This is a table of type trigram and their frequencies. Use it to search & browse the list to learn more about your study carrel.
trigram | frequency |
---|---|
one of the | 42 |
as well as | 39 |
in the same | 36 |
a man of | 36 |
the man who | 34 |
it is not | 33 |
at the same | 31 |
the same time | 30 |
is to be | 28 |
to have been | 28 |
as soon as | 27 |
the life of | 27 |
the art of | 27 |
the midst of | 26 |
of his own | 26 |
and all the | 26 |
the name of | 25 |
of the odes | 24 |
to the gods | 24 |
the son of | 24 |
of the roman | 24 |
of the gods | 24 |
on the other | 23 |
the ars poetica | 21 |
part of the | 21 |
to be the | 21 |
of the first | 21 |
by no means | 20 |
the case of | 20 |
in the case | 20 |
out of the | 20 |
of the poet | 20 |
in the midst | 20 |
of the great | 20 |
i do not | 20 |
it is a | 20 |
of the two | 19 |
as it is | 19 |
i will not | 19 |
it may be | 19 |
there is no | 19 |
must have been | 19 |
of the city | 19 |
but it is | 18 |
of the world | 18 |
that you may | 18 |
it is the | 18 |
of the latin | 18 |
not to be | 17 |
of horace in | 17 |
that i have | 17 |
the end of | 17 |
to be a | 17 |
that i may | 17 |
the character of | 17 |
in the first | 17 |
we have seen | 17 |
there is the | 16 |
of all the | 16 |
the gods have | 16 |
i have been | 16 |
why do you | 16 |
the time of | 16 |
university of california | 16 |
the interpreter of | 16 |
this is the | 16 |
a matter of | 15 |
that of the | 15 |
the other hand | 15 |
on account of | 15 |
and to the | 15 |
and of the | 15 |
in the world | 15 |
of a man | 14 |
to make the | 14 |
of the day | 14 |
to be found | 14 |
if you would | 14 |
the history of | 14 |
is one of | 14 |
what is the | 14 |
that he had | 14 |
be able to | 14 |
that he was | 14 |
are to be | 14 |
horace in the | 14 |
i have not | 14 |
is not a | 14 |
in this manner | 13 |
of those who | 13 |
as you are | 13 |
in his own | 13 |
the odes of | 13 |
the age of | 13 |
art of architecture | 13 |
seems to have | 13 |
him in the | 13 |
odes of horace | 13 |
in the morning | 13 |
in such a | 13 |
which i have | 13 |
you will be | 13 |
you do not | 12 |
and in the | 12 |
he will not | 12 |
the same manner | 12 |
that you are | 12 |
sure to be | 12 |
that it is | 12 |
as to the | 12 |
the blood of | 12 |
in the country | 12 |
as in the | 12 |
in which the | 12 |
would not have | 12 |
the sons of | 12 |
william andrews clark | 12 |
and it is | 12 |
there is a | 12 |
clark memorial library | 12 |
the campus martius | 12 |
of the time | 12 |
andrews clark memorial | 12 |
do you think | 12 |
of the satires | 12 |
those of the | 12 |
if you will | 12 |
the use of | 12 |
i am not | 12 |
and with the | 12 |
the death of | 12 |
in which he | 12 |
it is in | 11 |
of the most | 11 |
of the lyre | 11 |
of the horatian | 11 |
you will not | 11 |
will not be | 11 |
but i have | 11 |
what shall i | 11 |
it will be | 11 |
it was not | 11 |
down to the | 11 |
the hands of | 11 |
book of the | 11 |
we may be | 11 |
in the following | 11 |
it has been | 11 |
on the whole | 11 |
he would have | 11 |
a mind to | 11 |
of his friends | 11 |
the sabine farm | 11 |
i am in | 11 |
you in the | 11 |
to the roman | 11 |
so far as | 11 |
land and sea | 11 |
the language of | 11 |
that i am | 11 |
fountain of bandusia | 11 |
the power of | 11 |
that he is | 11 |
life of the | 11 |
of the sea | 11 |
to the end | 11 |
if a man | 11 |
you are in | 10 |
why should i | 10 |
to take the | 10 |
if you can | 10 |
as much as | 10 |
he had been | 10 |
was to be | 10 |
art of poetry | 10 |
the gifts of | 10 |
in this way | 10 |
of the second | 10 |
of the earth | 10 |
by land and | 10 |
with regard to | 10 |
as long as | 10 |
he was not | 10 |
of the ancient | 10 |
of the state | 10 |
he does not | 10 |
the story of | 10 |
the first book | 10 |
which is the | 10 |
it would be | 10 |
when you are | 10 |
i may be | 10 |
all the world | 10 |
the following ode | 10 |
i would not | 10 |
he was a | 10 |
after he had | 10 |
but if you | 10 |
in the last | 10 |
the manner of | 10 |
those who have | 10 |
to whom the | 10 |
the names of | 10 |
the second book | 10 |
the middle age | 10 |
account of the | 10 |
the whole of | 10 |
he is not | 10 |
of the same | 10 |
is not to | 10 |
many of the | 10 |
to the ground | 10 |
is not the | 10 |
the satires and | 9 |
as we have | 9 |
all the while | 9 |
as far as | 9 |
which had been | 9 |
no more than | 9 |
the banks of | 9 |
the gift of | 9 |
son of the | 9 |
and of a | 9 |
of which he | 9 |
not in the | 9 |
with which he | 9 |
to which he | 9 |
the man of | 9 |
the poet of | 9 |
as i am | 9 |
of the art | 9 |
to see the | 9 |
be found in | 9 |
first book of | 9 |
side of the | 9 |
at length the | 9 |
of the original | 9 |
that he may | 9 |
but when the | 9 |
as i have | 9 |
is sure to | 9 |
of such a | 9 |
of the people | 9 |
the coming of | 9 |
at the time | 9 |
the wise man | 9 |
when i was | 9 |
it in the | 9 |
it was the | 9 |
to such a | 9 |
men of letters | 9 |
he is a | 9 |
may not be | 9 |
in the year | 9 |
if he had | 9 |
with me to | 9 |
it is true | 9 |
of the country | 9 |
of the human | 9 |
it is to | 9 |
if any one | 9 |
more and more | 9 |
in a word | 9 |
satires and epistles | 9 |
and at the | 9 |
some of the | 9 |
the rest of | 9 |
half of the | 9 |
together with the | 9 |
one of his | 9 |
the rule of | 9 |
the roman people | 9 |
that i was | 9 |
for you to | 9 |
the love of | 9 |
of men of | 9 |
if you are | 8 |
add to this | 8 |
the object of | 8 |
but at the | 8 |
the present day | 8 |
said to have | 8 |
a state of | 8 |
of the man | 8 |
as he was | 8 |
a man who | 8 |
the pleasures of | 8 |
as they are | 8 |
let him be | 8 |
the cause of | 8 |
likely to be | 8 |
but he who | 8 |
for the most | 8 |
i am a | 8 |
in the play | 8 |
any one should | 8 |
the charm of | 8 |
of the last | 8 |
if any person | 8 |
in the shade | 8 |
if i can | 8 |
he has been | 8 |
worthy of the | 8 |
the rules of | 8 |
poet of the | 8 |
he did not | 8 |
a few words | 8 |
end of the | 8 |
can not be | 8 |
in dread of | 8 |
