quadgram

This is a table of type quadgram and their frequencies. Use it to search & browse the list to learn more about your study carrel.

quadgram	frequency
the church of s	35
in the work of	32
as it is said	32
of the fifteenth century	28
one of the most	25
the end of the	24
you may see the	24
for the first time	23
for the most part	23
in the midst of	22
seems to have been	22
is said to have	19
the adoration of the	19
at the foot of	18
the foot of the	18
the beauty of the	17
of the middle age	16
at the end of	16
is one of the	16
in the manner of	15
on the other side	15
be found in the	15
the convent of s	15
the work of the	14
adoration of the magi	13
may be found in	12
the palace of the	12
the middle of the	12
the name of the	12
with a look of	12
the life of the	11
however this may be	11
of the sixteenth century	11
one of the loveliest	11
the head of the	11
the song of the	11
of the fourteenth century	10
a work of the	10
here in the uffizi	10
of the life of	10
at the corner of	10
as it seems to	10
here in the bargello	10
adoration of the shepherds	10
he seems to have	10
of the most beautiful	10
of the thirteenth century	10
in the hands of	9
coronation of the virgin	9
seem to have been	9
the madonna and child	9
the door of the	9
it seems to me	9
the manner of the	9
in the name of	9
it is in the	9
the midst of the	9
it is true that	9
for the sake of	9
the rest of the	9
the fresco of the	9
the portrait of a	8
with the help of	8
the corner of via	8
the sun and the	8
to be found in	8
the church of the	8
it is strange that	8
the great church of	8
you come upon the	8
there is but little	8
but it is not	8
of the della robbia	8
the piazza del duomo	8
in the church of	8
it is said that	8
of the work of	8
captain of the people	8
the opera del duomo	8
at the head of	8
in a sort of	8
the story of st	8
the art of the	7
into the hands of	7
part of the city	7
i shall hear the	7
song of the cicale	7
there you may see	7
i shall see the	7
it is with a	7
the beautiful work of	7
early in the morning	7
it must have been	7
far away in the	7
it seems to have	7
the chapel of the	7
are the work of	7
under the influence of	7
walking up and down	7
on the verge of	7
a madonna and child	7
appears to have been	7
far and far away	7
the splendour of the	7
of luca della robbia	7
i know not what	7
is the work of	7
the love of god	7
in front of the	7
the work of his	7
with a sort of	7
you may see a	7
it is not any	7
to the church of	7
the beginning of the	7
as we may think	7
in the form of	7
it is as though	6
in the thirteenth century	6
the centre of the	6
we come to the	6
the coronation of the	6
in spite of the	6
at a turning of	6
on his way to	6
of the art of	6
the most beautiful of	6
said to have been	6
the joy of the	6
madonna and child with	6
we may see the	6
the other side of	6
little church of s	6
of a sort of	6
at last to the	6
with a banner of	6
of the last supper	6
in the history of	6
of desiderio da settignano	6
the work of donatello	6
the form of a	6
the guild of silk	6
on the site of	6
in the year of	6
of madonna and child	6
the work of a	6
the work of andrea	6
as the work of	6
by the will of	6
in the sixteenth century	6
full of life and	6
in the south transept	6
such a church as	6
that is to say	6
of the end of	6
as i have said	6
the high altar is	6
on the way to	6
on the right is	6
at or san michele	6
in the possession of	6
in the centre of	6
and on the other	6
with an air of	6
the city of florence	6
the madonna della cintola	6
of the twelfth century	6
in the heart of	6
the side of the	6
the hills and the	6
the little church of	6
the most beautiful and	6
not without a certain	6
the top of the	5
if we compare it	5
and so it is	5
in the fourteenth century	5
work of the fifteenth	5
tomb of leonardo bruni	5
i shall come into	5
the tomb of the	5
perhaps the most beautiful	5
of every sort of	5
in the place where	5
walks up and down	5
work of his pupil	5
the birth of venus	5
behind the high altar	5
other side of the	5
the work of fra	5
by giovanni da bologna	5
and a madonna and	5
at the top of	5
on the north side	5
the duke of athens	5
the time of the	5
of the city of	5
of a man who	5
the help of the	5
on the threshold of	5
you may find a	5
however that may be	5
may still be found	5
the prince of life	5
from the hand of	5
face to face with	5
is the church of	5
the way to the	5
out of the sea	5
black and white marble	5
on the one side	5
a turning of the	5
far away to the	5
it was in that	5
in the fresco of	5
was not to be	5
we come into the	5
you come to the	5
the hearts of the	5
the heart of the	5
that it is not	5
the verge of the	5
of painting in italy	5
at the beginning of	5
full of the sun	5
the gate of st	5
now in the bargello	5
the statues of the	5
come at last to	5
on the road to	5
the death of the	5
the sculptors of the	5
the shadow of the	5
it is to the	5
at the feet of	5
in spite of every	5
in such a place	5
by nanni di banco	5
you come at last	5
the houses of the	5
to me to be	5
of christ and st	5
but it was not	5
it may well be	5
it is difficult to	5
in the middle of	5
where of old the	5
turning of the way	5
in the convent of	5
of the duke of	4
very early in the	4
of his own heart	4
out of the city	4
up and down in	4
is perhaps the most	4
is a work of	4
into the piazza del	4
on one side of	4
come out of the	4
not far from the	4
in the fifteenth century	4
the destruction of the	4
in the chapel of	4
it was the first	4
by reason of the	4
more than a hundred	4
nor was this all	4
and for this cause	4
in the national gallery	4
as we may suppose	4
as well as the	4
you come into the	4
grand duke of tuscany	4
one side of the	4
in the hearts of	4
statues of the gods	4
it is full of	4
without a thought of	4
is the masterpiece of	4
one of the first	4
under the rule of	4
full of coolness and	4
the bank of st	4
may well be that	4
in the tomb of	4
in such work as	4
that we see in	4
and the beauty of	4
that of all the	4
of or san michele	4
of the eleventh century	4
here in the accademia	4
shall come into the	4
is true that the	4
the church itself is	4
but here in the	4
and full of grace	4
on the side of	4
tells us that the	4
to the pope and	4
group of christ and	4
now in the museo	4
portrait of a man	4
the founder of the	4
it is not till	4
the sea and the	4
and the tomb of	4
early part of the	4
was the son of	4
might seem to be	4
the ways of the	4
for the love of	4
the wind and the	4
most beautiful of the	4
the apse of the	4
