan7hugr6efvli	I parceiue The History of Richard III/ 51 not whereunto his painted processe draweth?
work_w7bsiz2vzffkfan7hugr6efvli	I) 1977?,( Supp.
work_w7bsiz2vzffkfan7hugr6efvli	I: 1977?, supp.
work_w7bsiz2vzffkfan7hugr6efvli	If while on earth the saints were free to help others"wene[ suppose] we yt in heuen they stande tyed to a post?"
work_w7bsiz2vzffkfan7hugr6efvli	In Grocino quis ilium absolutum disciplinarum orbem non miretur?
work_w7bsiz2vzffkfan7hugr6efvli	Is he an idealistic dreamer like Hythloday or does he take a more pragmatic attitude like Persona More or Peter Giles in Book I?
work_w7bsiz2vzffkfan7hugr6efvli	Knowe ye that any other wyse than by scrypture?
work_w7bsiz2vzffkfan7hugr6efvli	Knowe you it well therby quod I?
work_w7bsiz2vzffkfan7hugr6efvli	Linacri iudicio quid acutius, quid altius, quid emunctius?
work_w7bsiz2vzffkfan7hugr6efvli	Mea uero oratio... alioquin quid habuit, quod non ubiuis dici, uel conueniat, uel oporteat?
work_w7bsiz2vzffkfan7hugr6efvli	Modern spelling?]
work_w7bsiz2vzffkfan7hugr6efvli	Nam quo pacto suppetat copia rerum, unoquoque ab labore subducente se?
work_w7bsiz2vzffkfan7hugr6efvli	Nonne enim si propriam cogitat conditionem, dicturus est sibi: Quid superbis, terra et cinis?
work_w7bsiz2vzffkfan7hugr6efvli	Nonne si propriam consideret corruptionem, fateatur necesse est quoniam non est in eo bonum?"
work_w7bsiz2vzffkfan7hugr6efvli	Obsecro inquam, fuisti apud nos?
work_w7bsiz2vzffkfan7hugr6efvli	Or Provokers of Thought?"
work_w7bsiz2vzffkfan7hugr6efvli	P. Schaff( 1888?
work_w7bsiz2vzffkfan7hugr6efvli	P. Schaff, and H. Wace( 1888?
work_w7bsiz2vzffkfan7hugr6efvli	P. Schaff, and H. Wace( 1888?
work_w7bsiz2vzffkfan7hugr6efvli	Perseuerantibus autem in non negando Christum, quid facturus erat gladius, uno ictu occidendo corpus, animam ad Deum mittendo?
work_w7bsiz2vzffkfan7hugr6efvli	Quos si laesam iustitiam, si leges uiolatas, hac rependi poena dicant, haud pecuniam: quid ni merito summum illud ius, summa uocetur iniuria?
work_w7bsiz2vzffkfan7hugr6efvli	Richard'': Shakespeare Play or Morton Tract?"
work_w7bsiz2vzffkfan7hugr6efvli	See also D. Grace,"More''s Richard III: A''Satirical Drama?''"
work_w7bsiz2vzffkfan7hugr6efvli	The Lutheran Preacher is then asked: Was than all the laboure and the payne that the appostles toke in prechynge/ all naught and synfull?
work_w7bsiz2vzffkfan7hugr6efvli	The Omega Letter[ Chicago] 1( 1966): 31- 32.(?)
work_w7bsiz2vzffkfan7hugr6efvli	The creature replied"But what&[ if] he cal it an horn, wher am I then?"
work_w7bsiz2vzffkfan7hugr6efvli	The wordes that god spake to Moyses were they not goddes wordys all/ tyll they were wryten?
work_w7bsiz2vzffkfan7hugr6efvli	This was the result of protracted tortures also: yet who could be found able to resist such cruel and continued torments?
work_w7bsiz2vzffkfan7hugr6efvli	Thomae Mori ingenio quid vnquam finxit natura vel mollius, vel dulcius, vel felicius?"
work_w7bsiz2vzffkfan7hugr6efvli	Thomas More Bibliography/ 292[ 110] Fletcher, H."The Earliest(?)
work_w7bsiz2vzffkfan7hugr6efvli	Thomas More Bibliography/ 320[ 504] Renkle, M."Did Utopian Chickens Dance?"
work_w7bsiz2vzffkfan7hugr6efvli	Thomas More Bibliography/ 360[ 1049] Marc''hadour, G."Fuitne Thomas Morus in Aulam Pertractus?"
work_w7bsiz2vzffkfan7hugr6efvli	What if I told them the kind of things which Plato creates in his republic or which the Utopians actually put in practice in theirs?
work_w7bsiz2vzffkfan7hugr6efvli	When Peter Giles saw More, he came up to him and said that he was just going to introduce the stranger to him:"Do you see this man?"
work_w7bsiz2vzffkfan7hugr6efvli	Who could fail to be astonished at the universal scope of Grocyn''s accomplishments?
work_w7bsiz2vzffkfan7hugr6efvli	Who does not know that fear, anxiety, worries, toils, and sleepless nights will also perish at the same time as money?
work_w7bsiz2vzffkfan7hugr6efvli	[ 1020] Marc''hadour, G."Thomas More''s Birth: 1477 or 1478?"
work_w7bsiz2vzffkfan7hugr6efvli	[ 1042] Hastings, M."Sir Thomas More: Maker of English Law?"
work_w7bsiz2vzffkfan7hugr6efvli	[ 1113] Conesa, S. H."Did Thomas More Have a Cervical Disc Lesion?"
work_w7bsiz2vzffkfan7hugr6efvli	[ 111] Grace, D."Subjects or Citizens?
work_w7bsiz2vzffkfan7hugr6efvli	[ 1122] Flegel, K. M."Thomas More: Was a Sick Man Beheaded?"
work_w7bsiz2vzffkfan7hugr6efvli	[ 1128] Knowles, D."For What So Silently Died More?"
work_w7bsiz2vzffkfan7hugr6efvli	[ 117] Kinney, D."More''s Epigram on Brixius''Plagiarism: One Poem or Two?"
work_w7bsiz2vzffkfan7hugr6efvli	[ 1258] Thecla[ Smith?
work_w7bsiz2vzffkfan7hugr6efvli	[ 1387] Martinet, M.-M."Le livre dans les tableaux de la Renaissance: Perspective directe ou prespective inverse?"
work_w7bsiz2vzffkfan7hugr6efvli	[ 1428] Condren, C."Dame Alice More and Xanthippe: Sisters to Mistress Quickly?"
work_w7bsiz2vzffkfan7hugr6efvli	[ 1431] Marc''hadour, G."Supplique de Dame Alice More au Chancelier Audley( 1538?)."
work_w7bsiz2vzffkfan7hugr6efvli	[ 1436] Warnicke, R."The Harpy in More''s Household: Was it Lady Alice?"
work_w7bsiz2vzffkfan7hugr6efvli	[ 1539] Forker, C. R."Webster or Shakespeare?
work_w7bsiz2vzffkfan7hugr6efvli	[ 1572] Merriam, T."Chettle, Munday, Shakespeare, and Sir Thomas More?"
work_w7bsiz2vzffkfan7hugr6efvli	[ 1604] Wright, G. T."Can Sir Thomas More be by Shakespeare?"
work_w7bsiz2vzffkfan7hugr6efvli	[ 1619] Smith, C."A Drama for All Times?
work_w7bsiz2vzffkfan7hugr6efvli	[ 188] Grace, D."More''s Richard III: A''Satirical Drama?''"
work_w7bsiz2vzffkfan7hugr6efvli	[ 1938?].
work_w7bsiz2vzffkfan7hugr6efvli	[ 229] Condren, C."Cornwallis''Paradoxical Defence of Richard III: A Machiavellian Discourse on Morean Mythology?"
work_w7bsiz2vzffkfan7hugr6efvli	[ 273] Marc''hadour, G."Thomas More convertit Martin Dorp a l''humanisme erasmien?"
work_w7bsiz2vzffkfan7hugr6efvli	[ 39] Edwards, A. S. G."Middle English Pageant''Picture?"
work_w7bsiz2vzffkfan7hugr6efvli	[ 449] Hammond, E. R."Hythloday''s Questions: Clues to his Character?
work_w7bsiz2vzffkfan7hugr6efvli	[ 45] Meulon, H."Un poem inedit de Thomas More?"
work_w7bsiz2vzffkfan7hugr6efvli	[ 654] Merriam, T."Did Shakespeare Model Camillo in The Winter''s Tale on Sir Thomas More?"
work_w7bsiz2vzffkfan7hugr6efvli	[ 684] Morgan, A. E."[ Is Utopia an Account of the Inca Empire?]"
work_w7bsiz2vzffkfan7hugr6efvli	[ 734] Sieber, M."Realitat oder Utopie?