them to the | 8 |
is that of | 8 |
in the middle | 8 |
translation of the | 8 |
we do not | 8 |
do you not | 8 |
the world of | 8 |
would you have | 8 |
in the manner | 8 |
the sound of | 8 |
by means of | 8 |
soon as the | 8 |
as a matter | 8 |
those who are | 8 |
the most part | 8 |
philosophy of life | 8 |
more than once | 8 |
to say that | 8 |
to that of | 8 |
let there be | 8 |
i should be | 8 |
if he be | 8 |
the gods of | 8 |
the field of | 8 |
more or less | 8 |
each of them | 8 |
are in the | 8 |
of the fourth | 8 |
when i am | 8 |
the fact that | 8 |
in order to | 8 |
when he was | 8 |
he who is | 8 |
more than a | 8 |
of the eighteenth | 8 |
greece and rome | 8 |
of a friend | 8 |
worthy to be | 8 |
the battle of | 8 |
to his friends | 8 |
to those who | 8 |
but what is | 8 |
in the field | 8 |
i did not | 8 |
the effect of | 8 |
the works of | 8 |
the influence of | 8 |
the beginning of | 8 |
if it be | 7 |
him to the | 7 |
found in the | 7 |
and where the | 7 |
effect of the | 7 |
the dynamic power | 7 |
out of a | 7 |
this is not | 7 |
me to be | 7 |
would not be | 7 |
of the few | 7 |
all the more | 7 |
the decline of | 7 |
and in a | 7 |
of the whole | 7 |
what i have | 7 |
the praises of | 7 |
on the ground | 7 |
those things which | 7 |
there are the | 7 |
by all the | 7 |
as if it | 7 |
such a manner | 7 |
some of them | 7 |
which he had | 7 |
that of a | 7 |
the happy isles | 7 |
which he was | 7 |
wise and good | 7 |
there are some | 7 |
dynamic power of | 7 |
interpreter of the | 7 |
the first of | 7 |
of horace is | 7 |
what would you | 7 |
in the latin | 7 |
as if he | 7 |
of this world | 7 |
up to the | 7 |
all the gods | 7 |
ought to be | 7 |
at any time | 7 |
that it was | 7 |
the presence of | 7 |
who does not | 7 |
all the rest | 7 |
nor does the | 7 |
of the civil | 7 |
the father of | 7 |
which he is | 7 |
out of place | 7 |
by his own | 7 |
the sources of | 7 |
the number of | 7 |
the wisdom of | 7 |
him as a | 7 |
with a few | 7 |
to speak of | 7 |
that which is | 7 |
the study of | 7 |
as it was | 7 |
which is not | 7 |
to the world | 7 |
to make a | 7 |
soon as he | 7 |
men of the | 7 |
would have been | 7 |
have been a | 7 |
the nature of | 7 |
it with a | 7 |
the middle of | 7 |
one of those | 7 |
nor do the | 7 |
i shall be | 7 |
seems to me | 7 |
as often as | 7 |
of the ars | 7 |
it is no | 7 |
you shall be | 7 |
as you please | 7 |
and i have | 7 |
him from the | 7 |
by way of | 7 |
as if you | 7 |
the fountain of | 7 |
for the future | 7 |
to the skies | 7 |
have a mind | 7 |
which may be | 7 |
to albius tibullus | 7 |
are apt to | 7 |
with him in | 7 |
you may be | 7 |
the lyric muse | 7 |
that for the | 7 |
is said to | 7 |
a writer of | 7 |
use of the | 7 |
if any thing | 7 |
that in the | 7 |
if i have | 7 |
is there a | 7 |
the gods with | 7 |
even in the | 7 |
lest you should | 7 |
his love of | 7 |
of your own | 7 |
that i might | 7 |
is in the | 7 |
say that i | 7 |
gods have heard | 7 |
and as a | 7 |
in spite of | 7 |
to his own | 7 |
to the same | 7 |
and in his | 7 |
the literature of | 7 |
he could not | 7 |
that i should | 7 |
with which the | 7 |
with that of | 7 |
to do with | 7 |
it is this | 7 |
power of horace | 7 |
the fourth line | 7 |
the subject of | 7 |
and for the | 7 |
it will not | 6 |
to him who | 6 |
the house of | 6 |
the gods above | 6 |
to give a | 6 |
do not you | 6 |
a match for | 6 |
literature of the | 6 |
and he who | 6 |
the appeal of | 6 |
the university of | 6 |
many of his | 6 |
a jar of | 6 |
let me have | 6 |
at any rate | 6 |
the fear of | 6 |
horace and the | 6 |
the mouth of | 6 |
an object of | 6 |
mistress of the | 6 |
should not be | 6 |
which it is | 6 |
as for me | 6 |
that he would | 6 |
at the very | 6 |
with his own | 6 |
of literature and | 6 |
of the dead | 6 |
music of the | 6 |
to be seen | 6 |
to the poor | 6 |
the augustan reprint | 6 |
and i am | 6 |
there was a | 6 |
you are not | 6 |
but he is | 6 |
well as the | 6 |
the hope of | 6 |
from his own | 6 |
to the sea | 6 |
to me to | 6 |
through all the | 6 |
to sing of | 6 |
in the course | 6 |
a hundred years | 6 |
in the hands | 6 |
of her own | 6 |
the same way | 6 |
i may not | 6 |
a life of | 6 |
the days of | 6 |
i have a | 6 |
one or two | 6 |
is not so | 6 |
the vanity of | 6 |
which he may | 6 |
to give them | 6 |
i shall not | 6 |
and the whole | 6 |
and more than | 6 |
because it is | 6 |
men in the | 6 |
to the great | 6 |
he is in | 6 |
the first half | 6 |
as they were | 6 |
the heart of | 6 |
the communion of | 6 |
than that of | 6 |
let it be | 6 |
when it is | 6 |
the theory of | 6 |
in my own | 6 |
such as the | 6 |
an end to | 6 |
the poet was | 6 |
and the public | 6 |
favour of the | 6 |
and such as | 6 |
to be thought | 6 |
of greece and | 6 |
first half of | 6 |
the destruction of | 6 |
of the past | 6 |
to me the | 6 |
of the heart | 6 |
to a man | 6 |
of my own | 6 |
on this account | 6 |
such is the | 6 |
horace the poet | 6 |
it is of | 6 |
you shall not | 6 |
it is that | 6 |
is not without | 6 |
is due to | 6 |
to any one | 6 |
our debt to | 6 |
if it is | 6 |
in the second | 6 |
by reason of | 6 |
by the way | 6 |
when he had | 6 |
he would not | 6 |
for those who | 6 |
for the country | 6 |
has been the | 6 |
of his youth | 6 |
when you have | 6 |
and what are | 6 |
none of the | 6 |
he seems to | 6 |
it was a | 6 |
man who is | 6 |
character of the | 6 |
there can be | 6 |
added to the | 6 |
so as to | 6 |
father of the | 6 |
at his own | 6 |
but it was | 6 |
may have been | 6 |
more than one | 6 |
which he has | 6 |
with the same | 6 |
at this time | 6 |
of a great | 6 |
the nineteenth century | 6 |
known as the | 6 |
apt to be | 6 |
it might be | 6 |
same manner as | 6 |
second book of | 6 |
to be in | 6 |
to the art | 6 |
of the mind | 6 |
horace and lydia | 6 |
of the present | 6 |
appear to have | 6 |
university of pennsylvania | 6 |
the gods that | 6 |
the spirit of | 6 |
with the first | 6 |
from the sabine | 6 |
we see him | 6 |
the summit of | 6 |
to our own | 6 |
