quadgram

This is a table of type quadgram and their frequencies. Use it to search & browse the list to learn more about your study carrel.

quadgram	frequency
seems to have been	44
one of the most	43
at the same time	43
the end of the	38
he seems to have	33
in the hands of	26
in the time of	26
come down to us	25
at the age of	25
the history of the	23
is one of the	21
on the one hand	20
it is probable that	19
in the history of	19
after the death of	19
for the most part	19
as well as the	18
to have been a	17
under the name of	17
the publication of the	16
at the end of	16
the greater part of	16
in the reign of	16
the close of the	15
at the head of	15
in the form of	15
it is impossible to	15
of the latin language	15
on the other hand	15
on the death of	14
is said to have	13
for the first time	13
was one of the	13
the way in which	13
of the reign of	13
have come down to	12
of the middle ages	12
to the death of	12
in the middle ages	12
seem to have been	12
side by side with	12
the last of the	12
the whole of the	12
one of the great	12
at the close of	11
the art of love	11
it is in the	11
he was born at	11
has come down to	11
in the case of	11
the history of roman	11
the reader is referred	11
reader is referred to	10
about the same time	10
in the year b	10
a man of letters	10
as a man of	10
so far as it	10
the name of the	10
of the ciceronian age	10
the rest of the	10
to a great extent	10
as a young man	10
as one of the	10
the author of the	10
in one of his	10
the first punic war	10
as that of the	10
in the course of	10
in his old age	10
of the silver age	10
in so far as	10
speaks of him as	10
in spite of the	10
that he was a	9
of the augustan age	9
the reign of tiberius	9
and seems to have	9
of the first century	9
one of the chief	9
than that of the	9
the later years of	9
the head of the	9
his account of the	9
the character of the	9
man of the world	9
in more than one	9
of which he was	9
the beginning of the	9
as well as in	9
is by no means	9
the first book of	9
there can be no	9
the death of augustus	9
of the most important	9
with regard to the	9
as it had been	9
will be found in	9
he came to rome	9
the writers of the	9
the date of his	8
towards the end of	8
the same time he	8
until the time of	8
it is possible that	8
to that of the	8
like that of the	8
the year of his	8
it is true that	8
it will be seen	8
the reign of nero	8
of the art of	8
the account of the	8
not seem to have	8
was a man of	8
does not seem to	8
the death of his	8
of the augustan poets	8
to have been the	8
in the sphere of	8
he is said to	8
a large number of	8
to be found in	8
from time to time	8
the part of the	8
of the second century	8
the rest of his	8
the period of the	8
to the end of	8
for the purpose of	8
with the death of	8
the first of these	8
years of his life	7
the reign of domitian	7
the middle of the	7
in one of the	7
a few years later	7
the work of a	7
of the civil war	7
of the classical period	7
the origin of the	7
the second book of	7
the work of the	7
of the first book	7
in the highest degree	7
it is clear that	7
on the history of	7
translations from the greek	7
the composition of the	7
an account of the	7
but at the same	7
history of roman literature	7
the time of the	7
the death of the	7
can be no doubt	7
the reigns of caligula	7
as we have seen	7
the first three books	7
of the fourth century	7
in the temple of	7
of the history of	7
except in so far	7
of the civil wars	7
from first to last	7
was the author of	7
the de natura deorum	7
the hands of the	7
on the part of	7
of the roman empire	7
of all that was	7
and one of the	7
the influence of the	7
in spite of his	6
be found in the	6
the most important of	6
but it is a	6
in accordance with the	6
he appears to have	6
took the place of	6
in a later age	6
at a time when	6
within a few years	6
the form of a	6
to the circle of	6
he was the first	6
in the same year	6
the inner circle of	6
may be read with	6
from the accession of	6
in the first book	6
of one of the	6
it is one of	6
of a later age	6
by far the most	6
a short account of	6
men of the world	6
the reign of augustus	6
the poetry of the	6
be out of place	6
the first and second	6
of the roman state	6
it must be remembered	6
the early history of	6
after the battle of	6
it is certain that	6
in the age of	6
the prologue to the	6
the time of sulla	6
sense of the word	6
in the art of	6
the story of the	6
the same time the	6
in the fourth century	6
the fourth book of	6
in favour of the	6
the use of the	6
on the subject of	6
the nature of the	6
as we learn from	6
it is doubtful whether	6
in the first rank	6
for its own sake	6
the battle of philippi	6
from that of the	6
the reigns of the	6
the year of the	6
history of the roman	6
of some of the	6
way in which he	6
in which he was	6
the first of the	6
of the younger scipio	6
as well as of	6
the age of the	6
first book of the	6
to the age of	6
a few of the	6
it is difficult to	6
death of marcus aurelius	6
of the roman world	6
year of his age	6
of the roman people	6
the subject of the	6
the conclusion of the	6
he speaks of the	6
so far as to	6
on the side of	6
he had been a	6
in the middle of	6
in the year of	6
we are struck by	5
in the use of	5
throughout the middle ages	5
which has come down	5
the description of a	5
some think it was	5
cras amet qui nunquam	5
it is not certain	5
we can well believe	5
of the twelve tables	5
the third and fourth	5
the de rerum natura	5
history of latin literature	5
the great questions of	5
as soon as he	5
amet qui nunquam amavit	5
will be seen that	5
the literature of rome	5
of such men as	5
the foundation of the	5
work of the same	5
on the ground that	5
in the hope of	5
the manner of the	5
on account of his	5
it was not until	5
the literature of the	5
his work on the	5
of which the first	5
to a certain extent	5
was that of a	5
of his death is	5
rest of his life	5
and there can be	5
of the third century	5
at the present day	5
a few years of	5
of his own time	5
the first time in	5
so far as the	5
took place in the	5
far removed from the	5
of the new religion	5
in the first place	5
the three books of	5
three books of the	5
the causes of the	5
if he had not	5
on the th of	5
is probable that the	5
must be remembered that	5
be no doubt that	5
the empire and the	5
it will be remembered	5
which we still possess	5
he was an intimate	5
little is known of	5
the language of the	5
of the golden age	5
the time of cicero	5
beyond the limits of	5
that there was a	5
became more and more	5
to the student of	5
during the reign of	5
from the fact that	5
in greek and latin	5
the history of literature	5
it was in the	5
the most interesting of	5
the whole range of	5
with the exception of	5
