This is a table of type quadgram and their frequencies. Use it to search & browse the list to learn more about your study carrel.
quadgram | frequency |
---|---|
of the red mill | 101 |
girl of the red | 85 |
the girl of the | 85 |
the rest of the | 36 |
king of the pipes | 32 |
in the middle of | 32 |
ruth fielding in the | 32 |
at the same time | 31 |
the king of the | 30 |
the edge of the | 29 |
the end of the | 28 |
the head of the | 24 |
what do you mean | 24 |
the middle of the | 23 |
at the end of | 23 |
i want you to | 22 |
as a matter of | 22 |
for the first time | 21 |
what do you think | 21 |
the alectrion film corporation | 19 |
in front of the | 19 |
if you want to | 19 |
she shook her head | 18 |
the side of the | 18 |
the fact that she | 18 |
on the other hand | 18 |
the top of the | 18 |
me and the kid | 17 |
i am going to | 16 |
the door of the | 16 |
as soon as she | 16 |
the wild west show | 16 |
the front of the | 16 |
a matter of fact | 16 |
at the red mill | 16 |
the queer old man | 15 |
in the first place | 15 |
the back of the | 15 |
she did not know | 15 |
the other side of | 15 |
what do you know | 15 |
come to new york | 14 |
do you know about | 14 |
the bottom of the | 14 |
the president of the | 14 |
with an air of | 14 |
to tell the truth | 13 |
the fact that he | 13 |
that sort of thing | 13 |
what is the matter | 13 |
at the top of | 13 |
other side of the | 13 |
to do with the | 13 |
the kingdom of pipes | 13 |
to the red mill | 13 |
of the fact that | 13 |
was not at all | 12 |
in the way of | 12 |
are you going to | 12 |
do you think of | 12 |
ruth fielding of the | 12 |
on the other side | 12 |
i want to know | 12 |
take it from me | 12 |
for a minute and | 12 |
ruth fielding down east | 12 |
at the head of | 12 |
as well as the | 12 |
in the land of | 12 |
fielding of the red | 12 |
of the wild west | 12 |
of the moving picture | 12 |
out of the way | 12 |
she had come to | 12 |
as soon as he | 11 |
in the great northwest | 11 |
fielding in the saddle | 11 |
is going to be | 11 |
fielding in the great | 11 |
to get rid of | 11 |
it might have been | 11 |
of one of the | 11 |
one of the most | 11 |
in spite of the | 11 |
to be able to | 11 |
was one of the | 11 |
was the first to | 11 |
it will be a | 11 |
anything to do with | 10 |
but it was a | 10 |
ruth and her friends | 10 |
get out of the | 10 |
the part of the | 10 |
was not to be | 10 |
in one of the | 10 |
out of the car | 10 |
up and down the | 10 |
our free illustrated catalogue | 10 |
i do not know | 10 |
champion of the world | 10 |
in the red cross | 10 |
it would be a | 10 |
for our free illustrated | 10 |
to go to the | 10 |
the owner of the | 10 |
butts in the kid | 10 |
clancy shook her head | 10 |
which she had been | 10 |
the members of the | 10 |
jacket in full colors | 10 |
that she had been | 10 |
the man who had | 10 |
send for our free | 10 |
for the sake of | 9 |
of the alectrion film | 9 |
more than a little | 9 |
no fighta the champ | 9 |
in the course of | 9 |
of linda lee inc | 9 |
to do with it | 9 |
had come to new | 9 |
and as soon as | 9 |
to be in the | 9 |
to get out of | 9 |
the matter with you | 9 |
the far end of | 9 |
on the verge of | 9 |
out of the room | 9 |
he looked at her | 9 |
the moving picture company | 9 |
at the far end | 9 |
or the mystery of | 9 |
to new york to | 9 |
nothing to do with | 9 |
on the part of | 9 |
that is to say | 9 |
the direction of the | 9 |
to the door and | 9 |
go back to the | 9 |
a hundred and fifty | 9 |
was one of those | 9 |
ruth fielding homeward bound | 9 |
colors price per volume | 8 |
and the rest of | 8 |
in love with her | 8 |
the top of his | 8 |
but she could not | 8 |
the girl scouts at | 8 |
in full colors price | 8 |
she knew that she | 8 |
fielding on the st | 8 |
a minute and then | 8 |
president of the alectrion | 8 |
it would have been | 8 |
they are going to | 8 |
full colors price per | 8 |
in one of them | 8 |
him on the back | 8 |
as soon as possible | 8 |
ruth fielding on the | 8 |
on the floor and | 8 |
the red mill was | 8 |
the rear of the | 8 |
in the hands of | 8 |
do you mean by | 8 |
knew that she was | 8 |
that she had not | 8 |
no spika da engleesh | 8 |
this part of the | 8 |
i hope you will | 8 |
he shook his head | 8 |
members of the company | 8 |
did not seem to | 8 |
in a position to | 8 |
of beach plum point | 8 |
that she was in | 8 |
at the war front | 8 |
and tells him to | 8 |
in a few minutes | 8 |
once in a while | 8 |
i was going to | 8 |
he ought to be | 8 |
this sort of thing | 8 |
for a couple of | 8 |
you want me to | 7 |
thing in the world | 7 |
the foot of the | 7 |
fielding at sunrise farm | 7 |
break into the movies | 7 |
with the rest of | 7 |
the end of one | 7 |
one of the big | 7 |
of the indian girl | 7 |
the up and down | 7 |
to the front of | 7 |
fielding in the red | 7 |
as far as the | 7 |
fielding at the war | 7 |
she looked at the | 7 |
the kid tells me | 7 |
one of the boys | 7 |
as if she had | 7 |
publishers new york the | 7 |
between her and the | 7 |
illustrated catalogue cupples leon | 7 |
i thought he was | 7 |
you are going to | 7 |
as soon as you | 7 |
ruth fielding and the | 7 |
it was evident that | 7 |
ruth fielding at sunrise | 7 |
in the same way | 7 |
of the united states | 7 |
her way to the | 7 |
ruth fielding at college | 7 |
the identity of the | 7 |
the center of the | 7 |
out into the hall | 7 |
fact that she was | 7 |
and janet and helen | 7 |
ruth fielding at the | 7 |
to the door of | 7 |
the moving picture camp | 7 |
with a grand flourish | 7 |
the office of the | 7 |
free illustrated catalogue cupples | 7 |
a great deal of | 7 |
found herself in the | 7 |
it seems to me | 7 |
as soon as the | 7 |
the rest of you | 7 |
the woman who had | 7 |
most of the time | 7 |
is one of the | 7 |
as that of the | 7 |
the best part of | 7 |
clancy stared at him | 7 |
it was one of | 7 |
far end of the | 7 |
shakes his head and | 7 |
to go back to | 7 |
over and over again | 7 |
of the continental film | 7 |
catalogue cupples leon company | 7 |
proprietor of the wild | 7 |
to break into the | 7 |
you know about that | 7 |
she had not been | 7 |
it must have been | 7 |
to one of the | 7 |
the first time in | 7 |
what do you say | 7 |
on her way to | 7 |
if she had not | 7 |
in love with you | 7 |
she was in a | 7 |
i might as well | 7 |
to the edge of | 6 |
one side of the | 6 |
to look at the | 6 |
out of the house | 6 |
the continental film company | 6 |
a few minutes ago | 6 |
to the office of | 6 |
one and the same | 6 |
you out of the | 6 |
the kid on the | 6 |
making of the picture | 6 |
the name of the | 6 |
do not know what | 6 |
on the side of | 6 |
the red mill had | 6 |
i will try to | 6 |
you want to know | 6 |
wonota and her father | 6 |
to get back to | 6 |
i want to get | 6 |
know what to do | 6 |
ruth fielding down in | 6 |
series by alice b | 6 |
she was to be | 6 |
tell me what you | 6 |
fielding and the gypsies | 6 |
ruth fielding at silver | 6 |
she felt that she | 6 |
asks him if he | 6 |
his way to the | 6 |
if i were you | 6 |
i want to see | 6 |
i do not think | 6 |
but there was nothing | 6 |
slaps him on the | 6 |
to rosalie and says | 6 |
ruth fielding in moving | 6 |
on the back and | 6 |
the proprietor of the | 6 |
fielding down in dixie | 6 |
going to be a | 6 |
want to see the | 6 |
and one of the | 6 |
that it was a | 6 |
back of the car | 6 |
that she was to | 6 |
ruth fielding at lighthouse | 6 |
when the picture was | 6 |
in the direction of | 6 |