down into the | 6 |
now and then | 6 |
the first place | 6 |
have been written | 6 |
in the woods | 6 |
was wont to | 6 |
the ground with | 6 |
to find a | 6 |
the secrets of | 6 |
midst of the | 6 |
the question of | 6 |
any of the | 6 |
as a man | 6 |
the praise of | 6 |
of men and | 6 |
of horace and | 6 |
great and small | 6 |
as i was | 6 |
which we have | 6 |
he who has | 6 |
in a state | 6 |
augustan reprint society | 6 |
of the empire | 6 |
the metre of | 5 |
was sure to | 5 |
the judgment of | 5 |
it is your | 5 |
the way to | 5 |
for a long | 5 |
to be of | 5 |
the cultivated few | 5 |
one while of | 5 |
of the english | 5 |
an example of | 5 |
matter of fact | 5 |
a great deal | 5 |
knows how to | 5 |
and by the | 5 |
what of that | 5 |
at the beginning | 5 |
that best of | 5 |
the sense of | 5 |
me to the | 5 |
while you may | 5 |
hands of the | 5 |
on the same | 5 |
side by side | 5 |
but i was | 5 |
there have been | 5 |
and the gods | 5 |
him in his | 5 |
of the epistles | 5 |
of the times | 5 |
with all the | 5 |
of the spring | 5 |
the ears of | 5 |
the poet himself | 5 |
to you in | 5 |
to aristius fuscus | 5 |
if i am | 5 |
for his own | 5 |
for it is | 5 |
of the western | 5 |
appears to be | 5 |
what sort of | 5 |
nor does he | 5 |
the form of | 5 |
this is a | 5 |
power of the | 5 |
in this respect | 5 |
battle of philippi | 5 |
if it were | 5 |
there are many | 5 |
the task of | 5 |
it is one | 5 |
i have translated | 5 |
can be no | 5 |
along with them | 5 |
of the stream | 5 |
in the present | 5 |
for all the | 5 |
this kind of | 5 |
as it were | 5 |
a translator of | 5 |
of the best | 5 |
you know the | 5 |
i have lived | 5 |
while i am | 5 |
was not a | 5 |
to have had | 5 |
nor did the | 5 |
life of horace | 5 |
these are the | 5 |
to a friend | 5 |
have heard my | 5 |
just as if | 5 |
to his country | 5 |
among his friends | 5 |
be in the | 5 |
the example of | 5 |
and the rest | 5 |
is in his | 5 |
to the purpose | 5 |
of poetry in | 5 |
blood of a | 5 |
to think of | 5 |
you as a | 5 |
is the best | 5 |
the same man | 5 |
had been a | 5 |
such a one | 5 |
he has not | 5 |
we are to | 5 |
a certain person | 5 |
at a distance | 5 |
by the gods | 5 |
at one time | 5 |
in your way | 5 |
i love the | 5 |
in his life | 5 |
you in my | 5 |
in the words | 5 |
if we are | 5 |
in the way | 5 |
it is better | 5 |
me in a | 5 |
as those of | 5 |
the cares of | 5 |
is for the | 5 |
the mass of | 5 |
the command of | 5 |
little of the | 5 |
to him and | 5 |
the nymphs and | 5 |
in the face | 5 |
the groves of | 5 |
i need not | 5 |
with a long | 5 |
young and old | 5 |
the inspiration of | 5 |
of a roman | 5 |
of this kind | 5 |
make and keep | 5 |
than in the | 5 |
virgil and varius | 5 |
to julius florus | 5 |
are not the | 5 |
the ways of | 5 |
with the original | 5 |
there is nothing | 5 |
from the time | 5 |
against his will | 5 |
sound of the | 5 |
a piece of | 5 |
the gates of | 5 |
to him by | 5 |
long as the | 5 |
the favor of | 5 |
upon the stage | 5 |
of human wishes | 5 |
if they were | 5 |
to use the | 5 |
of the schools | 5 |
of my soul | 5 |
the composition of | 5 |
you may not | 5 |
in an instant | 5 |
way to the | 5 |
to do the | 5 |
case of the | 5 |
have been the | 5 |
debt to greece | 5 |
at the end | 5 |
make use of | 5 |
the sight of | 5 |
it had been | 5 |
as a poet | 5 |
lies in the | 5 |
you have me | 5 |
on the esquiline | 5 |
was more than | 5 |
the words of | 5 |
such as may | 5 |
all the day | 5 |
example of the | 5 |
the risk of | 5 |
of human life | 5 |
the affairs of | 5 |
hold upon the | 5 |
the folly of | 5 |
addressed to maecenas | 5 |
the ear of | 5 |
to see a | 5 |
a few years | 5 |
what i am | 5 |
ode of the | 5 |
translations of the | 5 |
a kind of | 5 |
of the capital | 5 |
to the latin | 5 |
the translation of | 5 |
on the contrary | 5 |
in what manner | 5 |
the approach of | 5 |
him on the | 5 |
a man to | 5 |
the development of | 5 |
a sort of | 5 |
than those of | 5 |
and like a | 5 |
gifts of the | 5 |
as if the | 5 |
manner of the | 5 |
effect of horace | 5 |
or would you | 5 |
him by the | 5 |
work of art | 5 |
is a great | 5 |
the consulship of | 5 |
he must have | 5 |
by which he | 5 |
and now the | 5 |
to the pisos | 5 |
a train of | 5 |
it must have | 5 |
but as for | 5 |
in the earth | 5 |
the day is | 5 |
shall be the | 5 |
can never be | 5 |
horace is not | 5 |
the thought of | 5 |
the wealth of | 5 |
what do you | 5 |
delight in the | 5 |
may be seen | 5 |
calvus and catullus | 5 |
horace does not | 5 |
the course of | 5 |
in the deep | 5 |
whom he had | 5 |
of the society | 5 |
is known to | 5 |
this side the | 5 |
the walls of | 5 |
to be avoided | 5 |
in the original | 5 |
know how to | 5 |
a man in | 5 |
i might not | 5 |
the poem is | 5 |
is wont to | 5 |
the secular hymn | 5 |
of a better | 5 |
of the river | 5 |
whole of the | 5 |
of the former | 5 |
in the days | 5 |
if he will | 5 |
not all the | 5 |
shall be a | 5 |
as if they | 5 |
to whom he | 5 |
to go to | 5 |
the title of | 5 |
be ashamed of | 5 |
the friends of | 5 |
if you have | 5 |
and i will | 5 |
it seems to | 5 |
do the same | 5 |
as that of | 5 |
there is not | 5 |
the difference between | 5 |
at all events | 5 |
possession of the | 5 |
be that the | 5 |
spirit of the | 5 |
to greece and | 5 |
if he has | 5 |
the eighteenth century | 5 |
book of epistles | 5 |
through the midst | 5 |
the appearance of | 5 |
on this side | 5 |
to all the | 5 |
and when the | 5 |
of this class | 5 |
the law of | 5 |
on to the | 5 |
to be one | 5 |
the country and | 5 |
the good old | 5 |
all the other | 5 |
to his friend | 5 |
a long while | 5 |
to have a | 5 |
from the same | 5 |
but in the | 5 |
seems to be | 5 |
with many a | 5 |
the writing of | 5 |
source of the | 5 |
of which the | 5 |
of the metre | 5 |
and others of | 5 |
in the city | 5 |
would be as | 5 |
if he could | 5 |
say that it | 5 |
you with a | 5 |
that you would | 5 |
that there is | 5 |
which must have | 5 |
for my part | 5 |
in the history | 5 |
while it is | 5 |
