This is a table of type trigram and their frequencies. Use it to search & browse the list to learn more about your study carrel.
trigram | frequency |
---|---|
there is a | 197 |
one of the | 165 |
it is a | 118 |
out of the | 116 |
of the dead | 113 |
it is the | 99 |
there is no | 91 |
of the great | 85 |
it is not | 82 |
a review of | 80 |
a sort of | 76 |
in spite of | 76 |
i do not | 75 |
part of the | 74 |
of the sea | 74 |
and it is | 73 |
but it is | 71 |
of the japanese | 71 |
some of the | 70 |
there are no | 69 |
to have been | 69 |
of the gods | 68 |
as well as | 68 |
from le figaro | 67 |
the face of | 66 |
and all the | 65 |
side of the | 63 |
the sound of | 60 |
of the most | 60 |
that of the | 58 |
be able to | 57 |
the name of | 56 |
of the city | 56 |
according to the | 55 |
of the world | 54 |
he could not | 54 |
one of his | 53 |
of his own | 53 |
and there is | 53 |
the story of | 52 |
the first time | 52 |
and in the | 52 |
of which the | 51 |
of the temple | 51 |
and there are | 50 |
of the people | 50 |
the time of | 50 |
end of the | 49 |
of the little | 48 |
i have been | 48 |
to see the | 48 |
to be a | 47 |
there was a | 47 |
that he was | 47 |
for the first | 47 |
of the old | 46 |
so as to | 46 |
here and there | 46 |
in which the | 45 |
the subject of | 45 |
to look at | 45 |
he had been | 44 |
the soul of | 44 |
more and more | 44 |
the end of | 44 |
do not know | 44 |
it was a | 43 |
the fact that | 43 |
the idea of | 43 |
of the ancient | 42 |
this is the | 42 |
seems to have | 42 |
there was no | 41 |
that it was | 41 |
at this time | 40 |
on the subject | 40 |
in the west | 40 |
there are many | 39 |
the temple of | 39 |
of the sun | 39 |
that it is | 39 |
would have been | 38 |
because of the | 38 |
the sight of | 38 |
that he had | 38 |
of his life | 37 |
of lafcadio hearn | 37 |
of all the | 37 |
by lafcadio hearn | 37 |
the form of | 37 |
of the island | 37 |
life of the | 37 |
there is an | 37 |
the west indies | 37 |
the course of | 37 |
in order to | 37 |
of the east | 36 |
at the same | 36 |
most of the | 36 |
the shadow of | 36 |
more than a | 35 |
the memory of | 35 |
of unfamiliar japan | 35 |
i could not | 35 |
the spirit of | 35 |
the history of | 35 |
in front of | 35 |
on the other | 35 |
the foot of | 35 |
glimpses of unfamiliar | 34 |
is not a | 34 |
it is only | 34 |
it has been | 34 |
as soon as | 34 |
the head of | 34 |
to the temple | 33 |
in the morning | 33 |
one of those | 33 |
the life of | 33 |
in the same | 33 |
of the family | 33 |
the rest of | 32 |
a little while | 32 |
guy de maupassant | 32 |
the land of | 32 |
the same time | 32 |
by guy de | 32 |
to make a | 32 |
the heart of | 32 |
as in the | 32 |
the charm of | 32 |
in which he | 32 |
been able to | 32 |
and of the | 32 |
the beauty of | 32 |
the god of | 31 |
it would be | 31 |
a pair of | 31 |
he did not | 31 |
is not the | 31 |
seem to have | 31 |
the far east | 31 |
at the time | 31 |
the power of | 31 |
of the land | 31 |
the names of | 31 |
on either side | 30 |
of the west | 30 |
is in the | 30 |
way to the | 30 |
soul of the | 30 |
it is said | 30 |
the shape of | 30 |
but in the | 30 |
seems to me | 30 |
in the sun | 30 |
i am not | 30 |
back to the | 30 |
it was not | 29 |
must have been | 29 |
but there are | 29 |
in one of | 29 |
a number of | 29 |
there is nothing | 29 |
the sense of | 29 |
that of a | 29 |
the top of | 29 |
to the gods | 29 |
in the world | 29 |
the art of | 29 |
the light of | 28 |
the verge of | 28 |
it seems to | 28 |
to be seen | 28 |
seemed to me | 28 |
as that of | 28 |
the voice of | 28 |
the legend of | 28 |
is to be | 28 |
to make the | 28 |
in the tropics | 27 |
one of these | 27 |
at the foot | 27 |
which is the | 27 |
the place of | 27 |
through all the | 27 |
to do with | 27 |
is more than | 27 |
of the same | 27 |
the goddess of | 27 |
to have a | 27 |
sound of the | 27 |
face of the | 27 |
he was a | 27 |
to be found | 26 |
the sake of | 26 |
on the right | 26 |
two years in | 26 |
name of the | 26 |
up to the | 26 |
of the god | 26 |
of a great | 26 |
to me the | 26 |
of the house | 26 |
even in the | 25 |
is supposed to | 25 |
of a japanese | 25 |
so far as | 25 |
you do not | 25 |
of the day | 25 |
to the sea | 25 |
in a letter | 25 |
in consequence of | 25 |
to go to | 25 |
the french west | 25 |
i have seen | 25 |
festival of the | 25 |
is said to | 25 |
in the french | 25 |
the festival of | 25 |
close to the | 25 |
the united states | 25 |
for the sake | 25 |
is one of | 25 |
at that time | 25 |
not to be | 25 |
notes for chapter | 25 |
the new orleans | 24 |
at the end | 24 |
edge of the | 24 |
to the japanese | 24 |
life and letters | 24 |
that he could | 24 |
of the first | 24 |
in the north | 24 |
of the new | 24 |
day of the | 24 |
of the country | 24 |
the other hand | 24 |
of the race | 24 |
there are two | 24 |
and on the | 24 |
those of the | 24 |
in the house | 24 |
in the middle | 24 |
but it was | 24 |
the city of | 24 |
either side of | 23 |
french west indies | 23 |
the old man | 23 |
gleanings in buddha | 23 |
to his sister | 23 |
the period of | 23 |
the edge of | 23 |
the presence of | 23 |
the old woman | 23 |
years in the | 23 |
that she was | 23 |
seems to be | 23 |
like that of | 23 |
the use of | 23 |
to be the | 23 |
was changed to | 23 |
to the great | 23 |
all at once | 23 |
the great temple | 23 |
of the far | 23 |
i have not | 23 |
the shrine of | 23 |
i did not | 23 |
brown and company | 23 |
the beginning of | 23 |
time of the | 23 |
in all the | 22 |
it is very | 22 |
was able to | 22 |
the people of | 22 |
the imperial university | 22 |
will not be | 22 |
but there is | 22 |
be found in | 22 |
two or three | 22 |
it was the | 22 |
manner in which | 22 |
is also a | 22 |
said to be | 22 |
front of the | 22 |
to the left | 22 |
so that the | 22 |
in the temple | 22 |
the house of | 22 |
the influence of | 22 |
of the river | 22 |
one or two | 22 |
in new orleans | 22 |
could not be | 22 |
the age of | 21 |
with all the | 21 |
may be seen | 21 |
as he was | 21 |
the feet of | 21 |
knowledge of the | 21 |
down to the | 21 |
in the old | 21 |
it is now | 21 |
in the city | 21 |
