trigram

This is a table of type trigram and their frequencies. Use it to search & browse the list to learn more about your study carrel.

trigram	frequency
in the tower	50
one of the	49
part of the	45
to have been	43
the fifteenth century	39
the battle of	37
the fourteenth century	33
the duke of	31
the time of	30
the earl of	28
of the fifteenth	27
armour of the	26
the armour of	26
of the armour	26
baron de cosson	26
of henry viii	26
the fact that	25
the thirteenth century	24
of the fourteenth	22
the middle of	22
end of the	22
middle of the	22
tower of london	20
the reign of	20
in the british	20
to be found	20
the british museum	19
the effigy of	19
seen in the	19
the black prince	19
the sixteenth century	18
that it was	18
at the battle	18
of the black	18
at the back	17
south kensington museum	17
found in the	17
belonging to the	17
of defensive armour	17
the possession of	17
the end of	17
be found in	17
as well as	16
in the possession	16
of the body	16
the suit of	16
now in the	16
that of the	16
we find that	15
from the effigy	15
we find the	15
and in the	15
is to be	15
half of the	15
of the thirteenth	15
earl of warwick	15
some of the	15
worn over the	15
arms and armour	14
at this period	14
of the period	14
on the left	13
of the sixteenth	13
the south kensington	13
in which the	13
of the same	13
must have been	13
of the earl	13
the tomb of	13
the weight of	13
at this time	13
side of the	13
the seventeenth century	13
seems to have	13
the great helm	12
to protect the	12
the use of	12
of the most	12
breast and back	12
of the century	12
armour and weapons	12
time of henry	12
of gothic armour	12
in the fifteenth	12
shown on plate	12
many of the	12
in the guard	12
the bayeux tapestry	12
over the mail	12
portion of the	11
beginning of the	11
the present day	11
fighting on foot	11
in the first	11
of the helmet	11
collection of major	11
in the south	11
of sir john	11
is in the	11
of major farquharson	11
collection of mr	11
of this period	11
more or less	11
by baron de	11
of the suit	11
there is a	11
of the time	10
time of the	10
of henry vii	10
of the metal	10
of the armourer	10
is shown on	10
of the middle	10
in the case	10
armour in england	10
cloth of gold	10
the case of	10
in the same	10
the name of	10
the close of	10
be seen in	10
that they were	10
the king of	10
worn by the	10
such as the	10
the beginning of	10
it will be	10
front of the	10
in the preceding	10
at the time	10
the twelfth century	9
formed part of	9
the transition period	9
of plate armour	9
of the english	9
the body armour	9
of the lance	9
close of the	9
known as the	9
used by the	9
as early as	9
the development of	9
said to have	9
as we have	9
suit of armour	9
the front of	9
second half of	9
the second half	9
of the wearer	9
to henry viii	9
the left side	9
of the duke	9
as far as	9
the history of	9
a suit of	9
the addition of	9
from the fact	9
the sword of	9
the age of	9
suit made for	9
the work of	9
master of the	8
the lower edge	8
sir henry lee	8
on plate i	8
as in the	8
on the inside	8
duke of burgundy	8
weapons of the	8
one of these	8
of edward i	8
on to the	8
of the french	8
duke of westminster	8
used for the	8
as that of	8
to be seen	8
on the right	8
suits in the	8
those of the	8
sir christopher hatton	8
used in the	8
shown on the	8
the breast and	8
this form of	8
at the present	8
the wearing of	8
may have been	8
of the guard	8
the breastplate is	8
back of the	8
of henry v	8
the preceding chapter	8
appears to have	8
the back of	8
shape of the	8
suit of plate	8
can only be	8
the form of	8
a part of	8
and on the	7
from a photograph	7
is seen in	7
at the sides	7
the fashion of	7
account of the	7
the inventory of	7
to be a	7
in the field	7
in the illustration	7
by lord dillon	7
was worn over	7
a pair of	7
of the foot	7
seems to be	7
the fifteenth and	7
suit of the	7
of windsor castle	7
about the year	7
sir john de	7
under the mail	7
of the first	7
belonging to mr	7
of the great	7
to the knee	7
at the side	7
below the knee	7
of the helm	7
of the seventeenth	7
suit in the	7
of the battle	7
roman de rou	7
by viscount dillon	7
the horse armour	7
in the reign	7
for fighting on	7
for henry viii	7
fact that the	7
in the national	7
the helmet and	7
arms and weapons	7
and we find	7
the wallace collection	7
may be seen	7
john of eltham	7
so that the	7
from the tomb	7
attached to the	7
the suit is	7
that in the	7
on the outside	7
much the same	7
made for the	7
have been the	7
of the leg	7
hinged at the	7
part of a	7
continued to be	7
and weapons of	7
was used for	7
of the finest	7
age of plate	7
edge of the	7
have been worn	7
of one of	7
use of the	7
armour in the	6
the wars of	6
the shape of	6
worn under the	6
in some cases	6
which we have	6
described in the	6
prince of wales	6
the side of	6
connected with the	6
in no way	6
album in the	6
as one of	6
round the neck	6
shown in the	6
in the thirteenth	6
is shown in	6
the emperor maximilian	6
represented in the	6
the value of	6
said to be	6
find that the	6
to prevent the	6
are in the	6
does not appear	6
of the horse	6
of the early	6
as may be	6
that it is	6
of richard i	6
of the second	6
effigy of robert	6
reign of henry	6
suit of henry	6
earl of leicester	6
on the shoulders	6
of later date	6
quarter of the	6
in the second	6
his tomb in	6
but it is	6
is one of	6
king of france	6
the visor is	6
in the tilt	6
began to be	6
of the sword	6
the first half	6
on the other	6
