trigram

This is a table of type trigram and their frequencies. Use it to search & browse the list to learn more about your study carrel.

trigram	frequency
shown in fig	101
of the vessel	75
a number of	61
ancient pottery of	55
the ancient pottery	49
illustrated in fig	47
province of tusayan	46
of the body	43
from the ancient	43
given in fig	40
is shown in	38
the body is	37
at saint george	35
fabric from the	35
part of the	34
of the rio	31
to have been	31
tumulus at saint	31
articles of clay	30
pottery of the	30
is illustrated in	30
surface of the	29
articles of stone	29
it is a	27
the pottery of	27
of the ancient	26
some of the	25
vase from tusayan	25
of this class	24
the neck is	24
bureau of ethnology	23
shown in the	22
one of the	22
as shown in	22
the surface is	20
the use of	20
many of the	20
rio san juan	20
may have been	19
body of the	19
that of the	19
obtained from the	19
the bureau of	18
the rio grande	18
the body of	18
polished black ware	18
is given in	18
as in the	18
a series of	18
of the same	18
the color is	17
san juan valley	17
there is a	17
inches in diameter	17
of the neck	17
filled in with	17
from san juan	17
of the coil	17
pottery of tennessee	16
seen in the	16
of the mississippi	16
there is no	16
attached to the	16
the upper part	16
the manufacture of	16
vessels of this	16
the mississippi valley	16
of the bureau	16
we have a	16
the paste is	16
the form of	15
presented in fig	15
of which are	15
character of the	15
the work of	15
side of the	14
the painted design	14
district of the	14
from tumulus at	14
the base of	14
of the art	14
is of the	14
the art of	14
from a mound	14
of the usual	14
is ornamented with	14
may be seen	14
in regard to	14
more or less	14
of the rim	14
as well as	14
of the woof	14
of the warp	14
annual report of	13
those of the	13
report of the	13
from ancient pottery	13
at the sides	13
in which the	13
consists of a	13
stone articles of	13
the national museum	13
of stone articles	13
bowl from tusayan	12
be seen in	12
in the national	12
origin of forms	12
of eccentric form	12
of the most	12
threads of the	12
the fact that	12
it will be	12
the coiled ware	12
work of the	12
base of the	12
sides of the	12
of the vessels	12
of the design	12
from the same	12
applied to the	12
one of these	12
the keam collection	12
and in the	11
on one side	11
obtained from a	11
found in the	11
the rim is	11
there are a	11
in some cases	11
the origin of	11
a variety of	11
color of the	11
form of a	11
of the vase	11
have been made	11
the san juan	11
have been used	11
the ware of	11
the same locality	11
study of the	11
the forms are	11
the valley of	11
portion of the	11
is covered with	11
the surface of	11
in many cases	11
by means of	11
of the middle	11
was obtained from	11
vessel shown in	11
vessels of the	11
on the inner	11
of pottery from	11
of the ordinary	10
the ceramic art	10
the form is	10
in this case	10
in the preceding	10
white ware with	10
it is of	10
a band of	10
regard to the	10
in diameter and	10
pottery of new	10
unit of the	10
the usual form	10
the head of	10
ware of the	10
as a rule	10
seem to have	10
and a half	10
valley of the	10
of this province	10
the neck and	10
of the latter	10
the walls are	10
the influence of	10
the inner surface	10
and the surface	10
seems to have	10
from the tumulus	10
now in the	10
lower part of	10
in form and	10
the vessel shown	10
in the third	10
the rio virgen	10
of the pottery	10
the same time	10
the character of	10
of a very	10
parts of the	10
illustrated in the	10
art of the	9
the neck of	9
of a bird	9
some of which	9
the vicinity of	9
the middle of	9
consists of two	9
been made by	9
the lower part	9
the bottom of	9
the tumulus at	9
the white ware	9
of the more	9
the material is	9
the threads of	9
the third annual	9
similar in form	9
there are many	9
this class of	9
at the same	9
the ancient pueblos	9
in the manufacture	9
the province of	9
it is not	9
i have already	9
third annual report	9
of the painted	9
examples of the	9
example of the	9
of the two	9
in connection with	9
middle of the	9
to the preceding	9
will be seen	9
of new jersey	9
the center of	9
in such a	9
of this form	9
of an inch	9
of the bowl	9
the design is	9
fragment of pottery	9
in the collection	9
bottom of the	9
are a number	8
of this district	8
so far as	8
the series of	8
the place of	8
bowl with grotesque	8
a small fragment	8
the ancient pueblo	8
the exterior surface	8
characteristic of the	8
of the white	8
the sides of	8
the pueblo tribes	8
a fragment of	8
ornamented with a	8
the vessel is	8
of life forms	8
top of the	8
of the dark	8
in a way	8
and consists of	8
the appearance of	8
must have been	8
center of the	8
designs in color	8
is furnished with	8
two or three	8
upper part of	8
painted design is	8
the rio san	8
to the surface	8
the method of	8
with the exception	8
ware with decorations	8
in a number	8
of the web	8
it was obtained	8
that shown in	8
the side of	8
pottery of alabama	8
a half inches	8
it is probable	8
the handle is	8
is probable that	8
about the neck	7
of the various	7
the study of	7
bowl from tumulus	7
from the lake	7
on the side	7
of which is	7
examples of relief	7
a mound in	7
and the other	7
from a small	7
such a way	7
the top of	7
around the middle	7
inch in diameter	7
to the base	7
majority of cases	7
it is possible	7
in red and	7
the lip is	7
the face is	7
that it is	7
most of the	7
at the base	7
practiced by the	7
appears to be	7
of a single	7
of the mound	7
used by the	7
form of fabric	7
way as to	7
be seen that	7
an inch in	7
black polished ware	7
