This is a list of all the questions and their associated study carrel identifiers. One can learn a lot of the "aboutness" of a text simply by reading the questions.
| identifier | question |
|---|---|
| work_35fo6czirjcg7jfystrdbchkbm | And what of the reception here of Jane Austen, whose novels include almost no characters below the landed gentry? |
| work_aotovu23tnatfoa2jndtixjxcu | Does that mean that literature is a form of escapism? |
| work_4qk4ugfzovcgdobv2jhbb5bzqa | It is followed by a review on Toril Moi ’s book, specifically the essays “ What is a Woman? |
| work_cckcc7ya6vg4hgd2g6fej3lr6y | [ 22] Serlen, R., 2010, The distant future? |
| work_ch3trgilincx5eyv4h4r6lt2ca | A central question is, of course, what was the cause, or what were the causes, that led to the extinction of the Greenland colo- nies? |
| work_6wqgvfwlvfafjdotwodcauxitu | ( RA) A Prosody for Whitman? |
| work_apxps5ngo5fv5bfub7336lb3je | A central question is, of course, what was the cause, or what were the causes, that led to the extinction of the Greenland colo- nies? |
| work_2dmweeqtqvfophgsprsdof2qb4 | R&D funding sources and university technology transfer: What is stimulating universities to be more entrepreneurial? |
| work_2dmweeqtqvfophgsprsdof2qb4 | Variation is function: are single cell differ- ences functionally important? |
| work_3ykugiue5ba3dotwgaaouivdjq | Medical historians consulting this book may wonder"why Jane Austen?" |
| work_d2qpusq62jhqloh53einxeqkbe | Dealing with betrayal in close rela- tionships: Does commitment promote forgiveness? |
| work_43p7u6t7z5ccdljglt26qmfqpm | Middlemiss, S., Warner, S., ’ Is there still a hole in this bucket? |
| work_43p7u6t7z5ccdljglt26qmfqpm | Walsh, Ch., ’ Are personality rights finally on the UK agenda? ’,( 2013) 1 European Intellectual Property Review 253–260. |
| work_4btbjjcewzbnhe3zvqm2yhk2yq | Concordances ou discordances? |
| work_7fcrwkxigfasfo3sas2z4v56fi | and* what made the speaker use that expression? ‘, we have no expectation of consistency such as we have with devices. |
| work_7lgnmaqm4nafxnbodkgupzdzae | The paper Chi si sposa per primo? |
| work_7na6max5ybhdva6or767ixsegi | When Thorpe promptly suggests another outing after an already extensive excursion, Catherine objects,''but will not your horse want rest?'' |
| work_7na6max5ybhdva6or767ixsegi | When prodded by the impatient Marianne —''is that all you can say for him?'' |
| work_edufvcpngjcr5o7kdvcszxk2xe | A central question is, of course, what was the cause, or what were the causes, that led to the extinction of the Greenland colo- nies? |
| work_5vaet6ig6bcgtlaxxcbf7crc6a | Middlemiss, S., Warner, S., ’ Is there still a hole in this bucket? |
| work_5vaet6ig6bcgtlaxxcbf7crc6a | Walsh, Ch., ’ Are personality rights finally on the UK agenda? ’,( 2013) 1 European Intellectual Property Review 253–260. |
| work_e65mofuhbrgrzct2rm6cgfe6ii | Alfieri petrarchista? |
| work_7cibxhx3vndnfdphgygeudkmbe | Was it, I asked myself, a ray from the moon penetrating some aperture in the blind? |
| work_7cibxhx3vndnfdphgygeudkmbe | What was I? |
| work_bfgdfxe3rraulaiinbva54yxxe | Perhaps they have been eclipsed by a different notion of “ celeb- rity ”, publication and the media? |
| work_ck33d2wckfcjnjkumde5kdbdqq | Rushbrook manages to delay his response to his benefactor, and narrowly escapes his uncle''s( father''s?) |
| work_d27bkpt3ujaybls3g77qi3a6wa | In times when coloured immigrants, what- ever their profession, are rarely credited with doing anything useful? |
| work_d27bkpt3ujaybls3g77qi3a6wa | Is it because of ignorance, of the belief"it can not happen to me,"or to the impression that they can not afford it? |
| work_gmji6zlegvewfku4mwjakruaou | How could she deny that credit to his assertions in one instance, which she had been obliged to give in the other? |
| work_dmrl45ttdfaxvm7izucfs7w36y | For another instance, see Isobel Grundy,''Sarah Gardner:"Such Trumpery"or"A Lustre to Her Sex"?,''Tulsa Studies in Women''s Literature, 7, no. |
| work_cdgyfdagfrbirca4v777qwbixy | Dans son article très réussi « What can I do with a girl who has been educated in Scotland »? |
| work_cdgyfdagfrbirca4v777qwbixy | Patrice Bouche, dans « Margracia Loudon: engagement d’avant- garde, combat d’arrière- garde? |
| work_5spfukfqmjhipizmwz3ua3pk5e | If Cary was the author of the Elegy, why did she not identify herself? |
| work_5spfukfqmjhipizmwz3ua3pk5e | Why not adopt the initials of a leading poet- dramatist? |
| work_5hvjxj3eubc5ffqaegwu3umi2u | Is There a Woman in This Text? |
| work_5hvjxj3eubc5ffqaegwu3umi2u | Man''s World, Woman''s Place: A Study in Sexual Wythaft? |
| work_5hvjxj3eubc5ffqaegwu3umi2u | Press, lam"''Her Very Own Howl? |
| work_dxzz7jkpevhulatcva3viuk3l4 | 9 For more on this also see Hudson and Ana Rodriguez, Diverging Paths?. |
| work_dxzz7jkpevhulatcva3viuk3l4 | Hudson, John, and Rodriguez, Ana, Diverging Paths? |
| work_dvx4uj3btncuxi2slmadibjovu | The Fall(?) |
| work_ealfme5qavavbidhzxzw3qa5le | 13.- Jullier L. ¿ Qué es una buena película? |
| work_ealfme5qavavbidhzxzw3qa5le | 14.- Dobson R. Can medical students learn empathy at the movies? |
| work_j3czw6qrnjhf5ebzlztazkqqhe | And what of the reception here of Jane Austen, whose novels include almost no characters below the landed gentry? |
| work_3tddwa2nfjg45oxufet7gogkem | 1 Entangled Landscapes and the ‘ dead silence ’? |
| work_3tddwa2nfjg45oxufet7gogkem | Entangled colonial landscapes and the''dead silence''? |
| work_3howatzsdzg2jorvfzi32amzry | But the sentence sounds( does it not?) |
| work_3howatzsdzg2jorvfzi32amzry | Would that imaginary portrait of collaborating writers have led the author of Daniel Deronda to accept Kipling as her kin? |
| work_3wyll2pvrffffemcnqyypva3dm | 4 The History of Sir Charles Grandison, Abridged from the Works of Samuel Richardson( London,[ 1769?]). |
| work_3wyll2pvrffffemcnqyypva3dm | How little society is there to be found in what you call the world? |
| work_3wyll2pvrffffemcnqyypva3dm | Mrs Mancel sets him straight: Do you then … mistake a croud for society? |
| work_3wyll2pvrffffemcnqyypva3dm | Where does this leave us, however, when faced with a description such as this, of a married couple in Catherine Parry ’s Eden Vale( 1784)? |
| work_csiofxorubfehk365vz2iexlcy | Can Muslims and Jews there live peacefully together while in the Middle East, they are at war? |
| work_csiofxorubfehk365vz2iexlcy | Is this the reality or a figment of racial paranoia? |
| work_3spmbqewxrfajh2cl7znbw6lf4 | How can a man who killed five men in battle fall to pieces because he has added a boy to their number? |
| work_3spmbqewxrfajh2cl7znbw6lf4 | Masculine, Feminine or Human? |
| work_476zjpxdsfcehncxptunr4632a | Do individual differences in sociosexuality represent genetic or environmentally contingent strategies? |
| work_476zjpxdsfcehncxptunr4632a | Pride and prejudice or children and cheating? |
| work_476zjpxdsfcehncxptunr4632a | Why did men perceive Lydia so negatively? |
| work_fxkdfacb3bbv7hdp3gunv5ueh4 | $ 25.00 THE REPRESENTATIVE OF THE PEOPLE? |
| work_fxkdfacb3bbv7hdp3gunv5ueh4 | What''s Wrong with Emma? |
| work_jzn7kslrivfuromhidww3ouome | The chief difficulty is methodological, not ideological: how medical theory gets translated into social practice, or is it the other way round? |
| work_jenead5qk5bb5gvizng2dknwpe | ( 2004), ¿ Dónde están las llaves? |
| work_buvdmuhs7fa3bdvw7wusbk23m4 | The question “ Where is Fanny? ” indeed becomes an issue for the heroine herself. |
| work_gpcy5x7s6zfflkruth3vo6lyse | eds., Rural Racism( Cullompton, England: Willan, 2007); Sarah Neal and Julian Agyeman, The New Countryside? |
| work_5lndlq2qvnfu7iocedd5gw46pq | 199 7 Is HEATHCLIFF A MURDERER? |
| work_5lndlq2qvnfu7iocedd5gw46pq | And how about Becky Sharp in Vanity Fa ir? |
| work_lyfpcwmfgndj7hhmhnxmg3hs5e | ? |
| work_6ue4mfryzrh4rmhxlz3b6aklku | Do not you think that the air here might be too full of impurity? |
| work_6ue4mfryzrh4rmhxlz3b6aklku | Do tell me, Miss Greengage, have you brought the leeches? |
| work_6ue4mfryzrh4rmhxlz3b6aklku | Now shall you conduct us to your patient? ’ So they climbed the stairs and entered the dressing room, where Mr Gland lay groaning. |
| work_6cveaab5w5cvdjuz2h6gmuteoi | Mrs Dalloway by Virginia Woolf Finally, who can leave out Virginia Woolf( 1882–1941) and Mrs Dalloway? |
| work_ixvauytlgvettfi3slvyqdhnne | Computational stylistics and biblical translation: how reliable can a dendrogram be? |
| work_ixvauytlgvettfi3slvyqdhnne | Function words in authorship attribution: From black magic to theory? |
| work_ixyc2yc2orfntj4zyagrgmhidu | Have you, Adrian, where? |
| work_ixyc2yc2orfntj4zyagrgmhidu | Jane Austen, 1814, Mansfield Park"Fanny,"said Edmund after looking at her attentively;"I am sure you have the headache?" |
| work_iwukqlvlbfdzpgxkhxiycdnwey | What was the nature of Henrys inadequacy, and why did it have such ambivalent and complicated results? |
| work_2tvf5ryc25fxxc25iru5ake6ka | But what implications does this have for the debate over capitalism itself? |
| work_2tvf5ryc25fxxc25iru5ake6ka | How ought we attempt to overcome this divide? |
| work_2tvf5ryc25fxxc25iru5ake6ka | Social justice is a strikingly common academic value; what decent person after all could be against it? |
| work_j7xz7rcedvaftmunuytqe5a2ya | 160 pp., 100 color illus., 16 b&w illus.,$ 24.95 cloth ŽIŽEK ’S JOKES( Did you hear the one about Hegel and negation?) |
| work_mp5yw5kbtjhandu2l7777p3gze | I suppose she had nothing particular to say to you, Lizzy? |
| work_ko5esbfjj5aw3g25jhefy62c3i | Can some schools still be classing him as a Georgian and therefore someone to be dismissed? |
| work_autyhznvj5b5hbajw62tqqgzqy | Is there too much emphasis on big data collaborations as opposed to hypothesis driven research? |
| work_autyhznvj5b5hbajw62tqqgzqy | There were some minor changes made prior to final publication CURRENT BIOLOGY Q&A What turned you on? |
| work_autyhznvj5b5hbajw62tqqgzqy | What advice would you give to young biologists? |
| work_autyhznvj5b5hbajw62tqqgzqy | What is the use of sequencing an organism of dubious identity? |
| work_autyhznvj5b5hbajw62tqqgzqy | Who dead would I like to meet? |
| work_hytpkncyjfen3oi5ugma7b7ory | And how could this epistemological goal be reconciled with the drive to fashion a saleable commodity? |
| work_hytpkncyjfen3oi5ugma7b7ory | Was it possible to construct a body of knowledge that was both objectively accurate and validated by exclusive professional expertise? |
| work_n2qu27spa5cctg2622swvd4gfq | Was it right, we asked ourselves, to discuss feminist intervention in the arts and media without including these day- to- day meanings of feminism? |
| work_nfe556jokrgzfcb66tmv2dvwfu | What is an identifier? |
| work_25ivph6guvdtxi4jly5qjxutdy | But how are we to assess the value to society at large of a life and body of work? |
| work_25ivph6guvdtxi4jly5qjxutdy | How are we to critically evaluate the contribution of such a woman to a presumably unitary historical movement of such characteristic diversity? |
| work_25ivph6guvdtxi4jly5qjxutdy | Is niceness the mark of a feminist leader/ icon, or the extent of her radicalism? |
| work_25ivph6guvdtxi4jly5qjxutdy | Would a more scientifically reliable version of The Feminine Mystique have done more for women? |
| work_duhvzdnav5gedeez5zbrnfm7x4 | @article{Anderson2018WeAK, title={We all know what we mean by treatment- resistant depression – do n''t we? |
| work_duhvzdnav5gedeez5zbrnfm7x4 | DOI:10.1192/ bjp.2018.56 Corpus ID: 24140742We all know what we mean by treatment- resistant depression – do n''t we? |
| work_duhvzdnav5gedeez5zbrnfm7x4 | PDF] We all know what we mean by treatment- resistant depression – do n''t we? |
| work_f7xlfjykwbhffhkjjfa2a57hya | Do you understand muslins, sir? |
| work_f7xlfjykwbhffhkjjfa2a57hya | ''Do you understand muslins, Sir? |
| work_f7xlfjykwbhffhkjjfa2a57hya | Do you understand muslins, Sir? |
| work_f7xlfjykwbhffhkjjfa2a57hya | Pour communiquer avec les responsables d''Érudit: info@erudit.org Article"''Do you understand muslins, Sir? |
| work_e67zygzkazbapihtm5pf7riyqu | From MARC silos to linked data silos? |
| work_e67zygzkazbapihtm5pf7riyqu | From MARC silos to linked data silos? |
| work_e67zygzkazbapihtm5pf7riyqu | The British National Bibliography: Who uses our linked data? |
| work_e67zygzkazbapihtm5pf7riyqu | The British National Bibliography: Who uses our linked data? |
| work_cpelpjzayrdpxoltxwvxi2etqq | Can 19th century marital fixtures from Austen ’s lens help understand the process of individual decision- making? |
| work_cpelpjzayrdpxoltxwvxi2etqq | How can individual behaviour be explained? |
| work_cpelpjzayrdpxoltxwvxi2etqq | Perhaps more surprisingly, how can there be a common link between Austen ’s romances, African- American folktales and US foreign policy? |
| work_cpelpjzayrdpxoltxwvxi2etqq | Similarly, how can African- American folktales and US foreign policy be explained by game theory? |
| work_cpelpjzayrdpxoltxwvxi2etqq | What does context bring to the analysis of strategic thinking? |
| work_fvbcuqfjq5ez5kl7uknxhm2esi | L. Scalco, Criteri per una scelta? |
| work_fvbcuqfjq5ez5kl7uknxhm2esi | Quale ruolo per l''Open Access nelle scienze umane?, in ‘ Open Access ’ e scienze umane. |
| work_3r7s3ff26bb6hp3ymfahpjabyu | How could it be? |
| work_3r7s3ff26bb6hp3ymfahpjabyu | Janeite Culture: What Does The Name ‘ Jane Austen ’ Authorize? |
| work_3r7s3ff26bb6hp3ymfahpjabyu | My God, Elizabeth? |
| work_3r7s3ff26bb6hp3ymfahpjabyu | My God, Elizabeth? ”). |
| work_3r7s3ff26bb6hp3ymfahpjabyu | The Pride of Austen Critics: A Prejudice? |
| work_4mtsq2jgtbacpioivh2fk74oh4 | Jonathan ARAC, 2002: Anglo- Globalism? |
| work_4mtsq2jgtbacpioivh2fk74oh4 | Le kako sem mogel » pozabiti « vse to? |
| work_okly4pxzmfexteypz6i345qrte | And what of the reception here of Jane Austen, whose novels include almost no characters below the landed gentry? |
| work_mdj3at6wbbdazmyfe6fzmhws6q | Have they no interest in the scenes that are acting around them, in which they have fathers, brothers, husbands, sons, or friends, engaged? |
| work_mdj3at6wbbdazmyfe6fzmhws6q | Why not? |
| work_ba5asz5uynhhll4c55dwa5cire | ), Higher education for everybody? |
| work_ba5asz5uynhhll4c55dwa5cire | How should it change? |
| work_ba5asz5uynhhll4c55dwa5cire | Liberal arts colleges: Thriving, surviving, or endangered? |
| work_ba5asz5uynhhll4c55dwa5cire | Retrieved May 13, 2005, from http://nces.ed.gov/pubsearch/pubsinfo~asp? pubid=2003060 Trow, M.( 1970). |
| work_mxjwdqqvujhwpgszdt73zgepxm | Wiltshire may respond that authors can not be known: after all,"what is an author?" |
| work_ktgsn5n2bnhlvdccyzqppgi3k4 | She asks those who have experi- enced desire: “ How tis you hid the kindling fire? ”( l. 90). |
| work_p4yrb4tdobekhlzmitrcbynfle | How, then, do we reconcile Hamilton ’s message with her medium? |
| work_5mtl7xhrobgkrorlcilobqnb2a | Does this mean we should ignore them? |
| work_5mtl7xhrobgkrorlcilobqnb2a | How do we know, for example, that there must have been something wrong with the cultural norms of nineteenth- century India? |
| work_5mtl7xhrobgkrorlcilobqnb2a | What triggered the transition from the stationary agricultural state to the progressive industrial state? |
| work_5mtl7xhrobgkrorlcilobqnb2a | Why has the second yielded both steady growth in population and rising living standards? |
| work_2r452ioztnevzeu2khguix5k6e | But how are we to understand and evaluate this development? |
| work_2r452ioztnevzeu2khguix5k6e | But to what end? |
| work_2r452ioztnevzeu2khguix5k6e | But what basis is there for confidence that these recruits are indeed the most capable of the upwardly mobile? |
| work_2r452ioztnevzeu2khguix5k6e | Can the super- incomes of the super- managers be explained in terms of skill- biased technological change? |
| work_2r452ioztnevzeu2khguix5k6e | How are we to judge this statement? |
| work_2r452ioztnevzeu2khguix5k6e | Why do people want to be so rich: and having become rich, why do they want to be even richer? |
| work_5bkgzxtupbaopix6c6wczcjiqu | N. Clemens Psychology, Medicine Journal of psychiatric practice 2011 3 Save Alert Research Feed A psychiatrist retires: an oxymoron? |
| work_5bkgzxtupbaopix6c6wczcjiqu | Who Am I to You?) |
| work_7ndfvynparerddrc7wjji5fghe | As you saw them during the observations, did they appear as weak students? |
| work_7ndfvynparerddrc7wjji5fghe | Learning teaching in, from, and for practice: what do we mean? |
| work_7ndfvynparerddrc7wjji5fghe | Shylock is responsible for his downfall, do you agree? |
| work_7ndfvynparerddrc7wjji5fghe | Thus the question, the study answered was: What are beginner teachers ’ sources of teaching knowledge for Literature in English? |