form of the	6
will be seen	6
fifteenth and sixteenth	6
wars of the	6
in the inventory	6
rest of the	6
chamber of windsor	6
it was the	6
of the gothic	6
up to the	6
the production of	6
and back plates	6
of charles i	6
of england and	6
in westminster abbey	6
at a later	6
the rest of	6
seem to have	6
we shall find	6
the death of	6
the national gallery	6
of one piece	6
the introduction of	6
the catalogue of	6
coat of mail	6
earl of essex	6
suit of sir	6
of the hauberk	6
on the ground	6
most of the	6
shown on fig	6
first half of	6
the helm of	6
are to be	6
of robert dudley	6
of armour and	6
preserved in the	5
examples of the	5
entirely covered with	5
of the knight	5
of the renaissance	5
and ragged staff	5
the brass of	5
of louis xi	5
a variety of	5
made for henry	5
this may be	5
french and english	5
in the effigy	5
full suit of	5
before referred to	5
the same time	5
found in a	5
earl of oxford	5
of the armoury	5
the kindness of	5
century we find	5
like that of	5
the field of	5
fastened to the	5
front and back	5
shall find that	5
it was used	5
of the suits	5
they were not	5
a number of	5
with raised gold	5
to be from	5
the same manner	5
of james i	5
the sollerets are	5
be met with	5
of about the	5
surmounted by a	5
and at the	5
towards the middle	5
on the continent	5
from the beauchamp	5
we may judge	5
place of the	5
wearing of armour	5
we have seen	5
specimen in the	5
may judge from	5
judge from the	5
it is a	5
owing to its	5
the tassets are	5
the art of	5
as to the	5
well as the	5
a little later	5
not to be	5
of the head	5
the hands of	5
form of a	5
the subject of	5
in use in	5
helm of sir	5
as is the	5
fashion of the	5
of the jupon	5
top of the	5
when we consider	5
possession of lord	5
from the time	5
appears in the	5
covered with velvet	5
of the roses	5
been worn by	5
portions of the	5
at the lower	5
in the sixteenth	5
the armour is	5
the tower and	5
in the country	5
surface to the	5
armour of this	5
when it was	5
we have the	5
about the middle	5
on plate v	5
the study of	5
in the tournament	5
to point out	5
on his tomb	5
to that of	5
with silver guard	5
the same date	5
led to the	5
the accession of	5
it may be	5
as shown on	5
which is shown	5
of those who	5
the presence of	5
lines of the	5
philip of spain	5
to the end	5
case of the	5
of henry vi	5
at the top	5
found on the	5
the upper part	5
the armourer was	5
to be met	5
and also in	5
and of the	5
of the king	5
is protected by	5
except in the	5
time of edward	5
out of the	5
evolved from the	5
engraved and gilt	5
met with in	5
reign of edward	5
than that of	5
to be used	5
it is difficult	5
introduction of the	5
the top of	5
in spite of	5
the arms of	5
the trajan column	5
in one of	5
helm of the	5
is of the	5
the shield was	5
which may be	5
the collection at	5
to the suit	5
at any rate	5
the leg armour	5
the mail defence	5
the church of	5
it must be	5
fought on foot	5
in the fourteenth	5
figures of the	5
by the kindness	5
the names of	5
to the waist	5
tomb of sir	5
the middle ages	5
the manner of	5
it is of	5
earl of cumberland	5
from the church	5
as they are	5
in england and	5
and there are	5
upper part of	5
continued in use	5
and it is	5
of all the	5
surface of the	5
the city of	5
there is no	5
at windsor castle	5
of armour in	5
owing to the	5
and now in	5
appear to be	5
at the same	5
to the shoulders	5
as it is	5
of the conquest	5
this suit is	5
defensive armour and	5
to the wearer	5
the excellence of	5
lower part of	5
the pommel and	5
on the trajan	5
there are several	5
back plates are	4
the waist and	4
of sir thomas	4
no less than	4
use at the	4
of the barrel	4
the left arm	4
representations of armour	4
of banded mail	4
of the reign	4
protection to the	4
of baron de	4
on plate iii	4
in place of	4
of the latter	4
may be said	4
the manufacture of	4
william of toulouse	4
this period was	4
of sir christopher	4
helmet of the	4
possession of the	4
such as that	4
variety of the	4
perhaps the most	4
by the city	4
as much as	4
the ornament is	4
in the windsor	4
white and green	4
the back and	4
the date of	4
in favour of	4
the entry of	4
reason for this	4
early as the	4
are of the	4
have been in	4
armed with the	4
of king arthur	4
of irene at	4
to keep the	4
was provided with	4
suits of the	4
on the side	4
in the best	4
the body and	4
of the various	4
foreign armour in	4
of the cloth	4
the place of	4
worn at the	4
the appearance of	4
and some of	4
with the addition	4
in the museum	4
was made of	4
it is almost	4
the helm and	4
by conrad seusenhofer	4
of the best	4
curator of the	4
for a long	4
change in the	4
the other hand	4
due to the	4
which have been	4
according to the	4
and the rest	4
work of the	4
for the production	4
in the manner	4
we consider the	4
were in the	4
are protected by	4
in the temple	4
different forms of	4
so far as	4
show that the	4
believed to have	4
is described in	4
it would be	4
of robert de	4
derived from the	4
on either side	4
and in a	4
example of the	4
in use at	4
church of irene	4
of the wheel	4
the spitzer sale	4
the wearer to	4
many of these	4
in this country	4
worn on the	4
into paris in	4
of this suit	4
fixed to the	4
in chapter iii	4
space will not	4
kindness of sir	4
in the ground	4
over the tomb	4
carried by the	4
of arms and	4
made in two	4
body of the	4
the figures are	4
outside of the	4
aymer de valence	4
the dress of	4
oliver de la	4
suit of mail	4
defence of the	4
in the time	4
and were not	4