there is no doubt	5
not appear to have	5
in the second book	5
suited to the latin	5
the death of marcus	5
the prose of the	5
the age of twenty	5
in the augustan age	5
as a sort of	5
the works of the	5
same as that of	5
as we have already	5
to have been written	5
of the eighteenth century	5
one of his letters	5
after the manner of	5
was born in the	5
book of the odes	5
it is easy to	5
the first rank of	5
one of the greatest	5
that of the augustan	5
on the other side	5
the poem of lucretius	5
it must have been	5
in spite of all	5
of the first order	5
nor is there any	5
the second punic war	5
in prose and verse	5
are struck by the	5
the cause of his	5
the second and third	5
of the second book	5
of the first rank	5
it was not till	5
history of the empire	5
little more than a	5
it is full of	5
the nature of things	5
fourth book of the	5
of the death of	5
were by no means	5
the time of claudius	5
as we can judge	5
as we know from	5
the same as that	5
but it is the	5
in the following year	5
the opening of the	5
it is necessary to	5
far as we can	5
to the study of	5
with which the poem	5
in his account of	4
the accession of tiberius	4
which the poem opens	4
from the earliest period	4
is the same as	4
are among the most	4
first half of the	4
the earlier part of	4
the offices of state	4
can well believe that	4
of greek and roman	4
as well as his	4
it is not the	4
the world of letters	4
a considerable number of	4
would not have been	4
the whole field of	4
it not been for	4
were more or less	4
the legend of the	4
the father of the	4
a vast number of	4
laid the foundation of	4
the chapter with a	4
have the names of	4
of the most brilliant	4
in the domain of	4
on the marriage of	4
that on behalf of	4
the circle of the	4
speaks of them as	4
he was able to	4
to the rank of	4
he was born in	4
the authors of the	4
had it not been	4
it may have been	4
the shortening of final	4
quique amavit cras amet	4
as in the case	4
the head of all	4
it is just this	4
of his own age	4
and that of the	4
was a young man	4
we know that he	4
of plautus and terence	4
the schools of rhetoric	4
for the sake of	4
does not appear to	4
the age of cicero	4
some of the most	4
the letters from pontus	4
of the whole work	4
if he had been	4
with one or two	4
of the alexandrian school	4
as well as by	4
is a mixture of	4
the progress of the	4
the earlier years of	4
on which he was	4
the establishment of the	4
was by no means	4
the battle of actium	4
we have the names	4
the world of the	4
in spite of its	4
we may be sure	4
it is astonishing how	4
at least of the	4
until the close of	4
are the work of	4
they seem to have	4
how it was that	4
the form of dialogue	4
but he does not	4
at the beginning of	4
great work of art	4
the genius of the	4
specimens of early latin	4
the events of his	4
with that of the	4
the reader will find	4
the first half of	4
is to be found	4
an intimate friend of	4
it is to be	4
as the author of	4
that it is a	4
the death of terence	4
until the reign of	4
could not but be	4
of a man of	4
as well as for	4
he does not appear	4
the court of nero	4
theory of the universe	4
the reigns of vespasian	4
and this is the	4
and by no means	4
we should infer that	4
treatment of the subject	4
on the ground of	4
the first two books	4
at the height of	4
in the later years	4
the latin language was	4
paved the way for	4
as far as the	4
in the poetry of	4
end of the reign	4
of the character of	4
the dignity of the	4
seems to have written	4
the author of a	4
as well as to	4
of the speeches of	4
into the mouth of	4
that he did not	4
in the schools of	4
we must not forget	4
we have seen that	4
book of the epistles	4
the best known of	4
after the example of	4
is referred to the	4
he must have been	4
of the reigns of	4
of the universe which	4
he was a man	4
the history of rome	4
said to have been	4
than that of any	4
a history of the	4
brought to bear on	4
referred to in the	4
speaks of himself as	4
is reported to have	4
one of the best	4
the development of the	4
but it is not	4
been the subject of	4
the spirit of the	4
would be hard to	4
of the latin race	4
soon after his death	4
book of the satires	4
is shown by the	4
the poems of catullus	4
shortening of final o	4
under the title of	4
the whole of his	4
was at this time	4
the most learned of	4
of the first punic	4
of the governing class	4
the age of thirty	4
and for a time	4
as well as a	4
and the death of	4
which he tells us	4
to one of the	4
one of the principal	4
to the class of	4
the work of his	4
was the first to	4
we do not find	4
at the hands of	4
the two most eminent	4
lady of high birth	4
supposed to have been	4
at a later period	4
has given rise to	4
put an end to	4
some have thought that	4
he rose to the	4
the fact that he	4
way in which the	4
circle of the younger	4
conclude the chapter with	4
one of the two	4
the lives of the	4
compared with that of	4
the way for the	4
in the next age	4
of the ancient world	4
of the value of	4
end of the first	4
in the work of	4
to the latin language	4
soon after the death	4
the list of his	4
died at the age	4
on the whole the	4
addressed to him by	4
by the name of	4
by no means so	4
as it is of	4
a member of the	4
with every variety of	4
all kinds of subjects	4
there can be little	4
can be little doubt	4
the history of his	4
is written in a	4
that have come down	4
the fear of death	4
a man of the	4
in the literature of	4
one of the first	4
fragments and specimens of	4
the second half of	4
such as it was	4
on the whole he	4
we shall not find	4
the plan of the	4
of nerva and trajan	4
which seems to have	4
in the third satire	4
the theory of the	4
it is evident that	4
parts of the empire	4
a type of the	4
as is well known	4
he goes on to	4
to return to rome	4
be sought in the	4
the charm of the	4
as well as from	4
the success of the	4
we learn from the	4
of the life of	4
greater part of his	4
with an account of	4
of the pervigilium veneris	4
of which we possess	4
had been in the	4
is supposed to have	4
that he was not	4
in a high degree	4
in a great measure	4
to return to the	4
the eruption of vesuvius	4
he is the first	4
far beyond the limits	4
that it is the	4
to be regretted that	4
must have been a	4
among the most interesting	4
a professor of rhetoric	4
of the second rank	4
a young man he	4
of peleus and thetis	4
in the last book	4
the power of the	4
a poet of the	4
no less than in	4
writers of the empire	4
by the same author	4
the case with the	4
the style of the	4
studied for the bar	4
in the second and	4
the loss of the	4
is a good instance	4
to say that the	4
it is by no	4
of these two great	4
to the influence of	4
on a level with	4
in which it is	4
