This is a list of all the questions and their associated study carrel identifiers. One can learn a lot of the "aboutness" of a text simply by reading the questions.
| identifier | question |
|---|---|
| 19958 | Why, then, did not these young reformers find at hand in the madrigal arranged for solo voice the suggestion for their line of lyric reconstruction? |
| 16248 | ''How is she to know,''she cries,''that the swan will not come some day as mysteriously as before and take her beloved from her arms?'' |
| 16248 | Did not Wagner himself recommend a budding bard to start his musical career with a Singspiel? |
| 16248 | In vain Lohengrin tries to soothe her; she will not be appeased, and in frenzied excitement puts to him the fatal question,''Who art thou?'' |
| 16248 | Just as the knife is about to descend, the dying words of Orestes,''Was it thus thou didst perish in Aulis, Iphigenia my sister?'' |
| 16248 | Mime breaks down at the question,''Who is to forge the sword Nothung anew?'' |
| 34302 | O sing unto the Lord a new song,"How shall we sing the Lord''s song in a strange land? |
| 34302 | The question arises now of the most practical manner in which this care can be exercised? |
| 34302 | What better can be imagined than a theatre conducted by a gathering representative of, nobility, fashion, and wealth? |
| 34302 | Who can say what impulse native creative talent will receive in this country, when it is cared for as it certainly deserves? |
| 34302 | Yet who is there to- day who will deny that Molière helped to correct the follies of his age, by exposing them to ridicule? |
| 38534 | ''_ Tancredi_ was your first opera which really made a great hit, maestro; how much did you get for it?'' 38534 Have you then your parts to accompany these pieces?" |
| 38534 | ''It will warm them, perhaps,''I said to myself;''besides, what is the use of composing music, if one can not compose like Rossini?''" |
| 38534 | Barbaja called the porters to his room and, giving each a box on the ears, exclaimed,"Which of you two brutes was in fault?" |
| 31880 | A worthy, respectable, and well- to- do man is Mr. Smith, the elder; he pays his taxes and he loves his children, and who can do more? |
| 31880 | Gentle reader, are you wearied out with this insufferable nonsense? |
| 31880 | He conducts this ceremony with the greatest solemnity, occasionally pronouncing these incantatory words,"Plate or shell, sah?" |
| 31880 | If they can find means to run incessantly to parties and balls, watering places and operas, why can not they get married?" |
| 31880 | Miss Smith concludes her observations on the over- fond lovers, by emphasising the words"so stupid, is it not?" |
| 31880 | Query? |
| 31880 | Query? |
| 31880 | Why do the handsomest women at an opera_ always_ talk and laugh the loudest? |
| 31880 | Why does the crowd always stare at those who are going into a theatre or opera? |
| 31880 | Why is it that_ every_ Frenchman is supposed to be an infallible judge of sweet sounds? |
| 31880 | dear creature, is n''t he?" |
| 31880 | said my mother, what is all this story about? |
| 46587 | Is it not strange,he writes,"that in process of composition it seemed charming? |
| 46587 | Why are we peasants not nobles? 46587 ''What''s to be done?'' 46587 Is it likely that the teachers sent out into the world from our future academies will be any better than those hitherto sent to us from abroad? 46587 Or why is the song of Agnes Sorel so reminiscent of the land of the steppes and birch forests? 46587 Were these men really only amateurs? 46587 Why must this be? 46587 Why then have we cause to complain of the wretched state of musical education in Russia? 46587 in common with a folk- song of Malo- Russian origin? 38268 ... pourquoi partez- vous? 38268 All of this is quite unanswerable; yet, so far as musical Germany is concerned, is not the situation rather singular? 38268 But are we very greatly nourished by the contemplation of that which must inevitably arouse disgust rather than compassion? 38268 But those aspects of life which sicken the sense, which are loathsome rather than terrible-- are they fit matter for the artist? 38268 But what, actually, do we get? 38268 Has the vital, if crude, imagination which gave issue to the music ofTosca"acquired finesse and delicacy at a cost of independent impulse? |
| 38268 | Is not Strauss, in such a work as"Salome,"but another Berlioz( though a Berlioz with a gleaming past)? |
| 38268 | We find a foreshadowing of this kind of effect in such a passage as_ Tristan''s_"Bin ich in Kornwall?" |
| 38268 | Yet what becomes of"Tristan und Isolde,"of"Meistersinger,"of"Götterdämmerung,"when this principle is tested by their quality and effect? |
| 38268 | wherefore didst thou not look at me, Jokanaan?..." |
| 36144 | Everyone predicts a career for this young artist, and who knows but the managers may find in her their long- looked- for sensation? |
| 36144 | Is it not too bad? |
| 36144 | Where did you get this horrible stuff? |
| 36144 | Who is that young man? |
| 36144 | _ Vermuth?_ It is not_ vermuth_ at all. 36144 Am I her father, her brother, her lover, or what? |
| 36144 | But what, if not music teachers, are the pupils of our four leading musical academies to become? |
| 36144 | Can he be the son of my enemy?" |
| 36144 | Do you understand?" |
| 36144 | Gerster, you have heard about that kissing affair between Governor Crittenden and Patti?" |
| 36144 | How, it will be asked, can such an illustrious lady have friends whom she would like to send to the gallery? |
| 36144 | I replied,"Can not you interview me instead?" |
| 36144 | In Liverpool, as well as in Bradford, both said to be great musical centres(? |
| 36144 | One question he puts to me is:''Did I ever lose money by Wagner?'' |
| 36144 | REPORTER( interrogatively):"You do n''t?" |
| 36144 | What did the rascal who sold it to you charge for it?" |
| 36144 | What possible use can they serve? |
| 36144 | What would one give for a prima donna who, like Miss Ellen Terry or Mrs. Kendal, would be ready to play every night? |
| 36144 | What, except a music teacher, or an orchestral player, or, by rare good luck, a concert singer, is he or she to become? |
| 36144 | When my people came in to me and said:"What shall I do? |
| 36144 | Where is Coffee John, our friend, our friend?" |
| 36144 | a week? |
| 15369 | And then? |
| 15369 | But the majority of the crowd of visitors are not pleased by them; and what can they do in Bayreuth after the freshness of novelty is worn off? |
| 15369 | But when we come to think of it, might not Buononcini and Cuzzoni laugh to see how time has avenged them on their old enemy? |
| 15369 | He sent Pelham Humphries to Paris, and when Humphries came back"an absolute Monsieur"( who does not remember that ever- green entry in the Diary?) |
| 15369 | How long, O Lord, shall Israel groan In bondage and in pain? |
| 15369 | Is it indeed so? |
| 15369 | One might ask, for instance, how, seeing that no man can save his brother''s soul, Parsifal saves the soul of Amfortas? |
| 15369 | Or is the abrupt third line of Joachim''s speech to be regarded as a masterstroke of characterisation? |
| 15369 | The young Verdi has already aged-- how long will the old Verdi remain young? |
| 15369 | They ask, in chorus,"Herr, bin ich''s?" |
| 15369 | What is the libretto of"Otello"or of"Falstaff"compared with this libretto? |
| 15369 | What is the stagecraft of Scribe compared with this? |
| 15369 | What was it to the Dutchman''s damned soul if all the women in the world swore to love him eternally, so long as he was unable to love one of them? |
| 15369 | did you know that Schubert had used your Mime theme in a quartet before you? |
| 15369 | do you know that I could mention a hundred things you borrowed from Schubert? |
| 15369 | has your Spear theme nothing in common with the last line but one of''The Wanderer''? |
| 15369 | how else could the avowal of love be brought about with such instant and stupendous effect? |
| 36143 | ''So you were bitten by rats last evening?'' 36143 Are these the only rooms you have to offer us? |
| 36143 | At least we could see them? |
| 36143 | For you? |
| 36143 | What are you about, Benedict? |
| 36143 | What is the meaning of this? |
| 36143 | Why,he indignantly demanded,"should the tenor''s part in the opera be thus cut short? |
| 36143 | With eighty pounds a year and five children, how,she asked,"can he drink port wine and eat new- laid eggs?" |
| 36143 | You wish to ruin me? |
| 36143 | Albani had virtually contracted? |
| 36143 | Appealing to an animal whose superior intelligence he recognized, Ravelli said in the French language--"Est ce que ton mâitre doit chanter?" |
| 36143 | But what, he wished to know, was to be done with his body after death? |
| 36143 | But why, above all, should the habitual impersonator of heroes fall beneath the sword of one who was accustomed only to play a villain''s part?" |
| 36143 | He then got calmer, and I casually observed,"By- the- bye, is the opera over yet, Mongini?" |
| 36143 | How am I to answer you until I have talked to my friends and read the criticisms in the morning papers?" |
| 36143 | I replied,"Are you sure?" |