it is impossible	4
richly decorated with	4
applied to the	4
point out that	4
provided with a	4
of sir philip	4
of edward iii	4
the eighteenth century	4
royal artillery institution	4
of armour of	4
with english wearers	4
armour have been	4
date than the	4
by philip of	4
which was worn	4
from about the	4
irene at constantinople	4
of the twelfth	4
brass of sir	4
so called from	4
of the many	4
the tower armouries	4
helms and helmets	4
the helmet of	4
lord grey de	4
pie suit of	4
on both sides	4
about the end	4
example of this	4
the edges of	4
of sir henry	4
humphrey de bohun	4
effigy of the	4
no more than	4
the painted chamber	4
to the fact	4
of the lock	4
the lower part	4
embossed and damascened	4
in our illustration	4
the right arm	4
in canterbury cathedral	4
in the suit	4
bear and ragged	4
is difficult to	4
the blade is	4
the outside of	4
is that of	4
it was a	4
made by the	4
chamber at windsor	4
in the lists	4
side with the	4
the jacobe suits	4
gauntlet from the	4
of them are	4
bend of the	4
of the shield	4
of the emperor	4
than in the	4
to be worn	4
has been made	4
is that the	4
of the breastplate	4
the head to	4
duke of norfolk	4
battle of the	4
the moment of	4
a piece of	4
coif of mail	4
in the twelfth	4
attributed to william	4
passed through the	4
of armour is	4
complete suit of	4
edges of the	4
name of the	4
in order to	4
covered with raised	4
the hauberk is	4
the bend of	4
sir philip sidney	4
defence for the	4
in use for	4
the period of	4
also in the	4
the custom of	4
in addition to	4
of henry iii	4
the norman conquest	4
the maximilian armour	4
of a suit	4
for the king	4
was used in	4
the links of	4
of many of	4
on the bayeux	4
of the earlier	4
on account of	4
horse armour of	4
ends of the	4
effigy of sir	4
in the catalogue	4
a later period	4
the bear and	4
in the later	4
costume of the	4
early fourteenth century	4
joan of arc	4
was of the	4
of the tower	4
the equipment of	4
of the burgonet	4
the present century	4
maximilian fluted armour	4
the taces are	4
of the armet	4
of lord hothfield	4
and the men	4
in two pieces	4
early in the	4
of the late	4
and it was	4
standard of mail	4
the reason for	4
of humphrey de	4
were in use	4
the lower portion	4
the left hand	4
to the breast	4
horse and foot	4
and below the	4
we should remember	4
after the battle	4
by the earl	4
be seen on	4
from the collection	4
with red velvet	4
the shoulders and	4
cast in the	4
must have presented	4
to be the	4
construction of the	4
of the mail	4
addition of a	4
of the owner	4
the jacobe album	4
of the pauldron	4
the whole suit	4
be able to	4
it was worn	3
heard of in	3
of king john	3
back and breast	3
england from the	3
lower edge of	3
we see the	3
belonging to lord	3
but they were	3
on the legs	3
which seems to	3
was sometimes made	3
protection for the	3
gold damascening on	3
in the various	3
of the original	3
of aymer de	3
which has been	3
the late sixteenth	3
richly engraved and	3
sir noel paton	3
for jousts and	3
the easter sepulchre	3
this period for	3
and the gauntlets	3
of the mounted	3
on ancient armour	3
of louis hutin	3
is the case	3
instance of this	3
are provided with	3
or vision slit	3
sir samuel meyrick	3
referred to in	3
the statue of	3
burges collection in	3
was the most	3
which could be	3
suit for fighting	3
admit of the	3
suits of this	3
six feet long	3
it is to	3
with an estate	3
worn with the	3
and henry viii	3
the collection of	3
appear on the	3
use throughout the	3
exemplified in the	3
to describe the	3
for sir henry	3
there are two	3
was called the	3
and also on	3
to the back	3
parts of the	3
period of armour	3
city of london	3
days of the	3
which belonged to	3
engraved and parcel	3
the isle of	3
armour was still	3
robert de vere	3
in the roman	3
the first of	3
that the lance	3
armour worn by	3
to fight on	3
earl of westmoreland	3
the days of	3
the imperial collections	3
of the german	3
is now in	3
presence of the	3
to suit the	3
called from its	3
the lines of	3
we can only	3
accession of henry	3
be applied to	3
in the bayeux	3
the gothic armour	3
for it is	3
by the reiters	3
of antiquarian interest	3
fell into disuse	3
during the fourteenth	3
transformed into a	3
to the latter	3
be used for	3
of our subject	3
gold and silver	3
the case with	3
an estate of	3
the shields of	3
the arm and	3
to the rear	3
in gothic armour	3
the tuilles are	3
a helmet of	3
there are a	3
fate of the	3
coronation of george	3
plates of the	3
form it was	3
dress of the	3
been found in	3
to the lance	3
de la marche	3
it was so	3
the arms and	3
intended to represent	3
the invention of	3
de la cuirasse	3
during the first	3
was formed of	3
the former is	3
imperial collections of	3
in the chapter	3
in the armoury	3
early seventeenth century	3
years of henry	3
in so many	3
of arms in	3
there are also	3
the tower collection	3
furnished with a	3
and in other	3
collection in the	3
found at vimose	3
the finest examples	3
the armour in	3
first of these	3
to note that	3
and the fact	3
on to a	3
will not allow	3
the roll of	3
from the shoulders	3
refers to the	3
to the same	3
as in france	3
to imply that	3
were provided with	3
of the ornament	3
of which the	3
matthew of paris	3
an example of	3
the spoils of	3
the sixteenth and	3
in all cases	3
development of defensive	3
as distinct from	3
weapons and armour	3
feet in length	3
romance of alexander	3
the shield of	3
to the left	3
the extra pieces	3
a closed helmet	3
