trigram

This is a table of type trigram and their frequencies. Use it to search & browse the list to learn more about your study carrel.

trigram	frequency
in the quarto	59
not in q	45
on the stage	41
in order to	41
it is not	40
as well as	36
it is a	35
one of the	34
in the first	33
here in the	31
i do not	30
of the play	30
to have been	27
is to be	27
as to the	25
there is no	24
of his own	24
not in quarto	23
the end of	23
the character of	23
the cause of	23
the first quarto	23
he does not	22
there is a	22
in which he	22
that he is	22
at the same	22
the same time	21
in the same	21
it may be	21
my good lord	21
in the st	20
in such a	20
in the play	20
the st q	20
in regard to	20
in which the	20
as if he	19
of the ghost	19
this is the	19
to the king	19
not to be	19
to a nunnery	18
that he has	18
of the time	18
not in the	17
good my lord	17
i my lord	17
of the word	17
that i haue	17
it is the	17
if it be	16
it is to	16
out of the	16
of the king	16
of his father	16
according to the	16
and in the	16
must have been	15
seems to have	15
ought to be	15
of the world	15
the name of	15
in his own	15
the rest of	15
i pray you	15
the death of	15
in the most	15
that it is	15
as it is	15
do not know	14
of the first	14
of the drama	14
of the quarto	14
would have been	14
be able to	14
at that time	13
is not in	13
himself to be	13
that of the	13
part of the	13
in the folio	13
he had been	13
in the second	13
that he had	13
an allusion to	13
is it not	13
but in the	13
to be a	13
he has no	13
in st q	12
return from parnassus	12
of the great	12
it would be	12
rosincrance and guildensterne	12
a man of	12
the sake of	12
the st quarto	12
on account of	12
to his mother	12
the best of	12
out of his	12
he would have	12
it was not	12
in spite of	12
are to be	12
for the sake	12
to be the	12
use of the	12
by no means	12
scene of the	12
end of the	12
as in the	11
the king is	11
they are not	11
from the first	11
i haue seene	11
in relation to	11
he is a	11
and all the	11
the first act	11
that it was	11
the second quarto	11
of which he	11
if he had	11
so as to	11
the beginning of	11
for it is	11
in this scene	11
to the whole	11
hamlet and horatio	10
is not the	10
of his time	10
may have been	10
he is not	10
and it is	10
for a while	10
is in the	10
but it is	10
and to the	10
which is the	10
be found in	10
of the best	10
of the latter	10
by no meanes	10
the appearance of	10
let me see	10
the face of	10
it must be	10
supposed to be	10
which it is	10
on the other	10
character of hamlet	10
the king and	10
the hands of	10
of the old	10
the words of	10
the scene of	10
a kind of	10
it should be	9
of such a	9
is not to	9
he has been	9
that we are	9
the course of	9
that there is	9
with the king	9
wanting in the	9
all the world	9
side of the	9
is said to	9
it will be	9
in the last	9
in the poetaster	9
of the scene	9
seems to me	9
is wanting in	9
of the age	9
it is an	9
let me be	9
with all the	9
we are to	9
there is nothing	9
that he was	9
him in the	9
so far as	9
of the same	9
and that the	9
and in his	9
in accordance with	8
it is no	8
as you may	8
rest of the	8
to be done	8
in which hamlet	8
he is the	8
the play is	8
the whole play	8
the quarto has	8
he could not	8
between hamlet and	8
to be guided	8
and so forth	8
all the more	8
enter hamlet and	8
this is a	8
with his own	8
of the reformation	8
he would not	8
the children of	8
in this play	8
it to be	8
in the world	8
the part of	8
that he should	8
like the king	8
king and queene	8
speake to it	8
and out of	8
the hand of	8
ben jonson and	8
we shall find	8
of the stage	8
a nunnery goe	8
of the english	8
is but a	8
enter king and	8
could not be	8
i saw him	8
those of the	8
to the end	8
belongs to the	8
of a man	8
an introduction by	8
the top of	8
but there is	8
of the folio	8
which he is	8
of his plays	8
will my lord	8
the idea of	8
relation to the	8
with all his	8
by which he	8
of what is	8
so far from	8
to tell you	8
to be found	8
you shall heare	8
to do with	8
as he is	7
is on the	7
it is necessary	7
of the whole	7
it will not	7
if he were	7
the most important	7
by and by	7
because it is	7
of our reason	7
of all the	7
hamlet prince of	7
it was to	7
he is dead	7
in this world	7
the meaning of	7
with all my	7
which he has	7
between ben jonson	7
it is but	7
when he is	7
we do not	7
that which is	7
to show that	7
and be a	7
as i do	7
you shall not	7
the nature of	7
the word is	7
heauen and earth	7
i haue a	7
of the state	7
a piece of	7
