trigram

This is a table of type trigram and their frequencies. Use it to search & browse the list to learn more about your study carrel.

trigram	frequency
one of the	658
of the church	472
part of the	415
of the nave	411
of the cathedral	407
of the choir	324
the cathedral of	262
end of the	261
there is a	260
to have been	251
church of st	240
the church of	237
side of the	235
the time of	232
notre dame de	230
and in the	223
it is a	212
on the north	211
of the great	207
on the south	198
of the old	192
some of the	191
of the most	189
the work of	188
the end of	186
the thirteenth century	182
in the north	172
of the south	172
that of the	172
in the south	171
is one of	168
as well as	167
of the city	165
of the north	159
in the cathedral	155
in spite of	150
the lady chapel	146
of notre dame	145
of the same	142
the fifteenth century	142
the east end	142
the fourteenth century	141
the north side	138
the middle ages	136
said to have	136
the remains of	131
the church was	131
the south side	130
the south transept	129
it is not	128
the north transept	126
of the town	123
it has been	122
cathedral of st	122
it is the	121
the site of	120
a series of	119
and it is	119
the west front	118
that it was	118
but it is	117
of the thirteenth	117
of the first	116
the chapel of	115
it was a	115
is to be	113
to the south	111
of the west	109
remains of the	109
to the north	109
there was a	109
is said to	108
wall of the	108
out of the	108
the twelfth century	108
north and south	107
in the church	107
it is said	107
the xii century	106
the history of	106
is of the	106
the xiii century	106
architecture of scotland	106
it was the	105
ecclesiastical architecture of	105
to be seen	104
in the time	104
those of the	103
the church is	101
that it is	101
in the nave	100
in the choir	100
portion of the	100
to be the	99
of the transept	99
of the middle	98
the west end	98
of the early	98
windows of the	97
the south of	97
to be found	97
must have been	97
the nave and	97
there is no	96
the bishop of	96
work of the	96
at the east	96
the south aisle	95
the fact that	94
of the present	92
the high altar	92
the north aisle	92
of the fifteenth	91
the choir is	91
in the world	90
the choir and	89
and it was	89
of the tower	89
in order to	88
of the abbey	88
the tomb of	88
the nave is	87
of the ancient	87
the middle of	87
the walls of	87
of the new	86
seems to have	86
of the building	86
the name of	86
of the fourteenth	86
church of the	86
walls of the	85
on each side	84
at the end	84
on the east	83
it was not	83
the cathedrals of	81
the abbey of	81
the cathedral is	80
many of the	80
known as the	80
the life of	80
the sixteenth century	79
the north and	78
parts of the	78
the beginning of	78
the cathedral was	78
middle of the	77
the building of	76
the choir of	76
history of the	75
on the west	74
in the early	74
the early english	74
and on the	73
to the cathedral	73
of the virgin	73
is in the	72
of all the	72
the most beautiful	72
the east window	71
the same time	71
most of the	71
the cathedral at	71
and at the	71
the xiv century	71
the hands of	71
in the first	71
the rest of	70
time of the	70
chapel of st	70
at the west	70
so far as	69
chapel of the	69
are of the	69
the see of	69
the nave of	68
site of the	68
is a fine	68
the use of	68
of the twelfth	68
dedicated to st	68
in the same	68
on either side	68
up to the	68
in bulletin monumental	67
was one of	66
the house of	66
of the original	66
to the church	66
building of the	66
beginning of the	66
of the holy	65
it is to	65
a sort of	65
the ruins of	65
to be a	64
the parish church	63
built in the	63
the story of	63
it may be	63
and of the	62
the centre of	62
there was no	62
are to be	62
that in the	61
the duke of	61
north side of	61
at one time	61
the reign of	61
of the king	61
as it is	61
may have been	61
to the east	61
spite of the	60
of the xii	60
have been the	60
that of st	60
de la france	60
in which the	60
south side of	60
windows in the	59
and there is	59
on the site	59
used as a	59
that he was	59
and the church	59
view of the	58
is the most	58
at the same	58
be seen in	58
half of the	58
of the two	58
in the middle	58
at the time	58
of our lord	58
seen in the	58
the central tower	58
said to be	58
of the best	57
arches of the	57
be found in	57
nave and choir	57
is a very	57
of the cloister	57
in the centre	57
east end of	56
bays of the	56
the abbey church	56
we see the	56
of the xiii	56
here and there	56
the death of	55
of the french	55
the north of	55
the king of	55
of st thomas	55
much of the	55
east of the	55
have been a	55
was the first	55
would have been	55
the south wall	55
belongs to the	55
south of the	55
the most interesting	54
was in the	54
of which the	54
in honour of	54
of the interior	54
the choir was	54
dates from the	54
the body of	54
this is the	54
when it was	53
is that of	53
the xi century	53
in the midst	53
seem to have	53
of the country	53
the abbot of	52
the capital of	52
the interior of	52
in the west	52
of the time	52
rest of the	52
the memory of	52
the windows of	52
north of the	52
of the east	51
one hundred and	51
body of the	51
the head of	51
he was a	51
in the east	51
in the thirteenth	51
the xv century	51
at any rate	51
but in the	50
is said that	50
but it was	50
of the gothic	50
of which is	50
the midst of	50
account of the	50
the days of	49
of the world	49
the beauty of	49
more than a	49
was built by	49
