This is a table of type trigram and their frequencies. Use it to search & browse the list to learn more about your study carrel.
trigram | frequency |
---|---|
the blue bird | 56 |
out of the | 37 |
the great ancestor | 30 |
one of the | 28 |
on the right | 22 |
the name of | 22 |
it is the | 20 |
of them all | 20 |
i want to | 19 |
smallest of them | 19 |
the smallest of | 19 |
the land of | 18 |
what are you | 18 |
for a moment | 18 |
the end of | 18 |
at the door | 18 |
what do you | 18 |
the tune of | 18 |
of the fairy | 17 |
and in the | 16 |
the joy of | 16 |
tyltyl and mytyl | 16 |
to the fairy | 16 |
the happiness of | 16 |
this is the | 15 |
we shall see | 15 |
the matter with | 15 |
a sort of | 15 |
the lonely of | 15 |
lonely of heart | 15 |
palamon and arcite | 15 |
thomas of erceldoune | 15 |
in front of | 14 |
my little god | 14 |
there is no | 14 |
do you see | 14 |
tyltyl but i | 14 |
of the fairies | 14 |
on the left | 14 |
what is it | 14 |
end of the | 14 |
here is the | 14 |
the first child | 13 |
the luxury of | 13 |
they are not | 13 |
at the back | 13 |
i shall be | 13 |
the soul of | 13 |
we have to | 13 |
the great mendicant | 13 |
gets old and | 12 |
where nobody gets | 12 |
in the foreground | 12 |
the great peasant | 12 |
of the hall | 12 |
to the tune | 12 |
turn the diamond | 12 |
hide it away | 12 |
and i will | 12 |
nobody gets old | 12 |
going to the | 12 |
the shape of | 12 |
the little girl | 12 |
i do not | 12 |
the six girls | 11 |
i will go | 11 |
in the forest | 11 |
one of them | 11 |
and all the | 11 |
how robin good | 11 |
not at all | 11 |
by the hand | 11 |
what have you | 11 |
of the children | 10 |
those who are | 10 |
in the shape | 10 |
there is a | 10 |
there is nothing | 10 |
at the same | 10 |
one of those | 10 |
the wind blows | 10 |
here they are | 10 |
how do you | 10 |
up and down | 10 |
i have a | 10 |
in the leaves | 10 |
it would be | 10 |
there was a | 10 |
in the world | 10 |
tyltyl and the | 10 |
a lot of | 10 |
before the curtain | 10 |
you see the | 10 |
do not know | 10 |
it is not | 10 |
in order to | 9 |
i love you | 9 |
they are the | 9 |
up to the | 9 |
as well as | 9 |
back of the | 9 |
in the night | 9 |
more and more | 9 |
a knock at | 9 |
of pyramus and | 9 |
five little ones | 9 |
the fairy why | 9 |
all the time | 9 |
should never have | 9 |
a murmuring in | 9 |
looking at the | 9 |
want to go | 9 |
knock at the | 9 |
huon of bordeaux | 9 |
many of them | 9 |
do you hear | 9 |
do you do | 9 |
king and queen | 9 |
to the right | 9 |
going up to | 9 |
it will be | 9 |
murmuring in the | 9 |
you shall see | 9 |
i am the | 9 |
i tell you | 9 |
the back of | 9 |
do you know | 9 |
be able to | 9 |
it may be | 9 |
of the play | 9 |
who are you | 9 |
you will see | 9 |
as they are | 9 |
to see the | 9 |
the five little | 9 |
when i am | 8 |
the white phantom | 8 |
are going to | 8 |
the little ones | 8 |
the two children | 8 |
in this manner | 8 |
we shall have | 8 |
back to the | 8 |
they do not | 8 |
the foot of | 8 |
nothing at all | 8 |
in the name | 8 |
and i the | 8 |
the child no | 8 |
we have no | 8 |
the souls of | 8 |
then would he | 8 |
do you remember | 8 |
at the foot | 8 |
heart is withered | 8 |
i should never | 8 |
to the door | 8 |
i have never | 8 |
and it is | 8 |
we shall be | 8 |
the good people | 8 |
to the dog | 8 |
i will not | 8 |
and we shall | 8 |
in the middle | 8 |
i shall stay | 8 |
pyramus and thisbe | 8 |
in the air | 8 |
discovery of witchcraft | 8 |
the top of | 8 |
the same time | 8 |
of robin good | 8 |
in love with | 8 |
of the stage | 8 |
of the day | 8 |
here i am | 8 |
we have seen | 8 |
do you think | 8 |
is to say | 8 |
turn the sapphire | 8 |
what is that | 8 |
of heart is | 8 |
all of you | 8 |
of the dawn | 8 |
is withered away | 8 |
of the two | 7 |
the legend of | 7 |
the fairy queen | 7 |
we do not | 7 |
the names of | 7 |
the same thing | 7 |
waiting for you | 7 |
all the same | 7 |
and they are | 7 |
of the earth | 7 |
to be born | 7 |
where is he | 7 |
you love me | 7 |
and for the | 7 |
the curtain representing | 7 |
front of the | 7 |
milk and fire | 7 |
you are not | 7 |
men and women | 7 |
out of his | 7 |
to the window | 7 |
in her arms | 7 |
and the cat | 7 |
another little one | 7 |
here are the | 7 |
is that the | 7 |
what is the | 7 |
i shall always | 7 |
that he should | 7 |
of palamon and | 7 |
for the blue | 7 |
would you like | 7 |
you see that | 7 |
and through the | 7 |
and i am | 7 |
to see you | 7 |
the dog and | 7 |
the romance of | 7 |
the one that | 7 |
where are they | 7 |
pointing to the | 7 |
the story of | 7 |
shall have to | 7 |
on the contrary | 7 |
to the great | 7 |
i am not | 7 |
you will be | 7 |
as soon as | 7 |
some of them | 7 |
so that the | 7 |
of the future | 7 |
that you are | 7 |
they are very | 7 |
that i have | 7 |
the king of | 7 |
this is a | 7 |
out of this | 7 |
like to see | 7 |
there are no | 7 |
it is a | 7 |
the knightes tale | 7 |
the door is | 7 |
the gates of | 7 |
land of memory | 7 |
what is he | 7 |
in the same | 7 |
all go out | 7 |
the second child | 7 |
that is to | 7 |
shape of a | 7 |
come with me | 7 |
as much as | 7 |
are you doing | 7 |
at the end | 7 |
part of the | 7 |
the old man | 7 |
and i shall | 7 |
that we are | 7 |
tune of the | 6 |
from the back | 6 |
you know me | 6 |
a moment and | 6 |
know how to | 6 |
do you say | 6 |
to make a | 6 |
the temple of | 6 |
queen of the | 6 |
and bitter of | 6 |
should like to | 6 |
appears to have | 6 |
but it is | 6 |
to see them | 6 |
that she is | 6 |
on every side | 6 |
am i to | 6 |
the child what | 6 |
blue bird is | 6 |
they all go | 6 |
seem to be | 6 |
but there is | 6 |
to the house | 6 |
and the little | 6 |
in the play | 6 |
i should like | 6 |
old and bitter | 6 |
opens the door | 6 |
and to the | 6 |
how are you | 6 |
do not see | 6 |
what i have | 6 |
not a bit | 6 |
the daughter of | 6 |
that he could | 6 |
tyltyl what is | 6 |
the sight of | 6 |
what are they | 6 |
are in the | 6 |
is the way | 6 |
of one of | 6 |
in a ring | 6 |
went to the | 6 |
i shall have | 6 |
light it is | 6 |
the midst of | 6 |
foot of the | 6 |
