This is a table of type quadgram and their frequencies. Use it to search & browse the list to learn more about your study carrel.
quadgram | frequency |
---|---|
of the eighteenth century | 99 |
of the seventeenth century | 81 |
the end of the | 71 |
the middle of the | 65 |
the south kensington museum | 63 |
victoria and albert museum | 60 |
in the south kensington | 59 |
in the british museum | 44 |
by the courtesy of | 38 |
the victoria and albert | 38 |
of the nineteenth century | 38 |
of william and mary | 37 |
is said to have | 34 |
at the time of | 33 |
in the form of | 33 |
to be found in | 33 |
in the possession of | 32 |
by permission of messrs | 32 |
one of the most | 32 |
the time of the | 31 |
of the sixteenth century | 30 |
it will be seen | 29 |
the courtesy of messrs | 29 |
said to have been | 29 |
the top of the | 28 |
the furniture of the | 27 |
as well as the | 27 |
of the time of | 26 |
the queen anne period | 26 |
the proprietors of the | 26 |
of the queen anne | 26 |
proprietors of the connoisseur | 26 |
in the sixteenth century | 25 |
the beginning of the | 25 |
in the days of | 25 |
of the furniture of | 25 |
of the proprietors of | 25 |
during the reign of | 25 |
be found in the | 25 |
is one of the | 25 |
in the time of | 24 |
william and mary period | 24 |
are to be found | 24 |
the period of louis | 24 |
in the eighteenth century | 24 |
in some of the | 23 |
the use of the | 23 |
be seen in the | 23 |
is shown in the | 23 |
half of the eighteenth | 22 |
by permission of the | 22 |
the latter part of | 22 |
of the fifteenth century | 22 |
the early days of | 22 |
the work of the | 22 |
in the style of | 22 |
latter part of the | 21 |
in the history of | 21 |
may be said to | 21 |
will be seen that | 20 |
on account of the | 20 |
in the seventeenth century | 20 |
of the same period | 20 |
at the victoria and | 20 |
at the same time | 20 |
the period of the | 20 |
end of the seventeenth | 20 |
towards the end of | 19 |
the days of the | 19 |
the influence of the | 19 |
in the reign of | 18 |
the back of the | 18 |
furniture of this period | 18 |
a part of the | 18 |
at the end of | 18 |
the reign of louis | 18 |
to be seen in | 18 |
it is difficult to | 17 |
in the chapter on | 17 |
the early part of | 17 |
to have been the | 17 |
for the use of | 17 |
from the fact that | 17 |
it is interesting to | 17 |
in the early days | 17 |
early part of the | 17 |
first half of the | 17 |
in the kensington museum | 16 |
cottage and farmhouse furniture | 16 |
the first half of | 16 |
a piece of furniture | 16 |
of the present day | 16 |
in the case of | 16 |
a good example of | 16 |
permission of the proprietors | 15 |
in the united states | 15 |
in the middle of | 15 |
about the middle of | 15 |
it was not until | 15 |
on the same page | 15 |
seems to have been | 15 |
in the way of | 15 |
middle of the eighteenth | 15 |
in the collection of | 15 |
appears to have been | 15 |
is shown in figure | 15 |
of some of the | 14 |
was one of the | 14 |
the hall of the | 14 |
the evolution of the | 14 |
middle of the century | 14 |
as early as the | 14 |
in the jones collection | 14 |
half of the seventeenth | 14 |
last quarter of the | 14 |
the last quarter of | 14 |
still to be seen | 14 |
of the reign of | 14 |
the latter half of | 14 |
is said to be | 14 |
the william and mary | 14 |
in one of the | 14 |
designed and manufactured by | 14 |
of the period of | 13 |
in the fifteenth century | 13 |
part of the eighteenth | 13 |
in the hall of | 13 |
to the fact that | 13 |
it will be observed | 13 |
at hampton court palace | 13 |
in regard to the | 13 |
period of louis xv | 13 |
seem to have been | 13 |
last half of the | 13 |
in the centre of | 13 |
by the use of | 13 |
the last half of | 13 |
latter half of the | 13 |
the rest of the | 12 |
be seen that the | 12 |
in addition to the | 12 |
end of the century | 12 |
the furniture of this | 12 |
first quarter of the | 12 |
it will be noticed | 12 |
the centre of the | 12 |
from the time of | 12 |
as well as in | 12 |
the first quarter of | 12 |
are still to be | 12 |
it is probable that | 12 |
is interesting to note | 12 |
the reign of james | 12 |
either side of the | 12 |
a great deal of | 12 |
middle of the seventeenth | 12 |
of the middle ages | 12 |
a fine example of | 12 |
the fact that the | 12 |
by the kindness of | 12 |
be said to have | 12 |
is found in the | 12 |
the form of the | 12 |
the sides of the | 12 |
found their way to | 11 |
the time of louis | 11 |
an idea of the | 11 |
their useful monthly publication | 11 |
it is impossible to | 11 |
in harmony with the | 11 |
in the design of | 11 |
the reign of queen | 11 |
some of the most | 11 |
it is said that | 11 |
on either side of | 11 |
the early eighteenth century | 11 |
to have belonged to | 11 |
is to be found | 11 |
the time of william | 11 |
early days of the | 11 |
is a fine example | 11 |
in figure is shown | 11 |
the early years of | 11 |
at the top of | 11 |
for the purpose of | 11 |
the place of the | 11 |
said to be the | 11 |
of the fourteenth century | 11 |
from their useful monthly | 11 |
during the seventeenth century | 11 |
is known as the | 11 |
on account of its | 11 |
parts of the country | 11 |
great bed of ware | 10 |
the design of furniture | 10 |
period of louis xiv | 10 |
the close of the | 10 |
in connection with the | 10 |
oak chest of drawers | 10 |
th and th centuries | 10 |
the kindness of the | 10 |
have been made in | 10 |
furniture of the time | 10 |
the houses of the | 10 |
at the beginning of | 10 |
with the advent of | 10 |
kindness of the proprietors | 10 |
furniture of this time | 10 |
seventeenth and eighteenth centuries | 10 |
the walls of the | 10 |
the front of the | 10 |
of the cabriole leg | 10 |
fine example of the | 10 |
of the days of | 10 |
the advent of the | 10 |
will be found in | 10 |
the form of a | 10 |
the seventeenth and eighteenth | 10 |
in the manufacture of | 10 |
more often than not | 10 |
it must be remembered | 10 |
the surface of the | 10 |
chats on old furniture | 10 |
quarter of the eighteenth | 10 |
on the walls of | 10 |
the property of mr | 10 |
in the victoria and | 10 |
the history of the | 10 |
the time of charles | 10 |
as ornament to initial | 9 |
there are in the | 9 |
the south kensington collection | 9 |
on the inside of | 9 |
in the home of | 9 |
the same manner as | 9 |
the design of the | 9 |
early years of the | 9 |
what is known as | 9 |
of the fine arts | 9 |
in the latter part | 9 |
some of the old | 9 |
in the middle ages | 9 |
at a time when | 9 |
prices realised at auction | 9 |
ornament to initial letter | 9 |
from the collection of | 9 |
the size of the | 9 |
chippendale and his contemporaries | 9 |
the length of the | 9 |
the second half of | 9 |
items are given from | 9 |
the character of the | 9 |
these items are given | 9 |
in the new york | 9 |
the taste of the | 9 |
the beauty of the | 9 |
in the early part | 9 |
are given from their | 9 |
came into general use | 9 |
said to have belonged | 9 |
will be observed that | 9 |
time of charles ii | 9 |
second half of the | 9 |
the possession of the | 9 |
for the display of | 9 |
the decoration of the | 9 |
very similar to the | 9 |
when not in use | 9 |
given from their useful | 9 |
in various parts of | 9 |
the center of the | 9 |
one of the best | 9 |
the art of the | 9 |
to be one of | 9 |
be one of the | 9 |
the whole of the | 9 |
early in the eighteenth | 9 |
in the same manner | 9 |
one of these is | 9 |
to the end of | 9 |
on the part of | 9 |
of which there is | 8 |
must be remembered that | 8 |
reign of queen anne | 8 |
it is true that | 8 |
reign of james i | 8 |
of the connoisseur these | 8 |
beginning of the eighteenth | 8 |
the shape of the | 8 |
the use of a | 8 |
which is said to | 8 |
the lines of the | 8 |
the details of the | 8 |
period of louis xvi | 8 |
an illustration of a | 8 |
of this class of | 8 |
time of william and | 8 |
for the most part | 8 |
that is to say | 8 |
various parts of the | 8 |
the connoisseur these items | 8 |
back of the chair | 8 |
it is to be | 8 |