the seat of	49
the city of	49
of the windows	49
the eleventh century	48
of the roman	48
style of the	48
the battle of	48
beauty of the	48
and the other	48
which is the	48
aisle of the	48
in the chapel	47
the first to	47
of the romanesque	47
the nave was	47
the east side	47
notre dame at	47
the top of	47
the monks of	47
on the other	47
the archbishop of	47
cathedral of notre	47
to see the	47
it will be	47
there is an	47
the eighteenth century	47
the arms of	46
belong to the	46
in the town	46
of the past	46
well as the	46
the tower of	46
as far as	46
story of the	46
years of the	45
the present cathedral	45
the interior is	45
a part of	45
entrance to the	45
the north wall	45
the erection of	45
roof of the	45
it is of	45
of the edifice	45
centre of the	45
of the last	45
of early english	45
as it were	45
in the fourteenth	44
of the monastery	44
was to be	44
the upper part	44
one of these	44
which has been	44
as to the	44
of the central	44
of the sixteenth	44
which had been	44
valley of the	44
not to be	44
of the exterior	43
the windows are	43
work in the	43
of one of	43
the seventeenth century	43
in the year	43
of nave and	43
as we have	43
as it was	43
the scene of	43
the cathedral and	43
was founded in	43
in the old	43
of the monks	43
at this time	43
the height of	43
example of the	43
the presence of	42
the east of	42
in one of	42
the first bishop	42
he had been	42
the art of	42
the national art	42
of the apse	42
the civil war	42
interior of the	42
in memory of	42
the exterior of	41
of the people	41
churches of the	41
was founded by	41
each side of	41
of the national	41
the shrine of	41
one of those	41
south of france	41
the banks of	41
of this church	41
remains of a	41
height of the	41
who died in	41
in the upper	41
to that of	41
of the english	40
on to the	40
as in the	40
added to the	40
glass of the	40
and that the	40
of the work	40
of the three	40
there is the	40
at the reformation	40
with that of	40
at that time	40
a place of	40
window of the	40
of the norman	39
there are two	39
use of the	39
according to the	39
which he had	39
in the xii	39
life of the	39
of the bishop	39
there are some	39
here in the	39
in the great	39
founder of the	39
buried in the	39
which is a	39
of the house	39
we notice the	39
because of the	39
the close of	39
in the city	39
on account of	39
and his wife	39
the church in	38
of the sea	38
in all the	38
early in the	38
the whole of	38
the city was	38
of the finest	38
shrine of st	38
built by bishop	38
a number of	38
the foundation of	38
length of nave	38
william the conqueror	38
was built in	38
the church and	38
the style of	38
of the renaissance	38
the old norman	38
in the interior	38
it would be	38
corner of the	38
upper part of	38
portions of the	37
capital of the	37
the first time	37
two of the	37
found in the	37
it was in	37
in revue de	37
king of france	37
of which are	37
vaulting of the	37
that he had	37
and the cathedral	37
surmounted by a	37
the see was	37
the capitals of	37
are in the	37
ruins of the	37
hundred and fifty	37
it must be	37
the architecture of	37
of our lady	37
hands of the	36
of the roof	36
the side aisles	36
of the structure	36
it is true	36
who had been	36
of my heart	36
than any other	36
the great church	36
tomb of the	36
up in the	36
banks of the	36
the influence of	36
england of my	36
the place of	36
of the chapter	36
the roof of	36
of a church	36
the restoration of	36
none the less	36
of the xi	36
appears to have	36
be said to	36
is not a	36
of the xiv	35
the lower part	35
of the romans	35
said that the	35
west of the	35
to do with	35
and is a	35
and to the	35
as to its	35
of the royal	35
the founder of	35
of gothic art	35
in the fifteenth	35
tower of the	35
the valley of	35
of the other	35
parish church of	35
far as the	35
of the little	35
in the main	35
it would seem	35
of the wall	35
of gothic architecture	35
is a curious	34
of the river	34
side by side	34
and also the	34
and has a	34
the glory of	34
that on the	34
abbey church of	34
bay of the	34
close of the	34
of the art	34
and all the	34
in the new	34
early english style	34
it to the	34
to the west	34
of the greatest	34
at the south	34
architecture of the	34
a man of	34
and there was	34
simon de montfort	34
of the walls	34
would seem to	34
in the wall	34
it had been	34
as one of	34
the part of	34
on the same	34
of the transepts	34
examples of the	34
the roof is	34
the work was	34
of the earlier	33
for the first	33
the decorated period	33
of the eleventh	33
the names of	33
founded in by	33
used as the	33
is on the	33
of the chapel	33
abbey of st	33
part in the	33
the heart of	33
the destruction of	33
connected with the	33
the entrance to	33
cathedrals of the	33
the most important	33
one of them	33
of the whole	33
of the diocese	33
the son of	33
the monastic buildings	33
and he was	33
to the king	33
the builder of	33
there are no	33
of nave ft	33
and when the	33
it is only	33
nave of the	33
of the perpendicular	33
the same period	33
up and down	32
at the top	32
the nave are	32
a matter of	32
of the chancel	32
on the right	32
restoration of the	32
was begun in	32
attached to the	32
the bishops of	32
that of a	32
and part of	32
of the decorated	32
head of the	32
son of the	32
tree of jesse	32
the development of	32
belonged to the	32
by no means	32
the last of	32
by reason of	32
the date of	32
on the left	32
church in the	32