to the point of | 6 |
the man with the | 6 |
a part in the | 6 |
on account of the | 6 |
they were in the | 6 |
she would have to | 6 |
as long as she | 6 |
on the strength of | 6 |
a friend of mine | 6 |
fielding in moving pictures | 6 |
the indian girl was | 6 |
fact that she had | 6 |
in the heberworth building | 6 |
you will have to | 6 |
the making of the | 6 |
did not know what | 6 |
fielding at silver ranch | 6 |
but he did not | 6 |
the little old woman | 6 |
it go at that | 6 |
a whole lot of | 6 |
the rest of them | 6 |
of the members of | 6 |
like to know what | 6 |
to make sure that | 6 |
the kid tells him | 6 |
close up of roland | 6 |
as far as she | 6 |
on the edge of | 6 |
part of the country | 6 |
to the girl of | 6 |
fielding on cliff island | 6 |
i beg your pardon | 6 |
we are going to | 6 |
there was nothing to | 6 |
at the bottom of | 6 |
fielding at lighthouse point | 6 |
seen in my life | 6 |
red in the face | 6 |
can take care of | 6 |
a lot of money | 6 |
got to do with | 6 |
she was glad to | 6 |
ruth fielding on cliff | 6 |
was going to be | 6 |
the spot where the | 6 |
for good and all | 6 |
the night of the | 6 |
to the fact that | 6 |
it was as though | 6 |
all you got to | 6 |
i am sure you | 6 |
in the midst of | 6 |
fall in love with | 6 |
in the picture business | 6 |
of the car and | 6 |
went back to the | 6 |
the name of a | 6 |
but it was the | 6 |
as soon as we | 6 |
have to do that | 6 |
one of the camera | 6 |
the presence of the | 6 |
she was able to | 6 |
for one of the | 6 |
a lot of things | 6 |
fielding at snow camp | 6 |
that she did not | 6 |
for the time being | 6 |
of the heberworth building | 6 |
one end of the | 6 |
there was only one | 6 |
know what i mean | 6 |
ruth fielding at snow | 6 |
in a way that | 6 |
as soon as i | 5 |
a few minutes later | 5 |
are you trying to | 5 |
to the head of | 5 |
who seemed to be | 5 |
at the door and | 5 |
i guess it was | 5 |
the secret of the | 5 |
betty gordon in the | 5 |
breaking into the movies | 5 |
the appearance of the | 5 |
fifty dollars a week | 5 |
that she would have | 5 |
she glanced at the | 5 |
betty gordon at boarding | 5 |
is the matter with | 5 |
gobs of generous gazoopis | 5 |
which he had been | 5 |
of the camera men | 5 |
it seemed to her | 5 |
on one of the | 5 |
the other end of | 5 |
for a long time | 5 |
doctor looks at her | 5 |
a hand on the | 5 |
to roland and says | 5 |
and walks over to | 5 |
the mystery of a | 5 |
and a couple of | 5 |
in the projection room | 5 |
gordon at bramble farm | 5 |
scanlan won the title | 5 |
to do with this | 5 |
at the foot of | 5 |
what do you suppose | 5 |
i would like to | 5 |
in the front seat | 5 |
that this was the | 5 |
plenty of time to | 5 |
that there was a | 5 |
but it will be | 5 |
ruth fielding at briarwood | 5 |
the land of oil | 5 |
the golden west club | 5 |
then turns to the | 5 |
as though he had | 5 |
fielding at briarwood hall | 5 |
let it go at | 5 |
would be able to | 5 |
might as well be | 5 |
she had been so | 5 |
the only thing that | 5 |
a man who was | 5 |
the midst of a | 5 |
for a few days | 5 |
with one of the | 5 |
the roof of the | 5 |
to which she had | 5 |
it was too late | 5 |
members of the cast | 5 |
and some of the | 5 |
caught a glimpse of | 5 |
uncle john and arthur | 5 |
the taking of the | 5 |
to be afraid of | 5 |
he was not a | 5 |
in the name of | 5 |
this side of the | 5 |
we are about to | 5 |
i shall have to | 5 |
betty and her chums | 5 |
to know what you | 5 |
was not the sort | 5 |
the manager of the | 5 |
the grand central station | 5 |
in a sort of | 5 |
she knew that he | 5 |
than she had ever | 5 |
of the hotel and | 5 |
kings of the air | 5 |
like a million dollars | 5 |
betty gordon in washington | 5 |
king caramba and his | 5 |
and i want to | 5 |
to do is to | 5 |
way back to the | 5 |
he then turns to | 5 |
the fact that the | 5 |
the three white girls | 5 |
ruth fielding series mo | 5 |
the interior of the | 5 |
in the heart of | 5 |
of the man who | 5 |
what was going on | 5 |
for the rest of | 5 |
he ought to have | 5 |
of the inner star | 5 |
to come back to | 5 |
want to go to | 5 |
fact that he was | 5 |
and the indian girl | 5 |
you want to go | 5 |
the remainder of the | 5 |
a copy of the | 5 |
out his chest and | 5 |
contents chapter page i | 5 |
how do you do | 5 |
a good deal of | 5 |
that she could not | 5 |
of the two men | 5 |
all of a sudden | 5 |
temple of the inner | 5 |
in a day or | 5 |
i know you will | 5 |
couple of times and | 5 |
back to the red | 5 |
was supposed to be | 5 |
he wants to know | 5 |
she knew she had | 5 |
the two young men | 5 |
so you no fighta | 5 |
the camera men to | 5 |
upon the edge of | 5 |
to the top of | 5 |
they had left the | 5 |
to take a chance | 5 |
the end of his | 5 |
i thought i was | 5 |
was the first time | 5 |
as though she were | 5 |
the names of the | 5 |
the entrance to the | 5 |
caramba and his council | 5 |
ever seen in my | 5 |
to get into the | 5 |
there was plenty of | 5 |
such a thing as | 5 |
treasure of indian chasm | 5 |
how do you feel | 5 |
and the kid was | 5 |
seemed to be a | 5 |
but she did not | 5 |
part in the play | 5 |
thousand dollars a week | 5 |
i ever seen in | 5 |
realized that she was | 5 |
of the chinese image | 5 |
opened the door and | 5 |
she picked up the | 5 |
drew a long breath | 5 |
a couple of times | 5 |
to the best of | 5 |
girls and aunt kate | 5 |
betty gordon at bramble | 5 |
the shore of the | 5 |
a hundred thousand dollars | 5 |
it was the first | 5 |
that she was not | 5 |
it in his pocket | 5 |
the whole thing was | 5 |
ruth and her two | 5 |
from one of the | 5 |
had been accustomed to | 5 |
i thought you were | 5 |
as a general thing | 5 |
spite of the fact | 5 |
there was no use | 5 |
what are you doing | 5 |
a day or two | 5 |
it a day and | 5 |
and i hope you | 5 |
kid scanlan won the | 5 |
and in spite of | 5 |
she was supposed to | 5 |
hundred dollars a week | 5 |
billie and her chums | 5 |
are going to make | 5 |
to do your best | 5 |
as soon as they | 5 |
some kind of a | 5 |
from one to another | 5 |
the treasure of indian | 5 |
at the thousand islands | 5 |
the mystery of the | 5 |
there must be something | 5 |
welterweight champion of the | 5 |
take a chance on | 5 |
hundred and fifty dollars | 5 |
the sort of person | 5 |
to the moving picture | 5 |
what do you want | 5 |
are going to be | 5 |
fallen in love with | 5 |
to work on the | 5 |
and out of the | 5 |
it out of the | 5 |
not in the least | 5 |
gordon at boarding school | 5 |
and wants to know | 5 |
that she should be | 5 |
and at the same | 5 |
of the world and | 5 |
man from the heberworth | 5 |
i do not see | 5 |
wild west and frontier | 5 |
the doctor looks at | 5 |
up in the air | 5 |
on the way back | 5 |
by the fact that | 5 |
the worst of it | 5 |
had to do with | 5 |
in the class play | 5 |
had just come from | 5 |
gordon in the land | 5 |
a couple of weeks | 5 |
a part of the | 5 |
janet and helen were | 5 |
to find out what | 5 |
but it would be | 5 |
you no fighta the | 5 |
a week or so | 5 |
from the heberworth building | 5 |
the island where the | 5 |
it seemed as though | 5 |
that he was a | 5 |
end of the room | 5 |
get back to the | 5 |
that the indian girl | 5 |
in a tone of | 5 |
west and frontier round | 5 |
the back of his | 5 |
on the legitimate stage | 5 |
on the back of | 5 |
i can see that | 4 |
with the alectrion film | 4 |
started for the door | 4 |
a lot of bunk | 4 |
hundred and fifty thousand | 4 |
