This is a table of type trigram and their frequencies. Use it to search & browse the list to learn more about your study carrel.
trigram | frequency |
---|---|
out of the | 674 |
one of the | 545 |
there was a | 381 |
side of the | 302 |
the motor boys | 293 |
it was a | 285 |
as soon as | 285 |
of the motor | 277 |
king of the | 269 |
end of the | 258 |
the king of | 253 |
part of the | 219 |
in front of | 217 |
the end of | 208 |
back to the | 192 |
in order to | 190 |
of the car | 188 |
the air ship | 188 |
the top of | 185 |
there was no | 184 |
close to the | 170 |
that he was | 165 |
the young motorist | 163 |
the rest of | 161 |
be able to | 158 |
top of the | 155 |
front of the | 155 |
in the direction | 153 |
was in the | 152 |
in the air | 152 |
what do you | 150 |
the red flier | 148 |
to do with | 148 |
the direction of | 147 |
the side of | 146 |
as well as | 145 |
of the grampus | 145 |
he had been | 144 |
to be published | 141 |
away from the | 141 |
a couple of | 140 |
of motor matt | 130 |
a lot of | 129 |
the place where | 129 |
that he had | 129 |
a good deal | 127 |
and he was | 126 |
at that moment | 126 |
and it was | 123 |
the conning tower | 123 |
ought to be | 121 |
the edge of | 121 |
of the house | 120 |
be published on | 120 |
i want to | 119 |
the periscope room | 119 |
edge of the | 119 |
must have been | 118 |
matt and his | 118 |
out of his | 117 |
it was the | 116 |
went on matt | 115 |
in the car | 112 |
eye of buddha | 112 |
he did not | 112 |
of the boat | 111 |
would have been | 110 |
on the other | 110 |
down on the | 110 |
the dutch boy | 109 |
and his friends | 108 |
matt and mcglory | 108 |
motor matt and | 107 |
on the ground | 107 |
for a moment | 107 |
it will be | 106 |
the bottom of | 106 |
to his feet | 105 |
but it was | 105 |
do you think | 105 |
the eye of | 104 |
to make a | 100 |
it would be | 99 |
and there was | 99 |
some of the | 97 |
a whole lot | 97 |
motor stories thrilling | 96 |
adventure motor fiction | 96 |
thrilling adventure motor | 96 |
stories thrilling adventure | 96 |
the other side | 96 |
up in the | 96 |
get out of | 95 |
in spite of | 95 |
the balloon house | 94 |
to get the | 93 |
going to do | 92 |
you want to | 91 |
to take the | 91 |
matt and dick | 91 |
was to be | 90 |
direction of the | 90 |
the iron chest | 89 |
the fact that | 89 |
but there was | 89 |
take care of | 89 |
in the road | 89 |
that it was | 88 |
up to the | 87 |
of the way | 87 |
a chance to | 87 |
at the same | 86 |
not going to | 86 |
i bed you | 86 |
so far as | 85 |
was going to | 83 |
on the floor | 82 |
he went on | 82 |
in the morning | 82 |
the car and | 82 |
i tell you | 81 |
of the two | 81 |
to have a | 81 |
one of them | 81 |
the foot of | 81 |
a few minutes | 80 |
get away from | 80 |
to get away | 79 |
if you want | 79 |
away in the | 79 |
on the road | 79 |
bottom of the | 79 |
good deal of | 79 |
two or three | 79 |
while he was | 78 |
along the road | 78 |
in the water | 78 |
the hands of | 78 |
to a halt | 78 |
he could not | 77 |
as he was | 77 |
shook his head | 77 |
of the road | 76 |
a few moments | 76 |
and the other | 76 |
in time to | 76 |
a piece of | 76 |
the two men | 75 |
he would have | 75 |
art colored covers | 75 |
of the comet | 75 |
high art colored | 75 |
man in the | 74 |
from his pocket | 74 |
what are you | 73 |
speak to me | 73 |
to be a | 73 |
to me about | 73 |
of the hawk | 73 |
to go to | 73 |
rest of the | 73 |
of the men | 73 |
the rising sun | 72 |
dick and carl | 72 |
the name of | 72 |
was able to | 72 |
sort of a | 72 |
at the end | 72 |
over to the | 72 |
of the rising | 71 |
was on the | 71 |
more than a | 71 |
it was not | 71 |
of the submarine | 71 |
sons of the | 70 |
do you know | 70 |
motor matt was | 70 |
look at the | 70 |
on the deck | 70 |
the back of | 69 |
for you to | 69 |
the man who | 69 |
the united states | 68 |
tip top weekly | 68 |
way to the | 68 |
and he had | 67 |
on the high | 66 |
up and down | 66 |
the front of | 66 |
the door and | 66 |
the two boys | 66 |
that part of | 66 |
up on the | 66 |
but he was | 66 |
go to the | 65 |
to the place | 65 |
as though he | 65 |
ought to have | 65 |
he was in | 65 |
in a few | 65 |
seemed to be | 65 |
out on the | 65 |
in his hand | 65 |
pete and whipple | 65 |
cruise of the | 64 |
the same time | 64 |
back into the | 64 |
he was not | 64 |
the next moment | 64 |
new york city | 64 |
for a few | 64 |
foot of the | 64 |
matt and carl | 64 |
on account of | 64 |
miles an hour | 63 |
it had been | 63 |
would have to | 62 |
could be seen | 62 |
all the time | 62 |
other side of | 62 |
that there was | 61 |
back of the | 61 |
the author of | 61 |
out of it | 61 |
me about that | 61 |
for us to | 61 |
will have to | 61 |
in such a | 61 |
half an hour | 61 |
it may be | 61 |
the phantom auto | 61 |
of the wheel | 60 |
for him to | 60 |
a pair of | 60 |
around the horn | 60 |
that they were | 60 |
out of sight | 60 |
when he was | 60 |
in the house | 60 |
in the bahamas | 59 |
the man in | 59 |
as he could | 59 |
this is a | 59 |
which he had | 59 |
of the air | 59 |
who had been | 59 |
flight of the | 59 |
by the author | 59 |
going to be | 59 |
of the room | 58 |
to get out | 58 |
he had not | 58 |
two big pages | 58 |
the road and | 58 |
kind of a | 58 |
how did you | 58 |
by street smith | 58 |
what sort of | 58 |
a friend of | 57 |
to find out | 57 |
that he could | 57 |
he was a | 57 |
he had a | 57 |
do with the | 57 |
is going to | 57 |
those in the | 57 |
into the air | 57 |
went on the | 57 |
the head of | 56 |
much of a | 56 |
eyes on the | 56 |
came to a | 56 |
picked up the | 56 |
you going to | 56 |
he and his | 56 |
he and matt | 56 |
if he had | 56 |
of the boys | 55 |
go back to | 55 |
soon as he | 55 |
matt and the | 55 |
at the time | 55 |
door of the | 55 |
had not been | 55 |
down to the | 55 |
was the answer | 55 |
started for the | 55 |
the boys were | 55 |
out into the | 55 |
the first time | 54 |
there was something | 54 |
you and your | 54 |
one of his | 54 |
got out of | 54 |
the matter with | 54 |
the mouth of | 54 |
to his friends | 54 |
that was the | 54 |
he had to | 54 |
were in the | 54 |
into the car | 54 |
are you going | 54 |
the high gear | 53 |
was a good | 53 |
to see the | 53 |
the voice of | 53 |
a look at | 53 |
a bit of | 53 |
back and forth | 53 |
carl and dick | 53 |
have to be | 52 |