| work_7ndfvynparerddrc7wjji5fghe | What and how do student teachers learn during school- based teacher education? |
| work_3bdmpyevqjg7hn3w6p3t6yvk3q | Is it possible, “ The Lady ’s Magazine ” tale asks, for a Mr. Knightley to we d a penniless orphan from a boarding school? |
| work_3bdmpyevqjg7hn3w6p3t6yvk3q | if the heroine of one novel be not patronized by the heroine of another, from whom can she expect protection and regard? |
| work_lfmig3bghrgltlfcprit5thaii | How might the study of literary history change in the wake of the ‘ ‘ cog- nitive revolution ’ ’( Gardner!#"$)? |
| work_bnf5xiplfjd3vjpmtgr57apdjm | Did the editors of Dent perhaps make up the others? |
| work_bnf5xiplfjd3vjpmtgr57apdjm | Or could they all be usages so far decayed as no longer to count as words? |
| work_bnf5xiplfjd3vjpmtgr57apdjm | Or even l’OO, from the two holes in a French privy door that allowed you to see whether it was occupied? |
| work_j2xr6yuo3vffbedptwzxoensv4 | Thorpe"says he"do you happen to want such a little thing as this? |
| work_j2xr6yuo3vffbedptwzxoensv4 | Was I, as a twenty- first century reader, becoming one of those''dull elves''? |
| work_j2xr6yuo3vffbedptwzxoensv4 | What kinds of judgements about character and place would a broader knowl- edge of horse- drawn transportation allow? |
| work_j2xr6yuo3vffbedptwzxoensv4 | — W h o has it next?'' |
| work_p62okbw73zarfks47xv6j4jbrq | Ian Watt, Twentieth Century Views( Englewood ClifEs, N.J.: Prentice- Hall, 1963), p. 140Watt What Became of Jane Austen? |
| work_p62okbw73zarfks47xv6j4jbrq | Press, 1932- 34)Austen 3The Novels of Jane Austen 1932 Google Scholar 10 Mansfield Park, p. 247 11 Emma, p. 397 12"What Became of Jane Austen?" |
| work_oygi5zzovza5fnkkordlxdwete | Fine paperback o-9i?65?-95-o$ 995 PENGUIN USA A c a d e m i c Marketing Department, 3fS Hudson Street, New York, NY 10014- 365? |
| work_mz2opd7byrcqnnt2kooroptc64 | What do these three authors have in common? |
| work_n2tbv2dp4zes3krpijo2u6ho3q | Can Muslims and Jews there live peacefully together while in the Middle East, they are at war? |
| work_n2tbv2dp4zes3krpijo2u6ho3q | Is this the reality or a figment of racial paranoia? |
| work_37lsuazffndddcumizznj3bqza | Bernice E. Leary, “ What Does Research Say about Reading?, ” The Journal of Educa- tional Research 39, vol. |
| work_37lsuazffndddcumizznj3bqza | How Can It Be Stopped?, ” Auckland Star, 22 November 1944, 4. |
| work_37lsuazffndddcumizznj3bqza | Jenkinson entitled, What Do Boys and Girls Read? |
| work_37lsuazffndddcumizznj3bqza | Jenkinson, What Do Boys and Girls Read? |
| work_37lsuazffndddcumizznj3bqza | Jenkinson, What Do Boys and Girls Read?, 144–45. |
| work_37lsuazffndddcumizznj3bqza | Kimberley Reynolds, Girls Only? |
| work_37lsuazffndddcumizznj3bqza | Kirsten Drotner, “ Dangerous Media? |
| work_37lsuazffndddcumizznj3bqza | See Susan Sheridan et al., Who Was That Woman? |
| work_e36otv7puncgvjcywa3elwumsm | Are they perhaps seeking to exorcise the daemons of death and disease, or is there a touch of necrophilia in some dark crevice of the psyche? |
| work_e36otv7puncgvjcywa3elwumsm | But how then, one might argue, can we expect the necessary selfless acts of martyrs and saints? |
| work_e36otv7puncgvjcywa3elwumsm | Do we not need a higher ideal to inform our morality? |
| work_e36otv7puncgvjcywa3elwumsm | Is the author arguing that we should all be religious or that a controlling class should manipulate the masses by encouraging religious ideals? |
| work_e36otv7puncgvjcywa3elwumsm | Just as science got us into this mess, is not science the best way out? |
| work_4j2oyr7mwvaflf7eh2afqodmgm | How real and meaningful is the cultural gap between the two, and how will it affect trans- national business cooperation in the area? |
| work_4j2oyr7mwvaflf7eh2afqodmgm | What does the end of the Cold War mean, in practice, for people in the northern periphery of Europe? |
| work_4j2oyr7mwvaflf7eh2afqodmgm | Why are the English, as opposed to the Scots, Irish, or Welsh, so fascinated with things polar? |
| work_jhoga6h6zzgi3m26436di7davi | 14 R. M. Brownstein, Why Jane Austen?, New York, Columbia University Press, 2011, p. 9. |
| work_7a5oglvb7zeuvo3ub2vdhx5t5i | Close Request Username Ca n''t sign in? |
| work_7a5oglvb7zeuvo3ub2vdhx5t5i | Forgot your password? |
| work_7a5oglvb7zeuvo3ub2vdhx5t5i | Forgot your username? |
| work_7a5oglvb7zeuvo3ub2vdhx5t5i | Personal login Username or email Password Forgot password? |
| work_7a5oglvb7zeuvo3ub2vdhx5t5i | Your password has been changed Create a new account Email Returning user Ca n''t sign in? |
| work_sufvg3wxnrebdi2q5zwoau4zs4 | 11 The shift from Victorian attitudes to Modernity is concluded with a foray into nonfiction in “ Small change? |
| work_eyld4s4wlncknpzfy2xdwikie4 | And what of the recent resurgence of income in- equality? |
| work_eyld4s4wlncknpzfy2xdwikie4 | What then should we make of Piketty ’s study? |
| work_eyld4s4wlncknpzfy2xdwikie4 | Yet, what about the returns in actual economies in which capital has been used, perhaps in the past? |
| work_bjjr2nltkrdxvcbfy7t3t6mka4 | Do the Bennet women''s desires simply reflect their own silliness, or do they tell us something about the contemporary reputation of the militia? |
| work_bjjr2nltkrdxvcbfy7t3t6mka4 | Who were these lo- cal militiamen? |
| work_bjjr2nltkrdxvcbfy7t3t6mka4 | Why is the militia seen in this way? |
| work_bjjr2nltkrdxvcbfy7t3t6mka4 | is every man who puts on a red coat, to be from that moment deserted by all the world; and is no tongue, or no pen, ever to stir in his defence? |
| work_sm5t366pajflnhuogvantobvvm | ¿ Cómo logra un cuadro convertirse en lugar? |
| work_t6sxfc6uzrbtlnokomrlyddb4e | Bao- yu: A mental disorder or a cultural icon? |
| work_rhih2svogfcg5idb4rnpxolx4e | « Le poème est- il déterminé par le paradigme du sens ou par les réalité empirique, écrasante, de la sensibilité? |
| work_rhih2svogfcg5idb4rnpxolx4e | »( p. 13); « en quoi l’œuvre versifiée est- elle de nature transcendante? ”( p. 13). |
| work_mxd43tbobnhhtbvfhhc6syty7e | 33 John Updike, ‘ Why Write? ’[ 1974] First Person Singular: Writers on their Craft, ed. |
| work_mxd43tbobnhhtbvfhhc6syty7e | Naipaul, ‘ Conrad ’s Darkness, ’ 19743 What changes led to this perceived crisis in the novel? |
| work_mxd43tbobnhhtbvfhhc6syty7e | To what extent am I being a coward by writing inside the old tradition? |
| work_bxxjca34n5bthdevhcpbiuo4m4 | Approximation and DRM: can digital locks respect copyright exceptions?. |
| work_bxxjca34n5bthdevhcpbiuo4m4 | BH17244R1_Erickson_author_submitted.pdf CREATe Working Paper 2018/07( September 2018) Can creative firms thrive without copyright? |
| work_bxxjca34n5bthdevhcpbiuo4m4 | Copyright and Economic Theory: Friends or Foes? |
| work_bxxjca34n5bthdevhcpbiuo4m4 | Digital maker- entrepreneurs in open design: What activities make up their business model?. |
| work_bxxjca34n5bthdevhcpbiuo4m4 | How do firms make use of open source communities?. |
| work_bxxjca34n5bthdevhcpbiuo4m4 | Kristofer Erickson University of Leeds K.erickson@leeds.ac.uk CAN CREATIVE FIRMS THRIVE WITHOUT COPYRIGHT? |
| work_bxxjca34n5bthdevhcpbiuo4m4 | Published as Erickson, K.( 2018) Can creative firms thrive without copyright? |
| work_bxxjca34n5bthdevhcpbiuo4m4 | Published as Erickson, K.( 2018) Can creative firms thrive without copyright? |
| work_qwg5js2ojfgrpc7zexsevqrlhu | Nursing and remedial staff sometimes need reminding of the irritation caused by the"how are we today?" |
| work_ocrseietknfkhl3xqi5m3km7jm | But, again, what are the purposes of such an elite education? |
| work_ocrseietknfkhl3xqi5m3km7jm | By what means did Milton try to justify the ways of God to man in Paradise Lost? |
| work_ocrseietknfkhl3xqi5m3km7jm | Postmodernism: What a Moment?. |
| work_hcp4ebkfpnanhn2cnzfdkm3tyi | Can we use these pairwise correlations to say anything about the network as a whole? |
| work_hcp4ebkfpnanhn2cnzfdkm3tyi | Ganmor E, Segen R, Schneidman E( 2009) How fast can we learn maximum entropy populations? |
| work_hcp4ebkfpnanhn2cnzfdkm3tyi | How does low dimensionality in eye movement arise? |
| work_hcp4ebkfpnanhn2cnzfdkm3tyi | Korn H, Faber DS( 2005) The Mauthner cell half a century later: A neurobiological model for decision- making? |
| work_hminmhyh6zd5xjyoabf7yelp74 | For example, one theme that we had expected( or hoped?) |
| work_hminmhyh6zd5xjyoabf7yelp74 | One reviewer questioned: “ What is it about Jane Eyre that seems to be an educated female rite of passage? |
| work_myfomrpabnam7f4o57fxudm5bi | Changing United States life- style and declining vascular mortality: cause or coincidence? |
| work_myfomrpabnam7f4o57fxudm5bi | How Do We Explain These Improvements? |
| work_myfomrpabnam7f4o57fxudm5bi | Inequalities in death: specific explanations of a general pattern? |
| work_leuzziagefbnpnkrs6c4i2s6va | Does beauty build adapted minds? |
| work_leuzziagefbnpnkrs6c4i2s6va | Does the sex of a respon- dent significantly influence responses? |
| work_leuzziagefbnpnkrs6c4i2s6va | To what do they respond emotionally? |
| work_leuzziagefbnpnkrs6c4i2s6va | Which personality factors and motives excite which specific basic emotions in them? |
| work_pi6aoxhgp5ey5ln3esdhdnmhem | 32 The connection with Napo- leon is as obvious as the ambiguity: is it heroic to want to be a hero? work_pi6aoxhgp5ey5ln3esdhdnmhem Both the w a r m t h of expression — sentimental com- ing from anyone else as Jack realizes:It sounds absurd, as I tell it, does it not?" |
| work_pi6aoxhgp5ey5ln3esdhdnmhem | Or do heroes simply emerge, with becoming modesty and reluctance, from the eruption of extraordinary events? |
| work_s7rgc5itrjgwdola7skz5cxvwe | Would the maiden lady in Cranford who rolled a ball under the bed to exclude a hidden burglar have been less courageous than ourselves in air raids? |
| work_ouw52e6pxjgvjotec2urbi6eeu | But what happens when the space of irony, the mise en scène, is occupied by quality and the loving recreation of period? |
| work_dichcv2pjvcwfh63i4q3ak5n7q | 11 If Heys can explain Bloom ’s contribution, should n’t this situation mean that Heys has become a better literary critic? |
| work_dichcv2pjvcwfh63i4q3ak5n7q | And, even if they had, is Heys ’s understanding of it the same as the readers ’ understanding, or for that matter the same as Bloom ’s? |
| work_dichcv2pjvcwfh63i4q3ak5n7q | Does he succeed? |
| work_dichcv2pjvcwfh63i4q3ak5n7q | Does he think he has become better, or does he think explaining Bloom( or his theory) can be done in non- literary terms? |
| work_dichcv2pjvcwfh63i4q3ak5n7q | For example, Heys refers to the “ subject of resentment: ” would readers have read Bloom ’s discussion in The Western Canon? |
| work_dichcv2pjvcwfh63i4q3ak5n7q | For whom? |
| work_dichcv2pjvcwfh63i4q3ak5n7q | Heys “ explains ” Bloom( not his theory?) |
| work_dichcv2pjvcwfh63i4q3ak5n7q | Is the project worth doing? |
| work_65fzfakr5bdbxg6g7pi5zpvnfu | 3: Breaking the hold of continental Europe? |
| work_65fzfakr5bdbxg6g7pi5zpvnfu | Interviewer Classics like what? |
| work_65fzfakr5bdbxg6g7pi5zpvnfu | ‘ Are All Britons Reluctant Europeans? |
| work_65fzfakr5bdbxg6g7pi5zpvnfu | ‘ Britishness or Englishness? |
| work_65fzfakr5bdbxg6g7pi5zpvnfu | ‘ Distinction in America? |
| work_65fzfakr5bdbxg6g7pi5zpvnfu | ‘ Towards a European Identity? |
| work_mot2csdjevh6pfr2qiinzbk6bq | How do they do this? |
| work_mot2csdjevh6pfr2qiinzbk6bq | How then are such prior distribu- tions represented by neural circuits, and how are they accessed? |
| work_mot2csdjevh6pfr2qiinzbk6bq | What makes a ‘ good ’ shape? |
| work_mot2csdjevh6pfr2qiinzbk6bq | What makes an optimal mixture of shapes for a population encoding a par- ticular sensory feature? |
| work_q5h5457wxnaptagx6fk25pyk6a | “ Perhaps you may not have heard that he is married? ” added Mrs Croft. |
| work_q5h5457wxnaptagx6fk25pyk6a | “ Why Write? ”. |
| work_qgiq6spd4rcknekgvhztvfy7ku | [ 15] G. Rockwell,"What is Text Analysis, Really?,"Lit Linguist Computing, vol. |
| work_qgiq6spd4rcknekgvhztvfy7ku | [ 21] R. Siemens,"A New Computer- assisted Literary Criticism?,"Computers and the Humanities, vol. |
| work_qgiq6spd4rcknekgvhztvfy7ku | [ 8] J. Unsworth,"Scholarly Primitives: What Methods do Humanities Researchers Have in Common, and How Might Our Tools Reflect This? |
| work_vlf4a4cyh5hhjbzuuh5gqlrzte | The history of the presenting condition begins with Mr Jones, expansive and grandiose, asking a workmate"Do you ever feel like flying?" |
| work_opg24kmpkvbizb5ktowsg5dmya | Laurence Berns 5?. |
| work_opg24kmpkvbizb5ktowsg5dmya | Maureen Whitebrook University of Sheffield Moving?, Moving?, Moving? |
| work_opg24kmpkvbizb5ktowsg5dmya | Maureen Whitebrook University of Sheffield Moving?, Moving?, Moving? |
| work_opg24kmpkvbizb5ktowsg5dmya | Maureen Whitebrook University of Sheffield Moving?, Moving?, Moving? |
| work_op3doyl64fcx7hmtko3acq7ane | Laurence Berns 5?. |
| work_op3doyl64fcx7hmtko3acq7ane | Maureen Whitebrook University of Sheffield Moving?, Moving?, Moving? |
| work_op3doyl64fcx7hmtko3acq7ane | Maureen Whitebrook University of Sheffield Moving?, Moving?, Moving? |
| work_op3doyl64fcx7hmtko3acq7ane | Maureen Whitebrook University of Sheffield Moving?, Moving?, Moving? |
| work_iubihzsdwvfvfiwnxacpwjfbke | And how precisely were their personal writings transferred to the submitted manuscript? |
| work_iubihzsdwvfvfiwnxacpwjfbke | And third, in what ways and for what purposes did the various John Murrays or their editors amend an author ’s specific words and general tales? |
| work_iubihzsdwvfvfiwnxacpwjfbke | First, why, how, and for whom did explorers write? |
| work_iubihzsdwvfvfiwnxacpwjfbke | This inevitably leads to the question of scaling: is climate change a locally or a globally perceived and acted- upon phe- nomenon? |
| work_a46tsbkdofc2rdvexsqlyse5hm | Will you? |
| work_a46tsbkdofc2rdvexsqlyse5hm | And just as importantly, who does not dance, in what ways, under what conditions and why? |
| work_a46tsbkdofc2rdvexsqlyse5hm | Copeland, What is Dance? |
| work_a46tsbkdofc2rdvexsqlyse5hm | Miss Bates, speaking for popular opinion, observes to Mr Knightley,"Did you ever see such dancing? |
| work_a46tsbkdofc2rdvexsqlyse5hm | Was not it delightful? |
| work_a46tsbkdofc2rdvexsqlyse5hm | We can ask who dances, when and where, in what ways, with whom, and to what end? |
| work_a46tsbkdofc2rdvexsqlyse5hm | What is Dance? |
| work_cbv7z2o5enf5xazc4l5suau6ja | : Title: Statutes of Trinity College: translated from the original Latin statutes which were published... 8 June, 1818 Imprint: Cambridge: n.p., 1800? |
| work_cbv7z2o5enf5xazc4l5suau6ja | But for modern monographs? |
| work_cbv7z2o5enf5xazc4l5suau6ja | Conclusion Can students catalogue? |
| work_cbv7z2o5enf5xazc4l5suau6ja | Gorman, Michael( 2002) Why teach cataloguing and classification? |
| work_cbv7z2o5enf5xazc4l5suau6ja | Hoerman, Heidi Lee( 2002) Why does everybody hate cataloging? |
| work_cbv7z2o5enf5xazc4l5suau6ja | Is cataloguing a professional activity? |
| work_cbv7z2o5enf5xazc4l5suau6ja | Is cataloguing an intuitive, basic task that can be picked up with minimal training, as the project assumed? |
| work_cbv7z2o5enf5xazc4l5suau6ja | Michael Gorman, in a piece headed:''Why teach cataloguing and classification?'' |
| work_cbv7z2o5enf5xazc4l5suau6ja | ],[ 1700]? |
| work_wu6ouh3xm5bjxpsnp6belvrdsi | Frodo?, while the constellations of Middle- Earth are the central focus of The Stars of Middle- Earth. |
| work_tk6jxc6wgnbcrbtsex25lxbdfq | How can you say so? ” and is “ much less gratified ”( Austen, 2008, p.69). |
| work_tk6jxc6wgnbcrbtsex25lxbdfq | What can you do with hearts? |
| work_tk6jxc6wgnbcrbtsex25lxbdfq | Why do you put such things into my head? |
| work_pzfcyfywvveohca2aoddc623na | Are they then the same word? |
| work_pzfcyfywvveohca2aoddc623na | How many new uses, and how distinct from other uses, before a new word exists? |
| work_pzfcyfywvveohca2aoddc623na | That is, how and when do overlapping words become distinct under this account? |
| work_pzfcyfywvveohca2aoddc623na | people using a homophone or homograph in such cases? |
| work_tqralrsdgzcahlkz25xvsyxgly | What is an author? |
| work_fuitteiujbc3vdqzp6qhrwmxui | Do these differ according to class? |
| work_fuitteiujbc3vdqzp6qhrwmxui | For example, how is the language of women and men gendered? |
| work_fuitteiujbc3vdqzp6qhrwmxui | How does conversation differ from indirect discourse? |
| work_fuitteiujbc3vdqzp6qhrwmxui | What about the well- known device of addressing the reader? |
| work_fuitteiujbc3vdqzp6qhrwmxui | What are the class implications of this? |
| work_fuitteiujbc3vdqzp6qhrwmxui | What differences do we see regionally, and what do they tell us about regional, as well as class, expectations? |