window in the	32
height of nave	31
the xvi century	31
of a great	31
from the north	31
the greater part	31
down to the	31
the kings of	31
top of the	31
cathedrals of france	31
the relics of	31
of his own	31
than that of	31
in the kingdom	31
of that period	31
the title of	31
it would have	31
the foot of	31
it is one	31
the churches of	31
of the midi	31
which it is	31
the isle of	31
was buried in	31
one of his	31
notre dame of	31
consists of a	31
should have been	31
it is now	31
the right of	31
in the presence	31
and the great	31
leading to the	31
may be seen	31
might have been	31
of the see	31
with respect to	31
it is in	31
house of the	31
archbishop of canterbury	30
it is an	30
with regard to	30
the effect of	30
as we see	30
of the place	30
the abbey was	30
now used as	30
door of the	30
the people of	30
west end of	30
the decorated style	30
figures of the	30
from the east	30
though it is	30
was destroyed by	30
the advent of	30
of the earliest	30
and that of	30
exterior of the	30
dedicated in honour	30
art of the	30
each of the	30
he could not	30
name of the	30
is a large	30
this part of	30
is not so	30
the west wall	30
the fourth century	30
such as the	30
dedicated to the	30
of the late	30
in the second	30
a work of	30
the base of	30
in the crypt	30
fact that the	30
the earl of	29
in the reign	29
the arches of	29
place in the	29
came to the	29
in the twelfth	29
a great deal	29
lower part of	29
the east wall	29
of the triforium	29
it was built	29
effect of the	29
back to the	29
more or less	29
tells us that	29
place of the	29
is of a	29
in front of	29
the rule of	29
erected in the	29
the fate of	29
in the days	29
feet height of	29
the fall of	29
between the two	29
in the latter	29
earlier than the	29
of the main	29
to the great	29
could not be	29
the most part	28
width of nave	28
john the baptist	28
the cathedral itself	28
on the banks	28
capitals of the	28
and with the	28
the diocese of	28
development of the	28
was erected by	28
choir of st	28
city of the	28
early english work	28
the perpendicular style	28
out in the	28
two hundred and	28
to the same	28
of the eighteenth	28
and the whole	28
for a time	28
of the high	28
character of the	28
the same date	28
of the loire	28
in the abbey	28
by the great	28
here is the	28
for the most	28
is early english	28
time of henry	28
of those who	28
of its own	28
the present church	28
the order of	28
of the lord	28
to the right	28
a few years	28
in the country	28
last of the	28
at the north	28
the form of	28
the world war	28
it was to	28
a row of	28
from the south	28
the towers of	27
towers of the	27
choir and transept	27
the foundations of	27
the first of	27
the clerestory windows	27
one of which	27
and from the	27
figure of the	27
for it was	27
i know not	27
later than the	27
and is the	27
of the period	27
led to the	27
had to be	27
given to the	27
of this cathedral	27
may be said	27
arch of the	27
will be found	27
seat of the	27
days of the	27
at the beginning	27
the west window	27
of the four	27
together with the	27
at the foot	27
is difficult to	27
is full of	27
the castle of	27
honour of st	27
of henry viii	27
of the aisles	27
in the lower	27
in the very	27
the lack of	27
and the most	27
built by the	27
front of the	27
the vaulting of	27
we enter the	27
possession of the	27
it has a	27
the exception of	27
the cause of	27
features of the	27
from the west	27
owing to the	27
south choir aisle	26
little of the	26
was able to	26
is the only	26
had been a	26
from the choir	26
of the northern	26
piers of the	26
the wall of	26
the face of	26
the eastern end	26
in the xiii	26
of the province	26
of the western	26
and the nave	26
spite of its	26
the making of	26
the number of	26
leads to the	26
to make the	26
of edward i	26
the greatest of	26
in the transept	26
a hundred years	26
the power of	26
more than the	26
the th of	26
it to be	26
south transept is	26
statue of the	26
nave and aisles	26
it is difficult	26
so that the	26
this is a	26
he was the	26
rebuilt in the	26
a statue of	26
of the order	26
triforium and clerestory	26
the first crusade	26
the king and	26
with the exception	26
and as the	26
greater part of	26
the sixth century	26
to the memory	26
only in the	26
the xvii century	26
scenes from the	26
the choir are	26
in the last	26
of the stone	26
the south porch	26
gothic of the	25
is not of	25
of norman work	25
to this day	25
is a good	25
east and west	25
seem to be	25
the tower and	25
north transept is	25
nave and the	25
as i have	25
a portion of	25
that he would	25
appear to have	25
and the choir	25
it as a	25
to the end	25
the old church	25
as late as	25
to the see	25
to make a	25
one of its	25
as early as	25
now in the	25
on which the	25
to the new	25
foundation of the	25
from which the	25
first bishop of	25
main body of	25
on one side	25
of the xv	25
the men of	25
he and his	25
a suffragan of	25
bishop of the	25
north aisle of	25
in favour of	25
the town of	25
palace of the	25
foot of the	25
placed in the	25
i could not	25
the day of	25
that there was	25
obtained from the	24
the tombs of	24
something of the	24
which have been	24
tracery of the	24
men and women	24
the original norman	24
but there is	24
is now a	24
the back of	24
cathedral of the	24
come to the	24
the south choir	24
the gift of	24
to the left	24
and the old	24
as a whole	24
is the work	24
the level of	24
tomb of bishop	24
