This is a list of all the questions and their associated study carrel identifiers. One can learn a lot of the "aboutness" of a text simply by reading the questions.
| identifier | question |
|---|---|
| 36751 | Is it not almost marvellous, this suggestive power of outline, for is it not in reality but an imaginary boundary? |
| 43557 | Were not Shakespeare''s characters intended to be illustrated-- not by drawings perhaps, but by"living pictures"? |
| 34869 | In the first instance, the curve is drawn on squared paper, and the question naturally arises-- To what extent are the squares to be represented? |
| 34869 | RELIEF PRINTING[ Illustration: Little maid, little maid, Whither goest thou? |
| 40250 | 1498( FLORENCE, 1493?)] |
| 40250 | We might go( who knows how much further?) |
| 40250 | _ Fior di Virtù_( Florence, 1493? |
| 38164 | Have our modern artists made anything like adequate use of this excellent invention? |
| 38164 | If we put pictures into our books, why should not the pictures be framed? |
| 43232 | Andalusite schist(?). |
| 43232 | Graywacke(?). |
| 43232 | Greisen(?). |
| 43232 | Luxulianite( igneous?). |
| 43232 | The following forms are correct: Comma,; quotation marks""; apostrophe''; question mark? |
| 43232 | Toscanite(?). |
| 40322 | And as for the rest of the world, why what of it? |
| 40322 | But what were the portraits of Velasquez, the groups of Rembrandt, the feasts of Veronese, the processions of Carpaccio? |
| 40322 | Frederick Sandys illustrated"The Legend of the Portent,"and the volume ends with Millais''splendid design"Was it not a lie?" |
| 40322 | Still, to- day any subject that can be engraved on wood may be printed; and if one likes to try experiments, why should he be stopped? |
| 40322 | To what is England, or rather"Punch,"coming? |
| 40322 | What magazine, for example, has eclipsed"The Daily Chronicle''s"experiment in illustration? |
| 35494 | An author( Caxton?) |
| 35494 | Gutenbergs?_[ 1895.] |
| 35494 | HESSELS, J. H._ Gutenberg: Was He the Inventor of Printing?_ London, 1882. |
| 35494 | HESSELS, J. H._ Gutenberg: Was He the Inventor of Printing?_ London, 1882. |
| 35494 | If a book is otherwise uninteresting, what is it the better for being rare? |
| 35494 | The frontispiece of the book, on the other hand, is a striking design of a woman( symbolizing the city of Mainz?) |
| 35494 | What then are the associations and qualities which give books value in the eyes of a collector? |
| 27112 | Among the Florentine woodcuts do we find any designed for children? |
| 27112 | Are there any children''s books illustrated by Dürer, Burgmair, Altdorfer, Jost Amman, or the little masters of Germany? |
| 27112 | Did Rembrandt etch for them, or Jacob Beham prepare plates for their amusement? |
| 27112 | Did the laughter of the children grow less? |
| 27112 | He knows how to tell his thrilling stories in a way that is irresistible? |
| 27112 | In Lewis Carroll''s"Rhyme? |
| 27112 | M[ulready? |
| 27112 | Mr. Tuer attributes the design of these latter to R. Stennet( or Sinnet? |
| 27112 | T. Pym, far less well- equipped as a draughtsman, shows a certain childish naïvetà © in his( or was it her?) |
| 27112 | To see his volumes worn out by too eager votaries; what could an author or artist wish for more? |
| 27112 | Why should not grown- up people avow their pleasure in children''s books if they feel it? |
| 27112 | and Reason?" |
| 32320 | And how should it be otherwise? |
| 32320 | How far, then, may the author be said to be responsible for the state of things just quoted? |
| 32320 | How many authors or illustrators of books show that they care for the"look"of a printed page? |
| 32320 | Pictures of the highest class that can be printed in a newspaper? |
| 32320 | Referring again to the question in the_ Athenæum_,"Why is not drawing for the press taught in our Government schools of art?" |
| 32320 | What are the facts? |
| 32320 | What harmony of style do we see in an ordinary book? |
| 32320 | What is he doing in 1894? |
