This is a table of type trigram and their frequencies. Use it to search & browse the list to learn more about your study carrel.
trigram | frequency |
---|---|
i could not | 220 |
he did not | 186 |
it was a | 177 |
i did not | 166 |
she did not | 164 |
that he had | 158 |
one of the | 146 |
he could not | 144 |
there was a | 143 |
out of the | 142 |
that he was | 138 |
that it was | 130 |
it was not | 126 |
i do not | 126 |
he had been | 125 |
the first time | 125 |
the end of | 119 |
it was the | 113 |
and it was | 104 |
which he had | 104 |
there was no | 101 |
but it was | 101 |
end of the | 92 |
i should have | 90 |
the young man | 90 |
that she was | 87 |
for a moment | 86 |
i am not | 85 |
he had not | 83 |
for the first | 83 |
at the same | 83 |
do you think | 80 |
in spite of | 78 |
it would be | 78 |
did not know | 76 |
he was not | 74 |
as soon as | 73 |
of the room | 73 |
as well as | 73 |
it is not | 71 |
the same time | 71 |
on the table | 69 |
at the end | 68 |
i want to | 67 |
as it was | 67 |
had not been | 67 |
of the opera | 67 |
i was not | 66 |
be able to | 66 |
in the same | 65 |
she had been | 65 |
a kind of | 65 |
to be a | 64 |
to do with | 63 |
would have been | 63 |
she could not | 62 |
was to be | 62 |
and i was | 62 |
i should like | 59 |
as it were | 59 |
and he was | 59 |
i had not | 59 |
as he had | 59 |
that she had | 58 |
it is a | 57 |
one of those | 57 |
the middle of | 57 |
part of the | 56 |
was in the | 56 |
and did not | 55 |
as if he | 55 |
in front of | 54 |
what do you | 54 |
i shall never | 54 |
not to be | 53 |
side of the | 53 |
at the door | 53 |
it had been | 52 |
that i could | 52 |
to see her | 52 |
the rest of | 52 |
of the house | 51 |
said the tranter | 51 |
should like to | 50 |
in the world | 50 |
there is no | 48 |
seemed to have | 48 |
but i was | 48 |
that i had | 48 |
could not help | 48 |
what he had | 48 |
that i was | 47 |
he had seen | 47 |
when he had | 47 |
a great deal | 47 |
but he was | 47 |
he would not | 46 |
that he would | 46 |
she had not | 46 |
it was as | 46 |
if i had | 46 |
to do so | 46 |
it was so | 46 |
in the room | 45 |
he had never | 45 |
as he was | 45 |
if he had | 44 |
the back of | 44 |
opened the door | 44 |
up to the | 44 |
in which he | 43 |
back to the | 43 |
of his own | 43 |
corner of the | 43 |
he would have | 43 |
a sort of | 43 |
i have been | 43 |
might have been | 43 |
to the door | 42 |
to have been | 42 |
she was not | 42 |
i tell you | 42 |
was going to | 42 |
seemed to be | 42 |
when he was | 42 |
the name of | 41 |
but there was | 41 |
do you know | 41 |
in such a | 41 |
he had a | 41 |
i am going | 41 |
i should not | 41 |
i should be | 41 |
up and down | 41 |
middle of the | 40 |
a few minutes | 40 |
i have not | 40 |
in the morning | 40 |
it seemed to | 40 |
as far as | 40 |
to speak to | 40 |
he began to | 40 |
for some time | 40 |
on the sofa | 39 |
in the middle | 39 |
this was the | 39 |
i had never | 39 |
i am sure | 39 |
and i am | 39 |
must have been | 39 |
i have never | 39 |
do you mean | 39 |
it was only | 38 |
the opera ghost | 38 |
the fact that | 38 |
it is the | 38 |
that it is | 38 |
in the least | 38 |
i had been | 38 |
it will be | 38 |
and in the | 38 |
was the first | 38 |
you want to | 37 |
that i should | 37 |
in his hand | 37 |
angel of music | 37 |
to tell you | 37 |
to go to | 37 |
looked at him | 37 |
as i was | 37 |
was one of | 37 |
would not have | 37 |
the next morning | 36 |
i am very | 36 |
that he could | 36 |
was about to | 36 |
could not have | 36 |
the door of | 36 |
what is it | 36 |
i shall not | 36 |
and began to | 36 |
as long as | 36 |
what he was | 36 |
and i have | 36 |
rest of the | 35 |
he had to | 35 |
you are not | 35 |
in the dark | 35 |
at the time | 35 |
i had no | 35 |
i had a | 35 |
as if she | 35 |
the light of | 35 |
and looked at | 35 |
he was in | 34 |
to look at | 34 |
if you are | 34 |
it would have | 34 |
which she had | 34 |
if it were | 34 |
i wish i | 34 |
he was a | 34 |
to me that | 34 |
i was in | 34 |
the side of | 34 |
was not the | 34 |
you do not | 34 |
could not be | 34 |
i shall be | 34 |
for him to | 33 |
in the passage | 33 |
as he did | 33 |
as i have | 33 |
but it is | 33 |
and then i | 33 |
the angel of | 33 |
for it was | 33 |
do not know | 33 |
and it is | 33 |
which he was | 33 |
in the street | 33 |
that there was | 33 |
is to be | 33 |
the sound of | 32 |
of the same | 32 |
been able to | 32 |
i would not | 32 |
would not be | 32 |
went to the | 32 |
it must be | 32 |
she had never | 32 |
am going to | 32 |
that they were | 32 |
if he were | 32 |
had never been | 32 |
was obliged to | 32 |
as if it | 32 |
as she had | 32 |
he seemed to | 32 |
it was very | 32 |
but he had | 31 |
there was something | 31 |
the idea of | 31 |
in one of | 31 |
in the midst | 31 |
was in a | 31 |
he tried to | 31 |
at this moment | 31 |
on the other | 31 |
the sight of | 31 |
and i had | 31 |
of the first | 31 |
i knew that | 31 |
he had no | 31 |
to see him | 31 |
to be the | 31 |
to make a | 31 |
ought to be | 31 |
and he had | 31 |
for me to | 31 |
that had been | 30 |
it was in | 30 |
but she was | 30 |
and all the | 30 |
and as i | 30 |
at that moment | 30 |
her eyes were | 30 |
a piece of | 30 |
a long time | 30 |
at the opera | 30 |
at that time | 30 |
for a few | 30 |
more and more | 30 |
had been a | 30 |
the thought of | 30 |
half an hour | 29 |
came to the | 29 |
which i had | 29 |
but i do | 29 |
to me to | 29 |
and that he | 29 |
on the floor | 29 |
of the old | 29 |
in this way | 29 |
the midst of | 29 |
what it is | 29 |
it is to | 29 |
did not reply | 29 |
to say that | 29 |
down on the | 29 |
i was very | 29 |
more than a | 29 |
at her side | 29 |
it is so | 29 |
out of his | 29 |
i could have | 29 |
you think i | 29 |
should have been | 29 |
was a little | 29 |
and she was | 29 |
he had had | 29 |
for you to | 29 |
the corner of | 29 |
but i am | 28 |
but i could | 28 |
for her to | 28 |
if you had | 28 |
in the evening | 28 |
if she had | 28 |
he told me | 28 |
there was nothing | 28 |
she would have | 28 |