the sleeping guards	3
is of later	3
in the dresden	3
on the inner	3
of battle abbey	3
the construction of	3
raised gold damascening	3
of new bond	3
in willington church	3
armour of robert	3
it is somewhat	3
fight on foot	3
the helm being	3
hood of mail	3
likely to be	3
standard collar of	3
gorget of plate	3
we read of	3
after the death	3
gilt and engraved	3
by no means	3
certosa at pavia	3
this was the	3
the grip of	3
to william pickering	3
drawn over the	3
from the head	3
for this purpose	3
in the front	3
officer of the	3
with the lance	3
in windsor castle	3
the chausses and	3
from the hands	3
us that the	3
later date than	3
than any other	3
of wood and	3
the armouries of	3
thirteenth century the	3
of the dead	3
to a large	3
in the seventeenth	3
of this date	3
with the arms	3
and other weapons	3
the costume of	3
the dukes of	3
to admit of	3
by the addition	3
several of these	3
in any way	3
is known as	3
illustrated in the	3
seems to imply	3
by far the	3
important part in	3
has already been	3
of much the	3
the weapons of	3
axe and mace	3
the flower of	3
history of the	3
for the most	3
plate over the	3
that the whole	3
form of helm	3
old mansion in	3
and by the	3
the steel cap	3
appearance of the	3
and that the	3
in lincoln cathedral	3
position of the	3
the sole defence	3
below the waist	3
of the latest	3
helm from the	3
or over the	3
a long time	3
date of the	3
shown with the	3
the monument to	3
of the old	3
dress and equipment	3
development of plate	3
the human form	3
but has a	3
that the shield	3
presented by maximilian	3
hung from the	3
at hertford house	3
in wimborne minster	3
the most important	3
from beneath the	3
are made in	3
the legs are	3
sir thomas cawne	3
with the gilding	3
should remember that	3
of the arm	3
for charles i	3
during the twelfth	3
preserved in windsor	3
so far back	3
has become the	3
in the picture	3
it was usually	3
striking contrast to	3
the visor was	3
three or four	3
by side with	3
just above the	3
and over that	3
tomb of john	3
individuality of the	3
piero di cosimo	3
we examine the	3
italian gothic armour	3
it is generally	3
had to be	3
of george iv	3
those suits which	3
which it is	3
the bellows visor	3
that the mail	3
de cosson in	3
in the helmet	3
generally used by	3
to receive the	3
the mailed period	3
sword of the	3
piece is a	3
the inventories of	3
the defensive armour	3
with regard to	3
king of the	3
of foreign armour	3
stern realities of	3
a band of	3
and the metal	3
suits of plate	3
in front and	3
the shock of	3
and above all	3
covered with red	3
is formed of	3
ease of movement	3
was but a	3
the beauchamp ms	3
shoulder and elbow	3
the importance of	3
later form of	3
the defence of	3
german late gothic	3
use in germany	3
in the direction	3
in perfect preservation	3
in two halves	3
an officer of	3
of the present	3
to a leather	3
on the subject	3
the arms are	3
to in the	3
with which the	3
made in one	3
the armour was	3
new bond street	3
of pearls and	3
far as can	3
long and pointed	3
in the former	3
is of a	3
with cloth of	3
in the jacobe	3
the meeting of	3
have been made	3
realities of war	3
worn by philip	3
captain of the	3
plate armour was	3
the impact of	3
made in the	3
mansion in the	3
to the ground	3
regard to the	3
armour is of	3
the monument of	3
this gothic armour	3
the magnificence of	3
museum of artillery	3
down the front	3
on russet ground	3
at the waist	3
have noticed in	3
could not be	3
it had become	3
two of the	3
and armour have	3
by the men	3
for arms and	3
of earlier date	3
the dignity of	3
to the helm	3
is a good	3
of the italian	3
on plate iv	3
the quality of	3
set with gems	3
far back as	3
that even the	3
from the monument	3
of the last	3
the most beautiful	3
only the front	3
under henry viii	3
dictionnaire du mobilier	3
made for charles	3
horse armour in	3
sepulchre in lincoln	3
weight of armour	3
in the great	3
there are no	3
of blued steel	3
of italian make	3
in civilian dress	3
shield of the	3
have been used	3
under the armpit	3
who died in	3
of such a	3
in the history	3
of carved steel	3
possession of mr	3
to the duke	3
the main body	3
of the maximilian	3
and the duke	3
of the subject	3
the siege of	3
on foot with	3
came to be	3
suit of robert	3
the italian suit	3
sir john chandos	3
ceased to be	3
was on the	3
the visored bassinet	3
this is not	3
the thickness of	3
the number of	3
consider that the	3
the beauchamp effigy	3
we have noticed	3
to the value	3
the armet is	3
by piero di	3
was to be	3
used with the	3
are represented in	3
be from the	3
it was made	3
period of the	3
italian or german	3
been before referred	3
model of banded	3
the mail and	3
and was used	3
an old mansion	3
first appears on	3
of mail has	3
it was either	3
katharine of arragon	3
and a few	3
is preserved in	3
a photograph by	3
given up in	3
strap and buckle	3
was still in	3
the human body	3
the horse is	3
to lord kenyon	3
as the sole	3
the decadence of	3
they had been	3
alluded to in	3
rare to find	3
from the earliest	3
during the reign	3
in this form	3
the same as	3
of large size	3
combats on foot	3
and with the	3
this period of	3
production of armour	3
some cases the	3
of john hampden	3
for the first	3
the figure of	3
of richard ii	3
a suit made	3
the civil wars	3
the sliding rivets	3
convenience on horseback	3
ornament on the	3
windsor park tournament	3
at least in	3
the brocas helm	3
with the point	3
armour in this	3
defences of plate	3