| 36143 | Maple, and said to him--"Have you not another suite of rooms as good, or nearly so, as the one for which these ladies are disputing?" |
| 36143 | She then asked me how I could possibly think of such a thing when the chintz and the crumbcloth of his dressing- room had not been fixed? |
| 36143 | The heading of the letter announced the character of his new business, and he added in a postscript:"Do you ever want any tin?" |
| 36143 | Then, addressing his partner, he simply said:"Mr. Wood, can I have a minute''s conversation with you outside?" |
| 36143 | What would attract them? |
| 36143 | Who is to have the best dressing- room at the theatre? |
| 36143 | Who the best suite of apartments at the hotel? |
| 36143 | Would Blondin fetch them? |
| 36143 | Would you mind coming over here, or would you prefer our meeting somewhere in town? |
| 1487 | Then where are you hiding the ring that you had from me? |
| 1487 | All they want to know is; Am I orthodox? |
| 1487 | Am I correct in my revolutionary views? |
| 1487 | Am I reverent to the revolutionary authorities? |
| 1487 | And now, what forces are there in the world to resist Alberic, our dwarf, in his new character of sworn plutocrat? |
| 1487 | But how is such respect to be implanted in them if they are unable to comprehend the thought of the lawgiver? |
| 1487 | But how, enquires Loki, is he to guard against the hatred of his million slaves? |
| 1487 | He asks, shall he find his father there? |
| 1487 | His three questions are, Who dwell under the earth? |
| 1487 | How dare he indulge in those scandalous and illicit transitions into a key that has not one note in common with the key he has just left? |
| 1487 | How is the rebel to be disarmed? |
| 1487 | How is the world to be protected against it in the meantime? |
| 1487 | How now can Brynhild, being what she is, choose her side freely in a conflict between this hero and the vassal of Fricka? |
| 1487 | How, after the Kaisermarsch, could Wagner go back to his idealization of Siegfried in 1853? |
| 1487 | I am as conspicuous in English Socialism as Bebel is in German Socialism; but do you suppose that the German Social- Democrats tolerate me? |
| 1487 | I gave him no ring-- er-- do you know him?" |
| 1487 | Is it aria, or recitative? |
| 1487 | Is there no cabaletta to it-- not even a full close? |
| 1487 | Let Loki surround this mountain top with the appearance of a consuming fire; and who will dare penetrate to Brynhild? |
| 1487 | Mozart, asked for an explanation of his works, said frankly"How do I know?" |
| 1487 | Shall he find a wife there? |
| 1487 | Shall he meet his sister there? |
| 1487 | The professors, when Wagner''s music is played to them, exclaim at once"What is this? |
| 1487 | WAGNER''S OWN EXPLANATION And now, having given my explanation of The Ring, can I give Wagner''s explanation of it? |
| 1487 | Was it knocked out by somebody whose way you obstructed?" |
| 1487 | What does he want with six drums and eight horns when Mozart worked miracles with two of each? |
| 1487 | What is Wotan to do? |
| 1487 | What is left to him then but to curse the love he can never win, and turn remorselessly to the gold? |
| 1487 | What is that race, dearest to Wotan, against which Wotan has nevertheless done his worst? |
| 1487 | What will she, the Law, say to the lawless pair who have heaped incest on adultery? |
| 1487 | Who dwell on the earth? |
| 1487 | Why do you wear such a big hat; and what has happened to one of your eyes? |
| 1487 | Why not, says Erda then, go to the daughter I bore you, and take counsel with her? |
| 1487 | Why should it not rise from the god to the Hero? |
| 1487 | Why should it stop there? |
| 1487 | Why was that discord not prepared; and why does he not resolve it correctly? |
| 1487 | Why, then, you may ask, do I say that I am bound to Germany by the ties that hold my nature most strongly? |
| 1487 | Will they not steal from him, whilst he sleeps, the magic ring, the symbol of his power, which he has forged from the gold of the Rhine? |
| 1487 | Wotan compliments him on his knowledge, and asks further with what sword Siegfried will slay Fafnir? |
| 1487 | Wotan hails him as the knowingest of the knowing, and then hurls at him the question he should himself have asked: Who will mend the sword? |
| 1487 | and Who dwell in the cloudy heights above? |
| 32979 | Did you ever see a thin Violetta? |
| 32979 | ''How do you do? |
| 32979 | And are not these the most difficult and trying rôles in the répertoire of the lyric stage to- day? |
| 32979 | Are there many sopranos who have not, whatever the general nature of their répertoires? |
| 32979 | But has any one ever characterized Selika? |
| 32979 | But has it occurred to any one that the Queen in_ The Golden Cockerel_ is a part absolutely suited to the Garden genius? |
| 32979 | But where is there anything better? |
| 32979 | But will_ Elektra_ have the same effect on future audiences? |
| 32979 | Can one say as much for any other interpreter? |
| 32979 | Can she turn to Puccini, whose later operas seem bereft of merit, to Mascagni, to Strauss, to any other of the living opera composers? |
| 32979 | Did Haydn or Prince H---- conduct the first performance of the_ Symphony in X major_? |
| 32979 | Did Rachel touch greater heights? |
| 32979 | Did Weber arrive in England on Thursday or Friday? |
| 32979 | Do you remember the splendid_ apache_ saluting his head before he goes to the guillotine? |
| 32979 | Do you who saw him still remember those flickering fingers and toes? |
| 32979 | Farrar hear that remarkable performance of_ Carmen_ in which both Saleza and Jean de Reszke appeared? |
| 32979 | Fremstad as Isolde, Venus, Elsa, Sieglinde, Kundry, Armide, Brünnhilde in_ Götterdämmerung_, or Salome? |
| 32979 | Garcia possibly suggests a warrior, but do Malibran and Viardot make us think of music? |
| 32979 | Has any one else achieved this effect? |
| 32979 | Has any one else done this? |
| 32979 | Have you heard her sing_ L''Hotel Numero 3_, one of the répertoire of the_ gants noirs_ and the old days of the Divan Japonais? |
| 32979 | Have you heard her sing_ Le Lien Serré_ and witnessed the impression she produces by sewing, a piece of action not indicated in the text of the song? |
| 32979 | How could any one sing the music of the tremendous finale after getting thoroughly out of breath in the terpsichorean exhibition before Herod? |
| 32979 | How has she done this? |
| 32979 | How long did he study the art of singing? |
| 32979 | In how many_ Manon_ scores did Massenet write his tender eternal finalities? |
| 32979 | Munich adored the Fremstad Carmen( was it not her characterization of the Bizet heroine which caused Heinrich Conried to engage her for America?) |
| 32979 | Now she is raucous, now tender; have you ever seen so sweet a smile; have you ever observed so coarse a mien? |
| 32979 | Of how many nights in the theatre can I say as much? |
| 32979 | Pasta seldom sang an opera through without many similar slips from the pitch? |
| 32979 | Ravel''s one opera is not particularly suited to her, but why, I might ask, does not Ravel write something for her? |
| 32979 | Should I be deprived of their society because I happen to be a critic? |
| 32979 | The music, the setting, the costumes-- what else was left to celebrate? |
| 32979 | The pregnant line of the first act:_ Artiste?.... |
| 32979 | V What is to become of Mary Garden? |
| 32979 | Was Beethoven in a cold sweat when he composed the_ Ninth Symphony_ or was he merely angry? |
| 32979 | Was it Philip Hale who remarked that she sang_ Who is Sylvia?_ as if the woman were not on her calling list?... |
| 32979 | Was it Philip Hale who remarked that she sang_ Who is Sylvia?_ as if the woman were not on her calling list?... |
| 32979 | Was the French Jewess more electric? |
| 32979 | What can she do now? |
| 32979 | What could I tell you that you have not already known and felt in advance? |
| 32979 | What is there left for her to do? |
| 32979 | Who can hope to do it? |
| 32979 | Who, indeed, has not? |
| 32979 | Why not John Carpenter? |
| 32979 | Why not Leo Ornstein? |
| 32979 | Why not Strawinsky? |
| 32979 | Why not? |
| 32979 | Will there rise another singing actress in our generation to make us forget it? |
| 32979 | Will you believe me when I tell you that I was never less nervous?... |
| 32979 | Young singer though he was, he rebelled and asked,"Why not?" |
| 16488 | Are you cold? 16488 Do they never tell you to go and play somewhere else?" |
| 16488 | Do you not know how late it is? 16488 Do you not understand? |
| 16488 | Do you say that? |
| 16488 | Golaud is here? |
| 16488 | I am not going to kill you.--You hope to see something in my eyes without my seeing anything in yours? 16488 I will not have you touch me, do you understand?" |
| 16488 | Is it the light that trembles so? |
| 16488 | Is it you, grandfather? |
| 16488 | It is the struggle of motherhood against...."At this moment?--At once? |
| 16488 | Must I tell you what you know already? |
| 16488 | No, no; we were not guilty,she replies;"why do you ask me that?" |
| 16488 | Since when have you loved me? |
| 16488 | They do not say anything? |
| 16488 | They kissed each other?--But how, how did they kiss? |