was as if | 28 |
what had happened | 28 |
i could only | 28 |
i had seen | 28 |
i will not | 28 |
as if i | 28 |
but i did | 28 |
all the same | 28 |
of the past | 28 |
that he might | 28 |
had never seen | 28 |
and at the | 28 |
in order to | 28 |
for an instant | 28 |
that he should | 28 |
in the face | 28 |
the head of | 28 |
want to know | 28 |
he had made | 28 |
tell me what | 27 |
from the first | 27 |
at the thought | 27 |
you have not | 27 |
he was going | 27 |
to tell me | 27 |
to see you | 27 |
the time of | 27 |
that i am | 27 |
as she was | 27 |
she said to | 27 |
i am so | 27 |
it was that | 27 |
it seemed as | 27 |
there is a | 27 |
and when i | 27 |
to leave the | 27 |
more than once | 27 |
and i could | 27 |
she looked at | 27 |
he was still | 27 |
as i do | 27 |
a couple of | 27 |
if i were | 27 |
i have no | 27 |
some of the | 27 |
of the day | 26 |
back of the | 26 |
and there was | 26 |
she was in | 26 |
the top of | 26 |
i should never | 26 |
it did not | 26 |
but i have | 26 |
him in the | 26 |
it was all | 26 |
him to the | 26 |
but i had | 26 |
that i have | 26 |
at the window | 26 |
you would have | 26 |
of the night | 26 |
they had been | 26 |
as much as | 26 |
to each other | 26 |
she would be | 26 |
was not a | 26 |
as though she | 26 |
it is true | 26 |
out into the | 26 |
of the window | 26 |
the room was | 26 |
to come to | 25 |
if she were | 25 |
on his knees | 25 |
i think it | 25 |
the whole of | 25 |
was out of | 25 |
i know you | 25 |
in a low | 25 |
in her hand | 25 |
was not to | 25 |
had been so | 25 |
a low voice | 25 |
vicomte de chagny | 25 |
the edge of | 25 |
the bottom of | 25 |
against the wall | 25 |
in the air | 25 |
he had heard | 25 |
front of the | 25 |
for i had | 25 |
go to the | 25 |
the face of | 25 |
did not even | 25 |
i had to | 25 |
to the window | 25 |
of which he | 25 |
when i came | 24 |
i went to | 24 |
i should think | 24 |
i ought to | 24 |
on the contrary | 24 |
was a great | 24 |
upon the table | 24 |
it was impossible | 24 |
i would have | 24 |
of a man | 24 |
he went on | 24 |
of such a | 24 |
shook his head | 24 |
light of the | 24 |
the foot of | 24 |
you will not | 24 |
was able to | 24 |
you know what | 24 |
edge of the | 24 |
in the house | 24 |
such a thing | 24 |
let us go | 24 |
i was so | 24 |
on to the | 24 |
at the foot | 24 |
that it would | 24 |
and tried to | 24 |
some one else | 24 |
on the lake | 24 |
it was too | 24 |
that she could | 24 |
in the next | 24 |
two or three | 24 |
an air of | 24 |
what she had | 24 |
of all the | 24 |
a matter of | 24 |
and that is | 24 |
of the most | 24 |
of the hall | 24 |
it was just | 24 |
out of her | 23 |
the first to | 23 |
and then he | 23 |
of my own | 23 |
a quarter of | 23 |
there had been | 23 |
why did you | 23 |
when i saw | 23 |
of the town | 23 |
to be so | 23 |
the air of | 23 |
of an hour | 23 |
looked at her | 23 |
in the way | 23 |
it might be | 23 |
in his arms | 23 |
that she would | 23 |
as if to | 23 |
what are you | 23 |
i wish to | 23 |
me in the | 23 |
for i was | 23 |
if i could | 23 |
shall never forget | 23 |
that of the | 23 |
and in a | 23 |
was a very | 23 |
i wanted to | 23 |
face to face | 23 |
not in the | 23 |
said to me | 23 |
why do you | 23 |
i thought i | 23 |
it is very | 23 |
and when he | 23 |
not at all | 23 |
he would be | 23 |
you would not | 22 |
i used to | 22 |
a man who | 22 |
a corner of | 22 |
as he stood | 22 |
had been in | 22 |
i thought it | 22 |
seemed to him | 22 |
as though he | 22 |
who had been | 22 |
as they were | 22 |
did not think | 22 |
seemed to me | 22 |
the course of | 22 |
and i will | 22 |
for the most | 22 |
you must not | 22 |
will not be | 22 |
at the back | 22 |
on the first | 22 |
he was so | 22 |
the next day | 22 |
of the gagliarda | 22 |
that you are | 22 |
it was to | 22 |
beg your pardon | 22 |
to the piano | 22 |
and that was | 22 |
in his own | 22 |
soon as he | 22 |
i was a | 22 |
that is to | 22 |
of the kind | 22 |
for he had | 22 |
as if the | 22 |
were in the | 22 |
at the top | 22 |
now and then | 22 |
i thought you | 22 |
if you will | 22 |
as it is | 21 |
seemed as if | 21 |
on which he | 21 |
of her own | 21 |
that no one | 21 |
and i should | 21 |
was going on | 21 |
that i might | 21 |
the presence of | 21 |
on the stage | 21 |
one by one | 21 |
i would rather | 21 |
as i could | 21 |
down to the | 21 |
that she did | 21 |
not going to | 21 |
at the bottom | 21 |
and yet i | 21 |
did not see | 21 |
i beg your | 21 |
the most part | 21 |
you know that | 21 |
i am afraid | 21 |
and on the | 21 |
door of the | 21 |
was more than | 21 |
had begun to | 21 |
so far as | 21 |
to his feet | 21 |
it in the | 21 |
you must be | 21 |
he would never | 21 |
at the moment | 21 |
what it was | 21 |
one in the | 21 |
do not think | 21 |
to the floor | 21 |
not have been | 21 |
of the music | 21 |
to see me | 21 |
had to be | 21 |
i have a | 21 |
here and there | 21 |
in a few | 21 |
and sat down | 21 |
which i have | 21 |
was the only | 21 |
you will be | 21 |
he looked at | 21 |
it may be | 21 |
into the room | 21 |
had come to | 21 |
he knew that | 21 |
i could see | 21 |
she seemed to | 21 |
of the ghost | 20 |
she would not | 20 |
she began to | 20 |
he was the | 20 |
and i shall | 20 |
have been a | 20 |
i have seen | 20 |
how do you | 20 |
to be able | 20 |
when she was | 20 |
which he could | 20 |
i told you | 20 |
ought to have | 20 |
in a tone | 20 |
i have said | 20 |
to be seen | 20 |
for he was | 20 |
was at the | 20 |
for a time | 20 |
in a moment | 20 |
but he did | 20 |
he had done | 20 |
by the way | 20 |
of the table | 20 |
of those who | 20 |
is it not | 20 |
bottom of the | 20 |
was on the | 20 |
i came to | 20 |
was no longer | 20 |
that was the | 20 |
tell you that | 20 |
side by side | 20 |
they did not | 20 |
he came to | 20 |
that you should | 20 |
quarter of an | 20 |
the vicomte de | 20 |
you ought to | 20 |
to go out | 20 |
when she had | 20 |
said in a | 20 |
a pair of | 20 |
and the persian | 20 |
to think of | 20 |
of which was | 19 |
and no one | 19 |