it might seem that	4
he has carved the	4
where you may see	4
a relief of the	4
the art of painting	4
a portrait of a	4
was not slow to	4
the madonna of the	4
the tomb of jesus	4
up and down the	4
where you may find	4
seems to me to	4
life of the city	4
the house of doria	4
end of the fifteenth	4
the people and the	4
to the right into	4
of andrea del sarto	4
a statue of st	4
seems to have gone	4
the assumption of the	4
remains to us of	4
it is the same	4
the pulpit of s	4
went on their way	4
spoiled a little by	4
of one of the	4
the duomo of pisa	4
after the fall of	4
son in her arms	4
the year of christ	4
in the early part	4
history of painting in	4
down to the sea	4
the capital of the	4
is the most beautiful	4
and then in the	4
is in the form	4
the monks of the	4
on the shores of	4
there is little to	4
of the holy grail	4
such work as this	4
is full of a	4
the son of a	4
they went on their	4
full of a sort	4
the countess of lavagna	4
one of the greatest	4
of the story of	4
in the pitti gallery	4
it was not till	4
it is in such	4
a stronghold of the	4
is the story of	4
is in such a	4
it is not the	4
it is the most	4
you will find in	4
the great gate of	4
over the door of	4
as some have thought	4
at the door of	4
as it was called	4
and there will be	4
the giuoco del ponte	4
di or san michele	4
the pupil of donatello	4
with her little son	4
campo santo of pisa	4
of the blessed virgin	4
by mino da fiesole	4
of the death of	4
it is always with	4
but little to see	4
is not to be	4
the city of fiesole	4
a city of merchants	4
thing in the world	4
he may well have	4
the story of the	4
portrait of a lady	4
and i shall see	4
the history of the	4
and there you may	4
of the eighteenth century	4
to be found here	4
the early part of	4
to the order of	4
be the work of	4
of the modern world	4
of the badia at	4
is now in the	4
for more than a	4
i shall watch the	4
that we come upon	4
wind and the sun	4
the birth of st	4
it is not a	4
of the most delightful	4
of the early renaissance	4
the convent of the	4
and lovely work of	4
the gates of paradise	4
came at last to	4
of piero della francesca	4
work of the school	4
you come upon in	4
the sake of the	4
there is nothing more	4
of the house of	4
a building of the	4
for a moment with	4
is so full of	4
the first time in	4
and to this end	4
the will of the	4
of the wonder of	3
in the early morning	3
you will find a	3
in a low voice	3
the shadows of the	3
after the death of	3
it is not such	3
after the great victory	3
divided into two parts	3
the marriage of the	3
the beauty and the	3
come upon in the	3
on the other hand	3
the gates of the	3
i made my way	3
by lorenzo di credi	3
in the same place	3
through france to florence	3
compare them with the	3
is but little to	3
the roof of the	3
the th day of	3
of all the cities	3
was used as a	3
one by one the	3
i shall come to	3
the church of that	3
san miniato al tedesco	3
they are the work	3
then at a turning	3
in the seventeenth century	3
in the choir of	3
the gallery of the	3
god and the blessed	3
the midst of a	3
the flowers by the	3
a great number of	3
in the royal apartments	3
the midst of this	3
in the day of	3
was an etruscan city	3
about the same time	3
but it is in	3
assumption of our lady	3
here in the pitti	3
the story of s	3
right is the church	3
you may see in	3
is for the most	3
the loneliness of the	3
the badia di s	3
gate of the baptistery	3
most beautiful and the	3
in the fact that	3
of the holy cross	3
the accademia delle belle	3
was the pupil of	3
to the king of	3
as it might seem	3
of grand duke cosimo	3
to the work of	3
look once more on	3
first time in the	3
our lord jesus christ	3
in the shadow of	3
of the madonna della	3
of the high altar	3
work of fra angelico	3
the rule of st	3
hills and the sea	3
not only in the	3
too far from the	3
in the way of	3
the work of verrocchio	3
it is the first	3
for the opera del	3
of the tower of	3
at the same time	3
the baptism of christ	3
come upon the little	3
and the love of	3
in the house of	3
it is strange to	3
it was in this	3
come at last on	3
his whole life long	3
on the old road	3
it will not be	3
of black and white	3
the feast of the	3
here and there you	3
his hands and feet	3
the old church of	3
the north side of	3
the liberty of the	3
with the work of	3
of the holy sepulchre	3
from church to church	3
the government of the	3
the city of the	3
really for the first	3
now in the uffizi	3
the mystery of the	3
it reads as follows	3
old road through france	3
of the conti guidi	3
characteristic work of the	3
in my heart i	3
there is a fine	3
in this part of	3
the sacristy of s	3
and on the th	3
in the grip of	3
the life of st	3
amid the desolation of	3
we see in the	3
the old road through	3
is little to be	3
it was not any	3
to have been the	3
set there by the	3
accademia delle belle arti	3
charles viii of france	3
of nanni di banco	3
on the th day	3
and i shall hear	3
of the people of	3
a part of the	3
that part of the	3
madonna and child by	3
of the adoration of	3
the tomb of leonardo	3
we come upon the	3
miracle picture of madonna	3
it might seem impossible	3
end of the sixteenth	3
at the age of	3
the lady with the	3
the site of a	3
the dust of the	3
in common with the	3
our city of florence	3
with the head of	3
you will find the	3
on the top of	3
on the edge of	3
the way to rome	3
the miracle picture of	3
all the summer long	3
is too great for	3
in the campo santo	3
the twelfth century the	3
he returned to lucca	3
among the tuscan hills	3
in the wind and	3
of jacopo della quercia	3
art of his time	3
san terenzo and lerici	3
old church of s	3
was given to the	3
of such a church	3
it is the beautiful	3
he set out for	3
we know not why	3
is the spirit of	3
was so soon to	3
the very spirit of	3
the piazza di s	3
a man of the	3
the fall of the	3
the great days of	3
the knights of st	3
door of the duomo	3
in his old age	3
the dust of st	3
turning to the left	3
to think of it	3
is it possible that	3
the liberty of genoa	3
at last in the	3
of the most ancient	3
the kingdom of heaven	3
to say of the	3
seems to have come	3
her son in her	3
the greatest of the	3
on the morning of	3
the parapet of the	3
in the portrait of	3
over the great door	3
on your right is	3
the dominion of the	3
it is really the	3
we seem to see	3
such an one as	3
his work in the	3
of guelph and ghibelline	3
the body of s	3
all the work of	3
all the cities of	3
out of the sunshine	3
he is said to	3
to the sound of	3
