Questions

This is a list of all the questions and their associated study carrel identifiers. One can learn a lot of the "aboutness" of a text simply by reading the questions.

identifier	question
28422	And who can see without marvelling the works of Francesco Marcolini of Forlì?
28422	Which done, Giovan Francesco said:"Did you observe, Father Guardian, that you neither knelt down nor rose up with both knees together?
28421	Should I not know it, when I recognize the very strokes that I made with my own brush?
28421	What?
28421	FOOTNOTE:[ 9]"What is it that I feel, if it is not love?"
28421	Why say more?
31938	And so, when Vasari rode into their midst on his horse, Jacone said to him:"Well, Giorgio, how goes it with you?"
31938	But why do I dally over describing all the details?
31938	But why say more?
31938	But, if women know so well how to produce living men, what marvel is it that those who wish are also so well able to create them in painting?
31938	Consider, you who do all the work in Rome, how it would appear to you if others were to value your labours as you do theirs?
31938	What, likewise, of the various musical instruments that are there, all as real as the reality?
28420	Does it not?
28420	But the Pope answered him in anger,"Do you believe that you are the only Giuliano da San Gallo to be found?"
28420	But what need is there to say more about this man?
28420	But why say more?
28420	What more, indeed, is there to say?
28420	[ Illustration: CATERINA, QUEEN OF CYPRUS(_ After the painting by= Giorgione da Castelfranco=(?).
28420	[ Illustration: MADONNA AND CHILD, WITH SAINTS(_ After the panel by= Domenico Puligo=(?).
26860	If it were so, thinkest thou that the citizen would have bought the picture?"
26860	When I came here before, these angels had red caps on their heads, and now they have not; what does it mean?"
31845	And you,asked Baccio,"what do you say of them?"
31845	Jews or no Jews,said Cristofano,"what have you to do with them?"
31845	Look here,he would say,"what devilments are these?
31845	At which both laughing, the Duke said:"What is your idea in always wearing your cloak inside out?"
31845	But what can we or ought we to do save have compassion upon him, seeing that the men of our arts are as much liable to error as others?
31845	Devil take it, can a man not live in his own way in this world, without the enemies of comfort giving themselves all this trouble?"
31845	Dumbfounded at the appearance of Baccio, Solosmeo turned to Ridolfi and said:"What tricks are these, my lord?
31845	Giuliano once relating to Bronzino how he had seen a very beautiful woman, after he had praised her to the skies, Bronzino said,"Do you know her?"
31845	Michelagnolo, having risen and looked at the portrait, said to Giuliano, laughing:"What the devil have you been doing?
21212	Oh,I exclaimed,"Art thou not Oderigi, art not thou Agobbio''s glory, glory of that art Which they of Paris call the limner''s skill?
21212	Well,said Giotto,"are they not here, are any wanting?"
21212	What did you ask me to paint?
21212	Will you think it rubbish to pay for it?
21212	Denique sum Jottus, quid opus fuit illa referre?
21212	Did not Attalus do the same?
21212	Has someone sent him here to play a trick on me?
21212	If you had been one of the Bardi, well and good, but what arms do you bear?
21212	Miraris turrim egregiam sacro aere sonantem?
21212	The latter, who thought he was joking, said:"Am I to have no other design but this?"
21212	When Giotto was alone he reflected:"What is the meaning of this?
21212	When it arrived this gentleman by proxy looked hard at it and said to Giotto:"What rubbish have you painted here?"
21212	Where do you come from?
21212	Who were your ancestors?
33203	Audis ut resonet lætis clamoribus æther, Et plausu et ludis Austria cuncta fremat?
33203	Ch''amor, d''amor ribello, Di se stesso e di Psiche oggi sia preda?
33203	Chi le saette?
33203	Etrusca attollet se quantis gloria rebus Conjugio Austriacæ Mediceæque Domus?
33203	Flora lieta, Arno beato, Arno umil, Flora cortese, Deh qual più felice stato Mai si vide, mai s''intese?
33203	Pater Arne tibi, et tibi Florida Mater, Gloria quanta aderit?
33203	QUID TOT NUNC REFERAM INSIGNES PIETATE VEL ARMIS MAGNANIMOSQUE DUCES EGREGIOSQUE VIROS?
33203	Quid statis juvenes tam genialibus Indulgere toris immemores?
33203	When Giovio had finished his discourse, the Cardinal turned to me and said:"What do you say, Giorgio?
33203	Will not that be a fine work and a noble labour?"
33203	ma chi sia che cel creda?