is one of	7
on the contrary	7
even in the	7
thing to be	7
the globe theatre	7
come to the	7
the moment he	7
not a few	7
not have been	7
i charge thee	7
enter the ghost	7
where he is	7
these are the	7
to the audience	7
i know not	7
which is to	7
of the people	7
i cannot tell	7
that the king	7
or not to	7
found in the	7
i am very	7
and for my	7
it was a	7
with an introduction	7
is the only	7
as much as	7
by ben jonson	7
in the following	7
regard to the	7
in the character	7
because he is	7
is not a	7
the return from	7
the young prince	7
between jonson and	7
may be the	7
with which he	7
if it were	7
i would not	7
that he may	7
i will my	7
to be an	7
we have to	7
the purpose of	7
jonson and shakspere	7
of those who	7
what i haue	7
prince of denmark	7
the king of	7
i take it	7
if thou hast	7
some of his	7
as it was	7
of his life	7
one of them	7
to be able	7
to go to	7
i haue heard	7
there was no	7
contained in the	7
they do not	7
the light of	7
too much of	7
must not be	7
of the most	7
i doe not	7
of this scene	7
take my leaue	7
the man who	7
seems to be	6
of all his	6
and if he	6
of the church	6
the question of	6
it is said	6
to his own	6
the taste of	6
let it be	6
we are not	6
the image of	6
all that is	6
meaning of the	6
of hamlet prince	6
to make them	6
in the very	6
attention to the	6
refer to the	6
the tendency of	6
the quarto reading	6
hamlet does not	6
so full of	6
be taken as	6
to see you	6
should be a	6
such a manner	6
is directed against	6
the latter is	6
be with you	6
it to the	6
in doing so	6
most of his	6
the king in	6
more than a	6
as he has	6
he was a	6
they are the	6
the murder of	6
is full of	6
the presence of	6
to a certain	6
well my lord	6
length of time	6
reason and nature	6
he says that	6
of this world	6
would not have	6
in my opinion	6
be regarded as	6
for the purpose	6
which we shall	6
it is very	6
the order of	6
the fashion of	6
into the hands	6
i think it	6
in the whole	6
the figure of	6
like to a	6
by the poet	6
what is the	6
not so much	6
there is not	6
there is an	6
with such a	6
it is only	6
far from being	6
jonson and dekker	6
as it were	6
or that the	6
in act ii	6
of the last	6
being able to	6
in the sense	6
go to a	6
prince of denmarke	6
it would seem	6
horatio and marcellus	6
in the q	6
of the dramatic	6
we know not	6
and with a	6
according to his	6
at the end	6
to be made	6
now to the	6
does not mean	6
was not the	6
are not in	6
but he is	6
and that in	6
it be a	6
in the old	6
that he would	6
public at large	6
time of night	6
children of the	6
of the passage	6
to give the	6
i shall not	6
for his father	6
a kinde of	6
it has been	6
the first edition	6
the very beginning	6
that they are	6
was about to	6
be supposed to	6
relates that he	6
the fact of	6
as far as	6
of reason and	6
directed against the	6
in his heart	6
would be a	6
fare you well	6
in the least	6
the court of	6
that i am	6
of his friends	6
the work of	6
made use of	6
to make the	6
have been the	6
of the french	6
the point of	6
as we shall	6
as we have	6
reference to the	6
and that he	6
the first and	6
that is the	6
in the original	6
the body is	6
it seems to	6
as to his	6
of the second	6
he is to	6
the text of	6
i thanke you	6
the object of	6
do you thinke	6
that he could	6
he did not	6
so my lord	6
and for the	6
the british museum	6
necessary towards the	6
he has done	6
my lord i	6
to say that	6
of what he	6
to be in	6
of the players	6
in the other	6
out of my	5
you like it	5
vpon my sword	5
such a time	5
the danish prince	5
be made of	5
will speake to	5
used by shakspere	5
very beginning of	5
a play to	5
was the very	5
allusion to the	5
the fact that	5
as to what	5
any of his	5
what he had	5
now my lord	5
is about to	5
as i haue	5
i thinke it	5
doubt as to	5
the love of	5
of a most	5
the will of	5
the other side	5
in the beginning	5
no more than	5
the chief character	5
in harmony with	5
passage in the	5
in this case	5
the success of	5
to the other	5
we have seen	5
but i cannot	5
the author of	5
ile follow thee	5
the following passage	5
course of thought	5
the son of	5
the poet has	5
have pointed out	5
he should have	5
to the ghost	5
i will speake	5
of his guilt	5
as his own	5
who does not	5
rosencrantz and guildenstern	5
at the moment	5
the quarto is	5
or in the	5
of a doubt	5
to that of	5
given to the	5
and in a	5
king of denmarke	5
of the essays	5
tragedy of hamlet	5
any more than	5
i hold my	5
this speech is	5
as i am	5
such a piece	5
what do you	5