work_w7bsiz2vzffkfan7hugr6efvli	[ 740] Elton, G. R."The Real Thomas More?"
work_w7bsiz2vzffkfan7hugr6efvli	[ 942] Purcell, M."Dialogue of Comfort for Whom?"
work_w7bsiz2vzffkfan7hugr6efvli	[ 96] Bek, L."Thomas More on the Double Portrait of Erasmus and Pierre Gillis: Humanist Rhetoric or Renaissance Art Theory?"
work_w7bsiz2vzffkfan7hugr6efvli	[ A structuralist?
work_w7bsiz2vzffkfan7hugr6efvli	[ An epigram on the death of More''s mother( 1497?
work_w7bsiz2vzffkfan7hugr6efvli	[ In German, elaborates on"The Real Thomas More?"]
work_w7bsiz2vzffkfan7hugr6efvli	[ Modernization of Robynson?]
work_w7bsiz2vzffkfan7hugr6efvli	[ Modernized version of 1557?
work_w7bsiz2vzffkfan7hugr6efvli	[ On the painter of two copies( 1593- 98?)
work_w7bsiz2vzffkfan7hugr6efvli	[ One is original, the other retold from Roper or Harpsfield?]
work_w7bsiz2vzffkfan7hugr6efvli	[ Robert Basset?
work_w7bsiz2vzffkfan7hugr6efvli	[ Robert Basset?]
work_w7bsiz2vzffkfan7hugr6efvli	all the dedys of charyte that Cryste shall( as hym selfe sayth) reward with euerlastynge lyfe at the generall iudgement be they synne all togyther?
work_w7bsiz2vzffkfan7hugr6efvli	all the turmentys that the martyrs suffered in theyr passyon all togyther syn?
work_w7bsiz2vzffkfan7hugr6efvli	as"[ Utopia: Game, Chart, or Prayer?]"
work_w7bsiz2vzffkfan7hugr6efvli	by D. Grace"More''s Richard III: A''Satirical Drama?''"
work_w7bsiz2vzffkfan7hugr6efvli	do you not byleue it bycause it sayth trouth?
work_w7bsiz2vzffkfan7hugr6efvli	of More''s family portrait made by Holbein( 1526- 27?).]
work_w7bsiz2vzffkfan7hugr6efvli	the Decretum]?
work_w7bsiz2vzffkfan7hugr6efvli	wherof shold they serue yf they be nothyng plesaunt to god?
work_z3etjcracjelhhst2l3yowfavm	-   need   for   integration    How   do   the   two   layers   interact   with   geomorphology?
work_z3etjcracjelhhst2l3yowfavm	-   potential   for   integration    Where   are   The   Connector   and   The   Sponge   missing?
work_z3etjcracjelhhst2l3yowfavm	/   Aveți   vreo   sugestie   bibliografică   în   legătură   cu   temele   discutate?
work_z3etjcracjelhhst2l3yowfavm	/   Care   considerați   că   sunt   cele   mai   importante   trei   potențiale   ale   râului   Dâmbovița/ Colentina?
work_z3etjcracjelhhst2l3yowfavm	/   Care   considerați   că   sunt   cele   mai   importante   trei   probleme   ale   râului   Dâmbovița/ Colentina?
work_z3etjcracjelhhst2l3yowfavm	/   Ce   proiecte/ strategii/ inițiative   cunoașteți   care   încearcă   să   integreze   cele   două   râuri   în   oraș?
work_z3etjcracjelhhst2l3yowfavm	/   Considerați   că   Dâmbovița/ Colentina   este   o   barieră   fizică   în   oraș?
work_z3etjcracjelhhst2l3yowfavm	/   Considerați   că   inundațiile   sunt   o   problemă   în   cazul   celor   două   râuri?
work_z3etjcracjelhhst2l3yowfavm	/   Credeți   că   cele   două   râuri   joacă   un   rol   important   în   aceste   potențiale/ probleme?
work_z3etjcracjelhhst2l3yowfavm	/   Cu   cine   îmi   recomandați   să   mai   stau   de   vorbă?
work_z3etjcracjelhhst2l3yowfavm	/   Cum   ați   descrie   relația   spațială   dintre   Dâmbovița/ Colentina   și   țesutul   urban   înconjurător?
work_z3etjcracjelhhst2l3yowfavm	/   Cum   utilizați  ( ca   locuitor   al   orașului)   cele   două   râuri?
work_z3etjcracjelhhst2l3yowfavm	/   Există   strategii   sau   planuri   multi- scalare   pentru   integrarea   Dâmboviței/ Colentinei   în   oraș?
work_z3etjcracjelhhst2l3yowfavm	/   Se   folosește   orașul   de   serviciile   de   ecosistem   pe   care   cele   două   râuri   le   oferă?
work_z3etjcracjelhhst2l3yowfavm	/   În   ce   măsură   spațiile   adiacente   râurilor   atrag   activități   social- economice?
work_z3etjcracjelhhst2l3yowfavm	/   În   ce   măsură   spațiile   adiacente   râurilor   permit   dezvoltarea   proceselor   ecologice?
work_z3etjcracjelhhst2l3yowfavm	And   how   can   they   be   translated   into   indicators   of   social- ecological   integration?
work_z3etjcracjelhhst2l3yowfavm	And   how   can   they   address   those   elements   and   relations   in   their   design   of   or   in   URCs?
work_z3etjcracjelhhst2l3yowfavm	And   how   can   this   knowledge   be   used   in   design?
work_z3etjcracjelhhst2l3yowfavm	And   is   more   space   only   a   matter   of   quantity?
work_z3etjcracjelhhst2l3yowfavm	Are   these   principles   useful   for   designers?
work_z3etjcracjelhhst2l3yowfavm	Are   they   applied   in   the   right   order?
work_z3etjcracjelhhst2l3yowfavm	But   is   it   really?
work_z3etjcracjelhhst2l3yowfavm	Chapter 3 SQ3:   How   has   the   social- ecological   relation- ship between Bucharest and its rivers evolved through   time?
work_z3etjcracjelhhst2l3yowfavm	Chapter 4 SQ4:   What   is   the   current   state   of   knowledge   on   Bucharest ’s   URCs?
work_z3etjcracjelhhst2l3yowfavm	Chapter 6 SQ6:   To   what   extent   are   the   URCs   of     Bucharest   social- ecologically   integrated?
work_z3etjcracjelhhst2l3yowfavm	Chapter 8 SQ8:   How   do   design   instruments   aid   the   design   of   better   integrated   URCs?
work_z3etjcracjelhhst2l3yowfavm	Did   you   find   the   seminar   useful   for   approaching   your   design   assignment?
work_z3etjcracjelhhst2l3yowfavm	Do   they   enable   or   constrain   the   design   process?
work_z3etjcracjelhhst2l3yowfavm	Do   you   consider   that   Dâmbovița/ Colentina   is   a   physical   barrier?
work_z3etjcracjelhhst2l3yowfavm	Do   you   have   any   other   recommendations   or   observations?
work_z3etjcracjelhhst2l3yowfavm	Do   you   have   any   suggestions   for   literature   on   planning   for/ with   the   two   rivers   in   Bucharest?
work_z3etjcracjelhhst2l3yowfavm	Do   you   know   about   any   projects/ strategies/ initiatives   that   try   to   integrate   the   rivers   into   the   city?
work_z3etjcracjelhhst2l3yowfavm	Do   you   think   that   flooding   is   an   issue   along   the   two   rivers   of   Bucharest?
work_z3etjcracjelhhst2l3yowfavm	Does   scale   exist?
work_z3etjcracjelhhst2l3yowfavm	Does   the   city   make   use   of   the   ecosystem   services   provided   by   the   two   rivers?
work_z3etjcracjelhhst2l3yowfavm	From   Metaphor   to   Measurement:   Resilience   of   What   to   What?
work_z3etjcracjelhhst2l3yowfavm	How do you work together?
work_z3etjcracjelhhst2l3yowfavm	How do you work together?
work_z3etjcracjelhhst2l3yowfavm	How to apply?
work_z3etjcracjelhhst2l3yowfavm	How   can   the   connectivity   of   the   two   rivers   be   improved?
work_z3etjcracjelhhst2l3yowfavm	How   can   the   development   dynamics   of   the   two   rivers   be   accommodated   spatially?
work_z3etjcracjelhhst2l3yowfavm	How   can   the   knowledge   gained   from   assessment   inform   design   and   planning   for   social- ecological   resilience?
work_z3etjcracjelhhst2l3yowfavm	How   can   the   scalar   qualities   of   the   two   URCs   be   improved?
work_z3etjcracjelhhst2l3yowfavm	How   clear   was   the   theme   of   the   day   connectivity?
work_z3etjcracjelhhst2l3yowfavm	How   did   the   city   react   to   past   disturbances?