| work_fuitteiujbc3vdqzp6qhrwmxui | What kind of language does an author use in conversation with his or her readers? |
| work_fuitteiujbc3vdqzp6qhrwmxui | When and how are women and men permitted to use metaphors? |
| work_i7ueyjq25nelfi5cdfnaztn22q | and Is it like? ”( 77). |
| work_i7ueyjq25nelfi5cdfnaztn22q | – thought Emma – but what has all that to do with taking likenesses? |
| work_i7ueyjq25nelfi5cdfnaztn22q | – “ Was not it astonishingly like? |
| work_i7ueyjq25nelfi5cdfnaztn22q | “ Do you not see the likeness yourself, dear madam? ” asked he, pressing her arm gently as she spoke. |
| work_i7ueyjq25nelfi5cdfnaztn22q | “ He has indeed, ” simpered Mrs. St. Aubyn; adding, with affected and hesitating timidity, “ Do you see any likeness? |
| work_rwp6ja52r5falcyvxjrayatzzq | ( 2009) „ The need for the reader: literary reading as social practice‟, Language and Literature this issue pp?. |
| work_rwp6ja52r5falcyvxjrayatzzq | References Allington, D.( 2007) „ “ How come most people don‟t see it? ”: slashing The Lord of the Rings‟, Social Semiotics 17: 43- 62. |
| work_ut2d6oyfr5ar3orykmmq4qqvje | When, indeed, does a textual ‘ life ’ become an ‘ afterlife ’? |
| work_oazrxpvuhbcjbnrow7fjsawrse | And where are the outpourings of William Peter ’s “ well- abled quill ”{ Elegy 238)? |
| work_oazrxpvuhbcjbnrow7fjsawrse | Are “ there ” and “ here ” ambiguous? |
| work_oazrxpvuhbcjbnrow7fjsawrse | But was even Oxford meant? |
| work_vkwxrdyz2vdp5lzynrngl4zfme | Should be a good sign, eh?" |
| work_vkwxrdyz2vdp5lzynrngl4zfme | Surely I am not going to faint!?" |
| work_xfd34nthurhh3p2fmdcyo2whvm | However, this is a Jungian journal, so what can a Jungian perspective bring to bear upon the phenomenon? |
| work_sl3b5skuxvfrziy6gu7nwdeer4 | Jane Austen to Frances Tilson? |
| work_sl3b5skuxvfrziy6gu7nwdeer4 | The many faces of Hodgkin ’s disease around the world: What have we learned from its pathology? |
| work_sl3b5skuxvfrziy6gu7nwdeer4 | Where does the information come from? |
| work_kt2gy3u6lrcd3ld5rttd4rffeu | Cockis thus used to describe sqmething nonsensical, though it is probably of respectable provenance(? poppy- cock,? |
| work_kt2gy3u6lrcd3ld5rttd4rffeu | Cockis thus used to describe sqmething nonsensical, though it is probably of respectable provenance(? poppy- cock,? |
| work_kt2gy3u6lrcd3ld5rttd4rffeu | Do you want to prove things to her or do you want to keep her?" |
| work_kt2gy3u6lrcd3ld5rttd4rffeu | How can they read so much, and such up- market stuff? |
| work_kt2gy3u6lrcd3ld5rttd4rffeu | I''d put it down to the stress of modern life, but what about all the people who''ve written for this series? |
| work_kt2gy3u6lrcd3ld5rttd4rffeu | So why am I a slob? |
| work_kt2gy3u6lrcd3ld5rttd4rffeu | That ca n''t be true, though, can it, in these days of equal opportunity? |
| work_kt2gy3u6lrcd3ld5rttd4rffeu | Why Must a country, like a ship or a car, be always female, Mother or sweetheart? |
| work_wcbz7vle3nedhe7oy5vduqub44 | Feminism ALISON BOOTH IS there a scholar who does not dream of shaping public discourse, ofchanging the history of a discipline, and more, of society? |
| work_wcbz7vle3nedhe7oy5vduqub44 | What is the state of Victorian studies, and why does it need to appre- ciate a history of women who publish and lecture on social causes? |
| work_vmufbgdzfrdkxaj327pqnzk6wm | | Hardcover$ 55.00 Shakespeare ’s Money How Much Did He Make and What Did This Mean? |
| work_si7hd7hhu5ccldoa3rdoo7clsa | Medical historians consulting this book may wonder"why Jane Austen?" |
| work_si7hd7hhu5ccldoa3rdoo7clsa | Wiltshire may respond that authors can not be known: after all,"what is an author?" |
| work_umvfepd4njecvfy5ida7oxz2b4 | At the heart of our investigations is the key question: what do we actually mean by an academic book? |
| work_wsnnhyrl3rfthhpgzvgvnpoxxe | Martin Gruberg University of Wisconsin- Oshkosh To the Editor: May I offer some observations regarding W. Landis Jones''remarks in the Summer 1978 PS? |
| work_uoo2r5vohndanfourfkgow7lli | What Has Seattle Read in Years Past? ”[ online][ cited 2013. work_uoo2r5vohndanfourfkgow7lli “ Mass Reading, New Knowledge? work_uoo2r5vohndanfourfkgow7lli 따라서 그 첫 시도로서 ‘ One Book, One Chicgo 2013- 14’는 “ 이민(Migration — How has it shaped Chicago? work_jbi72nvtxfhfzgftrzwg4emkpq 2 Quale intelligenza? work_jbi72nvtxfhfzgftrzwg4emkpq 3 Quale informatica? work_jbi72nvtxfhfzgftrzwg4emkpq 3 Quale informatica? work_jbi72nvtxfhfzgftrzwg4emkpq Alberto Petrucciani( Convergenza o divaricazione? work_jbi72nvtxfhfzgftrzwg4emkpq Giovanna Granata( A cavallo della tigre? work_g2zh4lvsjfeyzcy2ah2kegcnz4 Does this require a lot of modification of bibliographic formats and systems? work_g2zh4lvsjfeyzcy2ah2kegcnz4 Is the map a tactile map? work_g2zh4lvsjfeyzcy2ah2kegcnz4 Is this the work with a commentary by a particular person? work_g2zh4lvsjfeyzcy2ah2kegcnz4 Is this work an abridged version? work_g2zh4lvsjfeyzcy2ah2kegcnz4 Once again, the visually impaired user will also need to know the format: Is the music score available in Braille or talking score format? work_g2zh4lvsjfeyzcy2ah2kegcnz4 So what needs to be in bibliographic records, and how do catalogs need to operate to support the visually im- paired community? work_g2zh4lvsjfeyzcy2ah2kegcnz4 So, what are you waiting for? work_g2zh4lvsjfeyzcy2ah2kegcnz4 They need the answers to one or more of the following questions: Is this the latest edition? work_g2zh4lvsjfeyzcy2ah2kegcnz4 This is all useful information for any user, so what more might a visually impaired person need? work_g2zh4lvsjfeyzcy2ah2kegcnz4 Which is the “ right ” work of two items with identical titles but different authors? work_vziwl7fp6zhopiztm7m75nqsra An old boy like that, drinking all round the country, laughing at women, boasting he ’d escaped — escaped from what? ”( P 158–60). work_vziwl7fp6zhopiztm7m75nqsra John McGahern, Post- Revival Literature, and Irish Cultural Criticism 125 asked, could have rhymed “ catharsis ” with “ arses ”? work_meyrwdoh5batfpyddwwj3cth4m $ 22.50 paper|$ 67.50 cloth| 224 pages| June 2013 Electronic Mediations Series, volume 41 The Marrying Kind? work_meyrwdoh5batfpyddwwj3cth4m A must- read for those in the defense arena. ” — General David H. Petraeus, U.S. Army Paper$ 22.95 978- 0- 691- 15799- 3 A World beyond Politics? work_meyrwdoh5batfpyddwwj3cth4m Can Russia Modernise? work_meyrwdoh5batfpyddwwj3cth4m Debating Same- Sex Marriage within the Lesbian and Gay Movement Mary Bernstein and Verta Taylor, editors The Marrying Kind? work_meyrwdoh5batfpyddwwj3cth4m W H AT ’ S N E W I N P O L I T I C A L S C I E N C E? work_meyrwdoh5batfpyddwwj3cth4m W H AT ’ S N E W I N P O L I T I C A L S C I E N C E? work_vjcxmis4brf5lgui3eazsexu74 You have a very smiling scene before you. ” “ do you mean literally or figuratively? work_vjcxmis4brf5lgui3eazsexu74 does it not make you think of cowper? work_vjcxmis4brf5lgui3eazsexu74 “ shall any of us object to being com- fortable? work_pd5tcecymndexavntufnigju3i Can a similar argument be made about the texts that Gajarawala reads? work_pd5tcecymndexavntufnigju3i How is the purely local and particular related to the cosmopoli- tan? work_pd5tcecymndexavntufnigju3i Is the affirmation of the local nature of Dalit knowledge different in epistemological terms from the airmation of the uniqueness of Partition? work_pd5tcecymndexavntufnigju3i What new insights emerge from the juxta- position of Koshy ’s and Gajarawala ’s arguments? work_pd5tcecymndexavntufnigju3i What then is the meaning of minority in these two essays? work_h5pjr7grjzhejnag7tvg3vsih4 5 narrow... all that interests in any character[ is this]: has he or she the money to marry with? work_h5pjr7grjzhejnag7tvg3vsih4 How could I ever be foolish enough to expect a renewal of his love? work_h5pjr7grjzhejnag7tvg3vsih4 It was because she valued her privacy and did not want people to interrupt her, saying “ Why do n’t you do this? ” which would be so tedious. work_h5pjr7grjzhejnag7tvg3vsih4 She falls for a man in uniform, a soldier, and who has not fallen for a soldier who looks handsome? work_h5pjr7grjzhejnag7tvg3vsih4 What could she mean by it? work_h5pjr7grjzhejnag7tvg3vsih4 Who is going to be their prince and what will the actual wedding be like? work_h5pjr7grjzhejnag7tvg3vsih4 “ Why must she be scampering about the country, because her sister had a cold? work_547m3n2njbgo3gnfffvjw5zvoe 1824 BRITISH MEDICAL JOURNAL VOLUME 287 17 DECEMBER 1983 era? work_547m3n2njbgo3gnfffvjw5zvoe Is fear of pregnancy really an important deterrent? work_547m3n2njbgo3gnfffvjw5zvoe Like the inventor who answered his critics by sayingBut what is the use of a newborn baby?" |
| work_547m3n2njbgo3gnfffvjw5zvoe | Moreover, is it acting as a pharmacological agent because of its power in inhibiting platelets rather than as a physiological corrective?" |
| work_547m3n2njbgo3gnfffvjw5zvoe | Prostacyclin- powerful, yes: but is it useful? |
| work_547m3n2njbgo3gnfffvjw5zvoe | Should pregnancy be seen as a punishment for illicit sex? |
| work_psuefqkk6nhoxd7r6xukpdigjm | The package The package has:? |
| work_psuefqkk6nhoxd7r6xukpdigjm | When the option Language is set to another value, then the integers are written from True but spoken by the transliterator? |
| work_b5etdplqjfhzzdb2tzbjeoi3w4 | Beyond Westphalia? |
| work_b5etdplqjfhzzdb2tzbjeoi3w4 | Can Europe Work? |
| work_b5etdplqjfhzzdb2tzbjeoi3w4 | Or in the Cross- Hairs? |
| work_b5etdplqjfhzzdb2tzbjeoi3w4 | Real Freedom for All: What( If Anything) Can Justify Capitalism? |
| work_b5etdplqjfhzzdb2tzbjeoi3w4 | Towards Consensus? |
| work_b5etdplqjfhzzdb2tzbjeoi3w4 | Who Controls Public Lands? |
| work_umborvwodze4pgx5d43oac5vzy | And after all, what is a lie? |
| work_umborvwodze4pgx5d43oac5vzy | Byron e il femminile Linguæ& – 2/2005 http://www.ledonline.it/linguae/ 69 se stesse le scrittrici dell’Ottocento? |
| work_lfravptibngxjmcssmmasi7emy | Have they generated any benefits for citizens that might be perceived as blessed by God and therefore worthy of preserv- ation? |
| work_lfravptibngxjmcssmmasi7emy | On what basis can these be affirmed, if Rawlsian and other variants of liberalism are antithetical? |
| work_lfravptibngxjmcssmmasi7emy | Yet how is this to be explained theologically? |
| work_lfravptibngxjmcssmmasi7emy | be sustained? |
| work_o2c4ytbcvngttntgha4bnrfmna | Sara questions: “ What were you remembering, Pip? |
| work_o2c4ytbcvngttntgha4bnrfmna | Was it us, or was it Mamma? |
| work_o2c4ytbcvngttntgha4bnrfmna | When big men were doing a lot of work in terms of making history, what was happening with homes in Pakistan? |
| work_zlstouxegnfuhek364unoev3xq | Where shall we Go This Summer?. |
| work_sq4l64fk7nhcnlrhteodxp7zki | And the bias and the blindness, what of that? |
| work_sq4l64fk7nhcnlrhteodxp7zki | The man himself Has the man emerged from his achievements? |
| work_sq4l64fk7nhcnlrhteodxp7zki | Why did Spence grasp the principle and start the practice so swiftly? |
| work_sq4l64fk7nhcnlrhteodxp7zki | Why did he become a paediatrician? |
| work_sq4l64fk7nhcnlrhteodxp7zki | Why should they read it? |
| work_m56ln653wjeolhqmxhhat7vhd4 | I was confused — distressed — My thoughts were bewildered — and I could only add —"How do you do?" |
| work_m56ln653wjeolhqmxhhat7vhd4 | In the face of the previous professional editors and their authoritative editions, who were we? |
| work_m56ln653wjeolhqmxhhat7vhd4 | In the height of our enthusiasm, the questions changed: what did we not have to offer? |
| work_m56ln653wjeolhqmxhhat7vhd4 | She is at dinner is not she? |
| work_m56ln653wjeolhqmxhhat7vhd4 | what did we have to offer? |
| work_yxpdpqvfnnhalnoaiczmn76r34 | Is it really feasible to plan the long- term reorganization of surgical training and staffing upon such an assumption? |
| work_7n2tsbvfvrgdrab42tagd3cybm | Are mere stylistic choices inappropriately obstruct- ing function? |
| work_7n2tsbvfvrgdrab42tagd3cybm | But they might at least wonder “ Why? ” This is the new medicine. |
| work_7n2tsbvfvrgdrab42tagd3cybm | Can medical eccentrics survive the new quality environment? |
| work_7n2tsbvfvrgdrab42tagd3cybm | How far should professionalism determine style and conformity in a medical career? |
| work_7n2tsbvfvrgdrab42tagd3cybm | How is this per- son performing behind his or her persiflage or camouflage? |
| work_7n2tsbvfvrgdrab42tagd3cybm | If this is self expression then what is being expressed? |
| work_7n2tsbvfvrgdrab42tagd3cybm | Is the chap under the cowboy hat or the girl in the fishnet tights any bloody good? |
| work_7n2tsbvfvrgdrab42tagd3cybm | Many are wondering, ‘ Am I good enough for these challenges? ’ Which would you rather be: the mounte- bank or his zany? |
| work_7n2tsbvfvrgdrab42tagd3cybm | Many are wondering, ‘ Am I good enough for these challenges? ’ Which would you rather be: the mounte- bank or his zany? |
| work_7n2tsbvfvrgdrab42tagd3cybm | Strip off the make- up, the mannerisms, the body piercing devices, and the affected Viennese politesse and what is left: anything or noth- ing? |
| work_7n2tsbvfvrgdrab42tagd3cybm | The people who ask “ Why? ” are those who find the answer. |
| work_7n2tsbvfvrgdrab42tagd3cybm | Why not ask your consultants or colleagues for permission to change your style, or theirs? |
| work_7n2tsbvfvrgdrab42tagd3cybm | You ’re looking stylish today, Doctor, but how will you fit in? |
| work_yyf4ibq2snh7fmepxeibx5sdpe | Have you, Adrian, where? |
| work_yyf4ibq2snh7fmepxeibx5sdpe | Jane Austen, 1814, Mansfield Park"Fanny,"said Edmund after looking at her attentively;"I am sure you have the headache?" |
| work_yzdzjsciujatdk3o4w7rxcsjo4 | How strong should be the difference, to be regarded as significant? |
| work_yzdzjsciujatdk3o4w7rxcsjo4 | [ 20] J. N. Binongo, “ Who wrote the 15th Book of Oz? |
| work_rnfw57letnggrh2kfq475plinq | Can ecosystem ser- vices lead ecology on a transdisciplinary pathway? |
| work_rnfw57letnggrh2kfq475plinq | How indeed does one determine what is natural at all? |
| work_rnfw57letnggrh2kfq475plinq | How, then, does one predict or measure environmental degradation? |
| work_rnfw57letnggrh2kfq475plinq | Reinventing nature? |
| work_rnfw57letnggrh2kfq475plinq | What, then, is good en- vironmental history? |
| work_wuo45whc3zetdjbpo4dmswd32e | 4 Du rêve absolu de l’ouvert à la mélancolie pynchonienne( « What if America was just America? |
| work_wuo45whc3zetdjbpo4dmswd32e | On dit communément, s’agissant d’amitiés factices, opportunistes et complaisantes, « with such friends, who needs enemies? |
| work_wuo45whc3zetdjbpo4dmswd32e | Sans lui, naguère, qui eût osé s’aventurer dans les terres inexplorées de la fiction récente? |
| work_wpepzu2wzzgqhoh4mkv4tysla4 | London: Picador Bingham, D.( 2010) Whose Lives Are They Anyway? |
| work_wpepzu2wzzgqhoh4mkv4tysla4 | You are married? ”( Madden 1998). |
| work_v23hgngyz5eapbjlqvz543xkji | Who, then, was likely to fall within this group of shoppers? |
| work_v23hgngyz5eapbjlqvz543xkji | Will you trust me? ’ ‘ Upon my word, Sir, ’ said he, ‘ you must excuse me. |
| work_v23hgngyz5eapbjlqvz543xkji | Julian Hoppit, A Land of Liberty? |
| work_satbbhxhnjdvxhpxjf5zdbchia | And what of other female writers? |
| work_satbbhxhnjdvxhpxjf5zdbchia | But can one, after all, divide the man from the writer? |
| work_satbbhxhnjdvxhpxjf5zdbchia | But in Paul Theroux ’s memoir, he is quoted as saying, “ Dance? |
| work_satbbhxhnjdvxhpxjf5zdbchia | How can I be concerned about people who do n’t like my work? |
| work_satbbhxhnjdvxhpxjf5zdbchia | Where does all of this leave us? |
| work_satbbhxhnjdvxhpxjf5zdbchia | “ The Naipaul Test: Can You Tell an Author ’s Sex? ” Guardian. |
| work_xzun45yo2fgc3iix5x5eoafstm | Does this mean I need to be woken up to the reality of proper psychiatric prac- tice 13 or am I just past my sell- by date? |
| work_2pbsfw2fmjg4rfsrum2nfphn3u | 15 Herbert Lindenberger, ‘ Arts in the Brain; or, What Might Neuroscience Tells Us? ’, in Frederick Luis Aldama( ed. |
| work_2pbsfw2fmjg4rfsrum2nfphn3u | 360^ 3) Why then does he decide to return to theWartburg? |
| work_2pbsfw2fmjg4rfsrum2nfphn3u | But is there anything in the score that could support the idea of premeditation? |
| work_2pbsfw2fmjg4rfsrum2nfphn3u | GAME THEORY The key question we pose is: does Tannha « user have to choose between alternative outcomes at the start of the Sa « ngerkrieg? |
| work_2pbsfw2fmjg4rfsrum2nfphn3u | To Elisabeth ’s question ‘ Was war es dann, das euch zuru « ckgefu « hrt? ’( What was it then that brought you back? |
| work_2pbsfw2fmjg4rfsrum2nfphn3u | To Elisabeth ’s question ‘ Was war es dann, das euch zuru « ckgefu « hrt? ’( What was it then that brought you back? |
| work_2pbsfw2fmjg4rfsrum2nfphn3u | What should he do? |
| work_2pbsfw2fmjg4rfsrum2nfphn3u | What would have happened if Tannha « user had won or lost the tournament instead of interrupting it? |
