quadgram

This is a table of type quadgram and their frequencies. Use it to search & browse the list to learn more about your study carrel.

quadgram	frequency
at the end of	55
the foot of the	54
one of the most	46
at the foot of	42
in the midst of	39
at the same time	37
the palace of the	35
and by permission of	34
the end of the	32
by special arrangement with	32
the banks of the	30
the top of the	29
in the middle of	27
at the head of	27
by the side of	27
the head of the	24
the walls of the	24
is said to have	23
the spirit of the	23
on the other side	23
the middle of the	23
the rest of the	22
for the first time	21
on the banks of	21
the door of the	21
in the history of	20
the ruins of the	20
of one of the	20
for the last time	19
i do not know	19
on the top of	19
we came to the	19
by hippolyte adolphe taine	18
is one of the	18
and in a few	18
of the fifteenth century	18
seems to have been	17
in the days of	17
to the foot of	17
in the hands of	16
the summit of the	16
in the habit of	16
at the door of	16
the valley of the	16
the hands of the	16
of the middle ages	16
on the other hand	16
was one of the	15
for the sake of	15
the history of the	15
for the most part	15
in a few minutes	15
of the gulf of	15
it is difficult to	15
the site of the	15
the other side of	15
on the th of	15
at the time of	14
early in the morning	14
the beauty of the	14
the bottom of the	14
in the course of	14
the gulf of corinth	14
the surface of the	14
the beginning of the	13
in front of the	13
in one of the	13
it is impossible to	13
in the open air	13
published by the macmillan	13
the close of the	13
on the opposite side	13
other side of the	13
by the macmillan co	13
in a few moments	13
the whole of the	12
it had been the	12
the side of the	12
i told him that	12
in the centre of	12
of peter the great	12
the line of the	12
the character of the	12
of the duke of	12
of the sixteenth century	12
in regard to the	12
in the form of	12
into the hands of	12
in the name of	12
it is said that	12
here and there a	12
told me that he	11
i returned to my	11
the church of s	11
as one of the	11
the end of a	11
foot of the mountain	11
and one of the	11
i was obliged to	11
the gate of the	11
foot of the hill	11
and here and there	10
we were obliged to	10
the shore of the	10
by the name of	10
the mouth of the	10
in the service of	10
the base of the	10
on the borders of	10
on his way to	10
each side of the	10
with the exception of	10
i could not help	10
but i could not	10
of the palace of	10
the days of the	10
the name of the	10
at the moment of	10
as soon as the	10
the church of st	10
the time of the	10
the genius of the	9
on each side of	9
the edge of the	9
of the ancient city	9
that i was an	9
the church of the	9
the nature of the	9
a part of the	9
on the summit of	9
of the fourteenth century	9
among the ruins of	9
at the base of	9
more than a hundred	9
not far from the	9
said to have been	9
as far as the	9
on their way to	9
and at the same	9
by the light of	9
the interior of the	9
on the death of	9
to be found in	9
in the church of	9
that is to say	9
the whole length of	9
the passage of the	9
a view of the	9
in the streets of	9
and there is a	9
of one hundred and	9
seem to have been	9
that i did not	9
and on the other	9
in spite of the	9
ye know about to	9
on the site of	9
in the bottom of	9
during the whole of	8
in the way of	8
in half an hour	8
to the ruins of	8
the memory of the	8
that he was a	8
in the heart of	8
the eyes of the	8
late in the afternoon	8
it would have been	8
for a long time	8
with his own hands	8
i could not but	8
in the first place	8
to the height of	8
so far as i	8
the pavement of the	8
at the close of	8
the waters of the	8
at the expense of	8
one hundred and twenty	8
the place of the	8
with a view to	8
was a man of	8
it was not until	8
the tomb of the	8
the house of the	8
the same time the	8
in italy and greece	8
the midst of the	8
to the house of	8
in some of the	8
it was a beautiful	8
nought ye know about	8
the opposite side of	8
it seemed as though	8
in the fifteenth century	8
with a feeling of	8
i was an american	8
under the shade of	8
in the morning we	8
as soon as we	8
under the walls of	8
at the age of	8
be found in the	8
the last of the	8
the borders of the	8
a portion of the	8
in the same way	8
by charles dudley warner	8
opposite side of the	8
the temple of the	8
that i could not	8
the subject of the	7
i went to the	7
the heart of the	7
from the top of	7
the tombs of the	7
the next morning i	7
it is enough to	7
the form of a	7
the whole of this	7
returned to my hotel	7
in the twelfth century	7
at the beginning of	7
was the son of	7
a visit to the	7
a great part of	7
the garden of the	7
in eighteen hundred and	7
the kings of poland	7
of men and women	7
the lake of como	7
may be found in	7
the presence of the	7
to the memory of	7
one of his own	7
the people of the	7
the little town of	7
incidents of travel in	7
the sides of the	7
the face of the	7
in so far as	7
the centre of the	7
from time to time	7
the shadow of the	7
the morning of the	7
years of his life	7
an image of the	7
the course of the	7
as if they were	7
one of the great	7
the opening of the	7
on the morning of	7
translated by john durand	7
one hundred and fifty	7
the head of his	7
of the house of	7
so far from home	7
is no doubt that	7
in the center of	7
every part of the	7
the period of the	7
johann wolfgang von goethe	7
i have no doubt	7
the duke of bracciano	7
in order that the	7
on the edge of	7
at the bottom of	7
and change my dreaming	7
in the eyes of	7
are to be seen	7
to the tomb of	7
by johann wolfgang von	7
of the temple of	7
that he did not	7
in a great measure	7
the center of the	7
in the sixteenth century	7
we came to a	7
the body of the	7
there is no doubt	7
up and down the	7
there was not a	7
the seat of the	7
face to face with	7
under the direction of	7
whole length of the	7
he told me that	7
on a visit to	7
in course of time	7
site of the ancient	7
it was late in	7
the entrance to the	7
at the mouth of	7
are the ruins of	7
the ruins of a	7
may still be seen	7
the manner in which	7
on the side of	7
and the holy land	7
the next day i	6
in the case of	6
shore of the sea	6
in such a place	6
he was a man	6
of the fine arts	6
part of the city	6
and studies in italy	6
of the beauty of	6
the influence of the	6
a great portion of	6
at an early hour	6
a hundred and fifty	6
in the shape of	6
to that of the	6