of one of | 21 |
that i have | 21 |
the life and | 21 |
spite of the | 21 |
to me that | 21 |
the streets of | 21 |
a sense of | 21 |
in new york | 21 |
the province of | 21 |
would seem to | 21 |
on the floor | 21 |
go to the | 21 |
of the night | 21 |
it had been | 21 |
to the house | 21 |
one hundred and | 21 |
it is true | 21 |
the milky way | 21 |
articles and reviews | 21 |
and the other | 21 |
shadow of the | 21 |
portion of the | 21 |
the number of | 21 |
to the right | 20 |
out of sight | 20 |
is that of | 20 |
the origin of | 20 |
as it is | 20 |
a great deal | 20 |
i see the | 20 |
do not think | 20 |
the way of | 20 |
and letters of | 20 |
mifflin and company | 20 |
to become a | 20 |
the souls of | 20 |
some of his | 20 |
beauty of the | 20 |
the romance of | 20 |
of the milky | 20 |
those who have | 20 |
hundred and fifty | 20 |
is only a | 20 |
on the left | 20 |
and the sea | 20 |
which he had | 20 |
foot of the | 20 |
the effect of | 20 |
he had a | 20 |
of a woman | 20 |
of new orleans | 20 |
the work of | 20 |
there is the | 19 |
romance of the | 19 |
it to be | 19 |
from the sea | 19 |
place of the | 19 |
one of them | 19 |
the coming of | 19 |
heart of the | 19 |
something of the | 19 |
such as the | 19 |
there is one | 19 |
i had been | 19 |
might have been | 19 |
and at the | 19 |
the colour of | 19 |
of a man | 19 |
here is a | 19 |
the size of | 19 |
used to be | 19 |
the normal school | 19 |
the eyes of | 19 |
member of the | 19 |
it is also | 19 |
may not be | 19 |
the world of | 19 |
it seemed to | 19 |
i have never | 19 |
than that of | 19 |
an attempt at | 19 |
of the sky | 19 |
in the great | 19 |
of the shrine | 19 |
it has a | 19 |
the body of | 19 |
for a moment | 19 |
and i have | 19 |
it is called | 19 |
in the midst | 19 |
top of the | 19 |
only by the | 19 |
is a little | 19 |
i am told | 18 |
have been a | 18 |
and that the | 18 |
attempt at interpretation | 18 |
due to the | 18 |
the image of | 18 |
many of the | 18 |
of which i | 18 |
the village of | 18 |
the bottom of | 18 |
there is not | 18 |
look at the | 18 |
of the town | 18 |
trench and company | 18 |
the dream of | 18 |
to have the | 18 |
if he had | 18 |
and a half | 18 |
of the south | 18 |
of the coast | 18 |
all sorts of | 18 |
voice of the | 18 |
the most beautiful | 18 |
the appearance of | 18 |
of a beautiful | 18 |
in a little | 18 |
it is more | 18 |
and to the | 18 |
letters of lafcadio | 18 |
more than one | 18 |
to those who | 18 |
of those who | 18 |
and from the | 18 |
is the most | 18 |
the nature of | 18 |
this is a | 18 |
supposed to be | 18 |
they do not | 18 |
idea of the | 18 |
of the man | 18 |
verge of the | 18 |
he was not | 18 |
the middle of | 18 |
it is well | 18 |
a series of | 18 |
up and down | 18 |
greater part of | 18 |
in the time | 18 |
the secret of | 18 |
it will be | 18 |
the sensation of | 18 |
of their own | 17 |
in the land | 17 |
the open ports | 17 |
shrine of the | 17 |
for it is | 17 |
more than the | 17 |
of the whole | 17 |
of the good | 17 |
and in a | 17 |
the most ancient | 17 |
in the course | 17 |
the faces of | 17 |
in the island | 17 |
up from the | 17 |
green of the | 17 |
said to have | 17 |
head of the | 17 |
a kind of | 17 |
a part of | 17 |
as to the | 17 |
there is only | 17 |
of a little | 17 |
legend of the | 17 |
covered with a | 17 |
for more than | 17 |
a man of | 17 |
that i am | 17 |
i want to | 17 |
the greater part | 17 |
of a hundred | 17 |
of the french | 17 |
of the hill | 17 |
any of the | 17 |
out of his | 17 |
it is so | 17 |
and he was | 17 |
he began to | 17 |
as for the | 17 |
in those days | 17 |
sight of the | 17 |
of the street | 17 |
is said that | 17 |
only a few | 17 |
into the sea | 17 |
a few years | 17 |
charm of the | 17 |
was one of | 17 |
of her own | 17 |
editor of the | 16 |
by the japanese | 16 |
the thought of | 16 |
in the street | 16 |
in the centre | 16 |
of the water | 16 |
to say that | 16 |
as if they | 16 |
of a very | 16 |
if you have | 16 |
of the tropics | 16 |
in the japanese | 16 |
so much as | 16 |
rest of the | 16 |
you will find | 16 |
clapping of hands | 16 |
the manner of | 16 |
and i am | 16 |
and the little | 16 |
as a rule | 16 |
and with the | 16 |
in the way | 16 |
the best of | 16 |
to visit the | 16 |
he had no | 16 |
in the first | 16 |
point of view | 16 |
to the world | 16 |
at new orleans | 16 |
was replaced with | 16 |
of the hills | 16 |
of the three | 16 |
in the interior | 16 |
history of the | 16 |
given to the | 16 |
a very small | 16 |
form of a | 16 |
and it was | 16 |
would like to | 16 |
with a little | 16 |
to me to | 16 |
not at all | 16 |
in his own | 16 |
is a very | 16 |
in love with | 16 |
in the streets | 16 |
that i may | 16 |
feet of the | 16 |
which he was | 16 |
the other side | 16 |
the manner in | 16 |
that all the | 16 |
return to the | 15 |
a thousand years | 15 |
is called the | 15 |
that he would | 15 |
feet above the | 15 |
it is to | 15 |
of his work | 15 |
a letter to | 15 |
that in the | 15 |
face of a | 15 |
was not a | 15 |
and they are | 15 |
away from the | 15 |
there is also | 15 |
in a japanese | 15 |
in such a | 15 |
which is a | 15 |
it may be | 15 |
far as the | 15 |
of the beautiful | 15 |
he would not | 15 |
may have been | 15 |
as it was | 15 |
three or four | 15 |
we can see | 15 |
the smile of | 15 |
but they are | 15 |
some of them | 15 |
hundred years ago | 15 |
a host of | 15 |
that he should | 15 |
and that he | 15 |
of the holy | 15 |
as far as | 15 |
or at least | 15 |
the cost of | 15 |
i have a | 15 |
the value of | 15 |
and the whole | 15 |
goddess of the | 15 |
it is an | 15 |
in regard to | 15 |
the midst of | 15 |
use of the | 15 |
he would have | 15 |
had to be | 15 |
out of a | 15 |
he had to | 15 |
the summit of | 15 |
the death of | 15 |
these are the | 15 |
of the emperor | 15 |
this is not | 15 |
the roofs of | 15 |
temple of the | 15 |
but i have | 15 |
it must be | 15 |
shaped like a | 14 |
to the tropics | 14 |
did not know | 14 |
was a very | 14 |
of the life | 14 |
they are not | 14 |
at last the | 14 |
the title of | 14 |
the character of | 14 |
quarter of the | 14 |
attached to the | 14 |
it is in | 14 |
