This is a table of authors, titles, dates and other bibliographic information; it is a list metadata describing the content of your study carrel. Think of it as your library.
id | author | title | date | words | sentences | pages | cache | text |
---|---|---|---|---|---|---|---|---|
work_nlh4f6mtb5dd5as7e2aloruwnq | (:Unkn) Unknown | Gender Construction and Manifestation in the Art of Elaine de Kooning | 2020 | 61141.0 | 4668.0 | 204.0 | ./cache/work_nlh4f6mtb5dd5as7e2aloruwnq.pdf | ./txt/work_nlh4f6mtb5dd5as7e2aloruwnq.txt |
work_awwathv6evcmneedcv2oh6p46u | (:Unkn) Unknown | In Plain Sight: Queer Symbolism Encoded in the Works of Marsden Hartley, Robert Rauschenberg, and Jasper Johns | 2020 | 26002.0 | 1721.0 | 102.0 | ./cache/work_awwathv6evcmneedcv2oh6p46u.pdf | ./txt/work_awwathv6evcmneedcv2oh6p46u.txt |
work_akchoj64rzaonfacx6etoiyo2i | (:Unkn) Unknown | Lloyd Ney''s "New London Facets:" Abstraction and Rebellion in the Section of Fine Arts | 2020 | 16589.0 | 1255.0 | 76.0 | ./cache/work_akchoj64rzaonfacx6etoiyo2i.pdf | ./txt/work_akchoj64rzaonfacx6etoiyo2i.txt |
work_vta3jcg2ybgsrpqqs5y3fmvcai | (:Unkn) Unknown | ROTHKO AND ARCHITECTURE | 2020 | 74330.0 | 6387.0 | 324.0 | ./cache/work_vta3jcg2ybgsrpqqs5y3fmvcai.pdf | ./txt/work_vta3jcg2ybgsrpqqs5y3fmvcai.txt |
work_s4nmvmo3vrhtjdxvhwh6srrd6e | (:Unkn) Unknown | Reframing Anna Ancher: Danish Symbolist, Modernist and Independent Artist | 2020 | 101495.0 | 8945.0 | 385.0 | ./cache/work_s4nmvmo3vrhtjdxvhwh6srrd6e.pdf | ./txt/work_s4nmvmo3vrhtjdxvhwh6srrd6e.txt |
work_a3at6r67jbh6nkdwjyabv6c7nm | (:Unkn) Unknown | SPIRITED PATTERN AND DECORATION IN CONTEMPORARY BLACK ATLANTIC ART | 2020 | 96169.0 | 6683.0 | 367.0 | ./cache/work_a3at6r67jbh6nkdwjyabv6c7nm.pdf | ./txt/work_a3at6r67jbh6nkdwjyabv6c7nm.txt |
work_ehn5tdmkezbuzbpjzsfpbykoti | A. Karl | Modernism''s Risky Business: Gertrude Stein, Sylvia Beach, and American Consumer Capitalism | 2008 | 11.0 | 2.0 | nan | ./cache/work_ehn5tdmkezbuzbpjzsfpbykoti.pdf | ./txt/work_ehn5tdmkezbuzbpjzsfpbykoti.txt |
work_ca4su7c6qvhwlc65xubezqbyci | A.T. Bahill | Valid models require defined levels | 2008 | 9646.0 | 1569.0 | 20.0 | ./cache/work_ca4su7c6qvhwlc65xubezqbyci.pdf | ./txt/work_ca4su7c6qvhwlc65xubezqbyci.txt |
work_x5tggs6f5fhwvbzukdjml34vga | Achilles Delari Junior | Sentidos do "drama" na perspectiva de Vigotski: um diálogo no limiar entre arte e psicologia | 2011 | 13811.0 | 1974.0 | 18.0 | ./cache/work_x5tggs6f5fhwvbzukdjml34vga.pdf | ./txt/work_x5tggs6f5fhwvbzukdjml34vga.txt |
work_ak3bvlltpvbgdeam2hgigb7b3y | Agata Wójcik | 0149 Adolf Sandoz, an Orientalist Painter in Algeria | 2020 | 9351.0 | 689.0 | 24.0 | ./cache/work_ak3bvlltpvbgdeam2hgigb7b3y.pdf | ./txt/work_ak3bvlltpvbgdeam2hgigb7b3y.txt |
work_3y2rhoskqjhtvo2fy4zlszsmga | Agness Philipps | Curriculum for sculptures of the human figure in secondary schools : an historical, critical, and studio approach | 1984 | 107947.0 | 27345.0 | 175.0 | ./cache/work_3y2rhoskqjhtvo2fy4zlszsmga.pdf | ./txt/work_3y2rhoskqjhtvo2fy4zlszsmga.txt |
work_zfktmdjwcjebtaruajnp7rv7fm | Agnieszka Rożnowska-Jasiewicz | The importance of drawing – drawing as a means of seeking form | 2019 | 5818.0 | 584.0 | 8.0 | ./cache/work_zfktmdjwcjebtaruajnp7rv7fm.pdf | ./txt/work_zfktmdjwcjebtaruajnp7rv7fm.txt |
work_aj72oub6uzbztkyiyfiqi623we | Ailbhe Ni Bhriain | Le Livre d''Artiste: Louis Brocquy and The Tain (1969) | 2001 | 5581.0 | 370.0 | 16.0 | ./cache/work_aj72oub6uzbztkyiyfiqi623we.pdf | ./txt/work_aj72oub6uzbztkyiyfiqi623we.txt |
work_57jnzzlxrbbbxjys3tzysqqpva | Alberto Toutin | Tradición e Historia en Congar: Desafío y oportunidades para una renovación en la transmisión de la fe | 2011 | 9930.0 | 1376.0 | 24.0 | ./cache/work_57jnzzlxrbbbxjys3tzysqqpva.pdf | ./txt/work_57jnzzlxrbbbxjys3tzysqqpva.txt |
work_6paqa7gsprf3xmsbi7cjmdeh6q | Aleksander Woźniak | Aleksander Woźniak, Conversation With Seiichiro Miida | 2018 | 4975.0 | 536.0 | 68.0 | ./cache/work_6paqa7gsprf3xmsbi7cjmdeh6q.pdf | ./txt/work_6paqa7gsprf3xmsbi7cjmdeh6q.txt |
work_qjots3p23zbcjj237ykmtskq44 | Aleksandre P. Lobodanov | The Origins of Art | 2016 | 5898.0 | 508.0 | 12.0 | ./cache/work_qjots3p23zbcjj237ykmtskq44.pdf | ./txt/work_qjots3p23zbcjj237ykmtskq44.txt |
work_wldge5m7xzadvmimvyo534snmm | Alessandro Cossu | Le poème de l''angle droit | 2019 | 1530.0 | 164.0 | 2.0 | ./cache/work_wldge5m7xzadvmimvyo534snmm.pdf | ./txt/work_wldge5m7xzadvmimvyo534snmm.txt |
work_n3t7oh2ndjb2lkgbyhiw4iaaqi | Alwin de Rooij | Abstract Expressions of Affect | 2013 | 17866.0 | 1550.0 | 34.0 | ./cache/work_n3t7oh2ndjb2lkgbyhiw4iaaqi.pdf | ./txt/work_n3t7oh2ndjb2lkgbyhiw4iaaqi.txt |