the kingdom of | 6 |
run on the | 6 |
i can see | 6 |
but i am | 6 |
but they are | 6 |
enter from the | 6 |
the door and | 6 |
abode of the | 6 |
in any case | 6 |
between the columns | 6 |
let us go | 6 |
it is time | 6 |
that he was | 6 |
in this book | 6 |
i shall never | 6 |
kiss each other | 6 |
the face of | 6 |
hold your tongue | 6 |
to be a | 6 |
have the blue | 6 |
i have not | 6 |
what has happened | 6 |
all that is | 6 |
open the door | 6 |
bitter of tongue | 6 |
you know that | 6 |
that will do | 6 |
through the door | 6 |
upon the mountains | 6 |
of the story | 6 |
a tongue that | 6 |
in a hurry | 6 |
of a wood | 6 |
the child they | 6 |
black and blue | 6 |
the child i | 6 |
that the blue | 6 |
matter with them | 6 |
all of us | 6 |
and dance upon | 6 |
the first time | 6 |
do you love | 6 |
do you mean | 6 |
of his own | 6 |
of the four | 6 |
dance upon the | 6 |
the fairy no | 6 |
i can hear | 6 |
that we have | 6 |
the palace of | 6 |
when i was | 6 |
where is she | 6 |
the beginning of | 6 |
is nothing to | 6 |
so am i | 6 |
here we are | 6 |
on the morrow | 6 |
the abode of | 6 |
tongue that is | 6 |
beg your pardon | 5 |
to be done | 5 |
they are dead | 5 |
is the happiness | 5 |
if you like | 5 |
i have seen | 5 |
the fairy and | 5 |
tyltyl what do | 5 |
of the house | 5 |
of the world | 5 |
shall always be | 5 |
look at the | 5 |
we are not | 5 |
in act i | 5 |
have you been | 5 |
the blue children | 5 |
of the cupboard | 5 |
you think of | 5 |
back into the | 5 |
but he was | 5 |
ogier the dane | 5 |
goes to the | 5 |
and on the | 5 |
like to dance | 5 |
i hear them | 5 |
you like to | 5 |
are about to | 5 |
little one go | 5 |
wind blows out | 5 |
turned himself into | 5 |
the fairy yes | 5 |
you are the | 5 |
you at once | 5 |
little blue child | 5 |
to have been | 5 |
may be seen | 5 |
tricks of the | 5 |
now that we | 5 |
the birth of | 5 |
joy of understanding | 5 |
the milky way | 5 |
when we are | 5 |
in the morning | 5 |
by the name | 5 |
wind blows over | 5 |
over the lonely | 5 |
and i have | 5 |
one go away | 5 |
when you see | 5 |
to be afraid | 5 |
clapping her hands | 5 |
tyltyl where are | 5 |
who is that | 5 |
that he had | 5 |
the fairy but | 5 |
have never seen | 5 |
would like to | 5 |
to the fire | 5 |
the great joys | 5 |
have you the | 5 |
happiness of the | 5 |
into the house | 5 |
but you are | 5 |
the fact that | 5 |
he is the | 5 |
the colour of | 5 |
matter with you | 5 |
i beg your | 5 |
the youngest child | 5 |
it must be | 5 |
that is why | 5 |
the power of | 5 |
close to the | 5 |
nothing to be | 5 |
gates of the | 5 |
is a little | 5 |
that he is | 5 |
must have been | 5 |
who are they | 5 |
right and left | 5 |
but you have | 5 |
may have been | 5 |
go with me | 5 |
out of their | 5 |
and the six | 5 |
tyl of course | 5 |
gaffer tyl yes | 5 |
that i will | 5 |
souls of the | 5 |
you have come | 5 |
the last time | 5 |
the rich ancestor | 5 |
it is to | 5 |
are to be | 5 |
no time to | 5 |
the cat and | 5 |
want to know | 5 |
to the end | 5 |
i told you | 5 |
give you a | 5 |
that they will | 5 |
kisses and caresses | 5 |
am going to | 5 |
out on the | 5 |
the queen of | 5 |
according to the | 5 |
i have to | 5 |
and out of | 5 |
kingdom of the | 5 |
do not blame | 5 |
these are the | 5 |
we must be | 5 |
will not be | 5 |
there are many | 5 |
put on my | 5 |
curtain representing the | 5 |
them with a | 5 |
the song of | 5 |
and the lonely | 5 |
to ask you | 5 |
and the dog | 5 |
grandad and granny | 5 |
tyltyl turns the | 5 |
i would rather | 5 |
have no time | 5 |
that would be | 5 |
in her hand | 5 |
that they were | 5 |
children who are | 5 |
he has put | 5 |
on the floor | 5 |
be afraid of | 5 |
look at her | 5 |
that is the | 5 |
top of the | 5 |
of the wood | 5 |
have nothing to | 5 |
song of the | 5 |
pretty they are | 5 |
tyltyl who is | 5 |
to and fro | 5 |
i will sing | 5 |
and all her | 5 |
the tricks of | 5 |
bread and sugar | 5 |
to the others | 5 |
blows over the | 5 |
pyramus and thisby | 5 |
but i also | 5 |
they will not | 5 |
you can see | 5 |
granny tyl yes | 5 |
of the gates | 5 |
those who have | 5 |
i also love | 5 |
brothers and sisters | 5 |
the way to | 5 |
of the night | 5 |
how beautiful it | 5 |
for a year | 5 |
you know her | 5 |
to do with | 5 |
morgan le fay | 5 |
always the same | 5 |
of the palace | 5 |
for i have | 5 |
blows out of | 5 |
it to the | 5 |
all the trees | 5 |
that i shall | 5 |
of the curtain | 5 |
nothing to do | 5 |
the middle of | 5 |
as in the | 5 |
years of age | 5 |
because it is | 5 |
on the house | 5 |
you will have | 5 |
for i would | 5 |
the veiled girl | 5 |
come to me | 5 |
in the house | 5 |
in the midst | 5 |
i am going | 5 |
the fairy come | 5 |
by the door | 5 |
what a lot | 5 |
the hearts of | 4 |
of theseus and | 4 |
it was a | 4 |
of the oak | 4 |
down to the | 4 |
and even the | 4 |
your heart is | 4 |
more than once | 4 |
turns the sapphire | 4 |
into the hall | 4 |
and the two | 4 |
more than one | 4 |
the cavern and | 4 |
on the top | 4 |
i am to | 4 |
himself into a | 4 |
i tire of | 4 |
door on the | 4 |
more do i | 4 |
to tell you | 4 |
nothing to say | 4 |
since you have | 4 |
until the end | 4 |
an old man | 4 |
columns in the | 4 |
out of a | 4 |
luck into the | 4 |
go out on | 4 |
and look at | 4 |
the four lovers | 4 |
i have heard | 4 |
but you love | 4 |
hippolyta and emilia | 4 |
of the king | 4 |
has laughed and | 4 |
to go home | 4 |
tyltyl is it | 4 |
see you again | 4 |
i have told | 4 |
with the melons | 4 |
i choose this | 4 |
at once and | 4 |
they have seen | 4 |
and carries it | 4 |
the children and | 4 |
i will take | 4 |
and from the | 4 |
the table and | 4 |
in his arms | 4 |
on the other | 4 |
the right to | 4 |
the wise are | 4 |
we are waiting | 4 |
of huon of | 4 |
are at the | 4 |
in the old | 4 |
there would be | 4 |
and in a | 4 |
that you were | 4 |
is not a | 4 |
on the ground | 4 |
and that he | 4 |
are too many | 4 |
where is the | 4 |
middle of the | 4 |
mad merry pranks | 4 |
while the faeries | 4 |
each other by | 4 |
beginning of the | 4 |
great mendicant and | 4 |
i pray thee | 4 |
