This is a table of type trigram and their frequencies. Use it to search & browse the list to learn more about your study carrel.
trigram | frequency |
---|---|
one of the | 317 |
to have been | 269 |
as well as | 208 |
the earl of | 183 |
on the stage | 181 |
in the same | 165 |
of the play | 147 |
part of the | 142 |
of the stage | 141 |
there is no | 137 |
that it was | 135 |
at the same | 135 |
of the same | 132 |
the same time | 131 |
the duke of | 125 |
that he was | 123 |
the end of | 122 |
it may be | 118 |
seems to have | 117 |
of the theatre | 115 |
of his own | 115 |
of the first | 115 |
and in the | 114 |
it is not | 112 |
the part of | 110 |
it was not | 106 |
as i have | 103 |
the death of | 101 |
that he had | 100 |
in the year | 100 |
in which he | 100 |
the name of | 98 |
must have been | 97 |
of the most | 96 |
on the subject | 96 |
as to the | 96 |
in which the | 95 |
to be the | 95 |
not to be | 93 |
beaumont and fletcher | 93 |
which he had | 91 |
it will be | 90 |
the date of | 90 |
of the two | 90 |
it would be | 88 |
in the first | 87 |
the character of | 86 |
some of the | 86 |
would have been | 85 |
at the time | 85 |
out of the | 85 |
to be a | 80 |
the author of | 77 |
that of the | 77 |
on the other | 77 |
i do not | 76 |
at this time | 76 |
which i have | 74 |
one of those | 73 |
his royal highness | 73 |
one of his | 73 |
king and no | 72 |
a man of | 72 |
and no king | 72 |
there is a | 72 |
the hands of | 71 |
account of the | 70 |
the subject of | 69 |
and it is | 69 |
as it was | 69 |
the house of | 68 |
the course of | 68 |
the play was | 67 |
the inner temple | 67 |
at drury lane | 67 |
the time of | 64 |
a sort of | 64 |
history of the | 64 |
the story of | 64 |
he had been | 64 |
at the end | 64 |
as in the | 63 |
on the th | 63 |
that it is | 63 |
and all the | 63 |
the beginning of | 63 |
could not be | 63 |
of all the | 62 |
at that time | 62 |
and that the | 62 |
the history of | 62 |
said to have | 62 |
it has been | 62 |
i have been | 62 |
to the stage | 61 |
is to be | 61 |
the same year | 61 |
the life of | 61 |
master of the | 60 |
for the first | 60 |
for some time | 60 |
of the day | 60 |
may have been | 59 |
end of the | 59 |
him in the | 59 |
not have been | 59 |
acted by the | 58 |
upon the stage | 58 |
but it is | 58 |
and of the | 58 |
according to the | 58 |
ought to be | 58 |
earl of pembroke | 57 |
was one of | 57 |
he did not | 57 |
a king and | 56 |
of the world | 56 |
the cause of | 56 |
the rest of | 56 |
in the folio | 56 |
of the english | 56 |
in order to | 56 |
share in the | 56 |
there was a | 55 |
in the course | 55 |
in the play | 55 |
the th of | 55 |
in the house | 54 |
it must be | 54 |
be found in | 54 |
the maides tragedy | 54 |
in the following | 54 |
he could not | 53 |
the title of | 53 |
of the house | 53 |
have been the | 53 |
the head of | 53 |
the whole of | 52 |
and it was | 52 |
knight of the | 52 |
in one of | 51 |
the publication of | 51 |
in his own | 50 |
it is a | 50 |
the lord chamberlain | 50 |
the power of | 50 |
was in the | 50 |
with which he | 50 |
on this occasion | 50 |
house of commons | 50 |
it is the | 50 |
as we have | 49 |
the first time | 49 |
on account of | 49 |
i have already | 49 |
by no means | 49 |
which he was | 49 |
the first folio | 49 |
of the company | 49 |
the fact that | 48 |
i am not | 48 |
it was a | 48 |
to the same | 48 |
of the plays | 48 |
and there is | 48 |
with respect to | 48 |
of the king | 47 |
the tragedy of | 47 |
and the other | 47 |
of the great | 47 |
author of the | 47 |
it was the | 47 |
he was not | 47 |
of the new | 47 |
that i have | 47 |
romeo and juliet | 46 |
of the sonnets | 46 |
could not have | 46 |
and on the | 46 |
of the poet | 46 |
two or three | 45 |
have been a | 45 |
which had been | 45 |
as it is | 45 |
as an actor | 45 |
i have not | 45 |
some of his | 45 |
a copy of | 45 |
but in the | 45 |
of the burning | 44 |
he was a | 44 |
what i have | 44 |
of the patent | 44 |
the other hand | 44 |
of beaumont and | 44 |
of which the | 44 |
the knight of | 43 |
on the same | 43 |
the success of | 43 |
copy of the | 43 |
on the contrary | 43 |
in a letter | 43 |
to whom transferred | 43 |
entered on s | 42 |
earl of southampton | 42 |
was entered on | 42 |
that in the | 42 |
on the title | 42 |
to be found | 42 |
and to the | 42 |
when he was | 42 |
the conduct of | 42 |
you like it | 41 |
the best of | 41 |
state of the | 41 |
the reign of | 41 |
it had been | 41 |
might have been | 41 |
he had not | 41 |
i am sure | 41 |
of which he | 41 |
of those who | 41 |
use of the | 41 |
was to be | 41 |
for the stage | 41 |
edition of the | 41 |
the state of | 41 |
at the head | 41 |
as far as | 40 |
part of his | 40 |
is in the | 40 |
a letter to | 40 |
the children of | 40 |
of the year | 40 |
more or less | 40 |
the close of | 40 |
with all the | 40 |
of the present | 40 |
of the revels | 40 |
at the theatre | 40 |
in all the | 39 |
to which he | 39 |
of the court | 39 |
to the last | 39 |
i have said | 39 |
the play of | 39 |
appears to have | 39 |
as soon as | 39 |
of the prince | 39 |
of the people | 39 |
of the latter | 39 |
the burning pestle | 39 |
was not the | 38 |
of the other | 38 |
those of the | 38 |
of the lord | 38 |
the influence of | 38 |
i am afraid | 38 |
side of the | 38 |
in the world | 38 |
in this play | 38 |
about this time | 38 |
to that of | 38 |
will be found | 38 |
of the duke | 37 |
his share in | 37 |
is one of | 37 |
as much as | 37 |
seem to have | 37 |
in consequence of | 37 |
to make the | 37 |
with which the | 37 |
the prince of | 37 |
of one of | 37 |
a member of | 36 |
share of the | 36 |
of the original | 36 |
his description of | 36 |
date of the | 36 |
as early as | 36 |
to his own | 36 |
have been so | 36 |
between the two | 36 |
of the best | 36 |
of the royal | 36 |
a letter from | 35 |
were to be | 35 |
it was in | 35 |
to make a | 35 |
an account of | 35 |
the master of | 35 |
found in the | 35 |
it is to | 35 |
it is said | 35 |
his edition of | 35 |
of the actors | 35 |
by the same | 35 |
interest in the | 35 |
of the whole | 35 |
the taming of | 35 |
of his life | 35 |
there can be | 35 |
of the french | 35 |
of this play | 35 |
at the globe | 34 |
one of them | 34 |
it might be | 34 |
would not be | 34 |
for editions see | 34 |
i could not | 34 |
editions see section | 34 |
so far as | 34 |
the use of | 34 |
the case of | 34 |
see section xix | 34 |
that he would | 34 |