of such a thing | 4 |
when it came to | 4 |
in his hand and | 4 |
she is going to | 4 |
emerson and anita loos | 4 |
be good enough to | 4 |
the rest of us | 4 |
to ask you to | 4 |
no such thing as | 4 |
could have been in | 4 |
clancy knew that she | 4 |
the success of the | 4 |
card of introduction to | 4 |
do you want the | 4 |
that they had been | 4 |
as well as any | 4 |
the sort of man | 4 |
when they reached the | 4 |
the ruth fielding series | 4 |
the bank of the | 4 |
the only thing i | 4 |
to do with that | 4 |
banging on the door | 4 |
you mean by that | 4 |
the face of the | 4 |
as she waited for | 4 |
that he was the | 4 |
ought to be able | 4 |
i know just what | 4 |
it was a gay | 4 |
got back to the | 4 |
they arrived at the | 4 |
the story of a | 4 |
in the eyes of | 4 |
at the kid and | 4 |
known to the trade | 4 |
her chums have a | 4 |
the actors and actresses | 4 |
the person who had | 4 |
in the fact that | 4 |
the story of the | 4 |
it would be to | 4 |
of the film corporation | 4 |
she pointed to the | 4 |
it was all about | 4 |
turns to tom and | 4 |
you know what i | 4 |
not at all sure | 4 |
in any other way | 4 |
and helen and jennie | 4 |
to be in love | 4 |
he was in the | 4 |
and a lot of | 4 |
a story of the | 4 |
the arrival of the | 4 |
was in his shirt | 4 |
on the way home | 4 |
if you ask me | 4 |
she felt as if | 4 |
to the effect that | 4 |
you wish me to | 4 |
go down to the | 4 |
in the dining room | 4 |
she stared at the | 4 |
be plenty of time | 4 |
do not wish to | 4 |
call it a day | 4 |
the end of a | 4 |
work of making the | 4 |
on the front page | 4 |
best part of the | 4 |
of the big car | 4 |
the kid stops and | 4 |
in love with him | 4 |
continental film manufacturing company | 4 |
says the other guy | 4 |
soon as she could | 4 |
makes a pass at | 4 |
the temple of the | 4 |
one of the best | 4 |
did not know that | 4 |
they were on their | 4 |
thinks for a minute | 4 |
i happen to know | 4 |
to make the picture | 4 |
had been one of | 4 |
of the thousand islands | 4 |
door opens and in | 4 |
from the direction of | 4 |
over to the door | 4 |
one of the men | 4 |
up her mind to | 4 |
do you suppose that | 4 |
are going to have | 4 |
with a hand on | 4 |
as she looked at | 4 |
dollars in the world | 4 |
to the hotel and | 4 |
the bride and groom | 4 |
tells him that he | 4 |
have anything to do | 4 |
front of the hotel | 4 |
than he had ever | 4 |
trying to find out | 4 |
i never heard of | 4 |
and it had been | 4 |
wait till you see | 4 |
the light from the | 4 |
in the moving picture | 4 |
i feel like a | 4 |
the way back to | 4 |
sat down on the | 4 |
you might as well | 4 |
it seems to be | 4 |
it was up to | 4 |
had been in the | 4 |
she did not think | 4 |
anything of the sort | 4 |
a day or so | 4 |
had a chance to | 4 |
i wish you would | 4 |
the street toward the | 4 |
to the amazement of | 4 |
want you to meet | 4 |
at one of the | 4 |
books for girls by | 4 |
was the kind of | 4 |
slipped out of the | 4 |
in a moment of | 4 |
a chance at the | 4 |
would have known that | 4 |
the picture was being | 4 |
the voice of god | 4 |
for there was no | 4 |
out of his chair | 4 |
make a test of | 4 |
the focus of the | 4 |
it might be that | 4 |
when they left the | 4 |
florine ladue and clancy | 4 |
if you must know | 4 |
end of one year | 4 |
and starts in to | 4 |
ruth and chess copley | 4 |
you got to do | 4 |
back to the hotel | 4 |
to sit on the | 4 |
there was no one | 4 |
to his feet and | 4 |
silent for a time | 4 |
the continental film manufacturing | 4 |
betty gordon at mountain | 4 |
i wish i had | 4 |
the sake of a | 4 |
have a lot of | 4 |
have no desire to | 4 |
but there was no | 4 |
know how to make | 4 |
knew that it was | 4 |
arabella montague fitzmaurice pike | 4 |
billie bradley and her | 4 |
on the island where | 4 |
turns to conwell and | 4 |
and rings the bell | 4 |
and miss devine is | 4 |
at beach plum point | 4 |
the bow of the | 4 |
followed by station master | 4 |
when the kid comes | 4 |
a couple of days | 4 |
i do not believe | 4 |
and chess copley had | 4 |
the matter with her | 4 |
and the kid is | 4 |
i think he will | 4 |
i am not going | 4 |
know what to say | 4 |
she had never seen | 4 |
were out of the | 4 |
on the way out | 4 |
the steps of the | 4 |
that it would be | 4 |
want you to do | 4 |
that she was a | 4 |
do a piece of | 4 |
in the presence of | 4 |
and on the way | 4 |
how did you know | 4 |
officer of the law | 4 |
have been in the | 4 |
as though he were | 4 |
you want to be | 4 |
she could not imagine | 4 |
felt that she was | 4 |
an officer of the | 4 |
with some of the | 4 |
the two of them | 4 |
he turned to his | 4 |
came out of the | 4 |
for a few minutes | 4 |
the door opens and | 4 |
over the edge of | 4 |
the red mill ruth | 4 |
a girl like you | 4 |
all over the place | 4 |
going to be able | 4 |
as she was to | 4 |
was more than a | 4 |
it was not a | 4 |
of the end of | 4 |
would you like to | 4 |
i did not know | 4 |
him out of the | 4 |
it must be a | 4 |
he was a good | 4 |
give me a chance | 4 |
that ought to be | 4 |
out of the office | 4 |
head of the stairs | 4 |
what has that to | 4 |
other end of the | 4 |
john emerson and anita | 4 |
a man with a | 4 |
from his pocket and | 4 |
ruth fielding treasure hunting | 4 |
got a flash at | 4 |
was part of the | 4 |
i think it is | 4 |
would be sure to | 4 |
the kid to me | 4 |
in spite of their | 4 |
the king and council | 4 |
for the benefit of | 4 |
in the back of | 4 |
lucinda shook her head | 4 |
i ought to be | 4 |
be one of the | 4 |
i mean to say | 4 |
and he looked like | 4 |
the mouth of a | 4 |
i thought it was | 4 |
looked from one to | 4 |
gordon at mountain camp | 4 |
to the trade as | 4 |
valuable collection of pearls | 4 |
to go to reno | 4 |
thought it would be | 4 |
that he was not | 4 |
a hundred a week | 4 |
do you suppose the | 4 |
the upper part of | 4 |
cafe in front of | 4 |
in the act of | 4 |
the faces of the | 4 |
knew that she would | 4 |
the heart of the | 4 |
with the aid of | 4 |
i am not sure | 4 |
at the edge of | 4 |
and it will be | 4 |
the beach plum point | 4 |
shall be able to | 4 |
right out loud in | 4 |
the name of florine | 4 |
said the indian girl | 4 |
office of morris beiner | 4 |
they drove to the | 4 |
it was impossible to | 4 |
that florine ladue and | 4 |
what does this mean | 4 |
i do not want | 4 |
she was going to | 4 |
did not have to | 4 |
hermit for revenue only | 4 |
out on the river | 4 |
of a motion picture | 4 |
was a sort of | 4 |
wondered whether or not | 4 |
play the part of | 4 |
see what can be | 4 |
want to tell you | 4 |
of the rest of | 4 |
turns to roland and | 4 |
as she was able | 4 |
i want to ask | 4 |
the motion picture business | 4 |
you think of this | 4 |
to be one of | 4 |
the picture will be | 4 |
ought to be in | 4 |
madly in love with | 4 |
murderer of morris beiner | 4 |
helen and her father | 4 |
in a couple of | 4 |
a glimpse of a | 4 |
has that to do | 4 |
went to the door | 4 |
had no right to | 4 |
then goes over to | 4 |
one to the other | 4 |
what it was all | 4 |
did not wish to | 4 |
a lot of kids | 4 |
some of the girls | 4 |
some of them were | 4 |
of thousands of dollars | 4 |
of little deer valley | 4 |
with the idea that | 4 |
was glad to see | 4 |
seemed to her that | 4 |
to be a very | 4 |
keep him away from | 4 |
how did you get | 4 |
she and chess copley | 4 |
the sound of the | 4 |
they were all in | 4 |
leaped to her feet | 4 |