work_vfo3ftdjyzabxmai72jhoghaoy | Andrew Benjamin | Line, Colour, Drawing in Kant and Hegel | 2020 | 8063.0 | 535.0 | 20.0 | ./cache/work_vfo3ftdjyzabxmai72jhoghaoy.pdf | ./txt/work_vfo3ftdjyzabxmai72jhoghaoy.txt |
work_ly4mhuowlvgwpmmkbxcca662nq | Andy Mason | Black and White in Ink: Discourses of Resistance in South African Cartooning | 2002 | 84860.0 | 6097.0 | 305.0 | ./cache/work_ly4mhuowlvgwpmmkbxcca662nq.pdf | ./txt/work_ly4mhuowlvgwpmmkbxcca662nq.txt |
work_vyhfsz3n3baolbdnfpp52y4qba | Aneta Pawłowska | African Art: The Journey from Ethnological Collection to the Museum of Art | 2020 | 7636.0 | 757.0 | 16.0 | ./cache/work_vyhfsz3n3baolbdnfpp52y4qba.pdf | ./txt/work_vyhfsz3n3baolbdnfpp52y4qba.txt |
work_2dmmx4xexfdvdcqd4iwlkkrknu | Angela Munteanu | PROMOTING NATIONAL IDENTITY IN STYLISTICS OF CONTEMPORARY ARCHITECTURE AND INTERIOR DESIGN | 2020 | 3865.0 | 297.0 | 11.0 | ./cache/work_2dmmx4xexfdvdcqd4iwlkkrknu.pdf | ./txt/work_2dmmx4xexfdvdcqd4iwlkkrknu.txt |
work_i5dlnapo25h7hihycoz2ac46sm | Angela Nuovo | Aldo Manuzio a Los Angeles. La collezione Ahmanson-Murphy all''University of California Los Angeles | 2016 | 5648.0 | 957.0 | 24.0 | ./cache/work_i5dlnapo25h7hihycoz2ac46sm.pdf | ./txt/work_i5dlnapo25h7hihycoz2ac46sm.txt |
work_cefvqcvuwvfwtdfzd6nxykqe5a | Anita Seppä | Globalisation and the arts: the rise of new democracy, or just another pretty suit for the old emperor? | 2010 | 522.0 | 114.0 | nan | ./cache/work_cefvqcvuwvfwtdfzd6nxykqe5a.pdf | ./txt/work_cefvqcvuwvfwtdfzd6nxykqe5a.txt |
work_tybrqbanxvdfhigsb5mvq7fbv4 | Anna Mykoniati | Is Fake the new Original? | 2018 | 7330.0 | 513.0 | 9.0 | ./cache/work_tybrqbanxvdfhigsb5mvq7fbv4.pdf | ./txt/work_tybrqbanxvdfhigsb5mvq7fbv4.txt |
work_67tu5iqqbbagtkzsoxc2dh3pxi | Anne Dymond | 0046 Valiant, Independent, and Harmonious: Paul Signac and Neo-Impressionism after 1900 | 2020 | 12024.0 | 812.0 | 22.0 | ./cache/work_67tu5iqqbbagtkzsoxc2dh3pxi.pdf | ./txt/work_67tu5iqqbbagtkzsoxc2dh3pxi.txt |
work_hmeboxeqj5a7da3fd6mufvwxsu | Anneka Lenssen | Adham Ismaʿil''s Arabesque: The Making of Radical Arab Painting in Syria | 2017 | 23868.0 | 1587.0 | 39.0 | ./cache/work_hmeboxeqj5a7da3fd6mufvwxsu.pdf | ./txt/work_hmeboxeqj5a7da3fd6mufvwxsu.txt |
work_xmkjis5dtjcqribkw7omt3eqtu | Asato Ikeda | Envisioning fascist space, time, and body : Japanese-painting during the Fifteen-Year War (1931-1945) | 2012 | 81181.0 | 6765.0 | 334.0 | ./cache/work_xmkjis5dtjcqribkw7omt3eqtu.pdf | ./txt/work_xmkjis5dtjcqribkw7omt3eqtu.txt |
work_ni7xxyjxczg7riydjuyqkfa464 | Avinoam Shalem | What do we mean when we say "Islamic art"? A plea for a critical rewriting of the history of the arts of Islam | 2012 | 11318.0 | 683.0 | 18.0 | ./cache/work_ni7xxyjxczg7riydjuyqkfa464.pdf | ./txt/work_ni7xxyjxczg7riydjuyqkfa464.txt |
work_2djdvrgasvfabehwsh7deeuecy | B. Gortais | Abstraction and art | 2003 | 144.0 | 27.0 | nan | ./cache/work_2djdvrgasvfabehwsh7deeuecy.pdf | ./txt/work_2djdvrgasvfabehwsh7deeuecy.txt |
work_4xbni7w5cjdppgb4ahdjj25klm | B. Sibbald | CMAJ''s Salon: lateral thinking about health | 2007 | 721.0 | 76.0 | 1.0 | ./cache/work_4xbni7w5cjdppgb4ahdjj25klm.pdf | ./txt/work_4xbni7w5cjdppgb4ahdjj25klm.txt |
work_jl3ufvuuwzacbac4s4k4slx7mi | Barbara A. Tenenbaum | At the Crossroads: Diego Rivera and His Patrons at MoMA, Rockefeller Center, and the Palace of Fine Arts. By Catha Paquette. Austin: University of Texas Press, 2017. 130 photos. Pp. 342. $95.00 cloth; $29.95 paper | 2018 | 1523.0 | 91.0 | 3.0 | ./cache/work_jl3ufvuuwzacbac4s4k4slx7mi.pdf | ./txt/work_jl3ufvuuwzacbac4s4k4slx7mi.txt |
work_l6ssnchitneonfnevyfbhqirb4 | Barbara Lutz | Learning from Crisis? On the Transcultural Approach to Curating documenta 14 | 2018 | 14236.0 | 787.0 | 32.0 | ./cache/work_l6ssnchitneonfnevyfbhqirb4.pdf | ./txt/work_l6ssnchitneonfnevyfbhqirb4.txt |
work_7qslytfy7nad3nx2aruejnbcpm | Beatriz Munoz-Seca | A Business Model for Cultural Services: Joint Design and Production of a Customer Experience | 2011 | 7923.0 | 677.0 | 16.0 | ./cache/work_7qslytfy7nad3nx2aruejnbcpm.pdf | ./txt/work_7qslytfy7nad3nx2aruejnbcpm.txt |
work_p56ihlfhjzhkzday6l4kjgt2ca | Berardo Di Matteo | Art in Science: The Artist and The Disease: The Exemplary Cases of Renoir and Toulouse-Lautrec | 2017 | 2618.0 | 251.0 | 6.0 | ./cache/work_p56ihlfhjzhkzday6l4kjgt2ca.pdf | ./txt/work_p56ihlfhjzhkzday6l4kjgt2ca.txt |
work_bnbvmodb6be2ppzezbtqjqw3fi | Bevil R. Conway | Color consilience: color through the lens of art practice, history, philosophy, and neuroscience | 2012 | 11962.0 | 1105.0 | 18.0 | ./cache/work_bnbvmodb6be2ppzezbtqjqw3fi.pdf | ./txt/work_bnbvmodb6be2ppzezbtqjqw3fi.txt |
work_e6zohesjqrhqniazzesy4g2haq | Bevil R. Conway | Doing science making art | 2012 | 2162.0 | 165.0 | 3.0 | ./cache/work_e6zohesjqrhqniazzesy4g2haq.pdf | ./txt/work_e6zohesjqrhqniazzesy4g2haq.txt |