and specimens of early	4
he studied for the	4
are perhaps the most	4
we find that he	4
for a long time	4
it seemed as if	4
between rome and carthage	4
seems to have had	4
the study of the	4
served his first campaign	4
of his later years	4
but it is clear	3
and in some respects	3
of his own day	3
death of julius caesar	3
for the rest of	3
in which he did	3
the resources of his	3
it is likely that	3
the roman conception of	3
the conspiracy of piso	3
the narrative of the	3
throughout the reign of	3
for that of the	3
the place of his	3
if we may believe	3
we infer that he	3
in the reigns of	3
is a poem of	3
with the spirit of	3
of the civilised world	3
books of the aeneid	3
of the younger pliny	3
which the young nobles	3
that it was written	3
for more than half	3
the testimony of a	3
as we have said	3
written in saturnian verse	3
as early as b	3
to be regarded as	3
on the nature of	3
we have already seen	3
it is hard to	3
to the duties of	3
the death of drusus	3
of an epic on	3
historical work of the	3
of the present day	3
went so far as	3
young man he had	3
above the level of	3
a century after the	3
and on the whole	3
the basis of a	3
of the seventeenth century	3
not so much from	3
and conclude the chapter	3
but he was no	3
to the history of	3
he now and then	3
which had been so	3
a century and a	3
of his work is	3
the only one which	3
it was inevitable that	3
is known to have	3
the introduction of greek	3
in the opening of	3
an intimate acquaintance of	3
the next ten years	3
in proportion as they	3
list of editions recommended	3
and even in the	3
of the old language	3
main characteristics of the	3
the series of his	3
if it had been	3
the music of the	3
to celebrate the victory	3
form of the original	3
in all his works	3
by no means an	3
the care with which	3
at the opening of	3
during the middle ages	3
the death of tiberius	3
but this is a	3
the growth of the	3
in a way that	3
a picture of the	3
the author of an	3
as much as the	3
bear witness to the	3
to a certain degree	3
of art and letters	3
end of the second	3
he served his first	3
alluded to in the	3
is perhaps the most	3
from those of the	3
at the battle of	3
in the intervals of	3
to the position of	3
to which the name	3
the freedom with which	3
an epic on the	3
of the age of	3
the age of seventeen	3
history began to be	3
of a new literary	3
the main points of	3
second book of the	3
is such as to	3
in the third and	3
well believe that the	3
that he wrote the	3
he proceeds to the	3
formed part of the	3
a work on the	3
the beginnings of the	3
the description of the	3
the death of cicero	3
poet of the first	3
out of place to	3
most important of his	3
but it was probably	3
in the second half	3
empire and the church	3
a careful study of	3
so far from being	3
a new literary epoch	3
with a view to	3
seems to have given	3
of the world of	3
of the more important	3
the labours of the	3
to be the more	3
the circle of maecenas	3
more than that of	3
the single exception of	3
marriage of peleus and	3
for a moment to	3
if he did not	3
a good instance of	3
it was the first	3
must be regarded as	3
his description of the	3
will be seen from	3
the form of the	3
the religion of the	3
in command of the	3
serious business of life	3
or at any rate	3
mass of the people	3
of the most interesting	3
the death of caesar	3
be traced in the	3
it would be a	3
the time of nero	3
the imagination of the	3
characteristic of the man	3
the fragments of the	3
from the writings of	3
of cicero and caesar	3
not by any means	3
went hand in hand	3
and if we possessed	3
of the men who	3
caused him to be	3
by the history of	3
there is nothing in	3
could no longer be	3
of grammar and rhetoric	3
years of the death	3
to do the same	3
the accession of trajan	3
what can be more	3
there is room for	3
that it was the	3
in the eyes of	3
all that was most	3
the heart of the	3
of which have been	3
an old man of	3
of the neronian age	3
of the fifteenth century	3
of thought and language	3
the earliest and the	3
the poem on the	3
his death is not	3
a lady of high	3
from the style of	3
with the name of	3
a specimen of the	3
for a short time	3
the decay of freedom	3
year of his death	3
the words of a	3
the culture of the	3
from the fragments of	3
on the same subject	3
of the origin of	3
the great work of	3
addressed to his son	3
on the causes of	3
must be based on	3
of a high order	3
he has to say	3
by side with the	3
the hero of the	3
the fact that it	3
of his private letters	3
the place of the	3
to the fourth book	3
books of the odes	3
the great orators of	3
is the first and	3
a teacher of rhetoric	3
the weight of his	3
the burden of his	3
the reign of commodus	3
would seem to have	3
which he alludes to	3
of the great greek	3
tiberius to the death	3
all that was best	3
a writer of some	3
is much to be	3
that there is no	3
century and a half	3
was that of the	3
to the court of	3
the extant fragments of	3
this point of view	3
of the earlier republic	3
had the privilege of	3
account of the earliest	3
of the great orator	3
it occurs in the	3
the fashion of the	3
importance in the history	3
of which the great	3
shows that he was	3
to have been an	3
one of the foremost	3
to say nothing of	3
a treatise on the	3
to the number of	3
it is not only	3
the domain of history	3
the action of the	3
of all his compositions	3
that in the second	3
in the fifteenth century	3
the doctrine of the	3
foundation of the city	3
of the subject will	3
the marriage of peleus	3
an eighth book to	3
of lucretius and catullus	3
of the most celebrated	3
that many of the	3
death of the elder	3
at the time of	3
implies that he had	3
the most eloquent of	3
the care of the	3
the satires and epistles	3
from the greek of	3
the history of latin	3
though it does not	3
a younger contemporary of	3
he is known to	3
the victory of sena	3
in the first century	3
that he had a	3
as long as the	3
by the fact that	3
to be more than	3
the story of his	3
has led him to	3
may be compared with	3
the outbreak of the	3
as a specimen of	3
literary point of view	3
the existence of the	3
in which he lived	3
a catalogue of the	3
to cope with the	3
but he is a	3
in point of time	3
by the influence of	3
the value of the	3
the skill with which	3
but it is in	3
in which he wrote	3
date of his birth	3
which we are now	3
and the progress of	3
but it may be	3
the culmination of latin	3
as though it were	3
the passion of love	3
and at the same	3
with whom he was	3
the fact that the	3
the earlier books of	3
part of the work	3
in one or two	3
a general history of	3
in his theory of	3
one might almost say	3
the fragment that remains	3
by him in the	3
according to his own	3
the objects of his	3