work_z3etjcracjelhhst2l3yowfavm	How   do   these   results   add   to   the   knowledge   on   the   post- communist   transformation   of   the   two   rivers?
work_z3etjcracjelhhst2l3yowfavm	How   do   you   personally   use   the   two   rivers?
work_z3etjcracjelhhst2l3yowfavm	How   much   human   intervention   is   acceptable   to   a   river   to   be   still   considered   natural?
work_z3etjcracjelhhst2l3yowfavm	How   should   we   manage   urban   river   corridors?
work_z3etjcracjelhhst2l3yowfavm	How   to   evaluate   whether   and   how   those   properties   are   in   place?
work_z3etjcracjelhhst2l3yowfavm	How   useful   was   the   theoretical   introduction   on   today ’s   topic?
work_z3etjcracjelhhst2l3yowfavm	How   would   you   evaluate   the   workload   today?
work_z3etjcracjelhhst2l3yowfavm	How   would   you   rate   team   work   today?
work_z3etjcracjelhhst2l3yowfavm	How   would   you   rate   the   afternoon   design   session   of   today?
work_z3etjcracjelhhst2l3yowfavm	If so, which one and why?
work_z3etjcracjelhhst2l3yowfavm	If   it   is   more   that   is   required,   than   how   much   more?
work_z3etjcracjelhhst2l3yowfavm	If   yes,   which   one?
work_z3etjcracjelhhst2l3yowfavm	In   what   sense?
work_z3etjcracjelhhst2l3yowfavm	Is   there   a   comprehensive   multi- scalar   plan/ strategy   for   Dâmbovița/ Colentina?
work_z3etjcracjelhhst2l3yowfavm	Moreover,   is   it   ‘ in   control ’   that   it   should   be?
work_z3etjcracjelhhst2l3yowfavm	Or   should   it   be?
work_z3etjcracjelhhst2l3yowfavm	Or,   how   does   corridor- scale   social- ecological   integration   contribute   to   city- scale   resilience?
work_z3etjcracjelhhst2l3yowfavm	Or,   what   kind   of   small- scale   interventions   can   a   system   at   large   afford?
work_z3etjcracjelhhst2l3yowfavm	Practical   tool   for   landscape   planning?
work_z3etjcracjelhhst2l3yowfavm	Q13   What   did   you   dislike   about   the   Sponge?
work_z3etjcracjelhhst2l3yowfavm	Q14   What   would   you   improve   in   the   Sponge?
work_z3etjcracjelhhst2l3yowfavm	Q21   What   would   you   improve   in   the   Integrator?
work_z3etjcracjelhhst2l3yowfavm	Q27   What   did   you   dislike   about   the   Scaler?
work_z3etjcracjelhhst2l3yowfavm	Q28   What   would   you   improve   in   the   Scaler?
work_z3etjcracjelhhst2l3yowfavm	Q34   Did   you   find   the   order   of   the   instruments   correct?
work_z3etjcracjelhhst2l3yowfavm	Q6   What   did   you   dislike   about   the   Connector?
work_z3etjcracjelhhst2l3yowfavm	Q7   What   would   you   improve   in   the   Connector?
work_z3etjcracjelhhst2l3yowfavm	Quantifying   Landscape   Spatial   Pattern:   What   Is   the   State   of   the   Art?
work_z3etjcracjelhhst2l3yowfavm	Questions?
work_z3etjcracjelhhst2l3yowfavm	Resilience:   A   Bridging   Concept   or   a   Dead   End?
work_z3etjcracjelhhst2l3yowfavm	SQ2: What are the spatial- morphological conditions for achieving social- ecological integration along urban rivers?
work_z3etjcracjelhhst2l3yowfavm	SQ3: How has the social- ecological relationship between Bucharest and its rivers evolved through time?
work_z3etjcracjelhhst2l3yowfavm	SQ3:   How   has   the   social- ecological   relationship   between   Bucharest   and   its   rivers   evolved   through   time?
work_z3etjcracjelhhst2l3yowfavm	SQ3:   How   has   the   social- ecological   relationship   between   Bucharest   and   its   rivers   evolved   through   time?
work_z3etjcracjelhhst2l3yowfavm	SQ4: What is the current state of Bucharest ’s URCs?
work_z3etjcracjelhhst2l3yowfavm	SQ4:   What   is   the   current   state   of   knowledge   on   Bucha- rest ’s   URCs?
work_z3etjcracjelhhst2l3yowfavm	SQ4:   What   is   the   current   state   of   knowledge   on   Bucharest ’s   URCs?
work_z3etjcracjelhhst2l3yowfavm	SQ5: How can the social- ecological integration of URCs be spatially assessed?
work_z3etjcracjelhhst2l3yowfavm	SQ5:   How   can   the   social- ecological   integration   of   URCs   be   spatially   assessed?
work_z3etjcracjelhhst2l3yowfavm	SQ5:   How   can   the   social- ecological   integration   of   URCs   be   spatially   assessed?
work_z3etjcracjelhhst2l3yowfavm	SQ6: To what extent are the URCs of Bucharest social- ecologically integrated?
work_z3etjcracjelhhst2l3yowfavm	SQ6:   To   what   extent   are   the   URCs   of   Bucharest   social- eco- logically   integrated?
work_z3etjcracjelhhst2l3yowfavm	SQ6:   To   what   extent   are   the   URCs   of   Bucharest   social- ecologically   integrated?
work_z3etjcracjelhhst2l3yowfavm	SQ7:   How   can   the   design   of   URCs   be   guided   towards   social- ecological   integration?
work_z3etjcracjelhhst2l3yowfavm	SQ7:   How   can   the   design   of   URCs   be   guided   towards   social- ecological   integration?
work_z3etjcracjelhhst2l3yowfavm	SQ8: To what extent do the four design instruments aid the design of better integrated URCs?
work_z3etjcracjelhhst2l3yowfavm	SQ8:   How   do   design   instruments   aid   the   design   of   better   integrated   URCs?
work_z3etjcracjelhhst2l3yowfavm	SQ8:   How   do   design   instruments   aid   the   design   of   better   integrated   URCs?
work_z3etjcracjelhhst2l3yowfavm	SUB- QUESTION AND OBJECTIVES: Sub- question 3: How has the relationship between Bucharest and its rivers evolved through time?
work_z3etjcracjelhhst2l3yowfavm	SUB- QUESTION AND OBJECTIVES: Sub- question 4: What is the current state of knowledge on Bucharest ’s URCs?
work_z3etjcracjelhhst2l3yowfavm	SUB- QUESTION AND OBJECTIVES: Sub- question 5: How can the social- ecological integration of URCs be spatially assessed?
work_z3etjcracjelhhst2l3yowfavm	SUB- QUESTION AND OBJECTIVES: Sub- question 6: To what extent are the URCs of Bucharest social- ecologically integrated?
work_z3etjcracjelhhst2l3yowfavm	SUB- QUESTION AND OBJECTIVES: Sub- question 7: How can the design of URCs be guided towards social- ecological integration?
work_z3etjcracjelhhst2l3yowfavm	SUB- QUESTION AND OBJECTIVES: Sub- question 8: How do design instruments aid the design of social- ecologically integrated URCs?
work_z3etjcracjelhhst2l3yowfavm	TOC 263 Designing Urban River Corridors SQ7: How can the design of URCs be guided towards social- ecological integration?
work_z3etjcracjelhhst2l3yowfavm	TOC 361   Post- workshop   evaluation   form Q20   What   did   you   dislike   about   the   Integrator?
work_z3etjcracjelhhst2l3yowfavm	TOC 362 Integrated Urban River Corridors Q33   Is   there   something   missing   from   the   set   of   instruments?
work_z3etjcracjelhhst2l3yowfavm	The Compact City: A Sustainable Urban Form?
work_z3etjcracjelhhst2l3yowfavm	The   Genetic   Code   for   Cities:   Is   it   simpler   than   we   think?
work_z3etjcracjelhhst2l3yowfavm	The   explorer   1- 2- 3   The enforcer 1- 2- 3 The gatherer 1- 2- 3 Q5   What   did   you   like   about   the   Connector?
work_z3etjcracjelhhst2l3yowfavm	The   livability   of   spaces:   Performance   and/or   resilience?
work_z3etjcracjelhhst2l3yowfavm	The   politics   of   resilient   cities:   Whose   resilience   and   whose   city?
work_z3etjcracjelhhst2l3yowfavm	To   what   extent   did   you   understand   the   property   of   interconnectedness?
work_z3etjcracjelhhst2l3yowfavm	To   whom   else   should   I   talk   to?
work_z3etjcracjelhhst2l3yowfavm	Urban   and   Regional   Resilience   –   A   New   Catchword   or   a   Consistent   Concept   for   Research   and   Practice?