| work_2pbsfw2fmjg4rfsrum2nfphn3u | What would his gains and losses have been in each case? |
| work_2pbsfw2fmjg4rfsrum2nfphn3u | Why would Tannha « user sacrifice everything for nothing? |
| work_2pbsfw2fmjg4rfsrum2nfphn3u | Why would he sacrifice everything for nothing? |
| work_wy3zz7vc4vbstjo5iccsmidaya | Does the death of Shakespeare matter? |
| work_wy3zz7vc4vbstjo5iccsmidaya | Indeed, the mortgage on a house in Blackfriars in 1613 already makes this possible( Schoenbaum, 1975: 224).15 But who cares, in any case? |
| work_wy3zz7vc4vbstjo5iccsmidaya | Why do we keep repeating ourselves? |
| work_qugttcsyrrdo3jkpshshswlp64 | And why is this? |
| work_qugttcsyrrdo3jkpshshswlp64 | Are n’t we way past that? |
| work_qugttcsyrrdo3jkpshshswlp64 | Could this be that old, outdated bugaboo, gender discrimination? |
| work_qugttcsyrrdo3jkpshshswlp64 | Danford, N. 2003, “ Is chick lit still chic? ”, Publishers Weekly, vol. |
| work_paajdqtprvd6zawdqggsazvbu4 | ( 320- 4) What is the valence of ‘ solution ’ in these lines? |
| work_paajdqtprvd6zawdqggsazvbu4 | How are we to reconcile such discordant elements? |
| work_paajdqtprvd6zawdqggsazvbu4 | How are you going on now? |
| work_paajdqtprvd6zawdqggsazvbu4 | Thus Moneta ’s accusation, which otherwise seems so strange( how can Keats be other than a poet? |
| work_paajdqtprvd6zawdqggsazvbu4 | what traitor could thee hither bring? |
| work_x7vhqhs43rfrffkow5i4gjtolq | What does it mean to see life as a series of transactions? |
| work_x7vhqhs43rfrffkow5i4gjtolq | are we no longer the United States? |
| work_z3g7mbq2t5h6jfrjg4hcjewemm | Why not write a letter? |
| work_hgt4azpmw5dndhilm4zebv26wy | 27 Hogg C, Bush A. Genotyping in primary ciliary dyskinesia: ready for prime time, or a fringe benefit? |
| work_hgt4azpmw5dndhilm4zebv26wy | 47 Brusasco V. Spirometric definition of COPD: exercise in futility or factual debate? |
| work_hgt4azpmw5dndhilm4zebv26wy | Are reference equations for spirometry an appropriate criterion for diagnosing disease and predicting prognosis? |
| work_hgt4azpmw5dndhilm4zebv26wy | Could these patterns be associated with different causes and treatment responses? |
| work_hgt4azpmw5dndhilm4zebv26wy | Diagnosing cystic fibrosis: what are we sweating about? |
| work_hgt4azpmw5dndhilm4zebv26wy | Might it be better to focus more on increasing public awareness of symptoms and promoting earlier diagnosis? |
| work_hgt4azpmw5dndhilm4zebv26wy | Original article: comparing the American and European diagnostic guidelines for cystic fibrosis: same disease, different language? |
| work_hgt4azpmw5dndhilm4zebv26wy | The effect of continuous positive airway pressure usage on sleepiness in obstructive sleep apnoea: real effects or expectation of benefit? |
| work_hgt4azpmw5dndhilm4zebv26wy | There is no overall winner; can you compare Michelangelo ’s David with Beethoven ’s ninth symphony? |
| work_jlm7lv6pkjbuvb47uvcun7j7wm | A rough translation might be"Is there anyone still in his or her right mind who may be responsible for detecting our demented pro- tectors?" |
| work_jlm7lv6pkjbuvb47uvcun7j7wm | The Latin tag"Quis custodiet ipsos cus- todes?" |
| work_jlm7lv6pkjbuvb47uvcun7j7wm | Which of you, like me, has had, fairly recently, as far as he or she can remember, a normal brain scan of one form or another? |
| work_jlm7lv6pkjbuvb47uvcun7j7wm | Who knows? |
| work_jlm7lv6pkjbuvb47uvcun7j7wm | Why should it be different for neuro- surgeons and senior airline captains, for neu- rologists and locomotive drivers and tax inspectors? |
| work_jlm7lv6pkjbuvb47uvcun7j7wm | must now be amplified to"Quis sanus custodiet ipsos insanos custodes?". |
| work_xtg5n2p2zje3rf4m4hpiwn4f6i | Is fear of pregnancy really an important deterrent? |
| work_xtg5n2p2zje3rf4m4hpiwn4f6i | Like the inventor who answered his critics by saying"But what is the use of a newborn baby?" |
| work_xtg5n2p2zje3rf4m4hpiwn4f6i | Should pregnancy be seen as a punishment for illicit sex? |
| work_sysuwrxvo5cxjhazbbf36riv4y | Do Women Write Novels? |
| work_sysuwrxvo5cxjhazbbf36riv4y | ( 100), and when she says she is not very interested, he replies,"Are n''t you? |
| work_sysuwrxvo5cxjhazbbf36riv4y | All his, his …"Will you have some bread and butter?" |
| work_sysuwrxvo5cxjhazbbf36riv4y | Do you believe that women have souls?" |
| work_sysuwrxvo5cxjhazbbf36riv4y | Do you take milk?" |
| work_sysuwrxvo5cxjhazbbf36riv4y | How do you do? |
| work_sysuwrxvo5cxjhazbbf36riv4y | The Elfine"side"actually admired DH Lawrence: Gibbons especially praised his verse, and once described him as a genius("Do Women Write Novels?"). |
| work_w7lyhpfabfaqzgiblov2gyekkm | And am I able to respond adequately to the gossip and scandal that made Delarivier Manley''s New Atalantis such a success? |
| work_w7lyhpfabfaqzgiblov2gyekkm | And do we really believe Roxana when she says it would have been better to starve to death? |
| work_swrphvdzobhttk7rxetc4p6ao4 | What have you done for me lately? |
| work_swrphvdzobhttk7rxetc4p6ao4 | An Offer I Could n''t Refuse How did all this relate to brash Paul Samuelson, whippersnapper gogetter in esoteric theory? |
| work_swrphvdzobhttk7rxetc4p6ao4 | And why in later edidons did those words get revised out? |
| work_swrphvdzobhttk7rxetc4p6ao4 | I know the answer to that, but will Professor Skou- sen''s readers? |
| work_swrphvdzobhttk7rxetc4p6ao4 | Paxil, will you go on half time for a semester or two? |
| work_swrphvdzobhttk7rxetc4p6ao4 | What actually was it? |
| work_swrphvdzobhttk7rxetc4p6ao4 | Why not give it a whirl? |
| work_yjtkdil2pfg7hpy6i6shpc3r3m | Alison Byerly, Are We There Yet? |
| work_yjtkdil2pfg7hpy6i6shpc3r3m | J[ames]Burns, “ The Work of the Spiritualist, and How to Do It? ” Medium and Daybreak, November 17, 1876, 722–23. |
| work_yjtkdil2pfg7hpy6i6shpc3r3m | M. A. Oxon[ William Stainton Moses], “ After All, Is There Any Such Thing as Matter? ” Human Nature( May 1877): 194. |
| work_yjtkdil2pfg7hpy6i6shpc3r3m | “ How Do Spirits Make Themselves Visible? ” Spiritual Magazine( June 1872): 256. |
| work_x2wtdlufu5bh5hdggq2pp5a3le | As Tony Tanner observes: The question is, which chain will Fanny wear to carry her cross? |
| work_x2wtdlufu5bh5hdggq2pp5a3le | Why should Jane Austen describe the novel''s focus of absolute authority as an''absentee landlord''? |
| work_tbaed66uuzhdhfphuimifxxyfe | Kapadık da ne ettik? |
| work_tbaed66uuzhdhfphuimifxxyfe | Literary Tourism: Opportunities and Challenges for the Marketing and Branding of Destinations? |
| work_tbaed66uuzhdhfphuimifxxyfe | Saygı duymadık da ne oldu? |
| work_tbaed66uuzhdhfphuimifxxyfe | Ya da örneğin evin mutfağı neredeydi? |
| work_zelg67vhhrhmvk34zuchzurepi | 31 William Whitehead in 77 M? |
| work_zelg67vhhrhmvk34zuchzurepi | Are we to add incitement to incitement, and corruption to corruption?'' |
| work_zelg67vhhrhmvk34zuchzurepi | From the outset, Hurd challenges the prevailing equation of the Gothic with barbarism, demanding''what... is more remarkable than the Gothic CHIVALRY? |
| work_x4hzvsv4ajew3eylpkyixxwsoq | ( 2008) ‘ What can academic writers learn from creative writers? |
| work_x4hzvsv4ajew3eylpkyixxwsoq | Arcane? |
| work_x4hzvsv4ajew3eylpkyixxwsoq | But which model and which phases are most appropriate? |
| work_x4hzvsv4ajew3eylpkyixxwsoq | How could anyone believe that such matters were anything other than central to our existence? |
| work_x4hzvsv4ajew3eylpkyixxwsoq | Reynolds, K.( 2011) ‘ Advancing Group Research: The( Non)Necessity of Behavioral Data? ’, Small Group Research 42(3): 359–373. |
| work_p5lj6jxybbh5rcnqm3v7xzxbfu | ( 5)? This teasing John all the time has got to stop. |
| work_p5lj6jxybbh5rcnqm3v7xzxbfu | ( 6)? There is no marking exams on Fridays. |
| work_p5lj6jxybbh5rcnqm3v7xzxbfu | Deep Learning of Language Where has Deep Learning helped NLP? |
| work_p5lj6jxybbh5rcnqm3v7xzxbfu | Did the reader notice an example of it in the quote in my first paragraph? |
| work_p5lj6jxybbh5rcnqm3v7xzxbfu | Is it the end of the road for us? |
| work_p5lj6jxybbh5rcnqm3v7xzxbfu | So, should computational linguistics researchers be afraid? |
| work_p5lj6jxybbh5rcnqm3v7xzxbfu | Where are these predictions of steam- rollering coming from? |
| work_rec24n4ilrbfvlp5iirozr6skq | A point of departure perhaps, offering return? |
| work_rec24n4ilrbfvlp5iirozr6skq | But why do they try? |
| work_rec24n4ilrbfvlp5iirozr6skq | I refer, in particular, to the memoirs of Jackie Kay, Red Dust Road( 2010) and Jeanette Winterson, Why be happy when you could be normal? |
| work_rec24n4ilrbfvlp5iirozr6skq | My starting point then for this exploration of Jeanette Winterson ’s Why be happy when you could be normal? |
| work_rec24n4ilrbfvlp5iirozr6skq | Perhaps then it is easier to consider, why now? |
| work_rec24n4ilrbfvlp5iirozr6skq | Why are these memoirs being published now? |
| work_rec24n4ilrbfvlp5iirozr6skq | Why has it come- of- age post- millennium: Red Dust Road( 2010), Why be happy when you could be normal? |
| work_rec24n4ilrbfvlp5iirozr6skq | Winterson ’s Why be happy when you could be normal? |
| work_rec24n4ilrbfvlp5iirozr6skq | — Why be happy when you could be normal?. |
| work_xx4lbmv54rbo7evmtfensyqk7e | I can not look at it – What would the world say if I look’d at it? |
| work_xx4lbmv54rbo7evmtfensyqk7e | cql015 226.. 238 THE BLUSH OF MODESTY OR THE BLUSH OF SHAME? |
| work_xx4lbmv54rbo7evmtfensyqk7e | – But where am I wandering to? ’ ’’( p. 128). |
| work_blix7zk6hbavpppfzzfqotytzy | 1400) as an astounding example of how the individual can learn how to come to terms with death? |
| work_blix7zk6hbavpppfzzfqotytzy | Differently put, how do we convince the present generation that history is of great relevance in order to find access to the future( Currie 2019)? |
| work_blix7zk6hbavpppfzzfqotytzy | Does ethics constitute any significant teaching subject in our schools and universities? |
| work_blix7zk6hbavpppfzzfqotytzy | Hence, where is the public discourse on ethics? |
| work_blix7zk6hbavpppfzzfqotytzy | How do the specific cases or circumstances in those heroic epics help us to reflect on concrete situations today? |
| work_blix7zk6hbavpppfzzfqotytzy | How do we establish a functioning, well- balanced social framework, unless we all operate by some basic ethical standards? |
| work_blix7zk6hbavpppfzzfqotytzy | However, who is truly Humanities 2020, 9, 4 11 of 13 authorized to reach a judgment? |
| work_blix7zk6hbavpppfzzfqotytzy | Or, what air plane would be able to land at an airport without the help of the airport traffic controller? |
| work_blix7zk6hbavpppfzzfqotytzy | The Decline in History Majors: What is to be done? |
| work_blix7zk6hbavpppfzzfqotytzy | What are the essential criteria that would allow us to declare that our lives are happy and fulfilled, that is determined by ethical thinking? |
| work_blix7zk6hbavpppfzzfqotytzy | What does honesty, honor, leadership, friendship, commitment, or community really mean? |
| work_5rstwxssmnfhtlryewml6yr5bm | Back to the future? |
| work_5rstwxssmnfhtlryewml6yr5bm | Could this be a wake- up call for a kind of economic anthropology we have n’t seen in a while? |
| work_5rstwxssmnfhtlryewml6yr5bm | Do we really have a return of patrimonial capitalism in the rich world, or is it something altogether more institutionally interesting? |
| work_5rstwxssmnfhtlryewml6yr5bm | How can it be otherwise when the bland categorical “ decile ” replaces the real world formation that is class? |
| work_5rstwxssmnfhtlryewml6yr5bm | How to stem the tide of managers taking over the shop in a manner that threatened American productivity as it waned in the 1970s? |
| work_5rstwxssmnfhtlryewml6yr5bm | Nomos or idios? |
| work_5rstwxssmnfhtlryewml6yr5bm | Patrimony or technostructure? |
| work_5rstwxssmnfhtlryewml6yr5bm | View Large ImageDownload PowerPoint Why is this seemingly low- level piece of institutional plumbing important? |
| work_5rstwxssmnfhtlryewml6yr5bm | What value mechanism undergirds social wealth? |
| work_5rstwxssmnfhtlryewml6yr5bm | Who actually owns American capitalism? |
| work_5rstwxssmnfhtlryewml6yr5bm | Will social science rise to the occasion? |
| work_5rstwxssmnfhtlryewml6yr5bm | Yet this is ultimately a step back from classical political economy because, from Smith onward the question is, why is X worth something? |
| work_crp5ybczczcetb7mo2igbq5n3u | Are you concerned about deliberate falsification of results in science? |
| work_crp5ybczczcetb7mo2igbq5n3u | But the editor allowed the speculation; what else is a discussion for? |
| work_crp5ybczczcetb7mo2igbq5n3u | Do you have a favourite paper? |
| work_crp5ybczczcetb7mo2igbq5n3u | Do you have a scientific hero and if so who is he/ she, and why? |
| work_crp5ybczczcetb7mo2igbq5n3u | If you were starting again knowing what you now know, would you follow the same career? |
| work_crp5ybczczcetb7mo2igbq5n3u | In what ways has the electronic revolution changed your life as a scientist? |
| work_crp5ybczczcetb7mo2igbq5n3u | Is science organised effectively? |
| work_crp5ybczczcetb7mo2igbq5n3u | Q& A Current Biology Vol 18 No 4 R142 What is the best advice you ’ve been given? |
| work_crp5ybczczcetb7mo2igbq5n3u | Was it difficult to combine a career in teaching and research? |
| work_crp5ybczczcetb7mo2igbq5n3u | What advice would you offer to someone starting a career in biology? |
| work_crp5ybczczcetb7mo2igbq5n3u | What attracted you to biology in the first place? |
| work_crp5ybczczcetb7mo2igbq5n3u | What has been your biggest mistake in research? |
| work_crp5ybczczcetb7mo2igbq5n3u | What is the next big question to be answered in your own area of research? |
| work_crp5ybczczcetb7mo2igbq5n3u | What is your greatest remaining ambition in research? |
| work_crp5ybczczcetb7mo2igbq5n3u | You study the behaviour of animals and humans: are there serious ethical issues in doing so? |
| work_w5cjk33k4jaktdmqtou6k76hxy | As a cultured French person — is there any other? |
| work_w5cjk33k4jaktdmqtou6k76hxy | Does this mean that double- counting may be part of the overall totals? |
| work_w5cjk33k4jaktdmqtou6k76hxy | Galbraith JK( 2014) Kapital for the twenty- first Century? |
| work_w5cjk33k4jaktdmqtou6k76hxy | Taylor L( 2014) The triumph of the rentier? |
| work_wcwima3oq5gx5e66u7bozciqea | Did Lever Brothers broker a deal with Miles& Miles once its giveaway scheme grew to include books after 1890? |
| work_wcwima3oq5gx5e66u7bozciqea | Had Lever, in fact, made any selection decisions in the inclusion of specific titles for its soap- promoting scheme? |
| work_wcwima3oq5gx5e66u7bozciqea | How might Austen have appeared to young contestants receiving Sense and Sensibility as a Sunlight Library book? |
| work_wcwima3oq5gx5e66u7bozciqea | What were the associations with the soap that a first- time reader might transfer to Austen? |
| work_wcwima3oq5gx5e66u7bozciqea | | Did She Love Him? |
| work_bznl5baxhrauvcgx3hfazpthji | How does memory function, or malfunction, when those who have never known foreignness suddenly � nd themselves sundered from the familiar? |
| work_bznl5baxhrauvcgx3hfazpthji | How, these medical texts im- plicitly ask, is memory to be managed in a situation of vastly increased mobility? |
| work_bznl5baxhrauvcgx3hfazpthji | What are these oVered cures but the cure of being somewhere else? |
| work_bznl5baxhrauvcgx3hfazpthji | What if readers learn their nostalgia from her texts? |
| work_bznl5baxhrauvcgx3hfazpthji | Who was prone to this disease? |
| work_rxphzwcy7rbxtmcmsmhtjowsmy | ( Economists at this stage will trot out an argument from speciali- zation:"Do n''t you believe in the division of labor? |
| work_rxphzwcy7rbxtmcmsmhtjowsmy | ( Woolf, 1925, p. 198) What then causes malicious misunderstanding among scholars- the Bad Referee reports? |
| work_rxphzwcy7rbxtmcmsmhtjowsmy | Did I?" |
| work_rxphzwcy7rbxtmcmsmhtjowsmy | Mc- Closkeyish? |
| work_rxphzwcy7rbxtmcmsmhtjowsmy | McCloskeyite? |
| work_rxphzwcy7rbxtmcmsmhtjowsmy | Now what''s the problem here? |
| work_rxphzwcy7rbxtmcmsmhtjowsmy | Really, how many times must we go over Milton''s Article? |
| work_umxtyaf5sjcjzov4jzw27263de | BLOOD GASES WITHOUT TEARS? |
| work_umxtyaf5sjcjzov4jzw27263de | LUNG CANCER – AN ITALIAN JOB? |
| work_umxtyaf5sjcjzov4jzw27263de | WHAT IS THE POINT OF INTRAVENOUS ANTIBIOTICS IN CF? |
| work_umxtyaf5sjcjzov4jzw27263de | What happened next? |
| work_umxtyaf5sjcjzov4jzw27263de | What is the point of intravenous antibiotics in CF? |
| work_umxtyaf5sjcjzov4jzw27263de | What? |
| work_umxtyaf5sjcjzov4jzw27263de | “ Prediction is very difficult, especially if it''s about the future ” Lung cancer – an Italian job? |
| work_cszmxehhcvgitjzltbylyjgb7m | But does difference necessarily undermine authenticity? |