me that i | 19 |
what did you | 19 |
him to be | 19 |
by this time | 19 |
a part of | 19 |
a moment later | 19 |
to him that | 19 |
it to me | 19 |
you tell me | 19 |
to his own | 19 |
a man of | 19 |
as i did | 19 |
did not seem | 19 |
have you been | 19 |
in order that | 19 |
nothing to do | 19 |
to listen to | 19 |
as he spoke | 19 |
that it had | 19 |
that is the | 19 |
he had finished | 19 |
up in the | 19 |
it was no | 19 |
which had been | 19 |
and as he | 19 |
house on the | 19 |
top of the | 19 |
i saw the | 19 |
could not see | 19 |
i was quite | 19 |
she was still | 19 |
the voice of | 19 |
to be done | 19 |
take care of | 19 |
he saw that | 19 |
she raised her | 19 |
his eyes were | 19 |
could not but | 19 |
he was very | 19 |
felt as if | 19 |
to ask you | 19 |
if you please | 19 |
rose to his | 19 |
do you want | 19 |
and then she | 19 |
as i had | 19 |
with which he | 19 |
in the town | 19 |
but did not | 19 |
of her face | 19 |
the night before | 19 |
of which i | 19 |
i never saw | 19 |
was forced to | 19 |
the last time | 19 |
as a child | 19 |
and if you | 19 |
and at last | 19 |
there was an | 19 |
when i was | 19 |
the day before | 19 |
i hope you | 18 |
as if you | 18 |
stood at the | 18 |
i think i | 18 |
to come and | 18 |
in all the | 18 |
about the room | 18 |
to the table | 18 |
of the world | 18 |
he had gone | 18 |
so as to | 18 |
and you will | 18 |
her face was | 18 |
without a word | 18 |
it to be | 18 |
you have been | 18 |
at the table | 18 |
way to the | 18 |
left the room | 18 |
she was very | 18 |
but she did | 18 |
it was an | 18 |
you and i | 18 |
in the distance | 18 |
so much to | 18 |
what i had | 18 |
should never have | 18 |
a state of | 18 |
i had ever | 18 |
i must go | 18 |
what is the | 18 |
was impossible to | 18 |
from time to | 18 |
in his face | 18 |
is not a | 18 |
went back to | 18 |
to the other | 18 |
to the young | 18 |
i have to | 18 |
to do it | 18 |
to believe that | 18 |
on the ground | 18 |
ask you to | 18 |
took no notice | 18 |
in which the | 18 |
i had known | 18 |
could not find | 18 |
after he had | 18 |
the house on | 18 |
in her own | 18 |
foot of the | 18 |
could not bear | 18 |
the shape of | 18 |
know what you | 18 |
of the piano | 18 |
he saw her | 18 |
was not in | 18 |
one of his | 18 |
no one else | 18 |
i know not | 18 |
you would be | 18 |
i am to | 18 |
time to time | 18 |
i should say | 18 |
i can only | 18 |
fixed on the | 18 |
to which he | 18 |
the hands of | 18 |
with his hands | 18 |
returned to the | 18 |
in which she | 18 |
i have heard | 18 |
he had come | 18 |
had not seen | 18 |
of one of | 18 |
he might have | 18 |
and he would | 17 |
gave me a | 17 |
to an end | 17 |
down the stairs | 17 |
of his life | 17 |
speak to you | 17 |
spite of the | 17 |
we could not | 17 |
a young man | 17 |
a few days | 17 |
they had not | 17 |
in the little | 17 |
in a corner | 17 |
he said to | 17 |
as i am | 17 |
which i was | 17 |
a good deal | 17 |
that you have | 17 |
at the sight | 17 |
look at her | 17 |
his head on | 17 |
at once to | 17 |
out on the | 17 |
looked at me | 17 |
you are a | 17 |
the heart of | 17 |
to make you | 17 |
he had found | 17 |
i want you | 17 |
you will never | 17 |
members of the | 17 |
in the course | 17 |
of the story | 17 |
you are very | 17 |
of the afternoon | 17 |
i know it | 17 |
to make her | 17 |
of the building | 17 |
he said in | 17 |
to see if | 17 |
in the very | 17 |
of this kind | 17 |
it was like | 17 |
like to see | 17 |
and that the | 17 |
where he had | 17 |
when it was | 17 |
in a very | 17 |
by means of | 17 |
to take a | 17 |
open the door | 17 |
went into the | 17 |
is to say | 17 |
again and again | 17 |
to have a | 17 |
the young men | 17 |
it struck me | 17 |
at his side | 17 |
though it was | 17 |
the only one | 17 |
the matter with | 17 |
you did not | 17 |
of the two | 17 |
a number of | 17 |
and i felt | 17 |
and i do | 17 |
the effect of | 17 |
to see the | 17 |
know what i | 17 |
the other hand | 17 |
look at the | 17 |
i am a | 17 |
him with a | 17 |
to go on | 17 |
will tell you | 17 |
she went on | 17 |
the next room | 17 |
as you are | 17 |
had not yet | 17 |
the tone of | 17 |
you have no | 17 |
as to the | 17 |
and i know | 17 |
that he must | 17 |
he could have | 17 |
that of a | 17 |
kind to me | 17 |
did not speak | 16 |
her in the | 16 |
of the door | 16 |
her to be | 16 |
of the man | 16 |
than he had | 16 |
to be at | 16 |
that i must | 16 |
of the question | 16 |
for i knew | 16 |
my brother was | 16 |
in the light | 16 |
me to be | 16 |
maurice did not | 16 |
to say to | 16 |
to be very | 16 |
as she spoke | 16 |
allow me to | 16 |
i was just | 16 |
where he was | 16 |
know what it | 16 |
as he went | 16 |
because of the | 16 |
of her hair | 16 |
of the conservatorium | 16 |
than i had | 16 |
just as he | 16 |
in the darkness | 16 |
a few words | 16 |
a sense of | 16 |
all the rest | 16 |
up from the | 16 |
the arms of | 16 |
it on the | 16 |
not know how | 16 |
and if i | 16 |
eyes fixed on | 16 |
the villa de | 16 |
is a very | 16 |
i think you | 16 |
and could not | 16 |
me to do | 16 |
him at the | 16 |
with the same | 16 |
how dare you | 16 |
of the street | 16 |
to my mind | 16 |
villa de angelis | 16 |
her to him | 16 |
you must go | 16 |
in the first | 16 |
of the gallery | 16 |
what you mean | 16 |
three or four | 16 |
she sat down | 16 |
of the way | 16 |
on either side | 16 |
you are so | 16 |
had made a | 16 |
to make the | 16 |
of the evening | 16 |
if you can | 16 |
to know what | 16 |
this is the | 16 |
me to the | 16 |
he had the | 16 |
i saw you | 16 |
to and fro | 16 |
him on the | 16 |
it to the | 16 |
waiting for the | 16 |
his hand on | 16 |
i wish you | 16 |
debienne and poligny | 16 |
of the little | 16 |
you know i | 16 |
one of these | 16 |
like to know | 16 |
a touch of | 16 |
to find out | 16 |
had time to | 16 |
i believe i | 16 |
it was with | 16 |
though he had | 16 |
you like to | 16 |
the power of | 16 |
a bit of | 16 |
have been the | 16 |
and now i | 16 |
how can you | 16 |
it would not | 16 |