of the college	24
of the saint	24
the soul of	24
any of the	24
of the seventeenth	24
that the cathedral	24
can be seen	24
founded in the	24
in the morning	24
and in a	24
a son of	24
with all the	24
the best of	24
destroyed by the	24
because of its	24
dating from the	24
of the clerestory	24
built on the	24
stood on the	24
level of the	24
has been called	24
the fifth century	24
in the third	24
as that of	24
in the decorated	24
in by the	24
whole of the	24
of the century	24
we have seen	24
and the north	24
south wall of	24
life of st	24
and the south	24
on the part	24
to be remarked	24
the east and	24
of the famous	24
divided into two	24
left to us	24
the nineteenth century	24
him in the	24
to the bishop	24
the council of	24
by the germans	24
of le mans	24
was not the	24
the piers are	24
nothing of the	24
the church has	24
the style is	23
the daughter of	23
close to the	23
of which was	23
due to the	23
has been much	23
arms of the	23
the general effect	23
from the church	23
destroyed by fire	23
the completion of	23
was erected in	23
the most famous	23
that they are	23
of the nineteenth	23
the words of	23
is but a	23
and the west	23
was finished by	23
the plan of	23
the tower is	23
south aisle of	23
the martyrdom of	23
of a former	23
of the towers	23
choir and nave	23
angle of the	23
do not know	23
and by the	23
the south is	23
and was the	23
it seems to	23
a city of	23
cathedral in the	23
the altar of	23
the black prince	23
one to the	23
he died in	23
of the cathedrals	23
fall of the	23
the transepts are	23
at the hands	23
quarter of the	23
the old cathedral	23
and there are	23
of the former	23
of the day	23
the aisles are	23
as is the	23
by the french	23
the city is	23
is very beautiful	23
which it was	23
the west of	23
the main body	23
of the lower	23
the spirit of	23
and one of	23
the monks were	23
none of the	23
in those days	23
not of the	23
in the house	23
the side of	23
the possession of	23
a kind of	23
it may have	23
the windows in	22
in the tower	22
part of a	22
even in the	22
in the land	22
there is little	22
aisles of the	22
of the kingdom	22
is divided into	22
is a great	22
the glass is	22
seen from the	22
the period of	22
it from the	22
of stained glass	22
of the presbytery	22
which was to	22
feet width of	22
he would have	22
abbey of paisley	22
the present edifice	22
of the style	22
on the th	22
east side of	22
who built the	22
memory of the	22
in a way	22
cathedral is the	22
then came the	22
similar to that	22
they are the	22
to the first	22
the high street	22
details of the	22
the transept is	22
the side chapels	22
when he was	22
all of the	22
supposed to be	22
de la soc	22
and the present	22
are among the	22
a group of	22
this was the	22
the virgin and	22
the figure of	22
he did not	22
the tenth century	22
in the fourth	22
in the sixteenth	22
in the midi	22
members of the	22
the holy trinity	22
erected by bishop	22
which he was	22
north choir aisle	22
to us in	22
west front is	22
the kingdom of	22
and the two	22
in all its	22
the palace of	22
is worthy of	22
sir gilbert scott	22
principal building dates	22
which is of	22
in it was	22
during the revolution	22
we shall see	22
it was only	22
over the crossing	22
was on the	22
in order that	22
of the glass	22
work on the	22
by the king	22
the west door	22
from the nave	22
edward the confessor	22
the priory of	22
it is impossible	22
used in the	22
in the present	22
of the piers	22
of the lady	22
is supposed to	21
not so much	21
is not only	21
builder of the	21
it must have	21
the course of	21
the time when	21
the figures of	21
more than one	21
of the bishops	21
as a matter	21
to those who	21
early part of	21
is very fine	21
had been the	21
and a few	21
of the kings	21
on the walls	21
of the castle	21
erection of the	21
was rebuilt in	21
only from the	21
so as to	21
for it is	21
the episcopal palace	21
from the old	21
in the history	21
we see it	21
the wealth of	21
was begun by	21
the bishopric of	21
the spot where	21
face of the	21
belonging to the	21
to the abbey	21
king of the	21
those in the	21
by means of	21
of the eastern	21
a figure of	21
the north porch	21
then in the	21
master of the	21
and when he	21
of the later	21
is impossible to	21
and south aisles	21
in place of	21
two or three	21
perhaps the most	21
in which he	21
of the window	21
and the tower	21
to the time	21
was a great	21
was destroyed in	21
histoire de la	21
of the latter	21
the north is	21
by the english	21
is known as	21
was born in	21
of the dead	21
was dedicated to	21
of the aisle	21
the feast of	21
a very beautiful	21
the early part	21
the glass of	21
the village of	21
that the church	21
feet in height	21
the walls are	21
when they were	21
the builders of	21
was known as	21
monuments of the	21
few of the	21
that they were	21
choir and the	21
of a new	21
do with the	21
the west side	21
of the region	21
of the revolution	21
arm of the	21
sides of the	21
either side of	21
the transept and	21
the appearance of	21
like that of	20
the next day	20
of the scottish	20
there are the	20
the royal domain	20
i have said	20
the pointed arch	20
in the hands	20
the monastery was	20
that it has	20
upon the north	20
buildings of the	20
completion of the	20
it with the	20
about the same	20
would not have	20
formed part of	20
about the middle	20
were to be	20
in the most	20
the counts of	20
work of bishop	20
peter and paul	20
