This is a list of all the questions and their associated study carrel identifiers. One can learn a lot of the "aboutness" of a text simply by reading the questions.
| identifier | question |
|---|---|
| 22475 | A far, was- it- audible scream, Or did it sound on the plasm direct? |
| 22475 | Are you able to wonder? |
| 22475 | Do you wonder at the world, as slowly you turn your head in its wimple And look with laconic, black eyes? |
| 22475 | Does he look for a companion? |
| 22475 | Does she know As she moves eternally slowly away? |
| 22475 | He does not even trouble to answer:"Woman, what have I to do with thee?" |
| 22475 | Or is he driven against her with a bang, like a bird flying in the dark against a window, All knowledgeless? |
| 22475 | Or is sleep coming over you again, The non- life? |
| 22475 | The silken shriek of the soul''s torn membrane? |
| 22475 | War- cry, triumph, acute- delight, death- scream reptilian, Why was the veil torn? |
| 22475 | What can he do? |
| 22475 | Whither away, brisk egg? |
| 22475 | Whither away, small bird? |
| 22475 | Why were we crucified into sex? |
| 22475 | Why were we not left rounded off, and finished in ourselves, As we began, As he certainly began, so perfectly alone? |
| 22734 | After many days? |
| 22734 | After the terrible rage, the death, This wonder stood glistening? |
| 22734 | As if it were part and parcel, One shadow, and we need not dissemble Our darkness: do you understand? |
| 22734 | Can I go no nearer, never towards the door? |
| 22734 | Can I really not go Through the open yard- way? |
| 22734 | Is it irrevocable? |
| 22734 | Is it the train That falls like meteorite Backward into space, to alight Never again? |
| 22734 | Must we hover on the brink Forever, and never enter the homestead any more? |
| 22734 | Or are we Like a thunderbolt hurled? |
| 22734 | Or is it the illusory world That falls from reality As we look? |
| 22734 | What are we Clay- coloured, who roll in fatigue As the train falls league by league From our destiny? |
| 22734 | What is it they shun? |
| 22734 | What then are we? |
| 22734 | Which then is it that falls from its place And rolls down the steep? |
| 22734 | White bread afloat on the waters, Cast out by the hand that scatters Food untowards, Will you come back when the tide turns? |
| 22734 | Why is it she should exclude Me so distinctly from sleeping with those I love best? |
| 22734 | Will you return after many days To say your say as a traveller says, More marvel than woe? |
| 22531 | --What of yours, then, love, yours? |
| 22531 | And I, what fountain of fire am I among This leaping combustion of spring? |
| 22531 | But my heart stands still, as a new, strong dread alarms Me; might a young girl be heaped with such shadow of woe? |
| 22531 | But what have I to do with the boys, deep down in my soul, my love? |
| 22531 | Do I not know the darkness within them? |
| 22531 | Do you fear I shall swindle you? |
| 22531 | GREY EVENING WHEN you went, how was it you carried with you My missal book of fine, flamboyant hours? |
| 22531 | He has passed us by; but is it Relief that starts in my breast? |
| 22531 | How many shadows in your soul, Only mine, love, mine? |
| 22531 | Jealous of the smallest cover, Angry at the simplest door; Well, you anxious, inquisitive lover, Are you pleased with what''s in store? |
| 22531 | Long have I waited, never once confessed, Even to myself, how bitter the separation; Now, being come again, how make the best Reparation? |
| 22531 | My book of turrets and of red- thorn bowers, And skies of gold, and ladies in bright tissue? |
| 22531 | Night after night with a blemish of day Unblown and unblossomed has withered away; Come another night, come a new night, say Will you pluck me apart? |
| 22531 | Now who will burn you free From your body''s terrors and dross, Since the fire has failed in me? |
| 22531 | SORROW WHY does the thin grey strand Floating up from the forgotten Cigarette between my fingers, Why does it trouble me? |
| 22531 | Star- shadows shine, love, How many stars in your bowl? |
| 22531 | What are they but shrouds? |
| 22531 | What if the gorse flowers shrivelled and kissing were lost? |
| 22531 | What is it then that you can see That at the window endlessly You watch the red sparks whirl and flee And the night look through? |
| 22531 | What is peeping from your wings, oh mother hen? |
| 22531 | What man will stoop in your flesh to plough The shrieking cross? |
| 22531 | What then, love, if soon Your light be tossed over a wave? |
| 22531 | What, then, is there hidden in the skirts of all the blossom? |
| 22531 | What, then, would you shun? |
| 22531 | Who comes? |
| 22531 | Why do I wander aimless among them, desirous fool? |
| 22531 | Why should I start and stand still? |
| 22531 | Will you count the darkness a grave, And swoon, love, swoon? |
| 22531 | Will you open the amorous, aching bud Of my body, and loose the burning flood That would leap to you from my heart? |
| 22531 | Without the pulsing waters, where were the marigolds and the songs of the brook? |
| 22531 | You are always asking, do I remember, remember The butter- cup bog- end where the flowers rose up And kindled you over deep with a cast of gold? |
| 22531 | You have fingered all my treasures, Have you not, most curiously, Handled all my tools and measures And masculine machinery? |
| 22726 | Are you all told Here, iron- wrought? |
| 22726 | But what is this Throng of startled beings suddenly thrown In confusion against my entry? |
| 22726 | But who are you, twittering to and fro Beneath the oak? |
| 22726 | But why?--why? |
| 22726 | Can you never discard Your curt pride''s ban? |
| 22726 | Cold, metal- cold? |
| 22726 | Did she know As she listened in silence outside the silent door? |
| 22726 | Did you forget? |
| 22726 | Do I intrude on your rites nocturnal? |
| 22726 | Do you care no longer how My heart is trammelled, Evader? |
| 22726 | Do you set your face against the daughter Of life? |
| 22726 | EVERLASTING FLOWERS WHO do you think stands watching The snow- tops shining rosy In heaven, now that the darkness Takes all but the tallest posy? |
| 22726 | Has fluttered her spirit to stumbling flight In her eyes, as a young bee stumbleth? |
| 22726 | Has some hand balanced more leaves in the depths of the twigs? |
| 22726 | Have I profaned some female mystery, orgies Black and phantasmal? |
| 22726 | Have we had our innings? |
| 22726 | Here, in the sloping shadow The mountains make? |
| 22726 | How can you shame to act this part Of unswerving indifference to me? |
| 22726 | III Oh, masquerader, With a hard face white- enamelled, What are you now? |
| 22726 | In what strong_ aqua regia_ now are you steeped? |
| 22726 | Is anything said? |
| 22726 | Is it all nought? |
| 22726 | Is it only the trees''Large shadows from the outside street lamp blown? |
| 22726 | Is there some great Iacchos of these slopes Suburban dismal? |
| 22726 | Is this the sum of you? |
| 22726 | Is this you, after all, Metallic, obdurate With bowels of steel? |
| 22726 | Is_ this_ what''s become of you? |
| 22726 | Such resolute shapes, so harshly set In hollow blocks and cubes deformed, and heaped In void and null profusion, how is this? |
| 22726 | Tall black Bacchae of midnight, why then, why Do you rush to assail me? |
| 22726 | Then they will say:"''Tis long since she is dead, Who has remembered her after many days?" |
| 22726 | Then will somebody square this shade with the being I know I was last night, when my soul rang clear as a bell And happy as rain in summer? |
| 22726 | What can I do but dance alone, Dance to the sliding sea and the moon, For the moon on my breast and the air on my limbs and the foam on my feet? |
| 22726 | What does he see, my darling Here by the darkened lake? |
| 22726 | What ghost of us both do you think he saw Under the olive trees? |
| 22726 | What have you to do with the mysteries Of this ancient place, of my ancient curse? |
| 22726 | What is it internecine that is locked, By very fierceness into a quiescence Within the rage? |
| 22726 | What is there gone against me, why am I in hell? |
| 22726 | What is this mouth of stone? |
| 22726 | What place have you in my histories? |
| 22726 | What should it avail me? |
| 22726 | What thing better are you, what worse? |
| 22726 | Where, Where are you, what have you done? |
| 22726 | White ones and blue ones from under the orchard hedge? |
| 22726 | Who then sees the two- winged Boat down there, all alone And asleep on the snow''s last shadow, Like a moth on a stone? |
| 22726 | Who, with a ruffling, careful breath, Has opened the wings of the wild young sprite? |
| 22726 | Why continually do they cross the bed? |
| 22726 | Why does my soul contract with unnatural fear? |
| 22726 | Why should I? |
| 22726 | Why should it be so? |
| 22726 | this ghost like a candle swealing? |
| 54058 | ''An''appen you might guess what I''ve come for? |
| 54058 | ''Appen then you''ve''eered? |
| 54058 | --''E says"Is it Arthur Holliday''s?" |
| 54058 | --Afterwards!--an''after how long Wor it tha''d liked to''a killed her? |
| 54058 | --How should I be lookin''round An''me standin''on the plank Beside the open ground, Where our Ted''ud soon be sank? |
| 54058 | --Is it a toss- up''twixt thee an''me? |
| 54058 | --Or a beat of wings at the window there? |
| 54058 | --Seven days, or none-- Am I not tellin''thee summat? |
| 54058 | --Then what art colleyfoglin''for? |
| 54058 | --Which on us said you wor? |
| 54058 | An''if my landlady seed me like it, An''if''er clawkin'', tiger''s eyes Went through me just as the light went out Is it any cause for surprise? |
| 54058 | But might I ask when tha begun? |
| 54058 | DREAM- CONFUSED Is that the moon At the window so big and red? |
| 54058 | END OF ANOTHER HOME- HOLIDAY I When shall I see the half moon sink again Behind the black sycamore at the end of the garden? |
| 54058 | Falls again and again on my heart with a heavy reproach? |
| 54058 | Hast owt to say otherwise From what I''ve arranged wi''thee? |
| 54058 | Holding her thus, did I care That the black night hid her from me, blotted out every speck? |
| 54058 | How many days dost think has gone? |
| 54058 | How many days has the candle- light shone On us as tha got more white an''wan? |
| 54058 | II Is it with pain, my dear, that you shudder so? |
| 54058 | III You''re stout to brave this snow, Miss Stainwright, Are you makin''Brinsley way? |
| 54058 | III= Afternoon in School= THE LAST LESSON When will the bell ring, and end this weariness? |
| 54058 | In kep the thick black curtains drawn, Am I not tellin''thee summat? |
| 54058 | Is it because I have hurt you with pain, my dear? |
| 54058 | Listen, her shoon Palpitating down the stair? |
| 54058 | Maun tha cling to the wa''as tha goes, So bad as that? |
| 54058 | Nay, are ter scared o''summat? |
| 54058 | No cause for surprise at all, my lad, After lickin''and snuffin''at me, tha could Turn thy mouth on a woman like her-- Did ter find her good? |
| 54058 | No one in the room, No one near the bed----? |
| 54058 | Oh are you goin''to Underwood? |
| 54058 | RETURN Now I am come again, you who have so desired My coming, why do you look away from me? |
| 54058 | THE DRAINED CUP The snow is witherin''off''n th''gress Love, should I tell thee summat? |
| 54058 | Tha niver believes it, mother, does ter? |
| 54058 | Tha''rt a good- un at suckin- in yet, Timmy; But tell me, is n''t it true As''er''ll be wantin''_ my_ weddin''dress In a week or two? |
| 54058 | VI Whativer brings thee out so far In a''this depth o''snow? |
| 54058 | Well, now you''ve got to pay for it,--An''if I han, what''s that to thee? |
| 54058 | What else-- it is perfect enough, It is perfectly complete, You and I, What more----? |
| 54058 | Wheers he hurt this time, lad? |
| 54058 | When will the scent of the dim, white phlox Creep up the wall to me, and in at my open window? |
| 54058 | Why does your cheek burn against me-- have I inspired Such anger as sets your mouth unwontedly? |
| 54058 | Why is it, the long slow stroke of the midnight bell,( Will it never finish the twelve?) |
| 54058 | Why, is there a weddin''at Underwood, As tha ne''d trudge up here? |
| 54058 | _''Er_ doesna want no weddin- dress... What-- but what dost mean? |
| 54058 | he''ll be comin''to tell thee his- sèn Wench, wunna he? |
| 23394 | Is there nothing in me to make you hesitate? 23394 Why have you gone to the window? |
| 23394 | --But, did you dream It would be so bitter? |
| 23394 | --_"How can you treat me so, and love me? |
| 23394 | Adown the pale- green glacier river floats A dark boat through the gloom-- and whither? |
| 23394 | Ah yes, being male, is not my head hard- balanced, antlered? |
| 23394 | Ah, but if I am cruel what then are you? |
| 23394 | And if I never see her again? |
| 23394 | Are not my haunches light? |
| 23394 | Are you afraid of God in the dark? |
| 23394 | Because when you hear me go down the road outside the house you must come to the window to watch me go, do you think it is pure worship? |
| 23394 | But mostly, do you not detest my bray? |
| 23394 | But of what account do I hold them? |
| 23394 | But where? |
| 23394 | But who could compel her, if she chose me against them all? |
| 23394 | But why, why do you weep?" |
| 23394 | Do you feel me wrap you Up with myself and my warmth, like a flame round the wick? |
| 23394 | Does it strike you so? |
| 23394 | Does not my fear cover her fear? |
| 23394 | Has she not fled on the same wind with me? |
| 23394 | He said:"Do you catch what they say?" |
| 23394 | He said:"Do you hear them whispering?" |
| 23394 | He said:"Do you see the spirits Crowding the bright doorway?" |
| 23394 | How can one speak, where there is a dumbness on one''s mouth? |
| 23394 | How could I look, when I was mad? |
| 23394 | How is it I grin then, and chuckle Over despair? |
| 23394 | How shall I flatter myself that I can do Anything in such immensity? |
| 23394 | How will you have it?--the rose is all in all, Or the ripe rose- fruits of the luscious fall? |
| 23394 | I, who am worn and careful, How much do I care? |
| 23394 | Is it Wehmut, ist dir weh? |
| 23394 | Is it more than the apples of Sodom you scorn so, the men Who abound? |
| 23394 | Is not even the beauty and peace of an orbit an intolerable prison to you, as it is to everybody? |
| 23394 | Is that it, woman? |
| 23394 | No doubt if I were dead, you must reach into death after me, but would not your hate reach even more madly than your love? |
| 23394 | Now in the cool of the day it is we who walk in the trees and call to God"Where art thou?" |
| 23394 | Or are we kindled, you and I, to be One rose of wonderment upon the tree Of perfect life, and is our possible seed But the residuum of the ecstasy? |
| 23394 | Our consummation matters, or does it not? |
| 23394 | Since you are confined in the orbit of me do you not loathe the confinement? |
| 23394 | Since you have a passion for me, as I for you, does not that passion stand in your way like a Balaam''s ass? |
| 23394 | So much there is outside me, so infinitely Small am I, what matter if minutely I beat my way, to be lost immediately? |
| 23394 | TRIER_ FIRST MORNING_ THE night was a failure but why not--? |
| 23394 | That little bit of your chest that shows between the gap of your shirt, why cover it up? |
| 23394 | The Great Breath blowing a tiny seed of fire Fans out your petals for excess of flame, Till all your being smokes with fine desire? |
| 23394 | The naked lightnings in the heavens dither And disappear-- what have we but each other? |
| 23394 | The sharp begetting, or the child begot? |
| 23394 | VIII GREEN streams that flow from the innermost continent of the new world, what are they? |
| 23394 | What are you by yourself, do you think, and what The mere fruit of your womb? |
| 23394 | What are you waiting for? |
| 23394 | What are you waiting for? |
| 23394 | What can I say more, except that I know what it is to surpass myself? |
| 23394 | What flower, my love? |
| 23394 | What is England or France, far off, But a name she might take? |
| 23394 | What is chaos, my love? |
| 23394 | What is sleep? |
| 23394 | What is that spark glittering at me on the unutterable darkness of your eye, bunny? |
| 23394 | What is the fruit of your womb then, you mother, you queen, When it falls to the ground? |
| 23394 | What is the hot, plumb weight of your desire on me? |
| 23394 | What is the knocking at the door in the night? |
| 23394 | What is the knocking? |
| 23394 | What of the mistresses What the beloved seven? |
| 23394 | What should I be, I myself,"I"? |
| 23394 | What should I do if you were gone again So soon? |
| 23394 | What should I look for? |
| 23394 | What should I think of death? |
| 23394 | What would it mean, this I? |
| 23394 | What?--your throat is bruised, bruised with my kisses? |
| 23394 | Where I touch you, I flame into being;--but is it me, or you? |
| 23394 | Where is there peace for me? |
| 23394 | Where should I go? |
| 23394 | Which way are you coming? |
| 23394 | Why do I crawl about this pot, this oubliette, stupidly? |
| 23394 | Why do n''t I go? |
| 23394 | Why do n''t I go? |
| 23394 | Why do n''t you sleep? |
| 23394 | Why do you cry? |
| 23394 | Why do you cry? |
| 23394 | Why should I want to throttle you, bunny? |
| 23394 | Why should you cry then? |
| 23394 | Why treat it so poorly?" |
| 23394 | _ A BAD BEGINNING_ THE yellow sun steps over the mountain- top And falters a few short steps across the lake-- Are you awake? |
| 23394 | _ BOTH SIDES OF THE MEDAL_ AND because you love me think you you do not hate me? |
| 23394 | _ RABBIT SNARED IN THE NIGHT_ WHY do you spurt and sprottle like that, bunny? |
| 23394 | _ WHY DOES SHE WEEP?_ HUSH then why do you cry? |
| 23394 | _ WHY DOES SHE WEEP?_ HUSH then why do you cry? |
| 23394 | _"SHE SAID AS WELL TO ME"_ SHE said as well to me:"Why are you ashamed? |
| 23394 | and am I not Balaam''s ass golden- mouthed occasionally? |
| 23394 | sheer harmony? |
| 23394 | your impassioned, unfinished hate? |
| 20654 | Is it really green, or is it just taking me in? |
| 20654 | Oh, but where are the factory chimneys? |
| 20654 | What do you want? 20654 Woman, what have I to do with thee?" |
| 20654 | You love mother, do n''t you, dear? |
| 20654 | --or else--"Why have you left out the gas- works?" |
| 20654 | A man is a thing of scientific cause- and- effect and biological process, draped in an ideal, is he? |
| 20654 | And I_ will_ drive you home to yourself, do you hear? |
| 20654 | And all the time we yell at him:"Will you deny love, you villain? |
| 20654 | And from the sun, can the spores of souls pass to the various worlds? |
| 20654 | And how is your cousin Signor Martian?" |
| 20654 | And how to get out of it? |
| 20654 | And how? |
| 20654 | And if I try to do this-- well, why not? |
| 20654 | And is astrology not altogether nonsense? |
| 20654 | And it has experienced these extended reactions with whom? |
| 20654 | And me? |
| 20654 | And since the mother- child relationship is to- day the viciousest of circles, what are we to do? |
| 20654 | And then what? |
| 20654 | And then what? |
| 20654 | And then?--and then, with this glamorous youth? |
| 20654 | And to the worlds of the cosmos seed across space, through the wild beams of the sun? |
| 20654 | And to- day what have we but this? |
| 20654 | And what about a goal? |
| 20654 | And what does this mean? |
| 20654 | And what is this other, greater impulse? |
| 20654 | And what then? |
| 20654 | And which is positive, which negative? |
| 20654 | And you do n''t know how, do you? |
| 20654 | And, I ask you, what good will psychoanalysis do you in this state of affairs? |
| 20654 | As for children, will we never realize that their abstractions are never based on observations, but on subjective exaggerations? |
| 20654 | Because anyhow, whom has he experimented on? |
| 20654 | Bury it? |
| 20654 | But are they as they were before? |
| 20654 | But because the mother- child relation is more plausible and flagrant, is that any reason for supposing it deeper, more vital, more intrinsic? |
| 20654 | But briefly, coldly, and with as cold a dismissal as possible.--"Look here, you''re not a child any more; you know it, do n''t you? |
| 20654 | But can you say the same of America? |
| 20654 | But does this prove a repressed incest desire? |
| 20654 | But if the child thus seeks the mother, does it then know the mother alone? |
| 20654 | But in what way does the life of individuals depend directly upon the moon? |
| 20654 | But is this sex? |
| 20654 | But is this the whole of sex? |
| 20654 | But once a woman is sexually self- conscious, what is she to do? |
| 20654 | But still-- we_ might_ live, might n''t we? |
| 20654 | But what does it matter? |
| 20654 | But what if he believes that his sexual consummation is his supreme consummation? |
| 20654 | But what is bullying? |
| 20654 | But what is the experience? |
| 20654 | But what? |
| 20654 | But why should they understand? |
| 20654 | By what right, I ask you, are we going to inject into him our own disease- germs of ideas and infallible motives? |
| 20654 | Come now, Columbia, where is your High- falutin''Nonsense trumpet? |
| 20654 | Do you think you''re as obvious as a poached egg on a piece of toast, like the poor lunatic? |
| 20654 | Hence Jesus,"Woman, what have I to do with thee?" |
| 20654 | How does the figure of the mother gradually develop as a_ conception_ in the child mind? |
| 20654 | How is it then that they feel, and look, so girlish? |
| 20654 | If I try to write down what I see-- why not? |
| 20654 | Is it hence sex? |
| 20654 | Is the air the same after a thunder- storm as before? |
| 20654 | Is the dynamic passion in a horse the danger- passion? |
| 20654 | Is the straightness none too evident? |
| 20654 | Is there not your ostensible navel, where the rupture between you and her took place? |
| 20654 | Is there seed of Mars in my veins? |
| 20654 | Is this new craving for polarized communion with others, this craving for a new unison, is it sexual, like the original craving for the woman? |
| 20654 | Is this new polarity, this new circuit of passion between comrades and co- workers, is this also sexual? |
| 20654 | Knowing what sex is, can we call this other also sex? |
| 20654 | Love-- what is love? |
| 20654 | Man, the doer, the knower, the original in_ being_, is he lord of life? |
| 20654 | My watch? |
| 20654 | Now does all life work up to the one consummating act of coition? |
| 20654 | Now what is the act of coition? |
| 20654 | Or is woman, the great Mother, who bore us from the womb of love, is she the supreme Goddess? |
| 20654 | Or make an effort with a stranger? |
| 20654 | Or was the American only bragging? |
| 20654 | Or was woman, with her deep womb of emotion, born from the rib of active man, the first created? |
| 20654 | Otherwise how could it maintain a definite and progressively developing relation to her? |
| 20654 | Pray, what is combustion? |
| 20654 | Say to yourself:"Come now, what is it all about?" |
| 20654 | See him, see him, Michael? |
| 20654 | Shall I be blasted by this false lightning?" |
| 20654 | So what about the next step? |
| 20654 | So what have you? |
| 20654 | Some must know what a child beholds, when it looks at a horse, and what it means when it says,"Why is grass green?" |
| 20654 | Suppose you want to look a tree in the face? |
| 20654 | That is, does he follow the smell of the leather itself, or the vibration track of the individual whose vitality is communicated to the leather? |
| 20654 | The atom? |
| 20654 | Then say to yourself:"Why am I in such a fluster?" |
| 20654 | Therefore, why should they make a pretense of it? |
| 20654 | Was man, the eternal protagonist, born of woman, from her womb of fathomless emotion? |
| 20654 | Was the building of the cathedrals a working up towards the act of coition? |
| 20654 | Was the dynamic impulse sexual? |
| 20654 | Well, then, what about it? |
| 20654 | What ails you, you whiner?" |
| 20654 | What does all this mean? |
| 20654 | What have we got that will carry through? |
| 20654 | What is he actually to do with his sensual, sexual self? |
| 20654 | What is sex, really? |
| 20654 | What is the good of a tree desiring to fly like a bird in the sky, when a bird is rooted in the earth as surely as a tree is? |
| 20654 | What is the good of trying to break away from one''s own? |
| 20654 | What now, that the upper centers are finely active in positivity? |
| 20654 | What, do n''t you believe it? |
| 20654 | When a child says,"Why is grass green?" |
| 20654 | When did any machine, even a single spinning- wheel, automatically evolve itself? |
| 20654 | Where are the white negroid teeth? |
| 20654 | Where does he even keep his soul?--Where does anybody? |
| 20654 | Where in us are the sharp and vivid teeth of the wolf, keen to defend and devour? |
| 20654 | Where? |
| 20654 | Why did we fall into this gnawing disease of unappeasable dissatisfaction? |
| 20654 | Why does the dream- process act so? |
| 20654 | Why force abstractions and kill the reality, when there''s no need? |
| 20654 | Why should we cram the mind of a child with facts that have nothing to do with his own experiences, and have no relation to his own dynamic activity? |
| 20654 | Why should you? |
| 20654 | Why try coaxing and logic and tricks with children? |
| 20654 | Why were we driven out of Paradise? |
| 20654 | Will you?" |
| 20654 | With what result? |
| 20654 | With what result? |
| 20654 | With what result? |
| 20654 | Yes, he did--"Now who will tell me that this talk has any rhyme or reason? |
| 20654 | Yet is this dynamic flow inevitably sexual in nature? |
| 20654 | You know that, do n''t you, dear? |
| 20654 | You''ll want to have a dear little baby, wo n''t you, darling? |
| 20654 | or"Do you call that sloppy thing a church?" |
| 9497 | ''And the baby?'' |
| 9497 | ''And where is he now?'' |
| 9497 | ''Are they so far up?'' |
| 9497 | ''Are you English, then?'' |
| 9497 | ''Are you also?'' |
| 9497 | ''Are you going over the Gothard?'' |
| 9497 | ''Better than_ I Spettri_?'' |
| 9497 | ''But did n''t you mind giving up all your work?'' |
| 9497 | ''But does that prevent you from marrying?'' |
| 9497 | ''But is it not just the same as managing the shop at home?'' |
| 9497 | ''But it''s fine, is n''t it? |
| 9497 | ''But were n''t you tired?'' |
| 9497 | ''But what,''I asked,''brought you back?'' |
| 9497 | ''But why do they come here, so many?'' |
| 9497 | ''But why so early?'' |
| 9497 | ''But why,''I said,''why do you live alone? |
| 9497 | ''But why,''I said,''why? |
| 9497 | ''Can I go and look at them?'' |
| 9497 | ''Can I have a bed,''I said,''for the night?'' |
| 9497 | ''Did you enjoy it?'' |
| 9497 | ''Do all the Swiss want to serve their time in the army?'' |
| 9497 | ''Do n''t you want to go back?'' |
| 9497 | ''Do you dislike women?'' |
| 9497 | ''Do you want to be shot?'' |
| 9497 | ''Does the steamer stop here all night?'' |
| 9497 | ''English? |
| 9497 | ''Have you been a soldier?'' |
| 9497 | ''How do you write it?'' |
| 9497 | ''How long did you know your Signora before you were married?'' |
| 9497 | ''How long has it taken you to do that much?'' |
| 9497 | ''How long should we have had to wait if we had n''t got through now?'' |
| 9497 | ''I suppose you will rest when you get to London?'' |
| 9497 | ''Is n''t it fine?'' |
| 9497 | ''It''s better like this, two men?'' |
| 9497 | ''May I listen?'' |
| 9497 | ''On foot?'' |
| 9497 | ''The women in America, when they came into the store, they said,"Where is John, where is John?" |
| 9497 | ''Then why ca n''t you marry? |
| 9497 | ''This much? |
| 9497 | ''What are they doing?'' |
| 9497 | ''What do you say?'' |
| 9497 | ''What does the Government do? |
| 9497 | ''What is all the noise?'' |
| 9497 | ''What is he called?'' |
| 9497 | ''What time will you be going on?'' |
| 9497 | ''What will you drink?'' |
| 9497 | ''What woman?'' |
| 9497 | ''What?'' |
| 9497 | ''What?'' |
| 9497 | ''When is the first steamer?'' |
| 9497 | ''Where do you come from?'' |
| 9497 | ''Where have you come from?'' |
| 9497 | ''Where?'' |
| 9497 | ''Which woman is it to be?'' |
| 9497 | ''Why are these Governments always doing what we do n''t want them to do? |
| 9497 | ''Why did you come on foot all down the valley when you could have taken the train? |
| 9497 | ''Why did you do so much?'' |
| 9497 | ''Why live with a woman?'' |
| 9497 | ''Why must he not go out?'' |
| 9497 | ''Why should we have a Government? |
| 9497 | ''Why,''I said,''do n''t you marry? |
| 9497 | ''Why? |
| 9497 | ''Will you have soup and boiled beef and vegetables?'' |
| 9497 | ''Wine or beer?'' |
| 9497 | ''Wo n''t you go back some time?'' |
| 9497 | ''Would you like omelette after the beef?'' |
| 9497 | ''You are Austrian?'' |
| 9497 | ''You are a German?'' |
| 9497 | ''You are coming to your room?'' |
| 9497 | ''You do n''t look forward to it?'' |
| 9497 | ''You live quite alone?'' |
| 9497 | ''_ Couvre- toi de gloire, Tartarin-- couvre- toi de flanelle._''Why should it please me so that his cloak is of red flannel? |
| 9497 | ''_ Quanto costa l''uva?_''were my first words in the south. |
| 9497 | ''_ Voyez, monsieur-- cet-- cet-- qu''est- ce que-- qu''est- ce que veut dire cet-- cela?_''He shows me the paper. |
| 9497 | ''_ È bello-- il ballo?_''he asked at length, one direct, flashing question. |
| 9497 | After all, why should I not eat, after the long walk? |
| 9497 | Am I greater than he, am I stronger than he? |
| 9497 | And I wondered, Why am I here, on this ridge of the Alps, in the lamp- lit, wooden, close- shut room, alone? |
| 9497 | And for what? |
| 9497 | And how much had they cost? |
| 9497 | And how much has that old imperial vanity clung to the German soul? |
| 9497 | And what is the rest, that which is- not the tiger, that which the tiger is- not? |
| 9497 | And yet, was she not herself finished in this work? |
| 9497 | Between the clerical party and the radicals and the socialists, what canons were left that were absolute? |
| 9497 | But I said in German:''May I look?'' |
| 9497 | But I, what am I? |
| 9497 | But do you live in Switzerland?'' |
| 9497 | But how does it come to pass in Christ? |
| 9497 | But is there nothing else? |
| 9497 | But the maestra came inflammably on that Thursday evening, and were we not going to the theatre, to see_ Amleto_? |
| 9497 | But the vine-- one crop--?'' |
| 9497 | Did not the German kings inherit the empire of bygone Rome? |
| 9497 | Do I know a consummation in the Infinite, I, the prey, beyond the tiger who devours me? |
| 9497 | Does it pass away, or does it only lose its pristine quality? |
| 9497 | Has the creature no sense? |