a glass of water | 4 |
in a voice that | 4 |
and janet felt her | 4 |
that it was the | 4 |
in front of him | 4 |
the man in the | 4 |
hammond and the director | 4 |
the door to the | 4 |
arrived in new york | 4 |
as long as you | 4 |
and her chums have | 4 |
there was not a | 4 |
throws up his hands | 4 |
ruth fielding and her | 4 |
the moving picture people | 4 |
walks over to the | 4 |
to the side of | 4 |
from one to the | 4 |
and asks if he | 4 |
he was going to | 4 |
her in his arms | 4 |
he seemed to be | 4 |
a good part of | 4 |
man who called himself | 4 |
feel as though i | 4 |
one of the biggest | 4 |
when she came to | 4 |
i know how to | 4 |
was the fact that | 4 |
the office of morris | 4 |
are we going to | 4 |
it was true that | 4 |
as a sort of | 4 |
for the indian girl | 4 |
that she would not | 4 |
to look at it | 4 |
that don carey had | 4 |
of the most famous | 4 |
was on her way | 4 |
pats him on the | 4 |
he is not jack | 4 |
to play the part | 4 |
what time is it | 4 |
the making of a | 4 |
in the old days | 4 |
there could be no | 4 |
the red mill said | 4 |
the judge and his | 4 |
at the other end | 4 |
to get hold of | 4 |
every detail of the | 4 |
janet and helen had | 4 |
in spite of her | 4 |
he walks over to | 4 |
his head and says | 4 |
the middle of a | 4 |
she had been a | 4 |
by one of the | 4 |
or the secret of | 4 |
or the queer old | 4 |
the way of the | 4 |
helen and jennie were | 4 |
in the rear seat | 4 |
and he had been | 4 |
there must be some | 4 |
owner of the show | 4 |
the war was over | 4 |
and clancy deane were | 4 |
he appeared to be | 4 |
rest of the company | 4 |
on the other end | 4 |
less than an hour | 4 |
where the kid is | 4 |
how do you know | 4 |
corner of his mouth | 4 |
that he had been | 4 |
do you think i | 4 |
to make up for | 4 |
for a week or | 4 |
is not jack andrews | 4 |
in a low voice | 4 |
to beach plum point | 4 |
she was florine ladue | 4 |
might be able to | 4 |
the beginning of the | 4 |
the excitement of the | 4 |
it had been a | 4 |
and tells me to | 4 |
go back to his | 4 |
for the making of | 4 |
the same time he | 4 |
be able to see | 4 |
to the young man | 4 |
the first time he | 4 |
which she had come | 4 |
what she had seen | 4 |
they got back to | 4 |
some of the most | 4 |
you ought to be | 4 |
and the guy that | 4 |
in front of us | 4 |
ladue and clancy deane | 4 |
proved to be a | 4 |
do you mean to | 4 |
of the possibility of | 4 |
in and out of | 4 |
held out her hand | 4 |
on the shoulder and | 4 |
just as soon as | 4 |
know that it is | 4 |
eve looks at him | 4 |
from the way he | 4 |
at three rivers station | 4 |
one or two of | 4 |
to go into the | 4 |
end of the island | 4 |
she picked up a | 4 |
front of the palace | 4 |
the guy that had | 4 |
be in love with | 4 |
what can be done | 4 |
by way of the | 4 |
the first time since | 4 |
moving picture company was | 4 |
do you really think | 4 |
the thing to do | 4 |
felt as if she | 4 |
as long as he | 4 |
if there were any | 4 |
and let it go | 4 |
it did not take | 4 |
judge and his wife | 4 |
a motion picture actress | 4 |
and they were not | 4 |
the use of the | 4 |
the value of the | 4 |
had anything to do | 4 |
the war is over | 4 |
but he made no | 4 |
clancy stared at her | 4 |
got a couple of | 3 |
of the art of | 3 |
you can afford to | 3 |
the last time i | 3 |
a thing about it | 3 |
a cup of coffee | 3 |
name of florine ladue | 3 |
name of the woman | 3 |
her that he had | 3 |
which are bound to | 3 |
west indian hall boys | 3 |
seemed to have been | 3 |
can be done for | 3 |
and gave him a | 3 |
briarwood hall ruth fielding | 3 |
she looked at clancy | 3 |
front ruth fielding homeward | 3 |
in the cast of | 3 |
picked up the paper | 3 |
to prove to you | 3 |
ranch ruth fielding on | 3 |
went over to the | 3 |
i must confess that | 3 |
she walked to the | 3 |
and i do not | 3 |
a million or so | 3 |
at lighthouse point ruth | 3 |
new york cupples leon | 3 |
any of the rest | 3 |
out a hand to | 3 |
in front of a | 3 |
held a glass of | 3 |
am going to be | 3 |
where he had been | 3 |
right down to the | 3 |
will pay for that | 3 |
as if i were | 3 |
in which he had | 3 |
gypsies ruth fielding in | 3 |
did you ever see | 3 |
were silent for a | 3 |
think you ought to | 3 |
i feel it in | 3 |
he looks at the | 3 |
to say about the | 3 |
more than fair to | 3 |
were on their way | 3 |
bit for uncle sam | 3 |
for girls by alice | 3 |
or the hermit of | 3 |
she thought that it | 3 |
some member of the | 3 |
me for a minute | 3 |
with a sinister smile | 3 |
from time to time | 3 |
the red mill with | 3 |
bramble farm or the | 3 |
offices of zenda films | 3 |
do you suppose i | 3 |
to whom it was | 3 |
i am not in | 3 |
part of the picture | 3 |
never seen such a | 3 |
and tell him that | 3 |
it was not at | 3 |
to think of you | 3 |
i got a flash | 3 |
ruth fielding series by | 3 |
and in a minute | 3 |
you to do your | 3 |
she forced herself to | 3 |
for the girls to | 3 |
great oil fields of | 3 |
it must be confessed | 3 |
and her two chums | 3 |
oil field operations of | 3 |
the kind of dame | 3 |
down in dixie ruth | 3 |
is one of those | 3 |
look at that sun | 3 |
the past two years | 3 |
it came to pass | 3 |
in the ways of | 3 |
betty goes to the | 3 |
she had not heard | 3 |
it seemed that the | 3 |
from the other side | 3 |
it out toward the | 3 |
oil or the farm | 3 |
sunrise farm ruth fielding | 3 |
to change your mind | 3 |
to be done for | 3 |
hill and dale farm | 3 |
hardly believe his ears | 3 |
one of the very | 3 |
thing in the morning | 3 |
easiest thing in the | 3 |
washington the scene is | 3 |
that the old man | 3 |
i will tell you | 3 |
it was not until | 3 |
that kind of yarn | 3 |
for a few weeks | 3 |
the muzzle of her | 3 |
she was aware of | 3 |
a great deal to | 3 |
had been at the | 3 |
rose from the table | 3 |
basil sydney and may | 3 |
a large number of | 3 |
to go on and | 3 |
she had been of | 3 |
and the end of | 3 |
go to the hotel | 3 |
to work in this | 3 |
his hat and coat | 3 |
bill on the table | 3 |
the management of the | 3 |
front page of the | 3 |
herself as florine ladue | 3 |
that is why i | 3 |
high school play and | 3 |
there on the point | 3 |
go to make up | 3 |
how did you happen | 3 |
spent most of the | 3 |
i suppose i am | 3 |
rest of the day | 3 |
motion picture acting is | 3 |
member of the company | 3 |
come out here and | 3 |
up in front of | 3 |
a series of stories | 3 |
should be able to | 3 |
where did you get | 3 |
side of the stream | 3 |
moving picture that became | 3 |
herbert and helen dear | 3 |
did you happen to | 3 |
get in touch with | 3 |
but her eyes were | 3 |
so much to be | 3 |
had remained in the | 3 |
the amazement of the | 3 |
side of the island | 3 |
of the things that | 3 |
could be seen from | 3 |
want you to know | 3 |
a fortune from washington | 3 |
and the gypsies ruth | 3 |
in ruth fielding in | 3 |
front of the door | 3 |
one time or another | 3 |
got a date with | 3 |
his hands together and | 3 |
had killed morris beiner | 3 |
the only thing to | 3 |
and she began to | 3 |
more to do with | 3 |
the matter of that | 3 |
how kid scanlan won | 3 |
believe that kind of | 3 |
the first day he | 3 |
threw an arm about | 3 |
you could see she | 3 |
to the end of | 3 |
to find her uncle | 3 |
get away with it | 3 |
the scene is shifted | 3 |
to make her own | 3 |
to give it up | 3 |
ruth shook her head | 3 |
a piece of paper | 3 |
we do not wish | 3 |
she thought of the | 3 |
