This is a table of type trigram and their frequencies. Use it to search & browse the list to learn more about your study carrel.
trigram | frequency |
---|---|
out of the | 72 |
one of the | 42 |
that i have | 30 |
as soon as | 29 |
do you mean | 26 |
that i had | 26 |
you are not | 26 |
i am not | 26 |
that i am | 25 |
the hall door | 25 |
i am sure | 25 |
the inner room | 25 |
in the world | 25 |
of the room | 24 |
do you think | 24 |
the name of | 23 |
that i was | 23 |
it would be | 22 |
of the house | 22 |
at the door | 22 |
i do not | 22 |
for a moment | 22 |
it was a | 22 |
i have a | 21 |
not at all | 21 |
that he had | 20 |
into the room | 20 |
at the same | 20 |
it was the | 20 |
there is no | 20 |
what do you | 20 |
the purpose of | 19 |
i have no | 19 |
i could not | 19 |
for the purpose | 19 |
i am afraid | 19 |
it is a | 19 |
as well as | 18 |
i mean to | 18 |
on the table | 18 |
this is the | 18 |
i tell you | 18 |
the first time | 18 |
i heard a | 18 |
in the midst | 18 |
it is not | 18 |
by the hall | 17 |
and i will | 17 |
at any rate | 17 |
i did not | 17 |
a few minutes | 17 |
as i had | 17 |
said the magistrate | 17 |
in a few | 17 |
the midst of | 17 |
looks at her | 17 |
one of them | 16 |
into the house | 16 |
cherubina de willoughby | 16 |
the glass door | 16 |
and as i | 16 |
up to the | 16 |
i would not | 15 |
you are a | 15 |
as i am | 15 |
and that i | 15 |
seems to me | 15 |
it is the | 15 |
be able to | 14 |
of course i | 14 |
i think it | 14 |
a sort of | 14 |
at this moment | 14 |
to be sure | 14 |
that i would | 14 |
how could you | 14 |
i have never | 14 |
i assure you | 14 |
lady cherubina de | 14 |
me to the | 14 |
in the country | 14 |
my dear fellow | 14 |
on a sudden | 14 |
and all the | 14 |
that you are | 14 |
to be married | 13 |
in one of | 13 |
to my great | 13 |
and i have | 13 |
in order to | 13 |
i have just | 13 |
back to the | 13 |
of my life | 13 |
when i was | 13 |
i am a | 13 |
to have a | 13 |
to the ground | 13 |
the same time | 13 |
the black chamber | 13 |
i have been | 13 |
and when i | 13 |
that is the | 12 |
to tell you | 12 |
in his hand | 12 |
tell you that | 12 |
i have not | 12 |
that i should | 12 |
and in a | 12 |
i was a | 12 |
soon as i | 12 |
that you have | 12 |
what is it | 12 |
some of them | 12 |
that i might | 12 |
the lady cherubina | 12 |
but i have | 12 |
now that i | 12 |
to the door | 12 |
my dear judge | 12 |
out by the | 12 |
all that is | 12 |
on the floor | 12 |
and it was | 12 |
it was not | 12 |
some of the | 12 |
seems to be | 12 |
there is a | 12 |
all the same | 12 |
the fact is | 12 |
there was a | 12 |
but it is | 11 |
you want to | 11 |
to be a | 11 |
the character of | 11 |
the man was | 11 |
to look at | 11 |
told me that | 11 |
on the sofa | 11 |
i had not | 11 |
do you know | 11 |
think of it | 11 |
bread and butter | 11 |
i hope you | 11 |
that i could | 11 |
i began to | 11 |
i had no | 11 |
a short time | 11 |
a lot of | 11 |
with the most | 11 |
may i ask | 11 |
and i am | 11 |
all the time | 11 |
as i was | 11 |
and in the | 11 |
i must say | 11 |
is to be | 11 |
at the moment | 11 |
think of that | 11 |
but i am | 11 |
ought to be | 11 |
you that i | 11 |
goes up to | 11 |
i should be | 11 |
out of a | 11 |
i have ever | 11 |
in the next | 10 |
the top of | 10 |
to talk to | 10 |
in the same | 10 |
of the most | 10 |
enters from the | 10 |
in such a | 10 |
i am so | 10 |
to do with | 10 |
he would have | 10 |
to me to | 10 |
that it was | 10 |
more than a | 10 |
i have got | 10 |
of the chamber | 10 |
on the ground | 10 |
in my life | 10 |
i know not | 10 |
half an hour | 10 |
that is what | 10 |
in a word | 10 |
said his lordship | 10 |
it to the | 10 |
it has been | 10 |
to make a | 10 |
and i had | 10 |
but it was | 10 |
my dear boy | 10 |
it may be | 10 |
the point of | 10 |
but i must | 10 |
to tell me | 10 |
down to the | 10 |
i found myself | 10 |
and then i | 10 |
for the first | 10 |
at a distance | 10 |
must have been | 10 |
and with a | 10 |
am i to | 9 |
if i could | 9 |
nothing of the | 9 |
i have the | 9 |
he was a | 9 |
engaged to be | 9 |
i believe i | 9 |
me with a | 9 |
at last i | 9 |
the way to | 9 |
i heard the | 9 |
let me tell | 9 |
that he was | 9 |
me to be | 9 |
out of his | 9 |
in love with | 9 |
a great deal | 9 |
is the first | 9 |
if you were | 9 |
on the subject | 9 |
heroes and heroines | 9 |
while i was | 9 |
one of those | 9 |
in a moment | 9 |
sort of thing | 9 |
part of the | 9 |
i determined to | 9 |
it to him | 9 |
the fact that | 9 |
i should have | 9 |
there was nothing | 9 |
said her ladyship | 9 |
in the morning | 9 |
you must be | 9 |
how can you | 9 |
goes to the | 9 |
i hope to | 9 |
myself on the | 9 |
the middle doorway | 9 |
you have done | 9 |
i was so | 9 |
i want to | 9 |
and that is | 9 |
i confess i | 9 |
he had a | 9 |
a number of | 9 |
it in the | 9 |
in his pocket | 9 |
and at the | 9 |
of the day | 9 |
the best of | 9 |
sort of a | 9 |
that you were | 9 |
side of the | 9 |
i am quite | 9 |
for me to | 9 |
you do not | 9 |
i was in | 9 |
that is all | 9 |
to live in | 9 |
that is just | 9 |
to see you | 9 |
i shall be | 9 |
i had a | 9 |
of course it | 9 |
go to the | 9 |
me tell you | 9 |
it must be | 8 |
goes out by | 8 |
i thought i | 8 |
of the fact | 8 |
he had to | 8 |
me that he | 8 |
you will be | 8 |
him in the | 8 |
said i to | 8 |
you must not | 8 |
i am in | 8 |
is the matter | 8 |
out of her | 8 |
that she had | 8 |
from the hall | 8 |
by this time | 8 |
on the bed | 8 |
said the doctor | 8 |
the daughter of | 8 |
said the man | 8 |
the end of | 8 |
in a short | 8 |
of any kind | 8 |
that you will | 8 |
what on earth | 8 |
looks at him | 8 |
a bit of | 8 |
if i can | 8 |
in an instant | 8 |
of the question | 8 |
that you had | 8 |
me from the | 8 |
here is a | 8 |
my dear mrs | 8 |
i am glad | 8 |
and with the | 8 |
to say that | 8 |
i think you | 8 |