seem to be	7
a few of	7
from the pottery	7
from a fragment	7
a way as	7
and the body	7
the lake dwellings	7
handle on the	7
so that the	7
small fragment of	7
of the material	7
in the davenport	7
with handle and	7
it consists of	7
bottle with human	7
a great deal	7
in a very	7
of the surface	7
tribes of the	7
developed in the	7
from the vicinity	7
these vessels are	7
forms of the	7
the exception of	7
of the paste	7
the modern tribes	7
the interior surface	7
of this ware	7
of the cliff	7
the soft clay	7
vase from the	7
the color of	7
on the neck	7
in the form	7
used as a	7
the little colorado	7
form of the	7
the surface has	7
on the inside	7
of relief ornaments	7
of the pueblo	7
in the same	7
of pueblo art	7
the indians of	7
the effect of	6
from the keam	6
and the painted	6
few of the	6
on the back	6
and the rio	6
is embellished with	6
in the other	6
have been found	6
well shown in	6
with the dead	6
broad belt of	6
rubbing stones for	6
place of the	6
with the fingers	6
around the neck	6
in one case	6
added to the	6
by the ancient	6
surface has been	6
similar to the	6
example from the	6
form and size	6
there is an	6
seen in fig	6
is possible that	6
as seen in	6
the vessel was	6
handled mug from	6
is a very	6
made by the	6
the remainder of	6
the vessels were	6
the methods of	6
the bottom is	6
origin of the	6
which they are	6
for the purpose	6
are of the	6
idea of the	6
the ancient ware	6
a great extent	6
the presence of	6
the painted pottery	6
of the human	6
that of a	6
and in a	6
of the colorado	6
to a great	6
manufacture of pottery	6
about the rim	6
contact with the	6
many cases the	6
specimens of the	6
would seem to	6
the collection of	6
is well polished	6
from the preceding	6
the specimen illustrated	6
being filled in	6
the clay was	6
to be a	6
the addition of	6
the remains of	6
in the most	6
such as the	6
the davenport academy	6
opposite sides of	6
the entire surface	6
at the top	6
are shown in	6
in imitation of	6
in this place	6
the exterior of	6
this vessel is	6
in the lower	6
the coil is	6
the figures are	6
of the coiled	6
of the other	6
at pecan point	6
in the more	6
of the preceding	6
than in the	6
the ancient potter	6
with that of	6
a piece of	6
from the mounds	6
of the modern	6
are filled in	6
large percentage of	6
the result of	6
vase of eccentric	6
neck of the	6
a very good	6
the most expanded	6
in the ancient	6
of rare occurrence	6
pottery from the	6
the end of	6
a way to	6
surface of a	6
connection with the	6
half inches in	6
of incised lines	6
the ruins of	6
vessel illustrated in	6
the example given	6
and has a	6
is attached to	6
the human form	6
examples of this	6
margin of the	6
a vessel of	6
in the south	6
in the white	6
band about the	5
is one of	5
as it is	5
the outer surface	5
of the davenport	5
district of columbia	5
of clay collections	5
saint george tumulus	5
the mouth of	5
this form of	5
is seen in	5
of the lower	5
the coils are	5
have been added	5
of the pueblos	5
size to the	5
vase shown in	5
probable that the	5
methods of manufacture	5
of the district	5
the faces of	5
body is ornamented	5
the bowl is	5
a study of	5
handled cup from	5
one inch in	5
was obtained in	5
example given in	5
the national collection	5
to be used	5
percentage of the	5
embellished with a	5
been added to	5
finished with a	5
fact that the	5
and the woof	5
some of these	5
are in the	5
but it is	5
origin of handles	5
based upon the	5
the designs are	5
except that the	5
stones used in	5
a broad belt	5
of the people	5
of similar form	5
example of this	5
on the body	5
the ground color	5
the shapes of	5
side by side	5
of the cords	5
in this direction	5
fabric from a	5
a sharp point	5
of the finer	5
a small percentage	5
the rim of	5
the atlantic states	5
or in the	5
in a few	5
known to have	5
and that the	5
the opposite side	5
are of rare	5
and life forms	5
much like the	5
is from a	5
and seem to	5
peculiar to the	5
of a number	5
upon the meander	5
which have been	5
is in the	5
impression on the	5
of the north	5
on opposite sides	5
by the indians	5
the decoration is	5
in the upper	5
a bowl with	5
which may be	5
the sides and	5
contributions to the	5
many examples of	5
is decorated with	5
vase from tumulus	5
of the south	5
come from the	5
the details of	5
while the clay	5
of the gulf	5
reference to the	5
on the ancient	5
of the country	5
fragments of the	5
is well shown	5
pottery of this	5
a large fragment	5
the ancient peoples	5
it has been	5
for the reason	5
by william h	5
the vessel illustrated	5
by the modern	5
coiled pottery of	5
belongs to the	5
at the ends	5
is high and	5
of a large	5
for convenience of	5
red ware with	5
there are also	5
builders of the	5
there are no	5
the same as	5
edge of the	5
class of ware	5
made in the	5
with a sharp	5
cords of the	5
vessel from the	5
to the rim	5
these consist of	5
a very interesting	5
portions of the	5
as may be	5
on the outside	5
heads of animals	5
for a long	5
forms of vessels	5
red and white	5
the wings are	5
body is covered	5
province in pottery	5
in nearly every	5
of this paper	5
from the rio	5
small percentage of	5
on the sides	5
fabrics of the	5
and size to	5
with human head	5
in the valley	5
of the little	5
it is difficult	5
belong to the	5
inches in height	5
the reason that	5
is from the	5
to the pueblo	5
a multitude of	5
and a few	5
is a large	5
to show that	5
placed about the	5
of the ground	5
the ware is	5
treatment of the	5
to the side	5
remainder of the	5
stones for metate	5
in the section	5
handle and spout	5
the preceding example	5
