This is a table of type quadgram and their frequencies. Use it to search & browse the list to learn more about your study carrel.
quadgram | frequency |
---|---|
of the escape wheel | 91 |
the center of the | 69 |
the intersection of the | 60 |
and a half degrees | 59 |
the impulse face of | 50 |
impulse face of the | 43 |
in the direction of | 42 |
the end of the | 42 |
angular motion of the | 39 |
the direction of the | 38 |
of the entrance pallet | 36 |
one and a half | 36 |
the radial line a | 36 |
the position of the | 32 |
face of the tooth | 32 |
from the intersection of | 32 |
the locking face of | 30 |
the action of the | 29 |
as shown at fig | 28 |
the length of the | 27 |
direction of the arrow | 26 |
locking face of the | 26 |
the inner angle of | 26 |
of the pallet staff | 25 |
we draw the line | 25 |
at the same time | 25 |
by means of a | 25 |
the point of the | 24 |
inner angle of the | 24 |
the angular motion of | 23 |
as shown in fig | 23 |
degrees of angular motion | 23 |
at right angles to | 22 |
sweep the short arc | 22 |
the face of the | 21 |
fork and roller action | 21 |
the diameter of the | 21 |
at the end of | 21 |
of the jewel pin | 20 |
it is necessary to | 20 |
the top of the | 19 |
intersection of the line | 19 |
center of the pallet | 19 |
the fact that the | 19 |
for the first time | 18 |
face of the entrance | 18 |
a as a center | 18 |
at the intersection of | 18 |
from b as a | 17 |
the line a b | 17 |
for the purpose of | 17 |
its intersection with the | 17 |
from a as a | 17 |
and through the point | 17 |
b as a center | 17 |
it will be seen | 17 |
the teeth of the | 17 |
the extent of the | 16 |
on the arc a | 16 |
she said to herself | 16 |
and establish the point | 16 |
it is well to | 16 |
of angular motion of | 16 |
right angles to the | 16 |
the fork and roller | 16 |
the periphery of the | 16 |
it is to be | 15 |
the space between the | 15 |
in the midst of | 15 |
the point so established | 15 |
the radial lines a | 15 |
draw the radial line | 15 |
by means of the | 15 |
of the exit pallet | 15 |
we sweep the arc | 15 |
in the middle of | 14 |
the axis of the | 14 |
through an arc of | 14 |
as a center we | 14 |
intersection of the radial | 14 |
periphery of the escape | 14 |
is one of the | 14 |
with the arc a | 14 |
we establish the point | 14 |
draw the line b | 14 |
the form of a | 14 |
the middle of the | 14 |
in regard to the | 14 |
to the fact that | 14 |
what do you think | 14 |
the detached lever escapement | 14 |
the motion of the | 14 |
face of the pallet | 14 |
with the line a | 14 |
seen in the direction | 13 |
angle of the pallet | 13 |
motion of the escape | 13 |
the angular extent of | 13 |
each side of the | 13 |
the outer angle of | 13 |
we show at fig | 13 |
showed a variation of | 13 |
on the other hand | 13 |
on each side of | 13 |
of the radial line | 13 |
to the end of | 12 |
we sweep the short | 12 |
through the point so | 12 |
published by the keystone | 12 |
the arc a a | 12 |
the back of the | 12 |
organ of the jewelry | 12 |
the jewelry and optical | 12 |
on the top of | 12 |
we lay off on | 12 |
the other side of | 12 |
of the several parts | 12 |
of the jewelry and | 12 |
intersection of the arc | 12 |
two and a half | 12 |
the surface of the | 12 |
other side of the | 12 |
the organ of the | 12 |
the size of the | 12 |
jewelry and optical trades | 12 |
tooth of the escape | 12 |
of the seventeenth century | 11 |
indicated by the dotted | 11 |
angular extent of the | 11 |
the dividers set at | 11 |
from its intersection with | 11 |
as shown in the | 11 |
the escape wheel and | 11 |
center we sweep the | 11 |
the outside of the | 11 |
a minute or two | 11 |
outer angle of the | 11 |
the escape wheel is | 11 |
of the lever escapement | 11 |
any part of the | 11 |
angles to the line | 11 |
would you like to | 11 |
all of a sudden | 11 |
we draw the radial | 11 |
for a long time | 11 |
a center we sweep | 11 |
with our dividers set | 11 |
with the dividers set | 11 |
a good deal of | 11 |
and at the same | 11 |
the thickness of the | 10 |
it will be necessary | 10 |
the horn of the | 10 |
the invention of the | 10 |
as indicated by the | 10 |
and from the intersection | 10 |
i tell you what | 10 |
to the extent of | 10 |
of the line a | 10 |
motion of the lever | 10 |
by means of which | 10 |
face of the prong | 10 |
of the balance and | 10 |
by courtesy of messrs | 10 |
the pendant up position | 10 |
of the balance staff | 10 |
the inner face of | 10 |
diameter of the cylinder | 10 |
of the eighteenth century | 10 |
in the form of | 10 |
in contact with the | 10 |
it will be found | 10 |
the edge of the | 10 |
motion of the balance | 10 |
i can tell you | 10 |
represents the center of | 10 |
shell of the cylinder | 10 |
lip of the cylinder | 10 |
with the radial line | 10 |
it is evident that | 10 |
in the case of | 9 |
it is not necessary | 9 |
great deal to learn | 9 |
a b with the | 9 |
one of the most | 9 |
of the impulse face | 9 |
angle of the entrance | 9 |
phases of the moon | 9 |
as it should be | 9 |
will be found to | 9 |
of the half shell | 9 |
will be seen that | 9 |
the pitch circle of | 9 |
do you think of | 9 |
the center of our | 9 |
as shown at a | 9 |
degrees on each side | 9 |
will be necessary to | 9 |
arc with the line | 9 |
the name of the | 9 |
a great deal to | 9 |
radial line a b | 9 |
as per second column | 9 |
the use of the | 9 |
set at five inches | 9 |
as soon as the | 9 |
the jewel pin will | 9 |
at an angle of | 9 |
the inside of the | 9 |
degrees on the arc | 9 |
the foot of the | 9 |
with the line b | 9 |
inner face of the | 9 |
you think of that | 9 |
we draw a line | 9 |
as per fourth column | 9 |
line a b with | 9 |
the year of the | 9 |
to be found in | 9 |
angle of the exit | 8 |
prong of the fork | 8 |
down on the arc | 8 |
dividers set at five | 8 |
a side view of | 8 |
i am the greatest | 8 |
the tooth of the | 8 |
to do is to | 8 |
pitch circle of the | 8 |
courtesy of percy webster | 8 |
the middle temperature error | 8 |
the bottom of the | 8 |
is attached to the | 8 |
shaped as shown at | 8 |
in one of the | 8 |
point of the tooth | 8 |
through the center of | 8 |
the intersection of this | 8 |
the way to fairyland | 8 |
side of the moon | 8 |
so established draw the | 8 |
the evolution of the | 8 |
the whole of the | 8 |
the free ends of | 8 |
from the fact that | 8 |
in the horizontal positions | 8 |
of the cylinder shell | 8 |
in proportion to the | 8 |
test showed a variation | 8 |
as we have said | 8 |
when the watch is | 8 |
i need hardly say | 8 |
from the center of | 8 |
in the possession of | 8 |
of the line b | 8 |
in the first place | 8 |
of the arc a | 8 |
the size of a | 8 |
it is easy to | 8 |
on the line a | 8 |
find it to be | 8 |
the art of the | 8 |
the arc a we | 8 |
as well as the | 8 |
as a center sweep | 8 |
the side of the | 8 |
per fourth column fig | 8 |
it would be a | 8 |
intersection with the line | 8 |
b with the arc | 8 |
at the top of | 8 |
of the prong of | 8 |
the outer diameter of | 8 |
by courtesy of percy | 8 |
draw the radial lines | 7 |
the radius of the | 7 |
the shape of the | 7 |
the force of the | 7 |
point so established draw | 7 |
center of the balance | 7 |
the line a a | 7 |
the line b e | 7 |
the phases of the | 7 |
to play with me | 7 |
the prong of the | 7 |
between dial up and | 7 |
the outer face of | 7 |
half shell of the | 7 |
to the line a | 7 |
a center sweep the | 7 |
one position to any | 7 |
a half degrees lock | 7 |
horn of the fork | 7 |
a half degrees to | 7 |
from one position to | 7 |
position to any other | 7 |
up at the clock | 7 |
the vertical line a | 7 |
the equation of time | 7 |
out of the window | 7 |
the end of his | 7 |
but it was not | 7 |
the jewel pin d | 7 |
teeth of the escape | 7 |
