This is a table of type trigram and their frequencies. Use it to search & browse the list to learn more about your study carrel.
trigram | frequency |
---|---|
one of the | 178 |
the cathedral of | 146 |
church of st | 119 |
part of the | 116 |
the middle ages | 99 |
of the nave | 99 |
the xiii century | 98 |
the xii century | 97 |
of the church | 94 |
the church of | 86 |
of the cathedral | 83 |
of notre dame | 82 |
of the middle | 71 |
in bulletin monumental | 67 |
some of the | 63 |
of the choir | 61 |
the xiv century | 60 |
as well as | 60 |
the choir of | 59 |
de la france | 59 |
to be found | 58 |
of the transept | 57 |
of the xii | 57 |
the use of | 54 |
of the xiii | 52 |
is one of | 49 |
of the same | 48 |
of the great | 47 |
the xv century | 47 |
the nave of | 47 |
of the most | 46 |
of the building | 46 |
in the cathedral | 46 |
end of the | 46 |
and in the | 46 |
of the gothic | 46 |
the xi century | 44 |
be found in | 43 |
of the first | 43 |
the national art | 42 |
are to be | 41 |
the end of | 41 |
of gothic architecture | 41 |
of the new | 40 |
of the national | 40 |
in the same | 39 |
a series of | 39 |
notre dame at | 38 |
bays of the | 37 |
those of the | 37 |
in revue de | 37 |
in the world | 37 |
the architecture of | 36 |
cathedral of st | 36 |
is to be | 35 |
it is a | 35 |
the work of | 35 |
of the city | 35 |
and it is | 34 |
the bishop of | 34 |
the abbey church | 34 |
windows of the | 34 |
in the xii | 34 |
the walls of | 33 |
of a building | 33 |
that of the | 32 |
the cathedrals of | 32 |
there is a | 32 |
the first to | 32 |
the interior of | 31 |
notre dame of | 31 |
walls of the | 31 |
the same time | 31 |
the cathedral at | 31 |
church of the | 30 |
in the choir | 30 |
the side aisles | 30 |
to be the | 30 |
of the xiv | 30 |
abbey church of | 29 |
of the xi | 29 |
of the best | 29 |
in the church | 28 |
of the romanesque | 28 |
in order to | 28 |
the gothic period | 28 |
the world war | 28 |
of a church | 27 |
choir of st | 27 |
of gothic art | 27 |
in the first | 27 |
at the same | 27 |
of the west | 26 |
as a rule | 26 |
the art of | 26 |
it was the | 26 |
many of the | 26 |
churches of the | 26 |
the king of | 26 |
the xvi century | 26 |
the church was | 26 |
the tomb of | 26 |
belongs to the | 25 |
side of the | 25 |
the see of | 25 |
a kind of | 25 |
it has been | 25 |
use of the | 25 |
the middle of | 25 |
of the edifice | 24 |
belong to the | 24 |
parts of the | 24 |
the architect of | 24 |
in the nave | 24 |
most of the | 24 |
of le mans | 24 |
of the world | 24 |
in the xiii | 24 |
wall of the | 24 |
on the site | 24 |
on the other | 23 |
of the apse | 23 |
king of france | 23 |
that it was | 23 |
the nave and | 23 |
said to have | 23 |
side by side | 23 |
the churches of | 23 |
bay of the | 23 |
was the first | 23 |
of the present | 23 |
it is said | 23 |
de la soc | 22 |
the first crusade | 22 |
the pointed arch | 22 |
half of the | 22 |
of the old | 22 |
of the xv | 22 |
the house of | 22 |
the cathedral was | 22 |
middle of the | 22 |
the duke of | 22 |
are of the | 22 |
of the ancient | 22 |
but it is | 22 |
the most beautiful | 22 |
was to be | 21 |
in which the | 21 |
of the french | 21 |
it is the | 21 |
to the north | 21 |
the erection of | 21 |
of the royal | 21 |
arm of the | 21 |
gothic architecture in | 21 |
of the midi | 21 |
of which the | 21 |
to be a | 21 |
a son of | 21 |
the name of | 20 |
of the main | 20 |
art of the | 20 |
in the midi | 20 |
the time of | 20 |
the plan of | 20 |
of the style | 20 |
as in the | 20 |
william the conqueror | 20 |
of the north | 20 |
choir and transept | 20 |
the choir was | 20 |
is said that | 19 |
the choir and | 19 |
the archbishop of | 19 |
building of the | 19 |
the story of | 19 |
dame of paris | 19 |
abbatial of st | 19 |
the fifteenth century | 19 |
the windows of | 19 |
and of the | 19 |
architecture of the | 19 |
histoire de la | 19 |
of the renaissance | 19 |
in the middle | 19 |
the exterior of | 19 |
to have been | 19 |
at the end | 18 |
the chapel of | 18 |
part of a | 18 |
of the tower | 18 |
work of the | 18 |
is of the | 18 |
of the two | 18 |
early in the | 18 |
the making of | 18 |
the capitals of | 18 |
the nave is | 18 |
that it is | 18 |
of the art | 18 |
it was not | 18 |
now in the | 18 |
it was a | 18 |
the gothic cathedrals | 18 |
must have been | 18 |
of the ile | 17 |
william of volpiano | 17 |
well as the | 17 |
blanche of castile | 17 |
the building of | 17 |
to the south | 17 |
the nave was | 17 |
the history of | 17 |
john of salisbury | 17 |
made use of | 17 |
of the xvi | 17 |
was one of | 17 |
the romanesque cathedral | 17 |
and the church | 17 |
the lady chapel | 17 |
of the region | 17 |
in the xiv | 16 |
of the town | 16 |
more or less | 16 |
the other hand | 16 |
normandie monumentale et | 16 |
la normandie monumentale | 16 |
of the lord | 16 |
and at the | 16 |
of the holy | 16 |
et de la | 16 |
the school of | 16 |
in the gothic | 16 |
much of the | 16 |
peter the venerable | 16 |
the royal domain | 16 |
the monks of | 16 |
found in the | 16 |
monumentale et pittoresque | 16 |
a man of | 16 |
be said to | 16 |
it is not | 16 |
anne of brittany | 16 |
of the fifteenth | 16 |
roof of the | 16 |
the transept of | 16 |
a gem of | 16 |
and it was | 16 |
built in the | 16 |
of the capital | 16 |
quarter of the | 15 |
up to the | 15 |
triforium and clearstory | 15 |
xii and xiii | 15 |
in the north | 15 |
it may be | 15 |
son of the | 15 |
and that of | 15 |
in the city | 15 |
he had been | 15 |
built from to | 15 |
the beginning of | 15 |
the abbot of | 15 |
of the central | 15 |
to the cathedral | 15 |
the height of | 15 |
the death of | 15 |
the side chapels | 15 |
in the new | 15 |
windows in the | 15 |
the xii and | 15 |
the sixteenth century | 15 |
added to the | 15 |
which has been | 15 |
there is no | 15 |
of the sixteenth | 15 |
which was to | 15 |
the design of | 15 |
which it is | 15 |
the builder of | 15 |
the gothic of | 15 |
in order that | 15 |
the abbatial of | 15 |
a masterpiece of | 14 |
in the transept | 14 |
close of the | 14 |
met with in | 14 |
be met with | 14 |
was in the | 14 |
by means of | 14 |
he was the | 14 |
that in the | 14 |
the reign of | 14 |
in the south | 14 |
the close of | 14 |
the first stone | 14 |
portion of the | 14 |
of the abbey | 14 |
that he was | 14 |
had to be | 14 |
during the first | 14 |
architect of the | 14 |
years of the | 14 |
of the walls | 14 |
notre dame de | 14 |
and xiii centuries | 14 |
works of the | 14 |
on the same | 14 |
that to the | 14 |