work_z3etjcracjelhhst2l3yowfavm	Urban   resilience   for   whom,   what,   when,   where,   and   why?
work_z3etjcracjelhhst2l3yowfavm	Was   the   instrument   easy   to   use?
work_z3etjcracjelhhst2l3yowfavm	Was   the   instrument   useful?
work_z3etjcracjelhhst2l3yowfavm	Were   you   missing   something   during   today ’s   sessions?
work_z3etjcracjelhhst2l3yowfavm	What do you consider most challenging in work- ing on the corridor?
work_z3etjcracjelhhst2l3yowfavm	What do you consider to be most challenging about your site?
work_z3etjcracjelhhst2l3yowfavm	What do you consider to be most challenging about your site?
work_z3etjcracjelhhst2l3yowfavm	What do you consider to be most challenging in working on the corridor?
work_z3etjcracjelhhst2l3yowfavm	What do you consider to be the highest potential of your site?
work_z3etjcracjelhhst2l3yowfavm	What do you consider to be the highest potential of your site?
work_z3etjcracjelhhst2l3yowfavm	What is river restoration?
work_z3etjcracjelhhst2l3yowfavm	What is scale?
work_z3etjcracjelhhst2l3yowfavm	What is your favorite instrument?
work_z3etjcracjelhhst2l3yowfavm	What was your favorite instrument?
work_z3etjcracjelhhst2l3yowfavm	What was your favorite workshop moment?
work_z3etjcracjelhhst2l3yowfavm	What was your favorite workshop moment?
work_z3etjcracjelhhst2l3yowfavm	What   Is   a   Natural   River?
work_z3etjcracjelhhst2l3yowfavm	What   are   the   disturbances   acting   upon   the   urban   environment?
work_z3etjcracjelhhst2l3yowfavm	What   are   the   scales   of   action/ relevance   of   the   two   URCs?
work_z3etjcracjelhhst2l3yowfavm	What   did   you   find   most   difficult   today?
work_z3etjcracjelhhst2l3yowfavm	What   did   you   find   most   interesting   today?
work_z3etjcracjelhhst2l3yowfavm	What   do   the   results   mean   for   URCs   as   defined   in   this   thesis?
work_z3etjcracjelhhst2l3yowfavm	What   do   you   think   are   the   three   main   potentials   of   Dâmbovița/ Colentina?
work_z3etjcracjelhhst2l3yowfavm	What   do   you   think   are   the   three   main   problems   of   Dâmbovița/ Colentina?
work_z3etjcracjelhhst2l3yowfavm	What   do   you   think   are   the   three   most   important   potentials   of   Bucharest   in   terms   of   urban   development?
work_z3etjcracjelhhst2l3yowfavm	What   do   you   think   are   the   three   most   important   problems   of   Bucharest   in   terms   of   urban   development?
work_z3etjcracjelhhst2l3yowfavm	What   do   you   think   are   three   main   function   that   Dâmbovița/ Colentina   should   provide   to   the   city?
work_z3etjcracjelhhst2l3yowfavm	What   is   hydrologic   connectivity   and   why   is   it   ecologically   important?
work_z3etjcracjelhhst2l3yowfavm	What   is   it   exactly   that   needs   to   gain   resilience?
work_z3etjcracjelhhst2l3yowfavm	What   is   your   opinion   about   the   way   current   urban   plans/ strategies   address   the   two   rivers?
work_z3etjcracjelhhst2l3yowfavm	What   would   you   improve?
work_z3etjcracjelhhst2l3yowfavm	Whatever   happened   to   the  ( post)socialist   city?
work_z3etjcracjelhhst2l3yowfavm	Where   are   the   urban   system ’s   boundaries   and   who   is   included?
work_z3etjcracjelhhst2l3yowfavm	Where   can   more   space   be   gained   from?
work_z3etjcracjelhhst2l3yowfavm	Which do you consider the best part about working together?
work_z3etjcracjelhhst2l3yowfavm	Which do you consider the difficult parts about your teamwork?
work_z3etjcracjelhhst2l3yowfavm	Which do you consider the difficult parts about your teamwork?
work_z3etjcracjelhhst2l3yowfavm	Which do you consider to be the greatest quality/ potential of your team?
work_z3etjcracjelhhst2l3yowfavm	Which do you consider to be the greatest strength of your team?
work_z3etjcracjelhhst2l3yowfavm	Why   rehabilitate   urban   river   systems?
work_z3etjcracjelhhst2l3yowfavm	[ …]   Why radial- concentric?!
work_z3etjcracjelhhst2l3yowfavm	how   are   routes   classified   as   minor/ major?
work_z3etjcracjelhhst2l3yowfavm	what   is   the   optimal   spatial   relationship/ distance   between   the   water   edge   and   minor/ major   routes?)
work_z3etjcracjelhhst2l3yowfavm	x S2: How do the instruments rank in terms of attractiveness and why?
work_z3etjcracjelhhst2l3yowfavm	x S3: Should any of the four instruments be left out?
work_z3etjcracjelhhst2l3yowfavm	x S4: Is there something missing from the instrument set?
work_z3etjcracjelhhst2l3yowfavm	x S5: How can the instrument set be improved?
work_z3etjcracjelhhst2l3yowfavm	x x I2: How useful are the instruments in designing( in) URCs?
work_z3etjcracjelhhst2l3yowfavm	x x I3: To what extent does the use of the instruments lead to results which would otherwise not be achieved?
work_z3etjcracjelhhst2l3yowfavm	x x Instrument set in the design process S1: In what order, if any, should the instruments be applied in the design process?
work_z3etjcracjelhhst2l3yowfavm	x x x x x I4: How can the design instruments be improved?
work_z3etjcracjelhhst2l3yowfavm	– Have   you   had   any   professional   experience   connected   to   the   rivers   of   Bucharest?
work_z3etjcracjelhhst2l3yowfavm	– How   do   you   see   the   future   of   the   two   rivers?
work_z3etjcracjelhhst2l3yowfavm	– What   do   you   think   are   the   main   challenges   that   the   two   rivers   of   Bucharest   face?
work_z3etjcracjelhhst2l3yowfavm	– What   is   your   experience   with   working   in   multi- disciplinary   teams?
work_6tcgzb46wnhbrpnpxhbwr2oczq	At seventeen years old I''m amazed----You really want to hear this?
work_6tcgzb46wnhbrpnpxhbwr2oczq	( Noticing the flowers) Oh are those for me?
work_6tcgzb46wnhbrpnpxhbwr2oczq	( Noticing the notes) Are you mocking him?
work_6tcgzb46wnhbrpnpxhbwr2oczq	( Pause as it sinks in) Would you like some more banana bread?
work_6tcgzb46wnhbrpnpxhbwr2oczq	( Pause)) How''d you meet?
work_6tcgzb46wnhbrpnpxhbwr2oczq	( She jingles the bells again) THOMAS: How are you doing Mom?
work_6tcgzb46wnhbrpnpxhbwr2oczq	( To Thomas) It''s a comfort to you is it?
work_6tcgzb46wnhbrpnpxhbwr2oczq	A little piece of slutass lad?
work_6tcgzb46wnhbrpnpxhbwr2oczq	After all he''s done?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Am I right Mrs. Mahoney?
work_6tcgzb46wnhbrpnpxhbwr2oczq	And you mock him with your reckless dishonour?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Anyone?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Are n''t you afraid?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Are you a boy like me?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Are you all deaf?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Are you going to be home for Graduation?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Are you making it back in time for Graduation?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Are you ready to live in the world?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Are you with me!?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Are you with me?
work_6tcgzb46wnhbrpnpxhbwr2oczq	BOY: But what will I do?
work_6tcgzb46wnhbrpnpxhbwr2oczq	BOY: Did you make that up?
work_6tcgzb46wnhbrpnpxhbwr2oczq	BOY: WHERE AM I?
work_6tcgzb46wnhbrpnpxhbwr2oczq	BOY: WHERE?
work_6tcgzb46wnhbrpnpxhbwr2oczq	BOY: Who are you?
work_6tcgzb46wnhbrpnpxhbwr2oczq	BOY: Will you let me go?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Bad dreams keeping you awake?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Better than what?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Better than who?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Blast you, what''s the noise?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Boys, Thomas, what''s the matter?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Bring some more water will you?
work_6tcgzb46wnhbrpnpxhbwr2oczq	But what could possiby be missing in yours so soon?
work_6tcgzb46wnhbrpnpxhbwr2oczq	But what is it?
work_6tcgzb46wnhbrpnpxhbwr2oczq	But why spoil now?
work_6tcgzb46wnhbrpnpxhbwr2oczq	COLLEEN: Am I supposed to believe anything you say?
work_6tcgzb46wnhbrpnpxhbwr2oczq	COLLEEN: Forgiveness?