of which i | 34 |
and that he | 34 |
who had been | 33 |
is said to | 33 |
and i have | 33 |
view of the | 33 |
for the purpose | 33 |
a great deal | 33 |
he was the | 33 |
it in the | 33 |
does not appear | 33 |
the merit of | 33 |
it is impossible | 33 |
in the character | 33 |
of the second | 33 |
of the word | 33 |
the production of | 33 |
and in his | 33 |
the appearance of | 33 |
duke of york | 32 |
have been written | 32 |
it to the | 32 |
from the same | 32 |
and in a | 32 |
him to the | 32 |
on the part | 32 |
after his death | 32 |
respect to the | 32 |
school for scandal | 32 |
he had a | 32 |
this was the | 32 |
out of his | 32 |
should have been | 32 |
character of the | 32 |
on the ground | 32 |
that i was | 32 |
of the earl | 32 |
if he had | 32 |
of the inner | 32 |
in spite of | 32 |
as you like | 32 |
of this year | 32 |
merchant of venice | 32 |
the sixteenth century | 32 |
the work of | 32 |
as one of | 32 |
the english stage | 32 |
which it was | 31 |
in my opinion | 31 |
prince of wales | 31 |
with regard to | 31 |
that they were | 31 |
the comedy of | 31 |
to those who | 31 |
well as the | 31 |
owing to the | 31 |
than that of | 31 |
in the hands | 31 |
it is true | 31 |
it was acted | 31 |
by which the | 31 |
member of the | 31 |
of such a | 31 |
about the year | 30 |
the nature of | 30 |
reference to the | 30 |
to the public | 30 |
this is the | 30 |
the object of | 30 |
of the country | 30 |
in the sonnets | 30 |
the following letter | 30 |
of sir john | 30 |
to the earl | 30 |
he was in | 30 |
in addition to | 30 |
the first part | 30 |
he had no | 30 |
that the play | 30 |
be able to | 30 |
connection with the | 30 |
the loss of | 30 |
the following is | 30 |
that he has | 30 |
wives of windsor | 30 |
at any rate | 30 |
of the old | 30 |
the folio of | 30 |
i have no | 30 |
inns of court | 30 |
the property of | 29 |
the stage in | 29 |
in the most | 29 |
is not the | 29 |
the number of | 29 |
he does not | 29 |
that he should | 29 |
as that of | 29 |
two of the | 29 |
in this year | 29 |
at the rose | 29 |
on the death | 29 |
in the second | 29 |
version of the | 29 |
but it was | 29 |
of that year | 29 |
taming of the | 29 |
he would have | 29 |
course of the | 29 |
that of a | 29 |
that i am | 29 |
to which the | 29 |
was published in | 29 |
but there is | 29 |
any of the | 29 |
gentlemen of verona | 29 |
the purpose of | 29 |
a good deal | 29 |
to such a | 28 |
by way of | 28 |
merry wives of | 28 |
to the end | 28 |
the play as | 28 |
that he is | 28 |
it to be | 28 |
the old play | 28 |
was not a | 28 |
of shakespeare in | 28 |
of the shrew | 28 |
man in his | 28 |
the value of | 28 |
the works of | 28 |
and at the | 28 |
possession of the | 28 |
the merry wives | 28 |
first part of | 28 |
one or two | 28 |
in the country | 28 |
i should have | 28 |
in the case | 28 |
the names of | 28 |
acted at court | 28 |
the people of | 28 |
members of the | 27 |
in a few | 27 |
the possession of | 27 |
the seventeenth century | 27 |
that shakespeare was | 27 |
to the theatre | 27 |
that had been | 27 |
i have seen | 27 |
the play is | 27 |
in the patent | 27 |
of the question | 27 |
the eyes of | 27 |
the presence of | 27 |
to the king | 27 |
many of the | 27 |
the countess of | 27 |
in the present | 27 |
had not been | 27 |
to take the | 27 |
in favour of | 27 |
in some degree | 27 |
the honor of | 27 |
of my own | 27 |
of the public | 27 |
comedy of errors | 27 |
to the first | 27 |
between him and | 27 |
at this period | 27 |
description of the | 27 |
a few days | 27 |
the text of | 27 |
the scornful ladie | 27 |
with the same | 27 |
to have a | 27 |
name of the | 27 |
i shall be | 27 |
was the first | 27 |
which it is | 27 |
sir john oldcastle | 26 |
rest of the | 26 |
not a little | 26 |
he would not | 26 |
of some of | 26 |
we have seen | 26 |
that it would | 26 |
behind the scenes | 26 |
collection of sonnets | 26 |
in a word | 26 |
is the only | 26 |
of drury lane | 26 |
the advantage of | 26 |
play of the | 26 |
the honour of | 26 |
on the occasion | 26 |
into the hands | 26 |
the first quarto | 26 |
in the latter | 26 |
in the original | 26 |
as he was | 26 |
i would not | 26 |
every man in | 26 |
known to have | 26 |
was not so | 26 |
and that of | 26 |
account of his | 26 |
as he had | 26 |
for many years | 26 |
of this kind | 26 |
of the late | 26 |
the right honorable | 26 |
to see the | 26 |
sir john vanbrugh | 26 |
the management of | 26 |
one of these | 26 |
ado about nothing | 26 |
to be an | 26 |
earl of essex | 26 |
the point of | 26 |
conduct of the | 26 |
would not have | 26 |
there is nothing | 26 |
the truth of | 26 |
a kind of | 25 |
that he could | 25 |
it could not | 25 |
the theatre in | 25 |
said to be | 25 |
of an actor | 25 |
of the sixteenth | 25 |
allusion to the | 25 |
he seems to | 25 |
if it were | 25 |
and with the | 25 |
the new theatre | 25 |
i know not | 25 |
in the last | 25 |
of the plague | 25 |
in the old | 25 |
is not to | 25 |
there is little | 25 |
of henry vi | 25 |
his account of | 25 |
on the first | 25 |
part in the | 25 |
in conjunction with | 25 |
little doubt that | 25 |
part of it | 25 |
can be no | 25 |
sir philip sidney | 25 |
children of the | 25 |
the spirit of | 25 |
was acted by | 25 |
to him in | 25 |
that she was | 25 |
the memory of | 25 |
to the poet | 25 |
of the crown | 25 |
the british museum | 25 |
of the knight | 25 |
in the theatre | 24 |
ought not to | 24 |
third earl of | 24 |
much of the | 24 |
the side of | 24 |
a part of | 24 |
was at the | 24 |
acted at the | 24 |
are to be | 24 |
in the winter | 24 |
the first of | 24 |
with that of | 24 |
that there was | 24 |
to be made | 24 |
the opening of | 24 |
the composition of | 24 |
the stage was | 24 |
drury lane in | 24 |
beginning of the | 24 |
the hand of | 24 |
was the only | 24 |
in the two | 24 |
this play was | 24 |
sir richard steele | 24 |
the edition of | 24 |
of the last | 24 |
the inns of | 24 |
little more than | 23 |
when it was | 23 |
the school for | 23 |
the daughter of | 23 |
it as a | 23 |
which i am | 23 |
he might have | 23 |
the faithfull shepheardesse | 23 |
on th january | 23 |
in such a | 23 |
this is a | 23 |
as i am | 23 |
was written by | 23 |
the same play | 23 |
of the former | 23 |
the liberty of | 23 |
to see him | 23 |
by the children | 23 |
seems to be | 23 |
proof of the | 23 |
him in his | 23 |
parts of the | 23 |
has not been | 23 |
in this country | 23 |
at end of | 23 |
to one of | 23 |
