This is a table of type trigram and their frequencies. Use it to search & browse the list to learn more about your study carrel.
trigram | frequency |
---|---|
it is a | 26 |
and in the | 25 |
it was a | 20 |
there is a | 16 |
and it is | 14 |
one of the | 13 |
in front of | 12 |
came to the | 11 |
now and then | 11 |
in the world | 11 |
it is the | 10 |
on either side | 10 |
there was no | 10 |
the blue sky | 10 |
to see the | 10 |
that it is | 10 |
to look at | 9 |
in the morning | 9 |
so that the | 9 |
in the distance | 9 |
more than a | 9 |
and it was | 9 |
i saw a | 9 |
i came to | 9 |
and at the | 8 |
a glass of | 8 |
there was a | 8 |
all manner of | 8 |
is the most | 7 |
as it were | 7 |
the rest of | 7 |
and on the | 7 |
on the other | 7 |
it is only | 7 |
there is no | 7 |
and the sun | 7 |
the blessed virgin | 7 |
out of the | 7 |
and in a | 6 |
he is a | 6 |
in the sun | 6 |
one by one | 6 |
the court of | 6 |
and the bull | 6 |
at the same | 6 |
of the earth | 6 |
to one another | 6 |
and from the | 6 |
is one of | 6 |
must have been | 6 |
of all the | 6 |
in such a | 6 |
the love of | 6 |
front of me | 6 |
of which the | 6 |
to and fro | 6 |
and then the | 6 |
and they were | 6 |
the face of | 5 |
to my mind | 5 |
that i could | 5 |
don juan tenorio | 5 |
of the most | 5 |
the church of | 5 |
so that i | 5 |
and when the | 5 |
a kind of | 5 |
they did not | 5 |
he was an | 5 |
and the man | 5 |
it is very | 5 |
point of view | 5 |
in the very | 5 |
of his own | 5 |
as i passed | 5 |
and there is | 5 |
can be more | 5 |
that there was | 5 |
i could not | 5 |
come and go | 5 |
such a place | 5 |
returned to the | 5 |
i had never | 5 |
front of the | 5 |
the old woman | 5 |
than in the | 5 |
might have been | 5 |
of the cathedral | 5 |
the land was | 5 |
but it is | 5 |
of the spanish | 5 |
there is nothing | 5 |
and i was | 5 |
is like a | 5 |
when at last | 5 |
it was not | 5 |
and i saw | 5 |
at last the | 5 |
in the same | 5 |
side of the | 5 |
to be the | 5 |
a thing of | 4 |
thought of the | 4 |
rest of europe | 4 |
of the country | 4 |
the air is | 4 |
to the altar | 4 |
in a little | 4 |
it is true | 4 |
i asked the | 4 |
and i felt | 4 |
it was to | 4 |
at one end | 4 |
as far as | 4 |
if it were | 4 |
you will see | 4 |
a number of | 4 |
the other hand | 4 |
in seville the | 4 |
on the stage | 4 |
the sun and | 4 |
there are no | 4 |
the sun shines | 4 |
the effect is | 4 |
with a great | 4 |
i found myself | 4 |
the sky was | 4 |
in the middle | 4 |
the air was | 4 |
with which the | 4 |
which is the | 4 |
it is not | 4 |
was not a | 4 |
the sun was | 4 |
court of oranges | 4 |
the houses are | 4 |
a masterpiece of | 4 |
i tried to | 4 |
they do not | 4 |
it is impossible | 4 |
but that is | 4 |
you do not | 4 |
that you are | 4 |
by the road | 4 |
he was a | 4 |
upon one another | 4 |
the arabian nights | 4 |
contrasting with the | 4 |
at last i | 4 |
was to be | 4 |
up and down | 4 |
the middle of | 4 |
calle de las | 4 |
when the sun | 4 |
of the blessed | 4 |
the light of | 4 |
hall of the | 4 |
the end of | 4 |
of the town | 4 |
that i had | 4 |
to go to | 4 |
the same time | 4 |
by the side | 4 |
in one vol | 4 |
the cathedral of | 4 |
one of them | 4 |
with a kind | 4 |
he had not | 4 |
and there are | 4 |
i heard the | 4 |
but when i | 4 |
in the old | 4 |
it was the | 4 |
not even the | 4 |
to the bull | 4 |
that it was | 4 |
i thought of | 4 |
a pair of | 4 |
the bottom of | 4 |
the streets are | 4 |
corrida de toros | 4 |
of the moorish | 4 |
as though the | 4 |
is the only | 4 |
in the alhambra | 4 |
clapping of hands | 4 |
it is to | 4 |
de las sierpes | 4 |
the side of | 4 |
with one another | 4 |
a matter of | 4 |
there is in | 4 |
attention to the | 4 |
with such a | 4 |
to the old | 4 |
i went to | 4 |
maria de padilla | 4 |
the spirit of | 3 |
i watched the | 3 |
the day before | 3 |
in the streets | 3 |
a sense of | 3 |
they could not | 3 |
is the same | 3 |
his life in | 3 |
to wander in | 3 |
bunch of violets | 3 |
in praise of | 3 |
for such a | 3 |
after the other | 3 |
in a corner | 3 |
all the world | 3 |
and for a | 3 |