work_uoa75hvy2vgahmm6shuafaifdy | Bevil R. Conway | Neuroaesthetics and the Trouble with Beauty | 2013 | 4513.0 | 436.0 | 6.0 | ./cache/work_uoa75hvy2vgahmm6shuafaifdy.pdf | ./txt/work_uoa75hvy2vgahmm6shuafaifdy.txt |
work_jdm6sgbahngmjeztevuymgkami | Bouwen de Van Loghem | Tres artículos de Duiker. Berlage y la Nueva Objetividad. Manifiesto de Frank Lloyd Wright. Reseña del libro | 1995 | 9202.0 | 1368.0 | 16.0 | ./cache/work_jdm6sgbahngmjeztevuymgkami.pdf | ./txt/work_jdm6sgbahngmjeztevuymgkami.txt |
work_3yc54oxe5vdnpi3vbhvzbv4d44 | Bruce Reynolds | The Persistence of Relief: Relief Sculpture in Contemporary Art | 2019 | 31282.0 | 2750.0 | 110.0 | ./cache/work_3yc54oxe5vdnpi3vbhvzbv4d44.pdf | ./txt/work_3yc54oxe5vdnpi3vbhvzbv4d44.txt |
work_6gu5gx47urgpnlzz4uyj4fgunm | Béatrice Joyeux-Prunel | Peripheral Circulations, Transient Centralities: The International Geography of the Avant-Gardes in the Interwar Period (1918–1940) | 2018 | 12240.0 | 916.0 | 24.0 | ./cache/work_6gu5gx47urgpnlzz4uyj4fgunm.pdf | ./txt/work_6gu5gx47urgpnlzz4uyj4fgunm.txt |
work_yc365vslyrdulcm7u7roacikku | C. Chalmers | Splendide Californie!: Selections by French Artists in California History, 1786-1900 | 2000 | 579.0 | 129.0 | nan | ./cache/work_yc365vslyrdulcm7u7roacikku.pdf | ./txt/work_yc365vslyrdulcm7u7roacikku.txt |
work_3cwttq2vdvh6tclkclpefeprg4 | C. Feller | Case studies of soil in art | 2015 | 9692.0 | 697.0 | 17.0 | ./cache/work_3cwttq2vdvh6tclkclpefeprg4.pdf | ./txt/work_3cwttq2vdvh6tclkclpefeprg4.txt |
work_xfy6bpxbrbdxxc34453jiwulp4 | C. Feller | From soil in art towards Soil Art | 2015 | 15622.0 | 2707.0 | 48.0 | ./cache/work_xfy6bpxbrbdxxc34453jiwulp4.pdf | ./txt/work_xfy6bpxbrbdxxc34453jiwulp4.txt |
work_ticexmmmjfff5pxtsxdgogthsi | C.B Viner | The Formal Deviant: The Innovative Features of E. E. Cummings''s ''next to of course god america i'' | 2019 | 2734.0 | 278.0 | 5.0 | ./cache/work_ticexmmmjfff5pxtsxdgogthsi.pdf | ./txt/work_ticexmmmjfff5pxtsxdgogthsi.txt |
work_rvnl5eeftvexvm36byxjk4pll4 | Caren M. Walker | Engagement in philosophical dialogue facilitates children''s reasoning about subjectivity | 2013 | 8597.0 | 811.0 | 12.0 | ./cache/work_rvnl5eeftvexvm36byxjk4pll4.pdf | ./txt/work_rvnl5eeftvexvm36byxjk4pll4.txt |
work_uemeax6g7bguzeoedgmxdhiwzm | Carmen Rodríguez Pedret | Resurrection of Antoni Gaudí in Post-War Media. A Critical Chronology. 1945-1965 | 2019 | 15059.0 | 1296.0 | 32.0 | ./cache/work_uemeax6g7bguzeoedgmxdhiwzm.pdf | ./txt/work_uemeax6g7bguzeoedgmxdhiwzm.txt |
work_li7f6zj7bfdnpkeofl3b3z7ufe | Carolyn Watts | America in the Transatlantic Imagination: The Ballets Russes and John Alden Carpenter''s Skyscrapers | 2015 | 40881.0 | 2867.0 | 131.0 | ./cache/work_li7f6zj7bfdnpkeofl3b3z7ufe.pdf | ./txt/work_li7f6zj7bfdnpkeofl3b3z7ufe.txt |
work_52zqxwdayrfclchz2qt3qdtd6m | Clara Soudan | Spells of our inhabiting: transitioning from the spectre of Gnostic estrangement to a philosophy of entangled overflowing | 2020 | 86816.0 | 4809.0 | 269.0 | ./cache/work_52zqxwdayrfclchz2qt3qdtd6m.pdf | ./txt/work_52zqxwdayrfclchz2qt3qdtd6m.txt |
work_z4q52f6clzchvc52apjamqwkmm | Claudia Chaseling | Spatial painting and the mutative perspective: how painting can breach spatial dimensions and transfer meaning through abstraction | 2019 | 4679.0 | 4620.0 | 167.0 | ./cache/work_z4q52f6clzchvc52apjamqwkmm.pdf | ./txt/work_z4q52f6clzchvc52apjamqwkmm.txt |
work_evhxhw6tardqhcvso3buefaxcm | Colin C. Venters | Query by Colour : Investigating the Efficacy of Query Paradigms for Visual Information Retrieval | 2011 | 9664.0 | 825.0 | 24.0 | ./cache/work_evhxhw6tardqhcvso3buefaxcm.pdf | ./txt/work_evhxhw6tardqhcvso3buefaxcm.txt |
work_sudnax3w2zhv5j4t6udqraxtv4 | Cora Ginsburg | Cora Ginsburg - Modern. A Catalogue of 20th century printed & woven textiles 2017 | 2018 | 7673.0 | 442.0 | 17.0 | ./cache/work_sudnax3w2zhv5j4t6udqraxtv4.pdf | ./txt/work_sudnax3w2zhv5j4t6udqraxtv4.txt |
work_65vugdayivdkdd5irruqvmspfm | Cristina Silaghi | Plenitudes of Painting: Wilhelm Worringer and the Relationshipbetween Abstraction and Representation in European Paintingat the Beginning of the Twentieth Century | 2015 | 161020.0 | 11317.0 | 410.0 | ./cache/work_65vugdayivdkdd5irruqvmspfm.pdf | ./txt/work_65vugdayivdkdd5irruqvmspfm.txt |
work_c6ettxiwdbdpvj3yiirl456fay | Csilla Markója | The modification of meaning: Cézanne, Hildebrand, Meier-Graefe and the problems of cultural transfer | 2019 | 10952.0 | 580.0 | 23.0 | ./cache/work_c6ettxiwdbdpvj3yiirl456fay.pdf | ./txt/work_c6ettxiwdbdpvj3yiirl456fay.txt |
work_3kr63fmm5fcwzgwwtykns3m3te | D. Mangaiyarkarasi | Controlled blueshift of the resonant wavelength in porous silicon microcavities using ion irradiation | 2006 | nan | nan | nan | nan | nan |