the yellow tiber | 5 |
as a general | 5 |
as a whole | 5 |
be one of | 5 |
horace and his | 5 |
and to have | 5 |
story of the | 5 |
to me in | 5 |
the waters of | 5 |
the place of | 5 |
and that he | 5 |
just as the | 5 |
with all its | 5 |
the horatian lyric | 5 |
the empress of | 5 |
he will be | 5 |
not likely to | 5 |
of his odes | 5 |
you would have | 5 |
often in the | 5 |
the train of | 5 |
allusion to the | 5 |
a country life | 5 |
it to be | 5 |
the talk of | 5 |
which the poet | 5 |
of horace which | 5 |
as they say | 5 |
this and that | 5 |
as one of | 5 |
the will of | 5 |
when he is | 5 |
for he is | 5 |
the sire of | 5 |
speak of the | 5 |
and the other | 5 |
if there be | 5 |
if you were | 5 |
better than a | 5 |
the best of | 5 |
empress of morocco | 5 |
is the only | 5 |
same time that | 5 |
be seen in | 5 |
regard to the | 5 |
i was the | 5 |
one of them | 5 |
i n vain | 5 |
the purpose of | 5 |
vanity of human | 5 |
but there are | 5 |
there are who | 5 |
but if a | 5 |
such as these | 5 |
the limits of | 5 |
if you had | 5 |
heart of the | 5 |
of the new | 5 |
happens to be | 5 |
though you are | 5 |
time of the | 5 |
will be the | 5 |
that he might | 5 |
to the lyre | 5 |
sense of the | 5 |
beginning of the | 5 |
and he is | 5 |
away from the | 5 |
of the life | 5 |
of the kind | 5 |
horace the person | 5 |
for all his | 5 |
a general rule | 5 |
though he is | 5 |
shall i be | 5 |
more than he | 5 |
in one of | 5 |
with what a | 5 |
to the man | 5 |
to make his | 5 |
and with his | 5 |
the charms of | 5 |
to pay the | 4 |
the journey to | 4 |
at least as | 4 |
should be a | 4 |
all in all | 4 |
to be more | 4 |
through the whole | 4 |
of the next | 4 |
castilian and portuguese | 4 |
shall be thine | 4 |
not one of | 4 |
morrow shall be | 4 |
the institution of | 4 |
to represent the | 4 |
what is it | 4 |
addressed to the | 4 |
up in a | 4 |
to die for | 4 |
the first men | 4 |
nothing of his | 4 |
and his influence | 4 |
on the stage | 4 |
that knows no | 4 |
is an example | 4 |
difference between the | 4 |
take away the | 4 |
of the town | 4 |
of the woods | 4 |
in proportion to | 4 |
lover of the | 4 |
the difficulty of | 4 |
what are you | 4 |
of the farm | 4 |
horace did not | 4 |
which we should | 4 |
of the classics | 4 |
the appian way | 4 |
the sacred way | 4 |
so much as | 4 |
if it had | 4 |
all day long | 4 |
a long time | 4 |
nook of earth | 4 |
once on the | 4 |
now i am | 4 |
of your friends | 4 |
will you not | 4 |
of the gifts | 4 |
much of the | 4 |
from the sea | 4 |
a part of | 4 |
of the place | 4 |
in which i | 4 |
the poet has | 4 |
more than the | 4 |
the ashes of | 4 |
with him to | 4 |
sup with me | 4 |
of horace as | 4 |
only to be | 4 |
me in the | 4 |
and the arts | 4 |
and those of | 4 |
for more than | 4 |
regions of the | 4 |
the last sad | 4 |
on the left | 4 |
and search for | 4 |
death of the | 4 |
if i were | 4 |
in time of | 4 |
in his way | 4 |
of the epodes | 4 |
will be seen | 4 |
in any case | 4 |
the path of | 4 |
brutus and cassius | 4 |
how much better | 4 |
what he has | 4 |
match for the | 4 |
of the sabine | 4 |
in all things | 4 |
in a few | 4 |
should have a | 4 |
shall not be | 4 |
i shall say | 4 |
and you know | 4 |
comes and goes | 4 |
man of the | 4 |
has made a | 4 |
but it would | 4 |
the reason why | 4 |
it as a | 4 |
to what purpose | 4 |
appears to have | 4 |
which i had | 4 |
to suit the | 4 |
such a man | 4 |
you shun me | 4 |
would there have | 4 |
the poetry of | 4 |
in their senses | 4 |
whither are you | 4 |
and your own | 4 |
and to be | 4 |
in it the | 4 |
it is an | 4 |
in love with | 4 |
let your friend | 4 |
now it is | 4 |
literature and the | 4 |
the hour that | 4 |
put an end | 4 |
of the three | 4 |
from the crowd | 4 |
not to the | 4 |
there must be | 4 |
of the wanton | 4 |
open to the | 4 |
than he who | 4 |
be addressed to | 4 |
the intellectual life | 4 |
last of the | 4 |
what the poet | 4 |
to me that | 4 |
be given to | 4 |
it was to | 4 |
might be expected | 4 |
is the will | 4 |
the only one | 4 |
the italy of | 4 |
mentioned in the | 4 |
what though the | 4 |
you can not | 4 |
you will say | 4 |
the fashion to | 4 |
they must have | 4 |
that he can | 4 |
two or three | 4 |
why do we | 4 |
the look of | 4 |
is by no | 4 |
horace is the | 4 |
with a large | 4 |
and tell me | 4 |
the length of | 4 |
you need not | 4 |
right and wrong | 4 |
but when i | 4 |
are to the | 4 |
language of the | 4 |
and the moon | 4 |
of its own | 4 |
is true that | 4 |
come to this | 4 |
it was probably | 4 |
he may be | 4 |
that is not | 4 |
life in the | 4 |
the race of | 4 |
favors of the | 4 |
the work of | 4 |
be out of | 4 |
found to be | 4 |
interpreter of his | 4 |
and better as | 4 |
to this effect | 4 |
five years old | 4 |
on the shelf | 4 |
the waves of | 4 |
the south wind | 4 |
a good and | 4 |
that no one | 4 |
have not been | 4 |
of the vulgar | 4 |
to mistress pyrrha | 4 |
for i am | 4 |
rules which i | 4 |
my power to | 4 |
is the same | 4 |
best to get | 4 |
by and by | 4 |
to the fountain | 4 |
of the architectural | 4 |
at the sea | 4 |
be very sure | 4 |
the rage of | 4 |
edition of the | 4 |
the laws and | 4 |
more than those | 4 |
not without a | 4 |
the ode to | 4 |
in my way | 4 |
in war and | 4 |
nothing at all | 4 |
to lead the | 4 |
the living of | 4 |
to be reckoned | 4 |
if he is | 4 |
with a man | 4 |
from the east | 4 |
you back to | 4 |
the restless adriatic | 4 |
since you are | 4 |
the tables of | 4 |
to have the | 4 |
of the apulian | 4 |
not without the | 4 |
love the lyric | 4 |
lest he should | 4 |
i can not | 4 |
let not the | 4 |
to make you | 4 |
of his times | 4 |
me from the | 4 |
as might be | 4 |
on a time | 4 |
them with a | 4 |
dear knight maecenas | 4 |
their way to | 4 |
to be wise | 4 |
at his ease | 4 |
shall not wholly | 4 |
that loves the | 4 |
according to the | 4 |
not the only | 4 |
even to the | 4 |
to his book | 4 |
with the blood | 4 |
upon the earth | 4 |
the glory of | 4 |
the poet in | 4 |
jar of wine | 4 |
nor will i | 4 |