| 16488 | What are they doing? 16488 What are you doing here?" |
| 16488 | What child? |
| 16488 | What is that noise? |
| 16488 | What is the matter?--Is he drunk? |
| 16488 | Where are they going to sleep to- night? |
| 16488 | Where are you going? |
| 16488 | Who? |
| 16488 | Why do they not speak any more? |
| 16488 | Why do you tremble so? |
| 16488 | Why does she sail to- night?... 16488 Why, yes, I loved him-- where is he?" |
| 16488 | Will you let me take your hand? |
| 16488 | You know not what I am going to tell you? |
| 16488 | You know not why I must go? 16488 You love me? |
| 16488 | Are they near each other?" |
| 16488 | Are you afraid of my old lips? |
| 16488 | Are you sure?" |
| 16488 | Arkël turns suddenly:"What is the matter?" |
| 16488 | By what have I been suddenly awakened? |
| 16488 | Did she love Pelléas? |
| 16488 | Do you see down into the abyss, Pelléas?" |
| 16488 | Do you suppose I may know something?" |
| 16488 | If I had, why should I not speak it? |
| 16488 | Is it not rather a shadow of some struggle, similar to that of Jacob with the Angel?" |
| 16488 | It seems to me-- it seems to me-- well, then, it is this: I ask you if you loved him with a guilty love? |
| 16488 | Mélisande displays agitation:"What shall we say if Golaud asks where it is?" |
| 16488 | Shall I close the windows?" |
| 16488 | She may be saying her prayers at this moment.... Tell me, Yniold, she is often with your uncle Pelléas, is she not?" |
| 16488 | Shepherd!--where are they going?--Where are they going to sleep to- night? |
| 16488 | Were you-- were you both guilty?" |
| 16488 | Who has aroused me all at once? |
| 16488 | Why does she stretch her arms out so?--what does she wish?" |
| 16488 | Will you not understand? |
| 16488 | You know not that it is because[ he kisses her abruptly] I love you?" |
| 16488 | cries the anguished Golaud...."They kiss each other sometimes?" |
| 16488 | she says;"why does he not come to me?" |
| 16488 | why do they not speak any more? |
| 16488 | why do you go away?" |
| 16488 | you love me too?" |
| 5995 | Back to New York so soon? 5995 In what respect?" |
| 5995 | Inspiring, is n''t it? |
| 5995 | What are you up to now, Colonel? |
| 5995 | What is the price of your box? |
| 5995 | What, nowhere? |
| 5995 | Will she do it? |
| 5995 | ("What more could she do were her husband sick?" |
| 5995 | A German opera? |
| 5995 | A colloquy with the musicians, if not exactly in these words, was to this effect:"What''s the meaning of this? |
| 5995 | A lyric drama in the Wagnerian manner? |
| 5995 | And how has this play been set to music? |
| 5995 | And if you thought me competent to do what I have done, why should you not be guided by my counsels? |
| 5995 | And the melodramatic music upon which Sardou''s play floats,--what is it like? |
| 5995 | And when deceived by him, whom did you take in place of him? |
| 5995 | And why was this? |
| 5995 | Answer at least these questions: Did you not request from me an Italian company? |
| 5995 | Avez- vous des habits a vendr''?" |
| 5995 | But it had this in the Astor Place Opera House; why, then, did it live its little span only? |
| 5995 | But to whom do you imagine it was now abandoned by the exemplary wisdom of its proprietors? |
| 5995 | But why? |
| 5995 | Did Garcia oppose his daughter''s marriage, and did she wilfully have her own way in a matter in which she was scarcely a proper judge? |
| 5995 | Did I not tell you and reiterate in my writing and verbally that Rivafinoli was not to be trusted? |
| 5995 | Did anyone ever hear a tone come out of her throat that was not pure, free, and firm? |
| 5995 | Did not I, and I alone procure them? |
| 5995 | Does she find him, when she rushes down the stairs, pursued by her father''s broken- hearted calls? |
| 5995 | Had not I a right to expect thus much, or at least justice? |
| 5995 | Has a drama abhorrent, bestial, repellent, and loathsome been changed into a thing of delectability by the potent agency of music? |
| 5995 | Has a mephitic odor been changed to a sweet savor by the subtle alchemy of the musical composer? |
| 5995 | Has a rock of offense been removed? |
| 5995 | Have I been compensated for my labor, reimbursed my actual expenses, or even honored by those most benefited by my losses and labors? |
| 5995 | Have not Mignon''s songs drawn forth music from nearly every composer of eminence since Beethoven? |
| 5995 | He paid his tribute to the tendency which Wagner made dominant( where is the composer of the last thirty years who has not?) |
| 5995 | In considerable distress he went to Faure, who had set the fashion:"What pose, gesture, effect of yours is it that I have failed to copy?" |
| 5995 | Is it a curse? |
| 5995 | Is it a strike? |
| 5995 | Is that true? |
| 5995 | It might be easier to answer the question if it were put in the negative: Why not"Iris"? |
| 5995 | Mr. White wrote in 1881; would he have been able to be so complimentary to the opera audiences of 1908? |
| 5995 | Or was the marriage repugnant to her, and was she sacrificed to her father''s selfishness? |
| 5995 | The reason? |
| 5995 | Then, still half turned, he remarked without a touch of feeling in the tone of his voice:"Encouraging, is n''t it? |
| 5995 | There was too much reiteration, and I shall never discipline my taste to like common colloquial expressions of life:"How do you do, madame?" |
| 5995 | Thereupon he indited an epistle to Mr. Dana in these wingèd words: Friend Dana: What would it cost to burn the Opera House? |
| 5995 | Was Italian opera dead? |
| 5995 | Was ever a more perfect musical coquette dreamed of than Philine? |
| 5995 | Was it a French opera? |
| 5995 | Was it an Italian opera? |
| 5995 | Were they not excellent? |
| 5995 | What but fashion could tempt reasonable creatures to sit and applaud-- what was really perpetrated-- Deshayes dancing"The Death of Nelson"? |
| 5995 | What chances of a happy issue? |
| 5995 | What experience? |
| 5995 | What judgment? |
| 5995 | What lyric possibilities do not lie in the Harper? |
| 5995 | What talents? |
| 5995 | What will they say, the Trollops and the Halls and Hamiltons who nodum in scripto quoerunt with the microscope of national aversion? |
| 5995 | What''s the matter in Cincinnati?" |
| 5995 | Which of them might with most propriety be applied to this work? |
| 5995 | Who can know the ways of a maid fourscore years after? |
| 5995 | Who would listen now to Rossini''s"Otello"? |
| 5995 | Why did n''t I think of doing that?" |
| 5995 | Why did you ask this of me? |
| 5995 | Why do you work so? |
| 5995 | Why"Iris"? |
| 5995 | Why?" |
| 5995 | Will this splendid and refined amusement be supported in New York? |
| 5995 | With what means? |
| 5995 | Would she, under the circumstances, be the guest of a number of gentlemen, representative of the legal, artistic, and literary professions? |
| 5995 | Would you know why they wished it? |
| 5995 | and where? |
| 5995 | and"Please, Miss Cary, wo n''t you let me kiss you?" |
| 5995 | are n''t you ever going to sing for us again?" |
| 5995 | asked the irascible little doctor;"ein eigenthümlicher Sänger, nicht war? |
| 5995 | asks Juvenal;"what if the physicians had despaired of her infant son?") |
| 5995 | do you know Schott?" |
| 5995 | more valuable than the German in an opera conceived in German, written in German, and composed in the German spirit by a German? |
| 5995 | thirty years ago? |
| 7834 | Cornwall? 7834 Did you not slay my uncle?" |
| 7834 | No, no,she replies,"I dare not-- yet how I should like to!--but what would Masetto say?" |
| 7834 | What land? |
| 7834 | What would King Marke say were I to slay_ his best servant_? |
| 7834 | Why do you hate me? |
| 7834 | Are we to suppose that after all that happened on board the ship she consented to become the wife of King Marke? |
| 7834 | But I can not hope to make my own position clear without descending to the foundations of all art, of all life, without asking: what is drama? |
| 7834 | Can we apply this distinction to music? |
| 7834 | Can we wonder that the world''s head was turned by such a gigantic personality? |
| 7834 | Does it not tell us more than all the outpourings of Oulibichef? |
| 7834 | Does she love Tristan before they drink the potion? |
| 7834 | Does, for example,"one revolution of the sun"mean twelve hours or twenty- four? |
| 7834 | Dost thou ask of Tristan, beloved lady? |
| 7834 | Has Isolde started on the voyage to be the bride of King Marke with her own consent? |
| 7834 | He continues: How has this foretaste( of eternal night) departed from me? |
| 7834 | He replies:"Our love? |
| 7834 | Him there who shirks my gaze, and looks on the ground in shame and fear? |
| 7834 | His moral sense tells him that this ought not to be; there must be some delusion; is it in nature or is it in his own understanding? |
| 7834 | How can death ever destroy that? |
| 7834 | How could Isolde be mine in the bright light of day? |
| 7834 | How else could we endure to contemplate the failure and destruction of a Lear, a Wallenstein, a Deianira, an Antigone? |
| 7834 | How is such a miracle possible? |
| 7834 | How many have inherited his spirit? |
| 7834 | How then can it be possible for music to be a vehicle of thought? |
