This is a list of all the questions and their associated study carrel identifiers. One can learn a lot of the "aboutness" of a text simply by reading the questions.
identifier | question |
---|---|
28422 | And who can see without marvelling the works of Francesco Marcolini of Forlì? |
28422 | Which done, Giovan Francesco said:"Did you observe, Father Guardian, that you neither knelt down nor rose up with both knees together? |
28421 | Should I not know it, when I recognize the very strokes that I made with my own brush? |
28421 | What? |
28421 | FOOTNOTE:[ 9]"What is it that I feel, if it is not love?" |
28421 | Why say more? |
31938 | And so, when Vasari rode into their midst on his horse, Jacone said to him:"Well, Giorgio, how goes it with you?" |
31938 | But why do I dally over describing all the details? |
31938 | But why say more? |
31938 | But, if women know so well how to produce living men, what marvel is it that those who wish are also so well able to create them in painting? |
31938 | Consider, you who do all the work in Rome, how it would appear to you if others were to value your labours as you do theirs? |
31938 | What, likewise, of the various musical instruments that are there, all as real as the reality? |
28420 | Does it not? |
28420 | But the Pope answered him in anger,"Do you believe that you are the only Giuliano da San Gallo to be found?" |
28420 | But what need is there to say more about this man? |
28420 | But why say more? |
28420 | What more, indeed, is there to say? |
28420 | [ Illustration: CATERINA, QUEEN OF CYPRUS(_ After the painting by= Giorgione da Castelfranco=(?). |
28420 | [ Illustration: MADONNA AND CHILD, WITH SAINTS(_ After the panel by= Domenico Puligo=(?). |
26860 | If it were so, thinkest thou that the citizen would have bought the picture?" |
26860 | When I came here before, these angels had red caps on their heads, and now they have not; what does it mean?" |
31845 | And you,asked Baccio,"what do you say of them?" |
31845 | Jews or no Jews,said Cristofano,"what have you to do with them?" |
31845 | Look here,he would say,"what devilments are these? |
31845 | At which both laughing, the Duke said:"What is your idea in always wearing your cloak inside out?" |
31845 | But what can we or ought we to do save have compassion upon him, seeing that the men of our arts are as much liable to error as others? |
31845 | Devil take it, can a man not live in his own way in this world, without the enemies of comfort giving themselves all this trouble?" |
31845 | Dumbfounded at the appearance of Baccio, Solosmeo turned to Ridolfi and said:"What tricks are these, my lord? |
31845 | Giuliano once relating to Bronzino how he had seen a very beautiful woman, after he had praised her to the skies, Bronzino said,"Do you know her?" |
31845 | Michelagnolo, having risen and looked at the portrait, said to Giuliano, laughing:"What the devil have you been doing? |
21212 | Oh,I exclaimed,"Art thou not Oderigi, art not thou Agobbio''s glory, glory of that art Which they of Paris call the limner''s skill? |
21212 | Well,said Giotto,"are they not here, are any wanting?" |
21212 | What did you ask me to paint? |
21212 | Will you think it rubbish to pay for it? |
21212 | Denique sum Jottus, quid opus fuit illa referre? |
21212 | Did not Attalus do the same? |
21212 | Has someone sent him here to play a trick on me? |
21212 | If you had been one of the Bardi, well and good, but what arms do you bear? |
21212 | Miraris turrim egregiam sacro aere sonantem? |
21212 | The latter, who thought he was joking, said:"Am I to have no other design but this?" |
21212 | When Giotto was alone he reflected:"What is the meaning of this? |
21212 | When it arrived this gentleman by proxy looked hard at it and said to Giotto:"What rubbish have you painted here?" |
21212 | Where do you come from? |
21212 | Who were your ancestors? |
33203 | Audis ut resonet lætis clamoribus æther, Et plausu et ludis Austria cuncta fremat? |
33203 | Ch''amor, d''amor ribello, Di se stesso e di Psiche oggi sia preda? |
33203 | Chi le saette? |
33203 | Etrusca attollet se quantis gloria rebus Conjugio Austriacæ Mediceæque Domus? |
33203 | Flora lieta, Arno beato, Arno umil, Flora cortese, Deh qual più felice stato Mai si vide, mai s''intese? |
33203 | Pater Arne tibi, et tibi Florida Mater, Gloria quanta aderit? |
33203 | QUID TOT NUNC REFERAM INSIGNES PIETATE VEL ARMIS MAGNANIMOSQUE DUCES EGREGIOSQUE VIROS? |
33203 | Quid statis juvenes tam genialibus Indulgere toris immemores? |