work_6tcgzb46wnhbrpnpxhbwr2oczq	COLLEEN: How could we forget?
work_6tcgzb46wnhbrpnpxhbwr2oczq	COLLEEN: Is this supposed to be a come- on?
work_6tcgzb46wnhbrpnpxhbwr2oczq	COLLEEN: That I love you?
work_6tcgzb46wnhbrpnpxhbwr2oczq	COLLEEN: We''ve thought about this so many times before, have n''t you?
work_6tcgzb46wnhbrpnpxhbwr2oczq	COLLEEN: Well so you know Mrs. Mahoney?
work_6tcgzb46wnhbrpnpxhbwr2oczq	COLLEEN: What are you asking Thomas?
work_6tcgzb46wnhbrpnpxhbwr2oczq	COLLEEN: What are you on?
work_6tcgzb46wnhbrpnpxhbwr2oczq	COLLEEN: What else would you do?
work_6tcgzb46wnhbrpnpxhbwr2oczq	COLLEEN: What''s the matter with your face Dante?
work_6tcgzb46wnhbrpnpxhbwr2oczq	COLLEEN: What?
work_6tcgzb46wnhbrpnpxhbwr2oczq	COLLEEN: What?
work_6tcgzb46wnhbrpnpxhbwr2oczq	COLLEEN: When?
work_6tcgzb46wnhbrpnpxhbwr2oczq	COLLEEN:( Speaking into a phone) Mom?
work_6tcgzb46wnhbrpnpxhbwr2oczq	COLLEEN:( To Thomas) You hit him?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Call the cops?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Can you answer my question?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Can you make a wish on a last star?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Candles in the treefort?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Colleen enters looking stunning in her formal graduation gown THOMAS: You guys, what are you doing here?
work_6tcgzb46wnhbrpnpxhbwr2oczq	DANTE: Did he get last rights?
work_6tcgzb46wnhbrpnpxhbwr2oczq	DANTE: Did you hear that?
work_6tcgzb46wnhbrpnpxhbwr2oczq	DANTE: Gon na hit me again little bro?
work_6tcgzb46wnhbrpnpxhbwr2oczq	DANTE: Is that all you''re going to say him?
work_6tcgzb46wnhbrpnpxhbwr2oczq	DANTE: Jesus, Did you speak?
work_6tcgzb46wnhbrpnpxhbwr2oczq	DANTE: Maybe we should bury Dad in his deluxe recliner?
work_6tcgzb46wnhbrpnpxhbwr2oczq	DANTE: Oh so you know about — — THOMAS:--That''s all you can say — no denials??
work_6tcgzb46wnhbrpnpxhbwr2oczq	DANTE: Oh so you know about — — THOMAS:--That''s all you can say — no denials??
work_6tcgzb46wnhbrpnpxhbwr2oczq	DANTE: Plans?
work_6tcgzb46wnhbrpnpxhbwr2oczq	DANTE: Shall we try the Mahoney Typewriter Torture?
work_6tcgzb46wnhbrpnpxhbwr2oczq	DANTE: Srew your friends, what do they know?
work_6tcgzb46wnhbrpnpxhbwr2oczq	DANTE: Trouble?
work_6tcgzb46wnhbrpnpxhbwr2oczq	DANTE: What are you going to do?
work_6tcgzb46wnhbrpnpxhbwr2oczq	DANTE: What are you saying?
work_6tcgzb46wnhbrpnpxhbwr2oczq	DANTE: What are you talking about, you wuss?
work_6tcgzb46wnhbrpnpxhbwr2oczq	DANTE: What did I say?
work_6tcgzb46wnhbrpnpxhbwr2oczq	DANTE: What did you say Mom?
work_6tcgzb46wnhbrpnpxhbwr2oczq	DANTE: What''s wrong Colleen?
work_6tcgzb46wnhbrpnpxhbwr2oczq	DANTE: What?
work_6tcgzb46wnhbrpnpxhbwr2oczq	DANTE: What?
work_6tcgzb46wnhbrpnpxhbwr2oczq	DANTE: What?
work_6tcgzb46wnhbrpnpxhbwr2oczq	DANTE: What?
work_6tcgzb46wnhbrpnpxhbwr2oczq	DANTE: When is the funeral?
work_6tcgzb46wnhbrpnpxhbwr2oczq	DANTE: Who the hell are you to talk??
work_6tcgzb46wnhbrpnpxhbwr2oczq	DANTE: Who the hell are you to talk??
work_6tcgzb46wnhbrpnpxhbwr2oczq	DANTE: Who the hell is that?
work_6tcgzb46wnhbrpnpxhbwr2oczq	DANTE: Yeah — COLLEEN: Not missing much am I?
work_6tcgzb46wnhbrpnpxhbwr2oczq	DANTE: You ca n''t hear him?
work_6tcgzb46wnhbrpnpxhbwr2oczq	DANTE: You what?
work_6tcgzb46wnhbrpnpxhbwr2oczq	DANTE:( Continued) Best you can do?
work_6tcgzb46wnhbrpnpxhbwr2oczq	DANTE:( He smiles) Hmmmm, hey what do you think of my lips?
work_6tcgzb46wnhbrpnpxhbwr2oczq	DANTE:( Teasing) Top of your list was it?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Dad''s gone, but-- MAURA:--He''s on the sauce?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Dad, you''re going to bloody haunt my head forever?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Dad?!
work_6tcgzb46wnhbrpnpxhbwr2oczq	Did I hear you right?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Did you say she was wailing?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Did you see that?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Did you see that?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Do I have to stand on a rock?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Do they take you aback?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Do we have to go our separate ways?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Do we try?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Do you hate your father?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Do you know what time it is?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Do you know what you have done?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Do you like the box?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Do you plan to stay in Ladysmith all your life Thomas?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Do you see anything?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Do you think they''re full enough?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Do you think we will feel free when it happens?
work_6tcgzb46wnhbrpnpxhbwr2oczq	ECHO: WHERE AM I, I, I, I, I??
work_6tcgzb46wnhbrpnpxhbwr2oczq	ECHO: WHERE AM I, I, I, I, I??
work_6tcgzb46wnhbrpnpxhbwr2oczq	FATHER THEO: Are they supposed to?
work_6tcgzb46wnhbrpnpxhbwr2oczq	FATHER THEO: Do you have anything to say for yourself?
work_6tcgzb46wnhbrpnpxhbwr2oczq	FATHER THEO: I might know something here Thomas THOMAS: Damn rights Father, is that so?
work_6tcgzb46wnhbrpnpxhbwr2oczq	FATHER THEO: Is this a confession?
work_6tcgzb46wnhbrpnpxhbwr2oczq	FATHER THEO: Pardon?
work_6tcgzb46wnhbrpnpxhbwr2oczq	FATHER THEO: To help you — THOMAS:--Why did you become a priest Father?
work_6tcgzb46wnhbrpnpxhbwr2oczq	FATHER THEO: What do you mean?
work_6tcgzb46wnhbrpnpxhbwr2oczq	FATHER THEO: What''s a relief?
work_6tcgzb46wnhbrpnpxhbwr2oczq	FATHER THEO: Where''s your faith son?
work_6tcgzb46wnhbrpnpxhbwr2oczq	First your mother long distance, young Thomas here and now you-- COLLEEN: Everything good at the mill?
work_6tcgzb46wnhbrpnpxhbwr2oczq	GULLY MONSTER: But why ca n''t I laugh anymore?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Have you forgotten so soon?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Have you written it yet?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Hear that?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Hell forget that-- I love you too-- okay?
work_6tcgzb46wnhbrpnpxhbwr2oczq	His Dad has entered THOMAS:( Noticing his father staring) Whacha looking at?
work_6tcgzb46wnhbrpnpxhbwr2oczq	How can I write about what I do n''t understand?
work_6tcgzb46wnhbrpnpxhbwr2oczq	How can you do this to me?
work_6tcgzb46wnhbrpnpxhbwr2oczq	How do we do that?
work_6tcgzb46wnhbrpnpxhbwr2oczq	How goes the battle?
work_6tcgzb46wnhbrpnpxhbwr2oczq	How much did this cost?
work_6tcgzb46wnhbrpnpxhbwr2oczq	How old were you?
work_6tcgzb46wnhbrpnpxhbwr2oczq	I become wind, rain, and ocean-- But hell, what do I know what he was thinking?
work_6tcgzb46wnhbrpnpxhbwr2oczq	I will need to move on?
work_6tcgzb46wnhbrpnpxhbwr2oczq	I''ll see them again at maybe Thomas''s wedding, and a few more Christmas times-- How did I get into this family?
work_6tcgzb46wnhbrpnpxhbwr2oczq	I''m going for a walk to the back of the property?