question of the	5
by shakspere in	5
for such a	5
it as a	5
of the apparition	5
be true to	5
the side of	5
know how to	5
a state of	5
it is his	5
with all our	5
of a true	5
the case with	5
to the stage	5
in his preface	5
we believe we	5
the great master	5
a sort of	5
may be taken	5
from the stage	5
has reference to	5
some remarks on	5
the second act	5
the public at	5
the state of	5
watch to night	5
one of his	5
to the players	5
allows himself to	5
all kinds of	5
only to be	5
the mouth of	5
the third act	5
the punishment of	5
the sight of	5
seem to have	5
may be supposed	5
the act of	5
enter horatio and	5
me thinkes i	5
in essay iii	5
the sixteenth century	5
as you like	5
at the time	5
in the words	5
in the text	5
have been a	5
in all his	5
for in that	5
in his eyes	5
he has just	5
the earth a	5
if he could	5
the dignity of	5
the contents of	5
used as a	5
the last scene	5
in a state	5
we hope to	5
to old norway	5
to whom the	5
here it is	5
passion in the	5
suitable to his	5
and not the	5
of the third	5
in act i	5
as that of	5
text of the	5
if this be	5
in the presence	5
cause of his	5
in the year	5
of the grave	5
which i have	5
to the queen	5
to my mother	5
woe is me	5
he has not	5
to him the	5
that she is	5
not a whit	5
enter the king	5
the importance of	5
he has to	5
in the face	5
exeunt all but	5
earth a while	5
the time of	5
we have already	5
and thus to	5
i could not	5
of which the	5
he may have	5
it is true	5
university of michigan	5
to prove that	5
the conclusion of	5
persons of the	5
would not be	5
for him to	5
such was the	5
the roman catholic	5
well as the	5
in one of	5
cause of this	5
in his life	5
understanding of the	5
the passage is	5
before and after	5
are in the	5
to find the	5
the spirit of	5
of the public	5
it does not	5
what he is	5
the loss of	5
at such a	5
the law of	5
which a man	5
behind the arras	5
of his mother	5
upon the stage	5
point of view	5
we know of	5
death of the	5
i must be	5
with a bare	5
of which is	5
this side of	5
this passage is	5
in the light	5
spite of his	5
spirit that i	5
the opinion of	5
to his face	5
the shape of	5
if there be	5
with his mother	5
now and then	5
is it a	5
he was the	5
will not be	5
it be so	5
with the same	5
to have the	5
that this is	5
the kind of	5
the representation of	5
that i have	5
the realm of	5
and there is	5
not to come	5
of the two	5
hamlet and ophelia	5
to make it	5
glad to see	5
that is to	5
into the grave	5
of them are	5
time of the	5
the place of	5
of the greatest	5
not of the	5
in which it	5
of human nature	5
that the poet	5
conduct of the	5
towards the end	5
we need not	5
regard to his	5
his father in	5
i beseech you	5
the sense of	5
that of a	5
the result of	5
the tragedy of	5
within a month	5
that is not	5
for the moment	5
the attention of	5
he speaks of	5
he seems to	5
and it must	5
and in this	5
we come to	5
there be any	5
almost as much	5
only in the	5
there is something	5
for a time	5
as i have	5
of his uncle	5
suitable to the	5
in this tragedy	5
he would be	5
here and there	5
the whole scene	5
which he had	5
giue me leaue	5
this seems to	5
from his own	5
no my lord	5
in act iv	5
the other hand	5
is a most	5
but do not	5
the folio of	5
of ben jonson	5
that part of	5
a man who	5
he is very	5
the fourth act	5
his father and	5
he must have	5
of his being	5
quarto has not	5
and of the	5
of the following	5
would have him	5
the same as	5
the poet had	5
to be supposed	5
the dramatic art	5
with the following	5
account of his	5
should have been	5
do you see	5
were sent for	5
that hamlet is	5
essay of montaigne	4
the right reading	4
it in the	4
is necessary towards	4
is a man	4
and the same	4
to go on	4
more and more	4
more things in	4
to be sure	4
here is the	4
even if he	4
the two universities	4
not all the	4
to explain the	4
play is the	4
described in the	4
and of all	4
of the phrase	4
to see your	4
queen of carthage	4
of the present	4
owing to the	4
as if the	4
there is in	4
in the grave	4
scene between hamlet	4
wager on your	4
of his thoughts	4
that it would	4
you your selfe	4
good or bad	4
to speak of	4
face of the	4
hamlet in his	4
sweare by my	4
to my reuenge	4
to make him	4
the fate of	4
translation of the	4
all great mark	4
in the state	4
and i will	4
the laws of	4
for the most	4
will he not	4
from which we	4
to those who	4
i have not	4
of that period	4
in twelfth night	4
what haue you	4
hell it selfe	4
he must be	4
man and wife	4
for they are	4
of a book	4
the stage with	4