33203 | When Giovio had finished his discourse, the Cardinal turned to me and said:"What do you say, Giorgio? |
33203 | Will not that be a fine work and a noble labour?" |
33203 | ma chi sia che cel creda? |
32362 | Why so? |
32362 | A Bishop then said to the groom,"Perhaps you do not know this man?" |
32362 | And what can I say of the Night, a statue not rare only, but unique? |
32362 | But what a waste of time is this? |
32362 | But what shall I say of the Dawn, a nude woman, who is such as to awaken melancholy in the soul and to render impotent the style of sculpture? |
32362 | Gli amorosi pensier''già vani e lieti Che sien''or'', s''a due morti mi avvicino? |
32362 | The Pope flew into a rage and said:"I have had this desire for thirty years, and now that I am Pope do you think I shall not satisfy it? |
32362 | This Urbino was his man of all work, and had served him a long time; and Michelagnolo said to him:"If I die, what will you do?" |
32362 | What greater vanity is there than that of those who concern themselves more with the name than the fact? |
32362 | Wherefore, when it was finished, the man gazed at it marvelling; and Michelagnolo said:"What do you think of it?" |
32362 | Who is there who has ever seen in that art in any age, ancient or modern, statues of such a kind? |
30693 | Then they are devils? |
30693 | Where is your daughter? |
30693 | And all not so long ago? |
30693 | And did not Dante relate a journey into Hell, Purgatory, and Paradise? |
30693 | And why not, dear friends? |
30693 | At other times she is pious, resigned, almost serene; for is that not Abélard''s wish? |
30693 | But how show that they too had seen them? |
30693 | But of the feeling, the poetry of this greatest of all scenes, what is there? |
30693 | For what was the sacrifice which witches and warlocks notoriously offered their Master? |
30693 | Had not St. Anthony of Padua held the Divine Child in his arms? |
30693 | Hast never heard of the familiar dæmon of Socrates, whispering to him superhuman wisdom? |
30693 | Here you have your arm working up, backwards or forwards; but how about pulling it down? |
30693 | How could St. Luke recommend us to desist from getting back our stolen property? |
30693 | How then do matters stand between art and civilisation? |
30693 | Jervase and Protasius? |
30693 | Look at the human arm: what engineer would have dared to fasten anything to such a movable base as that? |
30693 | Might we not be tempted to believe that the divine son of Semele had vouchsafed a similar boon to the happy sculptor of this marble?" |
30693 | Nay, is not the suffering Christ a fresh creation of the Middle Ages, made really to bear the sorrows of a world more sorrowful than that of Judea? |
30693 | Nay, why should God prefer the penitence of one sinner to the constant goodness of ninety- nine righteous men? |
30693 | Two orders, did I say? |
30693 | V What art would there have been without that Franciscan revival, or rather what emotional synthesis of life would art have had to record? |
30693 | What train of thought has been set up? |
30693 | Will the beloved have no mercy? |
30693 | Yet, let us ask ourselves, what is the value of the result? |
30693 | become absentees from the poor, much troubled Present; turn your backs to Realities, become idle strollers in the Past? |
30693 | what was the emotional synthesis of life given by those who had come too early to partake in the new religion of love? |
30693 | why not admit, just because work has to be done and loads to be borne, that we can not grind and pant on without interruption? |
30693 | why not recognise the need for a holiday? |
30693 | why should we sicken ourselves with the thought of this long dead and done for abomination? |
7227 | St. Elizabeth, you think, is nice? |
7227 | The cup which my Father hath given me, shall I not drink it? |
7227 | Who goes forth, conquering and to conquer? |
7227 | ( Are not his fingers yet short; growing?) |
7227 | ( Trajan''s suppliant widow?) |
7227 | ("Thy rod and Thy staff, they comfort me?") |
7227 | All these works belong to the same school of silent admiration;--the vital question concerning them is,"What do you admire?" |
7227 | And if this-- by what manner of end? |
7227 | And if we ever pray the solemn prayer that we may be taught to number them, do we even try to do it after praying? |
7227 | And what more is left for his favourite shepherd boy Giotto to do, than this, except to paint with ever- increasing skill? |
7227 | Are you sure they are graceful? |
7227 | But that St. Louis? |
7227 | But who was ever so betrayed? |