32362	Why so?
32362	A Bishop then said to the groom,"Perhaps you do not know this man?"
32362	And what can I say of the Night, a statue not rare only, but unique?
32362	But what a waste of time is this?
32362	But what shall I say of the Dawn, a nude woman, who is such as to awaken melancholy in the soul and to render impotent the style of sculpture?
32362	Gli amorosi pensier''già vani e lieti Che sien''or'', s''a due morti mi avvicino?
32362	The Pope flew into a rage and said:"I have had this desire for thirty years, and now that I am Pope do you think I shall not satisfy it?
32362	This Urbino was his man of all work, and had served him a long time; and Michelagnolo said to him:"If I die, what will you do?"
32362	What greater vanity is there than that of those who concern themselves more with the name than the fact?
32362	Wherefore, when it was finished, the man gazed at it marvelling; and Michelagnolo said:"What do you think of it?"
32362	Who is there who has ever seen in that art in any age, ancient or modern, statues of such a kind?
30693	Then they are devils?
30693	Where is your daughter?
30693	And all not so long ago?
30693	And did not Dante relate a journey into Hell, Purgatory, and Paradise?
30693	And why not, dear friends?
30693	At other times she is pious, resigned, almost serene; for is that not Abélard''s wish?
30693	But how show that they too had seen them?
30693	But of the feeling, the poetry of this greatest of all scenes, what is there?
30693	For what was the sacrifice which witches and warlocks notoriously offered their Master?
30693	Had not St. Anthony of Padua held the Divine Child in his arms?
30693	Hast never heard of the familiar dæmon of Socrates, whispering to him superhuman wisdom?
30693	Here you have your arm working up, backwards or forwards; but how about pulling it down?
30693	How could St. Luke recommend us to desist from getting back our stolen property?
30693	How then do matters stand between art and civilisation?
30693	Jervase and Protasius?
30693	Look at the human arm: what engineer would have dared to fasten anything to such a movable base as that?
30693	Might we not be tempted to believe that the divine son of Semele had vouchsafed a similar boon to the happy sculptor of this marble?"
30693	Nay, is not the suffering Christ a fresh creation of the Middle Ages, made really to bear the sorrows of a world more sorrowful than that of Judea?
30693	Nay, why should God prefer the penitence of one sinner to the constant goodness of ninety- nine righteous men?
30693	Two orders, did I say?
30693	V What art would there have been without that Franciscan revival, or rather what emotional synthesis of life would art have had to record?
30693	What train of thought has been set up?
30693	Will the beloved have no mercy?
30693	Yet, let us ask ourselves, what is the value of the result?
30693	become absentees from the poor, much troubled Present; turn your backs to Realities, become idle strollers in the Past?
30693	what was the emotional synthesis of life given by those who had come too early to partake in the new religion of love?
30693	why not admit, just because work has to be done and loads to be borne, that we can not grind and pant on without interruption?
30693	why not recognise the need for a holiday?
30693	why should we sicken ourselves with the thought of this long dead and done for abomination?
7227	St. Elizabeth, you think, is nice?
7227	The cup which my Father hath given me, shall I not drink it?
7227	Who goes forth, conquering and to conquer?
7227	( Are not his fingers yet short; growing?)
7227	( Trajan''s suppliant widow?)
7227	("Thy rod and Thy staff, they comfort me?")
7227	All these works belong to the same school of silent admiration;--the vital question concerning them is,"What do you admire?"
7227	And if this-- by what manner of end?
7227	And if we ever pray the solemn prayer that we may be taught to number them, do we even try to do it after praying?
7227	And what more is left for his favourite shepherd boy Giotto to do, than this, except to paint with ever- increasing skill?