before the altar | 3 |
and the houses | 3 |
in the country | 3 |
will have a | 3 |
above all things | 3 |
of all ages | 3 |
by one the | 3 |
and then a | 3 |
it seemed a | 3 |
in the sunlight | 3 |
and not a | 3 |
as soon as | 3 |
at the bottom | 3 |
among the trees | 3 |
set out to | 3 |
a string of | 3 |
two or three | 3 |
that i am | 3 |
the religious sentiment | 3 |
roof is a | 3 |
began to laugh | 3 |
church of the | 3 |
of the alhambra | 3 |
in the night | 3 |
in the street | 3 |
i set out | 3 |
the splendour of | 3 |
streets of seville | 3 |
down to the | 3 |
maria de los | 3 |
man with a | 3 |
but in spain | 3 |
to be discovered | 3 |
the day of | 3 |
by joseph pennell | 3 |
i had no | 3 |
the beginning of | 3 |
had never been | 3 |
they have so | 3 |
it is always | 3 |
and as the | 3 |
it was curious | 3 |
he does not | 3 |
the spaniards have | 3 |
with which they | 3 |
found myself in | 3 |
in the centre | 3 |
in the rest | 3 |
the sky is | 3 |
it was no | 3 |
over to the | 3 |
illustrated by joseph | 3 |
puerta del puente | 3 |
not to be | 3 |
and the most | 3 |
with a heavy | 3 |
the other side | 3 |
through the streets | 3 |
so that you | 3 |
them in the | 3 |
the way of | 3 |
it is one | 3 |
and the whole | 3 |
panniers filled with | 3 |
love of a | 3 |
told me that | 3 |
that they have | 3 |
a bunch of | 3 |
only means of | 3 |
of the catholic | 3 |
in southern spain | 3 |
the sun shone | 3 |
he put his | 3 |
till i came | 3 |
in his own | 3 |
and the stars | 3 |
of the inhabitants | 3 |
now and again | 3 |
according to the | 3 |
to the ground | 3 |
the hall of | 3 |
every variety of | 3 |
every one is | 3 |
of the virgin | 3 |
it is really | 3 |
middle of the | 3 |
the court is | 3 |
a sort of | 3 |
it is so | 3 |
that he has | 3 |
no more than | 3 |
looking at the | 3 |
the old days | 3 |
lies along the | 3 |
of life and | 3 |
was a great | 3 |
from place to | 3 |
in the sierpes | 3 |
half a dozen | 3 |
is quite an | 3 |
not a soul | 3 |
spain is the | 3 |
to leave the | 3 |
vaya usted con | 3 |
and at first | 3 |
of the people | 3 |
as the most | 3 |
with the same | 3 |
the sun had | 3 |
cathedral of seville | 3 |
it was built | 3 |
of santa maria | 3 |
but on the | 3 |
i asked whether | 3 |
the first prize | 3 |
the women are | 3 |
is a good | 3 |
the silence of | 3 |
in the little | 3 |
sight of a | 3 |
it lies along | 3 |
on a hill | 3 |
at the altar | 3 |
back to the | 3 |
of a hundred | 3 |
the top of | 3 |
of the arabian | 3 |
that she was | 3 |
of a spanish | 3 |
a spanish woman | 3 |
the immaculate conception | 3 |
a perra chica | 3 |
more than the | 3 |
he had been | 3 |
who had lost | 3 |
end of the | 3 |
the confusion of | 3 |
one after the | 3 |
than that of | 3 |
looked at me | 3 |
turned to look | 3 |
the same moment | 3 |
the day was | 3 |
for a long | 3 |
it was only | 3 |
the only means | 3 |
i heard a | 3 |
the blue sea | 3 |
the sight of | 3 |
have a passion | 3 |
i passed a | 3 |
so that it | 3 |
true that the | 3 |
so long as | 3 |
a passion for | 3 |
to this day | 3 |
i wandered through | 3 |
a little while | 3 |
and there was | 3 |
and in their | 3 |
of the mosque | 3 |
the sierra nevada | 3 |
against the wall | 3 |
of the moors | 3 |
so many people | 3 |
one of these | 3 |
it is curious | 3 |
as if it | 3 |
on one side | 3 |
look at him | 3 |
i had to | 3 |
the white houses | 3 |
sun beats down | 3 |
is impossible to | 3 |
to me that | 3 |
the calle de | 3 |
such as the | 3 |
the mosque was | 3 |
a couple of | 3 |
same moment the | 3 |
is a curious | 3 |
into the air | 3 |
seems to me | 3 |
in his hands | 3 |
in the patio | 3 |
he told me | 3 |
here and there | 3 |
she began to | 3 |
i looked at | 3 |
came into the | 3 |
it is as | 3 |
which had been | 3 |
that he had | 3 |
and of the | 3 |
with all the | 3 |
said the doctor | 3 |
that is the | 3 |
life of the | 3 |
the best of | 3 |
but it has | 3 |
is true that | 3 |
it is possible | 3 |
on the ground | 3 |
stronghold of the | 3 |
as in england | 3 |
i think of | 3 |
the narrow streets | 3 |
given over to | 3 |
place to place | 3 |
of the consumo | 3 |
remind you of | 3 |
from the world | 3 |