be found in his	3
was a stronghold of	3
you may see his	3
the valley to the	3
that we find in	3
beauty of his work	3
on the first floor	3
to be the work	3
in the arms of	3
of a latin cross	3
it was given to	3
is full of the	3
the painter of the	3
of god and the	3
the rise of the	3
it was on the	3
long given to raphael	3
great church of s	3
of the assumption of	3
giuoco del ponte was	3
a madonna and saints	3
sculptors of the fifteenth	3
no one by to	3
where he has painted	3
crusted with precious stones	3
the duke of genoa	3
to be content with	3
off the coast of	3
will not keep you	3
to be found there	3
and as he was	3
at the gate of	3
sentinels at the gate	3
here you may see	3
tells us that it	3
on the day of	3
of the duomo at	3
the shrine of madonna	3
and above all the	3
in the old manner	3
most characteristic work of	3
the right is the	3
the midst of which	3
the most characteristic work	3
the glory of pisa	3
the tower of hunger	3
of the seventeenth century	3
as we shall see	3
the very thought of	3
a man who is	3
i give you thanks	3
of leonardo da vinci	3
the portrait of himself	3
flowers by the wayside	3
i was obliged to	3
beautiful and the most	3
come upon the very	3
of the monks of	3
it was only a	3
the only one that	3
of the pitti palace	3
in the brancacci chapel	3
the cup of the	3
the garden of the	3
in all his work	3
you may still see	3
but it is the	3
by jacopo della quercia	3
it is perhaps in	3
is to be found	3
the art of sculpture	3
the resurrection of the	3
and it is really	3
we read that the	3
and down the room	3
of the duomo of	3
it was now that	3
of via del proconsolo	3
began to build the	3
has suffered many violations	3
the right into via	3
it is really a	3
birth of our lord	3
it was about the	3
on the night before	3
as it pleased god	3
in the city of	3
painted in venice in	3
the church and the	3
on the left is	3
the campagnia di s	3
of the city and	3
you may find the	3
the great treasure of	3
scarcely more than a	3
the power of the	3
middle of the thirteenth	3
of a young man	3
the greatest of all	3
of the treasures of	3
work of andrea del	3
to one of the	3
the gate of paradise	3
so characteristic of the	3
work as this that	3
is the little church	3
will lead me into	3
that in his hands	3
day you may see	3
of the mountain that	3
of the church and	3
remains one of the	3
by andrea del sarto	3
into the via s	3
the tomb in the	3
it is not to	3
a moment with the	3
see in the work	3
it is on the	3
with saints and angels	3
the wonder of the	3
in the adoration of	3
the poplars beside arno	3
is not a museum	3
as it were of	3
on your way to	3
in its present position	3
he was the son	3
we seem to find	3
the patriots of genoa	3
the morning of the	3
of the sea and	3
it is characteristic of	3
which there is no	3
the portrait of the	3
the names of the	3
it is ever of	3
of the love of	3
of the birth of	3
is as though one	3
it is just that	3
here and there a	3
the cappella del sacramento	3
and as though to	3
the death of st	3
you pass out of	3
of the blessed sacrament	3
madonna of the street	3
in the first year	3
if it is a	3
than a hundred years	3
on either side of	3
and it is in	3
certainly one of the	3
the place where the	3
all the sculptors of	3
was founded in by	3
in the summer heat	3
too great for her	3
it was with a	3
the way of the	3
it was here that	3
in spite of all	3
a city of the	3
marriage of the virgin	3
the door of s	3
on the wall of	3
so it is with	3
the campo santo of	3
was in the streets	3
garden of the world	3
the republic of florence	3
in the garden of	3
you see in the	3
as it is in	3
i do not know	3
from the church of	3
the heat of the	3
so great was the	3
madonna in an almond	3
beauty of the world	3
the gate of the	3
painted in fresco by	3
in the gulf of	3
was placed in the	3
a church as s	3
of his best works	3
painted in for the	3
the tower of s	3
the silence of the	3
the greatest painter of	3
is full of life	3
on the south side	3
the hands of the	3
against the wishes of	3
florence at any rate	3
form of a latin	3
lorenzo di credi and	3
came out of the	3
in the eighteenth century	3
you may see an	3
with the song of	3
in a moment of	3
that we have come	3
in the sala di	3
you must go to	3
not to be denied	3
one might think that	3
to rule in genoa	3
in the sun and	3
in the hope of	3
are said to have	3
john baptist and st	3
reliefs of the life	3
the work of giotto	3
work of a man	3
that he was a	3
the soul of the	3
to have been a	3
of lorenzo di credi	3
her girdle to st	3
fresco of the last	3
time seems to have	3
the possession of the	3
as well as a	3
as a sort of	3
in one of the	3
in the cappella del	3
in the loneliness of	3
in the art of	3
it is really as	3
the most beautiful in	3
in the bargello we	3
of the florentine school	3
than anywhere else in	3
it is the story	3
to build a fortress	3
to him in his	3
the name of god	3
and turning to the	3
the first year of	3
it is really with	3
was in that the	3
once more on the	3
was a man of	3
people and the senate	3
by one of the	3
one of his best	3
as we have seen	3
has much of the	3
thing here is the	3
if we may believe	3
in the shape of	3
and the joy of	3
just for a moment	3
gate of the city	3
it is rather the	3
lady with the nosegay	3
one of the two	3
and indeed it is	3
of the virgin and	3
the family of the	3
to the beauty of	3
the birth of our	3
at last into the	3
and full of life	3
so small a thing	3
the way is the	3
more and more as	3
the best work of	3
in the museo in	3
is as it were	3
in the valley of	3
as much a coxcomb	3
in his youth he	3
not keep you long	3
of the loveliest works	3
north side of the	3
to have been painted	3
to throw off the	3
his work seems to	3
the banners of the	3
he appears to have	3
and the madonna and	3
death of the virgin	3
it is one of	3
from the old testament	3
up and down italy	3
in which to spend	3
in many ways the	3
door of the sacristy	3
tower into the sky	3
and even in the	3
till our own time	3
in the left transept	3
alone of all the	3
see the work of	3
in the sacristy of	3
the gift of the	3
the thirteenth century a	3
the loveliest works of	3
the desolation of the	3
it is with the	3
works of that age	3
it is the very	3
the city was in	3
of madonna with st	3
his youth he had	3
a thing as this	3
the piazza della signoria	3
where there is no	3
so full of life	3
is the tomb of	3
the significance of life	3
foot of the hills	3
he was compelled to	3
are face to face	3
it is from this	3
to the end that	3