not allow of	3
imitation of the	3
of the sallad	3
and also to	3
be formed of	3
it appears that	3
it was frequently	3
it is often	3
in the album	3
mentioned in the	3
are several of	3
except that the	3
that they are	3
for the tourney	3
peire de plates	3
roll of purchases	3
it is in	3
on the head	3
a movable visor	3
a most interesting	3
more than a	3
writes in the	3
which in the	3
pressure of the	3
suit is in	3
studded with metal	3
be gathered from	3
to be noticed	3
of the two	3
it did not	3
it to the	3
to the breastplate	3
and sixteenth centuries	3
the royal arms	3
for defensive purposes	3
armour from the	3
two of which	3
not admit of	3
it may have	3
still in use	3
conrad seusenhofer of	3
noticeable in the	3
and for this	3
the change in	3
suit of blued	3
was allowed to	3
the hand and	3
the archaeological journal	3
in the roll	3
collar of mail	3
a few pieces	3
formed of two	3
plate and tassets	3
as at the	3
to western europe	3
distinguished by the	3
the tower of	3
of time the	3
the earliest times	3
that it should	3
the romance of	3
so many of	3
left side of	3
to give the	3
protected by the	3
of the blade	3
in ash church	3
with double visor	3
illustrated in fig	3
wear and tear	3
the effigy at	3
the body of	3
the preservation of	3
bassinet from the	3
of queen elizabeth	3
and sixteenth century	3
needless to point	3
the fate of	3
but the more	3
as represented in	3
battle of auray	3
in the centre	3
catalogue of the	3
the young maximilian	3
with any degree	3
in the late	3
in the text	3
as is shown	3
for want of	3
the entry into	3
noticed in a	3
down to the	3
sometimes made of	3
armour of henry	3
the absence of	3
of these is	3
the belief that	3
in the light	3
it is the	3
of the man	3
its use was	3
but on the	3
are seen in	3
as the work	3
remember that the	3
and the foot	3
concealed by the	3
in the year	3
a reinforcing piece	3
used for tilting	3
tomb in st	3
the early fourteenth	3
first volume of	3
philip de commines	3
preserved at canterbury	3
the details of	3
of the de	3
above the knee	3
row of rings	3
bastard of burgundy	3
in which a	3
in the spitzer	3
side by side	3
or to the	3
craft of the	3
contrast to this	3
of the transition	3
sir giles capel	3
that the suit	3
in the more	3
seem to be	3
horse and man	3
a great extent	3
of the civil	3
cosson in the	3
with jacob topf	3
into a sallad	3
of the civilian	3
quality of the	3
at the knee	3
to be able	3
the great jousting	3
even in the	3
the same kind	3
in connexion with	3
it was not	3
the stern realities	3
back and front	3
of richard beauchamp	3
intimately connected with	3
the english archers	3
as can be	3
the junction of	3
in the fifty	3
of the pieces	3
is well known	3
in england from	3
but in the	3
of the weapon	3
the marquis of	3
towards the end	3
the certosa at	3
with all its	3
mentions that the	3
the meyrick collection	3
in warwick castle	3
first suit of	3
collection at parham	3
a rigid defence	3
was carried by	3
connected with english	3
would have been	3
early sixteenth century	3
and the helm	3
pommel and quillons	3
the difficulty of	3
the richness of	3
it has been	3
with the armour	3
helm was worn	3
was either of	3
fashion of armour	3
two or three	3
the coif of	3
supposed to be	3
hangs over the	3
is impossible to	3
in striking contrast	3
the craft of	3
sir george brooke	3
duke of somerset	3
have been found	3
the light of	3
for the horse	3
nearly all the	3
the grandfather of	3
glancing surface to	3
on this occasion	3
a large extent	3
should have been	3
and even the	3
for the right	3
must of necessity	3
easter sepulchre in	3
it could be	3
of sir george	3
may be noted	3
might have been	3
on the front	3
rarely met with	3
robert of normandy	3
the cloth of	3
any degree of	3
from the taces	3
of john beaufort	3
armour may be	3
first years of	3
the count de	3
hance of italian	3
was such that	3
show how the	3
of piers gaveston	3
art of warre	3
the edge of	3
in full armour	3
the bottom of	3
can be gathered	3
and a small	3
in front of	3
to a great	3
it seems to	3
in a suit	3
the making of	3
this is the	3
the pressure of	3
it does not	3
but more often	3
of the day	3
were used for	3
for a time	3
effect of the	3
of wealthy amateurs	3
the museum of	3
weight of the	3
grey de wilton	3
when prince of	3
in our churches	3
collection at hertford	3
a portion of	3
art of war	3
plates of iron	3
very similar to	3
of john of	3
first year of	3
of the human	3
john de melsa	3
for horse and	3
be put on	3
of an officer	3
the head is	3
at hampton court	3
in the wallace	3
in use throughout	3
and the armour	3
not seem to	3
also of the	3
only be used	3
during the wars	3
to the catalogue	3
the order of	3
of the dukes	3
small plates of	3
suit is also	3
described as a	3
the right side	3
with a high	3
bottom of the	3
to the excellence	3
example in the	3
the conical helm	3
and was made	3
the young king	3
field of the	3
of an italian	3
on the field	3
noticed in the	3
and especially the	3
part of this	3
england and europe	3
on a horse	3
the pyrites holder	3
the ends of	3
the visconti tomb	3
considered to be	3
inventory of louis	3
been noticed in	3
suit of george	3
in monumental effigies	3
covered with leather	3
taken as a	3
the same suit	3
in the armour	3
was obtained by	2
of necessity be	2
growing appreciation of	2
was invented in	2
enriched armour armour	2
to lessen the	2
are made of	2
at canterbury is	2
it was also	2
to the custom	2
that of william	2
very well armed	2