of the class | 4 |
fear of death | 4 |
the time to | 4 |
fume and fret | 4 |
as you would | 4 |
a tardy apology | 4 |
of what was | 4 |
the fields and | 4 |
it does not | 4 |
for the present | 4 |
cruel mother of | 4 |
give up the | 4 |
the soul of | 4 |
in the ode | 4 |
than any other | 4 |
by such a | 4 |
and what is | 4 |
year by year | 4 |
character of a | 4 |
ancient and modern | 4 |
the fourth book | 4 |
on every side | 4 |
great majority of | 4 |
of the year | 4 |
in the good | 4 |
of the rest | 4 |
to feel the | 4 |
here and there | 4 |
of his art | 4 |
the society of | 4 |
numbers of men | 4 |
a great part | 4 |
the earl of | 4 |
the wise and | 4 |
of the latter | 4 |
or as a | 4 |
in my opinion | 4 |
in the consulship | 4 |
how much more | 4 |
in imitation of | 4 |
some of his | 4 |
to quit the | 4 |
representative of the | 4 |
dread of the | 4 |
of the rules | 4 |
himself in the | 4 |
be said of | 4 |
of all men | 4 |
away from him | 4 |
the author of | 4 |
the sake of | 4 |
to him in | 4 |
not have been | 4 |
and it was | 4 |
me in my | 4 |
to the old | 4 |
in the poem | 4 |
to be called | 4 |
the immortality of | 4 |
it with the | 4 |
the style of | 4 |
to which the | 4 |
give credit to | 4 |
if you take | 4 |
will visit the | 4 |
with a little | 4 |
i have made | 4 |
of mind and | 4 |
for what is | 4 |
the rich man | 4 |
what you have | 4 |
not that i | 4 |
influence in the | 4 |
for such a | 4 |
at home and | 4 |
coming of the | 4 |
of the heavens | 4 |
share of the | 4 |
are not to | 4 |
in the great | 4 |
is apt to | 4 |
come with me | 4 |
what can i | 4 |
are obliged to | 4 |
in the presence | 4 |
the man you | 4 |
the sabine country | 4 |
be esteemed a | 4 |
far and wide | 4 |
no other way | 4 |
you of your | 4 |
over and over | 4 |
is far more | 4 |
under the same | 4 |
which he could | 4 |
i have followed | 4 |
worth while to | 4 |
to the italian | 4 |
is afraid to | 4 |
the greek and | 4 |
them to him | 4 |
you praise the | 4 |
peace of mind | 4 |
the duty of | 4 |
at that time | 4 |
the third book | 4 |
and what he | 4 |
the point of | 4 |
what matters it | 4 |
at last the | 4 |
to be too | 4 |
or at the | 4 |
by what means | 4 |
ways of the | 4 |
the ancient poet | 4 |
there be any | 4 |
seventeenth and eighteenth | 4 |
has always been | 4 |
has taken a | 4 |
so to speak | 4 |
in danger of | 4 |
conception of the | 4 |
that part of | 4 |
the charge of | 4 |
wife with a | 4 |
after the manner | 4 |
the bandusian spring | 4 |
to tell the | 4 |
with those who | 4 |
the temples of | 4 |
to know how | 4 |
and yet you | 4 |
the production of | 4 |
the eyes of | 4 |
translation of horace | 4 |
which seems to | 4 |
of many of | 4 |
member of the | 4 |
the th of | 4 |
in your power | 4 |
in which horace | 4 |
to the general | 4 |
the metre which | 4 |
it is difficult | 4 |
one with the | 4 |
a work of | 4 |
of the early | 4 |
and we may | 4 |
the human heart | 4 |
he is so | 4 |
it is my | 4 |
of the campus | 4 |
of writing well | 4 |
he shall be | 4 |
of the stanza | 4 |
in the air | 4 |
the odes and | 4 |
of the law | 4 |
or if he | 4 |
there are certain | 4 |
in no other | 4 |
a cask of | 4 |
and if he | 4 |
the temple of | 4 |
the glories of | 4 |
to be an | 4 |
whether he has | 4 |
so that he | 4 |
live in the | 4 |
the roman youth | 4 |
mind and heart | 4 |
the homes of | 4 |
put to the | 4 |
i have no | 4 |
you and me | 4 |
of the arabians | 4 |
members of the | 4 |
is free from | 4 |
you and i | 4 |
of every thing | 4 |
hundred thousand sesterces | 4 |
and there is | 4 |
from the hollow | 4 |
the first century | 4 |
such a degree | 4 |
a translation of | 4 |
o fountain of | 4 |
and as the | 4 |
have seen in | 4 |
satire and epistle | 4 |
things which you | 4 |
temples of the | 4 |
to see that | 4 |
at the bar | 4 |
a variety of | 4 |
of the middle | 4 |
the general effect | 4 |
you seem to | 4 |
the possession of | 4 |
the dominions of | 4 |
which you are | 4 |
yet a boy | 4 |
do not know | 4 |
would wish to | 4 |
thought to have | 4 |
i take it | 4 |
return to the | 4 |
sources of happiness | 4 |
the same satire | 4 |
take care of | 4 |
is all this | 4 |
shall i do | 4 |
to the ship | 4 |
the way in | 4 |
on a sudden | 4 |
of all this | 4 |
with whom i | 4 |
is difficult to | 4 |
with their nails | 4 |
the merits of | 4 |
sight of the | 4 |
an essay on | 4 |
life of rome | 4 |
for the sake | 4 |
with an introduction | 4 |
could scarcely have | 4 |
the philosopher of | 4 |
of his life | 4 |
of the sun | 4 |
and he was | 4 |
of his satires | 4 |
to appear in | 4 |
who then is | 4 |
if you please | 4 |
i know not | 4 |
the fruits of | 4 |
in the schools | 4 |
of the old | 4 |
be found to | 4 |
the sixteenth century | 4 |
in a way | 4 |
of the good | 4 |
others of his | 4 |
yield to the | 4 |
seeks its mother | 4 |
that have been | 4 |
be fond of | 4 |
that we should | 4 |
nor is there | 4 |
in the tiber | 4 |
what it is | 4 |
you have a | 4 |
and the man | 4 |
nor are the | 4 |
dream of the | 4 |
a wise man | 4 |
the greater part | 4 |
as he had | 4 |
is just as | 4 |
those of a | 4 |
the time that | 4 |
the century of | 4 |
that will not | 4 |
one who is | 4 |
to be able | 4 |
at the expense | 4 |
brought back to | 4 |
a prospect of | 4 |
the tone of | 4 |
at my farm | 4 |
even at this | 4 |
not the least | 4 |
in my power | 4 |
give me back | 4 |
at the best | 4 |
the old roman | 4 |
or at least | 4 |
will be found | 4 |
he who knows | 4 |
to the original | 4 |
the other side | 4 |
of the way | 4 |
for this purpose | 4 |
a woman of | 4 |
the tide of | 4 |
in the living | 4 |
began to be | 4 |
the songs of | 4 |
you would not | 4 |
an introduction by | 4 |
still in the | 4 |
instead of a | 4 |
when shall i | 4 |
to catch the | 4 |
are you going | 4 |
of public life | 4 |
would you be | 4 |
i have said | 4 |
with respect to | 4 |
the touch of | 4 |
and the people | 4 |
has been a | 4 |
for a few | 4 |
my good friend | 4 |
if you do | 4 |
afraid of the | 4 |
the first swallow | 4 |
of the many | 4 |
nor is it | 4 |
form of the | 4 |