the homes of the | 8 |
and manufactured by m | 8 |
appear to have been | 8 |
one side of the | 8 |
late queen anne period | 8 |
reign of louis xiv | 8 |
one of the finest | 8 |
the fashion of the | 8 |
is an example of | 8 |
there is no doubt | 8 |
of furniture in the | 8 |
the style of the | 8 |
a portion of the | 8 |
the date of the | 8 |
is that of the | 8 |
found its way to | 8 |
found their way into | 8 |
of gold and silver | 8 |
it is certain that | 8 |
in the art of | 8 |
at the present time | 8 |
the arms of the | 8 |
to be seen at | 8 |
period william and mary | 8 |
house on federal street | 8 |
in the production of | 8 |
french furniture of the | 8 |
their way to america | 8 |
at the head of | 8 |
connoisseur these items are | 8 |
time of charles i | 8 |
was made in the | 8 |
of this period are | 8 |
days of queen anne | 8 |
in the furniture of | 8 |
the illustration of the | 8 |
is in the south | 8 |
one of the first | 8 |
to the period of | 8 |
the tops of the | 8 |
for a long time | 8 |
the reign of charles | 8 |
the prince of wales | 8 |
on each side of | 8 |
all over the country | 8 |
the history of furniture | 8 |
was used as a | 8 |
is seen in the | 7 |
a great variety of | 7 |
into the hands of | 7 |
of the house of | 7 |
it is obvious that | 7 |
is illustrated on p | 7 |
than that of the | 7 |
in the city of | 7 |
of the back of | 7 |
the appearance of the | 7 |
the hand of the | 7 |
eighteenth and early nineteenth | 7 |
as we have seen | 7 |
during the time of | 7 |
to be met with | 7 |
in england during the | 7 |
will be noticed that | 7 |
part of the house | 7 |
in the hamilton palace | 7 |
sixteenth and seventeenth centuries | 7 |
each side of the | 7 |
to have been made | 7 |
were made in the | 7 |
similar to the one | 7 |
in the center of | 7 |
the part of the | 7 |
thirteenth and fourteenth centuries | 7 |
the renaissance in italy | 7 |
it was not till | 7 |
the age of the | 7 |
the manufacture of furniture | 7 |
the sixteenth and seventeenth | 7 |
of one of these | 7 |
until the middle of | 7 |
be borne in mind | 7 |
in the same collection | 7 |
at the present day | 7 |
end of the fifteenth | 7 |
the commencement of the | 7 |
the illustration of a | 7 |
period of william and | 7 |
the name of the | 7 |
the one on the | 7 |
as a general rule | 7 |
of the use of | 7 |
the last of the | 7 |
it is one of | 7 |
the inside of the | 7 |
the dawn of the | 7 |
years of the eighteenth | 7 |
about the time of | 7 |
the head of the | 7 |
one of these was | 7 |
the date of this | 7 |
as in the case | 7 |
of furniture of this | 7 |
in the nineteenth century | 7 |
are to be seen | 7 |
evolution of the chair | 7 |
the reign of george | 7 |
did not come into | 7 |
the death of the | 7 |
an example of the | 7 |
it belongs to the | 7 |
in which it was | 7 |
there is also a | 7 |
good example of the | 7 |
may be seen in | 7 |
habits of the people | 7 |
the great bed of | 7 |
it is said to | 7 |
a few years ago | 7 |
there is in the | 7 |
of the windsor chair | 7 |
in many of the | 7 |
chairs of this period | 7 |
of furniture of the | 7 |
of woodwork and furniture | 7 |
on account of their | 7 |
the thirteenth and fourteenth | 7 |
were to be found | 7 |
the same page is | 7 |
the excellence of the | 7 |
in the midst of | 6 |
half of sixteenth century | 6 |
the finest examples of | 6 |
and some of the | 6 |
and william and mary | 6 |
it is well to | 6 |
in the seventeenth and | 6 |
as well as a | 6 |
design published by t | 6 |
changing habits of the | 6 |
which came into vogue | 6 |
the property of the | 6 |
a feature of the | 6 |
in the wallace collection | 6 |
in the houses of | 6 |
in the construction of | 6 |
the chair of st | 6 |
a room in which | 6 |
the origin of the | 6 |
the characteristics of the | 6 |
it may be said | 6 |
reign of louis xv | 6 |
the height of the | 6 |
end of the sixteenth | 6 |
as well as for | 6 |
much of the furniture | 6 |
brought to this country | 6 |
from generation to generation | 6 |
the woodwork of the | 6 |
part of the nineteenth | 6 |
by means of a | 6 |
to the use of | 6 |
the introduction of the | 6 |
it was used as | 6 |
interesting to note that | 6 |
examples of this type | 6 |
the time of james | 6 |
as will be seen | 6 |
the time of elizabeth | 6 |
the fact that it | 6 |
of the first empire | 6 |
years of the nineteenth | 6 |
it is worth while | 6 |
on the furniture of | 6 |
of the present owner | 6 |
of this kind of | 6 |
as far back as | 6 |
an old house in | 6 |
may be found in | 6 |
the mistress of the | 6 |
the body of the | 6 |
the sign of the | 6 |
the period of william | 6 |
from an old house | 6 |
the hamilton palace collection | 6 |
was known as the | 6 |
in the museum at | 6 |
the first empire style | 6 |
of a piece of | 6 |
the possession of mr | 6 |
this class of furniture | 6 |
of one of the | 6 |
as a matter of | 6 |
the life of the | 6 |
part of the seventeenth | 6 |
so far as the | 6 |
the collection of the | 6 |
it was here that | 6 |
in the decoration of | 6 |
the edges of the | 6 |
and it is not | 6 |
the chest of drawers | 6 |
his book of designs | 6 |
the styles of the | 6 |
the master of the | 6 |
a large number of | 6 |
the design of a | 6 |
it is only when | 6 |
it will be found | 6 |
the bottom of the | 6 |
a good deal of | 6 |
there is an illustration | 6 |
can be seen in | 6 |
italian louis xvi salon | 6 |
as that of the | 6 |
the time of its | 6 |
the home of the | 6 |
william and mary and | 6 |
with the exception of | 6 |
from the days of | 6 |
and it is a | 6 |
tables of this period | 6 |
formed part of the | 6 |
and most of the | 6 |
with regard to the | 6 |
quarter of the nineteenth | 6 |
with gold and silver | 6 |
the hamilton palace sale | 6 |
until the end of | 6 |
is very similar to | 6 |
and a pair of | 6 |
to the waring galleries | 6 |
the reign of henry | 6 |
as may be seen | 6 |
time of louis xv | 6 |
into more general use | 6 |
a survival of the | 6 |
of the british museum | 6 |
the edict of nantes | 6 |
of sir christopher wren | 6 |
many of the old | 6 |
be noticed that the | 6 |
it was in the | 6 |
be seen at the | 6 |
a hundred years ago | 6 |
chairs of the period | 6 |
are said to have | 6 |
from time to time | 6 |
the days of charles | 6 |
was not until the | 6 |
chippendale and his school | 6 |
are in the south | 6 |
late in the eighteenth | 6 |
and a set of | 6 |
is shown by the | 6 |
the forerunner of the | 6 |
is a good example | 6 |
be said to be | 6 |
about the same period | 6 |
later in the century | 6 |
in the thirteenth century | 6 |
in a great measure | 6 |
the colour of the | 6 |
is now in the | 6 |
was not confined to | 6 |
chairs of the time | 6 |
on the subject of | 6 |
is to be seen | 6 |
mistress of the house | 6 |
to that of the | 6 |
there can be no | 6 |
in place of the | 6 |
the time of his | 6 |
it was the fashion | 6 |
science and art department | 6 |
during the last half | 6 |
as one of the | 6 |
for which they were | 6 |
the days of queen | 6 |
the chair of dagobert | 6 |
of the william and | 6 |
in the shape of | 6 |
in the old days | 6 |
specimens from collection of | 6 |
with a piece of | 6 |
the story of the | 6 |
borne in mind that | 6 |
to the days of | 6 |
to be used in | 6 |
on the other hand | 6 |
in the making of | 6 |
of the united states | 6 |
much in the same | 6 |
the reign of william | 6 |
of the previous century | 5 |
old print in the | 5 |
a matter of fact | 5 |
the two examples illustrated | 5 |
the invention of the | 5 |
the duke of edinburgh | 5 |
with those of the | 5 |
an example of this | 5 |
in the metropolitan museum | 5 |
the greater part of | 5 |
it must be borne | 5 |
and feet of animals | 5 |
on cottage and farmhouse | 5 |
we give an example | 5 |
and chairs of the | 5 |
of the stuart period | 5 |
in the same way | 5 |
the first years of | 5 |
on carved cabriole legs | 5 |
it would seem that | 5 |
the corners of the | 5 |
great fire of london | 5 |
renaissance on the continent | 5 |
for the purposes of | 5 |
this kind of furniture | 5 |
as a background for | 5 |
as is shown in | 5 |