we ought to | 52 |
as he had | 52 |
to motor matt | 52 |
and into the | 52 |
in the periscope | 52 |
of the rope | 52 |
to the other | 52 |
and the boys | 52 |
him in the | 52 |
for motor matt | 52 |
hold of the | 51 |
it in the | 51 |
to the surface | 51 |
charge of the | 51 |
you bed you | 51 |
before he could | 51 |
in the same | 51 |
that he would | 51 |
into the road | 51 |
motor matt in | 51 |
to get a | 50 |
the sons of | 50 |
the use of | 50 |
by fred thorpe | 50 |
true to his | 50 |
the torpedo room | 50 |
author of motor | 50 |
the man from | 50 |
out of a | 50 |
for a while | 50 |
into the water | 50 |
just as well | 50 |
place where the | 50 |
of helen brady | 50 |
back on the | 50 |
what had happened | 50 |
for me to | 50 |
could be heard | 49 |
as much as | 49 |
of the iron | 49 |
no more than | 49 |
three speeds forward | 49 |
in charge of | 49 |
was in a | 49 |
in the tonneau | 49 |
to make the | 49 |
been able to | 49 |
his pocket and | 49 |
came from the | 49 |
of the river | 49 |
he must have | 49 |
he was going | 49 |
and they were | 49 |
up with the | 49 |
to the door | 48 |
the other two | 48 |
the rear of | 48 |
the secret of | 48 |
the grampus was | 48 |
by that time | 48 |
last flight of | 48 |
how do you | 48 |
get hold of | 48 |
and the two | 48 |
for the motor | 48 |
surface of the | 48 |
if you can | 48 |
the door of | 47 |
soon as the | 47 |
of the country | 47 |
now and then | 47 |
to the ground | 47 |
the last flight | 47 |
into the room | 47 |
as good as | 47 |
by harrie irving | 47 |
he would be | 47 |
the old man | 47 |
to be in | 47 |
down in the | 47 |
it to the | 47 |
his way to | 47 |
to do it | 47 |
half a dozen | 47 |
to be the | 47 |
harrie irving hancock | 47 |
rear of the | 47 |
attention to the | 46 |
in his mind | 46 |
be in the | 46 |
him to the | 46 |
to be done | 46 |
as i can | 46 |
corner of the | 46 |
matt did not | 46 |
a number of | 46 |
at the foot | 46 |
of the machine | 46 |
got to do | 46 |
come to the | 46 |
of the conning | 46 |
and if you | 46 |
the surface of | 46 |
going to get | 45 |
there was nothing | 45 |
deck of the | 45 |
the rival inventors | 45 |
on to the | 45 |
to keep the | 45 |
strange case of | 45 |
and when he | 45 |
two of the | 45 |
in a hurry | 45 |
of the water | 45 |
the way to | 45 |
case of helen | 45 |
and no mistake | 45 |
the strange case | 45 |
got to be | 44 |
in the boat | 44 |
the face of | 44 |
front of him | 44 |
motor matt is | 44 |
what is it | 44 |
captain of the | 44 |
when he had | 44 |
i should say | 44 |
up his mind | 44 |
into the house | 44 |
him out of | 44 |
you ought to | 44 |
the santa maria | 44 |
it would have | 44 |
was out of | 43 |
the other way | 43 |
to look after | 43 |
on the table | 43 |
for some time | 43 |
out of this | 43 |
no time to | 43 |
of the other | 43 |
and the rest | 43 |
and you can | 43 |
the boys had | 43 |
on the way | 42 |
and bold weekly | 42 |
to get to | 42 |
brave and bold | 42 |
at fort totten | 42 |
had come to | 42 |
and i was | 42 |
clear of the | 42 |
over the side | 42 |
to the bottom | 42 |
part of it | 42 |
and that he | 42 |
the steering wheel | 42 |
get to the | 42 |
the show grounds | 42 |
what he was | 42 |
in strange waters | 42 |
this is the | 42 |
of the red | 42 |
where did you | 42 |
in the office | 42 |
as he and | 42 |
just at that | 42 |
got into the | 42 |
get back to | 42 |
i can see | 42 |
matt had been | 42 |
and matt had | 42 |
foiling a secret | 41 |
a secret plot | 41 |
give him a | 41 |
motor matt had | 41 |
was at the | 41 |
on the right | 41 |
by the time | 41 |
he turned to | 41 |
in the hills | 41 |
might as well | 41 |
get into the | 41 |
the point of | 41 |
as long as | 41 |
any of the | 41 |
by weldon j | 40 |
three chums in | 40 |
matt could not | 40 |
to one of | 40 |
want you to | 40 |
in his chair | 40 |
the way of | 40 |
and his chums | 40 |
know anything about | 40 |
the car was | 40 |
his eyes on | 40 |
of the hotel | 40 |
chums in strange | 40 |
to think of | 40 |
do you want | 40 |
to the top | 40 |
the car to | 40 |
to talk with | 40 |
his head and | 40 |
the wreck of | 40 |
dick merriwell in | 40 |
were on the | 40 |
to make sure | 40 |
through the air | 40 |
of the man | 40 |
there was an | 40 |
on his knees | 40 |
was about to | 39 |
buffalo bill and | 39 |
of the building | 39 |
a few days | 39 |
if he was | 39 |
balloon house plot | 39 |
one of these | 39 |
the adventures of | 39 |
to have the | 39 |
and i will | 39 |
on the door | 39 |
out in the | 39 |
closer to the | 39 |
in the face | 39 |
it must have | 39 |
sight of the | 39 |
and see if | 39 |
to the hotel | 39 |
in his pocket | 39 |
with one hand | 39 |
me out of | 39 |
did not know | 39 |
to get back | 39 |
of his own | 39 |
out of that | 39 |
got up and | 39 |
if there was | 39 |
could not be | 39 |
you think of | 39 |
came to the | 39 |
the captain of | 39 |
down from the | 39 |
over the rail | 39 |
mouth of the | 39 |
happened to be | 38 |
on the surface | 38 |
that had been | 38 |
but he had | 38 |
here are the | 38 |
while they were | 38 |
in the room | 38 |
he could see | 38 |
secret of the | 38 |
as far as | 38 |
of the cabin | 38 |
to the left | 38 |
on the wing | 38 |
to think that | 38 |
under the amazon | 38 |
do you mean | 38 |
of a man | 38 |
and that the | 38 |
just as he | 38 |
might have been | 38 |
if i can | 38 |
when they were | 38 |
a sort of | 38 |
while we were | 38 |
the front door | 38 |
one of those | 38 |
was not a | 38 |
been in the | 38 |
receipt of the | 38 |
know how to | 37 |
matt was not | 37 |
one side of | 37 |
and matt and | 37 |
seems to be | 37 |
a good thing | 37 |
wreck of the | 37 |
all the way | 37 |
soon as we | 37 |
was going on | 37 |
we can get | 37 |
to matt and | 37 |
went into the | 37 |
from cape town | 37 |
while i was | 37 |
man from cape | 37 |
so as to | 37 |
in the woods | 37 |
his hands and | 37 |
by means of | 37 |
down the river | 37 |
la vita place | 37 |
the road to | 37 |
just as the | 37 |
of the price | 37 |
victory for the | 37 |
he ought to | 37 |
that was a | 37 |
was one of | 37 |
be on the | 37 |
the house and | 37 |
back toward the | 37 |
have to go | 37 |
as it was | 37 |
in new orleans | 37 |
was not the | 37 |
for an instant | 36 |
and when the | 36 |
the boat was | 36 |
strange cruise of | 36 |
to do something | 36 |
at the top | 36 |
any one else | 36 |
are the titles | 36 |