so that the | 14 |
the primary gothic | 14 |
the center of | 14 |
chapel of the | 14 |
out of the | 14 |
of flamboyant gothic | 14 |
every part of | 14 |
of the cloister | 14 |
the capital of | 14 |
the council of | 14 |
has been called | 14 |
the soul of | 14 |
to end of | 14 |
in notre dame | 14 |
the flamboyant gothic | 14 |
the study of | 13 |
palace of the | 13 |
on the north | 13 |
the son of | 13 |
some of them | 13 |
had been a | 13 |
the church is | 13 |
such as the | 13 |
may be said | 13 |
it had been | 13 |
arthur kingsley porter | 13 |
a group of | 13 |
the great cathedrals | 13 |
it is to | 13 |
gothic of the | 13 |
the new system | 13 |
the xix century | 13 |
of the three | 13 |
during the revolution | 13 |
as it is | 13 |
of the vault | 13 |
none the less | 13 |
are among the | 13 |
the entrance to | 13 |
worked on the | 13 |
built by the | 13 |
in the ile | 13 |
to the french | 13 |
of rayonnant gothic | 13 |
of the earlier | 13 |
simon de montfort | 13 |
the base of | 13 |
la france artistique | 13 |
the castle of | 13 |
france artistique et | 13 |
center of the | 13 |
a part of | 13 |
he died in | 13 |
to the same | 13 |
of all the | 13 |
it to be | 13 |
it is thought | 13 |
the twelfth century | 13 |
church of notre | 13 |
de la ville | 13 |
who died in | 13 |
the first time | 13 |
up in the | 13 |
the northwest tower | 13 |
given to the | 12 |
romanesque school of | 12 |
the principal span | 12 |
the head of | 12 |
of the century | 12 |
the count of | 12 |
the first gothic | 12 |
the west front | 12 |
the eighteenth century | 12 |
were to be | 12 |
and to the | 12 |
one of his | 12 |
the thirteenth century | 12 |
covered by a | 12 |
il y a | 12 |
arches of the | 12 |
after a fire | 12 |
can be seen | 12 |
to be met | 12 |
was the architect | 12 |
interior of the | 12 |
beginning of the | 12 |
the transept and | 12 |
the tower of | 12 |
of rheims cathedral | 12 |
is a gem | 12 |
design of the | 12 |
the transept is | 12 |
of our lady | 12 |
a fire in | 12 |
pierre de montereau | 12 |
the side walls | 12 |
chapel of st | 12 |
the beauty of | 12 |
by the same | 12 |
is in the | 12 |
of his own | 12 |
of stained glass | 12 |
cathedral of the | 12 |
to be seen | 12 |
in the last | 12 |
maurice de sully | 12 |
de notre dame | 12 |
the crypt of | 12 |
villard de honnecourt | 12 |
the fire of | 12 |
of the early | 12 |
to this day | 12 |
the north tower | 12 |
we have seen | 12 |
the thrust of | 12 |
few of the | 12 |
the shape of | 12 |
the battle of | 12 |
the north side | 12 |
cathedrals of france | 12 |
the spirit of | 12 |
in the romanesque | 12 |
a sort of | 12 |
of this church | 12 |
for a time | 12 |
to the new | 12 |
in one of | 12 |
of the fourteenth | 12 |
monographie de la | 12 |
men and women | 12 |
part in the | 12 |
in the xv | 12 |
in the center | 11 |
choir and nave | 11 |
each of the | 11 |
the new works | 11 |
many of them | 11 |
north side of | 11 |
in the interior | 11 |
au pays des | 11 |
will be found | 11 |
of louis ix | 11 |
to the east | 11 |
of the big | 11 |
the streets of | 11 |
in the dec | 11 |
of the school | 11 |
of the wall | 11 |
the religious wars | 11 |
the new art | 11 |
of the buildings | 11 |
within the church | 11 |
the central vessel | 11 |
among the most | 11 |
with the same | 11 |
height of the | 11 |
it will be | 11 |
the daughter of | 11 |
line of the | 11 |
to the see | 11 |
two of the | 11 |
which had been | 11 |
new york and | 11 |
that of st | 11 |
who built the | 11 |
to the end | 11 |
brother of the | 11 |
who made the | 11 |
the windows are | 11 |
of the bishop | 11 |
of the king | 11 |
at the time | 11 |
the level of | 11 |
in the great | 11 |
and that the | 11 |
in the use | 11 |
are in the | 11 |
be found at | 11 |
the albigensian crusade | 11 |
the towers of | 11 |
took place in | 11 |
the queen of | 11 |
york and london | 11 |
phase of the | 11 |
of the exterior | 11 |
in use in | 11 |
the second crusade | 11 |
the xviii century | 11 |
consult the glossary | 11 |
out in the | 11 |
the clearstory windows | 11 |
the sculpture of | 11 |
said to be | 11 |
is said to | 11 |
only in the | 11 |
bishop geoffrey de | 11 |
level of the | 11 |
to the church | 11 |
the relics of | 11 |
the plans of | 11 |
history of the | 11 |
said that the | 11 |
monuments of the | 11 |
of the builder | 11 |
by the revolution | 11 |
capitals of the | 11 |
the heiress of | 11 |
and with the | 11 |
analysis of buildings | 11 |
the fourteenth century | 11 |
in the west | 11 |
choir of the | 11 |
was born in | 11 |
gothic church of | 11 |
the influence of | 11 |
is that of | 11 |
it was to | 11 |
at le mans | 11 |
end to end | 11 |
from end to | 11 |
would have been | 11 |
of a great | 11 |
of the day | 11 |
vault of the | 11 |
so as to | 11 |
philippe le hardi | 11 |
the site of | 11 |
cathedral of tours | 10 |
tomb of the | 10 |
the fact that | 10 |
the first of | 10 |
au xie et | 10 |
has been said | 10 |
the choir aisle | 10 |
the most important | 10 |
buildings of the | 10 |
the date of | 10 |
the pier arches | 10 |
specimens of the | 10 |
london and new | 10 |
ends of the | 10 |
the employment of | 10 |
the works of | 10 |
eudes de sully | 10 |
is full of | 10 |
and on the | 10 |
there was no | 10 |
in the style | 10 |
sculptured ornament from | 10 |
dame at paris | 10 |
duke of normandy | 10 |
had been the | 10 |
it was built | 10 |
in the upper | 10 |
with those of | 10 |
after the fire | 10 |
account of the | 10 |
and new york | 10 |
on the walls | 10 |
of the northern | 10 |
there can be | 10 |
with which the | 10 |
cathedral in the | 10 |
of the greatest | 10 |
artistique et monumentale | 10 |
of the roof | 10 |
in the land | 10 |
and his son | 10 |
when it was | 10 |
bishop of paris | 10 |
the present nave | 10 |
pierre de celle | 10 |
the abbey of | 10 |
in the perp | 10 |
the best gothic | 10 |
not to be | 10 |
of the thirteenth | 10 |
dedicated to st | 10 |
no one can | 10 |
journal of the | 10 |
the xvii century | 10 |
a statue of | 10 |
of the aisles | 10 |
new system of | 10 |
of the province | 10 |
the cathedral is | 10 |
the city was | 10 |
as a whole | 10 |
with that of | 10 |
the men of | 10 |
le mans cathedral | 10 |
and those of | 10 |
exterior of the | 10 |
in many cases | 10 |
the best of | 10 |
royal institute of | 10 |
sculpture of the | 10 |
be seen in | 10 |
so far as | 10 |
in the crypt | 10 |
romanesque cathedral of | 10 |
to the last | 10 |
romanesque and gothic | 10 |
of paris cathedral | 10 |
the royal institute | 10 |
of plantagenet gothic | 10 |