away from the	20
of the reformation	20
in addition to	20
it was this	20
and some of	20
plan of the	20
blanche of castile	20
hall of the	20
the cathedral in	20
the siege of	20
of the men	20
and those of	20
it is known	20
relics of the	20
there is not	20
in the perpendicular	20
was used as	20
the finest in	20
the other side	20
of his work	20
is called the	20
the present choir	20
than those of	20
inserted in the	20
he had a	20
of henry iii	20
from a distance	20
its first bishop	20
that to the	20
a couple of	20
church of san	20
wars of the	20
to be in	20
of which we	20
appearance of the	20
each of which	20
of this great	20
have been in	20
on the road	20
when he came	20
glass in the	20
in the xiv	20
of the second	20
which may be	20
a piece of	20
the most notable	20
the tower was	20
we have said	20
of its kind	20
the most ancient	20
the crypt of	20
in this country	20
the bishopric was	20
to the other	20
east window is	20
took place in	20
of the vaulting	20
the perpendicular period	20
as those of	20
the great and	20
in the walls	20
and this is	20
anne of brittany	20
to the old	20
that there is	20
duke of normandy	20
men of the	20
the north choir	20
have been built	20
is that the	20
bank of the	19
given over to	19
isle of france	19
site of a	19
of the duke	19
at the back	19
the construction of	19
the new church	19
the present day	19
day of the	19
in the eleventh	19
with the great	19
or at least	19
dame de paris	19
date of the	19
abbatial of st	19
the monument of	19
the new forest	19
the xviii century	19
of southern france	19
is surmounted by	19
was rebuilt by	19
the city and	19
is now the	19
he came to	19
and with a	19
has been the	19
chapel in the	19
was dedicated in	19
stone of the	19
the murder of	19
was finished in	19
the result of	19
after the fire	19
to support the	19
of the side	19
influence of the	19
the little church	19
on his way	19
and the first	19
residence of the	19
in the streets	19
the mouth of	19
and south transepts	19
east window of	19
flanked by two	19
of the crossing	19
of the christian	19
into the hands	19
the streets of	19
is a modern	19
the town was	19
the church by	19
study of the	19
by which the	19
but it has	19
tower and spire	19
destruction of the	19
not only in	19
imitation of the	19
feature of the	19
the wars of	19
the study of	19
the crown of	19
the gothic cathedrals	19
similar to the	19
i do not	19
the monuments of	19
the dignity of	19
which was the	19
portal of the	19
the edge of	19
could not have	19
such was the	19
the new cathedral	19
and his son	19
a monk of	19
of william the	19
the gothic of	19
the third century	19
has been said	19
the shadow of	19
date from the	19
it consists of	19
it was an	19
from the life	19
to the nave	19
the watling street	19
to the french	19
the triforium is	19
first of the	19
to the virgin	19
of the arches	19
supposed to have	19
of the faith	19
the line of	19
in the little	19
as soon as	19
of the upper	19
the houses of	19
at the close	19
abbot of cluny	19
of the cross	19
great deal of	19
the blessed virgin	19
of northern france	19
the college of	19
the details of	19
and is of	19
as he was	19
dame of paris	19
of the architecture	19
and after the	19
the screen is	19
here is a	19
church of scotland	19
those who have	19
are the remains	19
is the same	19
of the blessed	18
of that time	18
the fire of	18
gothic church of	18
at the battle	18
doorway in the	18
many of its	18
the vaulting is	18
the romanesque cathedral	18
great east window	18
church is the	18
of the land	18
of the southern	18
it is possible	18
time of edward	18
of his church	18
say that the	18
of a bishop	18
to the chapter	18
were in the	18
the south and	18
a great church	18
the architect of	18
is not to	18
of the hill	18
choir of the	18
an early english	18
have been made	18
it was here	18
in the place	18
from the twelfth	18
in no way	18
stood in the	18
with which the	18
if it were	18
the way of	18
in a great	18
to the ground	18
in his hand	18
of the xvi	18
hundred and thirty	18
there are many	18
in the evening	18
that he might	18
of the pope	18
more of the	18
are the work	18
of the five	18
to be of	18
john of salisbury	18
at le mans	18
martyrdom of st	18
in the following	18
after his death	18
in notre dame	18
by the same	18
as we know	18
the building is	18
at the very	18
there has been	18
which we have	18
left of the	18
back of the	18
of st nicholas	18
the days when	18
to the town	18
he was not	18
traces of the	18
base of the	18
from the time	18
covered by a	18
the little town	18
as a cathedral	18
church and state	18
thomas of canterbury	18
in the clerestory	18
the tracery of	18
was a very	18
in the aisles	18
to say that	18
is a beautiful	18
in each bay	18
the monastery of	18
and the sea	18
was not a	18
heart of the	18
in some of	18
there is some	18
who was a	18
lies in the	18
i went on	18
it does not	18
line of the	18
to those of	18
but they are	18
only a few	18
church of notre	18
eastern end of	18
a few of	18
one or two	18
scene of the	18
in connection with	18
care of the	18
it is thought	18
of which it	18
a mass of	18
of the many	18
regard to the	18
at the restoration	18
the walls and	18
them in the	18
is part of	18
only to be	18
a church of	18
it was erected	18
the count of	18
the hand of	18
the hospital of	18
the first stone	18
chapel on the	18
in this case	18
divided into three	18
in the other	18
was the most	17