opulence of the | 3 |
usted con dios | 3 |
on the contrary | 3 |
i did not | 3 |
the sun beats | 3 |
to be a | 3 |
but as a | 3 |
such as may | 3 |
the roof is | 3 |
but there was | 3 |
praise of the | 3 |
and cannot be | 3 |
a soul in | 3 |
and it seemed | 3 |
i went on | 3 |
as though it | 3 |
in their hair | 3 |
nothing more than | 3 |
the colours of | 3 |
i looked back | 3 |
way to the | 3 |
and now and | 3 |
at all events | 3 |
that i can | 3 |
is in the | 3 |
look at the | 3 |
and a little | 3 |
is a little | 3 |
he wears a | 3 |
of the life | 3 |
iron door was | 3 |
they are not | 3 |
it has been | 3 |
it were a | 3 |
many people in | 3 |
for a while | 3 |
the cloudless sky | 3 |
he must be | 3 |
one can imagine | 3 |
i wondered what | 3 |
i can find | 2 |
the spanish song | 2 |
the ground is | 2 |
sky and the | 2 |
or at the | 2 |
go to the | 2 |
mother for her | 2 |
stillness is broken | 2 |
i saw in | 2 |
that a spaniard | 2 |
reminds one of | 2 |
with the cold | 2 |
chill and grey | 2 |
is thrown to | 2 |
would have been | 2 |
i became at | 2 |
a day in | 2 |
through the deserted | 2 |
god will repay | 2 |
best i could | 2 |
and the young | 2 |
house to house | 2 |
i remembered the | 2 |
down and the | 2 |
of blue and | 2 |
at his plough | 2 |
in spain you | 2 |
the smoke rose | 2 |
is a huge | 2 |
the rain pours | 2 |
to discuss the | 2 |
the opulence of | 2 |
by his side | 2 |
but if the | 2 |
of spanish women | 2 |
muttered the old | 2 |
less than a | 2 |
it may be | 2 |
rahm a n | 2 |
passion for the | 2 |
when a man | 2 |
the country for | 2 |
did not even | 2 |
andalusia it is | 2 |
they have no | 2 |
names of the | 2 |
long as they | 2 |
dark eyes and | 2 |
of a mother | 2 |
drastic measures were | 2 |
but not too | 2 |
along the air | 2 |
the trumpets sound | 2 |
he gave the | 2 |
other side of | 2 |
the magnificence of | 2 |
ardour of their | 2 |
and saw that | 2 |
began to talk | 2 |
and their lips | 2 |
lines of the | 2 |
the hospital of | 2 |
i lingered in | 2 |
between them and | 2 |
learn that there | 2 |
to the poor | 2 |
to be left | 2 |
the civil guard | 2 |
the deserted streets | 2 |
is by no | 2 |
and a bunch | 2 |
is but a | 2 |
town in the | 2 |
propagate their species | 2 |
it seems to | 2 |
to his own | 2 |
looked into the | 2 |
de la sede | 2 |
rode through the | 2 |
with a broken | 2 |
walk with a | 2 |
with only a | 2 |
into a passion | 2 |
which is called | 2 |
bread and water | 2 |
brought to the | 2 |
for pretty girls | 2 |
him on the | 2 |
of the ambassadors | 2 |
piece of architecture | 2 |
she might have | 2 |
it reminds one | 2 |
vega and the | 2 |
whether i could | 2 |
a score of | 2 |
of which were | 2 |
the doctor to | 2 |
but when at | 2 |
round seville on | 2 |
ready with a | 2 |
into the hands | 2 |
a glass and | 2 |
to the ring | 2 |
to have been | 2 |
on their fingers | 2 |
seville in the | 2 |
the rain began | 2 |
stared at me | 2 |
was indeed a | 2 |
to stand for | 2 |
the catholic kings | 2 |
the features of | 2 |
pleasant to see | 2 |
went to the | 2 |
looked at the | 2 |
i passed the | 2 |
a great clapping | 2 |
no desire to | 2 |
in the choir | 2 |
and they went | 2 |
he made no | 2 |
sense of the | 2 |
and the more | 2 |
and they seem | 2 |
the help of | 2 |
ten times more | 2 |
i had come | 2 |
an ardent lover | 2 |
lay in bed | 2 |
of them all | 2 |
burst into tears | 2 |
and all three | 2 |
to the driver | 2 |
andalusians have a | 2 |
of arragon and | 2 |
some of the | 2 |
and a score | 2 |
the iron door | 2 |
walked by the | 2 |
a grey mist | 2 |
upon which he | 2 |
but she was | 2 |
a good many | 2 |
ascended to the | 2 |
after so much | 2 |
i expected to | 2 |
of the streets | 2 |
elaborately arranged as | 2 |
the point of | 2 |
in black velvet | 2 |
reminded one of | 2 |
the hut of | 2 |
rain pours down | 2 |
than is usual | 2 |
as many people | 2 |
the mosque of | 2 |
though he may | 2 |
was built by | 2 |
round the brasero | 2 |
even though it | 2 |
when i asked | 2 |
the sun never | 2 |
the streets of | 2 |
by no means | 2 |
the horse is | 2 |
of the door | 2 |
hospital of charity | 2 |
and know the | 2 |