| 45426 | Oh, what''s that in the hollow, so pale I quake to follow? 45426 ''Gulliver''s Travels''( 1866? 45426 ''Illustrated Book of Sacred Poems''( 1867? 45426 (? 45426 (? 45426 317,''with the superb head of Persephone and the spirited quadriga, on the obverse,''in some tray of old coins in a foreign market- place? 45426 Foxe''s''Book of Martyrs''( 1867? 45426 It has nineteen full- page drawings, set in ornamental borders, which, printed in colours, decorate(? 45426 It is then photographed[? 45426 To write up to pictures has often been attempted; were not_ The Pickwick Papers_ begun in this way? 45426 Who does not hope to find a twopenny box containing( as once they did) a first edition of Fitzgerald''s_ Omar Khayyám_? 45426 or a Rembrandt''s_ Three Trees_ in a first state? 45426 v. we find_ Jessie Cameron''s Bairn_( p. 15),_ The Deserted Diggings_( p. 83),_ Pray, sir, are you a Gentleman_? 44890 28.--Border of the_ Grandes Heures_ of Antony Verard: Paris, 1498(?).] 44890 And who was this unknown designer, this painter of bold conceptions, whose work is complete in little nothings? 44890 Another question presents itself: Did the old printers employ casting, or did they print directly from the wood block itself? 44890 Are we to suppose, that duplicates of blocks passed between France and Germany, or was a copy made by a French designer? 44890 But what can be said to- day of these people? 44890 Had he completed it by applying to it the matrix and punch which had then and for centuries served the makers of seals and the money- coiners? 44890 However, what had become of engraving by cutting in reverse, the figure in relief, from which printing could be done? 44890 In other words, the block having been cut, did they make with it a mould into which melted metal could be poured to obtain a more resistant relief? 44890 In the middle of this turmoil, what became of the obscure persons who were then the printers of the Bible? 44890 Is it that they found there the descendants of Laurent Coster firmly established in their workshops? 44890 It is beyond doubt that this master produced for many works figures and ornaments, but what were the books? 44890 Must the coexistence, the simultaneous advance, of the invention in Germany and in the Low Countries be admitted? 44890 Now in the situation in which Gutenberg found himself, in the face of his rivals, had he not some claim to regard the great discovery as his own? 44890 This was true before, but after? 44890 Was it John Gaensefleisch, called Gutenberg, or possibly John Fust? 44890 Were not these engravers on wood printers themselves: the Commins, Guyot Marchants, Pierre Lecarrons, Jean Trepperels, and others? 44890 What better proof could be wished of the communion of ideas and tastes between the two collectors? 44890 When and where was this discovery produced? 44890 Who was this John? 44890 [ A] What would have become of this new process if the presses of Gutenberg had not brought their powerful assistance to the printing of engravings? 36417 ''Do you speak Scotch?'' 36417 ''Johnny Gaunt, Sir?'' 36417 ''Nor Italian?'' 36417 ''Spanish?'' 36417 ''Suffolk?'' 36417 ''Welsh?'' 36417 ''Who is it?'' 36417 ''_ Charon._--How? 36417 But what talke I of this earthy nourishment of_ fire_? 36417 From whence comest thou, Passenger? 36417 How haue the_ Fires_ of Heauen( some few yeares past) gone beyond their bounds, and appeared in the shapes of Comets and Blazing Starres?... 36417 How many frightfull Ecclipses both of Sun and Moone?... 36417 How, I thought, could artists and journalists so work concurrently that the news and the appropriate illustrations should both be fresh? 36417 Speak you German?'' 36417 The carpenter, however, rejoins,''But who regardedhold"before? |
| 36417 | The writer concludes, with true newspaper vehemence, in the following words:--''Where is the glory of the British name? |
| 36417 | There is a dialogue between Strafford and Charon, of which the following is a specimen:--''_ Charon._--In the name of Rhodomont what ayles me? |
| 36417 | This was repeated so often that he became quite weary of the constantly recurring question,''Is Corder executed?'' |
| 36417 | Were not their ears to them as pretious as your nostrils can be to you? |
| 36417 | What blazing Starres( euen at Noone- dayes) in those times hung houering in the Aire? |
| 36417 | What is thy name? |
| 36417 | What was there so remarkable in the case, in the persons, or even in the costume of the accused, that they should be made the subject of a picture? |
| 36417 | When the Duke of A----, in full Highland costume, entered the chapel, there was a general inquiry,''Who is that?'' |
| 36417 | Where are the terrors that used to accompany our fleets and armies? |
| 31195 | Ca n''t you,says his lordship to the beetle- browed ruffians by way of rejoinder,"Ca n''t you_ negotiate_ for some boroughs?" |
| 31195 | Coachman, will you protect me? |
| 31195 | D-- n his notes,answers the other;"what are they good for now? |
| 31195 | Do with him? 31195 How dare you appear,"says the apparition,"without a black coat?" |