7227	Are you sure they are graceful?
7227	But that St. Louis?
7227	But who was ever so betrayed?
7227	Contemplative of what?
7227	Does this mean that one girl out of every two should not be able to read or write?
7227	Francis?--_did_ he ever receive stigmata?--_did_his soul go up to heaven-- did any monk see it rising-- and did Giotto mean to tell us so?
7227	Goodness!--nothing to be seen, whatever, of bas- reliefs, nor fine dresses, nor graceful pourings out of water, nor processions of visitors?
7227	Have you ever chanced to read carefully Carlyle''s account of the foundation of the existing Prussian empire, in economy?
7227	How comes he to do that Resurrection so badly?
7227	How long do you think it will take you, or ought to take, to see such a picture?
7227	How many and how much do we want?
7227	How many and how much have we?
7227	In counting of minutes, is our arithmetic ever solicitous enough?
7227	In counting our days, is she ever severe enough?
7227	In red,--again the sign of power,--crowned with a black( once golden?)
7227	Is this ignorance, think you, in Giotto, and pure artlessness?
7227	It is St. Louis, under campanile architecture, painted by-- Giotto?
7227	It is a weakness of Botticelli''s, this love of dancing motion and waved drapery; but why has he given it full flight here?
7227	Many a morn and eve have passed since it began-- and now-- is this to be the ending day of it?
7227	Might he not, had he chosen, in either fresco, have made the celestial visions brighter?
7227	Nevertheless, somehow, you do n''t really enjoy these frescos, nor come often here, do you?
7227	Pear, and fig, and a large- leaved ground fruit( what?)
7227	She points through it with her rod, holding a fruit(?)
7227	So easy a matter that, you think?
7227	So much more difficult and sublime to paint grand processions and golden thrones, than St. Anne faint on her pillow, and her servant at pause?
7227	The servant stops, seeing her so quiet; asking the midwife, Shall I give it her now?
7227	Was it, in the first place, to Giotto, think you, the"composition of a scene,"or the conception of a fact?
7227	Was there any need for Giotto to have put the priest at the foot of the dead body, with the black banner stooped over it in the shape of a grave?
7227	Well, that is really so; and now, will you take the pains to see why?
7227	What is the use of lecturing us on this?''
7227	What kind of boy is this, think you, who can make Titian his copyist,--Dante his friend?
7227	What new power is here which is to change the heart of Italy?--can you see it, feel it, writing before you these words on the faded wall?
7227	What would have been the use of Eve spinning if she could not weave?
7227	Who ever saw such a sword thrust in his mother''s heart?"
7227	Yes;"and she says,''Whence is this to me, that the mother of my Lord should come to me?''
7227	You do n''t believe, however, that any real soul of a Margaret ever appeared to any mortal in that manner?
7227	You know the story of Joachim and Anna, I hope?
7227	You probably, if a fashionable person, have seen the apotheosis of Margaret in Faust?
7227	You think Rhetoric should be glowing, fervid, impetuous?
7227	You think Tubal- Cain very ugly?
7227	You think the function of words is to excite?
7227	or the last Florentine painter who wanted a job-- over Giotto?
7227	or warning?)
7227	really with a great deal of serious feeling?"
11559	Why,asks the Duchess of Malfi,"do we grow fantastical in our death- bed?
11559	1302?
11559	1344 Taddeo di Bartolo about 1362 1422 Spinello Aretino-- 1410 Masolino da Panicale 1384 1447?
11559	1464?
11559	1469 Filippino Lippi 1457 1504 Sandro Botticelli 1447 1510 Piero di Cosimo 1462 1521?
11559	1506?
11559	1534 Michael Angelo Buonarroti 1475 1564 Bartolommeo Vivarini-- after 1499 Jacopo Bellini 1400?
11559	Antonio Filarete-- 1465?
11559	Bending forward, leaning his chin upon his wrist, placing the other hand upon his knee, on what does he for ever ponder?