vibration of the coil | 7 |
for a minute or | 7 |
so as to be | 7 |
located at the intersection | 7 |
and one or two | 7 |
face of the exit | 7 |
the arc of motion | 7 |
between the radial lines | 7 |
in order that the | 7 |
per second column fig | 7 |
to be able to | 7 |
by the dotted lines | 7 |
position test showed a | 7 |
the beginning of the | 7 |
on the arc f | 7 |
on the arc k | 7 |
of our escape wheel | 7 |
to do this we | 7 |
was one of the | 7 |
the half shell of | 7 |
on the locking face | 7 |
of the cylinder escapement | 7 |
fork and pallet action | 7 |
in the opposite direction | 7 |
the distance between the | 7 |
outer diameter of the | 7 |
the drawing at fig | 7 |
is shown in fig | 7 |
draw the line e | 7 |
up and down the | 7 |
the centre of the | 7 |
of the arc of | 7 |
seems to have been | 7 |
year of the seasons | 7 |
of the nineteenth century | 7 |
of the house of | 7 |
as if he had | 7 |
and draw the line | 7 |
what do you mean | 7 |
the head of the | 7 |
g as a center | 7 |
from g as a | 7 |
the day and night | 7 |
as far as the | 7 |
the day of the | 7 |
the close of the | 7 |
in the course of | 7 |
the balance and spring | 7 |
can be made of | 7 |
in the pendant up | 7 |
one of the earliest | 7 |
on the arc m | 7 |
the world at once | 6 |
eight and a half | 6 |
this arc with the | 6 |
the problem in hand | 6 |
in the act of | 6 |
may be said to | 6 |
the influence of the | 6 |
but there was no | 6 |
degrees and establish the | 6 |
the line b g | 6 |
of eight and one | 6 |
was found to be | 6 |
understood by inspecting fig | 6 |
is given to the | 6 |
be seen that the | 6 |
and setting one leg | 6 |
i could not help | 6 |
it passes through the | 6 |
to the axis of | 6 |
axis of the balance | 6 |
between the lines b | 6 |
the same as the | 6 |
degrees of roller action | 6 |
it will be evident | 6 |
it will be observed | 6 |
to the line b | 6 |
of the tooth d | 6 |
diameter of the escape | 6 |
of this arc with | 6 |
you like to see | 6 |
to have been a | 6 |
was the son of | 6 |
of the locking face | 6 |
beginning and ending of | 6 |
e as a center | 6 |
dial up and dial | 6 |
our dividers set at | 6 |
from the point e | 6 |
of the late seventeenth | 6 |
that there is no | 6 |
the escape wheel utilized | 6 |
of the guard point | 6 |
in front of the | 6 |
up and dial down | 6 |
outer face of the | 6 |
the course of the | 6 |
as shown at d | 6 |
of veneer and marquetry | 6 |
condition of the watch | 6 |
the chord of the | 6 |
over or under compensation | 6 |
in front of him | 6 |
quarter of an hour | 6 |
as well as a | 6 |
with the aid of | 6 |
define the impulse face | 6 |
metropolitan museum of art | 6 |
thomas chamberlaine de chelmisforde | 6 |
it was not till | 6 |
the metropolitan museum of | 6 |
about the size of | 6 |
in such a way | 6 |
of an escape wheel | 6 |
from e as a | 6 |
and establish the points | 6 |
of one of the | 6 |
of the balance spring | 6 |
the jewel pin to | 6 |
as one of the | 6 |
the door of the | 6 |
on the world at | 6 |
is to be found | 6 |
the extent of angular | 6 |
the end of a | 6 |
which represents the center | 6 |
the days of the | 6 |
and find it to | 6 |
the country of the | 6 |
from the center a | 6 |
half degrees from the | 6 |
as shown at b | 6 |
the arc of the | 6 |
the friction of the | 6 |
of the art of | 6 |
the way in which | 6 |
it will be noticed | 6 |
you will find that | 6 |
so it passes through | 6 |
action of the tooth | 6 |
japanese striking clock with | 6 |
an angle of twenty | 6 |
be said to be | 6 |
the advent of the | 6 |
on the part of | 6 |
it was not a | 6 |
in a new cylinder | 6 |
it is possible to | 6 |
ten degrees of fork | 6 |
a we lay off | 6 |
i was conscious of | 6 |
the first time in | 6 |
the consideration of the | 6 |
we name the point | 6 |
out of the fork | 6 |
of the tooth and | 6 |
in addition to the | 6 |
the action of a | 6 |
five degrees of angular | 6 |
the pendant right position | 6 |
outer edge of the | 6 |
the roller and fork | 6 |
with a piece of | 6 |
diameter of the jewel | 6 |
the point where the | 6 |
end of the pivot | 6 |
intersection of this arc | 6 |
the relation of the | 6 |
the weight of the | 6 |
the escape wheel to | 6 |
on the outside of | 6 |
the form of the | 6 |
if he had been | 6 |
side of the line | 6 |
part of the world | 6 |
be found to be | 6 |
for the benefit of | 5 |
good to tom drift | 5 |
the first of the | 5 |
was not to be | 5 |
of the coil between | 5 |
it is interesting to | 5 |
all a matter of | 5 |
one of the party | 5 |
the width of the | 5 |
locate the center of | 5 |
arc of motion is | 5 |
of the same size | 5 |
degrees of fork action | 5 |
the lower end of | 5 |
from the point of | 5 |
from time to time | 5 |
put on dutch clocks | 5 |
to the balance and | 5 |
the long and short | 5 |
embraced between the radial | 5 |
tower of the winds | 5 |
compared to the opposite | 5 |
to coincide with the | 5 |
it will be remembered | 5 |
the measurement of time | 5 |
the date of the | 5 |
slot in the fork | 5 |
is represented by the | 5 |
degree on the arc | 5 |
by the action of | 5 |
establish on the arc | 5 |
as soon as ever | 5 |
as if he were | 5 |
is said to have | 5 |
a cylinder escape wheel | 5 |
as shown at g | 5 |
was not long in | 5 |
and from the point | 5 |
the introduction of the | 5 |
the pitch circle a | 5 |
lay off on said | 5 |
will be understood by | 5 |
is not to be | 5 |
in heat compared to | 5 |
in connection with the | 5 |
the escape wheel in | 5 |
on the other side | 5 |
it is obvious that | 5 |
portion of the staff | 5 |
the curve of the | 5 |
in a tone of | 5 |
the idea of the | 5 |
the entrance pallet c | 5 |
the peripheral line m | 5 |
through the intersection of | 5 |
time required for making | 5 |
a pair of screws | 5 |
from two to four | 5 |
seconds as per fourth | 5 |
the time of the | 5 |
indicated at the dotted | 5 |
of the detached lever | 5 |
william and mary period | 5 |
a and b b | 5 |
nothing to do with | 5 |
to conform to the | 5 |
what do you say | 5 |
on the end of | 5 |
to any part of | 5 |
in and out of | 5 |
tangent to the circle | 5 |
as shown by the | 5 |
to be derived from | 5 |
preliminary notes and practice | 5 |
to tell the truth | 5 |
the fork and pallets | 5 |
as shown at c | 5 |
and the next test | 5 |
the edges of the | 5 |
free ends of the | 5 |
when the spring is | 5 |
the main plate a | 5 |
rotation of the earth | 5 |
for it but to | 5 |
the height of the | 5 |
and with the dividers | 5 |
with the peripheral line | 5 |
in the shape of | 5 |
seconds as per second | 5 |
as if they were | 5 |
off on the arc | 5 |
and it is the | 5 |
lines a d and | 5 |
is easy to see | 5 |
point of the escape | 5 |
can be obtained by | 5 |
as shown at the | 5 |
he set himself to | 5 |
the line b f | 5 |
on account of the | 5 |
take a piece of | 5 |
the ends of the | 5 |
the arc a with | 5 |
pallets to match the | 5 |
is supposed to be | 5 |
of heat and cold | 5 |
center sweep the short | 5 |
half degrees to the | 5 |
roller and fork action | 5 |
hour of the day | 5 |
one of the first | 5 |
the value of the | 5 |
there was a little | 5 |
way in which he | 5 |
we set our dividers | 5 |
from the impulse face | 5 |
delineate the impulse face | 5 |
establish the point n | 5 |
will be able to | 5 |
be good to tom | 5 |
at the bottom of | 5 |
and the result is | 5 |
and the jewel pin | 5 |
establishing the center of | 5 |
of the cylinder and | 5 |
a d and a | 5 |
the motion in the | 5 |
the pinning point at | 5 |
falsely put on dutch | 5 |
i would like to | 5 |
will be noted that | 5 |
in the same way | 5 |
and roller action is | 5 |
have a tendency to | 5 |
center of the cylinder | 5 |
four or five seconds | 5 |
escape wheel and pallet | 5 |
as if i had | 5 |
would have to be | 5 |
in which it was | 5 |
off on said arc | 5 |