| 31195 | How do you like the New Whig? |
| 31195 | My dear fellow, Mr. Sim,one of them, asks,"is your tea agreeable?" |
| 31195 | Pleas zur,says Hodge,"wot be I to zay?" |
| 31195 | What are you quarrelling about? |
| 31195 | What shall we do with him? |
| 31195 | What was to be done-- peers or no peers? 31195 Who said she did, eh, dame?" |
| 31195 | [ 96] What could be done for such a man as this? 31195 _ Illuminated Magazine._""I HOPE MR. SMUG, YOU DON''T BEAT YOUR BOYS?" |
| 31195 | _Hay? |
| 31195 | ''What noise?'' |
| 31195 | ( where''s your spoon?) |
| 31195 | --"How do you Like the New Whig?" |
| 31195 | A hundred examples of his selfish nature might be given, but_ cui bono_? |
| 31195 | A man in the gallery called out,''Where''s your wife, Georgy? |
| 31195 | A new English(?) |
| 31195 | Among Robert''s pictorial satires of 1824, I find one entitled_ Arrogance or Nonchalance? |
| 31195 | Anthony Trollope''s"Can You Forgive Her?" |
| 31195 | Are his other artists worthy only of being merged in an etc.? |
| 31195 | Are they made without seams?" |
| 31195 | But this George, what was he? |
| 31195 | Can any picture tell its story better than that first illustration to"Nicholas Nickleby,"where old Ralph pays his"visit to his poor relations"? |
| 31195 | Can anything more ludicrous be imagined than this scampering piece of intangibility? |
| 31195 | Can your Royal Highness have contemplated the full extent of your declaration? |
| 31195 | Coulaincourt inquires,"Will your Majesty write the bulletin?" |
| 31195 | Dombey_, or_ Uriah Heap_? |
| 31195 | Has your Royal Highness forgotten the approaching marriage of our daughter[ to the Prince of Orange] and the possibility of our coronation?" |
| 31195 | I say, Little Boney,--why do n''t you come out? |
| 31195 | If you mean to invade us, why make such a route? |
| 31195 | It would be a poor compliment to him to deny that he had his failings-- which indeed of the admirable satirists who preceded him had not? |
| 31195 | Likewise she sang something out of_ Faust_, with il Signor, and other matters, whereof no matter-- is it not enough to have seen and heard her? |
| 31195 | Look round the world of art, and ask, How many are there of whom anything like this can be said? |
| 31195 | Make French slaves of us all, hay? |
| 31195 | Now what says this inscription? |
| 31195 | Now what was the"evidence"to which the corpulent Regent is made to refer in the sketch before us? |
| 31195 | One day only a man in the crowd called out"Where''s the Queen? |
| 31195 | One of the best, published by S. Knight in 1825, is entitled,_ Paternal Pride_:"Dear Doctor, do n''t you think my little Billy is like me?" |
| 31195 | Plunder Old England, hay? |
| 31195 | Ravish all our wives and daughters, hay? |
| 31195 | Says Sir William:"I say, friend, did you ever eat turtle soup?" |
| 31195 | The action is accidental; and yet where could the boot have been placed with greater propriety? |
| 31195 | The fun(?) |
| 31195 | What is_ this_ to the_ inward light_?" |
| 31195 | What''s the answer?" |
| 31195 | What''s your name, hay? |
| 31195 | What? |
| 31195 | What?" |
| 31195 | When do they wake? |
| 31195 | Where do you live, hay?--hay?"] |
| 31195 | Where shall we find a finer illustration than the one in this book in which Esclairmonde is presented to Henri? |
| 31195 | Who is he? |
| 31195 | Who would expect that in a comic journal each and all of the contributors should agree with each and every sentiment expressed? |
| 31195 | Would it not be supposed that there must be a third Cruikshank, etching, drawing, and''illustrating,''as his two predecessors have done? |
| 31195 | Yes, d---- you, why do n''t you come out?" |
| 31195 | [ 140]"Who calls_ me_ to order?" |
| 31195 | _ Giovanni._ What do the dead do, uncle?--do they eat, Hear music, go a hunting, and be merry, As we that live? |
| 31195 | _"Royal Affability,"Feb. 10th._"Well, friend, where a''you going, hay? |
| 31195 | apple dumplings?--how get the apples in?--how? |
| 31195 | are you tired already?" |
| 31195 | cries the"noble and learned"lord,"Who calls_ me_ to order? |
| 31195 | groans his holiness the Pope, crowned with a composite hat, the crown of which is composed of his mitre;"what will become of me?" |
| 31195 | hay? |
| 31195 | quoth the Aberdonian;''the knife''s a''right, mon-- but faar''s your speen?'' |
| 31195 | to which the other answers,"Charming, my dear Lollena; where do you buy it?" |
| 31195 | what dost think of Johnny Bull now? |