to carry out | 36 |
by the publishers | 36 |
the calliope tent | 36 |
of the big | 36 |
down the road | 36 |
because of the | 36 |
do is to | 36 |
made his way | 36 |
to reach the | 36 |
he wanted to | 36 |
motor matt makes | 36 |
the yellow cord | 36 |
would not have | 36 |
and carl had | 36 |
upon receipt of | 36 |
that i was | 36 |
and one of | 36 |
down into the | 36 |
the strange cruise | 36 |
we can do | 36 |
the last of | 36 |
another victory for | 36 |
into his pocket | 36 |
the san bruno | 36 |
i want you | 36 |
could see the | 36 |
to the right | 36 |
to do that | 36 |
at the door | 36 |
made up his | 36 |
to the car | 36 |
the war ship | 35 |
just in time | 35 |
i had a | 35 |
anything to do | 35 |
have not been | 35 |
into the hands | 35 |
away from him | 35 |
back against the | 35 |
account of the | 35 |
way through the | 35 |
the hawk was | 35 |
got to get | 35 |
would be a | 35 |
let us know | 35 |
to the house | 35 |
the office of | 35 |
had to be | 35 |
nick carter weekly | 35 |
he added to | 35 |
to be on | 35 |
to the front | 35 |
it was all | 35 |
you have not | 35 |
to one side | 35 |
against the wall | 35 |
this part of | 35 |
the price of | 35 |
so that the | 35 |
of the gang | 35 |
matt makes good | 35 |
to see you | 35 |
a good many | 35 |
were going to | 34 |
in the hands | 34 |
went to the | 34 |
of don carlos | 34 |
to tell you | 34 |
matt on the | 34 |
i told you | 34 |
the boat and | 34 |
and that was | 34 |
if he could | 34 |
in this weekly | 34 |
had been in | 34 |
up from the | 34 |
not more than | 34 |
into the periscope | 34 |
the chinese boy | 34 |
got away from | 34 |
i was in | 34 |
what did you | 34 |
in the rear | 34 |
the flying machine | 34 |
on top of | 34 |
have you got | 34 |
i wonder if | 34 |
matt in brazil | 34 |
of the great | 34 |
to leave the | 34 |
back in his | 34 |
to go back | 34 |
to come to | 34 |
buffalo bill stories | 34 |
we want to | 33 |
think of that | 33 |
the vicinity of | 33 |
a man of | 33 |
and the girl | 33 |
there were two | 33 |
merriwell in the | 33 |
of one of | 33 |
and matt was | 33 |
had been left | 33 |
him into the | 33 |
he saw the | 33 |
the snare of | 33 |
of the wagon | 33 |
snare of don | 33 |
it was impossible | 33 |
with motor matt | 33 |
for a minute | 33 |
the middle of | 33 |
where he had | 33 |
he tried to | 33 |
of the race | 33 |
in his hands | 33 |
know at once | 33 |
turned to the | 33 |
connected with the | 33 |
they had been | 33 |
him by the | 33 |
cents per copy | 33 |
appear in this | 33 |
give it up | 33 |
in a low | 33 |
for all that | 33 |
to pick up | 33 |
office of the | 33 |
fame and fortune | 33 |
in the race | 33 |
he had done | 32 |
strike me lucky | 32 |
bank check or | 32 |
or back numbers | 32 |
will be a | 32 |
five cents motor | 32 |
there in the | 32 |
publishers upon receipt | 32 |
at our risk | 32 |
a place where | 32 |
of the sprite | 32 |
it to us | 32 |
is acknowledged by | 32 |
jurgens and whistler | 32 |
motor fiction new | 32 |
over his shoulder | 32 |
able to get | 32 |
for matt to | 32 |
in this story | 32 |
that motor matt | 32 |
if we can | 32 |
fiction issued weekly | 32 |
the same as | 32 |
most of the | 32 |
up at the | 32 |
sent by currency | 32 |
how to send | 32 |
of the most | 32 |
that appear in | 32 |
through the door | 32 |
off the power | 32 |
of your remittance | 32 |
of number on | 32 |
to take a | 32 |
remittance is acknowledged | 32 |
motor stories mail | 32 |
his eyes and | 32 |
matt could see | 32 |
own risk if | 32 |
hands of the | 32 |
copies one year | 32 |
proper change of | 32 |
stories mail subscribers | 32 |
us know at | 32 |
at your own | 32 |
the air and | 32 |
some one else | 32 |
number on your | 32 |
your remittance is | 32 |
your own risk | 32 |
for a week | 32 |
what was going | 32 |
one end of | 32 |
and the man | 32 |
and tried to | 32 |
of the tower | 32 |
contents chapter i | 32 |
had left the | 32 |
not been properly | 32 |
out to the | 32 |
characters that appear | 32 |
change of number | 32 |
ahead of us | 32 |
risk if sent | 32 |
motor fiction no | 32 |
give you a | 32 |
copy two years | 32 |
to send money | 32 |
stamps in ordinary | 32 |
should let us | 32 |
terms to motor | 32 |
in ordinary letter | 32 |
or express money | 32 |
single copies or | 32 |
for tsan ti | 32 |
to motor stories | 32 |
to say that | 32 |
the man was | 32 |
of the situation | 32 |
receipt of your | 32 |
check or draft | 32 |
fiction new york | 32 |
by proper change | 32 |
i have been | 32 |
of the periscope | 32 |
was trying to | 32 |
had been a | 32 |
correct you have | 32 |
price five cents | 32 |
copies or back | 32 |
on your label | 32 |
acknowledged by proper | 32 |
if not correct | 32 |
the publishers upon | 32 |
at all newsdealers | 32 |
not correct you | 32 |
on one side | 32 |
motor fiction issued | 32 |
and should let | 32 |
office or express | 32 |
if sent by | 32 |
been properly credited | 32 |
you and i | 31 |
the red roadster | 31 |
table of contents | 31 |
there came a | 31 |
he and carl | 31 |
you to do | 31 |
trying to do | 31 |
his feet and | 31 |
out of here | 31 |
i can do | 31 |
the way i | 31 |
this was the | 31 |
three of the | 31 |
motor matt on | 31 |
did you get | 31 |
to help you | 31 |
be sent to | 31 |
if i had | 31 |
he could get | 31 |
no matter what | 31 |
were able to | 31 |
i had to | 31 |
returned to the | 31 |
what was the | 31 |
a little while | 31 |
he was to | 31 |
he had the | 31 |
back in the | 31 |
talk with him | 31 |
all three of | 31 |
the idea of | 31 |
over the top | 31 |
through the window | 31 |
as we can | 31 |
a friend in | 31 |
to keep him | 31 |
the next number | 31 |
not to be | 31 |
they were not | 30 |
bill and the | 30 |
could not see | 30 |
did not seem | 30 |
but that was | 30 |
you know what | 30 |
pluck that wins | 30 |
he knew that | 30 |
out from under | 30 |
opened his eyes | 30 |
down on a | 30 |
hole in the | 30 |
those on the | 30 |
place in the | 30 |
he was able | 30 |
a long time | 30 |
a talk with | 30 |
it into the | 30 |
with the hawk | 30 |
it was only | 30 |
soon as i | 30 |
look out for | 30 |
the tank room | 30 |
to have been | 30 |
who are you | 30 |
and there were | 30 |
in his seat | 30 |
the owner of | 30 |
face of the | 30 |
for fame and | 30 |
friend in need | 30 |
on his way | 30 |
i ought to | 30 |
to his knees | 30 |
there is a | 30 |
he was about | 30 |