of the party | 23 |
in which they | 23 |
in his humour | 23 |
no doubt that | 23 |
of shakespeare by | 23 |
your royal highness | 23 |
see memoir of | 23 |
of the author | 23 |
of the time | 23 |
and i am | 23 |
might not be | 23 |
in all probability | 23 |
the absence of | 23 |
he must have | 23 |
i think i | 23 |
he is not | 23 |
the triumph of | 23 |
scene of the | 23 |
a new play | 23 |
ought to have | 23 |
is not a | 23 |
i did not | 23 |
in the reign | 23 |
of the following | 23 |
about the same | 23 |
and a few | 22 |
the next day | 22 |
part of this | 22 |
after the death | 22 |
them to the | 22 |
on this subject | 22 |
have been in | 22 |
from the following | 22 |
in a very | 22 |
more than a | 22 |
now and then | 22 |
in the hay | 22 |
company of players | 22 |
supposed to have | 22 |
of second volume | 22 |
that this was | 22 |
could not but | 22 |
at any time | 22 |
the king of | 22 |
and by the | 22 |
of his plays | 22 |
i cannot help | 22 |
of the theatres | 22 |
who died in | 22 |
even in the | 22 |
through all the | 22 |
end of second | 22 |
right honorable gentleman | 22 |
date of composition | 22 |
in possession of | 22 |
most of them | 22 |
appear to have | 22 |
the theatre royal | 22 |
company of actors | 22 |
the list of | 22 |
i have heard | 22 |
comedy of the | 22 |
taming of a | 22 |
a collection of | 22 |
there was no | 22 |
was not to | 22 |
death of the | 22 |
the manner of | 22 |
of a shrew | 22 |
when it is | 22 |
of the family | 22 |
but i am | 22 |
was produced at | 22 |
and from the | 22 |
for his own | 22 |
may not be | 22 |
from one of | 22 |
to be of | 22 |
could have been | 22 |
from the first | 22 |
to the house | 22 |
that he did | 22 |
to give the | 22 |
soon as the | 22 |
his life of | 22 |
no reason to | 22 |
of the three | 22 |
from the stage | 22 |
the sonnets of | 21 |
the opinion of | 21 |
in the autumn | 21 |
said sir william | 21 |
a state of | 21 |
there is not | 21 |
there is an | 21 |
not in the | 21 |
by which he | 21 |
he was to | 21 |
of the period | 21 |
that i had | 21 |
a year or | 21 |
for the same | 21 |
most of the | 21 |
his share of | 21 |
a series of | 21 |
much ado about | 21 |
but i have | 21 |
the authority of | 21 |
the greater part | 21 |
to tell you | 21 |
was entered s | 21 |
of the principal | 21 |
the effect of | 21 |
the aid of | 21 |
was born in | 21 |
he is a | 21 |
the accession of | 21 |
great deal of | 21 |
dedication of the | 21 |
his opinion of | 21 |
i think it | 21 |
play was written | 21 |
hands of the | 21 |
and the following | 21 |
him to be | 21 |
made use of | 21 |
his history of | 21 |
edition of shakespeare | 21 |
the performance of | 21 |
to drury lane | 21 |
i will not | 21 |
as to be | 21 |
to whom he | 21 |
in the very | 21 |
whole of the | 21 |
in the text | 21 |
in which shakespeare | 21 |
not to have | 21 |
are in the | 21 |
to him by | 21 |
in the british | 21 |
the said sir | 21 |
a number of | 21 |
that they had | 21 |
of the many | 21 |
the affairs of | 21 |
that can be | 21 |
as if he | 21 |
on which the | 21 |
the words of | 21 |
which has been | 20 |
the spring of | 20 |
of these plays | 20 |
and when the | 20 |
of which was | 20 |
in connection with | 20 |
of richard iii | 20 |
an act of | 20 |
that there is | 20 |
greater part of | 20 |
in his sonnets | 20 |
of this work | 20 |
the hero of | 20 |
the month of | 20 |
the middle of | 20 |
more than the | 20 |
of king john | 20 |
he may have | 20 |
in the new | 20 |
a matter of | 20 |
was made to | 20 |
i have a | 20 |
on th february | 20 |
whom he had | 20 |
it is in | 20 |
connected with the | 20 |
the attention of | 20 |
in that year | 20 |
the autumn of | 20 |
to all the | 20 |
a list of | 20 |
in the part | 20 |
produced at drury | 20 |
in the spring | 20 |
of a man | 20 |
the only one | 20 |
duke of buckingham | 20 |
for want of | 20 |
to make it | 20 |
three or four | 20 |
a right to | 20 |
to the lord | 20 |
place in the | 20 |
favour of the | 20 |
them in the | 20 |
which he has | 20 |
of his father | 20 |
well as of | 20 |
with a view | 20 |
from his own | 20 |
of his friend | 20 |
of what i | 20 |
of the dramatist | 20 |
to have had | 20 |
to show that | 20 |
it should be | 20 |
instance of the | 20 |
on his own | 20 |
been able to | 20 |
as might be | 20 |
of his royal | 20 |
him in a | 20 |
to the author | 19 |
than in the | 19 |
more than one | 19 |
that ends well | 19 |
it in his | 19 |
in the possession | 19 |
up to the | 19 |
the charge of | 19 |
at the haymarket | 19 |
portion of the | 19 |
and death of | 19 |
at the beginning | 19 |
we may be | 19 |
the son of | 19 |
years of age | 19 |
and a king | 19 |
to the prince | 19 |
or in the | 19 |
i have given | 19 |
year or two | 19 |
of which they | 19 |
of the quarto | 19 |
the means of | 19 |
in the church | 19 |
the king and | 19 |
appeared in the | 19 |
time of his | 19 |
the reputation of | 19 |
the two stages | 19 |
address to the | 19 |
which they had | 19 |
like that of | 19 |
to the best | 19 |
of the book | 19 |
of it to | 19 |
had been a | 19 |
this sort of | 19 |
the wife of | 19 |
at court in | 19 |
we shall see | 19 |
of the greatest | 19 |
i need not | 19 |
of a play | 19 |
the age of | 19 |
the period of | 19 |
it would have | 19 |
in which it | 19 |
of the constitution | 19 |
was the original | 19 |
the profits of | 19 |
of the young | 19 |
printed in the | 19 |
first printed in | 19 |
in the other | 19 |
the question of | 19 |
it is probable | 19 |
at a time | 19 |
relating to the | 19 |
the merchant of | 19 |
a few years | 19 |
to the other | 19 |
the father of | 19 |
of the season | 19 |
to whom the | 19 |
to speak of | 19 |
before the king | 19 |
to be as | 19 |
this part of | 19 |
in any other | 19 |
measure for measure | 19 |
life of mr | 19 |
the payment of | 19 |
i have done | 19 |
of their own | 19 |
of the story | 19 |
well that ends | 19 |
of his works | 19 |
to do with | 19 |
be said to | 19 |
any part of | 19 |
there had been | 19 |
of the minister | 19 |
to be so | 19 |
the globe theatre | 19 |
comparison between the | 19 |
and some of | 19 |
of the life | 19 |
himself and his | 19 |
of his friends | 19 |
the remainder of | 19 |
the quarto of | 19 |
here and there | 19 |
first published in | 19 |
life and death | 18 |
to be taken | 18 |
return to the | 18 |
the last of | 18 |
must be the | 18 |
the dignity of | 18 |
shakespeare and his | 18 |
and he was | 18 |
a share in | 18 |
earl of dorset | 18 |
the effects of | 18 |