the same thing is	3
on the events of	3
decay of classical latin	3
half of the line	3
in the sense of	3
the tragedies of seneca	3
is the work of	3
he himself tells us	3
the ears of the	3
and the want of	3
could not fail to	3
reigns of nerva and	3
the mouth of a	3
the burning of the	3
to his native town	3
by no means a	3
we did not possess	3
the history of livy	3
in a period of	3
is found in the	3
it was one of	3
to men of letters	3
and in a way	3
the legends connected with	3
of the menippean satires	3
in the times of	3
at once became the	3
the taste of the	3
some of his verses	3
the latin of the	3
it has often been	3
and it is easy	3
he continued to write	3
the settlement of the	3
of the twelve caesars	3
of the time of	3
it is obvious that	3
appear to have been	3
is the way in	3
and the fact that	3
master of the world	3
was a member of	3
from beginning to end	3
to the pursuit of	3
seems to have brought	3
that the aeneid was	3
if it were not	3
an introduction to the	3
history of roman oratory	3
the loss of which	3
to show that he	3
of the modern world	3
it is uncertain whether	3
that of cicero in	3
the death of m	3
but on the whole	3
the year in which	3
the form of an	3
as has been said	3
writer of the first	3
he would have been	3
in its present form	3
the worship of the	3
one of the earliest	3
is far removed from	3
in the composition of	3
is no longer the	3
we must remember that	3
of the poem in	3
a great work of	3
the third book of	3
through the middle ages	3
celebrate the victory of	3
of it as a	3
by the advice of	3
the desire to write	3
of the augustan history	3
so far as he	3
is clear from the	3
as a matter of	3
may have had some	3
of the imperial government	3
may have been the	3
the works of this	3
some of the more	3
a part of the	3
both in greek and	3
he was followed by	3
so long as the	3
atoms and the void	3
the circumstances of the	3
the greatest of roman	3
he returned to rome	3
of the second punic	3
the political and social	3
the poet of the	3
him one of the	3
more than half the	3
seems to point to	3
the accession of nerva	3
but even in the	3
they should have been	3
a continuation of the	3
the tenth book of	3
of the work of	3
half a century later	3
of a great roman	3
art of love was	3
the death of nero	3
a high opinion of	3
relation of philosophy to	3
to suppose that he	3
which is refuted by	3
hadrian and the antonines	3
the time of augustus	3
in the manner of	3
the treatise to herennius	3
the fourth and fifth	3
nearly every department of	3
has descended to us	3
he was one of	3
may be referred to	3
age in which he	3
more than anything else	3
in the field of	3
the year before the	3
of a golden age	3
with regard to his	3
on behalf of the	3
that was best in	3
on the world of	3
the fragments of his	3
put into the mouth	3
is not to be	3
from the first to	3
that they should have	3
in all of which	3
history of the first	3
it was only when	3
and it was only	3
that they are the	3
of tiberius to the	3
the years which followed	3
he was sent to	3
there is not a	3
even in his lifetime	3
a sketch of the	3
issued from his pen	3
of some of his	3
that he had been	3
to him in a	3
he is one of	3
a few examples of	3
in that of the	3
is the only one	3
of the two great	3
life of the capital	3
we should infer from	3
in which he had	3
in an abridged form	3
of translations from the	3
of the later empire	3
in the writings of	3
rise to the opinion	3
the subject of much	3
of himself as a	3
of the praetorian guards	3
in the first three	3
was executed in the	3
through the influence of	3
end of the fourth	3
could hardly have been	3
the extinction of the	3
know that he was	3
speaks of his own	3
in the persons of	3
is the subject of	3
know from other sources	3
there is probably no	3
to the name of	3
it is not easy	3
and returned to rome	3
not be out of	3
it does not seem	3
the level of a	3
of his philosophical works	3
shall not find in	3
he was obliged to	3
at rome in the	3
as the representative of	3
that it may be	3
of the augustan period	3
the death of julius	3
may have been a	3
later years of the	3
in nearly every department	3
the song of the	3
age of the republic	3
the opinion of the	3
in imitation of the	3
he was a young	3
translated or adapted from	3
the epistle to the	3
it would have been	3
to the opinion that	3
not only in his	3
but as a rule	3
as may be supposed	3
thus it is that	3
of rome by the	3
reminds us of the	3
of the empire to	3
with the education of	3
the course of his	3
that it is impossible	3
it seems best to	3
the five books of	3
he began to write	3
and the number of	3
in the pages of	3
of the most difficult	3
in a sort of	3
few years of the	3
may be traced in	3
same is true of	3
a place among the	3
that he had not	3
over and over again	3
him to be the	3
the main characteristics of	3
in a style which	3
second half of the	3
in the works of	3
the mouth of the	3
the reign of caligula	3
prose of the ciceronian	3
to his own time	3
is the burden of	3
the world by the	3
the war with hannibal	3
the decay of eloquence	3
down to us in	3
at an early age	3
of the upper classes	3
of the dignity of	3
middle and new comedy	3
it is written in	3
he lived in the	3
if we did not	3
a very early period	3
of the development of	3
written in the same	3
a friend of the	3
for the benefit of	3
outbreak of the civil	3
that of any of	3
in his own person	3
work seems to have	3
are accustomed to associate	3
the opinion that he	3
as contrasted with the	3
of the empress livia	3
the case of the	3
the three flavian emperors	3
up to the end	3
by the names of	3
an end in itself	3
of the fifth book	3
early in the reign	3
well as in the	3
the best example of	3
peleus and thetis is	3
from this point of	3
rome by the gauls	3
which he was a	3
there is no trace	3
a large amount of	3
was an adept in	3
treaty between rome and	3
in the life of	3
is shown in the	3
likely to have been	3
by one of the	3
to the praises of	3
in the words of	3
if we possessed the	3
of prose and verse	3
in the circle of	3
on the power of	3
any other latin poet	3
to the conclusion that	3
the most eminent of	3
in which all the	3
the influence of accent	3
eighth book to the	3
what he has to	3
the hands of inferior	3
more akin to the	3
in the fifth century	3
of the punic wars	3
during the augustan age	3
on the study of	3
of cupid and psyche	3
the history of poetry	3
of the third book	3
accession of tiberius to	3
it was not his	3
the body of the	3
was an intimate friend	3
with a good will	3
one or two passages	3
if they do not	3
has been the subject	3
almost all the great	3
and a collection of	3
the mind of rome	3
in the third book	3
poets of the republic	3
enabled him to live	3
and in spite of	3