7227 | Contemplative of what? |
7227 | Does this mean that one girl out of every two should not be able to read or write? |
7227 | Francis?--_did_ he ever receive stigmata?--_did_his soul go up to heaven-- did any monk see it rising-- and did Giotto mean to tell us so? |
7227 | Goodness!--nothing to be seen, whatever, of bas- reliefs, nor fine dresses, nor graceful pourings out of water, nor processions of visitors? |
7227 | Have you ever chanced to read carefully Carlyle''s account of the foundation of the existing Prussian empire, in economy? |
7227 | How comes he to do that Resurrection so badly? |
7227 | How long do you think it will take you, or ought to take, to see such a picture? |
7227 | How many and how much do we want? |
7227 | How many and how much have we? |
7227 | In counting of minutes, is our arithmetic ever solicitous enough? |
7227 | In counting our days, is she ever severe enough? |
7227 | In red,--again the sign of power,--crowned with a black( once golden?) |
7227 | Is this ignorance, think you, in Giotto, and pure artlessness? |
7227 | It is St. Louis, under campanile architecture, painted by-- Giotto? |
7227 | It is a weakness of Botticelli''s, this love of dancing motion and waved drapery; but why has he given it full flight here? |
7227 | Many a morn and eve have passed since it began-- and now-- is this to be the ending day of it? |
7227 | Might he not, had he chosen, in either fresco, have made the celestial visions brighter? |
7227 | Nevertheless, somehow, you do n''t really enjoy these frescos, nor come often here, do you? |
7227 | Pear, and fig, and a large- leaved ground fruit( what?) |
7227 | She points through it with her rod, holding a fruit(?) |
7227 | So easy a matter that, you think? |
7227 | So much more difficult and sublime to paint grand processions and golden thrones, than St. Anne faint on her pillow, and her servant at pause? |
7227 | The servant stops, seeing her so quiet; asking the midwife, Shall I give it her now? |
7227 | Was it, in the first place, to Giotto, think you, the"composition of a scene,"or the conception of a fact? |
7227 | Was there any need for Giotto to have put the priest at the foot of the dead body, with the black banner stooped over it in the shape of a grave? |
7227 | Well, that is really so; and now, will you take the pains to see why? |
7227 | What is the use of lecturing us on this?'' |
7227 | What kind of boy is this, think you, who can make Titian his copyist,--Dante his friend? |
7227 | What new power is here which is to change the heart of Italy?--can you see it, feel it, writing before you these words on the faded wall? |
7227 | What would have been the use of Eve spinning if she could not weave? |
7227 | Who ever saw such a sword thrust in his mother''s heart?" |
7227 | Yes;"and she says,''Whence is this to me, that the mother of my Lord should come to me?'' |
7227 | You do n''t believe, however, that any real soul of a Margaret ever appeared to any mortal in that manner? |
7227 | You know the story of Joachim and Anna, I hope? |
7227 | You probably, if a fashionable person, have seen the apotheosis of Margaret in Faust? |
7227 | You think Rhetoric should be glowing, fervid, impetuous? |
7227 | You think Tubal- Cain very ugly? |
7227 | You think the function of words is to excite? |
7227 | or the last Florentine painter who wanted a job-- over Giotto? |
7227 | or warning?) |
7227 | really with a great deal of serious feeling?" |
11559 | Why,asks the Duchess of Malfi,"do we grow fantastical in our death- bed? |
11559 | 1302? |
11559 | 1344 Taddeo di Bartolo about 1362 1422 Spinello Aretino-- 1410 Masolino da Panicale 1384 1447? |
11559 | 1464? |
11559 | 1469 Filippino Lippi 1457 1504 Sandro Botticelli 1447 1510 Piero di Cosimo 1462 1521? |
11559 | 1506? |
11559 | 1534 Michael Angelo Buonarroti 1475 1564 Bartolommeo Vivarini-- after 1499 Jacopo Bellini 1400? |
11559 | Antonio Filarete-- 1465? |
11559 | Bending forward, leaning his chin upon his wrist, placing the other hand upon his knee, on what does he for ever ponder? |
11559 | But, it may be asked, what poems of action as well as feeling are to be expressed in this form- language? |
11559 | Could not the headland jutting out beyond Sarzana into the Tyrrhene Sea be carved by his workmen into a Pharos? |
11559 | Do we affect fashion in the grave?" |
11559 | Dreading lest death should come before the work were finished, he kept crying,"When will you make an end?" |
11559 | For though Thy promises our faith compel, Yet, Lord, what man shall venture to maintain That pity will condone our long neglect? |