| 9497 | Have I only the negative ecstasy of being devoured, of becoming thus part of the Lord, the Great Moloch, the superb and terrible God? |
| 9497 | How can he know anything about being and not- being when he is only a maudlin compromise between them, and all he wants is to be a maudlin compromise? |
| 9497 | How could she be conscious of herself when all was herself? |
| 9497 | I asked him,''Used you to think of it, the lake, the Monte Baldo, the laurel trees down the slope?'' |
| 9497 | I did not dare to say,''Am I so far down?'' |
| 9497 | I forget everything except I will kill him--''''But you did n''t?'' |
| 9497 | If not, what, then, is being? |
| 9497 | Is there an affirmation, behind my negation, other than the tiger''s affirmation of his own glorious infinity? |
| 9497 | It is two years that I have not spoke, not a word-- so, you see, I have--''''You have forgotten it? |
| 9497 | It makes us work, it takes part of our wages away from us, it makes us soldiers-- and what for? |
| 9497 | O-- Nicoletta, where is the Giovann''?'' |
| 9497 | On Christmas Day the padrone came in with the key of his box, and would we care to see the drama? |
| 9497 | She is twice my age, but what is age in such circumstances? |
| 9497 | Should one ever go down to the lower world? |
| 9497 | That his body was in California, what did it matter? |
| 9497 | The boy comes to me and says:''Do you know, Signore, what they are singing?'' |
| 9497 | The issue, is it eternal not- being? |
| 9497 | The kingdom of the world had no significance: what could one do but wander about? |
| 9497 | The landlord came--''And bread?'' |
| 9497 | The landlord turned to us with the usual naïve, curious deference, and the usual question:''You are Germans?'' |
| 9497 | They argue among themselves for a moment: will the Signoria understand? |
| 9497 | To be or not to be King, Father, in the Self supreme? |
| 9497 | To be perfect, to be one with God, to be infinite and eternal, what shall we do? |
| 9497 | Was it worth it?'' |
| 9497 | What can be so fiercely gleaming when all is shadowy? |
| 9497 | What did they want when they came together, Paolo and she? |
| 9497 | What does a Government mean? |
| 9497 | What is government for?'' |
| 9497 | What is he brooding, then? |
| 9497 | What is it that he secretly yearns for, amid all the placidity of fate? |
| 9497 | What is that which parted ways with the terrific eagle- like angel of the senses at the Renaissance? |
| 9497 | What is the Oneness to which I subscribe, I who offer no resistance in the flesh? |
| 9497 | What is the reason? |
| 9497 | What is this Government? |
| 9497 | What is this? |
| 9497 | What should he choose for his great occasion, this broad, thick- set, ruddy descendant of the peasant proprietors of the plain? |
| 9497 | What then of her young breasts and her womb? |
| 9497 | What then, if a man come to me with a sword, to kill me, and I do not resist him, but suffer his sword and the death from his sword, what am I? |
| 9497 | What was all his courage but the very tip- top of cowardice? |
| 9497 | What, then, is being? |
| 9497 | What_ is_ the consummation in Christ? |
| 9497 | Where is the transcendent knowledge in our hearts, uniting sun and darkness, day and night, spirit and senses? |
| 9497 | Wherein am I perfect in this submission? |
| 9497 | Wherein are we superior? |
| 9497 | Who wants it? |
| 9497 | Why am I here? |
| 9497 | Why are the women so bad at playing this part in real life, this Ophelia- Gretchen role? |
| 9497 | Why are they so unwilling to go mad and die for our sakes? |
| 9497 | Why must you live alone?'' |
| 9497 | Why not? |
| 9497 | Why was I getting out at this wayside place, on to the great, raw high- road? |
| 9497 | Will he ever find himself in prison? |
| 9497 | Yet what should become of the world? |
| 37206 | A what? |
| 37206 | And is Mandas nice? |
| 37206 | And they understand Italian? |
| 37206 | And what good would it be to you if she were? |
| 37206 | Are you husband and wife? |
| 37206 | Bread alone? |
| 37206 | But could you live here? |
| 37206 | Can you understand Sardinian? |
| 37206 | Did you think we had been going ever since you got in? |
| 37206 | Did you want something? 37206 Do they make those in Sorgono?" |
| 37206 | Do you speak English? |
| 37206 | Do you understand Sardinian? |
| 37206 | Does it do you good? |
| 37206 | Eh-- what''s that? |
| 37206 | Elle a le mal de mer? |
| 37206 | First and second class alike? |
| 37206 | How much do you charge for the fleas you carry? |
| 37206 | How not? 37206 How should n''t she?" |
| 37206 | How should n''t they? |
| 37206 | How--_affari_? |
| 37206 | How? 37206 How? |
| 37206 | In what way nice? |
| 37206 | Is it a dialect? 37206 Is n''t the sea a little quieter?" |
| 37206 | Is there a room, Signora? |
| 37206 | Is there anything to see? |
| 37206 | Is this the Nuoro bus? |
| 37206 | No, Signora-- how should it be? |
| 37206 | Oh,she cried,"are we going?" |
| 37206 | Oh-- where can we get some then? |
| 37206 | One is all right here, eh? |
| 37206 | Signora,he said,"do you understand me what I say?" |
| 37206 | The Signora is n''t eating? |
| 37206 | Then you are very bored here? |
| 37206 | There is nothing else? |
| 37206 | Vous avez pris le cafà ©? |
| 37206 | Vous descendez en terre? |
| 37206 | Well then, what other hotel? |
| 37206 | What do you sell? |
| 37206 | What do you_ sell_? |
| 37206 | What does one do here? |
| 37206 | What goods? |
| 37206 | What language is it then? |
| 37206 | What will you do on such a boat if you have an awful time out in the Mediterranean here? 37206 Where are they from?" |
| 37206 | Where do we eat? 37206 Where do you find such white bread?" |
| 37206 | Where is the Albergo d''Italia? |
| 37206 | Who is going? |
| 37206 | Who were those in there? |
| 37206 | Why do you bother? |
| 37206 | Why, is this the only place you''ve got to sit in? |
| 37206 | Why,say I, lapsing into the Italian rhetorical manner,"why do you keep an inn? |
| 37206 | Why? |
| 37206 | Why? |
| 37206 | Why? |
| 37206 | Wo n''t you leave any tip at all? |
| 37206 | You are eating the kid? 37206 You are sleeping upstairs?" |
| 37206 | You think not? 37206 You would like to be in Cagliari?" |
| 37206 | You''ve seen Cagliari? |
| 37206 | _ Che genere di affari?_ What sort of business? |
| 37206 | _ Che genere di affari?_ What sort of business? |
| 37206 | ***** Where does one go? |
| 37206 | A fiasco of vino? |
| 37206 | Africa? |
| 37206 | After all, what is an hour and a half? |
| 37206 | Again the young woman called, had we had coffee? |
| 37206 | Ah Naples-- bella, bella, eh? |
| 37206 | Am I always to have the exchange flung in my teeth, as if I were a personal thief? |
| 37206 | And also in Italian:"Partiamo?" |
| 37206 | And are there many motor- cars in England?--many, many? |
| 37206 | And are we ready? |
| 37206 | And as for motor- cars, it is all I can do to own a pair of boots, so how am I to set about employing a_ chauffeur_? |
| 37206 | And run the gauntlet of that stinking, stinking lane? |
| 37206 | And was n''t it difficult to put the kid thus on the iron rod? |
| 37206 | And what does she do? |
| 37206 | And what nation were we, were we French? |
| 37206 | And what was it? |
| 37206 | Are all nations of Europe going to be forbidden? |
| 37206 | Are they ready? |
| 37206 | Are you suffering?" |
| 37206 | As I enter I hear one young man tenderly enquiring of the berth below:"Dost thou feel ill?" |
| 37206 | Because why? |
| 37206 | But I said loudly to the urchin:"Is_ that_ the telegraph official?" |
| 37206 | But in Sardinia, where roads and bridges are absolutely wanting, will they do anything? |
| 37206 | But is mere historical fact so strong, that what one learns in bits from books can move one so? |
| 37206 | But must you? |
| 37206 | But now where is that little hole where one gets the tickets? |
| 37206 | But seeing I was laughing without malice, he leaned to me and said softly, secretly:"What is your affair then? |
| 37206 | But there is little to see and therefore the question is, shall we go on? |
| 37206 | But what do you want? |
| 37206 | But what should women and girls be doing at the marionette show? |
| 37206 | But what? |
| 37206 | But who was he? |
| 37206 | But why in the name of heaven should my heart stand still as I watch that hill which rises above the sea? |
| 37206 | But_ can_ I care for the innumerable_ fantasias_ in the drapery line? |
| 37206 | Could I have milk? |
| 37206 | Could one go on board at once? |
| 37206 | Deutsch, eh? |
| 37206 | Deutschland unter alles now? |
| 37206 | Did n''t I tell thee I would count three? |
| 37206 | Did n''t we like it? |
| 37206 | Did n''t we start before?" |
| 37206 | Did the delicate and fine complication of lines against her eyes mean thirty- five? |
| 37206 | Did they do all their meat this way? |
| 37206 | Do they want men in America? |
| 37206 | Et vous?" |
| 37206 | Everything? |
| 37206 | For why? |
| 37206 | Girgenti, and the sulphur spirit and the Greek guarding temples, to make one madder? |
| 37206 | Had the milk come? |
| 37206 | Had we any more luggage-- were we going to the steamer? |
| 37206 | Had_ she_ paid for the train-- heh? |
| 37206 | Has not this song been sung at me once too often, by these people? |
| 37206 | Have you something to say? |
| 37206 | Hearing me speak to the q- b, he said in confidence to the priest:"Here are two Germans-- eh? |
| 37206 | Her ticket? |
| 37206 | Here, say I, they make it with nothing.--Is there milk? |
| 37206 | How far? |
| 37206 | How many men, how many races, has Etna put to flight? |
| 37206 | How much does it cost? |
| 37206 | How will she be ruined?" |
| 37206 | I asked how one went to the steamer-- did one walk? |
| 37206 | I say what for? |
| 37206 | I wanted to count their sails-- five square ones which I call the ladder, one above the other-- but how many wing- blades? |
| 37206 | In America too? |
| 37206 | In a very short time they were through their portions: and was there nothing else? |
| 37206 | Is n''t that so? |
| 37206 | Is our marvellous, mechanical era going to have so short a bloom? |
| 37206 | Is there another room?" |
| 37206 | Is there coffee? |
| 37206 | Is there something that amuses you? |
| 37206 | It all has an air of"Why not?" |
| 37206 | Looks down as if to say, What do you mean by it? |
| 37206 | Methylated spirit, a small aluminium saucepan, a spirit- lamp, two spoons, two forks, a knife, two aluminium plates, salt, sugar, tea-- what else? |
| 37206 | Naples, Rome, Florence? |
| 37206 | No milk at all? |
| 37206 | No more-- what? |
| 37206 | No passports? |
| 37206 | Not for long? |
| 37206 | Nothing else, you sludge queen? |
| 37206 | Now I ask you, is this to be borne? |
| 37206 | Oh my, will you go in such a little thing? |
| 37206 | Oh no-- will you risk it, really? |
| 37206 | Oh, my girovago was a known figure all over the country.--And where would they sleep? |
| 37206 | Only then? |
| 37206 | Or does the very word call an echo out of the dark blood? |
| 37206 | Or is the tide of enlightenment and world- unity already receding fast enough? |
| 37206 | Say then-- what does it mean? |
| 37206 | Shall we go forward? |
| 37206 | She got up wrathfully and stumbled into the dark passage, exclaiming--"Don''t we eat yet?" |
| 37206 | She shouts at me as I pass, in her powerful, extraordinary French:"Madame votre femme, elle est au lit?" |
| 37206 | She was not more than twenty years old I should say: or was she? |
| 37206 | Should we sit on in our present carriage, and go down in it to the port, along with the schoolmistress, and risk it? |
| 37206 | Somebody asks_ who_? |
| 37206 | Strange, is n''t it? |
| 37206 | The bus has stopped quite close to the door of the inn: Star of Italy, was it? |
| 37206 | The dark- browed man looked up at the girovago and said:"Are you going to cook the sausages with your fingers?" |
| 37206 | The lark flew at him and said"Then you''ve changed it, have you?" |
| 37206 | The q- b said no, why? |
| 37206 | The three giggling young hussies shrink together as if they would all hide behind one another, after a vain uprearing and a demand why? |
| 37206 | The workman''s International, or the centripetal movement into national isolation? |
| 37206 | Then she appeared with a bowl of smoking cabbage soup, in which were bits of macaroni: and would we have wine? |
| 37206 | Then where is tea? |
| 37206 | They addressed the sludge- queen curtly and disrespectfully, as if to say:"What''s she up to?" |
| 37206 | They seize the black- edged one by the arm, and in profound commiseration:"Do you suffer? |
| 37206 | They thought themselves no less-- and what are they? |
| 37206 | Thirty two hours in such a little boat? |
| 37206 | To travel with the stomach uneasy did one harm:_ fa male, fa male-- non è vero?_ Chorus of"yes." |
| 37206 | Tunis? |
| 37206 | Was he a Paladin and a splendour? |
| 37206 | Was there a bedroom? |
| 37206 | Was there a fire? |
| 37206 | Was there any cheese? |
| 37206 | Was there anything to eat? |
| 37206 | Was there cheese? |
| 37206 | Was there no room? |
| 37206 | Was there nowhere where we could sit? |
| 37206 | We helped ourselves, and the fat carabiniere started the conversation with the usual questions-- and where were we going tomorrow? |
| 37206 | We see the hill? |
| 37206 | Well, how nice to see you.--Oh, let the man wait.--What, going on at once to Naples? |
| 37206 | Well, what were we to do? |
| 37206 | Were they, said I, a sort of camorra? |
| 37206 | Were we English? |
| 37206 | Were we depending on booking berths at the port of Naples? |
| 37206 | Were we not going to see any more? |
| 37206 | What affair is it, yours?" |
| 37206 | What are the allies for? |
| 37206 | What did one pay for bread in Germany? |
| 37206 | What did the old woman want to take her trips down the line for? |
| 37206 | What do you say?" |
| 37206 | What does he want then? |
| 37206 | What does it mean, that this is an inn? |
| 37206 | What does it mean, your Ristorante Risveglio, written so large?" |
| 37206 | What does one care for precept and mental dictation? |
| 37206 | What does one care? |
| 37206 | What else was there to eat? |
| 37206 | What else was there to eat? |
| 37206 | What else was there? |
| 37206 | What good was that? |
| 37206 | What is the exchange today? |
| 37206 | What is your dialect?" |
| 37206 | What makes you say so? |
| 37206 | What sort of pictures? |
| 37206 | What was there to eat?--and was it nearly ready? |
| 37206 | What, say, what does it mean? |
| 37206 | What? |
| 37206 | What?" |
| 37206 | Wheesky-- eh? |
| 37206 | When are we going to London? |
| 37206 | When, oh when shall we come to Siniscola, where we are due to eat our midday meal? |
| 37206 | When? |
| 37206 | Where are you going?" |
| 37206 | Where did the bus go? |
| 37206 | Where had we come from, where were we going, what for? |
| 37206 | Where is his home? |
| 37206 | Where then? |
| 37206 | Where then? |
| 37206 | Where was the oven? |
| 37206 | Where were we going and where had we been and where did we live? |
| 37206 | Where''s the q- b? |
| 37206 | Whereupon the new fat neighbour asked him was it true that the Catholic Church was now becoming the one Church in the United States? |
| 37206 | Which motion will conquer? |
| 37206 | Who would have expected it? |
| 37206 | Why are you here? |
| 37206 | Why be angry? |
| 37206 | Why be angry? |
| 37206 | Why bother about privacy? |
| 37206 | Why ca n''t one sit still? |
| 37206 | Why come to anchor? |
| 37206 | Why do n''t I come on Friday? |
| 37206 | Why do n''t we get them? |
| 37206 | Why do n''t you take it as it comes? |
| 37206 | Why do they look so intense? |
| 37206 | Why do you have the impudence to take in travellers? |
| 37206 | Why look out? |
| 37206 | Why not stay? |
| 37206 | Why not? |
| 37206 | Why should they? |
| 37206 | Why take it morally? |
| 37206 | Why were these folk at the town- end making this fire alone? |
| 37206 | Why, then, must one go? |
| 37206 | Why? |
| 37206 | Why? |
| 37206 | Why? |
| 37206 | Why? |
| 37206 | Why? |
| 37206 | Why? |
| 37206 | Why? |
| 37206 | Will the last waves of enlightenment and world- unity break over them and wash away the stocking- caps? |
| 37206 | Will you drink Wheesky, Mister?" |
| 37206 | Will you really go? |
| 37206 | With all the money, and we others with no money? |
| 37206 | Wo n''t you go from Cività Vecchia?" |
| 37206 | You are eating at the inn?" |
| 37206 | You ask why? |
| 37206 | You mean Ireland?" |
| 37206 | You must laugh, must you? |
| 37206 | You see that cape?" |
| 37206 | You think so? |
| 37206 | You''re sure you have everything you want? |
| 37206 | _ Non è vero?_ this to all the men from Siniscola. |
| 37206 | then you ca n''t go? |
| 4216 | Person,mother.--Will you curtsey, Anabel? |
| 4216 | A cherry brandy?--Yes?--Anabel, what''s yours? |
| 4216 | A funny temper, are they? |
| 4216 | A little-- a little-- thank you.--Well, Miss Wrath, are you quite comfortable here? |
| 4216 | All their love for the office clerks coming out in a rush? |
| 4216 | Am I to cry when every collier bumps his funny- bone-- or to laugh? |
| 4216 | An I''m sure it''s no crying matter-- unless you want to cry, do you see? |
| 4216 | An''wheer shall thee be, Willie? |
| 4216 | And AREN''T they wronged? |
| 4216 | And I believe none has been so filthy to live in.--Let us sit down a minute, shall we? |
| 4216 | And are you going to comb''em out, or do you propose to use Keating''s? |
| 4216 | And even then, what better shall you be? |
| 4216 | And have n''t you driven the masters to it, as well? |
| 4216 | And how are we going to put salt on Capital''s tail? |
| 4216 | And how does it mean to get it? |
| 4216 | And now you have come back because that last one died? |
| 4216 | And now you''re out on strike-- now you''ve been out for a week pretty nearly, what further are you? |
| 4216 | And on what grounds do you think you have no occasion to answer the straightforward question we put you here? |
| 4216 | And that''s why you curse others so much? |
| 4216 | And then you hated me? |
| 4216 | And then you suddenly dropped my son, and went away? |
| 4216 | And was it in clay? |
| 4216 | And what are you angry with yourself for? |
| 4216 | And what of Gerald? |
| 4216 | And what right have you to it? |
| 4216 | And what will you do when we leave here? |
| 4216 | And where has it landed us? |
| 4216 | And where is she now? |
| 4216 | And where is that? |
| 4216 | And whose way? |
| 4216 | And why ca n''t we try really to leave off struggling against one another, and set up a new state of things? |
| 4216 | And you are quite a stranger in these parts, Miss Wrath? |
| 4216 | And you hated Gerald? |
| 4216 | And you''re at our house every day? |
| 4216 | Another phrase- maker to lead the people.--Vermin? |
| 4216 | Are n''t you rather wicked?--ASKING for strife? |
| 4216 | Are n''t you smoking, Anabel? |
| 4216 | Are you happy in it? |
| 4216 | Are you really a bit sanctified? |
| 4216 | Are you sure? |
| 4216 | As far as you know? |
| 4216 | Ay-- an''what about it? |
| 4216 | Barlow.--See''s motor?--comin''up-- sithee? |
| 4216 | Beg pardon? |
| 4216 | But I dislike things under glass-- don''t you? |
| 4216 | But I suppose things MUST be modernised, do n''t you think? |
| 4216 | But are n''t you a bit sorry for them? |
| 4216 | But ca n''t there ever be peace-- real peace? |
| 4216 | But do you happen to know me through and through, and in and out, all my past and present doings, mother? |
| 4216 | But have Barlow& Walsall''s men any special grievance apart from the rest of the miners? |
| 4216 | But have n''t they been wrong themselves, too?--and are n''t they wrong now? |
| 4216 | But how are we going to do it? |
| 4216 | But how are you going to get on? |
| 4216 | But how can you ask? |
| 4216 | But how do you like being here? |
| 4216 | But how to avoid the wrong? |
| 4216 | But if they''re right in what they want? |
| 4216 | But is it money that really matters, Mr. Barlow? |
| 4216 | But is n''t he rather nice? |
| 4216 | But is n''t it lovely to be in Paris, and to have exhibitions, and to be famous? |
| 4216 | But is there no part of you that can be a bit gentle and peaceful and happy with a woman? |
| 4216 | But later on? |
| 4216 | But one ca n''t sit here forever, can one? |
| 4216 | But what DO you want? |
| 4216 | But what about it? |
| 4216 | But what can they do? |
| 4216 | But what do you mean? |
| 4216 | But what is it? |
| 4216 | But what is it? |
| 4216 | But what next? |
| 4216 | But where did you hear this, mother? |
| 4216 | But why should you have? |
| 4216 | Ca n''t you find a sweet that you would like, my dear? |
| 4216 | Ca n''t you see it''s no good, either side? |
| 4216 | Ca n''t you see that it takes two to make a quarrel? |
| 4216 | Ca n''t you?--can''t you? |
| 4216 | Can I come in? |
| 4216 | Charming-- charming, Miss Wrath:--will you allow me to say_ Anabel_, we shall all feel so much more at home? |
| 4216 | Clear up those bits.--Where are you going to see that white- faced fellow? |
| 4216 | Could I call on your people? |
| 4216 | Could I have a word with you? |
| 4216 | Could n''t you set up a proper Government to- morrow, if you liked? |
| 4216 | DO you love me? |
| 4216 | DON''T INTERFERE-- do you hear? |
| 4216 | Did I see Kummel? |
| 4216 | Did I? |
| 4216 | Did you come to sit here just to catch them, like a spider waiting for them? |
| 4216 | Did you mean your own importance? |
| 4216 | Did you want any more music, sir? |
| 4216 | Did you? |
| 4216 | Do n''t you call witnesses against me.--Besides, what does it matter to you? |
| 4216 | Do n''t you like him? |
| 4216 | Do n''t you think he likes Gerald? |
| 4216 | Do n''t you think it was time I cleared out, when you became so violent, and really dangerous, really like a madman? |
| 4216 | Do n''t you think we ought to take up the old threads? |
| 4216 | Do n''t you think we''ve been wrong? |
| 4216 | Do n''t you? |
| 4216 | Do they know you, do you think? |
| 4216 | Do you ask me to call her Anabel? |
| 4216 | Do you call it right? |
| 4216 | Do you dislike managing people, Anabel? |
| 4216 | Do you know Miss Wrath, Oliver? |
| 4216 | Do you know the famous rhyme: Speak roughly to your little boy, And beat him when he sneezes? |
| 4216 | Do you know what I mean? |
| 4216 | Do you mind explaining WHAT others? |
| 4216 | Do you propose to send for Williamson''s furniture van, to pack them in? |
| 4216 | Do you see any other? |
| 4216 | Do you stand there and ask me what about it, and have n''t the sense to alter it? |
| 4216 | Do you thing they would LIVE more, if they had more money? |
| 4216 | Do you think I need it? |
| 4216 | Do you think I was wrong to come back? |
| 4216 | Do you think I wrong Gerald? |
| 4216 | Do you think the poor live less than the rich?--is their life emptier? |
| 4216 | Do you think they''ll ever make a bust- up? |
| 4216 | Do you think, Gerald, that if the men really wanted a whole, better way, you would agree with them? |
| 4216 | Do you want me to be with you? |
| 4216 | Do you want me to go back with you? |
| 4216 | Do you want me to prophesy? |
| 4216 | Do you want to be with me for ever? |
| 4216 | Do, darling, and we''ll all join in the chorus.--Will you join in the chorus, Miss Wrath? |
| 4216 | Do? |
| 4216 | Do_ Ma capote a trois boutons_--you know it, do n''t you, Anabel? |
| 4216 | Does everybody agree with me? |
| 4216 | Does he thank you? |
| 4216 | Does n''t it show?--What is there in your soul? |
| 4216 | Eh? |
| 4216 | Er-- by the way, sir-- er-- I hope you do n''t think this-- er-- bother about an increase-- this strike threat-- started in the office? |
| 4216 | Er-- did you want anybody at the office, sir? |
| 4216 | Er-- did you want to see Mr. Breffitt, sir? |
| 4216 | Even now? |
| 4216 | Excuse me, father: do you mind if I go and write a letter I have on my conscience? |
| 4216 | Father gone up? |
| 4216 | Freer? |
| 4216 | Freer? |
| 4216 | Gerald Barlow agree with us? |
| 4216 | Gerald!--I could n''t make out who it was.--Were you coming up to the office, sir? |
| 4216 | Get rid on''em-- drop''em down the shaft-- sink''em-- ha''done wi''''em-- drop''em down the shaft-- bust the beggars-- what do you do wi''vermin? |
| 4216 | Good God, Anabel!--are you part of the meeting? |
| 4216 | Good plays? |
| 4216 | Ha!--aren''t you just the same? |
| 4216 | Had I any right to sacrifice her, without her consent? |
| 4216 | Has it been shut up so long? |
| 4216 | Have n''t they been wronged? |
| 4216 | Have n''t we been driven to it? |
| 4216 | Have the Board decided that? |
| 4216 | Have the men nothing to be said for their side? |
| 4216 | Have they? |
| 4216 | Have you a secret access to my room, and a spy- hole, and all those things? |
| 4216 | Have you been ill? |
| 4216 | He will do it.--I suppose you know Oliver? |
| 4216 | He''ll be out directly, sir-- if you''d like me to go back and tell him you wanted him? |
| 4216 | Hello, Job Arthur-- are you there? |
| 4216 | Here? |
| 4216 | How CAN you say so?--Doesn''t it show what you must be yourself? |
| 4216 | How are you getting on? |
| 4216 | How are you, Oliver? |
| 4216 | How can I? |
| 4216 | How can you have peace with God, if you leave no peace for your sons-- no peace, no pride, no place on earth? |
| 4216 | How can you say so? |
| 4216 | How did I make a fool of you, Oliver? |
| 4216 | How did he die? |
| 4216 | How do you like my being in your home? |
| 4216 | How do you see it so funny? |
| 4216 | How have you been these two years-- well?--happy? |
| 4216 | How have you? |
| 4216 | How long have you been back in England? |
| 4216 | How many tragic situations did Goethe say were possible? |
| 4216 | How much will you give me for my syllogism? |
| 4216 | How was that? |
| 4216 | How? |
| 4216 | How? |
| 4216 | I beg pardon? |
| 4216 | I believe there''s some truth in it-- don''t you? |
| 4216 | I did n''t recognise you without your frock- coat and silk hat-- on the Sabbath.--What was that you said? |
| 4216 | I do n''t care much for painting, do you? |
| 4216 | I do n''t think I do.--Do you feel no different, Gerald? |
| 4216 | I ordered them from London for you.--Oliver, my boy, have you everything you like? |
| 4216 | I say, why did you come, Anabel? |
| 4216 | I suppose the men themselves are to judge what is a living wage? |
| 4216 | I''ll sing"The Lincolnshire Poacher,"shall I? |
| 4216 | If the peace of God is no more than the peace of death, why are your sons born of you? |
| 4216 | If they have no place among men, why have you put them there? |
| 4216 | If they''re poor, what does it matter in a world of chaos? |
| 4216 | Ineffectual, do n''t you think? |
| 4216 | Infamous, dear? |
| 4216 | Is he dead, Anabel? |
| 4216 | Is he going to walk so far? |
| 4216 | Is he? |
| 4216 | Is it better? |
| 4216 | Is it for me to speak, Mrs. Barlow? |
| 4216 | Is it right that you wo n''t meet the clerks? |
| 4216 | Is it the change of heart, Anabel? |
| 4216 | Is n''t he going to answer us? |
| 4216 | Is n''t he rich enough already? |
| 4216 | Is n''t he to answer us? |
| 4216 | Is n''t it curious? |
| 4216 | Is n''t it like a berry that decides to get very sweet, and goes soft? |
| 4216 | Is she? |
| 4216 | Is that a new habit? |
| 4216 | Is that warning or a threat? |
| 4216 | Is there any real happiness? |
| 4216 | Is there any reason why I should n''t be angry? |
| 4216 | Is there anything sure in it? |
| 4216 | Is there going to be a next time-- every- day- has- its- to- morrow kind of thing? |
| 4216 | It has n''t been heaven, has it? |
| 4216 | It is your best thing? |
| 4216 | It''s an annual thing, like a birthday? |
| 4216 | It''s rather horrible when he''s one''s father.--However, apart from tragedy, how do you like being here, in this house? |
| 4216 | Just that? |
| 4216 | Like the correct window- curtains? |
| 4216 | Listen outside the door, darling? |
| 4216 | Love, pure love?--Do you pretend it''s love? |
| 4216 | May she presume to be bad to me, mother? |
| 4216 | More decorative than comfortable? |
| 4216 | No, only from Derby.--How are you, Gerald? |
| 4216 | Not in any way? |
| 4216 | Not surprising, is it? |
| 4216 | Now then, Barlow, will you answer, or wo n''t you? |
| 4216 | Of wanting their own back? |
| 4216 | Of whom? |
| 4216 | Oh, did you? |
| 4216 | Oh, it makes my heart burn to hear you!--Do you think I might call you Anabel? |
| 4216 | Oh, yes, but-- where''s it going to end? |
| 4216 | Oliver, have you ever watched the polar bears? |
| 4216 | Perhaps I weary you? |
| 4216 | Quiet a bit now!--If three thousand men ask you a just, straightforward question, do you consider they''ve no right to an answer? |
| 4216 | Ready? |
| 4216 | Reason''s their strong point.--And if they get their increase they''ll be quite contented? |
| 4216 | Shall I come across? |
| 4216 | Shall I go for it? |
| 4216 | Shall I? |
| 4216 | So stop your sayings-- stop your sayings, I tell you-- or you''ll have them shaken out of you-- shaken out of you-- shaken out of you, do you see? |
| 4216 | So they have a personal feeling against me? |
| 4216 | Something jolly, father? |
| 4216 | Sort of megalomania, you mean? |
| 4216 | Sounds like a sneezing game, does n''t it? |
| 4216 | Sure? |
| 4216 | Tell me, Oliver, how is everything now?--how is it with you?--how is it between us all? |
| 4216 | Tha''s got a behind o''thy own, has n''t yer? |
| 4216 | That''s why you came back? |
| 4216 | The bicycles do n''t see us.--Isn''t it rather hateful to be a master? |
| 4216 | The latest? |
| 4216 | The poise? |
| 4216 | The wolf? |
| 4216 | Then what are we going to do? |
| 4216 | Then why did you have children? |
| 4216 | Then why do n''t you want me to be happy? |
| 4216 | Then you take it back, sir? |
| 4216 | There''s many a donkey that''s brought more colliers than you up to see daylight, by trotting round.--But do you want to know what I''m making for? |
| 4216 | They''re a great luxury nowadays, are n''t they? |
| 4216 | Tiberius!--Oh, did he? |
| 4216 | Times do n''t become better, do they? |
| 4216 | Too late now.--I suppose if the men come out, the clerks will come out with them? |
| 4216 | United we stand? |
| 4216 | Vermin? |
| 4216 | Vermin? |
| 4216 | Vermin? |
| 4216 | WHAT? |
| 4216 | Was it all wrong? |
| 4216 | Was it ever right between Gerald and me, all the three years we knew each other-- we were together? |
| 4216 | Was n''t that it? |
| 4216 | We are going to see you again, are n''t we? |
| 4216 | We do n''t want bloodshed, do we? |
| 4216 | We have met.--Is Winifred going to make a sculptress, do you think? |
| 4216 | We never expected anything so delightful a month ago, did we, Winifred, darling? |
| 4216 | We seem so still here, do n''t we? |
| 4216 | Well, I''m-- well, I''ll be-- you managed it very sharp, did n''t you? |