at the entrance of	6
palace of the grand	6
more than two thousand	6
of one of his	6
it was necessary to	6
when i returned to	6
that it is a	6
through the streets of	6
the steps of the	6
end of a long	6
it is here that	6
the service of the	6
great part of the	6
he is said to	6
the house of a	6
of the people and	6
the sea of marmora	6
gate of the lions	6
on the grand canal	6
their way to the	6
hippolyte adolphe taine the	6
that it is the	6
the body of his	6
to the throne of	6
the hands of a	6
to believe that the	6
on the way to	6
and studies in greece	6
on the steps of	6
from pictures from italy	6
the midst of a	6
from rambles and studies	6
it is true that	6
if it had been	6
in the fourteenth century	6
from the black sea	6
on the subject of	6
and there is no	6
the way in which	6
the age of the	6
was in the habit	6
rambles and studies in	6
to the summit of	6
different from that of	6
supposed to be the	6
the state of the	6
for the use of	6
the black sea to	6
in a short time	6
the duke of urbino	6
as if he had	6
to the door of	6
the emperor and empress	6
the beauty of its	6
the shores of the	6
this part of the	6
the duke of milan	6
to the palace of	6
was late in the	6
i strolled through the	6
a mile in length	6
the last time in	6
the residence of the	6
of the old world	6
banks of the neva	6
in the act of	6
this first of may	6
passage of the berezina	6
the left of the	6
out of the rock	6
the first time i	6
the maid of athens	6
there is no need	6
it had not been	6
side of the gulf	6
that it was not	6
by far the most	6
of the most beautiful	6
in the time of	6
was at that time	6
that he would not	6
by the help of	6
the height of the	6
one of the finest	6
a quarter of a	6
it was in the	6
in the style of	6
the bodies of the	6
at the other end	6
in the annals of	6
the floor of the	6
the plain of argos	6
the work of the	6
hundred and fifty feet	6
supposed to have been	6
and beauty of the	6
in the morning i	6
as early as the	6
before the door of	6
in the mean time	6
on the road to	6
the th of april	5
the style of the	5
the greater part of	5
i had yet seen	5
the captain of the	5
that there was a	5
since every gentle heart	5
as well as in	5
but it was not	5
with that of the	5
the entrance of the	5
the side of a	5
came in sight of	5
had gone so far	5
a great deal of	5
of the grand duke	5
we came in sight	5
and on each side	5
far as i could	5
of the ducal palace	5
a green garden in	5
was changed to the	5
was not in the	5
that there is no	5
in the person of	5
of the last century	5
is said to be	5
of the modern city	5
garden in mid month	5
on the part of	5
i have seen the	5
in the words of	5
the weakness of the	5
on the right bank	5
manner in which the	5
on which stands the	5
from one of the	5
the chapel of s	5
mid month of may	5
more than a mile	5
might be compared to	5
door of the posthouse	5
at the same moment	5
the centre of a	5
the tops of the	5
the appearance of the	5
of the most interesting	5
gentle heart is thrall	5
green garden in mid	5
is no need to	5
on either side of	5
in mid month of	5
here and there with	5
nymph will hear not	5
i am inclined to	5
a picture of the	5
stands on the site	5
far as the eye	5
within the walls of	5
the pride of the	5
the reign of the	5
surface of the earth	5
in the harbour of	5
grand duke of tuscany	5
and the spirit of	5
in the teeth of	5
all must follow thee	5
the roof of the	5
the place where the	5
to a certain extent	5
autocrat of all the	5
the story of the	5
the whole range of	5
to one of the	5
and that of the	5
myself one day all	5
the dress of the	5
to be seen in	5
we all must follow	5
it is clear that	5
and in the same	5
the bed of the	5
i returned to the	5
the mountains and the	5
in the seventeenth century	5
eighteen hundred and thirty	5
in greece and russia	5
i found myself one	5
we stopped at a	5
if he had not	5
the army of the	5
this is not the	5
the foot of a	5
it may be said	5
the first of the	5
from every part of	5
the skirts of the	5
travels in greece and	5
i was in the	5
is the tomb of	5
with here and there	5
knows not what thing	5
the remains of the	5
in the united states	5
from travels in greece	5
of the earlier renaissance	5
it seems to have	5
ruins of the palace	5
one of the best	5
there is nothing in	5
what thing is paradise	5
of travel in greece	5
at the house of	5
this is the most	5
my friend was a	5
as if it had	5
the last day of	5
every gentle heart is	5
from the bottom of	5
as long as the	5
no doubt that the	5
at the time when	5
two thousand years ago	5
as if they had	5
yet there is no	5
of the tenth century	5
of the black sea	5
of the old palace	5
the church of san	5
fair nymph will hear	5
in that of the	5
the founder of the	5
the work of a	5
the fair nymph will	5
let him look fixedly	5
the first thing that	5
told him that i	5
that there was no	5
it was here that	5
i ought not to	5
at the last moment	5
pardon if i follow	5
field with blossoms strewn	5
in the high alps	5
since the fair nymph	5
as a sort of	5
in which they are	5
of the kings of	5
known by the name	5
the light of the	5
at the feet of	5
the cathedral of the	5
with the title of	5
i had seen in	5
on the field of	5
as if it were	5
at the top of	5
in the execution of	5
one of the earliest	5
but i do not	5
no pardon if i	5
of the church is	5
the right of the	5
who knows not what	5
the gates of the	5
latter part of the	5
cut in the rock	5
a field with blossoms	5
the branches of the	5
to pass the night	5
i ask no pardon	5
in a state of	5
we returned to the	5
was the first to	5
i went a roaming	5
of all the russias	5
place where we could	5
walls of the kremlin	5
in a green garden	5
it will be remembered	5
on the floor of	5
the statue of the	5
if i follow love	5
he who knows not	5
a few moments i	5
with the spirit of	5
to the head of	5
pastime in a field	5
studies in italy and	5
with their own hands	5
and sat down to	5
of three or four	5
from that of the	5
at the upper end	5
on the verge of	5
ask no pardon if	5
the sound of the	5
the latter part of	5
as well as the	5
found myself one day	5
for pastime in a	5
and many of the	5
at the gate of	5
was by no means	5
the figure of the	5
banks of the vistula	5
all the way from	5
the bridge of sighs	5
under the charge of	5
is to be seen	5
him look fixedly on	5
not understand a word	5
one of the first	5
to get rid of	5
for a journey of	5
the doors of the	5
the bank of the	5
in a field with	5
the destruction of the	5