filled with stones | 2 |
to my nostrils | 2 |
dismounted and walked | 2 |
part of the | 2 |
is a pitiful | 2 |
what sort of | 2 |
and suddenly i | 2 |
on her back | 2 |
as i looked | 2 |
i felt that | 2 |
before he was | 2 |
moment the man | 2 |
effect is too | 2 |
for the sake | 2 |
little more than | 2 |
it seemed that | 2 |
the sake of | 2 |
and yet so | 2 |
boabdil the unlucky | 2 |
i saw the | 2 |
clothes of the | 2 |
at least a | 2 |
i reached the | 2 |
the removal of | 2 |
saw in the | 2 |
the path became | 2 |
came near the | 2 |
i wish i | 2 |
town to town | 2 |
and very restful | 2 |
filled the air | 2 |
i know not | 2 |
can imagine that | 2 |
love for him | 2 |
picadors on horseback | 2 |
and on their | 2 |
end of a | 2 |
day after day | 2 |
with the blue | 2 |
to spend long | 2 |
as i came | 2 |
there are a | 2 |
the distance the | 2 |
sight of the | 2 |
remind one of | 2 |
their tongues and | 2 |
like a woman | 2 |
mary of the | 2 |
of harmony with | 2 |
it is interesting | 2 |
and the mere | 2 |
in the dead | 2 |
looking up you | 2 |
the middle classes | 2 |
sun and the | 2 |
the walls are | 2 |
and that is | 2 |
a life of | 2 |
de los dolores | 2 |
to be bored | 2 |
nothing can be | 2 |
the bull turns | 2 |
before me the | 2 |
as best i | 2 |
the churches of | 2 |
i had heard | 2 |
before the bull | 2 |
door was opened | 2 |
of the giralda | 2 |
to prove that | 2 |
the church with | 2 |
a charming place | 2 |
if he had | 2 |
where are the | 2 |
the air rang | 2 |
this time the | 2 |
some one is | 2 |
the gente flamenca | 2 |
do not think | 2 |
when he put | 2 |
the number of | 2 |
the barred windows | 2 |
will repay you | 2 |
of their hearts | 2 |
wish i could | 2 |
has not the | 2 |
you of the | 2 |
little fat man | 2 |
the complexity of | 2 |
woman of the | 2 |
more graceful than | 2 |
translated by mr | 2 |
the fact that | 2 |
she gave a | 2 |
get out of | 2 |
no better than | 2 |
keen eyes for | 2 |
that they seem | 2 |
through the country | 2 |
led to the | 2 |
the keys of | 2 |
glass of aguardiente | 2 |
and with a | 2 |
the result of | 2 |
again into the | 2 |
the use of | 2 |
is the use | 2 |
of its decoration | 2 |
in the contrast | 2 |
mosque at cordova | 2 |
which the sevillan | 2 |
rest of andalusia | 2 |
and a great | 2 |
for him is | 2 |
then you are | 2 |
the loneliness was | 2 |
would never cease | 2 |
at their very | 2 |
three pairs of | 2 |
and as they | 2 |
the sins of | 2 |
the morning the | 2 |
air of a | 2 |
but i cannot | 2 |
in a ragged | 2 |
it with warm | 2 |
you may see | 2 |
the charm of | 2 |
the previous day | 2 |
too poor to | 2 |
pedro the cruel | 2 |
out of one | 2 |
it had been | 2 |
sun shone down | 2 |
an open roof | 2 |
come near the | 2 |
was a strange | 2 |
led me to | 2 |
of the public | 2 |
the foot of | 2 |
the town the | 2 |
their hair and | 2 |
killed in an | 2 |
and out of | 2 |
very heart of | 2 |
at their tongues | 2 |
the four corners | 2 |
for all its | 2 |
and the twilight | 2 |
kingdom of heaven | 2 |
even in the | 2 |
green of the | 2 |
himself for a | 2 |
in spain the | 2 |
to recall the | 2 |
it is well | 2 |
an affair of | 2 |
by a mysterious | 2 |
there in the | 2 |
the ring and | 2 |
seen in the | 2 |
they bow to | 2 |
surmounted by a | 2 |
that the almighty | 2 |
was there to | 2 |
so much alike | 2 |
return to the | 2 |
could not see | 2 |
her face was | 2 |
carpeted with violets | 2 |
the tips of | 2 |
of the ring | 2 |
of the place | 2 |
gave a little | 2 |
in imitation of | 2 |
the difference between | 2 |
two rows of | 2 |
the door and | 2 |
sat on the | 2 |
a woman with | 2 |
only by an | 2 |
the sun fell | 2 |
for the town | 2 |
and when we | 2 |
the most graceful | 2 |
wildness of her | 2 |
which he was | 2 |
what does it | 2 |
in the shade | 2 |
whose duty it | 2 |
the more energetic | 2 |
the death of | 2 |
the air with | 2 |
of southern spain | 2 |
on his mule | 2 |
to suggest that | 2 |
air rang with | 2 |
of the grape | 2 |
you could not | 2 |
ladies in mantillas | 2 |
of a bull | 2 |
far as i | 2 |
the very heart | 2 |
the little fat | 2 |
he looked at | 2 |
should not be | 2 |