that she is | 8 |
and at last | 8 |
me in the | 8 |
but as i | 8 |
you may be | 8 |
that was the | 8 |
the back of | 8 |
of hedda gabler | 8 |
well as the | 8 |
would have been | 8 |
i came to | 8 |
of all that | 8 |
in the room | 8 |
i give you | 8 |
as far as | 8 |
one or two | 8 |
part of it | 8 |
there was no | 8 |
end of the | 8 |
me if i | 8 |
i will not | 8 |
of the kind | 8 |
would have to | 8 |
i suppose you | 8 |
i am to | 8 |
is not a | 8 |
i wish to | 8 |
me out of | 8 |
for the last | 8 |
was more than | 8 |
so you are | 8 |
out of it | 8 |
i wish you | 7 |
as long as | 7 |
in consequence of | 7 |
of course you | 7 |
you seem to | 7 |
are going to | 7 |
i am very | 7 |
it is very | 7 |
he did not | 7 |
the corner of | 7 |
to be done | 7 |
the fate of | 7 |
will tell you | 7 |
i know you | 7 |
i can tell | 7 |
would like to | 7 |
i will tell | 7 |
at the window | 7 |
to be the | 7 |
the door of | 7 |
he had been | 7 |
the history of | 7 |
is not the | 7 |
and i was | 7 |
there must be | 7 |
to see her | 7 |
to think that | 7 |
he wanted to | 7 |
and there was | 7 |
of the world | 7 |
to think of | 7 |
my name is | 7 |
you would have | 7 |
i am told | 7 |
happened to be | 7 |
you will not | 7 |
want to know | 7 |
that you should | 7 |
altamont mortimer montmorenci | 7 |
that he is | 7 |
you are the | 7 |
am glad to | 7 |
if i had | 7 |
to do so | 7 |
beg your pardon | 7 |
the same moment | 7 |
at all events | 7 |
a state of | 7 |
and i now | 7 |
in his hair | 7 |
up and down | 7 |
of all the | 7 |
that is why | 7 |
in the first | 7 |
how do you | 7 |
the rest of | 7 |
can tell you | 7 |
shook his head | 7 |
you will have | 7 |
in any case | 7 |
that sort of | 7 |
all this time | 7 |
on the point | 7 |
was at the | 7 |
who i am | 7 |
did not know | 7 |
in a corner | 7 |
talk to you | 7 |
here is the | 7 |
and then he | 7 |
it is so | 7 |
that is a | 7 |
through the inner | 7 |
as if you | 7 |
i had just | 7 |
promise not to | 7 |
in the house | 7 |
if you are | 7 |
in the meantime | 7 |
not a word | 7 |
he has been | 7 |
the side of | 7 |
and this is | 7 |
an opportunity of | 7 |
mistress of it | 7 |
a good deal | 7 |
of you to | 7 |
i told him | 7 |
after i had | 7 |
be married to | 7 |
this was the | 7 |
you know that | 7 |
what is the | 7 |
i beg your | 7 |
the voice of | 7 |
it will be | 7 |
both of us | 7 |
give you a | 7 |
in the hall | 7 |
and his lordship | 6 |
a severe chill | 6 |
what sort of | 6 |
as much as | 6 |
she goes to | 6 |
a few moments | 6 |
tell me that | 6 |
back of the | 6 |
shall i do | 6 |
as i can | 6 |
now that the | 6 |
the last time | 6 |
that would be | 6 |
i must tell | 6 |
that i think | 6 |
top of the | 6 |
never heard of | 6 |
but tell me | 6 |
for my sake | 6 |
it must have | 6 |
the beautiful people | 6 |
mean to say | 6 |
i beheld the | 6 |
a description of | 6 |
i must now | 6 |
that is not | 6 |
the course of | 6 |
have made a | 6 |
i am the | 6 |
stood in the | 6 |
you ought to | 6 |
i must have | 6 |
i can do | 6 |
for i have | 6 |
to speak to | 6 |
know what i | 6 |
to me that | 6 |
to the house | 6 |
found myself in | 6 |
that it is | 6 |
of the future | 6 |
me the favour | 6 |
to be his | 6 |
i would rather | 6 |
billet from cherubina | 6 |
you must know | 6 |
her in my | 6 |
if you have | 6 |
give me the | 6 |
more than usually | 6 |
the more i | 6 |
i thought you | 6 |
he began to | 6 |
am afraid i | 6 |
more than the | 6 |
in the last | 6 |
in the middle | 6 |
had a brother | 6 |
that i must | 6 |
in the arm | 6 |
and let me | 6 |
with a look | 6 |
but the fact | 6 |
myself in a | 6 |
to his lordship | 6 |
i had got | 6 |
the same thing | 6 |
from the castle | 6 |
if you could | 6 |
on the left | 6 |
hat in his | 6 |
i shall not | 6 |
if he had | 6 |
there is the | 6 |
it on the | 6 |
in the most | 6 |
of being a | 6 |
he must have | 6 |
in the black | 6 |
to find out | 6 |
was one of | 6 |
at me with | 6 |
going to be | 6 |
in my room | 6 |
i would have | 6 |
the sound of | 6 |
a parcel of | 6 |
you have got | 6 |
to the writing | 6 |
you should be | 6 |
will you not | 6 |
now that you | 6 |
you have been | 6 |
as it is | 6 |
i am at | 6 |
rushed into the | 6 |
they did not | 6 |
let me see | 6 |
that it would | 6 |
one of my | 6 |
in the old | 6 |
is a great | 6 |
i suppose i | 6 |
which i had | 6 |
i know that | 6 |
told him that | 6 |
what are you | 6 |
i went to | 6 |
you think of | 6 |
when one is | 6 |
was going to | 6 |
out her hand | 6 |
looked at the | 6 |
what shall i | 6 |
i see you | 6 |
to marry him | 6 |
here and there | 6 |
after a pause | 6 |
the man who | 6 |
and one of | 6 |
which i am | 6 |
was a little | 6 |
that i may | 6 |
towards the door | 6 |
and while i | 6 |
towards the castle | 6 |
i think i | 6 |
by the way | 6 |
hand on his | 6 |
the next room | 6 |
in a tone | 6 |
when i heard | 6 |
you for a | 6 |
him to the | 6 |
of the castle | 6 |
a long time | 6 |
the remainder of | 6 |
not in the | 6 |
a man of | 6 |
will have to | 6 |
me in a | 6 |
at the table | 6 |
is the whole | 6 |
leaves in his | 6 |
this is a | 6 |
as i hope | 6 |
what you have | 6 |
we shall have | 6 |
billet from montmorenci | 6 |
not going to | 6 |
but of course | 6 |
she goes out | 6 |
what is your | 6 |
up to her | 6 |
is it not | 6 |
the head of | 6 |
on the top | 6 |
will be the | 6 |
to talk of | 6 |
at him and | 6 |
what has happened | 6 |
that if you | 6 |
a set of | 6 |
and that the | 6 |
in all the | 6 |
name of ernest | 6 |
and a half | 6 |
is on the | 6 |
i have always | 6 |
to let me | 6 |
i met you | 6 |
to the right | 6 |
cried his lordship | 6 |
this is what | 6 |
that he has | 6 |
is about to | 6 |
in the course | 6 |
did you not | 6 |
after a long | 6 |
a right to | 6 |
the whole of | 6 |
just as i | 6 |
a tone of | 6 |
is sure to | 6 |
lord altamont mortimer | 6 |
now and then | 6 |
led me to | 5 |
bit of a | 5 |
earth do you | 5 |
at her with | 5 |
