This is a table of type trigram and their frequencies. Use it to search & browse the list to learn more about your study carrel.
trigram | frequency |
---|---|
yes yes yes | 1062 |
i o n | 676 |
t h e | 609 |
i n g | 560 |
r e s | 458 |
i n t | 449 |
a n d | 422 |
t e r | 403 |
as well as | 396 |
t i o | 392 |
one of the | 373 |
e n t | 370 |
p r e | 358 |
h i s | 358 |
f f e | 357 |
i s t | 351 |
a t i | 350 |
a i n | 349 |
e s s | 333 |
e f f | 331 |
i m p | 326 |
params is empty | 324 |
e c t | 314 |
n t e | 314 |
o f the | 311 |
a r t | 305 |
t e d | 291 |
s i o | 281 |
s s i | 279 |
t h a | 273 |
u r e | 268 |
p a i | 259 |
o n i | 253 |
t i n | 253 |
e e e | 250 |
in order to | 249 |
f e f | 247 |
t u r | 247 |
n i s | 245 |
l l e | 236 |
f e c | 232 |
h a t | 228 |
m p r | 228 |
a t e | 225 |
c o l | 225 |
t u d | 212 |
i t h | 209 |
f o r | 208 |
a l l | 203 |
i l l | 202 |
e f e | 201 |
based on the | 199 |
e f d | 199 |
e e f | 198 |
w i t | 196 |
n t i | 191 |
f i g | 191 |
n c e | 189 |
e r e | 188 |
o n t | 185 |
h e r | 184 |
i t i | 184 |
i g h | 181 |
m a t | 181 |
l o r | 180 |
fe yes yes | 179 |
f e e | 177 |
i n the | 176 |
g h t | 176 |
i v e | 175 |
e s t | 174 |
d e f | 173 |
a t t | 173 |
r e a | 172 |
to attitude change | 171 |
oil on canvas | 171 |
in terms of | 170 |
the number of | 168 |
e a r | 168 |
o l o | 165 |
m e n | 164 |
org licenses by | 164 |
the effect of | 163 |
s i n | 160 |
f d e | 157 |
f d f | 157 |
p a r | 157 |
o r t | 156 |
terms of the | 156 |
t h i | 155 |
v e r | 155 |
a r i | 154 |
the impressionable years | 154 |
e r s | 153 |
o n s | 151 |
c c c | 149 |
i i i | 147 |
save alert research | 146 |
there is a | 146 |
alert research feed | 146 |
t r e | 146 |
c o n | 142 |
m o n | 141 |
r e n | 141 |
r i s | 140 |
o r e | 138 |
org core terms | 138 |
the fact that | 137 |
o n a | 136 |
s t i | 135 |
t i s | 134 |
o f attitude | 134 |
u n d | 133 |
of the following | 133 |
b d e | 133 |
t i c | 133 |
u d e | 132 |
on the other | 132 |
s t r | 131 |
r a t | 131 |
f b d | 130 |
part of the | 130 |
the creative commons | 130 |
this article is | 129 |
of the creative | 127 |
s t u | 127 |
the terms of | 126 |
e r i | 125 |
d i n | 125 |
f f f | 125 |
l i g | 125 |
p o r | 125 |
under the terms | 124 |
i n e | 124 |
a r e | 122 |
the history of | 122 |
n t r | 122 |
n a l | 122 |
r i n | 121 |
t r a | 121 |
of this article | 120 |
i t e | 120 |
e a s | 119 |
in the s | 119 |
c u l | 118 |
r a n | 118 |
a n c | 118 |
the end of | 117 |
e n c | 117 |
i c a | 117 |
f f d | 116 |
are based on | 116 |
susceptibility to attitude | 114 |
i c t | 114 |
e e c | 114 |
o f age | 114 |
t a n | 113 |
there is no | 113 |
d e e | 113 |
n a t | 113 |
the effects of | 113 |
information from the | 113 |
p e r | 112 |
the contents of | 111 |
i t u | 111 |
of a specific | 111 |
t i t | 111 |
t t e | 111 |
on one of | 111 |
a t h | 111 |
the information from | 110 |
the use of | 110 |
s t s | 110 |
i s s | 110 |
new directions in | 110 |
c h a | 110 |
s t a | 110 |
d f b | 109 |
t t i | 109 |
above in your | 108 |
empty sys exception | 108 |
typeof jquery undefined | 108 |
creative commons license | 108 |
that you used | 108 |
corehtml pmc jig | 108 |
is empty exception | 108 |
from the box | 108 |
may be incorrect | 108 |
specific article by | 108 |
continue using pmc | 108 |
pmc pmcgifs wm | 108 |
browse the contents | 108 |
script type text | 108 |
org abstract med | 108 |
specific journal in | 108 |
contents of a | 108 |
is empty sys | 108 |
the development of | 108 |
need further help | 108 |
no params is | 108 |
block page not | 108 |
web page address | 108 |
text javascript src | 108 |
links to continue | 108 |
complete pmc archive | 108 |
box above in | 108 |
you need further | 108 |
by its citation | 108 |
used may be | 108 |
uk no params | 108 |
sys exception wp | 108 |
it is not | 108 |
find a specific | 108 |
y top left | 108 |
following links to | 108 |
to continue using | 108 |
a specific journal | 108 |
if you need | 108 |
in your message | 108 |
type text javascript | 108 |
article by its | 108 |
the web page | 108 |
the complete pmc | 108 |
send an email | 108 |
click on one | 108 |
author or article | 108 |
empty exception params | 108 |
page not available | 108 |
search the complete | 108 |
the following links | 108 |
uk params is | 108 |
l i n | 108 |
you used may | 108 |
c c e | 108 |
please send an | 108 |
exception params is | 108 |
the box above | 108 |
the work of | 108 |
an email to | 108 |
a specific article | 108 |
src corehtml pmc | 108 |
not available reason | 108 |
include the information | 108 |
journal in pmc | 108 |
javascript src corehtml | 108 |
or article title | 108 |
email to pmc | 108 |
corehtml pmc pmcgifs | 108 |
h a r | 107 |
i b i | 107 |
l e n | 107 |
c t i | 106 |