with the music | 2 |
there are so | 2 |
to the first | 2 |
condemned to death | 2 |
is mary of | 2 |
bottom of their | 2 |
three men on | 2 |
as though their | 2 |
of the rival | 2 |
two of them | 2 |
of civilisation and | 2 |
at the end | 2 |
the recollection of | 2 |
saw that she | 2 |
one another to | 2 |
as it is | 2 |
and nothing pleases | 2 |
a place that | 2 |
it is like | 2 |
to make the | 2 |
into deep shadow | 2 |
for the most | 2 |
up to ask | 2 |
the atmosphere is | 2 |
and came to | 2 |
of the leaf | 2 |
as though some | 2 |
have come and | 2 |
which had a | 2 |
seems to have | 2 |
wander in the | 2 |
in the public | 2 |
the churchwarden who | 2 |
old days the | 2 |
looking at me | 2 |
the bull rushes | 2 |
in what you | 2 |
did he think | 2 |
is merely a | 2 |
the eye loses | 2 |
by the time | 2 |
so red and | 2 |
and a broad | 2 |
the moors were | 2 |
are you doing | 2 |
they have not | 2 |
an outrage to | 2 |
for all that | 2 |
of the high | 2 |
had never before | 2 |
to find the | 2 |
i wished to | 2 |
the mere fact | 2 |
a warning to | 2 |
to satisfy the | 2 |
the old women | 2 |
i passed through | 2 |
with a white | 2 |
there were two | 2 |
by all the | 2 |
up to the | 2 |
is a charming | 2 |
the upper lip | 2 |
than for the | 2 |
i rode through | 2 |
who is mary | 2 |
he could not | 2 |
is an old | 2 |
that the spaniards | 2 |
a piece of | 2 |
people in the | 2 |
the first to | 2 |
sun had set | 2 |
skill in the | 2 |
and the fresh | 2 |
the darkness of | 2 |
from side to | 2 |
with the ladies | 2 |
had a certain | 2 |
one another with | 2 |
women of andalusia | 2 |
it seemed to | 2 |
an intellectual exercise | 2 |
a hundred pictures | 2 |
you remember how | 2 |
all eyes are | 2 |
and when they | 2 |
more picturesque than | 2 |
go by train | 2 |
wind and storm | 2 |
but it was | 2 |
he was not | 2 |
as i could | 2 |
of one another | 2 |
with their dark | 2 |
is usual in | 2 |
the andalusians are | 2 |
spirit of the | 2 |
they walk with | 2 |
the moon shone | 2 |
it is no | 2 |
of ivory and | 2 |
seemed to grow | 2 |
and the white | 2 |
myself in the | 2 |
is the spanish | 2 |
to the side | 2 |
the peasant at | 2 |
they returned to | 2 |
on the grass | 2 |
though it would | 2 |
separated from the | 2 |
to break into | 2 |
i suppose it | 2 |
and the king | 2 |
of the ridiculous | 2 |
i had seen | 2 |
houses with their | 2 |
of the court | 2 |
churches of ronda | 2 |
against the wind | 2 |
with a certain | 2 |
come and gone | 2 |
drive in the | 2 |
last conscious of | 2 |
have a little | 2 |
talking to one | 2 |
a little town | 2 |
the castanets and | 2 |
el genero chico | 2 |
of an english | 2 |
the christian bells | 2 |
may be a | 2 |
saints be praised | 2 |
of the body | 2 |
had never seen | 2 |
dead of night | 2 |
he will ever | 2 |
by the way | 2 |
flesh and blood | 2 |
it with a | 2 |
man in his | 2 |
but to me | 2 |
saw a woman | 2 |
wandered through the | 2 |
early in the | 2 |
in other countries | 2 |
find in the | 2 |
up for the | 2 |
is more picturesque | 2 |
and the moon | 2 |
will see it | 2 |
canons of the | 2 |
was filled with | 2 |
the hands of | 2 |
he turned to | 2 |
far as the | 2 |
i could have | 2 |
is rich with | 2 |
idea of the | 2 |
he might not | 2 |
the seventeenth century | 2 |
was no use | 2 |
ground is carpeted | 2 |
the woman was | 2 |
the light was | 2 |
in an attitude | 2 |
say that a | 2 |
of the immaculate | 2 |
her dark eyes | 2 |
turned round to | 2 |
i felt as | 2 |
knelt before the | 2 |
not even a | 2 |
more or less | 2 |
of a lady | 2 |
in the dark | 2 |
that from the | 2 |
and even now | 2 |
of the air | 2 |
is of no | 2 |
than in seville | 2 |
the andalusian character | 2 |
on the line | 2 |
to the door | 2 |
in the evening | 2 |
the crest of | 2 |
is all the | 2 |
on its bosom | 2 |
life and the | 2 |
the land of | 2 |
turn to look | 2 |
the high altar | 2 |
think it was | 2 |
that the andalusians | 2 |
of violets in | 2 |
of the andalusian | 2 |
and the spanish | 2 |
an old man | 2 |
of these things | 2 |
felt as though | 2 |
long way in | 2 |
and the men | 2 |
old man with | 2 |
as to make | 2 |
this is the | 2 |