will contain motor | 30 |
on his face | 30 |
the result of | 30 |
he heard a | 30 |
and made a | 30 |
dropped into the | 30 |
from your newsdealer | 30 |
was beginning to | 30 |
to do what | 30 |
are going to | 30 |
the centre of | 30 |
the corner of | 30 |
on the boat | 29 |
mixed up in | 29 |
the titles now | 29 |
and then the | 29 |
as he spoke | 29 |
to the edge | 29 |
what he had | 29 |
in the distance | 29 |
if it was | 29 |
the digital library | 29 |
it must be | 29 |
and we will | 29 |
to the end | 29 |
the engine room | 29 |
the only one | 29 |
down on his | 29 |
he had left | 29 |
had made a | 29 |
the loss of | 29 |
for the last | 29 |
there were no | 29 |
this was a | 29 |
a hundred feet | 29 |
came out of | 29 |
wall of the | 29 |
it was an | 29 |
to the submarine | 29 |
what i want | 29 |
the way he | 29 |
of the digital | 29 |
have been a | 29 |
it might be | 29 |
motor stories the | 29 |
man who had | 29 |
may have been | 29 |
for a long | 29 |
library villanova university | 29 |
the three men | 29 |
looks like a | 29 |
with both hands | 29 |
a look of | 29 |
ever heard of | 29 |
to south chicago | 29 |
had to do | 29 |
they can be | 29 |
titles now ready | 29 |
up in a | 29 |
it on the | 29 |
the best of | 29 |
to do the | 29 |
the house boat | 29 |
and carl were | 29 |
he was doing | 29 |
care of the | 29 |
in the other | 29 |
and i guess | 29 |
the part of | 29 |
as quick as | 29 |
to get into | 29 |
into the tonneau | 29 |
while matt was | 29 |
digital library villanova | 29 |
courtesy of the | 29 |
to take care | 28 |
price of the | 28 |
had time to | 28 |
in the vicinity | 28 |
grattan and bunce | 28 |
at the hotel | 28 |
of the trees | 28 |
the opposite side | 28 |
in the way | 28 |
the eyes of | 28 |
ten thousand dollars | 28 |
not have been | 28 |
cast away in | 28 |
i could have | 28 |
to do anything | 28 |
away from me | 28 |
into the timber | 28 |
stepped to the | 28 |
on one of | 28 |
for the first | 28 |
away from here | 28 |
which he was | 28 |
and send it | 28 |
so helup me | 28 |
in less than | 28 |
middle of the | 28 |
us with the | 28 |
on the island | 28 |
in the world | 28 |
in the dark | 28 |
in the hope | 28 |
to find the | 28 |
what have you | 28 |
seemed to have | 28 |
could not have | 28 |
in his eyes | 28 |
driver of the | 28 |
they did not | 28 |
just as soon | 28 |
to do is | 28 |
and the grampus | 28 |
and find out | 28 |
he saw a | 28 |
and down the | 28 |
it was in | 28 |
dropped down on | 28 |
struggle for the | 28 |
from the road | 28 |
added to the | 28 |
the sight of | 28 |
in the hawk | 28 |
owner of the | 28 |
hundred and fifty | 28 |
all kinds of | 28 |
his eyes were | 28 |
when he saw | 28 |
for the right | 28 |
them to you | 28 |
the cause of | 28 |
to see that | 28 |
of matt and | 27 |
the american consul | 27 |
to you by | 27 |
for the purpose | 27 |
off toward the | 27 |
of the tent | 27 |
added table of | 27 |
so long as | 27 |
to have you | 27 |
caught in a | 27 |
and i have | 27 |
him from the | 27 |
a quarter of | 27 |
he came to | 27 |
me to the | 27 |
time to get | 27 |
the hope of | 27 |
give us a | 27 |
the open door | 27 |
as it is | 27 |
him on the | 27 |
carl and i | 27 |
head of the | 27 |
going to take | 27 |
to see if | 27 |
i wanted to | 27 |
see how it | 27 |
want to be | 27 |
want to talk | 27 |
gave vent to | 27 |
will be sent | 27 |
in a minute | 27 |
piece of work | 27 |
he had had | 27 |
a struggle for | 27 |
can be obtained | 27 |
the driver of | 27 |
from the top | 27 |
send it to | 27 |
whistler and bangs | 27 |
the race for | 27 |
at the other | 27 |
a hand on | 27 |
fill out the | 27 |
gaines and clackett | 27 |
caused him to | 27 |
a dozen feet | 27 |
order to get | 27 |
he would not | 27 |
in at the | 27 |
and i had | 27 |
was only a | 27 |
in the first | 27 |
he told me | 27 |
of the runabout | 27 |
and the hawk | 27 |
and a half | 27 |
and i know | 27 |
a lad of | 27 |
when he and | 27 |
and started for | 27 |
to a stop | 27 |
lying on the | 27 |
in the middle | 27 |
send them to | 27 |
surprised at the | 27 |
the ground and | 26 |
weeklies you want | 26 |
to us with | 26 |
man on the | 26 |
race for the | 26 |
going to let | 26 |
give me a | 26 |
procure them from | 26 |
and cannot procure | 26 |
be obtained from | 26 |
and see what | 26 |
one in the | 26 |
will send them | 26 |
any address on | 26 |
obtained from this | 26 |
find cents for | 26 |
for which send | 26 |
the deck of | 26 |
cannot procure them | 26 |
street city state | 26 |
out his hand | 26 |
vicinity of the | 26 |
the tin cup | 26 |
and motor matt | 26 |
the one that | 26 |
out the following | 26 |
to help him | 26 |
or will be | 26 |
and he and | 26 |
and had been | 26 |
the way you | 26 |
into a chair | 26 |
floor of the | 26 |
the weeklies you | 26 |
them from your | 26 |
this office direct | 26 |
the big consolidated | 26 |
same as money | 26 |
as you can | 26 |
of our weeklies | 26 |
to get hold | 26 |
as they were | 26 |
on the grampus | 26 |
in money or | 26 |
receipt of price | 26 |
postage stamps taken | 26 |
sent to any | 26 |
all of us | 26 |
like to have | 26 |
two of them | 26 |
here and there | 26 |
of the show | 26 |
there had been | 26 |
want to go | 26 |
not at all | 26 |
ready for the | 26 |
order blank and | 26 |
his face was | 26 |
the cowboy was | 26 |
to the south | 26 |
money or postage | 26 |
whipple and pete | 26 |
laid hold of | 26 |
with all his | 26 |
of the weeklies | 26 |
there was not | 26 |
from this office | 26 |
please find cents | 26 |
the pluck that | 26 |
taken the same | 26 |
matt was in | 26 |
in a little | 26 |
and his gang | 26 |
name street city | 26 |
for the door | 26 |
by return mail | 26 |
diamond dick weekly | 26 |
numbers of our | 26 |
address on receipt | 26 |
cents for which | 26 |
want and we | 26 |
you want and | 26 |
or postage stamps | 26 |
it was necessary | 26 |
for sale by | 26 |
whole lot of | 26 |
which send me | 26 |
any back numbers | 26 |
by all newsdealers | 26 |
have to do | 26 |
the only thing | 26 |
went up from | 26 |
trying to get | 26 |
we will send | 26 |
though he was | 26 |
we have to | 26 |
stamps taken the | 26 |
mean to say | 26 |
looked like a | 26 |
back numbers of | 26 |
a man who | 26 |
new york if | 26 |
enclosed please find | 26 |
weeklies and cannot | 26 |
you by return | 26 |
more or less | 26 |
men in the | 26 |
york if you | 26 |
flying for fame | 26 |