did not like | 16 |
and then the | 16 |
all the time | 16 |
it is only | 16 |
in his pockets | 16 |
and with the | 16 |
the direction of | 16 |
and made a | 16 |
in the corner | 16 |
a glass of | 16 |
i felt as | 16 |
in a small | 16 |
of the sofa | 16 |
he took her | 16 |
at the piano | 16 |
for the sake | 16 |
i know that | 16 |
were going to | 16 |
to see it | 15 |
i assure you | 15 |
what i have | 15 |
a feeling of | 15 |
he sat down | 15 |
should not be | 15 |
to let her | 15 |
was not so | 15 |
him for a | 15 |
the story of | 15 |
he had known | 15 |
at the corner | 15 |
to the right | 15 |
more than one | 15 |
she tried to | 15 |
there was not | 15 |
to be heard | 15 |
face of the | 15 |
and i did | 15 |
and that i | 15 |
the door and | 15 |
what she was | 15 |
head on his | 15 |
a very good | 15 |
he had left | 15 |
to him in | 15 |
they were not | 15 |
had been the | 15 |
for all the | 15 |
was conscious of | 15 |
out his hand | 15 |
should not have | 15 |
he went to | 15 |
with a smile | 15 |
down at the | 15 |
was no more | 15 |
you are the | 15 |
in my own | 15 |
to face with | 15 |
he had just | 15 |
his hands in | 15 |
to see how | 15 |
the sake of | 15 |
in addition to | 15 |
have never seen | 15 |
a friend of | 15 |
out of my | 15 |
air of the | 15 |
or at least | 15 |
to take her | 15 |
the shadow of | 15 |
before i could | 15 |
and went to | 15 |
come to the | 15 |
i cannot say | 15 |
the eyes of | 15 |
i will tell | 15 |
you are to | 15 |
to the opera | 15 |
i am certain | 15 |
as in the | 15 |
at a time | 15 |
looked up at | 15 |
with all the | 15 |
the other side | 15 |
would never have | 15 |
that this was | 15 |
a few steps | 15 |
before he had | 15 |
to her lips | 15 |
did not take | 15 |
i heard a | 15 |
my dear edward | 15 |
if it had | 15 |
it might have | 15 |
that my brother | 15 |
and out of | 15 |
did not care | 15 |
that you will | 15 |
there is nothing | 15 |
at the very | 15 |
to his lips | 15 |
an hour or | 15 |
when they were | 15 |
to be sure | 15 |
i have had | 15 |
i know what | 15 |
i believe that | 15 |
and there were | 15 |
to see that | 15 |
the centre of | 15 |
first time i | 15 |
him that he | 15 |
on account of | 15 |
of the ballet | 15 |
to some one | 15 |
in my mind | 15 |
she had a | 15 |
or i should | 15 |
in the box | 15 |
said the persian | 15 |
but i knew | 15 |
of the orchestra | 15 |
my brother had | 15 |
if you were | 15 |
to him and | 15 |
himself on the | 15 |
he had taken | 15 |
thought you would | 15 |
cellars of the | 15 |
was the last | 15 |
looked at the | 15 |
it was of | 15 |
i began to | 14 |
a word to | 14 |
but this was | 14 |
i knew it | 14 |
of the previous | 14 |
the whole affair | 14 |
me what i | 14 |
back to her | 14 |
the subject of | 14 |
her to the | 14 |
at the last | 14 |
to the full | 14 |
in his pocket | 14 |
the pleasure of | 14 |
and you know | 14 |
one of her | 14 |
when it is | 14 |
they were all | 14 |
have something to | 14 |
the cellars of | 14 |
was that of | 14 |
those who had | 14 |
what i am | 14 |
in the direction | 14 |
he had said | 14 |
to sit down | 14 |
in the wall | 14 |
turned her head | 14 |
that they should | 14 |
me that he | 14 |
had no idea | 14 |
of which the | 14 |
he put his | 14 |
great deal of | 14 |
up the stairs | 14 |
the same thing | 14 |
for the last | 14 |
not one of | 14 |
for she had | 14 |
of which she | 14 |
of the morning | 14 |
he was doing | 14 |
no one could | 14 |
round and round | 14 |
the man who | 14 |
the fact of | 14 |
in her eyes | 14 |
it must have | 14 |
he heard her | 14 |
it was now | 14 |
and my mother | 14 |
told me that | 14 |
was very much | 14 |
and seemed to | 14 |
more than i | 14 |
to hear it | 14 |
it was he | 14 |
if i am | 14 |
the moment when | 14 |
for a little | 14 |
one and all | 14 |
she had done | 14 |
out her hand | 14 |
in the third | 14 |
am i to | 14 |
of no use | 14 |
of the young | 14 |
back to him | 14 |
first time in | 14 |
to any one | 14 |
the voice was | 14 |
no notice of | 14 |
so that i | 14 |
but you are | 14 |
went up to | 14 |
nothing of the | 14 |
on the way | 14 |
had to do | 14 |
did not say | 14 |
is the matter | 14 |
he was obliged | 14 |
of the bed | 14 |
was just as | 14 |
had gone to | 14 |
i saw that | 14 |
they were the | 14 |
as you have | 14 |
in his life | 14 |
the front of | 14 |
she continued to | 14 |
i need not | 14 |
lying on the | 14 |
he was too | 14 |
but i will | 14 |
the part of | 14 |
but i should | 14 |
she said in | 14 |
was only a | 14 |
and with a | 14 |
of the violin | 14 |
all about it | 14 |
to the end | 14 |
in and out | 14 |
i knew not | 14 |
come to me | 14 |
to me in | 14 |
tell you what | 14 |
when you are | 14 |
to return to | 14 |
none the less | 14 |
to the house | 14 |
so much as | 14 |
at the head | 14 |
i was only | 14 |
had nothing to | 14 |
i looked at | 14 |
so that the | 14 |
the death of | 14 |
sight of the | 14 |
the third cellar | 14 |
the previous night | 14 |
towards the end | 14 |
shut the door | 14 |
by the time | 14 |
for a week | 14 |
you must have | 14 |
shook her head | 14 |
told him that | 14 |
look at him | 14 |
some one who | 14 |
as though the | 14 |
state of mind | 14 |
her by the | 14 |
be in the | 14 |
what i was | 14 |
i was at | 14 |
of the place | 14 |
had given him | 14 |
me with a | 14 |
in his mind | 14 |
on a chair | 14 |
if you like | 14 |
hands in his | 14 |
no right to | 14 |
for a long | 14 |
and for the | 14 |
was like a | 14 |
is no one | 14 |
have liked to | 14 |
to say so | 14 |
not know what | 14 |
what have you | 13 |
and the next | 13 |
front of him | 13 |
him to do | 13 |
lest i should | 13 |
are going to | 13 |
to make it | 13 |
she was a | 13 |
was aware of | 13 |
him in his | 13 |
and she had | 13 |
where she was | 13 |
the depths of | 13 |
of the other | 13 |
her back to | 13 |
but at the | 13 |
sat down at | 13 |
i might have | 13 |
to ask him | 13 |
to take his | 13 |
to hear you | 13 |
the expression of | 13 |
he had always | 13 |
want to be | 13 |
it was evident | 13 |
for the present | 13 |
than she had | 13 |
he could only | 13 |