work_awuaiypxevbbrkuvv7uz4dejca | D. Mangaiyarkarasi | Porous silicon microcavities fabricated using ion irradiation | 2007 | nan | nan | nan | nan | nan |
work_cpepy23c2nbcnddjdodrffvuqa | D. Raoult | Microbe Interactions Undermine Predictions | 2011 | 807.0 | 149.0 | nan | ./cache/work_cpepy23c2nbcnddjdodrffvuqa.pdf | ./txt/work_cpepy23c2nbcnddjdodrffvuqa.txt |
work_evq7jwmjufa6pjlx3wsz3wzel4 | Damian Lizun | A preliminary study of Liu Kang''s palette and the discovery and interpretation of hidden paint layers | 2020 | 8928.0 | 1847.0 | 18.0 | ./cache/work_evq7jwmjufa6pjlx3wsz3wzel4.pdf | ./txt/work_evq7jwmjufa6pjlx3wsz3wzel4.txt |
work_n5qsfhdyrrhsbexrn7ha2sxixu | Daniela Comelli | Time-Resolved Photoluminescence Microscopy for the Analysis of Semiconductor-Based Paint Layers | 2017 | 11354.0 | 852.0 | 16.0 | ./cache/work_n5qsfhdyrrhsbexrn7ha2sxixu.pdf | ./txt/work_n5qsfhdyrrhsbexrn7ha2sxixu.txt |
work_4ygjgk5dwzgrrpfhf3exddce4a | Danne Jobin | Gerald Vizenor''s Transnational Aesthetics in Blue Ravens | 2019 | 9699.0 | 470.0 | 23.0 | ./cache/work_4ygjgk5dwzgrrpfhf3exddce4a.pdf | ./txt/work_4ygjgk5dwzgrrpfhf3exddce4a.txt |
work_ox7suoy5fnejtnuey5pd7una6a | David Anfam | Retrato de uma ideia | 2011 | 2126.0 | 268.0 | 6.0 | ./cache/work_ox7suoy5fnejtnuey5pd7una6a.pdf | ./txt/work_ox7suoy5fnejtnuey5pd7una6a.txt |
work_k5lw5nq3rvd7bayygaf3wqwigq | David W. Galenson | Masterpieces and Markets: Why the Most Famous Modern Paintings Are Not by American Artists | 2002 | 10967.0 | 927.0 | 40.0 | ./cache/work_k5lw5nq3rvd7bayygaf3wqwigq.pdf | ./txt/work_k5lw5nq3rvd7bayygaf3wqwigq.txt |
work_jum53bzee5e4hg6h6rxwidrbvy | Deniz GÖKDUMAN | RESİM SANATINDA 1940-1960 YILLARI ARASINDA SOYUT DIŞAVURUMCU AKIMLAR | 2018 | 8318.0 | 1410.0 | 22.0 | ./cache/work_jum53bzee5e4hg6h6rxwidrbvy.pdf | ./txt/work_jum53bzee5e4hg6h6rxwidrbvy.txt |
work_up4ci7mpprcj3jrphmcdymnbvm | Diogo Ponte | Carl Gustav Jung, Quantum Physics and the Spiritual Mind: A Mystical Vision of the Twenty-First Century | 2013 | 10295.0 | 694.0 | 18.0 | ./cache/work_up4ci7mpprcj3jrphmcdymnbvm.pdf | ./txt/work_up4ci7mpprcj3jrphmcdymnbvm.txt |
work_fw5hn5vfkjbwfjszhpzvrlh7ry | Djordje Alfirevic | Visual expression in architecture | 2011 | 8450.0 | 1159.0 | 13.0 | ./cache/work_fw5hn5vfkjbwfjszhpzvrlh7ry.pdf | ./txt/work_fw5hn5vfkjbwfjszhpzvrlh7ry.txt |
work_ff6mnzj25zegrct2ipe5o6jtxq | E. Pouyet | 2D X-ray and FTIR micro-analysis of the degradation of cadmium yellow pigment in paintings of Henri Matisse | 2015 | 9975.0 | 963.0 | 14.0 | ./cache/work_ff6mnzj25zegrct2ipe5o6jtxq.pdf | ./txt/work_ff6mnzj25zegrct2ipe5o6jtxq.txt |
work_zojz72rwnbfbpltbb3t5fpjea4 | Elizabeth Gail Kirk | Neo-orientalism : ugly women and the Parisian avant-garde, 1905-1908 | 1988 | 132365.0 | 35526.0 | 164.0 | ./cache/work_zojz72rwnbfbpltbb3t5fpjea4.pdf | ./txt/work_zojz72rwnbfbpltbb3t5fpjea4.txt |
work_bmag6nnf4fd2zpweha7tgjnqqi | Eneus Trindade Barreto | Counterfeit and their museums: observation of the aesthetic categories of the pirate consumption | 2013 | 5643.0 | 781.0 | 20.0 | ./cache/work_bmag6nnf4fd2zpweha7tgjnqqi.pdf | ./txt/work_bmag6nnf4fd2zpweha7tgjnqqi.txt |
work_oeovey4y7zbtfhtvvmpdl2nice | Enrique Solanich Sotomayor | Escultura pública y la cúpula de la Basílica de Lourdes de Santiago | 2006 | 2504.0 | 335.0 | 12.0 | ./cache/work_oeovey4y7zbtfhtvvmpdl2nice.pdf | ./txt/work_oeovey4y7zbtfhtvvmpdl2nice.txt |
work_zksgqxtqoffpjoe736e7lerjd4 | Esranur Kılınç | İNÖNÜ ÜNİVERSİTESİ SOSYAL BİLİMLERİ ENSTİTÜSÜ ÖZNE-NESNE İLİŞKİSİ BAĞLAMINDA PSİKODİNAMİK YAKLAŞIMLARIN İMGELEM YOLUYLA GERÇEKÜSTÜ RESİMSEL ANLAMLANDIRMALARI | 2019 | 35316.0 | 5639.0 | 169.0 | ./cache/work_zksgqxtqoffpjoe736e7lerjd4.pdf | ./txt/work_zksgqxtqoffpjoe736e7lerjd4.txt |
work_22zh7shbzrflfep4wo6tsx77lu | Eva Malisius | Creativity takes courage: Integrating video assignments into academic courses and blended programs | 2018 | 7224.0 | 533.0 | 21.0 | ./cache/work_22zh7shbzrflfep4wo6tsx77lu.pdf | ./txt/work_22zh7shbzrflfep4wo6tsx77lu.txt |
work_kbtwahs5nvguvnprpzlsfkwt3q | Evan Kowalski | Impairment and Disability: Renoir''s Adaptive Coping Strategies against Rheumatoid Arthritis | 2012 | 144.0 | 25.0 | nan | ./cache/work_kbtwahs5nvguvnprpzlsfkwt3q.pdf | ./txt/work_kbtwahs5nvguvnprpzlsfkwt3q.txt |
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work_7o5vcdq4frblpbcmzvgvtuh5nq | Gul ERBAY ASLITURK | 20. YÜZYIL RESİM VE HEYKELLERİNİN YUNAN MİTOLOJİSİ VE İKİCİLİK KAVRAMI AÇISINDAN DEĞERLENDİRİLMESİNE YÖNELİK BİR ARAŞTIRMA | 2016 | 7787.0 | 1362.0 | 36.0 | ./cache/work_7o5vcdq4frblpbcmzvgvtuh5nq.pdf | ./txt/work_7o5vcdq4frblpbcmzvgvtuh5nq.txt |