the effects of	2
it was an	2
property of the	2
is a cast	2
he paid a	2
not only in	2
of late fifteenth	2
english tournament helm	2
is described as	2
coif and mufflers	2
a diminutive of	2
fine in form	2
of french armour	2
can best be	2
to meet the	2
age of enriched	2
the small equestrian	2
the badges of	2
fourteenth century are	2
possibly belonging to	2
on state occasions	2
the trigger the	2
of mail which	2
of dress and	2
the pike was	2
warwick slays a	2
to wear the	2
developed into a	2
the effigy attributed	2
occurs in the	2
of this gothic	2
it came into	2
to the upper	2
figured in the	2
the direction of	2
age of mail	2
painting and sculpture	2
to the french	2
on the hauberk	2
appears on the	2
over the forehead	2
it had been	2
the tactics of	2
preserved in a	2
armet on the	2
the strap and	2
armorial bearings of	2
the bulk of	2
from county down	2
is so essentially	2
him on the	2
is true of	2
badge of the	2
the wallace collections	2
the example fig	2
the different pieces	2
of enriched armour	2
silver armour of	2
of the master	2
their preservation to	2
chandos and the	2
and conical helmets	2
with the leg	2
and european armouries	2
of the cid	2
a separate piece	2
shock of the	2
great russell street	2
essential part of	2
fine italian gauntlets	2
a leather thong	2
lord of rimini	2
were armed with	2
as will be	2
are now in	2
the sword for	2
which had a	2
effigies in our	2
gold set with	2
the leg is	2
the left shoulder	2
in the left	2
of his armour	2
that it would	2
of the plate	2
that the invention	2
of this work	2
of a horse	2
tilting helmet of	2
in imitation of	2
till the moment	2
the finest of	2
to my own	2
and pointed sollerets	2
and is a	2
that they had	2
of armour was	2
the figure is	2
the neck and	2
blows of the	2
the tower weighs	2
attached to a	2
had been adopted	2
armed with scythes	2
suit of charles	2
of plate or	2
transferring the weight	2
the first opportunity	2
in english and	2
or white armour	2
decoration of the	2
known as ailettes	2
all of them	2
often covered with	2
well represented in	2
to imitate the	2
of the work	2
of staff weapons	2
armour from eaton	2
can hardly be	2
of a single	2
this is a	2
history of our	2
next few years	2
is also to	2
the effect of	2
impact of a	2
in england i	2
puffings and slashings	2
to study the	2
and sliding over	2
silver badge of	2
the varied forms	2
the arm defences	2
illustration of this	2
on foot and	2
headpiece of the	2
earls of warwick	2
attachment of the	2
in this reign	2
the capture of	2
over the hauberk	2
of chain mail	2
the mounted knight	2
strap on the	2
given by the	2
sheathed in plate	2
the year we	2
hollows and projections	2
sixteenth century armet	2
to represent the	2
is a magnificent	2
the flutings of	2
that of his	2
is that made	2
that of a	2
maximilian armour from	2
with a visor	2
far as we	2
means of defence	2
the suit worn	2
cleaning of armour	2
pictures of the	2
on the pommel	2
of the famous	2
in a point	2
of which there	2
of arthur we	2
in the drawing	2
taking the place	2
the further changes	2
held to the	2
of this armour	2
the cloth skirts	2
the additional protection	2
have seen in	2
pieces as the	2
complete suit for	2
the mail is	2
the different forms	2
of the designs	2
place in the	2
is furnished with	2
the barrel has	2
on which are	2
armour has been	2
by sir henry	2
in making a	2
arthur we read	2
in length and	2
silks and satins	2
back as the	2
in it was	2
starkie gardner illustration	2
precisely the same	2
they were generally	2
it with a	2
sir hugh calverley	2
meshes of a	2
bassinet transformed into	2
the most singular	2
of drawings by	2
for the foot	2
who consult meyrick	2
mailed horse appears	2
the breastplate are	2
in the other	2
members of the	2
and back views	2
routed by the	2
marked with the	2
and the whole	2
has been noticed	2
probably of james	2
it is well	2
index list of	2
more complete and	2
to this country	2
in regard to	2
seen on the	2
of warwick slays	2
prince at canterbury	2
in the zeughaus	2
represented in every	2
bodies of men	2
of sir richard	2
a later time	2
de la porte	2
made of many	2
pratt of new	2
and inlaid with	2
is the great	2
have been evolved	2
appears to be	2
been made to	2
frettez de perles	2
of burgundy from	2
the right gauntlet	2
pieces of metal	2
probably be formed	2
chapter vii weapons	2
seal of richard	2
to the thickness	2
scalloped along the	2
on the pauldron	2
grip of silver	2
of the intrinsic	2
contour of the	2
method of making	2
same suit as	2
black prince at	2
that in time	2
contributed to the	2
the father of	2
are fastened with	2
agricultural implement of	2
much later date	2
of rare form	2
position in the	2
instructions for the	2
alternate row of	2
it is rare	2
in compliment to	2
a guard of	2
english archers are	2
the head by	2
son of henry	2
bascinet from the	2
the accoutrements of	2
sword in the	2
to retain the	2
as the year	2
during the sixteenth	2
protect the wearer	2
the wearer from	2
on blue steel	2
method of using	2
for the forefinger	2
taces are hung	2
they were used	2
great helm of	2
like sir john	2
is almost superfluous	2
the beauchamp pageants	2
such a defence	2
is the most	2
the late prince	2
reaching to the	2
been made in	2
lined with leather	2
of the family	2
adopted by the	2
so long as	2
culminating point of	2
kinds of defensive	2
by the duke	2
who might have	2
on the brass	2
feature of the	2
records of the	2
as the suit	2
sixteenth century the	2