one or two | 13 |
in his brain | 13 |
to the theatre | 13 |
in the garden | 13 |
ought not to | 13 |
sat down on | 13 |
do with it | 13 |
if you do | 13 |
what i mean | 13 |
how he had | 13 |
for a walk | 13 |
she is a | 13 |
was beginning to | 13 |
had left her | 13 |
commissary of police | 13 |
said old william | 13 |
of course i | 13 |
i cannot tell | 13 |
with his own | 13 |
him in a | 13 |
no one but | 13 |
and as the | 13 |
i had heard | 13 |
head to foot | 13 |
i knew you | 13 |
he made a | 13 |
the events of | 13 |
man in the | 13 |
she had no | 13 |
in an instant | 13 |
to speak of | 13 |
at his own | 13 |
standing on the | 13 |
going to be | 13 |
up to him | 13 |
and i knew | 13 |
head of the | 13 |
had always been | 13 |
no one in | 13 |
he did so | 13 |
lost in the | 13 |
but in the | 13 |
was to have | 13 |
with his hand | 13 |
saying that he | 13 |
i was afraid | 13 |
may have been | 13 |
her as she | 13 |
he could see | 13 |
to tell him | 13 |
thought of the | 13 |
on his part | 13 |
he shook his | 13 |
in the presence | 13 |
a sheet of | 13 |
though he was | 13 |
it should be | 13 |
round the room | 13 |
she was to | 13 |
to her that | 13 |
and we were | 13 |
in her room | 13 |
his face was | 13 |
i mean to | 13 |
he wished to | 13 |
i was about | 13 |
the meaning of | 13 |
if it is | 13 |
in her life | 13 |
did not answer | 13 |
of the performance | 13 |
whom he had | 13 |
that you may | 13 |
as she did | 13 |
that seemed to | 13 |
he is not | 13 |
of course not | 13 |
i love you | 13 |
with my own | 13 |
that would be | 13 |
you are right | 13 |
which it was | 13 |
speak to me | 13 |
you love me | 13 |
at this time | 13 |
said the young | 13 |
i thought of | 13 |
and this was | 13 |
for i am | 13 |
think i should | 13 |
think it is | 13 |
she came to | 13 |
in a voice | 13 |
the door was | 13 |
aware of the | 13 |
only a few | 13 |
at him with | 13 |
the commissary of | 13 |
and i believe | 13 |
something in the | 13 |
before he could | 13 |
whole of the | 13 |
and i never | 13 |
i suppose you | 13 |
it had not | 13 |
though he were | 13 |
you will have | 13 |
as a rule | 13 |
would like to | 13 |
and she did | 13 |
they would have | 13 |
he is a | 13 |
me a little | 13 |
do you remember | 13 |
for more than | 13 |
that we should | 13 |
would have done | 13 |
for i have | 13 |
but if i | 13 |
which seemed to | 13 |
had no doubt | 13 |
and i can | 13 |
in the other | 13 |
it from the | 13 |
and a few | 13 |
had left the | 13 |
i was going | 13 |
they are all | 13 |
a look of | 13 |
in my life | 13 |
in the afternoon | 13 |
the best of | 13 |
are you going | 13 |
of her dress | 13 |
he was conscious | 13 |
i never heard | 13 |
from head to | 13 |
there would be | 13 |
and he could | 13 |
i found myself | 12 |
the first thing | 12 |
you are all | 12 |
did not come | 12 |
that you had | 12 |
the idea that | 12 |
we shall have | 12 |
according to the | 12 |
him that the | 12 |
had had no | 12 |
and a little | 12 |
they are not | 12 |
the point of | 12 |
have been in | 12 |
get rid of | 12 |
went out of | 12 |
why are you | 12 |
saw that he | 12 |
no one had | 12 |
i dared not | 12 |
it in his | 12 |
was not only | 12 |
wanted to know | 12 |
the way to | 12 |
in the cellars | 12 |
night of the | 12 |
and that it | 12 |
and i said | 12 |
thought it was | 12 |
by way of | 12 |
of a sudden | 12 |
which they had | 12 |
but i know | 12 |
the right to | 12 |
the cause of | 12 |
and down the | 12 |
and i cannot | 12 |
knew that he | 12 |
he was afraid | 12 |
spoke to me | 12 |
would have liked | 12 |
at last he | 12 |
what he said | 12 |
to his room | 12 |
those who were | 12 |
you have a | 12 |
in the bruderstrasse | 12 |
those of the | 12 |
the foyer of | 12 |
it was his | 12 |
i could do | 12 |
man who had | 12 |
but he could | 12 |
you have never | 12 |
that i did | 12 |
while i was | 12 |
but if you | 12 |
by the arm | 12 |
for the rest | 12 |
he turned and | 12 |
on the top | 12 |
not like to | 12 |
on the piano | 12 |
all that i | 12 |
door was opened | 12 |
when he came | 12 |
far as i | 12 |
it was quite | 12 |
in which i | 12 |
on the right | 12 |
half a dozen | 12 |
the nature of | 12 |
a little child | 12 |
as though they | 12 |
of its own | 12 |
see her again | 12 |
was full of | 12 |
no time to | 12 |
you must know | 12 |
sight of him | 12 |
that is a | 12 |
i was to | 12 |
she is not | 12 |
to himself that | 12 |
but for the | 12 |
but when he | 12 |
in the whole | 12 |
i can tell | 12 |
a moment to | 12 |
and when she | 12 |
all at once | 12 |
a burst of | 12 |
i am in | 12 |
have nothing to | 12 |
and the more | 12 |
of the whole | 12 |
as you know | 12 |
this was a | 12 |
he laid his | 12 |
centre of the | 12 |
with his eyes | 12 |
the wicker chair | 12 |
floor of the | 12 |
the level of | 12 |
friend of mine | 12 |
which made him | 12 |
and he did | 12 |
on his forehead | 12 |
he opened the | 12 |
raoul de chagny | 12 |
the door in | 12 |
thank you for | 12 |
asked me to | 12 |
he returned to | 12 |
richard and moncharmin | 12 |
in his room | 12 |
on the grand | 12 |
to think that | 12 |
she wore a | 12 |
for she was | 12 |
told me so | 12 |
who did not | 12 |
she made no | 12 |
at the festival | 12 |
was on his | 12 |
one of them | 12 |
you would never | 12 |
i saw her | 12 |
held out her | 12 |
of what he | 12 |
the only thing | 12 |
stood on the | 12 |
in the day | 12 |
hand in his | 12 |
on the same | 12 |
it to him | 12 |
wish to be | 12 |
but no one | 12 |
in the meantime | 12 |
thought of it | 12 |
him as he | 12 |
the memory of | 12 |
the other day | 12 |
in this case | 12 |
he felt that | 12 |
which she was | 12 |
of adrian temple | 12 |
that was all | 12 |
of the summer | 12 |
hands to her | 12 |
as we were | 12 |
of what i | 12 |
foyer of the | 12 |
it was her | 12 |
his eyes fixed | 12 |
there was only | 12 |
and of the | 12 |
did not look | 12 |
and then we | 12 |
would be impossible | 12 |
as he could | 12 |
frame of mind | 12 |
for i could | 12 |
it with a | 12 |
for a minute | 12 |
the beginning of | 12 |
and you are | 12 |