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work_k2nyanvrtre7hff5oj35ndbnde | Linda M. Mueller | The symbiosis between art and architecture as evidenced in Le Corbusier''s Ronchamp | 2004 | 44915.0 | 3592.0 | 138.0 | ./cache/work_k2nyanvrtre7hff5oj35ndbnde.pdf | ./txt/work_k2nyanvrtre7hff5oj35ndbnde.txt |
work_4namjhchrvfz7gy4j24hiwgdzq | Lisa Moffitt | Sand, silt, salt, water: entropy as a lens for design in post-industrial landscapes | 2017 | 7438.0 | 452.0 | 18.0 | ./cache/work_4namjhchrvfz7gy4j24hiwgdzq.pdf | ./txt/work_4namjhchrvfz7gy4j24hiwgdzq.txt |
work_ytqea63bhvchzcayfpprrow76a | Lisa Siraganian | Out of Air: Theorizing the Art Object in Gertrude Stein and Wyndham Lewis | 2003 | 12438.0 | 914.0 | 21.0 | ./cache/work_ytqea63bhvchzcayfpprrow76a.pdf | ./txt/work_ytqea63bhvchzcayfpprrow76a.txt |
work_ym2xu2agbndrles33ojwjv26fm | Lucia Santaella | O pluralismo pós-utópico da arte | 2009 | 9894.0 | 1255.0 | 22.0 | ./cache/work_ym2xu2agbndrles33ojwjv26fm.pdf | ./txt/work_ym2xu2agbndrles33ojwjv26fm.txt |
work_bdgouxk4a5fqve3cmyifkucwra | Luciano Floridi | Artificial Intelligence, Deepfakes and a Future of Ectypes | 2018 | 2225.0 | 162.0 | 5.0 | ./cache/work_bdgouxk4a5fqve3cmyifkucwra.pdf | ./txt/work_bdgouxk4a5fqve3cmyifkucwra.txt |
work_z2xuknmmjbgevhg5bmasngcmci | Ludmila Moisei | Tradiţia-valoare versus tradiţia-proces: acţiuni culturale de revitalizare a tradiţiei | 2019 | 4632.0 | 572.0 | 6.0 | ./cache/work_z2xuknmmjbgevhg5bmasngcmci.pdf | ./txt/work_z2xuknmmjbgevhg5bmasngcmci.txt |
work_vzgf2ojxujde7k7v5usjtyg5ve | Ludwig Qvarnström | The Jewish modernist: Isaac Grünewald in Bertel Hintze''s art history | 2016 | 9987.0 | 621.0 | 22.0 | ./cache/work_vzgf2ojxujde7k7v5usjtyg5ve.pdf | ./txt/work_vzgf2ojxujde7k7v5usjtyg5ve.txt |
work_mllav53zafeppdfdqksfpeuqmm | Luis Cavazos Quero | Accessible Visual Artworks for Blind and Visually Impaired People: Comparing a Multimodal Approach with Tactile Graphics | 2021 | 10944.0 | 1075.0 | 19.0 | ./cache/work_mllav53zafeppdfdqksfpeuqmm.pdf | ./txt/work_mllav53zafeppdfdqksfpeuqmm.txt |
work_ajubuv5u7jgbnfhv27sh3ju2ju | Lynn Garafola | The Legacies of the Ballets Russes | 2011 | 6754.0 | 508.0 | 16.0 | ./cache/work_ajubuv5u7jgbnfhv27sh3ju2ju.pdf | ./txt/work_ajubuv5u7jgbnfhv27sh3ju2ju.txt |
work_neg7q52odffhjeafdnhykarjbu | M.E. Sparks | Painting Things | 2016 | 9866.0 | 958.0 | 42.0 | ./cache/work_neg7q52odffhjeafdnhykarjbu.pdf | ./txt/work_neg7q52odffhjeafdnhykarjbu.txt |
work_733qb624cfhqlm2bth2ptsxw7u | Manuel van der Veen | Crossroads of seeing: about layers in painting and superimposition in Augmented Reality | 2020 | 8884.0 | 641.0 | 12.0 | ./cache/work_733qb624cfhqlm2bth2ptsxw7u.pdf | ./txt/work_733qb624cfhqlm2bth2ptsxw7u.txt |
work_oxsp7e4o6zgnxejmeq6up2uag4 | Manuela Triggianese | Euralille twenty years on | 2017 | 16781.0 | 2742.0 | 30.0 | ./cache/work_oxsp7e4o6zgnxejmeq6up2uag4.pdf | ./txt/work_oxsp7e4o6zgnxejmeq6up2uag4.txt |
work_j52g66khljas5apbqzejujmomm | Marcelo Miranda | Paul Cézanne, el solitario padre de la pintura moderna | 2017 | 3744.0 | 541.0 | 6.0 | ./cache/work_j52g66khljas5apbqzejujmomm.pdf | ./txt/work_j52g66khljas5apbqzejujmomm.txt |
work_nryvamrfrzck5kle6kzqer5yq4 | Marcus C. Schaub | Ambiguity in the heart, art and science by Marcus C. Schaub | 2013 | 934.0 | 75.0 | 2.0 | ./cache/work_nryvamrfrzck5kle6kzqer5yq4.pdf | ./txt/work_nryvamrfrzck5kle6kzqer5yq4.txt |
work_ubsb6fmgcraf3ojnql45vi2lbu | Marcus L. Young | Matisse to Picasso: a compositional study of modern bronze sculptures | 2009 | 10800.0 | 1735.0 | 14.0 | ./cache/work_ubsb6fmgcraf3ojnql45vi2lbu.pdf | ./txt/work_ubsb6fmgcraf3ojnql45vi2lbu.txt |
work_5opccyjtarb2hhtxlyd4cuccly | Maria Tamboukou | Painting the Body: Feminist Musings on Visual Autographies | 2018 | 7984.0 | 667.0 | 10.0 | ./cache/work_5opccyjtarb2hhtxlyd4cuccly.pdf | ./txt/work_5opccyjtarb2hhtxlyd4cuccly.txt |
work_dbllj5j3lvguri2ppeiimlqc4e | Mariana Aguirre | Ardengo Soffici''s The Room of the Mannequins: Primitivism, Classicism and French Modernism | 2017 | 11139.0 | 1032.0 | 30.0 | ./cache/work_dbllj5j3lvguri2ppeiimlqc4e.pdf | ./txt/work_dbllj5j3lvguri2ppeiimlqc4e.txt |
work_qydyskeisnhd3bjdwsnph3anmq | Marilyn Christine Johanne Daniels | 291 and cultural criticism : to see through closed eyes | 1987 | 98296.0 | 25591.0 | 115.0 | ./cache/work_qydyskeisnhd3bjdwsnph3anmq.pdf | ./txt/work_qydyskeisnhd3bjdwsnph3anmq.txt |
work_vimqis7apzdmpoyzxscztfz3da | Mark Ptashne | The Chemistry of Regulation of Genes and Other Things | 2014 | 16754.0 | 1331.0 | 19.0 | ./cache/work_vimqis7apzdmpoyzxscztfz3da.pdf | ./txt/work_vimqis7apzdmpoyzxscztfz3da.txt |
work_dh42o6tjqjgn3ngmihchmv4era | Marta Edling | From Margin to Margin? The Stockholm Paris Axis 1944–1953 | 2019 | 10734.0 | 880.0 | 17.0 | ./cache/work_dh42o6tjqjgn3ngmihchmv4era.pdf | ./txt/work_dh42o6tjqjgn3ngmihchmv4era.txt |