11559	But, it may be asked, what poems of action as well as feeling are to be expressed in this form- language?
11559	Could not the headland jutting out beyond Sarzana into the Tyrrhene Sea be carved by his workmen into a Pharos?
11559	Do we affect fashion in the grave?"
11559	Dreading lest death should come before the work were finished, he kept crying,"When will you make an end?"
11559	For though Thy promises our faith compel, Yet, Lord, what man shall venture to maintain That pity will condone our long neglect?
11559	Has he outlived his life and fallen upon everlasting contemplation?
11559	Has not art beneath his touch become more scenic, losing thereby somewhat of dramatic poignancy?
11559	Have I waited all these years; and now that I am Pope at last, shall I not have you for myself?
11559	If God Himself thus rules my destiny, Who, when I die, can lay the blame on thee?
11559	Is he brooding, injured and indignant, over his own doom and the extinction of his race?
11559	Is he condemned to witness in immortal immobility the woes of Italy he helped to cause?
11559	Luca della Robbia 1400 1482 Agostino di Duccio-- after 1461 Antonio Rossellino 1427 1478?
11559	Masaccio 1402 1429 Paolo Uccello 1397 1475 Andrea del Castagno 1396 1457 Piero della Francesca 1420?
11559	Michael Angelo asked,"Where am I to place it?"
11559	Or has the sculptor symbolised in him the burden of that personality we carry with us in this life and bear for ever when we wake into another world?
11559	Perchance in heaven poverty is a pleasure: But of that better life what hope have we, When the blessed banner leads to nought but ill?
11559	Shorten half- way my road to heaven from earth?
11559	Therefore because I can not shun the blow I rather seek, say who must rule my breast, Gliding between her gladness and her woe?
11559	Those amorous thoughts which were so lightly dressed, What are they when the double death is nigh?
11559	What law, what destiny, what fell control, What cruelty, or late or soon, denies That death should spare perfection so complete?
11559	What might he not have done if he had lived?
11559	What must the houses and the churches once have been, from which these spoils were taken, but which still remain so rich in masterpieces?
11559	What was the difference between Michael Angelo and a Greek?
11559	What, for example, occupies Lorenzo''s brain?
11559	What, let us ask in the first place, was the task appointed for the fine arts on the threshold of the modern world?
11559	Who, indeed, can affirm that he would wish the floating figure of Eve, or the three angels at Abraham''s tent- door, other than they are?
11559	Why need my aching heart to death aspire When all must die?
11559	Why then should we reject tradition in this instance?
11559	Yet are we right in assuming that he meant the female figure in this group for Aphrodite, the sleeping man for Ares?
11559	Yet who in Rome, among the courtiers of the Borgias, had brain or heart to understand these things?
11559	[ 328]"È possibile che voi, che_ per essere divino non degnate il consortio degli huomini_, haviate ciò fatto nel maggior tempio di Dio?....
11559	[ 3] All Thy strength and bloom are faded: Who hath thus Thy state degraded?
11559	where are you now?''"
16241	And Santa Croce?
16241	And Tintoretto?
16241	And can these be the little Barbara and Betty who used to sit on my knees?
16241	And do the pictures at the corners, and the single figures, have anything to do with this subject?
16241	And was he not buried here?
16241	And what do you think of this-- and this-- and this?
16241	And why not?
16241	Are n''t you thoroughly astonished, Betty dear?
16241	But do n''t you call that a species of plagiarism?
16241	But do not such things sometimes happen, and is it not a literary virtue to describe real life?
16241	But he painted religious pictures also, did he not?
16241	But how can artists go back now and paint as those did five centuries ago?
16241	But there is something especially interesting about this Campo Santo, is n''t there?
16241	But what could we do?
16241	But what does it mean?
16241	But what does this mean?
16241	But why do I feel that, after all, I love Fra Angelico''s better, and should care to look at them oftener?
16241	But will not the care of so many young people be too much for you, my sister? 16241 But,"after a little,"shall you tell Barbara?"
16241	Can it be real?
16241	Can we not walk to the Academy?
16241	Can you give us any dates of these periods to remember, uncle?
16241	Did Fra Angelico live before or after the prophet Savonarola, uncle?
16241	Did I? 16241 Did not his pupils assist him in many works, uncle?"
16241	Did you see what a look he gave Barbara? 16241 Do n''t be silly,"smiled Bettina; and Mrs. Douglas, slipping her hand through Malcom''s arm, asked:"Do you see those towers?"