and who is | 4 |
i see the | 4 |
reprinted in this | 4 |
will go with | 4 |
there are too | 4 |
names of the | 4 |
i will roar | 4 |
at the sight | 4 |
mountains like a | 4 |
never have believed | 4 |
a ring on | 4 |
wise are merry | 4 |
to the two | 4 |
his hand to | 4 |
go out this | 4 |
we have only | 4 |
tossing their milk | 4 |
of the first | 4 |
what we have | 4 |
they go out | 4 |
she must be | 4 |
a crowd of | 4 |
child with the | 4 |
on your head | 4 |
of which the | 4 |
to be the | 4 |
take me out | 4 |
the depths of | 4 |
time and change | 4 |
if i had | 4 |
the old are | 4 |
the door on | 4 |
one with the | 4 |
and there are | 4 |
in all the | 4 |
plot of the | 4 |
heart is old | 4 |
tyltyl of course | 4 |
not one of | 4 |
of a midsummer | 4 |
the cat i | 4 |
wait a bit | 4 |
in the meantime | 4 |
of the little | 4 |
tyltyl do you | 4 |
the fifteenth century | 4 |
faeries dance in | 4 |
the mountains like | 4 |
but i heard | 4 |
is the matter | 4 |
what do they | 4 |
it had been | 4 |
underneath that greenwood | 4 |
i am too | 4 |
the dishevelled tide | 4 |
because your heart | 4 |
child what is | 4 |
and the others | 4 |
fate and time | 4 |
to the left | 4 |
are you coming | 4 |
i have been | 4 |
the wind has | 4 |
of the knightes | 4 |
and the great | 4 |
for fear of | 4 |
where even the | 4 |
all kinds of | 4 |
who is the | 4 |
appears to be | 4 |
as you are | 4 |
turns the diamond | 4 |
we will meet | 4 |
of the blue | 4 |
a company of | 4 |
land where even | 4 |
the child of | 4 |
the doors of | 4 |
do not be | 4 |
out his hand | 4 |
i am a | 4 |
we have a | 4 |
to do is | 4 |
the columns in | 4 |
in your heart | 4 |
all those who | 4 |
old are you | 4 |
crafty and wise | 4 |
i must kiss | 4 |
one or two | 4 |
you come to | 4 |
a great deal | 4 |
let me be | 4 |
he went to | 4 |
the little blue | 4 |
even the wise | 4 |
time of the | 4 |
two noble kinsmen | 4 |
they are coming | 4 |
how good it | 4 |
him in his | 4 |
it for a | 4 |
mytyl and the | 4 |
him to be | 4 |
and crafty and | 4 |
in the distance | 4 |
how lovely they | 4 |
as to the | 4 |
closes the door | 4 |
is the great | 4 |
white arms in | 4 |
king of the | 4 |
to open the | 4 |
the fairy you | 4 |
to see us | 4 |
he thought that | 4 |
old are fair | 4 |
as we have | 4 |
the one who | 4 |
you have been | 4 |
on his back | 4 |
and mytyl are | 4 |
i will give | 4 |
the children who | 4 |
what you will | 4 |
the entrance to | 4 |
shall be the | 4 |
first of all | 4 |
the forest and | 4 |
i heard a | 4 |
dance in a | 4 |
of a land | 4 |
of the dishevelled | 4 |
to the children | 4 |
tyltyl i know | 4 |
mummy tyl what | 4 |
the fairy that | 4 |
to the next | 4 |
the light of | 4 |
than the others | 4 |
you recognise me | 4 |
blessed quicken wood | 4 |
i am so | 4 |
in with you | 4 |
the king and | 4 |
of drowsy love | 4 |
let me kiss | 4 |
of the great | 4 |
i could not | 4 |
at the table | 4 |
with my little | 4 |
get out of | 4 |
has put on | 4 |
dressed in a | 4 |
no more do | 4 |
arms in the | 4 |
and gives a | 4 |
in the blue | 4 |
because he is | 4 |
with the other | 4 |
they are all | 4 |
and he is | 4 |
heard a reed | 4 |
they have been | 4 |
it was that | 4 |
in the village | 4 |
of coolaney say | 4 |
how old are | 4 |
dream and hope | 4 |
in the garden | 4 |
joy of being | 4 |
he did not | 4 |
the fairy called | 4 |
i have lost | 4 |
the hour is | 4 |
let me go | 4 |
feet in a | 4 |
a land where | 4 |
and it was | 4 |
out this way | 4 |
there is one | 4 |
alone in the | 4 |
a place apart | 4 |
the son of | 4 |
of the moon | 4 |
i will put | 4 |
your little friends | 4 |
is no more | 4 |
of this dull | 4 |
from right to | 4 |
you see them | 4 |
wind has laughed | 4 |
little queer old | 4 |
how pretty they | 4 |
and then the | 4 |
that is too | 4 |
is only a | 4 |
little green hat | 4 |
white feet in | 4 |
i should think | 4 |
not so much | 4 |
pranks of robin | 4 |
the hall and | 4 |
the fairy king | 4 |
he is not | 4 |
but i can | 4 |
and the other | 4 |
so that they | 4 |
reed of coolaney | 4 |
in the fields | 4 |
he could not | 4 |
come and look | 4 |
when i will | 4 |
the dog i | 4 |
and then come | 4 |
at the other | 4 |
good luck into | 4 |
too many of | 4 |
you must have | 4 |
theseus and hippolyta | 4 |
the faeries dance | 4 |
the others are | 4 |
up to tyltyl | 4 |
in this world | 4 |
and godly and | 4 |
it has been | 4 |
a reed of | 4 |
a little of | 4 |
the world and | 4 |
an old woman | 4 |
for there is | 4 |
when i went | 4 |
i would like | 4 |
be one of | 4 |
of course you | 4 |
child i shall | 4 |
choose this one | 4 |
beautiful it is | 4 |
yon is the | 4 |
for the first | 4 |
the tale of | 4 |
bring good luck | 4 |
into the cavern | 4 |
old and godly | 4 |
of a man | 4 |
of the time | 4 |
it shall be | 4 |
by no means | 4 |
a little queer | 4 |
of thomas of | 4 |
i assure you | 4 |
came to the | 4 |
are merry of | 4 |
if it be | 4 |
to choose the | 4 |
but do not | 4 |
at a distance | 4 |
say that i | 4 |
other end of | 4 |
as you please | 4 |
tyltyl who are | 4 |
so did i | 4 |
and murmured and | 4 |
are the children | 4 |
on one side | 4 |
and here is | 4 |
on the threshold | 4 |
the juice of | 4 |
the child with | 4 |
and sing of | 4 |
and time and | 4 |
of robin goodfellow | 4 |
that will be | 4 |
look at my | 4 |
the next scene | 4 |
and he was | 4 |
lovely they are | 4 |
and of the | 4 |
mummy tyl yes | 4 |
and let me | 4 |
to the other | 4 |
as i can | 4 |
the death of | 4 |
the little man | 4 |
i think that | 4 |
them to the | 4 |
and i must | 4 |
the other end | 4 |
lot of them | 4 |
laughed and murmured | 4 |
shaking their milk | 4 |
have to do | 4 |
how did you | 4 |
she is a | 4 |
i know that | 4 |
they have power | 4 |
from the fire | 4 |
girl from the | 4 |
the hand and | 4 |
they hear the | 4 |
in a place | 4 |
that of the | 4 |
we must now | 4 |
me kiss you | 4 |
and so forth | 4 |
evil on the | 4 |
name of the | 4 |
for they hear | 4 |
tyltyl i have | 4 |
godly and grave | 4 |
he was so | 4 |
have been taken | 4 |
what am i | 4 |
in the romance | 4 |
even the old | 4 |
you were so | 4 |
the child why | 4 |
me out of | 4 |
hear the wind | 4 |