work_ejuchsj4qrfebb4wcmrtfklxg4 | Mary Caroline Simpson | American Artists Paint the City: Katharine Kuh, the 1956 Venice Biennale, and New York''s Place in the Cold War Art World | 2007 | 15152.0 | 806.0 | 27.0 | ./cache/work_ejuchsj4qrfebb4wcmrtfklxg4.pdf | ./txt/work_ejuchsj4qrfebb4wcmrtfklxg4.txt |
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work_wxzkefgxczczjdzhtkiwlv6lcm | Merrill Cole | Remaking Sense: Gertrude Stein and the Names of the Father | 2008 | 6315.0 | 515.0 | 17.0 | ./cache/work_wxzkefgxczczjdzhtkiwlv6lcm.pdf | ./txt/work_wxzkefgxczczjdzhtkiwlv6lcm.txt |
work_zhbs72arnfbihotiyt5umcvvji | Michelle Mansford | Up Close with Distance: The Unstable Space in Contemporary Painting | 2018 | 28194.0 | 2122.0 | 124.0 | ./cache/work_zhbs72arnfbihotiyt5umcvvji.pdf | ./txt/work_zhbs72arnfbihotiyt5umcvvji.txt |
work_fszn4zg5cnh37ftwi3s77uq7om | Miguel Mayorga Cárdenas | Espacios de centralidad urbana y redes de infraestructura. La urbanidad en cuatro proyectos urbanos | 2012 | 11549.0 | 1661.0 | 16.0 | ./cache/work_fszn4zg5cnh37ftwi3s77uq7om.pdf | ./txt/work_fszn4zg5cnh37ftwi3s77uq7om.txt |
work_j2ad6gu5v5hblfhoou6dlgm4ka | Milena Magalhães | O gênio e o(s) gênero(s) de Laura Erber | 2016 | 9486.0 | 1206.0 | 17.0 | ./cache/work_j2ad6gu5v5hblfhoou6dlgm4ka.pdf | ./txt/work_j2ad6gu5v5hblfhoou6dlgm4ka.txt |
work_eddh6e24vjgnddxsiiulmcng2i | Milica Ivić | Benjamin Buhloh. Recepcija nasleđa avangarde / Benjamin Buchloh. Reception of Avant-Garde Heritage | 2013 | 4468.0 | 725.0 | 8.0 | ./cache/work_eddh6e24vjgnddxsiiulmcng2i.pdf | ./txt/work_eddh6e24vjgnddxsiiulmcng2i.txt |
work_xdpa5nwz5zhfnluz4osqansnty | Min-Kyung Jun | A Correlation between Expressionism and Neo Expressionism in 20th Century Modern Painting | 2011 | 4973.0 | 1640.0 | 9.0 | ./cache/work_xdpa5nwz5zhfnluz4osqansnty.pdf | ./txt/work_xdpa5nwz5zhfnluz4osqansnty.txt |
work_uuyjjp3ld5cu3mw4usffpqgqzq | Mingtian Zhao | Abstract painting with interactive control of perceptual entropy | 2013 | 10412.0 | 1110.0 | 20.0 | ./cache/work_uuyjjp3ld5cu3mw4usffpqgqzq.pdf | ./txt/work_uuyjjp3ld5cu3mw4usffpqgqzq.txt |
work_o6jhzbypjjdfph2ovtzjkyy2yi | Moira Frances Steven | France makes history: the Exposition des Primitifs Français and the Third Republic | 1995 | 58789.0 | 7152.0 | 184.0 | ./cache/work_o6jhzbypjjdfph2ovtzjkyy2yi.pdf | ./txt/work_o6jhzbypjjdfph2ovtzjkyy2yi.txt |
work_dguhqq6mzbctlemowivqcdpdkm | Mokgyul Lee | The Development of a Bag Design Using the Yi Tribe''s Traditional Patterns: Focusing on the Fabric Pattern Design | 2015 | 6300.0 | 1522.0 | 22.0 | ./cache/work_dguhqq6mzbctlemowivqcdpdkm.pdf | ./txt/work_dguhqq6mzbctlemowivqcdpdkm.txt |
work_4zyfi3uojzfdjcdtaeixyfam6a | Nicholas E. Johnson | ''Performative Criticism: Samuel Beckett and Georges Duthuit'' | 2013 | 6644.0 | 308.0 | 12.0 | ./cache/work_4zyfi3uojzfdjcdtaeixyfam6a.pdf | ./txt/work_4zyfi3uojzfdjcdtaeixyfam6a.txt |
work_hhmgq7d6erdfxp6yp57yemznby | Nicole E. Pal | Life on the ground floor: letters from the edge of emergency medicine | 2017 | 306.0 | 35.0 | nan | ./cache/work_hhmgq7d6erdfxp6yp57yemznby.pdf | ./txt/work_hhmgq7d6erdfxp6yp57yemznby.txt |
work_qj7anlwlzvboxh2mrn3phoknbi | Nihan Canbakal Ataoglu | Basic Design, Theory and Practice | 2015 | 2310.0 | 178.0 | 7.0 | ./cache/work_qj7anlwlzvboxh2mrn3phoknbi.pdf | ./txt/work_qj7anlwlzvboxh2mrn3phoknbi.txt |
work_ou7qec553rao7haxuvmvqsr7te | Nikola Piperski | Russian style room: Influence of the Russian immigrant culture on the formation of the Sekulić Collection of Icons | 2018 | 5204.0 | 1157.0 | 15.0 | ./cache/work_ou7qec553rao7haxuvmvqsr7te.pdf | ./txt/work_ou7qec553rao7haxuvmvqsr7te.txt |
work_lj6a2uvk2vbzlbnpx5wtdgac3i | Nissim Gal | 0017 Landscape Painting | 2019 | 7878.0 | 497.0 | 18.0 | ./cache/work_lj6a2uvk2vbzlbnpx5wtdgac3i.pdf | ./txt/work_lj6a2uvk2vbzlbnpx5wtdgac3i.txt |
work_edckluok3zf7pfilznvdzbmlga | Nissim Gal | 0074 Traces of the Unrepresentable in the Modernist Discourse of Clement Greenberg and Michael Fried | 2020 | 13564.0 | 608.0 | 25.0 | ./cache/work_edckluok3zf7pfilznvdzbmlga.pdf | ./txt/work_edckluok3zf7pfilznvdzbmlga.txt |
work_ivve27nrafcn7fxhjdtn2x35g4 | Número 5 completo | Numero completo de octubre de 2012 | 2012 | 71076.0 | 10253.0 | 187.0 | ./cache/work_ivve27nrafcn7fxhjdtn2x35g4.pdf | ./txt/work_ivve27nrafcn7fxhjdtn2x35g4.txt |
work_haiefteiizbx7f223nydwwjsjm | Obiora Anekwe | Emanuel and Matisse | 2020 | 910.0 | 54.0 | 2.0 | ./cache/work_haiefteiizbx7f223nydwwjsjm.pdf | ./txt/work_haiefteiizbx7f223nydwwjsjm.txt |
work_sjvcndejnzdu5itebi2pbytz64 | Osvaldo Fontes Filho | Merleau-Ponty e a "obscuridade moderna" segundo a arte | 2005 | 9496.0 | 1261.0 | 20.0 | ./cache/work_sjvcndejnzdu5itebi2pbytz64.pdf | ./txt/work_sjvcndejnzdu5itebi2pbytz64.txt |