11559 | Has he outlived his life and fallen upon everlasting contemplation? |
11559 | Has not art beneath his touch become more scenic, losing thereby somewhat of dramatic poignancy? |
11559 | Have I waited all these years; and now that I am Pope at last, shall I not have you for myself? |
11559 | If God Himself thus rules my destiny, Who, when I die, can lay the blame on thee? |
11559 | Is he brooding, injured and indignant, over his own doom and the extinction of his race? |
11559 | Is he condemned to witness in immortal immobility the woes of Italy he helped to cause? |
11559 | Luca della Robbia 1400 1482 Agostino di Duccio-- after 1461 Antonio Rossellino 1427 1478? |
11559 | Masaccio 1402 1429 Paolo Uccello 1397 1475 Andrea del Castagno 1396 1457 Piero della Francesca 1420? |
11559 | Michael Angelo asked,"Where am I to place it?" |
11559 | Or has the sculptor symbolised in him the burden of that personality we carry with us in this life and bear for ever when we wake into another world? |
11559 | Perchance in heaven poverty is a pleasure: But of that better life what hope have we, When the blessed banner leads to nought but ill? |
11559 | Shorten half- way my road to heaven from earth? |
11559 | Therefore because I can not shun the blow I rather seek, say who must rule my breast, Gliding between her gladness and her woe? |
11559 | Those amorous thoughts which were so lightly dressed, What are they when the double death is nigh? |
11559 | What law, what destiny, what fell control, What cruelty, or late or soon, denies That death should spare perfection so complete? |
11559 | What might he not have done if he had lived? |
11559 | What must the houses and the churches once have been, from which these spoils were taken, but which still remain so rich in masterpieces? |
11559 | What was the difference between Michael Angelo and a Greek? |
11559 | What, for example, occupies Lorenzo''s brain? |
11559 | What, let us ask in the first place, was the task appointed for the fine arts on the threshold of the modern world? |
11559 | Who, indeed, can affirm that he would wish the floating figure of Eve, or the three angels at Abraham''s tent- door, other than they are? |
11559 | Why need my aching heart to death aspire When all must die? |
11559 | Why then should we reject tradition in this instance? |
11559 | Yet are we right in assuming that he meant the female figure in this group for Aphrodite, the sleeping man for Ares? |
11559 | Yet who in Rome, among the courtiers of the Borgias, had brain or heart to understand these things? |
11559 | [ 328]"È possibile che voi, che_ per essere divino non degnate il consortio degli huomini_, haviate ciò fatto nel maggior tempio di Dio?.... |
11559 | [ 3] All Thy strength and bloom are faded: Who hath thus Thy state degraded? |
11559 | where are you now?''" |
16241 | And Santa Croce? |
16241 | And Tintoretto? |
16241 | And can these be the little Barbara and Betty who used to sit on my knees? |
16241 | And do the pictures at the corners, and the single figures, have anything to do with this subject? |
16241 | And was he not buried here? |
16241 | And what do you think of this-- and this-- and this? |
16241 | And why not? |
16241 | Are n''t you thoroughly astonished, Betty dear? |
16241 | But do n''t you call that a species of plagiarism? |
16241 | But do not such things sometimes happen, and is it not a literary virtue to describe real life? |
16241 | But he painted religious pictures also, did he not? |
16241 | But how can artists go back now and paint as those did five centuries ago? |
16241 | But there is something especially interesting about this Campo Santo, is n''t there? |
16241 | But what could we do? |
16241 | But what does it mean? |
16241 | But what does this mean? |
16241 | But why do I feel that, after all, I love Fra Angelico''s better, and should care to look at them oftener? |
16241 | But will not the care of so many young people be too much for you, my sister? 16241 But,"after a little,"shall you tell Barbara?" |
16241 | Can it be real? |
16241 | Can we not walk to the Academy? |
16241 | Can you give us any dates of these periods to remember, uncle? |
16241 | Did Fra Angelico live before or after the prophet Savonarola, uncle? |
16241 | Did I? 16241 Did not his pupils assist him in many works, uncle?" |
16241 | Did you see what a look he gave Barbara? 16241 Do n''t be silly,"smiled Bettina; and Mrs. Douglas, slipping her hand through Malcom''s arm, asked:"Do you see those towers?" |