was not yet	4
interest in the	4
his preface to	4
when my father	4
but that i	4
i might not	4
an excellent play	4
with you in	4
the qualities of	4
kill a king	4
meant to be	4
to the rules	4
or to the	4
not come againe	4
it comes againe	4
he is gone	4
well that ends	4
speake no more	4
is an act	4
it in a	4
air of probability	4
i will not	4
all the rest	4
get thee to	4
is made to	4
it likes vs	4
account of the	4
out of this	4
but in a	4
play to night	4
will be found	4
down to us	4
he has a	4
not the less	4
an air of	4
that you haue	4
but that he	4
of a play	4
in my heart	4
a most characteristic	4
two of the	4
he had had	4
that was a	4
idea of the	4
what he has	4
in this way	4
as white as	4
and one of	4
may be a	4
an honest ghost	4
of the new	4
are the onely	4
romeo and juliet	4
for if the	4
change from the	4
the conduct of	4
which the author	4
the mother of	4
allowed himself to	4
the speech of	4
such a character	4
piece as this	4
but he would	4
the way to	4
there should be	4
seene to night	4
sense of the	4
i cannot think	4
not like the	4
but doe not	4
to which he	4
the same scene	4
something after death	4
is more than	4
of the malcontent	4
to his father	4
the possibility of	4
held to be	4
the care of	4
two or three	4
come on sir	4
daughter of the	4
of the poet	4
the middle of	4
a piece as	4
to the same	4
the following words	4
the colour of	4
in the margin	4
of the order	4
words of the	4
this time forth	4
was in the	4
we have the	4
know a man	4
o my lord	4
to the quarto	4
we must not	4
only a few	4
nor do i	4
the word in	4
king my father	4
the reading of	4
so much in	4
was able to	4
he had not	4
to him by	4
be a villain	4
in the scene	4
in all my	4
out on the	4
to point out	4
the other world	4
and his mother	4
of this most	4
i am not	4
and must the	4
the ghost to	4
when thou shalt	4
be so in	4
in the end	4
if the poet	4
thy name is	4
will of god	4
the whole world	4
his duty to	4
in the meantime	4
as the night	4
to those of	4
god a mercy	4
to know the	4
to understand the	4
and with the	4
a sense of	4
may be so	4
the philosophy of	4
could not have	4
all in the	4
of this speech	4
to take it	4
which can be	4
him to his	4
is that of	4
this play is	4
it might be	4
what say you	4
it would have	4
it is more	4
fashion of the	4
the throne of	4
a peece of	4
to speake of	4
of the speech	4
to speake with	4
the force of	4
judge of the	4
go to the	4
to others that	4
says that he	4
the unity of	4
is the most	4
of the tiber	4
and all great	4
may be said	4
the winde sits	4
his fathers death	4
the essays of	4
but it may	4
said to have	4
a man may	4
that they may	4
come from the	4
is the image	4
one would think	4
god be with	4
to take the	4
that they had	4
he not come	4
for to be	4
father much offended	4
in the best	4
which they are	4
all my sinnes	4
to think of	4
speake to me	4
of a thing	4
potent with such	4
to me in	4
it is like	4
commencement of the	4
tragicall historie of	4
of the man	4
many of his	4
i am sure	4
in the globe	4
character of the	4
glance at the	4
a bare bodkin	4
as to be	4
but for a	4
can by no	4
it is that	4
is not his	4
meanings of the	4
top of my	4
historie of hamlet	4
in consequence of	4
he wished to	4
of the muse	4
vpon the platforme	4
but to the	4
teach you to	4
as long as	4
and for a	4
what a treasure	4
this was the	4
the heart of	4
where is this	4
the university of	4
what we may	4
to find out	4
take to be	4
and let vs	4
man of the	4
represented as a	4
words are not	4
in the sequel	4
who will not	4
or is it	4
that would make	4
a man is	4
and will not	4
know not of	4
neuer to speake	4
this is not	4
edition of this	4
in its true	4
on the two	4
my good friend	4
at the court	4
the domain of	4
the queen of	4
which is so	4
to know his	4
when it is	4
to the words	4
i have seen	4
recognition of the	4
line not in	4
in which we	4
the forms of	4
you are not	4
is a mere	4
the augustan reprint	4
of this kind	4
full of authority	4
you haue seene	4
the folio reading	4
know you are	4
the number of	4
of the city	4
witching time of	4
the life of	4
the way in	4
make use of	4
in the prologue	4
to the dignity	4
the minds of	4
that i did	4
such a fellow	4
the consequence of	4
the quarto of	4
heaven and earth	4
we ought to	4
what would you	4
for his own	4
what you haue	4
a man as	4
would not let	4
may be as	4
what can it	4
let me not	4
night the day	4
the anonymous essay	4
and in fine	4
is out of	4
to such a	4
of something after	4
sir philip sidney	4
this must be	4