and crafts exhibition society | 5 |
in the early eighteenth | 5 |
with the reign of | 5 |
so as to be | 5 |
shown in figure is | 5 |
the possession of lord | 5 |
of a hundred years | 5 |
the furniture of a | 5 |
with the name of | 5 |
the inventory of the | 5 |
and it was not | 5 |
the renaissance in england | 5 |
that one of the | 5 |
the society of arts | 5 |
during the eighteenth century | 5 |
surface of the wood | 5 |
of the middle of | 5 |
it may be observed | 5 |
in the development of | 5 |
the science and art | 5 |
the eighteenth century there | 5 |
the eighteenth and early | 5 |
into vogue in the | 5 |
most of the old | 5 |
some of the designs | 5 |
of the contents of | 5 |
first years of the | 5 |
with the rest of | 5 |
like that of the | 5 |
one of the few | 5 |
are shown in the | 5 |
on the ground floor | 5 |
was used in the | 5 |
van flanders th century | 5 |
the records of the | 5 |
william and mary chair | 5 |
of this type of | 5 |
is no doubt that | 5 |
as well as to | 5 |
to the fifteenth century | 5 |
as far as the | 5 |
the sixteenth century the | 5 |
so many of the | 5 |
the decorations of the | 5 |
be the work of | 5 |
hundred and fifty years | 5 |
as in the woodcut | 5 |
belongs to the waring | 5 |
it would appear that | 5 |
pieces of furniture of | 5 |
come down to us | 5 |
fine example of a | 5 |
took place in the | 5 |
and early nineteenth centuries | 5 |
the golden age of | 5 |
of which is a | 5 |
as the reign of | 5 |
the renaissance on the | 5 |
by a slab of | 5 |
so called from the | 5 |
there is a good | 5 |
silver furniture at knole | 5 |
a chair of the | 5 |
the influence of chippendale | 5 |
the illustration on p | 5 |
of the last century | 5 |
the erection of the | 5 |
work of grinling gibbons | 5 |
the arts and crafts | 5 |
it has been said | 5 |
of the chair is | 5 |
some of the furniture | 5 |
for the reason that | 5 |
has been made to | 5 |
middle of sixteenth century | 5 |
the names of the | 5 |
to the south kensington | 5 |
of the best specimens | 5 |
but there is no | 5 |
the best examples of | 5 |
the seventeenth century and | 5 |
from the end of | 5 |
and surmounted by a | 5 |
surmounted by a slab | 5 |
the finish of the | 5 |
formerly in the hamilton | 5 |
in furniture of this | 5 |
by the end of | 5 |
an excellent example of | 5 |
of the manor house | 5 |
and early eighteenth centuries | 5 |
the late eighteenth century | 5 |
of a room in | 5 |
far back as the | 5 |
chippendale and his style | 5 |
and at the same | 5 |
from the fact of | 5 |
at a cost of | 5 |
chair of the period | 5 |
be studied in the | 5 |
the hands of a | 5 |
the interior of a | 5 |
in which they were | 5 |
illustrated on the same | 5 |
will be noticed in | 5 |
far removed from the | 5 |
the result of the | 5 |
in the art journal | 5 |
in this class of | 5 |
fifteenth and sixteenth centuries | 5 |
the interior of the | 5 |
the art of interior | 5 |
and manufactured by messrs | 5 |
upper part of the | 5 |
in the first half | 5 |
makers of the eighteenth | 5 |
the time of their | 5 |
it must have been | 5 |
reign of charles ii | 5 |
a portion of a | 5 |
reign of william and | 5 |
half of the nineteenth | 5 |
the back of this | 5 |
in the wall paper | 5 |
the development of the | 5 |
seventeenth and early eighteenth | 5 |
the same colour scheme | 5 |
from a photo by | 5 |
handsome piece of furniture | 5 |
of the day was | 5 |
to have been in | 5 |
for the benefit of | 5 |
to have been used | 5 |
the right of the | 5 |
period of the renaissance | 5 |
the pieces of furniture | 5 |
which we have seen | 5 |
the panels of the | 5 |
to be made in | 5 |
some three or four | 5 |
and a half inches | 5 |
was made for the | 5 |
one end of the | 5 |
carved in low relief | 5 |
took the place of | 5 |
found in new england | 5 |
end of the room | 5 |
finely turned legs and | 5 |
the church of st | 5 |
was at this time | 5 |
quarter of the century | 5 |
the designs of the | 5 |
it was probably made | 5 |
in a new york | 5 |
at the foot of | 5 |
to the first half | 5 |
in the homes of | 5 |
headpiece to this chapter | 5 |
of chippendale and his | 5 |
it is of the | 5 |
in his history of | 5 |
to be found on | 5 |
we have seen that | 5 |
the survival of the | 5 |
a queen anne bedroom | 5 |
it is made of | 5 |
same manner as the | 5 |
in the illustration of | 5 |
the top of a | 5 |
to a great extent | 5 |
late seventeenth and early | 5 |
of the seventeenth and | 5 |
of the early eighteenth | 5 |
of which we have | 5 |
from an old print | 5 |
the new york gazette | 5 |
a book of designs | 5 |
to the middle of | 5 |
which there is a | 5 |
may be said that | 5 |
in use during the | 5 |
days of james i | 5 |
was found to be | 5 |
a member of the | 5 |
a good idea of | 5 |
of the most beautiful | 5 |
to be of the | 5 |
of many of the | 5 |
in the direction of | 5 |
about the end of | 5 |
of fruit and flowers | 5 |
came to the throne | 5 |
south kensington museum a | 5 |
house on essex street | 5 |
should be made of | 5 |
come into general use | 5 |
the upper part of | 5 |
an old print in | 5 |
it is necessary to | 5 |
the age of walnut | 5 |
for the manufacture of | 5 |
an examination of the | 5 |
in the house of | 5 |
came into vogue in | 5 |
in many cases the | 5 |
a change in the | 5 |
a chest of drawers | 5 |
art of interior decoration | 5 |
arts and crafts exhibition | 5 |
quarter of the seventeenth | 5 |
was not till that | 5 |
philadelphia book of prices | 5 |
the door of the | 5 |
many of them are | 5 |
at the top and | 5 |
be found in a | 5 |
leonardo da vinci and | 5 |
the courtesy of mr | 5 |
of the brothers adam | 5 |
take the place of | 5 |
with the arms of | 5 |
in the fashion of | 5 |
it is in the | 5 |
furniture of the period | 5 |
must be borne in | 5 |
chats on english china | 5 |
on queen anne period | 5 |
a specimen of the | 5 |
at one side of | 5 |
by the adam brothers | 5 |
to those of the | 4 |
the back of a | 4 |
in the sixteenth and | 4 |
not come into general | 4 |
they were made in | 4 |
to which allusion has | 4 |
piece of furniture is | 4 |
to all but the | 4 |
reproduced by photography from | 4 |
to the value of | 4 |
published a book of | 4 |
in the jones bequest | 4 |
types are found in | 4 |
in the introduction to | 4 |
to the beauty of | 4 |
an important part of | 4 |
is now to be | 4 |
designers and makers of | 4 |
time of james ii | 4 |
for many years in | 4 |
of furniture may be | 4 |
and many of the | 4 |
after the death of | 4 |
on a ground of | 4 |
household furniture in the | 4 |
of the louis xvi | 4 |
of the charles ii | 4 |
chippendale style windsor chairs | 4 |
the power of the | 4 |
examples in the south | 4 |
of the richer classes | 4 |
came to this country | 4 |
are characteristic of the | 4 |
for the first time | 4 |
the best specimens in | 4 |
of a salon in | 4 |
in its various forms | 4 |
time of james i | 4 |
the head and foot | 4 |
ball and claw feet | 4 |
styles contemporary with the | 4 |
the north of europe | 4 |
under the hand of | 4 |
time of his death | 4 |
days of the eighteenth | 4 |
colonial and later periods | 4 |
the initial letter of | 4 |
the making of the | 4 |
of the arts and | 4 |
this type of furniture | 4 |
to have been a | 4 |
in the neighbourhood of | 4 |
the queen anne splat | 4 |
the reign of anne | 4 |
for a work table | 4 |
is a matter of | 4 |
it is built of | 4 |
in the chapter dealing | 4 |
furniture of the last | 4 |
oak chimney piece in | 4 |
the foot of the | 4 |
is worth while to | 4 |
of household furniture in | 4 |
which it was made | 4 |
the possession of a | 4 |
in the accompanying woodcut | 4 |
of the duke of | 4 |
furniture of our forefathers | 4 |
in italy during the | 4 |
and it is interesting | 4 |
to accord with the | 4 |
we have in mind | 4 |
photography from an old | 4 |
but as a rule | 4 |
quite a number of | 4 |
initial letter of this | 4 |
on the left has | 4 |
a development of the | 4 |
is small in size | 4 |
break up of the | 4 |
in keeping with the | 4 |
an italian louis xvi | 4 |
to harmonise with the | 4 |
in the manner of | 4 |
during the latter half | 4 |
from a manuscript of | 4 |