the axis chapel | 10 |
archbishop of sens | 10 |
of the madeleine | 10 |
the interior is | 10 |
the absence of | 10 |
of british architects | 10 |
a few of | 10 |
founder of the | 10 |
entrance to the | 10 |
thought that the | 10 |
was begun in | 10 |
construction and design | 10 |
tower of st | 10 |
the palace of | 10 |
the present church | 10 |
a work of | 10 |
a succession of | 10 |
because of the | 10 |
vestiges of the | 10 |
in the clearstory | 10 |
abbey of st | 10 |
of the virgin | 10 |
the little people | 10 |
of the cross | 10 |
institute of british | 10 |
of the abbaye | 10 |
the names of | 10 |
and there is | 10 |
the ducal palace | 9 |
the construction of | 9 |
of the country | 9 |
the chanson de | 9 |
of rouen cathedral | 9 |
gothic art in | 9 |
gothic cathedrals of | 9 |
et au xiie | 9 |
soul of the | 9 |
of gothic cathedrals | 9 |
first of the | 9 |
heart of france | 9 |
third of the | 9 |
plan of the | 9 |
by which the | 9 |
when in the | 9 |
the rest of | 9 |
westernmost bays of | 9 |
of the abbatial | 9 |
the intersecting ribs | 9 |
the presence of | 9 |
people of the | 9 |
of the classic | 9 |
to be buried | 9 |
rest of the | 9 |
the feet of | 9 |
of which is | 9 |
in the region | 9 |
the buildings of | 9 |
for the first | 9 |
and from the | 9 |
i of england | 9 |
the walls are | 9 |
the majority of | 9 |
according to the | 9 |
the new cathedral | 9 |
which can be | 9 |
to those of | 9 |
the birth of | 9 |
bishop of chartres | 9 |
say that the | 9 |
the south of | 9 |
the high altar | 9 |
story of the | 9 |
the hands of | 9 |
work on the | 9 |
as if the | 9 |
of anne of | 9 |
to that of | 9 |
the french crown | 9 |
la ville de | 9 |
the same period | 9 |
in the latter | 9 |
the avignon popes | 9 |
when he died | 9 |
of the architect | 9 |
as those of | 9 |
stone of the | 9 |
the present cathedral | 9 |
count of anjou | 9 |
over the aisles | 9 |
the completion of | 9 |
of normandy and | 9 |
abbot of st | 9 |
be taken as | 9 |
the latter part | 9 |
in the present | 9 |
the procession path | 9 |
to which the | 9 |
of the eastern | 9 |
one of them | 9 |
over the side | 9 |
of colored glass | 9 |
at any rate | 9 |
in the xi | 9 |
of westminster abbey | 9 |
of the marne | 9 |
daughter of the | 9 |
remi at rheims | 9 |
des sculpteurs romans | 9 |
early part of | 9 |
men of the | 9 |
nave of the | 9 |
after the revolution | 9 |
was able to | 9 |
in the e | 9 |
of the four | 9 |
by the english | 9 |
than that of | 9 |
which is the | 9 |
pays des sculpteurs | 9 |
as the xiii | 9 |
the builders of | 9 |
the vaults of | 9 |
the main arcade | 9 |
and by the | 9 |
of the italian | 9 |
of a column | 9 |
nave of st | 9 |
the life of | 9 |
than in the | 9 |
the heads of | 9 |
erection of the | 9 |
years of age | 9 |
the city of | 9 |
cathedral is the | 9 |
churches of france | 9 |
formed by the | 9 |
the great church | 9 |
the heart of | 9 |
it is in | 9 |
of flying buttresses | 9 |
and notre dame | 9 |
xie et au | 9 |
the possession of | 9 |
georges de boscherville | 9 |
chanson de roland | 9 |
cathedral was begun | 9 |
thinks that the | 9 |
nave and the | 9 |
latter part of | 9 |
of the cupola | 9 |
face of the | 9 |
in every part | 9 |
it is an | 9 |
the corner stone | 9 |
first stone of | 9 |
and in many | 9 |
of the time | 9 |
of that period | 9 |
hall of the | 9 |
the apse of | 9 |
of the upper | 9 |
in by the | 9 |
the east end | 9 |
beauty of the | 9 |
another of the | 9 |
of a gothic | 9 |
may be taken | 9 |
and when the | 9 |
north of the | 9 |
reconstruction of the | 9 |
the early part | 9 |
during the last | 8 |
two bays of | 8 |
examples of the | 8 |
in large part | 8 |
end of france | 8 |
of france was | 8 |
of the people | 8 |
the southwest tower | 8 |
of the english | 8 |
in a gothic | 8 |
thrust of the | 8 |
as for example | 8 |
consists of a | 8 |
the cupola church | 8 |
history of france | 8 |
in the time | 8 |
the cathedral school | 8 |
a few years | 8 |
of william the | 8 |
the ends of | 8 |
characteristic of the | 8 |
les vitraux de | 8 |
and with a | 8 |
the nave are | 8 |
was buried in | 8 |
et ses environs | 8 |
capital of the | 8 |
at the battle | 8 |
gazette des beaux | 8 |
the second half | 8 |
the kingdom of | 8 |
at that time | 8 |
was finished by | 8 |
it was in | 8 |
transept and choir | 8 |
each vault section | 8 |
to the first | 8 |
known as the | 8 |
feature of the | 8 |
the whole of | 8 |
is thought that | 8 |
the designs of | 8 |
of a wall | 8 |
the present choir | 8 |
in that same | 8 |
time of the | 8 |
the treatment of | 8 |
like that of | 8 |
is the most | 8 |
those in the | 8 |
there was a | 8 |
the collapse of | 8 |
two westernmost bays | 8 |
is to the | 8 |
the masonry roof | 8 |
little people of | 8 |
period of the | 8 |
to make the | 8 |
is called the | 8 |
the field of | 8 |
was built from | 8 |
the bishops of | 8 |
who had been | 8 |
and in that | 8 |
employed in the | 8 |
of amiens cathedral | 8 |
in the early | 8 |
among the first | 8 |
in the cathedrals | 8 |
the last judgment | 8 |
which they are | 8 |
the flying buttress | 8 |
duke of aquitaine | 8 |
in the east | 8 |
archbishop of canterbury | 8 |
of the last | 8 |
hildebert de lavardin | 8 |
the transition from | 8 |
the church at | 8 |
from to the | 8 |
la chaise dieu | 8 |
of the piers | 8 |
the city ramparts | 8 |
the bishop who | 8 |
of the sainte | 8 |
as that of | 8 |
at the west | 8 |
at chartres and | 8 |
in the ambulatory | 8 |
there are no | 8 |
more than the | 8 |
tree of jesse | 8 |
the characteristics of | 8 |
a number of | 8 |
they say that | 8 |
may have been | 8 |
of the towers | 8 |
of the capitals | 8 |
in le mans | 8 |
from the same | 8 |
they are the | 8 |
of tours cathedral | 8 |
for illustrations consult | 8 |
the building is | 8 |
john the baptist | 8 |
piers of the | 8 |
in gothic architecture | 8 |
of the transepts | 8 |
formed part of | 8 |
in the abbey | 8 |
and the cathedral | 8 |
the earliest gothic | 8 |
held to be | 8 |
who began the | 8 |
of the earliest | 8 |
to the xiii | 8 |
cathedral of le | 8 |
can be no | 8 |
a portion of | 8 |
the line of | 8 |
the third crusade | 8 |
in the course | 8 |
among the best | 8 |
notre dame was | 8 |
in the presence | 8 |
the choir is | 8 |
cathedral of paris | 8 |
he was a | 8 |
system of building | 8 |
cathedral of chartres | 8 |
the effect of | 8 |
the kings of | 8 |
henry ii of | 8 |
of the side | 8 |
the ruins of | 8 |
at the council | 8 |
one of its | 8 |
master of the | 8 |
the vitrine art | 8 |
was begun by | 8 |
portions of the | 8 |
abbey church at | 8 |