not what thing is	5
in the language of	5
my friend and i	5
the final end of	5
on the other the	5
was a native of	5
on the spot where	5
it was clear that	5
heart is thrall thereof	5
it is a great	5
that he had gone	4
the use of the	4
or any of the	4
campo di san polo	4
is not to be	4
at that time a	4
it was nearly dark	4
the next morning we	4
the holy city of	4
after the battle of	4
some of the best	4
the course of a	4
can i sing light	4
the old palace of	4
it is probable that	4
the temple of jupiter	4
give thee back thy	4
in an age which	4
of the king of	4
i must not forget	4
in a sort of	4
it was only a	4
of the work of	4
the last time to	4
the hand of the	4
he seems to have	4
i was particularly struck	4
with the rest of	4
for the purpose of	4
to the sound of	4
and it is said	4
by one of the	4
the fate of the	4
and i did not	4
had been a soldier	4
and i could not	4
of the polish kings	4
to the genius of	4
the foot of mount	4
by permission of the	4
in the exercise of	4
gate of the city	4
and i was obliged	4
in one of his	4
in spite of his	4
the days of its	4
the rich plain of	4
into the presence of	4
and the black sea	4
i embarked on board	4
length and breadth of	4
the bottom of his	4
in no small measure	4
as a place where	4
had for some time	4
the heart of a	4
drew my cloak around	4
of the city and	4
bank of the river	4
one or other of	4
some of the most	4
he was dressed in	4
glittering in the sun	4
to the rank of	4
in the house of	4
the first half of	4
the midst of them	4
my friends at home	4
to some of the	4
from in the levant	4
in the light of	4
an hour or two	4
his seat on the	4
on both sides of	4
up to the door	4
after a few words	4
in the line of	4
he did not like	4
in the appearance of	4
we set out for	4
as the painter of	4
the shade of the	4
of the seventeenth century	4
at the court of	4
the person of the	4
first half of the	4
the scene of his	4
was a beautiful afternoon	4
seemed as though the	4
the riches of the	4
we found a large	4
the time when the	4
in the reign of	4
tomb of the prophet	4
the habits of the	4
and all kinds of	4
the tyranny of the	4
and that he was	4
down to the shore	4
is to be found	4
the year that the	4
and tens of thousands	4
in the character of	4
from the rest of	4
in which it is	4
of the mountain is	4
the moment of my	4
one of his most	4
as in the days	4
of the city by	4
is not the place	4
under the protection of	4
the campo di san	4
the members of the	4
than a hundred thousand	4
to go back and	4
for a moment the	4
that i had not	4
thousands and tens of	4
mounted a drosky and	4
for two or three	4
we went to the	4
emperor and autocrat of	4
the attention of the	4
of the golden horn	4
temple of jupiter olympus	4
sat down to a	4
longer smiles on me	4
as the eye can	4
the edge of a	4
to the top of	4
the duchy of milan	4
with the view of	4
more than two hundred	4
could not believe that	4
at the rate of	4
to the duke of	4
the tomb of virgil	4
of the corinthian order	4
one hundred and forty	4
when my loved lord	4
the prince of orange	4
that it had been	4
to say that the	4
must have been a	4
the widow and daughters	4
my loved lord no	4
which they had been	4
the property of the	4
in the ears of	4
state of the country	4
in a kind of	4
door of the church	4
that part of the	4
it may have been	4
the exercise of his	4
and when he had	4
that i was not	4
of the medici and	4
it is easy to	4
the signory and the	4
the walls of warsaw	4
that it is difficult	4
i am obliged to	4
middle of the floor	4
in about two hours	4
from the ruins of	4
the gulf of lepanto	4
which the people of	4
sat down on the	4
and in an hour	4
daughter of the duke	4
no wonder that the	4
in the presence of	4
the splendour of the	4
and autocrat of all	4
by charles dickens the	4
no longer smiles on	4
as soon as he	4
the fruits of his	4
but he did not	4
on the first floor	4
in the recesses of	4
a young man of	4
that he could not	4
seem to be the	4
with a crowd of	4
of the grand council	4
will be well to	4
the palace of urbino	4
the form of the	4
captain of the people	4
do not know a	4
the volume of the	4
and on my return	4
one hundred and ten	4
the scuola di san	4
the appearance of a	4
could not help thinking	4
the memory of that	4
the ruins of ephesus	4
take the place of	4
by percy bysshe shelley	4
as soon as i	4
the seven wonders of	4
my cloak around me	4
the contrast between the	4
it will be well	4
under the banners of	4
and some of the	4
one of the largest	4
at the gates of	4
more than half a	4
no small measure to	4
the city and the	4
between him and the	4
lofty tower of ivan	4
a drosky and rode	4
the gulf of finland	4
the language of the	4
am inclined to think	4
and he told me	4
loved lord no longer	4
the ancient city of	4
the thickness of the	4
with the beauty of	4
the number of the	4
when we reached the	4
was nearly dark when	4
i should have been	4
it is not possible	4
when i told him	4
is the most beautiful	4
could not but think	4
that we should not	4
quarter of an hour	4
on each side is	4
it is strange to	4
of the thirteenth century	4
of the knights of	4
the power of the	4
every quarter of the	4
in the year of	4
wide air with our	4
one of the loveliest	4
hewn out of the	4
there is nothing more	4
the feet of the	4
the necessities of the	4
and it was not	4
two or three years	4
the arms of the	4
the battle of lepanto	4
the duke of athens	4
the ashes of the	4
the election of a	4
the study of the	4
the level of the	4
lord no longer smiles	4
that he should have	4
if i were to	4
it is hard to	4
of the most conspicuous	4
the court of the	4
the sun and the	4
of casimir the great	4
with a kind of	4
the last years of	4
under the light of	4
the door of a	4
early the next morning	4
not to speak of	4
tower of ivan veliki	4
returned to the house	4
more than a thousand	4
summit of the acropolis	4
looked out upon the	4
will be remembered that	4
the feelings of my	4
in the distance the	4
there is not a	4
in the chapel of	4
i had a letter	4
with our complaint resound	4
told him that he	4
about a quarter of	4
in the afternoon we	4
the other day we	4
in the afternoon when	4
the rest of europe	4
that we could not	4
as an evidence of	4
of the tender passion	4
and the beauty of	4
the building of the	4
the lofty tower of	4
it to say that	4
a work of art	4
to the character of	4
in the age of	4
the chiefs of the	4
of light and shade	4
palace of the seigneurie	4
the office of the	4
a range of mountains	4