are many more | 4 |
the court of | 4 |
as they were | 4 |
shall have the | 4 |
to know what | 4 |
a few steps | 4 |
he should be | 4 |
what a small | 4 |
his mother was | 4 |
they are going | 4 |
them in the | 4 |
upon may eve | 4 |
that greenwood spray | 4 |
as it is | 4 |
is about to | 4 |
name of all | 4 |
they had been | 4 |
they are a | 4 |
what do i | 4 |
light they are | 4 |
you cannot know | 4 |
right to left | 4 |
sing of a | 4 |
the wind laugh | 4 |
merry of tongue | 4 |
murmured and sung | 4 |
like a flame | 4 |
to the ground | 4 |
coming out of | 4 |
old and crafty | 4 |
in the wind | 3 |
are we to | 3 |
luxuries of the | 3 |
the heavens above | 3 |
to tyltyl and | 3 |
of ogier the | 3 |
i have loved | 3 |
what you do | 3 |
one in the | 3 |
are the luxury | 3 |
shall have a | 3 |
description of the | 3 |
look at me | 3 |
have come to | 3 |
and emilia to | 3 |
i will undertake | 3 |
would be no | 3 |
the opening of | 3 |
end of it | 3 |
key in the | 3 |
the door of | 3 |
got the blue | 3 |
burst out laughing | 3 |
would never have | 3 |
my dear tyltyl | 3 |
you ought to | 3 |
the other ancestors | 3 |
upon his knee | 3 |
light there are | 3 |
barefoot in the | 3 |
when you are | 3 |
how nice it | 3 |
of the family | 3 |
put on your | 3 |
did not know | 3 |
have you come | 3 |
they must have | 3 |
found in the | 3 |
thou shalt see | 3 |
through the same | 3 |
king of fairy | 3 |
by the way | 3 |
there will be | 3 |
that there is | 3 |
will give you | 3 |
clasping his knees | 3 |
to see me | 3 |
of the cave | 3 |
the columns and | 3 |
orpheus and eurydice | 3 |
so have i | 3 |
you turn the | 3 |
of understanding nothing | 3 |
with the little | 3 |
on a may | 3 |
to the temple | 3 |
the trees and | 3 |
because she is | 3 |
for milk and | 3 |
as i am | 3 |
they come from | 3 |
and i are | 3 |
in the lock | 3 |
to come to | 3 |
the children in | 3 |
i put on | 3 |
they are quite | 3 |
you and i | 3 |
to come and | 3 |
you are much | 3 |
tyltyl because they | 3 |
the two noble | 3 |
the great door | 3 |
to the tree | 3 |
never have known | 3 |
on the wall | 3 |
she goes out | 3 |
you loved me | 3 |
that of a | 3 |
the one whom | 3 |
that i was | 3 |
survives in the | 3 |
see note on | 3 |
thou now yon | 3 |
i can do | 3 |
you must not | 3 |
and begins to | 3 |
should have been | 3 |
murmur and sing | 3 |
because they are | 3 |
meet in the | 3 |
as in a | 3 |
the first fytte | 3 |
and the fairy | 3 |
the biggest luxuries | 3 |
him in a | 3 |
is the child | 3 |
to look for | 3 |
sitting at the | 3 |
do is to | 3 |
of the romance | 3 |
will keep all | 3 |
opening of the | 3 |
right to choose | 3 |
is waiting for | 3 |
have power to | 3 |
he did in | 3 |
at the fire | 3 |
up to mytyl | 3 |
at each other | 3 |
the left is | 3 |
they were so | 3 |
nice he looks | 3 |
hide behind the | 3 |
a may eve | 3 |
legend of good | 3 |
the stage represents | 3 |
is in the | 3 |
with the dog | 3 |
it is in | 3 |
you are wise | 3 |
great peasant and | 3 |
is the joy | 3 |
the truth of | 3 |
them out of | 3 |
said to be | 3 |
the priest and | 3 |
a hundred knights | 3 |
she has no | 3 |
out of it | 3 |
the front of | 3 |
behind the door | 3 |
i have nothing | 3 |
but we are | 3 |
but you must | 3 |
but this is | 3 |
to the earth | 3 |
seeing what is | 3 |
the fire and | 3 |
if you were | 3 |
to the first | 3 |
he had been | 3 |
for we shall | 3 |
the other hand | 3 |
so that i | 3 |
of the big | 3 |
the things and | 3 |
to return to | 3 |
must be the | 3 |
i have given | 3 |
is he saying | 3 |
always be there | 3 |
tom shall play | 3 |
queen of fairies | 3 |
and if you | 3 |
upon the floor | 3 |
germander and sops | 3 |
just look at | 3 |
and there is | 3 |
not to be | 3 |
say it again | 3 |
a ray of | 3 |
how beautiful she | 3 |
and so did | 3 |
on the table | 3 |
of the sky | 3 |
tyltyl are they | 3 |
for you and | 3 |
it is night | 3 |
come out of | 3 |
i to do | 3 |
going to be | 3 |
we must not | 3 |
me when you | 3 |
no need to | 3 |
is to be | 3 |
is what i | 3 |
i quite agree | 3 |
with your quick | 3 |
so that there | 3 |
the world to | 3 |
because of the | 3 |
the heads of | 3 |
the first of | 3 |
few of them | 3 |
we cannot see | 3 |
tyltyl how can | 3 |
beautiful she is | 3 |
it in her | 3 |
goes into the | 3 |
what i am | 3 |
it is very | 3 |
six girls and | 3 |
and they have | 3 |
who know everything | 3 |
a little more | 3 |
of a horse | 3 |
know that the | 3 |
thomas the rhymer | 3 |
know what i | 3 |
are you all | 3 |
of orpheus and | 3 |
i left them | 3 |
who is very | 3 |
them there are | 3 |
an end of | 3 |
of the door | 3 |
know me again | 3 |
mytyl what are | 3 |
things and the | 3 |
and let us | 3 |
from the table | 3 |
and when i | 3 |
i saw you | 3 |
to look at | 3 |
when it rains | 3 |
waters and pale | 3 |
of the sabbath | 3 |
and for to | 3 |
at this point | 3 |
a hundred years | 3 |
to one of | 3 |
and murmur and | 3 |
visit to the | 3 |
they want to | 3 |
of running barefoot | 3 |
it seems to | 3 |
where do they | 3 |
back the door | 3 |
to the blue | 3 |
waiting for us | 3 |
then i would | 3 |
i charge thee | 3 |
not blame her | 3 |
give the poor | 3 |
i will come | 3 |
go laughing ho | 3 |
going to cry | 3 |
had no sooner | 3 |
we will do | 3 |
i am always | 3 |
will go and | 3 |
am very glad | 3 |
and also the | 3 |
i have only | 3 |
not afraid of | 3 |
those are the | 3 |
but to the | 3 |
with them a | 3 |
against the door | 3 |
good it is | 3 |
bread i quite | 3 |
i believe they | 3 |
the veiled form | 3 |
a cry of | 3 |
you sit down | 3 |
remain at the | 3 |
when he was | 3 |
for you so | 3 |
i must have | 3 |
of the window | 3 |
she is so | 3 |
that a midsummer | 3 |
we shall find | 3 |
you gave me | 3 |
fairy mythology of | 3 |
push back the | 3 |
what shall i | 3 |
and would not | 3 |
with the big | 3 |
but let us | 3 |
that they would | 3 |
if i were | 3 |
opening the door | 3 |
will see that | 3 |
you called me | 3 |
know what they | 3 |
the cat in | 3 |
not like that | 3 |
never seen her | 3 |
porringer with milk | 3 |
bore her away | 3 |
told you so | 3 |
i would have | 3 |
take a few | 3 |
first child i | 3 |
one would think | 3 |