which he did not	3
the decay of morals	3
greater part of the	3
the most part of	3
the dialogue on oratory	3
he was not a	3
and the decay of	3
that it was in	3
is a witness to	3
the fifth book of	3
the jus trium liberorum	3
of the circle of	3
though it may be	3
the idea that the	3
in the latin tongue	3
it had been in	3
of his own work	3
which had been the	3
of the later greek	3
first and second books	3
the purity of his	3
made him one of	3
on the use of	3
the age of tiberius	3
knowledge of the world	3
the highest and most	3
write a history of	3
gallic and civil wars	3
but there is no	3
but it must have	3
from a very early	3
of which he had	3
has been well said	3
of the christian era	3
the severity of his	3
burning of the city	3
and in the second	3
the era of the	3
of life and manners	3
had ceased to be	3
which has made him	3
of the sixth book	3
one of the finest	3
it is no wonder	3
of the work is	3
complete the list of	3
members of the imperial	3
of the next age	3
nearly the whole of	3
we are not surprised	3
establishment of the empire	3
in the shape of	3
more than any other	3
in the prologue to	3
is not in itself	3
the life of a	3
in the preface to	3
of the elder seneca	3
lives of the caesars	3
as far as we	3
which had hitherto been	3
of the elder pliny	3
is the description of	3
the great latin writers	3
for near a century	3
the serious business of	3
he had not been	3
the reputation of the	3
so far as we	3
a description of the	3
decided in favour of	3
of the works of	3
of the literature of	3
the reigns of nerva	3
it ought to be	3
to assign it to	3
of the fifth century	3
the style of his	3
of the great roman	3
all the offices of	3
the consent of the	3
of the decay of	3
as we understand it	3
in his work on	3
the thought of the	3
in the earlier books	3
he had formed his	3
of the language of	3
of the laws of	3
the gallic and civil	3
the greatest of those	3
it had become a	3
that of all other	3
this can hardly be	3
it is that he	3
the reason is to	3
it has always been	3
the middle ages he	3
which the name of	3
do not find that	3
the spirit in which	3
that it was not	3
date of his work	3
reasonable to suppose that	3
had from the first	3
the foundation of rome	3
prose writers of the	3
towards the close of	3
to the destruction of	3
the general decay of	3
he complains of the	3
in a state of	3
as compared with that	3
the didactic poem on	3
the effect of his	3
to the time of	3
so far as they	3
the excitement of the	3
as a type of	3
period of the decline	3
from the foundation of	3
on a charge of	3
to be the greatest	3
after the publication of	3
was a native of	3
which had once been	3
nothing can be more	3
most learned of the	3
like those of the	3
memorials of the old	3
at the court of	3
introduction of greek literature	3
as part of the	3
the names of the	3
to be the first	3
be gathered from the	3
even if it were	3
first rank of roman	3
these two great men	3
are the most important	3
works have come down	3
first book of his	3
as in the opening	3
the study of greek	3
for the history of	3
cicero and his brother	3
in every department of	3
a strong interest in	3
which he could not	3
be little doubt that	3
to him by horace	3
thinks it probable that	3
the iliad and odyssey	3
and as a rule	3
an exhaustive treatment of	3
give a short account	3
with the love of	3
the conduct of the	3
by a later hand	3
is in favour of	3
what we should now	3
the one thing that	3
by far the greatest	3
the point of view	3
of his old age	3
comes before us is	3
that rome ever produced	3
we are accustomed to	3
in the later books	3
the college of augurs	3
the same is true	3
that he should be	3
is in the form	3
in the pervigilium veneris	3
the words of the	3
than in any of	3
the education of the	3
by cicero in his	3
a young man in	3
second book of satires	3
as if it had	3
a new kind of	3
a great deal of	3
well as by his	3
century of the republic	3
is that of a	3
among the upper classes	3
some have supposed that	3
were among the most	3
the benefit of his	3
with the single exception	3
the incapacity of the	3
reason is to be	3
the form of literature	3
a total absence of	3
the life of the	3
on the art of	3
learn from the letters	3
is true of his	2
give rise to the	2
that the power of	2
and with it we	2
fifty lines of the	2
the rhetorical vices of	2
a satire on the	2
upwards of thirty years	2
to belong to the	2
prose writer of the	2
the reception of the	2
of his birth is	2
was a sort of	2
is careful not to	2
the most ancient of	2
must be considered a	2
of them will be	2
was anything but a	2
of horace as a	2
aloof from the court	2
far as is known	2
to the manner of	2
free use of the	2
of cicero to the	2
must have been well	2
be inferred from the	2
of love was published	2
scene of the dialogue	2
he speaks of himself	2
is to be sought	2
borrowed from the greek	2
the reigns of hadrian	2
in the eastern provinces	2
on the similes of	2
publication of the art	2
work of his predecessors	2
century of the christian	2
greatest orator of rome	2
all kinds of literature	2
on the acta diurna	2
his most celebrated poem	2
the favoured lover of	2
himself to the duties	2
facta et dicta memorabilia	2
of virgil in its	2
other writer shall we	2
of the signs of	2
have supposed that the	2
had not yet come	2
belongs to this epoch	2
off abruptly in the	2
to tell the story	2
and part of the	2
he had little or	2
but if from the	2
of cato and the	2
that his father was	2
in greek or latin	2
the terms in which	2
he caused himself to	2
on the dignity of	2
as the flower of	2
spondee in the last	2
continued to pour forth	2
in the third ode	2
even in greek poetry	2
what he considers the	2
in his own special	2
referred to by quintilian	2
even as early as	2
enabled him to overcome	2
him to celebrate the	2
with which he has	2
falls far short of	2
subjects from the greek	2
the last book of	2
additional details on the	2
led him to wish	2
the interest of the	2
with a total absence	2
but in the general	2
much credit by his	2
be seen from this	2
are preserved by cicero	2
was a devoted admirer	2
thought that in the	2
the capital and the	2
was written in his	2
though it is possible	2
the student is referred	2
by the elder seneca	2
idea of the value	2
of his great speeches	2
whose works have come	2
to be referred the	2
questions or subjects for	2
to that of varro	2
of a large number	2
appearance in literature of	2
at this time the	2
it may interest the	2
of great scope and	2
which it should be	2
command of the emperor	2
continued on the same	2
the effects of this	2
are the most renowned	2
the temple of janus	2
of thought and feeling	2
the principles of rhetoric	2
scriptas luci misimus aeli	2
to it ever since	2
a vital force of	2