by charles yriarte the	4
wonders of the world	4
when we entered the	4
one of the greatest	4
to the days of	4
the reader will remember	4
if i had been	4
the point of the	4
the names of the	4
to be the most	4
was to be seen	4
the length and breadth	4
summit of the hill	4
whom i had met	4
it was a long	4
i could well imagine	4
and that he had	4
if it had not	4
the crucifix of crema	4
the emperor and autocrat	4
the effect of a	4
we are in the	4
from the fact that	4
view of the sea	4
the shape of a	4
from journeys in italy	4
i took leave of	4
of the greek church	4
a few days before	4
i mounted a drosky	4
side by side with	4
the head of a	4
on the black sea	4
a corner of the	4
with a sort of	4
from the time of	4
the capital of the	4
the capital of russia	4
me that he had	4
by the empress catharine	4
the good old days	4
there can be no	4
by the hands of	4
from point to point	4
drove up to the	4
on the crest of	4
rest of the world	4
the silence of the	4
love of the alps	4
an evidence of the	4
of more than two	4
let the wide air	4
the wall of the	4
a quarter of an	4
had a right to	4
and at the foot	4
the great council chamber	4
it is necessary to	4
feet above the sea	4
the value of a	4
the situation of the	4
place of the grand	4
one hundred and thirty	4
of the seven towers	4
the cathedral of como	4
and in one place	4
the throne of xerxes	4
the feeling of the	4
seven wonders of the	4
last time in the	4
the sake of the	4
in the middle ages	4
in honour of the	4
walls of the seraglio	4
the barracks of the	4
how can i sing	4
is said that the	4
of the italian lakes	4
the honour of the	4
within a few years	4
in favour of the	4
to the church of	4
time it had been	4
of the great goddess	4
but there was a	4
in which i had	4
walls of the city	4
and on the right	4
scuola di san rocco	4
in the garden of	4
in the second century	4
of the first of	4
when i say that	4
nothing could be more	4
it seems to be	4
two and a half	4
the rather heavy gentleman	4
summit of the pass	4
of the human spirit	4
gates of the city	4
from travels in italy	4
which is said to	4
the door of my	4
said to be the	4
the very summit of	4
for more than a	4
with the addition of	4
by the people of	4
the case of the	4
temple of the winds	4
the republic of s	4
three thousand years ago	4
inclined to think that	4
the condition of the	4
the keynote of the	4
sketches and studies in	4
as in the case	4
on one side of	4
at the mercy of	4
on one side by	4
by william cullen bryant	4
in a few days	4
and to this day	4
the temple of theseus	4
black sea to the	4
the moment when the	4
the wide air with	4
in the evening we	4
most interesting part of	4
him that i was	4
under the guidance of	4
in the art of	4
established themselves in the	4
but it was a	4
of the state of	4
air with our complaint	4
like the rest of	4
by rodolfo lanciani the	4
my way through the	4
in spite of all	4
the houses of the	4
the most important of	4
in the conduct of	4
heart of the city	4
at one end of	4
is the history of	4
it was impossible to	4
the plain of lombardy	4
i shall not attempt	4
in which he had	4
a flight of steps	4
told me that the	4
one end of which	4
the name of a	4
at the edge of	4
are still to be	3
a loaf of bread	3
and in the centre	3
the age in which	3
he was a young	3
to the monastery of	3
more than three thousand	3
than that of a	3
lies at the root	3
and fifty feet high	3
what is called the	3
of the characteristics of	3
the taste of the	3
in front of me	3
we drove up to	3
upper end of the	3
versts from the city	3
we have reached the	3
and the duke of	3
put it in my	3
and everything necessary for	3
upon the grand canal	3
but in a few	3
took his place in	3
the master of the	3
the purest white marble	3
a letter to a	3
was at this time	3
the snow and ice	3
gave themselves up to	3
a full view of	3
small water wants the	3
the spring of the	3
the presence of a	3
the statue of athene	3
the upper end of	3
nothing in common with	3
the wonders of the	3
between the sea and	3
was open to the	3
of his life were	3
the glory of their	3
and i could well	3
feelings of my companion	3
one of the walls	3
had nothing in common	3
he was able to	3
the man who could	3
i drew my cloak	3
is derived from the	3
and nearly all the	3
the design of the	3
between it and the	3
the th of february	3
interest with which i	3
the scene of a	3
in spite of this	3
which i had left	3
was no other than	3
is the result of	3
of which have been	3
it is confirmed by	3
and half a dozen	3
said that he was	3
four hundred and fifty	3
and we had a	3
as it were in	3
the summit of an	3
of the rest of	3
my leave of the	3
was in vain that	3
of the renaissance had	3
the advent of the	3
by side with the	3
as large as life	3
a house of convertites	3
is a kind of	3
and the other a	3
was buried in the	3
black and white marble	3
i had travelled in	3
the commerce of the	3
the beauties of the	3
and thinking of the	3
the officers of the	3
the temper of the	3
in the streets and	3
the art of war	3
morte di madonna laura	3
the people and the	3
it is certain that	3
i was roused by	3
in the door of	3
the sight of the	3
is situated in a	3
in the work of	3
of the french invasion	3
of introduction to mr	3
in the afternoon of	3
to climb to the	3
all over the city	3
and i have no	3
on the right is	3
the same as in	3
the night at the	3
is the island of	3
in the quality of	3
against one of the	3
to the black sea	3
the foliage of the	3
to the shore of	3
one end of the	3
offered to accompany me	3
in the interior of	3
just as i had	3
of them had been	3
the council of the	3
the shaft of the	3
well acquainted with the	3
our seats in the	3
the afternoon of the	3
the people of florence	3
by means of these	3
a short distance of	3
and fifty feet long	3
the slopes of the	3
in the same spirit	3
played the part of	3
a few moments the	3
he said that he	3
of his own family	3
a distance from the	3
as the haunt of	3
it is impossible not	3
with all his might	3
eight or ten feet	3
as a matter of	3
under the title of	3
is true that the	3
the wild plains of	3
i lighted my pipe	3
by the church of	3
seems to be a	3
high walls of the	3
we may be sure	3
of the seven wonders	3
was the only one	3
in the stillness of	3
the movement of the	3
of the mountain we	3
on the appian way	3
has been so often	3
for the possession of	3
to their age and	3
surmounted by a cross	3
humour in which i	3
at the risk of	3
them that i was	3
a large block of	3