of the others | 5 |
it to me | 5 |
up to town | 5 |
that she would | 5 |
opened the door | 5 |
had not a | 5 |
think it was | 5 |
of their own | 5 |
the bottom of | 5 |
the death of | 5 |
you are going | 5 |
enough to be | 5 |
he could not | 5 |
let me have | 5 |
could not be | 5 |
me that i | 5 |
that is nonsense | 5 |
is a very | 5 |
his hand on | 5 |
was in a | 5 |
out to the | 5 |
i resolved to | 5 |
i told you | 5 |
you love me | 5 |
that was all | 5 |
tell you the | 5 |
whispered i to | 5 |
but there are | 5 |
he told me | 5 |
the honour of | 5 |
the middle of | 5 |
because i have | 5 |
i found my | 5 |
with all the | 5 |
it to his | 5 |
a proof of | 5 |
him with a | 5 |
do you say | 5 |
for i was | 5 |
or at least | 5 |
have been in | 5 |
came to the | 5 |
in my face | 5 |
the moment i | 5 |
of that sort | 5 |
from the corner | 5 |
know how to | 5 |
of my noble | 5 |
and the other | 5 |
for i had | 5 |
with an expression | 5 |
such a thing | 5 |
on one of | 5 |
are not going | 5 |
a nice little | 5 |
to the hall | 5 |
in the whole | 5 |
on our arrival | 5 |
looking towards the | 5 |
that is quite | 5 |
me into the | 5 |
might as well | 5 |
in the barouche | 5 |
be allowed to | 5 |
has been a | 5 |
as i do | 5 |
i found a | 5 |
and at length | 5 |
you used to | 5 |
look at it | 5 |
but now the | 5 |
lord de willoughby | 5 |
let me go | 5 |
on the right | 5 |
out of my | 5 |
as he spoke | 5 |
in front of | 5 |
prevent me from | 5 |
in this house | 5 |
said the spectre | 5 |
of it all | 5 |
ought to have | 5 |
has happened to | 5 |
i must make | 5 |
with a smile | 5 |
his hat in | 5 |
her for a | 5 |
i feel that | 5 |
mysteries of udolpho | 5 |
the person who | 5 |
eaton stannard barrett | 5 |
for a long | 5 |
to stand in | 5 |
that she was | 5 |
happen to be | 5 |
appear in the | 5 |
was trying to | 5 |
a few days | 5 |
lane goes out | 5 |
seem to have | 5 |
do you really | 5 |
it is my | 5 |
she had been | 5 |
now you have | 5 |
for you to | 5 |
the poor man | 5 |
an age of | 5 |
may be sure | 5 |
on earth do | 5 |
i fear i | 5 |
why did you | 5 |
my last letter | 5 |
enters by the | 5 |
want the transformation | 5 |
into the inner | 5 |
have the goodness | 5 |
what i had | 5 |
to my heart | 5 |
want to be | 5 |
you of the | 5 |
what to do | 5 |
an account of | 5 |
into the hall | 5 |
of his own | 5 |
said the counselor | 5 |
it was now | 5 |
that will do | 5 |
seems to have | 5 |
down on the | 5 |
i tried to | 5 |
what he had | 5 |
till at length | 5 |
go into the | 5 |
i have to | 5 |
to be lost | 5 |
looked at me | 5 |
so much as | 5 |
to know who | 5 |
nothing more than | 5 |
into a chair | 5 |
i had to | 5 |
i sat down | 5 |
to make you | 5 |
the door opened | 5 |
the old days | 5 |
the honour to | 5 |
to be christened | 5 |
me for a | 5 |
a place in | 5 |
by means of | 5 |
to call on | 5 |
thought of that | 5 |
in a state | 5 |
i saw the | 5 |
but he was | 5 |
say that i | 5 |
as you are | 5 |
eilert lovborg has | 5 |
i beheld a | 5 |
of the heroine | 5 |
i perceived a | 5 |
the first of | 5 |
and i began | 5 |
what have i | 5 |
to be in | 5 |
no notion of | 5 |
that i know | 5 |
at each other | 5 |
in my bosom | 5 |
herself in the | 5 |
the matter with | 5 |
if ever i | 5 |
the manor house | 5 |
not to be | 5 |
to have made | 5 |
and as soon | 5 |
with a face | 5 |
he should have | 5 |
as in the | 5 |
that will be | 5 |
at that time | 5 |
he will be | 5 |
the big lady | 5 |
do me the | 5 |
is the most | 5 |
on all sides | 5 |
to the black | 5 |
i thought that | 5 |
am sure you | 5 |
that if i | 5 |
me from my | 5 |
i shall have | 5 |
i to do | 5 |
was the first | 5 |
at the back | 5 |
face like a | 5 |
and began to | 5 |
to me by | 5 |
corner of the | 5 |
was it not | 5 |
hope you will | 5 |
hardly had i | 5 |
at the head | 5 |
the man had | 5 |
early this morning | 5 |
the favour of | 5 |
give it to | 5 |
in this way | 5 |
the man in | 5 |
were in the | 5 |
it had been | 5 |
the means of | 5 |
for the night | 5 |
in spite of | 5 |
at the time | 5 |
an air of | 5 |
i was not | 5 |
he has a | 5 |
back to him | 5 |
to lady gwyn | 5 |
i had the | 5 |
no reason why | 5 |
sat on the | 5 |
a man who | 5 |
of the play | 5 |
it is to | 5 |
on my way | 5 |
it out of | 5 |
which i have | 5 |
i remained in | 5 |
there is nothing | 5 |
the mysteries of | 5 |
man in the | 5 |
i happen to | 5 |
i had better | 5 |
was in the | 5 |
for all the | 5 |
with the utmost | 5 |
have no doubt | 5 |
when i beheld | 5 |
was interrupted by | 5 |
be out of | 5 |
she looked at | 5 |
what should i | 5 |
you need not | 5 |
from the right | 5 |
like a pumpkin | 5 |
have not been | 5 |
i was quite | 5 |
you think i | 5 |
the author of | 5 |
till i was | 5 |
thought you were | 5 |
i have something | 5 |
your brother ernest | 5 |
i will take | 5 |
a face like | 5 |
to the glass | 5 |
a little too | 5 |
if you had | 5 |
it was my | 5 |
where is your | 5 |
eilert lovborg was | 5 |
but all the | 5 |
a matter of | 5 |
the back room | 5 |
the first place | 5 |
and when he | 5 |
and what is | 5 |
i had some | 5 |
to the masquerade | 5 |
of my heart | 5 |
like to be | 5 |
you mean to | 5 |
will soon be | 5 |
you in the | 5 |
how can i | 5 |
back to town | 5 |
i had now | 5 |
it was more | 5 |
and you will | 5 |
wanted to be | 5 |
to do it | 5 |
that was very | 5 |
you have no | 5 |
of the sort | 5 |
come into the | 5 |
let me know | 5 |
for the masquerade | 5 |
think it is | 5 |
about the room | 5 |
came out of | 5 |
but this i | 5 |
cried lady gwyn | 5 |
would not be | 5 |
he led me | 5 |
the goodness to | 5 |
here it is | 5 |
the young man | 5 |
them on the | 4 |
is my hand | 4 |
had just been | 4 |
as they were | 4 |
do you see | 4 |
into the garden | 4 |
you know what | 4 |
to you the | 4 |
has a right | 4 |
she told me | 4 |
it for you | 4 |
by all that | 4 |
have the honour | 4 |
that this was | 4 |
the particulars of | 4 |
to think it | 4 |
some of my | 4 |