is difficult to	5
ends of the	5
in the cut	5
water vessel in	5
the heads of	5
of the ceramic	5
a black ground	5
we have an	5
said to have	5
the saint george	5
exterior surface of	5
of the face	5
in nearly all	5
figures on the	5
clay collections from	5
from the san	5
seems to be	5
a large percentage	5
the pueblo indians	4
which are of	4
the davenport collection	4
ancient inhabitants of	4
in possession of	4
can hardly be	4
from this pueblo	4
a sort of	4
the colorado chiquito	4
on account of	4
the conformation of	4
nearly all the	4
by the use	4
back and forth	4
the more archaic	4
have been employed	4
of the figures	4
it is from	4
indicated by the	4
around the body	4
of large size	4
of the bottom	4
upper surface of	4
of the primitive	4
the dark color	4
occurrence in the	4
this specimen was	4
neck is high	4
use of the	4
or of the	4
is very much	4
and of the	4
seen that the	4
such as are	4
collection of mr	4
the ornamentation of	4
and a broad	4
bowl from kanab	4
hole in the	4
in many instances	4
on the opposite	4
pieces of pottery	4
the nails of	4
may be found	4
other varieties of	4
they are of	4
situated on the	4
been obtained from	4
example is shown	4
fragment of a	4
of the simplest	4
the modern pueblo	4
to the neck	4
the whole surface	4
net from the	4
by a series	4
the impression is	4
taken as a	4
in the museum	4
blackened by use	4
each of the	4
in the soft	4
the united states	4
a majority of	4
feet of the	4
the rio gila	4
i have seen	4
held in the	4
the widest part	4
at this pueblo	4
notched at the	4
which may have	4
is made of	4
the middle mississippi	4
that upon the	4
are given in	4
of the gourd	4
was still soft	4
method of weaving	4
collections from the	4
in the illustration	4
end of a	4
the walls of	4
use over fire	4
a group of	4
in the keam	4
as much as	4
it is the	4
of designs in	4
this use of	4
the arrangement of	4
a long period	4
they are very	4
specimens from the	4
the process of	4
have not been	4
at one end	4
upon the exterior	4
the vessel to	4
the shape is	4
fragment of ancient	4
in a majority	4
in the pottery	4
appears to have	4
in form to	4
arranged in pairs	4
of red ware	4
chips and flakes	4
by reference to	4
influence of the	4
the latter being	4
from that of	4
the opposing series	4
a few cases	4
with a large	4
the work is	4
as indicated by	4
certain forms of	4
in the pueblo	4
down over the	4
mississippi valley pottery	4
of north carolina	4
produced by the	4
that it was	4
encircles the neck	4
rim of the	4
of ancient tusayan	4
of the designs	4
appear to be	4
of the united	4
the ordinary form	4
with grotesque head	4
led to the	4
no doubt that	4
between the nails	4
imitation of a	4
is characterized by	4
at right angles	4
clay was still	4
in this respect	4
of the bird	4
and is not	4
from the last	4
inner surface of	4
is coated with	4
has been added	4
of the handles	4
cibola and tusayan	4
surface is well	4
illustrations of the	4
of straight lines	4
bank of the	4
the woof is	4
the fragments are	4
the latter class	4
to the same	4
pottery of north	4
in some of	4
a belt of	4
in most cases	4
have been obtained	4
but in the	4
in the natural	4
of this fabric	4
by pinching up	4
employed by the	4
the same manner	4
impressions upon the	4
by a number	4
a good example	4
examples from the	4
of the form	4
of the larger	4
the ends of	4
the modeling of	4
handle on one	4
furnished with handles	4
with undulate margin	4
consisting of a	4
scale of forms	4
from this locality	4
coated with a	4
is but slightly	4
in mississippi valley	4
upon the neck	4
each of these	4
the purpose of	4
of ancient pottery	4
the ancient inhabitants	4
arrangement of the	4
in contributions to	4
have been suggested	4
color is gray	4
eccentric and life	4
as will be	4
no reason why	4
inch in thickness	4
to produce a	4
face of the	4
of polished black	4
in a measure	4
the mounds of	4
would not be	4
of the fabric	4
a chain of	4
have been a	4
of the four	4
upper part is	4
the shape of	4
image of a	4
are a few	4
i have no	4
as that shown	4
good example of	4
greater part of	4
the woof threads	4
the insertion of	4
they are generally	4
noticed that the	4
some cases the	4
vessel of this	4
in all cases	4
the fillets are	4
a few are	4
were obtained from	4
of an ancient	4
excellent example of	4
the impressions upon	4
water vessel with	4
that there is	4
from saint george	4
the face of	4
in the bottom	4
it should be	4
the painted ware	4
decorations in black	4
the top and	4
are found in	4
of the ware	4
of the threads	4
is presented in	4
with a series	4
convenience of treatment	4
the most striking	4
life forms in	4
collections from san	4
the davenport museum	4
groove around the	4
great deal of	4
it appears that	4
illustration of this	4
a portion of	4
the present time	4
the same in	4
of the cliffs	4
the collections from	4
have come from	4
of the former	4
the rim or	4
the painted designs	4
there can be	4
been applied to	4
dwellings of switzerland	4
of the clay	4
which has been	4
province of cibola	4
with handle on	4
fourth of an	4
the introduction of	4
the back of	4
is not quite	4
number of vessels	4
with the preceding	4
nails of the	4
of the specimens	4
is sometimes seen	4
the greater part	4
specimen illustrated in	4
only a small	4
set about the	4
and the same	4
in a general	4
furnished with a	4
painted upon the	4
described in the	4
between the two	4
highly probable that	4
ornamentation consists of	4
in white by	4
of the units	4
of these vessels	4
with decorations in	4
specimen of the	4
from the great	4
modeled in the	4
of this work	4
fillets of clay	4
is a small	4