16241	Do you believe that the days of inspiration were confined to past ages? 16241 Do you know how much more quiet the water is?
16241	Do you like this, Mr. Sumner? 16241 Do you not think that Dante sometimes came here and sat while Giotto was painting?"
16241	Do you suppose it is true that his wife, Lucrezia, used to come here after he was dead and she was an old woman, to look at the pictures?
16241	Do you think Barbara will know how to be wise in the spending of her money?
16241	Does he not put it well?
16241	Feverish?
16241	Few styles of painting after the earliest masters can be called original, can they?
16241	For what was it painted, uncle?
16241	Found only recently; how can that be, uncle?
16241	Has Venice a great many?
16241	He did love you, did he not, Bab dear?
16241	He was Angelo''s teacher, was he not?
16241	How can we ever repay you?
16241	How did you come to know that?
16241	I am afraid we shall never see one of his pictures without thinking of this,said Bettina;"shall we, Barbara?"
16241	I knew in the night that she was very restless, but not until just now did I see that she is really ill."What seems to be the matter?
16241	I think that is a pretty story about Mr. Ruskin, do n''t you?
16241	If a poem consist only of words and rhythms, how long do you think it ought to live? 16241 Is everybody old here, do you suppose?"
16241	Is it an especially artistic virtue to picture deformity and suffering just because they exist? 16241 Is it as bad as it is said to be, uncle?"
16241	Is it true that we are mortal beings still on the earth, and that we are seeking merely a hotel?
16241	Is not the arrangement that your friend join you agreeable?
16241	Is this all he painted?
16241	It seems like an age since we first came here, does n''t it, Bab, dear?
16241	Like him?
16241	May I interrupt a moment,queried Barbara,"to ask what you meant when you said that some of Titian''s pictures wrought a revolution in art?"
16241	May I repeat a verse or two of poetry right here where we stand, uncle?
16241	May not the paintings alone draw some visitors?
16241	May we come in, Margery and I?
16241	Personal a way?
16241	Rather the worse for wear, are n''t they, Barbara_ mia_?
16241	Shall I read it?
16241	Shall I tell them what we think?
16241	Shall we ever really know anything about it all?
16241	Should you ever have loved him?
16241	Tell Barbara? 16241 Then what pictures are here?"
16241	Then, how did things ever get better?
16241	To change the subject,she added,"how did you like Mr. Sumner''s talk this evening?"
16241	Uncle Rob, do you mean to say there was no painting in the world better than this in the ninth-- or thereabouts-- century?
16241	We can not doubt the dramatic power of Tintoretto, can we?
16241	Well, have you seen Ghirlandajo''s work?
16241	What about the university?
16241	What do you call Raphael''s greatest picture?
16241	What do you mean by his outliving his good painting?
16241	What do you mean? 16241 What do you think of this, Malcom?
16241	What do you think she will do for you?
16241	What do_ you_ mean?
16241	What is it? 16241 What kind of painting is it?"
16241	What other Venetian Masters ought we particularly to study?
16241	What shall we look for next? 16241 What, dear?"
16241	When shall we see Raphael''s tapestries?
16241	Where is your sister?
16241	Where to?
16241	Which was erected first?
16241	Whom do you call the greatest painters of the school, uncle?
16241	Why are we going to Orvieto, uncle?
16241	Why did Leonardo do this?
16241	Why did the artists not sign their pictures?
16241	Why do n''t you think so?
16241	Why do you speak as if the money had come to both?
16241	Why not?
16241	Why so sober, Malcom?
16241	Why? 16241 Yes, Betty; are we the same girls?"
16241	Yes; and uncle, I remember you spoke of the leaning towers of Bologna when we were at Pisa; what about them?
16241	***** What had been the matter in the other carriage?
16241	*****"I say, uncle, do n''t you think I am having the best part of this, after all?"
16241	*****"What is the matter with Miss Sherman?"