16241 | Do you believe that the days of inspiration were confined to past ages? 16241 Do you know how much more quiet the water is? |
16241 | Do you like this, Mr. Sumner? 16241 Do you not think that Dante sometimes came here and sat while Giotto was painting?" |
16241 | Do you suppose it is true that his wife, Lucrezia, used to come here after he was dead and she was an old woman, to look at the pictures? |
16241 | Do you think Barbara will know how to be wise in the spending of her money? |
16241 | Does he not put it well? |
16241 | Feverish? |
16241 | Few styles of painting after the earliest masters can be called original, can they? |
16241 | For what was it painted, uncle? |
16241 | Found only recently; how can that be, uncle? |
16241 | Has Venice a great many? |
16241 | He did love you, did he not, Bab dear? |
16241 | He was Angelo''s teacher, was he not? |
16241 | How can we ever repay you? |
16241 | How did you come to know that? |
16241 | I am afraid we shall never see one of his pictures without thinking of this,said Bettina;"shall we, Barbara?" |
16241 | I knew in the night that she was very restless, but not until just now did I see that she is really ill."What seems to be the matter? |
16241 | I think that is a pretty story about Mr. Ruskin, do n''t you? |
16241 | If a poem consist only of words and rhythms, how long do you think it ought to live? 16241 Is everybody old here, do you suppose?" |
16241 | Is it an especially artistic virtue to picture deformity and suffering just because they exist? 16241 Is it as bad as it is said to be, uncle?" |
16241 | Is it true that we are mortal beings still on the earth, and that we are seeking merely a hotel? |
16241 | Is not the arrangement that your friend join you agreeable? |
16241 | Is this all he painted? |
16241 | It seems like an age since we first came here, does n''t it, Bab, dear? |
16241 | Like him? |
16241 | May I interrupt a moment,queried Barbara,"to ask what you meant when you said that some of Titian''s pictures wrought a revolution in art?" |
16241 | May I repeat a verse or two of poetry right here where we stand, uncle? |
16241 | May not the paintings alone draw some visitors? |
16241 | May we come in, Margery and I? |
16241 | Personal a way? |
16241 | Rather the worse for wear, are n''t they, Barbara_ mia_? |
16241 | Shall I read it? |
16241 | Shall I tell them what we think? |
16241 | Shall we ever really know anything about it all? |
16241 | Should you ever have loved him? |
16241 | Tell Barbara? 16241 Then what pictures are here?" |
16241 | Then, how did things ever get better? |
16241 | To change the subject,she added,"how did you like Mr. Sumner''s talk this evening?" |
16241 | Uncle Rob, do you mean to say there was no painting in the world better than this in the ninth-- or thereabouts-- century? |
16241 | We can not doubt the dramatic power of Tintoretto, can we? |
16241 | Well, have you seen Ghirlandajo''s work? |
16241 | What about the university? |
16241 | What do you call Raphael''s greatest picture? |
16241 | What do you mean by his outliving his good painting? |
16241 | What do you mean? 16241 What do you think of this, Malcom? |
16241 | What do you think she will do for you? |
16241 | What do_ you_ mean? |
16241 | What is it? 16241 What kind of painting is it?" |
16241 | What other Venetian Masters ought we particularly to study? |
16241 | What shall we look for next? 16241 What, dear?" |
16241 | When shall we see Raphael''s tapestries? |
16241 | Where is your sister? |
16241 | Where to? |
16241 | Which was erected first? |
16241 | Whom do you call the greatest painters of the school, uncle? |
16241 | Why are we going to Orvieto, uncle? |
16241 | Why did Leonardo do this? |
16241 | Why did the artists not sign their pictures? |
16241 | Why do n''t you think so? |
16241 | Why do you speak as if the money had come to both? |
16241 | Why not? |
16241 | Why so sober, Malcom? |
16241 | Why? 16241 Yes, Betty; are we the same girls?" |
16241 | Yes; and uncle, I remember you spoke of the leaning towers of Bologna when we were at Pisa; what about them? |
16241 | ***** What had been the matter in the other carriage? |
16241 | *****"I say, uncle, do n''t you think I am having the best part of this, after all?" |
16241 | *****"What is the matter with Miss Sherman?" |
16241 | After a few minutes of complete silence Mr. Sumner said:"Margery dear, I wonder what you are thinking of?" |
16241 | And Barbara-- how did Barbara feel? |
16241 | And was this low dark line on the right really Africa, the Dark Continent, which until then had seemed only a dream-- a far- away dream? |