in the main | 8 |
second half of | 8 |
a mass of | 8 |
in the second | 8 |
belonged to the | 8 |
xiii century the | 8 |
surmounted by a | 8 |
owing to the | 8 |
seen in the | 8 |
of the windows | 8 |
the addition of | 8 |
the apse chapels | 8 |
from the first | 8 |
was built the | 8 |
choir and the | 8 |
window of the | 8 |
flank of the | 8 |
first to use | 8 |
as it was | 8 |
the conqueror and | 8 |
the banks of | 8 |
development of gothic | 8 |
contributed toward the | 8 |
the episcopal palace | 8 |
guillaume de champeaux | 8 |
of paris university | 8 |
the work was | 8 |
the ribs of | 8 |
a nephew of | 8 |
of the hundred | 8 |
the greatest of | 8 |
in the town | 8 |
henry i of | 8 |
house of the | 8 |
duke of burgundy | 8 |
of the house | 8 |
begun by the | 8 |
in the lower | 8 |
illustrations consult the | 8 |
of the past | 8 |
gothic art of | 8 |
architecture of france | 8 |
the course of | 8 |
by the french | 8 |
the town hall | 8 |
was built in | 8 |
of the work | 8 |
in some of | 8 |
a gothic vault | 8 |
of the age | 8 |
dedicated to the | 8 |
and many of | 8 |
the scene of | 8 |
each of which | 8 |
time that the | 8 |
in the museum | 8 |
the dedication of | 8 |
of the albigensian | 8 |
he made the | 8 |
name of the | 8 |
good example of | 8 |
taylor et nodier | 8 |
midi de la | 8 |
by the great | 7 |
the side of | 7 |
was not the | 7 |
window in the | 7 |
in honor of | 7 |
he and his | 7 |
of his day | 7 |
of its own | 7 |
it was an | 7 |
it is one | 7 |
as the choir | 7 |
upon which the | 7 |
in the cloister | 7 |
in the art | 7 |
banks of the | 7 |
a church of | 7 |
et la sculpture | 7 |
in all the | 7 |
of rheims and | 7 |
school of sculpture | 7 |
they have been | 7 |
but they are | 7 |
and the choir | 7 |
images of the | 7 |
of one of | 7 |
place in the | 7 |
of the architecture | 7 |
first half of | 7 |
after the year | 7 |
it would have | 7 |
the piers of | 7 |
man of genius | 7 |
in the xvi | 7 |
marked by a | 7 |
the surface of | 7 |
gothic church in | 7 |
on the banks | 7 |
the first half | 7 |
it to the | 7 |
the series of | 7 |
that they were | 7 |
the north rose | 7 |
the transept was | 7 |
at the crossing | 7 |
the first part | 7 |
of the twelfth | 7 |
the origin of | 7 |
and the nave | 7 |
north and south | 7 |
each of these | 7 |
the style of | 7 |
on either side | 7 |
of the monastery | 7 |
appeared in the | 7 |
and the other | 7 |
on the day | 7 |
the first quarter | 7 |
the forest of | 7 |
claim to be | 7 |
opening of the | 7 |
section of the | 7 |
abbot of cluny | 7 |
the gift of | 7 |
bishop guillaume de | 7 |
and the first | 7 |
of the second | 7 |
who was to | 7 |
the cradle of | 7 |
carried on the | 7 |
a host of | 7 |
of the very | 7 |
to the great | 7 |
of the vitrine | 7 |
built by st | 7 |
transferred to the | 7 |
the two westernmost | 7 |
the arms of | 7 |
of side chapels | 7 |
the ix century | 7 |
and as a | 7 |
is known as | 7 |
the hall of | 7 |
the land of | 7 |
in france and | 7 |
they were the | 7 |
was laid in | 7 |
especially in the | 7 |
to the other | 7 |
of the norman | 7 |
which we call | 7 |
of a roof | 7 |
the top of | 7 |
west front of | 7 |
de la tour | 7 |
of the pier | 7 |
the best works | 7 |
ii of england | 7 |
eastern end of | 7 |
as it had | 7 |
de la fin | 7 |
in journal of | 7 |
gothic art was | 7 |
religieux de la | 7 |
throughout the church | 7 |
a gothic church | 7 |
vaults of the | 7 |
the vii century | 7 |
to the gothic | 7 |
of the eighteenth | 7 |
the foundations of | 7 |
and some of | 7 |
to the xii | 7 |
a hundred years | 7 |
shape of the | 7 |
the ascending line | 7 |
in the spandrels | 7 |
of the castle | 7 |
of a new | 7 |
as high as | 7 |
first quarter of | 7 |
fin du moyen | 7 |
it was only | 7 |
its wealth of | 7 |
of the stone | 7 |
on one side | 7 |
effect of the | 7 |
michel colombe et | 7 |
the abbey was | 7 |
of the whole | 7 |
where he had | 7 |
which may be | 7 |
gothic churches of | 7 |
the style in | 7 |
brought to the | 7 |
hugues de st | 7 |
architects of the | 7 |
not in the | 7 |
at the western | 7 |
was replaced by | 7 |
then came the | 7 |
la fin du | 7 |
of the later | 7 |
came from the | 7 |
the eastern end | 7 |
to use the | 7 |
the opening of | 7 |
the stones of | 7 |
was begun about | 7 |
in gazette des | 7 |
eastern wall of | 7 |
bulletin de la | 7 |
south of the | 7 |
in a church | 7 |
a brother of | 7 |
than any other | 7 |
due to the | 7 |
is divided into | 7 |
those who have | 7 |
the people of | 7 |
lady chapel of | 7 |
in the royal | 7 |
treatment of the | 7 |
light and shade | 7 |
the upper part | 7 |
leader of the | 7 |
and finished by | 7 |
in the streets | 7 |
of the latter | 7 |
and his wife | 7 |
by side with | 7 |
the french king | 7 |
the form of | 7 |
of these churches | 7 |
from the east | 7 |
was founded in | 7 |
geoffrey the handsome | 7 |
of the order | 7 |
some of its | 7 |
tower of the | 7 |
the north of | 7 |
the spaces between | 7 |
even in the | 7 |
of the cathedrals | 7 |
renaissance architecture in | 7 |
in the xviii | 7 |
at the base | 7 |
the part of | 7 |
jean sans peur | 7 |
of chartres was | 7 |
archbishop of rheims | 7 |
monks of st | 7 |
of english gothic | 7 |
bernard of clairvaux | 7 |
and as the | 7 |
the lord of | 7 |
the development of | 7 |
first part of | 7 |
it belongs to | 7 |
taken as a | 7 |
of the late | 7 |
of the plantagenet | 7 |
but it was | 7 |
all over france | 7 |
the face of | 7 |
by the king | 7 |
with its own | 7 |
in the flamboyant | 7 |
francis the first | 7 |
can be found | 7 |
all through the | 7 |
the day of | 7 |
a contemporary of | 7 |
east end of | 7 |
resemblance to the | 7 |
to the nave | 7 |
of chartres and | 7 |
body of the | 7 |
picard et fils | 7 |
church at st | 7 |
of such a | 7 |
of the burgundian | 7 |
century religious wars | 7 |
lancets in the | 7 |
study of the | 7 |
diagonals of the | 7 |
gregory of tours | 7 |
in the reign | 7 |
tribunes over the | 7 |
arms of the | 7 |
features of the | 7 |
to mark the | 7 |
making of the | 7 |
like those of | 7 |
the vi century | 7 |
outline of the | 7 |
by architecture we | 7 |
have been the | 7 |
to the level | 7 |
to the eye | 7 |
three hundred years | 7 |
the purpose of | 7 |
roofs and vaults | 7 |
of the interior | 7 |
the western towers | 7 |
is a good | 7 |
builder of the | 7 |
to make a | 7 |
the eastern arm | 7 |
spirit of the | 7 |
the glossary under | 7 |
a good example | 7 |
the roof of | 7 |
colombe et la | 7 |
of which are | 7 |
more and more | 7 |
and the two | 7 |
the new choir | 7 |
the gothic art | 7 |