of saint george	4
the upper surface	4
the lines are	4
are occupied by	4
they may be	4
from the province	4
specimen given in	4
are treated in	4
appearance of the	4
red and black	4
many varieties of	4
vessel of eccentric	4
with loop handles	4
point in the	4
in use by	4
lake dwellings of	4
the same people	4
sections of the	4
of the first	4
that they were	4
of a duck	4
represented by a	4
the employment of	4
in all the	4
band around the	4
the shapes are	4
of a broad	4
the most archaic	4
design in black	4
the vessel and	4
of pueblo pottery	4
these have been	4
figures of the	4
coiled ware and	4
specimen from the	4
of the cross	4
feature of the	4
the middle province	4
possession of the	4
but few specimens	4
belonging to the	4
been found in	4
three or four	4
manner in which	4
a slip or	4
and to the	4
rubbers for metates	4
the specimen given	4
mouth of the	4
widest part of	4
this is a	4
be seen by	4
design consists of	4
ceramic art of	4
at the present	4
is of a	4
the ornamentation consists	4
the products of	4
of this kind	4
made of a	3
coil in ornamentation	3
we proceeded to	3
of the nose	3
clay vessels imitating	3
well polished and	3
rudely finished and	3
at least two	3
at regular intervals	3
number of examples	3
from time to	3
in new mexico	3
the tribes of	3
rarely found in	3
exterior surface is	3
shaped figures on	3
with the finger	3
the ceramic products	3
in the examples	3
in the vicinity	3
is eleven inches	3
are illustrated in	3
striking feature is	3
in the following	3
for smoothing arrow	3
a mound on	3
of this pueblo	3
classification of the	3
a row of	3
consisting of three	3
an example from	3
from which the	3
in the clay	3
the blanket weaver	3
to a very	3
the idea of	3
and serving food	3
sometimes seen in	3
area there are	3
the clay between	3
in form of	3
encircled by a	3
two pairs of	3
corresponds very closely	3
the art was	3
mouthed bottles or	3
a very usual	3
found in possession	3
the advent of	3
the threads are	3
can be no	3
at the end	3
two of the	3
in color and	3
groups of ware	3
ridges of the	3
the examples given	3
of stone implements	3
taste of the	3
it impossible to	3
form ornament illustrations	3
are confined to	3
red and brown	3
which is given	3
examples are given	3
resemblance to a	3
strips of bast	3
proceedings of the	3
neatly laid and	3
the finer examples	3
have already been	3
swiss lake dwellings	3
the interior of	3
of vessels of	3
and is ornamented	3
characters of the	3
textile fabrics of	3
for polishing arrow	3
on each side	3
the absence of	3
in every respect	3
in size and	3
of the fingers	3
manufacture of this	3
series of triangular	3
the ornamentation is	3
the fabric in	3
the groups of	3
been intended for	3
modeling life forms	3
of the bowls	3
with a number	3
of a long	3
ornament illustrations ordinary	3
the period of	3
inches high and	3
to those of	3
was obtained at	3
clay of the	3
in most of	3
a very extended	3
decoration consists of	3
is produced by	3
pinching up the	3
of other peoples	3
the time of	3
probably used for	3
with a rather	3
whitened and polished	3
of pottery in	3
number of vases	3
from this region	3
this ware is	3
illustrations ordinary forms	3
and the neck	3
in this paper	3
it is symmetrical	3
the left hand	3
is now in	3
by the fact	3
were found in	3
mug from tusayan	3
nearly all are	3
with a band	3
brown and black	3
a feature of	3
another smaller vessel	3
should be noticed	3
as a type	3
in the arrangement	3
in the middle	3
point out the	3
like that of	3
bowl illustrated in	3
and brown ware	3
of textile fabrics	3
shown in figs	3
upon the shoulder	3
the site of	3
end of the	3
well as a	3
in the way	3
by the lake	3
the same class	3
with the ware	3
impossible to determine	3
from the two	3
in the top	3
be found to	3
of this shape	3
the pueblo peoples	3
the spiral ridges	3
middle mississippi province	3
be made out	3
the handles are	3
in no case	3
the lake dwellers	3
that the fabric	3
and eccentric forms	3
the great body	3
the warp being	3
has a series	3
and the lip	3
of the opposing	3
over and under	3
to be the	3
of the parts	3
this is an	3
not quite symmetrical	3
and greatly varied	3
surrounded by a	3
from san ildefonso	3
the interior is	3
to be considered	3
of two or	3
large vase from	3
one or two	3
the surface and	3
difficult to determine	3
of the san	3
is indicated by	3
in the light	3
and was obtained	3
at the time	3
this ancient people	3
and it is	3
the construction of	3
the pueblo province	3
collection from this	3
of many of	3
in the second	3
neck of a	3
associated with the	3
the various forms	3
period of pueblo	3
clay between the	3
the handles of	3
is not impossible	3
all the groups	3
consists chiefly of	3
a few miles	3
varieties of ware	3
the outline is	3
in pottery of	3
larger than the	3
ornamentation in black	3
a general way	3
of the atlantic	3
the decoration of	3
origin of form	3
of the original	3
the order of	3
the ancient potters	3
cooking pot with	3
of nearly all	3
each thread of	3
at the right	3
is made to	3
a band about	3
of all the	3
i have observed	3
that the art	3
a mold or	3
yet there is	3
many of them	3
decorated with a	3
the most notable	3
in the first	3
examples have been	3
to form a	3
marginal band of	3
inches long and	3
of the great	3
coiling of other	3
zigzag band around	3
than in other	3
the threads would	3
to the ancient	3
upon the sides	3
has received a	3
few and simple	3
the triangular spaces	3
of plain vessels	3
the cords of	3
vessel given in	3
fixed at one	3
like the preceding	3
the body being	3
is true that	3
have apparently been	3
we find that	3