and was the most	2
state of philosophical and	2
of the poetic gift	2
did not scruple to	2
of the fables of	2
the partial revival of	2
he stood in the	2
based on that of	2
from his earliest years	2
to the care of	2
have helped him in	2
is at the same	2
in other respects he	2
to speak of him	2
legitimate place among the	2
to give up the	2
by a sort of	2
orator except as a	2
to find out the	2
all his life in	2
to the state religion	2
should now call the	2
degree exceeding that of	2
is no wonder if	2
at all times to	2
in the first ten	2
at once asked for	2
legends connected with virgil	2
many of the precepts	2
did not err in	2
we should now call	2
divisions of the subject	2
that it was no	2
be passed over in	2
of the old testament	2
naturally turned rather to	2
from the list of	2
which is not only	2
literature up to his	2
of his younger friends	2
of the hexameter is	2
as a man who	2
the twenty books of	2
are accompanied by other	2
there is little to	2
are to a great	2
have already had occasion	2
of which several fragments	2
in tragedy and comedy	2
as it is possible	2
the limits of the	2
by the works of	2
on the earliest remains	2
given rise to the	2
the great names of	2
uttered in the senate	2
he did not know	2
the life of horace	2
by the establishment of	2
the field of battle	2
no other writer shall	2
to the verge of	2
his intimate friendship with	2
be said to be	2
absorbing interest of the	2
instances of this are	2
was less of the	2
of the old annalists	2
translation of the odyssey	2
of cicero as the	2
took the first place	2
when he was a	2
of the senate and	2
the masterly sketch of	2
to the contemplation of	2
the rich colouring of	2
part of the book	2
they had all the	2
they will be found	2
it was necessary to	2
of the function of	2
philosophical and religious thought	2
pieces by the same	2
the reaction from the	2
of terence and the	2
are attributed to him	2
was born at the	2
in which he describes	2
other forms of the	2
when we remember that	2
a history of latin	2
and it is this	2
the extension of the	2
the work of cicero	2
the dialogue de oratoribus	2
on the civil wars	2
perhaps the most beautiful	2
to enlighten their minds	2
would be a priceless	2
the language in which	2
which it would be	2
any other ancient author	2
balance of probability is	2
it is the only	2
two great names of	2
masterly sketch of the	2
were more familiar than	2
when they were not	2
thus laid the foundation	2
of the book gives	2
and in many cases	2
marks the highest point	2
civil war broke out	2
and even down to	2
a little further on	2
have declared that his	2
the only instance in	2
light they throw on	2
is full of the	2
whole range of the	2
the finer susceptibilities of	2
and to be the	2
final o in latin	2
the contemplation of the	2
first two books were	2
in the eighteenth century	2
et doctus cantare catullum	2
that had to be	2
nil actum credens dum	2
how far is this	2
of the greek hexameter	2
he had at first	2
the writings of the	2
between rome and hannibal	2
a nation of grammarians	2
once the earliest and	2
the title of poet	2
but in the earlier	2
later years of augustus	2
the administrator of the	2
to be by a	2
of the man that	2
the death of sulla	2
to this may be	2
born in the year	2
he could hardly have	2
out of deference to	2
that of the later	2
but some of his	2
is the most striking	2
early epic and tragedy	2
of the earlier and	2
of the higher education	2
reminds one of the	2
dum quid superesset agendum	2
the fondness of a	2
of life and conduct	2
the follies and vices	2
of our lower house	2
acta diurna and acta	2
from the study of	2
suggested by the history	2
the great mass of	2
still less likely to	2
and turned to the	2
so far relaxed the	2
language was not yet	2
any belief in their	2
the other italian nationalities	2
which he wrote in	2
language of common life	2
is unique in the	2
the capture of rome	2
somewhat later we find	2
was lost in the	2
be found in teuffel	2
of the national mind	2
points in which the	2
in the rhetorical schools	2
announced his intention of	2
he might have read	2
which had so long	2
with the enthusiasm of	2
greater part of which	2
and philosophy it had	2
compared with any of	2
on the wider one	2
study of the aeneid	2
of the whole collection	2
a better versifier than	2
do not seem to	2
of the schools of	2
morality of his plays	2
is the most original	2
of the precepts of	2
he paved the way	2
the different kinds of	2
were often held at	2
ruler of the empire	2
nothing can give a	2
he is not a	2
with his own hand	2
the middle and new	2
of all latin poets	2
to come forward as	2
they are written in	2
which is expressed by	2
inclined to form a	2
the day of death	2
brought to perfection by	2
as late as b	2
treatment of the metre	2
the younger scipio and	2
for their own sake	2
of the chief roman	2
brought to light in	2
imagination of the world	2
first acquaintance with the	2
exact date is uncertain	2
find in him the	2
on a footing of	2
of the roman poets	2
interesting as showing the	2
of alliteration in latin	2
and of which the	2
to account for the	2
the influence of virgil	2
the rise of a	2
great importance in the	2
early in the present	2
first appearance of hortensius	2
his original contribution to	2
and with every variety	2
cannot fail to strike	2
on the beginnings of	2
a most valuable storehouse	2
in the introduction to	2
inner circle of the	2
a strong admiration for	2
may regret that time	2
latin literature of the	2
the greek and roman	2
veterum historicorum romanorum relliquiae	2
namque erit ille mihi	2
of this strange poem	2
between the first and	2
the earliest period to	2
argutos inter strepere anser	2
of a new school	2
under the heads of	2
even at the time	2
a masterpiece of construction	2
by the hand of	2
the last age of	2
must be distinguished from	2
where one of the	2
was also much in	2
and it is astonishing	2
in the year which	2
the idol of the	2
also mentioned as the	2
it is only when	2
the chief writers of	2
no less than his	2
in a similar manner	2
ne minus senatoribus c	2
but they did not	2
odyssey into saturnian verse	2
in the name of	2
a truer picture of	2
it is the glory	2
had been accused of	2
thirty years of the	2
have been familiar with	2
of the rise of	2
the expense of the	2
his careful study of	2
in this he was	2
of his own art	2
it is also possible	2
the true end of	2
letters to his brother	2
is impossible to ascertain	2
in the civil war	2
of the tenth satire	2
in the sixth eclogue	2
of latin literature which	2
of the elder cato	2
and is well worth	2
the source of the	2
of his own travels	2
of the same book	2
centuries after his death	2
he was a master	2
the thyestes of varius	2
the excellences of his	2