came to the | 7 |
of the transition | 7 |
the chief church | 7 |
monument of the | 7 |
the new gothic | 7 |
of the saviour | 7 |
churches in the | 7 |
and pointed arches | 6 |
la guerre de | 6 |
of le puy | 6 |
of the dead | 6 |
the pier arcade | 6 |
to the pope | 6 |
of this building | 6 |
and the most | 6 |
more of the | 6 |
portal of the | 6 |
the diagonals of | 6 |
la renaissance en | 6 |
it must be | 6 |
the new order | 6 |
to the west | 6 |
may be called | 6 |
the counts of | 6 |
xii century the | 6 |
by the present | 6 |
it is true | 6 |
des antiquaires de | 6 |
set in the | 6 |
one side of | 6 |
a pupil of | 6 |
the early renaissance | 6 |
out from the | 6 |
final phase of | 6 |
placed side by | 6 |
in receding planes | 6 |
there are the | 6 |
the big church | 6 |
by no means | 6 |
cathedral of rheims | 6 |
should have been | 6 |
the inspiration of | 6 |
one of these | 6 |
the latter was | 6 |
bishop of amiens | 6 |
led to the | 6 |
south of france | 6 |
church was begun | 6 |
and his brother | 6 |
hundred and fifty | 6 |
to the transept | 6 |
front of the | 6 |
walls between the | 6 |
the iconography of | 6 |
of lyons cathedral | 6 |
is the church | 6 |
the portals of | 6 |
of the lower | 6 |
at the trumeau | 6 |
the weight of | 6 |
late in the | 6 |
of the mount | 6 |
de son temps | 6 |
the roofs of | 6 |
church was rebuilt | 6 |
the italian renaissance | 6 |
in the capital | 6 |
the city in | 6 |
to which it | 6 |
the order of | 6 |
of the duke | 6 |
open on the | 6 |
and the south | 6 |
been said that | 6 |
was the bishop | 6 |
on his way | 6 |
may be found | 6 |
some have thought | 6 |
each arm of | 6 |
of the ducal | 6 |
at her trial | 6 |
a central tower | 6 |
the most famous | 6 |
laid the first | 6 |
was founded by | 6 |
a tower of | 6 |
in the case | 6 |
from pavement to | 6 |
and the next | 6 |
nave and transepts | 6 |
and renaissance architecture | 6 |
the transverse arches | 6 |
buried in the | 6 |
to be of | 6 |
the mother of | 6 |
was succeeded by | 6 |
during the hundred | 6 |
gothic cathedral in | 6 |
of the churches | 6 |
of primary gothic | 6 |
of the western | 6 |
side aisles were | 6 |
tells us that | 6 |
as early as | 6 |
rise to the | 6 |
from romanesque to | 6 |
the introduction of | 6 |
which he had | 6 |
during the xiii | 6 |
romanesque church of | 6 |
to which they | 6 |
his first crusade | 6 |
chief church of | 6 |
century windows in | 6 |
the placing of | 6 |
in the chapel | 6 |
used in the | 6 |
gothic buildings are | 6 |
of the stones | 6 |
transept of the | 6 |
phase of gothic | 6 |
on which the | 6 |
place of honor | 6 |
the case of | 6 |
the central lantern | 6 |
one or more | 6 |
in the later | 6 |
to the soul | 6 |
france built her | 6 |
such was the | 6 |
one or two | 6 |
the formation of | 6 |
example of this | 6 |
and transept are | 6 |
paris and geneva | 6 |
the first period | 6 |
the fourth crusade | 6 |
compared with the | 6 |
there is little | 6 |
arts and crafts | 6 |
the advent of | 6 |
transept and the | 6 |
work was done | 6 |
of francis i | 6 |
we meet with | 6 |
at the feet | 6 |
in some cases | 6 |
a pioneer in | 6 |
there is much | 6 |
tracery of the | 6 |
de la vie | 6 |
about the same | 6 |
the final phase | 6 |
in the national | 6 |
and the side | 6 |
even as the | 6 |
of the few | 6 |
belonging to the | 6 |
on the field | 6 |
and his successor | 6 |
the upper vaulting | 6 |
seem to be | 6 |
and in a | 6 |
the greater part | 6 |
the mystery plays | 6 |
the hour of | 6 |
the cathedral and | 6 |
of the white | 6 |
of some of | 6 |
at the angles | 6 |
was dedicated in | 6 |
of the alps | 6 |
work in the | 6 |
the roman empire | 6 |
of the small | 6 |
the foundation stone | 6 |
the tower is | 6 |
to the early | 6 |
to see the | 6 |
also in the | 6 |
fell on the | 6 |
days of the | 6 |
care of the | 6 |
upper part of | 6 |
art is the | 6 |
in the sixteenth | 6 |
of which we | 6 |
aisles of the | 6 |
and the tower | 6 |
the new church | 6 |
best works of | 6 |
a church or | 6 |
since it was | 6 |
a greek cross | 6 |
built by bishop | 6 |
in the province | 6 |
in the ancient | 6 |
which took place | 6 |
space between the | 6 |
are the most | 6 |
bishop maurice de | 6 |
and part of | 6 |
as the church | 6 |
been called the | 6 |
in the days | 6 |
the gothic cathedral | 6 |
the best known | 6 |
son of a | 6 |
in proportion to | 6 |
and le mans | 6 |
imitation of christ | 6 |
to the abbey | 6 |
ground plan of | 6 |
of angers cathedral | 6 |
of the axis | 6 |
founded in by | 6 |
of the south | 6 |
in the old | 6 |
could not be | 6 |
from the designs | 6 |
idea of the | 6 |
of henry ii | 6 |
lived in the | 6 |
cathedral is a | 6 |
an example of | 6 |
le mans and | 6 |
stories of the | 6 |
of france and | 6 |
alphonse of poitiers | 6 |
in the square | 6 |
is shown by | 6 |
because of his | 6 |
and all the | 6 |
of bordeaux cathedral | 6 |
on the church | 6 |
gothic and renaissance | 6 |
et ses monuments | 6 |
of the roman | 6 |
houses of france | 6 |
the crown of | 6 |
the liberal arts | 6 |
one bay of | 6 |
of the avignon | 6 |
of the six | 6 |
and many a | 6 |
set up in | 6 |
was to lead | 6 |
to the king | 6 |
the plantagenet school | 6 |
pavement to vault | 6 |
the most imposing | 6 |
there are two | 6 |
possession of the | 6 |
but in the | 6 |
was made the | 6 |
the ambulatory and | 6 |
to those who | 6 |
in the norman | 6 |
the days when | 6 |
king of england | 6 |
of the portals | 6 |
of the entire | 6 |
the crossing of | 6 |
of which was | 6 |
the glory of | 6 |
midway in the | 6 |
set on the | 6 |
or to the | 6 |
after the death | 6 |
the architects of | 6 |
it is well | 6 |
on the capitals | 6 |
the number of | 6 |
birth of the | 6 |
the institute of | 6 |
in bulletin de | 6 |
bishop of le | 6 |
placed in the | 6 |
the body of | 6 |
trial in rouen | 6 |
quality of the | 6 |
of the apostles | 6 |
the main building | 6 |
battle of the | 6 |
six miles from | 6 |
gothic architecture had | 6 |
he founded the | 6 |
du midi de | 6 |
yolande of aragon | 6 |
purpose of a | 6 |
the upper church | 6 |
bertrada de montfort | 6 |
architecture in france | 6 |
as was the | 6 |
in main part | 6 |
made by the | 6 |
though it is | 6 |
western doors of | 6 |
the fall of | 6 |
of light and | 6 |
during the middle | 6 |
it was his | 6 |
the law of | 6 |
xiii century closed | 6 |
deterioration of the | 6 |
of the duchy | 6 |
les origines de | 6 |
to the english | 6 |
destroyed by the | 6 |
sir theodore andreas | 6 |
thought to be | 6 |
abbey church was | 6 |
development of the | 6 |
the love of | 6 |