a long time | 14 |
of japanese life | 14 |
in the matter | 14 |
of the sacred | 14 |
is a great | 14 |
in a few | 14 |
but i am | 14 |
i wonder if | 14 |
it is believed | 14 |
the purpose of | 14 |
years of age | 14 |
after he had | 14 |
seem to be | 14 |
the centre of | 14 |
now and then | 14 |
of the past | 14 |
which it is | 14 |
the great deity | 14 |
and his wife | 14 |
light of the | 14 |
a general rule | 14 |
dream of a | 14 |
names of the | 14 |
it is impossible | 14 |
city of the | 14 |
faces of the | 14 |
street of the | 14 |
have been in | 14 |
the worship of | 14 |
came to the | 14 |
it in the | 14 |
the words of | 14 |
as a general | 14 |
him in the | 14 |
ought to be | 14 |
in the very | 14 |
the mystery of | 14 |
in the united | 14 |
parts of the | 14 |
of the fort | 14 |
the part of | 14 |
the absence of | 14 |
review of the | 14 |
to which he | 14 |
that i could | 14 |
middle of the | 14 |
a picture of | 14 |
and even the | 14 |
so that i | 14 |
he writes to | 14 |
in the village | 14 |
it to the | 14 |
is full of | 14 |
description of the | 14 |
in the country | 14 |
said to him | 14 |
to be able | 14 |
with regard to | 14 |
them in the | 14 |
the common people | 14 |
it would have | 14 |
story of the | 14 |
i think i | 14 |
to enter the | 13 |
i have had | 13 |
i saw a | 13 |
of the word | 13 |
the matter of | 13 |
as if he | 13 |
there will be | 13 |
there is little | 13 |
the japanese smile | 13 |
for him to | 13 |
to him in | 13 |
of the morning | 13 |
think it is | 13 |
which is in | 13 |
at a time | 13 |
roofs of the | 13 |
eyes of the | 13 |
because it is | 13 |
as it were | 13 |
could not have | 13 |
form of the | 13 |
to me a | 13 |
to the west | 13 |
in the imperial | 13 |
well as the | 13 |
to take a | 13 |
of the deity | 13 |
and by the | 13 |
which has been | 13 |
of thought and | 13 |
it is no | 13 |
there can be | 13 |
not less than | 13 |
the song of | 13 |
placed in the | 13 |
boston and new | 13 |
province of the | 13 |
one in the | 13 |
you will see | 13 |
a beautiful woman | 13 |
the ghost of | 13 |
other side of | 13 |
if there be | 13 |
is that the | 13 |
of his first | 13 |
the daughter of | 13 |
there are only | 13 |
so long as | 13 |
the study of | 13 |
and new york | 13 |
of the present | 13 |
the kobe chronicle | 13 |
he has a | 13 |
i used to | 13 |
in the night | 13 |
parts of japan | 13 |
seemed to have | 13 |
the air is | 13 |
to see her | 13 |
the water of | 13 |
the son of | 13 |
of the light | 13 |
to return to | 13 |
the speech of | 13 |
the love of | 13 |
place in the | 13 |
of old japan | 13 |
of the antilles | 13 |
of the festival | 13 |
that you are | 13 |
as they are | 13 |
when he was | 13 |
i am going | 13 |
at all events | 13 |
you are not | 13 |
the language of | 13 |
of the place | 13 |
view of the | 13 |
in the garden | 13 |
for a little | 13 |
in the orient | 13 |
there are also | 13 |
to the river | 13 |
but he was | 13 |
the voices of | 13 |
more or less | 13 |
to find out | 13 |
under the title | 13 |
i can see | 13 |
right and left | 13 |
the loss of | 13 |
more than two | 13 |
only in the | 13 |
the result of | 13 |
in ghostly japan | 13 |
head of a | 13 |
i see a | 13 |
for a time | 13 |
is believed to | 13 |
by no means | 12 |
great deity of | 12 |
out in the | 12 |
the glory of | 12 |
review of japan | 12 |
of the moon | 12 |
the dust of | 12 |
looked upon as | 12 |
what is the | 12 |
the gate of | 12 |
and a little | 12 |
years of his | 12 |
the mother of | 12 |
of the eyes | 12 |
to and fro | 12 |
origin of the | 12 |
members of the | 12 |
the hearts of | 12 |
of the child | 12 |
the mouth of | 12 |
the most part | 12 |
period of the | 12 |
he does not | 12 |
in the neighbourhood | 12 |
of the bay | 12 |
of any sort | 12 |
of the antique | 12 |
in the presence | 12 |
went to the | 12 |
i am now | 12 |
was of the | 12 |
you can see | 12 |
beginning of the | 12 |
during the course | 12 |
image of the | 12 |
to the other | 12 |
and then the | 12 |
the lady of | 12 |
in the other | 12 |
of the seventh | 12 |
to do so | 12 |
the whole of | 12 |
character of the | 12 |
a group of | 12 |
visit to the | 12 |
exotics and retrospectives | 12 |
there is something | 12 |
the last time | 12 |
to right and | 12 |
work of the | 12 |
was only a | 12 |
power of the | 12 |
the color of | 12 |
one of my | 12 |
are to be | 12 |
on which the | 12 |
little more than | 12 |
it was only | 12 |
in the dark | 12 |
of the goddess | 12 |
of the black | 12 |
it is of | 12 |
sense of the | 12 |
of the kami | 12 |
and there was | 12 |
you will be | 12 |
as much as | 12 |
basil hall chamberlain | 12 |
at grande anse | 12 |
seemed to be | 12 |
all this is | 12 |
low and company | 12 |
he is a | 12 |
the meaning of | 12 |
found in the | 12 |
come to the | 12 |
in the light | 12 |
the existence of | 12 |
the women of | 12 |
that the japanese | 12 |
he was in | 12 |
appears to have | 12 |
of the last | 12 |
was wont to | 12 |
you will not | 12 |
for the purpose | 12 |
do with the | 12 |
can only be | 12 |
to be very | 12 |
to watch the | 12 |
for the most | 12 |
not likely to | 12 |
that he might | 12 |
the fact of | 12 |
the majority of | 12 |
summit of the | 12 |
of which he | 12 |
there were no | 12 |
the hand of | 12 |
the heads of | 12 |
most of them | 12 |
jardin des plantes | 12 |
is covered with | 12 |
by those who | 12 |
to the fact | 12 |
trip to the | 12 |
but for the | 12 |
had been a | 12 |
the jardin des | 12 |
i know not | 12 |
you are a | 12 |
of the kojiki | 12 |
as a child | 11 |
not have been | 11 |
only as a | 11 |
harper and brothers | 11 |
of morne rouge | 11 |
of his genius | 11 |
the ancient gods | 11 |
say that the | 11 |
that they are | 11 |
of the white | 11 |
the vision of | 11 |
the same thing | 11 |
able to do | 11 |
much more than | 11 |
the children of | 11 |
the owner of | 11 |
the touch of | 11 |
of the north | 11 |
belonging to the | 11 |
if i were | 11 |
in a very | 11 |
a memory of | 11 |
the murmur of | 11 |
he had left | 11 |
life in the | 11 |
the passing of | 11 |
a japanese miscellany | 11 |
to live in | 11 |
the semblance of | 11 |
a land of | 11 |
to left and | 11 |
with all its | 11 |