that he himself had	2
publication of the first	2
use of alliteration in	2
art and letters in	2
in such a way	2
culmination of latin poetry	2
both attained the highest	2
tener nostris ab ovilibus	2
by no means certain	2
had the author lived	2
the absence of any	2
thought to be a	2
much to be regretted	2
this new form of	2
lived on terms of	2
seneca was one of	2
we can judge he	2
in his preface to	2
from the sphere of	2
in the iliad and	2
it would be hard	2
side of the picture	2
of his daughter tullia	2
does not follow that	2
this kind of writing	2
he addressed himself to	2
history of the mimus	2
his oratory is described	2
which the romans were	2
from the well of	2
or at least to	2
greek colonies in italy	2
and a power of	2
cicero at the head	2
at once the most	2
they are such as	2
before the death of	2
that his name became	2
a series of brilliant	2
the first century before	2
and in the de	2
quite in accordance with	2
juvenal is the most	2
in the character of	2
a number of stories	2
of the year he	2
it has been already	2
it was only by	2
in the treatise de	2
others that it is	2
of a new and	2
the excellence of his	2
the authority of the	2
to be false to	2
a general survey of	2
he is careful not	2
is the first to	2
that comes before us	2
grammarians of less note	2
made on the world	2
the position of an	2
comparable to that of	2
is at his best	2
idea of the state	2
the arts of peace	2
the consulship of cicero	2
we see that the	2
the third ode of	2
book of the annals	2
and in harmony with	2
much in his poetical	2
as the poet of	2
it is nothing but	2
be regarded as the	2
writers of the ciceronian	2
of fronto and apuleius	2
account of his death	2
of the single combat	2
letters in the fourth	2
it is not till	2
when at last he	2
the reader should consult	2
with the advance of	2
we have no means	2
pursued with the greatest	2
of the civil law	2
the young man about	2
the daily life of	2
traditions of the republic	2
a grander field for	2
and in a later	2
by horace in his	2
the drop from the	2
philosophy of the de	2
the lines with which	2
may be divided into	2
but as he never	2
from a literary point	2
in the lines which	2
it is only in	2
elsewhere than at rome	2
was noted for the	2
of the few men	2
it is well known	2
may be inferred from	2
which of the two	2
is it possible to	2
may be gathered from	2
so many writers of	2
actum credens dum quid	2
books of commentaries on	2
quite different from the	2
all his wealth to	2
own life and times	2
were to a great	2
after the conquest of	2
result would have been	2
in an age when	2
him from the list	2
is difficult to see	2
that they were not	2
must not forget the	2
the schools of athens	2
epic poem on the	2
the fashion among the	2
little more than names	2
that it may well	2
rest satisfied with the	2
a latin version of	2
are also attributed to	2
the development of roman	2
both in prose and	2
a rich vein of	2
rise out of the	2
is well worth reading	2
pronounced in favour of	2
which could only be	2
and almost all the	2
a small part of	2
of the great latin	2
brought to rome by	2
and the employment of	2
he was a great	2
tragedies and one praetexta	2
latin translation of the	2
which for ten years	2
spirit in which it	2
some additional details on	2
huiusmodi paucas poetae reperiunt	2
of a very different	2
the reign of the	2
freer use of the	2
the theory and practice	2
as well known as	2
bears all the marks	2
it is much to	2
oceani linquens aurora cubile	2
writing of the period	2
have been glad to	2
the year after his	2
of the grown man	2
point of view as	2
to be able to	2
the first order it	2
to the national character	2
full as it is	2
new comedy of athens	2
the first appearance of	2
in which they are	2
thesis of the foot	2
is alluded to by	2
out of which the	2
by a few years	2
after the time of	2
penetrated with the spirit	2
passage in one of	2
of his conclusions are	2
the command of the	2
had once been the	2
work of a writer	2
at the root of	2
of the modern style	2
and compare them with	2
the main line of	2
by the literary class	2
and the de republica	2
a good deal with	2
he applies his principle	2
clibanato et piperato consulibus	2
left no room for	2
head of all the	2
work on the subject	2
it is in this	2
imitation of greek models	2
dissatisfied with his own	2
it was impossible to	2
from the charge of	2
existence of the gods	2
conceived the plan of	2
than anything else in	2
of which every other	2
due to the influence	2
of the metre is	2
is the death of	2
to translate portions of	2
the former of which	2
a legitimate place among	2
the de optimo genere	2
to the effects of	2
and that he had	2
in the latin language	2
that he lived in	2
in the fifth and	2
the opening lines of	2
as the head of	2
be allowed to see	2
that the art of	2
in their present form	2
many of them are	2
said to be a	2
were not calculated to	2
i remind you of	2
the art of rhetoric	2
scattered through his works	2
we are informed that	2
were part of his	2
for a century after	2
and beyond doubt he	2
as he himself tells	2
in the next generation	2
into a kind of	2
the splendour of the	2
of society from the	2
the balance of probability	2
of this period is	2
the great men who	2
two passages from the	2
on the signification of	2
but for this there	2
until after his death	2
is the last of	2
it was written in	2
considered the prince of	2
his life and character	2
of which he is	2
he tells us that	2
of the augustan writers	2
a much more finished	2
senatus consultum de bacchanalibus	2
with the greatest zeal	2
on all hands to	2
is the first of	2
on the story of	2
is like that of	2
he is the most	2
made the occasion for	2
in which the young	2
the tone of the	2
the only one of	2
to which reference is	2
claim to be a	2
to him the greatest	2
scientific writers we possess	2
the death of a	2
on the fact that	2
such as thou art	2
almost for the first	2
birth and parentage of	2
hundred lines in all	2
which he gives a	2
nostris ab ovilibus imbuet	2
most eminent and copious	2
any of the other	2
the philosophy of greece	2
seems to have indulged	2
was based on the	2
at a remote period	2
that on the death	2
the accession of vespasian	2
the advice of cornutus	2
which is the most	2
side of the new	2
in the same track	2
regards the date of	2
the manly gown he	2
the jealousy of nero	2
he had delivered as	2
his death in b	2
the letters to lucilius	2
he continued to pour	2
both prose and verse	2
within the sphere of	2
the liquid lapse of	2
on the style of	2
the simple and the	2
mother of the gods	2
of aeneas in italy	2
the cause of this	2
most interesting feature in	2
in the philosophy of	2
life and personality of	2
his attitude towards the	2
the number of the	2