tyltyl and light | 3 |
story of palamon | 3 |
laugh and murmur | 3 |
palace of happiness | 3 |
what does it | 3 |
they must be | 3 |
granny tyl i | 3 |
see what you | 3 |
did not like | 3 |
the curtain opens | 3 |
the place of | 3 |
to see it | 3 |
to give it | 3 |
teixeira de mattos | 3 |
but he will | 3 |
i have the | 3 |
will come back | 3 |
i love thee | 3 |
mythology of shakespeare | 3 |
are they not | 3 |
the fairy i | 3 |
but joy is | 3 |
go up to | 3 |
there is an | 3 |
between his teeth | 3 |
will be a | 3 |
will do it | 3 |
into the next | 3 |
for all your | 3 |
i am no | 3 |
in his hand | 3 |
possible that the | 3 |
from the other | 3 |
there they are | 3 |
he was a | 3 |
granny tyl come | 3 |
are very happy | 3 |
who i am | 3 |
where are the | 3 |
and the queen | 3 |
little bird with | 3 |
is a serious | 3 |
of them to | 3 |
but i have | 3 |
in the wood | 3 |
it out of | 3 |
the one i | 3 |
you have seen | 3 |
give me your | 3 |
when we were | 3 |
for her sake | 3 |
that is more | 3 |
you have set | 3 |
to the good | 3 |
how happy i | 3 |
i will make | 3 |
on his shoulder | 3 |
that is not | 3 |
go with the | 3 |
they may be | 3 |
of the cottage | 3 |
which he did | 3 |
his arms and | 3 |
never have thought | 3 |
be seen in | 3 |
think of this | 3 |
you that you | 3 |
where are your | 3 |
in the form | 3 |
into the power | 3 |
luxury of understanding | 3 |
other by the | 3 |
lysander and demetrius | 3 |
see that you | 3 |
outside the door | 3 |
the neighbour what | 3 |
i think they | 3 |
daddy and mummy | 3 |
the bottom of | 3 |
and the animals | 3 |
to begin with | 3 |
of maternal love | 3 |
soul of sugar | 3 |
to carry it | 3 |
we should never | 3 |
have to say | 3 |
in the moon | 3 |
have you got | 3 |
and in his | 3 |
the eagle cock | 3 |
and make him | 3 |
will show you | 3 |
was not one | 3 |
you coming with | 3 |
the young man | 3 |
who is this | 3 |
speaking to you | 3 |
round the table | 3 |
that it is | 3 |
i love them | 3 |
it is just | 3 |
up from the | 3 |
and when they | 3 |
see that i | 3 |
in the way | 3 |
the fairy have | 3 |
going to kiss | 3 |
of the luxuries | 3 |
in the evening | 3 |
me that you | 3 |
was fain to | 3 |
looking for the | 3 |
only a little | 3 |
which i will | 3 |
than the rest | 3 |
the first to | 3 |
the next room | 3 |
as long as | 3 |
but tell me | 3 |
sing for all | 3 |
the best of | 3 |
it on purpose | 3 |
is a very | 3 |
on the steps | 3 |
tyltyl where is | 3 |
of an old | 3 |
what are those | 3 |
and for her | 3 |
i am right | 3 |
that there was | 3 |
never have done | 3 |
the threshold of | 3 |
merry pranks of | 3 |
door is closed | 3 |
quite agree with | 3 |
are there many | 3 |
i am very | 3 |
i am afraid | 3 |
it is for | 3 |
will be the | 3 |
if i could | 3 |
all your pleasures | 3 |
but what do | 3 |
we are very | 3 |
and gaze upon | 3 |
do not come | 3 |
so far as | 3 |
would be the | 3 |
you will no | 3 |
ought to be | 3 |
light of the | 3 |
that all the | 3 |
and waters and | 3 |
a proper name | 3 |
that they have | 3 |
the grotesque plot | 3 |
that his mother | 3 |
she will grow | 3 |
do you recognise | 3 |
as you have | 3 |
we are at | 3 |
are they going | 3 |
have you had | 3 |
listen to me | 3 |
there you are | 3 |
himself like to | 3 |
that it was | 3 |
there many of | 3 |
it was as | 3 |
this is not | 3 |
joy of seeing | 3 |
crowd of children | 3 |
fallen from the | 3 |
we used to | 3 |
i would stay | 3 |
and turn the | 3 |
and strawberry wire | 3 |
me in the | 3 |
as with the | 3 |
coloured and sun | 3 |
the most beautiful | 3 |
should think so | 3 |
have been very | 3 |
way to heaven | 3 |
of the forest | 3 |
face of the | 3 |
also love the | 3 |
the key in | 3 |
in one of | 3 |
i did not | 3 |
you love that | 3 |
have you done | 3 |
it seems that | 3 |
do it again | 3 |
to the child | 3 |
on his head | 3 |
let us kiss | 3 |
the rest of | 3 |
of the columns | 3 |
him in the | 3 |
palace of night | 3 |
the rich children | 3 |
if you please | 3 |
to find a | 3 |
and so on | 3 |
up all the | 3 |
a number of | 3 |
of seeing what | 3 |
representing the milky | 3 |
nothing to fear | 3 |
let me have | 3 |
no sooner was | 3 |
in a midsummer | 3 |
rue on me | 3 |
not my fault | 3 |
doubt as to | 3 |
through many a | 3 |
you love him | 3 |
what is beautiful | 3 |
go back into | 3 |
at the top | 3 |
make a ring | 3 |
seest thou now | 3 |
and clasping his | 3 |
does not concern | 3 |
i take this | 3 |
one by one | 3 |
dog and the | 3 |
what they are | 3 |
is one of | 3 |
he wants to | 3 |
child i am | 3 |
the oldest child | 3 |
run up from | 3 |
i was born | 3 |
where he is | 3 |
of this house | 3 |
filled with a | 3 |
shall go with | 3 |
the next night | 3 |
will have to | 3 |
that you would | 3 |
only by a | 3 |
i had no | 3 |
when she came | 3 |
what she had | 3 |
the miser i | 3 |
you been doing | 3 |
she has been | 3 |
it to me | 3 |
in his edition | 3 |
am always the | 3 |
the angels and | 3 |
as it was | 3 |
for the present | 3 |
to dance with | 3 |
afraid of the | 3 |
who are those | 3 |
to kiss you | 3 |
they are in | 3 |
the third day | 3 |
into an ass | 3 |
of the nightingales | 3 |
fellow served a | 3 |
does that mean | 3 |
everything in the | 3 |
that you shall | 3 |
and was so | 3 |
let us get | 3 |
soul of the | 3 |
one of my | 3 |
that they had | 3 |
he is to | 3 |
of the many | 3 |
shaped himself like | 3 |
must leave the | 3 |
is heard to | 3 |
put on the | 3 |
you are to | 3 |
be found in | 3 |
is not the | 3 |
wind laugh and | 3 |
you should have | 3 |
among the children | 3 |
it was on | 3 |
for it is | 3 |
queen of heaven | 3 |
the chief of | 3 |
is dressed in | 3 |
with a red | 3 |
the happinesses of | 3 |
mummy tyl why | 3 |
enter tyltyl and | 3 |
so it is | 3 |
legend of pyramus | 3 |
of all the | 3 |
have fallen from | 3 |
and see what | 3 |
it is i | 3 |
right at the | 3 |
and go out | 3 |
and a half | 3 |
are the great | 3 |
at the inn | 3 |
which they were | 3 |
of them there | 3 |
where are we | 3 |
in the dew | 3 |
name of philostrate | 3 |
day and night | 3 |
running barefoot in | 3 |
you and the | 3 |
your quick measures | 3 |
for we are | 3 |
of the halls | 3 |