that they have | 11 |
of the poor | 11 |
and these are | 11 |
at one end | 11 |
which are the | 11 |
and if you | 11 |
the tale of | 11 |
me that i | 11 |
it is difficult | 11 |
of such a | 11 |
have not yet | 11 |
the impression of | 11 |
the side of | 11 |
belongs to the | 11 |
him that he | 11 |
me to the | 11 |
the possibility of | 11 |
their way to | 11 |
shape of a | 11 |
of young girls | 11 |
sooner or later | 11 |
during the last | 11 |
leading to the | 11 |
all his life | 11 |
a world of | 11 |
a good deal | 11 |
can be no | 11 |
with the same | 11 |
in accordance with | 11 |
because of his | 11 |
the ghosts of | 11 |
the hands of | 11 |
the sixteenth day | 11 |
is difficult to | 11 |
at a distance | 11 |
in the shadow | 11 |
of the wind | 11 |
of all that | 11 |
and the more | 11 |
at least a | 11 |
he must have | 11 |
the back of | 11 |
down upon the | 11 |
i find myself | 11 |
i have no | 11 |
the lights of | 11 |
he is not | 11 |
account of the | 11 |
the hair of | 11 |
which i have | 11 |
on the part | 11 |
clap their hands | 11 |
the knowledge of | 11 |
a period of | 11 |
of the year | 11 |
and as the | 11 |
or in the | 11 |
i saw the | 11 |
it is all | 11 |
so that he | 11 |
was obliged to | 11 |
a hundred years | 11 |
is apt to | 11 |
she does not | 11 |
vision of the | 11 |
students of the | 11 |
coming of the | 11 |
to dream of | 11 |
to the very | 11 |
from time to | 11 |
in the dead | 11 |
the japanese are | 11 |
where there is | 11 |
of the province | 11 |
is true that | 11 |
all that is | 11 |
his arrival in | 11 |
memory of the | 11 |
color of the | 11 |
needless to say | 11 |
by reason of | 11 |
the day of | 11 |
was to be | 11 |
mouth of the | 11 |
the direction of | 11 |
left and right | 11 |
never heard of | 11 |
is also the | 11 |
of a child | 11 |
the entrance of | 11 |
the morning of | 11 |
in the far | 11 |
not seem to | 11 |
in this world | 11 |
is like the | 11 |
there have been | 11 |
connected with the | 11 |
his way to | 11 |
for the last | 11 |
story of a | 11 |
the new york | 11 |
the sum of | 11 |
the product of | 11 |
a line of | 11 |
sake of the | 11 |
a glimpse of | 11 |
those who are | 11 |
and in this | 11 |
at last to | 11 |
there may be | 11 |
the multitude of | 11 |
he came to | 11 |
is able to | 11 |
of the best | 11 |
the results of | 11 |
as to his | 11 |
he went to | 11 |
of grande anse | 11 |
they have been | 11 |
in the province | 11 |
there are some | 11 |
up in the | 11 |
on the ground | 11 |
time to time | 11 |
but this is | 11 |
as in a | 11 |
of the women | 11 |
the pleasure of | 11 |
whose name was | 11 |
in the air | 11 |
other parts of | 11 |
to his own | 11 |
of my own | 11 |
in vain for | 11 |
the strength of | 11 |
i would like | 11 |
published in the | 10 |
as i am | 10 |
i know that | 10 |
land of the | 10 |
the little ones | 10 |
a buddhist temple | 10 |
speaking of the | 10 |
way of the | 10 |
to see it | 10 |
the whole world | 10 |
by one of | 10 |
regard to the | 10 |
in the shape | 10 |
for the dead | 10 |
the green of | 10 |
for a few | 10 |
a japanese garden | 10 |
that is a | 10 |
a great many | 10 |
to give the | 10 |
there was not | 10 |
of the normal | 10 |
the region of | 10 |
and i see | 10 |
the habit of | 10 |
at once the | 10 |
what is called | 10 |
probably in t | 10 |
the rim of | 10 |
owner of the | 10 |
chant of the | 10 |
the shadows of | 10 |
sign of the | 10 |
down on the | 10 |
it is as | 10 |
of gleanings in | 10 |
instead of the | 10 |
sense of beauty | 10 |
the interior of | 10 |
after his death | 10 |
she had been | 10 |
you may have | 10 |
laid upon the | 10 |
murmur of the | 10 |
out of which | 10 |
but it has | 10 |
by way of | 10 |
the main street | 10 |
a west indian | 10 |
i think it | 10 |
of that which | 10 |
afraid of the | 10 |
in this country | 10 |
of the book | 10 |
again and again | 10 |
and you will | 10 |
do not believe | 10 |
i ever saw | 10 |
body of a | 10 |
is impossible to | 10 |
to catch the | 10 |
i think that | 10 |
and when the | 10 |
of the living | 10 |
the door of | 10 |
the young man | 10 |
of the woman | 10 |
of filial piety | 10 |
of the other | 10 |
a few of | 10 |
think of the | 10 |
the writing of | 10 |
am going to | 10 |
have been so | 10 |
the temple court | 10 |
very fond of | 10 |
been given to | 10 |
great temple of | 10 |
the great bell | 10 |
letter to his | 10 |
the figure of | 10 |
in the case | 10 |
rim of the | 10 |
of the spirit | 10 |
the mind of | 10 |
the sea of | 10 |
when i was | 10 |
made by the | 10 |
but i do | 10 |
and all that | 10 |
the grace of | 10 |
him as a | 10 |
to find a | 10 |
a matter of | 10 |
of the temples | 10 |
staff of the | 10 |
in a country | 10 |
is easy to | 10 |
she was a | 10 |
the walls of | 10 |
you must not | 10 |
bottom of the | 10 |
to that of | 10 |
and i think | 10 |
to the top | 10 |
is not so | 10 |
upon the floor | 10 |
the folds of | 10 |
to the memory | 10 |
left of the | 10 |
made to the | 10 |
than any other | 10 |
among the people | 10 |
it was found | 10 |
one must not | 10 |
at one time | 10 |
while he was | 10 |
thought of the | 10 |
worship of the | 10 |
that i was | 10 |
of the heart | 10 |
revue de paris | 10 |
of the children | 10 |
a story of | 10 |
being able to | 10 |
and this is | 10 |
morning of the | 10 |
in lieu of | 10 |
spirit of the | 10 |
made up of | 10 |
of a myriad | 10 |
of the soul | 10 |
the most interesting | 10 |
but there was | 10 |
a letter from | 10 |
there came to | 10 |
the height of | 10 |
it was in | 10 |
at the top | 10 |
on one side | 10 |
and began to | 10 |
is no longer | 10 |
the farther end | 10 |
for a long | 10 |
of white paper | 10 |
the work is | 10 |
on the way | 10 |
size of the | 10 |
and the old | 10 |
that i might | 10 |
seen in the | 10 |
the clapping of | 10 |
like a great | 10 |
many of these | 10 |
of the creole | 10 |
of her little | 10 |
to think of | 10 |
to take the | 10 |
to the horizon | 10 |
towards the end | 10 |
subject of the | 10 |
the staff of | 10 |
a piece of | 10 |
blue of the | 10 |
is always a | 10 |
the lives of | 10 |
the attitude of | 10 |
of our own | 10 |
to see me | 10 |
voices of the | 10 |
want to see | 10 |
is made to | 10 |