the hours and quarters | 5 |
vibration of the balance | 5 |
and out of the | 5 |
the lower portion of | 5 |
a we draw the | 5 |
at the back of | 5 |
due to the fact | 5 |
at the other end | 5 |
in the vertical positions | 5 |
nothing for it but | 5 |
and if it is | 5 |
every now and then | 5 |
as far as it | 5 |
back of the tooth | 5 |
is shown by the | 5 |
half the diameter of | 5 |
there will be no | 5 |
a half degrees on | 5 |
establish the point c | 5 |
the holes nearest the | 5 |
the slot in the | 5 |
draw the line a | 5 |
our dividers set to | 5 |
the free end of | 5 |
one leg of our | 5 |
into the hands of | 5 |
the hole in the | 5 |
a piece of steel | 5 |
in the teeth of | 5 |
one to the other | 5 |
for the reception of | 5 |
to the right of | 5 |
a a and b | 5 |
lay off on the | 5 |
and through the points | 5 |
on the dial to | 5 |
to those who have | 5 |
of high grade watches | 5 |
passing through the point | 5 |
against the end of | 5 |
the king and queen | 5 |
the fact that it | 5 |
defines the locking face | 5 |
the tooth and the | 5 |
to take care of | 5 |
in the drawing at | 5 |
of the entrance lip | 5 |
will be observed that | 5 |
is placed in the | 5 |
with the arc i | 5 |
a part of the | 5 |
the heel of the | 5 |
in relation to the | 5 |
as is consistent with | 5 |
in the flat positions | 5 |
a fine example of | 5 |
in the reign of | 5 |
with the addition of | 5 |
as a matter of | 5 |
of the fork and | 5 |
by the kindness of | 5 |
the train of wheels | 5 |
putting in a new | 5 |
thousandths of an inch | 5 |
day of the week | 5 |
to do with the | 5 |
arc a with the | 5 |
mean time screws and | 5 |
a matter of fancy | 5 |
would have been a | 5 |
the meridian of greenwich | 5 |
and relation of the | 5 |
at the prospect of | 5 |
say a few words | 5 |
face to face with | 5 |
the difference between the | 5 |
free end of the | 5 |
at the sight of | 5 |
the location of the | 5 |
must have been a | 5 |
lower end of the | 5 |
of the inner angle | 5 |
long and short days | 5 |
it for granted that | 5 |
by no means the | 5 |
are now ready to | 5 |
is a side view | 5 |
the other end of | 5 |
wheel and pallet staff | 5 |
escape wheel utilized by | 5 |
of the arrow j | 5 |
were found to be | 5 |
the north of england | 5 |
a quarter of a | 5 |
art of the clockmaker | 5 |
be found that the | 5 |
of the exit lip | 5 |
tom drift was not | 5 |
extent of angular motion | 5 |
the outer edge of | 5 |
of the regulator bar | 5 |
to be understood that | 5 |
center of the escape | 5 |
do you think i | 5 |
lower portion of the | 5 |
to the radial line | 5 |
it will be noted | 5 |
with the movement by | 5 |
as we have seen | 5 |
in this case the | 5 |
a fork and roller | 5 |
radial lines a d | 4 |
in the lathe and | 4 |
the sliding center i | 4 |
for the escape wheel | 4 |
of the collet and | 4 |
at one end of | 4 |
degrees of pallet action | 4 |
arcs a a and | 4 |
radius of the arc | 4 |
inner surface of the | 4 |
and it is not | 4 |
center of the rims | 4 |
angle of the impulse | 4 |
of an inch in | 4 |
of the lacquered clock | 4 |
and from this point | 4 |
a careful study of | 4 |
of the nodding mandarins | 4 |
square of first column | 4 |
come to play with | 4 |
the several branches of | 4 |
of the action of | 4 |
sat down on the | 4 |
with reference to the | 4 |
piece of brass wire | 4 |
intersection of the lines | 4 |
point of the graver | 4 |
set the discharging jewel | 4 |
it seems to me | 4 |
english masters of clockmaking | 4 |
draw a line from | 4 |
working in the teeth | 4 |
miss grizzel and miss | 4 |
and one of the | 4 |
for half an hour | 4 |
in the corner of | 4 |
the dial should be | 4 |
the same number of | 4 |
alterations and labor utilized | 4 |
for the jewel pin | 4 |
the back end of | 4 |
to the escape wheel | 4 |
be understood that the | 4 |
face of our pallet | 4 |
at the point of | 4 |
to be in the | 4 |
griselda opened her eyes | 4 |
of the horn of | 4 |
the time consumed in | 4 |
the fact that they | 4 |
right and left positions | 4 |
impulse to the balance | 4 |
we are now ready | 4 |
of the roller and | 4 |
the authorities of the | 4 |
passes through the point | 4 |
set to embrace the | 4 |
we establish on the | 4 |
one of the great | 4 |
on the arc b | 4 |
at the other side | 4 |
at the point c | 4 |
to the ninth holes | 4 |
leg of the dividers | 4 |
such a lot of | 4 |
in the great saloon | 4 |
of one and one | 4 |
to the left of | 4 |
the right of the | 4 |
established draw the radial | 4 |
shown in the cut | 4 |
to act on the | 4 |
the upper part of | 4 |
to allow of the | 4 |
felt as if she | 4 |
in the fact that | 4 |
be said to have | 4 |
days in a year | 4 |
my master and i | 4 |
is a noticeable feature | 4 |
and there was a | 4 |
position of the inner | 4 |
means of which the | 4 |
to the entrance pallet | 4 |
the aid of the | 4 |
the balance in the | 4 |
of the dial is | 4 |
to speak to you | 4 |
end of the lever | 4 |
is found on a | 4 |
the power of the | 4 |
of the teeth of | 4 |
by the impulse face | 4 |
established we draw the | 4 |
impulse faces of the | 4 |
half a dozen times | 4 |
if i had been | 4 |
the midst of which | 4 |
degrees on said arc | 4 |
the reader will see | 4 |
as light as possible | 4 |
center of the chord | 4 |
through the point of | 4 |
motion of the fork | 4 |
and next moment the | 4 |
the fork in the | 4 |
and from b as | 4 |
thickness of the cylinder | 4 |
one by one the | 4 |
tooth d and pallet | 4 |
motion of the sun | 4 |
that portion of the | 4 |
is caused by the | 4 |
the plane of the | 4 |
from hour to hour | 4 |
the part of the | 4 |
the meaning of the | 4 |
the flight of time | 4 |
for the reason that | 4 |
for pendant up variation | 4 |
brass lantern clock by | 4 |
the detent spring e | 4 |
of the grandfather clock | 4 |
in the large drawing | 4 |
chats on old furniture | 4 |
of the motive power | 4 |
the space on the | 4 |
and from g as | 4 |
outside of the cylinder | 4 |
between the tooth and | 4 |
fourth of an inch | 4 |
the pallets to match | 4 |
the exit lip of | 4 |
the cylinder and the | 4 |
changing forms of the | 4 |
the lines a a | 4 |
to each other as | 4 |
in spite of the | 4 |
will be found that | 4 |
you may be sure | 4 |
required for making the | 4 |
call attention to the | 4 |
its use as a | 4 |
with the center of | 4 |
of the arc which | 4 |
the place in which | 4 |
intersection of said arc | 4 |
being located at the | 4 |
end of the staff | 4 |
the brass lantern clock | 4 |
the arc which defines | 4 |
the slot of the | 4 |
length of the pivot | 4 |
all parts of the | 4 |
the line e g | 4 |
of the tooth a | 4 |
we would beg to | 4 |
the jewel pin is | 4 |
at the close of | 4 |
horary branches and celestial | 4 |
the dawn of science | 4 |
the manner in which | 4 |
to obtain the best | 4 |
this is caused by | 4 |
in accordance with the | 4 |
the locking angle of | 4 |
of the royal society | 4 |
they nodded to the | 4 |
by this maker is | 4 |
a half degrees from | 4 |
the intersection of said | 4 |
through the point n | 4 |
you are going to | 4 |
the inventor of the | 4 |
how my heart beat | 4 |
it should not be | 4 |
on the pallet staff | 4 |
of the periphery of | 4 |
in which he had | 4 |
off thirty degrees on | 4 |
radial line a f | 4 |
i was going to | 4 |
going to be ill | 4 |
so as to allow | 4 |
finish all the lower | 4 |
japanese clock with vertical | 4 |
one to play with | 4 |
just as he was | 4 |
arc which defines the | 4 |
represents the periphery of | 4 |
the day after to | 4 |
in a manner that | 4 |
of a great art | 4 |
it looks as if | 4 |
motion of the pallet | 4 |
of the balance as | 4 |
represented by the dotted | 4 |
make the most of | 4 |
the dial of a | 4 |
half degrees of escape | 4 |
out into the garden | 4 |
a view of fig | 4 |
from the point t | 4 |
the hero of the | 4 |