| 7834 | In all the vast mass how much is there which was worth the writing, or can be read with any profit by reasonable people? |
| 7834 | Is that what is troubling you? |
| 7834 | Is this life to count for nothing? |
| 7834 | Isolde, scarcely yet realizing that this is indeed the only possible ending, asks( 139''4):"Must then daylight and death together end our love?" |
| 7834 | Now he calls her to his own, to show her his possession and heritage; how should she refuse? |
| 7834 | Now_ he_ turns to her smiling and asks:"_ Soll ich lauschen_?" |
| 7834 | Or that Tristan''s reasons for carrying off Isolde are clear to him from Marke''s account? |
| 7834 | Or the_ Upanishads_? |
| 7834 | Or this, in speaking of the formation of the opera and the demand for better libretti after the period of Spontini? |
| 7834 | Popule meus, quid feci tibi? |
| 7834 | Shall I call thee a yearning memory that has driven me once more to the light of day? |
| 7834 | Shall I request him to wait upon you? |
| 7834 | She has now attained full insight, and when he finally and seriously puts the question to her:"Shall I return once more to the day?" |
| 7834 | She recalls Isolde''s strange and cold behaviour on parting from her parents in Ireland, and on the voyage; why is she thus? |
| 7834 | She turns to Brangäne, and with a look of the utmost scorn, indicating Tristan, she asks: What thinkst thou of the slave? |
| 7834 | Sick and weary in my power, why did I not then smite thee? |
| 7834 | The wound? |
| 7834 | Tristan has taken her lover from her, and does he now dare to mock her? |
| 7834 | Tristan, shall I have atonement? |
| 7834 | Under which heading are we to class, for example, Plato''s_ Republic_? |
| 7834 | Was she not thine who chose thee? |
| 7834 | Was this a fault in Wagner? |
| 7834 | Were mighty death standing before me threatening body and life-- that life which so gladly I resign to my love-- how could its stroke reach our love? |
| 7834 | What can it have to do with"temperance, courage, liberality"? |
| 7834 | What did the wicked day lie to thee that thou shouldst betray thy beloved who was destined for thee? |
| 7834 | What didst thou vow, oh woman? |
| 7834 | What else but the art- collections and musical performances? |
| 7834 | What hast thou to answer? |
| 7834 | What sane- minded person can possibly take an interest in a succession of childish tricks played by two lovesick boobies upon a half- witted old man? |
| 7834 | What would King Marke say if I were to slay his best servant who has preserved for him crown and realm? |
| 7834 | What, for example, could be more admirable than this description of Mozart? |
| 7834 | When Morold lived, who would have dared to offer us such an insult?... |
| 7834 | Where are we? |
| 7834 | Whither, oh mother, hast thou bestowed the might over the sea and the storm? |
| 7834 | Who has never had the memory of his home or of some place familiar to his childhood recalled by the scent of a flower or a plant? |
| 7834 | Who has not met with such? |
| 7834 | Who shall say? |
| 7834 | Why could he not have lowered the curtain on the lovers united with Marke''s full approval? |
| 7834 | Why did not the poet take the opportunity offered and spare us the harrowing scenes at the end? |
| 7834 | Why did the very name of Italian opera become a by- word for all that is frivolous and inartistic in dramatic art? |
| 7834 | Why may we not accept it as it is evidently intended? |
| 7834 | Why, for example, should a given melody in thirds on two bassoons denote a ring? |
| 7834 | Why, then, did it not succeed? |
| 7834 | and why should it bear a thematic kinship to another melody denoting Walhall? |
| 7834 | aut in quo contristavi te? |
| 7834 | how seems she to thee as a bride? |
| 7834 | or the book of_ Job_? |
| 7834 | the wonder of all lands, the much- belauded man, the hero without rival, the guard and ban of glory? |
| 7834 | what are its aims, and how does it express them? |
| 7834 | what is human life which it reflects? |
| 7834 | where? |
| 7834 | who has not felt their power? |
| 35162 | Ai n''t they no railroad between here and Chi? |
| 35162 | Ai n''t you never played at all? |
| 35162 | And he told you that, too? |
| 35162 | And how do you know he was n''t overestimatin''? |
| 35162 | And how much is the luck goin''to cost me? |
| 35162 | And how much will it cost? |
| 35162 | And the next party is next Tuesday night? |
| 35162 | And was n''t Mooratory grand? |
| 35162 | And what did you tell her? |
| 35162 | And what does he do? |
| 35162 | And what does the engineer do? |
| 35162 | And what pay do them extras drag down? |
| 35162 | And where am I goin''to sleep? |
| 35162 | And who are you workin''for now? |
| 35162 | And who runs the wheel? |
| 35162 | And would the boat sink if they was more''n that? |
| 35162 | And you count all the people that gets on? |
| 35162 | And you''ve saw all the op''ras? |
| 35162 | Another thing,I says:"When it come our turn to have the party, where would we stick''em all? |
| 35162 | Anything else? |
| 35162 | Are n''t the White Sox havin''enough bad luck without him? |
| 35162 | Are you bothered that way much? |
| 35162 | Are you goin''to bid or not? |
| 35162 | Are you goin''to make the trip? |
| 35162 | Are you goin''to stay long? |
| 35162 | Are you on parole or have n''t you never been caught? |
| 35162 | Are you on this floor? |
| 35162 | Better''n ten thousand a year? |
| 35162 | But in weather like this what do they want of a fire? |
| 35162 | But nothin''down- stairs, is they? |
| 35162 | But the question is, Will it stay up? |
| 35162 | But what about the Hatches? |
| 35162 | But what can we do all day in this burg? |
| 35162 | But what does it mean? |
| 35162 | But where is he? |
| 35162 | But would n''t it of been grander if we had n''t never left? |
| 35162 | But you admit now, do n''t you, that I was tellin''the truth about him touchin''me? |
| 35162 | Ca n''t you see nothin''? |
| 35162 | Can we get in the other hotel? |
| 35162 | Can you understand Latin? |
| 35162 | Chance to what? |
| 35162 | Chess? |
| 35162 | Did he look like he''d forgot it? |
| 35162 | Did that old man kill them all? |
| 35162 | Did they sing in English? |
| 35162 | Did you ask the Hatches what was they goin''to wear? |
| 35162 | Did you find out from the firm? |
| 35162 | Did you get your invitation? |
| 35162 | Do n''t we get no liquid refreshments? |
| 35162 | Do n''t we see the prizes before we start? |
| 35162 | Do n''t you like your Uncle Sammy? |
| 35162 | Do n''t you never hold nothin''? |
| 35162 | Do n''t you- all know it''s Lincoln''s birthday? |
| 35162 | Do you ever take in the op''ra? |
| 35162 | Do you expect some tips on the market from Mrs. Potter and the rest o''your new friends? |
| 35162 | Do you get passes? |
| 35162 | Do you have dinner, too? |
| 35162 | Do you know what we''re payin''for that room? |
| 35162 | Do you need clo''es yourself? |
| 35162 | Do you suppose you can get them same seats? |
| 35162 | Do you suppose you could get it if you seen it again? |
| 35162 | Do you think a woman like Mrs. Messenger would be buttin''into her husband''s business? |
| 35162 | Do you travel much? |
| 35162 | Do you want these tickets or do n''t you? |
| 35162 | Do you want to exchange them? |
| 35162 | Elmer Bishop? |
| 35162 | Ended what? |
| 35162 | Enjoyin''the trip? |
| 35162 | Got anything on the hip? |
| 35162 | Got reservations for us here? |
| 35162 | Has the mayor stopped that, too? |
| 35162 | Have n''t I played twice over to Hatches''? 35162 Have n''t you paid the rent?" |
| 35162 | Have they really got a bar? |
| 35162 | Have you been this year? |
| 35162 | How about a little bronix before the feed? |
| 35162 | How about a refund? |
| 35162 | How about oyster cocktail? |
| 35162 | How am I goin''to get by at a bridge party when I have n''t no idear how many cards to deal? |
| 35162 | How could they help it? |
| 35162 | How did these pillows o''Society happen to light on to us? |
| 35162 | How do you know? |
| 35162 | How do you like Denver? |
| 35162 | How does it come that everything''s open here to- day? |
| 35162 | How long are you goin''to light up our home? |
| 35162 | How long have you been here? |
| 35162 | How long since you been there? |
| 35162 | How long you been goin''there? |
| 35162 | How many''s on now? |
| 35162 | How many''s the limit? |
| 35162 | How much does box seats cost? |
| 35162 | How much for a double room by the week? |
| 35162 | How much if you do n''t take care o''the suit? |
| 35162 | How much''ll you bet? |
| 35162 | How old is he? |
| 35162 | How''d you know? |
| 35162 | How''d you like the Tor''ador? |
| 35162 | How''s the car service after midnight? |
| 35162 | How? |
| 35162 | How? |
| 35162 | I mean, have you got a locker here? |
| 35162 | I meant, have you ever been down this way before? |
| 35162 | If we got in, would you go? |
| 35162 | If you did n''t have the luck, what would you have? |
| 35162 | If you seen a man drownin''would you wait for some friend o''the both o''you to come along and make the introduction? |
| 35162 | If you win a prize you can sell it, ca n''t you? |
| 35162 | Is it illegal for him to go to Wabash and see her? |