butt of the	2
first seen in	2
helm over the	2
ridged bassinet with	2
whom it was	2
for the feet	2
in white and	2
under the emblazoned	2
sir oliver de	2
the english were	2
of some of	2
drawing was not	2
discovered in the	2
the ground with	2
of the armouries	2
shown in our	2
edward i in	2
armourers in their	2
is the one	2
and is mentioned	2
model of the	2
show that it	2
or it was	2
a place in	2
the limits of	2
some of these	2
of which were	2
bolted to the	2
and beauty of	2
from the gothic	2
the account of	2
visor thrown into	2
on the frontispiece	2
a good deal	2
improvement of firearms	2
as an armourer	2
the metal used	2
in his art	2
intended in the	2
hinged on the	2
his monument in	2
the steel was	2
defences of the	2
or strips of	2
inventory of piers	2
the life of	2
which was executed	2
in his livre	2
decadence in the	2
the left leg	2
into the fray	2
the most interesting	2
the pan cover	2
thick quilted gambeson	2
the outside and	2
with closed helmet	2
specimen of the	2
the trading towns	2
is composed of	2
ought to be	2
to the tower	2
in the back	2
of the roman	2
and its constructional	2
of mail or	2
of the bassinet	2
the armour by	2
exposed to view	2
and added to	2
collections of europe	2
overlapping of the	2
armour at its	2
gothic armour have	2
death of their	2
stafford chase the	2
art of enamelling	2
this variety is	2
those shown on	2
preface to the	2
and it appears	2
of edward vi	2
this fashion in	2
with jewelled fillet	2
effigy of john	2
as a means	2
effect that they	2
those materials were	2
so well armed	2
in the collections	2
described by baron	2
visconti monument at	2
civil war in	2
one knight and	2
an upper and	2
to fix the	2
of the chief	2
w t a	2
end was a	2
that the work	2
firearms and gunlocks	2
uniform of the	2
would probably be	2
in the french	2
it was carried	2
is needless to	2
the grip is	2
plates page i	2
in mail over	2
the fourth or	2
shield in the	2
meet with the	2
the leg was	2
this helm is	2
on the part	2
suit of prince	2
damascening on russet	2
arm and hand	2
figures on plate	2
and armed with	2
and the bottom	2
part and the	2
the bascinet is	2
does not seem	2
possession of captain	2
sight of the	2
of which is	2
by archers and	2
yet they were	2
lithe and supple	2
for combats on	2
sent to the	2
of the soleret	2
plate of the	2
was still worn	2
by the man	2
the collections of	2
gunlocks by major	2
a series of	2
course of time	2
the dover castle	2
of the horses	2
details of dress	2
the quilted gambeson	2
of speres comprised	2
if we are	2
are formed of	2
the twelfth and	2
been alluded to	2
in contemporary records	2
and lack of	2
figure of a	2
the front plate	2
and tear of	2
years of the	2
the same way	2
as lord dillon	2
is not the	2
and when we	2
gilt and graven	2
list of illustrations	2
of an inch	2
remarkable that the	2
is also a	2
instance of the	2
at the clarendon	2
the civil war	2
pride of the	2
those writers who	2
originated with the	2
and not to	2
down from the	2
reproduction of the	2
more recent writers	2
loss on the	2
is decorated with	2
called by the	2
the surface of	2
many of those	2
with long knives	2
pairs of plates	2
which had been	2
the opposing weapon	2
within a few	2
in the armouries	2
be said to	2
it continued to	2
used in conjunction	2
in the romance	2
show that these	2
this period in	2
place the fact	2
to it is	2
we are forced	2
when opposed to	2
of this century	2
this part of	2
in war and	2
a young man	2
it is true	2
so that it	2
the powers of	2
have been much	2
by means of	2
on the entry	2
simplicity and constructional	2
something like a	2
in large pieces	2
at the end	2
iv plate armour	2
equipment of the	2
sweeping lines embossed	2
of the moorish	2
the imitation of	2
it is more	2
chapter v horse	2
it in the	2
exist in the	2
short and heavy	2
fluting on the	2
with national badges	2
in chased steel	2
illustration london seeley	2
of the dagger	2
and the upstanding	2
and part of	2
archers of the	2
met with on	2
the rerebrace is	2
engraved by stothard	2
with the history	2
the cast in	2
sir richard pembridge	2
been identified by	2
vogue for some	2
the pauldron which	2
sometimes the helmets	2
far the most	2
materials were made	2
important is the	2
as compared to	2
for louis xiv	2
in staindrop church	2
closely resembling the	2
the enemy to	2
burgundy from the	2
capture of the	2
the more common	2
battle of cassel	2
on the long	2
colman of augsburg	2
lies in the	2
from the early	2
dressed like the	2
pieces in the	2
reproduced in facsimile	2
out of one	2
hauberk from sinigaglia	2
of the shaft	2
often richly decorated	2
piece of metal	2
of gloucester and	2
year we find	2
down the shaft	2
through each alternate	2
defence from an	2
coloured plates page	2
have been invented	2
addition to the	2
whether it was	2
acting on the	2
it appears in	2
skill of the	2
that could not	2
and armour at	2
above the grip	2
was intended to	2
in vogue for	2
have been before	2
of henry ii	2
by henry viii	2
it is not	2
the upstanding neck	2
badges and inscription	2
the surcoat was	2
of the pope	2
pavis or pavoise	2
and sculptured records	2
riveted to the	2
an even more	2
his own time	2
in inventories and	2
the fatigue of	2
of the nineteenth	2
but it was	2
and stafford chase	2
with the sliding	2
favour of buff	2
found to be	2
the flutings which	2
its simplest form	2
queen isabel into	2
is regarded by	2
in the crystal	2
is that in	2
the tower inventory	2
articulations of the	2