will last you	4
and the great	4
qualities of the	4
no more be	4
convinced of the	4
very potent with	4
of his love	4
of the original	4
is dedicated to	4
when you are	4
we find in	4
and that of	4
he is ready	4
the history of	4
knight of the	4
i know the	4
by my faith	4
with so much	4
please you to	4
againe as it	4
not for the	4
to be right	4
he makes the	4
because they were	4
is very potent	4
to know a	4
the king shall	4
that i must	4
head to foote	4
day and night	4
been one of	4
taste of the	4
you in the	4
spirit of the	4
of the day	4
this line not	4
a series of	4
of him that	4
or at least	4
of a king	4
of his critics	4
the original text	4
punishment of the	4
if he be	4
well versed in	4
we should be	4
when that he	4
that we haue	4
this may have	4
have been made	4
rufus laberius crispinus	4
not only in	4
a number of	4
of their own	4
what is your	4
speak to me	4
the understanding of	4
which the poet	4
shake our disposition	4
no more of	4
university of california	4
as they are	4
the second and	4
with which the	4
remarks on the	4
and will he	4
more than the	4
had already been	4
with the rest	4
it is all	4
for that which	4
very glad to	4
with the ghost	4
of his friend	4
where it comes	4
speake of this	4
you were sent	4
to the play	4
the secrets of	4
and as to	4
i know you	4
his conscience is	4
to hide the	4
to almost as	4
middle of the	4
a thing to	4
and if we	4
down to the	4
the which he	4
there was a	4
the poet to	4
what might you	4
on the occasion	4
of the kind	4
you make of	4
is a great	4
of the poore	4
to whom he	4
it cannot be	4
with the greatest	4
would i had	4
take it for	4
is supposed to	4
it in his	4
others that we	4
do not go	4
the soule of	4
we shall see	4
from this time	4
like a whale	4
say that the	4
i see my	4
which has been	4
the impulses of	4
to her father	4
countess of rutland	4
for the present	4
breeder of sinners	4
that it should	4
it is in	4
in the shape	4
of the queen	4
but by the	4
of michel montaigne	4
we shall prove	4
in the corner	4
the duke of	4
does not feel	4
not be the	4
the king my	4
the rules of	4
the dead body	4
of the page	4
frame of mind	4
this and the	4
to the purpose	4
to be true	4
the english drama	4
in his dramas	4
my loue i	4
on the top	4
rossencraft and gilderstone	4
dead and gone	4
is dead and	4
or he to	4
it not rather	4
so many of	4
that on the	4
that we know	4
name is woman	4
in the dramatic	4
it should come	4
a thing of	4
has not been	4
of the piece	4
it is as	4
the effect of	4
way in which	4
by the king	4
nothing in the	4
with the most	4
king of england	4
he was in	4
part of his	4
the night the	4
that of his	4
on the tragedy	4
augustan reprint society	4
to the plan	4
in our opinion	4
as they were	4
and with such	4
to return to	4
said to be	4
the ghost in	4
my deare father	4
it was about	4
should be as	4
of his having	4
point in the	4
he meant to	4
some of them	4
it could not	4
first of all	4
upon as the	4
on the part	4
of henry viii	4
partly in the	4
in the consequence	4
could only be	4
confession of his	4
the queen is	4
it is certain	4
between the first	4
the common stages	4
not know whether	4
out of joint	4
are more things	4
work of the	4
to do so	4
shape of a	4
by his father	4
reading of the	4
the meaning is	4
but it was	4
be represented as	4
to the noble	4
he ought to	4
be all my	4
as from the	4
is to him	4
it not like	4
which are not	4
he had on	4
on the way	4
by my sword	4
rather beare those	4
to your lordship	4
i am glad	4
here we have	4
and a most	4
as if it	4
johnson and steevens	4
in thy orizons	4
in his last	4
the thought of	4
for which he	4
he asserts that	4
of complicity in	3
their ill report	3
him for a	3
shall be king	3
should be spoken	3
over other creatures	3
several of his	3
the quality of	3
thou shalt not	3
it is easy	3
the form of	3
of his work	3
about to speake	3
the assistance of	3
the power of	3
a corruption of	3
is as the	3
proofs of his	3
be driven about	3
we may be	3
horatio and the	3
what may this	3
all dramatick performances	3
to make a	3
the watch to	3
the occasion of	3
the same passions	3
the circumstances of	3
to perseuer in	3
we meet with	3
the reputation of	3
scourge of villanie	3
does not come	3
cause of the	3
wealth and peace	3
is ready to	3
thoughts are ours	3
the chief personages	3
charge thee speake	3
let us read	3
was a man	3
a house of	3
kings and happiest	3
be said to	3
curssed of the	3
alas my lord	3
than any of	3
that such a	3
or of a	3
parts of this	3