i shall never | 4 |
published the first | 4 |
of his having | 4 |
not wholly die | 4 |
himself in a | 4 |
son of a | 4 |
an age of | 4 |
in the streets | 4 |
by the great | 4 |
might have been | 4 |
structure of the | 4 |
the laws of | 4 |
have you no | 4 |
place in the | 4 |
of the rich | 4 |
shall be my | 4 |
of the too | 4 |
two hundred verses | 4 |
reminds us of | 4 |
does not always | 4 |
so great a | 4 |
if he shall | 4 |
part in the | 4 |
here is a | 4 |
to produce the | 4 |
not to mention | 4 |
every thing that | 4 |
an english reader | 4 |
the rules which | 4 |
he may have | 4 |
and his brother | 4 |
guardian of the | 4 |
for the other | 4 |
to make us | 4 |
the mind is | 4 |
run the risk | 4 |
to be sure | 4 |
at the approach | 4 |
is on the | 4 |
horace is to | 4 |
he had made | 4 |
banks of the | 4 |
to bear the | 4 |
it to the | 4 |
an account of | 4 |
in the character | 4 |
are in dread | 4 |
you are the | 4 |
what makes the | 4 |
of the royal | 4 |
wives and children | 4 |
you must not | 4 |
may be that | 4 |
at rome you | 4 |
has been said | 4 |
is not an | 4 |
of a different | 4 |
when he has | 4 |
the seventeenth and | 4 |
the poor man | 4 |
of what the | 4 |
if i please | 4 |
to be celebrated | 4 |
or in the | 4 |
is able to | 4 |
account of his | 4 |
which has been | 4 |
of this book | 4 |
through the ages | 4 |
there is in | 4 |
greek and roman | 4 |
of the literary | 4 |
if you choose | 4 |
the attention of | 4 |
of art and | 4 |
and to whom | 4 |
the god of | 4 |
his qualities as | 4 |
in the springtime | 4 |
of the lyric | 4 |
i have attempted | 4 |
and not to | 4 |
though he was | 4 |
to one of | 4 |
interpreter of italian | 4 |
was not the | 4 |
grave and gay | 4 |
the passion of | 4 |
would have me | 4 |
have a care | 4 |
i care not | 4 |
inspiration of the | 4 |
go to the | 4 |
may be said | 4 |
the first that | 4 |
the want of | 4 |
first of all | 4 |
seem to have | 4 |
acquainted with the | 4 |
than that which | 4 |
those that are | 4 |
years of the | 4 |
of the late | 4 |
way in which | 4 |
in the sabine | 4 |
was obliged to | 4 |
of his time | 4 |
that seeks its | 4 |
that the poet | 4 |
the dignity of | 4 |
on your lips | 4 |
knowledge of the | 4 |
are free from | 4 |
both to the | 4 |
may be very | 4 |
the fact of | 4 |
is only the | 4 |
and on the | 4 |
as a rule | 4 |
glory of the | 4 |
by the hands | 4 |
the part of | 4 |
the care of | 4 |
each has his | 4 |
may be sure | 4 |
with more propriety | 4 |
of life is | 4 |
the condition of | 4 |
of the social | 4 |
from which he | 4 |
at this rate | 4 |
but what are | 4 |
the upper classes | 4 |
will come to | 4 |
addressed to a | 4 |
should be the | 4 |
the objects of | 4 |
and the most | 4 |
the philosophy of | 4 |
of the poor | 4 |
was still a | 4 |
the bounds of | 4 |
when the wine | 4 |
at such a | 4 |
you know what | 4 |
there is some | 4 |
how do you | 4 |
a good man | 4 |
the last of | 4 |
close to the | 4 |
has not been | 4 |
to live on | 4 |
or even the | 4 |
to say of | 4 |
youths and maidens | 4 |
if you should | 4 |
the dominion of | 4 |
the fifteenth century | 4 |
the lot of | 4 |
out in a | 4 |
and you must | 4 |
the horace of | 4 |
the offspring of | 4 |
the literary ideal | 4 |
of my predecessors | 4 |
among the hills | 4 |
were made for | 4 |
he had a | 4 |
view of the | 4 |
waters of the | 4 |
a roman winter | 4 |
but he that | 4 |
of our own | 4 |
with what he | 4 |
what of the | 4 |
we find him | 4 |
appeal to the | 4 |
most of the | 4 |
an air of | 4 |
the epistle to | 4 |
in their power | 4 |
the aid of | 4 |
i may have | 4 |
proof of the | 4 |
free from the | 4 |
round and round | 4 |
horace as a | 3 |
in the life | 3 |
or with the | 3 |
on his own | 3 |
it is time | 3 |
between the two | 3 |
as we do | 3 |
the level of | 3 |
we are in | 3 |
the thoughts and | 3 |
appear in the | 3 |
for his country | 3 |
of his brother | 3 |
were men whose | 3 |
to be that | 3 |
wanting to myself | 3 |
where are you | 3 |
so soon as | 3 |
in his youth | 3 |
and the middle | 3 |
not afraid to | 3 |
the management of | 3 |
the spectator and | 3 |
to the affairs | 3 |
i have found | 3 |
is the more | 3 |
streets of rome | 3 |
as if any | 3 |
may be made | 3 |
the same class | 3 |
horace speaks of | 3 |
in order that | 3 |
if the fates | 3 |
of old and | 3 |
not of the | 3 |
in his later | 3 |
which a translator | 3 |
i would have | 3 |
odes to the | 3 |
him that the | 3 |
tables of the | 3 |
arrived at the | 3 |
were to give | 3 |
of the plain | 3 |
of the mass | 3 |
be inclined to | 3 |
to a lady | 3 |
to a translation | 3 |
the pride of | 3 |
for the rules | 3 |
of the better | 3 |
the list of | 3 |
intended an ode | 3 |
horace and modern | 3 |
in some measure | 3 |
gods and men | 3 |
you or i | 3 |
in the end | 3 |
to make it | 3 |
when you were | 3 |
laugh at his | 3 |
it is evident | 3 |
but what they | 3 |
why do i | 3 |
sovereign of the | 3 |
and constancy of | 3 |
a roman citizen | 3 |
he is as | 3 |
man of men | 3 |
no more the | 3 |
the day which | 3 |
of any other | 3 |
complains of the | 3 |
expression of the | 3 |
hence it is | 3 |
no house more | 3 |
the staple of | 3 |
we turn the | 3 |
of one of | 3 |
and is afraid | 3 |
there would be | 3 |
the open plain | 3 |
be slow to | 3 |
the head of | 3 |
be true to | 3 |
i should not | 3 |
by the general | 3 |
the time the | 3 |
i conjure thee | 3 |
the means of | 3 |
in the style | 3 |
once nor twice | 3 |
the classic authors | 3 |
season of the | 3 |
to name the | 3 |
the half of | 3 |
in rendering the | 3 |
had not the | 3 |
whether i am | 3 |
you think to | 3 |
have told you | 3 |
dread of you | 3 |
observations on the | 3 |
in all this | 3 |
the terseness of | 3 |
due to his | 3 |
whether he should | 3 |
london and westminster | 3 |
him on a | 3 |
agreeable to the | 3 |
on the one | 3 |
superior to the | 3 |
and guardian of | 3 |
at a great | 3 |
nature of the | 3 |
peace and war | 3 |
the realm of | 3 |
down from the | 3 |
happen to be | 3 |
i chance to | 3 |
and with a | 3 |
and the mind | 3 |
the better of | 3 |