indians of new	3
of such a	3
specimens of this	3
illustrated in figs	3
the fragment shown	3
of festooned lines	3
body is much	3
ware with black	3
the manner of	3
lines are drawn	3
the white ground	3
dark in color	3
that there are	3
in the impression	3
a rule the	3
but there is	3
discovery of a	3
intended for a	3
white by painting	3
to all appearances	3
implement held in	3
pottery of arkansas	3
the manufacture and	3
says that the	3
type of fabric	3
polished and painted	3
rim with the	3
color is a	3
that they are	3
it is an	3
come to my	3
by a study	3
this would be	3
of these is	3
all the varieties	3
on the rio	3
to give the	3
a few examples	3
covered with a	3
few of which	3
of the use	3
in form it	3
the collection from	3
of which have	3
for smoothing and	3
the same region	3
form is shown	3
lake city museum	3
of the head	3
of the eastern	3
this village is	3
those on the	3
the forms of	3
the aid of	3
belt of figures	3
account of the	3
given in the	3
time to time	3
nearly all of	3
the feet of	3
practice of the	3
specimen was obtained	3
intended to be	3
somewhat resembling a	3
is painted red	3
a cruciform arrangement	3
forms eccentric forms	3
by the addition	3
in the specimen	3
given to the	3
the coiled variety	3
a prominent feature	3
is suggestive of	3
canteen of the	3
modern tribes of	3
great variety of	3
was a favorite	3
of a small	3
to the great	3
a few pieces	3
manufacture and ornamentation	3
same as that	3
and well twisted	3
is simple and	3
articles collections from	3
of the collection	3
the art had	3
other sections of	3
in height and	3
combination of the	3
it is interesting	3
are such as	3
or an implement	3
number of the	3
is ten and	3
great numbers of	3
being fixed at	3
to be found	3
the inhabitants of	3
great quantities of	3
had to be	3
the idea that	3
interior surface of	3
is based upon	3
use by the	3
the larger vessels	3
stages of ornament	3
will probably be	3
and the lower	3
series of the	3
are represented by	3
white upon a	3
cloth from a	3
difficult to say	3
on the surface	3
of the very	3
have been intended	3
called to the	3
the lower mississippi	3
of the methods	3
acquired by the	3
seen by reference	3
the body and	3
of the walls	3
are greatly varied	3
pueblos of the	3
from each other	3
pot with handle	3
has been made	3
what appears to	3
the right side	3
is no reason	3
was probably not	3
of the plain	3
cruciform arrangement of	3
ornamented on the	3
salt lake city	3
made by rolling	3
processes by which	3
intended for the	3
to that shown	3
various forms of	3
we find a	3
by the pueblo	3
the practice of	3
suggestive of a	3
very good example	3
fragments of pottery	3
in black and	3
better class of	3
of the combination	3
are in black	3
bowl from san	3
is wide and	3
forms are greatly	3
in this way	3
and the like	3
by a few	3
from those of	3
of these are	3
the preceding case	3
and five inches	3
the fingers and	3
which they were	3
the manner in	3
eleven inches in	3
is a feature	3
it would be	3
that in one	3
fingers and thumb	3
that vessels of	3
it might be	3
of this area	3
sharp point in	3
on the right	3
surface is coated	3
entire surface of	3
of the potter	3
is taken from	3
the light ground	3
only a few	3
there is in	3
in this manner	3
very widely distributed	3
much compressed vertically	3
will readily be	3
the same vessel	3
the discovery of	3
the people who	3
rio grande and	3
buried with the	3
it has a	3
grinding mesquite beans	3
and polishing pottery	3
well as the	3
large fragment of	3
in great numbers	3
given in figs	3
fragment shown in	3
with the thumb	3
up in the	3
we have the	3
groove for smoothing	3
great diversity of	3
it is very	3
vessel in the	3
nearly all cases	3
bowl from cibola	3
the design drawn	3
from the rim	3
west of the	3
of stepped figures	3
two series of	3
beneath the body	3
derived from the	3
to my notice	3
taken from the	3
ropes of clay	3
of this region	3
the vase is	3
by incised lines	3
of the influence	3
of this ancient	3
the salt lake	3
been employed by	3
head of a	3
internally and externally	3
with a handle	3
is small and	3
many specimens of	3
an illustration of	3
color is dark	3
on the south	3
the materials used	3
from the work	3
and in this	3
employed in the	3
the origin and	3
this form is	3
of the meander	3
the mouth is	3
the position of	3
to that of	3
defined in white	3
used in making	3
near the top	3
is still more	3
of white ware	3
the south and	3
with the ancient	3
of the forms	3
ancient and modern	3
ornamented with the	3
and south america	3
lost sight of	3
it will readily	3
to show the	3
of new mexico	3
of the net	3
identical with the	3
dwellers of switzerland	3
is encircled by	3
the head and	3
styles of decoration	3
the rim with	3
transportation and storage	3
as that of	3
be difficult to	3
is that the	3
there are but	3
in vessels of	3
of eccentric forms	3
has a very	3
from one of	3
is known to	3
dipper from tusayan	3
is a handsome	3
has led to	3
coiled ware from	3
from santa clara	3
and the bottom	3
method of construction	3
and black ware	3
vicinity of pecan	3
forms of bowls	3
fillets of the	3
the base being	3
of pecan point	3
in the center	3
in the hardened	3
of the territories	3
usual form with	3
of pottery to	3
i shall not	3
pattern of incised	3
there are four	3
remarkable feature of	3
expanded part of	3
slip or wash	3
modeling of life	3
and the ancient	3
it is well	3
the proceedings of	3
the bottoms are	3
has been applied	3
in many respects	3
figure of plate	3
it is highly	3
the northwest coast	3
of pottery is	3
gray in color	3
of a group	3
may not be	3