| 35162 | Is it somethin''I can settle? |
| 35162 | Is that so? |
| 35162 | Is that the captain? |
| 35162 | Is they a place to dance aboard? |
| 35162 | Is they any good eatin''places out by your place? |
| 35162 | Is this show better''n_ Carmen_? |
| 35162 | Is this your first trip south? |
| 35162 | Is your name there? |
| 35162 | Kind o''logy? |
| 35162 | Let''s see; to- morrow night? |
| 35162 | Lucky, am I? |
| 35162 | Me? |
| 35162 | Mr. Bishop, ai n''t it? |
| 35162 | Now what do you say,I says,"to us just settlin''this bill, and whatever we owe since then, and beatin''it out o''here just as fast as we can go?" |
| 35162 | On who? |
| 35162 | One without lookin'', or what? |
| 35162 | So it was you, was it? |
| 35162 | Some club? |
| 35162 | The Wife likes to travel and why should n''t I humor her? |
| 35162 | The prices is awful high, are n''t they? |
| 35162 | Then why do n''t you take them boys''advice,I says,"and go back to your home o''er the sea?" |
| 35162 | Then why do they have the lifeboats? |
| 35162 | Twenty dollars better? |
| 35162 | Was n''t you triflin''a little with the truth? |
| 35162 | Was that French they was singin''? |
| 35162 | Well, Bishop,I says when we set down to supper,"how many six- reelers are you turnin''out a day?" |
| 35162 | Well,I says,"what''s the dues?" |
| 35162 | Well,I says,"you do n''t care nothin''about bein''mentioned, do you?" |
| 35162 | Well,says I,"if he''s so soiled with money, why do n''t he pay a little puny debt?" |
| 35162 | What Gould? |
| 35162 | What about Tuesday? |
| 35162 | What about a little game o''cards? |
| 35162 | What about takin''the train from Fort Pierce and beatin''it for Jacksonville, and then home? |
| 35162 | What are they like? |
| 35162 | What are you gettin''at? |
| 35162 | What are you goin''to wear? |
| 35162 | What are your favorights? |
| 35162 | What club? |
| 35162 | What could I say about it? |
| 35162 | What date? |
| 35162 | What did the seats cost? |
| 35162 | What did you talk to''em for? |
| 35162 | What did you tell her? |
| 35162 | What do them last three words mean? 35162 What do they charge a man to join?" |
| 35162 | What do we get for the five? |
| 35162 | What do we want of a bath,I says,"with the whole Atlantic Ocean in the front yard?" |
| 35162 | What do you care about lodge when you got a chance to see Genevieve Farr''r in_ Carmen_? |
| 35162 | What do you drink? |
| 35162 | What do you mean, know what I''m doin''? |
| 35162 | What do you mean, we''d of been just as well off? |
| 35162 | What do you mean-- locker? |
| 35162 | What do you mean--''Not me''? |
| 35162 | What do you mean? |
| 35162 | What do you mean? |
| 35162 | What do you mean? |
| 35162 | What do you say? |
| 35162 | What do you suppose killed her? |
| 35162 | What do you suppose this costs''em? |
| 35162 | What do you think I''d tell her? |
| 35162 | What do you think I''m on here for-- to borrow a match? |
| 35162 | What do you think o''Farr''r''s costumes? |
| 35162 | What do you think of him? |
| 35162 | What evenin''? |
| 35162 | What for? |
| 35162 | What for? |
| 35162 | What for? |
| 35162 | What for? |
| 35162 | What invitation? |
| 35162 | What kind o''luck you been havin''? |
| 35162 | What kind o''tickets have you got? |
| 35162 | What kind of a lead was that? |
| 35162 | What kind of a party? |
| 35162 | What makes the boat run? |
| 35162 | What ones would you like to see? |
| 35162 | What seats? |
| 35162 | What seems to be the trouble? |
| 35162 | What sense is they in that? |
| 35162 | What uncle was that? |
| 35162 | What was he mad at? |
| 35162 | What was the idear? |
| 35162 | What was the matter with her? |
| 35162 | What was you biddin''no trump on? |
| 35162 | What you been doin''? |
| 35162 | What''s her name? |
| 35162 | What''s it about? |
| 35162 | What''s playin''there? |
| 35162 | What''s that for? |
| 35162 | What''s that got to do with it? |
| 35162 | What''s the difference? 35162 What''s the idear?" |
| 35162 | What''s the idear? |
| 35162 | What''s the matter with Bishop? |
| 35162 | What''s the matter with our charge account? |
| 35162 | What''s the matter with you? |
| 35162 | What''s the matter? |
| 35162 | What''s the matter? |
| 35162 | What''s the name of it mean in English? |
| 35162 | What''s the scheme now? |
| 35162 | What''s your name and room number? |
| 35162 | What''s your number? |
| 35162 | When two true lovers is left alone together, what more could they ast for? |
| 35162 | When was you behind the scenes? |
| 35162 | When? 35162 Where are we headed?" |
| 35162 | Where are you goin''? |
| 35162 | Where at? |
| 35162 | Where do you come from? |
| 35162 | Where do you get that''we''? |
| 35162 | Where do you go? |
| 35162 | Where is it at? |
| 35162 | Where now? |
| 35162 | Where to? |
| 35162 | Where to? |
| 35162 | Where you been? |
| 35162 | Where you goin''? |
| 35162 | Where you goin''? |
| 35162 | Where''d we be if we''d went through with every plan you ever sprang? |
| 35162 | Where''s the bath? |
| 35162 | Where''s your honey man? |
| 35162 | Which deck''ll we play with? |
| 35162 | Which is the good ones? |
| 35162 | Which one? |
| 35162 | Which was her? |
| 35162 | Who are you? |
| 35162 | Who belongs? |
| 35162 | Who do we dance all these dances with? |
| 35162 | Who do you know? |
| 35162 | Who do you think called up? |
| 35162 | Who do you think? |
| 35162 | Who is it? |
| 35162 | Who owns this joint? |
| 35162 | Who said anything about four box seats? |
| 35162 | Who told you he got that trifle? |
| 35162 | Who told you they was goin''to be a party? |
| 35162 | Who wants to get into the papers? |
| 35162 | Who was you talkin''to? |
| 35162 | Who''s been buyin''Bishop''s stamps? |
| 35162 | Who''s next to the leadin''lady? |
| 35162 | Who''s to set in them? |
| 35162 | Why did n''t you tell''em about the Hatches? 35162 Why do n''t we play cards?" |
| 35162 | Why do n''t you get chairs and enjoy the breeze? |
| 35162 | Why do n''t you get comfortable? |
| 35162 | Why do n''t you get some of our books and study''em? |
| 35162 | Why do n''t you go over to the Acme? |
| 35162 | Why do n''t you smile at me? |
| 35162 | Why not? |
| 35162 | Why not? |
| 35162 | Why, what''s the matter? |
| 35162 | Why? |
| 35162 | Why? |
| 35162 | Will you have anything open to- morrow? |
| 35162 | Will you just wait till it comes your turn? |
| 35162 | Will you promise to go through with it? |
| 35162 | Will you promise to listen to my side of it without actin''cute? |
| 35162 | Will you sell us two chairs? |
| 35162 | Would n''t he fit fine in the family? |
| 35162 | Would n''t that be wonderful? |
| 35162 | Would n''t you change your mind? |
| 35162 | Yes,the Missus says,"but how many times have you lost more than that playin''cards and not thought nothin''of it?" |
| 35162 | You ai n''t goin''to have no berth, yourself? |
| 35162 | You ai n''t got no locker here? |
| 35162 | You had n''t forgotten, had you? |
| 35162 | You know what you''re doin'', do you? |
| 35162 | You mean how do I know he was n''t lyin''? |
| 35162 | You promise not to tell? |
| 35162 | You wo n''t even come down and set with us? |
| 35162 | You''re smart, ai n''t you? |
| 35162 | Bishop?" |
| 35162 | But if you ca n''t break a promise you made to your own wife what kind of a promise can you break? |
| 35162 | But what''d be the use? |
| 35162 | Did I tell you about that? |
| 35162 | Do you think the mayor''d stand for that stuff when he wo n''t even leave them stage a box fight? |
| 35162 | Does that hit you?" |
| 35162 | Garrett?" |
| 35162 | Goin''out, I says to him:"How''d you like it?" |
| 35162 | Here''s the talk they spill:"Where do you tend bar?" |
| 35162 | How long have you been here?" |
| 35162 | How much?" |
| 35162 | How was I goin''to work it? |
| 35162 | Is that satisfactory?" |
| 35162 | Is that the dope?" |
| 35162 | It sounds harmless enough, do n''t it? |
| 35162 | Joe?" |
| 35162 | K.?" |
| 35162 | Louie Armour''s what?" |
| 35162 | Messenger?" |
| 35162 | Not bad, eh? |
| 35162 | Not even to your own Missus, see? |
| 35162 | So he says,"What can you do?" |
| 35162 | So they all laughed, and when they''d quieted down Mrs. Hatch says:"I do n''t suppose you''d feel like takin''the money back?" |
| 35162 | Takin''advantage, I says:"How about the train from here to Jacksonville?" |
| 35162 | Well, do you get the idear? |
| 35162 | What could of happened?" |
| 35162 | What''s a little matter o''sixty dollars?" |
| 35162 | When I and the Missus was alone, she says:"Well, what''s the idear?" |
| 35162 | Who''s goin''to pay for my chance?" |
| 35162 | Why do n''t you come over to our house for another session to- morrow night?" |
| 35162 | Why would n''t they be? |
| 35162 | Will that suit you?" |
| 10521 | ''"To balance of account"--what does that mean?'' |
| 10521 | ''A joke? |
| 10521 | ''About you?'' |
| 10521 | ''All right?'' |
| 10521 | ''Am I just or not?'' |
| 10521 | ''America?'' |
| 10521 | ''And do n''t you understand that the wish may be quite as much to me as the deed? |
| 10521 | ''And do you think it is just to me to change your manner altogether, without giving me a reason? |
| 10521 | ''And give yourself up?'' |
| 10521 | ''And he quite lost his head, I heard, and behaved like a madman--''''Who told you that?'' |