u l l | 106 |
r t i | 106 |
l a t | 106 |
the university of | 106 |
special issue new | 106 |
issue new directions | 106 |
d e d | 105 |
c e e | 105 |
during the impressionable | 105 |
i c e | 105 |
c f e | 105 |
i n a | 105 |
the text of | 104 |
the same time | 104 |
e d i | 103 |
the united states | 103 |
p i c | 103 |
e d f | 103 |
the other hand | 103 |
a s t | 102 |
d e r | 102 |
the art of | 102 |
text of this | 102 |
the life cycle | 102 |
article is provided | 101 |
at the same | 101 |
is provided under | 101 |
journal july special | 101 |
a number of | 101 |
directions in new | 101 |
commons license cc | 101 |
riha journal july | 101 |
july special issue | 101 |
e d a | 101 |
provided under the | 101 |
l u e | 101 |
e i n | 100 |
p l e | 100 |
vincent van gogh | 100 |
o f a | 100 |
r i c | 99 |
n i n | 99 |
s t e | 98 |
e c c | 98 |
some of the | 98 |
m o r | 97 |
according to the | 97 |
as a result | 97 |
o t h | 96 |
i n c | 96 |
e a l | 96 |
i e s | 95 |
a r r | 95 |
a t the | 95 |
c t u | 95 |
r e d | 95 |
the influence of | 95 |
t o r | 94 |
o r i | 94 |
exposure to epidemic | 94 |
i n s | 93 |
e m e | 93 |
a n t | 93 |
r e e | 93 |
we do not | 92 |
in which the | 92 |
s u r | 92 |
due to the | 92 |
s c h | 92 |
n s t | 92 |
b e r | 91 |
e l l | 91 |
t o f | 90 |
o u r | 90 |
a g e | 90 |
m p o | 90 |
the role of | 90 |
u d i | 89 |
e m a | 89 |
i s i | 89 |
a d e | 89 |
c h e | 89 |
c a l | 89 |
d e c | 88 |
in the same | 88 |
national gallery of | 88 |
n t o | 88 |
the share of | 88 |
n g e | 87 |
a r l | 87 |
n o t | 87 |
the basis of | 86 |
e c o | 86 |
terms of use | 86 |
l e d | 86 |
n t a | 85 |
b e e | 85 |
cambridge university press | 85 |
c o m | 85 |
experiences are based | 85 |
in this paper | 84 |
that it is | 84 |
f r e | 84 |
l l i | 84 |
the time of | 83 |
h a n | 83 |
r i e | 83 |
p r o | 83 |
on the basis | 83 |
the case of | 83 |
l e t | 83 |
m i l | 83 |
c a t | 83 |
and social psychology | 82 |
support for gender | 82 |
h e m | 82 |
r e t | 82 |
carnegie mellon university | 82 |
n d i | 81 |
a l i | 81 |
w e r | 81 |
i n d | 81 |
s a r | 80 |
it is a | 80 |
e r n | 80 |
a c t | 80 |
c e f | 80 |
t r o | 80 |
personality and social | 79 |
in the first | 79 |
the importance of | 79 |
e f c | 79 |
s s a | 79 |
a s u | 79 |
v i s | 79 |
in line with | 79 |
t e s | 78 |
r e c | 78 |
e s e | 78 |
q u e | 78 |
oxford university press | 78 |
s i t | 78 |
on the experienced | 78 |
at the end | 77 |
the th century | 77 |
to be a | 77 |
e t t | 77 |
a c e | 77 |
the union league | 77 |
with respect to | 77 |
h e i | 76 |
at the time | 76 |
of the past | 76 |
the problem of | 76 |
c t s | 76 |
m e a | 76 |
the level of | 76 |
each of the | 76 |
union league club | 76 |
o n g | 75 |
i s m | 75 |
n d e | 75 |
o u n | 75 |
e r y | 75 |
subject to the | 75 |
b l e | 75 |
end of the | 75 |
o n e | 74 |
t h o | 74 |
of the first | 74 |
s o f | 74 |
e e n | 74 |
en riha journal | 74 |
of the world | 74 |
o r a | 74 |
r t a | 73 |
a l s | 73 |
b i t | 73 |
r e p | 73 |
the impact of | 73 |
it is the | 73 |
c h i | 73 |
o r s | 72 |
n e d | 72 |
the works of | 72 |
t a t | 72 |
i d e | 72 |
d f e | 72 |
downloaded from https | 71 |
i e d | 71 |
r e m | 71 |
u r n | 71 |
a b l | 71 |
that there is | 71 |
c c f | 71 |
to the cambridge | 71 |
well as the | 71 |
the cambridge core | 71 |
e l a | 71 |
l a n | 70 |
t i v | 70 |
in the united | 70 |
of the most | 70 |
e e d | 70 |
e c f | 70 |
i s c | 69 |
e l i | 69 |
e c e | 69 |
n t h | 69 |
standard errors are | 69 |
l e s | 69 |
of the unconscious | 69 |
r o n | 68 |
proceedings of the | 68 |
h i b | 68 |
a l o | 68 |
is not a | 68 |
consistent with the | 68 |
the idea of | 68 |
l i t | 68 |
l e c | 68 |
be able to | 68 |
e t h | 68 |
g i n | 68 |
e r m | 68 |
c t o | 68 |
on apr at | 67 |
f c f | 67 |
r r i | 67 |
core terms of | 67 |
core terms https | 67 |
r r o | 67 |
the top percent | 67 |
in this case | 67 |
l i a | 67 |
c e n | 67 |
a c h | 67 |
e d e | 67 |
cambridge core terms | 67 |
analysis of the | 66 |
r i t | 66 |
more likely to | 66 |
susceptibility to change | 66 |
i n f | 66 |
l a r | 66 |
study of the | 66 |
a l e | 66 |
n e r | 66 |
r e l | 66 |
d f f | 66 |
o l l | 65 |
n t s | 65 |
the relationship between | 65 |
by the top | 65 |
e n d | 65 |
o l u | 65 |
e a t | 65 |
the relation between | 64 |
f c c | 64 |
l e r | 64 |
journal of personality | 64 |
of personality and | 64 |
i q u | 64 |
in the netherlands | 64 |
x h i | 64 |
changes in the | 64 |
p o s | 64 |
p l a | 64 |
e x h | 64 |
e v e | 64 |
an increase in | 64 |
e s i | 63 |
this is the | 63 |
this is a | 63 |
c t e | 63 |
e d to | 63 |
increase in the | 63 |
w i l | 63 |
between age and | 63 |
in the world | 62 |
for gender egalitarianism | 62 |
i e r | 62 |
share of total | 62 |