of said arc with | 4 |
the first thing to | 4 |
clock with vertical dial | 4 |
a piece of brass | 4 |
on the line b | 4 |
watch in his pocket | 4 |
the corner of the | 4 |
the arbor of the | 4 |
the time of day | 4 |
there are a great | 4 |
the line g m | 4 |
it is in the | 4 |
slot of the fork | 4 |
of the cylinder is | 4 |
its arc of vibration | 4 |
in the lever escapement | 4 |
the son of a | 4 |
to enable us to | 4 |
e with the arc | 4 |
will now take up | 4 |
relation of the parts | 4 |
the radius of any | 4 |
of the chord of | 4 |
a pair of dividers | 4 |
in the centre of | 4 |
now come to the | 4 |
the place of the | 4 |
at the beginning of | 4 |
of the angular motion | 4 |
the hour of the | 4 |
upon the face of | 4 |
of four or five | 4 |
a line from the | 4 |
position alterations and labor | 4 |
one leg at the | 4 |
the lower part of | 4 |
at the foot of | 4 |
days on the world | 4 |
as he did so | 4 |
have been made in | 4 |
he flapped his wings | 4 |
to know the time | 4 |
coil between the pins | 4 |
the seat for the | 4 |
it would have been | 4 |
is a view of | 4 |
with the point of | 4 |
true in the round | 4 |
setting one leg at | 4 |
the short arc i | 4 |
with the arc m | 4 |
located the inner angle | 4 |
be found to have | 4 |
at the rate of | 4 |
it seemed to griselda | 4 |
the entrance pallet e | 4 |
there is but one | 4 |
the next test showed | 4 |
leg of our dividers | 4 |
the arcs a a | 4 |
due to the balance | 4 |
it is usual to | 4 |
said one of the | 4 |
the regulator pins were | 4 |
as he called it | 4 |
cuckoo in a cage | 4 |
country of the nodding | 4 |
a small hole in | 4 |
for the present we | 4 |
name falsely put on | 4 |
fourths of a degree | 4 |
f we draw the | 4 |
a good deal more | 4 |
of wheels and pinions | 4 |
extent of the jewel | 4 |
it was no use | 4 |
this will be understood | 4 |
but it is a | 4 |
the early nineteenth century | 4 |
liverpool and the district | 4 |
on the subject of | 4 |
by the fact that | 4 |
it is impossible to | 4 |
concrete examples showing definite | 4 |
take it for granted | 4 |
the peripheral line a | 4 |
and for the first | 4 |
the radial line b | 4 |
that the jewel pin | 4 |
can afford to be | 4 |
exit lip of the | 4 |
is fastened to the | 4 |
a neutral locking face | 4 |
delineate the locking face | 4 |
we will see that | 4 |
intersection with the peripheral | 4 |
is to be expected | 4 |
much obliged to you | 4 |
the end of twenty | 4 |
at the british museum | 4 |
edge of the dial | 4 |
she could not help | 4 |
between the lines a | 4 |
of the over coil | 4 |
c e and c | 4 |
part of a clock | 4 |
will be evident on | 4 |
two days on the | 4 |
as if by magic | 4 |
we refer to fig | 4 |
of the pallet and | 4 |
after the invention of | 4 |
next position test showed | 4 |
be found in the | 4 |
for the pallet staff | 4 |
the next position test | 4 |
to see that the | 4 |
precession of the equinoxes | 4 |
lower side of the | 4 |
this is due to | 4 |
of one and a | 4 |
that is to say | 4 |
it would not be | 4 |
in front of her | 4 |
i want to know | 4 |
if it does not | 4 |
of striking hours and | 4 |
equal vibration of the | 4 |
the age of the | 4 |
the time in the | 4 |
and as soon as | 4 |
of the guard pin | 4 |
step of the snail | 4 |
a quarter of an | 4 |
off one and a | 4 |
it is safe to | 4 |
the balance should be | 4 |
of the fact that | 4 |
to delineate a fork | 4 |
exactly the same way | 4 |
the swing of the | 4 |
the lower side of | 4 |
of the slot in | 4 |
escape wheel and the | 4 |
with equidistant locking faces | 4 |
by the dotted line | 4 |
it is not to | 4 |
in the habit of | 4 |
the arc of vibration | 4 |
heat compared to cold | 4 |
is by means of | 4 |
ten degrees of angular | 4 |
intersection of the short | 4 |
can readily see that | 4 |
we are going to | 4 |
degrees of angular extent | 4 |
space between the coils | 4 |
i wish i could | 4 |
was a sort of | 4 |
d and pallet c | 4 |
chord of the arc | 4 |
battersea enamel and shagreen | 4 |
the line b b | 4 |
of the watch or | 4 |
made so as to | 4 |
it is possible that | 4 |
set our dividers to | 4 |
the detent spring h | 4 |
twelve degrees to the | 4 |
of the arc l | 4 |
a cuckoo in a | 4 |
as a center draw | 4 |
the ornamentation of the | 4 |
is of the same | 4 |
in the early days | 4 |
to isochronism and positions | 4 |
lines c e and | 4 |
the slide g n | 4 |
the spring should be | 4 |
the reception of the | 4 |
at the moment of | 4 |
there will be a | 4 |
and off they set | 4 |
of a piece of | 4 |
but i dare say | 4 |
to make the most | 4 |
of the minute hand | 4 |
at the thought of | 4 |
screws in the holes | 4 |
from the point b | 4 |
the mean time screws | 4 |
from bank to bank | 4 |
radial line a g | 4 |
thing to do is | 4 |
days of the week | 4 |
draw the vertical line | 4 |
be understood by inspecting | 4 |
is indicated by the | 4 |
be removed from the | 4 |
off two and a | 4 |
other end of the | 4 |
of the tooth is | 4 |
we will now take | 4 |
the number of seconds | 4 |
vibrations of the balance | 4 |
to the radius of | 4 |
ten inches in diameter | 4 |
let us imagine that | 4 |
was silent for a | 4 |
part of the mechanism | 4 |
the late seventeenth century | 4 |
to the intersection of | 4 |
we thus see that | 4 |
easy to see that | 4 |
within the limits of | 4 |
it seemed to her | 4 |
the difference in the | 4 |
in keeping with the | 4 |
in the proper position | 4 |
from the point n | 4 |
pass out of the | 4 |
per cent of the | 4 |
dial by james arthur | 4 |
the hands of a | 4 |
years of the nineteenth | 4 |
was by no means | 4 |
will see that the | 4 |
the william and mary | 4 |
in a split chuck | 4 |
in this instance the | 4 |
grizzel and miss tabitha | 4 |
by the courtesy of | 4 |
the short arc l | 4 |
in exactly the same | 4 |
the spring can be | 4 |
tooth lever escapement with | 4 |
the thrust of the | 4 |
the shell of the | 4 |
branches and celestial stems | 4 |
looking up at the | 4 |
which we have divided | 4 |
i had leisure to | 4 |
and as he looked | 4 |
an escape wheel of | 4 |
is not necessary to | 4 |
established draw the line | 4 |
you have a great | 4 |
that he did not | 4 |
a half degrees of | 4 |
copper jars dropping water | 4 |
the same as if | 4 |
appearance of the balance | 4 |
it is probable that | 4 |
the pendant up rate | 4 |
and it is quite | 4 |
by the aid of | 4 |
the maker of a | 4 |
this form of tooth | 4 |
as i have said | 4 |
cottage and farmhouse furniture | 4 |
was not at all | 4 |
is due to the | 4 |
of the wheel teeth | 4 |
than that of the | 4 |
pair of screws from | 4 |
out of his way | 4 |
and method of calculating | 4 |
in the second square | 4 |
and it will be | 4 |
just the same as | 3 |
english table or mantel | 3 |
it will be all | 3 |
degrees from the intersection | 3 |
how could i be | 3 |
delineate a fork and | 3 |
periphery of our escape | 3 |
consumed in making the | 3 |
a great deal of | 3 |
with a pair of | 3 |
side view of the | 3 |
will not work in | 3 |
the best way to | 3 |
the hands may be | 3 |
a very long time | 3 |
we define the impulse | 3 |
second step of the | 3 |
the next test in | 3 |
greater part of the | 3 |
my heart beat as | 3 |
proud of being a | 3 |
is interesting to note | 3 |
ends of the balance | 3 |
like that of a | 3 |
and with that he | 3 |
in an instant he | 3 |
she got to the | 3 |
take in our dividers | 3 |
few notes on watches | 3 |
impulse planes of the | 3 |
would be able to | 3 |
the horizontal positions are | 3 |
and then came the | 3 |
number of days in | 3 |
do is to set | 3 |
we draw through the | 3 |
the evolution of styles | 3 |
freedom for end shake | 3 |
temperature variation is not | 3 |
the line f h | 3 |
that there is a | 3 |
the linear extent of | 3 |
at the point where | 3 |
escape wheel and pallets | 3 |
to be done is | 3 |
shown in the first | 3 |