the combination of	3
indicates that the	3
or wash of	3
bottles or jars	3
the neck has	3
it will probably	3
very fine grained	3
paste is a	3
a very large	3
body of a	3
clay has been	3
surfaces of the	3
all the details	3
is somewhat flattened	3
the figures of	3
great body of	3
brought to light	3
with a pattern	3
of some of	3
impressions on pottery	3
number of cases	3
is highly probable	3
of twisted cords	3
say just how	3
occupied by a	3
of bright red	3
the warp threads	3
and grinding mesquite	3
a typical example	3
of the bottle	3
shaped water vessel	3
the limits of	3
to the present	3
is found in	3
probably intended for	3
the vessels of	3
laid and indented	3
fact that in	3
miscellaneous articles collections	3
it may be	3
conformation of the	3
be expected of	3
ornamentation of pottery	3
done by the	3
a small vessel	3
could not be	3
review of the	3
form and ornament	3
been used in	3
upon a black	3
in the ordinary	3
is separated into	3
is only a	3
any of the	3
in the vessel	3
of cibola and	3
of the southern	3
the inside is	3
of clay miscellaneous	3
ordinary forms eccentric	3
advent of the	3
thread of the	3
interwoven at right	3
coiling of the	3
with the white	3
obtained by the	3
origin of this	3
is interesting to	3
have no doubt	3
with groups of	3
form and ornamentation	3
of fabric is	3
storage of water	3
exception of a	3
stone hatchets with	3
the accidents of	3
a very fine	3
features of the	3
the hardened clay	3
this form are	3
in width and	3
mug from san	3
handled vessels of	3
over the fire	3
ancient peoples of	3
the legs are	3
bottle from tusayan	3
has not been	3
not been found	3
in low relief	3
the shoulder or	3
by the bureau	3
a part of	3
illustrates a small	3
the head has	3
upper mississippi province	3
executed in the	3
survey of the	3
in many of	3
of the upper	3
may be taken	3
loop handle on	3
and at the	3
the four parts	3
the rio mancos	3
to each other	3
the exterior margin	3
i shall present	3
a great majority	3
be taken as	3
in which a	3
have been so	3
all of the	3
six and a	3
mended by its	3
some very fine	3
the shoulder and	3
was applied to	3
the subject of	3
of plate xxxix	3
the pueblo country	3
rise to the	3
the ordinary dark	3
vase from cibola	3
on the exterior	3
the people of	3
this specimen is	3
has already been	3
by the hand	3
edges of the	3
this case is	3
with hole in	3
the coil has	3
a suggestion of	3
right angles to	3
the inner face	3
ware of tusayan	3
to determine the	3
readily be seen	3
as they are	3
while the base	3
of the ornamentation	3
made up of	3
is but a	3
another example from	3
ware is of	3
the processes by	3
warp being fixed	3
which is a	3
the outer margin	3
class of vessels	3
most expanded portion	3
and storage of	3
in a great	3
eccentric forms life	3
in style from	3
the gulf coast	3
one of which	3
art in clay	3
be called to	3
it is true	3
far as i	3
combinations of the	3
in a vertical	3
a dark gray	3
to some extent	3
the margin of	3
spaces being filled	3
noticed in the	3
to give a	3
illustrates a very	3
the upright neck	3
in the accompanying	3
great majority of	3
to the last	3
that the pottery	3
and ornamentation of	3
and well polished	3
up with clay	3
the colors used	3
be regarded as	3
i do not	3
figures upon the	3
were devoted to	3
under the influence	3
and terminates in	3
and flakes of	3
character of this	3
it is my	3
forms life forms	3
of this particular	3
of this pottery	3
the bowl illustrated	3
of this variety	3
and one which	3
cup from tusayan	3
the engraved design	3
most expanded part	3
for the insertion	3
by the mokis	2
a small bowl	2
marked pottery of	2
a pattern of	2
a specimen of	2
closely to the	2
of the upright	2
received a wash	2
from the swiss	2
ordinary domestic uses	2
head of some	2
deal of attention	2
by the head	2
attention should be	2
a light gray	2
bowl of red	2
could be used	2
clay or resin	2
the body a	2
scratched with a	2
pottery of maryland	2
the most part	2
number of illustrations	2
utensils of the	2
both in the	2
of handled vessels	2
prehistoric textile fabrics	2
of the west	2
externally and internally	2
collections from silla	2
always well baked	2
pottery to the	2
the gulf states	2
has been very	2
the rim to	2
feet in diameter	2
was that of	2
in with reticulated	2
formed by the	2
that the artist	2
shaped vessel of	2
number and are	2
the middle part	2
found in this	2
there is also	2
near the rim	2
the tail of	2
to the well	2
work upon the	2
the plastic art	2
vase from eastern	2
to this use	2
this is shown	2
of the whites	2
in the northern	2
of a common	2
zones of devices	2
of a narrow	2
upon the clay	2
the hands are	2
this class were	2
that we must	2
figure of the	2
a great variety	2
house and village	2
colors of the	2
chiefly of the	2
or brown ware	2
were used as	2
are large and	2
are not nearly	2
a final work	2
the cord and	2
a separate paper	2
are but few	2
among which were	2
the size and	2
combined with a	2
the textile arts	2
the evolution of	2
with rude nodes	2
are not found	2
in polishing pottery	2
spiral ridges of	2
generally consisted of	2
condition of things	2
vessel would be	2
is especially true	2
form of painted	2
the preservation of	2
very much the	2
a simple frame	2
of these lobes	2
practiced only by	2
or three distinct	2
with handles and	2
can only be	2
and the manner	2
adjusted to the	2
we found the	2
attention has been	2
flakes of obsidian	2
is executed with	2
illustrated catalogue of	2
the majority of	2
vessels are often	2
union of the	2
bright red color	2
in black lines	2
is even and	2
in accordance with	2
of the missouri	2