| work_cszmxehhcvgitjzltbylyjgb7m | How might the potential of re- enactment as a form of historiography be assessed through academic theory? |
| work_cszmxehhcvgitjzltbylyjgb7m | In what ways should/ could we understand such embodied sources? |
| work_cszmxehhcvgitjzltbylyjgb7m | May there also be something authentic in the process of creating( and utilizing) these items? |
| work_cszmxehhcvgitjzltbylyjgb7m | So is the knowledge acquired through re- enactment purely corporeal? |
| work_cszmxehhcvgitjzltbylyjgb7m | To what extent can the experiential be epistemological? |
| work_cszmxehhcvgitjzltbylyjgb7m | What possibilities might such affective methodologies offer for learning about the past? |
| work_cszmxehhcvgitjzltbylyjgb7m | “ Introduction: What is Reenactment? ” Extreme and Sentimental History. |
| work_cszmxehhcvgitjzltbylyjgb7m | “ The History Question: Who Owns the Past? ” Quarterly Essay 23( 2006): 1- 72. |
| work_lqbihtcu4favlbdwon7p5asqum | A cabeça de um homem decapitado é algo muito feio, não é? |
| work_lqbihtcu4favlbdwon7p5asqum | Mas como é composta essa eroticidade em Salomé? |
| work_lqbihtcu4favlbdwon7p5asqum | Poderíamos, sem violência interior, assumir uma negação que nos leva ao limite de todo o possível? |
| work_lqbihtcu4favlbdwon7p5asqum | Por que é que não olhaste para mim, Iokanaan? |
| work_lqbihtcu4favlbdwon7p5asqum | Qual é o limite do corpo e do prazer? |
| work_lqbihtcu4favlbdwon7p5asqum | Que hei de fazer agora, Iokanaan? |
| work_lqbihtcu4favlbdwon7p5asqum | Que prazer é que isso vos poderia dar? |
| work_lqbihtcu4favlbdwon7p5asqum | Seria o sabor do sangue?... |
| work_lqbihtcu4favlbdwon7p5asqum | Seria uma afronta ao sagrado, uma reformulação para o profano, com ares de pureza juvenil? |
| work_lqbihtcu4favlbdwon7p5asqum | Sua paixão assassina nos leva a refletir sobre os limites do desejo: será que há algum? |
| work_x6zszfj7xffyrnp336tcbhagv4 | How is this character ‘ whom no one will much like ’ recreated on- 9 screen so as to gain the audience ’s favour? |
| work_x6zszfj7xffyrnp336tcbhagv4 | In fact, how does one adapt Emma? |
| work_x6zszfj7xffyrnp336tcbhagv4 | Murray, Simone( 2012), ‘ Best adapted screenwriter? |
| work_x6zszfj7xffyrnp336tcbhagv4 | So, what about Emma? |
| work_tnri3lqn2vepbahozbensfu7oq | As well, contemporary romance novels have adapted to keep up with reliable contraception and consent.50 Is Romance Feminist? |
| work_tnri3lqn2vepbahozbensfu7oq | If crime can be lauded as a highbrow fiction genre, how can we classify all romance as lowbrow? |
| work_tnri3lqn2vepbahozbensfu7oq | Is romance demeaned because it is actually not well written, or because it appeals mainly to women? |
| work_wdaphikarbg5fpbzbf6apqkvh4 | 1 Writing good English: is scientific English a Latin language in disguise? |
| work_wdaphikarbg5fpbzbf6apqkvh4 | 4 MedicalExpress( Sao Paulo, online) 2018;5: mf18001 Is scientific English a Latin language in disguise? |
| work_wdaphikarbg5fpbzbf6apqkvh4 | 5 MedicalExpress( Sao Paulo, online) 2018;5: mf18001Is scientific English a Latin language in disguise? |
| work_wdaphikarbg5fpbzbf6apqkvh4 | ESCREVER CIÊNCIA COM QUALIDADE: SERIA O INGLÊS CIENTÍFICO UMA LÍNGUA LATINA DISFARÇADA? |
| work_wdaphikarbg5fpbzbf6apqkvh4 | See also article: A comment on “ Writing Good English: Is scientific English a Latin Language in Disguise? ”. |
| work_xfxhrn3645hbvczk77whx3r3nm | Does authenticity lie in the place or in the experience the visitor is enjoying? |
| work_xfxhrn3645hbvczk77whx3r3nm | Is the time spent in this kind of Regency theme park or on a film set less valuable than the time spent in the authentic sites of Austen ’s life? |
| work_2q3ts43puvfjdbghwx4buvwuim | Are we to end the Middle Ages, then, in about 1820, or even 1920? |
| work_2q3ts43puvfjdbghwx4buvwuim | But Did They Work? |
| work_2q3ts43puvfjdbghwx4buvwuim | Copernicus? |
| work_2q3ts43puvfjdbghwx4buvwuim | Das “ Hildebrandslied ” i m heutigen Literaturunterricht? |
| work_2q3ts43puvfjdbghwx4buvwuim | Do we end the period with the Renaissance( whenever and wherever we wish to place it)? |
| work_2q3ts43puvfjdbghwx4buvwuim | However, do we set as a start date the death of Vergil? |
| work_2q3ts43puvfjdbghwx4buvwuim | Must We Divide History into Periods? |
| work_2q3ts43puvfjdbghwx4buvwuim | The Conquest in 1066? |
| work_2q3ts43puvfjdbghwx4buvwuim | The Reformation? |
| work_2q3ts43puvfjdbghwx4buvwuim | The Strasbourg Oaths in 842? |
| work_2q3ts43puvfjdbghwx4buvwuim | The Tudors? |
| work_2q3ts43puvfjdbghwx4buvwuim | The Völkerwanderungen? |
| work_2q3ts43puvfjdbghwx4buvwuim | The fall of Rome? |
| work_2q3ts43puvfjdbghwx4buvwuim | The great period of Gothic building? |
| work_2q3ts43puvfjdbghwx4buvwuim | The invention of printing? |
| work_2q3ts43puvfjdbghwx4buvwuim | What Does( Medieval) Literature Mean Today in the Twenty- First Century? |
| work_djbb42egtvallo7mb46etkqcpe | But in the humanities? |
| work_djbb42egtvallo7mb46etkqcpe | But in the humanities? |
| work_djbb42egtvallo7mb46etkqcpe | But in the humanities? |
| work_djbb42egtvallo7mb46etkqcpe | How does data work in other fields? |
| work_djbb42egtvallo7mb46etkqcpe | How does data work in other fields? |
| work_djbb42egtvallo7mb46etkqcpe | How does data work in other fields? |
| work_djbb42egtvallo7mb46etkqcpe | The finches? |
| work_djbb42egtvallo7mb46etkqcpe | The notes about the finches? |
| work_djbb42egtvallo7mb46etkqcpe | What to do? |
| work_uvfsjc7cyfgetmah32ytmboxum | In this respect, we might ask: what does ‘ English ’ magic mean in the book? |
| work_uvfsjc7cyfgetmah32ytmboxum | Is English magic opposed to Celtic magic? |
| work_uvfsjc7cyfgetmah32ytmboxum | Is he a person, a kind of a spirit, a way of looking at the world? |
| work_uvfsjc7cyfgetmah32ytmboxum | Is it self- satirical, as if there is something inherently un- magical or humdrum in the very idea of Englishness? |
| work_uvfsjc7cyfgetmah32ytmboxum | It all comes down to one basic question: who is John Uskglass? |
| work_uvfsjc7cyfgetmah32ytmboxum | What does it mean when opposed to French magic, Portuguese magic? |
| work_z6kmt2gierd4jfy5erasrc2ugu | But does externalization of language in writing enable anything further? |
| work_z6kmt2gierd4jfy5erasrc2ugu | But might studies of individual writers help to understand what goes on when thoughts are externalized in writing? |
| work_z6kmt2gierd4jfy5erasrc2ugu | Flaubert ’s thought, which is made explicit in the story, is that the Holy Spirit is usually represented by a dove, but why not by a parrot? |
| work_z6kmt2gierd4jfy5erasrc2ugu | What color are the bears there? ” The form is a syllogism. |
| work_z6kmt2gierd4jfy5erasrc2ugu | What was Flaubert doing all this time? |
| work_cx6jq2aivbhjhlhlowlxkepyzu | Does this invalidate previous work? |
| work_cx6jq2aivbhjhlhlowlxkepyzu | How does data work in other fields? |
| work_cx6jq2aivbhjhlhlowlxkepyzu | How does data work in other fields? |
| work_cx6jq2aivbhjhlhlowlxkepyzu | How does data work in other fields? |
| work_cx6jq2aivbhjhlhlowlxkepyzu | The finches? |
| work_cx6jq2aivbhjhlhlowlxkepyzu | The notes about the finches? |
| work_cx6jq2aivbhjhlhlowlxkepyzu | What is data in the Humanities? |
| work_cx6jq2aivbhjhlhlowlxkepyzu | ○ Hypotheses rather than these s? |
| work_cx6jq2aivbhjhlhlowlxkepyzu | ○ Questions of sampling practice and bias ○ Lab books? |
| work_cx6jq2aivbhjhlhlowlxkepyzu | ○ Report null results? |
| work_cx6jq2aivbhjhlhlowlxkepyzu | ○ Requirement to share data protocols? |
| work_cx6jq2aivbhjhlhlowlxkepyzu | ○ Requirement to share raw data? |
| work_cx6jq2aivbhjhlhlowlxkepyzu | ● New forms of data introduce new types of techniques and questions: ○ Falsification as standard of proof? |
| work_hgdm2y4q7vfedfdhw65nfatn4e | 9 Lucas Thompson, ‘ Why a Wallace Studies Journal Now? ’, The Journal of David Foster Wallace Studies, 1.1( 2018), pp. |
| work_hgdm2y4q7vfedfdhw65nfatn4e | Are there objects that are really known within the world of the novel? |
| work_hgdm2y4q7vfedfdhw65nfatn4e | For the question here is: how does Wallace represent our relationship to objects? |
| work_hgdm2y4q7vfedfdhw65nfatn4e | How can one get to grips with the breadth of recent thought that has appropriated such terminology? |
| work_hgdm2y4q7vfedfdhw65nfatn4e | How might we read critically the instances of literary- political post- critique in Wallace? |
| work_hgdm2y4q7vfedfdhw65nfatn4e | How, then, can one deal with this heterogeneous proliferation of what is meant by “ post- criticality ”? |
| work_hgdm2y4q7vfedfdhw65nfatn4e | However, is Eschaton post- critical in the sense laid out by Meillassoux? |
| work_hgdm2y4q7vfedfdhw65nfatn4e | Infinite Jest, Playing Games, and Kantian Aesthetics What if philosophy has got almost everything wrong for the past 240 years? |
| work_hgdm2y4q7vfedfdhw65nfatn4e | To put this otherwise: what are the conditions of possibility for political action in Wallace ’s texts? |
| work_hgdm2y4q7vfedfdhw65nfatn4e | What is Critique? |
| work_hgdm2y4q7vfedfdhw65nfatn4e | What is Critique? |
| work_hgdm2y4q7vfedfdhw65nfatn4e | Yet, is this not, to some extent, the very “ equivocationary horseshit ” to which Pemulis referred in the Eschaton game? |
| work_sq4rsbzjxjdhjktgogo3mqrz5u | Current Issues ● What are the main DRI tools, services and/or resources you currently use in your research? |
| work_sq4rsbzjxjdhjktgogo3mqrz5u | Future DRI State ● What is your vision for a cohesive Canadian DRI ecosystem that would fulfill your research needs? |
| work_sq4rsbzjxjdhjktgogo3mqrz5u | How to Bridge the Gap ● What are the tools, services and/or resources NDRIO should leverage to achieve your desired future state? |
| work_sq4rsbzjxjdhjktgogo3mqrz5u | What are they? |
| work_sq4rsbzjxjdhjktgogo3mqrz5u | What is missing? |
| work_sq4rsbzjxjdhjktgogo3mqrz5u | ● Do you have access to all the DRI tools, services and/or resources you need for your research? |
| work_sq4rsbzjxjdhjktgogo3mqrz5u | ● How do you see NDRIO ’s role in addressing current gaps in the national DRI ecosystem? |
| work_sq4rsbzjxjdhjktgogo3mqrz5u | ● What are the types of DRI tools, services and/or resources you would like to use, or envision using, in the future? |
| work_sq4rsbzjxjdhjktgogo3mqrz5u | ● What are your biggest challenges accessing and using the DRI tools, services and/or resources that do exist and are available to you? |
| work_sq4rsbzjxjdhjktgogo3mqrz5u | ● What challenges do you foresee while using integrated DRI tools, services and/or resources? |
| work_ybnheftrq5eezgn7gypmx2q6lm | Could it be said that removing a comment within 24 hours is sufficient? |
| work_ybnheftrq5eezgn7gypmx2q6lm | For example, what constitutes swift action in relation to removing a statement online? |
| work_ybnheftrq5eezgn7gypmx2q6lm | See, Rosalee Dorfman, ‘ Can you say “ social media prosecutions ” with a straight face? |
| work_ybnheftrq5eezgn7gypmx2q6lm | What is a grossly offensive comment? |
| work_ybnheftrq5eezgn7gypmx2q6lm | • User may use extracts from the document in line with the concept of ‘ fair dealing ’ under the Copyright, Designs and Patents Act 1988(?) |
| work_zxfk3ms3mrahdorrh4q5mtvfae | Que tal vir sentar- se aqui e fazer alguma coisa como nós? |
| work_ufhws5tz6bafvm77z4wjgtrrlu | ABSTRACT What can be learned from a small scale study of managerial work in a highly marginal and under- researched working community? |
| work_ufhws5tz6bafvm77z4wjgtrrlu | But if the standards of excellence internal to the practices of the circus arts do not define a good show, how is a good show to be defined? |
| work_ufhws5tz6bafvm77z4wjgtrrlu | In such an environment why should they continue? |
| work_ufhws5tz6bafvm77z4wjgtrrlu | What does this require? |
| work_ufhws5tz6bafvm77z4wjgtrrlu | Why can constancy no longer be assumed? |
| work_ufhws5tz6bafvm77z4wjgtrrlu | Why is this? |
| work_ufhws5tz6bafvm77z4wjgtrrlu | Why so? |
| work_hycxgktvrvenvcfgptzsudhvpa | Can you tell us a little bit about these studies? |
| work_hycxgktvrvenvcfgptzsudhvpa | Can you tell us a little bit about these studies? |
| work_hycxgktvrvenvcfgptzsudhvpa | Does this differ between social and non- social spe- cies? |
| work_hycxgktvrvenvcfgptzsudhvpa | For instance, what is the information communicated through these complex scents? |
| work_hycxgktvrvenvcfgptzsudhvpa | Indi- viduals often differ in the investment that they make in particular components of scents — what information does this signal? |
| work_hycxgktvrvenvcfgptzsudhvpa | Is there a paper or a scientist that inspired you, or was seminal for your research? |
| work_hycxgktvrvenvcfgptzsudhvpa | Is there a paper or a scientist that inspired you, or was seminal for your research? |
| work_hycxgktvrvenvcfgptzsudhvpa | Keywords: Behaviours, Scents, Olfactory communication, MUPs, Darcin particularly for more effective pest control? |
| work_hycxgktvrvenvcfgptzsudhvpa | Looking back, is there a project that your lab pursued that stands out for you as particularly inspiring, tough or simply memorable? |
| work_hycxgktvrvenvcfgptzsudhvpa | Looking back, is there a project that your lab pursued that stands out for you as particularly inspiring, tough or simply memorable? |
| work_hycxgktvrvenvcfgptzsudhvpa | What are the questions driving your research? |
| work_hycxgktvrvenvcfgptzsudhvpa | What are the selection processes determining the evolu- tion of scent components, and how do these different components interact? |
| work_u7t2a7mhkjacpdbkqteipunypu | ( 2007) ‗What Would Jane Cut? ‘ Persuasions, No. |
| work_u7t2a7mhkjacpdbkqteipunypu | Has Edward Ferrars been made sexier and more charming than he should be? |
| work_u7t2a7mhkjacpdbkqteipunypu | Is Mr. Knightley much, much older than Emma, as written? |
| work_u7t2a7mhkjacpdbkqteipunypu | Is she? |
| work_u7t2a7mhkjacpdbkqteipunypu | Jane herself? |
| work_u7t2a7mhkjacpdbkqteipunypu | New York and London: W. W. Norton& Company, 1466- 1470 Cobb, S.( 2012) ‗What Would Jane Do? |
| work_u7t2a7mhkjacpdbkqteipunypu | Reader, is it... us? |
| work_u7t2a7mhkjacpdbkqteipunypu | Some ghostly collective presence? |
| work_u7t2a7mhkjacpdbkqteipunypu | Then who is it? |
| work_u7t2a7mhkjacpdbkqteipunypu | Who‘s the heroine, what‘s an adventure? |
| work_segzvcjpebehjdhiv6ikyhgqey | How is such a one likely to be influenced? |
| work_segzvcjpebehjdhiv6ikyhgqey | If Jane Austen can tell us what Mrs. Weston is thinking, why not what Frank Churchill and Jane Fairfax are thinking? ”( 254). |
| work_segzvcjpebehjdhiv6ikyhgqey | The passage continues, “ and the quiet transition which Mr. Knightley soon afterwards made to ‘ What does Weston think of the weather? |
| work_segzvcjpebehjdhiv6ikyhgqey | Wentworth himself is amazed that it takes her so long to read his thoughts: “ Have you not seen this? |
| work_segzvcjpebehjdhiv6ikyhgqey | Who has n’t wavered over lines like “ He had not forgiven Anne Elliot ”( Persuasion 61)? |
| work_y222gvbxnbgbbdtexi5uvnjlwi | How can we build campuses to be both bastions of free expression and safe places for exploration? |
| work_y222gvbxnbgbbdtexi5uvnjlwi | How can we build campuses to be both bastions of free expression and safe places for exploration? |
| work_y222gvbxnbgbbdtexi5uvnjlwi | How should we engage our neighbors, communities, students, and the public? |
| work_y222gvbxnbgbbdtexi5uvnjlwi | How should we engage our neighbors, communities, students, and the public? |
| work_y222gvbxnbgbbdtexi5uvnjlwi | Our symposium asks three main questions: What role should political scientists play in this current period of contentious politics? |
| work_f7q5xalu7rc27eyfky4bn6a65u | 6,000 pounds( 3 tons) in a forenoon: 200 trips? |
| work_f7q5xalu7rc27eyfky4bn6a65u | A few pages later Frank concludes that they are somewhere in the tropics and Clemens asks “ He did n’t know it? ”( 8). |
| work_f7q5xalu7rc27eyfky4bn6a65u | As the Old Man in “ What is Man? ” remarks, “ Men make daily sacrifices for others, but it is for their own sake first. |
| work_f7q5xalu7rc27eyfky4bn6a65u | Clemens asks, “ Why wo n’t he? ”( 15). |
| work_f7q5xalu7rc27eyfky4bn6a65u | Clemens remarks: “ And you lay still? ”( 3). |
| work_f7q5xalu7rc27eyfky4bn6a65u | Could they do it in 50 seconds? |
| work_f7q5xalu7rc27eyfky4bn6a65u | Green again? ”( 56). |
| work_f7q5xalu7rc27eyfky4bn6a65u | Later, when Jack and Harry engage in some light banter the comment is “ Humor — at last? ”( 122). |
| work_f7q5xalu7rc27eyfky4bn6a65u | What is Man? |
| work_f7q5xalu7rc27eyfky4bn6a65u | When Frank says he ate a nut from a cocoa- palm Clemens asks “ How did he get it? ”( 21). |
| work_f7q5xalu7rc27eyfky4bn6a65u | When the narrator says “ one afternoon ” Clemens asks “ Which one? ”( 3). |
| work_yso5qcl6efcfdd4eyhjot4pdy4 | ''The what?'' |
| work_yso5qcl6efcfdd4eyhjot4pdy4 | ? |