destroyed in the	17
from the same	17
the nave has	17
the middle age	17
during the last	17
king of england	17
to the holy	17
of the italian	17
power of the	17
a collection of	17
in the chancel	17
it is more	17
within the church	17
in imitation of	17
at the revolution	17
and many other	17
of the year	17
of the true	17
it was that	17
from the thirteenth	17
the western towers	17
the purpose of	17
to the throne	17
and dedicated to	17
of a very	17
the road to	17
two hundred years	17
the lover of	17
some of them	17
by far the	17
was of the	17
the xii and	17
hospital of st	17
feet above the	17
not have been	17
dimensions total length	17
as much as	17
occupied by the	17
the characteristics of	17
a century later	17
from the sea	17
of the altar	17
houses of the	17
in the seventeenth	17
of the university	17
of henry iv	17
three of the	17
also in the	17
william of volpiano	17
the sound of	17
large number of	17
people of the	17
by the monks	17
cathedral and the	17
than in the	17
choir is a	17
the manner of	17
the most perfect	17
among the most	17
has ever been	17
length of choir	17
brought to the	17
of the few	17
the charm of	17
figures in the	17
the great cathedral	17
in the capilla	17
first half of	17
of the monastic	17
there can be	17
east wall of	17
to be sure	17
there in the	17
made use of	17
way to the	17
the case of	17
has been restored	17
as he could	17
in the form	17
as for the	17
william of sens	17
much for the	17
with the same	17
of france and	17
is at the	17
during the first	17
with figures of	17
is perhaps the	17
and the new	17
surrounded by a	17
the oldest part	17
and in its	17
day it is	17
the dukes of	17
is no triforium	17
of it is	17
the school of	17
associated with the	17
in the lady	17
and then the	17
which is not	17
of the modern	17
with those of	17
a good deal	17
et de la	17
lost in the	17
is a most	17
no one can	17
foundations of the	17
in the ancient	17
be able to	17
in the tympanum	17
is possessed of	17
the nave were	17
is an interesting	17
in which it	17
which has a	17
from the fourteenth	17
by one of	17
the last judgment	17
at his feet	17
coats of arms	17
the shape of	17
at the base	17
the cathedral the	17
by the bishop	17
of the small	17
through which the	17
more and more	17
by the sea	17
of st mary	17
east end is	17
the flamboyant gothic	17
of more than	17
than the nave	17
of the ile	17
the absence of	17
we are told	17
the residence of	17
high above the	17
raised to the	17
of the capital	17
the cathedral to	17
the throne of	17
covered with a	17
a masterpiece of	17
of which he	17
when it is	17
was the scene	17
and as a	17
as the parish	17
the tracery lights	17
the doorway is	17
a parish church	17
reason of the	17
all that remains	17
the first half	16
period of the	16
and xiii centuries	16
of the weald	16
the court of	16
the church as	16
a very good	16
and the upper	16
monumentale et pittoresque	16
it should be	16
in keeping with	16
an account of	16
of the cloisters	16
we have the	16
the dissolution of	16
in the romanesque	16
the church itself	16
a gem of	16
palais de justice	16
as if the	16
where he was	16
out of his	16
the new choir	16
of the tenth	16
is also the	16
and the bishop	16
but he was	16
is not the	16
expression of the	16
to build a	16
general effect of	16
of the entire	16
was the work	16
as if it	16
normandie monumentale et	16
all the world	16
much of its	16
say nothing of	16
the chapel is	16
and lady chapel	16
the great west	16
the tomb is	16
and the lady	16
at the council	16
the hall of	16
to the very	16
in the whole	16
that the great	16
sight of the	16
on the river	16
the father of	16
a little later	16
the bishop and	16
of the war	16
formed by the	16
founded by st	16
after the death	16
an arcade of	16
at the head	16
honour of the	16
to make it	16
to the choir	16
the glories of	16
responsible for the	16
the whole church	16
above the roof	16
of the churches	16
of the abbot	16
that no one	16
notre dame des	16
made by the	16
a few miles	16
of his time	16
but there was	16
are supposed to	16
full of interest	16
the position of	16
of a cathedral	16
in a very	16
a very interesting	16
is the church	16
other parts of	16
the heads of	16
in the sixth	16
made in the	16
in the western	16
given by the	16
the triforium and	16
most beautiful in	16
on the way	16
they have been	16
to rebuild the	16
in the square	16
of a more	16
north side is	16
the north tower	16
in the case	16
on the contrary	16
the gates of	16
as the church	16
of william of	16
there are three	16
to be noted	16
in the civil	16
cathedral is a	16
the modern world	16
it was then	16
of a roman	16
west corner of	16
characteristics of the	16
presence of the	16
high altar is	16
who was the	16
from the cathedral	16
of the age	16
was raised to	16
north wall of	16
as a place	16
built by abbot	16
removed from the	16
over to the	16
transept is a	16
author of the	16
in the late	16
in this church	16
are filled with	16
hundred and twenty	16
the western doorway	16
is a noble	16
form of the	16
the love of	16
de notre dame	16
of the houses	16
which we are	16
of the apostles	16
the department of	16
to the building	16
of this ancient	16
it did not	16
on the day	16
the great east	16
a monument of	16
will not be	16
of edward iii	16
matter of fact	16
with a series	16
the center of	16
of which were	16
xii and xiii	16
not in the	16
a very fine	16
the xix century	16
vault of the	16