light said so | 3 |
in a long | 3 |
end of time | 3 |
the fairy well | 3 |
of good women | 3 |
you all the | 3 |
is it nice | 3 |
cannot see beyond | 3 |
good to eat | 3 |
why do they | 3 |
and with the | 3 |
are waiting for | 3 |
she had been | 3 |
will no longer | 3 |
the cage and | 3 |
on the sleeves | 3 |
my dear little | 3 |
came to visit | 3 |
taken by the | 3 |
come from the | 3 |
are said to | 3 |
depths of the | 3 |
made by the | 3 |
if you go | 3 |
one who is | 3 |
must be one | 3 |
see you soon | 3 |
than the eagle | 3 |
the pleasure of | 3 |
that lady gay | 3 |
one evening when | 3 |
alexander teixeira de | 3 |
to go back | 3 |
the scene is | 3 |
how nice he | 3 |
and fire upon | 3 |
upon the next | 3 |
the stage is | 3 |
that i am | 3 |
here and there | 3 |
the time of | 3 |
it is too | 3 |
romance of thomas | 3 |
because you are | 3 |
may be noted | 3 |
goes up to | 3 |
looking around him | 3 |
with the fairy | 3 |
and the child | 3 |
on the stool | 3 |
are you not | 3 |
so much to | 3 |
fairy have you | 3 |
i shall make | 3 |
there is not | 3 |
side of the | 3 |
do with the | 3 |
of the other | 3 |
and try to | 3 |
we are going | 3 |
gaffer tyl and | 3 |
on the heart | 3 |
we will go | 3 |
get rid of | 3 |
on the carpet | 3 |
of being just | 3 |
see nothing at | 3 |
a long way | 3 |
with a start | 3 |
i am sure | 3 |
and the children | 3 |
and when she | 3 |
shall i do | 3 |
are afraid of | 3 |
a faery child | 3 |
in the dark | 3 |
have made a | 3 |
fairy king and | 3 |
tyltyl are you | 3 |
for the last | 3 |
is too late | 3 |
by that name | 3 |
sugar and bread | 3 |
but we will | 3 |
like to the | 3 |
but i shall | 3 |
that the fairy | 3 |
grass with your | 3 |
of the three | 3 |
we are only | 3 |
i went away | 3 |
is very ill | 3 |
blame her greatly | 3 |
from every side | 3 |
bring her in | 3 |
in the light | 3 |
the mad merry | 3 |
took away the | 3 |
not allowed to | 3 |
when any one | 3 |
when that he | 3 |
left is the | 3 |
get into the | 3 |
that you have | 3 |
you have no | 3 |
might and main | 3 |
a tree when | 3 |
are in a | 3 |
are all the | 3 |
you will find | 3 |
in the text | 3 |
door at the | 3 |
midst of them | 3 |
go with you | 3 |
standing by the | 3 |
come to the | 3 |
must kiss you | 3 |
those who do | 3 |
in a sort | 3 |
destiny and the | 3 |
coming with us | 3 |
of the old | 3 |
more or less | 3 |
scene the wood | 3 |
to meet them | 3 |
on the third | 3 |
at a time | 3 |
at one door | 3 |
it is always | 3 |
it is our | 3 |
and pale lights | 3 |
some of the | 3 |
it is possible | 3 |
and the words | 3 |
us from the | 3 |
if they would | 3 |
at the last | 3 |
joy of maternal | 3 |
they will all | 3 |
very glad to | 3 |
do what you | 3 |
there are some | 3 |
you are so | 3 |
them by the | 3 |
the form of | 3 |
the mysteries of | 3 |
have all the | 3 |
but we cannot | 3 |
and the luxury | 3 |
oak is that | 3 |
they have the | 3 |
you shall hear | 3 |
her arms about | 3 |
the impression of | 3 |
what does that | 3 |
as for you | 3 |
in the first | 3 |
which is the | 3 |
as the story | 3 |
your father and | 3 |
to see her | 3 |
luxury of being | 3 |
i am glad | 3 |
the father of | 3 |
at the bottom | 3 |
the next door | 3 |
the abbey theatre | 3 |
out to the | 3 |
are they doing | 3 |
they could not | 3 |
to the cat | 3 |
a voice singing | 3 |
can see it | 3 |
on either side | 3 |
to talk to | 3 |
men do not | 3 |
the oak is | 3 |
i will see | 3 |
you have to | 3 |
glad to see | 3 |
as a rule | 3 |
of the ancestors | 3 |
soon as you | 3 |
of the one | 3 |
who is it | 3 |
happiness of running | 3 |
i will do | 3 |
by the window | 3 |
there was not | 3 |
end of which | 3 |
seem to have | 3 |
up in the | 3 |
no longer be | 3 |
to him the | 3 |
how well they | 3 |
is no longer | 3 |
are a little | 3 |
but i will | 3 |
not angry with | 3 |
with me to | 3 |
to make the | 3 |
am the joy | 3 |
king of ireland | 3 |
the hand of | 3 |
when the curtain | 3 |
the fairy plot | 3 |
as we shall | 3 |
to give him | 3 |
and twelfth centuries | 3 |
i hope that | 3 |
have told you | 2 |
make a man | 2 |
to be back | 2 |
all this later | 2 |
the hue of | 2 |
by the hermitage | 2 |
you like me | 2 |
image of the | 2 |
in thomas of | 2 |
going to give | 2 |
blessed bread under | 2 |
a faint music | 2 |
his own sweetheart | 2 |
the dog with | 2 |
to the front | 2 |
business is it | 2 |
tyltyl i tell | 2 |
to avoid the | 2 |
looks are all | 2 |
with dreams none | 2 |
has mixed your | 2 |
i know them | 2 |
been current in | 2 |
gives her more | 2 |
to whom i | 2 |
to light his | 2 |
they should have | 2 |
in a conciliatory | 2 |
hearts are wild | 2 |
he comes to | 2 |
that lieth over | 2 |
for bidding fate | 2 |
so that we | 2 |
from maddening freedom | 2 |
the date of | 2 |
will not part | 2 |
she has a | 2 |
in which they | 2 |
i know not | 2 |
if he rode | 2 |
i kiss you | 2 |
figures of a | 2 |
have not yet | 2 |
is where i | 2 |
the forest scene | 2 |
the light wind | 2 |
kinds of evil | 2 |
let me play | 2 |
more than the | 2 |
the leaves of | 2 |
i point you | 2 |
have done them | 2 |
will have made | 2 |
we can see | 2 |
bring the red | 2 |
in their hands | 2 |
one the other | 2 |
heart with dreams | 2 |
nothing marred or | 2 |
your own heart | 2 |
hour of their | 2 |
and a great | 2 |
talk of something | 2 |
old man in | 2 |
and a kind | 2 |
of course it | 2 |
do it in | 2 |
as though he | 2 |
i have decided | 2 |
a singing man | 2 |
said lovely lady | 2 |
to have thought | 2 |
or that he | 2 |
embers of a | 2 |
which may be | 2 |
them at once | 2 |
both of you | 2 |
the one of | 2 |
to go and | 2 |
ball of twine | 2 |
quiet of the | 2 |
dear name of | 2 |
bring all kinds | 2 |
it hangs there | 2 |
mine to give | 2 |
poor attire into | 2 |
common light of | 2 |
am to do | 2 |
given this house | 2 |
waking with a | 2 |
of them leave | 2 |
were idle and | 2 |
white as marble | 2 |
beware of the | 2 |
when you have | 2 |
the main plot | 2 |
far as to | 2 |
world of fire | 2 |
have come into | 2 |
us like great | 2 |
cannot know how | 2 |
so that you | 2 |
one for you | 2 |
and every one | 2 |
both the tongue | 2 |
story of orpheus | 2 |