following order blank | 26 |
want any back | 26 |
find out what | 26 |
see for yourself | 26 |
you want any | 26 |
blank and send | 26 |
on receipt of | 26 |
in south chicago | 26 |
it could be | 26 |
a little more | 26 |
i guess i | 26 |
to any address | 26 |
in a way | 26 |
with the price | 26 |
sale by all | 26 |
i was going | 26 |
was the first | 26 |
our weeklies and | 26 |
to the side | 26 |
the two of | 26 |
the following order | 26 |
the periscope table | 25 |
a little way | 25 |
want to do | 25 |
adventures of motor | 25 |
off to the | 25 |
spark of friendship | 25 |
the one who | 25 |
go with you | 25 |
and best five | 25 |
to run the | 25 |
in the bottom | 25 |
the faces of | 25 |
stories the latest | 25 |
pointing to the | 25 |
leaning over the | 25 |
i can tell | 25 |
to come down | 25 |
grattan and pardo | 25 |
the submarine was | 25 |
latest and best | 25 |
the room and | 25 |
i know that | 25 |
the machine and | 25 |
of the lake | 25 |
it was about | 25 |
the capture of | 25 |
spite of the | 25 |
what to do | 25 |
the latest and | 25 |
tried to get | 25 |
at the bottom | 25 |
i wish i | 25 |
toward the door | 25 |
interesting it is | 25 |
say how interesting | 25 |
ahead of the | 25 |
going to have | 25 |
how it is | 25 |
on the side | 25 |
he reached the | 25 |
five cents at | 25 |
what we can | 25 |
was not in | 25 |
the breast of | 25 |
in the automobile | 25 |
the spark of | 25 |
around in the | 25 |
cents at all | 25 |
to new orleans | 25 |
how interesting it | 25 |
of the little | 25 |
to the periscope | 25 |
in on the | 25 |
that moment the | 25 |
of his coat | 25 |
to let the | 25 |
you in the | 25 |
is in the | 25 |
had reached the | 25 |
but he did | 25 |
i did not | 25 |
there on the | 25 |
hand on the | 25 |
you can do | 25 |
to the road | 25 |
of the town | 25 |
the grampus to | 25 |
bit of a | 24 |
more than two | 24 |
the girl had | 24 |
of the hill | 24 |
to give you | 24 |
last of the | 24 |
out for the | 24 |
just then the | 24 |
order to make | 24 |
it from me | 24 |
on the back | 24 |
and then to | 24 |
and with a | 24 |
picked up a | 24 |
was a little | 24 |
that matt was | 24 |
you can get | 24 |
had picked up | 24 |
with equal signs | 24 |
in the year | 24 |
he could do | 24 |
have you any | 24 |
put in matt | 24 |
look after the | 24 |
him in a | 24 |
that they had | 24 |
was the reply | 24 |
a man in | 24 |
between the two | 24 |
the comet was | 24 |
a glimpse of | 24 |
would not be | 24 |
be all right | 24 |
gave him a | 24 |
you and the | 24 |
he was on | 24 |
point of the | 24 |
at the bluebell | 24 |
when we get | 24 |
take it from | 24 |
climbed into the | 24 |
he might have | 24 |
the first place | 24 |
at the post | 24 |
that i had | 24 |
the door was | 24 |
for a little | 24 |
breast of his | 24 |
able to see | 24 |
have been the | 24 |
where he was | 24 |
leaning against the | 24 |
the girl was | 24 |
so that he | 24 |
aboard the grampus | 24 |
to the police | 24 |
and all the | 24 |
we going to | 24 |
and try to | 24 |
and out of | 24 |
of the question | 24 |
it is possible | 24 |
it looks like | 24 |
out of my | 24 |
to go on | 24 |
no attention to | 24 |
an air ship | 24 |
a matter of | 24 |
are we going | 24 |
over and over | 24 |
the spot where | 23 |
matt went on | 23 |
something to do | 23 |
the course of | 23 |
matt and chub | 23 |
do you say | 23 |
up the ladder | 23 |
by the way | 23 |
on the porch | 23 |
name of the | 23 |
be in a | 23 |
the floor of | 23 |
congress in the | 23 |
do you suppose | 23 |
to bring the | 23 |
only a few | 23 |
bed my life | 23 |
and your friends | 23 |
of congress in | 23 |
how he had | 23 |
we get to | 23 |
by the arm | 23 |
brisco and spangler | 23 |
was no one | 23 |
entered according to | 23 |
put in the | 23 |
according to act | 23 |
oudt oof der | 23 |
him and his | 23 |
of the librarian | 23 |
to make it | 23 |
don ramon ortega | 23 |
motor boys was | 23 |
went on to | 23 |
his mind to | 23 |
in one of | 23 |
you tell me | 23 |
do with it | 23 |
the matter of | 23 |
close enough to | 23 |
opened the door | 23 |
advancing the spark | 23 |
next moment he | 23 |
him with a | 23 |
by cornelius shea | 23 |
for the rest | 23 |
the last time | 23 |
a thousand dollars | 23 |
that it would | 23 |
to act of | 23 |
you know how | 23 |
the other end | 23 |
a series of | 23 |
he had taken | 23 |
a moment later | 23 |
over the course | 23 |
i can get | 23 |
came into the | 23 |
the bicycle wheels | 23 |
act of congress | 23 |
pick up the | 23 |
well as i | 23 |
with the show | 23 |
the form of | 23 |
to get at | 23 |
it was that | 23 |
and his men | 23 |
by the name | 23 |
the librarian of | 23 |
looked as though | 23 |
i guess you | 23 |
at the start | 23 |
and mcglory had | 23 |
led the way | 23 |
was in his | 23 |
way of it | 23 |
and in the | 23 |
in the afternoon | 23 |
off in the | 23 |
as i do | 23 |
by way of | 23 |
view of the | 23 |
librarian of congress | 23 |
as fast as | 23 |
you can bet | 23 |
possible for the | 23 |
away from us | 23 |
they would have | 23 |
was the one | 23 |
as i am | 23 |
was the only | 23 |
they were in | 23 |
followed by a | 23 |
to be seen | 23 |
to do a | 23 |
the grampus had | 23 |
is to be | 23 |
to see what | 22 |
far as the | 22 |
and it is | 22 |
open the door | 22 |
with one of | 22 |
he went to | 22 |
and in a | 22 |
he had seen | 22 |
not only that | 22 |
the ballast tanks | 22 |
and the red | 22 |
he could have | 22 |
of the tree | 22 |
and get a | 22 |
to get up | 22 |
in the old | 22 |
was on his | 22 |
from the direction | 22 |
italics are represented | 22 |
he had no | 22 |
to think about | 22 |
if i could | 22 |
in which he | 22 |
matter with you | 22 |
member of the | 22 |
merriwell on the | 22 |
by this time | 22 |
down the slope | 22 |
across the lake | 22 |
on the locker | 22 |
of the mountain | 22 |
the road with | 22 |
as the car | 22 |
at each other | 22 |
stared at the | 22 |
would be the | 22 |
somewhere in the | 22 |
of a motor | 22 |
they were to | 22 |
on the bank | 22 |
not far from | 22 |
had had a | 22 |
motor boys had | 22 |
were to be | 22 |
had not the | 22 |
take a look | 22 |
end of it | 22 |
lay on the | 22 |
crew of the | 22 |
you mean to | 22 |
you and carl | 22 |
there would be | 22 |
in his face | 22 |
to the motor | 22 |
want to know | 22 |
on the wrong | 22 |
as to what | 22 |
it in his | 22 |
may be a | 22 |