power of the | 18 |
was on the | 18 |
to be paid | 18 |
to enter into | 18 |
two gentlemen of | 18 |
of his wit | 18 |
in the whole | 18 |
written by him | 18 |
do not know | 18 |
him from the | 18 |
if they were | 18 |
the life and | 18 |
appears from the | 18 |
by him to | 18 |
it is of | 18 |
in the mean | 18 |
the second part | 18 |
the company of | 18 |
with those of | 18 |
love for love | 18 |
it is possible | 18 |
him as a | 18 |
of the subject | 18 |
not one of | 18 |
of it in | 18 |
in all his | 18 |
the strength of | 18 |
of a good | 18 |
list of the | 18 |
at one time | 18 |
theatre in the | 18 |
the civil war | 18 |
sir courtly nice | 18 |
and for the | 18 |
of the elizabethan | 18 |
had not the | 18 |
we have already | 18 |
in his preface | 18 |
of colley cibber | 18 |
by the lord | 18 |
and his friends | 18 |
of all his | 18 |
of the globe | 18 |
some of them | 18 |
is that of | 18 |
in vain the | 18 |
the want of | 18 |
a view to | 18 |
of his death | 18 |
a time when | 18 |
which may be | 18 |
i have the | 18 |
of the opera | 18 |
he had the | 18 |
pounds a year | 18 |
union of the | 18 |
among his papers | 18 |
it is certain | 18 |
a mind to | 18 |
have had a | 18 |
of the woman | 18 |
it appears from | 18 |
likely to be | 18 |
the idea of | 18 |
we have it | 18 |
will not be | 18 |
which was the | 18 |
with the most | 18 |
no more than | 18 |
on th april | 18 |
in the early | 18 |
the gentlemen of | 18 |
more than once | 18 |
under the title | 18 |
the marriage of | 18 |
it was to | 18 |
the mind of | 18 |
close of the | 18 |
the summer of | 18 |
of any other | 18 |
the blackfriars theatre | 18 |
his company of | 18 |
and lord grenville | 17 |
the voice of | 17 |
to his royal | 17 |
to be sure | 17 |
the pleasure of | 17 |
an allusion to | 17 |
was no doubt | 17 |
to those of | 17 |
as a whole | 17 |
will be seen | 17 |
the merry devil | 17 |
than any other | 17 |
the way of | 17 |
after he had | 17 |
in the next | 17 |
it is that | 17 |
is little doubt | 17 |
latter end of | 17 |
the assistance of | 17 |
the patronage of | 17 |
by the following | 17 |
due to the | 17 |
i shall not | 17 |
would be a | 17 |
as has been | 17 |
actors in the | 17 |
the establishment of | 17 |
of the night | 17 |
alexander the great | 17 |
given by the | 17 |
of the patentees | 17 |
the reader will | 17 |
on both sides | 17 |
and as the | 17 |
soon after the | 17 |
to the present | 17 |
in the summer | 17 |
came into the | 17 |
the fate of | 17 |
he should be | 17 |
the service of | 17 |
reason to believe | 17 |
the first and | 17 |
by one of | 17 |
on th november | 17 |
to which i | 17 |
to believe that | 17 |
on one side | 17 |
of the plot | 17 |
an old play | 17 |
that i should | 17 |
in the middle | 17 |
of a few | 17 |
text of the | 17 |
have not been | 17 |
a few months | 17 |
the issue of | 17 |
there are some | 17 |
and with a | 17 |
while he was | 17 |
and of his | 17 |
of romeo and | 17 |
supposed to be | 17 |
the minds of | 17 |
to me to | 17 |
merry devil of | 17 |
the following passage | 17 |
founded on the | 17 |
publication of the | 17 |
and that his | 17 |
any of his | 17 |
to be in | 17 |
prologue to the | 17 |
to return to | 17 |
to give it | 17 |
a friend of | 17 |
two noble kinsmen | 17 |
which they were | 17 |
or of the | 17 |
the account of | 17 |
the commencement of | 17 |
the mean time | 17 |
the majority of | 17 |
be the first | 17 |
the battle of | 17 |
of the poems | 17 |
to say that | 17 |
in the least | 17 |
for a time | 17 |
from that of | 17 |
of the town | 17 |
and that it | 17 |
at the close | 17 |
i am very | 17 |
in accordance with | 17 |
the government of | 17 |
it is no | 17 |
as long as | 17 |
should not have | 17 |
if i had | 17 |
given to the | 17 |
may be sure | 17 |
apology for the | 17 |
in the way | 17 |
in love with | 17 |
is no reason | 16 |
subject of the | 16 |
reign of king | 16 |
the existence of | 16 |
to his friend | 16 |
the french revolution | 16 |
me to the | 16 |
the glory of | 16 |
had a mind | 16 |
that it had | 16 |
to give them | 16 |
of the poets | 16 |
which i shall | 16 |
then in the | 16 |
in a manner | 16 |
of sir richard | 16 |
those who have | 16 |
have been made | 16 |
of the chief | 16 |
by the prince | 16 |
as there is | 16 |
from which the | 16 |
of a letter | 16 |
either of them | 16 |
now in the | 16 |
the heart of | 16 |
an actor of | 16 |
a degree of | 16 |
as they were | 16 |
none of the | 16 |
regard to the | 16 |
on the side | 16 |
the chapel children | 16 |
to give you | 16 |
the friends of | 16 |
that if he | 16 |
to give a | 16 |
a company of | 16 |
in the dedication | 16 |
the two noble | 16 |
of his party | 16 |
on th march | 16 |
of the said | 16 |
the following year | 16 |
who was then | 16 |
the two houses | 16 |
as of the | 16 |
many of his | 16 |
of a different | 16 |
of the law | 16 |
it cannot be | 16 |
love in a | 16 |
we find that | 16 |
the careless husband | 16 |
the force of | 16 |
the authorship of | 16 |
the collection of | 16 |
it was at | 16 |
and as he | 16 |
in the edition | 16 |
of an old | 16 |
and the earl | 16 |
must be owned | 16 |
an apology for | 16 |
examination of the | 16 |
for which he | 16 |
period of his | 16 |
a letter of | 16 |
opening of the | 16 |
of the name | 16 |
that was not | 16 |
his first appearance | 16 |
into good society | 16 |
the latter end | 16 |
had not yet | 16 |
i have found | 16 |
and one of | 16 |
by shakespeare in | 16 |
the feelings of | 16 |
we could not | 16 |
the language of | 16 |
a short time | 16 |
i have often | 16 |
the place of | 16 |
give me leave | 16 |
of the chapel | 16 |
as an actress | 16 |
of his career | 16 |
the right of | 16 |
i have had | 16 |
management of the | 16 |
part of henry | 16 |
the writer of | 16 |
is no doubt | 16 |
have been more | 16 |
upon the subject | 16 |
on th december | 16 |
troylus and cressida | 16 |
not only the | 16 |
he had already | 16 |
as i can | 16 |
good deal of | 16 |
doubt that the | 16 |
much the same | 16 |
the order of | 16 |
in some of | 16 |
in the epilogue | 16 |
and if the | 16 |
the theory that | 16 |
translation of the | 16 |
was obliged to | 16 |
description of mrs | 16 |
they were not | 16 |
according to his | 15 |
is impossible to | 15 |
in my power | 15 |
venus and adonis | 15 |
no less than | 15 |
of which we | 15 |
played by the | 15 |
it in a | 15 |
in all its | 15 |
should not be | 15 |
i should not | 15 |
of the speech | 15 |
as we shall | 15 |