reigns of william and | 4 |
furniture as well as | 4 |
the decoration of a | 4 |
the past few years | 4 |
was the fashion to | 4 |
articles of domestic furniture | 4 |
in use at this | 4 |
the construction of the | 4 |
of the kind of | 4 |
of the evolution of | 4 |
of the chest of | 4 |
the days of william | 4 |
as we have said | 4 |
an important part in | 4 |
in the late seventeenth | 4 |
until his death in | 4 |
of the beautiful and | 4 |
interest in the subject | 4 |
in england in the | 4 |
chest of drawers of | 4 |
are preserved in the | 4 |
as old as the | 4 |
it was customary for | 4 |
of the french renaissance | 4 |
new york duplex apartment | 4 |
on the top of | 4 |
history of music in | 4 |
in the north of | 4 |
the use of this | 4 |
the fifteenth and sixteenth | 4 |
the bureau du roi | 4 |
head and foot boards | 4 |
carved and gilt wood | 4 |
chair is of the | 4 |
chats on cottage and | 4 |
one of them is | 4 |
it was made by | 4 |
are mentioned in the | 4 |
of furniture and woodwork | 4 |
in a state of | 4 |
allusion has been made | 4 |
of chinese and japanese | 4 |
we should call them | 4 |
the house of the | 4 |
end of the hall | 4 |
as in our own | 4 |
the louis xvi period | 4 |
the british museum is | 4 |
days of charles i | 4 |
william and mary gate | 4 |
part of the fifteenth | 4 |
of the same material | 4 |
to the lover of | 4 |
at the hands of | 4 |
examples of the best | 4 |
of the victoria and | 4 |
as distinguished from the | 4 |
which took place in | 4 |
companion volume to chats | 4 |
english furniture of the | 4 |
architects of the time | 4 |
carved cabriole legs and | 4 |
in the louvre and | 4 |
influence on design of | 4 |
was at that time | 4 |
half of the sixteenth | 4 |
the days of louis | 4 |
the same period is | 4 |
be seen at hampton | 4 |
ink drawing by h | 4 |
and not a few | 4 |
the carving of the | 4 |
seats and backs of | 4 |
by the duke of | 4 |
of the estate of | 4 |
came into use in | 4 |
that in which the | 4 |
pen and ink drawing | 4 |
of the master of | 4 |
block front bureau desk | 4 |
some of the more | 4 |
designed and made by | 4 |
it is not easy | 4 |
of the italian renaissance | 4 |
during the period of | 4 |
in conjunction with the | 4 |
and chests of drawers | 4 |
at the court of | 4 |
of these is the | 4 |
there was also a | 4 |
table found at pompeii | 4 |
to the present time | 4 |
in the palace at | 4 |
possession of lord sackville | 4 |
piece is at the | 4 |
the seat and back | 4 |
will be seen in | 4 |
and one of these | 4 |
of a page in | 4 |
in such a case | 4 |
at the little trianon | 4 |
for spurious marquetry work | 4 |
still to be found | 4 |
the grain of the | 4 |
must be admitted that | 4 |
the cabriole leg and | 4 |
the warner house at | 4 |
that some of the | 4 |
this class of work | 4 |
the social life of | 4 |
a fine piece of | 4 |
of the finest examples | 4 |
under the influence of | 4 |
on some of the | 4 |
the side of the | 4 |
work of this kind | 4 |
queen anne oak settle | 4 |
and those of the | 4 |
are good examples of | 4 |
on the following page | 4 |
was formerly in the | 4 |
the carving on the | 4 |
beginning of the nineteenth | 4 |
the base of the | 4 |
an ancestor of the | 4 |
a piece of old | 4 |
room in the house | 4 |
that in the latter | 4 |
jacobean chest of drawers | 4 |
in france and italy | 4 |
to the number of | 4 |
part of the household | 4 |
the choir of the | 4 |
as part of the | 4 |
at the back of | 4 |
in the age of | 4 |
we shall see that | 4 |
artists of the day | 4 |
a reproduction of the | 4 |
the lover of the | 4 |
the original in the | 4 |
in which he was | 4 |
of this chair is | 4 |
a salon in louis | 4 |
of the work of | 4 |
the chapter dealing with | 4 |
the changing habits of | 4 |
the date of their | 4 |
the latter days of | 4 |
the reigns of william | 4 |
shown in the illustration | 4 |
of most of the | 4 |
a knowledge of the | 4 |
the days of james | 4 |
of the art of | 4 |
to be had in | 4 |
the days of elizabeth | 4 |
in a great many | 4 |
of this type was | 4 |
the result of this | 4 |
of this type are | 4 |
called by his name | 4 |
of the most elaborate | 4 |
of the period in | 4 |
may be studied in | 4 |
to distinguish between the | 4 |
some idea of the | 4 |
it is of carved | 4 |
of what is termed | 4 |
the eighteenth century was | 4 |
the bethnal green museum | 4 |
with the work of | 4 |
the revocation of the | 4 |
the lower parts of | 4 |
formerly the property of | 4 |
furniture of all kinds | 4 |
the panelling of rooms | 4 |
the grandeur of the | 4 |
in a salem home | 4 |
the late seventeenth and | 4 |
when the hall was | 4 |
not seem to have | 4 |
relief in the british | 4 |
at a later date | 4 |
the gold and silver | 4 |
of the first half | 4 |
this is one of | 4 |
mentioned in the inventories | 4 |
a combination of the | 4 |
referred to in the | 4 |
into the possession of | 4 |
which allusion has been | 4 |
is associated with the | 4 |
they must have been | 4 |
been made in the | 4 |
the great fire of | 4 |
of the latter half | 4 |
in the french style | 4 |
and it was here | 4 |
the age of machinery | 4 |
records of new amsterdam | 4 |
the new york mercury | 4 |
of an inch in | 4 |
with sunk panels and | 4 |
for the storage of | 4 |
house on washington square | 4 |
two or three of | 4 |
with a view to | 4 |
of the same colour | 4 |
which was made in | 4 |
which there is an | 4 |
the old days of | 4 |
and customs of the | 4 |
be noticed in the | 4 |
the seventeenth century were | 4 |
the chair which is | 4 |
of seventeenth century work | 4 |
lower parts of the | 4 |
and many of these | 4 |
the simplicity of the | 4 |
part of the country | 4 |
turned legs and stretcher | 4 |
of about the same | 4 |
and grace of the | 4 |
under the direction of | 4 |
work of this period | 4 |
to say nothing of | 4 |
the date of manufacture | 4 |
the ends of the | 4 |
be used as a | 4 |
in france and england | 4 |
is covered with a | 4 |
the colour of your | 4 |
farmhouse styles contemporary with | 4 |
which we give a | 4 |
figure is shown an | 4 |
life in the reign | 4 |
furniture of the eighteenth | 4 |
and there was no | 4 |
william and mary style | 4 |
in most of the | 4 |
were brought from england | 4 |
one of the rarest | 4 |
of ebony and ivory | 4 |
revocation of the edict | 4 |
as we have already | 4 |
was not until that | 4 |
days of the colonies | 4 |
were employed by the | 4 |
now in the possession | 4 |
to the study of | 4 |
with an inlay of | 4 |
as well as by | 4 |
for the decoration of | 4 |
are still in existence | 4 |
of the room is | 4 |
of the style of | 4 |
in our own country | 4 |
idea of the design | 4 |
of the decoration of | 4 |
continued to be made | 4 |
it must be admitted | 4 |
a careful examination of | 4 |
as well as of | 4 |
of the age of | 4 |
in the classic style | 4 |
a few of the | 4 |
at a very early | 4 |
in new york apartment | 4 |
this kind of decoration | 4 |
would seem that the | 4 |
to have come from | 4 |
carved woodwork of the | 4 |
the feet of the | 4 |
furniture in other countries | 4 |
in figure are shown | 4 |
latter days of the | 4 |
and early part of | 4 |
the conservation of old | 4 |
high chest of drawers | 4 |
it was during the | 4 |
attempt has been made | 4 |
it is easy to | 4 |
black and gold lacquer | 4 |
which are still preserved | 4 |
of the late eighteenth | 4 |
its name from the | 4 |
in south kensington museum | 4 |
the eighteenth century is | 4 |
antoinette at the little | 4 |
the palace of versailles | 4 |
middle of the nineteenth | 4 |
year of the reign | 4 |
they seem to have | 4 |
the width of the | 4 |
an attempt has been | 4 |
the idea of the | 4 |
cane back and seat | 4 |
some of these were | 4 |
is seen on the | 4 |
and the use of | 4 |
the ornaments may be | 4 |
first earl of strafford | 4 |
covered with beauvais tapestry | 4 |
on a larger scale | 4 |
queen anne cabriole leg | 4 |
may still be seen | 4 |
the manner of the | 4 |
oak chest with drawers | 4 |
a very early period | 4 |
letter of this chapter | 4 |
specimen of the kind | 4 |
some of the best | 4 |
was not to be | 4 |