was brought to | 6 |
of sens cathedral | 6 |
the ambulatory of | 6 |
the upper windows | 6 |
nave and aisles | 6 |
three of the | 6 |
a masonry roof | 6 |
of the column | 6 |
the eastern wall | 6 |
mullions and transoms | 6 |
were in the | 6 |
of them were | 6 |
romanesque cathedral was | 6 |
and a few | 6 |
queen of heaven | 6 |
example of the | 6 |
institute of france | 6 |
up and down | 6 |
again in the | 6 |
church of ste | 6 |
the blood of | 6 |
school of chartres | 6 |
voyage au pays | 6 |
equal to the | 6 |
of the university | 6 |
all of them | 6 |
in the churches | 6 |
pioneer in the | 6 |
the upper walls | 6 |
century to the | 6 |
there is not | 6 |
the xiii and | 6 |
the abbatial was | 6 |
palais de justice | 6 |
of the loire | 6 |
the dukes of | 6 |
it would be | 6 |
were held in | 6 |
away in the | 6 |
as one of | 6 |
of the chief | 6 |
tower and spire | 6 |
the features of | 6 |
a building of | 6 |
picture of the | 6 |
of northern france | 6 |
date of the | 6 |
crown of thorns | 6 |
that of a | 6 |
the rebuilding of | 6 |
the nave were | 6 |
the days of | 6 |
of louis xii | 6 |
of the pointed | 6 |
because of its | 6 |
the desire to | 6 |
the destruction of | 6 |
life of the | 6 |
during the world | 6 |
not a few | 6 |
devoted to the | 6 |
from chartres cathedral | 6 |
the ancient city | 6 |
abbot of clairvaux | 6 |
of the popes | 6 |
of the living | 6 |
as we have | 6 |
ambulatory and radiating | 6 |
here and there | 6 |
two or more | 6 |
in the night | 6 |
jaime el conquistador | 6 |
the black prince | 6 |
the university of | 6 |
the lower walls | 6 |
in the shape | 5 |
xiv century was | 5 |
tracery in the | 5 |
round and pointed | 5 |
knew how to | 5 |
of the arch | 5 |
the revival of | 5 |
guy de la | 5 |
england in the | 5 |
is covered with | 5 |
of the final | 5 |
of the base | 5 |
the point of | 5 |
it had not | 5 |
the genius of | 5 |
abbot of the | 5 |
of the xvii | 5 |
by the use | 5 |
architecture after the | 5 |
the collegiate church | 5 |
xi century the | 5 |
of a vault | 5 |
the spandrels of | 5 |
of the features | 5 |
of the palace | 5 |
of christian doctrine | 5 |
of the tracery | 5 |
is that the | 5 |
the points of | 5 |
lecoy de la | 5 |
bishop of noyon | 5 |
flamboyant gothic church | 5 |
this is the | 5 |
columns and piers | 5 |
renaissance en france | 5 |
of pierre de | 5 |
addition of a | 5 |
at the east | 5 |
the confines of | 5 |
on the first | 5 |
nord de la | 5 |
the women of | 5 |
symbols of the | 5 |
des ducs de | 5 |
collapse of the | 5 |
a school of | 5 |
the rebirth of | 5 |
in the ix | 5 |
head of the | 5 |
cathedral has been | 5 |
in france the | 5 |
the architect was | 5 |
with a large | 5 |
and for the | 5 |
built during the | 5 |
queen of france | 5 |
pierre at caen | 5 |
details of the | 5 |
cathedrals of the | 5 |
from the ground | 5 |
relics of the | 5 |
they were not | 5 |
as the first | 5 |
cathedral of bordeaux | 5 |
jean de matha | 5 |
and there are | 5 |
the last quarter | 5 |
on the cathedral | 5 |
hundred years later | 5 |
we owe the | 5 |
of the bird | 5 |
tomb in the | 5 |
be the most | 5 |
which we have | 5 |
the skill with | 5 |
the clearstory of | 5 |
the horizontal line | 5 |
in which it | 5 |
of paris was | 5 |
the annals of | 5 |
choir was completed | 5 |
that he would | 5 |
the requirements of | 5 |
university of paris | 5 |
the stones are | 5 |
in the xix | 5 |
close resemblance to | 5 |
the eaves of | 5 |
religieuse en france | 5 |
with the cry | 5 |
foundation stone of | 5 |
its main parts | 5 |
romanesque to gothic | 5 |
his way to | 5 |
stands at the | 5 |
which they were | 5 |
only a few | 5 |
gothic art is | 5 |
the patron of | 5 |
a few miles | 5 |
to start the | 5 |
at his own | 5 |
notice historique et | 5 |
cathedral of meaux | 5 |
of a tower | 5 |
one of st | 5 |
five great houses | 5 |
appears in the | 5 |
it is probable | 5 |
a symbol of | 5 |
cupola church of | 5 |
gothic cathedral of | 5 |
in the formation | 5 |
at a time | 5 |
nave and choir | 5 |
half a century | 5 |
are full of | 5 |
and the netherlands | 5 |
of the vaulting | 5 |
to or up | 5 |
of the triforium | 5 |
friend of st | 5 |
where there is | 5 |
is attributed to | 5 |
in this church | 5 |
in the heart | 5 |
to the choir | 5 |
begun in the | 5 |
the church in | 5 |
of louis xiv | 5 |
between the active | 5 |
parts of a | 5 |
the apse is | 5 |
on the west | 5 |
the lives of | 5 |
the north and | 5 |
statistique monumentale du | 5 |
later than the | 5 |
its stained glass | 5 |
and of his | 5 |
ambulatory of the | 5 |
aspect of the | 5 |
ornament from rheims | 5 |
the western entrance | 5 |
in the flat | 5 |
built her cathedrals | 5 |
the romanesque school | 5 |
in the fourteenth | 5 |
chapelle at paris | 5 |
used by the | 5 |
in the schools | 5 |
era of the | 5 |
gothic churches in | 5 |
type of the | 5 |
and women of | 5 |
the most conspicuous | 5 |
of the five | 5 |
in a chapel | 5 |
the dawn of | 5 |
a close resemblance | 5 |
in the sculpture | 5 |
the best examples | 5 |
of the revolution | 5 |
de cent ans | 5 |
the south arm | 5 |
in this country | 5 |
the title of | 5 |
a great gothic | 5 |
be referred to | 5 |
the albigensian wars | 5 |
guerre de cent | 5 |
the same date | 5 |
as a kind | 5 |
in france are | 5 |
prototype for the | 5 |
be one of | 5 |
perhaps the most | 5 |
the surfaces of | 5 |
it would seem | 5 |
blood of the | 5 |
it can be | 5 |
was a pupil | 5 |
in the former | 5 |
and he had | 5 |
of the xviii | 5 |
miles to the | 5 |
series of mouldings | 5 |
housed in the | 5 |
doors of the | 5 |
it may have | 5 |
may be named | 5 |
that she was | 5 |
on the marne | 5 |
the grand canal | 5 |
the arches of | 5 |
was to become | 5 |
the list of | 5 |
at the cathedral | 5 |
that part of | 5 |
of the true | 5 |
for a century | 5 |
had come to | 5 |
devoted to st | 5 |
to do with | 5 |
each bay of | 5 |
and the bishop | 5 |
the south tower | 5 |
to the national | 5 |
in the late | 5 |
in many of | 5 |
a canon of | 5 |
replaced by the | 5 |
church of aquitaine | 5 |
a monk of | 5 |
to destroy the | 5 |
primary gothic church | 5 |
in its choir | 5 |
of its features | 5 |
in any other | 5 |
the care of | 5 |
of laon cathedral | 5 |
early th century | 5 |
and xv centuries | 5 |
to his own | 5 |
base of the | 5 |
in the golden | 5 |
the principle of | 5 |
greater part of | 5 |
in spite of | 5 |
the present edifice | 5 |
the coming of | 5 |
on each side | 5 |
which would have | 5 |
the maker of | 5 |
not have been | 5 |
at the entrance | 5 |
than those of | 5 |
of the period | 5 |