be the first to	3
road through france to	3
the use of the	2
soles of his feet	2
to be about to	2
the young cardinal sleeps	2
to cruise against the	2
the baths of hadrian	2
soon come to the	2
a little lacking in	2
spite of every violation	2
of the mountains that	2
that seems to be	2
to look at the	2
is it any wonder	2
there is the work	2
we have come to	2
not only as a	2
and the rise of	2
the hearts of men	2
in the shadow under	2
on the death of	2
was a city of	2
a church as the	2
and all of them	2
the hands of florence	2
the tomb itself is	2
to show them the	2
the desecrated convent of	2
think of it as	2
that was so soon	2
and admiral of the	2
all that we have	2
my cities of umbria	2
was removed from the	2
in that strange and	2
is now a barracks	2
work as that of	2
a german of the	2
to sacco and calcagno	2
song of the sea	2
he is the very	2
the present church is	2
which he had built	2
lippi in the uffizi	2
the valleys and the	2
to make himself tyrant	2
to the left down	2
in much the same	2
it was necessary for	2
on the back of	2
not on the road	2
turning to the right	2
was painted for lorenzo	2
a coxcomb as ever	2
the presence of the	2
that strange and lovely	2
so that there is	2
the most part a	2
the plain at the	2
the will of god	2
we may see to	2
you may be in	2
still to be seen	2
we compare it with	2
portrait of an old	2
great coronation of the	2
the three black masks	2
has told us of	2
there will be one	2
war broke out with	2
the child of the	2
here in italy they	2
now here in the	2
it was begun in	2
more than any other	2
the coast of greece	2
these hills you find	2
portrait of his wife	2
not have it so	2
a quarter of a	2
of art in the	2
on the west side	2
for the salvation of	2
even yet in the	2
the baptism of our	2
the company of a	2
itself is in the	2
and the great coronation	2
of the blessed miniato	2
the bosom of the	2
one by to hear	2
clasping her hands together	2
might seem to have	2
presently set out for	2
if you start early	2
into a sort of	2
it is rather in	2
the influence of desiderio	2
yet in spite of	2
of the fourteen lesser	2
fixing her eyes on	2
in a laughing country	2
the fire he had	2
in a lively manner	2
all that was needed	2
fierce tower into the	2
on the st of	2
many ways the most	2
to have been inspired	2
is really a new	2
destruction of the city	2
of farinata degli uberti	2
the very genius of	2
side of the altar	2
once and for all	2
now in the hands	2
is an early work	2
i shall see his	2
without which there is	2
in the next niche	2
fact that it is	2
he would often go	2
in the old convent	2
of the latin people	2
a sort of trial	2
that it would come	2
is like a lily	2
us for more than	2
walk up and down	2
on the top floor	2
not so lovely as	2
at least of the	2
which was not to	2
where all the world	2
did not long retain	2
into the beautiful piazza	2
the sight of the	2
of the baptistery in	2
is divided into two	2
but he would not	2
did the duke turn	2
to the throne of	2
of uguccione della faggiuola	2
the rest in the	2
you come to her	2
was not a man	2
he found the city	2
he set up a	2
forces for a twelvemonth	2
left aisle is the	2
still be found there	2
and on one side	2
the delicate and lovely	2
but in those days	2
such work as that	2
world is a garden	2
at my own risk	2
little more than an	2
the name of his	2
by the noble lord	2
the road to italy	2
the wrath of god	2
of a tau cross	2
how often in those	2
the baptist and st	2
for a moment to	2
with all sorts of	2
a painter who has	2
fiesco has a noble	2
of the convent of	2
so much of his	2
on the altar wall	2
his son nerli to	2
but for me i	2
uffizi are two of	2
could scarcely have been	2
full of the soft	2
tell you that it	2
the moses of michelangelo	2
for the duomo and	2
monastery of the camaldolese	2
of the bishops of	2
at the west end	2
ladies of the decamerone	2
must have been worth	2
his way to rome	2
more than twenty years	2
the tower of liberty	2
churches north of arno	2
brought here from the	2
have come to consider	2
village of piazza al	2
all the charms of	2
a wanderer all his	2
in the same way	2
birth of the virgin	2
delicate beauty of the	2
you continue on your	2
spite of every sort	2
rushes to and fro	2
too near the gate	2
the greatest artists of	2
it is not only	2
at the gates of	2
cup of the holy	2
is a long road	2
the very life of	2
they came to a	2
the palazzo di s	2
they are no longer	2
in the gardens of	2
in the south aisle	2
by the hands of	2
the son of the	2
work of matteo civitali	2
the monastery of the	2
we shall find it	2
the whole nobility must	2
the loggia in front	2
trade in the east	2
a garden of olives	2
so that when he	2
too soon to see	2
church of that name	2
and giovanni da bologna	2
count ugolino and his	2
of the umbrian school	2
the disgust of the	2
to possess himself of	2
is said that the	2
understood the art of	2
the francesco delle opere	2
now the way from	2
it might almost seem	2
mount of la verna	2
the view of the	2
with the family of	2
the close of the	2
of the renaissance at	2
looking at this picture	2
in which all the	2
in the twelfth century	2
you turn into the	2
as they used to	2
a whisper of the	2
and the statue of	2
i speak to thee	2
the feast of st	2
of the world is	2
in the guardaroba of	2
in his work at	2
much the same might	2
here and there in	2
and i shall watch	2
to be a work	2
to write a book	2
in front of me	2
so that when the	2
possessions in the east	2
him face to face	2
before the sixteenth century	2
have converted all my	2
for it is not	2
the spoil of war	2
porta un giubboncin di	2
church of that saint	2
from the fury of	2
eighth circle of hell	2
same place he made	2
a daughter of the	2
on the th of	2
and the last judgment	2
the cardinal of portugal	2
of the guild of	2
so the tale goes	2
a great company of	2
is difficult to imagine	2
was compelled to build	2
the lost beauty of	2
in the uffizi are	2
it not cosimo who	2
verge of the city	2
knowest thou not that	2
for the wind of	2
proved to be his	2
may be seen to	2
volete faccia che non	2
to the great and	2
the earth when the	2
of the monastery of	2
the promise of spring	2
it is the work	2
seems to have loved	2
for the sun will	2
a little less than	2
had charge of the	2
and so i shall	2
signoria and palazzo vecchio	2
far away you come	2
as a city of	2
and it may well	2
to us from the	2
the sea in the	2
as we now see	2
the rumour of their	2
day i saw the	2
and one of those	2
the first of the	2
was a great and	2
and by this way	2