the royal coat of | 4 |
and in the old | 4 |
it is of mahogany | 4 |
was said to have | 4 |
are by no means | 4 |
of the thirteenth century | 4 |
the late seventeenth century | 4 |
in a subsequent chapter | 4 |
the hands of the | 4 |
to the work of | 4 |
period in which it | 4 |
of an earlier period | 4 |
the study of the | 4 |
the first part of | 4 |
is not to be | 4 |
of the three louis | 4 |
came in with the | 4 |
an example of a | 4 |
it to be a | 4 |
the slow assimilation of | 4 |
the designs of furniture | 4 |
made in this country | 4 |
were used in the | 4 |
during the early years | 4 |
to the time of | 4 |
old cottages and farmhouses | 4 |
time of which we | 4 |
the early seventeenth century | 4 |
a corner of the | 4 |
collection at the victoria | 4 |
of which we give | 4 |
their way into the | 4 |
which were used as | 4 |
were in use in | 4 |
carved and gilded wood | 4 |
the carved woodwork of | 4 |
were filled in with | 4 |
first part of the | 4 |
the time of queen | 4 |
of the eighteenth and | 4 |
as was also the | 4 |
to be used as | 4 |
in the hands of | 4 |
the names of some | 4 |
the time of henry | 4 |
are said to be | 4 |
of the same office | 4 |
the colour scheme is | 4 |
museum of fine arts | 4 |
a case in point | 4 |
to the sixteenth century | 4 |
call attention to the | 4 |
of the colony of | 4 |
some of the finest | 4 |
often than not the | 4 |
the architects of the | 4 |
design for spurious marquetry | 4 |
of which we are | 4 |
we give a woodcut | 4 |
in his work on | 4 |
specimens in the south | 4 |
the gentleman and cabinet | 4 |
on the back of | 4 |
in the fourteenth century | 4 |
in the renaissance style | 4 |
years of the reign | 4 |
used by james i | 4 |
the top and bottom | 4 |
contemporary with the cane | 4 |
dresser and clock combined | 4 |
seen at hampton court | 4 |
other parts of the | 4 |
and the beginning of | 4 |
in line and colour | 4 |
of the case is | 4 |
the best in the | 4 |
general in its use | 4 |
is preserved in the | 4 |
have been the first | 4 |
the same period as | 4 |
of the present century | 4 |
of the edict of | 4 |
of the finest of | 4 |
simile of a page | 4 |
end of the fourteenth | 4 |
is shown in fig | 4 |
two stories in height | 4 |
there was a great | 4 |
is of carved oak | 4 |
not a few of | 4 |
is repeated in the | 4 |
out of place in | 4 |
the borders carved with | 4 |
attracted the attention of | 4 |
property of oliver cromwell | 4 |
on the top is | 4 |
with the use of | 4 |
the introduction to the | 4 |
by the same author | 4 |
part of the furniture | 4 |
at the height of | 4 |
royal coat of arms | 4 |
highboy with shell ornamentation | 4 |
with the period of | 4 |
in order to give | 4 |
interest to the collector | 4 |
the queen anne style | 4 |
used in the construction | 4 |
of the italian style | 4 |
with which it is | 4 |
there are a few | 4 |
is by no means | 4 |
and folding doors below | 4 |
the secret of the | 4 |
the style known as | 4 |
of the sixteenth and | 4 |
room in whipple house | 4 |
it is possible to | 4 |
the museum of the | 4 |
found in the united | 4 |
top of the back | 4 |
made by chippendale and | 4 |
were used by the | 4 |
in favor of the | 4 |
in use in the | 4 |
as an instance of | 4 |
the skill of the | 4 |
important part of the | 4 |
be seen from the | 4 |
was at its height | 4 |
as has been already | 4 |
from the top of | 4 |
we know but little | 4 |
and it will be | 4 |
to an ancestor of | 4 |
which had been sent | 4 |
is an illustration of | 4 |
late in the seventeenth | 4 |
has been already noticed | 4 |
at herculaneum and pompeii | 4 |
and ink drawing by | 4 |
we have seen in | 4 |
of the characteristics of | 4 |
volume to chats on | 4 |
this type of chair | 4 |
at the sign of | 4 |
the chateau of fontainebleau | 4 |
makers philadelphia book of | 4 |
by photography from an | 4 |
part of a salon | 4 |
of this period is | 4 |
been in the family | 4 |
be used instead of | 4 |
as in the accompanying | 4 |
in the last half | 4 |
to be the work | 4 |
it is amusing to | 4 |
of grinling gibbons at | 4 |
in a series of | 4 |
we are able to | 4 |
part of the sixteenth | 4 |
by the aid of | 4 |
for the reception of | 4 |
treatment of a very | 4 |
as they were in | 4 |
the fact that a | 4 |
warner house at portsmouth | 4 |
were made by chippendale | 4 |
are some of the | 4 |
in date this is | 4 |
which is in the | 4 |
during the latter part | 4 |
heads and feet of | 4 |
the color of the | 4 |
the period in which | 4 |
marie antoinette at the | 4 |
of the palace of | 4 |
the growth of the | 4 |
not only for its | 4 |
meubles de luxe of | 4 |
to a large extent | 4 |
forms part of the | 3 |
out a patent for | 3 |
was first used in | 3 |
of much of the | 3 |
given to it by | 3 |
it is doubtful whether | 3 |
it may be mentioned | 3 |
of the fact that | 3 |
called queen anne style | 3 |
a set of six | 3 |
days of louis xiv | 3 |
the service of the | 3 |
which may be seen | 3 |
great deal of attention | 3 |
of the five orders | 3 |
for the fact that | 3 |
the old and the | 3 |
as it had been | 3 |
and it is only | 3 |
in silver and gold | 3 |
examples of his work | 3 |
many of the drawings | 3 |
stick legs without stretcher | 3 |
date this is about | 3 |
that this was a | 3 |
have found their way | 3 |
from a drawing of | 3 |
xi old english chintzes | 3 |
to the taste of | 3 |
or mistress of the | 3 |
the same number of | 3 |
of the room would | 3 |
may be called the | 3 |
chapter x miscellaneous ironwork | 3 |
in relation to the | 3 |
the decorated type with | 3 |
early in the nineteenth | 3 |
the rear of the | 3 |
is not easy to | 3 |
the inlay of brass | 3 |
old days of the | 3 |
the top rail is | 3 |
of the franklin stove | 3 |
many of these are | 3 |
the period of its | 3 |
to note that the | 3 |
in the best style | 3 |
of the men of | 3 |
in the palace of | 3 |
was going on in | 3 |
earlier part of the | 3 |
from the year to | 3 |
in the national collections | 3 |
the chapter on louis | 3 |
it was found to | 3 |
the last years of | 3 |
in hampton court palace | 3 |
to the furniture of | 3 |
in a measure the | 3 |
the product of the | 3 |
influence upon the design | 3 |
as soon as the | 3 |
the empress marie louise | 3 |
of the old and | 3 |
does not seem to | 3 |
into the surface of | 3 |
a record of the | 3 |
from gothic to renaissance | 3 |
court room of the | 3 |
of the walls and | 3 |
over and over again | 3 |
part of the decoration | 3 |
the lives of the | 3 |
robert and james adam | 3 |
the most popular of | 3 |
to have been introduced | 3 |
covered with petit point | 3 |
as works of art | 3 |
of a set of | 3 |
the central panel of | 3 |
eighteenth century there were | 3 |
the fancy of the | 3 |
is no wonder that | 3 |
associated with his name | 3 |
after the great fire | 3 |
formerly owned by president | 3 |
a large portion of | 3 |
the disappearance of the | 3 |
is made in a | 3 |
by the dutch and | 3 |
this piece of furniture | 3 |
refine the present taste | 3 |
finest examples of the | 3 |
made and decorated in | 3 |
to suit the taste | 3 |
has a value of | 3 |
one of the earliest | 3 |
a value of about | 3 |
a taste for the | 3 |
is that in the | 3 |
of the surface of | 3 |
enough has been said | 3 |
great hall at hampton | 3 |
will be seen from | 3 |
were made of the | 3 |
old cap was new | 3 |
in the court room | 3 |
the time of augustus | 3 |
and bears the date | 3 |
will also be found | 3 |
style with double cupboards | 3 |
decorated type with shelves | 3 |
was a person of | 3 |
was brought from england | 3 |
be so placed as | 3 |
to have been of | 3 |
the action of the | 3 |
in the town of | 3 |
be seen that there | 3 |
any piece of furniture | 3 |
top of the table | 3 |
this piece is at | 3 |
typical jacobean oak chair | 3 |
of two or three | 3 |
from a house in | 3 |
as the headpiece to | 3 |
it is possible that | 3 |
room in new york | 3 |
the changes in the | 3 |
the subjects of the | 3 |
wood carving of the | 3 |
a sufficient number of | 3 |
a hundred years old | 3 |
but it must be | 3 |
figure of the wood | 3 |
with more or less | 3 |