of her eyes | 12 |
and by the | 12 |
he could do | 12 |
she was going | 12 |
want you to | 12 |
let me see | 12 |
he does not | 12 |
to him to | 12 |
a few seconds | 12 |
did not mean | 12 |
it will not | 12 |
her voice was | 12 |
on which the | 12 |
we had a | 12 |
at the idea | 12 |
saw that the | 12 |
i thought that | 12 |
as if they | 12 |
with a sudden | 12 |
it was one | 12 |
in time to | 12 |
an expression of | 12 |
to hear the | 12 |
was waiting for | 11 |
story of the | 11 |
a glimpse of | 11 |
though she was | 11 |
came up to | 11 |
say to you | 11 |
upon the floor | 11 |
and they were | 11 |
of the instrument | 11 |
the little one | 11 |
his head and | 11 |
there is some | 11 |
as it had | 11 |
the air was | 11 |
i must say | 11 |
was covered with | 11 |
her to come | 11 |
it could be | 11 |
she had left | 11 |
i was astonished | 11 |
of her life | 11 |
the night of | 11 |
something of the | 11 |
by no means | 11 |
once or twice | 11 |
the rue scribe | 11 |
let her go | 11 |
i was too | 11 |
i could tell | 11 |
i can see | 11 |
was no doubt | 11 |
the old woman | 11 |
that she might | 11 |
care for me | 11 |
me as i | 11 |
a letter from | 11 |
you have done | 11 |
a little boy | 11 |
began to speak | 11 |
that such a | 11 |
that you can | 11 |
to be married | 11 |
he had once | 11 |
and when the | 11 |
into the passage | 11 |
the influence of | 11 |
he was now | 11 |
me that you | 11 |
her hand to | 11 |
raoul and the | 11 |
and then a | 11 |
the fact is | 11 |
he must have | 11 |
to be taken | 11 |
in any case | 11 |
was ready to | 11 |
if she did | 11 |
to give a | 11 |
when i heard | 11 |
to be in | 11 |
shall never be | 11 |
the other end | 11 |
of the last | 11 |
on the subject | 11 |
would have to | 11 |
with the most | 11 |
of the trees | 11 |
and i went | 11 |
the walls of | 11 |
the house was | 11 |
now it was | 11 |
though i could | 11 |
in a state | 11 |
the thought that | 11 |
the place of | 11 |
i must be | 11 |
it was more | 11 |
and was so | 11 |
in the hall | 11 |
the chevalier seraphael | 11 |
i believe it | 11 |
but when i | 11 |
that we had | 11 |
knife and fork | 11 |
a tone of | 11 |
think i shall | 11 |
through and through | 11 |
to make me | 11 |
that is not | 11 |
of the chevalier | 11 |
in the hope | 11 |
in the rue | 11 |
and went on | 11 |
in the second | 11 |
at any rate | 11 |
she had said | 11 |
not been able | 11 |
had it not | 11 |
i have ever | 11 |
the lid of | 11 |
sitting in the | 11 |
the object of | 11 |
but i must | 11 |
down the street | 11 |
with a kind | 11 |
he turned his | 11 |
the prospect of | 11 |
i felt i | 11 |
the history of | 11 |
if i did | 11 |
even in the | 11 |
and it had | 11 |
in the shape | 11 |
i heard him | 11 |
advantage of the | 11 |
in the long | 11 |
behind the scenes | 11 |
he was never | 11 |
began to feel | 11 |
no matter what | 11 |
himself in the | 11 |
are you doing | 11 |
than i am | 11 |
over his shoulder | 11 |
her out of | 11 |
to the fact | 11 |
the two managers | 11 |
from the window | 11 |
at all events | 11 |
he turned to | 11 |
if they had | 11 |
you to be | 11 |
you to do | 11 |
how she had | 11 |
those who have | 11 |
will it be | 11 |
going to the | 11 |
when they had | 11 |
i shall go | 11 |
out in the | 11 |
not seem to | 11 |
have been so | 11 |
his hand to | 11 |
not to come | 11 |
had he not | 11 |
in her hands | 11 |
as that of | 11 |
her on the | 11 |
in the case | 11 |
waiting for me | 11 |
to the little | 11 |
a note of | 11 |
up on the | 11 |
to take the | 11 |
what you are | 11 |
put his arm | 11 |
as you did | 11 |
and opened the | 11 |
to help me | 11 |
they could not | 11 |
i thought he | 11 |
the form of | 11 |
had happened to | 11 |
enough to be | 11 |
seemed as though | 11 |
i looked up | 11 |
lest he should | 11 |
with her head | 11 |
it was true | 11 |
hand on his | 11 |
that he did | 11 |
the iron tree | 11 |
but that he | 11 |
just as well | 11 |
to tell the | 11 |
he had only | 11 |
more or less | 11 |
wish i could | 11 |
of the wall | 11 |
had told me | 11 |
which it is | 11 |
beauty of the | 11 |
all the more | 11 |
but she had | 11 |
to me of | 11 |
went down the | 11 |
and as she | 11 |
of a new | 11 |
do you say | 11 |
surface of the | 11 |
that is what | 11 |
i can do | 11 |
he saw the | 11 |
i said to | 11 |
could not get | 11 |
on the part | 11 |
you see that | 11 |
wish i had | 11 |
with the utmost | 11 |
the previous evening | 11 |
and i saw | 11 |
them in the | 11 |
of the stage | 11 |
in the name | 11 |
on the point | 11 |
he reached the | 11 |
he was to | 11 |
the young lady | 11 |
day by day | 11 |
not think it | 11 |
the door opened | 11 |
i can never | 11 |
but when she | 11 |
place in the | 11 |
i was obliged | 11 |
a few moments | 11 |
and it would | 11 |
to whom he | 11 |
we are not | 11 |
of his eyes | 11 |
we were all | 11 |
too much for | 11 |
them on the | 11 |
it is all | 11 |
a little while | 11 |
us in the | 11 |
i like to | 11 |
he heard the | 11 |
turned to the | 11 |
down in the | 11 |
been forced to | 11 |
all of a | 11 |
think of it | 11 |
and left the | 11 |
he left the | 11 |
was unable to | 11 |
to play the | 11 |
put on a | 11 |
and went out | 11 |
standing in the | 11 |
who had come | 11 |
i think that | 11 |
you were not | 11 |
end of a | 11 |
then and there | 11 |
to see what | 11 |
the two young | 11 |
not come to | 11 |
of his friends | 11 |
though she had | 11 |
of the very | 11 |
time of the | 11 |
of the letter | 11 |
comte de chagny | 11 |
all that is | 11 |
away from the | 11 |
her with a | 11 |
reminded me of | 11 |
no one ever | 11 |
she had gone | 11 |
alone in the | 11 |
that he has | 11 |
i have often | 11 |
the music of | 10 |
to go away | 10 |
of the fact | 10 |
much as i | 10 |
and still more | 10 |
too young to | 10 |
run away with | 10 |
and at once | 10 |
you shall have | 10 |
i am the | 10 |
to the last | 10 |
are you not | 10 |
is not the | 10 |
could see the | 10 |
is in the | 10 |
you told me | 10 |
the spirit of | 10 |
away from him | 10 |
from the beginning | 10 |
heart of the | 10 |
we must not | 10 |
just the same | 10 |