armour he had	3
in the translation	3
to the two	3
obserue his lookes	3
flattery of the	3
ministers of grace	3
to tarre them	3
able to bear	3
beginning of act	3
of the right	3
who has been	3
thousand more calamities	3
as to those	3
it was the	3
for there is	3
with blood of	3
has been more	3
and if thou	3
much as from	3
enter queene and	3
himself as the	3
the king shal	3
a little month	3
the centre of	3
to work up	3
by the very	3
of the prince	3
when in reality	3
of a sparrow	3
accordance with his	3
not think it	3
the father of	3
such as it	3
beginning of the	3
was a most	3
but i do	3
they say the	3
is not yet	3
the burning eyes	3
behinde the arras	3
was no more	3
said to his	3
the voice of	3
cries out against	3
preface to his	3
lady in thy	3
of the thing	3
of that which	3
is the king	3
fatted all the	3
lowest scorn of	3
should be represented	3
his mother and	3
by the children	3
is not easy	3
of his iaw	3
sight the happy	3
said to you	3
this scene is	3
to the queene	3
how came he	3
now you speake	3
were to be	3
whose sight the	3
back from the	3
the actors are	3
not a thing	3
i think the	3
all his actions	3
what art thou	3
a lover of	3
which is not	3
a manner as	3
into the mouth	3
of the soul	3
for he has	3
was a new	3
there you are	3
not with the	3
in the nd	3
in the question	3
the usurper to	3
general editors richard	3
an opportunity of	3
to show the	3
he loues you	3
the influence of	3
the ayre bites	3
is not madnesse	3
the beauty of	3
for us to	3
to his uncle	3
tell me one	3
the extreme unction	3
each of the	3
the majesty of	3
against the which	3
an houre of	3
the two meanings	3
after having been	3
briefe let me	3
the target of	3
away the worser	3
clowne shall make	3
have been an	3
with the body	3
this conscience makes	3
not so my	3
satisfied with the	3
of the famous	3
to his memory	3
on this side	3
so long as	3
for the occasion	3
said that the	3
at the age	3
cunning of the	3
where the body	3
to the spectators	3
a man to	3
after your death	3
beauty to the	3
with their fingers	3
of his friendship	3
hope of this	3
not his own	3
i holde it	3
the truth of	3
i haue scene	3
that hanmer was	3
like my father	3
see what i	3
this is what	3
what would he	3
the dramatic world	3
the whole piece	3
thou liest howling	3
of this passage	3
that our theory	3
as of a	3
for in the	3
of the past	3
one from the	3
haue a daughter	3
of this play	3
and i with	3
in thy memory	3
ghost that we	3
scorn of the	3
of those days	3
how the wheel	3
for the poor	3
thing is not	3
acted in the	3
vicious mole of	3
of that time	3
as against the	3
notice of the	3
the shedding of	3
from the hand	3
dreame of death	3
the whole plot	3
or like a	3
to the soule	3
is the more	3
to conform to	3
pleasure of his	3
direction of the	3
ile no more	3
should take it	3
man to be	3
it with all	3
care of kings	3
was one of	3
suggest that the	3
lord such a	3
beare the scornes	3
he might well	3
his friendship for	3
looke my lord	3
a letter of	3
image of a	3
to his sister	3
as for instance	3
for the first	3
by the lord	3
to suppresse his	3
used in the	3
them to their	3
long ago been	3
is a very	3
and shall i	3
ideal of a	3
i prethee tell	3
thence to a	3
brought in as	3
would think that	3
will riuet to	3
by which i	3
the latter in	3
being true to	3
what it is	3
fact of his	3
of the theatre	3
he is himself	3
is an honest	3
and his own	3
to your father	3
the happy smile	3
and as he	3
and when you	3
as appears in	3
harmony with the	3
and at last	3
to be of	3
the woman will	3
my sinnes remembred	3
i need not	3
ought to have	3
is nothing in	3
than the former	3
played by the	3
that shakspere was	3
that you know	3
to the folio	3
of a murder	3
in an essay	3
now the very	3
such an incident	3
through which he	3
delusion of our	3
if it had	3
not that i	3
in that respect	3
and the player	3
that his uncle	3
the cause and	3
the lowest scorn	3
hearsed in death	3
the sign of	3
what make you	3
him with the	3
it is common	3
he says to	3
she would hang	3
in his behaviour	3
and the accursed	3
at one time	3
you say right	3
in twelue venies	3
i forgot my	3
to the ancients	3
in that he	3
it is well	3
the widow being	3
of the year	3
of the foremost	3
and a spade	3
by john marston	3
is that all	3
is meant to	3
set it right	3
the very armour	3
more calamities besides	3
put it in	3
you must not	3
mutines in the	3
the very witching	3
voice of the	3
as to find	3
the ghost has	3
he has become	3
and you your	3
far as the	3
but i suspect	3