flemish work of this | 3 |
reading and writing desk | 3 |
he seems to have | 3 |
styles of louis xiv | 3 |
very beautiful example of | 3 |
leather seats and backs | 3 |
which we have already | 3 |
in the museum of | 3 |
little books about old | 3 |
the illustrations on p | 3 |
came into vogue about | 3 |
in the choir of | 3 |
which it was intended | 3 |
examples of which are | 3 |
was obtained from the | 3 |
of his chairs are | 3 |
survival of the windsor | 3 |
it seems a pity | 3 |
one side of a | 3 |
a practical guide for | 3 |
and is known as | 3 |
of his death in | 3 |
collection of old furniture | 3 |
furniture of that day | 3 |
isle of man tables | 3 |
it is stated that | 3 |
period of james ii | 3 |
is in the same | 3 |
when this old cap | 3 |
time of queen anne | 3 |
and the whole of | 3 |
down from generation to | 3 |
one of the two | 3 |
combination of the two | 3 |
these pieces of furniture | 3 |
an imitation of the | 3 |
it is not to | 3 |
decorated with gilding and | 3 |
according to the old | 3 |
of the erection of | 3 |
lower half of the | 3 |
is held to be | 3 |
is the result of | 3 |
the legs are cabriole | 3 |
are in keeping with | 3 |
it is safe to | 3 |
in the life of | 3 |
sweden and in denmark | 3 |
that there is a | 3 |
of the front legs | 3 |
louvre and in the | 3 |
an instance of the | 3 |
in point of time | 3 |
seventeenth and eighteenth century | 3 |
corner of a room | 3 |
and much of it | 3 |
the case of a | 3 |
set at an angle | 3 |
laws and customs of | 3 |
the backs of chairs | 3 |
the class of furniture | 3 |
that the manufacture of | 3 |
and we find that | 3 |
chapter v the bible | 3 |
with glazed folding doors | 3 |
it is essential that | 3 |
chair with cabriole legs | 3 |
a reproduction of an | 3 |
the gradual development of | 3 |
he says in his | 3 |
more than anything else | 3 |
members of his family | 3 |
was built in by | 3 |
brought from england in | 3 |
of the upper classes | 3 |
of period of louis | 3 |
of this period were | 3 |
more or less elaborate | 3 |
the illustration is taken | 3 |
of carving found in | 3 |
in order that the | 3 |
half of xvii century | 3 |
the fashion in the | 3 |
a considerable amount of | 3 |
master of the house | 3 |
the first mention of | 3 |
whom it was made | 3 |
the art of furniture | 3 |
article of household furniture | 3 |
design of woodwork and | 3 |
the wood used was | 3 |
give an idea of | 3 |
there are very few | 3 |
like those of the | 3 |
the top rail with | 3 |
of art in england | 3 |
in his book on | 3 |
was made to the | 3 |
of the property of | 3 |
and during the reign | 3 |
with the time of | 3 |
in line and decoration | 3 |
of this bed is | 3 |
was at one time | 3 |
influence of chippendale and | 3 |
belong to the period | 3 |
and cushions of the | 3 |
museum in the jones | 3 |
drawing room at sandringham | 3 |
was followed by the | 3 |
the purposes for which | 3 |
be met with in | 3 |
more than a century | 3 |
other pieces of furniture | 3 |
of louis the sixteenth | 3 |
tables were made of | 3 |
on the occasion of | 3 |
at one end of | 3 |
chair which is said | 3 |
of the house or | 3 |
have already referred to | 3 |
of furniture for the | 3 |
turned legs and uprights | 3 |
is decorated with the | 3 |
have come down to | 3 |
and the cabriole leg | 3 |
william and mary to | 3 |
with which we are | 3 |
during the last century | 3 |
with a narrow fringe | 3 |
of the same style | 3 |
by the name of | 3 |
and is said to | 3 |
the typical jacobean oak | 3 |
of the interior fittings | 3 |
and it is the | 3 |
gave way to the | 3 |
the courtesy of the | 3 |
in the osgood house | 3 |
is as old as | 3 |
and made by the | 3 |
early period of the | 3 |
character of his work | 3 |
it is a fine | 3 |
as well as their | 3 |
of persons in all | 3 |
some of the early | 3 |
protestant bible in every | 3 |
an innovation in the | 3 |
lancashire queen anne settle | 3 |
of the roman empire | 3 |
oak in the provinces | 3 |
part of the interior | 3 |
the fact of its | 3 |
in france during the | 3 |
nothing could be more | 3 |
excellent example of the | 3 |
lifted from the ground | 3 |
influence of walnut on | 3 |
have been applied to | 3 |
in the open air | 3 |
by courtesy of messrs | 3 |
in the corners of | 3 |
oak general in its | 3 |
the tenth to the | 3 |
with the same material | 3 |
the chairs and tables | 3 |
a considerable number of | 3 |
covered with old beauvais | 3 |
particularly noticeable in the | 3 |
collection of empire furniture | 3 |
the seat on the | 3 |
in this case the | 3 |
lord house at newton | 3 |
furniture may be said | 3 |
is almost impossible to | 3 |
the curve of the | 3 |
the design of which | 3 |
in spite of the | 3 |
the great hall at | 3 |
doors above and below | 3 |
volume has been written | 3 |
middle of the fifteenth | 3 |
much of it is | 3 |
architects of the day | 3 |
christopher wren and grinling | 3 |
been applied to the | 3 |
portion of carved walnut | 3 |
imported by the dutch | 3 |
of the carving and | 3 |
life of the people | 3 |
the outside of the | 3 |
be used in the | 3 |
the wealth of the | 3 |
as time went on | 3 |
the description of the | 3 |
between the work of | 3 |
must have been a | 3 |
the duke of buckingham | 3 |
the design of decorative | 3 |
the albany historical society | 3 |
placed against the wall | 3 |
it is seen that | 3 |
one hundred and fifty | 3 |
in the nature of | 3 |
later days of the | 3 |
reign of george iii | 3 |
preserved in the louvre | 3 |
of the seventeenth centuries | 3 |
the one shown in | 3 |
was adopted by the | 3 |
but little of the | 3 |
early in the century | 3 |
of the most famous | 3 |
half of the century | 3 |
bear in mind that | 3 |
to act as a | 3 |
and in connection with | 3 |
which they were intended | 3 |
as a means of | 3 |
the men of the | 3 |
such as the chair | 3 |
what is called the | 3 |
furniture of the xviii | 3 |
said to be of | 3 |
to the william and | 3 |
brought over in the | 3 |
may be mentioned here | 3 |
made in the seventeenth | 3 |
it is convenient to | 3 |
was made to order | 3 |
the pattern of the | 3 |
of black and gold | 3 |
were introduced into england | 3 |
a sixteenth century room | 3 |
chapter ix local types | 3 |
it is almost impossible | 3 |
as that in the | 3 |
for which it was | 3 |
the architect of the | 3 |
chest with drawers underneath | 3 |
adapted from the french | 3 |
of the homes of | 3 |
the line of beauty | 3 |
the hangings of the | 3 |
reproduction of an old | 3 |
that they may be | 3 |
in keeping with its | 3 |
in the churches and | 3 |
the restoration of the | 3 |
panel of carved oak | 3 |
authorised version of the | 3 |
presented to marie louise | 3 |
a revival of the | 3 |
from the old palace | 3 |
the work of a | 3 |
between the kitchen and | 3 |
in the book of | 3 |
in general use in | 3 |
of the ladies of | 3 |
at first it was | 3 |
and farmhouse furniture is | 3 |
carved with arabesque foliage | 3 |
well as in the | 3 |
a part of a | 3 |
if you are planning | 3 |
after the manner of | 3 |
to be hoped that | 3 |
after the renaissance had | 3 |
to the design of | 3 |
of the great hall | 3 |
all the details of | 3 |
whole pieces of furniture | 3 |
this piece belongs to | 3 |
handed down from generation | 3 |
side of the table | 3 |
assimilation of foreign styles | 3 |
on either side to | 3 |
the year when the | 3 |
not intended to be | 3 |
clock was made by | 3 |
a representative specimen of | 3 |
name of the maker | 3 |
the protestant bible in | 3 |
who could afford it | 3 |
with garlands of flowers | 3 |
office in wall street | 3 |
in the old world | 3 |
escaped the great fire | 3 |
was designed and made | 3 |
the copy of the | 3 |
who has made a | 3 |
is not surprising that | 3 |
piece of spanish chestnut | 3 |
the story of textiles | 3 |
latter end of the | 3 |
side of a room | 3 |
until within the last | 3 |
towards the close of | 3 |
furniture of a later | 3 |
room in a small | 3 |
goes on to say | 3 |
was introduced into england | 3 |
swags of fruit and | 3 |
a strong family likeness | 3 |
is still to be | 3 |
were the result of | 3 |
jacobean and william and | 3 |