much of his work	2
for more than two	2
a certain simplicity and	2
full of a mysterious	2
the hill of cypresses	2
has painted the story	2
in an amphitheatre of	2
the street of the	2
as though to confirm	2
as though one had	2
rise of the medici	2
and there in that	2
it is not quite	2
the duke turn pale	2
the life of his	2
i came into tuscany	2
tomb of the cardinal	2
i came to the	2
of madonna in an	2
the face of gianettino	2
the cappella di s	2
have gone out of	2
reliefs of madonna and	2
the vessel of the	2
me into the shadow	2
for the guelph cause	2
the statues in the	2
into the cappella della	2
part of the mountain	2
within the borders of	2
the same might be	2
it is not from	2
thinks only of life	2
in the same year	2
the image of a	2
bronze group of christ	2
had got no farther	2
to the song of	2
they went out to	2
to you from the	2
despair of a world	2
placed there by the	2
really without an afterthought	2
of the lombard dominion	2
the best works of	2
contrived the renaissance of	2
he was a sculptor	2
the perseus in the	2
of the best works	2
far away from the	2
in the fire of	2
the sea to the	2
heard at the gate	2
the prince of the	2
of despair of a	2
of which it is	2
and even as in	2
mountains and the sea	2
in a tone of	2
in the stillness of	2
in the last judgment	2
the pineta to the	2
the agony in the	2
and is that all	2
follow me to the	2
a branch of the	2
the uffizi there is	2
in that saying of	2
conveyed it on board	2
i know but one	2
the masterpiece of bernardo	2
beyond anything of the	2
the statue of mars	2
of which certainly the	2
in the first long	2
entered into the city	2
full of a strange	2
if i answer thee	2
no farther than the	2
under the government of	2
it is for this	2
it be true that	2
the imperial vicar of	2
of men and women	2
bears the name of	2
it is probable that	2
and a sense of	2
of the roman empire	2
i shall find my	2
through the valleys and	2
over the high altar	2
as that of the	2
the brink of the	2
the creation of man	2
about the middle of	2
baptism of our lord	2
the duomo of siena	2
house of the brothers	2
in the second crusade	2
most beautiful of all	2
e li sento mancare	2
of gold and of	2
the renaissance at its	2
nothing that is not	2
and of the badia	2
i seemed to understand	2
and child with saints	2
the left on the	2
of the via s	2
sentinel on the left	2
and just as the	2
of the dead man	2
is certainly older than	2
church itself is in	2
from genoa to pisa	2
far from the sea	2
work of the sixteenth	2
when he painted his	2
centre of the city	2
nor by the will	2
great gate of the	2
two thousand soldiers are	2
in a portrait of	2
a full account of	2
to the other side	2
i know not why	2
a casket of ivory	2
we come in the	2
the most part with	2
the old quarrels were	2
while andrea del sarto	2
and a host of	2
splendid as it is	2
of the great families	2
and in the great	2
it was guglielmo boccanegra	2
great church of that	2
in the gallery itself	2
but pisa was not	2
of what soon became	2
was given up to	2
has thought only of	2
rose and threw out	2
in he had been	2
hear the prayers of	2
full of every sort	2
shall find my way	2
ways that lead from	2
this part of the	2
of leonardo bruni in	2
they used to do	2
as though he had	2
feast of the assumption	2
apse of the cathedral	2
for the last time	2
the left is the	2
the cantoria of luca	2
high altar is the	2
has set himself to	2
one hundred and fifty	2
him lord of pisa	2
san marco and savonarola	2
the nobles looked on	2
model for the perseus	2
sapendo che da voi	2
make fast the gates	2
the bride of michelangelo	2
in the temple of	2
so that in we	2
and in the cappella	2
the songs of the	2
il gioco del ponte	2
it is just this	2
to be given up	2
inscription refers to the	2
and lorenzo his grandson	2
with such work as	2
the great buildings of	2
in his study of	2
you may see him	2
end that thou mayest	2
heart of the mountains	2
from the heat of	2
made by giovanni da	2
benedictine convent you come	2
the booty of the	2
comes from the church	2
little more than a	2
and desire of the	2
for we read of	2
you pass along the	2
and the portrait of	2
into piazza di s	2
in the apse of	2
that is not the	2
to have seen the	2
of savona with stones	2
in that stony place	2
to be lost in	2
and the heads of	2
only of old things	2
work seems to me	2
between the garden walls	2
not far away you	2
florence was compelled to	2
even as in the	2
giovanni da bologna in	2
not the face of	2
was about to die	2
the hands of a	2
the present building dates	2
who may describe the	2
old road to fiesole	2
and around the gate	2
corn and the wine	2
come to the convent	2
may see the place	2
in the great hall	2
in the far corner	2
and there in the	2
we are face to	2
for even as the	2
pass into via s	2
on what are you	2
when i found myself	2
so it is not	2
to seize the city	2
honour is too great	2
if i am deceived	2
which is said to	2
of silver and gold	2
the influence of michelangelo	2
the girdle of the	2
we see the very	2
beautiful madonna and child	2
of his hands and	2
of a thousand forgotten	2
or it is the	2
the lent of st	2
work of luca della	2
on a summer evening	2
masters of the sea	2
caused it to be	2
but in spite of	2
toward the dead body	2
you turn into via	2
and child with angels	2
for it is said	2
so that in the	2
find the tomb of	2
so that he may	2
the wife of grand	2
in the following year	2
some fragments of the	2
really at last in	2
must once have been	2
suffered too much from	2
is left to us	2
ways of the city	2
up and down with	2
a long way off	2
minded to keep the	2
at the golden gate	2
of the ways of	2
the confines of the	2
greatest painter of italy	2
the flowers and the	2
beginning of the fourteenth	2
imperial vicar of genoa	2
were placed on the	2
it was on these	2
the work of botticelli	2
to imagine a more	2
whence you may see	2
to him in the	2
found in the work	2
to confirm us in	2
monks of the badia	2
a proof that i	2
mood of the soul	2
when he was but	2
manner of the fifteenth	2
it is a very	2
or of the hills	2
it was not for	2
the corn and the	2
he has composed this	2
and it is the	2
to speak of him	2
under the protection of	2
he was about to	2
chapel of the blessed	2
on either side the	2
the four evangelists and	2
agony in the garden	2
sword upon the table	2
the tears of madonna	2
us that it was	2
influence of desiderio da	2
and praising and giving	2
of the middle classes	2
be content with the	2
not too far from	2
with the banners of	2
to the city and	2