will come and | 2 |
against the night | 2 |
on each side | 2 |
hidden in the | 2 |
i found a | 2 |
a mother for | 2 |
houses on either | 2 |
but with a | 2 |
went into the | 2 |
i began to | 2 |
the excellence of | 2 |
as exactly as | 2 |
made the face | 2 |
to the gay | 2 |
in the court | 2 |
a door is | 2 |
they must see | 2 |
seemed to have | 2 |
as i write | 2 |
the canons in | 2 |
lovers of the | 2 |
woman dressed in | 2 |
from the moorish | 2 |
for the love | 2 |
on a feast | 2 |
they are the | 2 |
the story of | 2 |
it on the | 2 |
in the direction | 2 |
as though its | 2 |
is pleasant to | 2 |
as those in | 2 |
of the andalusians | 2 |
existed on the | 2 |
the stronghold of | 2 |
went back to | 2 |
sir francis drake | 2 |
quien quiere el | 2 |
from the side | 2 |
the mosque at | 2 |
the houses on | 2 |
a place as | 2 |
go to spain | 2 |
to say that | 2 |
i came across | 2 |
bull to the | 2 |
whom i had | 2 |
of applause for | 2 |
fail to be | 2 |
is characteristic of | 2 |
are so many | 2 |
in the course | 2 |
but next morning | 2 |
the cultivation of | 2 |
but at last | 2 |
the account of | 2 |
they are merely | 2 |
a white town | 2 |
that in the | 2 |
but i had | 2 |
and the blue | 2 |
the joy of | 2 |
spain you do | 2 |
their dark eyes | 2 |
with warm light | 2 |
gave him a | 2 |
beauty and of | 2 |
a good deal | 2 |
with gold and | 2 |
and full of | 2 |
the artist has | 2 |
appears to be | 2 |
of the surrounding | 2 |
in olden days | 2 |
man began to | 2 |
the andalusians have | 2 |
of which is | 2 |
of seville life | 2 |
they began to | 2 |
take their places | 2 |
hand to his | 2 |
one imagines that | 2 |
then is a | 2 |
the moorish tower | 2 |
sat down again | 2 |
i have seldom | 2 |
one of those | 2 |
in the town | 2 |
with the almighty | 2 |
and the saints | 2 |
the country of | 2 |
through the olive | 2 |
was chill and | 2 |
is a very | 2 |
and the air | 2 |
the faces of | 2 |
pretty girls that | 2 |
is curious that | 2 |
the same way | 2 |
day before the | 2 |
had not the | 2 |
all things are | 2 |
his hand to | 2 |
it is pleasant | 2 |
what is the | 2 |
said to be | 2 |
a feast day | 2 |
in their magnificent | 2 |
could be more | 2 |
down her cheeks | 2 |
but i have | 2 |
of northern spain | 2 |
only by a | 2 |
is the very | 2 |
with a rich | 2 |
the agony of | 2 |
when the rest | 2 |
the contrast between | 2 |
it would be | 2 |
at the door | 2 |
no use to | 2 |
i caught sight | 2 |
i have never | 2 |
is nothing to | 2 |
could not get | 2 |
the course of | 2 |
it appears that | 2 |
but perhaps that | 2 |
and in summer | 2 |
but rather of | 2 |
the pleasure of | 2 |
the genero chico | 2 |
with nothing in | 2 |
but this time | 2 |
the seven children | 2 |
only by palmetto | 2 |
me always a | 2 |
in a hundred | 2 |
youth and beauty | 2 |
accustomed to the | 2 |
of the art | 2 |
and i walked | 2 |
close to the | 2 |
utter lack of | 2 |
to his fathers | 2 |
in all the | 2 |
and shining eyes | 2 |
of the hill | 2 |
a long way | 2 |
of exquisite lace | 2 |
it is said | 2 |
life and cannot | 2 |
in the silence | 2 |
the cruel and | 2 |
light on the | 2 |
while to be | 2 |
they remind you | 2 |
not think of | 2 |
from town to | 2 |
it was certainly | 2 |
a spanish town | 2 |
from house to | 2 |
and the gleam | 2 |
peasant at his | 2 |
spirit of andalusia | 2 |
diversity of colour | 2 |
on the top | 2 |
that murillo painted | 2 |
was like the | 2 |
of a cigarette | 2 |
in his arms | 2 |
to the skin | 2 |
what he thought | 2 |
in their hands | 2 |
the spanish side | 2 |
element in the | 2 |
is there to | 2 |
caught sight of | 2 |
wrapped in a | 2 |
produce of the | 2 |
with large baskets | 2 |
at the foot | 2 |
in the afternoon | 2 |
the desire to | 2 |
at the sight | 2 |
only by the | 2 |
is full of | 2 |
a group of | 2 |
it is useless | 2 |
added to the | 2 |
the names of | 2 |
that they were | 2 |
civilisation of the | 2 |
and one of | 2 |
the matador advances | 2 |
mere fact of | 2 |
that he will | 2 |
who will come | 2 |
in the sunshine | 2 |
is to the | 2 |
have been the | 2 |
i thought the | 2 |
over the plain | 2 |
in little groups | 2 |
that the spaniard | 2 |