he saw the | 10 |
would not be | 10 |
the west indian | 10 |
in our own | 10 |
should not be | 10 |
of the village | 10 |
two hundred years | 10 |
with which the | 10 |
the future of | 10 |
of which a | 10 |
that he has | 10 |
of the moment | 10 |
supposed to have | 10 |
child of the | 10 |
the splendour of | 10 |
than in the | 10 |
the case of | 10 |
the japanese sea | 10 |
at regular intervals | 10 |
no less than | 9 |
a myriad souls | 9 |
month of the | 9 |
the tip of | 9 |
love of the | 9 |
the river of | 9 |
in the face | 9 |
is only the | 9 |
she could not | 9 |
of the buddhist | 9 |
and after a | 9 |
is simply a | 9 |
four or five | 9 |
on the staff | 9 |
and then he | 9 |
that they were | 9 |
the population of | 9 |
found that the | 9 |
he found himself | 9 |
they seem to | 9 |
series of letters | 9 |
the colors of | 9 |
not know what | 9 |
the sky is | 9 |
centre of the | 9 |
in the most | 9 |
one who has | 9 |
dream of the | 9 |
hundred and sixty | 9 |
nature of the | 9 |
if i had | 9 |
speech of the | 9 |
the first to | 9 |
but if you | 9 |
end of a | 9 |
as the sun | 9 |
leads the way | 9 |
told him that | 9 |
there comes to | 9 |
to leave the | 9 |
of a single | 9 |
in the water | 9 |
the island of | 9 |
charles bush hearn | 9 |
the hair is | 9 |
the nineteenth century | 9 |
of the commercial | 9 |
that there were | 9 |
there has been | 9 |
study of the | 9 |
thousands of miles | 9 |
but he had | 9 |
it may not | 9 |
a member of | 9 |
the gods of | 9 |
of the gruesome | 9 |
but the most | 9 |
of a certain | 9 |
the dead are | 9 |
look for the | 9 |
morne de la | 9 |
is likely to | 9 |
in the direction | 9 |
is a long | 9 |
the neighbourhood of | 9 |
made in the | 9 |
peculiar to the | 9 |
was a great | 9 |
that there are | 9 |
imperial university of | 9 |
concerning lafcadio hearn | 9 |
entrance of the | 9 |
and as he | 9 |
she seemed to | 9 |
it from the | 9 |
the hour of | 9 |
that we are | 9 |
in one hand | 9 |
effect of the | 9 |
are filled with | 9 |
he said to | 9 |
have been made | 9 |
in any other | 9 |
are supposed to | 9 |
with the japanese | 9 |
the expression of | 9 |
as those of | 9 |
was the first | 9 |
of the household | 9 |
for it was | 9 |
would be a | 9 |
in his hand | 9 |
for the use | 9 |
me that the | 9 |
more than once | 9 |
is well to | 9 |
never to be | 9 |
once more the | 9 |
land of izumo | 9 |
and when he | 9 |
as if it | 9 |
the author of | 9 |
daughter of the | 9 |
to the old | 9 |
court of the | 9 |
and the long | 9 |
the la guayra | 9 |
of the lake | 9 |
the gift of | 9 |
who had been | 9 |
is given to | 9 |
that is to | 9 |
to each other | 9 |
have been able | 9 |
have been the | 9 |
by the most | 9 |
he alludes to | 9 |
in the corner | 9 |
by all the | 9 |
are in the | 9 |
and i was | 9 |
house of the | 9 |
the religion of | 9 |
of the august | 9 |
of stone steps | 9 |
that the first | 9 |
been in the | 9 |
the street of | 9 |
of the roxelane | 9 |
the family of | 9 |
farther end of | 9 |
before the shrine | 9 |
of the original | 9 |
is the first | 9 |
naked to the | 9 |
of a long | 9 |
of one hundred | 9 |
soon as the | 9 |
you may see | 9 |
a much more | 9 |
back to me | 9 |
to a great | 9 |
of the future | 9 |
the holy ghost | 9 |
they could not | 9 |
does not seem | 9 |
which had been | 9 |
and at last | 9 |
the grande rue | 9 |
the condition of | 9 |
the seventh month | 9 |
to the little | 9 |
in all things | 9 |
for some time | 9 |
goddess of mercy | 9 |
from that of | 9 |
have not been | 9 |
of its own | 9 |
all of them | 9 |
period of his | 9 |
it is easy | 9 |
believed to be | 9 |
of his mind | 9 |
of the morne | 9 |
i have learned | 9 |
of a young | 9 |
the body is | 9 |
there was an | 9 |
of it is | 9 |
glimpse of the | 9 |
after having been | 9 |
he was able | 9 |
of one who | 9 |
are no more | 9 |
is much more | 9 |
of the mountain | 9 |
to the same | 9 |
known as the | 9 |
with all his | 9 |
and that is | 9 |
sight of a | 9 |
a few days | 9 |
from the first | 9 |
on his way | 9 |
of some of | 9 |
not the least | 9 |
produced by the | 9 |
me a little | 9 |
to the sun | 9 |
review of gleanings | 9 |
with a great | 9 |
it with a | 9 |
at the little | 9 |
to him as | 9 |
to the last | 9 |
by the fact | 9 |
through the streets | 9 |
who used to | 9 |
the truth of | 9 |
against the sky | 9 |
i will make | 9 |
of the common | 9 |
but the old | 9 |
we do not | 9 |
the chief city | 9 |
in the occident | 9 |
the sea is | 9 |
called by the | 9 |
in the ancient | 9 |
and the great | 9 |
the foundation of | 9 |
which i am | 9 |
i am the | 9 |
from the west | 9 |
face to face | 9 |
in the times | 9 |
it does not | 9 |
there in the | 9 |
of beauty and | 9 |
he was always | 9 |
father and mother | 9 |
few of the | 9 |
pass through the | 9 |
level with the | 9 |
i had ever | 9 |
of his letters | 9 |
lines of the | 9 |
are not the | 9 |
by which the | 9 |
the birth of | 9 |
by the gods | 9 |
it is quite | 9 |
to the place | 9 |
and the moon | 9 |
and the people | 9 |
to keep the | 9 |
where it is | 9 |
you begin to | 9 |
you see the | 9 |
which have been | 9 |
we can imagine | 9 |
any part of | 9 |
he had never | 9 |
and he saw | 9 |
a man who | 9 |
on both sides | 9 |
and full of | 9 |
not only the | 9 |
after his arrival | 9 |
at the university | 9 |
the point of | 9 |
to the wall | 9 |
on the summit | 9 |
the ionian islands | 9 |
and one of | 9 |
you know that | 9 |
art of the | 9 |
so that they | 9 |
cry of the | 9 |
there is another | 9 |
to look for | 9 |
and as we | 9 |
in the creole | 9 |
that had been | 8 |
side by side | 8 |
and as they | 8 |
high above the | 8 |
neighbourhood of the | 8 |
and when you | 8 |
of the young | 8 |
to be made | 8 |
arrival in japan | 8 |
cannot tell you | 8 |
to his friend | 8 |
they had been | 8 |
a very different | 8 |
one who is | 8 |
to go out | 8 |
a state of | 8 |
to my friend | 8 |
yet there is | 8 |
them to the | 8 |
the old japanese | 8 |
a portion of | 8 |
a very pretty | 8 |
to be used | 8 |
under the influence | 8 |
at first sight | 8 |
in answer to | 8 |
the high woods | 8 |
and yet the | 8 |
in the history | 8 |
of the body | 8 |
with a few | 8 |
to the meido | 8 |
the water is | 8 |