made to the	3
i must tell	3
city of london	3
of his mind	3
be nothing worth	3
and from which	3
he who would	3
of the channel	3
my lord such	3
the persons of	3
i must confess	3
of kings and	3
tragedie of hamlet	3
me by the	3
post with such	3
will not speake	3
most of our	3
is of a	3
have been one	3
what thinke you	3
not endeavour to	3
him with it	3
to us for	3
hand in hand	3
who has not	3
reade my lord	3
the stamp of	3
i am more	3
other side of	3
in the midst	3
of the sixteenth	3
from the same	3
rapier and dagger	3
i will be	3
the ground of	3
a misprint for	3
i am dead	3
and of our	3
fault in the	3
to my sonne	3
effect of the	3
i cannot but	3
of his madness	3
the rites of	3
conform to the	3
if thou art	3
and with his	3
the notion of	3
of act i	3
hold of him	3
the nd quarto	3
of great wit	3
reaches of our	3
in all these	3
and he hath	3
have had the	3
of my death	3
and all after	3
the devil is	3
you speake like	3
be any good	3
the behaviour of	3
they did not	3
and the queene	3
something of the	3
or three of	3
as mad as	3
on which she	3
more like my	3
they offend you	3
on the ground	3
for the very	3
for i must	3
a claim to	3
of what may	3
is mentioned in	3
or if thou	3
touching this dreaded	3
in the right	3
to me all	3
guilty of having	3
on his part	3
acted on the	3
the line of	3
who do not	3
to incestuous sheets	3
but with the	3
bound to take	3
of what the	3
is this a	3
not madnesse that	3
mortall as an	3
come to my	3
follows in st	3
and grace to	3
my heart of	3
that i do	3
is stated to	3
he means to	3
two months dead	3
that i will	3
and fixt his	3
the relation between	3
the second scene	3
take hold of	3
general order of	3
be held to	3
not possible to	3
right understanding of	3
there are some	3
had time to	3
for and a	3
as by the	3
murder of a	3
would hang on	3
to the lungs	3
and at the	3
flie to others	3
has long ago	3
in that scene	3
all my heart	3
in russet mantle	3
is necessary to	3
so haue i	3
the play upon	3
of the noble	3
on his knees	3
and we shall	3
part in the	3
by the hand	3
the tragedie of	3
these days of	3
by the latter	3
university of wittenberg	3
to be judged	3
as good as	3
rest of this	3
we have of	3
from the quarto	3
in his mind	3
likes vs well	3
do my lord	3
answer to the	3
the more i	3
may his full	3
the poet and	3
god blesse you	3
was to be	3
is the same	3
and for his	3
his full quietus	3
would be to	3
one in the	3
we may take	3
to the top	3
with the other	3
for looke you	3
of your maiden	3
put on the	3
of the principal	3
they call them	3
best of his	3
from the beginning	3
the play of	3
in the gods	3
is the matter	3
of the essay	3
i have given	3
why what a	3
that a man	3
in the bilboes	3
of raising a	3
come by and	3
florio and his	3
on the event	3
the fifth act	3
sit you downe	3
that they do	3
i do beseech	3
not to the	3
and we cast	3
in this and	3
here follows in	3
new shakspere society	3
a difference in	3
a stroke of	3
that i shall	3
the phrase would	3
there was nothing	3
the right of	3
would this indure	3
thou be a	3
leaue of you	3
though i am	3
on the one	3
on this booke	3
which turns the	3
in thy life	3
the idea that	3
who had been	3
find in him	3
should be the	3
usurper to death	3
like a camell	3
to her son	3
the whole conduct	3
into the world	3
thinke it was	3
the king had	3
name of the	3
give rise to	3
much in nature	3
the only one	3
that ends well	3
the right rich	3
is described as	3
to the most	3
his father had	3
had been the	3
to the more	3
are of a	3
mode of thought	3
say you are	3
some vicious mole	3
while some must	3
a few of	3
the commencement of	3
i haue no	3
place in the	3
is a play	3
of any other	3
yet the salt	3
more likely to	3
look upon the	3
allusion to hamlet	3
but the king	3
face of both	3
for some must	3
of act iii	3
in conformity to	3
free from all	3
have seen the	3
discourse of reason	3
worser part of	3
my leaue of	3
is not this	3
and the whole	3
then venome to	3
to ben jonson	3
far as i	3
the first time	3
free use of	3
or it might	3
those of a	3
to have a	3
are apt to	3
which we have	3
he cannot be	3
for the law	3
hamlet is a	3
finding fault with	3
in your silence	3
his own self	3
haue you heard	3
is easy to	3
to accuse himself	3
a few months	3
ile speake to	3
and in all	3
by the right	3
able to think	3
may be regarded	3
of this night	3
to the dane	3
of this tragedy	3
lord i will	3
the description of	3
to the matter	3
see how the	3
presence of the	3
between horatio and	3
in the fall	3
is your affaire	3