| 4216 | Well, Oliver, is Bacchus the father of whisky? |
| 4216 | Well, that does n''t seem so preposterously difficult does it? |
| 4216 | Well, what ARE you going to do? |
| 4216 | Were n''t you asked? |
| 4216 | What ABOUT Freedom? |
| 4216 | What DO you want, then? |
| 4216 | What about this affair? |
| 4216 | What about your GOOD plays? |
| 4216 | What am I but a buffoon and a slovenly caricature in the family? |
| 4216 | What art makin''for, Willie? |
| 4216 | What ballet, Winifred? |
| 4216 | What better would you be, really, if you''d killed Gerald Barlow just now? |
| 4216 | What did they say? |
| 4216 | What did you want the passion to resolve into? |
| 4216 | What did you wish to say to me, Mrs. Barlow? |
| 4216 | What do they stand for really? |
| 4216 | What do you know of love, you ninny? |
| 4216 | What do you leave for your sons to inherit? |
| 4216 | What do you mean by coming in unannounced? |
| 4216 | What do you mean by everything? |
| 4216 | What do you mean to say?--I mean you to say less, do you see?--a great deal less-- do you see? |
| 4216 | What do you mean? |
| 4216 | What do you think it wants? |
| 4216 | What do you think of him? |
| 4216 | What do you think of the working man, Oliver? |
| 4216 | What do you think, personally? |
| 4216 | What does Gerald manage? |
| 4216 | What else, Job Arthur? |
| 4216 | What have you heard, mother? |
| 4216 | What is he? |
| 4216 | What is it, if it is n''t love? |
| 4216 | What is it? |
| 4216 | What is the use of my saying anything? |
| 4216 | What is your LOVE but a megalomania, flowing over everybody and everything like spilt water? |
| 4216 | What obstacle? |
| 4216 | What of him? |
| 4216 | What of him? |
| 4216 | What of? |
| 4216 | What people? |
| 4216 | What point? |
| 4216 | What principle? |
| 4216 | What shall I play? |
| 4216 | What shall we dance to? |
| 4216 | What time is it, Gerald? |
| 4216 | What to? |
| 4216 | What vermin? |
| 4216 | What was the address about, to begin with? |
| 4216 | What was the speech about, in the first place? |
| 4216 | What''s the solution? |
| 4216 | What''s the use of prolonging this? |
| 4216 | What''s yer''urry? |
| 4216 | What? |
| 4216 | What? |
| 4216 | What? |
| 4216 | What? |
| 4216 | What?--why, how''s that? |
| 4216 | When I left him, you mean? |
| 4216 | When did I set up for a public prophet? |
| 4216 | When you said, Job Arthur, that you think of others besides yourself, did n''t you mean, as a matter of fact, the office men? |
| 4216 | When? |
| 4216 | When? |
| 4216 | Where IS the balance in a thing that''s alive? |
| 4216 | Where did it start? |
| 4216 | Where did you go to? |
| 4216 | Where have they moved from?--from the moon? |
| 4216 | Where have you met Miss Wrath? |
| 4216 | Where is our Portia, to save us with a timely quibble? |
| 4216 | Where''s my coat? |
| 4216 | Which way are we to steer? |
| 4216 | Who does n''t care about money? |
| 4216 | Who is Mr. Breffitt? |
| 4216 | Who looked after you? |
| 4216 | Who says?--Oh ay!--Who says goin''? |
| 4216 | Who''ll be the vanmen to list and carry? |
| 4216 | Who''s the cat that''s going to lick the cream? |
| 4216 | Who? |
| 4216 | Whose good? |
| 4216 | Why are n''t you clean now? |
| 4216 | Why are you angry? |
| 4216 | Why are you ironical? |
| 4216 | Why are you so cool about it? |
| 4216 | Why ca n''t you both drop your buts, and simply say you want a better way, and believe yourselves and one another when you say it? |
| 4216 | Why ca n''t you love? |
| 4216 | Why ca n''t you? |
| 4216 | Why did you come back, Anabel? |
| 4216 | Why did you refuse to give the clerks this just and fair advance, when you knew that by refusing you would throw three thousand men out of employment? |
| 4216 | Why does the moon rise, Oliver? |
| 4216 | Why not, Anabel? |
| 4216 | Why not, Gerald? |
| 4216 | Why not? |
| 4216 | Why not? |
| 4216 | Why should A People, fabulous and lofty giraffe, want to charge or pay high prices? |
| 4216 | Why should I concern myself with their feelings? |
| 4216 | Why should they? |
| 4216 | Why this time? |
| 4216 | Why trouble? |
| 4216 | Why were n''t you celibate? |
| 4216 | Why, how is it you are such a connoisseur in sadness, darling? |
| 4216 | Why, is there something you do n''t know?--something you''re not sure about? |
| 4216 | Why? |
| 4216 | Why? |
| 4216 | Why? |
| 4216 | Will you be so good as to play something for us to dance to? |
| 4216 | Will you have anything to drink? |
| 4216 | Will you help yourself? |
| 4216 | Wo n''t you get in and drive on with us a little way? |
| 4216 | Wo n''t you go? |
| 4216 | Wo n''t you take a little cherry brandy? |
| 4216 | Wo n''t you tell me about something else you made-- something lovely? |
| 4216 | Would you like nurse? |
| 4216 | Yes, indeed.--Would you be so good as to ring, Oliver? |
| 4216 | Yes-- do you mind? |
| 4216 | Yet I feel hope-- don''t you? |
| 4216 | Yet I have come back, have n''t I? |
| 4216 | You and Gerald were together for some time? |
| 4216 | You and this young woman have lived together, then? |
| 4216 | You are a sculptor, Winifred.--Isn''t there someone there? |
| 4216 | You are n''t hurt, are you? |
| 4216 | You ask why the clerks did n''t get this increase? |
| 4216 | You can tell what people want by the leaders they choose, do you see? |
| 4216 | You choose leaders whom I respect, and I''ll respect you, do you see? |
| 4216 | You do n''t think all the colliers are the same, all over the country? |
| 4216 | You do, do you? |
| 4216 | You hear me? |
| 4216 | You hear, Anabel? |
| 4216 | You know the men have decided to stand by the office men? |
| 4216 | You mean by increasing demands for higher wages? |
| 4216 | You mean my friendship with Gerald went against you? |
| 4216 | You mean you happened to be on one side of the door while Oliver and Anabel were talking on the other? |
| 4216 | You mean you want to be told? |
| 4216 | You rang, madam? |
| 4216 | You think I came back for mischief''s sake? |
| 4216 | You think Labour''s in a funny state, do you? |
| 4216 | You think it''ll be all right? |
| 4216 | You two alone? |
| 4216 | You understand how I mean? |
| 4216 | You will STILL have them coming to the house, will you? |
| 4216 | You will go up, sir? |
| 4216 | You will still let them trample in our private rooms, will you? |
| 4216 | You wo n''t answer, Barlow? |
| 4216 | You wo n''t disturb your mother? |
| 4216 | Your old neuritis? |
| 9498 | ''"Hello, is somebody in here?" |
| 9498 | ''"Strew on us roses, roses,"''quoted Byrne, adding after a while, in wistful mockery:''"And never a sprig of yew"--eh?'' |
| 9498 | ''Am I not uneasy?'' |
| 9498 | ''And I for breakfast-- but shall I do?'' |
| 9498 | ''And I, Siegmund?'' |
| 9498 | ''And I?'' |
| 9498 | ''And Siegmund, how is he, I wonder?'' |
| 9498 | ''And are you ready for your supper?'' |
| 9498 | ''And bring the bread and butter, too, will you?'' |
| 9498 | ''And did ye see the ships of war?'' |
| 9498 | ''And if you were ill-- you would let me come to you?'' |
| 9498 | ''And shall I not be brave?'' |
| 9498 | ''And then where?'' |
| 9498 | ''And what sort of a time have you had?'' |
| 9498 | ''And what time shall you expect dinner?'' |
| 9498 | ''And when was this, then-- that he--?'' |
| 9498 | ''And when we come out of the mist- curtain, what will it be? |
| 9498 | ''And why did he ask me so peculiarly whether he should wire them at home?'' |
| 9498 | ''And will you be sad?'' |
| 9498 | ''And you are glad?'' |
| 9498 | ''And you?'' |
| 9498 | ''And you?'' |
| 9498 | ''Are n''t they fine bits?'' |
| 9498 | ''Are n''t you going to bed?'' |
| 9498 | ''Are n''t you going to get your chocolate?'' |
| 9498 | ''Are n''t_ you_ having any?'' |
| 9498 | ''Are there?'' |
| 9498 | ''Are you sure it is not bad for you-- your head, Siegmund? |
| 9498 | ''Are you sure this is the right way?'' |
| 9498 | ''Are you sure?'' |
| 9498 | ''At Waterloo?'' |
| 9498 | ''At least,''he said, in mortification of himself--''at least, someone must recognize a strain of God in me-- and who does? |
| 9498 | ''Because I scan a list of puddings?'' |
| 9498 | ''Because we were n''t in till about eleven?'' |
| 9498 | ''But ca n''t you_ do_ something?'' |
| 9498 | ''But did we not come this way?'' |
| 9498 | ''But is n''t it a beautiful evening? |
| 9498 | ''But shall we come down here in the morning, and find some?'' |
| 9498 | ''But then, what then? |
| 9498 | ''But what did you go for?'' |
| 9498 | ''But what has he_ been_ doing?'' |
| 9498 | ''But what will he do, Mam?'' |
| 9498 | ''But who did you go with?'' |
| 9498 | ''But why should you?'' |
| 9498 | ''But why?'' |
| 9498 | ''But why?'' |
| 9498 | ''But will you be able to fake the old life up, happier, when you go back?'' |
| 9498 | ''But you agree?'' |
| 9498 | ''But you have promised Louisa, have you not?'' |
| 9498 | ''Ca n''t you forget it, Siegmund?'' |
| 9498 | ''Ca n''t you forget it? |
| 9498 | ''Ca n''t you smell it-- like hot tobacco and sandal- wood?'' |
| 9498 | ''Ca n''t you smell_ Fumum et opes strepitumque Romae_?'' |
| 9498 | ''Catching what?'' |
| 9498 | ''Could n''t you take me?'' |
| 9498 | ''Did he?'' |
| 9498 | ''Did it disturb you? |
| 9498 | ''Did n''t you have a good time?'' |
| 9498 | ''Did you go to the house?'' |
| 9498 | ''Did you?'' |
| 9498 | ''Do n''t I know what you are? |
| 9498 | ''Do n''t they seem a long way off?'' |
| 9498 | ''Do n''t you like it?'' |
| 9498 | ''Do n''t you think it''s wrong to get like it?'' |
| 9498 | ''Do n''t you think we had better be mounting the cliffs?'' |
| 9498 | ''Do they?'' |
| 9498 | ''Do you think the man_ wanted_ to drown the boat?'' |
| 9498 | ''Do you want any supper?'' |
| 9498 | ''Does she-- your other friend-- does she know?'' |
| 9498 | ''Does the Czar sail this way?'' |
| 9498 | ''Does the sea really char it?'' |
| 9498 | ''Fasolt? |
| 9498 | ''For fear of alarming the old lady?'' |
| 9498 | ''Forgive you?'' |
| 9498 | ''H''m? |
| 9498 | ''Had we better go back?'' |
| 9498 | ''Has she come?'' |
| 9498 | ''Have n''t all women?'' |
| 9498 | ''Have n''t you done it?'' |
| 9498 | ''Have you ever noticed, Mr Holiday,''asked Vera, as if very friendly,''how awfully tantalizing these flowers are? |
| 9498 | ''Have you found an acquaintance even here?'' |
| 9498 | ''Have you heard anything against us? |
| 9498 | ''Have you never seen them?'' |
| 9498 | ''Have you noticed the waves? |
| 9498 | ''Have you read this tale of a French convent school in here, Mother?'' |
| 9498 | ''Have you washed your ears?'' |
| 9498 | ''How could I leave you?'' |
| 9498 | ''How could I? |
| 9498 | ''How could we help?'' |
| 9498 | ''How did you find things at home?'' |
| 9498 | ''How did you get to know?'' |
| 9498 | ''How did you sleep?'' |
| 9498 | ''How do you do?'' |
| 9498 | ''How long have you been in?'' |
| 9498 | ''How long will it be?'' |
| 9498 | ''How?'' |
| 9498 | ''I believe you''ve got a tooth out, have n''t you?'' |
| 9498 | ''I did well to ask you to come?'' |
| 9498 | ''I did well, did n''t I, Siegmund?'' |
| 9498 | ''I live here-- at least for the present-- name, Hampson--''''Why, were n''t you one of the first violins at the Savoy fifteen years back?'' |
| 9498 | ''I suppose the newspaper will tell us?'' |
| 9498 | ''I will, since I may not do more,''replied Siegmund, smiling, continuing:''And how is Sister Louisa?'' |
| 9498 | ''I?'' |
| 9498 | ''In the first place, what does it mean?'' |
| 9498 | ''In what way?'' |
| 9498 | ''In what way?'' |
| 9498 | ''In where?'' |
| 9498 | ''Is he taken bad or something? |
| 9498 | ''Is it a dream now, dear?'' |
| 9498 | ''Is it a-- a natural sleep?'' |
| 9498 | ''Is it so late?'' |
| 9498 | ''Is it the least of the front rooms he''s in?'' |
| 9498 | ''Is it?'' |
| 9498 | ''Is it?'' |
| 9498 | ''Is my promise so_ very_ important?'' |
| 9498 | ''Is n''t it beautiful this morning?'' |
| 9498 | ''Is n''t it nice?'' |
| 9498 | ''Is n''t the sea wonderful this morning?'' |
| 9498 | ''Is that why I have failed? |
| 9498 | ''Is the table ready to be cleared yet?'' |
| 9498 | ''Is there no more time for me?'' |
| 9498 | ''It seems another eternity before the three- forty- five train, does n''t it?'' |
| 9498 | ''It''s after half past ten-- aren''t you going to get up?'' |
| 9498 | ''It_ is_ blood?'' |
| 9498 | ''Later,''she murmured--''later than what?'' |
| 9498 | ''Like a housewife of forty going placidly round with the duster-- yes?'' |
| 9498 | ''Mam,''Siegmund heard her say as she went down the hall,''has dad come?'' |
| 9498 | ''Need we go-- need we leave this place of friends?'' |
| 9498 | ''Nevertheless,''said Mr. Allport,''it''s true-- isn''t it?'' |
| 9498 | ''No? |
| 9498 | ''Of what, dear?'' |
| 9498 | ''Oh, is n''t there? |
| 9498 | ''On credit?'' |
| 9498 | ''Perhaps you would like one of these?'' |
| 9498 | ''Shall I leave you the candle?'' |
| 9498 | ''Shall I let her out?'' |
| 9498 | ''Shall I read to you?'' |
| 9498 | ''Shall I?'' |
| 9498 | ''Shall it be Hampton Court or Richmond on Sunday?'' |
| 9498 | ''Shall it not be so-- no yew?'' |
| 9498 | ''Shall we go out a moment, Siegmund?'' |
| 9498 | ''Shall we go out, or are you too tired? |
| 9498 | ''Shall we go?'' |
| 9498 | ''Shall we not go under the rocks?'' |
| 9498 | ''Shall we sit by firelight?'' |
| 9498 | ''Shall we walk over, then?'' |
| 9498 | ''So many calories per week-- isn''t that how we manage it?'' |
| 9498 | ''So you have lain there amusing yourself at my expense all the time?'' |
| 9498 | ''Stare beyond it, you mean?'' |
| 9498 | ''Surely he didn''t--?'' |
| 9498 | ''The men- of- war? |
| 9498 | ''The noise, you mean? |
| 9498 | ''The young donkey, why does n''t he get out?'' |
| 9498 | ''Then? |
| 9498 | ''They look rather incongruous, do n''t you think? |
| 9498 | ''To Brighton?'' |
| 9498 | ''To Worthing?'' |
| 9498 | ''Twuly?'' |
| 9498 | ''Well, and what then?'' |
| 9498 | ''Well, then''--and again there was the touch of a sneer--''if I ca n''t help myself, why trouble, my friend?'' |
| 9498 | ''Well,''said Siegmund,''are there any postcards?'' |
| 9498 | ''Were n''t they pretty?'' |
| 9498 | ''What am I doing? |
| 9498 | ''What am I going to do?'' |
| 9498 | ''What anniversary is it, then?'' |
| 9498 | ''What are you shouting for?'' |
| 9498 | ''What are you thinking of?'' |
| 9498 | ''What day is it, Siegmund?'' |
| 9498 | ''What did he say?'' |
| 9498 | ''What do I want?'' |
| 9498 | ''What do you mean by"leak"?'' |
| 9498 | ''What do you mean? |
| 9498 | ''What do you say, Mother?'' |
| 9498 | ''What do you say?'' |
| 9498 | ''What do you think you_ can_ do?'' |
| 9498 | ''What does it matter, Helena?'' |
| 9498 | ''What does it matter? |
| 9498 | ''What does it matter? |
| 9498 | ''What have you got?'' |
| 9498 | ''What is he doing, Mam?'' |
| 9498 | ''What is he thinking of?'' |
| 9498 | ''What is it, Helena?'' |
| 9498 | ''What is it, dear?'' |
| 9498 | ''What is it? |
| 9498 | ''What is it?'' |
| 9498 | ''What is it?'' |
| 9498 | ''What is it?'' |
| 9498 | ''What is it?'' |
| 9498 | ''What is myself?'' |
| 9498 | ''What is she thinking?'' |
| 9498 | ''What is the music of it?'' |
| 9498 | ''What is the note in_ Tristan_?'' |
| 9498 | ''What is the pitch?'' |
| 9498 | ''What made her bring me the letters?'' |
| 9498 | ''What music do you think holds the best interpretation of sunset?'' |
| 9498 | ''What of yourself?'' |
| 9498 | ''What primroses?'' |
| 9498 | ''What then? |
| 9498 | ''What time have I for reading, much less for anything else?'' |
| 9498 | ''What time is it?'' |
| 9498 | ''What will she do?'' |
| 9498 | ''What will she do?'' |
| 9498 | ''What would it just be like now?'' |
| 9498 | ''What, are you alone?'' |
| 9498 | ''What, do you like it? |
| 9498 | ''What, has she been saying something about last night?'' |
| 9498 | ''What, is that the stack?'' |
| 9498 | ''What_ was_ the matter with you?'' |
| 9498 | ''When does your engagement at the Comedy Theatre commence?'' |
| 9498 | ''When is a hundred not a hundred?'' |
| 9498 | ''Where have you been to?'' |
| 9498 | ''Where is Helena?'' |
| 9498 | ''Where is Louisa?'' |
| 9498 | ''Where is he, Mum?'' |
| 9498 | ''Where is the coffee?'' |
| 9498 | ''Where it is horizontal? |
| 9498 | ''Where''s my stockings?'' |
| 9498 | ''Wherefore?'' |
| 9498 | ''Who called them"fairies''telephones"?'' |
| 9498 | ''Why am I doing this?'' |
| 9498 | ''Why did n''t you give them me to warm?'' |
| 9498 | ''Why did n''t you send me the time of the train, so that I could come and meet you?'' |
| 9498 | ''Why do n''t you go down and ask?'' |
| 9498 | ''Why do you ask me? |
| 9498 | ''Why do you?'' |
| 9498 | ''Why hell, Siegmund?'' |
| 9498 | ''Why me?'' |
| 9498 | ''Why not?'' |
| 9498 | ''Why should I be turned out of the game?'' |
| 9498 | ''Why should I want to label them?'' |
| 9498 | ''Why should we?'' |
| 9498 | ''Why should you cry?'' |
| 9498 | ''Why should you want putting in a pinafore?'' |
| 9498 | ''Why, how is that?'' |
| 9498 | ''Why, mum?'' |
| 9498 | ''Why,''she cried,''was n''t it all right?'' |
| 9498 | ''Why? |
| 9498 | ''Why?'' |
| 9498 | ''Why?'' |
| 9498 | ''Why?'' |
| 9498 | ''Why?'' |
| 9498 | ''Will it be fine all day?'' |
| 9498 | ''Will she be all right if you leave her?'' |
| 9498 | ''Will you carry the basket or the violin, Mater?'' |
| 9498 | ''Will you come and see if there''s anything wrong with my husband?'' |
| 9498 | ''Will you have anything to eat?'' |
| 9498 | ''Will you have cocoa or lemonade?'' |
| 9498 | ''Will you make coffee, Louisa?'' |
| 9498 | ''Will you want anything else?'' |
| 9498 | ''Wo n''t you go to rest, Nellie?'' |
| 9498 | ''Wo n''t you go to rest, Nellie?'' |
| 9498 | ''Wo n''t you let me go by the South- Western, and you by the Brighton?'' |
| 9498 | ''Would it?'' |
| 9498 | ''Would the woman cry, or hug and kiss the boy when she got on board?'' |
| 9498 | ''Would you care to?'' |
| 9498 | ''Would you like this? |
| 9498 | ''Would you like to come to the window?'' |
| 9498 | ''Would you rather have me more like the rest, or more unlike, Siegmund? |
| 9498 | ''Would you really like to travel beyond the end?'' |
| 9498 | ''Ye did run well-- what hath hindered you?'' |
| 9498 | ''Yes, I ought to have done, ought n''t I?'' |
| 9498 | ''Yes, but the settled pitch-- is it about E?'' |
| 9498 | ''Yes, he did belittle great things, did n''t he?'' |
| 9498 | ''You are not afraid?'' |
| 9498 | ''You are not alone on your holiday?'' |
| 9498 | ''You are not an Anarchist, I hope?'' |
| 9498 | ''You are not gone, then?'' |
| 9498 | ''You are sure you''re not too tired?'' |
| 9498 | ''You ca n''t do without me?'' |
| 9498 | ''You have bathed?'' |
| 9498 | ''You have made so many enemies?'' |
| 9498 | ''You have n''t seen it this morning?'' |
| 9498 | ''You have n''t sent them any word?'' |
| 9498 | ''You mean I lose my attraction for you, or my hold over you, and then you--?'' |
| 9498 | ''You wo n''t be tired when you go back?'' |
| 9498 | ''You would like supper now, dear?'' |
| 9498 | ''You''ll be coming in to dinner today?'' |
| 9498 | ''You''re a bit downright are you not?'' |
| 9498 | ''You-- what of you?'' |
| 9498 | After a few moments of watching the bank, she said:''Do you know, I have never gathered one? |
| 9498 | Ai n''t he a rotten funker?'' |
| 9498 | Am I a servant to eat out of your hand?'' |
| 9498 | Am I right?'' |
| 9498 | Am I unconscious? |
| 9498 | And at the same moment Beatrice answered, also crossly:''What do you want?'' |
| 9498 | And then what? |
| 9498 | Apart from the gold light, and the hum and the colour of day, what was I? |
| 9498 | Are they down here?'' |
| 9498 | Are you sure?'' |
| 9498 | As Helena reluctantly entered the mother drew herself up, and immediately relaxed, seeming to peck forwards as she said:''Well?'' |
| 9498 | As if in answer or in protest to her thoughts, Siegmund said:''Do you want anything better than this, dear? |
| 9498 | At last he had something to say to Helena:''Do you remember,''he asked,''the roses of Sharon all along here?'' |
| 9498 | Beatrice called from the bottom of the stairs:''Do you want any hot water?'' |
| 9498 | Besides, I_ have_ burned bright; I have laid up a fine cell of honey somewhere-- I wonder where? |
| 9498 | But are n''t they beautiful?'' |
| 9498 | But in the eyes of the world--''''If you feel so in yourself, is not that enough?'' |
| 9498 | But what then?'' |
| 9498 | But what will she do?'' |
| 9498 | But why should he have failed with Helena? |
| 9498 | But, after all-- what is there to do but to hop out of life as quickly as possible? |
| 9498 | Ca n''t you forget it, dear?'' |
| 9498 | Can you?'' |
| 9498 | Do I disturb them?'' |
| 9498 | Do I make any noise? |
| 9498 | Do n''t they devour the sunshine?'' |
| 9498 | Do n''t you ever put anything on to heal it?'' |
| 9498 | Do you think so?'' |
| 9498 | Do you want a nice plum?'' |
| 9498 | Does n''t it seem to you to be travelling with us? |
| 9498 | For what is a life but a flame that bursts off the surface of darkness, and tapers into the darkness again? |
| 9498 | Had the world a heart? |
| 9498 | Has n''t it been hot?'' |
| 9498 | Have I done anything? |
| 9498 | Have I said anything? |
| 9498 | Have you ever been through the larch- wood?'' |
| 9498 | He held her safely, saying nothing until she was calmer, when, with his lips on her cheek, he murmured:''I should be able, should n''t I, Helena?'' |
| 9498 | He hunted through the country and the sky, asking of everything,''Am I right? |
| 9498 | He was walking down the path when the door was snatched open behind him, and Vera ran out crying:''Are you going out? |
| 9498 | Hearing the front door open, Mrs Curtiss called from upstairs:''Is that you, dear?'' |
| 9498 | Helena let him go, shook herself free, turned sharply aside, and said:''Shall we go down to the water?'' |
| 9498 | Helena, did you see that?'' |
| 9498 | Helena, who was thinking actively, leaned forward to him to say:''Shall I not go down to Cornwall?'' |
| 9498 | Her little voice could be heard cautiously asking:''Mam, is dad cross-- is he? |
| 9498 | How can one be outcast in one''s own night, and the moon always naked to us, and the sky half her time in rags? |
| 9498 | How could he leave her alone while he watched the sky? |
| 9498 | How could he play with the idea of death, and the five great days in front? |
| 9498 | How could he set himself again into joint with these? |
| 9498 | How could it be that he and Helena were two children of London wandering to find their lodging in Freshwater? |
| 9498 | How much farther do you''think you can go? |
| 9498 | How should I?'' |
| 9498 | How would it be? |
| 9498 | I always think Scripture false in French, do not you?'' |
| 9498 | I think this is about perfect, do n''t you?'' |
| 9498 | I wonder how much you think I shall stand? |
| 9498 | I''d rather see her shoulders and breast than all heaven and earth put together could show.... Why does n''t she like me?'' |
| 9498 | If Life could swerve from its orbit for pity, what terror of vacillation; and who would wish to bear the responsibility of the deflection? |
| 9498 | If it''s too much-- what_ is_ too much?'' |
| 9498 | Is he there?'' |
| 9498 | Is it any good my going if I leave her behind? |
| 9498 | Is n''t it fine to be up here, with the sky for nearest neighbour?'' |
| 9498 | Is something wrong?'' |
| 9498 | It is I who am to blame, is it? |
| 9498 | It is I, is it, who am wrong? |
| 9498 | It is so, is n''t it? |
| 9498 | It was inevitable; then would begin-- what? |
| 9498 | It would go on, after his death, just in the same way, for a while, and then? |
| 9498 | It''s a pity to try and stare out of a beautiful blue day like this, do n''t you think?'' |
| 9498 | Look here-- who''d care? |
| 9498 | Louisa suddenly stopped crying and sat up:''Oh, I know I''m a pig, dear, am I not?'' |
| 9498 | Nevertheless, when she drew near he said brightly:''Have you noticed how the thousands of dry twigs between the trunks make a brown mist, a brume?'' |
| 9498 | Oh, you are coming to Waterloo?'' |
| 9498 | Pulling himself together, he bent his head from the sea, and said:''Why, what time is it?'' |
| 9498 | Shall I put her down?'' |
| 9498 | Shall we come here next year, and stay for a whole month?'' |
| 9498 | Shall we go down to the water?'' |
| 9498 | She lifted her voice and shouted:''Mam? |
| 9498 | She pressed her face in his breast, and said in a muffled, unrecognizable voice:''You wo n''t leave me, will you, Siegmund?'' |
| 9498 | She restrained herself, and immediately called:''You are coming? |
| 9498 | She waited a while, clinging to him, then, finding some difficulty in speech, she asked:''Was I very cruel, dear?'' |
| 9498 | She was young and naïve, and should he be angry with her for that? |
| 9498 | Siegmund was gazing oversea in a half- stupid way, when he heard a voice beside him say:''Where have they come from; do you know, sir?'' |
| 9498 | Siegmund was gone; why had he not taken her with him? |
| 9498 | Siegmund was repeating deliriously in his mind:''Oh-- go-- go-- go-- when will she go?'' |
| 9498 | Sitting in the dark, Mother?'' |
| 9498 | Smiling quickly, gently--''''Never?'' |
| 9498 | Suddenly controlling herself, she said loudly at Siegmund''s door, her voice coldly hostile:''Are n''t you going to get up?'' |
| 9498 | Supposing they could not get by? |
| 9498 | Surely he could help? |
| 9498 | Swiftly he took her in his arms, and asked in a troubled voice:''What is it, dear? |
| 9498 | The fields were very flowery, the morning was very bright, but what were these to her? |
| 9498 | The little one waited for her father, calling shrilly:''Tiss ca n''t fall now, can she, dadda? |
| 9498 | The question was, How should he reset himself into joint? |
| 9498 | Then,''Is there really nothing I could turn to?'' |
| 9498 | Vera waited awhile, then repeated plaintively:''Are n''t you going to bed, Father?'' |
| 9498 | Very well, then, that being so, what remained possible? |
| 9498 | Was Siegmund asleep? |
| 9498 | Was somebody coming? |
| 9498 | Was that really Siegmund, that stooping, thick- shouldered, indifferent man? |
| 9498 | Was that the Siegmund who had seemed to radiate joy into his surroundings, the Siegmund whose coming had always changed the whole weather of her soul? |
| 9498 | Was that the Siegmund whose touch was keen with bliss for her, whose face was a panorama of passing God? |
| 9498 | Was there also deep in the world a great God thudding out waves of life, like a great heart, unconscious? |
| 9498 | Was this the real Siegmund, and her own only a projection of her soul? |
| 9498 | We are all glad when intense moments are done with; but why did she fling round in that manner, stopping the keen note short; what would she do? |
| 9498 | Well, have you made the plans for today?'' |
| 9498 | What I mean to say-- for long?'' |
| 9498 | What I mean to say-- what''s the good, after all? |
| 9498 | What about you, Helena?'' |
| 9498 | What are you going to do?'' |
| 9498 | What can I do? |
| 9498 | What could he hold to in this great, hoarse breathing night? |
| 9498 | What did he do?'' |
| 9498 | What do I matter?'' |
| 9498 | What do we want?'' |
| 9498 | What do you expect, after a day like this?'' |
| 9498 | What do you think I am, to put up with it? |
| 9498 | What do you think I am? |
| 9498 | What do you think_ I_ do? |
| 9498 | What does it matter? |
| 9498 | What has happened at home? |
| 9498 | What has happened? |
| 9498 | What is the good? |
| 9498 | What is the matter? |
| 9498 | What is the matter?'' |
| 9498 | What makes me myself, among all these?'' |
| 9498 | What shall I be when I come out of this? |
| 9498 | What should I think of myself?'' |
| 9498 | What times does the train go?'' |
| 9498 | What was all this? |
| 9498 | What was behind the gate? |
| 9498 | What was he to do? |
| 9498 | What will become of her? |
| 9498 | What will become of us-- what will happen?'' |
| 9498 | What will you have?'' |
| 9498 | What would she do when she was thirty- eight, and as old as himself? |
| 9498 | What''s the point?'' |
| 9498 | What''s the trouble now?'' |
| 9498 | What''s the use,''replied Mr Allport, turning to look at his landlady,''of going out? |
| 9498 | When Vera had gone, she asked, in the peculiar tone that made Siegmund shiver:''Why do you consider the music of_ Pellà © as_ cold?'' |
| 9498 | When can I set my feet on when this is gone?'' |
| 9498 | When would the tip be placed upon the table of the sea? |
| 9498 | Where are you going?'' |
| 9498 | Where is the north, even?'' |
| 9498 | Where was Siegmund? |
| 9498 | Which is it?'' |
| 9498 | Whose are they? |
| 9498 | Why did I come back? |
| 9498 | Why did n''t you call me sooner?'' |
| 9498 | Why had she not smothered it and pretended? |
| 9498 | Why had she, a woman, betrayed herself so flagrantly? |
| 9498 | Why should I be parcelled up into mornings and evenings and nights? |
| 9498 | Why should I discuss reasons for and against? |
| 9498 | Why should they give themselves away any more than you do? |
| 9498 | Why that"once could"?'' |
| 9498 | Why was he cruel to her because she had not his own bitter wisdom of experience? |
| 9498 | Why?'' |
| 9498 | Wo n''t you tell me what is the matter?'' |
| 9498 | Would she speak? |
| 9498 | Would she touch him with her small hands? |
| 9498 | Would the child speak to him? |
| 9498 | You are full and beautiful enough in the flesh-- why will she help to destroy you, when she loved you to such extremity?'' |
| 9498 | You have had your fling, have n''t you? |
| 9498 | You talk about shirking the engagement, but who is going to be responsible for your children, do you think?'' |
| 9498 | You will not be long, dear?'' |
| 9498 | You will put the lamp out, dear?'' |
| 9498 | You will see us forth on our perils?'' |
| 9498 | cried Siegmund,''What will she do when I am gone? |
| 9498 | exclaimed Hampson; then:''Do you remember Flaubert''s saint, who laid naked against a leper? |
| 9498 | she cried,''How could we miss it?'' |
| 9498 | she exclaimed,''may I come into the fold? |
| 9498 | thought Siegmund-- he was tired--''if one bee dies in a swarm, what is it, so long as the hive is all right? |
| 4240 | After all, is it not the teaching of Christ? |
| 4240 | After all, what good was this? |
| 4240 | After all, who can take the nationalisation of Ireland seriously? |
| 4240 | Ah, but would their kisses be fine and powerful as the kisses of the firm- mouthed master? |
| 4240 | Ah, if only he would have made this demand of her? |
| 4240 | And Birkin, would he acknowledge, or would he deny her? |
| 4240 | And at her side Winifred chuckled with glee, and said: â � � It isnâ � � t like him, is it? |
| 4240 | And do you think I ever shall? |
| 4240 | And if she did, would he acknowledge her? |
| 4240 | And now, she doesnâ � � t take any more notice than if it was one of the servants.â � � â � � No? |