work_7fusxj7so5dgppgwmnq5vpfdxu | P. Pablo Poveda-Orjuela | Parameterization, Analysis, and Risk Management in a Comprehensive Management System with Emphasis on Energy and Performance (ISO 50001: 2018) | 2020 | 33745.0 | 4753.0 | 43.0 | ./cache/work_7fusxj7so5dgppgwmnq5vpfdxu.pdf | ./txt/work_7fusxj7so5dgppgwmnq5vpfdxu.txt |
work_vwwrgdzpj5ebvl2522z7dck6rq | Paloma Carvalho | A cor na obra de Donald Judd: interação entre matéria e luz | 2009 | 10359.0 | 1342.0 | 24.0 | ./cache/work_vwwrgdzpj5ebvl2522z7dck6rq.pdf | ./txt/work_vwwrgdzpj5ebvl2522z7dck6rq.txt |
work_pwk4gbu4gbcg3przgdddw56xe4 | Patrick Curry | Re-Thinking Nature: Towards an Eco-Pluralism | 2003 | 19461.0 | 1498.0 | 36.0 | ./cache/work_pwk4gbu4gbcg3przgdddw56xe4.pdf | ./txt/work_pwk4gbu4gbcg3przgdddw56xe4.txt |
work_3lpbwiog5ncxjhy3arrkag3cs4 | Patrik Lars Andersson | Euro-pop : the mechanical bride stripped bare in Stockholm, even | 2001 | 149988.0 | 29029.0 | 347.0 | ./cache/work_3lpbwiog5ncxjhy3arrkag3cs4.pdf | ./txt/work_3lpbwiog5ncxjhy3arrkag3cs4.txt |
work_txquvystnvaf3bansf64pycqpa | Paul C. Martin | The Colorful Depictions of God in Mystical Consciousness | 2014 | 9468.0 | 655.0 | 21.0 | ./cache/work_txquvystnvaf3bansf64pycqpa.pdf | ./txt/work_txquvystnvaf3bansf64pycqpa.txt |
work_axsmcnxvfncmnltqwc734epwoi | Paula Dredge | Monet''s Painting under the Microscope | 2003 | 2265.0 | 254.0 | 6.0 | ./cache/work_axsmcnxvfncmnltqwc734epwoi.pdf | ./txt/work_axsmcnxvfncmnltqwc734epwoi.txt |
work_mk2gagjjbrb3vpvkpjwglc6rve | Pedro Emilio Zamorano | Artes visuales en Chile durante la primera mitad del siglo xx: Una mirada al campo teórico | 2011 | 7914.0 | 1010.0 | 20.0 | ./cache/work_mk2gagjjbrb3vpvkpjwglc6rve.pdf | ./txt/work_mk2gagjjbrb3vpvkpjwglc6rve.txt |
work_zkpht3orsrel3idlabfdy4l2me | Pedro Emilio Zamorano Pérez | Arte estatuario en Chile durante la primera mitad del siglo XX: Del monumento público a la escultura | 2011 | 10864.0 | 1284.0 | 19.0 | ./cache/work_zkpht3orsrel3idlabfdy4l2me.pdf | ./txt/work_zkpht3orsrel3idlabfdy4l2me.txt |
work_tr5t72prb5bppfe2js55hbip6m | Pelin AVŞAR KARABAŞ | THE CONTEMPRORIES AND THE UNIQUE STYLE OF AMEDEO MODIGLIANI | 2016 | 22312.0 | 3777.0 | 28.0 | ./cache/work_tr5t72prb5bppfe2js55hbip6m.pdf | ./txt/work_tr5t72prb5bppfe2js55hbip6m.txt |
work_6ojmtoiigfb4doujn3hueyngw4 | Penelope Haralambidou | Drawing the female nude | 2009 | 8323.0 | 660.0 | 22.0 | ./cache/work_6ojmtoiigfb4doujn3hueyngw4.pdf | ./txt/work_6ojmtoiigfb4doujn3hueyngw4.txt |
work_enjndnzo7fbc7a3yebetl66bvy | Phyllis Rosenzweig | Drawings and Prints by Slavic and Slavic-Born Artists in the Collection of the Smithsonian Institution, Hirshhorn Museum and Sculpture Garden | 2010 | 4769.0 | 255.0 | 12.0 | ./cache/work_enjndnzo7fbc7a3yebetl66bvy.pdf | ./txt/work_enjndnzo7fbc7a3yebetl66bvy.txt |
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work_yoxxqtpbzrgu3hlru3s7oe2acy | Rachel Ettun | Transforming Pain into Beauty: On Art, Healing, and Care for the Spirit | 2014 | 6192.0 | 428.0 | 7.0 | ./cache/work_yoxxqtpbzrgu3hlru3s7oe2acy.pdf | ./txt/work_yoxxqtpbzrgu3hlru3s7oe2acy.txt |
work_nezhe4c6jjf55fitl5myezzkty | Rachel Galvin | Gertrude Stein, Pétain, and the Politics of Translation | 2016 | 14829.0 | 950.0 | 35.0 | ./cache/work_nezhe4c6jjf55fitl5myezzkty.pdf | ./txt/work_nezhe4c6jjf55fitl5myezzkty.txt |
work_ust5lwnnkrbqfmylqjzqgjo62e | Rashida K. Braggs | Excerpt from Jazz Diasporas: Race, Music, and Migration in Post–World War II Paris | 2016 | 8978.0 | 479.0 | 21.0 | ./cache/work_ust5lwnnkrbqfmylqjzqgjo62e.pdf | ./txt/work_ust5lwnnkrbqfmylqjzqgjo62e.txt |
work_hfaw5fqpm5g47bukyrgehi23oq | Richard C. Johnson | On the Utility of Spectral-Maximum-Based Automated Thread Counting from X-Radiographs of Paintings on Canvas | 2011 | 7139.0 | 595.0 | 11.0 | ./cache/work_hfaw5fqpm5g47bukyrgehi23oq.pdf | ./txt/work_hfaw5fqpm5g47bukyrgehi23oq.txt |
work_qrshdzmofvexdhyjhaptb2twt4 | Richard L. Burger | LA MUSEOGRAFÍA EN CUSCO: DIFERENTES MUSEOS, DIFERENTES NARRATIVAS | 2019 | 10149.0 | 1454.0 | 20.0 | ./cache/work_qrshdzmofvexdhyjhaptb2twt4.pdf | ./txt/work_qrshdzmofvexdhyjhaptb2twt4.txt |
work_qcqqdk6ctnge5mukldipq4ujpy | Robert A. Ketch | Art appreciation for veterans with severe mental illness in a VA Psychosocial Rehabilitation and Recovery Center | 2015 | 5493.0 | 684.0 | 13.0 | ./cache/work_qcqqdk6ctnge5mukldipq4ujpy.pdf | ./txt/work_qcqqdk6ctnge5mukldipq4ujpy.txt |
work_txjzwc46dvbczgbaomie26swwq | Robert D Bresnahan | Virtue Ethics and Investment Advisors in the Canadian Financial Services Industry: An Application of Alasdair MacIntyre''s Tripartite Model of Virtue Ethics and Moral Philosophy | 2013 | 33494.0 | 2029.0 | 123.0 | ./cache/work_txjzwc46dvbczgbaomie26swwq.pdf | ./txt/work_txjzwc46dvbczgbaomie26swwq.txt |