shadow of a | 2 |
you must leave | 2 |
live a long | 2 |
sun and moon | 2 |
give her a | 2 |
of the sort | 2 |
mummy tyl of | 2 |
the dresser and | 2 |
at her pretty | 2 |
are the dead | 2 |
be revenged of | 2 |
under a cloudy | 2 |
of the temple | 2 |
have a hundred | 2 |
to meet you | 2 |
her sit down | 2 |
child of gentle | 2 |
going to eat | 2 |
idle and fine | 2 |
been waiting for | 2 |
it will take | 2 |
he hurled the | 2 |
open the shutters | 2 |
for you to | 2 |
is at the | 2 |
thinking that all | 2 |
you will know | 2 |
here come some | 2 |
to fetch me | 2 |
what is going | 2 |
to queen mab | 2 |
head with foolish | 2 |
you light up | 2 |
pipes giving her | 2 |
i want some | 2 |
with my warm | 2 |
child like you | 2 |
the same one | 2 |
all i have | 2 |
and the terrors | 2 |
which we have | 2 |
give it me | 2 |
and can the | 2 |
to go to | 2 |
what will they | 2 |
died and rose | 2 |
they did not | 2 |
will have a | 2 |
the fire of | 2 |
we have already | 2 |
in that stead | 2 |
shawn and you | 2 |
of the closed | 2 |
longer be able | 2 |
survives in a | 2 |
almost out of | 2 |
in the alcove | 2 |
and then goes | 2 |
not yet know | 2 |
but in no | 2 |
was entrusted to | 2 |
if you do | 2 |
speak to her | 2 |
or else the | 2 |
come over here | 2 |
i went to | 2 |
that fell from | 2 |
child they say | 2 |
i have forgotten | 2 |
milk the cow | 2 |
opening the doors | 2 |
of gladness and | 2 |
maeterlinck translated by | 2 |
but fly from | 2 |
seems very tired | 2 |
very hand of | 2 |
covers her eyes | 2 |
airs and graces | 2 |
returns with the | 2 |
i do no | 2 |
that we do | 2 |
in minding children | 2 |
we seem to | 2 |
great deal to | 2 |
in a play | 2 |
leave the bread | 2 |
where beauty has | 2 |
to one side | 2 |
we will come | 2 |
know the meaning | 2 |
idle boy could | 2 |
the cat it | 2 |
i call you | 2 |
told me that | 2 |
are only waiting | 2 |
the black cross | 2 |
world go round | 2 |
much too cross | 2 |
as if in | 2 |
but they do | 2 |
the sapphire from | 2 |
he was here | 2 |
child i have | 2 |
will do you | 2 |
not be born | 2 |
bidding fate and | 2 |
all the animals | 2 |
since the beginning | 2 |
light of common | 2 |
indissoluble sacrament has | 2 |
at his departure | 2 |
love and eloquence | 2 |
into a luminous | 2 |
she will be | 2 |
was a very | 2 |
in the city | 2 |
you can wait | 2 |
is to discover | 2 |
a house which | 2 |
and a cat | 2 |
speak to them | 2 |
where stars walk | 2 |
a conciliatory tone | 2 |
to hold you | 2 |
she took that | 2 |
moment and then | 2 |
of weddings and | 2 |
not the same | 2 |
shut the door | 2 |
children in the | 2 |
not yet come | 2 |
and with a | 2 |
they have not | 2 |
edition of this | 2 |
week to clover | 2 |
upon a mountain | 2 |
wont to walk | 2 |
girls and destiny | 2 |
sometimes i find | 2 |
in the tenth | 2 |
face were strange | 2 |
i will have | 2 |
morning stars in | 2 |
to her and | 2 |
make it out | 2 |
disappear in the | 2 |
and the like | 2 |
him that he | 2 |
at last they | 2 |
have you brought | 2 |
and shrieks and | 2 |
a votaress of | 2 |
agree with sugar | 2 |
away the blessed | 2 |
you it was | 2 |
them a great | 2 |
of erceldoune is | 2 |
can see the | 2 |
fair she be | 2 |
her parents are | 2 |
are you waiting | 2 |
the size of | 2 |
and a little | 2 |
after they had | 2 |
too godly and | 2 |
no one can | 2 |
fire i shall | 2 |
hands and at | 2 |
it is nothing | 2 |
and for all | 2 |
win his lady | 2 |
to get it | 2 |
english metrical romances | 2 |
it appears that | 2 |
do they want | 2 |
night this is | 2 |
of ribbons for | 2 |
simple and rustic | 2 |
it is but | 2 |
even lay the | 2 |
thou yet yon | 2 |
do not leave | 2 |
small steps beating | 2 |
glad to have | 2 |
as many as | 2 |
score of times | 2 |
we see them | 2 |
the others who | 2 |
none trod before | 2 |
number of them | 2 |
they are my | 2 |
the arthurian cycle | 2 |
looking into the | 2 |
a little to | 2 |
i am of | 2 |
about with ribbons | 2 |
so young and | 2 |
man with the | 2 |
think of me | 2 |
the fairy there | 2 |
no longer alive | 2 |
of the things | 2 |
your heart that | 2 |
to find them | 2 |
by the sea | 2 |
laid in the | 2 |
can lead you | 2 |
the door that | 2 |
a mass of | 2 |
saw her read | 2 |
i could do | 2 |
blinks and blinks | 2 |
it up and | 2 |
if you will | 2 |
enter the fairy | 2 |
the wind is | 2 |
the first person | 2 |
the oldest thing | 2 |
they have left | 2 |
water and milk | 2 |
the stage and | 2 |
a few thousand | 2 |
after the ghosts | 2 |
mysteries of love | 2 |
father of theseus | 2 |
were wont to | 2 |
granny tyl of | 2 |
red flare again | 2 |
till it was | 2 |
is a poem | 2 |
with light hopes | 2 |
care of children | 2 |
she is blaspheming | 2 |
out of sight | 2 |
mytyl is it | 2 |
by day their | 2 |
than once since | 2 |
and the world | 2 |
well fitted for | 2 |
like great wings | 2 |
with his hands | 2 |
nine angelic hierarchies | 2 |
i may say | 2 |
the closed shutters | 2 |
no more of | 2 |
and die for | 2 |
i have begun | 2 |
he must be | 2 |
will teach you | 2 |
but this time | 2 |
thus would he | 2 |
of a king | 2 |
the adoring magi | 2 |
all the world | 2 |
would you be | 2 |
tyl i can | 2 |
child points out | 2 |
sight of this | 2 |
of different sizes | 2 |
beating upon the | 2 |
but i knew | 2 |
is the one | 2 |
if you are | 2 |
only waiting for | 2 |
there never was | 2 |
must be tender | 2 |
to the world | 2 |
anything in the | 2 |
is derived from | 2 |
go into the | 2 |
the elf queen | 2 |
it in the | 2 |
long to tread | 2 |
tyltyl they say | 2 |
would think it | 2 |
the people of | 2 |
before the duke | 2 |
him all the | 2 |
would never please | 2 |
tyltyl we have | 2 |
just such things | 2 |
who ride the | 2 |
to wake up | 2 |
are sitting at | 2 |
in the fifteenth | 2 |
but with a | 2 |
above all things | 2 |
his head he | 2 |
have seen that | 2 |
heart is puffed | 2 |
the dying embers | 2 |
fight with them | 2 |
madly round the | 2 |
what was the | 2 |
away your dreams | 2 |
maternal love no | 2 |
down in the | 2 |
most of the | 2 |
act v scene | 2 |
them in my | 2 |
was bewitched by | 2 |
but years went | 2 |
fairy there are | 2 |
pitched battle and | 2 |