was that of | 15 |
in the month | 15 |
of a theatre | 15 |
on th september | 15 |
in the morning | 15 |
as it were | 15 |
i was not | 15 |
each of the | 15 |
in the third | 15 |
to prove that | 15 |
may be said | 15 |
his connection with | 15 |
a young man | 15 |
they have been | 15 |
of new place | 15 |
occurs in the | 15 |
years of the | 15 |
them in their | 15 |
nature of the | 15 |
upon which the | 15 |
date of production | 15 |
of the property | 15 |
mentioned in the | 15 |
have been an | 15 |
the mouth of | 15 |
year of his | 15 |
study of the | 15 |
is well known | 15 |
the sum of | 15 |
and henry vi | 15 |
the family of | 15 |
to in the | 15 |
of his character | 15 |
to make him | 15 |
in the matter | 15 |
so many of | 15 |
to make his | 15 |
letter to the | 15 |
of the ministry | 15 |
be no doubt | 15 |
it was probably | 15 |
the allusions to | 15 |
sir thomas skipwith | 15 |
one of which | 15 |
they could not | 15 |
but as i | 15 |
or any other | 15 |
plays of the | 15 |
to which his | 15 |
of which is | 15 |
the occasion of | 15 |
duke of portland | 15 |
i shall give | 15 |
to the duke | 15 |
there are many | 15 |
plays in the | 15 |
of his literary | 15 |
the judgment of | 15 |
for several years | 15 |
by his own | 15 |
that of his | 15 |
of the nation | 15 |
come to the | 15 |
being able to | 15 |
might be expected | 15 |
of his age | 15 |
order of the | 15 |
him for the | 15 |
of the church | 15 |
was acted at | 15 |
names of the | 15 |
has already been | 15 |
when i was | 15 |
was printed in | 15 |
the same author | 15 |
for some years | 15 |
the dedication of | 15 |
i ought to | 15 |
we have no | 15 |
the style of | 15 |
the court of | 15 |
of the maides | 15 |
i have made | 15 |
opinion of the | 15 |
with all his | 15 |
of the text | 15 |
for he was | 15 |
the form of | 15 |
those who are | 15 |
new theatre in | 15 |
as if it | 15 |
on th may | 15 |
in the right | 15 |
by some of | 15 |
i have to | 15 |
to which they | 15 |
translation of shakespeare | 15 |
as they are | 15 |
of his sonnets | 15 |
some of those | 15 |
earl of derby | 15 |
in his hand | 15 |
down to the | 15 |
it does not | 15 |
but that i | 15 |
to account for | 15 |
was first published | 15 |
after the restoration | 15 |
of all that | 15 |
in defence of | 15 |
he and his | 15 |
the interest of | 14 |
public record office | 14 |
to any other | 14 |
i should be | 14 |
on th october | 14 |
countess of rutland | 14 |
not only of | 14 |
without the least | 14 |
is not so | 14 |
entered on the | 14 |
of a new | 14 |
not be so | 14 |
of his contemporaries | 14 |
if i am | 14 |
which the latter | 14 |
may be a | 14 |
who was a | 14 |
drawn up by | 14 |
in the cause | 14 |
added to the | 14 |
from time to | 14 |
the identity of | 14 |
for their own | 14 |
of his political | 14 |
it is only | 14 |
the genius of | 14 |
devil of edmonton | 14 |
following is the | 14 |
the same subject | 14 |
we were not | 14 |
by those who | 14 |
knowledge of the | 14 |
letter from mr | 14 |
references to the | 14 |
york and lancaster | 14 |
and to have | 14 |
and the rest | 14 |
speaking of the | 14 |
addressed to a | 14 |
the national portrait | 14 |
relations with the | 14 |
that they are | 14 |
at a loss | 14 |
a proof of | 14 |
but i must | 14 |
cause of the | 14 |
national portrait gallery | 14 |
in which i | 14 |
and a half | 14 |
the union of | 14 |
the stage and | 14 |
a study of | 14 |
let us see | 14 |
his treatment of | 14 |
though i have | 14 |
allusions to the | 14 |
it is clear | 14 |
either of the | 14 |
the midst of | 14 |
in imitation of | 14 |
time to time | 14 |
it is well | 14 |
to have taken | 14 |
the stage as | 14 |
with whom he | 14 |
in favor of | 14 |
accounts of the | 14 |
was the most | 14 |
the credit of | 14 |
it was written | 14 |
in which a | 14 |
this play is | 14 |
he was at | 14 |
and it may | 14 |
to the great | 14 |
point of view | 14 |
time of the | 14 |
the interests of | 14 |
as late as | 14 |
the trial of | 14 |
of the work | 14 |
the patron of | 14 |
and his wife | 14 |
him and his | 14 |
by him in | 14 |
second part of | 14 |
in a great | 14 |
of what he | 14 |
of the irish | 14 |
of this country | 14 |
such was the | 14 |
and i think | 14 |
to go to | 14 |
performed at court | 14 |
had been the | 14 |
of the city | 14 |
for the last | 14 |
in consideration of | 14 |
i thought it | 14 |
it is evident | 14 |
there has been | 14 |
the introduction of | 14 |
the progress of | 14 |
came to be | 14 |
the pride of | 14 |
be regarded as | 14 |
of the drama | 14 |
was able to | 14 |
to take a | 14 |
as it may | 14 |
a play of | 14 |
such as the | 14 |
to the two | 14 |
by the duke | 14 |
at court by | 14 |
i had not | 14 |
for me to | 14 |
his interest in | 14 |
production of the | 14 |
at a later | 14 |
given in the | 14 |
the characters of | 14 |
is but a | 14 |
spirit of the | 14 |
had been acted | 14 |
which he made | 14 |
as we know | 14 |
the taste of | 14 |
of his first | 14 |
in the end | 14 |
of the very | 14 |
many of them | 14 |
the duchess of | 14 |
at a distance | 14 |
the fortunes of | 14 |
not appear to | 14 |
people of england | 14 |
of james i | 14 |
was first acted | 14 |
the conclusion that | 14 |
they did not | 14 |
of the one | 14 |
but to the | 14 |
manner in which | 14 |
with him in | 14 |
in the presence | 14 |
he should have | 14 |
not the least | 14 |
of the comedy | 14 |
the discussion of | 14 |
that in this | 14 |
a portion of | 14 |
it must have | 13 |
of henry v | 13 |
they had been | 13 |
he may be | 13 |
but that the | 13 |
to him the | 13 |
i had been | 13 |
i had the | 13 |
in my own | 13 |
not long before | 13 |
the scenes of | 13 |
we find the | 13 |
of his being | 13 |
authority of the | 13 |
his love of | 13 |
when he is | 13 |
to the company | 13 |
with which his | 13 |
do not think | 13 |
it is now | 13 |
with which they | 13 |
a volume of | 13 |
of his share | 13 |
on th june | 13 |
written in the | 13 |
me in the | 13 |
man out of | 13 |
himself to the | 13 |
a visit to | 13 |
the support of | 13 |
of our own | 13 |
of his humour | 13 |
the foure playes | 13 |
only in the | 13 |
to the reader | 13 |
was in a | 13 |
of a king | 13 |
of the character | 13 |
the spanish friar | 13 |
the consideration of | 13 |
portions of the | 13 |
had been for | 13 |
so as to | 13 |
the expression of | 13 |
of that time | 13 |
it was lately | 13 |
the preface to | 13 |
refers to the | 13 |
shakespeare in the | 13 |
in a more | 13 |
was the author | 13 |