in the centre | 4 |
to give him | 4 |
to his lips | 4 |
name is ernest | 4 |
and if i | 4 |
at my door | 4 |
the good old | 4 |
know what to | 4 |
is the only | 4 |
give you my | 4 |
do you do | 4 |
of one of | 4 |
you had a | 4 |
he had left | 4 |
if i were | 4 |
was too much | 4 |
how i had | 4 |
came into the | 4 |
will be a | 4 |
i have often | 4 |
but you must | 4 |
any of the | 4 |
to help him | 4 |
gazed on me | 4 |
if i may | 4 |
you had better | 4 |
but i would | 4 |
you think it | 4 |
you were not | 4 |
it with a | 4 |
most of the | 4 |
is full of | 4 |
but i do | 4 |
the whole world | 4 |
seem to be | 4 |
at my feet | 4 |
to see me | 4 |
in the tyrol | 4 |
my hand on | 4 |
as i should | 4 |
it is only | 4 |
on the stairs | 4 |
it is rather | 4 |
away from the | 4 |
on the spot | 4 |
about the floor | 4 |
a moment of | 4 |
it was only | 4 |
a fit of | 4 |
i am going | 4 |
that they are | 4 |
took an opportunity | 4 |
am quite sure | 4 |
your name is | 4 |
i descended the | 4 |
with a little | 4 |
cried the daughter | 4 |
may not be | 4 |
as it was | 4 |
in his arms | 4 |
on the way | 4 |
just as well | 4 |
into my hand | 4 |
was obliged to | 4 |
i had read | 4 |
that soon my | 4 |
is in the | 4 |
at the manor | 4 |
at any time | 4 |
you told me | 4 |
he came to | 4 |
on the piano | 4 |
who has a | 4 |
of that kind | 4 |
the man to | 4 |
after a short | 4 |
return to your | 4 |
but he had | 4 |
midst of it | 4 |
i am no | 4 |
first time in | 4 |
on the battlements | 4 |
to me for | 4 |
in a fit | 4 |
the way you | 4 |
shall have a | 4 |
and i then | 4 |
i would like | 4 |
seem to think | 4 |
they found me | 4 |
hand in hand | 4 |
on the side | 4 |
of course not | 4 |
going to the | 4 |
and i remained | 4 |
you say so | 4 |
i warrant you | 4 |
he tried to | 4 |
close to the | 4 |
know that i | 4 |
i am about | 4 |
jack in the | 4 |
my life that | 4 |
his head and | 4 |
to be my | 4 |
and it is | 4 |
went to the | 4 |
but a few | 4 |
i have had | 4 |
on a chair | 4 |
there is something | 4 |
the presence of | 4 |
soon as the | 4 |
have come to | 4 |
with you to | 4 |
are the only | 4 |
to his heart | 4 |
i made my | 4 |
the same with | 4 |
and if you | 4 |
be sure he | 4 |
thing is that | 4 |
i will be | 4 |
very fond of | 4 |
a pair of | 4 |
you mean by | 4 |
in the original | 4 |
this is not | 4 |
i used to | 4 |
he knew that | 4 |
in two days | 4 |
said the other | 4 |
the blood of | 4 |
i am engaged | 4 |
and says in | 4 |
have done with | 4 |
the chamber with | 4 |
the poor woman | 4 |
by the sudden | 4 |
and looks at | 4 |
kind of you | 4 |
took up the | 4 |
a glass of | 4 |
that i will | 4 |
is out of | 4 |
at this time | 4 |
with his hat | 4 |
my duty to | 4 |
you think so | 4 |
a very good | 4 |
as i drew | 4 |
looked at mary | 4 |
you are to | 4 |
with you and | 4 |
to pay me | 4 |
in his own | 4 |
i am resolved | 4 |
i have heard | 4 |
between you and | 4 |
midst of my | 4 |
if you would | 4 |
him that i | 4 |
that one of | 4 |
for the present | 4 |
there is not | 4 |
put it out | 4 |
with each other | 4 |
must tell you | 4 |
to the police | 4 |
me back my | 4 |
i suppose it | 4 |
is a little | 4 |
if it is | 4 |
this young lady | 4 |
and is about | 4 |
chair beside the | 4 |
fear i shall | 4 |
my dear george | 4 |
the wide world | 4 |
it struck me | 4 |
you in my | 4 |
of what i | 4 |
did you say | 4 |
for it is | 4 |
of the name | 4 |
and to my | 4 |
can do to | 4 |
from the table | 4 |
as i said | 4 |
who has been | 4 |
for eilert lovborg | 4 |
it was as | 4 |
do not know | 4 |
of my ancestors | 4 |
a look of | 4 |
an expression of | 4 |
looking at her | 4 |
been found in | 4 |
i would be | 4 |
it is now | 4 |
so that i | 4 |
tell her in | 4 |
i love you | 4 |
to the landlady | 4 |
history of the | 4 |
i then took | 4 |
have not a | 4 |
with his arm | 4 |
cried the mother | 4 |
i know what | 4 |
holds out her | 4 |
get rid of | 4 |
and then she | 4 |
of my having | 4 |
do you remember | 4 |
she is the | 4 |
of the best | 4 |
much interested in | 4 |
i shall take | 4 |
as he had | 4 |
if you only | 4 |
the minstrel to | 4 |
to see how | 4 |
in the future | 4 |
have i not | 4 |
and see what | 4 |
on my honour | 4 |
we shall be | 4 |
lay on the | 4 |
to take a | 4 |
and took the | 4 |
i had ever | 4 |
you think that | 4 |
was able to | 4 |
him out of | 4 |
the same name | 4 |
of the same | 4 |
all over with | 4 |
and that was | 4 |
have never heard | 4 |
her at once | 4 |
my great surprise | 4 |
as to have | 4 |
my good friend | 4 |
jack and algernon | 4 |
in the back | 4 |
and the next | 4 |
the day before | 4 |
that you would | 4 |
if she is | 4 |
but i could | 4 |
about the matter | 4 |
the minstrel and | 4 |
you have come | 4 |
and all my | 4 |
is why i | 4 |
it to you | 4 |
me to have | 4 |
goes into the | 4 |
the whole truth | 4 |
to the reader | 4 |
an old woman | 4 |
a new book | 4 |
i should like | 4 |
to go and | 4 |
better to do | 4 |
nothing but a | 4 |
that i can | 4 |
and a few | 4 |
i happened to | 4 |
them in the | 4 |
and then it | 4 |
swore that he | 4 |
of de willoughby | 4 |
in a very | 4 |
knew nothing of | 4 |
penny for the | 4 |
i to the | 4 |
i declare i | 4 |
if you want | 4 |
description of it | 4 |
of my birth | 4 |
have made me | 4 |
to detain you | 4 |
great deal of | 4 |
in the drawing | 4 |
i ought to | 4 |
of monkton castle | 4 |
the style of | 4 |
you for ever | 4 |
more and more | 4 |
have nothing to | 4 |
that of the | 4 |
presence of mind | 4 |
it all the | 4 |
in my opinion | 4 |
allow me to | 4 |
closed his eyes | 4 |
know who i | 4 |
he gave me | 4 |
she is a | 4 |
have got to | 4 |
it is perfectly | 4 |
the face of | 4 |
of the men | 4 |
dressed in a | 4 |
that we have | 4 |
to jerry sullivan | 4 |
would have done | 4 |
wringing her hands | 4 |
would be the | 4 |
you have just | 4 |
i should not | 4 |
hope to be | 4 |
in her hand | 4 |
of the garden | 4 |