is just possible | 2 |
when we have | 2 |
my sunday clothes | 2 |
fear because of | 2 |
they are and | 2 |
the second part | 2 |
one of you | 2 |
merchant of venice | 2 |
get up at | 2 |
suddenly sees the | 2 |
come and see | 2 |
was a duke | 2 |
age bring the | 2 |
when the wind | 2 |
goes with them | 2 |
bursts into sobs | 2 |
with his blood | 2 |
light hopes and | 2 |
who are going | 2 |
never have a | 2 |
are not often | 2 |
my poor tylette | 2 |
afraid of man | 2 |
all the happinesses | 2 |
some wrecked angel | 2 |
things to you | 2 |
still walk by | 2 |
he will have | 2 |
in his own | 2 |
i never cwy | 2 |
marriage dawn and | 2 |
in the graveyard | 2 |
die at the | 2 |
the following passage | 2 |
day their power | 2 |
in the other | 2 |
born child like | 2 |
romance of sir | 2 |
tyl what are | 2 |
it with the | 2 |
kiss you again | 2 |
the chamber to | 2 |
i am in | 2 |
change to the | 2 |
quarter to nine | 2 |
rage and thee | 2 |
the jovial tinker | 2 |
they had a | 2 |
i know what | 2 |
the canterbury tales | 2 |
want to kiss | 2 |
will undertake to | 2 |
biggest luxuries of | 2 |
going to have | 2 |
he fell into | 2 |
to the light | 2 |
tale of orpheus | 2 |
name his name | 2 |
can this be | 2 |
begin to dance | 2 |
had got a | 2 |
set eyes on | 2 |
both of us | 2 |
you see it | 2 |
a ladder leads | 2 |
any idle boy | 2 |
and he who | 2 |
ring on the | 2 |
this palamon and | 2 |
not very far | 2 |
a fairy play | 2 |
to say that | 2 |
the child the | 2 |
am leaving you | 2 |
think they must | 2 |
this warm little | 2 |
till children come | 2 |
with her wand | 2 |
of deeds and | 2 |
time there was | 2 |
no one else | 2 |
a right good | 2 |
the side of | 2 |
i can say | 2 |
book down out | 2 |
come into this | 2 |
many more of | 2 |
of the clock | 2 |
were not well | 2 |
of the same | 2 |
eve like this | 2 |
their power is | 2 |
here is some | 2 |
for are not | 2 |
a very high | 2 |
the next day | 2 |
tyltyl a long | 2 |
from these poor | 2 |
how naughty your | 2 |
to let him | 2 |
methods and tools | 2 |
blow from the | 2 |
tread a way | 2 |
by the fairies | 2 |
out the candles | 2 |
hundred acres of | 2 |
pretend to be | 2 |
you see nothing | 2 |
where it is | 2 |
is the ruler | 2 |
this loving couple | 2 |
as though they | 2 |
the winter of | 2 |
the knives and | 2 |
are there any | 2 |
in the face | 2 |
was i who | 2 |
would have it | 2 |
because i have | 2 |
sit down beside | 2 |
things trouble your | 2 |
would come to | 2 |
tyltyl and how | 2 |
only a few | 2 |
when i die | 2 |
my fault if | 2 |
the lives of | 2 |
of his bed | 2 |
not seeing them | 2 |
but a pack | 2 |
to himself and | 2 |
and stands in | 2 |
a long time | 2 |
go so far | 2 |
the nine angelic | 2 |
in that case | 2 |
a sod of | 2 |
when you went | 2 |
by and they | 2 |
in a green | 2 |
tired and hungry | 2 |
that they can | 2 |
by love alone | 2 |
believe that they | 2 |
i am never | 2 |
and you will | 2 |
content and wisdom | 2 |
they are dangerous | 2 |
are quite well | 2 |
do at court | 2 |
where he heard | 2 |
are not they | 2 |
and spread the | 2 |
on a stick | 2 |
the moon is | 2 |
have stopped growing | 2 |
more of a | 2 |
a seemly tree | 2 |
enough to do | 2 |
into a common | 2 |
have power upon | 2 |
containing the dying | 2 |
how can i | 2 |
see all that | 2 |
would rather not | 2 |
there are three | 2 |
working at the | 2 |
and went about | 2 |
of evil on | 2 |
holding each other | 2 |
candles burning to | 2 |
to where the | 2 |
you will not | 2 |
more bitter than | 2 |
tyltyl very well | 2 |
him with a | 2 |
dying embers of | 2 |
mutter just such | 2 |
might be a | 2 |
they kiss each | 2 |
to the point | 2 |
opens it and | 2 |
shall no longer | 2 |
than dewdrops on | 2 |
as quiet as | 2 |
could make you | 2 |
never be able | 2 |
gave me the | 2 |
buss his own | 2 |
by robin good | 2 |
at the left | 2 |
because i am | 2 |
overwhelms him with | 2 |
and opens upon | 2 |
but those who | 2 |
man does not | 2 |
daddy tyl what | 2 |
from us the | 2 |
of blessed quicken | 2 |
have seen more | 2 |
was so nice | 2 |
and hack them | 2 |
makes the world | 2 |
because it filled | 2 |
way of escape | 2 |
knocking at the | 2 |
to get a | 2 |
light of course | 2 |
to fairy land | 2 |
all those that | 2 |
in and out | 2 |
and him who | 2 |
restless and ill | 2 |
heads together and | 2 |
heavens above us | 2 |
leave you alone | 2 |
you behold the | 2 |
has a pimple | 2 |
then i heard | 2 |
a gift from | 2 |
and break it | 2 |
was in love | 2 |
seen more than | 2 |
happinesses of the | 2 |
there are two | 2 |
with pride and | 2 |
corpus poeticum boreale | 2 |
other small steps | 2 |
the drunken ancestor | 2 |
you had enough | 2 |
and the white | 2 |
a bitter tongue | 2 |
a quarter to | 2 |
down upon his | 2 |
ask you to | 2 |
is not there | 2 |
shawn bruin goes | 2 |
heard other small | 2 |
assigned to the | 2 |
be their mother | 2 |
a dream and | 2 |
in huon of | 2 |
afraid of everything | 2 |
i was courteous | 2 |
my grandfather would | 2 |
and a merry | 2 |
harm out of | 2 |
i come in | 2 |
or talking of | 2 |
what business is | 2 |
us to himself | 2 |
for any one | 2 |
jocund and facetious | 2 |
the children of | 2 |
to be light | 2 |
day it is | 2 |
how to look | 2 |
glad that i | 2 |
come the wrecked | 2 |
will be quite | 2 |
that old book | 2 |
of love and | 2 |
i would take | 2 |
the western host | 2 |
our queen and | 2 |
wise because your | 2 |
of which they | 2 |
date of the | 2 |
now in a | 2 |
begun to be | 2 |
have forgotten they | 2 |
mytyl do they | 2 |
call you robin | 2 |
of no common | 2 |
told her that | 2 |
the spirits of | 2 |
the curtain represents | 2 |
origin of the | 2 |
is ready now | 2 |
i never dared | 2 |
would bring evil | 2 |
prevent them from | 2 |
here you are | 2 |
from the twelfth | 2 |
spirit still walk | 2 |
how a princess | 2 |
find the excellent | 2 |
are they here | 2 |
so as to | 2 |
but she is | 2 |
you would do | 2 |
whom thou dost | 2 |
much as i | 2 |
by alexander teixeira | 2 |
at once into | 2 |
kneels upon the | 2 |
you in the | 2 |
the other trees | 2 |
made of sugar | 2 |
till we have | 2 |
that some of | 2 |
what fools these | 2 |