these are the | 2 |
had never heard | 2 |
and with the | 2 |
for the very | 2 |
dressed in white | 2 |
either side are | 2 |
in and out | 2 |
of great cities | 2 |
bridge of calahorra | 2 |
on a holiday | 2 |
at my feet | 2 |
different from the | 2 |
so heavy that | 2 |
the rain and | 2 |
and you will | 2 |
with flushed cheeks | 2 |
the advance of | 2 |
of it all | 2 |
the church was | 2 |
still the only | 2 |
a long time | 2 |
the saints be | 2 |
the life he | 2 |
which is characteristic | 2 |
to whom the | 2 |
of larch wood | 2 |
wines to drink | 2 |
seated on a | 2 |
there was one | 2 |
contrasts with the | 2 |
the bridge of | 2 |
made me feel | 2 |
to drink with | 2 |
and the general | 2 |
the slate roofs | 2 |
the life of | 2 |
in the rain | 2 |
imagine that the | 2 |
had told me | 2 |
all that it | 2 |
that the moors | 2 |
you doing here | 2 |
for a poor | 2 |
it was all | 2 |
i was forced | 2 |
heavy with incense | 2 |
are of the | 2 |
of the best | 2 |
its moorish origin | 2 |
saint catherine in | 2 |
of the last | 2 |
he had a | 2 |
walked to the | 2 |
sun was setting | 2 |
as if the | 2 |
of the famous | 2 |
her hair fell | 2 |
they seem to | 2 |
it is doubtless | 2 |
the ground with | 2 |
and why should | 2 |
not see the | 2 |
up and saw | 2 |
out of harmony | 2 |
the doors are | 2 |
the placid water | 2 |
maria de la | 2 |
with a long | 2 |
i saw that | 2 |
their panniers filled | 2 |
was a little | 2 |
was made to | 2 |
colours of the | 2 |
a man to | 2 |
with the general | 2 |
the setting sun | 2 |
along the river | 2 |
in his hand | 2 |
curious to see | 2 |
and a long | 2 |
which they were | 2 |
it was hard | 2 |
to the scene | 2 |
in which there | 2 |
houses of the | 2 |
and the heavy | 2 |
the scene of | 2 |
town in spain | 2 |
the moors have | 2 |
so far as | 2 |
one of a | 2 |
of the southern | 2 |
to drive in | 2 |
is a great | 2 |
the man who | 2 |
the crowd is | 2 |
i saw no | 2 |
which led to | 2 |
in which the | 2 |
there is one | 2 |
i see the | 2 |
blue sky and | 2 |
is interesting to | 2 |
feeling of the | 2 |
offered a cigarette | 2 |
asked whether i | 2 |
me to the | 2 |
hill i saw | 2 |
at last she | 2 |
was killed in | 2 |
of the way | 2 |
of the city | 2 |
the air of | 2 |
beneath his dignity | 2 |
excitement of the | 2 |
cigarettes to smoke | 2 |
a peculiar character | 2 |
quiere el premio | 2 |
the cathedral and | 2 |
it was very | 2 |
the gleam of | 2 |
wonder if the | 2 |
so that they | 2 |
out of prison | 2 |
and the silence | 2 |
he is too | 2 |
the mother of | 2 |
of the street | 2 |
santa maria de | 2 |
through the sierpes | 2 |
for a little | 2 |
it did not | 2 |
very far away | 2 |
but for all | 2 |
was still and | 2 |
the free air | 2 |
an appearance of | 2 |
for all the | 2 |
advance of civilisation | 2 |
foot of the | 2 |
the stillness is | 2 |
for half a | 2 |
in the splendour | 2 |
are full of | 2 |
in it and | 2 |
and presently the | 2 |
wastes of sand | 2 |
the world is | 2 |
i know that | 2 |
of maria de | 2 |
between his lips | 2 |
along the bay | 2 |
not elaborately arranged | 2 |
imitation of the | 2 |
her hair was | 2 |
the dead of | 2 |
for her child | 2 |
me that the | 2 |
the whole land | 2 |
from the steeple | 2 |
there are many | 2 |
a love of | 2 |
girls that are | 2 |
in the church | 2 |
bells rang joyfully | 2 |
to have a | 2 |
it does not | 2 |
a breath of | 2 |
to the blessed | 2 |
so that his | 2 |
filled the church | 2 |
was curious to | 2 |
of the night | 2 |
of the mountain | 2 |
in the act | 2 |
the midst of | 2 |
and i expected | 2 |
the worship of | 2 |
i wonder if | 2 |
sensation of the | 2 |
and a smile | 2 |
i came near | 2 |
in a strange | 2 |
come from the | 2 |
and at last | 2 |
face of the | 2 |
than those of | 2 |
the moors built | 2 |
canons in the | 2 |
church of santa | 2 |
barred windows with | 2 |
i try to | 2 |
of the sierra | 2 |
and her eyes | 2 |
the stars shone | 2 |
but when a | 2 |
the girl held | 2 |
thirty years ago | 2 |
must be the | 2 |
my horse and | 2 |
that she had | 2 |
i used to | 2 |
so it is | 2 |
became at last | 2 |
to see how | 2 |
lost such treasure | 2 |
city of az | 2 |