images at the | 5 |
a gothic cathedral | 5 |
the romanesque choir | 5 |
palais des papes | 5 |
in the earlier | 5 |
are the work | 5 |
the imitation of | 5 |
which it was | 5 |
a forerunner of | 5 |
last of the | 5 |
eaves of the | 5 |
in the renaissance | 5 |
the same in | 5 |
pointed arch was | 5 |
is called a | 5 |
walls of a | 5 |
the early english | 5 |
pier arcades of | 5 |
of charles vii | 5 |
he had a | 5 |
from the early | 5 |
many of these | 5 |
the south portal | 5 |
think that the | 5 |
services were held | 5 |
has its own | 5 |
in french art | 5 |
the meaning of | 5 |
the founder of | 5 |
not far away | 5 |
in the year | 5 |
of the principal | 5 |
the western end | 5 |
who designed the | 5 |
great houses of | 5 |
be called the | 5 |
the renewal of | 5 |
france and england | 5 |
attached to the | 5 |
of them are | 5 |
feet in height | 5 |
and one of | 5 |
a vision of | 5 |
as those at | 5 |
of gothic sculpture | 5 |
of those who | 5 |
would seem to | 5 |
cathedral of troyes | 5 |
is probable that | 5 |
that was to | 5 |
by a gothic | 5 |
it was thought | 5 |
the outer aisle | 5 |
made a school | 5 |
stood on the | 5 |
last quarter of | 5 |
is a building | 5 |
of philippe le | 5 |
from westminster abbey | 5 |
was carried to | 5 |
the region of | 5 |
nave is a | 5 |
france and the | 5 |
completion of the | 5 |
the gothic palaces | 5 |
the transept are | 5 |
in which they | 5 |
of the conqueror | 5 |
that there was | 5 |
top of the | 5 |
transept is a | 5 |
of the st | 5 |
reconstructed in the | 5 |
as it now | 5 |
the northern arm | 5 |
at the beginning | 5 |
were used in | 5 |
possesses its own | 5 |
two hundred years | 5 |
was made by | 5 |
lower stories of | 5 |
it should be | 5 |
to lead to | 5 |
for the king | 5 |
under the northwest | 5 |
bishop jean de | 5 |
northwest tower of | 5 |
statue of st | 5 |
in the fifteenth | 5 |
how france built | 5 |
that the gothic | 5 |
who was the | 5 |
the openings are | 5 |
the appearance of | 5 |
of the archangel | 5 |
the position of | 5 |
of the oise | 5 |
the village of | 5 |
the sons of | 5 |
arcade of the | 5 |
the first bishop | 5 |
the size of | 5 |
the loss of | 5 |
and so did | 5 |
as it were | 5 |
long as the | 5 |
to the very | 5 |
the canticle of | 5 |
the site where | 5 |
the seventeenth century | 5 |
to feed the | 5 |
the creation of | 5 |
with which it | 5 |
the hand of | 5 |
the ancient church | 5 |
mother of god | 5 |
with the choir | 5 |
in southern france | 5 |
more than it | 5 |
between the side | 5 |
are covered by | 5 |
of an arch | 5 |
the apse and | 5 |
made up of | 5 |
the revolution the | 5 |
may be seen | 5 |
principles of gothic | 5 |
the rue st | 5 |
to pass into | 5 |
the same type | 5 |
led in the | 5 |
as can be | 5 |
and when he | 5 |
are some of | 5 |
the three western | 5 |
in the thirteenth | 5 |
than the choir | 5 |
its own triforium | 5 |
he proceeded to | 5 |
in it were | 5 |
over the crossing | 5 |
the cathedrals at | 5 |
robert the magnificent | 5 |
of the soul | 5 |
jean le bon | 5 |
by one of | 5 |
the choir screen | 5 |
the same year | 5 |
on the middle | 5 |
portals of the | 5 |
a chapel of | 5 |
edifice of the | 5 |
well as in | 5 |
of the other | 5 |
of france the | 5 |
vitraux de la | 5 |
of the lesser | 5 |
in the vi | 5 |
of the templars | 5 |
to some extent | 5 |
dame de paris | 5 |
church dedicated to | 5 |
there is something | 5 |
play of light | 5 |
side aisles of | 5 |
began to be | 5 |
a day when | 5 |
it is known | 5 |
certain number of | 5 |
quadrangle of the | 5 |
middle ages was | 5 |
in memory of | 5 |
the square east | 5 |
of auxerre cathedral | 5 |
archbishop of rouen | 5 |
was not a | 5 |
over the choir | 5 |
its name from | 5 |
was added to | 5 |
in the piers | 5 |
the v century | 5 |
of the nation | 5 |
schism of the | 5 |
to read the | 5 |
the abbatial at | 5 |
in the western | 5 |
the great gothic | 5 |
view from the | 5 |
be named as | 5 |
as soon as | 5 |
them to the | 5 |
of france have | 5 |
flamboyant gothic monuments | 5 |
embedded in the | 5 |
the perpendicular period | 5 |
residence of the | 5 |
stands on the | 5 |
a flamboyant gothic | 5 |
use in the | 5 |
from notre dame | 5 |
skill with which | 5 |
from rheims cathedral | 5 |
hands of the | 5 |
consisting of a | 5 |
crossing of the | 5 |
is a noble | 5 |
king of the | 5 |
by the duke | 5 |
de la renaissance | 5 |
series of small | 5 |
to the middle | 5 |
when he came | 5 |
of his church | 5 |
gothic in the | 5 |
guillaume de passavant | 5 |
or up to | 5 |
as the best | 5 |
the upper choir | 5 |
duke of bedford | 5 |
is not so | 5 |
we know that | 5 |
at its best | 5 |
the largest in | 5 |
characteristics of the | 5 |
close to the | 5 |
the stone roof | 5 |
theodore andreas cook | 5 |
site of the | 5 |
built the choir | 5 |
before the close | 5 |
it was begun | 5 |
with the gothic | 5 |
style in which | 5 |
founded by the | 5 |
of louis vii | 5 |
of the louvre | 5 |
the congregation of | 5 |
to be made | 5 |
by way of | 5 |
of jean de | 5 |
foundations of the | 5 |
each with its | 5 |
the old and | 5 |
the paris school | 5 |
to the bishop | 5 |
the era of | 5 |
there is the | 5 |
the same architect | 5 |
arcisse de caumont | 5 |
is a large | 5 |
of the finest | 5 |
dedication of st | 5 |
flying buttresses were | 5 |
of the aisle | 5 |
in the most | 5 |
the chapter house | 5 |
collegiate church of | 5 |
of francis the | 5 |
as are the | 5 |
cistercian abbatial of | 5 |
the clocher vieux | 5 |
in the very | 5 |
returned to the | 5 |
corner stone of | 5 |
as time went | 5 |
of the land | 5 |
projecting from the | 5 |
it was he | 5 |
remains of the | 5 |
the place of | 5 |
the prelate who | 5 |
which are of | 5 |
as to the | 5 |
gothic architecture of | 5 |
the windows in | 5 |
of chartres cathedral | 5 |
hour of the | 5 |
are vestiges of | 5 |
time went on | 5 |
of churches and | 5 |
the west towers | 5 |
school of gothic | 5 |
the gothic architects | 5 |
on the outer | 5 |
and the chapel | 5 |
of the xix | 5 |
crypt of st | 5 |
of which he | 5 |
and a choir | 5 |
modeled on the | 5 |
most beautiful tower | 5 |
filled in with | 5 |
of a high | 5 |
that they are | 5 |
the old testament | 5 |
relics of st | 5 |
in a building | 5 |
classic and renaissance | 5 |
of the spire | 5 |
cathedral of clermont | 5 |
passed into the | 5 |
jean de berry | 5 |
he and the | 5 |
works of art | 5 |
make use of | 5 |
the imagery of | 5 |
of this period | 5 |
in that city | 5 |
stone roof was | 5 |
to its own | 5 |
was destroyed in | 5 |
as is the | 5 |
the round arch | 5 |