the duchy of urbino	3
banks of the berezina	3
all the riches of	3
to the control of	3
a speaking comment upon	3
a distance of about	3
time since i had	3
the remnant of the	3
were now in the	3
one of the three	3
side of the hill	3
his elevation to the	3
it is not the	3
to the point where	3
the din of battle	3
at the moment when	3
steps of the theatre	3
in praise of the	3
the ruined temples of	3
united states of america	3
out of the harbour	3
of the roman emperors	3
as that of the	3
on the surface of	3
it was with no	3
the theater of dionysus	3
in every variety of	3
the mother weeps when	3
the habit of seeing	3
two hundred and fifty	3
pomp and circumstance of	3
are the descendants of	3
on the backs of	3
last years of the	3
between the city and	3
of the olympian zeus	3
the temple of athene	3
in this way we	3
and though i had	3
from the foot of	3
on my arrival in	3
on the one side	3
bounded on one side	3
which he was born	3
we took our seats	3
days of the republic	3
in morte di madonna	3
the particulars of the	3
the want of it	3
i knew that the	3
i cannot help mentioning	3
the winter and summer	3
of the late revolution	3
had been in the	3
to the mouth of	3
the brink of the	3
kept by a jew	3
to be derived from	3
of which are the	3
an hour before dark	3
rather heavy gentleman is	3
the risk of losing	3
the interest of the	3
that i had never	3
were the ruins of	3
be seen on the	3
chief town of the	3
the sun had set	3
of which it is	3
the daughter of the	3
i am not in	3
he had never travelled	3
the fact that the	3
on the lake of	3
the summit of a	3
bed of the taro	3
in the choir of	3
in company with a	3
of the city is	3
upward in the air	3
the kingdom of naples	3
from head to foot	3
temple of the great	3
to face with the	3
to a house of	3
the son of a	3
in the sight of	3
brought us to the	3
as a memorial of	3
it is the very	3
on a sort of	3
no notice of me	3
imitation of the antique	3
lighted our pipes and	3
is supposed to be	3
we came upon the	3
out on the balcony	3
it was the first	3
when he saw me	3
it is the custom	3
did not want it	3
and surmounted by a	3
having made arrangements for	3
i did not see	3
from the time when	3
one of them had	3
i could not see	3
could do was to	3
of which we saw	3
on the outskirts of	3
down to the sea	3
by a series of	3
the addition of a	3
walked up to the	3
evening we returned to	3
cathedral of the assumption	3
to the age of	3
if we did not	3
the duke of florence	3
and one of them	3
for the defence of	3
a journey of nearly	3
first view of the	3
it is one of	3
upon the walls of	3
as part of the	3
the blood of the	3
i expected to see	3
a season of universal	3
so great was the	3
the mother of the	3
in which we live	3
the construction of the	3
the largest in the	3
one of the chief	3
in the palace of	3
told him that we	3
top of the palace	3
the breaking out of	3
we lighted our pipes	3
on this side of	3
the constitution of the	3
of many of the	3
the true spirit of	3
two hundred and twenty	3
and at the other	3
of the great ship	3
of the sea of	3
that of the italians	3
struck the first blow	3
of the italian renaissance	3
flatter myself that i	3
at the hands of	3
that i had no	3
the acropolis of athens	3
ruins and excavations of	3
and the remains of	3
it was difficult to	3
the old town of	3
of eighteen hundred and	3
road is carried along	3
beauty of the place	3
hands of the turks	3
at constantinople i had	3
of the town is	3
as he told me	3
and telling me that	3
the new council chamber	3
running down to the	3
the custom of the	3
to dine with me	3
by a young man	3
the top of a	3
he had been in	3
the day before i	3
told me he had	3
be the case with	3
recollections of her ancient	3
the margin of a	3
the forest of elders	3
have been able to	3
it seems as if	3
the rain began to	3
is perhaps the most	3
the left bank of	3
piazza di san marco	3
was one of those	3
the cemetery of the	3
is the case with	3
is the work of	3
i take my leave	3
of a mile in	3
in the fifth century	3
i did not think	3
in this part of	3
from greece and the	3
was as much as	3
in which he was	3
a word he said	3
in the island of	3
the italians of the	3
the chapel of the	3
i do not think	3
by a row of	3
of the court of	3
of the scene in	3
the temple of apollo	3
a great number of	3
thee back thy feather	3
out of the water	3
from moscow to st	3
my hand forthwith is	3
in the intensity of	3
the cathedral of s	3
the burial place of	3
we seem to see	3
it is a small	3
from which he had	3
to the office of	3
in the valley of	3
the interest with which	3
but one of the	3
nations of the north	3
a continued succession of	3
be seen in the	3
that he had been	3
more than three hundred	3
there is no noise	3
castle of the seven	3
a fine piece of	3
to a little greek	3
a man of the	3
in this ancient city	3
is by far the	3
in the town of	3
lordships in the bergamasque	3
of the valley is	3
of santa maria maggiore	3
by bayard taylor the	3
the descendants of the	3
of the night has	3
that are to be	3
very summit of the	3
it was a pleasure	3
during the whole journey	3
the state in which	3
of the valley of	3
the battles of the	3
the dominions of the	3
that this was the	3
the medici in florence	3
along the banks of	3
a place where he	3
in the shadow of	3
in addition to the	3
interior of the coliseum	3
have a right to	3
the scene of the	3
is confirmed by poetry	3
for the study of	3
and out of the	3
a victory over the	3
on the sides of	3
it would seem that	3
by the memory of	3
it would not be	3
two hundred and eighty	3
host told us that	3
the houses on the	3
out of the way	3
in the neighborhood of	3
the spirits of the	3
by telling me that	3
and the whole of	3
that i had ever	3
but it is not	3
a long range of	3
the first moment of	3
no interest in the	3
was the first time	3
of the human soul	3
the guidance of a	3
are by no means	3
the recollection of his	3
the king of naples	3
as i strolled through	3
the region of the	3
was in no small	3
by a process of	3
points about the turks	3
as if i had	3
late in the evening	3
poverty of the country	3
in consequence of the	3
early part of the	3
in the minds of	3
on the opposite bank	3
from the temple of	3
upon the pavement of	3
them back to their	3
could well imagine the	3
in the preface to	3
two or three days	3
the town of como	3
it seems to me	3
on the very summit	3
had seen in greece	3
of the world as	3
is impossible not to	3
to some of my	3
church of the catacombs	3
of the best and	3