m i n | 62 |
f e r | 62 |
e n e | 62 |
c i t | 62 |
n o f | 62 |
s e n | 62 |
and it is | 62 |
and susceptibility to | 62 |
l i e | 62 |
g r a | 62 |
i n i | 61 |
in other words | 61 |
e a c | 61 |
of the art | 61 |
e r t | 61 |
robust standard errors | 61 |
e c h | 60 |
we control for | 60 |
such as the | 60 |
a s s | 60 |
u a l | 60 |
the nature of | 59 |
h i n | 59 |
the context of | 59 |
w h i | 59 |
their impressionable years | 59 |
d t h | 59 |
o m p | 59 |
a t a | 58 |
l o w | 58 |
r t h | 58 |
the study of | 58 |
r o u | 58 |
of total income | 58 |
large set of | 58 |
e b e | 58 |
in the case | 58 |
a t u | 58 |
we show the | 58 |
g r e | 58 |
t a l | 58 |
o u l | 58 |
i r e | 58 |
r a c | 58 |
of the th | 57 |
effects yes yes | 57 |
ha ve confidence | 57 |
d e l | 57 |
a m o | 57 |
income earned by | 57 |
b a r | 57 |
ve confidence in | 57 |
later in life | 57 |
n e s | 56 |
c a r | 56 |
r a l | 56 |
r e f | 56 |
a series of | 56 |
available at https | 56 |
a p p | 56 |
u l d | 56 |
c e d | 56 |
s e r | 56 |
c o r | 56 |
likely to be | 56 |
journal of political | 56 |
o u t | 56 |
r s t | 56 |
of the painting | 56 |
a large set | 56 |
d i e | 55 |
a m i | 55 |
e r a | 55 |
s downloaded from | 55 |
e o f | 55 |
v e d | 55 |
l l o | 55 |
o n o | 55 |
l e y | 55 |
earned by the | 55 |
the results of | 55 |
controls yes yes | 55 |
on the one | 55 |
journal of the | 55 |
o f t | 55 |
control for age | 55 |
and in the | 55 |
d e n | 55 |
h o u | 55 |
less likely to | 55 |
this is not | 55 |
a f e | 55 |
d a t | 55 |
i t y | 55 |
s o n | 55 |
e i r | 55 |
c o u | 55 |
t l e | 54 |
work of art | 54 |
r n e | 54 |
c e s | 54 |
in relation to | 54 |
the i m | 54 |
g e n | 54 |
many of the | 54 |
british journal of | 54 |
s i m | 54 |
s l e | 54 |
f r a | 54 |
t e n | 54 |
s i s | 54 |
general social survey | 54 |
the presence of | 54 |
e r r | 54 |
i s h | 54 |
works of art | 54 |
o l d | 54 |
set of controls | 53 |
m a n | 53 |
c f d | 53 |
time of the | 53 |
u r a | 53 |
n g s | 53 |
a n g | 53 |
t r i | 53 |
e f b | 53 |
m p l | 53 |
u r i | 53 |
the one hand | 53 |
f i n | 53 |
i a n | 52 |
most of the | 52 |
l o n | 52 |
a n n | 52 |
the process of | 52 |
r i o | 52 |
d u c | 52 |
of fine arts | 52 |
n g the | 52 |
t o n | 52 |
at the university | 52 |
journal of economics | 52 |
r o s | 52 |
i k e | 52 |
f d c | 52 |
e a d | 52 |
relation between age | 52 |
number of people | 52 |
a study of | 52 |
i s l | 51 |
gallery of victoria | 51 |
clustered at the | 51 |
cohort group fe | 51 |
the beginning of | 51 |
i r s | 51 |
r i v | 51 |
fixed effects yes | 51 |
of the same | 51 |
background save alert | 51 |
i s e | 51 |
university of chicago | 51 |
s s e | 51 |
p i s | 51 |
r e v | 51 |
in the early | 51 |
in the last | 51 |
p r i | 51 |
a result of | 51 |
e l e | 51 |
w i n | 51 |
b r i | 50 |
inequality experiences are | 50 |
n c h | 50 |
f attitude change | 50 |
l e a | 50 |
c a f | 50 |
t a r | 50 |
the s and | 50 |
year fixed effects | 50 |
l u m | 50 |
f i r | 50 |
in this study | 50 |
with regard to | 50 |
t h r | 49 |
c f f | 49 |
of modern art | 49 |
l i k | 49 |
of impressionist painting | 49 |
s u b | 49 |
f c e | 49 |
l i s | 49 |
m a r | 49 |
as in the | 49 |
o w n | 49 |
international journal of | 49 |
i s a | 49 |
o r r | 49 |
t t h | 49 |
n a p | 49 |
l l y | 49 |
d c c | 49 |
a r y | 49 |
year fe yes | 49 |
f u l | 49 |
of the artist | 48 |
honesty of elections | 48 |
the idea that | 48 |
that of the | 48 |
y e a | 48 |
out of the | 48 |
o m e | 48 |
i e n | 48 |
quarterly journal of | 48 |
e d the | 48 |
of political science | 48 |
related to the | 48 |
r l y | 48 |
use of the | 48 |
and new zealand | 48 |
we use the | 48 |
b l u | 48 |
approval of the | 48 |
r e i | 48 |
age and cohort | 48 |
l a c | 48 |
o n of | 48 |
f attitude strength | 48 |
group fixed effects | 48 |
k i n | 47 |
total income earned | 47 |
understanding of the | 47 |
o r d | 47 |
all of the | 47 |
o r m | 47 |
the evolution of | 47 |
o s i | 47 |
f e d | 47 |
n g i | 47 |
s p e | 47 |
of the american | 47 |
american economic review | 47 |
in the context | 47 |
g u e | 47 |
art of the | 47 |
we find that | 47 |
is not the | 47 |
d i s | 47 |
top percent during | 47 |
by means of | 47 |
i s p | 47 |
the age of | 47 |
f f c | 47 |
experienced share of | 46 |
restrictions may apply | 46 |
o t e | 46 |
u n t | 46 |
university of california | 46 |
measures are z | 46 |
e s of | 46 |
j e c | 46 |
r n a | 46 |
copyright restrictions may | 46 |
e m o | 46 |
or copyright restrictions | 46 |
may apply to | 46 |
relation to the | 46 |
h o r | 46 |
is that the | 46 |
r m a | 46 |
b j e | 46 |
the national gallery | 46 |
license or copyright | 46 |
y i n | 46 |
apply to redistribution | 46 |
all outcome measures | 46 |
the life span | 46 |
e n s | 46 |