work_6tcgzb46wnhbrpnpxhbwr2oczq	In four days I''m working in Toronto''s Yorktown Hotel, then over to Queens... THOMAS: That''s what you want to do?
work_6tcgzb46wnhbrpnpxhbwr2oczq	In the darkness, we hear Thomas) THOMAS: What time is it?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Is everyone okay?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Is it entertaining?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Is that the best you can do?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Is that true Dad?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Is the penis part of some Greenpeace protest?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Is this feeling true?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Is this heaven?
work_6tcgzb46wnhbrpnpxhbwr2oczq	JAMES: A few courses?
work_6tcgzb46wnhbrpnpxhbwr2oczq	JAMES: That''s a long time is n''t it?
work_6tcgzb46wnhbrpnpxhbwr2oczq	JAMES: We both know where you stand with Colleen now do n''t we?
work_6tcgzb46wnhbrpnpxhbwr2oczq	JAMES: What was that?
work_6tcgzb46wnhbrpnpxhbwr2oczq	JAMES: What?
work_6tcgzb46wnhbrpnpxhbwr2oczq	JAMES:( Continued) Challenge me will you?
work_6tcgzb46wnhbrpnpxhbwr2oczq	JOHN:( Colleen''s Father) Where is he?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Just like chocolate cake-- THOMAS: Colleen is that you?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Look what do you see?
work_6tcgzb46wnhbrpnpxhbwr2oczq	MAURA: A detour?
work_6tcgzb46wnhbrpnpxhbwr2oczq	MAURA: Believe what?
work_6tcgzb46wnhbrpnpxhbwr2oczq	MAURA: Ca n''t you think about how I feel?
work_6tcgzb46wnhbrpnpxhbwr2oczq	MAURA: Did you like the dinner I made?
work_6tcgzb46wnhbrpnpxhbwr2oczq	MAURA: Is it too much to ask?
work_6tcgzb46wnhbrpnpxhbwr2oczq	MAURA: Of course I am, why should n''t I be?
work_6tcgzb46wnhbrpnpxhbwr2oczq	MAURA: Ooh the artiste wants to be left alone-- No need for clean Stanfield''s then?
work_6tcgzb46wnhbrpnpxhbwr2oczq	MAURA: Sorry, is it?
work_6tcgzb46wnhbrpnpxhbwr2oczq	MAURA: Sorry?
work_6tcgzb46wnhbrpnpxhbwr2oczq	MAURA: That''s all you can say?
work_6tcgzb46wnhbrpnpxhbwr2oczq	MAURA: Thomas?
work_6tcgzb46wnhbrpnpxhbwr2oczq	MAURA: What do you care?
work_6tcgzb46wnhbrpnpxhbwr2oczq	MAURA: What kind of question is that?
work_6tcgzb46wnhbrpnpxhbwr2oczq	MAURA: What would you know little rich girl?
work_6tcgzb46wnhbrpnpxhbwr2oczq	MAURA: What''s that you got there?
work_6tcgzb46wnhbrpnpxhbwr2oczq	MAURA: When?
work_6tcgzb46wnhbrpnpxhbwr2oczq	MAURA: Where do I begin?!
work_6tcgzb46wnhbrpnpxhbwr2oczq	MAURA: Who asked your opinion?
work_6tcgzb46wnhbrpnpxhbwr2oczq	MAURA: Who could that be?
work_6tcgzb46wnhbrpnpxhbwr2oczq	MAURA: Why wo n''t you come?
work_6tcgzb46wnhbrpnpxhbwr2oczq	MAURA: Zane is that you?
work_6tcgzb46wnhbrpnpxhbwr2oczq	MAURA:( RUNNING IN) What is it?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Maybe the school about grad night?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Middle of a Forest) THOMAS: How did we get here?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Miss, is it true your boyfriend lost his penis?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Mom, are you O.K.?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Mom?
work_6tcgzb46wnhbrpnpxhbwr2oczq	My little bro treating you right Colleen?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Next time, could you write something funny, happy?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Not all your life?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Oh Jesus Dad, are you ever going to shut up?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Oh Thomas why did you go Thomas?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Oh, Thomas-- You know that Mr. Jerry Macelrath?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Okay is it?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Or Mrs. Josef about her pie, Or The Hotel About Cleaning Shifts?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Or any of your other dreams?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Or are you as insane as your dad?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Or was it Sadie?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Out to the clubs-- THOMAS:--Looking for anyone?
work_6tcgzb46wnhbrpnpxhbwr2oczq	PETER: You insult my town faggot?
work_6tcgzb46wnhbrpnpxhbwr2oczq	PETER:( Leaning to his ear) Smell that boy?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Printed Sept 4th 2008--TAMZ, by DM, Print 17-ELEVEN-22 THOMAS: Last leg?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Printed Sept 4th 2008--TAMZ, by DM, Print 17-FIVE-11 THOMAS: What hour is that?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Printed Sept 4th 2008--TAMZ, by DM, Print 17-THIRTY- SIX-120 THOMAS: I think I''m happy, and you?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Printed Sept 4th 2008--TAMZ, by DM, Print 17-THIRTY- THREE-112 MAURA: All right what do you want to talk about?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Printed Sept 4th 2008--TAMZ, by DM, Print 17-THIRTY-101 THOMAS: Your dad?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Printed Sept 4th 2008--TAMZ, by DM, Print 17-TWENTY- EIGHT-76 THOMAS: Man, I mean guy or girl?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Printed Sept 4th 2008--TAMZ, by DM, Print 17-TWENTY- FIVE-54 THOMAS: What do you mean Dad?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Printed Sept 4th 2008--TAMZ, by DM, Print 17-TWENTY- FIVE-59 DANTE: Who are you calling straight?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Printed Sept 4th 2008--TAMZ, by DM, Print 17-TWENTY- NINE-89 DANTE: Do we half to go too?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Printed Sept 4th 2008--TAMZ, by DM, Print 17-TWENTY- NINE-92 FATHER THEO: What was the question?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Printed Sept 4th 2008--TAMZ, by DM, Print 17-TWENTY- NINE-94 FATHER THEO: Do you really make comparisons?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Printed Sept 4th 2008--TAMZ, by DM, Print 17-TWENTY- NINE-97 DANTE: Those are your caring hands Mom?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Printed Sept 4th 2008--TAMZ, by DM, Print 17-TWENTY- NINE-98 ZANE: May I try Father Theo?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Printed Sept 4th 2008--TAMZ, by DM, Print 17-TWENTY- SIX-68 MAURA: Blast you boy, you dare to ask?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Printed Sept 4th 2008--TAMZ, by DM, Print 17-TWENTY- THREE-46 COLLEEN: Is he okay?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Printed Sept 4th 2008--TAMZ, by DM, Print 17-TWENTY- TWO-41 ZANE: Would you like a ride somewhere Miss?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Printed Sept 4th 2008--TAMZ, by DM, Print 17-TWENTY-34 SEAN: Another hen party was it?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Printed Sept 4th 2008--TAMZ, by DM, Print 17-TWENTY-36 SEAN: Is that a crime?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Promise?
work_6tcgzb46wnhbrpnpxhbwr2oczq	REPORTER 1: Why are you in a tree?
work_6tcgzb46wnhbrpnpxhbwr2oczq	REPORTER 2: Did you cut it off?
work_6tcgzb46wnhbrpnpxhbwr2oczq	REPORTER 3: Is his penis being held hostage by Lesbian re- education separatists?
work_6tcgzb46wnhbrpnpxhbwr2oczq	REPORTER 4: Are you a Lesbian?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Really?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Run away now why do n''t you?
work_6tcgzb46wnhbrpnpxhbwr2oczq	SCENE: 16 THOMAS: This is it?
work_6tcgzb46wnhbrpnpxhbwr2oczq	SEAN: Oh, you say now does it?
work_6tcgzb46wnhbrpnpxhbwr2oczq	SEAN: Onomatopoeia?
work_6tcgzb46wnhbrpnpxhbwr2oczq	SEAN: So I hear your essay on Canada''s Uncertain Identity won first prize in The Sun Student Essay competition?
work_6tcgzb46wnhbrpnpxhbwr2oczq	SEAN: Something eating you son?
work_6tcgzb46wnhbrpnpxhbwr2oczq	SEAN: Son, life... THOMAS: Yes?
work_6tcgzb46wnhbrpnpxhbwr2oczq	SEAN: What is life without poetry?
work_6tcgzb46wnhbrpnpxhbwr2oczq	SEAN: What makes you read this?
work_6tcgzb46wnhbrpnpxhbwr2oczq	SEAN: What was that son?
work_6tcgzb46wnhbrpnpxhbwr2oczq	SEAN: What?
work_6tcgzb46wnhbrpnpxhbwr2oczq	SEAN: When did you get so old?