the pallets and fork | 3 |
the lock on the | 3 |
is divisible by four | 3 |
go to make up | 3 |
jewel pin is in | 3 |
is an important part | 3 |
correspond to the line | 3 |
you speak to me | 3 |
such a way as | 3 |
same days of the | 3 |
not to be found | 3 |
to the half shell | 3 |
as if seen from | 3 |
fourth of a turn | 3 |
the line e f | 3 |
the short arc t | 3 |
and what to collect | 3 |
time consumed in making | 3 |
what is known as | 3 |
suffice it to say | 3 |
half a degree of | 3 |
with circular pallets and | 3 |
very kind of you | 3 |
the pallet staff and | 3 |
let us suppose the | 3 |
postpaid on receipt of | 3 |
have a great deal | 3 |
the impulse planes of | 3 |
may be obtained from | 3 |
to the surface of | 3 |
at the distance of | 3 |
foot of the gauge | 3 |
at the dotted lines | 3 |
that some of the | 3 |
see that it is | 3 |
that the action of | 3 |
of the chinese taste | 3 |
three or four times | 3 |
a from the point | 3 |
we reason on the | 3 |
nature of marquetry clock | 3 |
to be a butterfly | 3 |
it will now be | 3 |
below the horizontal line | 3 |
concentricity of the hairspring | 3 |
and it would be | 3 |
establish the point d | 3 |
and japanese methods of | 3 |
of william and mary | 3 |
there is no reason | 3 |
had nothing for it | 3 |
of the pendulum spring | 3 |
outside of the tube | 3 |
is evident that the | 3 |
it is not my | 3 |
the impulse to the | 3 |
it is found that | 3 |
the cylinder and escape | 3 |
points of the hairspring | 3 |
let us consider the | 3 |
fast in heat compared | 3 |
an arc of eight | 3 |
hands on the dial | 3 |
as much of the | 3 |
the oscillations of the | 3 |
afford to be without | 3 |
face of a pallet | 3 |
to make way for | 3 |
toward the center of | 3 |
panel of the door | 3 |
with a number of | 3 |
it is hardly necessary | 3 |
introduced into england by | 3 |
arc indicated by the | 3 |
we find that the | 3 |
how do you like | 3 |
there are many instances | 3 |
to see for yourself | 3 |
in the latter case | 3 |
he wondered if the | 3 |
sent postpaid to any | 3 |
the extreme extent of | 3 |
value and what to | 3 |
the cost of the | 3 |
do this we draw | 3 |
the first test in | 3 |
cuckoo cleared his throat | 3 |
to be friends with | 3 |
be better understood by | 3 |
could not have been | 3 |
stability of the grandfather | 3 |
oscillations of the pendulum | 3 |
the condition of the | 3 |
of the outer angle | 3 |
care must be exercised | 3 |
between the lines g | 3 |
of the tooth as | 3 |
a center is swept | 3 |
when the pins are | 3 |
if we reason on | 3 |
are you up to | 3 |
the radial line e | 3 |
the house of commons | 3 |
lock on the exit | 3 |
bear to think of | 3 |
extent of the locking | 3 |
not so much as | 3 |
the escape wheel at | 3 |
the same letters of | 3 |
it is quite important | 3 |
html version of this | 3 |
i we lay off | 3 |
such a way that | 3 |
form part of the | 3 |
over one and one | 3 |
to aid in this | 3 |
by the graphic method | 3 |
inside of the shell | 3 |
force of the hairspring | 3 |
position indicated by the | 3 |
set the index arc | 3 |
the ruins of herculaneum | 3 |
philadelphia city hall clock | 3 |
impress on our readers | 3 |
and the fact that | 3 |
the radial lines c | 3 |
of the balance to | 3 |
force of the mainspring | 3 |
the angle of the | 3 |
clocks in the provinces | 3 |
i cannot tell you | 3 |
a pair of thin | 3 |
halifax and the district | 3 |
same letters of reference | 3 |
the tooth d is | 3 |
side view of fig | 3 |
hour on a large | 3 |
a bracket or wall | 3 |
project gutenberg also has | 3 |
either slow or fast | 3 |
not a bit of | 3 |
the radial lines k | 3 |
in our dividers and | 3 |
care must be taken | 3 |
the second step of | 3 |
come to an end | 3 |
portion of the cylinder | 3 |
we make use of | 3 |
on which our time | 3 |
the spring may be | 3 |
on the arc l | 3 |
is a fine example | 3 |
be as light as | 3 |
a balance of this | 3 |
next test showed a | 3 |
museum and art gallery | 3 |
are supposed to be | 3 |
fall of the weights | 3 |
clock by george aicken | 3 |
the proper position to | 3 |
of such an escapement | 3 |
be able to judge | 3 |
arc a a we | 3 |
but it was too | 3 |
the end stone is | 3 |
a line at right | 3 |
the pendulum rod is | 3 |
for the sake of | 3 |
the point of contact | 3 |
as it is to | 3 |
a large escapement model | 3 |
there are always two | 3 |
and place it in | 3 |
will take it for | 3 |
dutch east india company | 3 |
griselda shut her eyes | 3 |
in the manufacture of | 3 |
world on receipt of | 3 |
seat for the roller | 3 |
measure down on the | 3 |
it was in the | 3 |
the hour hand is | 3 |
of the balance in | 3 |
a segment of a | 3 |
a piece of flat | 3 |
the index arc c | 3 |
angle of the tooth | 3 |
could hardly have been | 3 |
by the position of | 3 |
of the staff is | 3 |
there would be no | 3 |
thirty degrees of roller | 3 |
to a great extent | 3 |
the rim of the | 3 |
in the pendant right | 3 |
the first time he | 3 |
you like to know | 3 |
and at right angles | 3 |
cent of the watches | 3 |
is established the point | 3 |
is placed on the | 3 |
in the days of | 3 |
on a large bell | 3 |
my aunts must have | 3 |
the purpose for which | 3 |
on the next page | 3 |
as this is a | 3 |
somewhere on this arc | 3 |
the hour on a | 3 |
the late seventeenth and | 3 |
it was a sad | 3 |
the position indicated by | 3 |
to go to bed | 3 |
on the impulse jewel | 3 |
to the line c | 3 |
it is by means | 3 |
when a watch is | 3 |
the members of the | 3 |
at the time of | 3 |
quarters of a degree | 3 |
of which he himself | 3 |
its early introduction into | 3 |
the books of the | 3 |
tenth of a second | 3 |
the watch is running | 3 |
it is a good | 3 |
the jewel pin a | 3 |
face of the horn | 3 |
a a and a | 3 |
like to see for | 3 |
incline of the tooth | 3 |
was going to be | 3 |
fork and jewel pin | 3 |
sent postpaid on receipt | 3 |
a few notes on | 3 |
of the lantern clock | 3 |
the movement of this | 3 |
of his way to | 3 |
a large number of | 3 |
the object of this | 3 |
can be made from | 3 |
in the end of | 3 |
is that they are | 3 |
the greater part of | 3 |
to go to sleep | 3 |
on the inner angle | 3 |
of the watch and | 3 |
the tooth d and | 3 |
variation from one position | 3 |
sound when the watch | 3 |
and if it be | 3 |
which is called the | 3 |
free ends of rims | 3 |
me that it is | 3 |
as much as possible | 3 |
the needle should be | 3 |
is located at the | 3 |
the pillars which support | 3 |
introduction into this country | 3 |
peculiarities of the lacquered | 3 |
was not a very | 3 |
were in the air | 3 |
been made by the | 3 |
heel of the tooth | 3 |
alteration made was to | 3 |
to represent the pitch | 3 |
degrees each side of | 3 |
minute and second hands | 3 |
and there is no | 3 |
some time or other | 3 |
as illustrated at fig | 3 |
some distance from the | 3 |
from the escape wheel | 3 |
the perfection of the | 3 |
strike the hours and | 3 |
see that as the | 3 |
pendant up as per | 3 |
in the verge escapement | 3 |
to play with you | 3 |
lines a b and | 3 |
be obtained by shifting | 3 |
being one of the | 3 |
one end of which | 3 |
the pendant right and | 3 |
we show at a | 3 |
there is no mistaking | 3 |
utilized by the pallet | 3 |
they should not be | 3 |
now proceed to delineate | 3 |
the first time the | 3 |
on the large drawing | 3 |
a vague sort of | 3 |
five seconds in the | 3 |
slow or fast in | 3 |
early introduction into this | 3 |
upon the axis of | 3 |
of a pair of | 3 |
end of the bar | 3 |
and at the end | 3 |
it was a sort | 3 |
relations of the several | 3 |
be as well to | 3 |
as to allow of | 3 |
let us suppose a | 3 |
as a center is | 3 |
and how do you | 3 |
it does not require | 3 |
with the hot water | 3 |
of the mechanism of | 3 |
is to be made | 3 |
of such a thing | 3 |
the coil between them | 3 |