de chagny and | 10 |
have told you | 10 |
were not to | 10 |
be done with | 10 |
what she said | 10 |
how it was | 10 |
to me as | 10 |
other side of | 10 |
on her lips | 10 |
that was a | 10 |
more than half | 10 |
but i think | 10 |
he must be | 10 |
of his mind | 10 |
of any kind | 10 |
came back to | 10 |
if he could | 10 |
i will go | 10 |
were a little | 10 |
sat down to | 10 |
him when he | 10 |
on this day | 10 |
what does it | 10 |
to the old | 10 |
was too much | 10 |
no more than | 10 |
was only one | 10 |
on her face | 10 |
after a few | 10 |
a heap of | 10 |
on the left | 10 |
think of the | 10 |
well as i | 10 |
to the front | 10 |
to the ground | 10 |
had still to | 10 |
put an end | 10 |
before she was | 10 |
of the next | 10 |
had not come | 10 |
the brim of | 10 |
with all her | 10 |
the better for | 10 |
to sing in | 10 |
how could i | 10 |
a pupil of | 10 |
to turn the | 10 |
i saw it | 10 |
to be alone | 10 |
had gone out | 10 |
when i am | 10 |
from which the | 10 |
her hand on | 10 |
i must not | 10 |
spite of his | 10 |
not look at | 10 |
that was not | 10 |
did not understand | 10 |
day or two | 10 |
of the lake | 10 |
one of my | 10 |
occurred to me | 10 |
and christine daae | 10 |
because i am | 10 |
on the sill | 10 |
by reason of | 10 |
for me in | 10 |
would be better | 10 |
or two of | 10 |
at a distance | 10 |
a word of | 10 |
his voice was | 10 |
never be able | 10 |
of the sun | 10 |
the result of | 10 |
peace of mind | 10 |
i have always | 10 |
and the young | 10 |
we should have | 10 |
why should i | 10 |
was of a | 10 |
he asked me | 10 |
as if his | 10 |
an end to | 10 |
he was able | 10 |
i believe she | 10 |
just as if | 10 |
look at it | 10 |
and saw that | 10 |
was the time | 10 |
the day of | 10 |
one who was | 10 |
to tell her | 10 |
had not the | 10 |
and i thought | 10 |
had never known | 10 |
had ever been | 10 |
did not ask | 10 |
with the rest | 10 |
the punjab lasso | 10 |
he wanted to | 10 |
me on the | 10 |
stood in the | 10 |
go to her | 10 |
have had a | 10 |
had been too | 10 |
and he said | 10 |
and put it | 10 |
on the night | 10 |
that we are | 10 |
though i had | 10 |
at the side | 10 |
for all that | 10 |
all the way | 10 |
of the few | 10 |
the other two | 10 |
you call it | 10 |
have not been | 10 |
name of the | 10 |
not that i | 10 |
events of the | 10 |
with regard to | 10 |
i seemed to | 10 |
so it was | 10 |
with such a | 10 |
and it seemed | 10 |
not so much | 10 |
it is too | 10 |
at last i | 10 |
she had given | 10 |
i felt that | 10 |
emerged from the | 10 |
as he walked | 10 |
but i felt | 10 |
could not understand | 10 |
i have done | 10 |
he told her | 10 |
said at last | 10 |
a person who | 10 |
me in a | 10 |
put out his | 10 |
in the early | 10 |
by the light | 10 |
and there is | 10 |
if i may | 10 |
behind the wall | 10 |
steps of the | 10 |
behind the door | 10 |
the only person | 10 |
that they had | 10 |
to do anything | 10 |
in the front | 10 |
no one can | 10 |
but that i | 10 |
for i felt | 10 |
the other night | 10 |
want to see | 10 |
she turned her | 10 |
the bank of | 10 |
but i cannot | 10 |
to be found | 10 |
the sense of | 10 |
i saw a | 10 |
at which he | 10 |
to let me | 10 |
in that way | 10 |
you think so | 10 |
said to him | 10 |
on the previous | 10 |
you that i | 10 |
if you would | 10 |
but i would | 10 |
listen to me | 10 |
in a little | 10 |
is going to | 10 |
so long as | 10 |
but with a | 10 |
seems to me | 10 |
the knowledge that | 10 |
in his hands | 10 |
no one to | 10 |
no one was | 10 |
he was forced | 10 |
a long and | 10 |
the appearance of | 10 |
he was as | 10 |
round his neck | 10 |
nor did i | 10 |
what was the | 10 |
when you were | 10 |
and that she | 10 |
of what had | 10 |
not mean to | 10 |
but she could | 10 |
it is for | 10 |
was enough to | 10 |
now that he | 10 |
none of the | 10 |
in the centre | 10 |
way in which | 10 |
course of the | 10 |
cleared his throat | 10 |
i heard the | 10 |
a little girl | 10 |
that you were | 10 |
what to do | 10 |
and the two | 10 |
was not until | 10 |
it was she | 10 |
me to come | 10 |
and while i | 10 |
spite of her | 10 |
and now he | 10 |
his head in | 10 |
but they were | 10 |
she might have | 10 |
all in the | 10 |
we were in | 10 |
for half an | 10 |
the sky was | 10 |
the latter had | 10 |
was so great | 10 |
it was at | 10 |
it has been | 10 |
to ask her | 10 |
to those who | 10 |
in at the | 10 |
to him as | 10 |
to the left | 10 |
as we are | 10 |
her hands to | 10 |
roi de lahore | 10 |
to see a | 10 |
the whole story | 10 |
nor did he | 10 |
to keep the | 10 |
she wished to | 10 |
to the very | 10 |
from now on | 10 |
i asked him | 10 |
struck me that | 10 |
for an hour | 10 |
in the torture | 10 |
she would never | 10 |
all this time | 10 |
of the second | 10 |
the whole day | 10 |
not the least | 10 |
you mean by | 10 |
of his face | 10 |
up in his | 10 |
before she had | 10 |
in the sun | 10 |
was nothing to | 10 |
himself up to | 10 |
and watched her | 10 |
to hear him | 10 |
was such a | 10 |
to give the | 10 |
of his presence | 10 |
there must be | 10 |
two young men | 10 |
and then you | 10 |
of the theater | 10 |
his eyes and | 10 |
you will see | 10 |
not to let | 10 |
the grand tier | 10 |
on my own | 10 |
walls of the | 10 |
that led to | 10 |
at worth maltravers | 10 |
up to his | 10 |
listening to the | 10 |
have been very | 10 |
at each other | 10 |
to her face | 10 |
feel as if | 10 |
not know that | 10 |
to which i | 10 |
lay on the | 10 |
he no longer | 10 |
it not been | 10 |
was not at | 10 |
he had spoken | 10 |
the table and | 10 |
we shall be | 10 |
was that he | 10 |
as good as | 10 |
on the day | 10 |
just as she | 10 |
this was not | 10 |
it was this | 10 |
was trying to | 10 |
with the other | 10 |
be a man | 10 |
straight to the | 10 |
with which she | 10 |
was lost in | 10 |
are to be | 10 |
on this particular | 10 |
had learned to | 10 |
her hair was | 10 |
in the gallery | 10 |
into a chair | 10 |
she was so | 10 |
i shall have | 10 |
go back to | 10 |
want to go | 10 |