in the realm	3
such is the	3
appearance of the	3
is engaged in	3
her come in	3
but none of	3
the mind is	3
is for the	3
the ideas of	3
with regard to	3
is there not	3
i can tell	3
to judge of	3
the account of	3
me to the	3
we may suppose	3
to her hamlet	3
of his hero	3
and you shall	3
the title of	3
he is about	3
the most part	3
speake with you	3
a copy of	3
confidence in the	3
obedience to her	3
the city of	3
by what it	3
to the divine	3
them to the	3
to damne me	3
thoughts be bloody	3
man in his	3
a man lie	3
this dreaded sight	3
he should not	3
the kings maiesties	3
in the latter	3
do not think	3
your maiden presence	3
to one of	3
which may be	3
the midst of	3
the corner of	3
by the attack	3
in these lines	3
the last line	3
in these days	3
and change at	3
relation between the	3
is very well	3
that of hamlet	3
he may be	3
oh this is	3
change at that	3
a play in	3
his life to	3
could not but	3
according to their	3
whole plot of	3
as mortall as	3
doe not bleach	3
well as in	3
to grunt and	3
before the king	3
may be called	3
nephew to old	3
is no other	3
than that which	3
of the children	3
of it as	3
exerts himself to	3
the judgment of	3
ever and anon	3
a man must	3
such a ones	3
and say you	3
out of hell	3
to raise a	3
the passion of	3
the whole tenour	3
made of sheep	3
heere in the	3
trumpet to the	3
shapes our ends	3
the king doth	3
in the new	3
i am so	3
nor it cannot	3
is to say	3
watch the minutes	3
full quietus make	3
be guided by	3
the value of	3
you the watch	3
the age of	3
to touch upon	3
rich curssed of	3
he relates that	3
of the lord	3
do beseech you	3
vs rather beare	3
the clowne shall	3
how say you	3
i should take	3
the world away	3
on the ice	3
of his pieces	3
he to hecuba	3
and the devil	3
used in scotland	3
except my life	3
part of it	3
appearance of a	3
and this same	3
that he might	3
takes refuge in	3
same time that	3
this apparition come	3
of his nature	3
this soliloquy is	3
our last king	3
and the following	3
a little more	3
i would you	3
my loue is	3
taken down from	3
we find that	3
you are welcome	3
any part of	3
to prince hamlet	3
as to make	3
a man could	3
questions of the	3
that the prince	3
my sister be	3
your affaire in	3
as it stands	3
what was i	3
interview with the	3
i tell thee	3
his own hand	3
his uncle a	3
to human nature	3
it cannot come	3
of a great	3
corner of his	3
for the loss	3
go not to	3
the speeches of	3
in the reign	3
after the ghost	3
a man well	3
says to the	3
i speak of	3
to work out	3
more willingly part	3
the dramatic action	3
we cast away	3
doe you heare	3
of the truth	3
coat in these	3
friends of shakspere	3
i would have	3
of himself that	3
few of the	3
the hero of	3
for you shall	3
of a good	3
by some elder	3
if you be	3
given to him	3
the first book	3
whole conduct of	3
add to this	3
the speech is	3
of the action	3
but i am	3
have been written	3
that which we	3
the most popular	3
the habit of	3
a true taste	3
passages in the	3
this is one	3
but for the	3
to watch the	3
a hit against	3
in the domain	3
it had been	3
which had been	3
divers honest and	3
as regards his	3
still am i	3
it be not	3
then be false	3
of his contemporaries	3
a second time	3
the knowledge of	3
which is a	3
me thought it	3
it was very	3
understanding of hamlet	3
more than is	3
his own genius	3
of appetite had	3
and the more	3
the onely men	3
murder done in	3
of a nature	3
we are told	3
to his son	3
which i would	3
beginning of this	3
of his companions	3
by a certain	3
in this speech	3
speake like a	3
prejudice to the	3
of the fourth	3
dwelling in all	3
speech of hamlet	3
throw away the	3
to set it	3
take him for	3
you such a	3
nothing at all	3
it is our	3
but what is	3
from the very	3
not perfect conscience	3
it be observed	3
your silence still	3
to the present	3
it is most	3
you well my	3
shakspere in his	3
are set downe	3
we would have	3
which he made	3
the worser part	3
way to heauen	3
and happiest monarchs	3
drink hot blood	3
of that age	3
a damned ghost	3
parts of the	3
but now the	3
old doctrine heresie	3
of the q	3
of which it	3
him on to	3
for a moment	3
course of the	3
the subject of	3
hue of resolution	3
of the chapel	3
the trumpet to	3
it had already	3
little to the	3
one may smile	3
speake to her	3
be assumed that	3
not from his	3
be a breeder	3
long will a	3
from the fact	3
make you from	3
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me one thing	3
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