center of gravity of | 3 |
away from the bank | 3 |
we continue the line | 3 |
interesting to note that | 3 |
felt that there was | 3 |
radial lines a b | 3 |
perpendicular to the line | 3 |
but this is not | 3 |
space between the lines | 3 |
position in which they | 3 |
to true up the | 3 |
the jewel pin and | 3 |
table or mantel clocks | 3 |
to be expected that | 3 |
radius of the circle | 3 |
lever escapement with circular | 3 |
the fact that in | 3 |
marks on the dial | 3 |
in the pocket of | 3 |
use the point of | 3 |
of the spring is | 3 |
the lock of the | 3 |
suppose we have a | 3 |
that you have a | 3 |
if it had been | 3 |
but there was a | 3 |
up the consideration of | 3 |
space on the arc | 3 |
the escape wheel of | 3 |
necessary for him to | 3 |
methods of measuring time | 3 |
not always due to | 3 |
use of veneer and | 3 |
is possible to obtain | 3 |
tooth has passed the | 3 |
to the measurement of | 3 |
of the corporation of | 3 |
thirty degrees of angular | 3 |
in the main plate | 3 |
of chinese and japanese | 3 |
must have come back | 3 |
should be noted that | 3 |
middle of the night | 3 |
the watch should be | 3 |
have gone to the | 3 |
the same relations to | 3 |
lay off thirty degrees | 3 |
the total time required | 3 |
on the exit pallet | 3 |
on the balance staff | 3 |
the engagement of the | 3 |
between the points b | 3 |
if he had but | 3 |
sixty degrees of the | 3 |
such an extent that | 3 |
with the exception of | 3 |
chinese and japanese methods | 3 |
the art of lacquer | 3 |
the pallet center at | 3 |
off my coat and | 3 |
lock of the tooth | 3 |
dial of a clock | 3 |
in case that the | 3 |
back end of the | 3 |
center is swept the | 3 |
in honour of the | 3 |
leg at the point | 3 |
be noticed that the | 3 |
the period of veneer | 3 |
the panel of the | 3 |
of the arrow i | 3 |
the number of degrees | 3 |
as per sixth column | 3 |
the prospect of the | 3 |
to that of the | 3 |
of the inner coil | 3 |
a period of time | 3 |
held in the chuck | 3 |
if the watch is | 3 |
where the outer angle | 3 |
the proper point of | 3 |
corner of the room | 3 |
seconds as per sixth | 3 |
top of the clock | 3 |
the turned down portion | 3 |
the same time as | 3 |
it was not easy | 3 |
middle or normal temperature | 3 |
at the same instant | 3 |
the balance with the | 3 |
on the right side | 3 |
five years of the | 3 |
the state of the | 3 |
jewel pin will just | 3 |
the rest of the | 3 |
on the line e | 3 |
the term bracket clock | 3 |
the cuckoo cleared his | 3 |
there is no doubt | 3 |
explaining to a customer | 3 |
a little more than | 3 |
the points b and | 3 |
our dividers to the | 3 |
in a series of | 3 |
griselda gave a little | 3 |
of an inch thick | 3 |
the extreme point of | 3 |
teeth of the rack | 3 |
drawing shown at fig | 3 |
the latitude of the | 3 |
the impulse roller is | 3 |
the motive power in | 3 |
wheel utilized by the | 3 |
in the chapter on | 3 |
the same time the | 3 |
as soon as he | 3 |
and i dare say | 3 |
variation of eleven seconds | 3 |
great english masters of | 3 |
that the distance between | 3 |
the point e we | 3 |
methods of time keeping | 3 |
each end of the | 3 |
the outside of our | 3 |
first time in his | 3 |
eighth of an inch | 3 |
the courtesy of the | 3 |
careful study of the | 3 |
point at which the | 3 |
how ever did you | 3 |
to be used in | 3 |
so as to get | 3 |
very much on the | 3 |
i found myself in | 3 |
to have the pallets | 3 |
so that when the | 3 |
the life of a | 3 |
for ten degrees of | 3 |
as if seen in | 3 |
the grinding and polishing | 3 |
that it can be | 3 |
inside of the arc | 3 |
i am indebted for | 3 |
when we speak of | 3 |
make way for the | 3 |
of the world on | 3 |
degrees and draw the | 3 |
ten degrees from the | 3 |
do so want to | 3 |
at the metropolitan museum | 3 |
top of the dial | 3 |
a center we draw | 3 |
as far as they | 3 |
it would appear that | 3 |
a b and a | 3 |
to agree with the | 3 |
it should be noted | 3 |
bear in mind that | 3 |
six degrees on the | 3 |
competition with french elaboration | 3 |
how do you know | 3 |
four seconds as per | 3 |
to see how the | 3 |
after they have been | 3 |
with a very little | 3 |
at the point f | 3 |
as long as i | 3 |
jewel pin will not | 3 |
this form of escapement | 3 |
the variation in the | 3 |
and from e as | 3 |
to say nothing of | 3 |
said arc with the | 3 |
branches of a great | 3 |
slow compared to the | 3 |
as if i were | 3 |
half degrees on the | 3 |
f e with the | 3 |
shown at the dotted | 3 |
he had entered it | 3 |
addendum of the escape | 3 |
as a center and | 3 |
one degree on the | 3 |
that they did not | 3 |
the spring equinoctial point | 3 |
to the action of | 3 |
of the pallet stone | 3 |
the line c d | 3 |
for a moment the | 3 |
to go back to | 3 |
invention of the pendulum | 3 |
we have now come | 3 |
the pallet staff at | 3 |
will have to be | 3 |
quite important that the | 3 |
will be explained later | 3 |
go back to bed | 3 |
of the new testament | 3 |
the time when the | 3 |
in the five positions | 3 |
is the fact that | 3 |
to be seen in | 3 |
than in any other | 3 |
of thick sheet brass | 3 |
fact that we are | 3 |
is well to make | 3 |
gus and his friend | 3 |
a close position rate | 3 |
with a strong glass | 3 |
of the coil from | 3 |
where are that cuckoo | 3 |
we take a piece | 3 |
what to value and | 3 |
five position test showed | 3 |
it is the most | 3 |
with that of the | 3 |
in order that we | 3 |
we find that in | 3 |
gives impulse to the | 3 |
to a radial line | 3 |
of me at the | 3 |
and the pendant up | 3 |
an inch in diameter | 3 |
to finish all the | 3 |
by the use of | 3 |
at the present time | 3 |
all right in theory | 3 |
the line n p | 3 |
forget all about it | 3 |
well to make the | 3 |
and ending of a | 3 |
ten degrees of pallet | 3 |
the aid of a | 3 |
on the entrance pallet | 3 |
which represents the periphery | 3 |
found on clocks in | 3 |
it ought to be | 3 |
ending of a day | 3 |
now take up the | 3 |
position and relation of | 3 |
will be noticed that | 3 |
in the holes nearest | 3 |
just as the tooth | 3 |
it would be as | 3 |
i want you to | 3 |
do you mean by | 3 |
three and a half | 3 |
column at its full | 3 |
is about the right | 3 |
where the gold spring | 3 |
pinned at the fast | 3 |
of day and night | 3 |
the jewel pin as | 3 |
in his pocket and | 3 |
of an inch from | 3 |
with a view to | 3 |
of our pallet staff | 3 |
of the diameter of | 3 |
what you would have | 3 |
of more than one | 3 |
the relations of the | 3 |
some point on the | 3 |
to take me to | 3 |
be noted that the | 3 |
of twelve degrees to | 3 |
in a minute or | 3 |
drawing the line a | 3 |
end of the guard | 3 |
can be made to | 3 |
the regularity of the | 3 |
variation is not always | 3 |
the same manner as | 3 |
it was found that | 3 |
there is nothing to | 3 |
what would become of | 3 |
of the outside of | 3 |
each of the four | 3 |
circle of the jewel | 3 |
the time at which | 3 |
at the dotted line | 3 |
the inner surface of | 3 |
degrees to a radial | 3 |
the design of the | 3 |
seasons as a unit | 3 |
for long and short | 3 |
as we have already | 3 |
with the balance at | 3 |
a g with the | 3 |
for a moment he | 3 |
said the little boy | 3 |
as much as to | 3 |
the great series of | 3 |
as good results as | 3 |
gutenberg also has an | 3 |
the arc indicated by | 3 |
to make room for | 3 |
be done is to | 3 |
as she had never | 3 |
i might be a | 3 |
at some time or | 3 |
to find the cuckoo | 3 |
example of his work | 3 |
more than he had | 3 |
the side towards the | 3 |
for all practical purposes | 3 |
first five position test | 3 |
arc embraced between the | 3 |
pin is in the | 3 |
was plain to see | 3 |
proceed to delineate a | 3 |
establish the center of | 3 |
the seasons as a | 3 |
the guard pin is | 3 |