| work_yso5qcl6efcfdd4eyhjot4pdy4 | ?'' |
| work_yso5qcl6efcfdd4eyhjot4pdy4 | ?'' |
| work_yso5qcl6efcfdd4eyhjot4pdy4 | Am I the only reader of ET old enough to have been taught that there is a difference in function between shall and will, between should and would? |
| work_yso5qcl6efcfdd4eyhjot4pdy4 | But in spite of what you''ve taught us What good has English brought us? |
| work_yso5qcl6efcfdd4eyhjot4pdy4 | Is there a case for''biguous''as a term of approbation for the increasingly rare instances of non- ambiguous usage? |
| work_yso5qcl6efcfdd4eyhjot4pdy4 | What about''pessimum''as the opposite of''the best, taking into account many conflicting factors''? |
| work_yso5qcl6efcfdd4eyhjot4pdy4 | • Don Manley of Oxford proposes the''half- way sound''ze(''inventing words is a fun game, so may I be allowed to play?''). |
| work_oc6752ffcbbuzcrojqq7pfgptm | Do you mean literally or figuratively? work_oc6752ffcbbuzcrojqq7pfgptm Do you think we are walking four miles an hour?" |
| work_oc6752ffcbbuzcrojqq7pfgptm | Do you wonder? work_oc6752ffcbbuzcrojqq7pfgptm ( Are not gardenstempting"places?) |
| work_oc6752ffcbbuzcrojqq7pfgptm | And when he has finally got her alone:"Do I astonish you? |
| work_oc6752ffcbbuzcrojqq7pfgptm | Are you not going to tell me so?" |
| work_oc6752ffcbbuzcrojqq7pfgptm | Could he deserve more and yet remain Henry Crawford as the novel has defined him? |
| work_oc6752ffcbbuzcrojqq7pfgptm | Is it saucy and impeni- tent, or is the nearest she can come to a gesture of apology and regret? |
| work_oc6752ffcbbuzcrojqq7pfgptm | Is it, even, the neurotic''s desperate plea to be understood and forgiven despite all his resistances? |
| work_oc6752ffcbbuzcrojqq7pfgptm | Is there any thing in my present intreaty that you do not understand? |
| work_oc6752ffcbbuzcrojqq7pfgptm | Mary inquires:"What gentleman among you am I to have the pleasure of making love to?" |
| work_oc6752ffcbbuzcrojqq7pfgptm | Was it part of your last sermon? |
| work_oc6752ffcbbuzcrojqq7pfgptm | What must be his sense of it now, therefore? |
| work_oc6752ffcbbuzcrojqq7pfgptm | What should Sir Thomas want you for? |
| work_oc6752ffcbbuzcrojqq7pfgptm | nineteen times out of twenty I am thinking how such a prayer ought to be read, and longing to have it to read myself- Did you speak?." |
| work_oc6752ffcbbuzcrojqq7pfgptm | stepping eagerly to Fanny, and addressing her in a softened voice; and upon her saying,"No,"he added,"Are you sure you did not speak? |
| work_xcqjpxf2gbcsxepp7dnte7eohy | But should it then include craft- produced paintings or sculptures? |
| work_xcqjpxf2gbcsxepp7dnte7eohy | H o w can one write a culturally fair account of the history of art? |
| work_xcqjpxf2gbcsxepp7dnte7eohy | Is n''t there an argument to be had over the question of quality and whether it can be written off as subjective preference? |
| work_xcqjpxf2gbcsxepp7dnte7eohy | Is there such a thing as the ideal art spectator? |
| work_xcqjpxf2gbcsxepp7dnte7eohy | O f course there w o u l d be a variety of response but w o u l d it be possible to arrive at a reasoned consensus rather than a vote? |
| work_xcqjpxf2gbcsxepp7dnte7eohy | Should the craft- produced decorations of M a o r i canoes stay, with Aboriginal paintings, i n ethnography museums? |
| work_xcqjpxf2gbcsxepp7dnte7eohy | Would n''t it be a good idea to give u p writing textbook histories of art altogether? |
| work_xcqjpxf2gbcsxepp7dnte7eohy | Would n''t it be a gross act of imperialism to extend the category of fine art into areas where it has not hitherto been used? |
| work_xcqjpxf2gbcsxepp7dnte7eohy | Would n''t writing a story of art be more like choosing a first eleven( cricket) rather than a top twenty( music)? |
| work_n7mkbm26tzd5pbibkg546fp5yu | 2008?, forthcoming. |
| work_n7mkbm26tzd5pbibkg546fp5yu | Beyond Romance: Re- reading the “ Lives ” of Lady Anne Halkett( 1621/2- 1699) Edinburgh Research Explorer Beyond Romance? |
| work_n7mkbm26tzd5pbibkg546fp5yu | Beyond Romance? |
| work_n7mkbm26tzd5pbibkg546fp5yu | Beyond Romance? |
| work_n7mkbm26tzd5pbibkg546fp5yu | Citation for published version: Trill, S 2009,''Beyond Romance? |
| work_n7mkbm26tzd5pbibkg546fp5yu | In King or Covenant? |
| work_n7mkbm26tzd5pbibkg546fp5yu | Lady Anne Halkett( 1621(?) |
| work_n7mkbm26tzd5pbibkg546fp5yu | Literature Compass, 6(2), 446- 459 doi: 10.1111/ j.1741- 4113.2008.00605.x Beyond Romance? |
| work_n7mkbm26tzd5pbibkg546fp5yu | Obedient Subjects? |
| work_zhean7744vbf7e36mmt6zfbodi | 5 narrow... all that interests in any character[ is this]: has he or she the money to marry with? |
| work_zhean7744vbf7e36mmt6zfbodi | How could I ever be foolish enough to expect a renewal of his love? |
| work_zhean7744vbf7e36mmt6zfbodi | It was because she valued her privacy and did not want people to interrupt her, saying “ Why do n’t you do this? ” which would be so tedious. |
| work_zhean7744vbf7e36mmt6zfbodi | She falls for a man in uniform, a soldier, and who has not fallen for a soldier who looks handsome? |
| work_zhean7744vbf7e36mmt6zfbodi | What could she mean by it? |
| work_zhean7744vbf7e36mmt6zfbodi | Who is going to be their prince and what will the actual wedding be like? |
| work_zhean7744vbf7e36mmt6zfbodi | “ Why must she be scampering about the country, because her sister had a cold? |
| work_t7xicvoqfvdmtpw2txapxg3yiq | 14 Immanuel Kant, ‘ What is Enlightenment ’? |
| work_t7xicvoqfvdmtpw2txapxg3yiq | 51 Crary, ‘ Does the Study of Literature Belong Within Moral Philosophy ’? |
| work_t7xicvoqfvdmtpw2txapxg3yiq | See ‘ What are the Modern Classics? |
| work_pa3u7hfkinft5ng25pnjdit6k4 | 1518- 1525] Who Is the Human in Human Rights? |
| work_pa3u7hfkinft5ng25pnjdit6k4 | 1577- 1584] Who Gets to Be Human on the Evening News? |
| work_pa3u7hfkinft5ng25pnjdit6k4 | 1596- 1597] Language Rights and Rights of Language"Where Are Human Rights...? |
| work_pa3u7hfkinft5ng25pnjdit6k4 | 1678- 1681] The Case of Lady Anne Clifford; Or, Did Women Have a Mixed Monarchy? |
| work_pa3u7hfkinft5ng25pnjdit6k4 | 1743- 1743] Shakespeare at Oxford? |
| work_pa3u7hfkinft5ng25pnjdit6k4 | How well is feminist criticism doing at what it does? |
| work_pa3u7hfkinft5ng25pnjdit6k4 | It would be absurd to argue that be cause what we teach does not produce direct political change?assigning Virginia Woolf sr o t& 3 a 1 ft*? |
| work_pa3u7hfkinft5ng25pnjdit6k4 | So what happened to the best of times in my tale of two feminisms? |
| work_pa3u7hfkinft5ng25pnjdit6k4 | The Child: What Sort of Human? |
| work_pa3u7hfkinft5ng25pnjdit6k4 | To answer that question, we need to distinguish among its diverse arenas of action, 1722? |
| work_pa3u7hfkinft5ng25pnjdit6k4 | To discuss feminist criticism''s role is thus to ask, What does femi nist criticism do? |
| work_pa3u7hfkinft5ng25pnjdit6k4 | What of the work to do? |
| work_pa3u7hfkinft5ng25pnjdit6k4 | X''? |
| work_blwurw4zrfhsxdt67wfqgjhqje | (..) Would we infer of such a person that he can not be courageous? |
| work_blwurw4zrfhsxdt67wfqgjhqje | 6 § 2.1 Character Traits and their Manifestations How is a character trait defined? |
| work_blwurw4zrfhsxdt67wfqgjhqje | But is this right? |
| work_blwurw4zrfhsxdt67wfqgjhqje | But is this right? |
| work_blwurw4zrfhsxdt67wfqgjhqje | Conclusion: Are character traits dispositions? |
| work_blwurw4zrfhsxdt67wfqgjhqje | Does this mean that Annie is heroic? |
| work_blwurw4zrfhsxdt67wfqgjhqje | If character traits are, as I have argued, characterised by Dependence, should we conclude that character traits are not really dispositions? |
| work_blwurw4zrfhsxdt67wfqgjhqje | Is this a good objection to Dependence? |
| work_blwurw4zrfhsxdt67wfqgjhqje | What are its typical manifestations? |
| work_blwurw4zrfhsxdt67wfqgjhqje | What explains the fact that opium has this power? |
| work_blwurw4zrfhsxdt67wfqgjhqje | as manifestations of a psychological disposition? |
| work_blwurw4zrfhsxdt67wfqgjhqje | ‘ Are Character Traits Dispositions? ’ Maria Alvarez Abstract 1. |
| work_blwurw4zrfhsxdt67wfqgjhqje | ‘ Are Character Traits Dispositions? ’. |
| work_pifuzo2cd5fvhjc3x5ypbqs7pu | Better to ask, why not? |
| work_pifuzo2cd5fvhjc3x5ypbqs7pu | But what is adaptation as a process and as a product? |
| work_pifuzo2cd5fvhjc3x5ypbqs7pu | But what might they be, and how are they to be inferred? ”( Stam 57). |
| work_pifuzo2cd5fvhjc3x5ypbqs7pu | But why is this adaptation so revered? |
| work_pifuzo2cd5fvhjc3x5ypbqs7pu | For what do we use social media, after all, but to make sport for our neighbors, and laugh at them in our turn? |
| work_pifuzo2cd5fvhjc3x5ypbqs7pu | Furthermore, “ the question of fidelity ignores the wider question: fidelity to what? |
| work_pifuzo2cd5fvhjc3x5ypbqs7pu | He does not change the story, the setting, or the pivotal plot elements, so what does he do? |
| work_pifuzo2cd5fvhjc3x5ypbqs7pu | How can one argue whether words or images have higher cultural value than the other, when they are simultaneously represented in one art form? |
| work_pifuzo2cd5fvhjc3x5ypbqs7pu | Is the filmmaker to be faithful to the plot in its every detail? |
| work_pifuzo2cd5fvhjc3x5ypbqs7pu | Rachel Brownstein argues, “ Why adapt Pride and Prejudice for the screen? |
| work_pifuzo2cd5fvhjc3x5ypbqs7pu | What makes it stand out from all the rest and occupy such a high pedestal? |
| work_pifuzo2cd5fvhjc3x5ypbqs7pu | [ …] Or is it to be faithful to the author ’s intentions? |
| work_pifuzo2cd5fvhjc3x5ypbqs7pu | “ How Much Do You Know About Video Games? ” Entertainment Software Rating Board. |
| work_sq2lpvpzcjh25he6jqjkx4cwvi | 32 If so, were her words “ I leave it to you ” in reference to more than the effects of the cold winter morning on her pen? |
| work_sq2lpvpzcjh25he6jqjkx4cwvi | But why should somebody Smyth deemed to be a “ fellow- struggler ” in 1921 not also be considered her colleague in 1940? |
| work_sq2lpvpzcjh25he6jqjkx4cwvi | Is nt the great artist the only person to tell the truth? |
| work_sq2lpvpzcjh25he6jqjkx4cwvi | Now why should nt you be not only the first woman to write an opera, but equally the first to tell the truths about herself? |
| work_sq2lpvpzcjh25he6jqjkx4cwvi | What if she should be a great composer? |
| work_sq2lpvpzcjh25he6jqjkx4cwvi | When was this, allowed, if so: and are they now musically,( as far as training goes) equal with the other sex? |
| work_sq2lpvpzcjh25he6jqjkx4cwvi | Who can blame her? |
| work_ujkkhe2adjeitna6aydnynnqmm | But in the humanities? |
| work_ujkkhe2adjeitna6aydnynnqmm | But in the humanities? |
| work_ujkkhe2adjeitna6aydnynnqmm | But in the humanities? |
| work_ujkkhe2adjeitna6aydnynnqmm | How does data work in other fields? |
| work_ujkkhe2adjeitna6aydnynnqmm | How does data work in other fields? |
| work_ujkkhe2adjeitna6aydnynnqmm | How does data work in other fields? |
| work_ujkkhe2adjeitna6aydnynnqmm | How does data work in other fields? |
| work_ujkkhe2adjeitna6aydnynnqmm | The finches? |
| work_ujkkhe2adjeitna6aydnynnqmm | The notes about the finches? |
| work_ujkkhe2adjeitna6aydnynnqmm | We ’ve been here before ● Solution? |
| work_ujkkhe2adjeitna6aydnynnqmm | What to do? |
| work_uvugdlgkvzg65nzwp2fpvt7doy | 06/04/21 3.53 http://creativecommons.org/licenses/by/4.0/ Katja Mihurko Poniž, Trivialno in/ ali sentimentalno? |
| work_uvugdlgkvzg65nzwp2fpvt7doy | 06/04/21 3.53 http://creativecommons.org/licenses/by/4.0/ Katja Mihurko Poniž, Trivialno in/ ali sentimentalno? |
| work_uvugdlgkvzg65nzwp2fpvt7doy | 06/04/21 3.53 http://creativecommons.org/licenses/by/4.0/ Katja Mihurko Poniž, Trivialno in/ ali sentimentalno? |
| work_uvugdlgkvzg65nzwp2fpvt7doy | 06/04/21 3.53 http://creativecommons.org/licenses/by/4.0/ Katja Mihurko Poniž, Trivialno in/ ali sentimentalno? |
| work_uvugdlgkvzg65nzwp2fpvt7doy | 06/04/21 3.53 http://creativecommons.org/licenses/by/4.0/ Katja Mihurko Poniž, Trivialno in/ ali sentimentalno? |
| work_uvugdlgkvzg65nzwp2fpvt7doy | 06/04/21 3.53 http://creativecommons.org/licenses/by/4.0/ Katja Mihurko Poniž, Trivialno in/ ali sentimentalno? |
| work_uvugdlgkvzg65nzwp2fpvt7doy | 06/04/21 3.53 http://creativecommons.org/licenses/by/4.0/ Katja Mihurko Poniž, Trivialno in/ ali sentimentalno? |
| work_uvugdlgkvzg65nzwp2fpvt7doy | 06/04/21 3.53 http://creativecommons.org/licenses/by/4.0/ Katja Mihurko Poniž, Trivialno in/ ali sentimentalno? |
| work_uvugdlgkvzg65nzwp2fpvt7doy | Ali dejstvo, da pisateljica teh zahtev ni uresničila, pomeni, da je njen roman trivialen? |
| work_uvugdlgkvzg65nzwp2fpvt7doy | Da ni imel nobenih umetniških am- bicij, da je bil namenjen zgolj zabavi za širši krog bralcev ali še bolj verjetno bralk? |
| work_uvugdlgkvzg65nzwp2fpvt7doy | Silvija BoroVnik, 1996: Pišejo ženske drugače? |
| work_uvugdlgkvzg65nzwp2fpvt7doy | Trivialno in/ ali sentimentalno? |
| work_uvugdlgkvzg65nzwp2fpvt7doy | UDK 821.163.6.09Pajk P. Katja Mihurko Poniž Fakulteta za humanistiko Univerze v Novi Gorici TRIVIALNO IN/ ALI SENTIMENTALNO? |
| work_uvugdlgkvzg65nzwp2fpvt7doy | Ursula Stohler, Released from Her Fetters? |
| work_eivylmgy4nattj3heys43mbn3e | Am I really like that? |
| work_eivylmgy4nattj3heys43mbn3e | But how great an element is acceptable or desirable? |
| work_eivylmgy4nattj3heys43mbn3e | But should we focus on text, or what is( haltingly and imperfectly) trying to be described? |
| work_eivylmgy4nattj3heys43mbn3e | Cases in reality What is the reality of this assertion? |
| work_eivylmgy4nattj3heys43mbn3e | D o w n lo a d e d fro m http://jme.bmj.com/ 48 Teaching medical ethics: Do studies of the nature of cases mislead about the reality of cases? |
| work_eivylmgy4nattj3heys43mbn3e | D o w n lo a d e d fro m http://jme.bmj.com/ 50 Teaching medical ethics: Do studies of the nature of cases mislead about the reality of cases? |
| work_eivylmgy4nattj3heys43mbn3e | How often do we find this happening, and in what sorts of ways or situations? |
| work_eivylmgy4nattj3heys43mbn3e | Journal ofMedical Ethics 1999;25:47- 50 Teaching medical ethics Do studies of the nature of cases mislead about the reality of cases? |
| work_eivylmgy4nattj3heys43mbn3e | Or do we? |
| work_eivylmgy4nattj3heys43mbn3e | So what about cases that they actually refer to? |
| work_eivylmgy4nattj3heys43mbn3e | That Professor Maclntyre is a flawed thinker? |
| work_eivylmgy4nattj3heys43mbn3e | That the reader wo n''t have noticed the slanted language, in 1999? |
| work_eivylmgy4nattj3heys43mbn3e | That women ca n''t tell stories? |
| work_eivylmgy4nattj3heys43mbn3e | The author present and the case tense? |
| work_eivylmgy4nattj3heys43mbn3e | The case accusative? |
| work_eivylmgy4nattj3heys43mbn3e | The case evocative? |
| work_eivylmgy4nattj3heys43mbn3e | What does this"sic"mean? |
| work_eivylmgy4nattj3heys43mbn3e | What sort of descriptions of participants''motiva- tions do we find in Pattison? |
| work_eivylmgy4nattj3heys43mbn3e | What sorts of language are being used and what are the implications? |
| work_eivylmgy4nattj3heys43mbn3e | Why did I write anonymously, and change my elderly friend''s name? |
| work_uzun33er6ng73kepfztelnv5gi | 11 media portray the offender( troll)? |
| work_uzun33er6ng73kepfztelnv5gi | 3) how do the media portray the victims of trolling? |
| work_uzun33er6ng73kepfztelnv5gi | 5) how do the media frame the victim ’s response to trolling? |
| work_uzun33er6ng73kepfztelnv5gi | 6) what advice do the media communicate to the public on how to respond to trolling? |
| work_uzun33er6ng73kepfztelnv5gi | 7) how do the media rationalise trolling on the part of the offender? |
| work_uzun33er6ng73kepfztelnv5gi | 8) how do they report on the role of external agencies including the authorities and social media corporations? |
| work_uzun33er6ng73kepfztelnv5gi | 9) how do the media report on the relationship between online abuse in the virtual world and its relationship to the offline world? |
| work_uzun33er6ng73kepfztelnv5gi | Having people rush to defend him however? |
| work_uzun33er6ng73kepfztelnv5gi | Our initial research questions were: 1) what forms of( online) abuse and behaviours are related to trolling in media reports? |
| work_uzun33er6ng73kepfztelnv5gi | When I post a pic of a person dissin me I ’m a bully? |
| work_uzun33er6ng73kepfztelnv5gi | “ Have You Come a Long Way, Baby? |
| work_uzun33er6ng73kepfztelnv5gi | “ How Could You Think That?!?! |
| work_uzun33er6ng73kepfztelnv5gi | “ How Could You Think That?!?! |
| work_uzun33er6ng73kepfztelnv5gi | “ Online Incivility or Sexual Harassment? |
| work_y2pjhnw3ordqnfocueooqtxlhi | And should he have married her if he would n’t have? |
| work_y2pjhnw3ordqnfocueooqtxlhi | But what does that matter now? |
| work_y2pjhnw3ordqnfocueooqtxlhi | How else could it be, that he should find himself lying in coin- spangled ice slosh, in America, embracing — of all people — his sister? |