destroyed in the fire	2
at evening in the	2
of the loveliest of	2
the annunciation of the	2
the judith and holofernes	2
by the work of	2
is with a certain	2
pleasure of your company	2
to refer the reader	2
that is about to	2
above on the right	2
a great part of	2
was in those days	2
the sacristy of the	2
ladies of the city	2
was the father of	2
by luca della robbia	2
the tomb of bishop	2
the wind of the	2
all my possessions into	2
of melozzo da forli	2
he did not long	2
who tells us that	2
shall not tell it	2
the city by the	2
the great victory of	2
of our lady in	2
and surely it was	2
the prayers of the	2
florence and in the	2
the people rose and	2
a temple of the	2
and it is said	2
life that you see	2
of piazza al serchio	2
nave and two aisles	2
that he could not	2
pulpit for the duomo	2
o vivo o morto	2
so full of the	2
was compelled to fight	2
the greatest and most	2
where the dead are	2
i shall come at	2
take part in a	2
his statue of st	2
portrait of a young	2
the gate of italy	2
that thou mayest be	2
to return to the	2
and the corn is	2
a map of the	2
which michelangelo has loved	2
off the yoke of	2
for long in the	2
cruise against the turks	2
foot of the great	2
his palace in via	2
founded in by the	2
there is nothing of	2
coming out of the	2
will be found in	2
the most part the	2
much of the nobility	2
fresco of the crucifixion	2
and lorenzo il magnifico	2
that is foreign to	2
end of the thirteenth	2
so they went on	2
a traitor to the	2
the work of those	2
the great and noble	2
or at least the	2
of genoa in the	2
it was in those	2
the salvation of my	2
became captain of the	2
have been inspired by	2
if he might always	2
what do i see	2
the greatest master of	2
in the eighth circle	2
wanderer all his life	2
work of the tuscan	2
in the right aisle	2
but little of interest	2
the city of flowers	2
while not far away	2
is so sad and	2
some have thought to	2
to prove that the	2
to convince us of	2
at the great gate	2
every sort of joy	2
way i cannot explain	2
he was not content	2
stood for the guelph	2
the dream of the	2
the salvation of his	2
the tree of life	2
and it was for	2
the father of a	2
of which we shall	2
fallen on his knees	2
it is the masterpiece	2
the noise of the	2
it for a moment	2
if only for a	2
faces of the women	2
by no means without	2
is still in the	2
by the end of	2
is not till we	2
the gold of the	2
the pupil of piero	2
it is ever with	2
seem to hear the	2
the work of orcagna	2
from east to west	2
the valley of spoleto	2
there can be no	2
the head of that	2
the brotherhood of st	2
was not a great	2
presentation in the temple	2
work of jacopo della	2
of the young cardinal	2
in the twilight of	2
in the power of	2
the sufferings of my	2
of the soul which	2
thou hast deceived me	2
these you will find	2
not so long ago	2
this came to pass	2
old things for a	2
the streets of florence	2
was painted in venice	2
and i know not	2
in the fire he	2
i came out of	2
the work of that	2
on the way from	2
all of white marble	2
work of the twelfth	2
with the statues of	2
as it were the	2
of green and white	2
will be enough to	2
the early years of	2
for the earth when	2
the name of doria	2
work of nanni di	2
business was to beat	2
the peace of italy	2
banner of blue and	2
in every valley the	2
of the nave are	2
the shape of a	2
as a portrait of	2
an abbey of benedictines	2
was at feud with	2
the work of another	2
at all hours of	2
the nobles of genoa	2
what do i hear	2
the manner of his	2
the order of s	2
child of the bargello	2
and almost certainly in	2
not to be found	2
in the uffizi a	2
will be full of	2
the eighth circle of	2
the piazza stands the	2
and one of the	2
has painted in fresco	2
glory of the sun	2
we may remind ourselves	2
compelled to build a	2
this is no place	2
the praise of the	2
and for ever the	2
all the way to	2
and not to the	2
it is impossible to	2
can no longer believe	2
the church is full	2
at once into the	2
given up to the	2
michelangelo is said to	2
and since i was	2
the island of palmaria	2
vessel of the holy	2
rest of the frescoes	2
as he was thus	2
to set out on	2
to the sentinel on	2
at the convent gate	2
longer capable of building	2
i come to the	2
wine and the oil	2
gian galeazzo of milan	2
by the della robbia	2
like the rest of	2
be a portrait of	2
just without the city	2
and all the world	2
the house of piero	2
the exception of the	2
which were born of	2
of jesus that we	2
it was not to	2
return to the city	2
the advent of the	2
resurrection of the gods	2
i am acquainted with	2
see ghiberti at his	2
wherever you may be	2
the battlements of the	2
may be found here	2
the soles of his	2
seem to me to	2
and took up his	2
the fall of constantinople	2
middle age seems to	2
from which i have	2
from the eleventh century	2
who could have thought	2
greater and more splendid	2
all that is left	2
hear the thunder of	2
market of the city	2
that fiesco of lavagna	2
out of the life	2
he will tell us	2
by the love of	2
when i came into	2
a mere huddle of	2
on your left you	2
in the strength of	2
away you come upon	2
the end of a	2
a thought of the	2
at last to be	2
the dust and the	2
the hands of children	2
tomb of ilaria del	2
into a city of	2
the sides of the	2
there are but two	2
just within the borders	2
a shadow on the	2
in the piazza della	2
by arnolfo di cambio	2
we come into a	2
was not likely to	2
you pass into the	2
she was a stronghold	2
of the three kings	2
church is full of	2
came under the influence	2
ever about to pass	2
in the early light	2
the whisper of the	2
great treasure of the	2
to have come to	2
the wine and the	2
into the power of	2
were called upon to	2
some of the greatest	2
by means of the	2
the sentinel on the	2
as it was in	2
the crest of the	2
but he refused to	2
remains to be considered	2
like so much of	2
convent in borgo ognissanti	2
over and over again	2
work of his pupils	2
as burckhardt reminds us	2
the clergy of the	2
as it has with	2
what was once a	2
in such a thing	2
more than a moment	2
violently on the ground	2
the eyes of the	2
the influence of the	2
you come upon two	2
his altarpiece in s	2
governor of the city	2
of a pupil of	2
the genoese were not	2
was perhaps the first	2
till i come to	2
in the north transept	2
i understand you not	2
when the sun is	2
to the piazza acquaverde	2
from the life of	2
must go to the	2
are to be found	2
out of via lambertesca	2
only to mount again	2
the bishop of lucca	2
the other of the	2
will be sufficient here	2