the following poem | 3 |
way of thinking | 3 |
to bring out | 3 |
the substance of | 3 |
we should be | 3 |
came to the | 3 |
to live in | 3 |
of the word | 3 |
of modern times | 3 |
of the trojan | 3 |
which belong to | 3 |
the principle of | 3 |
in a thousand | 3 |
i have told | 3 |
of the other | 3 |
poems to his | 3 |
and the son | 3 |
quit the field | 3 |
that it should | 3 |
the year to | 3 |
with the rest | 3 |
lest i should | 3 |
whether it is | 3 |
and the first | 3 |
is of a | 3 |
in his pages | 3 |
to what we | 3 |
architectural profession in | 3 |
he is fairer | 3 |
why should you | 3 |
characteristic of the | 3 |
tell him that | 3 |
duty of a | 3 |
the song of | 3 |
the duties of | 3 |
happy the man | 3 |
whom it is | 3 |
i ask you | 3 |
and on his | 3 |
by whom the | 3 |
are many who | 3 |
i will visit | 3 |
notion of the | 3 |
of the muses | 3 |
the lesbian lyre | 3 |
he sets the | 3 |
a contented mind | 3 |
of the famous | 3 |
this ode was | 3 |
horace in his | 3 |
the second half | 3 |
secret lies in | 3 |
the roman poet | 3 |
there be a | 3 |
let us go | 3 |
o n sabine | 3 |
from the first | 3 |
of his work | 3 |
at least the | 3 |
fear of the | 3 |
the same in | 3 |
from what is | 3 |
took to living | 3 |
a pleasant one | 3 |
breezes and the | 3 |
you that i | 3 |
draw a line | 3 |
of what they | 3 |
all things else | 3 |
composition of verses | 3 |
him as the | 3 |
in this and | 3 |
be it so | 3 |
back from the | 3 |
the joys of | 3 |
the satires of | 3 |
he has no | 3 |
while he was | 3 |
truth to tell | 3 |
that no other | 3 |
nine months after | 3 |
of life and | 3 |
no mediocrity admit | 3 |
enough of the | 3 |
desire or fear | 3 |
as it has | 3 |
in the waves | 3 |
together with your | 3 |
not enough to | 3 |
him of the | 3 |
and from the | 3 |
record of the | 3 |
of the caesar | 3 |
character in literature | 3 |
a man happy | 3 |
in the judgment | 3 |
with the subject | 3 |
it is enough | 3 |
you stand in | 3 |
more than it | 3 |
what is just | 3 |
chloe of the | 3 |
mouth of the | 3 |
or the green | 3 |
matter of course | 3 |
with me in | 3 |
the conviction that | 3 |
as they will | 3 |
with the nymphs | 3 |
the narrative of | 3 |
and tell in | 3 |
most of his | 3 |
of letters in | 3 |
best of all | 3 |
to gain whose | 3 |
than the parian | 3 |
us to the | 3 |
some stray fawn | 3 |
on the right | 3 |
you not perceive | 3 |
to crown the | 3 |
through the streets | 3 |
you may say | 3 |
such as are | 3 |
in the train | 3 |
the boar in | 3 |
able to distinguish | 3 |
wish to live | 3 |
in like manner | 3 |
is not enough | 3 |
the owner of | 3 |
to him that | 3 |
fact of his | 3 |
in the ordinary | 3 |
and when she | 3 |
the mad poet | 3 |
and what the | 3 |
the last verse | 3 |
heaps of stone | 3 |
to the stars | 3 |
on a little | 3 |
of the brave | 3 |
to his wife | 3 |
from the odes | 3 |
at the cost | 3 |
secure in the | 3 |
more out of | 3 |
of the measure | 3 |
day by day | 3 |
the world to | 3 |
by many a | 3 |
in the sea | 3 |
rather than in | 3 |
say nothing of | 3 |
the whole world | 3 |
night and day | 3 |
to abstain from | 3 |
had come to | 3 |
to him as | 3 |
friend of mine | 3 |
he may not | 3 |
of the republican | 3 |
had obviously been | 3 |
the latin sapphic | 3 |
son of maia | 3 |
even in his | 3 |
as though he | 3 |
you on the | 3 |
i may say | 3 |
the flesh of | 3 |
he had no | 3 |
be more rich | 3 |
so may the | 3 |
is at hand | 3 |
have you a | 3 |
other side of | 3 |
and manner of | 3 |
the causes of | 3 |
on the town | 3 |
strike the stars | 3 |
of all these | 3 |
work in the | 3 |
all for love | 3 |
why should the | 3 |
site of the | 3 |
want of skill | 3 |
in his early | 3 |
were not the | 3 |
the victim of | 3 |
far beyond the | 3 |
drink out of | 3 |
to lay aside | 3 |
to make him | 3 |
to find the | 3 |
the civil wars | 3 |
could have been | 3 |
gathered from the | 3 |
up in the | 3 |
the fortunes of | 3 |
know so well | 3 |
translated into english | 3 |
the several parts | 3 |
give way to | 3 |
not to admire | 3 |
to employ the | 3 |
one time a | 3 |
the man to | 3 |
the crown of | 3 |
is the man | 3 |
and dear to | 3 |
of the mountains | 3 |
of his other | 3 |
the king of | 3 |
on the hearth | 3 |
the secret of | 3 |
the golden mean | 3 |
the formation of | 3 |
them in a | 3 |
sees and knows | 3 |
which they were | 3 |
the circumstance of | 3 |
the ranks of | 3 |
of human kind | 3 |
of the grave | 3 |
have me live | 3 |
to the present | 3 |
the scenery of | 3 |
which would not | 3 |
fruits of the | 3 |
in your own | 3 |
he tells us | 3 |
are by no | 3 |
the scrutore of | 3 |
in his senses | 3 |
in our own | 3 |
you are at | 3 |
who is now | 3 |
in possession of | 3 |
age draws on | 3 |
this was not | 3 |
horace the interpreter | 3 |
the bottom of | 3 |
the authority of | 3 |
they are to | 3 |
end to your | 3 |
on this condition | 3 |
to give his | 3 |
as a friend | 3 |
have had no | 3 |
that with which | 3 |
life and manners | 3 |
a poetical translator | 3 |
were likely to | 3 |
and see if | 3 |
there is another | 3 |
if they are | 3 |
me for his | 3 |
gives and takes | 3 |
as bad as | 3 |
and the same | 3 |
had never been | 3 |
hands of a | 3 |
horace and ancient | 3 |
ranks of the | 3 |
the idea of | 3 |
in the plains | 3 |
offspring of the | 3 |
to a jar | 3 |
which in the | 3 |
and takes away | 3 |
seen in his | 3 |
as he goes | 3 |
between horace and | 3 |
years after the | 3 |
how does he | 3 |
down my cheek | 3 |
of the common | 3 |
the throne of | 3 |
to quintius hirpinus | 3 |
him and his | 3 |
free to perish | 3 |
who love the | 3 |
lot of all | 3 |
not how to | 3 |
rather than the | 3 |
if i could | 3 |
time to time | 3 |
should have been | 3 |
in a day | 3 |
what does not | 3 |
character of his | 3 |
the translator of | 3 |
it was of | 3 |
the gloom of | 3 |
a s some | 3 |
in the sky | 3 |
to make an | 3 |
age of the | 3 |
by its own | 3 |
to the study | 3 |
me with a | 3 |
of a passage | 3 |
in the time | 3 |
while caesar is | 3 |
you that are | 3 |
version of the | 3 |
in this ode | 3 |