for a moment | 13 |
to a very | 13 |
his manner of | 13 |
submitted to the | 13 |
by the earl | 13 |
the members of | 13 |
he was an | 13 |
head of the | 13 |
of queen elizabeth | 13 |
and not to | 13 |
with all its | 13 |
who had a | 13 |
but when the | 13 |
first earl of | 13 |
of that play | 13 |
it was no | 13 |
the circumstances of | 13 |
appears in the | 13 |
when they were | 13 |
title of the | 13 |
we find him | 13 |
the same kind | 13 |
the stage of | 13 |
it necessary to | 13 |
one hundred and | 13 |
alluded to in | 13 |
sir godfrey kneller | 13 |
has been said | 13 |
the consequences of | 13 |
that he might | 13 |
to think that | 13 |
the original play | 13 |
in the city | 13 |
but he is | 13 |
in any case | 13 |
that i can | 13 |
the patent to | 13 |
who was the | 13 |
had left the | 13 |
his dedication of | 13 |
this may be | 13 |
i am now | 13 |
it is but | 13 |
lives of the | 13 |
seen in the | 13 |
she was the | 13 |
the provoked husband | 13 |
every man out | 13 |
is a very | 13 |
hero of the | 13 |
head of a | 13 |
scenes of the | 13 |
if i should | 13 |
the terms of | 13 |
for him to | 13 |
that could be | 13 |
government of the | 13 |
answer to the | 13 |
hundred and fifty | 13 |
the first english | 13 |
of the national | 13 |
but for the | 13 |
upon the same | 13 |
it appears that | 13 |
the two gentlemen | 13 |
part of a | 13 |
in the preface | 13 |
the privy council | 13 |
been in the | 13 |
the description of | 13 |
which sheridan had | 13 |
years after the | 13 |
him by the | 13 |
at covent garden | 13 |
have been told | 13 |
men of letters | 13 |
in the eyes | 13 |
the bodleian library | 13 |
which they have | 13 |
the second and | 13 |
not only to | 13 |
the office of | 13 |
to have the | 13 |
those who were | 13 |
and had been | 13 |
published in the | 13 |
had it been | 13 |
three of the | 13 |
drummond of hawthornden | 13 |
the actors of | 13 |
i cannot but | 13 |
was intended to | 13 |
for it was | 13 |
the vanity of | 13 |
you may be | 13 |
all the world | 13 |
let it be | 13 |
a hundred and | 13 |
on either side | 13 |
of henry viii | 13 |
affairs of the | 13 |
in the manner | 13 |
of the school | 13 |
following letter from | 13 |
the stage to | 13 |
and to his | 13 |
that is to | 13 |
i confess i | 13 |
the two companies | 13 |
is of the | 13 |
short view of | 13 |
addressed to the | 13 |
for it is | 13 |
the prospect of | 13 |
vogue of the | 13 |
the business of | 13 |
and that in | 13 |
if i have | 13 |
and others in | 13 |
the care of | 13 |
the same date | 13 |
it was that | 13 |
it is difficult | 13 |
his voice and | 13 |
the height of | 13 |
the present year | 13 |
success of the | 13 |
of the rivals | 13 |
were in the | 13 |
for such a | 13 |
of his time | 13 |
when he had | 13 |
had been so | 13 |
that ever was | 13 |
the conclusion of | 13 |
was first printed | 13 |
it was his | 13 |
had never been | 13 |
antony and cleopatra | 13 |
by james shirley | 13 |
was not only | 13 |
of the third | 13 |
performance of the | 13 |
of his heart | 13 |
a specimen of | 13 |
early in the | 13 |
grey and lord | 13 |
copies of the | 13 |
of the war | 13 |
in the later | 13 |
the practice of | 13 |
in a new | 13 |
for his benefit | 13 |
of a fine | 13 |
of the manuscript | 13 |
of a very | 13 |
be in the | 13 |
yet it was | 13 |
the task of | 13 |
the other side | 13 |
and when he | 13 |
appeal to the | 13 |
as the most | 13 |
in the seventeenth | 13 |
of the scene | 13 |
the epilogue to | 13 |
property of the | 13 |
rule a wife | 13 |
lord grey and | 13 |
and of which | 13 |
to the queen | 13 |
in his mind | 13 |
of his family | 13 |
is supposed to | 13 |
the university of | 13 |
of don quixote | 13 |
the theatre was | 13 |
i assure you | 13 |
of the coxcombe | 13 |
a character of | 13 |
in his lifetime | 13 |
i am sorry | 13 |
with each other | 13 |
years after his | 13 |
of the kind | 13 |
to the true | 13 |
this was not | 13 |
in the great | 12 |
might not have | 12 |
to the whole | 12 |
a man who | 12 |
than those of | 12 |
the expense of | 12 |
the noble lord | 12 |
by the king | 12 |
attributed to him | 12 |
the first edition | 12 |
with such a | 12 |
in point of | 12 |
to be more | 12 |
to make them | 12 |
was in his | 12 |
he could have | 12 |
an instance of | 12 |
it might not | 12 |
is probable that | 12 |
have been as | 12 |
made to the | 12 |
sonnets to patrons | 12 |
patronage of the | 12 |
if i were | 12 |
authorship of the | 12 |
he must be | 12 |
the speech of | 12 |
in this case | 12 |
for my part | 12 |
the freedom of | 12 |
page of the | 12 |
that sort of | 12 |
in the parish | 12 |
preface to the | 12 |
addressed to him | 12 |
and n n | 12 |
appears by the | 12 |
to the people | 12 |
and the whole | 12 |
the favour of | 12 |
by all the | 12 |
produced at the | 12 |
of the state | 12 |
under the same | 12 |
referred to in | 12 |
gave him a | 12 |
is clear that | 12 |
at the curtain | 12 |
is the most | 12 |
had the advantage | 12 |
or two of | 12 |
in the preceding | 12 |
composition of the | 12 |
the world of | 12 |
and his company | 12 |
i dare say | 12 |
the benefit of | 12 |
is that the | 12 |
i cannot say | 12 |
in the midst | 12 |
description of his | 12 |
as many as | 12 |
of national biography | 12 |
gentlemen of the | 12 |
is possible that | 12 |
admitted to the | 12 |
that i think | 12 |
the merits of | 12 |
and that they | 12 |
a few lines | 12 |
sonnets addressed to | 12 |
name of play | 12 |
is found in | 12 |
more than two | 12 |
the year before | 12 |
of these two | 12 |
the sight of | 12 |
the manager of | 12 |
well as in | 12 |
the second quarto | 12 |
have had the | 12 |
may be of | 12 |
account of a | 12 |
to the new | 12 |
in his life | 12 |
i believe that | 12 |
use of it | 12 |
that all the | 12 |
of the characters | 12 |
for the time | 12 |
are not to | 12 |
in mind of | 12 |
that some of | 12 |
to the contrary | 12 |
what sort of | 12 |
the scene of | 12 |
the painting by | 12 |
i might have | 12 |
it by the | 12 |
this year was | 12 |
the early part | 12 |
one in the | 12 |
in henley street | 12 |
the first night | 12 |
in the public | 12 |
consideration of the | 12 |
at the period | 12 |
and the same | 12 |
the other two | 12 |
the piece was | 12 |
the plays of | 12 |
the gunpowder plot | 12 |
large number of | 12 |
edition of his | 12 |
to the latter | 12 |
by the author | 12 |
and the only | 12 |
the excellence of | 12 |
he has been | 12 |
i never saw | 12 |
in the list | 12 |