all the clergy of	2
when he came to	2
him and slew him	2
the battle was over	2
was made prior of	2
a glance at the	2
the tomb of cardinal	2
the people of luna	2
or at any rate	2
called the tower of	2
in the great days	2
the tower of the	2
is perhaps his masterpiece	2
on behalf of the	2
commune and of the	2
and i shall know	2
said to be the	2
work of fra guglielmo	2
nor too near the	2
each side of the	2
is no one by	2
not being able to	2
the great palace built	2
piero di giovanni tedesco	2
alla finestra a far	2
other works attributed to	2
pineta to the sea	2
li sento mancare a	2
in by antonio rossellino	2
i shall speak later	2
to the city in	2
which in the end	2
whole city was in	2
the architect of the	2
and then to the	2
so that we may	2
all the world is	2
and the death of	2
the spirit of man	2
masterpiece of bernardo rossellino	2
i shall walk with	2
is a very beautiful	2
of the holy trinity	2
to this end he	2
five miles you come	2
turn of the road	2
pulpit in the baptistery	2
to speak of the	2
we have only to	2
together with much else	2
come la cera in	2
for them by the	2
since she was so	2
a long time in	2
for a moment at	2
is not surprising that	2
come down to us	2
along the riviera di	2
should not suffer it	2
as it is sure	2
his work is beautiful	2
grass of a meadow	2
and how should i	2
from the designs of	2
have thought of them	2
the life of to	2
the cities round about	2
was born about at	2
i seem to hear	2
man of the world	2
giovanni pisano in the	2
to the bank of	2
and his three brothers	2
like a road of	2
passing out of the	2
is true that it	2
to a large extent	2
fortress of the middle	2
luca della robbia in	2
are the gates of	2
better than anywhere else	2
is lost in the	2
all hours of the	2
in the left aisle	2
face of philip ii	2
the light of the	2
in his early manner	2
where the flowers are	2
men and women of	2
it was at the	2
great church of the	2
two of his works	2
of gentile da fabriano	2
the inscription on the	2
set himself to make	2
presently i came upon	2
singing boys from the	2
suspended by a sky	2
blessed miniato to be	2
is just that which	2
the names we have	2
the badia at fiesole	2
a mere piece of	2
in the second chapel	2
there is nothing in	2
in the affections of	2
frescoes of the story	2
in the knowledge of	2
was to come to	2
i said in speaking	2
his work on the	2
seems to have seen	2
the beauty that has	2
come to the church	2
them which were born	2
to have found again	2
the bells of the	2
of the latin race	2
of genoese galleys with	2
found in his work	2
and more anciently the	2
the heart of man	2
madonna with her son	2
via cavour and via	2
old convent of s	2
fails to convince us	2
the little city of	2
in the pazzi chapel	2
the mount of alvernia	2
in the pitti palace	2
he was not a	2
with a simplicity and	2
marvellous portrait of s	2
in the duomo of	2
and that it is	2
via delle belle torri	2
cities of italy to	2
to be had in	2
have hushed our voices	2
at its best in	2
cotta of madonna with	2
it on board thy	2
much a coxcomb as	2
the lives of the	2
the son of fra	2
pisa by the porta	2
madonna with our lord	2
a prisoner in the	2
he had a very	2
and the wind of	2
is nothing in the	2
to the tomb of	2
that when he was	2
long and long ago	2
and the wine and	2
and hang him at	2
and it is not	2
is the city of	2
by to hear us	2
to the north of	2
place where the old	2
are no longer in	2
much else that is	2
seem to have run	2
in fervour of spirit	2
room on the first	2
annunciation of the uffizi	2
an adoration of the	2
corner of via del	2
for a little time	2
that we must consider	2
are the four evangelists	2
high altar is a	2
it is in this	2
the left down via	2
that we should have	2
which to spend a	2
we must be content	2
you enter the city	2
that strange and beautiful	2
of the tree of	2
place of the old	2
genoa in the east	2
a church has stood	2
side of the white	2
the corner of the	2
when i came to	2
to us of the	2
pictures here in the	2
of the madonna and	2
the altar of the	2
turn to the left	2
end of the middle	2
treasure of the church	2
is nothing more lovely	2
from the convent of	2
in the raising of	2
which he made for	2
danger is not yet	2
of the true cross	2
compare it for a	2
seem to see the	2
admiral of the commune	2
and with a certain	2
come to the great	2
in the tomb by	2
the sake of beauty	2
relief of the madonna	2
else in the world	2
the people in their	2
of the state of	2
the compagnia di or	2
as it is to	2
with my own hands	2
church of the knights	2
the fact that it	2
much to the beauty	2
bells of the mules	2
peeping out from the	2
to be his last	2
you pass from one	2
not far away to	2
the affections of the	2
or best of all	2
so worthy of the	2
it is not of	2
in praise of the	2
of saints and angels	2
it is a long	2
the ugliness of the	2
full of joy and	2
to leave the city	2
messo alla finestra a	2
ghiberti at his best	2
to the disgust of	2
by reason of some	2
strange and lovely place	2
a laughing country of	2
assumption of the blessed	2
in those days there	2
patriots of genoa to	2
what must once have	2
it is not surprising	2
of neri and bianchi	2
the nuns of s	2
of the family of	2
dost thou know the	2
at the street corner	2
ancient bridge of the	2
demanding the release of	2
the loveliest work of	2
the shadow under the	2
second day of the	2
close to the sea	2
work of andrea pisano	2
and after a little	2
had come upon the	2
and the lilies of	2
hours of the day	2
by the hand of	2
when he is duke	2
it is not so	2
not likely to be	2
out of the east	2
and so it was	2
of interest in this	2
called upon to vote	2
you will see the	2
might be said of	2
the same time as	2
and there on the	2
on each side of	2
in the uffizi there	2
is ever with a	2
far away on the	2
the influence of florence	2
has a noble mind	2
and the song of	2
we compare it for	2
that he had a	2
with the gesture of	2
in a solemn manner	2
in a letter of	2
in the church itself	2
was the first to	2
of the doors of	2
come volete faccia che	2
boy in white satin	2
of the republic of	2
so soon to pass	2
the place of the	2
the delicate beauty of	2
avenue of plane trees	2
all possible demonstrations of	2
as the venus of	2
as a man of	2
of the nineteenth century	2
in spite of their	2
the first long gallery	2
the desire of all	2
the angel announces his	2
i shall not tell	2
the mount of la	2
galleys of the venetians	2
and that you may	2
with the mystery of	2
who goes there with	2
the commune of florence	2
we shall find ourselves	2