a band of | 8 |
as to have | 8 |
of the population | 8 |
lived in the | 8 |
and the sound | 8 |
of the tree | 8 |
he was an | 8 |
and could not | 8 |
to me by | 8 |
and the most | 8 |
at the head | 8 |
the wall of | 8 |
a certain amount | 8 |
it in a | 8 |
his life in | 8 |
the delight of | 8 |
in the patois | 8 |
of pure shinto | 8 |
it is plain | 8 |
a shrine of | 8 |
was that of | 8 |
for three days | 8 |
was going to | 8 |
the creole of | 8 |
of the fox | 8 |
was on the | 8 |
may be a | 8 |
to him the | 8 |
morning and evening | 8 |
colour of the | 8 |
get rid of | 8 |
under the shadow | 8 |
him in a | 8 |
for a hundred | 8 |
in which i | 8 |
one by one | 8 |
is the same | 8 |
the mountain of | 8 |
the men of | 8 |
i am only | 8 |
than two hundred | 8 |
you will have | 8 |
him in his | 8 |
at the door | 8 |
nearer to the | 8 |
the world is | 8 |
of the more | 8 |
de la croix | 8 |
the worth of | 8 |
from le voltaire | 8 |
and over the | 8 |
as of a | 8 |
a trip to | 8 |
the times democrat | 8 |
in the vast | 8 |
had never been | 8 |
of the inner | 8 |
owing to the | 8 |
course of his | 8 |
over and over | 8 |
you see a | 8 |
spirits of the | 8 |
the dance of | 8 |
new popular edition | 8 |
lions of stone | 8 |
and i do | 8 |
but i can | 8 |
lady of a | 8 |
in their own | 8 |
as if i | 8 |
that one is | 8 |
certain number of | 8 |
of the story | 8 |
consequence of the | 8 |
of his father | 8 |
is going to | 8 |
of it in | 8 |
himself in the | 8 |
which we are | 8 |
the line of | 8 |
is like a | 8 |
the details of | 8 |
from the raven | 8 |
seem to you | 8 |
the greater number | 8 |
he knew that | 8 |
it is really | 8 |
speaks of the | 8 |
sides of the | 8 |
if they had | 8 |
the servant of | 8 |
to such a | 8 |
you will never | 8 |
the risk of | 8 |
in the whole | 8 |
with a smile | 8 |
at the bottom | 8 |
during the period | 8 |
the book is | 8 |
the rising of | 8 |
the leaves of | 8 |
and to be | 8 |
when all the | 8 |
and of all | 8 |
of the way | 8 |
to ellwood hendrik | 8 |
that she should | 8 |
a vision of | 8 |
against the blue | 8 |
the sale of | 8 |
and the light | 8 |
in the book | 8 |
a couple of | 8 |
told us that | 8 |
it must have | 8 |
literature in the | 8 |
fastened to the | 8 |
we have no | 8 |
of the dance | 8 |
i was told | 8 |
statue of jizo | 8 |
des deux mondes | 8 |
appear to have | 8 |
it is necessary | 8 |
in the south | 8 |
through which the | 8 |
that i should | 8 |
english literature in | 8 |
had begun to | 8 |
who has been | 8 |
must be the | 8 |
i never saw | 8 |
for this is | 8 |
that it had | 8 |
day in the | 8 |
the recollection of | 8 |
that i had | 8 |
but when the | 8 |
door of the | 8 |
the more one | 8 |
list of illustrations | 8 |
by a single | 8 |
before the butsudan | 8 |
be seen in | 8 |
all the while | 8 |
the sun is | 8 |
ceased to be | 8 |
of the unseen | 8 |
he had received | 8 |
the morne de | 8 |
by the power | 8 |
in the least | 8 |
people of the | 8 |
to see and | 8 |
of the dragon | 8 |
at the feet | 8 |
i pray you | 8 |
are much more | 8 |
has not yet | 8 |
had ever seen | 8 |
that the old | 8 |
on their way | 8 |
to pay for | 8 |
you could not | 8 |
the old priest | 8 |
right of the | 8 |
of any kind | 8 |
you find yourself | 8 |
that i shall | 8 |
only at night | 8 |
you would not | 8 |
of the third | 8 |
all kinds of | 8 |
impressed by the | 8 |
men and women | 8 |
certain amount of | 8 |
a young girl | 8 |
a mass of | 8 |
spite of all | 8 |
he was sent | 8 |
the wisdom of | 8 |
quarter of a | 8 |
to the family | 8 |
to know that | 8 |
just such a | 8 |
gate of the | 8 |
is not in | 8 |
of the very | 8 |
they were all | 8 |
a dream of | 8 |
folds of the | 8 |
and the sun | 8 |
he was so | 8 |
it has its | 8 |
in order that | 8 |
in the blue | 8 |
in the court | 8 |
the old greek | 8 |
upon the water | 8 |
it is still | 8 |
letters from the | 8 |
the bones of | 8 |
to the dead | 8 |
at the beginning | 8 |
had been in | 8 |
and the night | 8 |
he seemed to | 8 |
of the samurai | 8 |
for a while | 8 |
of the western | 8 |
leaves of the | 8 |
in the beginning | 8 |
the close of | 8 |
at the moment | 8 |
in the heart | 8 |
it has become | 8 |
the women who | 8 |
was a man | 8 |
of the empire | 8 |
be made of | 8 |
revue des deux | 8 |
appearance of a | 8 |
had come to | 8 |
for the rest | 8 |
of the men | 8 |
figure of a | 8 |
what to do | 8 |
literature of the | 8 |
to enter into | 8 |
what he had | 8 |
the music of | 8 |
dreams of the | 8 |
the deity of | 8 |
in the little | 8 |
condition of the | 8 |
as we have | 8 |
from the city | 8 |
never have been | 8 |
in less than | 8 |
is nothing in | 8 |
worn by the | 8 |
the deities of | 8 |
of the surf | 8 |
the coast of | 8 |
a legend of | 8 |
to get to | 8 |
the days of | 8 |
i shall be | 8 |
an attempt to | 8 |
a certain number | 8 |
into the night | 8 |
the gaze of | 8 |
number of the | 8 |
at the farther | 8 |
great deal of | 8 |
the left of | 8 |
secret of the | 8 |
came to me | 8 |
half an hour | 8 |
a little boy | 8 |
if they were | 8 |
to learn that | 8 |
the base of | 8 |
is a small | 8 |
even to the | 8 |
that you will | 8 |
the father of | 8 |
on the morning | 8 |
always in the | 8 |
rising from the | 8 |
on the beach | 8 |
would not have | 8 |
written in the | 8 |
as to leave | 8 |
to find the | 8 |
less than two | 8 |
but on the | 8 |
that if he | 8 |
of little children | 8 |
some of these | 8 |
spite of his | 8 |
i cannot tell | 8 |
her husband and | 8 |
i went to | 8 |
work was done | 8 |
the jinjo chugakko | 8 |
well to remember | 8 |
the way to | 8 |
and that i | 8 |
but a few | 8 |
must not be | 8 |
at the river | 8 |
the state of | 8 |
a few minutes | 8 |
the fashion of | 8 |
the light is | 8 |
with his own | 8 |
a japanese citizen | 8 |
images of the | 8 |
is not likely | 8 |
a flight of | 8 |
translation of the | 8 |
the opinion of | 8 |
for there are | 8 |
tells me that | 8 |
of the buddha | 8 |
the spectacle of | 8 |
of glimpses of | 8 |
the weather is | 8 |
the lines of | 8 |
the shapes of | 8 |
no larger than | 8 |
the students of | 8 |
he used to | 8 |
of the human | 8 |
as i have | 8 |
could only be | 8 |
the weight of | 8 |
review of kokoro | 8 |
on either hand | 8 |