for the future | 4 |
in all my | 4 |
in the face | 4 |
and after a | 4 |
of them are | 4 |
want to talk | 4 |
i had never | 4 |
the scene of | 4 |
live in this | 4 |
the same way | 4 |
seemed to be | 4 |
to a woman | 4 |
now i have | 4 |
it is all | 4 |
with these words | 4 |
is at the | 4 |
both of them | 4 |
i dare not | 4 |
was the most | 4 |
so far as | 4 |
back in the | 4 |
to me a | 4 |
the poor fellow | 4 |
to do the | 4 |
so i am | 4 |
beside the stove | 4 |
and set off | 4 |
why on earth | 4 |
glided into the | 4 |
and there is | 4 |
just as you | 4 |
what it is | 4 |
in my hands | 4 |
for the most | 4 |
on both sides | 4 |
we used to | 4 |
the moment you | 4 |
of my hand | 4 |
that is my | 4 |
i threw myself | 4 |
you to your | 4 |
and jack in | 4 |
asked him to | 4 |
to me the | 4 |
in order that | 4 |
threw myself on | 4 |
my cigarette case | 4 |
about the same | 4 |
in my house | 4 |
as a proof | 4 |
in the carriage | 4 |
out of your | 4 |
at length i | 4 |
have i done | 4 |
to see it | 4 |
no doubt of | 4 |
think i would | 4 |
of eilert lovborg | 4 |
i made a | 4 |
a young man | 4 |
save me from | 4 |
never will i | 4 |
when there is | 4 |
there was an | 4 |
all sorts of | 4 |
from the room | 4 |
to copy the | 4 |
i am of | 4 |
be quite well | 4 |
i am certain | 4 |
have to be | 4 |
a young girl | 4 |
which he had | 4 |
which you have | 4 |
you have a | 4 |
on a salver | 4 |
must say that | 4 |
because i am | 4 |
the police had | 4 |
you shall hear | 4 |
door of the | 4 |
is not your | 4 |
he was in | 4 |
i was right | 4 |
no one else | 4 |
middle of the | 4 |
off the belt | 4 |
of a small | 4 |
i wanted to | 4 |
assure you i | 4 |
as you call | 4 |
you know how | 4 |
speak to you | 4 |
of the feudal | 4 |
the meaning of | 4 |
i must see | 4 |
am going to | 4 |
so i put | 4 |
the retrogression gun | 4 |
say that your | 4 |
at the end | 4 |
was about to | 4 |
me in his | 4 |
if i am | 4 |
you could only | 4 |
i thought so | 4 |
and goes out | 4 |
to leave the | 4 |
to look after | 4 |
have you done | 4 |
in the character | 4 |
in the afternoon | 4 |
to give you | 4 |
as if he | 4 |
and her eyes | 4 |
the only thing | 4 |
had been retrogressed | 4 |
and the rest | 4 |
how are you | 4 |
on me with | 4 |
and seats herself | 4 |
eilert lovborg is | 4 |
am engaged to | 4 |
that he would | 4 |
done to you | 4 |
i think that | 4 |
i should think | 4 |
well as i | 4 |
in the day | 4 |
my dearest hedda | 4 |
it seems to | 4 |
but you know | 4 |
what did he | 4 |
i thought it | 4 |
that he should | 4 |
sum of money | 4 |
the nature of | 4 |
sir charles grandison | 4 |
go in and | 4 |
and i thought | 4 |
what is that | 4 |
a young lady | 4 |
closes the door | 4 |
on my knees | 4 |
to the left | 4 |
to be saved | 4 |
out into the | 4 |
on his desk | 4 |
to make it | 4 |
was a good | 4 |
is the best | 4 |
but there is | 4 |
how shall i | 4 |
that some of | 4 |
of the law | 4 |
in an age | 4 |
of her own | 4 |
to hear it | 4 |
of the very | 4 |
the manuscript of | 4 |
of my domestics | 4 |
at the bottom | 4 |
said the minstrel | 4 |
on my part | 4 |
find out who | 4 |
up in a | 4 |
which of us | 4 |
by the hand | 4 |
robbed me of | 4 |
out the room | 4 |
i have done | 4 |
who he was | 4 |
to the other | 4 |
for i am | 4 |
they told me | 4 |
he was an | 4 |
i waved my | 4 |
the master of | 4 |
my place of | 4 |
this i know | 4 |
and i found | 4 |
in the heroine | 4 |
become of me | 4 |
if there was | 4 |
as we had | 4 |
up at him | 4 |
to the table | 4 |
to get rid | 4 |
the door was | 4 |
to think i | 4 |
on our way | 4 |
a victim to | 4 |
room at the | 4 |
ran out of | 4 |
to part with | 4 |
as i thought | 4 |
anything of that | 4 |
to come in | 4 |
the life of | 4 |
be capable of | 4 |
respect for the | 4 |
i knew not | 4 |
towards the inner | 4 |
wish you would | 4 |
as he was | 4 |
from his seat | 4 |
is going to | 4 |
may be the | 4 |
good deal of | 4 |
i have come | 4 |
he seems to | 4 |
in that case | 4 |
you were a | 4 |
that the author | 4 |
what did you | 4 |
some one else | 4 |
both my hands | 4 |
it at once | 4 |
the wife of | 4 |
in this world | 4 |
of the present | 4 |
till she is | 4 |
where is that | 4 |
and the man | 4 |
appear to be | 4 |
i can see | 4 |
struck me that | 4 |
ladies and gentlemen | 4 |
went into the | 4 |
in the inner | 4 |
in my hand | 4 |
i took an | 4 |
that what i | 4 |
manuscript of a | 4 |
am not at | 4 |
at him with | 4 |
i had finished | 4 |
sure to be | 4 |
ernest in town | 4 |
the time i | 4 |
the retro gun | 4 |
the sofa and | 4 |
the house of | 4 |
in the breast | 4 |
made up his | 4 |
far as the | 4 |
had not the | 4 |
glad to say | 4 |
taking my hand | 3 |
left me in | 3 |
to the heart | 3 |
down in the | 3 |
coming out of | 3 |
to let you | 3 |
ready for the | 3 |
the portrait in | 3 |
of truth and | 3 |
in the second | 3 |
ten thousand pounds | 3 |
have stolen it | 3 |
that he did | 3 |
for him to | 3 |
him at the | 3 |
matter of form | 3 |
why i should | 3 |
to do that | 3 |
what was the | 3 |
towards the cottage | 3 |
of gwyn castle | 3 |
i shall probably | 3 |
set off with | 3 |
i will go | 3 |
i could perceive | 3 |
you will always | 3 |
i am ruined | 3 |
the corner settee | 3 |
was not my | 3 |
goes over to | 3 |
as she is | 3 |
will have no | 3 |
is no such | 3 |
i know i | 3 |
and swore that | 3 |
would make a | 3 |
how am i | 3 |
something of the | 3 |
to have the | 3 |
the only way | 3 |
have you got | 3 |
do not approve | 3 |
in the name | 3 |
and made the | 3 |
of that name | 3 |
should like to | 3 |
i say that | 3 |
nothing at all | 3 |
in my own | 3 |
to me if | 3 |
it was on | 3 |
would be quite | 3 |
one should always | 3 |
it would have | 3 |
il castello di | 3 |
in his work | 3 |
at the castle | 3 |
of your life | 3 |
to tell the | 3 |
i am anxious | 3 |
there is always | 3 |
are not yet | 3 |
give him a | 3 |
she will be | 3 |
be sure i | 3 |
of nothing but | 3 |