work_6tcgzb46wnhbrpnpxhbwr2oczq	SEAN: Why do we need to go anywhere?
work_6tcgzb46wnhbrpnpxhbwr2oczq	SEAN: Yes son?
work_6tcgzb46wnhbrpnpxhbwr2oczq	SEAN:( Calling from his bedroom) Thomas?
work_6tcgzb46wnhbrpnpxhbwr2oczq	SEAN:( Continued) Where are you going?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Scared the hell out of me, does n''t care if other people might be hurting, might need-- I ought to tell him-- COLLEEN:--What are you talking about?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Shall I sew his mouth shut?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Should we?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Sis?
work_6tcgzb46wnhbrpnpxhbwr2oczq	So our family owns all this?
work_6tcgzb46wnhbrpnpxhbwr2oczq	So this is post University life?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Sorry son, you have somewhere to be?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Ssh, hear that?
work_6tcgzb46wnhbrpnpxhbwr2oczq	THOMAS: A monster?
work_6tcgzb46wnhbrpnpxhbwr2oczq	THOMAS: And now?
work_6tcgzb46wnhbrpnpxhbwr2oczq	THOMAS: And you''re a stripper?
work_6tcgzb46wnhbrpnpxhbwr2oczq	THOMAS: Away?
work_6tcgzb46wnhbrpnpxhbwr2oczq	THOMAS: But how do you —?
work_6tcgzb46wnhbrpnpxhbwr2oczq	THOMAS: Can we?
work_6tcgzb46wnhbrpnpxhbwr2oczq	THOMAS: Can you answer my question?
work_6tcgzb46wnhbrpnpxhbwr2oczq	THOMAS: Colleen, do you?
work_6tcgzb46wnhbrpnpxhbwr2oczq	THOMAS: Colleen, shoot, I-- COLLEEN: Promise me-- THOMAS: What?
work_6tcgzb46wnhbrpnpxhbwr2oczq	THOMAS: Could we be--?
work_6tcgzb46wnhbrpnpxhbwr2oczq	THOMAS: Dad, are you okay?
work_6tcgzb46wnhbrpnpxhbwr2oczq	THOMAS: Dad, you think that maybe you could call me by my name instead of son all the time?
work_6tcgzb46wnhbrpnpxhbwr2oczq	THOMAS: Dad?
work_6tcgzb46wnhbrpnpxhbwr2oczq	THOMAS: Do they have prostitutes in Saskatoon?
work_6tcgzb46wnhbrpnpxhbwr2oczq	THOMAS: Do you ever feel something is missing in your life?
work_6tcgzb46wnhbrpnpxhbwr2oczq	THOMAS: Do you want to talk some more?
work_6tcgzb46wnhbrpnpxhbwr2oczq	THOMAS: Do?
work_6tcgzb46wnhbrpnpxhbwr2oczq	THOMAS: Doctor, Lawyer, Chief BOTH: Who are we going to be?
work_6tcgzb46wnhbrpnpxhbwr2oczq	THOMAS: Does your dad know you''re here?
work_6tcgzb46wnhbrpnpxhbwr2oczq	THOMAS: Forgive him?
work_6tcgzb46wnhbrpnpxhbwr2oczq	THOMAS: Got any apples?
work_6tcgzb46wnhbrpnpxhbwr2oczq	THOMAS: He did get last rights with Father Theo?
work_6tcgzb46wnhbrpnpxhbwr2oczq	THOMAS: Hear what?
work_6tcgzb46wnhbrpnpxhbwr2oczq	THOMAS: Hello?
work_6tcgzb46wnhbrpnpxhbwr2oczq	THOMAS: How did he call you Father?
work_6tcgzb46wnhbrpnpxhbwr2oczq	THOMAS: How did you know?
work_6tcgzb46wnhbrpnpxhbwr2oczq	THOMAS: How long are you going for?
work_6tcgzb46wnhbrpnpxhbwr2oczq	THOMAS: I love the forest, burst of wet, source of life and breath, I could — COLLEEN: Live here?
work_6tcgzb46wnhbrpnpxhbwr2oczq	THOMAS: I mean did he call you collect, did he give you a dream, was there a burning bush, did you have a conversion on a ferry ride?
work_6tcgzb46wnhbrpnpxhbwr2oczq	THOMAS: In life, with people, power, taking charge-- what I mean is, how do you give in, without giving up all the time?
work_6tcgzb46wnhbrpnpxhbwr2oczq	THOMAS: Is Dad there?
work_6tcgzb46wnhbrpnpxhbwr2oczq	THOMAS: Is it really her?
work_6tcgzb46wnhbrpnpxhbwr2oczq	THOMAS: Is that you, you''re there Mom, you''re speaking to me?
work_6tcgzb46wnhbrpnpxhbwr2oczq	THOMAS: It really is raining — Can you hear it on the roof?
work_6tcgzb46wnhbrpnpxhbwr2oczq	THOMAS: Manor?
work_6tcgzb46wnhbrpnpxhbwr2oczq	THOMAS: Mom are you allright?
work_6tcgzb46wnhbrpnpxhbwr2oczq	THOMAS: Mom, do you really believe it?
work_6tcgzb46wnhbrpnpxhbwr2oczq	THOMAS: Monster?
work_6tcgzb46wnhbrpnpxhbwr2oczq	THOMAS: Move on?
work_6tcgzb46wnhbrpnpxhbwr2oczq	THOMAS: Mr. Avery, Sir?
work_6tcgzb46wnhbrpnpxhbwr2oczq	THOMAS: My mom?
work_6tcgzb46wnhbrpnpxhbwr2oczq	THOMAS: Other places?
work_6tcgzb46wnhbrpnpxhbwr2oczq	THOMAS: Really?
work_6tcgzb46wnhbrpnpxhbwr2oczq	THOMAS: Sadie?
work_6tcgzb46wnhbrpnpxhbwr2oczq	THOMAS: Sean, what''s it like?
work_6tcgzb46wnhbrpnpxhbwr2oczq	THOMAS: Should n''t we call the ambulance?
work_6tcgzb46wnhbrpnpxhbwr2oczq	THOMAS: Since she, I mean you, that is, your family... JAMES: Do I make you nervous?
work_6tcgzb46wnhbrpnpxhbwr2oczq	THOMAS: So is it true, do you —?
work_6tcgzb46wnhbrpnpxhbwr2oczq	THOMAS: So what do you do over there then?
work_6tcgzb46wnhbrpnpxhbwr2oczq	THOMAS: Splortchalaork-- I made it up, onomatopoeia SEAN: Did they teach you that in that high school of leftover hippies?
work_6tcgzb46wnhbrpnpxhbwr2oczq	THOMAS: The splortchalaork of the sand as we walk over the clam holes-- SEAN: What kind of word is that?
work_6tcgzb46wnhbrpnpxhbwr2oczq	THOMAS: Thomas??
work_6tcgzb46wnhbrpnpxhbwr2oczq	THOMAS: Thomas??
work_6tcgzb46wnhbrpnpxhbwr2oczq	THOMAS: What are doing here?
work_6tcgzb46wnhbrpnpxhbwr2oczq	THOMAS: What are you doing?
work_6tcgzb46wnhbrpnpxhbwr2oczq	THOMAS: What did you put in that banana bread Zane?
work_6tcgzb46wnhbrpnpxhbwr2oczq	THOMAS: What do we now?
work_6tcgzb46wnhbrpnpxhbwr2oczq	THOMAS: What does that mean?
work_6tcgzb46wnhbrpnpxhbwr2oczq	THOMAS: What does that mean?
work_6tcgzb46wnhbrpnpxhbwr2oczq	THOMAS: What hour?
work_6tcgzb46wnhbrpnpxhbwr2oczq	THOMAS: What is it Dad?
work_6tcgzb46wnhbrpnpxhbwr2oczq	THOMAS: What one was that?
work_6tcgzb46wnhbrpnpxhbwr2oczq	THOMAS: What talk is that?
work_6tcgzb46wnhbrpnpxhbwr2oczq	THOMAS: What time is it?
work_6tcgzb46wnhbrpnpxhbwr2oczq	THOMAS: What was that?
work_6tcgzb46wnhbrpnpxhbwr2oczq	THOMAS: What?
work_6tcgzb46wnhbrpnpxhbwr2oczq	THOMAS: Where is everyone else?
work_6tcgzb46wnhbrpnpxhbwr2oczq	THOMAS: Where is here?
work_6tcgzb46wnhbrpnpxhbwr2oczq	THOMAS: Who are talking to?
work_6tcgzb46wnhbrpnpxhbwr2oczq	THOMAS: Why could n''t you come home decently?
work_6tcgzb46wnhbrpnpxhbwr2oczq	THOMAS: Why not, its damn funny?