men and women | 46 |
outcome measures are | 46 |
australian and new | 46 |
p u b | 45 |
yes yes country | 45 |
h i c | 45 |
in addition to | 45 |
the world of | 45 |
a r s | 45 |
s e l | 45 |
l a s | 45 |
the concept of | 45 |
r i g | 45 |
the journal of | 45 |
of the present | 45 |
a c c | 45 |
u e n | 45 |
e e a | 45 |
a set of | 45 |
f l e | 45 |
f d a | 45 |
of chicago press | 45 |
r r e | 45 |
for the first | 45 |
c i a | 45 |
l e m | 45 |
for a large | 45 |
o k e | 44 |
the field of | 44 |
h e s | 44 |
o f table | 44 |
focus on the | 44 |
d b y | 44 |
american journal of | 44 |
t a b | 44 |
effect of the | 44 |
i t t | 44 |
v e n | 44 |
unemployment experiences are | 44 |
a kind of | 44 |
o r o | 44 |
r o m | 44 |
t e l | 44 |
have confidence in | 44 |
s a l | 44 |
the dependent variable | 44 |
for each of | 44 |
during impr years | 44 |
f a c | 44 |
rate during the | 44 |
e n o | 44 |
o s e | 44 |
h e n | 44 |
d e a | 44 |
a variety of | 44 |
we focus on | 44 |
control for a | 44 |
appendix table b | 44 |
no yes yes | 43 |
of the image | 43 |
r t s | 43 |
yes unemployment experiences | 43 |
is based on | 43 |
the absence of | 43 |
across the life | 43 |
is to be | 43 |
l o u | 43 |
cents to worker | 43 |
a n a | 43 |
a n e | 43 |
d w i | 43 |
experiences yes yes | 43 |
z o r | 43 |
way clustered by | 43 |
yes yes unemployment | 43 |
our results are | 43 |
unemployment rate during | 43 |
e d w | 43 |
yes yes cohort | 43 |
a r a | 43 |
percent during the | 43 |
to be the | 43 |
t w e | 43 |
s t o | 43 |
d o w | 43 |
unemployment experiences yes | 43 |
political science review | 43 |
group fe yes | 43 |
d e m | 43 |
o p l | 43 |
w n lo | 43 |
r a p | 42 |
b e f | 42 |
that there are | 42 |
by age and | 42 |
the quality of | 42 |
n c o | 42 |
new zealand art | 42 |
o v e | 42 |
t i m | 42 |
i n h | 42 |
r o k | 42 |
in honesty of | 42 |
s t p | 42 |
the nineteenth century | 42 |
h i l | 42 |
the first time | 42 |
n f l | 42 |
shahid rajaie port | 42 |
v o l | 42 |
found in the | 42 |
e o p | 42 |
nature of the | 42 |
between the two | 42 |
confidence in honesty | 41 |
clustered by age | 41 |
can be seen | 41 |
in the late | 41 |
e p o | 41 |
s u z | 41 |
p e o | 41 |
a v i | 41 |
in the field | 41 |
on canvas x | 41 |
r u s | 41 |
u e s | 41 |
u z o | 41 |
f r o | 41 |
the late s | 41 |
of art and | 41 |
his or her | 41 |
the rest of | 41 |
in this way | 41 |
but it is | 41 |
s e d | 41 |
d g e | 41 |
the course of | 41 |
i m e | 41 |
yes yes standard | 41 |
yes standard errors | 41 |
e t e | 41 |
f l u | 41 |
e l y | 41 |
b e t | 41 |
i c s | 41 |
preferences for redistribution | 41 |
o f these | 41 |
i t s | 40 |
is consistent with | 40 |
t i e | 40 |
u m n | 40 |
a l t | 40 |
the rise of | 40 |
b c b | 40 |
the form of | 40 |
u n g | 40 |
of the s | 40 |
s p a | 40 |
tilewidth tileheight quality | 40 |
art in the | 40 |
response to the | 40 |
p l i | 40 |
n g a | 40 |
l l a | 40 |
age fixed effects | 40 |
p e c | 40 |
s c o | 39 |
of the maures | 39 |
hindawi publishing corporation | 39 |
the c o | 39 |
d f d | 39 |
c o t | 39 |
the f i | 39 |
d u r | 39 |
e w e | 39 |
lo a d | 39 |
of the work | 39 |
of t h | 39 |
s s o | 39 |
it is important | 39 |
g r o | 39 |
the sense of | 39 |
b f d | 39 |
s t h | 39 |
e p r | 39 |
labor force participation | 39 |
history of art | 39 |
history of the | 39 |
a n s | 39 |
f d d | 39 |
a r n | 39 |
a r d | 39 |
l s o | 39 |
n lo a | 39 |
census div fe | 39 |
virtues of art | 39 |
r t e | 39 |
s p i | 39 |
d i d | 38 |
in the past | 38 |
r a i | 38 |
as it is | 38 |
i a l | 38 |
publishing corporation http | 38 |
part of a | 38 |
n s i | 38 |
c f c | 38 |
in the second | 38 |
specifications control for | 38 |
s and s | 38 |
it can be | 38 |
i a t | 38 |
of the book | 38 |
of people affected | 38 |
m m e | 38 |
c c d | 38 |
can be used | 38 |
n n e | 38 |
all specifications control | 38 |
yale university press | 38 |
f the life | 38 |
that can be | 38 |
age and susceptibility | 38 |
is important to | 38 |
r c h | 38 |
differences in the | 38 |
o g r | 38 |
h i t | 38 |
show the results | 38 |
relation o f | 38 |
journal of art | 38 |
u l t | 38 |
the i n | 37 |
it would be | 37 |
the value of | 37 |
i l i | 37 |
e e b | 37 |
of age to | 37 |
e v i | 37 |
n g l | 37 |
a history of | 37 |
the analysis of | 37 |
the phenomenology of | 37 |
o d e | 37 |
f t h | 37 |
r i a | 37 |
n h i | 37 |
a c k | 37 |
age fe yes | 37 |
used in the | 37 |
duty to vote | 37 |
c e c | 37 |
v e l | 37 |
c c b | 37 |
which can be | 37 |
value versus growth | 37 |
d i o | 37 |
p h i | 37 |
end o f | 36 |
n p a | 36 |
o m m | 36 |
e x p | 36 |
c b c | 36 |
s e s | 36 |
the problems of | 36 |
account of the | 36 |
the issue of | 36 |
in the history | 36 |
a p h | 36 |
e r v | 36 |
the possibility of | 36 |