| 10521 | ''And now what do you propose to do?'' |
| 10521 | ''And the girls were half- sisters-- and--?'' |
| 10521 | ''And you too?'' |
| 10521 | ''Anything I ask?'' |
| 10521 | ''Are you a judge of faces?'' |
| 10521 | ''Are you going to call on him?'' |
| 10521 | ''Are you going to do anything about it?'' |
| 10521 | ''Are you going to tell Mr. Van Torp what you''ve done?'' |
| 10521 | ''Are you going to tell me?'' |
| 10521 | ''Are you quite sure?'' |
| 10521 | ''Are you really Madame Cordova?'' |
| 10521 | ''Are you sure?'' |
| 10521 | ''Are you?'' |
| 10521 | ''Because you went to sleep? |
| 10521 | ''Before the Patriarch of Constantinople?'' |
| 10521 | ''Besides,''said Logotheti,''why the odd hundred? |
| 10521 | ''Bridge?'' |
| 10521 | ''But I really could not have answered that odious man''s question in any other way, could I? |
| 10521 | ''But it always seems wicked to burn bread, does n''t it?'' |
| 10521 | ''But surely you wo n''t let your husband get a divorce for such a reason as that without making a defence?'' |
| 10521 | ''But the letters--?'' |
| 10521 | ''But why do you put them away if they are bad? |
| 10521 | ''But you?'' |
| 10521 | ''California is a beautiful country, is n''t it?'' |
| 10521 | ''Can I see him?'' |
| 10521 | ''Can he hear?'' |
| 10521 | ''Can not you?'' |
| 10521 | ''Can you make potato dumplings, and are you in search of a husband?'' |
| 10521 | ''Can you tell me of any one thing I do that jars on you?'' |
| 10521 | ''Crackers? |
| 10521 | ''Crazy?'' |
| 10521 | ''Did I? |
| 10521 | ''Did n''t he catch her here?'' |
| 10521 | ''Did n''t he find the money on this table in an envelope addressed to her? |
| 10521 | ''Did n''t he shoot a boy in Russia a year ago?'' |
| 10521 | ''Did you happen to glance at the address on the wrapper of the one that came to you?'' |
| 10521 | ''Did you know that your father and my father were friends at Oxford?'' |
| 10521 | ''Did you see her afterwards?'' |
| 10521 | ''Do I still remind you of her?'' |
| 10521 | ''Do I?'' |
| 10521 | ''Do n''t I always tell you most things?'' |
| 10521 | ''Do n''t you feel a little less prejudiced against him yourself?'' |
| 10521 | ''Do n''t you think he is a wonderful man?'' |
| 10521 | ''Do n''t you understand that if the world were mine I should want to give it all to you?'' |
| 10521 | ''Do you believe in God? |
| 10521 | ''Do you call it high- handed to keep a man from cutting his throat?'' |
| 10521 | ''Do you feel as if you could hate me a little, for a change?'' |
| 10521 | ''Do you happen to have any of his writing about you? |
| 10521 | ''Do you happen to know the Patriarch of Constantinople?'' |
| 10521 | ''Do you happen to know what sort of man the present Patriarch of Constantinople is?'' |
| 10521 | ''Do you hate music too?'' |
| 10521 | ''Do you know anything about him?'' |
| 10521 | ''Do you know her?'' |
| 10521 | ''Do you know him well?'' |
| 10521 | ''Do you know it makes me uncomfortable to hear you talk like that? |
| 10521 | ''Do you mean to say that you read his letters?'' |
| 10521 | ''Do you mean to say you think she was wounded?'' |
| 10521 | ''Do you mean to say you wo n''t take the statue?'' |
| 10521 | ''Do you mind?'' |
| 10521 | ''Do you not know that the English drink tea before dinner to give themselves an appetite?'' |
| 10521 | ''Do you not see that I am fat? |
| 10521 | ''Do you play?'' |
| 10521 | ''Do you really not wish me to bring you any more of them?'' |
| 10521 | ''Do you remember Delorges?'' |
| 10521 | ''Do you remember me at all, my dear? |
| 10521 | ''Do you remember the cracked cups and the weevilly biscuits?'' |
| 10521 | ''Do you think it''s really to be war this time?'' |
| 10521 | ''Do you think they hurt you?'' |
| 10521 | ''Do you want to know why I think you need n''t fuss about your conscience and your soul, and things?'' |
| 10521 | ''Do you want to smoke?'' |
| 10521 | ''Do you wish you had waited for the other one till now?'' |
| 10521 | ''Does he often kill?'' |
| 10521 | ''Does he?'' |
| 10521 | ''Does it happen to be true?'' |
| 10521 | ''Does that bother you? |
| 10521 | ''Does that mean more youthful? |
| 10521 | ''Drink?'' |
| 10521 | ''Even though you do n''t like him, you''ll help me, wo n''t you?'' |
| 10521 | ''Exercise? |
| 10521 | ''Ghosts?'' |
| 10521 | ''Good- morning, Madame Cordova; how are you this morning?'' |
| 10521 | ''Good- morning, Miss Ida; how are you this morning?'' |
| 10521 | ''Good- morning, Miss More; how are you this morning?'' |
| 10521 | ''Good? |
| 10521 | ''Had you told Mr. Van Torp all this?'' |
| 10521 | ''Have I?'' |
| 10521 | ''Have you any beer?'' |
| 10521 | ''Have you found it out?'' |
| 10521 | ''He ai n''t a lamb, is he?'' |
| 10521 | ''He could n''t guess that you were here, could he?'' |
| 10521 | ''He said he was there, did he not?'' |
| 10521 | ''He was engaged to her, was he not?'' |
| 10521 | ''He?'' |
| 10521 | ''Here?'' |
| 10521 | ''How about Lady Creedmore?'' |
| 10521 | ''How did you get in? |
| 10521 | ''How do you know that?'' |
| 10521 | ''How do you mean?'' |
| 10521 | ''How long will it take the doctor to get here?'' |
| 10521 | ''How much?'' |
| 10521 | ''How the devil do you know what the house was?'' |
| 10521 | ''I do n''t want to see the letter,''said Margaret,''but what sort of accusations did it contain? |
| 10521 | ''I suppose you are tormented by all sorts of people who ask things, are n''t you?'' |
| 10521 | ''I think it has gone very well, do n''t you, these three days? |
| 10521 | ''I''m not an autograph- hunter,''she said,''but will you write something on the fly- leaf? |
| 10521 | ''I? |
| 10521 | ''I?'' |
| 10521 | ''Ida? |
| 10521 | ''If it''s not very indiscreet of me, as an old friend, you know, do you manage to make a living by the stage?'' |
| 10521 | ''If you ever took it into your handsome head to marry me-- please, I''m only saying"if"--the absurdity would be rather reassuring, would n''t it? |
| 10521 | ''If you say you do n''t believe the story, what harm can there be in telling it?'' |
| 10521 | ''If you were called upon to swear in evidence that you signed a proper receipt for the money, you could n''t deny it, could you? |
| 10521 | ''In private, too?'' |
| 10521 | ''Indeed?'' |
| 10521 | ''Is anything troubling you?'' |
| 10521 | ''Is anything wrong?'' |
| 10521 | ''Is he a Buddhist?'' |
| 10521 | ''Is he a friendly kind of a person, I mean? |
| 10521 | ''Is he? |
| 10521 | ''Is it a secret?'' |
| 10521 | ''Is it already in the papers?'' |
| 10521 | ''Is it as bad as that? |
| 10521 | ''Is it her son?'' |
| 10521 | ''Is it possible that Mr. Van Torp has got up this campaign against himself in order to play some trick on the Stock Exchange?'' |
| 10521 | ''Is it really?'' |
| 10521 | ''Is it right to bribe people to do right? |
| 10521 | ''Is it true that he once asked you to marry him and you refused him?'' |
| 10521 | ''Is it true that the Crown Prince of Persia got into the one in Mayfair as a waiter?'' |
| 10521 | ''Is it true?'' |
| 10521 | ''Is n''t it?'' |
| 10521 | ''Is n''t there room for me too?'' |
| 10521 | ''Is she really dead?'' |
| 10521 | ''Is that what you will call it?'' |
| 10521 | ''Is there any way of making that man tell the truth against his will? |
| 10521 | ''It looks so badly to take money, you know, does n''t it? |
| 10521 | ''It means something especial to you-- is that it?'' |
| 10521 | ''It was, was it?'' |
| 10521 | ''It would be just the same if I went over to dinner every day, and did n''t sleep in the house, would n''t it?'' |
| 10521 | ''It''s not much of a secret, is it?'' |
| 10521 | ''It''s the same thing-- you can not possibly have anything to do in September, can you?'' |
| 10521 | ''Lady Maud? |
| 10521 | ''Look here, Griggs, is this some silly joke?'' |
| 10521 | ''Lunatics, sir? |
| 10521 | ''Lunatics?'' |
| 10521 | ''Margery has half promised to come to us in September,''said Lord Creedmore to his daughter,''You do n''t mind if I call you Margery, do you?'' |
| 10521 | ''May I ask if she is any relation of the California Senator who died last year?'' |
| 10521 | ''May I ask one question? |
| 10521 | ''May I come in?'' |
| 10521 | ''May I see you alone for a few minutes?'' |
| 10521 | ''May I take you down in my motor?'' |
| 10521 | ''May I take you home?'' |
| 10521 | ''Moon?'' |
| 10521 | ''Murdered?'' |
| 10521 | ''My real self? |
| 10521 | ''My voice?'' |
| 10521 | ''My work?'' |
| 10521 | ''No bad news, I hope?'' |
| 10521 | ''No,''Logotheti answered with a smile,''why should I? |
| 10521 | ''No,''she said,''I do n''t care to see the letter, but who in the world can have written it? |
| 10521 | ''Oh, he does, does he?'' |
| 10521 | ''Oh, it did, did it?'' |
| 10521 | ''Oh, it''s you, is it?'' |
| 10521 | ''Oh, you do, do you?'' |
| 10521 | ''Oh, you had, had you?'' |
| 10521 | ''Oh, you tried to take her hand?'' |
| 10521 | ''On the dark red silk she wore? |
| 10521 | ''On the_ Leofric_?'' |
| 10521 | ''Only what?'' |
| 10521 | ''Or is it what I say, or my way of speaking? |
| 10521 | ''Perhaps, but is n''t it quite true? |
| 10521 | ''Perhaps,''suggested Fräulein Ottilie timidly,''if you exercised a little strength of character--''''Exercise?'' |