the stern of | 22 |
something of a | 22 |
us out of | 22 |
must be a | 22 |
of the automobile | 22 |
trying to make | 22 |
matt shook his | 22 |
part in the | 22 |
jumped for the | 22 |
away with the | 22 |
vas going to | 22 |
in the open | 22 |
looked at the | 22 |
that she was | 22 |
into the hills | 22 |
second only to | 22 |
been on the | 22 |
with a show | 22 |
and his eyes | 22 |
he left the | 22 |
all of you | 22 |
i have to | 22 |
was more than | 22 |
the gas bag | 22 |
up with a | 22 |
want to get | 22 |
tell you what | 22 |
over his head | 22 |
at the side | 22 |
you happen to | 22 |
to look for | 22 |
of the law | 22 |
from the car | 22 |
was not long | 22 |
that sort of | 22 |
able to do | 22 |
the rounded deck | 22 |
the time he | 22 |
he made a | 22 |
all the same | 22 |
of the three | 22 |
all of them | 22 |
of the first | 22 |
i was to | 22 |
the same way | 21 |
feet of the | 21 |
frank and dick | 21 |
and take the | 21 |
it to you | 21 |
to go with | 21 |
a heap of | 21 |
up in his | 21 |
but there were | 21 |
road with a | 21 |
you bed my | 21 |
in the timber | 21 |
to secure the | 21 |
of the old | 21 |
adventures of frank | 21 |
power into the | 21 |
the tip top | 21 |
look at it | 21 |
the next instant | 21 |
and a little | 21 |
back from the | 21 |
end of a | 21 |
der air ship | 21 |
he saw that | 21 |
that we are | 21 |
seem to be | 21 |
the hawk and | 21 |
one hand and | 21 |
great spark plugs | 21 |
to pay for | 21 |
seems to me | 21 |
away from you | 21 |
on the train | 21 |
return to the | 21 |
with all the | 21 |
with his eyes | 21 |
ross and kinky | 21 |
man at the | 21 |
with the other | 21 |
toward the road | 21 |
the monkey wagon | 21 |
in the tip | 21 |
him and the | 21 |
for a space | 21 |
to get it | 21 |
delighted with the | 21 |
and i think | 21 |
and if he | 21 |
his knees and | 21 |
and then a | 21 |
after he had | 21 |
quantity of reading | 21 |
those to be | 21 |
eyes of the | 21 |
of his eyes | 21 |
stern of the | 21 |
he said he | 21 |
not seem to | 21 |
be a good | 21 |
the first thing | 21 |
his left hand | 21 |
to look at | 21 |
that he and | 21 |
that time the | 21 |
i ever heard | 21 |
the cruise of | 21 |
for a time | 21 |
matt and ferral | 21 |
came the voice | 21 |
of frank and | 21 |
of all the | 21 |
i do not | 21 |
the work of | 21 |
did you find | 21 |
at the steering | 21 |
i should think | 21 |
rest of us | 21 |
can do it | 21 |
the machine was | 21 |
it was plain | 21 |
of the night | 21 |
the other car | 21 |
it comes to | 21 |
it out of | 21 |
generous quantity of | 21 |
mcglory and ping | 21 |
a brace of | 21 |
the idea that | 21 |
the air with | 21 |
and then he | 21 |
sercomb and his | 21 |
the june bug | 21 |
and dick merriwell | 21 |
sides of the | 21 |
leader of the | 21 |
and had a | 21 |
going to keep | 21 |
around the corner | 21 |
to use the | 21 |
now ready and | 21 |
when he came | 21 |
me about this | 21 |
to the river | 21 |
has got to | 21 |
in the lead | 21 |
the motor and | 21 |
for the grampus | 20 |
a long breath | 20 |
of the tonneau | 20 |
tell me about | 20 |
see that the | 20 |
april th no | 20 |
made a mistake | 20 |
the leader of | 20 |
in short order | 20 |
keep him from | 20 |
the time the | 20 |
of a mile | 20 |
it over to | 20 |
a hand in | 20 |
to the grampus | 20 |
why did you | 20 |
published on september | 20 |
the ten thousand | 20 |
and if we | 20 |
if we had | 20 |
around to the | 20 |
with the motor | 20 |
to the deck | 20 |
the good of | 20 |
and they had | 20 |
the midst of | 20 |
on their way | 20 |
far as i | 20 |
the same moment | 20 |
i got a | 20 |
caught sight of | 20 |
of the same | 20 |
as though the | 20 |
on each side | 20 |
at the edge | 20 |
the ruby was | 20 |
and took a | 20 |
as for the | 20 |
the periscope ball | 20 |
i was a | 20 |
wrong with the | 20 |
it seemed to | 20 |
much time to | 20 |
and he would | 20 |
a low tone | 20 |
published on may | 20 |
wait a minute | 20 |
through the open | 20 |
getting into the | 20 |
published on august | 20 |
in the place | 20 |
high in the | 20 |
got to have | 20 |
in a chair | 20 |
he gave a | 20 |
in the right | 20 |
of the hut | 20 |
he had gone | 20 |
and the cowboy | 20 |
you got to | 20 |
i feel like | 20 |
all at once | 20 |
as though it | 20 |
rest of you | 20 |
into the boat | 20 |
of the wharf | 20 |
less than a | 20 |
where you are | 20 |
of the time | 20 |
on april th | 20 |
going to make | 20 |
of the bank | 20 |
the overturned boat | 20 |
opposite side of | 20 |
give me the | 20 |
here in the | 20 |
he was at | 20 |
a few words | 20 |
again and again | 20 |
have a talk | 20 |
to give him | 20 |
where are you | 20 |
to take it | 20 |
that matt had | 20 |
way out of | 20 |
happen to be | 20 |
the man at | 20 |
to see me | 20 |
he picked up | 20 |
he has a | 20 |
take me to | 20 |
in his own | 20 |
might just as | 20 |
top of his | 20 |
jumped into the | 20 |
seem to have | 20 |
himself in the | 20 |
stepped into the | 20 |
of the boathouse | 20 |
going to happen | 20 |
head and shoulders | 20 |
not the least | 20 |
they must have | 20 |
sat down on | 20 |
carl had been | 20 |
himself on the | 20 |
the fellow who | 20 |
order to keep | 20 |
some sort of | 20 |
it seemed as | 20 |
he wants to | 20 |
be at the | 20 |
frank merriwell in | 20 |
centre of the | 20 |
the power and | 20 |
and that it | 20 |
and make a | 20 |
he had come | 20 |
he had made | 20 |
i guess we | 20 |
it to me | 20 |
to watch the | 20 |
spoke up matt | 20 |
him as he | 20 |
and have a | 20 |
on september th | 20 |
in some way | 20 |
appeared to be | 20 |
and began to | 20 |
is one of | 20 |
and sat down | 20 |
did you come | 20 |
back along the | 20 |
did you see | 20 |
it is a | 20 |
the rail and | 20 |
of the day | 20 |
to where the | 20 |
in the midst | 20 |
what it was | 20 |
to know that | 20 |
of the work | 20 |
he and the | 20 |
they had not | 20 |
proprietor of the | 20 |
up into the | 20 |
if we could | 20 |
the grand stand | 20 |
he was the | 20 |
but matt was | 20 |
to the floor | 20 |
had no time | 20 |
of the creek | 20 |
the purpose of | 20 |
published on april | 20 |
he must be | 20 |
so that it | 20 |
is there a | 20 |
a little bit | 20 |
in a losing | 20 |
said the cowboy | 20 |
and trying to | 20 |
in the river | 20 |
the motor cycle | 20 |
in that direction | 20 |
soon as you | 19 |
go on to | 19 |
seems to have | 19 |
the better of | 19 |