i g u | 36 |
the structure of | 36 |
whether or not | 36 |
the size of | 36 |
t e c | 36 |
b m j | 36 |
e t w | 36 |
at the country | 36 |
the subject of | 36 |
c l o | 36 |
m a l | 36 |
o l i | 36 |
b r u | 36 |
there are no | 36 |
in favor of | 36 |
h o o | 35 |
because of the | 35 |
s c e | 35 |
art historiography bibliography | 35 |
is likely to | 35 |
change in the | 35 |
i a m | 35 |
account for the | 35 |
and mcneill australian | 35 |
is in the | 35 |
confidence in the | 35 |
thomas and mcneill | 35 |
t r u | 35 |
giuliano and spilimbergo | 35 |
features of the | 35 |
of the time | 35 |
t p a | 35 |
mcneill australian and | 35 |
line with the | 35 |
we assume that | 35 |
s r e | 35 |
g i v | 35 |
impressionable years hypothesis | 35 |
h e a | 35 |
i c k | 35 |
m i t | 35 |
e a n | 35 |
r v e | 35 |
the aristotelian society | 35 |
o u s | 35 |
in contrast to | 35 |
of van gogh | 35 |
as a whole | 35 |
be found in | 35 |
d a s | 35 |
l i f | 35 |
t h the | 35 |
a work of | 35 |
ordinary least squares | 35 |
half of the | 35 |
zealand art historiography | 35 |
references background save | 35 |
i l e | 35 |
the country level | 35 |
u s e | 35 |
members of the | 35 |
there are two | 35 |
e r c | 35 |
any of the | 35 |
c r o | 35 |
n o i | 34 |
o i n | 34 |
american political science | 34 |
demand for redistribution | 34 |
d i t | 34 |
it is also | 34 |
and on the | 34 |
the question of | 34 |
the r e | 34 |
e r o | 34 |
d e s | 34 |
a dummy variable | 34 |
o o l | 34 |
to inequality experiences | 34 |
o f political | 34 |
d d e | 34 |
to say that | 34 |
d e b | 34 |
o u g | 34 |
u g h | 34 |
n d s | 34 |
i n p | 34 |
european journal of | 34 |
b i d | 34 |
l i c | 34 |
n e w | 34 |
that is not | 34 |
t a i | 34 |
r a r | 34 |
f i c | 34 |
s a t | 34 |
show that the | 34 |
i c h | 34 |
e d d | 34 |
seems to be | 34 |
s e e | 34 |
museum of art | 34 |
e d u | 34 |
sense of the | 34 |
more than a | 34 |
w e e | 33 |
e s a | 33 |
of the two | 33 |
l t h | 33 |
r l i | 33 |
a period of | 33 |
of h i | 33 |
ext a reqidx | 33 |
errors are clustered | 33 |
the a r | 33 |
yes census div | 33 |
as part of | 33 |
is used to | 33 |
a t o | 33 |
n g t | 33 |
structure of the | 33 |
in their impressionable | 33 |
yes yes census | 33 |
e m i | 33 |
a s e | 33 |
can be found | 33 |
of inequality experiences | 33 |
nw rpsv cgi | 33 |
m e r | 33 |
g e s | 33 |
a v e | 33 |
m o d | 33 |
a r c | 33 |
com nw rpsv | 33 |
r n s | 33 |
cohort group fixed | 33 |
a l a | 33 |
u t i | 33 |
g u r | 33 |
v i n | 33 |
results use the | 33 |
should not be | 33 |
attention to the | 33 |
effect on the | 33 |
i m i | 32 |
the most important | 32 |
g e r | 32 |
much of the | 32 |
g a l | 32 |
f age to | 32 |
r o d | 32 |
to assess the | 32 |
a i l | 32 |
in this sense | 32 |
the experience of | 32 |
harvard university press | 32 |
over the life | 32 |
m e t | 32 |
are clustered at | 32 |
a decrease in | 32 |
l y i | 32 |
yes yes year | 32 |
the unconscious as | 32 |
in the sense | 32 |
schools of art | 32 |
effects of the | 32 |
lower voting costs | 32 |
o f change | 32 |
similar to the | 32 |
it may be | 32 |
the virtues of | 32 |
a n i | 32 |
the degree of | 32 |
v e s | 32 |
in the national | 32 |
f t e | 32 |
the theory of | 32 |
relationship between the | 32 |
m e d | 32 |
s o c | 32 |
seem to be | 32 |
a p ril | 32 |
role in the | 32 |
respondents were asked | 32 |
in this context | 32 |
the power of | 32 |
to have been | 31 |
is one of | 31 |
of the leader | 31 |
size of the | 31 |
that they are | 31 |
a function of | 31 |
a t s | 31 |
b e a | 31 |
the result of | 31 |
to the unconscious | 31 |
the creation of | 31 |
i n n | 31 |
of party choice | 31 |
at the beginning | 31 |
n u n | 31 |
e f o | 31 |
p r a | 31 |
by vincent van | 31 |
c r e | 31 |
on the left | 31 |
of impressionable voters | 31 |
the emergence of | 31 |
movement of the | 31 |
in response to | 31 |
n i t | 31 |
e c i | 31 |
of his own | 31 |
s e a | 31 |
based on a | 31 |
o r k | 31 |
pissarro and venturi | 31 |
yes year fe | 31 |
value of the | 31 |
female labor force | 31 |
t s of | 31 |
suggests that the | 31 |
of c o | 31 |
b r a | 31 |
of the individual | 31 |
the experienced national | 31 |
that we have | 31 |
o s s | 30 |
the story of | 30 |
haralick multiscale histograms | 30 |
f e b | 30 |
e f l | 30 |
moments haralick multiscale | 30 |
the majority of | 30 |
a d i | 30 |
e d t | 30 |
v a l | 30 |
in the art | 30 |
c a n | 30 |
e r p | 30 |
b e c | 30 |
h t e | 30 |
dummy variables for | 30 |
the twentieth century | 30 |
multiscale histograms tamura | 30 |
s m a | 30 |
for the same | 30 |
no no yes | 30 |
c b e | 30 |
we show that | 30 |
m a y | 30 |
the death of | 30 |
histograms tamura radon | 30 |
s u n | 30 |
that high values | 30 |
n e t | 30 |
c h n | 30 |
country fe x | 30 |