always two days on | 3 |
out of the cylinder | 3 |
not work in practice | 3 |
collet as shown at | 3 |
on an enlarged scale | 3 |
in front of a | 3 |
she had a great | 3 |
latitude of the place | 3 |
of the axis of | 3 |
are intended to be | 3 |
before we proceed to | 3 |
placed in front of | 3 |
two or three of | 3 |
have now come to | 3 |
you know tom drift | 3 |
to embrace the space | 3 |
are a great many | 3 |
of angular motion to | 3 |
how he had been | 3 |
both are moving with | 3 |
i thought you were | 3 |
to the slow point | 3 |
one of the two | 3 |
to set the discharging | 3 |
two to four seconds | 3 |
of the regulator pins | 3 |
end of the rack | 3 |
it is not a | 3 |
to the age of | 3 |
as indicated at the | 3 |
of the impulse roller | 3 |
you are ready to | 3 |
appears to have been | 3 |
total time required for | 3 |
out of poise and | 3 |
i am going to | 3 |
difference it would make | 3 |
the alteration made was | 3 |
the tooth d would | 3 |
of the detent spring | 3 |
and dried in sawdust | 3 |
first thing to do | 3 |
to her own room | 3 |
we set the index | 3 |
he had been shot | 3 |
also has an html | 3 |
a particular style of | 3 |
as a basis for | 3 |
the addendum of the | 3 |
the tooth a and | 3 |
blow of the hammer | 3 |
we have already explained | 3 |
new balance staff and | 3 |
result is that the | 3 |
what are you up | 3 |
engaging surfaces of the | 3 |
to the opposite position | 3 |
which the cylinder is | 3 |
bring the pallets to | 3 |
how my master and | 3 |
outside of our cylinder | 3 |
extent of the tooth | 3 |
allow me to introduce | 3 |
is quite important that | 3 |
degrees to the left | 3 |
several branches of a | 3 |
as shown at e | 3 |
four hours in each | 3 |
end of the horn | 3 |
and from the center | 3 |
the result will be | 3 |
one rotation of the | 3 |
was easy to guess | 3 |
attempt to make the | 3 |
it was a little | 3 |
scottish and irish clocks | 3 |
by courtesy of edward | 3 |
the over coil and | 3 |
of english table or | 3 |
alcohol lamp until the | 3 |
the extreme fast point | 3 |
and one by one | 3 |
at its full value | 3 |
set for long and | 3 |
of screws from the | 3 |
a way that the | 3 |
i have no doubt | 3 |
the work of the | 3 |
he had been a | 3 |
intersection of the collet | 3 |
an html version of | 3 |
to the effect that | 3 |
the old masters of | 3 |
of the pallet b | 3 |
the second square of | 3 |
how to find the | 3 |
the tooth c will | 3 |
of the intersection of | 3 |
is to be understood | 3 |
an important part of | 3 |
at each of the | 3 |
in the same manner | 3 |
on the detached lever | 3 |
at each end of | 3 |
for the several parts | 3 |
the sense of a | 3 |
the fork and jewel | 3 |
striking and alarum clocks | 3 |
so the jewel pin | 3 |
my coat and waistcoat | 3 |
of motion of the | 3 |
a piece of peg | 3 |
a loss to understand | 3 |
common origin of design | 3 |
of the line f | 3 |
postpaid to any part | 3 |
it is understood that | 3 |
it is of the | 3 |
side of the intersection | 3 |
draw through the points | 3 |
was not the only | 3 |
the entrance lip of | 3 |
of the seasons as | 3 |
as is shown at | 3 |
as shown on the | 3 |
by the end of | 3 |
time and its measurement | 3 |
so much as the | 3 |
to impress on our | 3 |
astronomical motions on which | 3 |
and will be found | 3 |
the world on receipt | 3 |
in the united states | 3 |
as he had been | 3 |
as an example we | 3 |
looked like a fairy | 3 |
and so it was | 3 |
related to each other | 3 |
arc of eight and | 3 |
pendant right and left | 3 |
seemed to griselda that | 3 |
strikes the hour on | 3 |
had been able to | 3 |
of the day at | 3 |
file which includes the | 3 |
rounded and highly polished | 3 |
be placed on a | 3 |
the line a g | 3 |
on the perfection of | 3 |
we will find the | 3 |
the same days of | 3 |
it may have been | 3 |
seemed to be a | 3 |
radial lines c e | 3 |
the use of veneer | 3 |
think it advisable to | 3 |
the arc f is | 3 |
continuance of manufacture in | 3 |
the first time i | 3 |
in all its details | 3 |
in a cement chuck | 3 |
quarters of an hour | 3 |
on the back of | 3 |
the same effect as | 3 |
to perform its functions | 3 |
it is the best | 3 |
the reign of george | 3 |
have been made by | 3 |
the balance at rest | 3 |
clockmakers found on clocks | 3 |
the points so established | 3 |
ornamentation of the spandrel | 3 |
took no notice of | 3 |
are you all right | 3 |
there was no answer | 3 |
the regulator bar b | 3 |
line at right angles | 3 |
to one turn or | 3 |
elastic force of the | 3 |
that one of the | 3 |
old clocks and watches | 3 |
to be expected in | 3 |
half the sense of | 3 |
position of the hands | 3 |
and if the watch | 3 |
clock by this maker | 3 |
are always two days | 3 |
the point of attachment | 3 |
to make the pallets | 3 |
through the point v | 3 |
results to be expected | 3 |
been made in the | 3 |
held in his hand | 3 |
the pocket of a | 3 |
volume to chats on | 3 |
and found to be | 3 |
the incline of the | 3 |
to think of it | 3 |
no end of a | 3 |
escapement with circular pallets | 3 |
b we establish the | 3 |
of this file which | 3 |
any one of the | 3 |
we all know that | 3 |
it would be just | 3 |
was no other than | 3 |
the sun and moon | 3 |
dial and its character | 3 |
know how to make | 3 |
for granted that you | 3 |
from the use of | 3 |
what wonder if he | 3 |
the hood of the | 3 |
and as for the | 3 |
the adjustment of watches | 3 |
of the balance seat | 3 |
to look about me | 3 |
the application of the | 3 |
and that is the | 3 |
of the horn k | 3 |
this maker is illustrated | 3 |
and dead beat escapements | 3 |
i had been a | 3 |
in his essay on | 3 |
it was not so | 3 |
and the center of | 3 |
of the lever and | 3 |
in the action of | 3 |
or fast in heat | 3 |
in the center of | 3 |
part of the balance | 3 |
the great english masters | 3 |
be expected that the | 3 |
at the time the | 3 |
as shown at f | 3 |
the line b h | 3 |
the changing forms of | 3 |
and i want to | 3 |
to match the fork | 3 |
said he to himself | 3 |
clock is wound up | 3 |
impulse to the pendulum | 3 |
at a loss to | 3 |
bracket clock a misnomer | 3 |
can be determined by | 3 |
degrees from its intersection | 3 |
he seems to have | 3 |
but there is a | 3 |
is not always due | 3 |
one pair of screws | 3 |
the dial down position | 3 |
the line t y | 3 |
period of veneer and | 3 |
one of the best | 3 |
thrust of the escape | 3 |
evolution of the long | 3 |
evolution of the hands | 3 |
necessary to say that | 3 |
possible to obtain a | 3 |
the general condition of | 3 |
that there was a | 3 |
arc of one and | 3 |
and from a as | 3 |
the weight of a | 3 |
of the outer diameter | 3 |
make up to him | 3 |
e and c g | 3 |
in the dial up | 3 |
five position adjusting consists | 3 |
as the reader will | 3 |
of a cylinder escape | 3 |
all the way home | 3 |
the same size as | 3 |
should be taken to | 3 |
the point at which | 3 |
spreading or closing the | 3 |
the point r and | 3 |
a detached lever escapement | 3 |
the two horizontal positions | 3 |
the stability of the | 3 |
that sort of thing | 3 |
the line f e | 3 |
out of the way | 3 |
as a bracket or | 3 |
surfaces of the wheel | 3 |
as she had expected | 3 |
the fork vibrates through | 3 |
in a position to | 3 |
for combined cylindrical lenses | 3 |
then there was a | 3 |
of the great saloon | 3 |
above the horizontal line | 3 |
the middle or normal | 3 |
proved that the motion | 3 |
position adjusting consists of | 3 |
and down the terrace | 3 |
of days in a | 3 |
what do they mean | 3 |
the act of unlocking | 3 |
seconds slow in heat | 3 |
of the same make | 3 |
point of the spring | 3 |
i should have been | 3 |
angular extent on the | 3 |
able to judge of | 3 |
ten and a half | 3 |
the line a c | 3 |
the best part of | 3 |
the fact that there | 3 |
local day and night | 3 |