and again to | 2 |
in the midst | 2 |
have been a | 2 |
i knew in | 2 |
on the marble | 2 |
as in other | 2 |
of running water | 2 |
she did not | 2 |
of the palace | 2 |
on three sides | 2 |
a decorative pattern | 2 |
that i was | 2 |
out in the | 2 |
glass of manzanilla | 2 |
love for the | 2 |
is not only | 2 |
of andalusia they | 2 |
of national character | 2 |
a woman of | 2 |
and the dark | 2 |
and the like | 2 |
to make their | 2 |
but i was | 2 |
but more often | 2 |
with a good | 2 |
the curiosities of | 2 |
down in the | 2 |
to the hospital | 2 |
was certainly an | 2 |
the world of | 2 |
down with a | 2 |
of the church | 2 |
the acts of | 2 |
a desire to | 2 |
the patio of | 2 |
came out of | 2 |
a beautiful youth | 2 |
soon as he | 2 |
wine of the | 2 |
of the richest | 2 |
when the spring | 2 |
it is your | 2 |
is carpeted with | 2 |
for holy week | 2 |
love of god | 2 |
along the ground | 2 |
i walked by | 2 |
at night the | 2 |
which is a | 2 |
wandering in the | 2 |
i could see | 2 |
with all their | 2 |
think of the | 2 |
at last conscious | 2 |
was full of | 2 |
the lights of | 2 |
and the sky | 2 |
of the worst | 2 |
the water with | 2 |
in his gorgeous | 2 |
for the andalusians | 2 |
i do not | 2 |
when he was | 2 |
i went into | 2 |
moors in spain | 2 |
of the soul | 2 |
that is long | 2 |
down on the | 2 |
theatre in spain | 2 |
the bull is | 2 |
the molten mass | 2 |
rests in the | 2 |
christian bells rang | 2 |
the other was | 2 |
of the hermandad | 2 |
hut of the | 2 |
a strange land | 2 |
and he would | 2 |
of the language | 2 |
at last in | 2 |
thomas of villanueva | 2 |
sometimes i saw | 2 |
the men are | 2 |
in the paseo | 2 |
the most cruel | 2 |
which it is | 2 |
sun shines down | 2 |
and the mountains | 2 |
was evidently a | 2 |
the kingdom of | 2 |
rich and poor | 2 |
of the religious | 2 |
seville on a | 2 |
the girls have | 2 |
think that he | 2 |
a cup of | 2 |
and i suppose | 2 |
the whiteness of | 2 |
be seen in | 2 |
a long goad | 2 |
still it fell | 2 |
as the moors | 2 |
among the columns | 2 |
and when i | 2 |
the great old | 2 |
the sort of | 2 |
of the guadalquivir | 2 |
face of my | 2 |
is a masterpiece | 2 |
the beauty of | 2 |
a land of | 2 |
to think that | 2 |
through my mind | 2 |
side to side | 2 |
the woman who | 2 |
i remember the | 2 |
and one by | 2 |
is very hot | 2 |
conscious of its | 2 |
must see themselves | 2 |
of course he | 2 |
it was like | 2 |
never heard of | 2 |
she had been | 2 |
have never seen | 2 |
the most fascinating | 2 |
he might have | 2 |
hither and thither | 2 |
through the narrow | 2 |
be the most | 2 |
and all the | 2 |
between their lips | 2 |
great clapping of | 2 |
two girls in | 2 |
liquor is a | 2 |
content with the | 2 |
it has not | 2 |
as i walked | 2 |
that it seemed | 2 |
surplice of exquisite | 2 |
those in power | 2 |
i thought it | 2 |
of giving one | 2 |
on the earth | 2 |
among the tombs | 2 |
at first you | 2 |
that there is | 2 |
with the gold | 2 |
in which all | 2 |
never fail to | 2 |
centre of the | 2 |
but the majority | 2 |
bow to the | 2 |
to place before | 2 |
tips of her | 2 |
expected to see | 2 |
rhythmical clapping of | 2 |
that he was | 2 |
a movement of | 2 |
is long ago | 2 |
with an extraordinary | 2 |
the blood of | 2 |
an idea of | 2 |
the final scene | 2 |
on all sides | 2 |
you with a | 2 |
with a pair | 2 |
me to a | 2 |
with keen eyes | 2 |
to complete the | 2 |
against the blue | 2 |
the uniformity of | 2 |
that he might | 2 |
beats down and | 2 |
itself in the | 2 |
to the rules | 2 |
burst of applause | 2 |
he made a | 2 |
not a very | 2 |
small man with | 2 |
in a minute | 2 |
was a tower | 2 |
and the picadors | 2 |
worth while to | 2 |
to the cathedral | 2 |
lights of the | 2 |
an impression of | 2 |
a holiday in | 2 |
matador draws the | 2 |
face of death | 2 |
the mountain which | 2 |
in a field | 2 |
blue and the | 2 |
to which the | 2 |
but imagine the | 2 |
a row of | 2 |
is put in | 2 |
in the cloudless | 2 |
and one can | 2 |
don miguel de | 2 |
hat with a | 2 |
from seville to | 2 |
broke into a | 2 |
of the other | 2 |
perched on a | 2 |