creative commons attribution | 30 |
the experienced share | 30 |
a r b | 30 |
compared to the | 30 |
results from the | 30 |
it has been | 30 |
journal o f | 30 |
share top during | 30 |
the formation of | 30 |
in the life | 30 |
the sum of | 30 |
first moments haralick | 30 |
van der brug | 30 |
such that high | 30 |
e d b | 30 |
it should be | 30 |
journal of public | 30 |
t e a | 30 |
a i r | 30 |
the results are | 30 |
shown in the | 30 |
idea of the | 30 |
a p e | 30 |
top during impr | 30 |
national unemployment rate | 30 |
w e l | 30 |
o i s | 30 |
make use of | 30 |
s c u | 30 |
of the eight | 29 |
o i r | 29 |
would have been | 29 |
of el greco | 29 |
in the paintings | 29 |
a great deal | 29 |
the choice of | 29 |
d fro m | 29 |
the amount of | 29 |
b y g | 29 |
r g e | 29 |
s i d | 29 |
u s t | 29 |
interest in the | 29 |
t l y | 29 |
m n o | 29 |
of the main | 29 |
in the th | 29 |
e d fro | 29 |
o f f | 29 |
pdf save alert | 29 |
u n i | 29 |
of a new | 29 |
u s h | 29 |
as we have | 29 |
fro m http | 29 |
e c u | 29 |
a way of | 29 |
are less likely | 29 |
h e d | 29 |
t c h | 29 |
would like to | 29 |
e r f | 29 |
of this paper | 29 |
experienced national unemployment | 29 |
e t a | 29 |
a control group | 29 |
d c f | 29 |
in this regard | 29 |
the great depression | 29 |
c h o | 29 |
n d o | 29 |
e n i | 29 |
b f e | 29 |
the spirit of | 29 |
more and more | 29 |
l e i | 29 |
the help of | 29 |
o n d | 29 |
the increasing persistence | 29 |
people in the | 29 |
v i e | 29 |
in the following | 29 |
journal of economic | 29 |
that we are | 29 |
and of the | 29 |
and c o | 29 |
u r t | 29 |
of the painter | 29 |
p a l | 29 |
s h s | 29 |
of art history | 29 |
be used to | 29 |
can also be | 29 |
r o f | 28 |
to improve the | 28 |
f e a | 28 |
m b e | 28 |
a form of | 28 |
in a way | 28 |
attitude i m | 28 |
a l p | 28 |
e o r | 28 |
are likely to | 28 |
h s t | 28 |
a u t | 28 |
i g n | 28 |
r a s | 28 |
h e t | 28 |
f o u | 28 |
is not to | 28 |
t s i | 28 |
o r y | 28 |
the appearance of | 28 |
and that the | 28 |
the meaning of | 28 |
e t i | 28 |
krosnick and alwin | 28 |
in the way | 28 |
the lack of | 28 |
f age was | 28 |
e i s | 28 |
o n l | 28 |
our measure of | 28 |
the learning community | 28 |
t h c | 28 |
to do so | 28 |
to the right | 28 |
of the arts | 28 |
u d y | 28 |
allen institute for | 28 |
l i b | 28 |
to use the | 28 |
of the university | 28 |
abstract med wp | 28 |
n e u | 28 |
t i l | 28 |
away from the | 28 |
the first world | 28 |
at a time | 28 |
and history of | 28 |
e p a | 28 |
institute for ai | 28 |
in na tional | 28 |
e t u | 28 |
r l e | 28 |
the ability to | 28 |
levels o f | 28 |
v i d | 28 |
to account for | 28 |
are presented in | 28 |
in the process | 28 |
t e e | 28 |
art and the | 28 |
o t i | 28 |
data from the | 28 |
depending on the | 28 |
to identify the | 28 |
s a i | 28 |
attitude change was | 28 |
national gallery ottawa | 28 |
terms of service | 28 |
to estimate the | 28 |
the allen institute | 28 |
d i f | 27 |
as opposed to | 27 |
l l s | 27 |
of income inequality | 27 |
y o u | 27 |
level of inequality | 27 |
y g u | 27 |
are displayed in | 27 |
in this section | 27 |
n l y | 27 |
n d a | 27 |
s t y | 27 |
co p yrig | 27 |
first p u | 27 |
likelihood o f | 27 |
what is the | 27 |
c d e | 27 |
associated with the | 27 |
space in the | 27 |
he was a | 27 |
we use a | 27 |
y co p | 27 |
seems to have | 27 |
in the online | 27 |
lish e d | 27 |
yrig h t | 27 |
a f t | 27 |
it does not | 27 |
ro te cte | 27 |
of the body | 27 |
te cte d | 27 |
hvc auditory neurons | 27 |
b lish e | 27 |
school of art | 27 |
of the survey | 27 |
of cultural transfer | 27 |
this is an | 27 |
n a r | 27 |
development of the | 27 |
no no no | 27 |
b o u | 27 |
b l i | 27 |
i f i | 27 |
fact that the | 27 |
i v i | 27 |
c b f | 27 |
u e st | 27 |
l d e | 27 |
s a n | 27 |
p yrig h | 27 |
a matter of | 27 |
m a i | 27 |
malmendier and nagel | 27 |
l o s | 27 |
i z e | 27 |
beginning of the | 27 |
yes cohort group | 27 |
h a l | 27 |
the notion of | 27 |
a f f | 27 |
and the other | 27 |
of australian art | 27 |
the early s | 27 |
museum of fine | 27 |
observa tions r | 27 |
i t was | 27 |
b y co | 27 |
e u r | 27 |
g n i | 27 |
u b lish | 27 |
at least one | 27 |
in such a | 27 |
of the life | 27 |
those of the | 27 |
the stability of | 27 |
c l a | 27 |
p ro te | 27 |
point of view | 27 |
n c l | 27 |
first world war | 27 |
the visual arts | 27 |
and i n | 27 |
na tional government | 27 |
h r e | 27 |
i l a | 27 |
p i l | 27 |
a lot of | 27 |
is that it | 27 |
n f o | 27 |
e s o | 27 |
the first to | 27 |
cte d b | 27 |
t i q | 27 |
n o w | 27 |
errors are two | 26 |
confidence in na | 26 |
n u m | 26 |
n d r | 26 |
supply of skills | 26 |
yes demographic controls | 26 |
a group of | 26 |