| 4240 | And that kills everything, doesnâ � � t it? |
| 4240 | And was he fated to pass away in this knowledge, this one process of frost- knowledge, death by perfect cold? |
| 4240 | And werenâ � � t you ever afraid?â � � â � � In my life? |
| 4240 | And what did she say then? |
| 4240 | And what does it mean to me, after all? |
| 4240 | And what then? |
| 4240 | And what would she do with herself, when she had destroyed herself? |
| 4240 | And who can take political England seriously? |
| 4240 | And who wants a third heaven? |
| 4240 | And why? |
| 4240 | And why? |
| 4240 | And why? |
| 4240 | And youâ � � ll be sure to come? |
| 4240 | Angelâ � � angelâ � � donâ � � t you think sheâ � � s good enough and beautiful enough to go to heaven, Gudrun? |
| 4240 | Apart from that, I live because I am living.â � � â � � And whatâ � � s your work? |
| 4240 | Are you going for a walk? |
| 4240 | Are you going? |
| 4240 | Arenâ � � t we exchanging the substance for the shadow, arenâ � � t we forfeiting life for this dead quality of knowledge? |
| 4240 | As a man as of a knife: does it cut well? |
| 4240 | As for her, when would she so much go beyond herself as to accept him at the quick of death? |
| 4240 | But I am no good at those thingsâ � � they donâ � � t interest me.â � � â � � They donâ � � t? |
| 4240 | But after all, what did it matter? |
| 4240 | But after all, why not? |
| 4240 | But he took off his hat and smiled at them with a real smile in his eyes, so that Brangwen cried out heartily in relief: â � � How do you do? |
| 4240 | But isnâ � � t it really an illusion to think you can get out of it? |
| 4240 | But opinions vary, donâ � � t they? |
| 4240 | But the other is our real realityâ � � â � � â � � But what other? |
| 4240 | But there, what did it matter? |
| 4240 | But was she herself any better? |
| 4240 | But what did it matter? |
| 4240 | But what made her do that? |
| 4240 | But why come to any road? |
| 4240 | But why do you look so cross? |
| 4240 | By the way, how did things go off with Pussum after I left you? |
| 4240 | Can anybody lend me a shilling? |
| 4240 | Can you believe you lived in this place and never felt it? |
| 4240 | Can youâ � � â � � she sniffed, and sniffed at the bottleâ � � â � � can you smell bilberries? |
| 4240 | Canâ � � t you be together without marriage? |
| 4240 | Canâ � � t you go away and live somewhere without marriage? |
| 4240 | Could he fold her in his arms and sheathe her in sleep? |
| 4240 | Could she give herself to it? |
| 4240 | Did all enjoy it? |
| 4240 | Did all enjoy the thrill? |
| 4240 | Did he not think her good looking, then? |
| 4240 | Did he think that pride or masterful will or physical strength would help him? |
| 4240 | Did it?â � � or was thereâ � �? |
| 4240 | Did one have to die like thisâ � � having the life extracted forcibly from one, whilst one smiled and made conversation to the end? |
| 4240 | Did she want â � � goodnessâ � �? |
| 4240 | Did you ever see anything like Sir Joshua? |
| 4240 | Did you sleep well? |
| 4240 | Didnâ � � t Winifred tell you? |
| 4240 | Do you mind putting out the flame under the chafing- dish, Rupert? |
| 4240 | Do you notice how it exalts everything? |
| 4240 | Do you think he is your property, that you can come whenever you like? |
| 4240 | Do you think if I drink water it would take off this hiccup? |
| 4240 | Do you think you can hire a woman like Gudrun Brangwen with money? |
| 4240 | Do you understand what I mean? |
| 4240 | Does he think itâ � � s manly, to torture a horse? |
| 4240 | Does it matter, whether I drink white wine this evening, or whether I drink nothing? |
| 4240 | Does one begrudge it her? |
| 4240 | Doesnâ � � t it destroy all our spontaneity, all our instincts? |
| 4240 | Donâ � � t the botanists put it highest in the line of development? |
| 4240 | Donâ � � t you think I might have a room to myself, now Ursula has gone? |
| 4240 | Down the old, old Imperial road? |
| 4240 | Dresden, Paris, or London, what did it matter? |
| 4240 | For where was life to be found? |
| 4240 | Gerald himself, who was responsible for all this industry, was he a good director? |
| 4240 | Geraldâ � � who was he? |
| 4240 | Good God, do you think I should sleep? |
| 4240 | Gudrun, you will dance, wonâ � � t you? |
| 4240 | Has it? |
| 4240 | Has_ everything_ that happens a universal significance? |
| 4240 | Have we not the courage to go on with our journey, must we cry â � � I darenâ � � tâ � �? |
| 4240 | Have you got it? |
| 4240 | He was only talking to himself, saying â � � Over, is it? |
| 4240 | He was so healthy and well- made, why did he make one ashamed, why did one feel repelled? |
| 4240 | How are the rest of your affairs progressing, apart from the business?â � � â � � The rest of my affairs? |
| 4240 | How can there be any secrecy, when everything is known to all of us? |
| 4240 | How can there be any secrets, we are all the same organisms? |
| 4240 | How can you know anything, when you donâ � � t believe? |
| 4240 | How could anything that gave one satisfaction be excluded? |
| 4240 | How could he say â � � Iâ � � when he was something new and unknown, not himself at all? |
| 4240 | How could it matter, what he did? |
| 4240 | How did we live? |
| 4240 | How disentangle the passion for equality from the passion of cupidity, when begins the fight for equality of possessions? |
| 4240 | How do you do, Mrs Brangwen? |
| 4240 | How far, in their inverted culture, had these West Africans gone beyond phallic knowledge? |
| 4240 | How much more of him was there to know? |
| 4240 | How much was there? |
| 4240 | How should Gerald hope to satisfy a woman of Gudrunâ � � s calibre? |
| 4240 | How should he close again? |
| 4240 | How was it? |
| 4240 | I can manage perfectly well with my old Oxford Turkish.â � � â � � But may I give it to you? |
| 4240 | I donâ � � t really know enough about it.â � � â � � You know what they say? |
| 4240 | I shall see you again, shanâ � � t I? |
| 4240 | I want them only for reference.â � � â � � But canâ � � t I give you a new book? |
| 4240 | I was never so taken aback in my life.â � � â � � And werenâ � � t you furious?â � � â � � Furious? |
| 4240 | I will write to you here, at the school, shall I? |
| 4240 | If a man can see the next step to be taken, why should he fear the next but one? |
| 4240 | If the deepest desire be now, to go on into the unknown of death, shall one forfeit the deepest truth for one more shallow? |
| 4240 | If the latter, how was it he was always talking about sensual fulfilment? |
| 4240 | If this were human life, if these were human beings, living in a complete world, then what was her own world, outside? |
| 4240 | In one mood, not a bit, in another, very much.â � � â � � But doesnâ � � t it make you feel ashamed? |
| 4240 | Is Mr Birkin in? |
| 4240 | Is every manâ � � s life subject to pure accident, is it only the race, the genus, the species, that has a universal reference? |
| 4240 | Is it not rather an appeal to the proprietory instinct, the_ commercial_ instinct? |
| 4240 | Is our day of creative life finished? |
| 4240 | Is_ that_ spiritual, her bullying, her conceit, her sordid materialism? |
| 4240 | Isnâ � � t he funny? |
| 4240 | Isnâ � � t it a sweetling? |
| 4240 | Isnâ � � t it delightful to live here? |
| 4240 | Isnâ � � t it wonderful? |
| 4240 | Isnâ � � t the young green beautiful? |
| 4240 | Isnâ � � t_ anything_ better than this? |
| 4240 | It is death to oneâ � � s selfâ � � but it is the coming into being of another.â � � â � � But how? |
| 4240 | Italy? |
| 4240 | Itâ � � s no trouble just to hear what they have to say.â � � â � � How many more have been here today? |
| 4240 | Itâ � � s quite nuts for you? |
| 4240 | Iâ � � m sure youâ � � ve never loved a woman.â � � â � � You feel that, do you? |
| 4240 | Just as he had decided this, one of the Crich daughters came up, saying: â � � Wonâ � � t you come and take your hat off, mother dear? |
| 4240 | Just because humanity was wiped out? |
| 4240 | Matrimonial? |
| 4240 | Mi ricordi, mi ricordi beneâ � � non è vero, piccolo? |
| 4240 | Must he see, must he know? |
| 4240 | Must one go through all the horror of this victory over death, the triumph of the integral will, that would not be broken till it disappeared utterly? |
| 4240 | Nevertheless, when her husband was away, she would come down like a wolf on the crawling supplicants: â � � What do you people want? |
| 4240 | Nothing? |
| 4240 | Oh, God, could one bear it, this past which was gone down the abyss? |
| 4240 | Oh, why wasnâ � � t somebody kind to her? |
| 4240 | One doesnâ � � t know her in five minutes, does one? |
| 4240 | One must have oneâ � � s workshop, otherwise one never ceases to be an amateur.â � � â � � Is that so? |
| 4240 | Only, I neednâ � � t be churlish to her, need I? |
| 4240 | Or can he not? |
| 4240 | Or is this not true, is there no such thing as pure accident? |
| 4240 | Oriental? |
| 4240 | Shall I? |
| 4240 | She said to herself, in torment recalling the blow and the kiss, â � � after all, what is it? |
| 4240 | She seemed sorry afterwards.â � � â � � Did she? |
| 4240 | She was suspended in perfect consciousnessâ � � and of what was she conscious? |
| 4240 | Should he climb the other ridge, or wander along the hollow? |
| 4240 | Social passionâ � � what social passion has she?â � � show it me!â � � where is it? |
| 4240 | Supposing he did something he would not wish to be seen doing, thinking he was quite private? |
| 4240 | Supposing this old social state_ were_ broken and destroyed, then, out of the chaos, what then? |
| 4240 | That was Whatmore Villageâ � �? |
| 4240 | The daffodils were pretty, but who could see them? |
| 4240 | The little things seem to be more subtle to herâ � � â � � â � � But they arenâ � � t, are they? |
| 4240 | The moment he saw her, he dropped his tools and came forward, saying: â � � How do you do? |
| 4240 | The south? |
| 4240 | The wind still sits in that quarter, does it? |
| 4240 | Then Birkin said: â � � Am I hindering you? |
| 4240 | Then he said: â � � Waste it? |
| 4240 | Then she said with strange assumption of authority: â � � Yes, but even so, is the patriotic appeal an appeal to the racial instinct? |
| 4240 | Then the elder man, with the whiskers round his face, said in a prurient manner to the young man: â � � What price that, eh? |
| 4240 | Then what made her do it? |
| 4240 | Then, reluctantly, he answered: â � � Wellâ � � what else is in front of them, but disappearance? |
| 4240 | Then, rousing, â � � And what is it you donâ � � t want? |
| 4240 | Then, switching off and becoming cold, he asked, in a voice full of considerate kindness: â � � Is there anything we can eat here? |
| 4240 | Then, upon reconsideration, very uneasy: â � � Though Gudrun isnâ � � t so very simple, is she? |
| 4240 | They hated his words â � � in the public road.â � � What did they care for the public road? |
| 4240 | Want money? |
| 4240 | Want_ more_ money? |
| 4240 | Was a manager a good manager? |
| 4240 | Was a miner a good miner? |
| 4240 | Was anybody any better? |
| 4240 | Was he a messenger, an omen of the universal dissolution into whiteness and snow? |
| 4240 | Was he going to ignore her, was he going to take no further notice of her secret? |
| 4240 | Was he poking fun, or not? |
| 4240 | Was it a way out? |
| 4240 | Was it all real? |
| 4240 | Was it any good going south, to Italy? |
| 4240 | Was it even a union in love and goodness? |
| 4240 | Was it mere social effect, fulfilment of ambition in the social world, in the community of mankind? |
| 4240 | Was it really only an idea, or was it the interpretation of a profound yearning? |
| 4240 | Was it sheer blind force of passion that would satisfy her now? |
| 4240 | Was not death infinitely more lovely and noble than such a life? |
| 4240 | Was not the adventure of death infinitely preferable? |
| 4240 | Was she his mother? |
| 4240 | Was that all a human being amounted to? |
| 4240 | Was there left now nothing but to break off from the happy creative being, was the time up? |
| 4240 | Was there no other way? |
| 4240 | Was this then all that remained? |
| 4240 | We had a_ fine_ party one night in Fanny Bathâ � � s studio.â � � â � � Did you? |
| 4240 | What about Wupert?â � � â � � Rupert? |
| 4240 | What are those? |
| 4240 | What are you going to do to him, Miss Brangwen? |
| 4240 | What could be happening, what was it, the great hammer- stroke resounding through the house? |
| 4240 | What did Hermione matter, what did people matter altogether? |
| 4240 | What did she care, that Gerald had created a richly- paying industry out of an old worn- out concern? |
| 4240 | What did she care? |
| 4240 | What did the small privacies matter? |
| 4240 | What did they expect of her? |
| 4240 | What do you mean? |
| 4240 | What do you say? |
| 4240 | What does all this knowing mean to me? |
| 4240 | What does she care for, what is her spirituality? |
| 4240 | What dâ � � you say? |
| 4240 | What else is there to do with it?â � � â � � But leave this, wonâ � � t you? |
| 4240 | What even is a blow? |
| 4240 | What had he to do with her? |
| 4240 | What had it all to do with her? |
| 4240 | What had she to do with parents and antecedents? |
| 4240 | What have you done to him? |
| 4240 | What if the house were closed in darkness? |
| 4240 | What is a kiss? |
| 4240 | What is it but the worst and last form of intellectualism, this love of yours for passion and the animal instincts? |
| 4240 | What is man doing, when he is at a fair like this? |
| 4240 | What should she do? |
| 4240 | What should she feel? |
| 4240 | What should she say? |
| 4240 | What then need we think for further? |
| 4240 | What then, what next? |
| 4240 | What then? |
| 4240 | What then? |
| 4240 | What then? |
| 4240 | What was degrading? |
| 4240 | What was he thinking, what was he feeling, as he stood there so rapt, saying nothing? |
| 4240 | What was it all? |
| 4240 | What was it, after all, that a woman wanted? |
| 4240 | What was one to think or feel? |
| 4240 | What was she short of now? |
| 4240 | What was she to do? |
| 4240 | What was the good of talking, any way? |
| 4240 | What were the words about? |
| 4240 | What would he do to her? |
| 4240 | What? |
| 4240 | What? |
| 4240 | What? |
| 4240 | When could she disturb him? |
| 4240 | When could she rouse him and send him away? |
| 4240 | Where shall we have it?â � � â � � Where would you like it? |
| 4240 | Where then?â � � home? |
| 4240 | Where was he going? |
| 4240 | Where were they standing, on earth, or suspended in some cardboard box? |
| 4240 | Where? |
| 4240 | Which should it be? |
| 4240 | Which? |
| 4240 | Who but a fool would accept this of Gudrun? |
| 4240 | Who can care a straw, really, how the old patched- up Constitution is tinkered at any more? |
| 4240 | Who can take political Ireland really seriously, whatever it does? |
| 4240 | Who can? |
| 4240 | Who cared? |
| 4240 | Who cares a button for our national ideas, any more than for our national bowler hat? |
| 4240 | Who else? |
| 4240 | Who wants what_ luck_ would bring? |
| 4240 | Whoâ � � s coming then?â � � the Duchess of Portland?â � � â � � No.â � � â � � Oh, not her? |
| 4240 | Why ask about the next but one? |
| 4240 | Why bother about human relationships? |
| 4240 | Why canâ � � t you be single by yourself, as you are always saying? |
| 4240 | Why come to life again? |
| 4240 | Why could they not remain individuals, limited by their own limits? |
| 4240 | Why deny itâ � � why make any question of it? |
| 4240 | Why did he ever forget it? |
| 4240 | Why did she betray the two of them so terribly, in embracing the glow of the evening? |
| 4240 | Why did she leave him standing there, with the ice- wind blowing through his heart, like death, to gratify herself among the rosy snow- tips? |
| 4240 | Why did she so lose courage? |
| 4240 | Why did they move her so strongly and mystically? |
| 4240 | Why do you bother about humanity?â � � â � � Why do I? |
| 4240 | Why does he give himself away to such_ canaille?_ Itâ � � s a thing that_ can not be borne._â � � Gerald wondered over her strange passion. |
| 4240 | Why donâ � � t you establish open house for them? |
| 4240 | Why form any serious connections at all? |
| 4240 | Why is Rupert such a_ fool_ as to write such letters to them? |
| 4240 | Why is this the goal of life? |
| 4240 | Why must she do it? |
| 4240 | Why must you force people to agree with you? |
| 4240 | Why not be bestial, and go the whole round of experience? |
| 4240 | Why not be casual, drifting along, taking all for what it was worth? |
| 4240 | Why not drift on in a series of accidentsâ � � like a picaresque novel? |
| 4240 | Why not leave the other being, free, why try to absorb, or melt, or merge? |
| 4240 | Why not? |
| 4240 | Why not? |
| 4240 | Why seek to draw a brand and a curse across the life that had caused the accident? |
| 4240 | Why should I? |
| 4240 | Why should he pretend to have anything to do with human beings at all? |
| 4240 | Why should he turn like this? |
| 4240 | Why should the master be so out- of- all- proportion rich? |
| 4240 | Why should we ask what comes after the experience, when the experience is still unknown to us? |
| 4240 | Why should we consider ourselves, men and women, as broken fragments of one whole? |
| 4240 | Why should you hate the moon? |
| 4240 | Why should you want my opinion? |
| 4240 | Why strive for a coherent, satisfied life? |
| 4240 | Why take them seriously- male or female? |
| 4240 | Why then should he forego it? |
| 4240 | Why this dreadful all- comprehensiveness, this hateful tyranny? |
| 4240 | Why were they not immolated on the pyre of the husband, like the sati in India? |
| 4240 | Will you let me give it to you? |
| 4240 | Wonâ � � t you come and see me? |
| 4240 | Would he never come back? |
| 4240 | Would you have it? |
| 4240 | Yes? |
| 4240 | Yet why be afraid? |
| 4240 | You are so false, and untrue, how could you know anything? |
| 4240 | You believe in nothing visible, except grass and birds? |
| 4240 | You didnâ � � t definitely ask her for it, I suppose?â � � â � � I? |
| 4240 | You know what I mean? |
| 4240 | You know where your things are? |
| 4240 | You know you can manage them.â � � â � � Do you weally? |
| 4240 | You understand, donâ � � t you? |
| 4240 | Your spiritual brides canâ � � t give you what you want, they arenâ � � t common and fleshy enough for you, arenâ � � t they? |
| 4240 | Yours is, â � � Do you love me? |
| 4240 | Youâ � � re not satisfied, are you? |
| 4240 | _ Do_ I want a real, ultimate relationship with Gerald? |
| 4240 | _ How_ could he look at her with those clear, warm, waiting eyes, waiting for her, even now? |
| 4240 | _ How_ was he going to come to her? |
| 4240 | _ She_ spiritual? |
| 4240 | _ Why_ this public avowal? |
| 4240 | _ Wohin?_ What a lovely word! |
| 4240 | _ You_ never really mixed, did you? |
| 4240 | Ã � vero che mi ricordi? |
| 4240 | â � � And as to your earningsâ � � you donâ � � t mind taking from me what you have taken from the Education Committee, do you? |
| 4240 | â � � And how do you propose to begin? |
| 4240 | â � � And nothing else? |
| 4240 | â � � And were you warm? |
| 4240 | â � � Any hope of Englandâ � � s becoming real? |
| 4240 | â � � Are they as far out as this? |
| 4240 | â � � Are you gloomy or cheerful? |
| 4240 | â � � Arenâ � � t they beautiful? |
| 4240 | â � � Arenâ � � t they terrifying? |
| 4240 | â � � Badly, I should think; seeing how self- conscious she is.â � � â � � She is self- conscious, is she? |
| 4240 | â � � But I want it to be something else.â � � â � � But why? |
| 4240 | â � � But I, myself, who am myself, what have I to do with equality with any other man or woman? |
| 4240 | â � � But could you_ bear_ to have it swinging to your boat? |
| 4240 | â � � But must one take no steps at all? |
| 4240 | â � � But that way of arguing by imaginary instances is not supposed to be genuine, is it? |
| 4240 | â � � But what about you, and the rowing? |
| 4240 | â � � But why does he do it?â � � cried Ursula, â � � why does he? |
| 4240 | â � � But why should you give me an expensive rug? |
| 4240 | â � � But why? |
| 4240 | â � � Can you tell me, â � � he said, â � � where this road goes?â � � â � � Road? |
| 4240 | â � � Canâ � � t you feel in some way, a thick, hot attraction in it? |
| 4240 | â � � Consciousness comes to them, willy- nilly.â � � â � � But do you think they are better for having it quickened, stimulated? |
| 4240 | â � � Darling one, will you be drawn? |
| 4240 | â � � Didnâ � � t want to be bothered just then, I suppose.â � � â � � But is this really so? |
| 4240 | â � � Didnâ � � t you know? |
| 4240 | â � � Do I? |
| 4240 | â � � Do black- beetles bite? |
| 4240 | â � � Do you ever consciously detest meâ � � hate me with mystic hate? |
| 4240 | â � � Do you feel ill, Julius? |
| 4240 | â � � Do you know the little red ovary flowers, that produce the nuts? |
| 4240 | â � � Do you mind my coming to find you? |
| 4240 | â � � Do you really think, Rupert, â � � she asked, as if Ursula were not present, â � � do you really think it is worth while? |
| 4240 | â � � Do you want to know what it is in him? |
| 4240 | â � � Donâ � � t they look saurian? |
| 4240 | â � � Donâ � � t you find, that things fail to materialize? |
| 4240 | â � � Eh? |
| 4240 | â � � Eh? |
| 4240 | â � � For your sins? |
| 4240 | â � � Give Miss Brangwen some flowers? |
| 4240 | â � � Go away with you? |
| 4240 | â � � He might help me to get it down.â � � â � � But what about your hand? |
| 4240 | â � � Hello, Hermione, are you back again? |
| 4240 | â � � Heâ � � s dead? |
| 4240 | â � � How can anybody ever be right, who is so cocksure? |
| 4240 | â � � How do you know what my womanly feelings are, or my thoughts or my ideas? |
| 4240 | â � � I didnâ � � t know you had company.â � � â � � No? |
| 4240 | â � � I donâ � � t want to destroy it.â � � â � � Well do you mind having it instead of the crabs? |
| 4240 | â � � I eat, thou eatest, he eats, we eat, you eat, they eatâ � � â � � and what then? |
| 4240 | â � � I say, â � � he said to her one evening, in an odd, unthinking, uncertain way, â � � wonâ � � t you stay to dinner tonight? |
| 4240 | â � � I? |
| 4240 | â � � I? |
| 4240 | â � � If I know about the flower, donâ � � t I lose the flower and have only the knowledge? |
| 4240 | â � � Is it? |
| 4240 | â � � Isnâ � � t it so? |
| 4240 | â � � Itâ � � s just how it affects us, you see.â � � â � � You like to be affectedâ � � donâ � � t you? |
| 4240 | â � � May we see? |
| 4240 | â � � No, why should it? |
| 4240 | â � � No? |
| 4240 | â � � No? |
| 4240 | â � � Now, â � � he said, when the envelopes were sealed and addressed, â � � shall we post them here, both together? |
| 4240 | â � � Noâ � � why? |
| 4240 | â � � Oh do call this one Lady Winifred, if she turns out perfect, will you? |
| 4240 | â � � Oh is it? |
| 4240 | â � � Oh, heâ � � s weally bwought it off then, has he? |
| 4240 | â � � Oh, â � � he said, â � � I donâ � � t want to die, why should I? |
| 4240 | â � � On your marriage?â � � or marrying? |
| 4240 | â � � Rupert, you are coming to Shortlands to dinner? |
| 4240 | â � � She is a living creature, why should she stand anything, just because you choose to make her? |
| 4240 | â � � Somebodyâ � � s got to see it through, you know.â � � â � � Have they? |
| 4240 | â � � That so? |
| 4240 | â � � Thatâ � � s all you think of me, is it? |
| 4240 | â � � The possibilities of love exhaust themselves.â � � â � � Do they? |
| 4240 | â � � The question is, â � � he said, â � � what is madness? |
| 4240 | â � � Theyâ � � re nasty, when they do turn.â � � â � � Turn where? |
| 4240 | â � � Ursula, what are you saying? |
| 4240 | â � � We can both of us row like water- spiders.â � � â � � You can? |
| 4240 | â � � We knew you were going to get married, did we? |
| 4240 | â � � We might have tea rather lateâ � � shall we?â � � and have high tea? |
| 4240 | â � � Well then, â � � said Gerald; â � � shall we strip and begin? |
| 4240 | â � � Well, Winifred, â � � said the father, â � � arenâ � � t you glad Miss Brangwen has come? |
| 4240 | â � � Weâ � � re not like themâ � � are we? |
| 4240 | â � � What are you doing?â � � â � � How do you do, Hermione? |
| 4240 | â � � What comes next? |
| 4240 | â � � What do you mean by a horse? |
| 4240 | â � � What do you think of that figure there? |
| 4240 | â � � What is it? |
| 4240 | â � � What things, Mr Colliery- Manager Crich? |
| 4240 | â � � What? |
| 4240 | â � � What? |
| 4240 | â � � Where, where? |
| 4240 | â � � Where? |
| 4240 | â � � Who is it that keeps on insisting? |
| 4240 | â � � Who knew? |
| 4240 | â � � Who told me? |
| 4240 | â � � Why couldnâ � � t he take the horse away, till the trucks had gone by? |
| 4240 | â � � Why do you grovel before it? |
| 4240 | â � � Why donâ � � t you believe it? |
| 4240 | â � � Why donâ � � t you stay in bed when you are seedy? |
| 4240 | â � � Why make her stand all that time at the crossing? |
| 4240 | â � � Why must you always praise the past, at the expense of the present? |
| 4240 | â � � Why should love be a bond? |
| 4240 | â � � Why should you hanker after other people? |
| 4240 | â � � Why should you_ need_ others? |
| 4240 | â � � Why should_ you_ take it on yourself? |
| 4240 | â � � Why, why are people all balls of bitter dust? |
| 4240 | â � � Why, â � � said Ursula, â � � did you make the horse so stiff? |
| 4240 | â � � Why? |
| 4240 | â � � Why_ does_ every woman think her aim in life is to have a hubby and a little grey home in the west? |
| 4240 | â � � Winifred, â � � said the father, â � � have you a pair of shoes for Miss Brangwen? |
| 4240 | â � � Wonâ � � t somebody dance? |
| 4240 | â � � Wonâ � � t you leave it? |
| 4240 | â � � Wonâ � � t you say good- night to Mr Birkin? |
| 4240 | â � � Wonâ � � t you? |
| 4240 | â � � Wouldnâ � � t it be pretty? |
| 4240 | â � � Yes my boy? |
| 4240 | â � � Yesâ � � what more do you want? |
| 4240 | â � � You donâ � � t care for the water?â � � â � � For the water? |
| 4240 | â � � You donâ � � t? |
| 4240 | â � � You donâ � � t? |
| 4240 | â � � You know, â � � he said, â � � that I am having rooms here at the mill? |
| 4240 | â � � You must use me if I can be of any help at allâ � � but how can I? |
| 4240 | â � � You think it would? |
| 4240 | â � � You think your sister will come? |
| 4240 | â � � You think, donâ � � t you, â � � she said slowly, â � � that I only want physical things? |
| 4240 | â � � You? |
| 4240 | â � � Youâ � � re not getting into a state, are you? |
| 4240 | â � � Youâ � � re not? |
| 4240 | â � �_E che lavoroâ � � che lavoro? |
| 4240 | â � �_Really!_â � � Gudrun flushed darkâ � � â � � But anything really worth while? |
| 4240 | â � �_Wohin?_â � � That was the questionâ � �_wohin?_ Whither? |
| 4240 | â � �_Wohin?_â � � That was the questionâ � �_wohin?_ Whither? |
| 4520 | ''” “ What by that? ” said Aaron. |
| 4520 | --and I said,''Chi? |
| 4520 | A fair man? |
| 4520 | A maudlin crying to be loved, which makes your knees all go rickety. ” “ Think that''s it? ” said Jim. |
| 4520 | A red light? ” “ Oh, that''s only the pit- bank on fire, ” said Robert, who had followed her. |
| 4520 | A rug for your knees? |
| 4520 | Ah, my dear fellow, what is life but a search for a friend? |
| 4520 | All right? |
| 4520 | Almost angered him? |
| 4520 | Am I not right? ” “ Quite. |
| 4520 | And I may be no other to her-- ” “ Then why not let it be so, and be satisfied? ” said Lilly. |
| 4520 | And I thought to myself: have I lost my cloak? |
| 4520 | And Tanny is all right, you say? |
| 4520 | And did she? |
| 4520 | And if I can fall in love-- But it''s becoming so damned hard-- ” “ What, to fall in love? ” asked Lilly. |
| 4520 | And if I do n''t choose to let you see me crying, that does n''t prove I''ve never had a bad half hour, does it? |
| 4520 | And is n''t it a great deal of honour for one man? |
| 4520 | And it does make a difference, does n''t it, Tanny dear? ” “ A great difference, ” said Tanny. |
| 4520 | And it does n''t matter, not to anybody but myself. ” “ What becomes of anybody, anyhow? |
| 4520 | And it is n''t natural, quite, to break it.--Do you know what I mean? ” She paused a moment. |
| 4520 | And she likes him too, does n''t she? ” said Tanny. |
| 4520 | And so-- you see-- everything goes-- ” “ But you will begin again? ” “ Yes. |
| 4520 | And supposing I am as you say-- are you any different? ” “ No, I''m not very different. |
| 4520 | And that if I enter into an undertaking, it will be successful. ” “ And your life has been always successful? ” “ Yes-- almost always. |
| 4520 | And then shot him dead. ” “ Was he dead? ” said Aaron. |
| 4520 | And then what? |
| 4520 | And was it not his privilege? |
| 4520 | And what did you think of it? ” “ Very fine. ” “ I think it is. |
| 4520 | And what have they learnt?--Why did so many of them have presentiments, as he called it? |
| 4520 | And what''s the bonum publicum but a mob power? |
| 4520 | And when will you be moving in? ” said Francis. |
| 4520 | And why? |
| 4520 | And will you practise with me, so that I can accompany you? ” said Manfredi eagerly. |
| 4520 | And wo n''t you let me take the accompaniment? |
| 4520 | And you are in the Nardini just across there, are you? |
| 4520 | And you can tell me if it is foolish to you.--Shall I tell you? |
| 4520 | And you have a family in England? |
| 4520 | Any relation of Robert? ” “ Oh, yes! |
| 4520 | Anybody? ” “ Rather! ” came the deep voice of Clariss. |
| 4520 | Are n''t you better off without him? ” “ I am. |
| 4520 | Are n''t you yourself seeking? ” “ Oh, that''s another matter, ” put in Argyle. |
| 4520 | Are n''t you? |
| 4520 | Are you all of you? ” “ Absolutely wild, ” said Lilly laconically. |
| 4520 | Are you all right? ” she said. |
| 4520 | Are you as keen on innocence as Manfredi is? ” “ Innocence? ” said Aaron. |
| 4520 | Are you as keen on innocence as Manfredi is? ” “ Innocence? ” said Aaron. |
| 4520 | Are you going to play without music? ” “ Yes, ” said Aaron. |
| 4520 | Are you quite all right here? |
| 4520 | Are you quite comfortable? |
| 4520 | Are you sure you have everything? |
| 4520 | At what time? |
| 4520 | At what time? ” “ Any time, ” said Aaron. |
| 4520 | Bach? |
| 4520 | Because the Germans are the only people who could make a war like this-- and I do n''t think they''ll ever do it again, do you? |
| 4520 | Been going to the dogs, eh? ” “ Or the bitches, ” said Aaron. |
| 4520 | Beethoven inspires that in me, too. ” “ He makes you feel that all will be well with you at last? ” “ Yes, he does. |
| 4520 | Better-- better-- ” “ Good-- you say? |