the first part of	3
is much the same	3
little more than a	3
it was on this	3
to the good old	3
in greece and turkey	3
for a little while	3
in a cloud of	3
of the most powerful	3
to say nothing of	3
they had all been	3
opening of the sixteenth	3
great portion of the	3
of the great council	3
by means of which	3
for his own use	3
in order to keep	3
was a long time	3
the room in which	3
vague idea of the	3
the recesses of the	3
the chief of the	3
of southern italy and	3
i ought to have	3
the centre of which	3
last time through the	3
we passed through the	3
in spite of its	3
a moment at the	3
of the best of	3
aware of his own	3
the death of his	3
by nathaniel hawthorne the	3
and excavations of ancient	3
my companion and myself	3
the subject of a	3
with no small degree	3
into the heart of	3
the hero of the	3
it is only a	3
a long series of	3
the first thing i	3
to one of those	3
with the wreck of	3
of the spirit of	3
of a thousand ducats	3
is a mass of	3
looked up at the	3
of the emperor and	3
to the territory of	3
used it as a	3
to what is called	3
to my hotel to	3
i told them that	3
what have i done	3
the time of our	3
more than two miles	3
when we came to	3
origin of the russian	3
a tour of the	3
the fresco of the	3
on the border of	3
the chief town of	3
during the pontificate of	3
the view of the	3
to regard me as	3
vita di madonna laura	3
by george stillman hillard	3
took the lead in	3
may be observed in	3
palace of the czars	3
is by no means	3
city of the dead	3
the great business of	3
on one side the	3
the favour of the	3
beauty of its women	3
i bade them farewell	3
the blaze of the	3
widow and daughters of	3
of the dukes of	3
between us and the	3
my friend of the	3
i did not understand	3
that it could not	3
with the name of	3
he was born in	3
i accompanied him to	3
is the city of	3
the manner of the	3
the border of the	3
it is not easy	3
the remains of a	3
in the persons of	3
spirit of the age	3
that they do not	3
a few words with	3
of the grand canal	3
but i had no	3
vii for article on	3
the associations connected with	3
but he could not	3
the appearance of this	3
in the spirit of	3
the first of may	3
i were master of	3
it is not necessary	3
that it should be	3
the great house of	3
the marquis of mantua	3
the rear of the	3
and put it in	3
i looked at the	3
rolled for the last	3
the trunk of a	3
in the pay of	3
which had been the	3
friend of the theatre	3
all things are changing	3
he knew how to	3
with the ruins of	3
of the russian navy	3
nothing can be more	3
central figure of the	3
hundred and ten thousand	3
of the island and	3
in the eternal city	3
on each side were	3
thousand seven hundred and	3
the administration of the	3
the most part in	3
the hands of his	3
one of the richest	3
is the most interesting	3
the tower of babel	3
and told me that	3
in vita di madonna	3
the italians as a	3
with a succession of	3
all that i had	3
top of the mountain	3
we were out of	3
to the time when	3
we feel as if	3
armed to the teeth	3
half of the fourteenth	3
for the loss of	3
all that remained of	3
i had been in	3
was a young man	3
that i had been	3
when the spirit of	3
by the duke of	3
of the lombard style	3
the strength of the	3
there was a general	3
and rode to the	3
on the ground of	3
at the same hour	3
and in the midst	3
it is possible that	3
bridge across the arno	3
years of the fifteenth	3
the allied forces of	3
from a state of	3
the manners and customs	3
of one of my	3
the duties of his	3
i do not mean	3
in the battle of	3
of the church and	3
the infirmities of human	3
the image of the	3
of a hundred and	3
far more than any	3
in the landscape of	3
in the enjoyment of	3
the character of this	3
at the sound of	3
the other end of	3
there was no other	3
the brother of marco	3
beyond the reach of	3
this was the most	3
to the city and	3
the north of italy	3
been the scene of	3
the village of fornovo	3
age of the renaissance	3
the galleys of the	3
the body of a	3
old towns of provence	3
the shrine of the	3
during the days of	3
a little higher up	3
but i will not	3
in the tenth century	3
an entire stranger in	3
offered his services to	3
ruins of the acropolis	3
the element of beauty	3
a large collection of	3
entirely destitute of all	3
swallowed up by the	3
for himself and his	3
the cathedral of rimini	3
with gold and silver	3
the bottom of a	3
portion of the human	3
were it not for	3
on the score of	3
don john of austria	3
he was a frenchman	3
was so low that	3
at the opening of	3
in which i was	3
set fire to the	3
within a short distance	3
in the matter of	3
the afternoon when i	3
upon the lips of	3
had been so long	3
to whom he had	3
the sea and the	3
it may be mentioned	3
on the left bank	3
quarter of the world	3
in the path of	3
it was after dark	3
on the farther side	3
with my eyes till	3
said to be a	3
a long time since	3
with my friend the	3
the darkness of the	3
of the river is	3
the road is carried	3
the mouths of the	3
the length of the	3
the whole population of	3
the figure of a	3
into a sort of	3
southern italy and sicily	3
in the evening i	3
i did not find	3
and the work of	3
as the place where	3
the only thing i	3
the piazza di san	3
the throne of the	3
the cause of the	3
at the idea of	3
was dressed in a	3
with him in the	3
the pope and the	3
and it is a	3
i was at the	3
reminded me of the	3
as if we were	3
as we approached the	3
the blue peaks of	3
good points about the	3
the kingdom of poland	3
the land of the	3
from six months in	3
under the command of	3
to me it was	3
to the palace and	3
through the length and	3
of the young lady	3
leaning tower of pisa	3
the blaze of their	3
still to be seen	3
and when i told	3
such is the force	3
the spirit of a	3
and some of them	3
the most interesting part	3
in the thirteenth century	3
passes of the apennines	3
we returned to our	3
in the afternoon i	3
to say that i	3
the ears of the	3
looking out upon the	3
of travelling in russia	3
from the walls of	3
to the village of	3
of the dome of	3
the meaning of the	3
the date of the	3
the throne of poland	3
the charge of the	3
i chase all sadness	3
so far as they	3
i had seen the	3
of the then known	3
in a moment of	3
after a ride of	3
could not resist the	3
similar to that of	3
of a man of	3
breaking out of the	3
the purity of the	3
of the house was	3
the use of arms	3
in the morning my	3
the soul of the	3
of the largest size	3
on the one hand	3
the bodies of men	3