16241 | And will it not be best for you to go right out somewhere with us?" |
16241 | Are these weighty enough reasons?" |
16241 | Are they as sterling as their father and mother? |
16241 | Are you always seasick, and Malcom, and Margery?" |
16241 | Are you ready to come upstairs?" |
16241 | Are you tired?" |
16241 | As much so as St. Francis, Nero, or Marcus Aurelius?" |
16241 | At last she said gently:--"Can it be possible, Bab? |
16241 | At last, when he ended, saying,"I shall tell her all to- morrow,"she could only falter:--"Is it best so soon, Robert?" |
16241 | But had his outlook been far and wide enough? |
16241 | But was n''t it rich?" |
16241 | But what else could Betty have meant? |
16241 | But what of the great mass of humanity, God''s humanity too, which was waiting for some one to awaken the very first desires for culture? |
16241 | Can it be that she has learned to care for him so much as that?" |
16241 | Can you love me a little, Barbara? |
16241 | Can you not share your realm with this homesick young man?" |
16241 | Confused? |
16241 | Could it be possible that she and Barbara were about to do this? |
16241 | Could it be that she intended to give him hope of Barbara''s love-- that sweet young girl-- when he was so much older? |
16241 | Could it be that unconsciously, through weakness, he had yielded himself to a selfish course of living? |
16241 | Could such a thing as this be? |
16241 | Did papa bring one and put it here?" |
16241 | Did you notice how their eyes sparkled as they took their seats in the carriage and looked out upon the strange, foreign sights?" |
16241 | Do n''t you think it very beautiful, uncle?" |
16241 | Do this deed for me?_"--LOWELL. |
16241 | Do you know the story of these saints?" |
16241 | Do you know why I am so very happy?" |
16241 | Do you know, Betty, that our father once saved her life? |
16241 | Do you not see, do you not know, how I have loved Barbara ever since I first saw her? |
16241 | Do you not think she will sometime love me? |
16241 | Do you not wish to get acquainted with Plato, Aristotle, Cicero, and Virgil?" |
16241 | Do you recollect the story about Raphael''s writing to Francia to oversee its proper and safe placing?" |
16241 | Do you remember, Margery, what name the poet Shelley gives Florence in that beautiful poem you were reading yesterday?" |
16241 | Do you suppose Domenichino borrowed so much from his master?" |
16241 | Do you think, Mrs. Douglas, that Barbara and I shall be seasick? |
16241 | Douglas?" |
16241 | Douglas?" |
16241 | Finally Barbara asked, in a thoughtful tone:--"Did you notice the names on the leaves of the travellers''book at the hotel? |
16241 | Finally Bettina asked:--"Why does Mrs. Douglas do so much for us? |
16241 | Finally he asked:--"And then what can a man do? |
16241 | For do n''t you remember those pictures we saw in his studio the other day? |
16241 | For if Mr. Sumner had really been learning to love Barbara, might it not also be that Barbara cared more for him than Bettina had been wo nt to think? |
16241 | For some one to open, never so little, the blind eyes? |
16241 | Had he been blind all this time, and had Betty seen it? |
16241 | Had he frightened her? |
16241 | Had his view been a narrow one, when he had so longed that it should be wide and ever wider? |
16241 | Had not the personal sorrow to which he had yielded narrowed to his eyes the world,--_his_ world, in which God had put him? |
16241 | Has it been either an interpretation or a revelation of something? |
16241 | Has the picture borne us any message? |
16241 | Have you counted well the cost of added thought and care which our dear Doctor''s daughters will impose? |
16241 | He, whose one aim and ideal had ever been to give his life and its opportunities for the benefit of others? |
16241 | How can we ever repay her?" |
16241 | How did it get here? |
16241 | How do these differ from those of other painters?" |
16241 | How do you like him, Bab? |
16241 | How much is it?" |
16241 | How old were you, my sister, when you were married? |
16241 | How would it be when he should be back again in his native land? |
16241 | How would one go about it? |
16241 | I acknowledge that a picture or a book may be fine, even great, with such subjects; but is it either as helpful or wholesome as it might have been?" |
16241 | In the present condition of people and government, how can any man, for instance, such as you are, really accomplish anything? |
16241 | Indeed, how could any woman help it? |