the prize of | 3 |
so much of | 3 |
of his sabine | 3 |
to admire the | 3 |
it did not | 3 |
to my own | 3 |
and old are | 3 |
yet all the | 3 |
george robert guffey | 3 |
is a matter | 3 |
or of a | 3 |
in a trice | 3 |
the futility of | 3 |
publications in print | 3 |
to return to | 3 |
was said to | 3 |
several parts of | 3 |
as a great | 3 |
of a kind | 3 |
every thing to | 3 |
satires of horace | 3 |
to think that | 3 |
keep clear of | 3 |
relations with maecenas | 3 |
well to the | 3 |
the person of | 3 |
to which a | 3 |
never write a | 3 |
on the field | 3 |
a man so | 3 |
the requirements of | 3 |
back to the | 3 |
propitious to the | 3 |
and as for | 3 |
be all my | 3 |
discussion of the | 3 |
from the world | 3 |
who delights in | 3 |
of the rose | 3 |
would be of | 3 |
to show that | 3 |
you to your | 3 |
attracted by horace | 3 |
ambition for power | 3 |
is better to | 3 |
all the wealth | 3 |
the toils of | 3 |
power to say | 3 |
pains to make | 3 |
upon himself in | 3 |
grant to our | 3 |
in the temple | 3 |
a version of | 3 |
to the ear | 3 |
as he is | 3 |
life of men | 3 |
in the pure | 3 |
in his works | 3 |
have seen the | 3 |
was due to | 3 |
me have books | 3 |
is he a | 3 |
the architectural profession | 3 |
would be read | 3 |
the roman name | 3 |
we have already | 3 |
rest of the | 3 |
spite of all | 3 |
of the emperor | 3 |
or the other | 3 |
to give up | 3 |
horace has not | 3 |
in the forum | 3 |
the precepts of | 3 |
the town of | 3 |
i was afraid | 3 |
in these days | 3 |
the romans of | 3 |
the pages of | 3 |
the hardships of | 3 |
and bid the | 3 |
get rid of | 3 |
which is to | 3 |
love and mirth | 3 |
the dust and | 3 |
the music of | 3 |
yet so as | 3 |
the foot of | 3 |
did his best | 3 |
country and its | 3 |
of expression and | 3 |
his own time | 3 |
all forms of | 3 |
those with whom | 3 |
before the sun | 3 |
of one who | 3 |
i was not | 3 |
you want a | 3 |
hundred years ago | 3 |
of horace was | 3 |
the years of | 3 |
was the first | 3 |
in the fact | 3 |
he bade me | 3 |
so long as | 3 |
sacrifice to faunus | 3 |
how comes it | 3 |
you to the | 3 |
he appears to | 3 |
the allusion to | 3 |
the price of | 3 |
the oak and | 3 |
break of day | 3 |
the poor and | 3 |
i could wish | 3 |
all in a | 3 |
in need of | 3 |
of this work | 3 |
must have felt | 3 |
as compared with | 3 |
few brief words | 3 |
the new religion | 3 |
the tidings of | 3 |
they are at | 3 |
me on the | 3 |
to the theme | 3 |
to your own | 3 |
of augustus as | 3 |
for the first | 3 |
of his home | 3 |
of the nineteenth | 3 |
to drink out | 3 |
to place the | 3 |
to rome after | 3 |
his will to | 3 |
is at the | 3 |
the post of | 3 |
to no purpose | 3 |
you must go | 3 |
that very reason | 3 |
to paint a | 3 |
versed in the | 3 |
stand in need | 3 |
of a more | 3 |
find fault with | 3 |
to be accounted | 3 |
it is well | 3 |
because he is | 3 |
take pleasure in | 3 |
will find himself | 3 |
he was so | 3 |
him to whom | 3 |
the bitterness of | 3 |
you know not | 3 |
do you know | 3 |
time the sun | 3 |
in the old | 3 |
letters to dead | 3 |
to the former | 3 |
of horace the | 3 |
so now i | 3 |
them to be | 3 |
the streets of | 3 |
with his hands | 3 |
when we have | 3 |
off to bed | 3 |
library university of | 3 |
the dream of | 3 |
long as i | 3 |
is a more | 3 |
do you bind | 3 |
see a friend | 3 |
while you are | 3 |
the weight of | 3 |
the classical authors | 3 |
the delight of | 3 |
rest of mankind | 3 |
as was the | 3 |
when his sheep | 3 |
to rank with | 3 |
makes his own | 3 |
as to be | 3 |
development of the | 3 |
to play at | 3 |
a way to | 3 |
master of the | 3 |
when this was | 3 |
you must restore | 3 |
and let the | 3 |
odes of the | 3 |
the triumphs of | 3 |
think not that | 3 |
the process of | 3 |
with my own | 3 |
be the first | 3 |
as some critics | 3 |
on that account | 3 |
as a writer | 3 |
the time when | 3 |
in the wood | 3 |
trample upon the | 3 |
in an age | 3 |
not a word | 3 |
such as we | 3 |
do you hesitate | 3 |
i know nothing | 3 |
and to make | 3 |
is like a | 3 |
in all his | 3 |
the sentiments of | 3 |
you right in | 3 |
cause of the | 3 |
to imitate his | 3 |
middle of the | 3 |
meaning of the | 3 |
in a very | 3 |
command of a | 3 |
a wife with | 3 |
the fire of | 3 |
the genius of | 3 |
nor is this | 3 |
to enjoy the | 3 |
by the lyre | 3 |
memorial library university | 3 |
the two last | 3 |
in the preface | 3 |
and in your | 3 |
and wild beasts | 3 |
to sacrifice to | 3 |
the slave of | 3 |
of the invincible | 3 |
who lives in | 3 |
there may be | 3 |
may see a | 3 |
is of no | 3 |
and if you | 3 |
to me and | 3 |
and the river | 3 |
of the grecian | 3 |
an invitation to | 3 |
of the youths | 3 |
the grave and | 3 |
preferable to the | 3 |
the merit of | 3 |
of the deep | 3 |
are those who | 3 |
he could scarcely | 3 |
he in his | 3 |
so do you | 3 |
be far away | 3 |
campus martius and | 3 |
my sabine vale | 3 |
that this is | 3 |
conjure thee by | 3 |
translator of the | 3 |
of the period | 3 |
boar in the | 3 |
just enough of | 3 |
and the italian | 3 |
the east wind | 3 |
a votive tablet | 3 |
not long ago | 3 |
to living on | 3 |
enemy to the | 3 |
his influence by | 3 |
of all your | 3 |
to the very | 3 |
of roman life | 3 |
there are those | 3 |
to and fro | 3 |
and turmoil of | 3 |
and received the | 3 |
the expense of | 3 |
it in his | 3 |
whether he is | 3 |
of book i | 3 |
of his son | 3 |
syllable with the | 3 |
in my turn | 3 |
will not suffer | 3 |
of the epicurean | 3 |
bring back the | 3 |
of his friend | 3 |
you know i | 3 |
appeal of horace | 3 |
i intended an | 3 |
and the sound | 3 |
three or four | 3 |
there was an | 3 |
that horace had | 3 |
might be seen | 3 |
in view of | 3 |
a wise and | 3 |
that none should | 3 |
refer to the | 3 |
the imitation of | 3 |
the verdure of | 3 |
in the campus | 3 |
to do so | 3 |
means of which | 3 |
to admit of | 3 |
the vine to | 3 |
day of doom | 3 |
as we can | 3 |
this and the | 3 |
is in your | 3 |
along with you | 3 |
be the case | 3 |
you must know | 3 |