a multitude of | 8 |
open to the | 8 |
a hundred feet | 8 |
the genius of | 8 |
lights of the | 8 |
not so much | 8 |
in ancient times | 8 |
to the public | 8 |
contrast with the | 7 |
was in the | 7 |
of his japanese | 7 |
for all the | 7 |
from the time | 7 |
in a single | 7 |
and the beautiful | 7 |
some chinese ghosts | 7 |
of the harbor | 7 |
in the temples | 7 |
which is not | 7 |
in the present | 7 |
broken only by | 7 |
had time to | 7 |
the macmillan company | 7 |
of his stay | 7 |
up all the | 7 |
of the hands | 7 |
from grande anse | 7 |
i was a | 7 |
the statue of | 7 |
upon the same | 7 |
and became a | 7 |
to new york | 7 |
of the afternoon | 7 |
who have never | 7 |
the new year | 7 |
children of the | 7 |
i had to | 7 |
it is always | 7 |
attitude of the | 7 |
but these are | 7 |
what it is | 7 |
as of old | 7 |
to be an | 7 |
down from the | 7 |
to the ground | 7 |
the thunder of | 7 |
of the steps | 7 |
boys and girls | 7 |
an old woman | 7 |
if it were | 7 |
was made to | 7 |
like to see | 7 |
to make an | 7 |
that the fox | 7 |
a young man | 7 |
of the cavern | 7 |
a quarter of | 7 |
with a white | 7 |
in time of | 7 |
outside of the | 7 |
to feel the | 7 |
the glow of | 7 |
accustomed to the | 7 |
miss elizabeth bisland | 7 |
declared that he | 7 |
the ancient faith | 7 |
has always been | 7 |
a few hours | 7 |
the next day | 7 |
which he is | 7 |
of the colored | 7 |
one day he | 7 |
there is some | 7 |
is not to | 7 |
i may be | 7 |
can be seen | 7 |
i looked at | 7 |
can see the | 7 |
as to seem | 7 |
age of the | 7 |
that there is | 7 |
to all the | 7 |
from the french | 7 |
in his work | 7 |
of a race | 7 |
light of a | 7 |
to the most | 7 |
the tints of | 7 |
and is not | 7 |
all the way | 7 |
in his arms | 7 |
in the item | 7 |
it is perhaps | 7 |
hours of the | 7 |
one end of | 7 |
himself to the | 7 |
houses of the | 7 |
in the evening | 7 |
that if the | 7 |
should be made | 7 |
a midsummer trip | 7 |
the little town | 7 |
words of the | 7 |
in a certain | 7 |
to pass away | 7 |
proof of the | 7 |
that i cannot | 7 |
all the city | 7 |
a very large | 7 |
city of st | 7 |
shape of the | 7 |
two hundred and | 7 |
tale of the | 7 |
believed that the | 7 |
i think you | 7 |
appears to be | 7 |
the humming of | 7 |
along the shore | 7 |
all that he | 7 |
much of the | 7 |
belong to the | 7 |
no time to | 7 |
of the gate | 7 |
by the way | 7 |
the middle school | 7 |
the ways of | 7 |
at the first | 7 |
the boy was | 7 |
the sea and | 7 |
above all things | 7 |
night of the | 7 |
the magic of | 7 |
to buy a | 7 |
pays des revenants | 7 |
dance of the | 7 |
are made of | 7 |
the bulk of | 7 |
she has been | 7 |
the medium of | 7 |
as he could | 7 |
that he must | 7 |
the dreams of | 7 |
that you have | 7 |
he tried to | 7 |
feel as if | 7 |
of the boys | 7 |
in the rue | 7 |
that it will | 7 |
foot of a | 7 |
the place where | 7 |
hand of the | 7 |
the evening of | 7 |
a moment to | 7 |
invites us to | 7 |
of which is | 7 |
in japan is | 7 |
and i will | 7 |
heart of a | 7 |
of all these | 7 |
they will be | 7 |
down to sleep | 7 |
them from the | 7 |
there are a | 7 |
before his death | 7 |
was sent to | 7 |
to whom he | 7 |
even the most | 7 |
may be the | 7 |
of the strange | 7 |
through the open | 7 |
on which he | 7 |
by emile zola | 7 |
because there is | 7 |
is the temple | 7 |
by means of | 7 |
the night of | 7 |
is no sky | 7 |
it would not | 7 |
placed in a | 7 |
there is always | 7 |
it is much | 7 |
a visit to | 7 |
the home of | 7 |
it is because | 7 |
to understand the | 7 |
have to be | 7 |
a letter of | 7 |
a feeling of | 7 |
the surface of | 7 |
of one cent | 7 |
that there was | 7 |
take care of | 7 |
likely to be | 7 |
it was impossible | 7 |
he is now | 7 |
to a japanese | 7 |
of a buddhist | 7 |
midst of the | 7 |
of the road | 7 |
the court of | 7 |
from the heart | 7 |
on the evening | 7 |
over the mountains | 7 |
i had not | 7 |
in his life | 7 |
of a dead | 7 |
of the higher | 7 |
from the other | 7 |
i am a | 7 |
the rear of | 7 |
consequence of his | 7 |
the works of | 7 |
i am very | 7 |
perhaps you will | 7 |
as he had | 7 |
is believed that | 7 |
in the attitude | 7 |
rising of the | 7 |
if you will | 7 |
the tips of | 7 |
are made to | 7 |
end of his | 7 |
region of the | 7 |
of the head | 7 |
he was the | 7 |
part of his | 7 |
and the water | 7 |
to see them | 7 |
was more than | 7 |
for the moment | 7 |
away to the | 7 |
it with the | 7 |
is not of | 7 |
deity of kitzuki | 7 |
so that it | 7 |
that seem to | 7 |
and some of | 7 |
in a former | 7 |
could not help | 7 |
knows how to | 7 |
of the paper | 7 |
of nature and | 7 |
the approach of | 7 |
the desire to | 7 |
in the form | 7 |
to learn the | 7 |
in the habit | 7 |
the silence of | 7 |
and he said | 7 |
the temple is | 7 |
the ceremony of | 7 |
in the town | 7 |
of the foreign | 7 |
has never been | 7 |
of dead children | 7 |
the other day | 7 |
not like to | 7 |
on two sides | 7 |
exactly the same | 7 |
given to him | 7 |
to the end | 7 |
to hear the | 7 |
from strange literature | 7 |
the loveliness of | 7 |
by the new | 7 |
of the nature | 7 |
new orleans exposition | 7 |
faith of the | 7 |
all these things | 7 |
the picture of | 7 |
the introduction of | 7 |
of the natural | 7 |
professor basil hall | 7 |
not able to | 7 |
at once to | 7 |
known to the | 7 |
for the little | 7 |
a little book | 7 |
the right side | 7 |
could not even | 7 |
he was very | 7 |
a bit of | 7 |
they are all | 7 |
in the soul | 7 |
is dedicated to | 7 |
point of the | 7 |
at the great | 7 |
that she had | 7 |
in the offing | 7 |
there are several | 7 |
pray to the | 7 |
for the poor | 7 |
and over again | 7 |
and the girl | 7 |
each of the | 7 |
of the greatest | 7 |
he has not | 7 |
as in all | 7 |
meaning of the | 7 |
of the manner | 7 |
the house in | 7 |
about this time | 7 |
us in the | 7 |
in a great | 7 |
into the blue | 7 |
all in white | 7 |
it might be | 7 |
to follow the | 7 |
of the court | 7 |
to the waist | 7 |
who do not | 7 |
with the dead | 7 |
see his face | 7 |
only a little | 7 |
eyes of a | 7 |
et de morale | 7 |
of the sai | 7 |
tells us that | 7 |
is not only | 7 |