called to the throne	3
is of red marble	3
in the south of	3
on a full run	3
a palace of the	3
on the lips of	3
of one or two	3
his quarters in the	3
all that is left	3
during the reign of	3
i went to a	3
the life of the	3
were out of sight	3
monastero maggiore at milan	3
of one of our	3
our lady of cazan	3
suffice it to say	3
cemetery of the capuchins	3
by reason of its	3
on the point of	3
the water of the	3
the hearts of the	3
he had gone so	3
in our own city	3
two or three miles	3
before the eyes of	3
the greatness of the	3
at a time when	3
the old order of	3
on the right of	3
the siege of troy	3
which had to be	3
of santa maria novella	3
a breath of air	3
the princes of the	3
beyond the power of	3
both sides of the	3
of which is a	3
he caught sight of	3
in two or three	3
ascent of the dome	3
history of the world	3
in the early morning	3
the crown of the	3
the chief charm of	3
enclosed by a high	3
had an opportunity of	3
all parts of the	3
at each of the	3
cities in the world	3
but i cannot help	3
fief of the empire	3
from which they had	3
with the sense of	3
in the same year	3
in vain that the	3
by the addition of	3
in the manner of	3
the right side of	3
the credit of the	3
all the cities of	3
house in which i	3
popular songs of tuscany	3
our guide told us	3
from the stones of	3
the age of thirty	3
in italy of the	3
the monuments of the	3
he was in the	3
took no notice of	3
the same kind of	3
in the place of	3
and there was a	3
it will not be	3
i know not how	3
the struggle of the	3
i was struck with	3
the preface to his	3
to the period of	3
a cinque cento brutus	3
the point of view	3
to turn aside and	3
in relation to the	3
of the roman empire	3
the doors and windows	3
a glance at the	3
the back of the	3
to be ashamed of	3
the ruin of the	3
time through the streets	3
he could not bear	3
tomb of the warrior	3
the most conspicuous objects	3
situated at the mouth	3
that he had never	3
there is nothing but	3
of the russian army	3
and descended to the	3
what was once a	3
of the fourth day	3
waters of the gulf	3
in a dream that	3
expression of his face	3
on the shore of	3
this is the true	3
in my hand forthwith	3
season of the year	3
in the cause of	3
winter and summer gardens	3
of keats and shelley	3
the then known world	3
the dome of st	3
left bank of the	3
at some distance from	3
the pomp and circumstance	3
we drove into the	3
it will be seen	3
the nations of the	3
the great goddess diana	3
equestrian statue of peter	3
no small degree of	3
was after dark when	3
and all over the	3
his life were spent	3
with its dim and	3
a day or two	3
in the gardens of	3
on the day of	3
of our lady of	3
all the rest of	3
at the peril of	3
on the bridge of	3
infirmities of human nature	3
at one of the	3
to such an extent	3
the structure of the	3
of the inhabitants of	3
was particularly struck with	3
to take care of	3
and took refuge in	3
the wife of the	3
in the temple of	3
the beauty of a	3
from any point of	3
a piece of the	3
the eye can reach	3
of two or three	3
in less than an	3
office of the diligence	3
is here that the	3
sea to the baltic	3
hand forthwith is turned	3
keynote of the whole	3
the day of the	3
who seemed to be	3
of the greek poets	3
to say that he	3
is the force of	3
in the same manner	3
brother of marco bozzaris	3
we were now in	3
of him as a	3
of light and colour	3
to each other in	3
with a sense of	3
in the works of	3
corner of the hill	3
the stones of venice	3
was with no small	3
reason to believe that	3
the baths of caracalla	3
the help of the	3
and in the evening	3
he did not know	3
put a stop to	3
he had not been	3
it was one of	3
gold in my hand	3
was added to the	3
i could not believe	3
that one of the	3
each other in the	3
venice and the venetians	3
but to return to	3
residence of peter the	3
and in half an	3
maid of athens is	3
of the kingdom of	3
the ruins and excavations	3
the jealousy of the	3
love at first sight	3
the greatest of the	3
the field of battle	3
did not consider myself	3
to be obliged to	3
the first place in	3
i kiss the earth	3
in one room are	3
leading up to the	3
which i did not	3
with a green dome	3
on the shores of	3
down the gulf of	3
it be that the	3
it as a place	3
i had heard of	3
the signory of venice	3
i shall never forget	3
to escape from the	3
long time since i	3
in which it was	3
the rest of italy	3
in order to make	3
lies the body of	3
the composition of the	3
the better class of	3
to return to the	3
our host told us	3
the extreme end of	3
the moment of parting	3
the glory of the	3
the great name of	3
in the latter part	3
and followed by a	3
it was as much	3
the bones of a	3
and could not get	3
hundred feet in length	3
when we reach the	3
to right and left	3
after dark when we	3
on the land side	3
of the church to	3
but this is not	3
and breadth of italy	3
of the temples of	3
a glimpse of a	3
the king of bavaria	3
i could but think	3
when the wind blows	3
man of the world	3
of the citizens of	3
the ascent of the	3
when will dawn that	3
not a breath of	3
the battle of fornovo	3
permission of the publishers	3
the history of this	3
the whole male population	3
three or four of	3
one of the principal	3
a fief of the	3
the light of day	3
the way to the	3
the quality of the	3
on the left of	3
end of the bridge	3
we can see but	3
the plain of attica	3
the portrait of a	3
the wisest of the	3
swore he would not	3
the last time through	3
it had been my	3
i arrived at the	3
at the distance of	3
george stillman hillard the	3
went to my hotel	3
the little village of	3
me a letter to	3
excavations of ancient rome	3
more than six hundred	3
been stripped of their	3
for the good of	3
the command of the	3
more than four hundred	3
the form of an	3
we arrived at the	3
life were spent in	3
final end of art	3
without being able to	3
as though they were	3
reminds one of the	3
favourable to the medici	3
the tenth century the	3
went up to the	3
that i had wings	3
of the french army	3
the expense of the	3
and listened to the	3
church of san polo	3
on such a night	3
the exception of the	3
of the art of	3
from place to place	3
foot of the acropolis	3
from the ruins and	3
part of the way	3
it struck me that	3
appears to have been	3
forthwith is turned to	3
six months in italy	3
the top of which	3
in a season of	3
he was obliged to	3
the centre of this	3
the eternal city by	3
so much of the	3
we could not get	3
for the protection of	3
the execution of his	3