prefixed to the | 12 |
to the general | 12 |
the man who | 12 |
royal highness had | 12 |
to be done | 12 |
they are not | 12 |
the same sort | 12 |
at hampton court | 12 |
at that period | 12 |
of my life | 12 |
in a riddle | 12 |
the proprietors of | 12 |
we do not | 12 |
the result of | 12 |
come up to | 12 |
as not to | 12 |
richard the third | 12 |
the man of | 12 |
to the effect | 12 |
he was born | 12 |
did not act | 12 |
the price of | 12 |
university of california | 12 |
to come to | 12 |
a few words | 12 |
in he was | 12 |
of it was | 12 |
question of the | 12 |
by beaumont and | 12 |
as if they | 12 |
first and second | 12 |
which he is | 12 |
the first to | 12 |
in the wrong | 12 |
be out of | 12 |
i shall therefore | 12 |
earl of huntingdon | 12 |
in the quarto | 12 |
the city of | 12 |
but that he | 12 |
the bottom of | 12 |
be sure that | 12 |
but as a | 12 |
this is not | 12 |
it would not | 12 |
addition to the | 12 |
out of my | 12 |
the eighteenth century | 12 |
well as to | 12 |
that a man | 12 |
for in the | 12 |
in a play | 12 |
this was a | 12 |
assigned to shakespeare | 12 |
of her husband | 12 |
the return of | 12 |
that you have | 12 |
in his manner | 12 |
we are told | 12 |
second and third | 12 |
the middle temple | 12 |
in all these | 12 |
i am the | 12 |
with so much | 12 |
of the highest | 12 |
will be no | 12 |
relative to the | 12 |
in his hands | 12 |
the music of | 12 |
the vogue of | 12 |
to be called | 12 |
within a few | 12 |
as appears by | 12 |
i can only | 12 |
the moment of | 12 |
took place in | 12 |
has always been | 12 |
be one of | 12 |
in answer to | 12 |
you have been | 12 |
was acted in | 12 |
to the play | 12 |
that is not | 12 |
upon the whole | 12 |
and in that | 12 |
discussion of the | 12 |
to have seen | 12 |
to have made | 12 |
to the memory | 12 |
and that a | 12 |
in the stage | 12 |
was buried at | 12 |
the annals of | 12 |
drury lane theatre | 12 |
himself in the | 12 |
for the life | 12 |
only one of | 12 |
he might be | 12 |
was by no | 12 |
which shakespeare had | 12 |
miseries of enforced | 12 |
many years after | 12 |
was an actor | 12 |
on the power | 12 |
a writer of | 12 |
of henry iv | 12 |
it may have | 12 |
by the way | 12 |
one of their | 12 |
of the folio | 12 |
they would have | 12 |
for a month | 12 |
is of a | 12 |
of all this | 12 |
is difficult to | 12 |
that such a | 12 |
to make any | 12 |
was buried in | 12 |
treatment of the | 12 |
in his edition | 12 |
with the other | 12 |
they had not | 12 |
reason to be | 12 |
made for the | 12 |
the prince and | 11 |
the day of | 11 |
have not yet | 11 |
the sense of | 11 |
reason to think | 11 |
the manner in | 11 |
that we were | 11 |
but there was | 11 |
but a few | 11 |
that if the | 11 |
was of the | 11 |
the example of | 11 |
of his actors | 11 |
the fame of | 11 |
as a new | 11 |
the beauty of | 11 |
me leave to | 11 |
to see it | 11 |
get rid of | 11 |
of the queen | 11 |
you will be | 11 |
which is the | 11 |
in no way | 11 |
he appears to | 11 |
to him that | 11 |
the transformation of | 11 |
to the most | 11 |
no proof that | 11 |
belonged to the | 11 |
equal to the | 11 |
a good actor | 11 |
to a friend | 11 |
the following extract | 11 |
at the bottom | 11 |
old play of | 11 |
it was first | 11 |
of the persons | 11 |
the owner of | 11 |
the face of | 11 |
the picture by | 11 |
in the main | 11 |
by the minister | 11 |
in the kingdom | 11 |
have been no | 11 |
of charles ii | 11 |
the ground that | 11 |
to be seen | 11 |
an eminent actor | 11 |
at this moment | 11 |
enough to be | 11 |
shares in the | 11 |
shakespeare in his | 11 |
feelings of the | 11 |
the poet and | 11 |
to his successors | 11 |
in the history | 11 |
in my possession | 11 |
i am convinced | 11 |
in common with | 11 |
where there is | 11 |
in the prologue | 11 |
the society of | 11 |
in the one | 11 |
the first two | 11 |
few of the | 11 |
i have elsewhere | 11 |
printed from a | 11 |
davies of hereford | 11 |
at this date | 11 |
may i not | 11 |
of the seventeenth | 11 |
him of the | 11 |
the intention of | 11 |
who has been | 11 |
to make this | 11 |
in its original | 11 |
the choice of | 11 |
writing for the | 11 |
there may be | 11 |
would have done | 11 |
honour of the | 11 |
and those of | 11 |
of the mind | 11 |
of the opposition | 11 |
from the time | 11 |
foure playes in | 11 |
lick at the | 11 |
have been acted | 11 |
from the theatre | 11 |
so much to | 11 |
first day of | 11 |
is known to | 11 |
of queen anne | 11 |
of the various | 11 |
belongs to the | 11 |
been acted by | 11 |
in the variorum | 11 |
is to the | 11 |
they may be | 11 |
his translation of | 11 |
but that of | 11 |
is a curious | 11 |
fox and mr | 11 |
far as i | 11 |
as for the | 11 |
performances at court | 11 |
before it was | 11 |
who seems to | 11 |
in the opening | 11 |
likely to have | 11 |
the following lines | 11 |
i would have | 11 |
an opportunity of | 11 |
in the royal | 11 |
which will be | 11 |
is certain that | 11 |
have reason to | 11 |
to give up | 11 |
that have been | 11 |
i had a | 11 |
of the action | 11 |
of the few | 11 |
him at the | 11 |
most of his | 11 |
his prologue to | 11 |
in any of | 11 |
been for some | 11 |
so much as | 11 |
the hearts of | 11 |
in any way | 11 |
a little more | 11 |
always to be | 11 |
the powers of | 11 |
was at this | 11 |
said that the | 11 |
two of his | 11 |
a passage in | 11 |
you will not | 11 |
in the globe | 11 |
to sir thomas | 11 |
and has not | 11 |
led to the | 11 |
of the marriage | 11 |
in the best | 11 |
which i had | 11 |
at the laureat | 11 |
evidence of the | 11 |
not only in | 11 |
made by the | 11 |
presented by the | 11 |
to the old | 11 |
the biographia dramatica | 11 |
it was intended | 11 |
a few of | 11 |
returned to the | 11 |
is to say | 11 |
his powers of | 11 |
a comparison of | 11 |
new shakspere society | 11 |
in this instance | 11 |
editions of the | 11 |
to beaumont and | 11 |
value of the | 11 |
at the moment | 11 |
the drury lane | 11 |
as a dramatist | 11 |
to be acted | 11 |
on the very | 11 |
there is every | 11 |
the parish of | 11 |
daughter of the | 11 |
he came to | 11 |
sense of the | 11 |
death of mr | 11 |
it did not | 11 |
as a man | 11 |
duke of newcastle | 11 |
appears to me | 11 |
company in the | 11 |
interest of the | 11 |
the direction of | 11 |
the first day | 11 |
in the collection | 11 |
superior to his | 11 |
the public record | 11 |
in proportion to | 11 |
the last word | 11 |