16241	After a few minutes of complete silence Mr. Sumner said:"Margery dear, I wonder what you are thinking of?"
16241	And Barbara-- how did Barbara feel?
16241	And was this low dark line on the right really Africa, the Dark Continent, which until then had seemed only a dream-- a far- away dream?
16241	And will it not be best for you to go right out somewhere with us?"
16241	Are these weighty enough reasons?"
16241	Are they as sterling as their father and mother?
16241	Are you always seasick, and Malcom, and Margery?"
16241	Are you ready to come upstairs?"
16241	Are you tired?"
16241	As much so as St. Francis, Nero, or Marcus Aurelius?"
16241	At last she said gently:--"Can it be possible, Bab?
16241	At last, when he ended, saying,"I shall tell her all to- morrow,"she could only falter:--"Is it best so soon, Robert?"
16241	But had his outlook been far and wide enough?
16241	But was n''t it rich?"
16241	But what else could Betty have meant?
16241	But what of the great mass of humanity, God''s humanity too, which was waiting for some one to awaken the very first desires for culture?
16241	Can it be that she has learned to care for him so much as that?"
16241	Can you love me a little, Barbara?
16241	Can you not share your realm with this homesick young man?"
16241	Confused?
16241	Could it be possible that she and Barbara were about to do this?
16241	Could it be that she intended to give him hope of Barbara''s love-- that sweet young girl-- when he was so much older?
16241	Could it be that unconsciously, through weakness, he had yielded himself to a selfish course of living?
16241	Could such a thing as this be?
16241	Did papa bring one and put it here?"
16241	Did you notice how their eyes sparkled as they took their seats in the carriage and looked out upon the strange, foreign sights?"
16241	Do n''t you think it very beautiful, uncle?"
16241	Do this deed for me?_"--LOWELL.
16241	Do you know the story of these saints?"
16241	Do you know why I am so very happy?"
16241	Do you know, Betty, that our father once saved her life?
16241	Do you not see, do you not know, how I have loved Barbara ever since I first saw her?
16241	Do you not think she will sometime love me?
16241	Do you not wish to get acquainted with Plato, Aristotle, Cicero, and Virgil?"
16241	Do you recollect the story about Raphael''s writing to Francia to oversee its proper and safe placing?"
16241	Do you remember, Margery, what name the poet Shelley gives Florence in that beautiful poem you were reading yesterday?"
16241	Do you suppose Domenichino borrowed so much from his master?"
16241	Do you think, Mrs. Douglas, that Barbara and I shall be seasick?
16241	Douglas?"
16241	Douglas?"
16241	Finally Barbara asked, in a thoughtful tone:--"Did you notice the names on the leaves of the travellers''book at the hotel?
16241	Finally Bettina asked:--"Why does Mrs. Douglas do so much for us?
16241	Finally he asked:--"And then what can a man do?
16241	For do n''t you remember those pictures we saw in his studio the other day?
16241	For if Mr. Sumner had really been learning to love Barbara, might it not also be that Barbara cared more for him than Bettina had been wo nt to think?
16241	For some one to open, never so little, the blind eyes?
16241	Had he been blind all this time, and had Betty seen it?
16241	Had he frightened her?
16241	Had his view been a narrow one, when he had so longed that it should be wide and ever wider?
16241	Had not the personal sorrow to which he had yielded narrowed to his eyes the world,--_his_ world, in which God had put him?
16241	Has it been either an interpretation or a revelation of something?
16241	Has the picture borne us any message?
16241	Have you counted well the cost of added thought and care which our dear Doctor''s daughters will impose?
16241	He, whose one aim and ideal had ever been to give his life and its opportunities for the benefit of others?
16241	How can we ever repay her?"
16241	How did it get here?
16241	How do these differ from those of other painters?"
16241	How do you like him, Bab?
16241	How much is it?"
16241	How old were you, my sister, when you were married?
16241	How would it be when he should be back again in his native land?
16241	How would one go about it?
16241	I acknowledge that a picture or a book may be fine, even great, with such subjects; but is it either as helpful or wholesome as it might have been?"