the shape of | 3 |
when he was | 3 |
him to go | 3 |
and i hope | 3 |
too much to | 3 |
the happiness of | 3 |
daughter of erin | 3 |
of the fatal | 3 |
wood in the | 3 |
on this occasion | 3 |
a short pause | 3 |
shaking her head | 3 |
to have to | 3 |
the middle ages | 3 |
must beg leave | 3 |
a small window | 3 |
nor could i | 3 |
him at once | 3 |
we have just | 3 |
have no brother | 3 |
i suppose so | 3 |
saw the three | 3 |
of other heroines | 3 |
one of these | 3 |
you have the | 3 |
from his house | 3 |
he turned the | 3 |
he went to | 3 |
two or three | 3 |
down the garden | 3 |
but there was | 3 |
have not broken | 3 |
of her friends | 3 |
the story of | 3 |
broken our agreement | 3 |
i flatter myself | 3 |
was given to | 3 |
locked the door | 3 |
i am always | 3 |
night in the | 3 |
it could be | 3 |
must have a | 3 |
at the proposal | 3 |
am sure it | 3 |
and a man | 3 |
to the stove | 3 |
the door behind | 3 |
they will not | 3 |
regret to say | 3 |
returned with a | 3 |
doubt of it | 3 |
hands in his | 3 |
but in a | 3 |
starting from his | 3 |
i could almost | 3 |
is all that | 3 |
at her own | 3 |
are just as | 3 |
her to a | 3 |
and he would | 3 |
without uttering a | 3 |
his face with | 3 |
it was given | 3 |
away with it | 3 |
now and for | 3 |
his head was | 3 |
but i was | 3 |
of it in | 3 |
on the wall | 3 |
makes you think | 3 |
anything of the | 3 |
i heard steps | 3 |
in her eyes | 3 |
did he say | 3 |
all your own | 3 |
he is a | 3 |
i saw you | 3 |
you look at | 3 |
luck to me | 3 |
on his arm | 3 |
think that is | 3 |
you are right | 3 |
to send you | 3 |
whether it be | 3 |
in other words | 3 |
thing in the | 3 |
am told that | 3 |
in imitation of | 3 |
is quite a | 3 |
i should never | 3 |
of the middle | 3 |
uttering a word | 3 |
at the age | 3 |
all will be | 3 |
to go without | 3 |
and as to | 3 |
he has to | 3 |
put an end | 3 |
as often as | 3 |
her out of | 3 |
to take it | 3 |
her eyes are | 3 |
the tuscan dress | 3 |
i would never | 3 |
he returned to | 3 |
think you were | 3 |
we have been | 3 |
and sure enough | 3 |
the winding sheet | 3 |
had much better | 3 |
i have already | 3 |
i will have | 3 |
enter lady bracknell | 3 |
an opportunity for | 3 |
i gave the | 3 |
as you can | 3 |
changing her tone | 3 |
afraid i have | 3 |
within a few | 3 |
and now he | 3 |
no one has | 3 |
name was ernest | 3 |
all the morning | 3 |
a bad thing | 3 |
lines on the | 3 |
shaking his head | 3 |
and on our | 3 |
him with an | 3 |
leg of mutton | 3 |
if you please | 3 |
all that had | 3 |
i could get | 3 |
who you were | 3 |
takes a chair | 3 |
no doubt he | 3 |
i luckily recollected | 3 |
have an opportunity | 3 |
that he might | 3 |
she came to | 3 |
might not be | 3 |
if you wish | 3 |
to me in | 3 |
like a child | 3 |
after we had | 3 |
with a lighted | 3 |
minstrel to the | 3 |
comes out of | 3 |
i am out | 3 |
can you be | 3 |
at the hall | 3 |
she goes up | 3 |
to request that | 3 |
i remember you | 3 |
sent me to | 3 |
where is it | 3 |
i have seen | 3 |
i knew i | 3 |
into a parlour | 3 |
my dear eilert | 3 |
at all that | 3 |
i fell into | 3 |
a flight of | 3 |
i spoke to | 3 |
the same as | 3 |
to such an | 3 |
where i had | 3 |
of course one | 3 |
have ever seen | 3 |
things of that | 3 |
with the graces | 3 |
mile from the | 3 |
with an air | 3 |
to have heard | 3 |
go with them | 3 |
the number of | 3 |
would you have | 3 |
the expression on | 3 |
a moment was | 3 |
may i be | 3 |
and suites of | 3 |
what was i | 3 |
to dine with | 3 |
have a cup | 3 |
lives at tunbridge | 3 |
i must go | 3 |
that we were | 3 |
in the hand | 3 |
town and jack | 3 |
she is my | 3 |
at tunbridge wells | 3 |
of his head | 3 |
tell me the | 3 |
not a moment | 3 |
he was found | 3 |
moment of my | 3 |
there may be | 3 |
i saw him | 3 |
hours have winged | 3 |
my hair was | 3 |
health and happiness | 3 |
the lady sympathina | 3 |
tell you i | 3 |
the other with | 3 |
don quixote and | 3 |
think that he | 3 |
it was there | 3 |
a work of | 3 |
the right to | 3 |
and ran down | 3 |
is dressed in | 3 |
with my tears | 3 |
i hear you | 3 |
all about it | 3 |
are you sure | 3 |
an end to | 3 |
had better not | 3 |
she is in | 3 |
of the three | 3 |
him my hand | 3 |
a voice that | 3 |
wish to goodness | 3 |
and put his | 3 |
the whole story | 3 |
if only it | 3 |
part of his | 3 |
ancient and loyal | 3 |
in every thing | 3 |
though i am | 3 |
is at present | 3 |
is all this | 3 |
so that was | 3 |
who are not | 3 |
it will not | 3 |
tells me that | 3 |
and lady gwyn | 3 |
bring myself to | 3 |
but what do | 3 |
and i beheld | 3 |
protest to you | 3 |
to murder me | 3 |
with a slight | 3 |
then she goes | 3 |
come to the | 3 |
we have no | 3 |
on his head | 3 |
when i found | 3 |
jerry to the | 3 |
we are in | 3 |
as if from | 3 |
why nothing more | 3 |
soon as you | 3 |
think there is | 3 |
you have not | 3 |
we began to | 3 |
have you been | 3 |
some of its | 3 |
i will pay | 3 |
she said she | 3 |
button and the | 3 |
hurried out of | 3 |
the love of | 3 |
in doing so | 3 |
one of its | 3 |
have been christened | 3 |
by the by | 3 |
and his lady | 3 |
my marriage with | 3 |
are you saying | 3 |
of a mile | 3 |
a little while | 3 |
cup of tea | 3 |
during that time | 3 |
description of the | 3 |
the poor cottagers | 3 |
at length the | 3 |
shake hands with | 3 |
come to you | 3 |
never even saw | 3 |
what makes you | 3 |
of the family | 3 |
the memoirs of | 3 |
the room and | 3 |
a mile from | 3 |
the return of | 3 |
a volume of | 3 |
you are quite | 3 |
permit me to | 3 |
the company were | 3 |
had i been | 3 |
am very fond | 3 |
any one of | 3 |
a hundred and | 3 |
on a bed | 3 |
to you about | 3 |
people of the | 3 |
fall in love | 3 |
and the thunder | 3 |
think of him | 3 |
of her eyes | 3 |
mary began to | 3 |
and i heard | 3 |
the warden to | 3 |
of the master | 3 |
where you are | 3 |
and an old | 3 |