| 4520 | Bring it, will you? |
| 4520 | But I keep myself from realising, do n''t you know? |
| 4520 | But I often wonder what will become of me. ” “ In what way? ” She was almost affronted. |
| 4520 | But I was n''t really. ” “ Then you expected him? ” “ No. |
| 4520 | But I''d rather meet her abroad than here-- and get on a different footing. ” “ Why? ” “ Oh, I do n''t know. |
| 4520 | But ah, what is it, you know? |
| 4520 | But as one must frown at something, why not at the bowler hat? |
| 4520 | But did you go up, now, to the belvedere? ” “ To the top-- where the vines are? |
| 4520 | But did you go up, now, to the belvedere? ” “ To the top-- where the vines are? |
| 4520 | But do n''t you give private recitals, too? ” “ No, I never have. ” “ Oh! ” cried Francis, catching his breath. |
| 4520 | But do you think I might? ” “ Oh, yes. |
| 4520 | But here you are in bed like a woman who''s had a baby.--You''re all right, are you? ” “ Yes, ” said Aaron. |
| 4520 | But in the heart--? |
| 4520 | But it drives us, and eats away the life-- and yet we love each other, and we must not separate-- Do you know what I mean? |
| 4520 | But my God-- what do you think of it? ” “ Seems pretty mean, ” said Aaron. |
| 4520 | But my LIFE seems alone, for some reason-- ” “ Have n''t you got relations? ” he said. |
| 4520 | But then what does a white mouse like that need? |
| 4520 | But there''s nothing doing for me in France.--When do you go back into the country, both of you? ” “ Friday, ” said Lilly. |
| 4520 | But they hardly count over here. ” “ Why do n''t you get married? ” he said. |
| 4520 | But was he HURT--? ” “ I do n''t know. |
| 4520 | But what could be better? |
| 4520 | But what did you FEEL about it, privately? ” “ I did n''t feel much. |
| 4520 | But what do you call the common good? ” replied the little doctor, with childish pertinence. |
| 4520 | But what if you have n''t got much education, to speak of? ” “ You can always get it, ” she said patronizing. |
| 4520 | But what is that for a life? ” cried the Marchese, with a hollow mockery. |
| 4520 | But what is the something? ” “ I do n''t know. |
| 4520 | But what was it you played? ” Aaron told him. |
| 4520 | But what was the good? |
| 4520 | But where ELSE? |
| 4520 | But where is it, when it comes to? |
| 4520 | But whether to go and live with him? |
| 4520 | But why console him? |
| 4520 | But why, why? |
| 4520 | But why? |
| 4520 | But will you try? ” “ Yes, I''ll try. ” “ Manfredi is just bringing the cocktails. |
| 4520 | But you and Tanny; why, there''s the world, and there''s Lilly: that''s how I put it, my boy. ” “ All right, Argyle.--Hoflichkeiten. ” “ What? |
| 4520 | Ca n''t stand that fellow, can you? |
| 4520 | Ca n''t you pull yourself together? ” But Aaron only became more gloomily withheld, retracting from life. |
| 4520 | Ca n''t you rouse him up? ” “ I think it depresses him partly that his bowels wo n''t work. |
| 4520 | Can I have it with soda? |
| 4520 | Can the heart ever beat quite alone? |
| 4520 | Can you find it satisfactory? ” “ Is it even true? ” said the Major. |
| 4520 | Can you find it satisfactory? ” “ Is it even true? ” said the Major. |
| 4520 | Can you help me out, Mr. Sisson? |
| 4520 | Chi sono chi vengono? |
| 4520 | Chi?'' |
| 4520 | Chianti? |
| 4520 | Coffee will no doubt be served. ” “ Will you take my arm, Sir? ” said the well- nourished Arthur. |
| 4520 | Come at half- past six, as today, will you? |
| 4520 | Could any race be anything but despicable, with such an antecedent? |
| 4520 | Could he have expected so much, in one life- time? |
| 4520 | Damn them all, why do n''t I leave them alone? |
| 4520 | Did he know many people? |
| 4520 | Did he need consolation? |
| 4520 | Did he scorn fortunes and fortune- making? |
| 4520 | Did he want to be Anthony to Cleopatra? |
| 4520 | Did n''t we hear that Lilly was in Germany? ” “ Yes, in Munich, being psychoanalysed, I believe it was. ” Aaron looked rather blank. |
| 4520 | Did you ever see anything like it? ” “ No. |
| 4520 | Do I speak the truth? ” “ Yes. |
| 4520 | Do n''t break it, will you? ” Marjory was shaking the bell against her ear. |
| 4520 | Do n''t you agree, Aaron? |
| 4520 | Do n''t you find it rather hot? ” “ Is there another bottle of beer there? ” said Jim, without moving, too settled even to stir an eye- lid. |
| 4520 | Do n''t you find it rather hot? ” “ Is there another bottle of beer there? ” said Jim, without moving, too settled even to stir an eye- lid. |
| 4520 | Do n''t you hate them? ” “ I do n''t like them. |
| 4520 | Do n''t you know? ” “ No, ” said Aaron. |
| 4520 | Do n''t you remember? |
| 4520 | Do n''t you think it all works out rather stupid and unsatisfying? ” “ Ah, but a civil war would be different. |
| 4520 | Do n''t you think so? ” “ Oh, quite, ” said Angus, whose observations had got no further than the black cloth of the back of Aaron''s jacket. |
| 4520 | Do n''t you think that is very probable? ” “ I have no idea, ” said Aaron. |
| 4520 | Do n''t you think we might hear him again? |
| 4520 | Do n''t you try to earn all you can? ” “ Ay, ” said Aaron. |
| 4520 | Do n''t you? |
| 4520 | Do they want him? ” A faint smile came on her husband''s face. |
| 4520 | Do you believe it--? ” “ Yes, ” said Levison unwillingly. |
| 4520 | Do you feel the same? ” “ No, not that way, worse luck. |
| 4520 | Do you hear me? ” “ Miss Smitham''s coming in. |
| 4520 | Do you know what I mean? ” “ I do n''t know, ” said Aaron. |
| 4520 | Do you know what Josephine Ford confessed to me? |
| 4520 | Do you know, I think that''s the very best drink in the tropics: sweet white wine, with soda? |
| 4520 | Do you like being in the country? ” “ Yes, ” said Aaron. |
| 4520 | Do you mean us in this box, or the crew outside there? ” he jerked his head towards the auditorium. |
| 4520 | Do you mind that I call you Aaron? ” “ Not at all. |
| 4520 | Do you take this as my gospel? ” “ I take it you are speaking seriously. ” Here Lilly broke into that peculiar, gay, whimsical smile. |
| 4520 | Do you think a cuckoo in Africa and a cuckoo in Essex is one AND the same bird? |
| 4520 | Do you think it would hurt Robert? ” She screwed up her eyes, looking at Tanny. |
| 4520 | Do you think you''d prefer orange in yours? ” “ Ill have mine as you have yours. ” “ I do n''t take orange in mine. |
| 4520 | Do you understand me at all in what I say? |
| 4520 | Do you want a God you can strive to and attain, through love, and live happy ever after, countless millions of eternities, immortality and all that? |
| 4520 | Do you want to know anybody here, or do n''t you? |
| 4520 | Do you? ” replied Julia. |
| 4520 | Do-- and try me. ” “ And you will tell me what you feel? ” “ Yes. ” Aaron went out to his overcoat. |
| 4520 | Does it? ” “ Yes, ” said Aaron briefly. |
| 4520 | Eh? |
| 4520 | Eh? |
| 4520 | Eh? ” asked Jim. |
| 4520 | Else perhaps, where should I be? |
| 4520 | English moneys, eh? |
| 4520 | Enlighten us. ” “ Nowhere, I suppose. ” “ But is that satisfactory? |
| 4520 | Enough light will come in from here. ” “ Sure? ” said Manfredi. |
| 4520 | Every time. ” “ Then what''s to be done? ” “ Nothing, as far as I can see. |
| 4520 | Except that-- ” “ You do n''t care about anything? |
| 4520 | Fancy yourself snug in bed, do n''t you? |
| 4520 | Get up now, we''re going indoors. ” “ What do you reckon stars are? ” he persisted. |
| 4520 | Goodbye! ” “ You''ll come to Rackham? ” said Jim, leaning out of the train. |
| 4520 | Had he not gained it? |
| 4520 | Half past eight? ” “ Thank you very much. ” “ Then at half past eight the man will bring it in. |
| 4520 | Has a wild creature ever absolute trust? |
| 4520 | Has your experience been different, or the same? ” “ What was yours? ” asked Lilly. |
| 4520 | Has your experience been different, or the same? ” “ What was yours? ” asked Lilly. |
| 4520 | Have another cushion? |
| 4520 | Have n''t I loved you for twelve years, and worked and slaved for you and tried to keep you right? |
| 4520 | Have n''t I loved you? |
| 4520 | Have n''t I, Juley? ” “ Yes, ” said Julia, vaguely and wispily. |
| 4520 | Have you drunk your tea? |
| 4520 | Have you found it like that? |
| 4520 | Have you got a divine urge, or need? ” “ How do I know? ” laughed Aaron. |
| 4520 | Have you got a divine urge, or need? ” “ How do I know? ” laughed Aaron. |
| 4520 | Have you some engagement in Venice? ” “ No, ” said Aaron. |
| 4520 | He made out that the woman was asking him for his name--“Meester--? |
| 4520 | He wanted to say “ Friday then? ” “ Yes, I''d rather you went Thursday, ” repeated Lilly. |
| 4520 | He was breaking loose from one connection after another; and what for? |
| 4520 | Her own soul will wish to yield itself. ” “ Woman yield--? ” Aaron re- echoed. |
| 4520 | How can he be so alone? ” said the Marchese. |
| 4520 | How had he got his job? |
| 4520 | How is it to be? ” “ I do n''t vitally care either about money or my work or-- ” Lilly faltered. |
| 4520 | How is the cocktail, Nan? ” “ Yes, ” she said. |
| 4520 | How old are you? ” “ Thirty- three. ” “ You might almost be any age.--I do n''t know why I do n''t get married. |
| 4520 | How old? ” “ Oldest eight-- youngest nine months-- ” “ So small! ” sang Julia, with real tenderness now-- Aaron dropped his head. |
| 4520 | How should they? |
| 4520 | I am not to be badgered any more. ” “ Am I badgering you? ” said Aaron. |
| 4520 | I believe you''ve got the flu. ” “ Think I have? ” said Aaron frightened. |
| 4520 | I could kill him for it. ” “ Were you ever happy together? ” “ We were all right at first. |
| 4520 | I do n''t know. ” “ Too emotional? |
| 4520 | I enjoyed Beecham''s operas so much. ” “ Which do you like best? ” said Aaron. |
| 4520 | I feel I''ve come out of myself. ” “ Yes, it is a wonderful sight-- a wonderful sight-- But you have not been INTO the town? ” “ Yes. |
| 4520 | I feel that I myself have a special kind of fate, that will always look after me. ” “ And you can trust to it? ” “ Yes, I can. |
| 4520 | I felt myself go-- as if the bile broke inside me, and I was sick. ” “ Josephine seduced you? ” laughed Lilly. |
| 4520 | I have not been able to get over it all day. ” “ What was it? ” said Aaron. |
| 4520 | I hope you do n''t object to our catechism? ” “ No. |
| 4520 | I know she is not happy, I know I am not-- ” “ Why should you be? ” said Lilly. |
| 4520 | I know you do n''t believe it. ” “ What do I believe then? ” said Lilly. |
| 4520 | I left her as I shall leave the earth when I die-- because it has to be. ” “ Do you know what I think it is, Mr. Sisson? ” put in Lady Franks. |
| 4520 | I like her so much. ” “ And him? ” “ Mr. |
| 4520 | I like the WE, do n''t you? |
| 4520 | I loathe the slimy creepy personal intimacy.--''Don''t you think, Mr. Bricknell, that it''s lovely to be able to talk quite simply to somebody? |
| 4520 | I mean does it interest you? ” “ What-- the flute? ” “ No-- music altogether-- ” “ Music altogether--! |
| 4520 | I mean does it interest you? ” “ What-- the flute? ” “ No-- music altogether-- ” “ Music altogether--! |
| 4520 | I mean, does something drive you from inside? ” “ I ca n''t just rest, ” said Aaron. |
| 4520 | I never expected the mountains. ” “ You never expected the mountains? |
| 4520 | I only want to be left alone. ” “ Not to have anything to do with anybody? ” she queried ironically. |
| 4520 | I say, wo n''t you play for us one of these Saturdays? |
| 4520 | I should have been all right if I had n''t given in to her-- ” “ To whom? ” said Lilly. |
| 4520 | I think it does not. ” “ And will it ever again? ” “ Perhaps never. ” “ And then what? ” “ Then? |
| 4520 | I think it does not. ” “ And will it ever again? ” “ Perhaps never. ” “ And then what? ” “ Then? |
| 4520 | I think it does not. ” “ And will it ever again? ” “ Perhaps never. ” “ And then what? ” “ Then? |
| 4520 | I thought I''d better come and see, so that we can fetch you at lunch time.--You''ve got a seat? |
| 4520 | I told you there were two urges-- two great life- urges, did n''t I? |
| 4520 | I want to get a new tune out of myself. ” “ Had enough of this? ” “ Yes. ” A flush of anger came on Aaron''s face. |
| 4520 | I want to walk past most of it. ” “ Can you tell us where to? |
| 4520 | I went away. ” “ What from? ” “ From it all. ” “ From the woman in particular? ” “ Oh, yes. |
| 4520 | I went away. ” “ What from? ” “ From it all. ” “ From the woman in particular? ” “ Oh, yes. |
| 4520 | I will read it out to you later. ” “ Are n''t you satisfied? |
| 4520 | I''d be ashamed if I were you. ” “ Would you? ” said Jim. |
| 4520 | I''m a shady bird, in all senses of the word, in all senses of the word.--Now are you comfortable? |
| 4520 | I''m dying. ” “ What of? |
| 4520 | I''m not sure. ” “ You do n''t look forward to the Saturday mornings? ” he asked. |
| 4520 | I''m thankful we have none. ” “ Why? ” “ I ca n''t quite say. |
| 4520 | I''ve got TWO aunts called Tabitha: if not more. ” “ They are n''t of any vital importance to you, are they? ” said Levison. |
| 4520 | I, too, shall have to learn to play it. ” “ And run the risk of spoiling the shape of your mouth-- like Alcibiades. ” “ Is there a risk? |
| 4520 | I--? ” she exclaimed. |
| 4520 | IS he? ” sang Julia. |
| 4520 | If you do n''t breathe in, you suffocate. ” “ What about breathing out? ” said Robert. |
| 4520 | In God''s name, why? |
| 4520 | In the morning he must move: where? |
| 4520 | Incredibly old, like little boys who know too much-- aren''t they? |
| 4520 | Is he in love with her? |
| 4520 | Is it a God you''re after? |
| 4520 | Is it that you want to love, or to be obeyed? ” “ A bit of both. ” “ All right-- a bit of both. |
| 4520 | Is it the love urge? ” “ I do n''t know, ” said Aaron. |
| 4520 | Is my life given me for nothing but to get children, and work to bring them up? |
| 4520 | Is n''t it awfully unkind to them? ” She rose in her eagerness. |
| 4520 | Is n''t it his duty to do what he can for himself? |
| 4520 | Is n''t it so, Sybil? ” “ Yes, I think so, ” said Sybil. |
| 4520 | Is n''t it strange? |
| 4520 | Is n''t it wonderful? ” said Lady Franks. |
| 4520 | Is n''t the result the same? ” “ It matters. |
| 4520 | Is that all right?--Yes, come just before twelve.--When?--Tomorrow? |
| 4520 | Is that the nature of love? ” said Lilly. |
| 4520 | Is that your intention? ” “ That I could n''t say, ” said the Marchesa, smoking, smoking. |
| 4520 | Is there any harm in it? |
| 4520 | Is there anything I could get you? |
| 4520 | Is this your little dodge? ” Again Aaron looked at Lilly with that odd double look of mockery and unwillingness to give himself away. |
| 4520 | It came naturally, though.--But why did you come, Aaron? |
| 4520 | It is such fine music. ” “ I find_ Ivan_ artificial. ” “ Do you? |
| 4520 | It makes me feel so sick. ” “ What-- do you want discords?--dissonances? ” “ No-- they are nearly as bad. |
| 4520 | It''ll just go on and on-- Does n''t it make you feel you''d go mad? ” He looked at her and shook his head. |
| 4520 | It''s all much too new and complicated for me.--But perhaps you know Italy? ” “ No, I do n''t, ” said Aaron. |
| 4520 | It''s no good her foisting her rights on to me. ” “ Is n''t that pure selfishness? ” “ It may be. |
| 4520 | It''s what does n''t go down. ” “ And how much is that? ” she asked, eying him. |
| 4520 | Lack of life? ” “ That''s about it, my young cock. |
| 4520 | League of Nations? ” “ Damn all leagues. |
| 4520 | Let them die of the bee- disease. ” “ Not only that, ” persisted Levison, “ but what is your alternative? |
| 4520 | Like to see the ball kept rolling. ” “ What have you been doing lately? ” “ Been staying a few days with my wife. ” “ No, really! |
| 4520 | Lilly has gone away? ” said Aaron. |
| 4520 | Lungs are all right so far. ” “ How long shall I have to be in bed? ” said Aaron. |
| 4520 | Major, where are you wandering off to? |
| 4520 | Manfredi lives for it, almost. ” “ For that and nothing else? ” asked Aaron. |
| 4520 | Marriage is a self- conscious egoistic state, it seems to me. ” “ You''ve got no children? ” said Aaron. |
| 4520 | May we ask what you bought? ” This he did not like. |
| 4520 | May we ask you another question, Mr. Sisson? |
| 4520 | May we hear you some time? ” “ Yes, ” said Aaron, non- committal. |
| 4520 | May we look at it? ” Josephine now turned the handle of the French windows, and stepped out. |
| 4520 | Meester--? ” she kept saying, with a note of interrogation. |
| 4520 | Miserable tea, but nobody has sent me any from England-- ” “ And you will go on till you die, Argyle? ” said Lilly. |
| 4520 | Mr. Lilly? ” he asked. |
| 4520 | Much best make rather a favour of it, than sort of ask them to hire you.--Don''t you agree? |
| 4520 | Music risky? |
| 4520 | My mother left me a bit over a thousand when she died. ” “ You do n''t mind what I say, do you? ” said Josephine. |
| 4520 | My wife''s gone to Norway. ” “ For good? ” “ No, ” laughed Lilly. |
| 4520 | No-- well, then-- would you like a bath now, or--? ” It was evident the Franks had dispensed much hospitality: much of it charitable. |
| 4520 | Not by ANY means. ” “ Are you not seeking any more, Lilly? ” asked the Marchese. |
| 4520 | Not good moneys? ” “ Yes, ” said Aaron, rather indignantly. |
| 4520 | Not he, otherwise whence this homage for the old man with much money? |
| 4520 | Not later than Thursday. ” “ You''re looking forward to going? ” The question was half bitter. |
| 4520 | Nothing beyond this hell-- only death or love-- languishing-- ” “ What could they have seen, anyhow? ” said Aaron. |
| 4520 | Now we try to speak of that which we have in our centre of our hearts. ” “ And what have we there? ” said Lilly. |
| 4520 | Now, in life, there are only two great dynamic urges-- do you believe me--? ” “ How do I know? ” laughed Aaron. |
| 4520 | Now, in life, there are only two great dynamic urges-- do you believe me--? ” “ How do I know? ” laughed Aaron. |
| 4520 | Of me and your children? |
| 4520 | Of soul? |
| 4520 | Oh, God''s love, are n''t we fools! ” “ No-- why? ” cried Josephine, amused but resentful. |
| 4520 | Oh, ROBBIE, is n''t it all right, is n''t it just all right? ” She tailed off into her hurried, wild, repeated laugh. |
| 4520 | Oh, have n''t I? |
| 4520 | Oh, yes-- quite at home. ” “ Do you like it as well as anywhere? ” he asked. |
| 4520 | Oh-- er-- how''s your wife? |
| 4520 | On what grounds? |
| 4520 | Once outside the door, the husband asked: “ How shall we go home, dear? |
| 4520 | One can never be SURE of Providence. ” “ What can you be sure of, then? ” said Aaron. |
| 4520 | One franc? ” asked the driver. |
| 4520 | Only when it came he would n''t be there. ” “ Would you? ” “ Yes, indeed I would. |
| 4520 | Only while it stands I do want central heating and a good cook. ” “ May I come to dinner? ” said Jim. |
| 4520 | Or do you give the centre of your spirit to your work? |
| 4520 | Or perhaps you''d like to go home? |
| 4520 | Or was her fear only a delightful game of cat and mouse? |
| 4520 | Or was the fear genuine, and the delight the greater: a sort of sacrilege? |
| 4520 | Or white wine? |
| 4520 | Other things as well. ” “ But you do n''t like it much any more? ” “ I do n''t know. |
| 4520 | Paradisal enough for you, is it? ” “ The devil looking over Lincoln, ” said Lilly laughing, glancing up into Argyle''s face. |
| 4520 | Paris for the most part. ” “ Never America? ” “ No, never America. |
| 4520 | Plop!--Can the heart beat quite alone, alone in all the atmosphere, all the space of the universe? |
| 4520 | Plop!--Quite alone in all the space? ” A slow smile came over the Italian''s face. |
| 4520 | Poor old Algy.--Did I lay it on him tonight, or did I miss him? ” “ I think you got him, ” said Aaron. |
| 4520 | Pray, why not? |
| 4520 | Rivets, and we ca n''t get them out. ” “ And where should we be if we could? ” said Aaron. |
| 4520 | Self, self, self-- that''s all it is with them-- and ignorance. ” “ You''d rather have self without ignorance? ” he said, smiling finely. |
| 4520 | Shall YOU be any different in yourself, in another place? |
| 4520 | Shall we leave it at that, now? ” “ Yes, ” said Aaron. |
| 4520 | Shall we? ” She rose from the table. |
| 4520 | Shall you? ” “ Candles! ” he repeated, putting the piccolo to his mouth and blowing a few piercing, preparatory notes. |
| 4520 | She the woman, the mother of his children, how should she ever even think to yield? |
| 4520 | She''s made up her mind she loves me, and she''s not going to let me off. ” “ Did you never love her? ” said Josephine. |
| 4520 | Sir William Franks? |
| 4520 | Six- pence a box. ” “ Got any holders? ” “ Holders? |
| 4520 | Six- pence a box. ” “ Got any holders? ” “ Holders? |
| 4520 | So what''s the good of talking about advantages? |
| 4520 | So you found our city impressive? ” “ Very! |
| 4520 | So you hope to earn your keep here? |
| 4520 | Tanny and I have been very much alone in various countries: but that''s two, not one. ” “ You miss her then? ” “ Yes, of course. |
| 4520 | Thank goodness my experience of a man has been different. ” “ We ca n''t all be alike, can we? |
| 4520 | That is a great pleasure. ” “ So I think.--Does your wife like it, too? ” “ Very much, indeed! |
| 4520 | That is n''t saying he''s a fool, neither. ” “ And what better is them that''s got education? ” put in another man. |
| 4520 | That''s a day to live for, what? ” “ Ha! |
| 4520 | That''s what I should have been if I had had my way. ” “ What instrument? ” asked Aaron. |
| 4520 | The Germans were false, we were false, everybody was false. ” “ And not you? ” asked Aaron shrewishly. |
| 4520 | The deaf Jewish Rosen was smiling down his nose and saying: “ What was that last? |
| 4520 | The piano? ” “ Yes-- the pianoforte. |
| 4520 | The spirit may move him in quite an opposite direction to the market-- then where is Lilly? |
| 4520 | Then he said smiling: “ So I''d better sit tight on my soul, till it hatches, had I? ” “ Oh, yes. |
| 4520 | Then he said to Aaron: “ Were you coming to see me, Sisson? |
| 4520 | They are very exclusive still, the Venetian_ noblesse_? ” said Miss Wade. |
| 4520 | They ought to have allowed us six times the quantity-- there''s plenty of sugar, why did n''t they? |
| 4520 | They were Guelfs, why not remain it? |
| 4520 | They''ll do a lot of cavilling. ” “ But wo n''t they ACT? ” cried Josephine. |
| 4520 | Tomorrow morning? |
| 4520 | Too much feeling for you? ” “ Yes, perhaps. |
| 4520 | Towards Rome? ” “ I came to meet Lilly, ” said Aaron. |
| 4520 | Tram or carriage--? ” It was evident he was economical. |
| 4520 | Wahrhaftiger Kerl bin ich.--When am I going to see Tanny? |
| 4520 | Was he going to agree? |
| 4520 | Was it because he was one of her own race, and she, as it were, crept right home to him? |
| 4520 | Was it illusion, or was it genuine? |
| 4520 | Was n''t it extraordinary? |
| 4520 | Was not hers the divine will and the divine right? |
| 4520 | Was there? |
| 4520 | We are dilettanti, I suppose. ” “ No-- what is your instrument? |
| 4520 | We looked at most, I believe. ” “ And what do you remember best? ” “ I remember Botticelli''s Venus on the Shell. ” “ Yes! |
| 4520 | We''ll be like this again? ” she whispered. |
| 4520 | We''re all as right as ninepence-- what? |
| 4520 | We''re all right, are n''t we? ” he said loudly, turning to the stranger with a grin that showed his pointed teeth. |
| 4520 | We''re the only sober couple in the bunch-- what? ” cried Jim. |
| 4520 | We''ve got to accept the power motive, accept it in deep responsibility, do you understand me? |
| 4520 | Well now, and what next? |
| 4520 | Well now, it''ll be all right if I come up for a minute? |
| 4520 | Well, how are you? |
| 4520 | Well, then, what next? |
| 4520 | Well, well, might do worse.--Is it all right? ” Lilly eyed the suit. |
| 4520 | Well-- shall we join the ladies? |
| 4520 | What a nice name! ” “ No better than yours, is it? ” “ Mine! |
| 4520 | What about him? |
| 4520 | What are you thinking? ” “ Nothing. |
| 4520 | What did he clutch the castle- keys so tight for? |
| 4520 | What did they see when they looked at him? |
| 4520 | What did you say the address was? |
| 4520 | What did you say? ” said Francis, leaning forward. |
| 4520 | What difference did it make, anyhow? |
| 4520 | What do you care whether you see anybody again or not? |
| 4520 | What do you make of this this- or- nothing business? |
| 4520 | What do you say to whiskey and soda, Colonel? ” “ Why, delighted, Sir William, ” said the Colonel, bouncing up. |
| 4520 | What do you say, Major? ” “ She has all the airs of one, Sir William, ” said the Major, with the wistful grimness of his age and culture. |
| 4520 | What do you think of him? ” “ He seems sharp, ” said Aaron. |
| 4520 | What do you want to poke yourself and prod yourself into love, for? ” “ Because I''m DEAD without it. |
| 4520 | What do you want with more than one master? |
| 4520 | What do you want? ” “ Why, I keep saying I want to get married and feel sure of something. |
| 4520 | What does any man? |
| 4520 | What does he scheme for?--What does he contrive for? |
| 4520 | What else do you give? |
| 4520 | What else is there to it? ” Aaron sounded testy. |
| 4520 | What exactly brought you? ” “ Accident, ” said Aaron. |
| 4520 | What have n''t they to fight for? ” cried Josephine fiercely. |
| 4520 | What have you come for? ” “ To look at YOU, ” he said sarcastically. |
| 4520 | What if I do? |
| 4520 | What is TO CHEAP? ” “ Cheep! |
| 4520 | What is it a woman who allows me, and who has no answer? |
| 4520 | What is it? ” “ To make more money for the firm-- and so make his own chance of a rise better. ” The landlady was baffled for some moments. |
| 4520 | What is there to care about? ” said the Colonel. |
| 4520 | What liqueurs have you got? ” demanded Angus abruptly. |
| 4520 | What makes a child be born out of its mother to the pain and trouble of both of them? |
| 4520 | What pictures did you look at? ” “ I was with Dekker. |
| 4520 | What should he do? |
| 4520 | What should you say, Jimmy? ” she turned to one of the men. |
| 4520 | What sort of urge is your urge? |
| 4520 | What time is it, Manfredi? ” “ Half past six. |
| 4520 | What was it in her face that puzzled him? |
| 4520 | What was it? |
| 4520 | What was she going to ask of him? |
| 4520 | What was there in the female will so diabolical, he asked himself, that it could press like a flat sheet of iron against a man all the time? |
| 4520 | What was there instead? |
| 4520 | What were the shots? ” Aaron asked him. |
| 4520 | What will this beauty be? ” With finicky fingers she removed the newspaper. |
| 4520 | What would the world be like if everybody lived that way? ” “ Other people can please themselves, ” said Aaron. |
| 4520 | What''s a soul, to them--? ” “ What is it to you, is perhaps the more pertinent question, ” said Algy, flapping his eyelids like some crazy owl. |
| 4520 | What''s his education for? |
| 4520 | What''s the good of running after life, when we''ve got it in us, if nobody prevents us and obstructs us? ” Aaron felt very queer. |
| 4520 | What''s the objection? ” asked Struthers. |
| 4520 | What''s this?--What''s this? |
| 4520 | What''s your drink? ” “ Mine-- whiskey, ” said Aaron. |
| 4520 | What? |
| 4520 | What? |
| 4520 | What? |
| 4520 | What? |
| 4520 | What? ” “ Yes, I think he''s rather nice, ” said Tanny. |
| 4520 | What_ did_ she mean? |
| 4520 | Whe''to? |
| 4520 | When are you coming to dine with me? ” “ After you''ve dined with us-- say the day after tomorrow. ” “ Right you are. |
| 4520 | When shall we make it? ” he asked. |
| 4520 | When they had gone, he asked: “ Where is Manfredi? ” “ He will come in soon. |
| 4520 | When will they learn wisdom? ” “ But what do you call wisdom? ” asked Sherardy, the Hindu. |
| 4520 | When will they learn wisdom? ” “ But what do you call wisdom? ” asked Sherardy, the Hindu. |
| 4520 | Where are you going? ” “ Malta. ” “ Malta! |
| 4520 | Where d''you want to go? ” he heard the hearty tones of the policeman. |
| 4520 | Where did he live? |
| 4520 | Where should we be without it? ” Lilly started, went stiff and hostile. |
| 4520 | Where would their money be otherwise? |
| 4520 | Where you go? |
| 4520 | Where''s that--? ” “ Oh, it''s on the map. ” There was a little lull. |
| 4520 | Where? ” cried Julia. |
| 4520 | Who have you got sitting up with her? |
| 4520 | Who was she, what was she? |
| 4520 | Who? ” they cried. |
| 4520 | Why break every tie? |
| 4520 | Why ca n''t they submit to a bit of healthy individual authority? |
| 4520 | Why ca n''t you gather yourself there? ” “ At the tail? ” “ Yes. |
| 4520 | Why ca n''t you gather yourself there? ” “ At the tail? ” “ Yes. |
| 4520 | Why do n''t you be more like the Japanese you talk about? |
| 4520 | Why do you ask? ” “ I was n''t thinking. ” “ But what do you mean? |
| 4520 | Why do you ask? ” “ I was n''t thinking. ” “ But what do you mean? |
| 4520 | Why do you want so badly to be loved? ” “ Because I like it, damn you, ” barked Jim. |
| 4520 | Why give yourself away, anyhow? |
| 4520 | Why go forward into more nothingness, away from all that he knew, all he was accustomed to and all he belonged to? |
| 4520 | Why has n''t this man been taken to the Clearing Station?'' |
| 4520 | Why have you come back to me? |
| 4520 | Why is it, do you think, that English people abroad go so very QUEER-- so ultra- English-- INCREDIBLE!--and at the same time so perfectly impossible? |
| 4520 | Why is it? ” “ Shall I say what I think? |
| 4520 | Why is it? ” “ Shall I say what I think? |
| 4520 | Why not come with us to Florence? ” said Francis. |
| 4520 | Why not flower again? |
| 4520 | Why not remain an infant? ” “ Be damned and blasted to women and all their importances, ” cried Aaron. |
| 4520 | Why not try and love somebody? ” Jim eyed her narrowly. |
| 4520 | Why not? |
| 4520 | Why not? |
| 4520 | Why not? ” “ If it''s going to, it will, ” said Aaron. |
| 4520 | Why should I know? ” “ But we must know: especially when other people will be hurt, ” said she. |
| 4520 | Why should I? |
| 4520 | Why should I? |
| 4520 | Why should it? |
| 4520 | Why should n''t he want to move? |
| 4520 | Why should you hesitate? ” “ All right, then, ” said Aaron, not without some feeling of constraint. |
| 4520 | Why were their haunches so prominent? |
| 4520 | Why when we were in London-- when we were at lunch one morning it suddenly struck me, have n''t I left my fur cloak somewhere? |
| 4520 | Why, is he in Venice? |
| 4520 | Why, ten francs a day, you know, pension-- if you stay-- How long will you stay? ” “ At least a month, I expect. ” “ A month! |
| 4520 | Why? |
| 4520 | Why? |
| 4520 | Why? |
| 4520 | Why? |
| 4520 | Why? ” They stepped down in the darkness from their perch. |