go as far as | 3 |
that miss deane is | 3 |
but he was the | 3 |
you will pardon me | 3 |
to be a success | 3 |
get to work on | 3 |
she could by no | 3 |
she ran up the | 3 |
around the red mill | 3 |
far out beyond the | 3 |
for a moment she | 3 |
was all dressed up | 3 |
with a couple of | 3 |
national capitol to find | 3 |
more than a score | 3 |
upon the back of | 3 |
whether or not it | 3 |
on the ace lot | 3 |
to the times office | 3 |
a little talk with | 3 |
which he handed to | 3 |
about the making of | 3 |
one to another of | 3 |
to them in a | 3 |
looking forward to the | 3 |
you only knew how | 3 |
tell me all about | 3 |
i have a hunch | 3 |
the african desert and | 3 |
of which she had | 3 |
she said in a | 3 |
that sophie carey was | 3 |
and she was so | 3 |
where are you going | 3 |
to make the best | 3 |
you on the level | 3 |
was no use in | 3 |
tom and tells him | 3 |
farm that was worth | 3 |
a moment on the | 3 |
emerson ruth fielding series | 3 |
did his best to | 3 |
turned her back upon | 3 |
the front page of | 3 |
helen looked at her | 3 |
and she did not | 3 |
what do you expect | 3 |
or the farm that | 3 |
mean anything to me | 3 |
into the street and | 3 |
roland then turns to | 3 |
could not be sure | 3 |
to the hubbell ranch | 3 |
the picture is finished | 3 |
it was not that | 3 |
were going to be | 3 |
adventures in a great | 3 |
and then the kid | 3 |
do you want to | 3 |
made it possible for | 3 |
to be a real | 3 |
think of some way | 3 |
of the legitimate stage | 3 |
in a very few | 3 |
cameron and jennie stone | 3 |
in moving pictures or | 3 |
but she was not | 3 |
and they go into | 3 |
all in a breath | 3 |
she had nothing to | 3 |
i suppose you are | 3 |
or the indian girl | 3 |
to the office and | 3 |
when it comes to | 3 |
scene is shifted to | 3 |
than half an hour | 3 |
to tell you the | 3 |
the matter with that | 3 |
island ruth fielding at | 3 |
all there was to | 3 |
to the telephone and | 3 |
girl star of the | 3 |
if you think i | 3 |
quarter of an hour | 3 |
the rest of it | 3 |
she might have been | 3 |
there had to be | 3 |
the main entrance to | 3 |
a minute or two | 3 |
fields of our country | 3 |
was waiting for them | 3 |
one of the largest | 3 |
rest of the bunch | 3 |
in the same studio | 3 |
as red as a | 3 |
do we want to | 3 |
ruth fielding did not | 3 |
the battle of the | 3 |
florine ladue had been | 3 |
great northwest or the | 3 |
to the grand central | 3 |
he made no reply | 3 |
three or four times | 3 |
must be more than | 3 |
and tom run in | 3 |
head of the table | 3 |
it up to him | 3 |
throws out his chest | 3 |
in the next room | 3 |
janet and her mother | 3 |
but i guess it | 3 |
most of the members | 3 |
did not know whether | 3 |
focus of the cameras | 3 |
the oil field operations | 3 |
then turns to rosalie | 3 |
had to admit that | 3 |
who doped out the | 3 |
after that there was | 3 |
worth a fortune from | 3 |
at one and the | 3 |
do you suppose he | 3 |
the young man had | 3 |
got to go on | 3 |
down the law to | 3 |
hook to the jaw | 3 |
of the los angeles | 3 |
it was true of | 3 |
a hundred per cent | 3 |
she began to be | 3 |
you going to do | 3 |
tell you that i | 3 |
it is merely a | 3 |
or something like that | 3 |
saddle ruth fielding in | 3 |
splendid picture of the | 3 |
the hands of the | 3 |
college ruth fielding in | 3 |
not the sort of | 3 |
out of bed and | 3 |
but now she was | 3 |
man who had been | 3 |
knew nothing of the | 3 |
all for the sake | 3 |
she was not a | 3 |
of ruth fielding of | 3 |
be in the picture | 3 |
go up to the | 3 |
first thing you know | 3 |
in the saddle ruth | 3 |
her out of the | 3 |
it was to be | 3 |
on the other bank | 3 |
and by the time | 3 |
end of the world | 3 |
man of the thousand | 3 |
him with a left | 3 |
that might have been | 3 |
to act in a | 3 |
clancy had never been | 3 |
as far as you | 3 |
the kid has been | 3 |
in the hall and | 3 |
in the face and | 3 |
of the picture was | 3 |
the wheel of the | 3 |
northwest or the indian | 3 |
ida bellethorne at mountain | 3 |
in silence for a | 3 |
at the age of | 3 |
out of her sight | 3 |
a quarter of a | 3 |
what did you say | 3 |
that is what we | 3 |
carey stared at her | 3 |
there was nothing else | 3 |
gordon series by alice | 3 |
could it be possible | 3 |
to tell you that | 3 |
that he is not | 3 |
so far as he | 3 |
what was the matter | 3 |
bureau of indian affairs | 3 |
they had to be | 3 |
with all her heart | 3 |
as well as i | 3 |
door of the mill | 3 |
on the level with | 3 |
hundreds of thousands of | 3 |
she had been too | 3 |
had to be a | 3 |
that the car was | 3 |
would have to wait | 3 |
i believe it is | 3 |
was the sort of | 3 |
just in time to | 3 |
and the other was | 3 |
eighty dollars a month | 3 |
a description of the | 3 |
the special car was | 3 |
and we want to | 3 |
hall ruth fielding at | 3 |
cupples leon company ruth | 3 |
to help the girl | 3 |
was one of them | 3 |
helen and aunt alvirah | 3 |
it had taken the | 3 |
silver ranch ruth fielding | 3 |
the indian girl star | 3 |
who called himself john | 3 |
you must remember that | 3 |
to the indian maid | 3 |
was looking forward to | 3 |
in the nick of | 3 |
goes to the national | 3 |
he is one of | 3 |
the chief of the | 3 |
that had happened to | 3 |
volume of this series | 3 |
with a smile of | 3 |
fielding down east or | 3 |
to the big car | 3 |
all new to me | 3 |
to the side door | 3 |
picture of the oil | 3 |
that should have been | 3 |
tell you the truth | 3 |
do you realize what | 3 |
met her at the | 3 |
it is necessary to | 3 |
the work of making | 3 |
there are too many | 3 |
the part of abbie | 3 |
is as good as | 3 |
up his hands and | 3 |
of his right hand | 3 |
he had reached the | 3 |
the women in the | 3 |
the young man who | 3 |
mean to say you | 3 |
we want to see | 3 |
did i tell you | 3 |
he seemed to have | 3 |
he sat back and | 3 |
kid and miss vincent | 3 |
i was so happy | 3 |
of the second day | 3 |
the girls from the | 3 |
in the car with | 3 |
what might have been | 3 |
he is not a | 3 |
see if we can | 3 |
as well as a | 3 |
you never heard of | 3 |
and tried to make | 3 |
no trace of the | 3 |
strange adventures in a | 3 |
crepe was replaced with | 3 |
you said you wanted | 3 |
five hundred a week | 3 |
away down at the | 3 |
want to know why | 3 |
at snow camp ruth | 3 |
school or the treasure | 3 |
out of range of | 3 |
then turns to conwell | 3 |
got the idea that | 3 |
uncle john and the | 3 |
as it had come | 3 |
she saw that the | 3 |
for the last time | 3 |
the gypsies ruth fielding | 3 |
the war front ruth | 3 |
feel it in my | 3 |
the commander of the | 3 |
with a puzzled expression | 3 |
the mystery of ida | 3 |
him and the professor | 3 |
to her feet and | 3 |
of indian chasm makes | 3 |
she was even more | 3 |
in washington or strange | 3 |
to have been a | 3 |
all there is to | 3 |
got to have a | 3 |
agreed the girl of | 3 |
he turned to the | 3 |
what do you care | 3 |
said the old man | 3 |
do you wish me | 3 |
know what it means | 3 |
and you could see | 3 |
and most of the | 3 |
is left an orphan | 3 |
a pair of glasses | 3 |
with the result that | 3 |
of course you are | 3 |
to the great oil | 3 |
from the top of | 3 |
the third finger of | 3 |
in time to see | 3 |
you will have a | 3 |
it is hard to | 3 |
fortune from washington the | 3 |
thing to do is | 3 |
she knew that her | 3 |
middle of the floor | 3 |
to know more about | 3 |
up to my room | 3 |
there seemed to be | 3 |