over her shoulder | 10 |
no one has | 10 |
took my hand | 9 |
at the sound | 9 |
come to my | 9 |
from the roi | 9 |
attention to the | 9 |
of the theatre | 9 |
of the stairs | 9 |
we are to | 9 |
accompanied by a | 9 |
i did so | 9 |
in a whisper | 9 |
come and see | 9 |
in the foyer | 9 |
in a great | 9 |
on the occasion | 9 |
i felt sure | 9 |
the day after | 9 |
arrived at the | 9 |
when i have | 9 |
and as for | 9 |
and he went | 9 |
to go home | 9 |
of a little | 9 |
she did so | 9 |
he kept his | 9 |
looked down on | 9 |
he found himself | 9 |
the day when | 9 |
had had a | 9 |
in reply to | 9 |
in the night | 9 |
to take up | 9 |
a sigh of | 9 |
you what i | 9 |
but do you | 9 |
talk to me | 9 |
what i say | 9 |
down upon the | 9 |
you for the | 9 |
he was on | 9 |
it is my | 9 |
no less than | 9 |
and what did | 9 |
as she is | 9 |
the door to | 9 |
he spoke to | 9 |
had once been | 9 |
her face in | 9 |
was of no | 9 |
to let you | 9 |
but this is | 9 |
to care for | 9 |
to watch the | 9 |
look at me | 9 |
you had better | 9 |
each of which | 9 |
she was the | 9 |
a cup of | 9 |
but that is | 9 |
the man in | 9 |
to the town | 9 |
because he had | 9 |
he should not | 9 |
than i do | 9 |
the rosy hours | 9 |
desire to be | 9 |
he might be | 9 |
by the window | 9 |
but that was | 9 |
any more than | 9 |
of his voice | 9 |
up at the | 9 |
the steps of | 9 |
and pressed her | 9 |
in the parlor | 9 |
to be of | 9 |
not think so | 9 |
able to make | 9 |
from side to | 9 |
scene from the | 9 |
she had had | 9 |
for his own | 9 |
that she should | 9 |
not tell you | 9 |
de chagny was | 9 |
back in the | 9 |
have you not | 9 |
of the time | 9 |
would have given | 9 |
did not hear | 9 |
did not matter | 9 |
the words of | 9 |
know how it | 9 |
come back to | 9 |
which i could | 9 |
to be said | 9 |
years of age | 9 |
he was quite | 9 |
you were going | 9 |
because you are | 9 |
came from the | 9 |
the way of | 9 |
to think about | 9 |
at least a | 9 |
you to come | 9 |
in the place | 9 |
her in his | 9 |
back in his | 9 |
turned and looked | 9 |
that we could | 9 |
as a matter | 9 |
of that kind | 9 |
heard a voice | 9 |
to know the | 9 |
the roi de | 9 |
it was something | 9 |
put his arms | 9 |
how it is | 9 |
door in the | 9 |
for fear of | 9 |
the hall was | 9 |
the table with | 9 |
to make him | 9 |
he made no | 9 |
of the hill | 9 |
is nothing to | 9 |
will you not | 9 |
come to see | 9 |
arms of the | 9 |
ask her to | 9 |
him to say | 9 |
had not a | 9 |
the latter was | 9 |
side to side | 9 |
the same way | 9 |
of the matter | 9 |
he had received | 9 |
with one of | 9 |
the members of | 9 |
at the level | 9 |
raised her eyes | 9 |
but i can | 9 |
it was from | 9 |
hours of mazenderan | 9 |
not to speak | 9 |
on one of | 9 |
all that had | 9 |
his hands and | 9 |
and gave a | 9 |
all day long | 9 |
proportion to the | 9 |
can tell you | 9 |
said to himself | 9 |
little by little | 9 |
i could but | 9 |
did not give | 9 |
of what was | 9 |
in his eyes | 9 |
wish you would | 9 |
being able to | 9 |
hour or two | 9 |
need not have | 9 |
in which they | 9 |
the first act | 9 |
to her and | 9 |
in a kind | 9 |
i said i | 9 |
did not go | 9 |
it could not | 9 |
you know the | 9 |
what was happening | 9 |
soon as the | 9 |
over to the | 9 |
of christine daae | 9 |
could not tell | 9 |
and so he | 9 |
it in a | 9 |
and what is | 9 |
them to the | 9 |
for some minutes | 9 |
to such a | 9 |
and above all | 9 |
along the road | 9 |
standing at the | 9 |
with her hands | 9 |
her at the | 9 |
notes of the | 9 |
as not to | 9 |
just in time | 9 |
there was silence | 9 |
come out of | 9 |
i returned to | 9 |
with his back | 9 |
five on the | 9 |
any of the | 9 |
appeared to me | 9 |
we did not | 9 |
she made a | 9 |
i knew she | 9 |
that would have | 9 |
i saw him | 9 |
on the bed | 9 |
to go through | 9 |
louise did not | 9 |
when at length | 9 |
so that it | 9 |
sir john maltravers | 9 |
into a corner | 9 |
on my part | 9 |
i came back | 9 |
and for a | 9 |
to talk to | 9 |
of a single | 9 |
he rose to | 9 |
her to take | 9 |
to let the | 9 |
to the wall | 9 |
appeared to be | 9 |
we began to | 9 |
how can i | 9 |
of all that | 9 |
whether it was | 9 |
there is something | 9 |
from the table | 9 |
tell me that | 9 |
on the lid | 9 |
i was lost | 9 |
than i can | 9 |
it was over | 9 |
he felt the | 9 |
rosy hours of | 9 |
to meet her | 9 |
came to an | 9 |
do with the | 9 |
though it is | 9 |
with all his | 9 |
he continued to | 9 |
you are going | 9 |
as they had | 9 |
it is that | 9 |
no one would | 9 |
i feel as | 9 |
i had an | 9 |
like a child | 9 |
is what i | 9 |
after the other | 9 |
direction of the | 9 |
there was that | 9 |
not to see | 9 |
i found a | 9 |
he felt a | 9 |
as if by | 9 |
could no more | 9 |
she put her | 9 |
it was here | 9 |
in the chorus | 9 |
you had not | 9 |
tell you the | 9 |
gave it to | 9 |
shall have to | 9 |
her own way | 9 |
himself that he | 9 |
the victim of | 9 |
was still in | 9 |
is the first | 9 |
and put his | 9 |
though she were | 9 |
and had been | 9 |
in her voice | 9 |
in love with | 9 |
upon my word | 9 |
he was there | 9 |
of the audience | 9 |
there was another | 9 |
on the back | 9 |
he was always | 9 |
not go to | 9 |
saw that she | 9 |
he took it | 9 |
and more than | 9 |
that it might | 9 |
did not stir | 9 |
to find the | 9 |
on the stair | 9 |
close to the | 9 |
go to bed | 9 |
and would not | 9 |
for it is | 9 |
the sun was | 9 |
he has been | 9 |
he raised his | 9 |
for those who | 9 |
had seen the | 9 |
because it is | 9 |
you have seen | 9 |
which he would | 9 |
lived in a | 9 |
am so glad | 9 |
the chevalier had | 9 |
with the greatest | 9 |
to have grown | 9 |
the case of | 9 |
house in the | 9 |
to know her | 9 |
is that you | 9 |
when we were | 9 |
much to do | 9 |
the way he | 9 |
i thought so | 9 |
all the while | 9 |
made for the | 9 |
in his voice | 9 |
was a man | 9 |
all sorts of | 9 |
the most perfect | 9 |
and not to | 9 |
to go back | 9 |
it is because | 9 |
not for a | 9 |
though i was | 9 |
tell you something | 9 |