| 4520 | Why? ” “ Looking at them even. |
| 4520 | Why? ” “ You seem to. ” “ Do I? |
| 4520 | Why? ” “ You seem to. ” “ Do I? |
| 4520 | Will he never heed? |
| 4520 | Will he never understand? ” he thought. |
| 4520 | Will that suit you? |
| 4520 | Will you come tomorrow? ” Aaron said he would on Monday. |
| 4520 | Will you do it for us now, and let us see what it is like?'' |
| 4520 | Will you play? ” “ I should love to, ” replied the husband. |
| 4520 | Will you sit? ” “ Can I have a room? ” said Aaron. |
| 4520 | Will you sit? ” “ Can I have a room? ” said Aaron. |
| 4520 | Will you smoke? |
| 4520 | Will you? ” “ I thought you hated accompaniments. ” “ Oh, no-- not just unison. |
| 4520 | Wine? |
| 4520 | Wo n''t they be awfully bothered? |
| 4520 | Wo n''t they fight for that? ” Aaron sat smiling, slowly shaking his head. |
| 4520 | Wo n''t you give us hope that it might be so? ” “ I''ve no idea, either, ” said she. |
| 4520 | Wo n''t you smoke? ” The strange, naked, remote- seeming voice! |
| 4520 | Wonderful person, to be able to do it. ” “ Where has he gone? ” said Aaron. |
| 4520 | Would you have us make money? |
| 4520 | Would you like to play for us some time, do you think? ” “ Do you want me to? |
| 4520 | Would you like to play for us some time, do you think? ” “ Do you want me to? |
| 4520 | Would you? ” Aaron lay still, and did not answer. |
| 4520 | Yes, ten francs a day. ” “ For everything? ” “ Everything. |
| 4520 | Yes, that. ” “ And you could n''t go back? ” Aaron shook his head. |
| 4520 | Yes, you can. ” “ What terms? ” “ Terms! |
| 4520 | Yes-- well!-- Well-- now, why are you going away? ” “ For a change, ” said Lilly. |
| 4520 | Yes-- what did he believe in, besides money? |
| 4520 | Yes? |
| 4520 | Yes? ” Aaron promised-- and then he found himself in the street. |
| 4520 | Yes? ” said the doctor. |
| 4520 | Yet I find_ Kovantchina_, which is all mass music practically, gives me more satisfaction than any other opera. ” “ Do you really? |
| 4520 | Yet what could be more conspicuous than this elegant pair, picking their way through the cabbage- leaves? |
| 4520 | You are? |
| 4520 | You ca n''t really be alone. ” “ No matter how many mistakes you''ve made-- you ca n''t really be alone--? ” asked Lilly. |
| 4520 | You come straight from England? ” Sir William held out his hand courteously and benevolently, smiling an old man''s smile of hospitality. |
| 4520 | You do n''t want me to say things, do you? ” he said. |
| 4520 | You know that you have got an urge, do n''t you? ” “ Yes-- ” rather unwillingly Aaron admitted it. |
| 4520 | You talk, and you make a man believe you''ve got something he has n''t got? |
| 4520 | You thought her a pretty woman, yes? ” “ No-- not particularly pretty. |
| 4520 | You wo n''t believe you''re right in the way of traffic, will you now, in Covent Garden Market? |
| 4520 | You wo n''t go down? |
| 4520 | You yourself have no definite goal? ” “ No. ” “ Ah! |
| 4520 | You''d find it rather domestic. ” “ Where do you live? ” “ Rather far out now-- Amersham. ” “ Amersham? |
| 4520 | You''d find it rather domestic. ” “ Where do you live? ” “ Rather far out now-- Amersham. ” “ Amersham? |
| 4520 | You''d like a wash? ” But Jim had already opened his bag, taken off his coat, and put on an old one. |
| 4520 | You''ll be the same there as you are here. ” “ How am I here? ” “ Why, you''re all the time grinding yourself against something inside you. |
| 4520 | You''ll come in, wo n''t you? ” Aaron nodded rather stupidly and testily. |
| 4520 | You''re a comic. ” “ Am I though? ” said Jim. |
| 4520 | You''re a married man, are n''t you? ” The sardonic look of the stranger rested on the subaltern. |
| 4520 | You''re awfully lucky, you know, to be able to pour yourself down your flute. ” “ You think I go down easy? ” he laughed. |
| 4520 | You''re quite sure now? |
| 4520 | You''ve got a love- urge that urges you to God; have you? |
| 4520 | You''ve got a permanent job? ” asked Josephine. |
| 4520 | _ Egoisme a deux_-- ” “ What''s that mean? ” “_ Egoisme a deux_? |
| 4520 | _ Egoisme a deux_-- ” “ What''s that mean? ” “_ Egoisme a deux_? |
| 4520 | _ Siamo nel paradiso_, remember. ” “ But why should we drink your whiskey? |
| 4520 | “ A little Bovril? ” The same faint shake. |
| 4520 | “ A man ca n''t live, ” said the Italian, “ without an object. ” “ Well-- and that object? ” said Lilly. |
| 4520 | “ A whiskey and soda, Lilly? |
| 4520 | “ Act? ” said Aaron. |
| 4520 | “ Ah, my dear fellow, are you still so young and callow that you cherish the illusion of fair play? ” said Argyle. |
| 4520 | “ All right, I think. ” “ But you''ve been back to them? ” cried Josephine in dismay. |
| 4520 | “ Always seeking a friend-- and always a new one? ” “ If I lose the friend I''ve got. |
| 4520 | “ Am I? ” said Lilly. |
| 4520 | “ Am I? ” she smiled. |
| 4520 | “ And I''ll come to you.--Shall I come in fifteen minutes? ” She looked at him with strange, slow dark eyes. |
| 4520 | “ And can you find two men to stick together, without feeling criminal, and without cringing, and without betraying one another? |
| 4520 | “ And do you send her money? ” she asked. |
| 4520 | “ And me? ” “ You''ll have to live without a rod, meanwhile. ” To which pleasant remark Aaron made no reply. |
| 4520 | “ And never finding? ” said Lilly, laughing. |
| 4520 | “ And so the war hardly affected you? |
| 4520 | “ And so, Mr. Sisson, you have no definite purpose in coming to Italy? ” “ No, none, ” said Aaron. |
| 4520 | “ And stay how long? ” “ Oh-- as long as it lasts, ” said Robert again. |
| 4520 | “ And then what? ” “ Nay, ” interrupted Aaron. |
| 4520 | “ And what are they going to do about Job Arthur Freer? |
| 4520 | “ And what are you going to do in Florence? ” asked Argyle. |
| 4520 | “ And what good will Malta do you? ” he asked, envious. |
| 4520 | “ And what''s your way out? ” Aaron asked him. |
| 4520 | “ And where are you bound, Mr. Sisson? |
| 4520 | “ And where? ” Again she was silent for some moments, as if struggling with herself. |
| 4520 | “ And who SHOULD have the money, indeed, if not your wives? |
| 4520 | “ And who knows what you''ve been doing all these months? ” she wept. |
| 4520 | “ And whom shall I submit to? ” he said. |
| 4520 | “ And will you sing? ” he answered. |
| 4520 | “ And yours, Lilly? ” asked the Marchese anxiously. |
| 4520 | “ Anyhow, ” he said at length, “ you''ll come, wo n''t you? |
| 4520 | “ Anything you wanted? ” repeated Robert, military, rather peremptory. |
| 4520 | “ Are n''t we perfectly satisfied and in bliss with the wonderful women who honour us as wives? ” “ Ah, yes, yes! ” said the Marchese. |
| 4520 | “ Are we to let t''other side run off wi''th''bone, then, while we sit on our stunts an''yowl for it? ” asked Brewitt. |
| 4520 | “ Are you a miner? ” Robert asked,_ de haute en bas_. |
| 4520 | “ Are you a socialist? ” asked Levison. |
| 4520 | “ Are you going out, Father? ” she said. |
| 4520 | “ Are you here by yourself? ” asked the sick man. |
| 4520 | “ Are you? ” persisted the child, balancing on one foot. |
| 4520 | “ Ay, an''what''s the purpose of his life? ” insisted Aaron Sisson. |
| 4520 | “ Ay, what? ” said Aaron. |
| 4520 | “ Being yourself-- what does it mean? ” “ To me, everything. ” “ And to most folks, nothing. |
| 4520 | “ Beldover? ” inquired Robert. |
| 4520 | “ Besides, Aaron, ” said Lilly, drinking his last sip of wine, “ what do you care whether you see me again or not? |
| 4520 | “ But DO you want to be with Scott, out and out, or DON''T you? ” said Lilly. |
| 4520 | “ But I do n''t know why you talk about him. ” “ Is he inexperienced, Josephine dear? |
| 4520 | “ But I''m not personal at all, am I, Mr. Bricknell? ” said Tanny. |
| 4520 | “ But ca n''t there be a balancing of wills? ” said Lilly. |
| 4520 | “ But do you think I might--? ” said Francis moodily. |
| 4520 | “ But do you think it''s true what he says? |
| 4520 | “ But does it matter? ” said Lilly slowly, “ in which of you the desire initiates? |
| 4520 | “ But does it matter? ” said Lilly slowly, “ in which of you the desire initiates? |
| 4520 | “ But for how long will you settle down--? ” he asked. |
| 4520 | “ But have you anything to take you to Venice? |
| 4520 | “ But how can I live in Italy? ” he said. |
| 4520 | “ But is n''t it? ” she persisted. |
| 4520 | “ But people always turn up. ” “ And then next year, what will you do? ” “ Who knows? |
| 4520 | “ But people always turn up. ” “ And then next year, what will you do? ” “ Who knows? |
| 4520 | “ But that''s not really how you take it? ” she said. |
| 4520 | “ But was n''t it an extraordinary affair? ” “ Very, ” said Aaron. |
| 4520 | “ But we can be friends, ca n''t we? ” he said. |
| 4520 | “ But what can have brought you to such a disastrous decision? ” “ I ca n''t say, ” she replied, with a little laugh. |
| 4520 | “ But what difference does it make, ” said Aaron Sisson, “ whether they govern themselves or not? |
| 4520 | “ But what do you really think will happen to the world? ” Lilly asked Jim, amid much talk. |
| 4520 | “ But what''s the good of going to Malta? |
| 4520 | “ But where is YOUR SEAT? ” cried Francis, peering into the packed and jammed compartments of the third class. |
| 4520 | “ But why ca n''t man accept it as the natural order of things? ” said Lilly. |
| 4520 | “ But why not? |
| 4520 | “ But why should it? |
| 4520 | “ But why? |
| 4520 | “ But why? |
| 4520 | “ But why? ” said Josephine. |
| 4520 | “ But wo n''t you come and have coffee with us at our table? ” said Francis. |
| 4520 | “ But you do n''t want to get away from EVERYTHING, do you? |
| 4520 | “ But you must earn money, must n''t you? ” said she. |
| 4520 | “ But you''ll let us do that again, wo n''t you? ” said she. |
| 4520 | “ But you''re going home to them, are n''t you? ” said Josephine, in whose eyes the tears had already risen. |
| 4520 | “ But, Josephine, ” said Robert, “ do n''t you think we''ve had enough of that sort of thing in the war? |
| 4520 | “ Ca n''t you break it? ” “ Yes, if you hit it with a hammer, ” he said. |
| 4520 | “ Ca n''t you rouse his spirit? |
| 4520 | “ Ca n''t you settle down to something?--to a job, for instance? ” “ I''ve not found the job I could settle down to, yet, ” said Aaron. |
| 4520 | “ Can I come up and have a chat? ” “ I''ve got that man who''s had flu. |
| 4520 | “ Can I have a room? ” said Aaron. |
| 4520 | “ Christmas- tree candles, and toffee. ” “ For the little children? |
| 4520 | “ Cigarette, Julia? ” said Robert to his wife. |
| 4520 | “ DO you agree, Mr. Sisson? ” said the Marchesa. |
| 4520 | “ Did YOU leave the parlour door open? ” she asked of Millicent, suspiciously. |
| 4520 | “ Did you ever intend to marry Jim Bricknell? ” he asked. |
| 4520 | “ Did you ever keep count? ” Tanny persisted. |
| 4520 | “ Did you indeed? |
| 4520 | “ Did you see the row yesterday? ” asked Levison. |
| 4520 | “ Did you want anything? ” Robert enquired once more. |
| 4520 | “ Did you want anything? ” asked Robert, from behind the light. |
| 4520 | “ Do n''t I? |
| 4520 | “ Do n''t you agree? ” He turned wolfishly to Clariss. |
| 4520 | “ Do they?--Don''t you think it''s nice of them? ” she said, gently removing her hand from his. |
| 4520 | “ Do you believe in them less than I do, Aaron? ” he asked slowly. |
| 4520 | “ Do you feel ill, Sisson? ” he said sharply. |
| 4520 | “ Do you feel quite well? ” Josephine asked him. |
| 4520 | “ Do you find it a tight squeeze, then? ” she said, turning to Aaron once more. |
| 4520 | “ Do you find it so? ” said Lilly. |
| 4520 | “ Do you find this room very cold? ” she asked of Aaron. |
| 4520 | “ Do you hate the normal British as much as I do? ” she asked him. |
| 4520 | “ Do you know how vilely you''ve treated me? ” she said, staring across the space at him. |
| 4520 | “ Do you love playing? ” she asked him. |
| 4520 | “ Do you mean that, Aaron? ” he said, looking into Aaron''s face with a hard, inflexible look. |
| 4520 | “ Do you mean to say you do n''t MEAN what you''ve been saying? ” said Levison, now really looking angry. |
| 4520 | “ Do you recognise anyone in the orchestra? ” she asked. |
| 4520 | “ Do you see anybody we know, Josephine? ” she asked. |
| 4520 | “ Do you see signs of the old maid coming out in me? |
| 4520 | “ Do you seek nothing? ” “ We married men who have n''t left our wives, are we supposed to seek anything? ” said Lilly. |
| 4520 | “ Do you seek nothing? ” “ We married men who have n''t left our wives, are we supposed to seek anything? ” said Lilly. |
| 4520 | “ Do you think so, my dear? ” said the old man, with his eternal smile: the curious smile of old people when they are dead. |
| 4520 | “ Do you think so? ” he answered. |
| 4520 | “ Do you think you''re wise now, ” he said, “ to sit in that sun? ” “ In November? ” laughed Lilly. |
| 4520 | “ Do you think you''re wise now, ” he said, “ to sit in that sun? ” “ In November? ” laughed Lilly. |
| 4520 | “ Do you think, Lilly, that we''re the world? ” said Robert ironically. |
| 4520 | “ Do you want to be believed? ” “ No, I do n''t care a straw. |
| 4520 | “ Do you, Aaron? ” “ I do n''t WANT to, ” said Aaron. |
| 4520 | “ Do you? ” said Lady Franks. |
| 4520 | “ Does a man care? ” “ He might. ” “ Then he''s no man. ” “ Thanks again, old fellow. ” “ Welcome, ” said Lilly, grimacing. |
| 4520 | “ Does he seek another woman? ” said Lilly. |
| 4520 | “ Does it? ” asked Lilly of the Marchese. |
| 4520 | “ Does n''t SHE love you? ” said Aaron to Jim amused, indicating Josephine. |
| 4520 | “ Does n''t it go more here? ” “ No no, no no, not at all. |
| 4520 | “ Eh--? ” and Jim stooped, grinning at the smaller man. |
| 4520 | “ Eh? |
| 4520 | “ Eh? |
| 4520 | “ Eh? ” Aaron looked up. |
| 4520 | “ Eh? ” “ Are you going out? ” She twisted nervously. |
| 4520 | “ Eh? ” “ Are you going out? ” She twisted nervously. |
| 4520 | “ Enough of what? ” she said. |
| 4520 | “ Er-- what bed do you propose to put him in? ” asked Robert rather officer- like. |
| 4520 | “ Father, shall you set the Christmas Tree? ” they cried. |
| 4520 | “ Give him time. ” “ Is he also afraid-- like Alcibiades? ” “ Are you, Aaron? ” said Lilly. |
| 4520 | “ Give him time. ” “ Is he also afraid-- like Alcibiades? ” “ Are you, Aaron? ” said Lilly. |
| 4520 | “ Glad to see you-- well, everything all right? |
| 4520 | “ Go up there? ” said Aaron, pointing. |
| 4520 | “ Have a drink, Josephine? ” said Robert. |
| 4520 | “ Have another? ” said Jim, who was attending fixedly, with curious absorption, to the stranger. |
| 4520 | “ Have n''t I? |
| 4520 | “ Have n''t you got the music? ” She rose, not answering, and found him a little book. |
| 4520 | “ Have one? ” Aaron shook his head, and Jim did not press him. |
| 4520 | “ Have you got any Christmas- tree candles? ” he asked as he entered the shop. |
| 4520 | “ Have you noticed it? ” “ No, ” said Aaron. |
| 4520 | “ Have you really broken your engagement with Jim? ” shrilled Tanny in a high voice, as the train roared. |
| 4520 | “ Have you? ” He lifted his head and looked at her. |
| 4520 | “ He wants Julia to go down and stay. ” “ Is she going? ” said Lilly. |
| 4520 | “ Help him up to my room, will you? ” he said to the constable. |
| 4520 | “ How are you, darling? ” she asked. |
| 4520 | “ How are your wife and children? ” she asked spitefully. |
| 4520 | “ How do I look, eh? |
| 4520 | “ How do you come here? ” “ I play the flute, ” he answered, as he shook hands. |
| 4520 | “ How do you do? |
| 4520 | “ How do you like Lilly? |
| 4520 | “ How do you like being in London? ” “ I like London, ” said Aaron. |
| 4520 | “ How is everybody? ” asked Tanny. |
| 4520 | “ How is the night? ” she said, as if to change the whole feeling in the room. |
| 4520 | “ How long ha''you been married? |
| 4520 | “ How lovely for you!--And when will you go to Norway, Tanny? ” “ In about a month, ” said Tanny. |
| 4520 | “ How many children have you? ” sang Julia from her distance. |
| 4520 | “ How many do you want? ” he said. |
| 4520 | “ How many do you want? ” “ A dozen. ” “ Ca n''t let you have a dozen. |
| 4520 | “ How much? ” said Aaron to the driver. |
| 4520 | “ How old are you? ” “ I''m twenty- five. |
| 4520 | “ How shall you escape it? ” said Levison. |
| 4520 | “ How strange!--Why is it burning now? ” “ It always burns, unfortunately-- it is most consistent at it. |
| 4520 | “ How''s that? ” “ Why, because, in a way the people of India have an easier time even than the people of England. |
| 4520 | “ How, act? ” “ Why, defy the government, and take things in their own hands, ” said Josephine. |
| 4520 | “ How--? ” she said, with a sudden grunting, unhappy laugh. |
| 4520 | “ How? ” “ You can live by your writing-- but I''ve got to have a job. ” “ Is that all? ” said Lilly. |
| 4520 | “ How? ” “ You can live by your writing-- but I''ve got to have a job. ” “ Is that all? ” said Lilly. |
| 4520 | “ I could n''t make it out, could you? ” “ Oh, ” cried Francis. |
| 4520 | “ I do n''t even want to believe in them. ” “ But in yourself? ” Lilly was almost wistful-- and Aaron uneasy. |
| 4520 | “ I do n''t know why I cry. ” “ You can cry for nothing, ca n''t you? ” he said. |
| 4520 | “ I hope personification is right.--Ought to be_ allegory_ or something else? ” This from Clariss to Robert. |
| 4520 | “ I say, do you hear the bells? ” said Robert, poking his head into the room. |
| 4520 | “ I say, ” said Robert suddenly, from the rear--“anybody have a drink? |
| 4520 | “ I suddenly saw that if there was a man in England who could save me, it was you. ” “ Save you from what? ” asked Lilly, rather abashed. |
| 4520 | “ I suppose so. ” “ And why? ” she cried. |
| 4520 | “ I think I''ll retire. ” “ Will you? ” said Julia, also rising. |
| 4520 | “ I think they''re anything but angels. ” “ Do you though? |
| 4520 | “ I went to the Uffizi. ” “ To the Uffizi? |
| 4520 | “ I wish I were in the country, do n''t you? |
| 4520 | “ I wonder what he''s doing here. ” “ Do n''t you think we might ASK him? ” said Francis, in a vehement whisper. |
| 4520 | “ I wonder what will become of him-- ” “--Of the one who climbed for the flag, you mean? |
| 4520 | “ I''m not so late, am I? ” asked Aaron. |
| 4520 | “ I''ve been awfully bored. ” “ Have you? ” grinned Jim. |
| 4520 | “ I''ve got it now in my overcoat pocket, ” he said, “ if you like. ” “ Have you? |
| 4520 | “ I''ve nothing to lose. ” “ And were you surprised, Lilly, to find your friend here? ” asked Del Torre. |
| 4520 | “ If childhood is more important than manhood, then why live to be a man at all? |
| 4520 | “ If it is a good government, doctor, how can it be so bad for the people? ” said the landlady. |
| 4520 | “ Is Mr. Lilly here? |
| 4520 | “ Is it pretty much the same out there in India? ” he asked of the doctor, suddenly. |
| 4520 | “ Is it that man Aaron Sisson? ” asked Robert. |
| 4520 | “ Is it true for you? ” “ Nearly, ” said Aaron, looking into the quiet, half- amused, yet frightening eyes of the other man. |
| 4520 | “ Is it very heavy? ” asked Millicent. |
| 4520 | “ Is music your line as well, then? ” asked Aaron. |
| 4520 | “ Is n''t it nasty? ” she said. |
| 4520 | “ Is n''t there a lift in this establishment? ” he said, as he groped his way up the stone stairs. |
| 4520 | “ Is n''t there something we could do to while the time away? ” Everybody suddenly laughed-- it sounded so remote and absurd. |
| 4520 | “ Is that your flute? ” asked Lilly. |
| 4520 | “ It IS he? ” said Josephine quietly, meeting Jim''s eye. |
| 4520 | “ It IS the chap-- What? ” he exclaimed excitedly, looking round at his friends. |
| 4520 | “ It was, was n''t it? ” she said, turning a wondering, glowing face to him. |
| 4520 | “ It''ll do tomorrow morning, wo n''t it? ” he asked rather mocking. |
| 4520 | “ It''s what chickens say when they''re poking their little noses into new adventures-- naughty ones. ” “ Are chickens naughty? |
| 4520 | “ Jolly-- eh? ” said Jim. |
| 4520 | “ Keb? |
| 4520 | “ Leave a message for you, Sir? ” Lilly wrote his address on a card, then changed his mind. |
| 4520 | “ Let''s, everybody-- let''s. ” “ Shall we really? ” asked Robert. |
| 4520 | “ Like me to tuck the sheets round you, should n''t you? |
| 4520 | “ Look, Father, do n''t you love it! ” “ Love it? ” he re- echoed, ironical over the word love. |
| 4520 | “ Look, Mother, is n''t it a beauty? ” “ Mind the ring does n''t come out, ” said her mother. |
| 4520 | “ Make haste and get better, and we''ll go. ” “ Where? ” said Aaron. |
| 4520 | “ May I stay till Monday morning? ” said Aaron. |
| 4520 | “ May he not be Guest? ” he asked, fatherly. |
| 4520 | “ Me? |
| 4520 | “ Me? |
| 4520 | “ Me? |
| 4520 | “ Me? ” he said. |
| 4520 | “ Me? ” he said. |
| 4520 | “ Me? ” said Sisson. |
| 4520 | “ Mind if I stay till Saturday? ” There was a pause. |
| 4520 | “ Must it be bloody, Josephine? ” said Robert. |
| 4520 | “ My dear fellow, the only hope of salvation for the world lies in the re- institution of slavery. ” “ What kind of slavery? ” asked Levison. |
| 4520 | “ My hat and coat? ” he said to Lilly. |
| 4520 | “ No, I like to have it in my bedroom. ” “ You do n''t eat bread in the night? ” said Lilly. |
| 4520 | “ No, I want none of that. ” “ Then--? ” But now she sat gazing on him with wide, heavy, incomprehensible eyes. |
| 4520 | “ No-- I do n''t mind it. ” “ Do you feel at home in Florence? ” Aaron asked her. |
| 4520 | “ No-- where''s the loaf? ” And he cut himself about half of it. |
| 4520 | “ Not asleep? |
| 4520 | “ Not good, eh? |
| 4520 | “ Not that you loved any other woman? ” “ God save me from it. ” “ You just left off loving? ” “ Not even that. |
| 4520 | “ Not that you loved any other woman? ” “ God save me from it. ” “ You just left off loving? ” “ Not even that. |
| 4520 | “ Now Marchesa-- might we hope for a song? ” “ No-- I do n''t sing any more, ” came the slow, contralto reply. |
| 4520 | “ Now then--_siamo nel paradiso_, eh? |
| 4520 | “ Now? ” he said. |
| 4520 | “ Now? ” said Aaron. |
| 4520 | “ Of what? |
| 4520 | “ Oh, what would you? |
| 4520 | “ Or what, then? ” “ Or anything. |
| 4520 | “ Please do take another-- but perhaps you do n''t like mushrooms? ” Aaron quite liked mushrooms, and helped himself to the_ entree_. |
| 4520 | “ Robert is so happy with all the good things-- aren''t you dear? ” she sang, breaking into a hurried laugh. |
| 4520 | “ Shall I go away? ” he said at length. |
| 4520 | “ Shall I? ” she said. |
| 4520 | “ Shall we be lovers? ” came his voice once more, with the faintest touch of irony. |
| 4520 | “ Shall we be lovers? ” he said. |
| 4520 | “ Shall we go into the sala and have real music? |
| 4520 | “ Shall we illuminate one of the fir- trees by the lawn? ” “ Yes! |
| 4520 | “ Shall we listen to it for a minute? ” She led him across the grass past the shrubs to the big tree in the centre. |
| 4520 | “ She does n''t love me. ” “ Is that true? ” asked Robert hastily, of Josephine. |
| 4520 | “ Sir William Franks? ” said Aaron. |
| 4520 | “ So you feel you have no country of your own? ” “ I have Italy. |
| 4520 | “ Stay all night? ” he said. |
| 4520 | “ Tell me, ” said Francis, “ will you have your coffee black, or with milk? ” He was determined to restore a tone of sobriety. |
| 4520 | “ Thank goodness the Italians are better than they used to be. ” “ Are they better than they used to be? ” “ Oh, much. |
| 4520 | “ That goes much lower down-- about here. ” “ Are you sure? ” said Lady Franks. |
| 4520 | “ That man''s sitting in it. ” “ Which? ” cried Francis, indignant. |
| 4520 | “ That''s how it looks on the face of it, is n''t it? ” he said. |
| 4520 | “ That''s the chap. ” “ Who? |
| 4520 | “ The nearest? ” said the policeman. |
| 4520 | “ Then it''s no engagement? ” said Robert. |
| 4520 | “ Then upon what grounds did you abandon your family? |
| 4520 | “ Then what''s the use of going somewhere else? |
| 4520 | “ Then who would be the masters?--the professional classes, doctors and lawyers and so on? ” “ What? |
| 4520 | “ Then who would be the masters?--the professional classes, doctors and lawyers and so on? ” “ What? |
| 4520 | “ Then will you come and have dinner with us--? ” Francis fixed up the time and the place-- a small restaurant at the other end of the town. |
| 4520 | “ Then wo n''t you come on-- let me see-- on Wednesday? |
| 4520 | “ There now, is n''t it handsome? |
| 4520 | “ They''re old-- older than the Old Man of the Seas, sometimes, are n''t they? |
| 4520 | “ Think they have? ” he laughed. |
| 4520 | “ Three. ” “ Girls or boys? ” “ Girls. ” “ All girls? |
| 4520 | “ Three. ” “ Girls or boys? ” “ Girls. ” “ All girls? |
| 4520 | “ To see her people? |
| 4520 | “ To whom? ” said Lilly. |
| 4520 | “ We are sure to run across one another. ” “ When are you going? ” asked Aaron. |
| 4520 | “ We might begin to be ourselves, anyhow. ” “ And what does that mean? ” said Aaron. |
| 4520 | “ We''re so happy in a land of plenty, AREN''T WE DEAR? ” “ Do you mean I''m greedy, Julia? ” said Robert. |
| 4520 | “ We''re so happy in a land of plenty, AREN''T WE DEAR? ” “ Do you mean I''m greedy, Julia? ” said Robert. |
| 4520 | “ We''ve got one! ” “ Afore I have my dinner? ” he answered amiably. |
| 4520 | “ Well now, what do you base your opinion on? ” Mr. French gave various bases for his opinion. |
| 4520 | “ Well then, what is it? |
| 4520 | “ Well, and how have you spent your morning? ” asked the host. |
| 4520 | “ Well, and what have you been doing with yourself? ” said he. |
| 4520 | “ Well, then, Angus-- suppose we do that, then?--When shall we start? ” Angus was the nervous insister. |
| 4520 | “ Well, then, ” said Francis, “ you will be in to lunch here, wo n''t you? |
| 4520 | “ Well, then? |
| 4520 | “ Well, who AM I to think of? ” she asked. |
| 4520 | “ Well, ” he said, “ you''ve got men and nations, and you''ve got the machines of war-- so how are you going to get out of it? |
| 4520 | “ Well, ” said Argyle, “ what have you been doing with yourself, eh? |
| 4520 | “ Well, ” said the little Hindu doctor, “ and how are things going now, with the men? ” “ The same as ever, ” said Aaron. |
| 4520 | “ Well-- shall I say? |
| 4520 | “ Were you on your way home? ” asked Robert, huffy. |
| 4520 | “ What SHOULD I drink? ” said Aaron, whose acquaintance with wines was not very large. |
| 4520 | “ What about it, then? ” asked Aaron. |
| 4520 | “ What about the bridegroom, Algy, my boy? |
| 4520 | “ What about the wife and kiddies? |
| 4520 | “ What about the wife? ” said Robert-- the young lieutenant. |
| 4520 | “ What am I going to do this winter, do you think? ” Aaron asked. |
| 4520 | “ What am I to put it in? ” he queried. |
| 4520 | “ What are you bothering about? ” he said. |
| 4520 | “ What are you doing today? ” Aaron was not doing anything in particular. |
| 4520 | “ What are you going to do about your move on? ” “ Me! ” said Lilly. |
| 4520 | “ What becomes of me? |
| 4520 | “ What ca n''t you? ” “ Choose. |
| 4520 | “ What did you do yesterday? ” “ Yesterday? ” said Aaron. |
| 4520 | “ What did you do yesterday? ” “ Yesterday? ” said Aaron. |
| 4520 | “ What do I call the common good? ” repeated the landlady. |
| 4520 | “ What do I call wisdom? ” repeated the landlady. |
| 4520 | “ What do YOU care for? ” asked Lilly. |
| 4520 | “ What do YOU think, Josephine? ” asked Lilly. |
| 4520 | “ What do the words mean? ” he asked her. |
| 4520 | “ What do you make of the miners? ” said Jim, suddenly taking a new line. |
| 4520 | “ What do you make of''em, eh? ” he said. |
| 4520 | “ What do you reckon stars are? ” asked the sepulchral voice of Jim. |
| 4520 | “ What do you want to do? ” “ Nay, that''s what I want to know. ” “ Do you want anything? |
| 4520 | “ What do you want to do? ” “ Nay, that''s what I want to know. ” “ Do you want anything? |
| 4520 | “ What do you want to know for? ” He made no other answer, and turned again to the music. |
| 4520 | “ What do you want to see in me? ” he asked, with a smile, looking steadily back again. |
| 4520 | “ What does he do? ” “ Writes-- stories and plays. ” “ And makes it pay? ” “ Hardly at all.--They want us to go. |
| 4520 | “ What does he do? ” “ Writes-- stories and plays. ” “ And makes it pay? ” “ Hardly at all.--They want us to go. |
| 4520 | “ What else could I tell them? |
| 4520 | “ What gives you such a belly- ache for love, Jim? ” said Lilly, “ or for being loved? |
| 4520 | “ What gives you such a belly- ache for love, Jim? ” said Lilly, “ or for being loved? |
| 4520 | “ What have I been able to say to the children-- what have I been able to tell them? ” “ What HAVE you told them? ” he asked coldly. |
| 4520 | “ What have I been able to say to the children-- what have I been able to tell them? ” “ What HAVE you told them? ” he asked coldly. |
| 4520 | “ What have they to fight for? ” “ Why, everything! |
| 4520 | “ What have you come for? ” she cried again, with a voice full of hate. |
| 4520 | “ What have you come here for? ” His soul went black as he looked at her. |
| 4520 | “ What have you had enough of? |
| 4520 | “ What have you to do this morning? ” she asked him. |
| 4520 | “ What is cheap, please? |
| 4520 | “ What is it on the clock? ” The taxi was paid, the two men went upstairs. |
| 4520 | “ What is it? ” cried Julia. |
| 4520 | “ What is it? ” he asked. |
| 4520 | “ What is it? ” he said, to a rather sniffy messenger boy. |
| 4520 | “ What is that light burning? |
| 4520 | “ What is the difference then between you and me, Lilly? ” he said. |
| 4520 | “ What is there to say? ” ejaculated Lilly rapidly, with a spoonful of breath which he managed to compress and control into speech. |
| 4520 | “ What is there to talk about? ” “ Usually there''s so much, ” she said sarcastically. |
| 4520 | “ What makes you think so? ” “ Circumstances, ” replied Aaron sourly. |
| 4520 | “ What sort? ” said Aaron. |
| 4520 | “ What the hell do you take that beastly personal tone for? ” cried Lilly at Tanny, as the three sat under a leafless great beech- tree. |
| 4520 | “ What time is Manfredi coming back? ” said he. |
| 4520 | “ What train? ” said Arthur. |
| 4520 | “ What was it? |
| 4520 | “ What was it? ” It was the socialists. |
| 4520 | “ What was the interesting topic? ” he said cuttingly. |
| 4520 | “ What were they on about today, then? ” she said. |
| 4520 | “ What will Robert do? ” “ Have a shot at Josephine, apparently. ” “ Really? |
| 4520 | “ What will Robert do? ” “ Have a shot at Josephine, apparently. ” “ Really? |
| 4520 | “ What would you like to drink? |
| 4520 | “ What you give-- he? |
| 4520 | “ What''re you laughing at? ” repeated Aaron. |
| 4520 | “ What''s amiss? ” said Aaron Sisson, breaking this spell. |
| 4520 | “ What''s her name? ” “ Mrs. |