c i e | 26 |
new south wales | 26 |
o d u | 26 |
d e change | 26 |
the relation o | 26 |
d b f | 26 |
y o r | 26 |
u b j | 26 |
of what is | 26 |
a r g | 26 |
u r y | 26 |
variable such that | 26 |
g t h | 26 |
included in the | 26 |
s p r | 26 |
c e i | 26 |
t s t | 26 |
yes yes demographic | 26 |
aspects of the | 26 |
are more likely | 26 |
version of the | 26 |
t t a | 26 |
to show that | 26 |
b u t | 26 |
to be more | 26 |
of the neo | 26 |
a c r | 26 |
the existence of | 26 |
e p i | 26 |
the p a | 26 |
the results using | 26 |
only in the | 26 |
to be an | 26 |
at that time | 26 |
d b e | 26 |
parts of the | 26 |
o c i | 26 |
this suggests that | 26 |
to the same | 26 |
rather than the | 26 |
at the individual | 26 |
the latent space | 26 |
in light of | 26 |
o u p | 26 |
n o r | 26 |
the book is | 26 |
fatih sultan mehmet | 26 |
i f e | 26 |
to the present | 26 |
result of the | 26 |
are shown in | 26 |
in this issue | 26 |
high levels of | 26 |
n i c | 26 |
age to attitude | 26 |
to that of | 26 |
z o n | 26 |
openness to experience | 26 |
i t a | 26 |
a u r | 26 |
f b f | 26 |
as much as | 26 |
and cultural philanthropy | 26 |
dat international disa | 26 |
f b e | 26 |
u c e | 26 |
and cents to | 26 |
and so on | 26 |
this variable such | 26 |
relation of age | 26 |
c c a | 26 |
l e p | 26 |
of the national | 26 |
is no longer | 26 |
the performance of | 26 |
review of the | 26 |
a s i | 26 |
p p l | 26 |
demographic controls yes | 25 |
in the household | 25 |
start and end | 25 |
d i r | 25 |
works of the | 25 |
the extent to | 25 |
social and political | 25 |
rest of the | 25 |
l e f | 25 |
c d f | 25 |
the origins of | 25 |
is difficult to | 25 |
i z o | 25 |
of the second | 25 |
the need for | 25 |
r b i | 25 |
n s l | 25 |
of present bias | 25 |
well as region | 25 |
the fraction of | 25 |
of the subject | 25 |
e y i | 25 |
n g to | 25 |
the individual level | 25 |
a u s | 25 |
international disa ster | 25 |
in the form | 25 |
it is possible | 25 |
the inclusion of | 25 |
in the present | 25 |
the range of | 25 |
depend on the | 25 |
it is an | 25 |
course of the | 25 |
be seen in | 25 |
n t u | 25 |
e d h | 25 |
in a letter | 25 |
the modification of | 25 |
presented at the | 25 |
column of table | 25 |
in studies and | 25 |
dependent variable is | 25 |
the l i | 25 |
yes yes hh | 25 |
the paintings by | 25 |
n d t | 25 |
all of these | 25 |
a c o | 25 |
e a u | 25 |
of art in | 25 |
of attitude change | 25 |
i f f | 25 |
in the future | 25 |
of the great | 25 |
it is in | 25 |
e s p | 25 |
in the study | 25 |
y r e | 25 |
e i m | 25 |
b f f | 25 |
yes hh controls | 25 |
s l i | 25 |
were asked to | 25 |
k n o | 25 |
ways in which | 25 |
l o t | 25 |
in the works | 25 |
a t c | 25 |
b o t | 25 |
in the painting | 25 |
c i p | 25 |
b a f | 25 |
levels of inequality | 25 |
c l e | 24 |
o w l | 24 |
back to the | 24 |
e g r | 24 |
h t and | 24 |
as a consequence | 24 |
o p e | 24 |
of the three | 24 |
data on the | 24 |
t c o | 24 |
j o u | 24 |
c l u | 24 |
i s f | 24 |
o o k | 24 |
s o l | 24 |
the quarterly journal | 24 |
h n i | 24 |
is not an | 24 |
the same way | 24 |
used for the | 24 |
d i c | 24 |
a z i | 24 |
chebyshev statistics zernike | 24 |
e c b | 24 |
in the literature | 24 |
tamura radon chebyshev | 24 |
o s t | 24 |
of the paintings | 24 |
a i t | 24 |
jn n p | 24 |
results of the | 24 |
i e w | 24 |
of the i | 24 |
yes country fe | 24 |
u c h | 24 |
d a c | 24 |
need to be | 24 |
z i n | 24 |
antecedents o f | 24 |
t i f | 24 |
zernike first moments | 24 |
in the work | 24 |
discussion of the | 24 |
hh controls yes | 24 |
access to the | 24 |
journal of psychiatry | 24 |
view of the | 24 |
do not have | 24 |
the introduction of | 24 |
cultural philanthropy c | 24 |
in proceedings of | 24 |
c r i | 24 |
the difference in | 24 |
approach to the | 24 |
to p a | 24 |
of vincent van | 24 |
o f p | 24 |
e d c | 24 |
complexity of the | 24 |
r t r | 24 |
the need to | 24 |
architectural space in | 24 |
to have a | 24 |
f e w | 24 |
political institutions and | 24 |
because o f | 24 |
in the absence | 24 |
j a c | 24 |
modification of meaning | 24 |
of shahid rajaie | 24 |
share of votes | 24 |
each of these | 24 |
all rights reserved | 24 |
u l a | 24 |
problems of cultural | 24 |
on the contrary | 24 |
statistics zernike first | 24 |
i b r | 24 |
e e s | 24 |
u i l | 24 |
n l i | 24 |
the end o | 24 |
give cents to | 24 |
r o l | 24 |
paintings by vincent | 24 |
and the problems | 24 |
in our sample | 23 |
distributed under the | 23 |
r i l | 23 |
place in the | 23 |
well as a | 23 |
of the human | 23 |
in the book | 23 |
public goods provision | 23 |
e of the | 23 |
is associated with | 23 |
of the nineteenth | 23 |
of autogenous song | 23 |
i o d | 23 |
assume that the | 23 |
as far as | 23 |