at me and the | 3 |
at boarding school or | 3 |
that had been built | 3 |
cross ruth fielding at | 3 |
he would never have | 3 |
she had no right | 3 |
indian girl star of | 3 |
i went into the | 3 |
smugglers and chinese runners | 3 |
and plunged into the | 3 |
i ought to know | 3 |
during the past week | 3 |
each and every one | 3 |
camp ruth fielding at | 3 |
the engagement with hildebloom | 3 |
in the air and | 3 |
of the comedy feet | 3 |
the fate of the | 3 |
with a feeling of | 3 |
the missing examination papers | 3 |
a lot of the | 3 |
not know what to | 3 |
it in my bones | 3 |
i shall never be | 3 |
the door opened and | 3 |
and it would be | 3 |
hermit of beach plum | 3 |
clancy deane would be | 3 |
the old man who | 3 |
and all of them | 3 |
was afraid that you | 3 |
a sharp turn in | 3 |
if i have to | 3 |
she had seen him | 3 |
cora dean and margie | 3 |
knock on the door | 3 |
case of mistaken identity | 3 |
to make a picture | 3 |
look in her eyes | 3 |
because he was the | 3 |
to the identity of | 3 |
to the thousand islands | 3 |
have no interest in | 3 |
some of the men | 3 |
what are you going | 3 |
manager of the continental | 3 |
king and four councilors | 3 |
she was quite as | 3 |
got as far as | 3 |
of the night before | 3 |
i guess you are | 3 |
ruth and her companion | 3 |
into the room and | 3 |
sitting at his desk | 3 |
that this must be | 3 |
if he has a | 3 |
and i want you | 3 |
as good as any | 3 |
that the girl of | 3 |
got to do is | 3 |
i think i can | 3 |
after the picture is | 3 |
i do not feel | 3 |
to the credit of | 3 |
and that jack andrews | 3 |
only for a moment | 3 |
and then there was | 3 |
several times during the | 3 |
flashed on the screen | 3 |
our employees is all | 3 |
was ready to go | 3 |
the right amount of | 3 |
been one of the | 3 |
scenes of the prologue | 3 |
she was a woman | 3 |
top of his lungs | 3 |
to such an extent | 3 |
forward and spoke to | 3 |
if it could be | 3 |
man whom she had | 3 |
in spite of all | 3 |
they could hear the | 3 |
on the threshold of | 3 |
out of his head | 3 |
it was a big | 3 |
was on his feet | 3 |
and when i got | 3 |
had taken the temperament | 3 |
rest of the gang | 3 |
to stop at the | 3 |
was a matter of | 3 |
up and grabs the | 3 |
fielding homeward bound ruth | 3 |
in the same low | 3 |
so he no fighta | 3 |
she did not like | 3 |
a big man in | 3 |
that she was the | 3 |
the red mill and | 3 |
to see that he | 3 |
the young man was | 3 |
lawrence or the queer | 3 |
had not been mistaken | 3 |
into the focus of | 3 |
that of a man | 3 |
why do you suppose | 3 |
her uncle and has | 3 |
on the summit of | 3 |
that she was no | 3 |
shifted to the great | 3 |
the kid and miss | 3 |
for half an hour | 3 |
of the countess ahmberg | 3 |
the title of the | 3 |
those to whom it | 3 |
with a left hook | 3 |
of the other girls | 3 |
in moving pictures ruth | 3 |
to the colonel and | 3 |
twelve betty is left | 3 |
fighting champion of the | 3 |
the exact date that | 3 |
taken the temperament of | 3 |
after a moment of | 3 |
the shoulder of the | 3 |
nothing more to be | 3 |
i will give you | 3 |
rest of the family | 3 |
the little fat man | 3 |
looks at the kid | 3 |
at one end of | 3 |
most of them were | 3 |
he is a good | 3 |
in the habit of | 3 |
come to the rescue | 3 |
you seem to be | 3 |
i wonder what he | 3 |
he did not seem | 3 |
snow camp ruth fielding | 3 |
soon as you like | 3 |
if there is anything | 3 |
a chance to make | 3 |
but i tell you | 3 |
as though they were | 3 |
it was jennie who | 3 |
ruth saw that the | 3 |
sydney and may collins | 3 |
as if it had | 3 |
to keep in the | 3 |
thought he was gonna | 3 |
and left the room | 3 |
the girls in the | 3 |
i says to the | 3 |
the time has come | 3 |
and that she had | 3 |
the temperament of a | 3 |
was in love with | 3 |
ran up the stairs | 3 |
soon as they reached | 3 |
that she intended to | 3 |
the main road and | 3 |
what did you do | 3 |
in all the world | 3 |
the indian girl had | 3 |
deane were the same | 3 |
as if he were | 3 |
and all the rest | 3 |
was quite sure that | 3 |
a wild west show | 3 |
or strange adventures in | 3 |
the greater part of | 3 |
out of sight of | 3 |
the once over and | 3 |
of his chair and | 3 |
who the hell are | 3 |
want to ask you | 3 |
the stanton girls and | 3 |
so much interested in | 3 |
and fifty a week | 3 |
on cliff island ruth | 3 |
happen to know the | 3 |
take me to the | 3 |
for a short time | 3 |
goes to the door | 3 |
one of his men | 3 |
some of the more | 3 |
where her father is | 3 |
we come to the | 3 |
if you are to | 3 |
by the police on | 3 |
found in his possession | 3 |
and see for yourself | 3 |
a bad guy at | 3 |
that was worth a | 3 |
it is one of | 3 |
there was so much | 3 |
bottom of the canyon | 3 |
was the bird that | 3 |
am sure you will | 3 |
and that the last | 3 |
the cold and the | 3 |
how to act in | 3 |
something to do with | 3 |
to tell the world | 3 |
face to face with | 3 |
she had not known | 3 |
got to go back | 3 |
to keep out of | 3 |
in love with me | 3 |
an arm about the | 3 |
what did i tell | 3 |
he held a glass | 3 |
on beach plum point | 3 |
of paper she had | 3 |
in love with the | 3 |
it was not merely | 3 |
easy for her to | 3 |
the red mill on | 3 |
the open door of | 3 |
by which he was | 3 |
betty gordon series by | 3 |
of the thing and | 3 |
on the outskirts of | 3 |
take care of herself | 3 |
had to go on | 3 |
mystery of a nobody | 3 |
the figure of a | 3 |
where we can find | 3 |
red cross ruth fielding | 3 |
the hell are you | 3 |
could not be mistaken | 3 |
and grabs my arm | 3 |
the top of a | 3 |
she wondered whether or | 3 |
bad guy at that | 3 |
think that she had | 3 |
as soon as her | 3 |
lot of bunk like | 3 |
out of the window | 3 |
she went to bed | 3 |
by the time the | 3 |
can hardly believe his | 3 |
solve the mystery of | 3 |
of the most thrilling | 3 |
author of ruth fielding | 3 |
sitting at a table | 3 |
made up my mind | 3 |
back to the camp | 3 |
on his face and | 3 |
beiner had made the | 3 |
the red cross ruth | 3 |
enough to make a | 3 |
she thought of him | 3 |
thinks a moment and | 3 |
got to do it | 3 |
of the king of | 3 |
no matter how long | 3 |
on a charge of | 3 |
the great northwest or | 3 |
was worth a fortune | 3 |
the saddle ruth fielding | 3 |
what had become of | 3 |
that there is no | 3 |
find her uncle and | 3 |
york cupples leon company | 3 |
the red mill or | 3 |
and when he gets | 3 |
have a little talk | 3 |
the bus with snow | 3 |
east or the hermit | 3 |
see if i can | 3 |
i ever heard of | 3 |
down the street toward | 3 |
so far as i | 3 |
this was a serious | 3 |
to argue with him | 3 |
where he was born | 3 |
side of the river | 3 |
on the third finger | 3 |
much impressed by the | 3 |
mean to tell me | 3 |
to do was to | 3 |
the mouth of the | 3 |
roland and tom run | 3 |
turned to the girls | 3 |
young man who had | 3 |
midst of a mystery | 3 |
on the faces of | 3 |
to the desk and | 3 |
they should have been | 3 |
could hardly hope to | 3 |
a box of candy | 3 |
could by no means | 3 |
said the young man | 3 |
she ran to the | 3 |
in the rear of | 3 |
i never seen him | 3 |
as if to hide | 3 |
at roland and says | 3 |
then he turned to | 3 |
drew a deep breath | 3 |
the kid by the | 3 |
to solve the mystery | 3 |
at ocean park or | 3 |
one of them trick | 3 |
down on the floor | 3 |
in any of the | 3 |
just the sort of | 3 |
in the thespian bank | 3 |
what does it mean | 3 |
nice of you to | 3 |
to be on the | 3 |