| 4520 | “ What''s that?--What would be romantic? ” said Jim as he lurched up and caught hold of Cyril Scott''s arm. |
| 4520 | “ What''s the good of that? ” he said irritably. |
| 4520 | “ What''s the matter with the fellow? ” he said. |
| 4520 | “ What''s tomorrow? ” said Jim. |
| 4520 | “ What, do n''t you think they''re wonderful? ” “ No. |
| 4520 | “ What? |
| 4520 | “ What? |
| 4520 | “ What? |
| 4520 | “ What? ” said Aaron, looking up. |
| 4520 | “ What? ” “ Afraid of spoiling your beauty by screwing your mouth to the flute? ” “ I look a fool, do I, when I''m playing? ” said Aaron. |
| 4520 | “ What? ” “ Afraid of spoiling your beauty by screwing your mouth to the flute? ” “ I look a fool, do I, when I''m playing? ” said Aaron. |
| 4520 | “ What? ” “ Afraid of spoiling your beauty by screwing your mouth to the flute? ” “ I look a fool, do I, when I''m playing? ” said Aaron. |
| 4520 | “ When are you going? ” he asked irritably, looking up at Lilly, whose face hovered in that green shadow above, and worried him. |
| 4520 | “ When did I make that start, then? ” “ At some unmentionably young age. |
| 4520 | “ When did you come to Florence? ” There was a little explanation. |
| 4520 | “ Where are you going to have it? ” he called. |
| 4520 | “ Where from? ” “ Watch Ireland, and watch Japan-- they''re the two poles of the world, ” said Jim. |
| 4520 | “ Where is Scott to- night? ” asked Struthers. |
| 4520 | “ Where is n''t it? |
| 4520 | “ Where is there a doctor? ” he added, on reflection. |
| 4520 | “ Where shall I come to you? ” he said. |
| 4520 | “ Where shall I say? ” Lilly produced the map, and they decided on time and station at which Lois coming out of London, should meet Jim. |
| 4520 | “ Where to? ” said Aaron. |
| 4520 | “ Where were YOU all the time during the war? ” “ I was doing my job, ” said Aaron. |
| 4520 | “ Where''s the beer? ” he asked, in deep tones, smiling full into Josephine''s face, as if she were going to produce it by some sleight of hand. |
| 4520 | “ Where''s the wine list? |
| 4520 | “ Where? |
| 4520 | “ Which room? ” said the policeman, dubious. |
| 4520 | “ Who knows all the vile things you''ve been doing? |
| 4520 | “ Who threw the bomb? ” said Aaron. |
| 4520 | “ Who''s your husband? |
| 4520 | “ Who--? |
| 4520 | “ Who? ” said Tanny. |
| 4520 | “ Who? ” “ Those two who were here this evening. ” “ Miss Wade and Mr. |
| 4520 | “ Why I left her? ” he said. |
| 4520 | “ Why are n''t you satisfied? ” “ I''m not satisfied. |
| 4520 | “ Why are you crying? ” he said. |
| 4520 | “ Why are you such a baby? ” said Lilly. |
| 4520 | “ Why do you have those people? ” he asked. |
| 4520 | “ Why must you interfere? ” “ Because I intend to, ” said Lilly. |
| 4520 | “ Why not carry it out-- eh? |
| 4520 | “ Why not? |
| 4520 | “ Why not? ” Both were watching blankly the roaring night of mid- London, the phantasmagoric old Bloomsbury Square. |
| 4520 | “ Why not? ” replied Robert, answering for her. |
| 4520 | “ Why not? ” “ I do n''t want to. ” “ Why not? ” she asked. |
| 4520 | “ Why not? ” “ I do n''t want to. ” “ Why not? ” she asked. |
| 4520 | “ Why not? ” “ It''s just my nature. ” “ Are you a seeker? |
| 4520 | “ Why not? ” “ It''s just my nature. ” “ Are you a seeker? |
| 4520 | “ Why should I? ” And she looked away into the restless hive of the theatre. |
| 4520 | “ Why should n''t I? ” she persisted. |
| 4520 | “ Why should n''t you be, anyhow? ” he said. |
| 4520 | “ Why, have you left valuables in your overcoat? ” “ My flute, ” said Aaron. |
| 4520 | “ Why, how do you mean, what sort? |
| 4520 | “ Why, what more could a man want from life? |
| 4520 | “ Why? ” she exclaimed. |
| 4520 | “ Why? ” “ I know it. |
| 4520 | “ Will he heed, will he heed? ” thought the anxious second self. |
| 4520 | “ Will he never hear? |
| 4520 | “ Will you be alone all winter? ” “ Just myself and Tanny, ” he answered. |
| 4520 | “ Will you be leaving in the morning, Mr. Sisson? ” asked Lady Franks. |
| 4520 | “ Will you come to dinner tomorrow evening? ” said his hostess to him as he was leaving. |
| 4520 | “ Will you get the flute? ” she said as they entered. |
| 4520 | “ Will you have supper? ” said Lilly. |
| 4520 | “ Will you really come? |
| 4520 | “ Will you stay to dinner? ” said the Marchesa. |
| 4520 | “ Will you tell me why you left your wife and children?--Didn''t you love them? ” Aaron looked at the odd, round, dark muzzle of the girl. |
| 4520 | “ Wo n''t it break? ” she persisted. |
| 4520 | “ Wo n''t they be expecting you? ” said Robert, trying to keep his temper and his tone of authority. |
| 4520 | “ Wo n''t you come and have a cocktail? ” she said. |
| 4520 | “ Wo n''t you go home to them? ” she said, hysterical. |
| 4520 | “ Wo n''t you kiss me? ” came her voice out of the darkness. |
| 4520 | “ Wo n''t you let me try some accompaniment? ” said the soldier. |
| 4520 | “ Wo n''t you stay? ” she said, in a small, muted voice. |
| 4520 | “ Wo n''t you take off your coat? ” she said, looking at him with strange, large dark eyes. |
| 4520 | “ Wo n''t you? ” “ Yes, ” he said quietly. |
| 4520 | “ Would n''t you? ” he asked. |
| 4520 | “ Would you like a little tea? ” “ Ay-- and a bit of toast. ” “ You''re not supposed to have solid food. |
| 4520 | “ Would you like me to play it? ” he said. |
| 4520 | “ Would you like tea or anything? ” Lilly asked. |
| 4520 | “ Would you like to be wrapped in swaddling bands and laid at the breast? ” asked Lilly, disagreeably. |
| 4520 | “ Would you like to see the room where we have music? ” he said. |
| 4520 | “ Would you rather take a bus? ” she said in a high voice, because of the wind. |
| 4520 | “ Would you rather? ” she said, keeping her face averted. |
| 4520 | “ Yes, I prefer it. ” “ You like living all alone? ” “ I do n''t know about that. |
| 4520 | “ Yes, and THEN WHAT? ” cried the landlady. |
| 4520 | “ Yes, why not? ” said Tanny. |
| 4520 | “ Yes-- shall you buy us some, Father? |
| 4520 | “ Yes.--May I have another whiskey, please? ” She rose at once, powerfully energetic. |
| 4520 | “ Yes? ” he said. |
| 4520 | “ Yet you can give no reasons? ” “ Not any reasons that would be any good. |
| 4520 | “ You agree? ” “ Yes, on the whole. ” “ So do I-- on the whole. |
| 4520 | “ You are new in Florence? ” he said, as he presented the match. |
| 4520 | “ You are sure it wo n''t be too much for you-- too far? ” said the little officer, taking his wife''s arm solicitously. |
| 4520 | “ You believe in love, do n''t you? ” said Jim, sitting down near Aaron, and grinning at him. |
| 4520 | “ You brought the flute? ” she said, in that toneless, melancholy, unstriving voice of hers. |
| 4520 | “ You ca n''t REMEMBER us, can you? ” she asked. |
| 4520 | “ You can take a sudden jump, ca n''t you? ” he said. |
| 4520 | “ You did n''t expect me, then? ” “ Yes, oh, yes. |
| 4520 | “ You do everything for yourself, then? ” said Aaron. |
| 4520 | “ You do know, do n''t you? ” she insisted, still with the wistful appeal, and the veiled threat. |
| 4520 | “ You do n''t mind if I play it, do you? ” he said. |
| 4520 | “ You do n''t mind? ” “ No-- why-- It''s just as you see it.--Jim Bricknell''s a rare comic, to my eye. ” “ Oh, him!--no, not actually. |
| 4520 | “ You do n''t want emotions? |
| 4520 | “ You have n''t eaten? |
| 4520 | “ You have n''t heard from your husband? ” he added. |
| 4520 | “ You know what I mean-- ” “ You like your own company? |
| 4520 | “ You know you''ve been wrong to me, do n''t you? ” she said, half wistfully, half menacing. |
| 4520 | “ You mean the bird of your voice? |
| 4520 | “ You seriously think so? ” said Miss Wade. |
| 4520 | “ You want to stay? ” he said. |
| 4520 | “ You wanted the book of_ chansons_? ” she said. |
| 4520 | “ You will stay to dinner tonight, wo n''t you? ” she said. |
| 4520 | “ You wo n''t forget our candles, will you, Father? ” asked Millicent, with assurance now. |
| 4520 | “ You would n''t like me to wire to your wife? ” said Lilly. |
| 4520 | “ You''ll come and have dinner with me-- or lunch-- will you? |
| 4520 | “ You''ll eat a mince- pie in the kitchen with us, for luck? ” she said to him, detaining him till last. |
| 4520 | “ You''ll go to bed, wo n''t you? ” said Lilly to Aaron, when the door was shut. |
| 4520 | “ You''ll take another glass yourself, Sir? ” “ Yes, I will, I will. |
| 4520 | “ You''re going in the morning? ” said Arthur. |
| 4520 | “ You''re not offended, are you? ” he asked. |
| 4520 | “ You''ve got a husband, have you? ” “ Rather! |
| 4520 | “ You''ve known some life, have n''t you? ” he asked. |
| 23727 | ''Tisn''t fair time, is it? |
| 23727 | A hundred and twenty--"Where is it? |
| 23727 | About nine? |
| 23727 | Ah- h? |
| 23727 | Ah-- if it was_ hers_, you know--And so, after tea, Ciccio said to Alvina:"Shall you let Geoffrey see the house?" |
| 23727 | All those? |
| 23727 | Allaye, what do you think about? 23727 Allons boire un café, hé? |
| 23727 | Always here? |
| 23727 | Am I all right? |
| 23727 | Am I really? |
| 23727 | Am I? |
| 23727 | Am I? |
| 23727 | And I shall have to stay here? |
| 23727 | And Madame and Louis and Max? |
| 23727 | And Miss Houghton shall have her professional name, eh? 23727 And all the business, the will and all?" |
| 23727 | And are all the claims in? |
| 23727 | And are n''t you dying for the song? |
| 23727 | And are you going to marry him? |
| 23727 | And are you going to marry him? |
| 23727 | And at a sufficient salary? |
| 23727 | And children--? |
| 23727 | And did you like it, your village? |
| 23727 | And have you told Miss Pinnegar? |
| 23727 | And how is everything at Woodhouse? |
| 23727 | And how long are they staying? |
| 23727 | And if there is nothing, what do you intend? |
| 23727 | And if there is something? |
| 23727 | And is Oxford agreeable to you? |
| 23727 | And is the cinematograph to be sold the same? |
| 23727 | And is there need to understand the other? |
| 23727 | And no more trouble with Max, hein?--you Ciccio? |
| 23727 | And now--whispered Madame, suddenly turning:"What about this Ciccio, hein?" |
| 23727 | And perhaps,said Madame,"per- haps you will come to Wigan tomorrow afternoon-- or evening? |
| 23727 | And the diamonds are real? |
| 23727 | And then what? |
| 23727 | And then what? |
| 23727 | And there is some money? |
| 23727 | And they do n''t want to appreciate and to feel? |
| 23727 | And were you very poor? |
| 23727 | And what about yellow eyes? |
| 23727 | And what point would he make for? |
| 23727 | And what shall you say to him? |
| 23727 | And when are you going to let this fatal decision take effect? |
| 23727 | And when will that be? |
| 23727 | And when you go back, you will go back to your old village? |
| 23727 | And where are the Natcha- Kee- Tawaras this week? |
| 23727 | And which is the best? |
| 23727 | And which is the way to the station here? |
| 23727 | And who is Tawara? |
| 23727 | And who shall go with you? |
| 23727 | And you are going to work the film? |
| 23727 | And you do n''t know where to find him in Knarborough? |
| 23727 | And you think we ought to cut out the variety, and give nothing but pictures, like the Empire? |
| 23727 | And you would n''t try to prevent it? |
| 23727 | And you, Ciccio? 23727 And your daughter?" |
| 23727 | And your wife? |
| 23727 | And, Ciccio, you are listening--? 23727 Are n''t I comical?" |
| 23727 | Are n''t you going to make sure? |
| 23727 | Are there more bills to come in? |
| 23727 | Are they both staying, or only one? |
| 23727 | Are they for me? |
| 23727 | Are we not all here? 23727 Are we there?" |
| 23727 | Are you cut, brother, brother? |
| 23727 | Are you getting ready to go? |
| 23727 | Are you glad you have come home? |
| 23727 | Are you hurt? |
| 23727 | Are you sorry you came here with me, Allaye? |
| 23727 | Are you thinking of Gigi? |
| 23727 | Big, hot fires, are n''t they? |
| 23727 | Both of you? |
| 23727 | But ca n''t we do_ anything_? |
| 23727 | But can the Natcha- Kee- Tawaras afford to pay a pianist for themselves? |
| 23727 | But could n''t you support some place of your own-- some_ rival_ to Wright''s Variety? |
| 23727 | But did_ nobody_ come in and do for you before? |
| 23727 | But do n''t ask me too soon, will you? |
| 23727 | But do you feel yourself fitted to be a nurse? 23727 But do you think you can have a child without wanting it_ at all_?" |
| 23727 | But has n''t your world often come to an end before? |
| 23727 | But how can you create a supply of better class people? |
| 23727 | But how has Madame made it all? 23727 But how is it--"he attacked Arthur Witham--"that the gas is n''t connected with the main yet? |
| 23727 | But if Naples is so lovely, how could you leave it? |
| 23727 | But is it the same? |
| 23727 | But sha n''t I do? |
| 23727 | But what are we going to do with a cinema show? |
| 23727 | But what do you do wi''yourself all day? |
| 23727 | But what do you want, dear? |
| 23727 | But what do_ you_ say? |
| 23727 | But what have our personal morals got to do with them? |
| 23727 | But what sort of badness? 23727 But what will you do?" |
| 23727 | But when? |
| 23727 | But where do you want to go? |
| 23727 | But where is it to be? |
| 23727 | But who is in with you, father? |
| 23727 | But why father? |
| 23727 | But why is it? |
| 23727 | But why--? |
| 23727 | But why? 23727 But why? |
| 23727 | But why? |
| 23727 | But why? |
| 23727 | But would he abandon you all without a word? |
| 23727 | But you found you were mistaken? |
| 23727 | But you think Italy ought to join in? |
| 23727 | But you''ll go back? |
| 23727 | But your Sue now, in Jude the Obscure-- is it not an interesting book? 23727 But_ am_ I?" |
| 23727 | Buy? |
| 23727 | C- o- w- l- a- r- d-- is that right? 23727 Ca n''t I do anything else for you?" |
| 23727 | Ca n''t we put it on? |
| 23727 | Ca n''t you keep it going?--form a company? |
| 23727 | Ca n''t you? |
| 23727 | Can I come to Woodhouse? |
| 23727 | Can I help with the darning? |
| 23727 | Can we pay her expenses? |
| 23727 | Can you give it_ expression_? |
| 23727 | Can you manage? |
| 23727 | Can you show a light? |
| 23727 | Canna yer gi''e a man summat better nor this''ere pap, Missis? |
| 23727 | Ciccio did n''t come to see you, hein? |
| 23727 | Ciccio-- a good chap, eh? |
| 23727 | Come down with you, did they? |
| 23727 | Come off? |
| 23727 | Coming back? |
| 23727 | Comment? |
| 23727 | Cosa fanno li-- eh? |
| 23727 | Could n''t you find it? |
| 23727 | Could n''t you? |
| 23727 | Could you tell me where I can find out about it, anyway? |
| 23727 | Debts perhaps-- eh? 23727 Did I have a key?" |
| 23727 | Did both the men stay? |
| 23727 | Did n''t you want to marry? |
| 23727 | Did you bring the flash- light? |
| 23727 | Did you feel something? |
| 23727 | Did you want anything? |
| 23727 | Do give me my fur, will you? 23727 Do n''t you like it?" |
| 23727 | Do n''t you think Dr. Mitchell is quite coming out? |
| 23727 | Do n''t you think he''s dreadful? |
| 23727 | Do n''t you think it''s fun? |
| 23727 | Do n''t you think,he said to her,"it''s an admirable scheme?" |
| 23727 | Do n''t you want your dinner, Alvina? |
| 23727 | Do n''t you? |
| 23727 | Do yer want Pinxon or Bull''ill? |
| 23727 | Do you call it a promise? |
| 23727 | Do you imagine it is? |
| 23727 | Do you know how to do that? |
| 23727 | Do you know,said Ciccio in French to Geoffrey,"what a fine house this is?" |
| 23727 | Do you like continually going away? |
| 23727 | Do you love him sufficiently? 23727 Do you mean because of the rain?" |
| 23727 | Do you mean it? 23727 Do you mean property? |
| 23727 | Do you mind? |
| 23727 | Do you really want to? |
| 23727 | Do you recognize me? |
| 23727 | Do you think I could confuse you in my dislike of this Woodhouse? 23727 Do you think I might?" |
| 23727 | Do you think I shall ever be able to come here alone and do my shopping by myself? |
| 23727 | Do you think I shall ever see you again? |
| 23727 | Do you think he might come up? 23727 Do you think so?" |
| 23727 | Do you think so? |
| 23727 | Do you think the other one will get anything? |
| 23727 | Do you think there is a meaning in sounds? 23727 Do you think you might go across with Mrs. Rollings and see how this woman is, Alvina?" |
| 23727 | Do you want to go? |
| 23727 | Do you want? |
| 23727 | Do you wish you had gone to Australia? |
| 23727 | Do you wish you were back in England? |
| 23727 | Do you? |
| 23727 | Do you? |
| 23727 | Do you? |
| 23727 | Do? |
| 23727 | Does a man want two mothers? 23727 Does everybody speak English here?" |
| 23727 | Does it mean we owe seven hundred pounds? |
| 23727 | Does n''t he put his_ bowels_ into it--? |
| 23727 | Does the he- bird stoop--? |
| 23727 | Dost thou want to go with him? |
| 23727 | Drink? |
| 23727 | Eh? 23727 Eh? |
| 23727 | Eh? |
| 23727 | Eh? |
| 23727 | Eh? |
| 23727 | Eh? |
| 23727 | Eleven o''clock, eh? |
| 23727 | Expect me to be there? 23727 Father,"said Alvina,"you know Mr. Witham, do n''t you?" |
| 23727 | Find what a drawback? |
| 23727 | Fine piano-- eh? |
| 23727 | For Selverhay? |
| 23727 | For in Spooney- ooney Island Is there any one cares for me? 23727 For me? |
| 23727 | Frenchwomen-- Frenchwomen-- they have their babies till they are a hundred--"What do you mean? |
| 23727 | Friends ever-- Ciccio-- eh? |
| 23727 | Gone where? |
| 23727 | Had n''t we better make it monthly? |
| 23727 | Has she gone to bed? |
| 23727 | Has the bird flown home? |
| 23727 | Have I--? |
| 23727 | Have I? |
| 23727 | Have n''t they a lovely scent? |
| 23727 | Have n''t you gone to bed? |
| 23727 | Have we any money in hand? |
| 23727 | Have you bad news? |
| 23727 | Have you brought food? |
| 23727 | Have you done for tonight, all of you? |
| 23727 | Have you eaten anything? |
| 23727 | Have you finished? |
| 23727 | Have you had your dinner? |
| 23727 | Have you_ nothing at all_ in the way of amusement? |
| 23727 | He ca n''t rise much because of me, can he? |
| 23727 | He could n''t be anything else, do n''t you think? |
| 23727 | He is n''t, is he? |
| 23727 | He says he is going back to Italy? |
| 23727 | He wo n''t come? |
| 23727 | Hein? 23727 Ho? |
| 23727 | Houghton''s Endeavour? |
| 23727 | How can I go with you? 23727 How can I? |
| 23727 | How did it go? |
| 23727 | How do n''t they? 23727 How do you do?" |
| 23727 | How do you do? |
| 23727 | How do you explain such behaviour? |
| 23727 | How do you feel after dancing? |
| 23727 | How do you find Woodhouse, after being away so long? |
| 23727 | How have I missed you? |
| 23727 | How much do you think? 23727 How much have we taken, father?" |
| 23727 | How much money had he? |
| 23727 | How much? |
| 23727 | How not? 23727 How old is your daughter?" |
| 23727 | How''d you like to spoon with me? 23727 How''s that? |
| 23727 | How''s that? 23727 How''s your musical ear--?" |
| 23727 | How, love? |
| 23727 | How, too soon--? |
| 23727 | Hurt? |
| 23727 | Hé? 23727 I ca n''t understand that you disliked Mr. Witham so much?" |
| 23727 | I do n''t meet them, do I? |
| 23727 | I give it to him? 23727 I say, Cic''--"he said,"why did you change the scene? |
| 23727 | I shall tell him to sell everything--"And marry me? |
| 23727 | I should always let people do what they wanted--"Even if you knew it would do them harm? |
| 23727 | I should hate being a labourer''s wife in a nasty little house in a street--"In a house? |
| 23727 | I''d better fetch some things, had n''t I? |
| 23727 | I''ll wonder about you till I''ve made up my mind-- shall I? |
| 23727 | I? 23727 If Italy goes to war, you will have to join up?" |
| 23727 | In England,he answered suddenly,"horses live a long time, because they_ do n''t_ live-- never alive-- see? |
| 23727 | In what way? |
| 23727 | Is Mr. Witham in? |
| 23727 | Is he? |
| 23727 | Is it a boy or a girl? |
| 23727 | Is it bad? |
| 23727 | Is it finished? |
| 23727 | Is it good? 23727 Is it hurt?" |
| 23727 | Is it my_ appearance_ you laugh at, or is it only_ me_? 23727 Is it their own?" |
| 23727 | Is it true what he says? |
| 23727 | Is it you? 23727 Is it yours?" |
| 23727 | Is it? |
| 23727 | Is n''t he used to the water? |
| 23727 | Is n''t it strange, that we are travelling together like this? |
| 23727 | Is n''t this like Italy? |
| 23727 | Is she much ill? |
| 23727 | Is that it? |
| 23727 | Is the bandage holding? |
| 23727 | Is the nest warm? |
| 23727 | Is the will proved? |
| 23727 | Is there_ nobody_? |
| 23727 | Is this one of your old walks? |
| 23727 | It''s hers? |
| 23727 | Ka--? 23727 Manager? |
| 23727 | Max, what shall we do? |
| 23727 | May I come in? |
| 23727 | May I hear it too? |
| 23727 | Much debts? |
| 23727 | Must they all be cut? |
| 23727 | Never? |
| 23727 | Never? |
| 23727 | No more of these stupid scenes, hein? 23727 No, but you have a good idea, eh?" |
| 23727 | No-- eh? |
| 23727 | No? 23727 No? |
| 23727 | No? 23727 No?" |
| 23727 | Nonsensical? |
| 23727 | Not many more times here, eh? |
| 23727 | Not so nice? 23727 Not up to the mark? |
| 23727 | Now what will you buy? |
| 23727 | Now when shall we fix the marriage? |
| 23727 | Now, boys,said Madame,"what do you say? |
| 23727 | Of course he''s not the man I should have imagined for you, but--"You think he''ll do? |
| 23727 | Offerton!--where''s that? |
| 23727 | Oh but is there any need? 23727 Oh but-- won''t you drive? |
| 23727 | Oh well, we''ll say another day, shall we? |
| 23727 | Oh, I think it''s quite safe, do n''t you--? |
| 23727 | Oh, there is a station? |
| 23727 | Oh? 23727 On account of your engagement? |
| 23727 | Only fairly? 23727 Perhaps_ you_ would n''t say so, nurse?" |
| 23727 | Pinxon or Bull''ill? |
| 23727 | Rather short and dressed in grey? |
| 23727 | Rather weak, doctor? |
| 23727 | Really, eh? |
| 23727 | Really-- and how do you get there? |
| 23727 | Shall I drink some? |
| 23727 | Shall I go through? |
| 23727 | Shall I take your temperature? |
| 23727 | Shall I tie it up, then? |
| 23727 | Shall I tie it up, then? |
| 23727 | Shall we fry some meat? |
| 23727 | Shall we go down? |
| 23727 | Shall we go down? |
| 23727 | Shall we have a light, Alvina? |
| 23727 | Shall you come in a minute? |
| 23727 | Shall you come with me to Italy, Allaye? |
| 23727 | She also dead--? |
| 23727 | Should n''t you? |
| 23727 | Should you like--? |
| 23727 | Si piace? 23727 So much a week?" |
| 23727 | So you came with your valet? |
| 23727 | Sorry? 23727 Stout?" |
| 23727 | Sure? |
| 23727 | Tell me, poor girl, how it happened? |
| 23727 | That is to say, to me, from an uncivilized German pig, ah? 23727 That''s it, is n''t it? |
| 23727 | The good Geoffrey will do his best, while there is no Kishwégin? |
| 23727 | The piano? 23727 The pictures make the colliers and lasses feel that they themselves are everything? |
| 23727 | The same in Italy? |
| 23727 | The_ other one_--? |
| 23727 | Then you will become one of the tribe of Natcha- Kee- Tawara, of the name Allaye? 23727 There''s nothing against it, is there?" |
| 23727 | There''s nothing_ else_, is there? |
| 23727 | This month? |
| 23727 | To where? |
| 23727 | To whom? 23727 To whom?" |
| 23727 | Today is the day when you answer, is n''t it? |
| 23727 | Vous ne pouvez pas entrer? 23727 Waste so much money?" |
| 23727 | We could n''t take it, could we? |
| 23727 | We get on better, do n''t we? |
| 23727 | We''ve saved the situation-- what? 23727 Well!--And now,"said Pancrazio, coming up,"shall we go and eat something?" |
| 23727 | Well, Miss Houghton, and what news have you? |
| 23727 | Well, what is it? 23727 Well,"said Madame,"and are you satisfied with your houses?" |
| 23727 | Well,said Mr. May,"done well?" |
| 23727 | What a good brooch, eh? |
| 23727 | What about Houghton, for example? |
| 23727 | What about him, hein? 23727 What about the theatre?--will it go on?" |
| 23727 | What am I to live on? 23727 What are they doing?" |
| 23727 | What are we to do? |
| 23727 | What are your subjects? |
| 23727 | What barrow- load of poison''s that? |
| 23727 | What can he have been doing? |
| 23727 | What can we do? |
| 23727 | What did she expect you to live on? |
| 23727 | What did you say? |
| 23727 | What do you do on Sunday nights as a rule? |
| 23727 | What do you mean? |
| 23727 | What do you think he ought to do? |
| 23727 | What do you think of it? |
| 23727 | What do you think of this new war? |
| 23727 | What do you think of yourself? 23727 What do you think of yourself?" |
| 23727 | What do you think? |
| 23727 | What do you want? |
| 23727 | What does it do? 23727 What does the woman want to bring_ him_ for? |
| 23727 | What for? |
| 23727 | What has_ he_ got to do with you? |
| 23727 | What have I said all along? |
| 23727 | What have the circumstances got to do with it? |
| 23727 | What have you said to Miss Houghton? |
| 23727 | What have you to say to me? |
| 23727 | What is a maternity nurse? |
| 23727 | What is her name? |
| 23727 | What is it? 23727 What is it?" |
| 23727 | What is it? |
| 23727 | What is it? |
| 23727 | What is that? |
| 23727 | What is the name of it? |
| 23727 | What makes you feel so sure about it? |
| 23727 | What manager? |
| 23727 | What manager? |
| 23727 | What manager? |
| 23727 | What manager? |
| 23727 | What point? 23727 What shall I do, you mean?" |
| 23727 | What stops you? |
| 23727 | What terms are you thinking of? |
| 23727 | What time is it? |
| 23727 | What time shall we expect you? |
| 23727 | What time shall we go? |
| 23727 | What was your mother''s name? |
| 23727 | What will he say now? |
| 23727 | What would your_ father_ say to this? |
| 23727 | What you mean? |
| 23727 | What''s no use? |
| 23727 | What''s that, mister? |
| 23727 | What''s this? |
| 23727 | What''s to become of the Endeavour? 23727 What''s very good?" |
| 23727 | What''s wrong with that? |
| 23727 | What, find out? |
| 23727 | What, have you hurt yourself? |
| 23727 | What, is it adieu? |
| 23727 | What? 23727 What? |
| 23727 | What? 23727 What?" |
| 23727 | What? |
| 23727 | What? |
| 23727 | What? |
| 23727 | What? |
| 23727 | What? |
| 23727 | What? |
| 23727 | What? |
| 23727 | What_ is_ his name, Madame? |
| 23727 | Whatever put such an idea into your head, Vina? |
| 23727 | Wheer art off, Sorry? |
| 23727 | When will they learn intelligence? |
| 23727 | When? |
| 23727 | Where are the business men here? 23727 Where are you going today?" |
| 23727 | Where are you going? |
| 23727 | Where do you imagine he''s gone? |
| 23727 | Where have you got to call? |
| 23727 | Where is the man? 23727 Where is your home?" |
| 23727 | Where is your ring? |
| 23727 | Where is your wife? |
| 23727 | Where would you have liked to go today? |
| 23727 | Where''ve you been? |
| 23727 | Where? |
| 23727 | Where? |
| 23727 | Where? |
| 23727 | Which finger? 23727 Which part?" |
| 23727 | Which way shall we go? |
| 23727 | Which way? |
| 23727 | Who do you think took me for a walk, Miss Pinnegar? |
| 23727 | Who is going to do it? |
| 23727 | Who is_ that_? |
| 23727 | Who knows? |
| 23727 | Who knows? |
| 23727 | Who takes Allaye? |
| 23727 | Who told you so? |
| 23727 | Who was that man? |
| 23727 | Who was that man? |
| 23727 | Who was that? |
| 23727 | Who will see? |
| 23727 | Who''re you telling? |
| 23727 | Who,retorted Miss Pinnegar,"is going to give half- a- crown for a tea? |
| 23727 | Who? |
| 23727 | Who_ ever_ can that common- looking man be? |
| 23727 | Why I want you? |
| 23727 | Why are you going to the library? |
| 23727 | Why ca n''t you come now? |
| 23727 | Why did n''t you leave it till tomorrow? 23727 Why did n''t you pay somebody?" |
| 23727 | Why did they both make everybody unhappy, when they had the man they wanted, and enough money? 23727 Why did you give it her?" |
| 23727 | Why did you show him the telegram? |
| 23727 | Why do n''t they be quick and call you? |
| 23727 | Why do n''t you have a bicycle, and go out on it? |
| 23727 | Why do you all love Madame so much? |
| 23727 | Why do you always say you ca n''t? |
| 23727 | Why do you make a face? |
| 23727 | Why do you think so? |
| 23727 | Why do you think that is? |
| 23727 | Why do you want me? |
| 23727 | Why does everybody put up with him? |
| 23727 | Why does the bed rustle? |
| 23727 | Why is it any worse? |
| 23727 | Why is it? 23727 Why is it?" |
| 23727 | Why not speak of her? |
| 23727 | Why not, mother? |
| 23727 | Why not? 23727 Why not? |
| 23727 | Why not? |
| 23727 | Why not? |
| 23727 | Why not? |
| 23727 | Why not? |
| 23727 | Why not? |
| 23727 | Why not? |
| 23727 | Why not? |
| 23727 | Why shall you say all that? |
| 23727 | Why should he want to? |
| 23727 | Why should it not? 23727 Why should n''t you?" |
| 23727 | Why should things always go up? 23727 Why, as far as I understand--""And if she wants to sell out--?" |
| 23727 | Why, what is it? |
| 23727 | Why? 23727 Why? |
| 23727 | Why? 23727 Why? |
| 23727 | Why? |
| 23727 | Why? |
| 23727 | Why? |
| 23727 | Why? |
| 23727 | Why? |
| 23727 | Why? |
| 23727 | Why? |
| 23727 | Why? |
| 23727 | Why? |
| 23727 | Why? |
| 23727 | Why? |
| 23727 | Why? |
| 23727 | Why? |
| 23727 | Why? |
| 23727 | Why? |
| 23727 | Will they? |
| 23727 | Will you be able to stop here till the baby is born? |
| 23727 | Will you come and carry them for me? |
| 23727 | Will you come in for a moment? 23727 Will you come in?" |
| 23727 | Will you come now? |
| 23727 | Will you come to dinner? |
| 23727 | Will you explain why? |
| 23727 | Will you go to Woodhouse tomorrow? |
| 23727 | Will you let me take your temperature? |
| 23727 | Will you? |
| 23727 | Will you? |
| 23727 | With a month''s notice on either hand? |
| 23727 | With the travelling theatrical company? |
| 23727 | Wo n''t it keep? |
| 23727 | Wo n''t you all go downstairs now? |
| 23727 | Wo n''t you come? |
| 23727 | Wo n''t you come? |
| 23727 | Wo n''t you marry me, and come and have this garret for your own? |
| 23727 | Wo n''t you play again? |
| 23727 | Wo n''t you tell them me? 23727 Wo n''t you? |
| 23727 | Wo n''t you? |
| 23727 | Would n''t you rather wait, and see--"What? |
| 23727 | Would n''t you stay on? |
| 23727 | Would you believe it? |
| 23727 | Would you call them feelings? |
| 23727 | Would you like also biscuits with your coffee, the two of you? |
| 23727 | Would you like to bring up a child here? |
| 23727 | Would you like to see the house? |
| 23727 | Would you mind putting it ready while I go upstairs? |
| 23727 | Would you rather? |
| 23727 | Would you? |
| 23727 | Yellow eyes like Ciccio''s? |
| 23727 | Yer''ve not? 23727 Yes, what shall you do?" |
| 23727 | Yes,said Miss Pinnegar,"you see me issuing tickets, do n''t you? |
| 23727 | Yes-- eh? |
| 23727 | Yes-- well-- why not? 23727 Yes? |
| 23727 | Yes? |
| 23727 | You are a relative of the family? |
| 23727 | You are better, dear Madame? |
| 23727 | You are coming, are n''t you? |
| 23727 | You are going to take a hand? |