| 10521 | ''Rather unfortunate at this juncture, is n''t it?'' |
| 10521 | ''Really, this looks rather suspicious; do n''t you think so?'' |
| 10521 | ''Really? |
| 10521 | ''Really? |
| 10521 | ''Really? |
| 10521 | ''Really?'' |
| 10521 | ''Really?'' |
| 10521 | ''Really?'' |
| 10521 | ''Secrets are everything that must be found out and put in the paper right away, ai n''t they? |
| 10521 | ''Shall you tell him about the drop of blood on your hand?'' |
| 10521 | ''She? |
| 10521 | ''Should you mind singing something to keep the party together while I talk to some tiresome men who are in the old study? |
| 10521 | ''Should you want me to leave the stage?'' |
| 10521 | ''Some one-- who sang like me? |
| 10521 | ''Tea?'' |
| 10521 | ''Tell me,''Margaret said,''was that story about Lady Maud in the same letter?'' |
| 10521 | ''The Aphrodite? |
| 10521 | ''The sea has a voice, too, has n''t it?'' |
| 10521 | ''Then who else is it?'' |
| 10521 | ''Then why did you not let things slide, as you call it?'' |
| 10521 | ''To change the subject,''he said cheerfully,''I suppose you need money, do n''t you?'' |
| 10521 | ''To marry, or not to marry?'' |
| 10521 | ''To you? |
| 10521 | ''Too bad? |
| 10521 | ''Unconditionally?'' |
| 10521 | ''Van Torp?'' |
| 10521 | ''Was Mr. Griggs in the house?'' |
| 10521 | ''Was it a trick dog?'' |
| 10521 | ''Was n''t it? |
| 10521 | ''Was she trying to get out?'' |
| 10521 | ''Was that all she said?'' |
| 10521 | ''Was that right of me?'' |
| 10521 | ''Well?'' |
| 10521 | ''Were you unhappy when you were young?'' |
| 10521 | ''Were you with the poor girl when she died?'' |
| 10521 | ''What Greek? |
| 10521 | ''What are you thinking of?'' |
| 10521 | ''What can I do for you?'' |
| 10521 | ''What can I do?'' |
| 10521 | ''What did she say?'' |
| 10521 | ''What did the man say?'' |
| 10521 | ''What did you do?'' |
| 10521 | ''What did you find amongst his papers?'' |
| 10521 | ''What do they say?'' |
| 10521 | ''What do you expect of me?'' |
| 10521 | ''What do you mean?'' |
| 10521 | ''What do you mean?'' |
| 10521 | ''What does that mean?'' |
| 10521 | ''What in the world has happened to you since yesterday?'' |
| 10521 | ''What is it?'' |
| 10521 | ''What is odd?'' |
| 10521 | ''What is the little girl''s full name?'' |
| 10521 | ''What is the secret I am to keep for you?'' |
| 10521 | ''What is the use of being famous if you can not go to sleep when you are sleepy? |
| 10521 | ''What made you think he might be one?'' |
| 10521 | ''What must I say?'' |
| 10521 | ''What shall you do?'' |
| 10521 | ''What sort of people are they?'' |
| 10521 | ''What was the matter with him?'' |
| 10521 | ''What''s that?'' |
| 10521 | ''What''s the matter now?'' |
| 10521 | ''What?'' |
| 10521 | ''What?'' |
| 10521 | ''When do the rehearsals begin?'' |
| 10521 | ''When may I come and see you?'' |
| 10521 | ''When? |
| 10521 | ''When?'' |
| 10521 | ''Where are they?'' |
| 10521 | ''Where did you get that tie?'' |
| 10521 | ''Where is he? |
| 10521 | ''Where?'' |
| 10521 | ''Who are the other people going to be?'' |
| 10521 | ''Who found her at last?'' |
| 10521 | ''Who is it?'' |
| 10521 | ''Why did you never tell me?'' |
| 10521 | ''Why do n''t you try to find out the truth?'' |
| 10521 | ''Why do you ask?'' |
| 10521 | ''Why do you imagine such things?'' |
| 10521 | ''Why do you tell me all this?'' |
| 10521 | ''Why do you tell me all this?'' |
| 10521 | ''Why does Cordova hate him?'' |
| 10521 | ''Why in the world should the creature have written to you, of all people, to destroy Mr. Van Torp''s character?'' |
| 10521 | ''Why not? |
| 10521 | ''Why not? |
| 10521 | ''Why not?'' |
| 10521 | ''Why should I defend myself? |
| 10521 | ''Why should you ever deal with him?'' |
| 10521 | ''Why should you? |
| 10521 | ''Why? |
| 10521 | ''Why?'' |
| 10521 | ''Will it do any good if I do? |
| 10521 | ''Will it keep for ten minutes?'' |
| 10521 | ''Will you blow out the lamp?'' |
| 10521 | ''Will you come?'' |
| 10521 | ''Will you keep house for me?'' |
| 10521 | ''Will you promise, by the God you believe in?'' |
| 10521 | ''Will you take a little walk with me, Madame Cordova?'' |
| 10521 | ''Will you tell me what it is?'' |
| 10521 | ''Will you?'' |
| 10521 | ''Yes?'' |
| 10521 | ''You are quite sure that you thought it was only that, are you not?'' |
| 10521 | ''You did n''t expect to see me on board, did you?'' |
| 10521 | ''You did n''t know that, did you?'' |
| 10521 | ''You did not believe I was in earnest? |
| 10521 | ''You do n''t mind, do you?'' |
| 10521 | ''You have not many intimate friends, have you?'' |
| 10521 | ''You knew her, I suppose?'' |
| 10521 | ''You need more than that, do n''t you?'' |
| 10521 | ''You never saw her?'' |
| 10521 | ''You originally belonged to the East, Mr. Logotheti, did n''t you?'' |
| 10521 | ''You sent for a doctor then?'' |
| 10521 | ''You take sugar, do n''t you?'' |
| 10521 | ''You think I would n''t?'' |
| 10521 | ''You think I''m rather silly sometimes, do n''t you?'' |
| 10521 | ''You thought it was"something different"--do you know that you are two people in one?'' |
| 10521 | ''You were never married, were you?'' |
| 10521 | ''You?'' |
| 10521 | ''Your speaking of nickel,''said the peer, at her elbow,''reminds me of that extraordinary new discovery-- let me see-- what is it?'' |
| 10521 | ''_ The Elisir d''Amore_?'' |
| 10521 | A man who gets out in a hurry does n''t usually look innocent, does he?'' |
| 10521 | A partner of Mr. Van Torp, the American financier? |
| 10521 | Absurd, is n''t it?'' |
| 10521 | Am I not right?'' |
| 10521 | Am I right in taking it for your handwriting?'' |
| 10521 | Am I to turn into a monument of Victor Emanuel?'' |
| 10521 | And if any one made him talk, what great harm would be done, after all? |
| 10521 | And if he did, why should you mind? |
| 10521 | And people who make no secret of a meeting are not meeting clandestinely, are they?'' |
| 10521 | And why should n''t I? |
| 10521 | And you are not so dreadfully bored after all, are you? |
| 10521 | Anything else?'' |
| 10521 | Are you going anywhere in particular? |
| 10521 | Are you in mourning for your lost illusions?'' |
| 10521 | Are you much interested in the matter?'' |
| 10521 | Are you quite sure you do n''t mind?'' |
| 10521 | Are you quite sure you do n''t mind?'' |
| 10521 | Are you, now?'' |
| 10521 | Because I know my way about? |
| 10521 | Before I say good- night, do you mind telling me what the doctor said?'' |
| 10521 | But how do you propose to find out if it is true?'' |
| 10521 | But in the dark, how do you make her understand?'' |
| 10521 | But it wo n''t suit you if I hold my tongue in the witness- box, will it? |
| 10521 | But that does n''t interest you, does it? |
| 10521 | But that would n''t account for it, would it? |
| 10521 | But was n''t it rather a high- handed proceeding to carry off Mr. Feist like that, and to seize his papers?'' |
| 10521 | But what is the use of repeating a bit of wicked gossip?'' |
| 10521 | By the bye, I wrote you I met Cordova, the Primadonna, at the Turkish Embassy, did n''t I? |
| 10521 | By the bye,''he said quickly, correcting himself,''is n''t that one of the things I say wrong? |
| 10521 | Can I be of any use to you with the Patriarch? |
| 10521 | Can you deny that you have given me a formal dated receipt for four thousand one hundred pounds?'' |
| 10521 | Can you remember that, do you think?'' |
| 10521 | Chocolates?'' |
| 10521 | Come, is n''t it now? |
| 10521 | Darwin has proved that the dominant characteristic of male animals is vanity; and what is to become of that if women show that they can do without us? |
| 10521 | Did he know anything about the blowing up of the works of which Van Torp had been accused in the papers? |
| 10521 | Did he know that Mr. Van Torp had once lived on a ranch, and had killed two men in a shooting affray? |
| 10521 | Did n''t he have two witnesses with him? |
| 10521 | Did n''t you know her? |
| 10521 | Did you get my cable? |
| 10521 | Did you know that I could hear thunder?'' |
| 10521 | Did you really ask her to marry you?'' |
| 10521 | Did you really think the money was meant for me? |
| 10521 | Did you?'' |
| 10521 | Do n''t you see that I''m disappointed now?'' |
| 10521 | Do n''t you see?'' |
| 10521 | Do n''t you think so, Griggs?'' |
| 10521 | Do n''t you, Madame Cordova?'' |
| 10521 | Do you happen to remember the name of his hotel?'' |
| 10521 | Do you know him?'' |
| 10521 | Do you know whether Miss Donne has seen it?'' |
| 10521 | Do you mean to say that he was your father?'' |
| 10521 | Do you mind calling me Maud? |
| 10521 | Do you mind doing that?'' |
| 10521 | Do you mind very much? |
| 10521 | Do you really mean that you may have to go back at once, to defend yourself?'' |
| 10521 | Do you remember if it was at all like that?'' |
| 10521 | Do you remember the day?'' |
| 10521 | Do you remember?'' |
| 10521 | Do you see that? |
| 10521 | Do you see that?'' |
| 10521 | Do you suppose I am going to run away? |
| 10521 | Do you suppose I''d have deliberately produced one just then? |
| 10521 | Do you take the paper?'' |
| 10521 | Do you think I would?'' |
| 10521 | Do you think I''m very sentimental?'' |
| 10521 | Do you think he was told about it? |