16241	In the present condition of people and government, how can any man, for instance, such as you are, really accomplish anything?
16241	Indeed, how could any woman help it?
16241	Is it not a stupendous conception?
16241	Is it not truly fine, charming in composition, graceful in action, agreeable in color, and true and noble in expression?"
16241	Is it solely for the perfection of itself?
16241	It seems to me as if their lives have been all lived, as if they now are dead; and how can any new life be put into them?
16241	It would have been better if he had chosen other than sacred subjects, would it not, Howard?"
16241	Malcom, do n''t you know that it is only by a chance that we have found these pictures?
16241	No one?
16241	Nothing can fit; for who could ever put into words the beauty of all this?"
16241	Now, Malcom, you will be enthusiastic about it, will you not?
16241	Now, if this be true, do we wish to come here and go away without learning all that we possibly can of them?
16241	Of what is she so proud?
16241	Of what other painter do these angels remind you?"
16241	Poor Mrs. Douglas''s face showed the sudden weight of care that had been launched upon her, as she anxiously asked:--"What do you advise, Robert?"
16241	Returning with an envelope in his hands, he cried:--"What will you give for a letter from home already, Barbara and Betty?"
16241	Rightly?
16241	Shall we remember it?"
16241	She felt that she could almost hate this fortunate Barbara, who so easily was gaining all the things she herself coveted,--admiration,--wealth,--love?
16241	Simply?
16241	Suddenly Barbara, throwing aside her pen, exclaimed:--"Betty dear, do n''t you sometimes feel most horribly ignorant?"
16241	Suddenly the thought flashed into her mind:"Can it be because Robert left us to drive with the others?
16241	Sumner?"
16241	Sumner?"
16241	Sumner?"
16241	Sumner?"
16241	Sumner?"
16241	That, whatever they may mean is absolutely sacred to your uncle?
16241	Then Mr. Sumner said:--"And Barbara,--how do you think Barbara feels?
16241	Thou art the garden of the world, the home Of all art yields, and nature can decree: Even in thy desert, what is like to thee?
16241	Was Betty mistaken, after all?
16241	Was she only so sorry for him?
16241	What a difference clothes make, do they not?
16241	What are you thinking of, little Margery?"
16241	What could have wrought it?
16241	What could it mean?
16241	What did Michael Angelo, himself, do if, as uncle suggested, God wrought through him?"
16241	What do you think, Betty?"
16241	What is it?
16241	What is the use of this preparation of study in art, poetry, or music?
16241	What matters a little unrest or disappointment, or even unhappiness, when our thought is engaged with untold ages of God''s dealing with mankind?
16241	What power can make the people wish for anything better than they have, can wake them up to make more of the children than the parents are?
16241	What story or incident shall I choose for representation that will best show the individual characteristics of these men?''
16241	What then?"
16241	What would St. Ursula do?''"
16241	When last had he seen such a look in woman''s eyes?
16241	When she knew that he had once before loved?
16241	Where are we?"
16241	Whom did she mean?
16241	Why so called?"
16241	Will you be my wife?"
16241	Will you not ask them, dear Barbara?
16241	With the wondrous fact that God is with man,--Immanuel,--forever and forevermore?
16241	Would she never answer?
16241	Would she never lift the eyelids that seemed to droop more and more closely upon the crimson cheeks?
16241	You are sure his character is beyond question, Malcom?"
16241	You did not think, did you, mamma, what would come from our year in Italy?
16241	_ Can_ they afford it?
16241	_ In life''s small things be resolute and great To keep thy muscle trained; Knowest thou when Fate Thy measure takes?
16241	_ could_ he ever love anybody again?
16241	_ do_ you think papa and mamma will let us go?
16241	are you faint?
16241	asked Barbara,--"as in a landscape, or seascape, or the painting of a child''s face?"
16241	asked Barbara;"here in this lovely inner court, where are the graves of so many monks?"
16241	was this to come?
16241	what could make you think of such a thing?
16241	what do you mean?
16241	what is it?"
16241	what is it?"
16241	what is the matter?
16241	when?"
16241	with a pathetic little catch of the breath;"how are you feeling just this minute?"