the great master of | 3 |
to the decoration of | 3 |
a number of secret | 3 |
periodicals of the day | 3 |
we have already referred | 3 |
and the top of | 3 |
be remembered that the | 3 |
original is folio size | 3 |
in the same room | 3 |
excellent examples of which | 3 |
a cast of the | 3 |
best examples of this | 3 |
the museum connected with | 3 |
decline in favor of | 3 |
with the addition of | 3 |
to correspond with the | 3 |
of a later date | 3 |
mistress of the home | 3 |
designs of furniture of | 3 |
the master or mistress | 3 |
of those days were | 3 |
of the empire style | 3 |
until the eighteenth century | 3 |
with a band of | 3 |
of the lattice work | 3 |
a new york apartment | 3 |
there is evidence of | 3 |
were made of wood | 3 |
for one of the | 3 |
second half of sixteenth | 3 |
chairs of the queen | 3 |
fashions of the day | 3 |
the tops of these | 3 |
to the right of | 3 |
the founder of the | 3 |
vogue in the first | 3 |
treatment of a narrow | 3 |
that the use of | 3 |
a collection of old | 3 |
of the old furniture | 3 |
different kinds of wood | 3 |
it is known as | 3 |
in the palaces of | 3 |
a hundred and fifty | 3 |
and many of them | 3 |
specimens of such work | 3 |
and as a result | 3 |
that the period of | 3 |
wren and grinling gibbon | 3 |
the influence of walnut | 3 |
a factor in the | 3 |
are in the louvre | 3 |
a very small bedroom | 3 |
of flowers and foliage | 3 |
england at this time | 3 |
it is an interesting | 3 |
the better class of | 3 |
new palace of westminster | 3 |
a brief description of | 3 |
is in keeping with | 3 |
the nineteenth century we | 3 |
richly carved and gilt | 3 |
of the late stuarts | 3 |
in this country is | 3 |
to william and mary | 3 |
also to be seen | 3 |
by permission of t | 3 |
an instance of this | 3 |
the eighteenth century in | 3 |
which one sees in | 3 |
to england by the | 3 |
at the ends of | 3 |
are also to be | 3 |
is of the same | 3 |
there was always the | 3 |
not confined to the | 3 |
chapter iii the gate | 3 |
to be sold by | 3 |
years of the century | 3 |
of all the old | 3 |
of the high chest | 3 |
guests sat on one | 3 |
same material as the | 3 |
back and its development | 3 |
a fine specimen of | 3 |
used in its construction | 3 |
bequest at the victoria | 3 |
da vinci and raffaele | 3 |
of the interior of | 3 |
general use in the | 3 |
mary style with double | 3 |
the revival of directoire | 3 |
be observed that the | 3 |
and it may be | 3 |
of the dutch furniture | 3 |
the doors of the | 3 |
of the best kind | 3 |
decoration of a salon | 3 |
from five to ten | 3 |
after the fashion of | 3 |
in the next reign | 3 |
room of the house | 3 |
the women of the | 3 |
the opening years of | 3 |
was derived from the | 3 |
it is noticeable that | 3 |
the seats of the | 3 |
in mind that the | 3 |
this country in the | 3 |
master or mistress of | 3 |
the treatment of the | 3 |
had come into more | 3 |
renaissance in the netherlands | 3 |
days of the seventeenth | 3 |
was protected by a | 3 |
removed from an old | 3 |
reign of queen elizabeth | 3 |
to china to be | 3 |
the reign of elizabeth | 3 |
form of the chest | 3 |
the property of oliver | 3 |
was in general use | 3 |
of these pieces of | 3 |
the greeks and romans | 3 |
claw and ball foot | 3 |
of periods in furniture | 3 |
furniture made in america | 3 |
the royal palaces of | 3 |
the two front legs | 3 |
best specimens in new | 3 |
were in use for | 3 |
by the middle of | 3 |
this room with its | 3 |
which he presented to | 3 |
in china and japan | 3 |
the closing years of | 3 |
chests of drawers and | 3 |
the same time be | 3 |
made in the form | 3 |
jones bequest at the | 3 |
a place in the | 3 |
that of james ii | 3 |
in an antique shop | 3 |
from a drawing by | 3 |
parts of the house | 3 |
little more than a | 3 |
in the minds of | 3 |
in connection with this | 3 |
from the looms of | 3 |
valuable contribution to the | 3 |
examples are to be | 3 |
customs of the greeks | 3 |
is it to be | 3 |
of the chair with | 3 |
what was called the | 3 |
the most highly prized | 3 |
was used by the | 3 |
for gas and electricity | 3 |
in this country there | 3 |
one of these tables | 3 |
the same kind of | 3 |
it may be of | 3 |
the woodcut shows the | 3 |
of the fifteenth and | 3 |
the walls and ceilings | 3 |
one of the three | 3 |
and is in good | 3 |
many of these were | 3 |
an addition to the | 3 |
made at this time | 3 |
persons in all degrees | 3 |
first introduced into england | 3 |
of the room are | 3 |
upper end of the | 3 |
survival of oak in | 3 |
be placed near the | 3 |
furniture at hampton court | 3 |
an integral part of | 3 |
a study of the | 3 |
at the close of | 3 |
of which are to | 3 |
found throughout new england | 3 |
period in the history | 3 |
that on the left | 3 |
and suited to the | 3 |
of what may be | 3 |
william and mary forms | 3 |
in very early times | 3 |
and albert museum in | 3 |
furniture belonging to this | 3 |
of our own country | 3 |
inlaid with ebony and | 3 |
in the corner of | 3 |
of the various styles | 3 |
the building of the | 3 |
in the indian museum | 3 |
the cost of the | 3 |
and the legs are | 3 |
first came into use | 3 |
the people of england | 3 |
still in the possession | 3 |
and a half feet | 3 |
in the one case | 3 |
of queen anne of | 3 |
five to ten pounds | 3 |
one hundred years old | 3 |
greater part of the | 3 |
of interest in the | 3 |
is of the charles | 3 |
that many of the | 3 |
are found in the | 3 |
of the industrial arts | 3 |
one of these old | 3 |
there is a fine | 3 |
from a pen and | 3 |
to be seen the | 3 |
chapter iv the farmhouse | 3 |
independence of country furniture | 3 |
the legs of tables | 3 |
the present government of | 3 |
to rearrange a room | 3 |
the bedsteads of the | 3 |
italy th and th | 3 |
vii the evolution of | 3 |
to the credit of | 3 |
the great hall of | 3 |
the nature of the | 3 |
a chair of this | 3 |
a quarter of a | 3 |
the interior decoration of | 3 |
of the cost of | 3 |
in the thirteenth and | 3 |
used instead of the | 3 |
which is to be | 3 |
at the commencement of | 3 |
the english furniture of | 3 |
on the side of | 3 |
studded with brass nails | 3 |
the sixteenth century furniture | 3 |
in the th century | 3 |
that we find the | 3 |
by the hands of | 3 |
similar to that of | 3 |
the pillar and claw | 3 |
the meubles de luxe | 3 |
the turned legs and | 3 |
a basket of flowers | 3 |
integral part of the | 3 |
the oncoming of the | 3 |
oak the chief wood | 3 |
on the backs of | 3 |
hall at hampton court | 3 |
and circumstances of persons | 3 |
in a variety of | 3 |
as some of the | 3 |
century we find the | 3 |
the variety of carving | 3 |
the possessions of the | 3 |
days of charles ii | 3 |
feet inches in diameter | 3 |
sent to london for | 3 |
this clock was made | 3 |
came into more general | 3 |
during the preceding reign | 3 |
time of henry iv | 3 |
its adoption in modern | 3 |
design and manufacture of | 3 |
formerly in possession of | 3 |
great master of the | 3 |
in such a way | 3 |
evolution of the stretcher | 3 |
and published in his | 3 |
the stick legs without | 3 |
designer and maker of | 3 |
to say that the | 3 |
piece of furniture in | 3 |
which is a good | 3 |
the style of decoration | 3 |
chapter dealing with that | 3 |
in the pickering house | 3 |
and at one end | 3 |
or three of the | 3 |
the new palace of | 3 |
after the invention of | 3 |
and on the top | 3 |
of the walnut period | 3 |
the finest specimens of | 3 |
we give an illustration | 3 |
the finest in the | 3 |
day as well as | 3 |
calculated to improve and | 3 |
beginning of the century | 3 |
the authorised version of | 3 |
the outcome of the | 3 |
the period under review | 3 |
it served as a | 3 |
between jacobean and william | 3 |
to the fancy and | 3 |
of an inch thick | 3 |
and one of the | 3 |
old specimens of this | 3 |
from which it is | 3 |
and was bought by | 3 |
which we have any | 3 |
it is no wonder | 3 |
the men and women | 3 |
say nothing of the | 3 |
it was a very | 3 |
it was purchased by | 3 |
some forty years ago | 3 |