in england of	16
served as a	16
it is well	16
order of the	16
of some of	16
the choir aisle	16
there is nothing	16
peter the venerable	16
was held by	16
is a small	16
carving of the	16
to restore the	16
of the downs	16
priory of st	16
of the third	16
the mother of	16
time when the	16
tower of st	16
former cathedral of	16
is surrounded by	16
has a fine	16
they are not	16
the church at	16
la normandie monumentale	16
and for the	16
out to the	15
builders of the	15
of the knights	15
fact that it	15
that we have	15
and a great	15
but for the	15
before the altar	15
consisting of a	15
and at last	15
seat of a	15
for all that	15
as high as	15
in the eighteenth	15
his way to	15
spirit of the	15
next to the	15
the east walk	15
of glasgow cathedral	15
the main arcade	15
is now used	15
the two towers	15
caused by the	15
representation of the	15
they are of	15
proportions of the	15
of a man	15
of the xvii	15
though it was	15
manner of building	15
go to the	15
there are a	15
the works of	15
it dates from	15
of this transept	15
of henry vii	15
set to work	15
with the other	15
is to the	15
built from to	15
as he had	15
at the present	15
in the eastern	15
floor of the	15
on this side	15
of the saxon	15
for the church	15
hundred years later	15
while in the	15
have been erected	15
on the hill	15
daughter of the	15
in any other	15
of the transition	15
has been destroyed	15
the arches are	15
lived in the	15
in the heart	15
church is a	15
he was in	15
of the principal	15
the transition from	15
feature of this	15
center of the	15
have taken place	15
view from the	15
late as the	15
or in the	15
triforium and clearstory	15
appear in the	15
archbishop of york	15
fourteenth and fifteenth	15
the chantry of	15
he had not	15
the piers of	15
separated from the	15
when the great	15
may not be	15
a combination of	15
favour of the	15
the norman style	15
the building was	15
doorway of the	15
and was buried	15
of the soil	15
of the capitals	15
in the cloisters	15
by fire in	15
of flamboyant gothic	15
glory of the	15
of the archbishop	15
he had to	15
early as the	15
would be a	15
in the past	15
to the english	15
tomb of st	15
two bays of	15
west front and	15
that we are	15
be one of	15
edge of the	15
the church to	15
on the ground	15
virgin and child	15
of the crypt	15
was that of	15
the present nave	15
so many of	15
was brought to	15
william of wykeham	15
the abbatial of	15
and the windows	15
is due to	15
erected by the	15
the sculpture of	15
the feet of	15
in the spandrels	15
a fire in	15
end to end	15
the care of	15
of the usual	15
the cathedrals at	15
point of view	15
and during the	15
of the minster	15
by the danes	15
is believed to	15
pronounced to be	15
of the isle	15
it has not	15
and most of	15
has been recently	15
be seen at	15
are those of	15
to be an	15
was forced to	15
many of them	15
from end to	15
remarkable for its	15
great number of	15
another of the	15
came from the	15
as they are	15
apart from the	15
fine example of	15
the only one	15
to the pope	15
to all who	15
was full of	15
member of the	15
we may be	15
the friend of	15
was succeeded by	15
a nave of	15
in the xv	15
department of the	15
names of the	15
a centre of	15
of henry ii	15
the loss of	15
the university of	15
when viewed from	15
and his queen	15
in the end	15
characteristic of the	15
is an ancient	15
a fragment of	15
after the battle	15
south and west	15
the great cathedrals	15
some of its	15
of an ancient	15
the floor of	15
condition of the	15
respect to the	15
and finished by	15
the seventh century	15
where he had	15
is a remarkable	15
of the very	15
and built the	15
was in a	15
of purbeck marble	14
in the general	14
for this reason	14
was formerly the	14
we have already	14
that he could	14
to the city	14
of the tomb	14
door in the	14
which in the	14
of the word	14
length of the	14
was divided into	14
of their own	14
chapel at the	14
works of the	14
the largest in	14
reconstruction of the	14
of these two	14
of the conqueror	14
the town and	14
bishopric was founded	14
illustration plan of	14
to the crown	14
to which the	14
though it be	14
west end is	14
of interest in	14
came into the	14
has been a	14
a large number	14
three hundred years	14
a pair of	14
monument of the	14
of the chapels	14
in the province	14
in the name	14
they were in	14
within the walls	14
and the four	14
in that of	14
abbot of st	14
of the older	14
preserved in the	14
the grave of	14
the removal of	14
in the fifth	14
midst of the	14
i set out	14
it is also	14
the origin of	14
it is perhaps	14
by the present	14
of that day	14
the flying buttresses	14
in comparison with	14
for this purpose	14
tomb in the	14
situated on the	14
by sir g	14
in the center	14
the norman work	14
the pier arches	14
his death in	14
of its ancient	14
of the way	14
would not be	14
and fifteenth centuries	14
like those of	14
been added to	14
the nature of	14
the affairs of	14
the addition of	14
stands on the	14
side is the	14
right of the	14
years later the	14
from the first	14
brother of the	14
all of which	14
vestiges of the	14
our lord and	14
a copy of	14
a hundred and	14
from the fact	14
window on the	14
we know that	14
it was rebuilt	14
type of the	14
is flanked by	14
it is still	14
and he had	14
after the revolution	14
was not until	14
with north and	14
from the ground	14
piece of work	14
the market place	14
this cathedral is	14
famous for its	14