work_6tcgzb46wnhbrpnpxhbwr2oczq	THOMAS: Why''d you love Dad?
work_6tcgzb46wnhbrpnpxhbwr2oczq	THOMAS: Why?
work_6tcgzb46wnhbrpnpxhbwr2oczq	THOMAS: Yes?
work_6tcgzb46wnhbrpnpxhbwr2oczq	THOMAS: You forgot my question?
work_6tcgzb46wnhbrpnpxhbwr2oczq	THOMAS: You talked with it?
work_6tcgzb46wnhbrpnpxhbwr2oczq	THOMAS: You were with my brother?
work_6tcgzb46wnhbrpnpxhbwr2oczq	THOMAS: Your dad is waving guns, my girlfriend is playing with my brother, my dad is dying-- have you been listening to me?
work_6tcgzb46wnhbrpnpxhbwr2oczq	THOMAS: Zane?
work_6tcgzb46wnhbrpnpxhbwr2oczq	THOMAS:( Continued) Grad Night?
work_6tcgzb46wnhbrpnpxhbwr2oczq	THOMAS:( Continued) Home early today Sir?
work_6tcgzb46wnhbrpnpxhbwr2oczq	THOMAS:( Continued) You just going to sleep?
work_6tcgzb46wnhbrpnpxhbwr2oczq	That God''s son walked the earth, that-- MAURA: Stop it will yah stop?
work_6tcgzb46wnhbrpnpxhbwr2oczq	That allright with you Thomas?
work_6tcgzb46wnhbrpnpxhbwr2oczq	That''s what your grade skipping mind tells you is it?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Then, where''d you be?
work_6tcgzb46wnhbrpnpxhbwr2oczq	This feeling does it last forever?
work_6tcgzb46wnhbrpnpxhbwr2oczq	This is all you''ve done?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Thomas goes over to Colleen) THOMAS:( Continued) You''re not surprised to see me?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Thomas, I do n''t have words for this, have you?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Trying to earn a medal boy?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Want another punch?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Want to go swimming?
work_6tcgzb46wnhbrpnpxhbwr2oczq	We''re doing it?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Were the little people teasing you again?
work_6tcgzb46wnhbrpnpxhbwr2oczq	What am I hearing said in my house?
work_6tcgzb46wnhbrpnpxhbwr2oczq	What are these notes?
work_6tcgzb46wnhbrpnpxhbwr2oczq	What are you doing alone out here so early?
work_6tcgzb46wnhbrpnpxhbwr2oczq	What are you writing in your journal?
work_6tcgzb46wnhbrpnpxhbwr2oczq	What courses would they be?
work_6tcgzb46wnhbrpnpxhbwr2oczq	What do I care?
work_6tcgzb46wnhbrpnpxhbwr2oczq	What do you really want from me Father?
work_6tcgzb46wnhbrpnpxhbwr2oczq	What do you say to that?
work_6tcgzb46wnhbrpnpxhbwr2oczq	What does she want?
work_6tcgzb46wnhbrpnpxhbwr2oczq	What does that make me?
work_6tcgzb46wnhbrpnpxhbwr2oczq	What escape?
work_6tcgzb46wnhbrpnpxhbwr2oczq	What gives?
work_6tcgzb46wnhbrpnpxhbwr2oczq	What happened?
work_6tcgzb46wnhbrpnpxhbwr2oczq	What have you got to be sorry about?
work_6tcgzb46wnhbrpnpxhbwr2oczq	What have you got to say to me?
work_6tcgzb46wnhbrpnpxhbwr2oczq	What in blazes are you doing there lad?
work_6tcgzb46wnhbrpnpxhbwr2oczq	What in the blazes did that mean anyway?
work_6tcgzb46wnhbrpnpxhbwr2oczq	What in the world are you two doing?
work_6tcgzb46wnhbrpnpxhbwr2oczq	What is it anyway?
work_6tcgzb46wnhbrpnpxhbwr2oczq	What plans boy?
work_6tcgzb46wnhbrpnpxhbwr2oczq	What profit?
work_6tcgzb46wnhbrpnpxhbwr2oczq	What shall I do?
work_6tcgzb46wnhbrpnpxhbwr2oczq	What shall we do Father?
work_6tcgzb46wnhbrpnpxhbwr2oczq	What the hell are you talking about?
work_6tcgzb46wnhbrpnpxhbwr2oczq	What three- dollar word are you pulling out there?
work_6tcgzb46wnhbrpnpxhbwr2oczq	What will you do when you meet her?
work_6tcgzb46wnhbrpnpxhbwr2oczq	What''s Up?
work_6tcgzb46wnhbrpnpxhbwr2oczq	What''s that noise?
work_6tcgzb46wnhbrpnpxhbwr2oczq	What''s this?
work_6tcgzb46wnhbrpnpxhbwr2oczq	What''s wrong with Thomas?
work_6tcgzb46wnhbrpnpxhbwr2oczq	What''s wrong with you son?
work_6tcgzb46wnhbrpnpxhbwr2oczq	When?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Where are you?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Where are you?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Where have you been for almost a whole week?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Where is here?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Where the fuck were you?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Where''s Sadie, where''s everyone?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Where''s a candle, anybody got a candle?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Where?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Who am I kidding?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Who are you?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Who is here?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Who was it?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Who''s the graduate?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Who''s there?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Why are doing this?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Why are we breaking up?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Why are you laughing?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Why ca n''t I write poetry?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Why ca n''t you be more like him?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Why do you have to go through this alone?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Why the questions Thomas?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Why''d it have to?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Will you forgive me?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Women like that, eh?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Would n''t you agree Father?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Would you like an apple, late winterfall?
work_6tcgzb46wnhbrpnpxhbwr2oczq	You Dante?
work_6tcgzb46wnhbrpnpxhbwr2oczq	You could n''t sleep?
work_6tcgzb46wnhbrpnpxhbwr2oczq	You got any gum?
work_6tcgzb46wnhbrpnpxhbwr2oczq	You got the priest in your sight today have you?
work_6tcgzb46wnhbrpnpxhbwr2oczq	You know you could have just picked up my grad tuxedo without me?
work_6tcgzb46wnhbrpnpxhbwr2oczq	You liked that did n''t you?
work_6tcgzb46wnhbrpnpxhbwr2oczq	You need to laugh, where''s your laugh?
work_6tcgzb46wnhbrpnpxhbwr2oczq	You needed a piece of her did you before she goes?
work_6tcgzb46wnhbrpnpxhbwr2oczq	You see it boys?
work_6tcgzb46wnhbrpnpxhbwr2oczq	You want the whole town to hear all of yee going loonie?
work_6tcgzb46wnhbrpnpxhbwr2oczq	You wanted more, did n''t you?
work_6tcgzb46wnhbrpnpxhbwr2oczq	You would n''t be going to University like my daughter Colleen would you?
work_6tcgzb46wnhbrpnpxhbwr2oczq	You''ll call him wo n''t you Thomas?
work_6tcgzb46wnhbrpnpxhbwr2oczq	You''ll look after the house wo n''t you Thomas?
work_6tcgzb46wnhbrpnpxhbwr2oczq	You''re not sure?
work_6tcgzb46wnhbrpnpxhbwr2oczq	ZANE: Cause of the ghost?
work_6tcgzb46wnhbrpnpxhbwr2oczq	ZANE: Cross Canada?
work_6tcgzb46wnhbrpnpxhbwr2oczq	ZANE: Do you guys like the bread?
work_6tcgzb46wnhbrpnpxhbwr2oczq	ZANE: Do you need a ride somewhere Miss?
work_6tcgzb46wnhbrpnpxhbwr2oczq	ZANE: If you''re not going to do with her because of her Dad, Why do n''t you two break up?
work_6tcgzb46wnhbrpnpxhbwr2oczq	ZANE: Lip meeting?
work_6tcgzb46wnhbrpnpxhbwr2oczq	ZANE: Now you''re fighting?
work_6tcgzb46wnhbrpnpxhbwr2oczq	ZANE: What?
work_6tcgzb46wnhbrpnpxhbwr2oczq	ZANE: Yeah sure, Thomas you got a knife —?
work_6tcgzb46wnhbrpnpxhbwr2oczq	ZANE: You think that''s going to make it all better?
work_6tcgzb46wnhbrpnpxhbwr2oczq	ZANE:( Continued) What?
work_6tcgzb46wnhbrpnpxhbwr2oczq	ZANE:( Humming a tune we recognize it as Taking care of business) PETER: You want to see your friend alive again Tommy boy?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Zane awakens ZANE: Is this real?
work_6tcgzb46wnhbrpnpxhbwr2oczq	Zane?
work_6tcgzb46wnhbrpnpxhbwr2oczq	homegrown, longhair?
work_6tcgzb46wnhbrpnpxhbwr2oczq	— why am I a target?