through the dry snow | 3 |
the show was in | 3 |
you feel that way | 3 |
two men in it | 3 |
it seemed to be | 3 |
to the stout dame | 3 |
to janet and helen | 3 |
the national capitol to | 3 |
from the railroad station | 3 |
it would be nice | 3 |
all the rest of | 3 |
the easiest thing in | 3 |
or anything like that | 3 |
are you on the | 3 |
hold her head up | 3 |
had as yet been | 3 |
minute and then he | 3 |
take care of himself | 3 |
so long as you | 3 |
in the south seas | 3 |
top of his voice | 3 |
and after a few | 3 |
at herself in the | 3 |
camp or the mystery | 3 |
as one of the | 3 |
the moving picture producer | 3 |
old man of the | 3 |
red mill ruth fielding | 3 |
betrayed the fact that | 3 |
right up to the | 3 |
a card of introduction | 3 |
in front of hotel | 3 |
uncle and has several | 3 |
there was a little | 3 |
by some of the | 3 |
you think of the | 3 |
when i was a | 3 |
of the oil field | 3 |
guy in the world | 3 |
she had to be | 3 |
to get mixed up | 3 |
that to do with | 3 |
that is what you | 3 |
tries to argue with | 3 |
for a lot of | 3 |
never going to be | 3 |
for janet and helen | 3 |
to listen to the | 3 |
was inclined to be | 3 |
to come out here | 3 |
knew it they were | 3 |
one dollar and a | 3 |
she had given her | 3 |
too much of the | 3 |
too far away to | 3 |
a peach of a | 3 |
and one of them | 3 |
to the national capitol | 3 |
but it had been | 3 |
that he was now | 3 |
of the woman who | 3 |
many times on the | 3 |
betty is left an | 3 |
then go back to | 3 |
be a movie star | 3 |
for a day or | 3 |
is shifted to the | 3 |
shakes her head and | 3 |
half a dozen times | 3 |
some of the other | 3 |
she was on her | 3 |
do you know the | 3 |
it used to be | 3 |
to put on a | 3 |
oil fields of our | 3 |
back to the hollywood | 3 |
to the rest of | 3 |
stairs to the street | 3 |
that he would be | 3 |
with tears in his | 3 |
thank you very much | 3 |
if you had been | 3 |
there had been no | 3 |
she was not at | 3 |
one of the girls | 3 |
her bit for uncle | 3 |
she was lying on | 3 |
is the real thing | 3 |
want you to think | 3 |
on his way to | 3 |
no time at all | 3 |
injun gal away from | 3 |
when he had gone | 3 |
out of her mind | 3 |
it might be better | 3 |
is not so much | 3 |
of ida bellethorne at | 3 |
the charge of the | 3 |
supposed to be in | 3 |
to do a piece | 3 |
helen was the first | 3 |
grateful to you for | 3 |
she found herself in | 3 |
the betty gordon series | 3 |
far away from him | 3 |
out of her life | 3 |
work on the new | 3 |
bound ruth fielding down | 3 |
but only for a | 3 |
that she had seen | 3 |
fielding series by alice | 3 |
going to try to | 3 |
the red mill to | 3 |
down the stairs and | 3 |
dean and margie blake | 3 |
i told you that | 3 |
tells him to take | 3 |
looks up at him | 3 |
what seemed to be | 3 |
a splendid picture of | 3 |
the only way to | 3 |
into the front seat | 3 |
he gets out of | 3 |
i am not so | 3 |
in a great city | 3 |
ruth and helen and | 3 |
did not know how | 3 |
temperament of a gambler | 3 |
seven dollars in the | 3 |
pulled out of the | 3 |
his breath as he | 3 |
that florine ladue had | 3 |
hundred and fifty a | 3 |
the field of the | 3 |
and in the end | 3 |
down to the front | 3 |
moving pictures ruth fielding | 3 |
made her way to | 3 |
at briarwood hall ruth | 3 |
how do i know | 3 |
the man at the | 3 |
had been up to | 3 |
made the engagement with | 3 |
in so brief a | 3 |
was in any way | 3 |
this is the last | 3 |
think it would be | 3 |
that she was going | 3 |
who had taken her | 3 |
was none the less | 3 |
the kid with a | 3 |
the beauty of the | 3 |
is not my fault | 3 |
fielding at college ruth | 3 |
do you know why | 3 |
been trying to get | 3 |
did not yet know | 3 |
she must be more | 3 |
be able to make | 3 |
paid no attention to | 3 |
there will be no | 3 |
such an extent that | 3 |
had been able to | 3 |
would not have been | 3 |
they could see the | 3 |
the men of the | 3 |
with him to the | 3 |
has several unusual adventures | 3 |
that she would be | 3 |
it was on the | 3 |
as they reached the | 3 |
to make it a | 3 |
father and mother were | 3 |
to look forward to | 3 |
camp betty found herself | 3 |
money in his pocket | 3 |
yours in the faith | 3 |
caught by the camera | 3 |
he looks like a | 3 |
and shook her head | 3 |
up the steps and | 3 |
made up her mind | 3 |
believe that jones is | 3 |
to do a little | 3 |
waved a fat hand | 3 |
or a moving picture | 3 |
in a chair and | 3 |
the action of the | 3 |
by cupples leon company | 3 |
a new kind of | 3 |
and that sort of | 3 |
but there was a | 3 |
to the other side | 3 |
i have ever seen | 3 |
other members of the | 3 |
of richard the third | 3 |
of the two girls | 3 |
at mountain camp betty | 3 |
land of oil or | 3 |
gordon at ocean park | 3 |
from washington the scene | 3 |
wants to know how | 3 |
him over to the | 3 |
i have no idea | 3 |
the windows of the | 3 |
the farm that was | 3 |
she says she has | 3 |
and go to the | 3 |
the birth of a | 3 |
got mixed up with | 3 |
about half a mile | 3 |
at a hundred a | 3 |
queer old man of | 3 |
you really want me | 3 |
where do you suppose | 3 |
they were silent for | 3 |
right in the middle | 3 |
mystery of ida bellethorne | 3 |
she told me that | 3 |
i should hope not | 3 |
how silly of me | 3 |
the threat of the | 3 |
ashamed to tell you | 3 |
the police on the | 3 |
what are we going | 3 |
not to be a | 3 |
the way to the | 3 |
and it is a | 3 |
and it was not | 3 |
come out of the | 3 |
would be glad to | 3 |
trying to make an | 3 |
right then and there | 3 |
for the matter of | 3 |
the other was a | 3 |
to step in and | 3 |
at the present time | 3 |
in addition to the | 3 |
take her to the | 3 |
there had been a | 3 |
the business of making | 3 |
it might be a | 3 |
she was glad of | 3 |
into the bottom of | 3 |
kid on the back | 3 |
of the golden west | 3 |
girls in the land | 3 |
betty found herself in | 3 |
i went to see | 3 |
first thing in the | 3 |
an hour or so | 3 |
first time in her | 3 |
nothing to do but | 3 |
the thing that was | 3 |
helen cameron and jennie | 3 |
the development of the | 3 |
the best thing i | 3 |
of a gambler to | 3 |
seen the last of | 3 |
have you got a | 3 |
the nick of time | 3 |
if you were to | 3 |
at silver ranch ruth | 3 |
over to the kid | 3 |
come into possession of | 3 |
was by no means | 3 |
looked at each other | 3 |
girl who had been | 3 |
to see if he | 3 |
the great oil fields | 3 |
their way through the | 3 |
to make use of | 3 |
it was dakota joe | 3 |
the aid of a | 3 |
i find out that | 3 |
out to the street | 3 |
his face as he | 3 |
less than half an | 3 |
at the door of | 3 |
as though it were | 3 |
he managed to get | 3 |
and handed it to | 3 |
the part she was | 3 |
by the side of | 3 |
she made her way | 3 |
between you and me | 3 |
even if they did | 3 |
out of the picture | 3 |
but clancy did not | 3 |
as far as i | 3 |
i would be glad | 3 |
in dixie ruth fielding | 3 |
the sound of a | 3 |
bellethorne at mountain camp | 3 |
she and chess had | 3 |
to make love to | 3 |
to come with him | 3 |
and i am sure | 3 |
that sophie carey had | 3 |
delayed long enough to | 3 |
stairs that led to | 3 |
little old woman who | 3 |
of the ghost town | 3 |
the island on which | 3 |
was to have a | 3 |
a man who had | 3 |
came in sight of | 3 |
to let him go | 3 |
let me tell you | 3 |
i thought you had | 3 |
give it to him | 3 |
i think i have | 3 |
the street scene in | 3 |
members of the party | 3 |
the head of a | 3 |