and the same | 5 |
that from the | 5 |
town hall at | 5 |
the same height | 5 |
own triforium and | 5 |
of flamboyant art | 5 |
merovingian and carolingian | 5 |
collegiate of notre | 5 |
westernmost bays were | 5 |
he is said | 5 |
by a series | 5 |
in those days | 5 |
bear a close | 5 |
for the most | 5 |
a sexpartite vault | 5 |
of great size | 5 |
at the louvre | 5 |
by the middle | 5 |
the new architecture | 5 |
of the procession | 5 |
who had known | 5 |
was covered with | 5 |
yved at braine | 5 |
a stone roof | 5 |
architect of st | 5 |
he was born | 5 |
for a new | 5 |
in the twelfth | 5 |
bishop eudes de | 5 |
in the walls | 5 |
field of honor | 5 |
it is impossible | 5 |
took place the | 5 |
first line of | 5 |
they are to | 5 |
and radiating chapels | 5 |
taste of the | 5 |
the church the | 5 |
a time when | 5 |
his death in | 5 |
gothic choir of | 5 |
philippe le bon | 5 |
between the two | 5 |
a certain number | 5 |
surface of the | 5 |
of which it | 5 |
of john the | 5 |
what is called | 5 |
in the wall | 5 |
was laid the | 5 |
arcades of the | 5 |
chapel of navarre | 5 |
his own expense | 5 |
tradition says that | 5 |
of the good | 5 |
the choir were | 5 |
judith of brittany | 5 |
of romanesque art | 5 |
use of diagonals | 5 |
of norman romanesque | 5 |
in rouen cathedral | 5 |
the king to | 5 |
at the apse | 5 |
which we give | 5 |
begun in by | 5 |
was not yet | 5 |
the iv century | 5 |
notre dame is | 5 |
some of which | 5 |
in the development | 5 |
sides of the | 5 |
in the architecture | 5 |
rebuilt in the | 5 |
between it and | 5 |
four hundred feet | 5 |
of great beauty | 5 |
cathedral in france | 5 |
cult of the | 5 |
were the first | 5 |
door of the | 5 |
to the ancient | 5 |
the romanesque nave | 5 |
was a man | 5 |
church in the | 5 |
the first plan | 5 |
by abbot suger | 5 |
one of which | 5 |
back from the | 5 |
by urban ii | 5 |
as late as | 5 |
when it is | 5 |
of the newly | 5 |
was made a | 5 |
the siege of | 5 |
the fate of | 5 |
above the ground | 5 |
proved by the | 5 |
lighting of the | 5 |
the double aisles | 5 |
has already been | 5 |
in lyons cathedral | 5 |
the architect to | 5 |
it was given | 5 |
portion of a | 5 |
specimen of the | 5 |
book of hours | 5 |
but they were | 5 |
de la champagne | 5 |
of this cathedral | 5 |
et description de | 5 |
the classic orders | 5 |
of ground supports | 5 |
perhaps it was | 5 |
south arm of | 5 |
the french throne | 5 |
when he had | 5 |
was a pioneer | 5 |
is a masterpiece | 5 |
the future louis | 5 |
the holy city | 5 |
a row of | 5 |
the gothic principle | 5 |
in the far | 5 |
monks of cluny | 5 |
the advance of | 4 |
the cathedral church | 4 |
of his life | 4 |
town hall of | 4 |
time it was | 4 |
corners of the | 4 |
windows are to | 4 |
in french cathedrals | 4 |
de la bourgogne | 4 |
the spell of | 4 |
a line of | 4 |
gothic architecture was | 4 |
of apogee gothic | 4 |
side aisles are | 4 |
raised above the | 4 |
and fifty feet | 4 |
stone of notre | 4 |
century and a | 4 |
and was the | 4 |
they must have | 4 |
the plantagenet gothic | 4 |
ten years later | 4 |
who led the | 4 |
one on the | 4 |
as in france | 4 |
view of the | 4 |
it was found | 4 |
as if to | 4 |
the first bay | 4 |
the heavenly jerusalem | 4 |
cathedral at florence | 4 |
lover of the | 4 |
the idea of | 4 |
an apsidal chapel | 4 |
the ermine of | 4 |
during the xvi | 4 |
in place of | 4 |
depuis le xive | 4 |
covered by an | 4 |
of the saints | 4 |
counts of champagne | 4 |
use of a | 4 |
to build the | 4 |
man of his | 4 |
basic forces that | 4 |
divided into two | 4 |
for the gothic | 4 |
in the transition | 4 |
by annibale lippi | 4 |
end of th | 4 |
in santa maria | 4 |
of the heavenly | 4 |
gothic choir was | 4 |
in sens cathedral | 4 |
to add to | 4 |
dame at semur | 4 |
in the village | 4 |
canons of the | 4 |
held the see | 4 |
are the best | 4 |
the first line | 4 |
and so on | 4 |
the founders of | 4 |
early use of | 4 |
the church to | 4 |
begun in and | 4 |
the time that | 4 |
guidance of the | 4 |
the triforium is | 4 |
in by bishop | 4 |
wiped out by | 4 |
later in the | 4 |
associated with the | 4 |
church or cathedral | 4 |
loved by the | 4 |
little church of | 4 |
appear in the | 4 |
is impossible to | 4 |
are the two | 4 |
is made of | 4 |
to serve as | 4 |
die away in | 4 |
at the corners | 4 |
that open on | 4 |
of its bishop | 4 |
by bishop guillaume | 4 |
right angles to | 4 |
guillaume de sens | 4 |
of the chevet | 4 |
religieux du xiiie | 4 |
first third of | 4 |
was burned in | 4 |
the first martyr | 4 |
added in the | 4 |
tour de beurre | 4 |
on the loire | 4 |
of which were | 4 |
the foundation of | 4 |
they are not | 4 |
new choir of | 4 |
centuries of the | 4 |
the middle vessel | 4 |
church which was | 4 |
at one time | 4 |
western front of | 4 |
xii century and | 4 |
the romanesque of | 4 |
not yet twenty | 4 |
there came to | 4 |
rather than a | 4 |
the biblia pauperum | 4 |
church in which | 4 |
four of the | 4 |
addition to the | 4 |
is devoted to | 4 |
france a new | 4 |
of this sort | 4 |
the curving aisle | 4 |
is at the | 4 |
century was built | 4 |
council of the | 4 |
the deterioration of | 4 |
greek and latin | 4 |
the principles of | 4 |
for the royal | 4 |
the best in | 4 |
some of these | 4 |
of brittany and | 4 |
was added the | 4 |
archbishop of the | 4 |
women of the | 4 |
center from which | 4 |
story of a | 4 |
was soon to | 4 |
the outer wall | 4 |
whole of the | 4 |
most beautiful of | 4 |
best of the | 4 |
plantagenet tombs at | 4 |
that there is | 4 |
us from the | 4 |
of william of | 4 |
resemblance to those | 4 |
flat eastern wall | 4 |
and the east | 4 |
the west end | 4 |
part of its | 4 |
the crypt and | 4 |
sernin at toulouse | 4 |
his own cathedral | 4 |
romanesque abbatial of | 4 |
house of jaques | 4 |
nephew of st | 4 |
the new style | 4 |
us to read | 4 |
early renaissance corbel | 4 |
those of st | 4 |
the first step | 4 |
from a frieze | 4 |
the first days | 4 |
those parts of | 4 |
a ribbed cupola | 4 |
a fifth rib | 4 |
instead of a | 4 |
down to us | 4 |
cathedrals of clermont | 4 |
be cited as | 4 |
of the door | 4 |
part of his | 4 |
for twenty years | 4 |
of the v | 4 |
memorial of the | 4 |
of his age | 4 |
of his cathedral | 4 |
down to the | 4 |
have been impossible | 4 |
chartres and bourges | 4 |
the actual nave | 4 |
the outline of | 4 |
a building which | 4 |
of the hill | 4 |
the whole gothic | 4 |
was the work | 4 |
the memory of | 4 |
the south side | 4 |
in a style | 4 |
half the height | 4 |