| work_y2pjhnw3ordqnfocueooqtxlhi | How should I tell you anything? |
| work_y2pjhnw3ordqnfocueooqtxlhi | How would she breathe? |
| work_y2pjhnw3ordqnfocueooqtxlhi | How would she eat? |
| work_y2pjhnw3ordqnfocueooqtxlhi | How? |
| work_y2pjhnw3ordqnfocueooqtxlhi | In her chest? |
| work_y2pjhnw3ordqnfocueooqtxlhi | Or as if there were some obstruction … where? |
| work_y2pjhnw3ordqnfocueooqtxlhi | Then why “ golden ” but not “ silver ” or else? |
| work_y2pjhnw3ordqnfocueooqtxlhi | What else might she be keeping from him? |
| work_y2pjhnw3ordqnfocueooqtxlhi | What if we change free direct speech back to the past tense then? |
| work_y2pjhnw3ordqnfocueooqtxlhi | Where would she want to be buried? |
| work_y2pjhnw3ordqnfocueooqtxlhi | Would he have married her if he had known this would happen? |
| work_a3s54zpzyjdprmyzj2uf5wpjuu | 4 https://www.facebook.com/help/211926158839933#Why-can’t-I- add- someone- as- a- friend? |
| work_a3s54zpzyjdprmyzj2uf5wpjuu | 76 S. Kaliarnta 123 https://www.facebook.com/help/146466588759199%23How-do-I-add-a-friend? |
| work_a3s54zpzyjdprmyzj2uf5wpjuu | Are online friends completely anonymous or not? |
| work_a3s54zpzyjdprmyzj2uf5wpjuu | Are online friends those that have a friendship through e- mail? |
| work_a3s54zpzyjdprmyzj2uf5wpjuu | Can you see the real me? |
| work_a3s54zpzyjdprmyzj2uf5wpjuu | Do they also have offline interaction or are they only discussing friendships that purely take place online? |
| work_a3s54zpzyjdprmyzj2uf5wpjuu | How do I add a friend? |
| work_a3s54zpzyjdprmyzj2uf5wpjuu | How shall I compare thee? |
| work_a3s54zpzyjdprmyzj2uf5wpjuu | Is online friendship really such a cause for concern? |
| work_a3s54zpzyjdprmyzj2uf5wpjuu | Is the mode of interaction between online friends text- only or are voice and/or video online programs also used? |
| work_a3s54zpzyjdprmyzj2uf5wpjuu | Or are they those who have a friendship through social networking sites or online games? |
| work_a3s54zpzyjdprmyzj2uf5wpjuu | Relationship formation on the internet: What ’s the big attrac- tion? |
| work_a3s54zpzyjdprmyzj2uf5wpjuu | Retrieved from, https://www.facebook.com/ help/146466588759199#How- do- I- add- a- friend? |
| work_a3s54zpzyjdprmyzj2uf5wpjuu | What about the people we meet briefly offline( say, at a conference or during holidays) and then connect and con- tinue our contact online? |
| work_a3s54zpzyjdprmyzj2uf5wpjuu | Where would these friendships fall under? |
| work_a3s54zpzyjdprmyzj2uf5wpjuu | Why ca n’t I add someone as a friend? |
| work_a3s54zpzyjdprmyzj2uf5wpjuu | https://www.facebook.com/help/146466588759199%23How-do-I-add-a-friend? |
| work_a3s54zpzyjdprmyzj2uf5wpjuu | https://www.facebook.com/help/211926158839933%23Why-can''t-I-add-someone-as-a-friend? |
| work_a3s54zpzyjdprmyzj2uf5wpjuu | https://www.facebook.com/help/211926158839933%23Why-can''t-I-add-someone-as-a-friend? |
| work_6dyezrbwpvgpvhgxh2merino3e | ( And why, exactly, is it funny?) |
| work_6dyezrbwpvgpvhgxh2merino3e | ( Ask yourself: what ’s the difference?) |
| work_6dyezrbwpvgpvhgxh2merino3e | ( Have you bothered to buy a new book of road- maps within the last few years?) |
| work_6dyezrbwpvgpvhgxh2merino3e | ( What are some of the others?) |
| work_6dyezrbwpvgpvhgxh2merino3e | -- But how can that possibly happen? |
| work_6dyezrbwpvgpvhgxh2merino3e | And how is creativity possible? |
| work_6dyezrbwpvgpvhgxh2merino3e | And perhaps you ask yourself"I wonder what ’s round that corner?,"and drive round it to find out. |
| work_6dyezrbwpvgpvhgxh2merino3e | Artificial Explorers and Self- Transforming Machines What about exploratory creativity? |
| work_6dyezrbwpvgpvhgxh2merino3e | But would they be of any interest? |
| work_6dyezrbwpvgpvhgxh2merino3e | Can computers be creative? |
| work_6dyezrbwpvgpvhgxh2merino3e | Computer Creativity? |
| work_6dyezrbwpvgpvhgxh2merino3e | Could a scientific psychology help us to understand how creativity is possible? |
| work_6dyezrbwpvgpvhgxh2merino3e | Creativity and computers: what could these possibly have to do with one another? |
| work_6dyezrbwpvgpvhgxh2merino3e | How can that be explained? |
| work_6dyezrbwpvgpvhgxh2merino3e | It follows-- does n’t it? |
| work_6dyezrbwpvgpvhgxh2merino3e | Moreover, they change: who will proudly admit, today, to having worn a beehive hairdo or flared trousers in the 1960s? |
| work_6dyezrbwpvgpvhgxh2merino3e | Never mind who thought of the idea first: how did that person manage to come up with it, given that they had never thought of it before? |
| work_6dyezrbwpvgpvhgxh2merino3e | Or rather, can they at least appear to be creative? |
| work_6dyezrbwpvgpvhgxh2merino3e | Perhaps you accept at least one of those reasons for denying creativity to computers? |
| work_6dyezrbwpvgpvhgxh2merino3e | Rather than asking"Is that idea creative, Yes or No?,"we should ask"Just how creative is it, and in just which way(s)?" |
| work_6dyezrbwpvgpvhgxh2merino3e | What is Creativity? |
| work_6dyezrbwpvgpvhgxh2merino3e | What of the second link between machines and creativity? |
| work_6dyezrbwpvgpvhgxh2merino3e | What on earth can be going on? |
| work_6dyezrbwpvgpvhgxh2merino3e | What ’s the difference? |
| work_6dyezrbwpvgpvhgxh2merino3e | Would you refuse to say she was creative, just because the Bard said it first? |
| work_6dyezrbwpvgpvhgxh2merino3e | You want to do it? |
| work_t7hbdygu3nbxvfrhphsa3r266u | Acredita que a crítica pode ajudar a traduzir melhor? |
| work_t7hbdygu3nbxvfrhphsa3r266u | CT.: Como iniciou a sua trajetória como tradutor? |
| work_t7hbdygu3nbxvfrhphsa3r266u | CT.: Como você escolhe os metros em língua portuguesa para tra- duzir metros das línguas de você traduz poesia? |
| work_t7hbdygu3nbxvfrhphsa3r266u | CT.: Como você vê o papel da crítica atual sobre tradução? |
| work_t7hbdygu3nbxvfrhphsa3r266u | CT.: Entre métrica, significado e efeitos sonoros, a que elementos você atribui maior peso? |
| work_t7hbdygu3nbxvfrhphsa3r266u | CT.: Por que você traduz de várias línguas? |
| work_t7hbdygu3nbxvfrhphsa3r266u | CT.: Quais são os seus projetos atuais de tradução? |
| work_t7hbdygu3nbxvfrhphsa3r266u | CT.: Qual é, em sua opinião, o impacto da literatura traduzida na literatura brasileira hoje, em seus diferentes gêneros? |
| work_t7hbdygu3nbxvfrhphsa3r266u | CT.: Você acha que a tradução pode ser considerada uma instância de aprendizado para o escritor? |
| work_t7hbdygu3nbxvfrhphsa3r266u | CT.: Você acha que as teorias ajudam a traduzir melhor? |
| work_t7hbdygu3nbxvfrhphsa3r266u | CT.: Você costuma pedir para alguém revisar as suas traduções? |
| work_t7hbdygu3nbxvfrhphsa3r266u | CT.: Você costuma rever suas traduções por ocasião de novas edições? |
| work_t7hbdygu3nbxvfrhphsa3r266u | CT.: Você já traduziu textos técnicos? |
| work_t7hbdygu3nbxvfrhphsa3r266u | CT.: Você usa tradução de outras línguas para auxiliar na tradução de uma determinada obra e autor? |
| work_t7hbdygu3nbxvfrhphsa3r266u | De qual língua você prefere traduzir e por quê? |
| work_t7hbdygu3nbxvfrhphsa3r266u | Há de ser poeta para traduzir um poeta? |
| work_t7hbdygu3nbxvfrhphsa3r266u | Poderia expli- car melhor? |
| work_t7hbdygu3nbxvfrhphsa3r266u | Qual a sua ligação com o movimento surrealista? |
| work_t7hbdygu3nbxvfrhphsa3r266u | Qual autor lhe deu mais trabalho? |
| work_t7hbdygu3nbxvfrhphsa3r266u | Qual deles considera o mais difícil? |
| work_t7hbdygu3nbxvfrhphsa3r266u | Qual destas traduções você prefere? |
| work_t7hbdygu3nbxvfrhphsa3r266u | Se sim, quais os problemas deste gênero? |
| work_t7hbdygu3nbxvfrhphsa3r266u | Você segue alguma teoria? |
| work_t7hbdygu3nbxvfrhphsa3r266u | Walter Carlos Costa UFSC Cadernos de Tradução: Você traduz de vários gêneros? |
| work_zuiqzmfnrjeanljni6pmfyt26y | Confidences de Salon: Mina Gaga 94 Breathe| March 2016| Volume 12| No 1 What is your favourite scientific breakthrough from any field? |
| work_zuiqzmfnrjeanljni6pmfyt26y | How do you see the future of the ERS? |
| work_zuiqzmfnrjeanljni6pmfyt26y | Is this question about trips or life? |
| work_zuiqzmfnrjeanljni6pmfyt26y | Over the next 5 years and longer? |
| work_zuiqzmfnrjeanljni6pmfyt26y | What advice would you give someone at the beginning of their professional career? |
| work_zuiqzmfnrjeanljni6pmfyt26y | What brought you to medical research/ healthcare? |
| work_zuiqzmfnrjeanljni6pmfyt26y | What do you consider to be your strengths and weaknesses? |
| work_zuiqzmfnrjeanljni6pmfyt26y | What do you consider your greatest achievement? |
| work_zuiqzmfnrjeanljni6pmfyt26y | What do you foresee being the next great thing and what do you foresee as being the biggest challenge in your field in the next 10 years? |
| work_zuiqzmfnrjeanljni6pmfyt26y | What has been the greatest change to make a difference in your field in your lifetime? |
| work_zuiqzmfnrjeanljni6pmfyt26y | What is or was your greatest journey? |
| work_zuiqzmfnrjeanljni6pmfyt26y | What is the best advice you had when you were starting your professional career? |
| work_zuiqzmfnrjeanljni6pmfyt26y | What qualities do you appreciate most in your colleagues? |
| work_zuiqzmfnrjeanljni6pmfyt26y | What qualities do you appreciate most in your friends? |
| work_zuiqzmfnrjeanljni6pmfyt26y | Where would you most like to live? |
| work_zuiqzmfnrjeanljni6pmfyt26y | Who are your favourite authors? |
| work_zuiqzmfnrjeanljni6pmfyt26y | Whom would you most like to thank? |
| work_tbhzy7ji4zhqhac6sz66cico2i | But in the Humanities? |
| work_tbhzy7ji4zhqhac6sz66cico2i | But in the humanities? |
| work_tbhzy7ji4zhqhac6sz66cico2i | But in the humanities? |
| work_tbhzy7ji4zhqhac6sz66cico2i | But in the humanities? |
| work_tbhzy7ji4zhqhac6sz66cico2i | But in the humanities? |
| work_tbhzy7ji4zhqhac6sz66cico2i | FORCE11( 2014): http://bit.ly/IITGN-FAIR FAIR Data Bosman and Kramer 2016 FAIR Humanities? |
| work_tbhzy7ji4zhqhac6sz66cico2i | How does data work in other fields? |
| work_tbhzy7ji4zhqhac6sz66cico2i | How does data work in other fields? |
| work_tbhzy7ji4zhqhac6sz66cico2i | How does data work in other fields? |
| work_tbhzy7ji4zhqhac6sz66cico2i | Questions to ask yourself ● Are my data findable? |
| work_tbhzy7ji4zhqhac6sz66cico2i | Questions to ask yourself ● Are my data findable? |
| work_tbhzy7ji4zhqhac6sz66cico2i | Questions to ask yourself ● Are my data findable? |
| work_tbhzy7ji4zhqhac6sz66cico2i | The finches? |
| work_tbhzy7ji4zhqhac6sz66cico2i | The notes about the finches? |
| work_tbhzy7ji4zhqhac6sz66cico2i | We ’ve been here before ● Solution? |
| work_tbhzy7ji4zhqhac6sz66cico2i | What can I do? |
| work_tbhzy7ji4zhqhac6sz66cico2i | ● Are my data accessible? |
| work_tbhzy7ji4zhqhac6sz66cico2i | ● Are my data accessible? |
| work_tbhzy7ji4zhqhac6sz66cico2i | ● Are my data accessible? |
| work_tbhzy7ji4zhqhac6sz66cico2i | ● Are my data interoperable? |
| work_tbhzy7ji4zhqhac6sz66cico2i | ● Are my data interoperable? |
| work_tbhzy7ji4zhqhac6sz66cico2i | ● Are my data reusable? |
| work_zya4s6pigrbrdh5ha66unqp3hu | Have I missed something? |
| work_zya4s6pigrbrdh5ha66unqp3hu | How does data work in other fields? |
| work_zya4s6pigrbrdh5ha66unqp3hu | How does data work in other fields? |
| work_zya4s6pigrbrdh5ha66unqp3hu | How does data work in other fields? |
| work_zya4s6pigrbrdh5ha66unqp3hu | How then do you proceed? |
| work_zya4s6pigrbrdh5ha66unqp3hu | So what have I been doing here? |
| work_zya4s6pigrbrdh5ha66unqp3hu | The finches? |
| work_zya4s6pigrbrdh5ha66unqp3hu | The notes about the finches? |
| work_zya4s6pigrbrdh5ha66unqp3hu | editions? |
| work_zya4s6pigrbrdh5ha66unqp3hu | ○ Hypotheses rather than these s? |
| work_zya4s6pigrbrdh5ha66unqp3hu | ○ Questions of sampling practice and bias ○ Lab books? |
| work_zya4s6pigrbrdh5ha66unqp3hu | ○ Report null results? |
| work_zya4s6pigrbrdh5ha66unqp3hu | ○ Requirement to share data protocols? |
| work_zya4s6pigrbrdh5ha66unqp3hu | ○ Requirement to share raw data? |
| work_zya4s6pigrbrdh5ha66unqp3hu | ● New forms of data introduce new types of techniques and questions: ○ Falsification as standard of proof? |
| work_mdqot5kqfjcyhaukptecuhjksu | 3.8±.5 3.8±.8 N/ A 3.9±.6 Q5 Overall, are you satisfied with the system? |
| work_mdqot5kqfjcyhaukptecuhjksu | 4 3.8±.4 3.4±1.3 3.8±1.1 Q3 How easy was it to obtain the infor- mation you wanted? |
| work_mdqot5kqfjcyhaukptecuhjksu | 4.1±.6 4±.9 3.3±1.6 3.1±1.4 Q7 Was the pace of interaction with the system appropriate? |
| work_mdqot5kqfjcyhaukptecuhjksu | 4.3±.5 3.8±.8 4.1±1 4.3±.7 Q2 Do you think the system understood what you asked? |
| work_mdqot5kqfjcyhaukptecuhjksu | 4.5±.5 4.3±.5 3.7±1.2 3.8±1.2 Q6 Do you think you would use this sys- tem again? |
| work_mdqot5kqfjcyhaukptecuhjksu | 4±.8 3.7±.8 3.9±1.1 3.7±1 Q4 Was it easy to reformulate your questions when you were invited to? |
| work_mdqot5kqfjcyhaukptecuhjksu | Consider the exchange: User: “ When was Shakespeare born? ”, System: “ In 1564. ”, User: “ Where? ”. |
| work_mdqot5kqfjcyhaukptecuhjksu | Consider the exchange: User: “ When was Shakespeare born? ”, System: “ In 1564. ”, User: “ Where? ”. |
| work_mdqot5kqfjcyhaukptecuhjksu | N/ A 3.5±.5 3.2±1.2 3.3±1.2 Q8 How often was the system slow in re- plying? |
| work_mdqot5kqfjcyhaukptecuhjksu | Q1 Did you get all the information you wanted using the system? |
| work_mdqot5kqfjcyhaukptecuhjksu | Q8 How often was the system slow in replying to you? |
| work_mdqot5kqfjcyhaukptecuhjksu | Q9 Which version of the system did you prefer and why? |
| work_mdqot5kqfjcyhaukptecuhjksu | User: “ What is a thermometer? ”, System: “ The answers are. |
| work_mdqot5kqfjcyhaukptecuhjksu | “ Can I help you further? ”). |
| work_mdqot5kqfjcyhaukptecuhjksu | “ I need information about Shakespeare ”) would trigger the template:< template> Is that a question you want me to look up? |
| work_3pqr6aaweraornkrcxqnd2bdwq | All this being said, what do we focus on if not fidelity? |
| work_3pqr6aaweraornkrcxqnd2bdwq | And, how does it go about this? |
| work_3pqr6aaweraornkrcxqnd2bdwq | Are you not Indian anymore? ” Kohli is made ridiculous by his rejection of his own heritage, in favor of an American one. |
| work_3pqr6aaweraornkrcxqnd2bdwq | Bluestone also asks some important questions like: should a film be faithful, and to what exactly? |
| work_3pqr6aaweraornkrcxqnd2bdwq | Can it be done at all? |
| work_3pqr6aaweraornkrcxqnd2bdwq | Can this literal definition really do justice to such a complicated pursuit? |
| work_3pqr6aaweraornkrcxqnd2bdwq | How is a novel adapted into a film? |
| work_3pqr6aaweraornkrcxqnd2bdwq | How will they show visually what the author has only been able do with words? |
| work_3pqr6aaweraornkrcxqnd2bdwq | If we do not acknowledge the source text, what is to set an adaptation apart from any other film? |
| work_3pqr6aaweraornkrcxqnd2bdwq | Is fidelity to the source of the utmost importance? |
| work_3pqr6aaweraornkrcxqnd2bdwq | Is it necessary at all? |
| work_3pqr6aaweraornkrcxqnd2bdwq | Is this phenomenon a “ representation of crass commercialism or high minded respect for literary works? ”( McFarlane 7). |
| work_3pqr6aaweraornkrcxqnd2bdwq | Jane Austen? |
| work_3pqr6aaweraornkrcxqnd2bdwq | Linda Hutcheon asks, “ are some kinds of stories and their words more easily adaptable than others? ”( 15). |
| work_3pqr6aaweraornkrcxqnd2bdwq | Or, can the way the novel is narrated( such as first person) be adequately conveyed in a film? |
| work_3pqr6aaweraornkrcxqnd2bdwq | Or, should they alter the material to fit their own cultural situation? |
| work_3pqr6aaweraornkrcxqnd2bdwq | Should they attempt to match that particular place and time? |
| work_3pqr6aaweraornkrcxqnd2bdwq | So, if adaptation implies change, why does it create such controversy? |
| work_3pqr6aaweraornkrcxqnd2bdwq | So, if adaptations fall under such critical scrutiny, why does the practice continue to be so popular? |
| work_3pqr6aaweraornkrcxqnd2bdwq | So, these adaptations are financially lucrative, but what is the appeal for the spectator? |
| work_3pqr6aaweraornkrcxqnd2bdwq | The Cinematographer? |
| work_3pqr6aaweraornkrcxqnd2bdwq | The Director? |
| work_3pqr6aaweraornkrcxqnd2bdwq | The Editor? |
| work_3pqr6aaweraornkrcxqnd2bdwq | The Screenwriter? |
| work_3pqr6aaweraornkrcxqnd2bdwq | They must show faithfulness to the source, or, as Boyum states, “ why bother using it at all? ”( 70). |
| work_3pqr6aaweraornkrcxqnd2bdwq | We do not judge organisms for adapting to suit their environment, so why should we criticize stories for doing the same thing? |
| work_3pqr6aaweraornkrcxqnd2bdwq | What is it about this novel, these characters and these themes that speak to so many, almost two hundred years after its initial publication? |
| work_3pqr6aaweraornkrcxqnd2bdwq | What is it in these novels that allows them to be so easily lent to a filmic representation? |