lighthouse point ruth fielding | 3 |
a little face at | 3 |
no place for a | 3 |
the three girls and | 3 |
girls by alice b | 3 |
in a world of | 3 |
the only way i | 3 |
carey had possessed a | 3 |
and has several unusual | 3 |
when she thought of | 3 |
in the morning she | 3 |
gordon in washington or | 3 |
all the way to | 3 |
anything at all about | 3 |
out of the camera | 3 |
them out of the | 3 |
that dakota joe fenbrook | 3 |
the pearls found in | 3 |
that would be too | 3 |
the likeness of a | 3 |
mill ruth fielding at | 3 |
and closed the door | 3 |
he was the bird | 3 |
had to see you | 3 |
it was not his | 3 |
on the east side | 3 |
beach plum point hermit | 3 |
take it to the | 3 |
a table in the | 3 |
of bunk like that | 3 |
at mountain camp or | 3 |
the outline of the | 3 |
it must be done | 3 |
i might have been | 3 |
she had been looking | 3 |
dressed up like a | 3 |
never heard of him | 3 |
she wanted to know | 3 |
the front page is | 3 |
at the breakfast table | 3 |
never be able to | 3 |
dixie ruth fielding at | 3 |
it was the name | 3 |
that was not the | 3 |
a woman whom he | 3 |
means nothing at all | 3 |
go on to the | 3 |
and the two of | 3 |
i told you so | 3 |
put him in jail | 3 |
getting out of the | 3 |
went in search of | 3 |
and i have a | 3 |
knew that she had | 3 |
that he had no | 3 |
is not to be | 3 |
street toward the station | 3 |
down east or the | 3 |
it was well after | 3 |
i got the idea | 3 |
away from the table | 3 |
starts for the door | 3 |
were met by the | 3 |
as she entered the | 3 |
in the office of | 3 |
the brink of the | 3 |
going to be in | 3 |
see that you are | 3 |
finally gets an idea | 3 |
doing her bit for | 3 |
of oil or the | 3 |
toward the end of | 3 |
to new york and | 3 |
lighthouse island or the | 3 |
was interested in the | 3 |
finger of his right | 3 |
i can give you | 3 |
at sunrise farm ruth | 3 |
ruth knew that she | 3 |
she had not yet | 3 |
a moving picture that | 3 |
to find out that | 3 |
said that you were | 3 |
he was willing to | 3 |
she held out her | 3 |
a hermit for revenue | 3 |
the street with a | 3 |
it was all over | 3 |
this was one of | 3 |
it had all been | 3 |
not know whether to | 3 |
to try her luck | 3 |
the sight of the | 3 |
i am quite sure | 3 |
down upon the edge | 3 |
for ruth and her | 3 |
roland and lord howe | 3 |
then he was gone | 3 |
him that she had | 3 |
to return to the | 3 |
in the picture and | 3 |
that is the way | 3 |
to answer the door | 3 |
i believe you are | 3 |
by the arm and | 3 |
for the purpose of | 3 |
of the kingdom of | 3 |
the curtain went up | 3 |
there was something in | 3 |
an interest in the | 3 |
but what do you | 3 |
or the treasure of | 3 |
each and every day | 3 |
the mark of a | 3 |
the land of gold | 3 |
keep an eye on | 3 |
have to worry about | 3 |
acting for the screen | 3 |
of the girl of | 3 |
mountain camp betty found | 3 |
i should like to | 3 |
middle of the room | 3 |
gets out of the | 3 |
to helen and jennie | 3 |
it as well as | 3 |
you are all right | 3 |
that it was an | 3 |
now wait a minute | 3 |
that told her that | 3 |
jack andrews landed in | 3 |
to be found in | 3 |
we ought to be | 3 |
the side of his | 3 |
a cup of tea | 3 |
but he was a | 3 |
soon as i can | 3 |
only thing to do | 3 |
the lights in the | 3 |
got out of the | 3 |
it over to the | 3 |
was a good thing | 3 |
college girls in the | 3 |
but she was glad | 3 |
it was the same | 3 |
did not intend to | 3 |
appeared on the scene | 3 |
it was easy to | 3 |
when he had made | 3 |
it was a very | 3 |
and then he gets | 3 |
the tale of the | 3 |
no better than a | 3 |
in the far north | 3 |
to look at them | 3 |
was not in the | 3 |
goes over to the | 3 |
did not want to | 3 |
the first time i | 3 |
boarding school or the | 3 |
richard the third thing | 3 |
by the sight of | 3 |
side door of the | 3 |
under the influence of | 3 |
washington or strange adventures | 3 |
was as good as | 3 |
woman who had been | 3 |
for the next two | 3 |
do anything for you | 3 |
that it was all | 3 |
in the center of | 3 |
pictures ruth fielding down | 3 |
picture that became real | 3 |
had made the engagement | 3 |
at this time of | 3 |
of a man of | 3 |
in spite of his | 3 |
the thought that she | 3 |
that she was florine | 3 |
before in my life | 3 |
of which she was | 3 |
more often than not | 3 |
from the countess ahmberg | 3 |
and in any case | 3 |
leon company ruth fielding | 3 |
in the days when | 3 |
put it up to | 3 |
the door closed behind | 3 |
as she could be | 3 |
grabs the kid by | 3 |
you know very well | 3 |
he turns to the | 3 |
i suppose it is | 3 |
that she was really | 3 |
tom agrees with him | 3 |
at once to the | 3 |
alone in the world | 3 |
i know you are | 3 |
that could not be | 3 |
that he could do | 3 |
just the right amount | 3 |
and the same time | 3 |
wish i had a | 3 |
the car into the | 3 |
there is to it | 3 |
point ruth fielding at | 3 |
the face of a | 3 |
be seen from the | 3 |
to believe that the | 3 |
we ought not to | 3 |
and i got a | 3 |
but aside from that | 3 |
leave it to me | 3 |
to help her mother | 3 |
there are lots of | 3 |
to take care of | 3 |
had been set up | 3 |
by the hand and | 3 |
had ceased to be | 3 |
was a lot of | 3 |
in a series of | 3 |
homeward bound ruth fielding | 3 |
i know it was | 3 |
she was not to | 3 |
she was about to | 3 |
you were going to | 3 |
with roland and tom | 3 |
turns to me and | 3 |
of the picture which | 3 |
generous gobs of gazoopis | 3 |
she seemed to be | 3 |
with my own eyes | 3 |
she could not be | 3 |
her father and mother | 3 |
but i want to | 3 |
the time of his | 3 |
he no fighta the | 3 |
as much as you | 3 |
out into the desert | 3 |
at college ruth fielding | 3 |
the next morning in | 3 |
look out for the | 3 |
shook her head and | 3 |
the place where the | 3 |
on which she had | 3 |
willing to pay for | 3 |
going to believe that | 3 |
there is no such | 3 |
a few words of | 3 |
the side door of | 3 |
be done for the | 3 |
descended from the sleigh | 3 |
in film city as | 3 |
the rest of her | 3 |
on the face of | 3 |
in love with lynn | 3 |
and it was evident | 3 |
president of the film | 3 |
a glance at her | 3 |
he seems to have | 3 |
capitol to find her | 3 |
of what she had | 3 |
might as well get | 3 |
cupples leon company publishers | 3 |
as she had been | 3 |
me and miss vincent | 3 |
the course of justice | 3 |
on the shores of | 3 |
before the camera and | 3 |
she was afraid that | 3 |
clears his throat and | 3 |
a case of mistaken | 3 |
be on the lot | 3 |
did you come to | 3 |
of his head and | 3 |
under the name of | 3 |
betty gordon at ocean | 3 |
shown on the screen | 3 |
you ought to know | 3 |
cliff island ruth fielding | 3 |
the director and the | 3 |
the floor of the | 3 |
at one time or | 3 |
make up for the | 3 |
and when lucinda had | 3 |
as one of them | 3 |
you know how it | 3 |
farm or the mystery | 3 |
war front ruth fielding | 3 |
every one of them | 3 |
in the dark as | 3 |
in the united states | 3 |
suddenly there was a | 3 |
in a dress suit | 3 |
it be possible that | 3 |
was a drop of | 3 |
that looked like a | 3 |
one of the first | 3 |
the kind of a | 3 |
in less than an | 3 |
the card of introduction | 3 |
she would never have | 3 |
in view of the | 3 |
what became of the | 3 |
the details of the | 3 |
hat and coat and | 3 |
and shook his head | 3 |
had possessed a key | 3 |
get out of here | 3 |
exactly what i mean | 3 |
to that of the | 3 |
and the next day | 3 |
that most of the | 3 |