actor of the | 11 |
but from the | 11 |
of his most | 11 |
that you are | 11 |
of the authors | 11 |
liberty of the | 11 |
sir william davenant | 11 |
with the exception | 11 |
the first scene | 11 |
for that purpose | 11 |
out of humour | 11 |
it may not | 11 |
himself to be | 11 |
first english actress | 11 |
speech of mr | 11 |
of plays and | 11 |
in the general | 11 |
form of the | 11 |
the year following | 11 |
of the blackfriars | 11 |
at the age | 11 |
in the sixteenth | 11 |
early part of | 11 |
of a young | 11 |
any one of | 11 |
i think the | 11 |
his death in | 11 |
which was published | 11 |
as i was | 11 |
he died in | 11 |
i may be | 11 |
patron of the | 11 |
the next year | 11 |
it with the | 11 |
in that of | 11 |
as the only | 11 |
fact that the | 11 |
to him from | 11 |
not so much | 11 |
of ben jonson | 11 |
so great a | 11 |
with whom the | 11 |
of the works | 11 |
if he were | 11 |
play was acted | 11 |
in which we | 11 |
the bishop of | 11 |
that in his | 11 |
children of her | 11 |
the person of | 11 |
of his genius | 11 |
but with a | 11 |
draft of the | 11 |
and if i | 11 |
has been so | 11 |
some account of | 11 |
made in the | 11 |
a few weeks | 11 |
note on page | 11 |
shakespeare did not | 11 |
at the new | 11 |
it was thought | 11 |
life of the | 11 |
been one of | 11 |
he continued to | 11 |
for the future | 11 |
to let him | 11 |
though it is | 11 |
a mark of | 11 |
i have only | 11 |
the jew of | 11 |
to whom i | 11 |
the church of | 11 |
to the publick | 11 |
the play to | 11 |
the world to | 11 |
the stage for | 11 |
if it be | 11 |
of the profits | 11 |
the reader may | 11 |
it is curious | 11 |
to the throne | 11 |
of king james | 11 |
be expected from | 11 |
was granted to | 11 |
by the poet | 11 |
for the present | 11 |
friend of the | 11 |
can it be | 11 |
playes in one | 11 |
was written after | 11 |
which must have | 11 |
any of them | 11 |
closing of the | 11 |
to act in | 11 |
in the bodleian | 11 |
at the commencement | 11 |
the reach of | 11 |
his own name | 11 |
the notice of | 11 |
there will be | 11 |
of a certain | 11 |
upon which he | 11 |
his preface to | 11 |
the red bull | 11 |
from that time | 11 |
at the university | 11 |
which was acted | 11 |
let you know | 11 |
him with the | 11 |
the time when | 11 |
book of the | 11 |
in his first | 11 |
sir john falstaff | 11 |
could hardly have | 11 |
the accounts of | 11 |
a reference to | 11 |
not only from | 11 |
came to the | 11 |
a line of | 11 |
the yorkshire tragedy | 11 |
on the day | 11 |
of the age | 11 |
life of shakespeare | 11 |
in their own | 11 |
in this respect | 11 |
that i could | 11 |
the assumption that | 11 |
in london in | 11 |
representation of the | 10 |
are a few | 10 |
to judge of | 10 |
comparison of the | 10 |
from a letter | 10 |
papal tyranny in | 10 |
included in the | 10 |
but in a | 10 |
of him in | 10 |
he had never | 10 |
a place in | 10 |
a quarter of | 10 |
to gratify the | 10 |
of the early | 10 |
years younger than | 10 |
glass for london | 10 |
with the stage | 10 |
not long after | 10 |
by francis beaumont | 10 |
in a volume | 10 |
was probably the | 10 |
by his royal | 10 |
only to be | 10 |
shillings a week | 10 |
in the induction | 10 |
the second folio | 10 |
the sincerity of | 10 |
at the date | 10 |
at the first | 10 |
of the theme | 10 |
return from parnassus | 10 |
by the name | 10 |
in the instance | 10 |
or at least | 10 |
was going to | 10 |
owner of the | 10 |
a point of | 10 |
this same year | 10 |
pleased with the | 10 |
has been made | 10 |
licensed for publication | 10 |
thought proper to | 10 |
in which his | 10 |
have the honor | 10 |
on the list | 10 |
the actors in | 10 |
on the d | 10 |
the seat of | 10 |
a native of | 10 |
for the better | 10 |
the entry of | 10 |
in his time | 10 |
of the right | 10 |
in place of | 10 |
i came to | 10 |
the principal actors | 10 |
there was an | 10 |
so far from | 10 |
to write for | 10 |
of the rest | 10 |
discovery of the | 10 |
and i believe | 10 |
if it had | 10 |
letter to him | 10 |
plays at court | 10 |
as i shall | 10 |
famous victories of | 10 |
of the shakespeare | 10 |
not at all | 10 |
men and women | 10 |
the profession of | 10 |
speech on the | 10 |
shows that the | 10 |
with his own | 10 |
that she had | 10 |
the details of | 10 |
and now the | 10 |
that the most | 10 |
house of lords | 10 |
with the greatest | 10 |
of sir philip | 10 |
plays of shakespeare | 10 |
at least one | 10 |
which i was | 10 |
the latter part | 10 |
the same company | 10 |
for a short | 10 |
he would never | 10 |
the pen of | 10 |
son of the | 10 |
if you have | 10 |
to let the | 10 |
the following account | 10 |
of the verse | 10 |
no more of | 10 |
letter from the | 10 |
scourge of folly | 10 |
the better of | 10 |
him into the | 10 |
of a great | 10 |
that on the | 10 |
course of his | 10 |
of his mind | 10 |
occupied by the | 10 |
tribute to the | 10 |
but i do | 10 |
his quarrel with | 10 |
on the one | 10 |
from the date | 10 |
the consent of | 10 |
the famous victories | 10 |
tyranny in the | 10 |
advantage of the | 10 |
which shakespeare was | 10 |
he was then | 10 |
for a few | 10 |
was written in | 10 |
which he could | 10 |
it hath been | 10 |
though he was | 10 |
of the government | 10 |
more to be | 10 |
of the manor | 10 |
company at the | 10 |
of any one | 10 |
that to the | 10 |
even of the | 10 |
not seem to | 10 |
but this was | 10 |
father of the | 10 |
not be able | 10 |
and he is | 10 |
to ben jonson | 10 |
situation of the | 10 |
the act of | 10 |
been written in | 10 |
all i have | 10 |
of enforced marriage | 10 |
to which it | 10 |
for whom entered | 10 |
in some measure | 10 |
tragedy of the | 10 |
all the rest | 10 |
the company was | 10 |
of his theatrical | 10 |
be the case | 10 |
there were two | 10 |
a man in | 10 |
to go into | 10 |
more likely to | 10 |
of the scenes | 10 |
confirmed by the | 10 |
up in the | 10 |
are those of | 10 |
i should like | 10 |
theatre royal in | 10 |
contribution to the | 10 |
german translation of | 10 |
those who had | 10 |
some years after | 10 |
the chance of | 10 |
story of the | 10 |
and the duke | 10 |
the prevalence of | 10 |
can be traced | 10 |
duke of devonshire | 10 |
which must be | 10 |
to see you | 10 |
tells us that | 10 |
appear in the | 10 |
to act at | 10 |
have already said | 10 |
that may be | 10 |
might be the | 10 |
the same name | 10 |
to write a | 10 |
in like manner | 10 |
the necessity of | 10 |