this style of composition	2
from which we may	2
the love of nature	2
and personality of the	2
the works of two	2
is the most distinguished	2
than any other in	2
rose to the praetorship	2
are full of a	2
the battle of the	2
of art and science	2
to the rules of	2
to have merited the	2
been a friend of	2
the death of burrus	2
high opinion of their	2
hither and thither over	2
his character is his	2
the glory of the	2
and letters in the	2
the best of his	2
and will not be	2
but there can be	2
isti meo fratri carolo	2
the four books of	2
he had written the	2
of letters at rome	2
list of his philosophical	2
even when they were	2
first century before christ	2
portion of the whole	2
those of his own	2
the contempt of letters	2
the most favourable light	2
humani nihil a me	2
under his name are	2
they are no longer	2
is in the character	2
of a different sort	2
an attack upon the	2
has been called the	2
from a passage in	2
with the events of	2
that of plautus himself	2
repetition of the same	2
is the reverse of	2
the expression of his	2
his de natura deorum	2
to do with the	2
the friend of the	2
of letters on the	2
and purity of diction	2
it was at the	2
one of whose treatises	2
for the expression of	2
to themselves as to	2
the whole the most	2
has been already said	2
on the same scale	2
of the best known	2
the talent of the	2
is impossible to say	2
the close of this	2
the attic and asiatic	2
he was bidden to	2
after his return to	2
he has become the	2
ceased to have any	2
pleasing description in the	2
the best education that	2
the roman colony of	2
just enabled him to	2
him on account of	2
nature of the man	2
we are told by	2
may seem to us	2
the few fragments of	2
to them by the	2
accustomed to associate with	2
the most interesting and	2
of the national religion	2
to the greatness of	2
in their admiration of	2
the emperor and his	2
primitive culture of latium	2
were of a lighter	2
the genius of latin	2
to the effect that	2
a testimony to the	2
of the danube and	2
prisoner of war from	2
the epistolae ad familiares	2
and policy of augustus	2
seems to be of	2
preface he speaks of	2
the death of gracchus	2
of the labours of	2
a knowledge of the	2
had little or no	2
of perseus and andromeda	2
the conclusion that the	2
know not exactly when	2
of our own day	2
the free use of	2
of nouns of the	2
that of any other	2
there are at least	2
did not become a	2
in the generation which	2
as it is now	2
in the sixteenth century	2
not in the least	2
total absence of the	2
to point to the	2
own day as he	2
we possess in an	2
nothing else to do	2
did not care to	2
is after all a	2
inconsiderable as compared with	2
part of a man	2
on the thought of	2
gave himself up to	2
point in which he	2
and it is in	2
is just this quality	2
break after the fourth	2
the most successful of	2
now the language of	2
the last century of	2
we might call the	2
works of the two	2
the main current of	2
to care for the	2
in his younger days	2
we are surprised to	2
observe the care with	2
is based on a	2
of horace and virgil	2
the most distinguished of	2
to which as a	2
his return to rome	2
as a collection of	2
he never speaks of	2
he was content to	2
to a later period	2
which in the annals	2
erit ille mihi semper	2
to such a man	2
it is true this	2
fleet stationed at misenum	2
the same time they	2
of the later years	2
a few critical remarks	2
of the results of	2
from the hand of	2
and the description of	2
the fall of carthage	2
the volume of poems	2
it is from the	2
he was given to	2
one generation to another	2
did not go beyond	2
of the former class	2
the generation which immediately	2
the changes on the	2
the latter had been	2
down the wrath of	2
on points like these	2
an example of this	2
of the same thing	2
that they are all	2
was the name of	2
one object was to	2
a level with the	2
end of the couplet	2
aeneid are so numerous	2
reason to suppose that	2
gave public lectures on	2
average specimen of the	2
the picture of the	2
of the old aristocracy	2
passed his life in	2
the importation of a	2
the same time a	2
that even in the	2
the shores of the	2
and second books of	2
the labours of ritschl	2
a hundred and fifty	2
ad te scriptas luci	2
with that of lucan	2
work of this period	2
purity of his life	2
nothing in all latin	2
after his accession to	2
the series of biographies	2
the two former were	2
of his more popular	2
is almost the only	2
is not easy to	2
history of the romans	2
compare them with the	2
like so many of	2
that had ever been	2
to be rid of	2
the writers on applied	2
for which they were	2
the work of this	2
fashion of the day	2
is no doubt that	2
third and fourth centuries	2
a digest of the	2
only now beginning to	2
we have already had	2
and are perhaps the	2
retired from public life	2
written soon after the	2
from the very first	2
by which we can	2
it is the same	2
for he had a	2
it is the work	2
that of the best	2
the monotony of the	2
the gradual decline of	2
the letters of pliny	2
year of the reign	2
it is in these	2
of commentaries on the	2
a large mass of	2
that have reached us	2
it is in his	2
give a succinct analysis	2
merits and defects of	2
his attitude towards his	2
be ranked among the	2
great orators of the	2
written in his old	2
in the early period	2
for a man to	2
has res ad te	2
is more likely to	2
struck at the root	2
difficult to see how	2
of a roman audience	2
of the first eminence	2
de republica and de	2
we gather from a	2
leaves nothing to the	2
is the part of	2
three books of odes	2
greatly struck with the	2
from the death of	2
he had been led	2
this may be added	2
to each of the	2
one of the circle	2
of his plays are	2
the last twenty years	2
victrix causa deis placuit	2
with the object of	2
love of nature in	2
of which it was	2
the achievement of the	2
the interval between the	2
attained the highest renown	2
close of this year	2
prove that he was	2
interea oceani linquens aurora	2
offer a few critical	2
the work may be	2
of the most renowned	2
theory and practice of	2
a little on the	2
the thesis of the	2
a devoted admirer of	2
did not disdain the	2
to the roman mind	2
of the empire itself	2
staunch adherent of the	2
was known to him	2
he was ordered to	2
in the extant fragments	2
a matter of course	2
have this in common	2
the literary activity of	2
of a correct and	2
a deep affection for	2
erotic and epic poets	2
him in one of	2
all his letters are	2
find that he was	2
and that there is	2
not find in him	2
he retired to a	2
the actual speech of	2
no ground for supposing	2
he speaks of having	2
his first campaign in	2
of the byzantine empire	2
of cicero and his	2
as all his letters	2
the natural development of	2
enter on a new	2