i say nothing | 3 |
judge of my | 3 |
was such a | 3 |
the room with | 3 |
to accept the | 3 |
have been so | 3 |
the bread and | 3 |
that i now | 3 |
mentioned to me | 3 |
i am burning | 3 |
at present in | 3 |
has just been | 3 |
looks at it | 3 |
of it to | 3 |
and as for | 3 |
but not in | 3 |
was turned out | 3 |
quite a different | 3 |
that they have | 3 |
if it were | 3 |
one in the | 3 |
if it should | 3 |
tell me now | 3 |
nothing better to | 3 |
me like a | 3 |
and i would | 3 |
got rid of | 3 |
the same roof | 3 |
that of a | 3 |
are to be | 3 |
my dear algy | 3 |
on the whole | 3 |
him at my | 3 |
but if i | 3 |
of the tower | 3 |
should i do | 3 |
you i was | 3 |
table in front | 3 |
round the room | 3 |
daddy had said | 3 |
not a single | 3 |
luise and himself | 3 |
a few paces | 3 |
interrupted by the | 3 |
shall have to | 3 |
if you like | 3 |
that i did | 3 |
i have nothing | 3 |
i have my | 3 |
have a good | 3 |
first time i | 3 |
a letter to | 3 |
under his arm | 3 |
to the casement | 3 |
good enough to | 3 |
in the temple | 3 |
and not a | 3 |
set up a | 3 |
for half an | 3 |
do you not | 3 |
the top floor | 3 |
my way to | 3 |
you had come | 3 |
hastened into the | 3 |
here with you | 3 |
or two things | 3 |
not to know | 3 |
me that you | 3 |
a heap of | 3 |
in the air | 3 |
and i wish | 3 |
far from it | 3 |
my own ernest | 3 |
you can see | 3 |
the man is | 3 |
to the servant | 3 |
if you should | 3 |
any one else | 3 |
to the floor | 3 |
face in my | 3 |
say du to | 3 |
to describe the | 3 |
say nothing of | 3 |
i was the | 3 |
man was not | 3 |
is just the | 3 |
going to make | 3 |
there was something | 3 |
could you think | 3 |
as if the | 3 |
will your worship | 3 |
and in these | 3 |
he has had | 3 |
moment i heard | 3 |
at the very | 3 |
why should you | 3 |
you mean the | 3 |
think it would | 3 |
but now i | 3 |
it should be | 3 |
of her sex | 3 |
i am your | 3 |
heard a step | 3 |
i knew it | 3 |
be more than | 3 |
an interview with | 3 |
must be much | 3 |
long as i | 3 |
gun in his | 3 |
said the gentleman | 3 |
life that i | 3 |
i could never | 3 |
and so he | 3 |
and now the | 3 |
men in masks | 3 |
would consent to | 3 |
you i have | 3 |
in the shelter | 3 |
in the dark | 3 |
to say you | 3 |
the waiting room | 3 |
as pale as | 3 |
was beginning to | 3 |
would not have | 3 |
in my castle | 3 |
he snapped the | 3 |
after looking at | 3 |
had read of | 3 |
no time for | 3 |
in the way | 3 |
came to me | 3 |
and the police | 3 |
one cock in | 3 |
into the castle | 3 |
you had much | 3 |
hope you are | 3 |
to tell her | 3 |
and that of | 3 |
her with a | 3 |
the sooner the | 3 |
fact that you | 3 |
so that is | 3 |
if it was | 3 |
me so much | 3 |
some one to | 3 |
me on the | 3 |
pale as ashes | 3 |
nothing to do | 3 |
in a hand | 3 |
me into his | 3 |
and my companion | 3 |
the common law | 3 |
i think we | 3 |
nothing will induce | 3 |
into the country | 3 |
my face in | 3 |
the leg of | 3 |
at one time | 3 |
the way he | 3 |
the sun shall | 3 |
i now write | 3 |
be permitted to | 3 |
me to go | 3 |
than the rest | 3 |
from the first | 3 |
he must be | 3 |
such is the | 3 |
of the other | 3 |
nothing but the | 3 |
my spangled muslin | 3 |
you are at | 3 |
say the truth | 3 |
him to a | 3 |
to my marriage | 3 |
had no time | 3 |
morning of the | 3 |
than a week | 3 |
and i fancy | 3 |
so long as | 3 |
too well i | 3 |
call on you | 3 |
seats herself on | 3 |
could i do | 3 |
let us in | 3 |
began to think | 3 |
a little money | 3 |
myself on my | 3 |
to make the | 3 |
been christened already | 3 |
then he will | 3 |
of them all | 3 |
round and round | 3 |
as i did | 3 |
and the wind | 3 |
a cup of | 3 |
that he went | 3 |
know what you | 3 |
my own one | 3 |
me by the | 3 |
have been a | 3 |
seem to me | 3 |
farewell for me | 3 |
the structure of | 3 |
the thing is | 3 |
am of the | 3 |
i stood at | 3 |
many of them | 3 |
you to marry | 3 |
in the gallery | 3 |
and i felt | 3 |
is the very | 3 |
in its place | 3 |
am at present | 3 |
is likely to | 3 |
ever since i | 3 |
me for ever | 3 |
have thought of | 3 |
in town and | 3 |
that can be | 3 |
into a thousand | 3 |
perhaps you would | 3 |
if you will | 3 |
nothing for it | 3 |
the manners and | 3 |
dear uncle jack | 3 |
and you shall | 3 |
will pay you | 3 |
i am only | 3 |
took out a | 3 |
i shall do | 3 |
looks up at | 3 |
i might be | 3 |
himself to the | 3 |
to marry her | 3 |
i beg you | 3 |
between us and | 3 |
his hands in | 3 |
i must be | 3 |
me to quit | 3 |
may have been | 3 |
lady bracknell and | 3 |
had to say | 3 |
my poor brother | 3 |
he could feel | 3 |
as i shall | 3 |
a beating heart | 3 |
was only a | 3 |
i only know | 3 |
where i found | 3 |
beseech of you | 3 |
all about the | 3 |
the form of | 3 |
desired me to | 3 |
that had been | 3 |
that was what | 3 |
i had nothing | 3 |
as i could | 3 |
and you can | 3 |
into the drawing | 3 |
you are an | 3 |
open the door | 3 |
who had been | 3 |
where did you | 3 |
see how i | 3 |
they seem to | 3 |
a long and | 3 |
because it is | 3 |
for his lordship | 3 |
of the morning | 3 |
i have taken | 3 |
at least a | 3 |
i know it | 3 |
of the poor | 3 |
the pleasure of | 3 |
on his return | 3 |
i resolved on | 3 |
was i to | 3 |
take it to | 3 |
to come to | 3 |
know that you | 3 |
have been engaged | 3 |
was on the | 3 |
inform you of | 3 |
no longer a | 3 |
in favour of | 3 |
at length he | 3 |
i am convinced | 3 |
i gave him | 3 |
an act of | 3 |
that there were | 3 |
in much terror | 3 |
unable to move | 3 |
can you imagine | 3 |
image of my | 3 |
stood at the | 3 |
her to be | 3 |
a young gentleman | 3 |
had to do | 3 |
i never saw | 3 |
the police counselor | 3 |
the first that | 3 |
i concluded that | 3 |
dressed myself in | 3 |
a large party | 3 |
he looked up | 3 |
no sort of | 3 |
i know of | 3 |
at the writing | 3 |
consequence of a | 3 |
in your own | 3 |