| work_3pqr6aaweraornkrcxqnd2bdwq | What is it that the 1995 adaptation is trying to tell viewers? |
| work_3pqr6aaweraornkrcxqnd2bdwq | Who is the author? |
| work_3pqr6aaweraornkrcxqnd2bdwq | Who will play our favorite character? |
| work_3pqr6aaweraornkrcxqnd2bdwq | Why adapt if you are n’t planning on using the outline of the source material to shape your text? |
| work_3pqr6aaweraornkrcxqnd2bdwq | Why are American audiences interested in these English literary figures and these English narratives? |
| work_3pqr6aaweraornkrcxqnd2bdwq | Why do we watch these types of films over and over again? |
| work_3pqr6aaweraornkrcxqnd2bdwq | Why, then, does the adaptation of literature to film yield results that are so often hostile? |
| work_3pqr6aaweraornkrcxqnd2bdwq | in Dole 2007; 1), before even mentioning Austen? |
| work_3pqr6aaweraornkrcxqnd2bdwq | “ Janeite culture: what does the name ‘ Jane Austen ’ authorize? ” J Austen on Screen. |
| work_3pqr6aaweraornkrcxqnd2bdwq | “ Style over Substance? |
| work_3pqr6aaweraornkrcxqnd2bdwq | “ What are men to rocks and mountains? |
| work_ftjw4eypdbfb7e534xhf5y2nae | ( E, 8 6 0- 8 6 1) And for what do her superior i n t e l l i g e n c e and admirable education q u a l i f y her? |
| work_ftjw4eypdbfb7e534xhf5y2nae | ( E,? 63. |
| work_ftjw4eypdbfb7e534xhf5y2nae | ( PP, 4l?) |
| work_ftjw4eypdbfb7e534xhf5y2nae | 2 Jane Austen: F a c t s and Problems( Oxford: The Clarendon Press, 194.9),?. |
| work_ftjw4eypdbfb7e534xhf5y2nae | 41"An Essay on Comedy,"p. 15• 42 Sypher,"Appendix"to Comedy, p. 24?. |
| work_ftjw4eypdbfb7e534xhf5y2nae | And what i s less desirable to the average male than the threat to his vanity constituted by an educated woman? |
| work_ftjw4eypdbfb7e534xhf5y2nae | And, as- Elizabeth Bennet at one point i r o n i c a l l y inquires,"''Is not general i n c i v i l i t y the very essence of love? |
| work_ftjw4eypdbfb7e534xhf5y2nae | Are not many of the problems raised i n the great tragedies solved i n the great comedies? |
| work_ftjw4eypdbfb7e534xhf5y2nae | Are you sure they are a l l horrid?''" |
| work_ftjw4eypdbfb7e534xhf5y2nae | For any position whatever through which her talents might benefit society?. |
| work_ftjw4eypdbfb7e534xhf5y2nae | For eventual admission to the bar? |
| work_ftjw4eypdbfb7e534xhf5y2nae | For how can morality be defined, i f not in terms of the welfare of the group? |
| work_ftjw4eypdbfb7e534xhf5y2nae | For l e c t u r i n g i n a university? |
| work_ftjw4eypdbfb7e534xhf5y2nae | For the pursuit of medicine which, i n those days, was not a highly prestigious profession? |
| work_ftjw4eypdbfb7e534xhf5y2nae | How much more must an imaginist, l i k e herself, be on f i r e with speculation and foresight? |
| work_ftjw4eypdbfb7e534xhf5y2nae | Is not the c r i s i s l u r i d l y overstated i n Lear and met with greater insight i n the figures of Henry IV, Hal, Hotspur, and F a l s t a f f? |
| work_ftjw4eypdbfb7e534xhf5y2nae | It i s understandable that, at t h i s point, Catherine has nothing to contribute to the conversation — but Eleanor? |
| work_ftjw4eypdbfb7e534xhf5y2nae | Meredith, The Egoist, p. 202.? |
| work_ftjw4eypdbfb7e534xhf5y2nae | My Emma, does not everything serve to prove more and more the beauty of truth and s i n c e r i t y i n a l l our dealings with each other?''" |
| work_ftjw4eypdbfb7e534xhf5y2nae | My i t a l i c s) When Henry asks her,"''Does our education prepare us for such a t r o c i t i e s?'' |
| work_ftjw4eypdbfb7e534xhf5y2nae | Well may i t be doubted; for, had I r e a l l y loved, could I have s a c r i f i c e d my feelings to vanity, to avarice? |
| work_ftjw4eypdbfb7e534xhf5y2nae | What i s t h i s but a take i n?" |
| work_ftjw4eypdbfb7e534xhf5y2nae | are they a l l horrid? |
| work_ftjw4eypdbfb7e534xhf5y2nae | or, what i s more, could I have s a c r i f i c e d hers? |
| work_ftjw4eypdbfb7e534xhf5y2nae | the tallest i s Isabella, my eldest; i s not she a fine young woman? |
| work_ftjw4eypdbfb7e534xhf5y2nae | without f e e l i n g that circumstances had been at work to make them p e c u l i a r l y i n t e r e s t i n g to each other? |
| work_s3ofvt733vdfllyn4ivmfg7sba | ( and what are the dangers of lapsing into prettified costume drama?) |
| work_s3ofvt733vdfllyn4ivmfg7sba | And how do monstrous bodies unsettle social norms, and why are they so fascinating? |
| work_s3ofvt733vdfllyn4ivmfg7sba | And if so, how might it be gendered? |
| work_s3ofvt733vdfllyn4ivmfg7sba | Does it under- represent the person who deliberately, self- consciously deploys it — or is it the ultimate manifestation of selfhood? |
| work_s3ofvt733vdfllyn4ivmfg7sba | Does style have a human face? |
| work_s3ofvt733vdfllyn4ivmfg7sba | How best to convey a distinct narrative voice — especially when, like Austen ’s, it is an ironic one? |
| work_s3ofvt733vdfllyn4ivmfg7sba | How in this respect does free indirect discourse func- tion? |
| work_s3ofvt733vdfllyn4ivmfg7sba | To engage in “ bad habits ”? |
| work_s3ofvt733vdfllyn4ivmfg7sba | What does it mean to pos- sess beauty? |
| work_s3ofvt733vdfllyn4ivmfg7sba | What, Miller debates with himself, is “ Style ”? |
| work_s3ofvt733vdfllyn4ivmfg7sba | When does a criminal intent become a criminal act? ”( p. 90). |
| work_s3ofvt733vdfllyn4ivmfg7sba | cultural historians? |
| work_s3ofvt733vdfllyn4ivmfg7sba | cultural theo- rists? |
| work_s3ofvt733vdfllyn4ivmfg7sba | “ If periods are cognitive tools, ” Clayton asks, what kind of knowledge do they yield? |
| work_b7uux4plcveufkridfyrfswp4y | ''Why do you not speak my Laura? work_b7uux4plcveufkridfyrfswp4y No sentiment superior to strong esteem and l i v e l y friendship": does Jane Austen then not believe i n love? |
| work_b7uux4plcveufkridfyrfswp4y | What could I do? work_b7uux4plcveufkridfyrfswp4y ( Sense and S e n s i b i l i t y, p. 361) 5 What of the most romantic union i n Jane Austen''s novels? work_b7uux4plcveufkridfyrfswp4y ( p. 332) Is a passionate heart one which speaks withexpression"? |
| work_b7uux4plcveufkridfyrfswp4y | ( p. 68) What reaction i s Captain Wentworth suppressing? |
| work_b7uux4plcveufkridfyrfswp4y | 1"''And what, we may ask, constitutes"a passionate heart"? |
| work_b7uux4plcveufkridfyrfswp4y | And why i s i t censured? |
| work_b7uux4plcveufkridfyrfswp4y | Are we to recognize only those passions which are vociferously expressed? |
| work_b7uux4plcveufkridfyrfswp4y | But one can not help thinking — and did Jane Austen mean us to think i t? |
| work_b7uux4plcveufkridfyrfswp4y | But what do the terms imply as to the character of the man selected to be her husband? |
| work_b7uux4plcveufkridfyrfswp4y | CHAPTER I I I CUPID DETHRONED BY MAMMON? |
| work_b7uux4plcveufkridfyrfswp4y | CHAPTER I"WHO EVER LOVED THAT LOVED NOT AT FIRST SIGHT?" |
| work_b7uux4plcveufkridfyrfswp4y | Can you not conceive the Luxury of l i v i n g i n every distress that Poverty can i n f l i c t, with the object of your tenderest affection?" |
| work_b7uux4plcveufkridfyrfswp4y | Come, what i s your competence?" |
| work_b7uux4plcveufkridfyrfswp4y | Could there be f i n e r symptoms? |
| work_b7uux4plcveufkridfyrfswp4y | Does i t appear impossible to your v i l e and corrupted Palate, to exist on Love? |
| work_b7uux4plcveufkridfyrfswp4y | Has Willoughby given any tangible proof of love for Marianne? |
| work_b7uux4plcveufkridfyrfswp4y | I t''s a mild joke to be sure — but why did she f e e l i t necessary to joke?" |
| work_b7uux4plcveufkridfyrfswp4y | Is he a man of fortune?" |
| work_b7uux4plcveufkridfyrfswp4y | Is inarticulateness to be taken as proof of lack of feeling? |
| work_b7uux4plcveufkridfyrfswp4y | Is not general i n c i v i l i t y the very essence of love?" |
| work_b7uux4plcveufkridfyrfswp4y | Is the man who speaks most loudly of his love to be taken at his word as feeling most? |
| work_b7uux4plcveufkridfyrfswp4y | John Dashwood begins:"Who i s Colonel Brandon? |
| work_b7uux4plcveufkridfyrfswp4y | Judith Anderson 0403603 I I I TABLE OF CONTENTS page INTRODUCTION.... 1 CHAPTER I"Whoever loved that loved not at f i r s t sight?" |
| work_b7uux4plcveufkridfyrfswp4y | Marianne inquires,"What have wealth or grandeur to do with happiness?" |
| work_b7uux4plcveufkridfyrfswp4y | Sensitive to what? |
| work_b7uux4plcveufkridfyrfswp4y | So might the reader be, for should not a creature of such quivering s e n s i b i l i t y as Marianne have been able to discern Elinor''s torment? |
| work_b7uux4plcveufkridfyrfswp4y | This assertion i s hotly denied by Edward, who asks,"And did you then never f e e l the pleasing Pangs of Love, Augusta? |
| work_b7uux4plcveufkridfyrfswp4y | Who would not have a moment of chagrin upon discovering that he/ she had rejected something quite extraordinary? |
| work_b7uux4plcveufkridfyrfswp4y | and goes on to inquire"And pray, what i s the usual price of an Earl''s younger son? |
| work_b7uux4plcveufkridfyrfswp4y | insensible of any change i n those who walk under your shade!—But who w i l l remain to enjoy you?" |
| work_b7uux4plcveufkridfyrfswp4y | romantic plays l i v e i n an atmos- phere of ingenuity and make- believe"47 CHAPTER I I I Cupid Dethroned by Mammon? |
| work_b7uux4plcveufkridfyrfswp4y | was not more useful and to the purpose than the outpouring of any mere sentiment could be? |
| work_b7uux4plcveufkridfyrfswp4y | what are you talking of? |
| work_b7uux4plcveufkridfyrfswp4y | what do you mean? |
| work_b7uux4plcveufkridfyrfswp4y | why did Jane Austen f e e l i t necessary to c a l l the beloved an object? |
| work_b7uux4plcveufkridfyrfswp4y | — what i s Miss Morton to us?—who knows, or who cares, for h e r? |
| work_ieeubskgiza3jpqq23mginctbu | 0.06 L 0.06 L 0.53 Which person would you prefer to marry? |
| work_ieeubskgiza3jpqq23mginctbu | 0.06L 0.6 0.34 L Which person would have sex with more individuals over her lifetime? |
| work_ieeubskgiza3jpqq23mginctbu | 0.08L 0.44 0.44 Which person would be more likely to have an affair( cheat on her mate)? |
| work_ieeubskgiza3jpqq23mginctbu | 0.16L 0.44 0.4 Which person would be better with children? |
| work_ieeubskgiza3jpqq23mginctbu | 0.26L 0.38 0.3 L With which person would men prefer to have an affair with( cheat on mate with)? |
| work_ieeubskgiza3jpqq23mginctbu | 0.50 0.5 0.53 Which person would be more likely to have an affair( cheat on you)? |
| work_ieeubskgiza3jpqq23mginctbu | 0.53 0.76 0.50 Which person would you prefer to go with on a formal date? |
| work_ieeubskgiza3jpqq23mginctbu | 0.61 0.41 0.52 Which person do you think men would prefer to go with on a formal date? |
| work_ieeubskgiza3jpqq23mginctbu | 0.75 M 0.75 M 0.50 Which person would you prefer to see engaged to your imaginary 25-year- old son? |
| work_ieeubskgiza3jpqq23mginctbu | 0.86 M 0.46 0.42 With which person would you think men would prefer to have sexual relations with? |
| work_ieeubskgiza3jpqq23mginctbu | 0.89 M 0.89 M 0.5 Which person would your parent(s) prefer you to marry? |
| work_ieeubskgiza3jpqq23mginctbu | 0.92 M 0.39 0.7 M Which person would you prefer to see engaged to your imaginary 25-year old son? |
| work_ieeubskgiza3jpqq23mginctbu | 0.92 M 0.92 M 0.36 Which person would make a better mother? |
| work_ieeubskgiza3jpqq23mginctbu | 0.92 M 0.92 M 0.5 With whom would a romantic relationship last longer? |
| work_ieeubskgiza3jpqq23mginctbu | 0.94 M 0.36 0.74 M Which person would make a better mother? |
| work_ieeubskgiza3jpqq23mginctbu | 0.97 M 0.96 M 0.72 M With which person would you prefer to have sexual relations? |
| work_ieeubskgiza3jpqq23mginctbu | 323 attracted to? |
| work_ieeubskgiza3jpqq23mginctbu | DRAW 0.42 DRAW-0.56 L* 0.45 To what extent would like to form a short- term relationship with this person? |
| work_ieeubskgiza3jpqq23mginctbu | DRAW 2.02 DRAW-0.13 DRAW-0.98 How likely is this person to form and maintain a good career? |
| work_ieeubskgiza3jpqq23mginctbu | M 2.81 DRAW-0.04 DRAW-0.24 How well do you think you would get along well with this person? |
| work_ieeubskgiza3jpqq23mginctbu | M 3.55 DRAW-0.64 DRAW-0.26 How comfortable would you be with this person accompanying your boyfriend on a three- week trip to another city? |
| work_ieeubskgiza3jpqq23mginctbu | M 3.66 DRAW-0.27 DRAW-0.1 To what extent would this person be able to form a long- term committed relationship? |
| work_ieeubskgiza3jpqq23mginctbu | M 3.66 DRAW-0.36 DRAW-0.33 To what extent do you think this person would like you? |
| work_ieeubskgiza3jpqq23mginctbu | M 3.72 DRAW-0.96 DRAW-0.17 How well do the personality characteristics described in this passage describe you? |
| work_ieeubskgiza3jpqq23mginctbu | M# 0.81 DRAW*-1.2 M*-2.12 How well do you think you would get along well with this person? |
| work_ieeubskgiza3jpqq23mginctbu | M# 2.03 DRAW 0 DRAW*-1.85 How well do the personality characteristics described in this passage describe a woman you would be attracted to? |
| work_ieeubskgiza3jpqq23mginctbu | M# 2.42 DRAW-0.28 DRAW-1.39 To what extent do you think this person would like you? |
| work_ieeubskgiza3jpqq23mginctbu | M# 2.84 DRAW 0.84 DRAW-0.88 How likely do you think you would be to hook- up( sexually) with this person for a one- night stand? |
| work_ieeubskgiza3jpqq23mginctbu | M* 1.21 DRAW-0.56 DRAW-0.12 To what extent would you like to form a long- term committed relationship with this person? |
| work_ieeubskgiza3jpqq23mginctbu | To what extent do you think you would like this person? |
| work_ieeubskgiza3jpqq23mginctbu | To what extent do you think you would like this person? |
| work_4up7de24rjdfravhatdex3cjye | ( Deleuze and Guattari, what is Philosophy? |
| work_4up7de24rjdfravhatdex3cjye | 8. despite this great length of time that he devotes to his toilet, stanley emerges and announces, “ have not I been very quick? |
| work_4up7de24rjdfravhatdex3cjye | Gender in English Society, 1650–1850: The Emergence of Separate Spheres? |
| work_4up7de24rjdfravhatdex3cjye | In classic austenian style, she questions, “ who can be in doubt of what followed? |
| work_4up7de24rjdfravhatdex3cjye | Is it impos- sible to —? |
| work_4up7de24rjdfravhatdex3cjye | What Is Philosophy? |
| work_4up7de24rjdfravhatdex3cjye | What Makes a Man? |
| work_4up7de24rjdfravhatdex3cjye | and suppose you were to dance with me too? ”( 209). |
| work_4up7de24rjdfravhatdex3cjye | and to arrive with some degree of hope? |
| work_4up7de24rjdfravhatdex3cjye | austen narrates the scene carefully: “ maria gave edmund a glance, which meant, ‘ what say you now? |
| work_4up7de24rjdfravhatdex3cjye | can you not conceive the luxury of living in every distress that Poverty can inflict, with the object of your tenderest affection? ”( 82). |
| work_4up7de24rjdfravhatdex3cjye | darcy––Really? |
| work_4up7de24rjdfravhatdex3cjye | does it appear impossible to your vile and corrupted Palate, to exist on love? |
| work_4up7de24rjdfravhatdex3cjye | ernest renan, in his canoni- cal “ what Is a nation?, ” points out that “ a nation is a soul, a spiritual prin- ciple. |
| work_4up7de24rjdfravhatdex3cjye | from whence do they come? |
| work_4up7de24rjdfravhatdex3cjye | have you not received my letters? |
| work_4up7de24rjdfravhatdex3cjye | how were they bred? |
| work_4up7de24rjdfravhatdex3cjye | only to gay- street, or farther up the town? ” wentworth promptly responds, “ I hardly know ”( 226). |
| work_4up7de24rjdfravhatdex3cjye | she aggressively questioned, “ what do you mean by inbred sentiments? |
| work_4up7de24rjdfravhatdex3cjye | since such, sir, is my character, what do you mean by wishing me to marry your daughter? |
| work_4up7de24rjdfravhatdex3cjye | sir thomas ’s look implied, ‘ on your judgment, edmund, I depended; what have you been about? ’ ”( 166). |
| work_4up7de24rjdfravhatdex3cjye | the only question is how? ”( 384). |
| work_4up7de24rjdfravhatdex3cjye | what do you think of it, miss morland? |
| work_4up7de24rjdfravhatdex3cjye | when he returns from his exhilarating outing, he inquires, “ But where is fanny?—Is she gone to bed? ”( 64). |
| work_4up7de24rjdfravhatdex3cjye | when will you reward me with Yourself? ”( 80). |
| work_4up7de24rjdfravhatdex3cjye | will you not shake hands with me? ”( 152). |
| work_4up7de24rjdfravhatdex3cjye | willoughby, what is the meaning of this? |
| work_4up7de24rjdfravhatdex3cjye | “ Lady Susan: sport or cinderella? ” In Jane Austen ’s Beginnings: The Juvenilia and lady susan, edited by J. david grey, 205–14. |
| work_4up7de24rjdfravhatdex3cjye | “ Pride and Prejudice: conservative or liberal novel––or Both? |
| work_4up7de24rjdfravhatdex3cjye | “ the church in Mansfield Park: a serious call? ” Sydney Studies in English 12( 1986–87): 36–55. |
| work_4up7de24rjdfravhatdex3cjye | “ what Is a nation? ” In Becoming National: A Reader, edited by geoff eley and ronald grigor suny, 42–55. |
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