16241 | Is it not a stupendous conception? |
16241 | Is it not truly fine, charming in composition, graceful in action, agreeable in color, and true and noble in expression?" |
16241 | Is it solely for the perfection of itself? |
16241 | It seems to me as if their lives have been all lived, as if they now are dead; and how can any new life be put into them? |
16241 | It would have been better if he had chosen other than sacred subjects, would it not, Howard?" |
16241 | Malcom, do n''t you know that it is only by a chance that we have found these pictures? |
16241 | No one? |
16241 | Nothing can fit; for who could ever put into words the beauty of all this?" |
16241 | Now, Malcom, you will be enthusiastic about it, will you not? |
16241 | Now, if this be true, do we wish to come here and go away without learning all that we possibly can of them? |
16241 | Of what is she so proud? |
16241 | Of what other painter do these angels remind you?" |
16241 | Poor Mrs. Douglas''s face showed the sudden weight of care that had been launched upon her, as she anxiously asked:--"What do you advise, Robert?" |
16241 | Returning with an envelope in his hands, he cried:--"What will you give for a letter from home already, Barbara and Betty?" |
16241 | Rightly? |
16241 | Shall we remember it?" |
16241 | She felt that she could almost hate this fortunate Barbara, who so easily was gaining all the things she herself coveted,--admiration,--wealth,--love? |
16241 | Simply? |
16241 | Suddenly Barbara, throwing aside her pen, exclaimed:--"Betty dear, do n''t you sometimes feel most horribly ignorant?" |
16241 | Suddenly the thought flashed into her mind:"Can it be because Robert left us to drive with the others? |
16241 | Sumner?" |
16241 | Sumner?" |
16241 | Sumner?" |
16241 | Sumner?" |
16241 | Sumner?" |
16241 | That, whatever they may mean is absolutely sacred to your uncle? |
16241 | Then Mr. Sumner said:--"And Barbara,--how do you think Barbara feels? |
16241 | Thou art the garden of the world, the home Of all art yields, and nature can decree: Even in thy desert, what is like to thee? |
16241 | Was Betty mistaken, after all? |
16241 | Was she only so sorry for him? |
16241 | What a difference clothes make, do they not? |
16241 | What are you thinking of, little Margery?" |
16241 | What could have wrought it? |
16241 | What could it mean? |
16241 | What did Michael Angelo, himself, do if, as uncle suggested, God wrought through him?" |
16241 | What do you think, Betty?" |
16241 | What is it? |
16241 | What is the use of this preparation of study in art, poetry, or music? |
16241 | What matters a little unrest or disappointment, or even unhappiness, when our thought is engaged with untold ages of God''s dealing with mankind? |
16241 | What power can make the people wish for anything better than they have, can wake them up to make more of the children than the parents are? |
16241 | What story or incident shall I choose for representation that will best show the individual characteristics of these men?'' |
16241 | What then?" |
16241 | What would St. Ursula do?''" |
16241 | When last had he seen such a look in woman''s eyes? |
16241 | When she knew that he had once before loved? |
16241 | Where are we?" |
16241 | Whom did she mean? |
16241 | Why so called?" |
16241 | Will you be my wife?" |
16241 | Will you not ask them, dear Barbara? |
16241 | With the wondrous fact that God is with man,--Immanuel,--forever and forevermore? |
16241 | Would she never answer? |
16241 | Would she never lift the eyelids that seemed to droop more and more closely upon the crimson cheeks? |
16241 | You are sure his character is beyond question, Malcom?" |
16241 | You did not think, did you, mamma, what would come from our year in Italy? |
16241 | _ Can_ they afford it? |
16241 | _ In life''s small things be resolute and great To keep thy muscle trained; Knowest thou when Fate Thy measure takes? |
16241 | _ could_ he ever love anybody again? |
16241 | _ do_ you think papa and mamma will let us go? |
16241 | are you faint? |
16241 | asked Barbara,--"as in a landscape, or seascape, or the painting of a child''s face?" |
16241 | asked Barbara;"here in this lovely inner court, where are the graves of so many monks?" |
16241 | was this to come? |
16241 | what could make you think of such a thing? |
16241 | what do you mean? |
16241 | what is it?" |
16241 | what is it?" |
16241 | what is the matter? |
16241 | when?" |
16241 | with a pathetic little catch of the breath;"how are you feeling just this minute?" |