| 23727 | You are n''t coming? |
| 23727 | You come from England? 23727 You did n''t expect it would be quite so bad?" |
| 23727 | You do n''t find that the new connections make up for the old? |
| 23727 | You do n''t go walks with the fellows, then? |
| 23727 | You do n''t like it? |
| 23727 | You do n''t like them? 23727 You do n''t mean to say you''re nervous?" |
| 23727 | You do n''t want to marry, do you? |
| 23727 | You do n''t want? 23727 You do, hein? |
| 23727 | You have done it all, eh? |
| 23727 | You have n''t got any engagement, then, for this evening? |
| 23727 | You have your key, Allaye? |
| 23727 | You know what that means? |
| 23727 | You like him, do n''t you? 23727 You love me? |
| 23727 | You mean-- what? |
| 23727 | You promise me it will all be ready by tomorrow, do n''t you? |
| 23727 | You return to the funeral? |
| 23727 | You say Thursday? |
| 23727 | You think it''s strange? |
| 23727 | You think not? |
| 23727 | You think she wo n''t be able? |
| 23727 | You think so? |
| 23727 | You think so? |
| 23727 | You think there will be much to come to Miss Houghton? |
| 23727 | You will agree to be manager, at a fixed salary? |
| 23727 | You will come along with me now? |
| 23727 | You will come back, wo n''t you? |
| 23727 | You will come back? |
| 23727 | You will come with me to Woodhouse? |
| 23727 | You will come with me? |
| 23727 | You will come, wo n''t you? |
| 23727 | You will come, wo n''t you? |
| 23727 | You will go away? |
| 23727 | You will have to go? |
| 23727 | You will manage in the one room? |
| 23727 | You will stay to the funeral? |
| 23727 | You will take my ring, wo n''t you? |
| 23727 | You wo n''t go on, will you? |
| 23727 | You would n''t like to settle here again? |
| 23727 | You''ll be there at seven o''clock? |
| 23727 | You''ll come again, wo n''t you? |
| 23727 | You''ll give me time to wonder about you, wo n''t you? 23727 You''ve heard?" |
| 23727 | You? |
| 23727 | Your wife here? |
| 23727 | Yours? |
| 23727 | _ Do_ you love him, dear? |
| 23727 | _ Ma non me lasciare_--_Don''t leave me!_ There, is n''t that it? |
| 23727 | _ What?__ What?_ Why what_ did_ I say? 23727 _ What?__ What?_ Why what_ did_ I say? |
| 23727 | _ What?__ What?_ Why what_ did_ I say? 23727 ''Why damn you, how did you know? 23727 (_ Why ra- ther!_) Underneath the oak- tree nice and shady Calling me your tootsey- wootsey lady? 23727 --or elseEh, now, if you''d seen me in_ that_ you''d have fallen in love with me at first sight, should n''t you?" |
| 23727 | A hundred pounds? |
| 23727 | A thousand pounds?" |
| 23727 | Ach, schon fünfzig Ach, schon fünfzig Und noch immer Keiner will''mich; Soll ich mich mit Bänden zieren Soll ich einen Schleier führen? |
| 23727 | Ah, well, do n''t you trouble to look after me, will you?" |
| 23727 | Ahimé, che amico, che ragazzo duro, aspero--""Trova?" |
| 23727 | Ale?--or bitter? |
| 23727 | All right, eh? |
| 23727 | All those other peasant women, did they feel as she did?--the same sort of acquiescent passion, the same lapse of life? |
| 23727 | Alvina looked at the deeply- lined man of sixty- six,"But what will they say?" |
| 23727 | Alvina, take him the rose to the gate, will you? |
| 23727 | Am I right? |
| 23727 | Am I to believe it?--am I really? |
| 23727 | An American Catholic?" |
| 23727 | And Ciccio-- what was his name? |
| 23727 | And I do n''t want to rob Natcha- Kee- Tawara, do I? |
| 23727 | And are you_ really_ going to_ tour_ with these young people--?" |
| 23727 | And do you really give it to me?" |
| 23727 | And even if he did, why not? |
| 23727 | And have you just thought about those that are coming, or have you made sure?" |
| 23727 | And if I might ask, what is your share of the tribal income?" |
| 23727 | And if he beats you, you are helpless--""But why should he beat me?" |
| 23727 | And if not?" |
| 23727 | And if you do n''t get it--?" |
| 23727 | And is_ this_ quite final, too?" |
| 23727 | And may I ask if you have any definite idea, where you will go?" |
| 23727 | And she''s got no relations to go to either, has she? |
| 23727 | And so, what will they do without their old_ gouvernante_? |
| 23727 | And that you like him-- Yes? |
| 23727 | And the address, please?" |
| 23727 | And then he said, tentatively:"Had n''t we better think about the financial part now? |
| 23727 | And then if you get this work you will stay here? |
| 23727 | And then what about you? |
| 23727 | And then why are n''t they jealous of the extraordinary things which are done on the film?" |
| 23727 | And then-- you wo n''t mind what I say--? |
| 23727 | And was he not going to speak to her-- not one human word of recognition? |
| 23727 | And we''re dying to be serenaded, are n''t we, nurse?" |
| 23727 | And what was the difference? |
| 23727 | And what was the ground used for? |
| 23727 | And when do you expect the fittings--?" |
| 23727 | And when have we got to get out?" |
| 23727 | And who who was going to engage Alvina Houghton, even if they were ready to stretch their purse- strings? |
| 23727 | And why did she still fight so hard against the sense of his dark, unseizable beauty? |
| 23727 | And will you hang your coat in the hall?" |
| 23727 | And would he find anything there? |
| 23727 | And yet, why not? |
| 23727 | And you say it is a permanent engagement? |
| 23727 | And you think a hundred and twenty pounds is enough?" |
| 23727 | And you two are cycling back to the camp of Kishwégin tonight? |
| 23727 | And you will come home at tea- time, yes?" |
| 23727 | And you? |
| 23727 | And you_ have n''t_ met him?" |
| 23727 | And_ who_ are they?" |
| 23727 | And_ you_ are going to play the piano?" |
| 23727 | Are n''t we all ready to do our best to contribute to Miss Houghton''s happiness in love? |
| 23727 | Are n''t you coming down to speak to your cousin?" |
| 23727 | Are n''t you drinking?" |
| 23727 | Are n''t you frightened out of your life? |
| 23727 | Are they locked? |
| 23727 | Are you cold?" |
| 23727 | Are you? |
| 23727 | As for immorality-- well, what did it amount to? |
| 23727 | As pianist? |
| 23727 | As they drew near the lodgings, he said:"You do n''t want to stop with us any more?" |
| 23727 | At last he stayed away, only hurriedly asking, each time he came into the house,"How is Mrs. Houghton? |
| 23727 | At such a moment, what was the good of saying she did n''t? |
| 23727 | At your house with you and Ciccio? |
| 23727 | Because we can not say Miss Houghton-- what?" |
| 23727 | Become a nameless nobody, occupying obscure premises? |
| 23727 | Buono?" |
| 23727 | But I sha n''t go to live--""Have you a mother and father?" |
| 23727 | But I''m afraid we shall have a rather_ dry_ game? |
| 23727 | But a hundred and twenty is better than a blow to the eye, eh? |
| 23727 | But all the time, what was there actually in her life? |
| 23727 | But coom na, which on''em is it? |
| 23727 | But did n''t you know a fortnight ago that you''d want the fixings?" |
| 23727 | But he said to her once, in the early year following their opening:"Well, how do you think we''re doing, Miss Houghton?" |
| 23727 | But how am I to_ live_?" |
| 23727 | But how? |
| 23727 | But if you like I will speak to him--""What to say?" |
| 23727 | But is he your intellectual equal, nurse? |
| 23727 | But once, when he was doing a picture-- I do n''t know if you know it? |
| 23727 | But perhaps we shall see you another time-- hé? |
| 23727 | But shall it be to Knarborough or to Marchay?" |
| 23727 | But the question was, how much did"everything"amount to? |
| 23727 | But were it not better to take the strange leap, over into his element, than to condemn oneself to the routine of a job? |
| 23727 | But what are you to do?" |
| 23727 | But what was Alvina to do? |
| 23727 | But what was she to do? |
| 23727 | But which is father''s better nature?" |
| 23727 | But who could consider the proprieties now? |
| 23727 | But why? |
| 23727 | But why? |
| 23727 | But with no pots, and over a smoking wood fire, what could she prepare? |
| 23727 | But you''re not only the_ char_, are you?" |
| 23727 | But_ are n''t_ they good? |
| 23727 | By the train, or the bicycle?" |
| 23727 | Ca n''t we hire some young fellow--?" |
| 23727 | Ca n''t we write?" |
| 23727 | Can I come on bicycle, to tea, eh? |
| 23727 | Can I make Miss Houghton''s father lose these two nights? |
| 23727 | Can you live in England as the wife of a labouring man, a dirty Eyetalian, as they all say? |
| 23727 | Can you wash leeks? |
| 23727 | Chianti-- hein?" |
| 23727 | Cold in the winter, hot in the summer--""As cold as England?" |
| 23727 | Come on bicycle, eh? |
| 23727 | Come, you smell them, do n''t you?" |
| 23727 | Comment allez- vous, alors?" |
| 23727 | Comment? |
| 23727 | Continually she said:"Well, what do_ you_ think of it?" |
| 23727 | Could Alvina bear to be so far off, when such terrible events were happening near home? |
| 23727 | Could she possibly be happy? |
| 23727 | Could the devil himself have invented anything more trying? |
| 23727 | Could you tell me the way?" |
| 23727 | Did ever you see such a pink face?" |
| 23727 | Did he hear me come in?" |
| 23727 | Did n''t it?" |
| 23727 | Did n''t she rather despise it? |
| 23727 | Did n''t we have some on Tuesday?" |
| 23727 | Did she care about it, anyhow? |
| 23727 | Did she thereby betray it? |
| 23727 | Did she? |
| 23727 | Disappear? |
| 23727 | Do I owe anything?" |
| 23727 | Do n''t you agree?" |
| 23727 | Do n''t you all?" |
| 23727 | Do n''t you think so? |
| 23727 | Do n''t you think you ought to thank me?" |
| 23727 | Do n''t you think?" |
| 23727 | Do n''t you? |
| 23727 | Do the middle- classes, particularly the lower middle- classes, give birth to more girls than boys? |
| 23727 | Do you agree?" |
| 23727 | Do you call this intelligent? |
| 23727 | Do you feel they appreciate your work as much as they did?" |
| 23727 | Do you know better than I do? |
| 23727 | Do you know that story? |
| 23727 | Do you know that?" |
| 23727 | Do you mean they are more intelligent?" |
| 23727 | Do you mind heating the blanket while Mrs. Rollings makes thin gruel?" |
| 23727 | Do you reckon as that place pays its way? |
| 23727 | Do you sleep here by yourself?" |
| 23727 | Do you think you could bear it?" |
| 23727 | Do you want her to be with you_ every minute_?" |
| 23727 | Do you, Miss Houghton? |
| 23727 | Do you? |
| 23727 | Does n''t it disturb you?" |
| 23727 | Does she, though? |
| 23727 | Eggs and ham are more the question, hein? |
| 23727 | Eh? |
| 23727 | Eh? |
| 23727 | Eh? |
| 23727 | Eh?" |
| 23727 | Eh?" |
| 23727 | England? |
| 23727 | Every grain of sand? |
| 23727 | Far away?" |
| 23727 | First, could she bear it, when the Endeavour was turned into another cheap and nasty film- shop? |
| 23727 | From which?" |
| 23727 | Getting on all right?" |
| 23727 | Give me love, eh? |
| 23727 | Good- morning, and all happiness, eh? |
| 23727 | Had he not_ loved_ his English gentlemen? |
| 23727 | Had n''t she still got about a hundred pounds? |
| 23727 | Has he hurt you, dear friend? |
| 23727 | Has he hurt you? |
| 23727 | Have I not said, and said, and said that in the Natcha- Kee- Tawara there was but one nation, the Red Indian, and but one tribe, the tribe of Kishwe? |
| 23727 | Have n''t you ever watched her in the Cinema? |
| 23727 | Have n''t you waited long enough? |
| 23727 | Have you been drinking stout?" |
| 23727 | Have you got a handkerchief?" |
| 23727 | Have you quite decided?" |
| 23727 | Having volunteered for war service does n''t prevent your being engaged to me, does it?" |
| 23727 | He pushes holes in the toes-- you see?" |
| 23727 | He put his head on one side and tilted his brows, as if to say"What are you to do?" |
| 23727 | He seemed to linger near her as if he knew-- as if he knew-- what? |
| 23727 | He sticks to nothing--""How old is he?" |
| 23727 | He''s a fine- looking man, is n''t he? |
| 23727 | Heads or tails? |
| 23727 | Hein?" |
| 23727 | Houghton?" |
| 23727 | How can I depend on you at all?" |
| 23727 | How can you like him, not knowing him? |
| 23727 | How can you trust him? |
| 23727 | How can you? |
| 23727 | How could she even sew? |
| 23727 | How could you? |
| 23727 | How do you do?" |
| 23727 | How do you feel, now? |
| 23727 | How long have you in England?" |
| 23727 | How lost, when you are at home?" |
| 23727 | How many infernos deeper than Miss Frost could ever know, did she not travel? |
| 23727 | How much does it cost?" |
| 23727 | How much will that be? |
| 23727 | How not? |
| 23727 | How old do you reckon she is? |
| 23727 | How will he not rise in the world by you? |
| 23727 | How would you like him then?" |
| 23727 | How''d you like to hug and squeeze,(_ Just try me!_) Dandle me upon your knee, Calling me your little lovey- dovey-- How''d you like to spoon with me? |
| 23727 | How''d you like to spoon with me? |
| 23727 | Huff- ton-- yes? |
| 23727 | Hé? |
| 23727 | Hé? |
| 23727 | Hé?" |
| 23727 | Hé?" |
| 23727 | Hé?" |
| 23727 | I beg your pardon?" |
| 23727 | I can only say what I truly think, ca n''t I?" |
| 23727 | I do n''t know, she does n''t seem to hook on, does she? |
| 23727 | I shall give you Ciccio''s socks, yes? |
| 23727 | I think we''ve done very well, in face of difficulties, do n''t you?" |
| 23727 | I wonder why she never did take? |
| 23727 | If I said to her''What shall we have for supper, Grace?'' |
| 23727 | If nobody makes you, and yet you feel it, it must be in yourself, do n''t you see? |
| 23727 | If only it was n''t rotten? |
| 23727 | If the thought was the same as the act, how much more was her behaviour equivalent to a whole committal? |
| 23727 | If they expect a knife- and- fork tea for a shilling, what are you going to give them for half- a- crown?" |
| 23727 | If you feel self- conscious, there''s no need to feel guilty about it, is there?" |
| 23727 | If you have n''t got the qualities which attract loose men, what are you to do? |
| 23727 | In him-- in what? |
| 23727 | In the morning?" |
| 23727 | In your room? |
| 23727 | Is Miss Houghton here? |
| 23727 | Is Miss Pinnegar going to play too?" |
| 23727 | Is he a great hefty brute?" |
| 23727 | Is he beautiful? |
| 23727 | Is he quite obstinate?" |
| 23727 | Is it so?" |
| 23727 | Is n''t it so, gentlemen? |
| 23727 | Is n''t it so?" |
| 23727 | Is n''t it so?" |
| 23727 | Is n''t that exactly the idea? |
| 23727 | Is n''t that from the head?" |
| 23727 | Is n''t that plain?" |
| 23727 | Is n''t that so, gentlemen? |
| 23727 | Is n''t that your opinion?" |
| 23727 | Is she not one of us?" |
| 23727 | Is that also irrevocable?" |
| 23727 | Is that his name, Chicho? |
| 23727 | Is the only aim and end of a man''s life, to make some woman, or parcel of women, happy? |
| 23727 | Is there not something called Woodlouse? |
| 23727 | It was left to Alvina to suggest:"Why does n''t father let the shop, and some of the house?" |
| 23727 | It will make all the difference that there is so much cash-- yes, so much--""But would it_ really_ make a difference to him?" |
| 23727 | It wo n''t be much, then?" |
| 23727 | It''s true, is n''t it? |
| 23727 | James Houghton complained of Fortune, yet to what other man would Fortune have sent two such women as Miss Frost and Miss Pinnegar,_ gratis_? |
| 23727 | Kishwégin? |
| 23727 | Like that shall it be? |
| 23727 | Manager? |
| 23727 | Max, liebster, schau ich sehr elend aus? |
| 23727 | Max, thou dost not want to part, brother, well- loved? |
| 23727 | May I ask where your company is performing this week? |
| 23727 | May I go through?" |
| 23727 | May I? |
| 23727 | May--?" |
| 23727 | Me prends- tu? |
| 23727 | My poor_ braves_, what will they do without Kishwégin? |
| 23727 | Never? |
| 23727 | Next week, eh? |
| 23727 | No more? |
| 23727 | No more?" |
| 23727 | No, he went sudden, did n''t he? |
| 23727 | No? |
| 23727 | Not at all?" |
| 23727 | Not yet? |
| 23727 | Now I wonder why self- consciousness should hinder a man in his action? |
| 23727 | Now have n''t I always said she was a good soul? |
| 23727 | Now how can I secrete them? |
| 23727 | Now then, what time is it? |
| 23727 | Now then, what time is it? |
| 23727 | Now what will you do? |
| 23727 | Now will you do it? |
| 23727 | Now--"he fell into a whisper--"hadn''t I better sneak out at the front door, and so escape the clutches of the watch- dog?" |
| 23727 | Offerton did you say?" |
| 23727 | Oh dear,_ did n''t_ I? |
| 23727 | Oh? |
| 23727 | On Monday? |
| 23727 | Once he said,''Now, Califano, what time is it? |
| 23727 | Or are middle- class women very squeamish in their choice of husbands? |
| 23727 | Or do the lower middle- class men assiduously climb up or down, in marriage, thus leaving their true partners stranded? |
| 23727 | Où vas- tu?" |
| 23727 | Perhaps Ciccio? |
| 23727 | Perhaps he will not let us see him-- who knows? |
| 23727 | Permit the name of Houghton to disappear from the list of tradesmen? |
| 23727 | Piace?" |
| 23727 | Porteur!_ Want a_ porteur_?" |
| 23727 | Quick work, eh? |
| 23727 | Real? |
| 23727 | Really? |
| 23727 | Right, eh?" |
| 23727 | Say then? |
| 23727 | Shall I give it back, hein?" |
| 23727 | Shall I trust you then--?" |
| 23727 | Shall I?" |
| 23727 | Shall I?" |
| 23727 | Shall Miss Houghton join the Natcha- Kee- Tawaras? |
| 23727 | Shall she be our pianist?" |
| 23727 | Shall she not?" |
| 23727 | Shall you come back to us, then?" |
| 23727 | She wanted, she_ needed_ to ask of her charge:"Alvina, have you betrayed yourself with any of these young men?" |
| 23727 | She would wire to Ciccio and meet him-- where? |
| 23727 | Sometimes yer have to wait an hour or two--""You do n''t know the trains, do you--?" |
| 23727 | Suppose for the moment I enter an engagement as your manager, at a salary, let us say, of-- of what, do you think?" |
| 23727 | Tell me why?" |
| 23727 | That''s it, is n''t it?" |
| 23727 | That''s no loss to you, is it? |
| 23727 | The house and the furniture and everything got to be sold up? |
| 23727 | The manageress of the work- girls? |
| 23727 | The mighty question arises upon us, what is one''s own real self? |
| 23727 | The same helpless passion for the man, the same remoteness from the world''s actuality? |
| 23727 | The women and children kissed Alvina, saying:"You''ll be all right, eh? |
| 23727 | The women watched her bite it, and bright- eyed and pleased they said, nodding their heads--"Buono? |
| 23727 | Then she added:"Would n''t you like to take off your hat?" |
| 23727 | Then she asked:"Which work- girls do you say?" |
| 23727 | Then she lightly kissed him on the cheek, and said:"Wo n''t you go to bed and sleep?" |
| 23727 | Then what future have you?" |
| 23727 | Then you will go to Woodhouse tomorrow, and come to Mansfield on Monday morning? |
| 23727 | Then, as she met his eyes,"To Woodhouse?" |
| 23727 | There_ is_ a station there?" |
| 23727 | They are mostly people who know you, know your condition: and I might try--""Try what?" |
| 23727 | They identify themselves with the heroes and heroines on the screen?" |
| 23727 | They say to me''Why do you think you are a signore?'' |
| 23727 | This house, and all it contains?" |
| 23727 | Thou dost not want to part, brother whom I love? |
| 23727 | Thou''rt going to Italy?" |
| 23727 | Thought it out, you mean?" |
| 23727 | To be told by_ you_ what will do you harm and what wo n''t? |
| 23727 | To find a job, eh?" |
| 23727 | To me or to you?" |
| 23727 | Tu as done regu ma lettre?" |
| 23727 | Tu te trouves aussi un peu ébahi, hein? |
| 23727 | Tuke?" |
| 23727 | Tuke?" |
| 23727 | Twenty pounds a month? |
| 23727 | Was Alvina her own real self all this time? |
| 23727 | Was he going for ever? |
| 23727 | Was he just stupid and bestial? |
| 23727 | Was her father going to die? |
| 23727 | Was it all mockery, play- acting? |
| 23727 | Was it atavism, this sinking into extinction under the spell of Ciccio? |
| 23727 | Was it atavism, this strange, sleep- like submission to his being? |
| 23727 | Was it worth much, after all, behaving as she did? |
| 23727 | Was she to bear a hopeless child? |
| 23727 | We are all friends, are n''t we, all the Natcha- Kee- Tawaras? |
| 23727 | We are glad, are n''t we, Miss Houghton, that Ciccio has come back and there are to be no more rows?--hein?--aren''t we?" |
| 23727 | We do n''t put_ her_ soul in danger, do we now? |
| 23727 | Well then, in case I particularly wished to see you, you could come over?" |
| 23727 | Well what time will you come?" |
| 23727 | Well, I must thank you once more--""What time do you leave in the morning?" |
| 23727 | Well, then when shall I dance?" |
| 23727 | Well-- and will you tell Ciccio that? |
| 23727 | What about you?" |
| 23727 | What are you talking about?" |
| 23727 | What d''you say? |
| 23727 | What did he see when he looked at her? |
| 23727 | What do you mean? |
| 23727 | What do you think of it? |
| 23727 | What do you think of it?" |
| 23727 | What do you think of that? |
| 23727 | What do you think?" |
| 23727 | What do_ you_ think of the scheme?" |
| 23727 | What does Madame_ do_?" |
| 23727 | What does he look like, Nurse? |
| 23727 | What does he look like, really?" |
| 23727 | What does he say? |
| 23727 | What does he understand, Max, dear brother, what does he understand? |
| 23727 | What does it do?" |
| 23727 | What does it mean, that noise? |
| 23727 | What does it mean? |
| 23727 | What does it mean? |
| 23727 | What dost say?" |
| 23727 | What exactly do you mean by a maternity nurse?" |
| 23727 | What for? |
| 23727 | What for? |
| 23727 | What has happened?" |
| 23727 | What have I come here for? |
| 23727 | What is he? |
| 23727 | What is my wife to live on?" |
| 23727 | What is she going to do then? |
| 23727 | What is very much?" |
| 23727 | What is your choice, gentlemen?" |
| 23727 | What kind of beer? |
| 23727 | What makes you refuse?" |
| 23727 | What manager?" |
| 23727 | What ought James Houghton to have done differently? |
| 23727 | What strange valley of shadow was she threading? |
| 23727 | What to do? |
| 23727 | What was it? |
| 23727 | What was maraschino? |
| 23727 | What was she to do? |
| 23727 | What was she to do? |
| 23727 | What was the good of trying to be Miss Houghton any longer? |
| 23727 | What was the terrible man''s passion that haunted her like a dark angel? |
| 23727 | What was to be done with them? |
| 23727 | What was to be done, then, on mornings that were dark with sleet? |
| 23727 | What would she do, where should she flee? |
| 23727 | What would you like--?" |
| 23727 | What you say, Ciccio, should she not join us? |
| 23727 | What you say, Ciccio? |
| 23727 | What you say?" |
| 23727 | What you think? |
| 23727 | What''s her name? |
| 23727 | What''s that for?" |
| 23727 | What''s the odds? |
| 23727 | What''s_ he_ coming for? |
| 23727 | What, after all, was she to think? |
| 23727 | What, is n''t it so?" |
| 23727 | What? |
| 23727 | What? |
| 23727 | What? |
| 23727 | What? |
| 23727 | What? |
| 23727 | What? |
| 23727 | What? |
| 23727 | What? |
| 23727 | What? |
| 23727 | What? |
| 23727 | What?" |
| 23727 | Whatever are you doing? |
| 23727 | When could she undertake to commence her duties? |
| 23727 | When did they want her? |
| 23727 | When do you think_ I_ can sit at table and digest my dinner? |
| 23727 | When the tour of inspection was almost over, she said innocently:"Wo n''t it cost a great deal?" |
| 23727 | When they came to the rather stumbly railway, he said:"Wo n''t you take my arm?" |
| 23727 | When was that? |
| 23727 | When will you have your first lesson?" |
| 23727 | When would he be able to get an advance from James? |
| 23727 | Where are the foreigners coming here for business, where''s our lace- trade and our stocking- trade?" |
| 23727 | Where have you left your diamonds? |
| 23727 | Where have you--?" |
| 23727 | Where is Madame?" |
| 23727 | Where is Mr. May? |
| 23727 | Where is he?" |
| 23727 | Where is my needle?" |
| 23727 | Where is the brooch? |
| 23727 | Where is your mandoline?" |
| 23727 | Where is your shame? |
| 23727 | Where to? |
| 23727 | Where''s the money to come from--?" |
| 23727 | Where, finally, was he to rest his troubled head? |
| 23727 | Where?" |
| 23727 | Where_ are_ they? |
| 23727 | Wherever are you? |
| 23727 | Whether she would ever be able to take to his strange and dishuman element, who knows? |
| 23727 | Which finger is it?" |
| 23727 | Which man?" |
| 23727 | Which of us makes you feel so? |
| 23727 | Who can_ say_ when he will be provoked? |
| 23727 | Who could have imagined the terrible eagle of his shoulders, the serpent of his loins, his supple, magic skin? |
| 23727 | Who deals? |
| 23727 | Who does he think will come to the place? |
| 23727 | Who in Woodhouse was going to afford a two- guinea nurse, for a confinement? |
| 23727 | Who is Tawara? |
| 23727 | Who is bank, may I ask? |
| 23727 | Who is this sphinx, this woman? |
| 23727 | Who knows? |
| 23727 | Who makes you? |
| 23727 | Who remains? |
| 23727 | Who was responsible? |
| 23727 | Who was this elderly man, that she should marry him? |
| 23727 | Who was_ he_, after all? |
| 23727 | Who''s the other?" |
| 23727 | Who? |
| 23727 | Who_ would n''t_ be lost? |
| 23727 | Why are they?" |
| 23727 | Why are you at all?" |
| 23727 | Why are you in the darkness?" |
| 23727 | Why bother for one moment? |
| 23727 | Why could n''t she? |
| 23727 | Why did n''t she marry him then? |
| 23727 | Why did n''t she revolt? |
| 23727 | Why did you say that?" |
| 23727 | Why do n''t you go away? |
| 23727 | Why do n''t you marry?" |
| 23727 | Why do n''t you want Nurse to leave you? |
| 23727 | Why do you feel? |
| 23727 | Why do you send a telegram?" |
| 23727 | Why does he want to marry you-- why?" |
| 23727 | Why does it cause misgiving? |
| 23727 | Why drag in respect? |
| 23727 | Why have a human criterion? |
| 23727 | Why have standards and a regulation pattern? |
| 23727 | Why how have I missed you?" |
| 23727 | Why is it horrible?" |
| 23727 | Why is it that every tradesman, every school- master, every bank- manager, and every clergyman produces one, two, three or more old maids? |
| 23727 | Why must she see him beautiful? |
| 23727 | Why must you pity him?" |
| 23727 | Why not become one? |
| 23727 | Why not cut off another shop from his premises? |
| 23727 | Why not his curious, pale, half cold- blooded children, like little fishes of her own? |
| 23727 | Why not volunteer for war- service? |
| 23727 | Why not? |
| 23727 | Why not? |
| 23727 | Why not?" |
| 23727 | Why separate, hein?--frère?" |
| 23727 | Why should anybody expect to be_ made happy_, and develop heart- disease if she is n''t? |
| 23727 | Why should life always go up?" |
| 23727 | Why should n''t one human being go away from another? |
| 23727 | Why should she? |
| 23727 | Why should they keep their promise? |
| 23727 | Why should they? |
| 23727 | Why then should Alvina be attracted by him? |
| 23727 | Why was James more guilty than Clariss? |
| 23727 | Why was she so absurdly happy, she asked herself? |
| 23727 | Why was she so much beyond herself? |
| 23727 | Why was she will- less? |
| 23727 | Why will you?" |
| 23727 | Why, how did you come across such an individual--?" |
| 23727 | Why, in the name of all the free heavens, have human criteria? |
| 23727 | Why? |
| 23727 | Why? |
| 23727 | Why? |
| 23727 | Why? |
| 23727 | Why? |
| 23727 | Why? |
| 23727 | Why? |
| 23727 | Why?" |
| 23727 | Will it do?" |
| 23727 | Will no one beat him for me, no one? |
| 23727 | Will the week never pass? |
| 23727 | Will you accept them, Miss Houghton?" |
| 23727 | Will you be ready at once,_ now_?" |
| 23727 | Will you come in half an hour?" |
| 23727 | Will you marry him? |
| 23727 | Will you perhaps take a glass of beer? |
| 23727 | Will you really go alone?" |
| 23727 | Witham?" |
| 23727 | Withdraw? |
| 23727 | Wo n''t you ask Ciccio to drive with you in the cab? |
| 23727 | Wo n''t you open the other window and look out there--?" |
| 23727 | Wo n''t you sit down? |
| 23727 | Would Italy join the Allies? |
| 23727 | Would he get it in time? |
| 23727 | Would she ever wake out of her dark, warm coma? |
| 23727 | Would there not be a return of the old, tender, sensitive, shrinking Vina-- the exquisitely sensitive and nervous, loving girl? |
| 23727 | Would you hang up my dress, dear, and fold my stockings?" |
| 23727 | Would you like me to try to compound with the creditors, so that you could have some sort of provision? |
| 23727 | Would you tell me the words? |
| 23727 | Wretched man, what is he to do with these exigeant and never- to- be- satisfied women? |
| 23727 | Yes, gentlemen? |
| 23727 | Yes, you will? |
| 23727 | Yes? |
| 23727 | Yes? |
| 23727 | Yes? |
| 23727 | Yes? |
| 23727 | Yes? |
| 23727 | Yes? |
| 23727 | Yes?" |
| 23727 | Yes?" |
| 23727 | Yes?" |
| 23727 | Yes?" |
| 23727 | Yes?" |
| 23727 | Yes?" |
| 23727 | Yes?--Yes?" |
| 23727 | Yet she continued:"Would you help me to carry back the things we brought for Madame?" |
| 23727 | Yet why? |
| 23727 | York-- Leeds-- Halifax--? |
| 23727 | You are not_ sure_?" |
| 23727 | You ask me another, eh?" |
| 23727 | You do n''t dislike him?" |
| 23727 | You do n''t take a drop o''nothink, do yer?" |
| 23727 | You do n''t think I need see a priest, dear? |
| 23727 | You do n''t want anything from Natcha- Kee- Tawara, or from Kishwégin? |
| 23727 | You do n''t? |
| 23727 | You have got the ticket, have you?" |
| 23727 | You have n''t a small travelling case, Miss Houghton? |
| 23727 | You hear? |
| 23727 | You hear?" |
| 23727 | You like him very much?--hein? |
| 23727 | You love me, do n''t you?" |
| 23727 | You mean where would he go? |
| 23727 | You might come to the lawyer''s with me, will you? |
| 23727 | You think? |
| 23727 | You will be here a few days?" |
| 23727 | You will stay one night at Woodhouse?" |
| 23727 | You wo n''t ask me again this month, will you?" |
| 23727 | You wo n''t come back to the Endeavour? |
| 23727 | You would like a little whiskey?--yes?" |
| 23727 | You would, would n''t you? |
| 23727 | You''ll give Madame my letter, wo n''t you? |
| 23727 | You''re not going on anywhere tonight, are you?" |
| 23727 | You''re that fond of them?" |
| 23727 | You''ve decided, have you? |
| 23727 | You''ve never been out of England?" |
| 23727 | You-- are you married?" |
| 23727 | Your money is n''t with his, is it?" |
| 23727 | _ Can_ you imagine such a person?" |
| 23727 | _ How_ I stood it, I do n''t know--""Now do n''t you see her?" |
| 23727 | ah?" |
| 23727 | and consequently, of poor me?" |
| 23727 | and the Italian gesture of half- bitter"what can one do?" |
| 23727 | and"You''d like to marry me in_ that_, my boy-- what? |
| 23727 | do n''t you think so?" |
| 23727 | goodness and badness?" |
| 23727 | n''est- ce pas?" |
| 23727 | said a collier to his wife:"have we got no coal? |