foot or pedestal	2
ware and the	2
of the th	2
upon both the	2
are suggestive of	2
superstition of the	2
from pecan point	2
the back and	2
the earth which	2
remain in place	2
shapes of vessels	2
in capacity from	2
of fine clay	2
is distinguished from	2
obtained in the	2
paper in the	2
have a small	2
triangular spaces being	2
with more than	2
give rise to	2
rather rudely drawn	2
examples of ancient	2
decorations on the	2
and red ware	2
either of the	2
the vessel as	2
has been attached	2
by primitive peoples	2
of handles ornament	2
that in very	2
a long time	2
vessels were used	2
bordered by wide	2
large number of	2
are of very	2
museum has recently	2
fabrics of this	2
suggestion of the	2
illustrates a specimen	2
smaller vessels of	2
represents a very	2
are presented in	2
resembling the pueblo	2
rude stone implements	2
a favorite model	2
a field of	2
salts of copper	2
vessels of pottery	2
in the two	2
the lack of	2
for the most	2
adaptation of the	2
a wash of	2
not thought it	2
the textile art	2
should be called	2
three miles from	2
which is illustrated	2
few specimens of	2
it seems to	2
wash of very	2
it to the	2
of the subject	2
rude hatchets or	2
is an interesting	2
made out of	2
the original of	2
they may have	2
be used for	2
to study the	2
to the fact	2
for making the	2
earlier stages of	2
canteens of the	2
small group of	2
portion of this	2
or with the	2
but the whole	2
the demands of	2
the archaic white	2
place it here	2
interior of the	2
modeled in imitation	2
incised lines or	2
santa clara canteen	2
made with a	2
board or frame	2
the inner and	2
that the threads	2
borrowed from basketry	2
the mouth and	2
being indicated by	2
the warp and	2
greatly varied in	2
this work is	2
a strong characteristic	2
to consist of	2
of a somewhat	2
case is a	2
that the vessels	2
or by the	2
is obtained from	2
is a dark	2
in all its	2
of rather coarse	2
is nearly always	2
been extensively employed	2
by the lower	2
are connected by	2
as to resemble	2
to nearly all	2
raccoon or an	2
than usual care	2
fine specimens of	2
and the third	2
ornament is a	2
appear in the	2
is seen to	2
handled vessels eccentric	2
white ware of	2
surface well polished	2
of civilized life	2
very interesting vessel	2
from santa ana	2
from fragment of	2
are few and	2
the hand of	2
gray and the	2
remarkable in having	2
and may have	2
of bast and	2
the inside only	2
the rio taos	2
are very plentiful	2
condition of the	2
is much flattened	2
shoe or moccasin	2
other parts of	2
the vessel while	2
the passage of	2
of vessels with	2
the three nodes	2
indentations placed at	2
known to be	2
has been achieved	2
is extremely simple	2
of the sides	2
that in many	2
to represent some	2
different from the	2
covered with rude	2
upon a single	2
by its owners	2
are placed about	2
the margin and	2
bordered by heavy	2
grades of culture	2
left on the	2
that we are	2
of a high	2
of use over	2
people of this	2
body is somewhat	2
portion of which	2
from the base	2
for the present	2
wares of the	2
the features of	2
a rounded bottom	2
shaped vessels with	2
of little rock	2
in a straight	2
upon a large	2
consists of three	2
highly conventionalized form	2
figure of a	2
the skin vessels	2
the builders of	2
scrolls of the	2
at the center	2
this variety of	2
been suggested by	2
it resembles the	2
pieces of the	2
is placed upon	2
detail as the	2
in other sections	2
as soon as	2
of vessel is	2
exception of the	2
and the head	2
described as a	2
whole surface is	2
the handling of	2
life forms and	2
makes it impossible	2
nearly twice as	2
difficulties in the	2
of this design	2
with the shoulder	2
is a usual	2
above and below	2
filled up with	2
to be expected	2
the collections obtained	2
i have not	2
the coil in	2
early stages of	2
with grotesque heads	2
national museum has	2
the aperture is	2
shaped vessels are	2
hatchets or digging	2
pojuaque articles of	2
vase from parowan	2
impressions of textile	2
by painting in	2
davenport academy of	2
of a double	2
small piece of	2
are much more	2
head attached to	2
pottery of ohio	2
are intended to	2
ware from this	2
were made of	2
white decorated ware	2
pottery in mississippi	2
is an apparent	2
very common in	2
in which this	2
is generally gray	2
of the northwest	2
original form of	2
units of the	2
the most unique	2
certain range of	2
after the vessel	2
time it is	2
cords and fabrics	2
are in most	2
people as the	2
is drawn in	2
one end and	2
of illustrations have	2
many illustrations of	2
in this region	2
differ greatly from	2
of great numbers	2
collection of pottery	2
being the more	2
a figure somewhat	2
and used for	2
differ from the	2
it in the	2
a half in	2
greatly from the	2
we have also	2
the identity of	2
figures in red	2
flattened handles are	2
ancient painted ware	2
is nearly hemispherical	2
series of vases	2
of the forehead	2
tribes of this	2
inferior to those	2
use of fabrics	2
be described as	2
within this area	2
in with serrate	2
by painting the	2
the southern states	2
of nondescript character	2
are quite large	2
observed that the	2
to suspect that	2
uniformity in the	2
one which is	2
as to form	2
is restored from	2
a little pointed	2
have been in	2
the side opposite	2
pottery from iowa	2
vessels from the	2
and carefully mended	2
came to be	2
and indenting the	2
to the high	2
with other relics	2
is surrounded by	2
at times a	2
its resemblance to	2
that the people	2
the view of	2
modified in such	2
the sediment of	2
the manipulation of	2
impressions of finger	2
execution and conception	2
spaces are filled	2
painting in a	2