there are a | 3 |
had said it | 3 |
and stood before | 3 |
the praise of | 3 |
from the closet | 3 |
is all right | 3 |
i hear it | 3 |
of it at | 3 |
beside the table | 3 |
i flung myself | 3 |
he had the | 3 |
on the second | 3 |
up his mind | 3 |
theodore de willoughby | 3 |
at my house | 3 |
of the picture | 3 |
i was just | 3 |
her arms about | 3 |
he thus began | 3 |
are at the | 3 |
where he was | 3 |
and what did | 3 |
to the top | 3 |
and read it | 3 |
it does not | 3 |
such a manner | 3 |
i have read | 3 |
persons entered the | 3 |
it can be | 3 |
at last the | 3 |
he trod on | 3 |
to his face | 3 |
of such a | 3 |
was nothing to | 3 |
me the paper | 3 |
from the road | 3 |
put it in | 3 |
the first thing | 3 |
picks up the | 3 |
my whole frame | 3 |
against the door | 3 |
up at the | 3 |
did you get | 3 |
the gentleman who | 3 |
to each other | 3 |
advise you to | 3 |
cecily and gwendolen | 3 |
me in my | 3 |
methought i heard | 3 |
a chair and | 3 |
is all over | 3 |
he shook his | 3 |
at my writing | 3 |
the second place | 3 |
if he could | 3 |
part of a | 3 |
when on a | 3 |
just at the | 3 |
descended the stairs | 3 |
came to tell | 3 |
the youths and | 3 |
in the dining | 3 |
clean out the | 3 |
and he knew | 3 |
know that a | 3 |
are you so | 3 |
how old are | 3 |
and he had | 3 |
remainder of the | 3 |
should not be | 3 |
and now a | 3 |
was nothing else | 3 |
but they were | 3 |
at the last | 3 |
with my sighs | 3 |
what kind of | 3 |
in this castle | 3 |
i have given | 3 |
living in the | 3 |
of a man | 3 |
minstrel and warden | 3 |
and for ever | 3 |
and leaves the | 3 |
man who had | 3 |
turning over the | 3 |
cried the man | 3 |
common law of | 3 |
curse me if | 3 |
believe it is | 3 |
home with me | 3 |
in hopes to | 3 |
let us go | 3 |
wrapped in paper | 3 |
it is always | 3 |
must try to | 3 |
the night before | 3 |
give my consent | 3 |
man with no | 3 |
in the least | 3 |
a piece of | 3 |
i must beg | 3 |
so that it | 3 |
is in town | 3 |
an honest man | 3 |
must have stolen | 3 |
me of my | 3 |
to any one | 3 |
the eastern turret | 3 |
i dressed myself | 3 |
the thoughts of | 3 |
part of my | 3 |
that as soon | 3 |
till i had | 3 |
to repair the | 3 |
not think of | 3 |
does it not | 3 |
heard the sound | 3 |
and loyal vassal | 3 |
you remember the | 3 |
keep a diary | 3 |
of the dance | 3 |
you to tell | 3 |
wish to be | 3 |
sooner the better | 3 |
quite sure that | 3 |
that there is | 3 |
sitting on the | 3 |
time in my | 3 |
as the sun | 3 |
not at home | 3 |
perhaps you are | 3 |
me about the | 3 |
sat up and | 3 |
and looked at | 3 |
can be done | 3 |
but do not | 3 |
the following lines | 3 |
that does not | 3 |
an old gentleman | 3 |
four guineas and | 3 |
to say nothing | 3 |
will be quite | 3 |
the a in | 3 |
be the means | 3 |
when i saw | 3 |
those who had | 3 |
set off for | 3 |
out to be | 3 |
look at you | 3 |
to have no | 3 |
through the garden | 3 |
that you can | 3 |
as she spoke | 3 |
i was to | 3 |
to this house | 3 |
till i am | 3 |
after my last | 3 |
what is to | 3 |
me a little | 3 |
at length my | 3 |
to make me | 3 |
tell you what | 3 |
confess i am | 3 |
in and see | 3 |
you are in | 3 |
i to stuart | 3 |
i fear that | 3 |
of the society | 3 |
the pacific ocean | 3 |
be happy with | 3 |
the idea that | 3 |
am sure i | 3 |
about it all | 3 |
i found the | 3 |
it to your | 3 |
am i a | 3 |
come for the | 3 |
of the screen | 3 |
and to be | 3 |
the cause of | 3 |
they had been | 3 |
i will see | 3 |
the men and | 3 |
of the ancient | 3 |
and the door | 3 |
old are you | 3 |
to call him | 3 |
be serious about | 3 |
you come to | 3 |
to be called | 3 |
by lady gwyn | 3 |
behind the counter | 3 |
was of a | 3 |
a picture of | 3 |
i regret to | 3 |
he wanted her | 3 |
what say you | 3 |
of those who | 3 |
that jerry sullivan | 3 |
her mistress of | 3 |
suppose that is | 3 |
mother that bore | 3 |
myself at the | 3 |
i feel it | 3 |
look at the | 3 |
be said about | 3 |
for a heroine | 3 |
things in the | 3 |
the use of | 3 |
a tall figure | 3 |
is a good | 3 |
was the way | 3 |
no less than | 3 |
tone of the | 3 |
i will do | 3 |
that i got | 3 |
would be out | 3 |
but i can | 3 |
you my word | 3 |
to put to | 3 |
while we were | 3 |
set foot in | 3 |
cried my mother | 3 |
published a new | 3 |
you and miss | 3 |
you and me | 3 |
matter with you | 3 |
will be so | 3 |
in which i | 3 |
and the landlady | 3 |
when i came | 3 |
as i sat | 3 |
you all the | 3 |
us and the | 3 |
must be some | 3 |
if you continue | 3 |
will not be | 3 |
i had done | 3 |
himself into a | 3 |
you have never | 3 |
burst into tears | 3 |
when i am | 3 |
his lordship and | 3 |
in the doorway | 3 |
a very different | 3 |
of the finest | 3 |
you and tesman | 3 |
in a month | 3 |
a pleasure to | 3 |
you are my | 3 |
is one of | 3 |
i found her | 3 |
a whole week | 3 |
is something in | 3 |
of my late | 3 |
would have a | 3 |
at the theatre | 3 |
gave three cheers | 3 |
all the world | 3 |
back into the | 3 |
had the courage | 3 |
i think there | 3 |
no time to | 3 |
get into the | 3 |
both you and | 3 |
large slice of | 3 |
to make my | 3 |
to say to | 3 |
is it that | 3 |
that i left | 3 |
i never even | 3 |
the picture was | 3 |
think i should | 3 |
lady eleanor gwyn | 3 |
which we can | 3 |
it was for | 3 |
duty as a | 3 |
the night of | 3 |
was the only | 3 |
the last of | 3 |
i saw a | 3 |
as i got | 3 |
but that i | 3 |
returned to the | 3 |
did i not | 3 |
but in vain | 3 |
is what you | 3 |
give me back | 3 |
fact is that | 3 |
what he was | 3 |
i suppose that | 3 |
in his face | 3 |
said she would | 3 |
and he then | 3 |
we have to | 3 |
quite out of | 3 |
as you see | 3 |
the subject of | 3 |
to keep you | 3 |
love to her | 3 |
for which i | 3 |
make certain that | 3 |
thought it was | 3 |
gave me a | 3 |
looking at the | 3 |
at your service | 3 |
it back to | 3 |
and one or | 3 |
of his character | 3 |