work_5ouska6aqjhjrjynq5zfw5jr6q | Robert Myers | An East/West Pas De Deux: The Ballets Russes and the Orient in the Modern Western Imagination | 2011 | 5387.0 | 322.0 | 21.0 | ./cache/work_5ouska6aqjhjrjynq5zfw5jr6q.pdf | ./txt/work_5ouska6aqjhjrjynq5zfw5jr6q.txt |
work_5dtsgouud5dstbzabs5e3vmc7m | Robert Pepperell | Egocentric Perspective: Depicting the Body from Its Own Point of View | 2015 | 5293.0 | 437.0 | 14.0 | ./cache/work_5dtsgouud5dstbzabs5e3vmc7m.pdf | ./txt/work_5dtsgouud5dstbzabs5e3vmc7m.txt |
work_pficsiimjrbihomqak3hpnj3xq | Robert S. Root-Bernstein | Music, Creativity and Scientific Thinking | 2001 | 6623.0 | 766.0 | 6.0 | ./cache/work_pficsiimjrbihomqak3hpnj3xq.pdf | ./txt/work_pficsiimjrbihomqak3hpnj3xq.txt |
work_44szwsuwjnerpjevfcvysj4hqq | Roberta Fernandes Esteves | Ways of art appropriation by the advertising | 2013 | 7242.0 | 1092.0 | 32.0 | ./cache/work_44szwsuwjnerpjevfcvysj4hqq.pdf | ./txt/work_44szwsuwjnerpjevfcvysj4hqq.txt |
work_i5yios5iijd2rgg76z2hy5b3d4 | Roberto Costa | Authentic Primitive Art and Indigenous Global Desires between Reality and Hyperreality | 2020 | 7878.0 | 530.0 | 21.0 | ./cache/work_i5yios5iijd2rgg76z2hy5b3d4.pdf | ./txt/work_i5yios5iijd2rgg76z2hy5b3d4.txt |
work_xl77onuthnef3af4gzrqeolluq | Rodney Swan | Henri Matisse''s Jazz: The Mystery of The Codomas | 2019 | 4045.0 | 229.0 | 8.0 | ./cache/work_xl77onuthnef3af4gzrqeolluq.pdf | ./txt/work_xl77onuthnef3af4gzrqeolluq.txt |
work_qhpci3jelnb5bn2n3qpbrvsb7q | Rodney T. Swan | 0209 Symbolism and Allusion in Matisse''s Jazz | 2020 | 11550.0 | 763.0 | 28.0 | ./cache/work_qhpci3jelnb5bn2n3qpbrvsb7q.pdf | ./txt/work_qhpci3jelnb5bn2n3qpbrvsb7q.txt |
work_amysq7fbgjdxxddfnq2c57y2ju | Roger Lee | The theories of Hans Hofmann and their influence on his west-coast Canadian students | 1966 | 78051.0 | 18840.0 | 151.0 | ./cache/work_amysq7fbgjdxxddfnq2c57y2ju.pdf | ./txt/work_amysq7fbgjdxxddfnq2c57y2ju.txt |
work_r5udj4oia5evziamclos7y5jca | Rosa Cristina Maria de Carvalho | Arte e psiquiatria: um diálogo com artistas plásticos | 2011 | 7720.0 | 1142.0 | 16.0 | ./cache/work_r5udj4oia5evziamclos7y5jca.pdf | ./txt/work_r5udj4oia5evziamclos7y5jca.txt |
work_eo2ddmjuenfxbdcswow67jomg4 | Russell Fraser | Pietro Cavallini and The Ruins of Rome | 2008 | 6004.0 | 469.0 | 16.0 | ./cache/work_eo2ddmjuenfxbdcswow67jomg4.pdf | ./txt/work_eo2ddmjuenfxbdcswow67jomg4.txt |
work_ace7uyi4izcplibjw53sf5xquu | S. E. Bates | On Masterpieces and Breast Cancer Research | 2013 | 1163.0 | 277.0 | 2.0 | ./cache/work_ace7uyi4izcplibjw53sf5xquu.pdf | ./txt/work_ace7uyi4izcplibjw53sf5xquu.txt |
work_ihstidltsbaq7l3gajye4rtpna | Sabine Lang | Reconstructing Histories: Analyzing Exhibition Photographs with Computational Methods | 2018 | 11299.0 | 790.0 | 21.0 | ./cache/work_ihstidltsbaq7l3gajye4rtpna.pdf | ./txt/work_ihstidltsbaq7l3gajye4rtpna.txt |
work_v4f5hfqrcrdq3npmnqwtbpg36a | Salvatore Santuccio | The overlapped skyline of the Baroque cities in the Val di Noto | 2019 | 6479.0 | 791.0 | 9.0 | ./cache/work_v4f5hfqrcrdq3npmnqwtbpg36a.pdf | ./txt/work_v4f5hfqrcrdq3npmnqwtbpg36a.txt |
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work_nwglxm3qozcyjaji4a2erto3tq | Sheree Dukes Conrad | Toward a Phenomenological Analysis of Artistic Creativity | 1990 | 7427.0 | 539.0 | 16.0 | ./cache/work_nwglxm3qozcyjaji4a2erto3tq.pdf | ./txt/work_nwglxm3qozcyjaji4a2erto3tq.txt |
work_er3b6bwywrcevmzlvnro5mz2ni | Sheryl Salloum | John Vanderpant and the Cultural Life of Vancouver, 1920-1939 | 2010 | 6295.0 | 601.0 | 13.0 | ./cache/work_er3b6bwywrcevmzlvnro5mz2ni.pdf | ./txt/work_er3b6bwywrcevmzlvnro5mz2ni.txt |
work_tkdjnf3nnvcpdamuekuzu6qp6a | Shinmi Park | An Observation on Mid to Late Twentieth Century Korean Fashion - Focus on First Generation Korean Fashion Designer, Nora Noh - | 2014 | 10549.0 | 3193.0 | 24.0 | ./cache/work_tkdjnf3nnvcpdamuekuzu6qp6a.pdf | ./txt/work_tkdjnf3nnvcpdamuekuzu6qp6a.txt |
work_agjv37fy5fdx5d5kf7okczcxyi | Silvina Sartelli | Edgar Allan Poe illustrated | 2016 | 7786.0 | 1080.0 | 29.0 | ./cache/work_agjv37fy5fdx5d5kf7okczcxyi.pdf | ./txt/work_agjv37fy5fdx5d5kf7okczcxyi.txt |
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work_k4yggdeepjewra4b364sh36qle | Stas Goferman | Puzzle-like Collage | 2010 | 6234.0 | 628.0 | 10.0 | ./cache/work_k4yggdeepjewra4b364sh36qle.pdf | ./txt/work_k4yggdeepjewra4b364sh36qle.txt |
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work_2paxmopnvzhy7ojqbxxm3ehisy | Tom Kotsimbos | From the Museum: the Art of Thinking. Part Ten: Behaviour | 2014 | 1483.0 | 248.0 | 1.0 | ./cache/work_2paxmopnvzhy7ojqbxxm3ehisy.pdf | ./txt/work_2paxmopnvzhy7ojqbxxm3ehisy.txt |
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