the united states of	3
the marches of ancona	3
covered with a thick	3
his place in the	3
whom i had a	3
the love of the	3
the murder of his	3
the duke de richelieu	3
the streets of warsaw	3
received from him a	3
like that of the	3
nor is there any	3
who had been particularly	3
we passed under the	3
bag under my head	3
we had a long	3
the sestiere di san	3
during the french invasion	3
which leads to the	3
the mind of the	3
at the root of	3
and the way in	3
of the most exquisite	3
the hand of man	3
and looked at me	3
as a kind of	3
the moment of his	3
was the house of	3
from the life of	3
largest in the world	3
the early part of	3
it belongs to the	3
of the english poets	3
launch of the great	3
the lips of the	3
cities of southern italy	3
of black and white	3
in no small degree	3
me as an american	3
the acropolis at athens	3
during the middle ages	3
across the plain to	3
mother weeps when she	3
and enclosed by a	3
door of my hotel	3
from the summit of	3
is connected with the	3
statue of peter the	3
in seventeen hundred and	3
in one of them	3
there is a certain	3
for a few moments	3
the columns of the	3
manners and customs of	3
to be the first	3
which he had been	3
we stood on the	3
the simplicity of the	3
to the hotel de	3
of sheep and goats	3
how to get rid	3
with the freedom of	3
each other on the	3
of what was once	3
if i were master	3
the regions of the	3
here and there on	3
the cossacks of the	3
the minds of the	3
less than an hour	3
the last time he	3
the central figure of	3
the charge of a	3
the shores of greece	3
not be able to	3
as they are called	3
but in spite of	3
i was in a	3
we are forced to	3
one above the other	3
returned to the city	3
the fire of the	3
with some of the	3
a place where we	3
seemed to regard me	3
the piazza of s	3
this side of the	3
but i did not	3
at variance with the	3
part of the kingdom	3
shaft of the campanile	3
could not understand a	3
from cities of southern	3
the decoration of the	3
which are to be	3
the first time since	3
the temples of paestum	3
the war of the	3
to the spirit of	3
had been the scene	3
that it has been	3
the church is a	3
small measure to his	3
the russian ambassador at	3
the effect of the	3
the loss of a	3
when contrasted with the	3
for a great distance	3
the field of marathon	3
one of the many	3
the walls of rome	3
in the month of	3
a few minutes we	3
at the battle of	3
the uniform of the	3
the ruins of an	3
story is told of	3
on one side is	3
a group of jews	3
a little before dark	3
i had seen a	3
this was the first	3
the part he played	3
glorious struggle for liberty	3
in more than one	3
head of the gulf	3
and now and then	3
for the third time	3
to favour such a	3
it was in vain	3
the monastero maggiore at	3
there had been a	3
the strength of his	3
than two thousand years	3
the works of the	3
of italy in the	3
the palace is a	3
the end of which	3
middle of the night	3
as far as i	3
in the suburbs of	3
in many parts of	3
image of the virgin	3
at the back of	3
been in the habit	3
from the hands of	3
of the noble house	3
in the first instance	3
the passes of the	3
with the history of	3
my companion told me	3
to dine with mr	3
the title of the	3
over the graves of	3
as well as to	3
there are so many	3
there was plenty of	3
the personality of the	3
i was disappointed in	3
day before i left	3
the tomb of metella	3
set out for the	3
and on the morning	3
rain began to fall	3
running the whole length	3
looking up at the	3
the scenery of the	3
i am sorry to	3
the foundations of the	3
the hollows of the	3
of greek and latin	3
the other by the	3
the emperor of russia	3
of the modern world	3
the space between the	3
but i never saw	3
from the point of	3
each side is a	3
of god upon earth	3
visit to the widow	3
we did in athens	2
if this be the	2
may be studied in	2
the wreck of the	2
are the tombs of	2
was the wife of	2
present a picture of	2
saints in the russian	2
they seem to have	2
of men in the	2
and gave us a	2
my return i found	2
had not received the	2
they said that i	2
the produce of the	2
spiritual nature of the	2
in the agony of	2
set upon his head	2
the midst of it	2
within the precincts of	2
them if we could	2
old friend the marquis	2
the ascent is made	2
between the old and	2
international mercantile marine co	2
not more than four	2
of death by the	2
favour such a suitor	2
in spite of her	2
point of view of	2
of which he stands	2
whatever may be the	2
where we could get	2
again at the door	2
immersed in things of	2
who had an interest	2
close of the middle	2
above the forehead and	2
of the kings and	2
the recollections of our	2
bysshe shelley we have	2
it was not so	2
ruined cities of the	2
which is quite distinct	2
was the effect of	2
not greatly differ from	2
it is possible to	2
the fading of innumerable	2
by the bases of	2
of the renaissance period	2
we looked out upon	2
into the hearts of	2
privy council of seventy	2
of the florentine republic	2
borders of the gulf	2
the same walls which	2
rich and beautiful plain	2
is a large square	2
in a land where	2
the sick and dying	2
so placed as to	2
do not know why	2
i had ever read	2
we had a foretaste	2
that the air is	2
a few moments passed	2
to tear themselves away	2
i congratulated myself upon	2
to have been a	2
large mound of earth	2
was given over to	2
in his poem of	2
of the distant alpine	2
left me in an	2
coeval with that of	2
of the peninsula were	2
them in the morning	2
the greater or less	2
no other than the	2
called to his aid	2
upon the surface of	2
the other members of	2
the harmony of the	2
recesses of the porches	2
satisfaction of seeing the	2
the russians as a	2
the white eagle and	2
then there is a	2
the church and the	2
one of the numerous	2
the island of capri	2
that is to be	2
deep debt of gratitude	2
of gaston de foix	2
how many centuries of	2
in the place where	2
we sat down in	2
church of the gesuati	2
it is built on	2
the san sebastian gate	2
the description of the	2
who fell in the	2
view of the whole	2
the restoration of the	2
a letter to thomas	2
i had not been	2
to the hotel des	2
sweet soul of mine	2
the step of the	2
it is a strange	2
a natural daughter of	2
paestum of the greeks	2
belonging to the military	2
and falling to ruins	2
to tell a story	2
of the sikeliot cities	2
any one of the	2
him the title of	2
hundred and eighty years	2
as much of the	2
amid the miseries of	2
on the skirts of	2
some of the paintings	2