of the fourth	2
large bodies of	2
from rare to	2
english and european	2
and also that	2
th lord cobham	2
sixteenth and seventeenth	2
to the steel	2
helmet of bronze	2
the bassinet and	2
was employed for	2
as in fig	2
a weapon of	2
to allow the	2
with foliage and	2
and is the	2
have reference to	2
defensive armour with	2
forming part of	2
philip the fair	2
earl of derby	2
of the which	2
to each man	2
of armour we	2
retinewe of speres	2
the dresden museum	2
a knight in	2
appear to have	2
in this work	2
the earlier periods	2
with or without	2
and is of	2
tomb of the	2
over or under	2
in describing the	2
that there is	2
of laminated plates	2
arms of the	2
from sir noel	2
helmet belonging to	2
more than any	2
st earl of	2
used in its	2
gilded steel covered	2
of the left	2
as to be	2
in his armour	2
of the rings	2
to the effect	2
inventories of the	2
of all that	2
it is quite	2
on the winning	2
they were so	2
on the armour	2
tomb of edmund	2
most renowned of	2
this style of	2
to students of	2
a specimen of	2
and was not	2
the man is	2
for the knee	2
the plate armour	2
the first two	2
the salient points	2
all helms and	2
with silver gilt	2
if not greater	2
of arming is	2
wear the great	2
rarely used for	2
a matchless series	2
for sir christopher	2
with sword and	2
and the latter	2
differed from the	2
appreciation of the	2
on the shield	2
not appear that	2
because they were	2
history attaches to	2
after the accession	2
that for many	2
and weapons in	2
of these helms	2
in the tyrol	2
painted chamber at	2
and back defences	2
a form of	2
called the tapul	2
represented on the	2
drawing of the	2
generally made in	2
as consisting of	2
less than the	2
the expense of	2
the housings are	2
while the latter	2
of cassel in	2
between every two	2
is the only	2
such that it	2
there are three	2
suits made by	2
the tower is	2
helmet of an	2
in every part	2
time of richard	2
the head being	2
among the jewels	2
of brass rings	2
the idea that	2
the latter end	2
margins of the	2
admit that this	2
with a preface	2
large number of	2
the spanish rapier	2
the taste for	2
served to distinguish	2
a suit in	2
us to the	2
and the low	2
casque of an	2
picture of the	2
for ceremonial use	2
in the introduction	2
of a net	2
of the different	2
italy and spain	2
this assertion is	2
lined with satin	2
waist to knee	2
with this weapon	2
most important is	2
pair of fine	2
french manuscript of	2
in this chapter	2
in process of	2
jambeux were of	2
on which it	2
is a most	2
london seeley and	2
the setvans brass	2
the greater part	2
the exaltation of	2
is but a	2
the court of	2
viii and maximilian	2
folds of linen	2
of the beautiful	2
well as one	2
mention of horse	2
distinct from the	2
it is shown	2
of a more	2
of robert of	2
and the first	2
good example of	2
during the period	2
of their owners	2
had ceased to	2
collection of seymour	2
it would appear	2
connected with our	2
in the battle	2
gilding slightly restored	2
the tapul of	2
step by step	2
in the italian	2
and crest of	2
of illustrations coloured	2
coverings of the	2
armour is very	2
to the head	2
produced at the	2
ragged staff on	2
each other in	2
the thick quilted	2
the flat top	2
the coverings of	2
over each other	2
have been at	2
collections in england	2
on left side	2
superfluous to point	2
by hauser menet	2
the person of	2
of the th	2
observes that it	2
was worn by	2
the armoury at	2
armet of rare	2
to be armed	2
decadence of armour	2
are preserved with	2
they are of	2
staff on the	2
and used in	2
the vast bulk	2
is at the	2
death of the	2
inlaid with silver	2
was made for	2
used for this	2
frequently decorated with	2
matchless series of	2
armouries of vienna	2
a ridged bassinet	2
few pieces in	2
early age of	2
guard consisted of	2
the perfection of	2
horse of the	2
in the way	2
likeness to the	2
will of the	2
english and french	2
same as the	2
till recent times	2
in the inventories	2
faced with leather	2
the horses of	2
chapter iv plate	2
appears on royal	2
at the bridle	2
evolution of the	2
the french chivalry	2
of the taces	2
william the conqueror	2
from the easter	2
of the pan	2
of sir noel	2
of the armourers	2
find in the	2
with guard for	2
it is remarkable	2
this period that	2
been handed down	2
of the bodyguards	2
this is by	2
with the original	2
tomb in the	2
of the defence	2
they are represented	2
this date was	2
about the same	2
thus protecting the	2
of mail in	2
consisting of a	2
the sword and	2
from the romance	2
the improvement of	2
natural state or	2
arms to the	2
with visor and	2
freedom of movement	2
coronet and mantelet	2
the single mail	2
helm and crest	2
italian suit of	2
and seems to	2
of the norman	2
could be thrown	2
a smooth surface	2
the tassets were	2
of edmund crouchback	2
they are generally	2
it was found	2
period of defensive	2
chase the duke	2
as the breast	2
au vif de	2
when the tassets	2
of blued and	2
is called the	2
designed in the	2
of lethal weapons	2
abbot thomas de	2
the upper leg	2
is represented in	2
yeomen of the	2
arms and legs	2
to the net	2
attributed to the	2
milan in his	2
the ornament of	2
the bandes de	2
monument at pavia	2
embossed burgundian armour	2
some of which	2
it is needless	2
qualities of steel	2
the neighbouring church	2
effigy of ralph	2
used only for	2
caps and greaves	2
the same order	2
seen at the	2
and weighs lb	2
a defence of	2
not only of	2
the suit are	2
ornament of the	2
coverings for the	2