ornament consists of	2
based upon a	2
total absence of	2
and leaf ornaments	2
two bands of	2
as those of	2
to a common	2
few examples of	2
with a single	2
that the series	2
work has been	2
collections from pojuaque	2
the back is	2
a good degree	2
is copied from	2
away by the	2
border of short	2
that the coiled	2
this occurs in	2
probably is that	2
vessels of more	2
characteristic of this	2
in hardness to	2
the second annual	2
the material employed	2
of a pot	2
and a band	2
is gray and	2
a very early	2
of having been	2
the great diversity	2
and the aperture	2
of district of	2
dwell upon the	2
an incised pattern	2
the ancient province	2
scarifying and indenting	2
much larger and	2
vessels with handle	2
be a very	2
upper figure of	2
is very common	2
in groups of	2
products of this	2
there seems to	2
it convenient to	2
of two bands	2
method of building	2
wide mouths and	2
evidently modeled after	2
represented by this	2
have been applied	2
form it is	2
the upper figure	2
also used as	2
device for weaving	2
the pueblo ware	2
origin and development	2
designs are painted	2
of stone were	2
these fillets are	2
of form and	2
in with black	2
not associated with	2
the edge of	2
in rare cases	2
the early stages	2
border has been	2
along the middle	2
of illustrations of	2
from the sites	2
in the rio	2
of the village	2
quite dark and	2
at the left	2
the open air	2
generally of the	2
is impossible to	2
link between the	2
as many as	2
be used in	2
is a fine	2
bands upon the	2
of a dark	2
in the case	2
purpose of enhancing	2
are modeled in	2
in the early	2
is an exceptional	2
smaller than the	2
described by dumont	2
ware with colored	2
ornamentation shown in	2
is almost a	2
banks of the	2
identical with that	2
obtained at pecan	2
rather than to	2
from the typical	2
that the work	2
and also by	2
will be observed	2
good taste of	2
is to be	2
advance in culture	2
is probably a	2
and the outer	2
brought out by	2
is the vessel	2
it is hemispherical	2
ordinary superposition of	2
are thrown across	2
pages to of	2
has often been	2
the warp is	2
of the left	2
a large portion	2
from eastern arizona	2
in the shade	2
in the embellishment	2
form of vessel	2
the south the	2
visible at the	2
the projecting lobe	2
of the chalky	2
is quite dark	2
birds and triangles	2
white and red	2
of the creature	2
a somewhat different	2
miles east of	2
art of basketry	2
i have made	2
and plain surface	2
the tail appears	2
facts can be	2
but little used	2
a very small	2
length of the	2
the body zone	2
in like manner	2
in the coiled	2
fabric marked vessel	2
with broad annular	2
prairie du chien	2
generally been removed	2
from the fact	2
triangular figures on	2
in the study	2
hall from a	2
right bank of	2
degree of mechanical	2
forms in clay	2
of the proceedings	2
grooves or notches	2
of this use	2
with human figures	2
the occurrence of	2
of scarifying and	2
bottles handled vessels	2
up the clay	2
the caves of	2
fine clay which	2
that it may	2
collection from santa	2
this may be	2
superposition of coils	2
around the edge	2
study of these	2
which consists of	2
the form and	2
smooth and the	2
small and the	2
are applied in	2
this class is	2
from the collection	2
the earlier stages	2
art of a	2
change of habitat	2
are identical in	2
especially in the	2
receptacles for food	2
it may have	2
and the design	2
above and the	2
of their own	2
the margins of	2
threads are twisted	2
latter feature is	2
the compartments are	2
angles to each	2
of animal forms	2
a single vessel	2
wish in this	2
this vase is	2
the aperture of	2
to the more	2
size in the	2
impression is not	2
bottle of eccentric	2
and decorations of	2
head and tail	2
groups of festooned	2
this place to	2
height is eleven	2
most archaic variety	2
with indented lines	2
section of this	2
of this locality	2
very similar in	2
the varieties of	2
that certain forms	2
septum of the	2
ware without decorations	2
pottery from alabama	2
an inch thick	2
head of the	2
be expected in	2
painted red and	2
appear to have	2
either painted or	2
to present a	2
worked in a	2
three rows of	2
as to produce	2
a unit of	2
and in very	2
were also secured	2
the ordinary plain	2
with triangles and	2
the preceding with	2
the white decorated	2
and the exterior	2
the chalky ware	2
cannot be said	2
vessels district of	2
of manufacture and	2
the more prominent	2
and of a	2
of the tribes	2
and character of	2
and graves of	2
was one of	2
of its characters	2
and white upon	2
from some of	2
is tempered with	2
to suspend the	2
vase given in	2
with a polishing	2
the women of	2
a remarkable fact	2
in the hand	2
ancient province of	2
is full and	2
only example of	2
markings from ancient	2
of portions of	2
class obtained from	2
result of firing	2
is well modeled	2
of the leading	2
series of threads	2
with the view	2
life forms are	2
ax of basalt	2
for mortuary purposes	2
is very neatly	2
bottom is flat	2
triangular interspaces are	2
of all these	2
a type of	2
the animal intended	2
slightly conical bases	2
are suggested in	2
of these potters	2
it cannot be	2
rim or neck	2
paper is the	2
a single broad	2
all the atlantic	2
a large number	2
apparently not been	2
other forms are	2
have resulted from	2
which is made	2
lines are in	2
a very few	2
others have been	2
the other has	2
show indications of	2
swiss lake dwellers	2
furnished with two	2
bottom is somewhat	2
painted designs are	2
which are in	2
it is now	2
but a step	2
that in a	2
would be necessary	2
a wide range	2
might not be	2
of stones used	2
the fiber of	2
the more closely	2
marginal line of	2