strength of the sea	2
the mountains and the	2
in no doubt of	2
be sacrificed to a	2
see to this day	2
and then on the	2
the rooms in which	2
the little daughter of	2
of the city was	2
the door on the	2
frescoes by cosimo rosselli	2
lovely things have been	2
the life of s	2
the world is a	2
picture of the coronation	2
as a child might	2
cool and full of	2
give me your hand	2
not so far away	2
the fourteenth and fifteenth	2
when i set out	2
may see to this	2
of the duchess of	2
it was in the	2
of its old splendour	2
the sacrifice of isaac	2
she became a roman	2
a shrine of madonna	2
left on the altar	2
rises out of the	2
throw off this purple	2
at last to a	2
here in the early	2
and his wife and	2
by reason of its	2
madonna with saints and	2
and that was to	2
and the little girl	2
is dedicated to s	2
the founders of the	2
on her way to	2
gold and of silver	2
as it were a	2
with the exception of	2
who came after him	2
the voice of the	2
are of the end	2
has come down to	2
took possession of s	2
that there is no	2
pass out of the	2
far corner of the	2
for its own sake	2
as we might say	2
at last on the	2
the stories of st	2
one of her sons	2
tomb of the martyr	2
what dost thou seek	2
even to this day	2
he was but twenty	2
but for the most	2
it is not these	2
the tomb of a	2
of the religious orders	2
when they were come	2
desire of all nations	2
belonged to the zati	2
i am no more	2
on his return to	2
the business of the	2
a great multitude of	2
her hand with a	2
corner of the city	2
if it be true	2
so lovely as the	2
the strength of the	2
rather to have been	2
and luca della robbia	2
the rose of the	2
standing in front of	2
that a church was	2
within sound of the	2
to the grandeur and	2
i will send you	2
and beside it the	2
till at last the	2
on the cusp of	2
shall come at last	2
he is about to	2
the day of battle	2
work of piero della	2
over the west door	2
is a building of	2
it is so full	2
as the cathedral of	2
the madonna with saints	2
has become a museum	2
the assumption of our	2
too much for the	2
of stones and refuse	2
to be a portrait	2
that none but you	2
for that day at	2
turning now to the	2
and came to the	2
of the accademia delle	2
as though the whole	2
was one of the	2
into the valley of	2
houses of the uberti	2
the most part by	2
the country round about	2
door of the inn	2
left in the city	2
to the left you	2
the whole city was	2
which was palm sunday	2
of a world which	2
the other day i	2
to the summit of	2
horn of an unicorn	2
the work of ghiberti	2
man who is a	2
in the german room	2
then to the right	2
for me i will	2
beautiful avenue of plane	2
great part of the	2
was expelled the city	2
the city into a	2
is that of the	2
looks after him with	2
we now see it	2
rest of the church	2
of the republic has	2
and for this he	2
of the masterpieces of	2
after came all the	2
all the beauty and	2
beautiful and full of	2
the rest of his	2
the leo x with	2
a temple of venus	2
to san miniato al	2
of the dust of	2
the beautiful bust of	2
a certain sense of	2
those who came after	2
in the presence of	2
very different from the	2
the old convent of	2
round the feet of	2
the shape of the	2
the greater part of	2
did not hesitate to	2
the aspect of the	2
the way to florence	2
said to be a	2
about this time that	2
in a feigned voice	2
it is his work	2
of the glory that	2
a work as this	2
the last years of	2
close by are the	2
if you come by	2
gates of the baptistery	2
in some strange way	2
a man of honor	2
the bishops of lucca	2
in the spring of	2
that we find the	2
it is said to	2
had come to live	2
the thunder of the	2
the greatest treasure of	2
once more in the	2
of the fifth century	2
when i speak the	2
things have been gathered	2
what it is to	2
the duomo at pisa	2
what may not be	2
first year of the	2
vivo o morto me	2
gate of the duomo	2
think not that thou	2
in spite of her	2
of the history of	2
side of the city	2
us that the florentines	2
the other side arno	2
refectory of the convent	2
the old road to	2
themselves for the most	2
died too soon to	2
may still see the	2
not one of them	2
of the cardinal of	2
the left transept of	2
was in the possession	2
the beauty of a	2
the feet of jesus	2
of the black cancellieri	2
they on the side	2
much of interest in	2
now stands his church	2
half of the fifteenth	2
leonardo di ser giovanni	2
as a piece of	2
and had them brought	2
him to be a	2
at the request of	2
the north of the	2
beauty that belongs to	2
of an old man	2
you may see some	2
the blessed sacrament in	2
and in the crucifixion	2
to say nothing of	2
three years of age	2
the first of these	2
so they set out	2
of the order of	2
and ever after he	2
among whom was the	2
at last as the	2
as the great church	2
herself into a chair	2
he had found in	2
such a work as	2
may also be found	2
that you may see	2
the raising of tabitha	2
street of the city	2
the doors are guarded	2
the soul of man	2
present building dates from	2
the fury of the	2
has carved in marble	2
at the expense of	2
carved in wood and	2
of the people with	2
walls of the city	2
the treasures of the	2
and suddenly at a	2
presented it to the	2
the venus of the	2
and a sort of	2
road full of the	2
is perhaps in the	2
that we shall find	2
of the doria family	2
they come this way	2
it must be so	2
captain and admiral of	2
door on the north	2
the enthusiasm of his	2
a work of art	2
strangely as we may	2
a fold of the	2
which seems to be	2
and the blessed mary	2
your way to the	2
put it into his	2
as we may see	2
either side of the	2
a church was built	2
see the birth of	2
himself one of the	2
part of the fresco	2
the floor of the	2
possibly a work of	2
churches of the city	2
heard the voice of	2
with her son in	2
white and black marble	2
the very threshold of	2
catch a glimpse of	2
of the commune and	2
the busiest street of	2
of ilaria del caretto	2
in the quiet afternoon	2
to the people of	2
there are other ways	2
me to the altar	2
the rhythm of the	2
in the simplicity of	2
set out for milan	2
seem to find the	2
the base of the	2
of all the arts	2
a fresco of the	2
of this great and	2
when the sun was	2
sculptor of the first	2
in such a church	2
the top of via	2
so i shall come	2
francesco delle opere was	2
the death of frederic	2
that is perhaps the	2
the house of verrina	2
scarcely worth a visit	2
from that of other	2
have been content to	2
la madonna delle carceri	2
curved like a bow	2
he was buried in	2
as who should say	2
the tomb of cosimo	2