look at the | 23 |
in the middle | 23 |
to each other | 23 |
a part of | 23 |
found that the | 23 |
d r e | 23 |
d a n | 23 |
e n a | 23 |
in the u | 23 |
of the lea | 23 |
of the images | 23 |
approaches to the | 23 |
princeton university press | 23 |
g a t | 23 |
a l g | 23 |
we are not | 23 |
s in the | 23 |
it was not | 23 |
a sense of | 23 |
h e o | 23 |
along with the | 23 |
graefe and the | 23 |
percent of the | 23 |
versus growth orientation | 23 |
studies o f | 23 |
new y o | 23 |
y o f | 23 |
a p a | 23 |
decrease in the | 23 |
german general social | 23 |
k e s | 23 |
n e a | 23 |
the art market | 23 |
share of the | 23 |
this special issue | 23 |
n i q | 23 |
extent to which | 23 |
with the help | 23 |
v a r | 23 |
we need to | 23 |
s of the | 23 |
the united kingdom | 23 |
t e x | 23 |
the consciousness of | 23 |
y l e | 23 |
y i c | 23 |
of the other | 23 |
a wide range | 23 |
of all the | 23 |
higher levels of | 23 |
o n f | 23 |
the lea der | 23 |
a m e | 23 |
as one of | 23 |
to do with | 23 |
intergenerational transmission of | 23 |
participate in the | 23 |
i g i | 23 |
l o g | 23 |
the philosophy of | 23 |
is not only | 23 |
terms o f | 23 |
of the day | 23 |
the treatment period | 23 |
a way to | 23 |
c a s | 23 |
presented in table | 23 |
h e c | 23 |
to examine the | 23 |
of the novel | 23 |
l o o | 23 |
s h i | 23 |
appears to be | 23 |
to the editor | 22 |
b o r | 22 |
d r a | 22 |
e d g | 22 |
that our results | 22 |
gallery of australia | 22 |
as our measure | 22 |
l i v | 22 |
the point of | 22 |
i l s | 22 |
d a r | 22 |
there are many | 22 |
top income shares | 22 |
life stages hypothesis | 22 |
may not be | 22 |
impact on the | 22 |
member of the | 22 |
f susceptibility to | 22 |
the effectiveness of | 22 |
t r y | 22 |
review of economic | 22 |
refers to the | 22 |
the type of | 22 |
g a i | 22 |
b c e | 22 |
worker c and | 22 |
k e r | 22 |
of a given | 22 |
within the same | 22 |
european social survey | 22 |
of the authors | 22 |
results using the | 22 |
the kind of | 22 |
west european politics | 22 |
are robust to | 22 |
canadian a r | 22 |
w w w | 22 |
that it was | 22 |
is a dummy | 22 |
radon chebyshev statistics | 22 |
and to the | 22 |
the complexity of | 22 |
it is difficult | 22 |
d b a | 22 |
f f i | 22 |
p ro b | 22 |
of l i | 22 |
as shown in | 22 |
and the unconscious | 22 |
was able to | 22 |
taking into account | 22 |
the composition of | 22 |
u i s | 22 |
of the union | 22 |
s h o | 22 |
a standard deviation | 22 |
i n k | 22 |
r m e | 22 |
theory of the | 22 |
o b s | 22 |
shown in figure | 22 |
b a n | 22 |
f i e | 22 |
likely to have | 22 |
on applied perception | 22 |
gallup world polls | 22 |
literature and culture | 22 |
of the effects | 22 |
the distribution of | 22 |
to some extent | 22 |
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journal of finance | 20 |
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analysis o f | 20 |
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turkic volume summer | 20 |
studies international periodical | 20 |
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turkish studies international | 20 |
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complex problem solving | 20 |
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increasing persistence hypothesis | 20 |
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importance of the | 19 |
average of the | 19 |
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feff e e | 19 |
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p t i | 19 |
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b r o | 19 |
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h e y | 19 |
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an art form | 19 |
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figure shows the | 19 |
canvas x national | 19 |
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v r e | 19 |
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ster da tabase | 19 |
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r r y | 19 |
the main results | 19 |
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the intergenerational transmission | 19 |
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generational differences in | 19 |
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art and australia | 19 |
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institute of chicago | 19 |
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artist and style | 19 |
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contribution to the | 19 |
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magnitude of the | 19 |
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information about the | 18 |
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