above is the	14
the place where	14
of the poor	14
the lord of	14
cathedral was the	14
from that of	14
ferdinand and isabella	14
remains of an	14
a central tower	14
of the earth	14
the capitals are	14
the ravages of	14
of the saviour	14
chapels of the	14
founded by the	14
that remains of	14
across the channel	14
again in the	14
the northwest tower	14
on behalf of	14
out of which	14
with the best	14
when he died	14
to visit the	14
north and the	14
the transept of	14
the twelve apostles	14
on the wall	14
is by no	14
in the gothic	14
the door of	14
time of bishop	14
altar of the	14
he would not	14
same date as	14
in all probability	14
the old town	14
when he had	14
worthy of the	14
from the great	14
the book of	14
the patron saint	14
in the sacristy	14
the effigy of	14
early english design	14
and the same	14
of all this	14
first years of	14
the honour of	14
been recently restored	14
the citizens of	14
nave is a	14
relics of st	14
and the work	14
and fifty feet	14
in any way	14
could be more	14
the object of	14
to follow the	14
held by the	14
of the fact	14
when in the	14
la grande chartreuse	14
arcade of the	14
third century st	14
in such a	14
it is but	14
it is as	14
had not been	14
the privilege of	14
he was to	14
with the church	14
we come to	14
and a half	14
and the rest	14
the ancient church	14
width of the	14
the king was	14
a native of	14
when the church	14
nothing could be	14
it in the	14
the western end	14
to carry out	14
good example of	14
of the marne	14
of the doorway	14
it belongs to	14
of such a	14
instead of the	14
to say nothing	14
day in the	14
was laid in	14
after a fire	14
of louis ix	14
we now enter	14
in conjunction with	14
in the triforium	14
begun in the	14
the creation of	14
compared with the	14
to the fact	14
and the city	14
church on the	14
the richness of	14
the statue of	14
by the way	14
may well be	14
was once the	14
the birth of	14
a representation of	14
but a few	14
the western tower	14
architect of the	14
we shall find	14
to one of	14
and i have	14
seems to be	14
in the central	14
during the civil	14
appears to be	14
the primary gothic	14
so full of	14
in this region	14
is filled with	14
of the end	14
in all france	14
of the life	14
of the figures	14
by the south	14
consisted of a	14
is all that	14
the choir has	14
la france artistique	13
west front of	13
not only the	13
is similar to	13
dignity of the	13
was about to	13
filled with the	13
fifty years later	13
that from the	13
norman work in	13
in his own	13
romanesque cathedral of	13
on one of	13
with his own	13
first part of	13
de la ville	13
the following year	13
the marriage of	13
fragment of the	13
mainly of the	13
and even the	13
appears in the	13
duke of burgundy	13
columns of the	13
to work to	13
church of our	13
to the house	13
the year of	13
not seem to	13
it were not	13
the prince of	13
was suppressed in	13
will be noticed	13
in the way	13
is the tomb	13
the chapels of	13
bertrand de comminges	13
the same year	13
the wife of	13
gothic art in	13
churches in the	13
the heiress of	13
behind the high	13
ancient capital of	13
a very ancient	13
no trace of	13
the dedication of	13
addition to the	13
believed to have	13
into the nave	13
are the only	13
total length ft	13
of the oldest	13
of the history	13
book of glasgow	13
is hard to	13
a new church	13
history of france	13
with a smile	13
of church and	13
but this is	13
little church of	13
designed by sir	13
it was he	13
thought that the	13
cathedral cities of	13
and has been	13
is the chapel	13
thought to be	13
to the castle	13
there were no	13
the war of	13
which is now	13
the queen of	13
to be taken	13
the era of	13
it was so	13
in the ile	13
could have been	13
we will now	13
of the architect	13
all the other	13
for the poor	13
position of the	13
long before the	13
who founded the	13
the aisles and	13
time that the	13
window is a	13
and his successor	13
was the only	13
that the king	13
it and the	13
he built the	13
been much restored	13
and a large	13
and beauty of	13
and that it	13
to the monks	13
the province of	13
he is said	13
on the opposite	13
in modern times	13
open to the	13
because it is	13
kings of france	13
and the general	13
occupies the site	13
seemed to be	13
each of these	13
the first norman	13
in a few	13
is covered with	13
monographie de la	13
was pulled down	13
if we except	13
the spandrels of	13
it is very	13
the author of	13
idea of the	13
but of the	13
for those who	13
afterwards bishop of	13
lady chapel was	13
at all events	13
of which has	13
side of this	13
cause of the	13
tower at the	13
of an old	13
far from the	13
the rose window	13
were filled with	13
and that is	13
the carving of	13
of the guild	13
the new system	13
mouth of the	13
which they had	13
not one of	13
and in that	13
two western towers	13
and the little	13
the master of	13
as the cathedral	13
the king to	13
or of the	13
to hold the	13
in the rue	13
the cathedral are	13
is remarkable for	13
has a large	13
in the xi	13
choir and transepts	13
he is a	13
from the fifteenth	13
as being the	13
it was founded	13
number of the	13
and was built	13
of an earlier	13
such is the	13
monuments in the	13
a member of	13
end of a	13
many of these	13
the stones of	13
the first years	13
from the cloister	13
for more than	13
in the cloister	13
not for the	13
of the arch	13
in the tracery	13
the confines of	13
possessed of a	13