are represented with | 19 |
on the submarine | 19 |
and tell him | 19 |
that would be | 19 |
i hate to | 19 |
shut off the | 19 |
bold with equal | 19 |
but they were | 19 |
on the left | 19 |
when i saw | 19 |
the intention of | 19 |
on the beach | 19 |
when it comes | 19 |
ahead of them | 19 |
and his pals | 19 |
matt brought the | 19 |
eye on the | 19 |
in his voice | 19 |
and took the | 19 |
was full of | 19 |
getting out of | 19 |
and dick were | 19 |
tell me what | 19 |
three or four | 19 |
to let you | 19 |
and i am | 19 |
matt knew that | 19 |
it was his | 19 |
and get the | 19 |
that will do | 19 |
early in the | 19 |
staring at the | 19 |
at the back | 19 |
the front seat | 19 |
of the place | 19 |
the sound of | 19 |
represented with underscores | 19 |
in every direction | 19 |
what it is | 19 |
face to face | 19 |
to take his | 19 |
the rope and | 19 |
vent to a | 19 |
i saw the | 19 |
the other boat | 19 |
between him and | 19 |
was close to | 19 |
who was in | 19 |
have to give | 19 |
friend of mine | 19 |
and carl was | 19 |
with a quick | 19 |
not in the | 19 |
turned to matt | 19 |
it was too | 19 |
i told him | 19 |
going to the | 19 |
and wait for | 19 |
back of his | 19 |
with the two | 19 |
on the lower | 19 |
from which the | 19 |
though he had | 19 |
do was to | 19 |
of the sea | 19 |
which had been | 19 |
but i was | 19 |
both of you | 19 |
in the town | 19 |
could not understand | 19 |
just the same | 19 |
will not be | 19 |
for matt and | 19 |
was all right | 19 |
have been in | 19 |
i was afraid | 19 |
the boys to | 19 |
and that i | 19 |
give it to | 19 |
could see that | 19 |
i never saw | 19 |
cut loose from | 19 |
the hotel and | 19 |
that moment a | 19 |
what became of | 19 |
not able to | 19 |
at once to | 19 |
the right thing | 19 |
on the river | 19 |
we could have | 19 |
as he did | 19 |
picking up the | 19 |
and let me | 19 |
me to do | 19 |
to keep it | 19 |
members of the | 19 |
on his back | 19 |
on his own | 19 |
of the port | 19 |
we can find | 19 |
bow of the | 19 |
got to the | 19 |
a cry of | 19 |
they were all | 19 |
in the tank | 19 |
me if i | 19 |
in the early | 19 |
to new york | 19 |
the ears of | 19 |
have to take | 19 |
so much as | 19 |
in the matter | 19 |
and the car | 19 |
ferral and carl | 19 |
handed it to | 19 |
his eyes to | 19 |
i got to | 19 |
matt and glennie | 19 |
over in his | 19 |
to the girl | 19 |
out from the | 19 |
the only way | 19 |
and picked up | 19 |
for two or | 19 |
the wheel and | 19 |
make or break | 19 |
thing to do | 19 |
and he turned | 19 |
the man and | 19 |
in the path | 19 |
had a good | 19 |
of the engine | 19 |
matt to the | 19 |
thing for us | 19 |
should have been | 19 |
of his pocket | 19 |
looks as though | 18 |
to see it | 18 |
an hour ago | 18 |
in that way | 18 |
interest of the | 18 |
matt turned to | 18 |
if any one | 18 |
to find that | 18 |
the tops of | 18 |
to give a | 18 |
as the boys | 18 |
said the captain | 18 |
not long in | 18 |
to keep me | 18 |
from the rear | 18 |
the way the | 18 |
do something for | 18 |
i thought i | 18 |
would be able | 18 |
it could not | 18 |
of the timber | 18 |
at a time | 18 |
and sam wing | 18 |
with a good | 18 |
where i was | 18 |
was not to | 18 |
two men were | 18 |
deal of a | 18 |
of that kind | 18 |
down in a | 18 |
how are you | 18 |
with the rope | 18 |
without a word | 18 |
quarter of a | 18 |
which matt had | 18 |
and came to | 18 |
before he had | 18 |
his coat and | 18 |
all over the | 18 |
is bound to | 18 |
as i was | 18 |
ahead of him | 18 |
on the wharf | 18 |
the bow of | 18 |
with the machine | 18 |
at his side | 18 |
he was still | 18 |
and dick had | 18 |
the other was | 18 |
the three boys | 18 |
i could not | 18 |
with matt and | 18 |
of the seat | 18 |
feet from the | 18 |
on the opposite | 18 |
i vas a | 18 |
place where he | 18 |
by lawrence white | 18 |
seemed as though | 18 |
started toward the | 18 |
in his ears | 18 |
on the seat | 18 |
for the car | 18 |
hand and foot | 18 |
than anything else | 18 |
published in the | 18 |
and i were | 18 |
a way that | 18 |
the whole of | 18 |
you know the | 18 |
to tell him | 18 |
surprised and delighted | 18 |
no sign of | 18 |
to give the | 18 |
the river and | 18 |
for the other | 18 |
the road was | 18 |
of the others | 18 |
to the government | 18 |
no time for | 18 |
as you say | 18 |
to get you | 18 |
as he came | 18 |
the trail of | 18 |
matt had to | 18 |
was enough to | 18 |
to get him | 18 |
made their way | 18 |
hands and feet | 18 |
up to you | 18 |
as the grampus | 18 |
then it was | 18 |
interest in the | 18 |
to a place | 18 |
hands on the | 18 |
the presence of | 18 |
to be able | 18 |
side of his | 18 |
track of the | 18 |
what i was | 18 |
more and more | 18 |
castaway in the | 18 |
loss of the | 18 |
tied to the | 18 |
his hand and | 18 |
if it had | 18 |
on the part | 18 |
always been a | 18 |
to the post | 18 |
in the side | 18 |
the tower and | 18 |
lay hold of | 18 |
no matter how | 18 |
during the night | 18 |
have to have | 18 |
the lot of | 18 |
which they had | 18 |
place on the | 18 |
and matt were | 18 |
he had never | 18 |
he heard the | 18 |
the borden cup | 18 |
tsan ti and | 18 |
over the edge | 18 |
that may be | 18 |
has always been | 18 |
for the cowboy | 18 |
with you and | 18 |
for the ordinary | 18 |
quick as a | 18 |
on the trail | 18 |
on the point | 18 |
had happened to | 18 |
he took the | 18 |
when they had | 18 |
in my life | 18 |
something in the | 18 |
even if he | 18 |
got to go | 18 |
front of his | 18 |
have to come | 18 |
and of the | 18 |
in which the | 18 |
on the jump | 18 |
in the evening | 18 |
was far from | 18 |
fact that the | 18 |
the runabout was | 18 |
long enough to | 18 |
his gray eyes | 18 |
the mystery of | 18 |
in the centre | 18 |
into the sea | 18 |
from under the | 18 |
have a little | 18 |
to be here | 18 |
i should have | 18 |
at once surprised | 17 |
his adventures are | 17 |
has positive mechanical | 17 |
of the cliff | 17 |
the most popular | 17 |
come back here | 17 |
knew that the | 17 |
and went to | 17 |
am i to | 17 |
interior of the | 17 |
two hundred and | 17 |
those published in | 17 |
off with the | 17 |
ready and those | 17 |
to fort totten | 17 |
to make his | 17 |
he got up | 17 |
state a great | 17 |
on the old | 17 |
the way it | 17 |
have been able | 17 |
appeared in the | 17 |