in the year | 7 |
the faith of | 7 |
to care for | 7 |
only to be | 7 |
they have no | 7 |
the same as | 7 |
the reflection of | 7 |
the difficulty of | 7 |
i found myself | 7 |
the antique world | 7 |
leaves from strange | 7 |
the man who | 7 |
at nishi okubo | 7 |
the cry of | 7 |
his father and | 7 |
living in the | 7 |
to see you | 7 |
the best and | 7 |
at the entrance | 7 |
of almost every | 7 |
of being a | 7 |
is to say | 7 |
water of the | 7 |
and the children | 7 |
of the tiny | 7 |
from the world | 7 |
the little man | 7 |
influence of the | 7 |
it is thought | 7 |
from each other | 7 |
the creole patois | 7 |
his wife and | 7 |
should have been | 7 |
comes to me | 7 |
which i had | 7 |
different parts of | 7 |
have had a | 7 |
while i am | 7 |
to the shrine | 7 |
as a teacher | 7 |
of the mornes | 7 |
whom he was | 7 |
of his wife | 7 |
twilight of the | 7 |
different from that | 7 |
year by year | 7 |
population of the | 7 |
to see what | 7 |
to see a | 7 |
to make them | 7 |
wisdom of the | 7 |
that is the | 7 |
to do it | 7 |
him from the | 7 |
the suggestion of | 7 |
the heat of | 7 |
are the most | 7 |
it is supposed | 7 |
died in the | 7 |
a word of | 7 |
none of the | 7 |
the inland sea | 7 |
this was the | 7 |
for me the | 7 |
the service of | 7 |
the poorer classes | 7 |
of more than | 7 |
figure of the | 7 |
made of a | 7 |
to be in | 7 |
and the sky | 7 |
of the kind | 7 |
to the soul | 7 |
but i think | 7 |
of course the | 7 |
such is the | 7 |
of the subject | 7 |
even in a | 7 |
and about the | 7 |
in almost every | 7 |
we reach a | 7 |
or at the | 7 |
there must be | 7 |
i should like | 7 |
in the family | 7 |
the dead is | 7 |
a photograph of | 7 |
of the eye | 7 |
is a beautiful | 7 |
prayer to the | 7 |
not the same | 7 |
inspired by the | 7 |
a tone of | 7 |
the right to | 7 |
of the waves | 7 |
on the contrary | 7 |
of the horizon | 7 |
that he is | 7 |
to die for | 7 |
before he went | 7 |
in which it | 7 |
or to the | 7 |
the custom to | 7 |
we were told | 7 |
of the garden | 7 |
difficult to describe | 7 |
body of the | 7 |
find in the | 7 |
not only in | 7 |
the construction of | 7 |
in the place | 7 |
things of the | 7 |
it impossible to | 7 |
filled with the | 7 |
that i can | 7 |
i hope to | 7 |
away in the | 7 |
the establishment of | 7 |
the corner of | 7 |
of the girl | 7 |
which does not | 7 |
more than any | 7 |
at home in | 7 |
midsummer trip to | 7 |
with a single | 7 |
if you are | 7 |
by the same | 7 |
early in the | 7 |
of the long | 7 |
the old days | 7 |
seemed to him | 7 |
but she is | 7 |
he has been | 7 |
of the peaks | 7 |
to tell me | 7 |
except in the | 7 |
the sign of | 7 |
of the question | 7 |
should like to | 7 |
and a few | 7 |
the night is | 7 |
lecturer on english | 7 |
as to form | 7 |
something like a | 7 |
had never seen | 7 |
breath of the | 7 |
from his own | 7 |
according to japanese | 7 |
on english literature | 7 |
into the water | 7 |
i was afraid | 7 |
of the air | 7 |
have been given | 7 |
she talks to | 7 |
of the high | 7 |
painted upon the | 7 |
of the orient | 7 |
has been the | 7 |
smile of the | 7 |
touch of the | 7 |
two thousand feet | 7 |
bed of the | 7 |
within a few | 7 |
hundreds of years | 7 |
rather than the | 7 |
of the fact | 7 |
refers to the | 7 |
sound of a | 7 |
that have been | 7 |
the same way | 7 |
and she is | 7 |
out of place | 7 |
in other parts | 7 |
nearly all the | 7 |
of a samurai | 7 |
at the temple | 7 |
live in the | 7 |
once a year | 7 |
account of his | 7 |
not be able | 7 |
from the water | 7 |
through the medium | 7 |
the little house | 7 |
the more i | 7 |
as if a | 7 |
i think the | 7 |
it used to | 7 |
of the kokuzo | 7 |
the pressure of | 7 |
he wanted to | 7 |
circle of the | 7 |
you want to | 7 |
to her in | 7 |
the space of | 7 |
a symbol of | 7 |
the twilight of | 7 |
it was one | 7 |
in the open | 7 |
well as a | 7 |
dwell in the | 7 |
to the ancient | 7 |
like the sound | 7 |
of a large | 7 |
at long intervals | 7 |
i was able | 7 |
though i am | 7 |
the teaching of | 7 |
but he is | 7 |
the houses of | 7 |
he had not | 7 |
to make him | 7 |
on account of | 7 |
a chance to | 7 |
even when the | 7 |
into the river | 7 |
in his letters | 7 |
come to him | 7 |
the dead of | 7 |
in the long | 7 |
of colour and | 7 |
and she had | 6 |
thought of a | 6 |
that the boy | 6 |
nothing but the | 6 |
front of him | 6 |
he thought of | 6 |
azure of the | 6 |
the ihai of | 6 |
and through the | 6 |
there was nothing | 6 |
and in another | 6 |
in the neighbouring | 6 |
the present volume | 6 |
able to obtain | 6 |
to get a | 6 |
of the boy | 6 |
only for the | 6 |
in the room | 6 |
he seems to | 6 |
new orleans period | 6 |
head in the | 6 |
they will not | 6 |
colors of the | 6 |
the same hour | 6 |
a knowledge of | 6 |
suggested by the | 6 |
majority of the | 6 |
a torii before | 6 |
in the capital | 6 |
he was wont | 6 |
had told him | 6 |
is at once | 6 |
it was no | 6 |
i found that | 6 |
the little fellow | 6 |
the joy of | 6 |
the expense of | 6 |
the description of | 6 |
souls of the | 6 |
the level of | 6 |
of the ancestors | 6 |
i thought it | 6 |
at the present | 6 |
this is called | 6 |
of this kind | 6 |
to a little | 6 |
from the country | 6 |
to follow her | 6 |
he wished to | 6 |
the pattering of | 6 |
be permitted to | 6 |
of a shinto | 6 |
again in the | 6 |
in the new | 6 |
are apt to | 6 |
i hear the | 6 |
at last he | 6 |
kept in the | 6 |
thick as a | 6 |
the garments of | 6 |
look at me | 6 |
and he made | 6 |
in the days | 6 |
the floor of | 6 |
have never seen | 6 |
the sweetness of | 6 |
for an instant | 6 |
have ceased to | 6 |
the temple was | 6 |
not yet been | 6 |
i have the | 6 |
enters into the | 6 |
one to the | 6 |
came to my | 6 |
a few months | 6 |
most ancient shrine | 6 |
afraid of them | 6 |
that was not | 6 |
be made to | 6 |
hundred years old | 6 |
the tradition of | 6 |
it is alleged | 6 |
has ever been | 6 |
and begin to | 6 |
the long white | 6 |
with which he | 6 |
of the illustrations | 6 |
always seems to | 6 |
to which i | 6 |
and out of | 6 |
have never been | 6 |
the most extraordinary | 6 |
the eighteenth century | 6 |