hood of the clock | 3 |
and what do you | 3 |
be borne in mind | 3 |
of the verge escapement | 3 |
plane of the equator | 3 |
is not necessary that | 3 |
of its own accord | 3 |
it is such a | 3 |
this part of the | 3 |
five degrees and establish | 3 |
represent the center of | 3 |
of a clock by | 3 |
leg rests at the | 3 |
an even number of | 3 |
proper point of attachment | 3 |
this file which includes | 3 |
revolution of the earth | 3 |
the resistance of the | 3 |
the mechanism of the | 3 |
at the back end | 3 |
came out of the | 3 |
of the impulse plane | 3 |
the impulse faces of | 3 |
like to know the | 3 |
the extent to which | 3 |
could i be tired | 3 |
lay off one and | 3 |
rate of the watch | 3 |
power of the mainspring | 3 |
of a chronometer escapement | 3 |
of the circle n | 3 |
was a little boat | 3 |
is to be hoped | 3 |
the jewel pin in | 3 |
attention to the fact | 3 |
of gus and his | 3 |
was conscious of nothing | 3 |
rest for the tooth | 3 |
minute or two the | 3 |
in the hands of | 3 |
will be seen the | 3 |
in the use of | 3 |
dial of clock by | 3 |
piece of peg wood | 3 |
twelve degrees of angular | 3 |
upon the books of | 3 |
center of our cylinder | 3 |
by one of the | 3 |
courtesy of edward campbell | 3 |
circle described by the | 3 |
escape wheel at a | 3 |
weight and inertia of | 3 |
go out of his | 3 |
the engaging surfaces of | 3 |
lines a a and | 3 |
vertical line a k | 3 |
entrance lip of the | 3 |
it is advisable to | 3 |
i dare say you | 3 |
not to be understood | 3 |
act of parliament clocks | 3 |
use as a bracket | 3 |
of clockmakers found on | 3 |
series of english table | 3 |
day of the month | 3 |
days of the month | 3 |
companion volume to chats | 3 |
i know the way | 3 |
what will be the | 3 |
line a b and | 3 |
take up the consideration | 3 |
on the arc i | 3 |
would be a good | 3 |
the gold spring is | 3 |
will not pass out | 3 |
so as not to | 3 |
a considerable amount of | 3 |
the point c we | 3 |
the incongruities of marquetry | 3 |
to the dotted line | 3 |
had a letter from | 3 |
the greatest and the | 3 |
pinning points of the | 3 |
the names of the | 3 |
essay on the detached | 3 |
like to be told | 3 |
the hand of the | 3 |
but i tell you | 3 |
all the better for | 3 |
i can assure you | 3 |
shellac dissolved in alcohol | 3 |
c we lay off | 3 |
time in his life | 3 |
of a lever escapement | 3 |
to such an extent | 3 |
griselda thought it was | 3 |
derivative nature of marquetry | 3 |
are not to be | 3 |
she had ever seen | 3 |
the conclusion to which | 3 |
arc a we lay | 3 |
my uncle and aunt | 3 |
just as she had | 3 |
as a unit for | 3 |
inch wide and one | 3 |
we have divided into | 3 |
you are very kind | 3 |
on cottage and farmhouse | 3 |
and from its intersection | 3 |
to delineate the exit | 3 |
what do you want | 3 |
as indicated at a | 3 |
the lines e g | 3 |
hours of the day | 3 |
anchor escapement for clocks | 3 |
part of the verge | 3 |
the line of thrust | 3 |
may be considered as | 3 |
seemed to her that | 3 |
one after the other | 3 |
to a certain extent | 3 |
the midst of a | 3 |
has not yet been | 3 |
the line a f | 3 |
as to the extent | 3 |
she looked like a | 3 |
the period of lacquer | 3 |
line a g with | 3 |
so as to prevent | 3 |
of the spring equinox | 3 |
will be obtained by | 3 |
locking angle of the | 3 |
an inch from the | 3 |
from all parts of | 3 |
because of the fact | 3 |
a few words about | 3 |
to play with him | 3 |
the result is that | 3 |
hat on his head | 3 |
it is one of | 3 |
has an html version | 3 |
face of the teeth | 3 |
as will be seen | 3 |
is derived from the | 3 |
we delineate the impulse | 3 |
lower part of the | 3 |
of the meridian of | 3 |
a greater number of | 3 |
we draw from the | 3 |
the same as in | 3 |
as soon as they | 3 |
the dial up position | 3 |
the bed or frame | 3 |
pallets to conform to | 3 |
that my master was | 3 |
as they should be | 3 |
of such a model | 3 |
not pass out of | 3 |
of the national museum | 3 |
in reply to the | 3 |
the present we will | 3 |
of the arrow c | 3 |
fact that there are | 3 |
the result of the | 3 |
the best of all | 3 |
the impulse jewel has | 3 |
of the metropolitan museum | 3 |
the first day of | 3 |
me from his pocket | 3 |
to represent the center | 3 |
the extremes of temperature | 3 |
furniture not lacquered work | 3 |
when the balance was | 3 |
the circle n n | 3 |
and for this reason | 3 |
the radial line p | 3 |
if the jewel pin | 3 |
draw a line at | 3 |
as will be explained | 3 |
in the first chapter | 3 |
of the window and | 3 |
we draw the vertical | 3 |
place the balance in | 3 |
do you know tom | 3 |
took it into his | 3 |
in the face of | 3 |
circle of the escape | 3 |
that shown in fig | 3 |
pin will not pass | 3 |
they set to work | 3 |
with the line g | 3 |
as to allow the | 3 |
to have been in | 3 |
to call attention to | 3 |
we draw the short | 3 |
we can readily see | 3 |
one or two workmen | 3 |
end of the rims | 3 |
if seen in the | 3 |
delineate the entrance pallet | 3 |
to the present day | 3 |
enough to make the | 3 |
the jewel and the | 3 |
he was only a | 3 |
draw the line n | 3 |
as illustrated in fig | 3 |
i wonder if it | 3 |
the one to the | 3 |
locate the position of | 3 |
great series of english | 3 |
that he could not | 3 |
should be made of | 3 |
direction of the axis | 3 |
could not help feeling | 3 |
direction indicated by the | 3 |
coincide with the center | 3 |
as well as for | 3 |
the diagram at fig | 3 |
and relation of parts | 3 |
the effect of the | 3 |
seconds from one position | 3 |
to the width of | 3 |
of the space between | 3 |
center of our pallet | 3 |
moving a pair of | 3 |
day and night ring | 3 |
the various phases of | 3 |
vibrates through an arc | 3 |
one turn or less | 3 |
we now come to | 3 |
we show in fig | 3 |
of the passing hollow | 3 |
on clocks in the | 3 |
it is important that | 3 |
out of the room | 3 |
is to set the | 3 |
as english as the | 3 |
me out of the | 3 |
it was not long | 3 |
no common origin of | 3 |
the dial and its | 3 |
so that they will | 3 |
when the balance is | 3 |
as to just what | 3 |
on the opposite side | 3 |
distortions of compensation balances | 3 |
there can be no | 3 |
by the dotted outline | 3 |
to value and what | 3 |
he was ready to | 3 |
ends of the rims | 3 |
at the expense of | 3 |
to sit down and | 3 |
in the pendant down | 3 |
reducing the arc of | 3 |
and with our dividers | 3 |
be added to the | 3 |
the lip of the | 3 |
extent of the lock | 3 |
the rate of the | 3 |
the addition of a | 3 |
of holding the graver | 3 |
of the line g | 3 |
it would seem that | 3 |
did you ever hear | 3 |
end of the fusee | 3 |
version of this file | 3 |
it was a good | 3 |
through the points so | 3 |
correct the mean time | 3 |
at the sound of | 3 |
in which it is | 3 |
that the arc of | 3 |
motions on which our | 3 |
horn of the detent | 3 |
teeth of an escape | 3 |
names of clockmakers found | 3 |
as to whether the | 3 |
be said that the | 3 |
put in a new | 3 |
it was time to | 3 |
to say that she | 3 |
chats on english china | 3 |
if the rate is | 3 |
sweep the arc i | 3 |
and position of the | 3 |
always due to the | 3 |
up to the front | 3 |
point of the drill | 3 |
the fact that we | 3 |
me out of his | 3 |
line through the center | 3 |
he caught sight of | 3 |
cylinder and escape wheel | 3 |
for this was the | 3 |
i should like to | 3 |
the dress of a | 3 |
we will now proceed | 3 |
the head of a | 3 |
of gravity of the | 3 |
we locate the point | 3 |
of the outer face | 3 |
i do so want | 3 |
the line b d | 3 |
the little boy to | 3 |
it is certain that | 3 |
and when it was | 3 |
end of the arbor | 3 |
to aid us in | 3 |
to the days of | 3 |
of the acting roller | 3 |
anchor and dead beat | 3 |
it would be the | 3 |
impulse face of our | 3 |