the house of | 17 |
at the place | 17 |
have made a | 17 |
as quickly as | 17 |
you to take | 17 |
was looking for | 17 |
him to come | 17 |
the dangerfield gang | 17 |
picked it up | 17 |
and if i | 17 |
go into the | 17 |
he had got | 17 |
was intending to | 17 |
the water and | 17 |
the generous quantity | 17 |
to catch the | 17 |
of the stories | 17 |
can clearly see | 17 |
to use his | 17 |
the sprite was | 17 |
try to get | 17 |
a shout of | 17 |
with the fascinating | 17 |
of the game | 17 |
had never been | 17 |
spite of his | 17 |
united states government | 17 |
boy to experience | 17 |
thought he was | 17 |
the iron ladder | 17 |
is on the | 17 |
only in this | 17 |
with him and | 17 |
adventures are unusual | 17 |
splendid adventures of | 17 |
too much of | 17 |
and carl and | 17 |
from time to | 17 |
we are giving | 17 |
the power into | 17 |
to experience them | 17 |
used to be | 17 |
for five cents | 17 |
i could do | 17 |
of his head | 17 |
for the hawk | 17 |
the boys of | 17 |
and the motor | 17 |
to the old | 17 |
stories every boy | 17 |
but i guess | 17 |
time to time | 17 |
popular publication for | 17 |
asked me to | 17 |
do what i | 17 |
got hold of | 17 |
city state a | 17 |
hands and knees | 17 |
man who was | 17 |
the most of | 17 |
it is not | 17 |
if you are | 17 |
all sorts of | 17 |
not be able | 17 |
the men who | 17 |
in a thousand | 17 |
to those published | 17 |
positive mechanical genius | 17 |
it was so | 17 |
a great success | 17 |
and when we | 17 |
giving for five | 17 |
of reading matter | 17 |
have to get | 17 |
most popular publication | 17 |
where they had | 17 |
the motor room | 17 |
will be in | 17 |
a pretty good | 17 |
at the generous | 17 |
but this is | 17 |
want to take | 17 |
ordinary boy to | 17 |
are making their | 17 |
and while his | 17 |
while his adventures | 17 |
reading matter that | 17 |
a sound of | 17 |
is at once | 17 |
go down to | 17 |
the scene of | 17 |
i must say | 17 |
are giving for | 17 |
pointed to the | 17 |
at punta arenas | 17 |
every boy who | 17 |
the wrong track | 17 |
into the woods | 17 |
of the bay | 17 |
behind him and | 17 |
their appearance in | 17 |
up the river | 17 |
when it was | 17 |
can be had | 17 |
publication for boys | 17 |
as to be | 17 |
that the reader | 17 |
going to leave | 17 |
the house with | 17 |
of the crowd | 17 |
matt had a | 17 |
once in a | 17 |
as motor matt | 17 |
life that the | 17 |
to do so | 17 |
all i want | 17 |
i know what | 17 |
good thing for | 17 |
and he has | 17 |
motor stories every | 17 |
it did not | 17 |
me on the | 17 |
matter that we | 17 |
he thought he | 17 |
i ever saw | 17 |
you vas a | 17 |
on the santa | 17 |
i could get | 17 |
boy who reads | 17 |
see if we | 17 |
appearance in this | 17 |
see if i | 17 |
was interrupted by | 17 |
in new york | 17 |
the young fellow | 17 |
weekly the most | 17 |
the reader can | 17 |
clearly see how | 17 |
of his hands | 17 |
merriwell can be | 17 |
you come to | 17 |
matt has positive | 17 |
to life that | 17 |
half a mile | 17 |
their way to | 17 |
drawn so true | 17 |
and the chinaman | 17 |
all on the | 17 |
the chances are | 17 |
the moment the | 17 |
and those to | 17 |
the kind of | 17 |
away from that | 17 |
was under the | 17 |
as he went | 17 |
to the man | 17 |
only to those | 17 |
the ordinary boy | 17 |
i came to | 17 |
this motor matt | 17 |
which are making | 17 |
was a small | 17 |
the man on | 17 |
a little later | 17 |
is possible for | 17 |
a line on | 17 |
when he got | 17 |
in the parade | 17 |
to know what | 17 |
have you been | 17 |
a coil of | 17 |
dick merriwell can | 17 |
coming down the | 17 |
and not a | 17 |
of the shed | 17 |
turning to the | 17 |
there could be | 17 |
in ash fork | 17 |
to come out | 17 |
had only in | 17 |
the other hand | 17 |
down the ladder | 17 |
the bank of | 17 |
that was to | 17 |
of the propeller | 17 |
and some of | 17 |
fascinating interest of | 17 |
top weekly the | 17 |
in the torpedo | 17 |
true to life | 17 |
could hear the | 17 |
reads one of | 17 |
the fascinating interest | 17 |
would never have | 17 |
when i was | 17 |
any attention to | 17 |
was a chance | 17 |
be had only | 17 |
was covered with | 17 |
with the intention | 17 |
and made his | 17 |
what kind of | 17 |
can take care | 17 |
the splendid adventures | 17 |
busy with the | 17 |
who reads one | 17 |
to follow the | 17 |
of the fact | 17 |
attack on the | 17 |
carl and ferral | 17 |
that ought to | 17 |
reader can clearly | 17 |
of the splendid | 17 |
just as they | 17 |
a yell of | 17 |
waiting for the | 17 |
once surprised and | 17 |
came to him | 17 |
the appearance of | 17 |
the risk of | 17 |
up my mind | 17 |
into the tower | 17 |
so true to | 17 |
sitting on the | 17 |
making their appearance | 17 |
is full of | 16 |
the motor cycles | 16 |
and let the | 16 |
from the ground | 16 |
in the darkness | 16 |
cheerful and rollicking | 16 |
to the bank | 16 |
into the river | 16 |
the ticket man | 16 |
of the crew | 16 |
of the island | 16 |
the roll of | 16 |
the sun was | 16 |
nothing to do | 16 |
is a good | 16 |
away from them | 16 |
bank of the | 16 |
i might have | 16 |
that boys like | 16 |
a young fellow | 16 |
in the dust | 16 |
otherwise motor matt | 16 |
a cheerful and | 16 |
weekly all kinds | 16 |
was a man | 16 |
they left the | 16 |
of the gas | 16 |
i thought you | 16 |
cut off the | 16 |
all i can | 16 |
led by a | 16 |
be done with | 16 |
than a minute | 16 |
man with the | 16 |
for he was | 16 |
and with the | 16 |
on the instant | 16 |
the interior of | 16 |
the bank and | 16 |
at sight of | 16 |
the sort of | 16 |
you know that | 16 |
gone to the | 16 |
he took a | 16 |
the entrance to | 16 |
keep away from | 16 |
to face with | 16 |
on the same | 16 |
in a twinkling | 16 |
and i are | 16 |
his mind that | 16 |
ends of the | 16 |
standing in the | 16 |
of stories that | 16 |
do for you | 16 |
the seat and | 16 |
more than half | 16 |
water in the | 16 |
from the other | 16 |
is led by | 16 |
kinds of stories | 16 |
to the air | 16 |
want to see | 16 |
the fortunes of | 16 |
matt as he | 16 |
that we were | 16 |
look for the | 16 |
who want to | 16 |
parts of the | 16 |
a fortunate accident | 16 |
up in front | 16 |
in the hotel | 16 |
a few hours | 16 |
had a chance | 16 |
in the next | 16 |
had anything to | 16 |
none of the | 16 |
by a fortunate | 16 |
a losing game | 16 |