of the influence of | 3 |
of the few remaining | 3 |
we have come to | 3 |
a very handsome piece | 3 |
articles of everyday use | 3 |
same page is illustrated | 3 |
carved oak bedstead of | 3 |
in the carved work | 3 |
in black and gold | 3 |
for the rest of | 3 |
chapter xi old english | 3 |
many of which are | 3 |
into the wood and | 3 |
about the beginning of | 3 |
of the precious metals | 3 |
in which there is | 3 |
and early nineteenth century | 3 |
for the adornment of | 3 |
which had hitherto been | 3 |
the art of lacquering | 3 |
of designs for every | 3 |
the renaissance in france | 3 |
the earlier part of | 3 |
of carved walnut virginal | 3 |
the lower half of | 3 |
in furniture and woodwork | 3 |
with the result that | 3 |
is probable that the | 3 |
scheme of the room | 3 |
the addition of a | 3 |
were made of metal | 3 |
they continued to be | 3 |
of the very best | 3 |
the illustration on the | 3 |
as the chair of | 3 |
time of the erection | 3 |
to the fifteenth centuries | 3 |
of the xviii century | 3 |
the old furniture book | 3 |
to the appearance of | 3 |
form part of the | 3 |
the manufacture of the | 3 |
as well as those | 3 |
and on either side | 3 |
nineteenth century we find | 3 |
master of the charterhouse | 3 |
present government of japan | 3 |
in the instance of | 3 |
the seats and backs | 3 |
in the latter half | 3 |
the minds of the | 3 |
of queen marie antoinette | 3 |
of the th century | 3 |
to bear in mind | 3 |
carthusian convent at granada | 3 |
mary and queen anne | 3 |
books about old furniture | 3 |
in some cases the | 3 |
the renaissance in the | 3 |
as well as many | 3 |
of old farmhouse furniture | 3 |
may be had for | 3 |
before the time of | 3 |
that the gate table | 3 |
of the pieces of | 3 |
of the same kind | 3 |
he brought with him | 3 |
has been well said | 3 |
belonging to this period | 3 |
piece of furniture which | 3 |
time of the revolution | 3 |
now to be seen | 3 |
in the beginning of | 3 |
influence of saracenic art | 3 |
chest of drawers on | 3 |
brass rail at the | 3 |
good idea of the | 3 |
and is now in | 3 |
two fine examples of | 3 |
fancy and circumstances of | 3 |
of the stoning of | 3 |
the course of the | 3 |
and there is a | 3 |
the best work of | 3 |
imported into this country | 3 |
the rococo style of | 3 |
and the other of | 3 |
has already been made | 3 |
to have come into | 3 |
of oak in the | 3 |
bedroom of marie antoinette | 3 |
known to have been | 3 |
ancient and modern furniture | 3 |
of these was the | 3 |
the delicacy of the | 3 |
but it was not | 3 |
in the back of | 3 |
arms of thomas sutton | 3 |
carved with terminal figures | 3 |
of this piece is | 3 |
at the age of | 3 |
it was the age | 3 |
sixteenth of an inch | 3 |
the earliest form of | 3 |
walnut and mahogany varieties | 3 |
having belonged to the | 3 |
the means of the | 3 |
to improve and refine | 3 |
and manufactured by mr | 3 |
at the rear of | 3 |
to the collection of | 3 |
it is of a | 3 |
the form of an | 3 |
has six legs and | 3 |
on a gold ground | 3 |
on a black ground | 3 |
of the design of | 3 |
example of the chair | 3 |
figure is shown one | 3 |
a knowledge of english | 3 |
up to that time | 3 |
quarter of a century | 3 |
at that time the | 3 |
began to be used | 3 |
in front of them | 3 |
at the hamilton palace | 3 |
a good specimen of | 3 |
in sweden and in | 3 |
pieces of furniture were | 3 |
wonderful works of art | 3 |
of a pair of | 3 |
after the style of | 3 |
those who could afford | 3 |
during the civil war | 3 |
on a line with | 3 |
directoire and empire furniture | 3 |
made by a local | 3 |
place of the old | 3 |
made to match the | 3 |
some years later than | 3 |
give an illustration of | 3 |
two examples are illustrated | 3 |
on the shelves of | 3 |
way in which the | 3 |
same italian louis xvi | 3 |
the capital of the | 3 |
as the middle of | 3 |
tripod table found at | 3 |
in the matter of | 3 |
as a rule the | 3 |
of which it is | 3 |
is in the home | 3 |
in the course of | 3 |
the opening of the | 3 |
till late in the | 3 |
on the door of | 3 |
we illustrate a sufficient | 3 |
of the louis xiv | 3 |
first half of sixteenth | 3 |
so much of the | 3 |
in the work of | 3 |
of the whole world | 3 |
the author of the | 3 |
know what you want | 3 |
this country there are | 3 |
by the help of | 3 |
and guests sat on | 3 |
in the last quarter | 3 |
the corner of the | 3 |
for chests of drawers | 3 |
should not be neglected | 3 |
reference has been made | 3 |
a glance at the | 3 |
and makers of furniture | 3 |
the time of which | 3 |
had been made in | 3 |
the estate of the | 3 |
with painting and gilding | 3 |
the graceful curves of | 3 |
of furniture which is | 3 |
the popularity of the | 3 |
days of the late | 3 |
of pieces of furniture | 3 |
of walnut on cabinet | 3 |
the court room of | 3 |
came into fashion in | 3 |
hamilton palace sale for | 3 |
length of the pendulum | 3 |
president of the united | 3 |
as well as all | 3 |
was a member of | 3 |
on a smaller scale | 3 |
have been in the | 3 |
is known as a | 3 |
story of the evolution | 3 |
in this type of | 3 |
court records of new | 3 |
stood for many years | 3 |
to the art of | 3 |
dealing with that period | 3 |
the eighteenth century were | 3 |
in the study of | 3 |
than any of the | 3 |
grain of the wood | 3 |
farmhouse furniture may be | 3 |
specimens in new england | 3 |
are shown in figure | 3 |
is now at the | 3 |
and in the days | 3 |
the chief wood employed | 3 |
shaped at the top | 3 |
iv the farmhouse dresser | 3 |
this was the time | 3 |
of the first quarter | 3 |
piece belongs to the | 3 |
and is valued at | 3 |
room at sandringham house | 3 |
upon the design of | 3 |
to the present day | 3 |
the seventeenth century the | 3 |
it was made for | 3 |
the majority of these | 3 |
the decoration of their | 3 |
work of the same | 3 |
the upper one is | 3 |
where economy is not | 3 |
the legs and arms | 3 |
furniture of the present | 3 |
there is little doubt | 3 |
we are indebted for | 3 |
of which an illustration | 3 |
of the fireplace was | 3 |
is one of these | 3 |
would seem to have | 3 |
the end of a | 3 |
not until the middle | 3 |
to that of a | 3 |
the rise of the | 3 |
and refine the present | 3 |
the walls of a | 3 |
chapter viii the windsor | 3 |
be seen in many | 3 |
in the large catalogue | 3 |
one generation to another | 3 |
the south sea bubble | 3 |
from one generation to | 3 |
by no means a | 3 |
which was built in | 3 |
purposes for which they | 3 |
of which should be | 3 |
good examples of the | 3 |
a century and a | 3 |
to the same period | 3 |
large pieces of furniture | 3 |
the original is folio | 3 |
in its construction the | 3 |
the larger number of | 3 |
it had never been | 3 |
in the lord house | 3 |
the middle seventeenth century | 3 |
still be seen in | 3 |
of the woodwork of | 3 |
in what is known | 3 |
us an idea of | 3 |
which may be said | 3 |
and one or two | 3 |
type of queen anne | 3 |
in those days was | 3 |
and a number of | 3 |
reign of henry iii | 3 |
may still be found | 3 |
name is that of | 3 |
the nobility and gentry | 3 |
founded a school of | 3 |
were also used as | 3 |
an example in the | 3 |
there are no pictures | 3 |
one who is interested | 3 |
a touch of the | 3 |
but it does not | 3 |
folding doors above and | 3 |
england in the year | 3 |
different parts of the | 3 |
the times in which | 3 |
some excellent examples of | 3 |
queen anne chair with | 3 |
to the production of | 3 |
the later years of | 3 |
time of henry viii | 3 |
on french furniture of | 3 |
and as late as | 3 |
the limitations of the | 3 |
at about the same | 3 |
as shewn in the | 3 |
its establishment as a | 3 |
chairs and sofas of | 3 |
on the same line | 3 |
was the result of | 3 |
veneered with walnut and | 3 |
now in the south | 3 |
and on the walls | 3 |
example of which is | 3 |
more general use in | 3 |
was in use in | 3 |
in the description of | 3 |
the seats of chairs | 3 |
various articles of furniture | 3 |
in all degrees of | 3 |
on the exterior of | 3 |
the cabinet maker and | 3 |
the title page of | 3 |