| 10521 | Do you understand all that?'' |
| 10521 | Do you understand?'' |
| 10521 | Do you understand?'' |
| 10521 | Do you want my statue?'' |
| 10521 | Do you want to get off?'' |
| 10521 | Do you?'' |
| 10521 | Does it matter much?'' |
| 10521 | Does n''t it, my dear?'' |
| 10521 | Dubbs,''she said,''do you consider me a respectable young woman?'' |
| 10521 | Even for him?'' |
| 10521 | Feist?'' |
| 10521 | Feist?'' |
| 10521 | Griggs-- do you remember Mr. Griggs, the author, at the Turkish Embassy, where we first met? |
| 10521 | Had not Lushington once seen her kiss Margaret on both cheeks in a moment of enthusiastic admiration? |
| 10521 | Had she not been married to a Russian subject by the Greek rite in Paris? |
| 10521 | Had you not heard that? |
| 10521 | Have you any idea that she may have died of anything else?'' |
| 10521 | Have you any idea who wrote it?'' |
| 10521 | Have you been out at all?'' |
| 10521 | He has made a good impression on everybody-- don''t you think so?'' |
| 10521 | He would n''t open a package that was addressed to you from a bookseller''s, would he?'' |
| 10521 | Horrid weather all day, was n''t it? |
| 10521 | How about that poor dog at the Theobalds''last September?'' |
| 10521 | How could any one be blamed for her death?'' |
| 10521 | How could he? |
| 10521 | How in the world did you hear it?'' |
| 10521 | I could n''t go out of my own house on foot, in a dinner- gown, and pick up a hansom, could I? |
| 10521 | I have heard a great living painter ask the question: What has art to do with truth? |
| 10521 | I said it should, did n''t I? |
| 10521 | I say, does half- past eight mean a quarter past nine?'' |
| 10521 | I suppose it''s not a very pretty story, is it? |
| 10521 | I''d like you to arrange so that I can see you sometimes, will you?'' |
| 10521 | I''m not divorced after all-- you had not heard? |
| 10521 | I''m sorry, but you understand, do n''t you?'' |
| 10521 | If I did that, I might be raising against another man''s straight flush, do n''t you see? |
| 10521 | If I tell you I read, what harm is there?'' |
| 10521 | If something has come between us, I think you ought to tell me-- don''t you?'' |
| 10521 | In connection with Van Torp, may I ask an indiscreet question?'' |
| 10521 | In prison?'' |
| 10521 | In the end, what is this Tom? |
| 10521 | Indeed? |
| 10521 | Is Feist an American name?'' |
| 10521 | Is it indiscreet to ask what sort of questions he put to you?'' |
| 10521 | Is that a threat?'' |
| 10521 | Is that it?'' |
| 10521 | Is that it?'' |
| 10521 | Is that your latest hobby? |
| 10521 | Is there anything I can do?'' |
| 10521 | It''s for me, then? |
| 10521 | It''s not long, is it?'' |
| 10521 | It''s the agreement of the facts with the statement of them, is n''t it? |
| 10521 | Just take the trouble to find out who he is and suppress him, will you? |
| 10521 | Kind of unnatural, is n''t it, for me to be sorry for people?'' |
| 10521 | Let me see-- you''re an actress, are n''t you, my dear?'' |
| 10521 | Like the little girl?'' |
| 10521 | Logotheti?'' |
| 10521 | Logotheti?'' |
| 10521 | Margaret Donne? |
| 10521 | Margaret laughed again, and then lowered her voice,''by the bye, who is she?'' |
| 10521 | May I come and fetch you? |
| 10521 | May I telegraph to have her packed and brought here from Paris?'' |
| 10521 | Moon?'' |
| 10521 | More frisky? |
| 10521 | Mr. Van Torp exclaimed in a tone of contemptuous surprise,''it''s you, is it? |
| 10521 | Now what have you got to say? |
| 10521 | Now what is there so brutal in that, Madame Cordova?'' |
| 10521 | Obliging, if you take him the right way? |
| 10521 | Of course, it''s play, because one ca n''t, can one? |
| 10521 | On the other side, what was there to be said for him? |
| 10521 | Or anything about the circumstances of Van Torp''s engagement to Miss Bamberger? |
| 10521 | Or does he get on his ear right away?'' |
| 10521 | Or is all that an invention?'' |
| 10521 | Please--''''Why do you insist? |
| 10521 | Really?'' |
| 10521 | See?'' |
| 10521 | Shall I?'' |
| 10521 | Shall we go back?'' |
| 10521 | Should you care to see that part of the letter which concerns you? |
| 10521 | So I have changed as much as that, have I? |
| 10521 | Sounds well, do n''t it?'' |
| 10521 | Tall old fellow, sad- looking, bony, hard; you remember him, do n''t you?'' |
| 10521 | That I''d allow any human being to play tricks with your good name by coupling it with mine in any sort of way? |
| 10521 | That was n''t quite nice of you, was it?'' |
| 10521 | That would be just like being run through with a bodkin, then?'' |
| 10521 | The man I spent that evening with is a public man, and he might n''t exactly think our interview was anybody else''s business, might he?'' |
| 10521 | The same way with other crimes, is n''t it? |
| 10521 | To- morrow afternoon about three? |
| 10521 | To- morrow? |
| 10521 | Under the circumstances, almost any man in my position would get interviewed and talk back, would n''t he?'' |
| 10521 | Van Torp? |
| 10521 | Van Torp?'' |
| 10521 | Was he-- Mr. Van Torp?'' |
| 10521 | Was n''t it?'' |
| 10521 | We ca n''t complain of being crowded out of doors by our friends, either of us, can we? |
| 10521 | Well, what sort of a gentleman is he, anyway?'' |
| 10521 | Were they all of the same kind?'' |
| 10521 | What do you mean? |
| 10521 | What do you think of it?'' |
| 10521 | What does your father say?'' |
| 10521 | What had the Patriarch to do with it? |
| 10521 | What has grammar to do with the treatment of the nerves? |
| 10521 | What has happened to him?'' |
| 10521 | What have you been doing? |
| 10521 | What have you to say?'' |
| 10521 | What is good in that sense?'' |
| 10521 | What is her name?'' |
| 10521 | What is it?'' |
| 10521 | What is truth, anyhow? |
| 10521 | What shall the forfeit be? |
| 10521 | What should you say was the matter with that one?'' |
| 10521 | What was the use of having made money if you were to be bothered? |
| 10521 | What''nice English girl''ever told herself or any one else that she would be a''viper''? |
| 10521 | What''s the matter? |
| 10521 | When am I to see you again? |
| 10521 | When do you sail?'' |
| 10521 | When is it to be?'' |
| 10521 | When? |
| 10521 | Who died?'' |
| 10521 | Who is this Tom, eh? |
| 10521 | Who was this man Feist, and who was behind him? |
| 10521 | Why do they bring bread? |
| 10521 | Why do you ask?'' |
| 10521 | Why do you insist so much?'' |
| 10521 | Why do you look as if you doubted it? |
| 10521 | Why in the world do you not want to come?'' |
| 10521 | Why should I do anything? |
| 10521 | Why should I eat more? |
| 10521 | Why should I take tea? |
| 10521 | Why should I? |
| 10521 | Why should he? |
| 10521 | Why should it be so different? |
| 10521 | Why should n''t I? |
| 10521 | Why should you not say so frankly? |
| 10521 | Why?'' |
| 10521 | Will you come?'' |
| 10521 | Will you help me?'' |
| 10521 | Will you help me?'' |
| 10521 | Will you say that if you hear me talked about?'' |
| 10521 | Will you? |
| 10521 | Will you?'' |
| 10521 | Will you?'' |
| 10521 | Will you?'' |
| 10521 | With Mr. Van Torp, and taking money from him? |
| 10521 | Wo n''t you say it, Madame Cordova?'' |
| 10521 | Would he read the statement and sign his name to it? |
| 10521 | Would it help you or not?'' |
| 10521 | Would that suit you? |
| 10521 | Would you give her to me?'' |
| 10521 | Would you?'' |
| 10521 | Yes-- let him know that you know-- if you think it best--''''Who is he?'' |
| 10521 | You are not to sing again this week, are you?'' |
| 10521 | You are, are you not?'' |
| 10521 | You do lock it, always, do n''t you?'' |
| 10521 | You do n''t mind meeting Mr. Van Torp, do you? |
| 10521 | You do n''t suppose I''m going to bring an action against that paper, do you?'' |
| 10521 | You know about that law, do n''t you?'' |
| 10521 | You know her, do n''t you?'' |
| 10521 | You never go there, do you?'' |
| 10521 | You really would let me give you the book now, if it were possible, would n''t you?'' |
| 10521 | You see? |
| 10521 | You told me I ought to say how the land"lies,"did n''t you? |
| 10521 | You wo n''t throw me out if I do?'' |
| 10521 | Your name is Donne, is n''t it? |
| 10521 | do you mean to say that all financiers must be strictly virtuous, like little woolly white lambs?'' |
| 25838 | Do you go in, when it rains? 25838 Do you like carrots? |
| 25838 | ''A man?'' |
| 25838 | ''Ah, did I not tell you?'' |
| 25838 | ''Ah, you are proud, eh? |
| 25838 | ''Ah, you know each other?'' |
| 25838 | ''Ah?'' |
| 25838 | ''All about her?'' |
| 25838 | ''All right?'' |
| 25838 | ''Am I doing well?'' |
| 25838 | ''An investment, dear lady? |
| 25838 | ''And I suppose you would like me better if I were always silly?'' |
| 25838 | ''And at twenty- two, what should I sell for?'' |
| 25838 | ''And now?'' |
| 25838 | ''And what have you given me in return for it all? |
| 25838 | ''And you are going to be married, I suppose?'' |
| 25838 | ''And you went on the stage at once?'' |
| 25838 | ''Are you going to Paris to- day?'' |
| 25838 | ''Are you here for long?'' |
| 25838 | ''Are you hurt, Monsieur?'' |
| 25838 | ''Are you hurt?'' |
| 25838 | ''Are you in earnest?'' |
| 25838 | ''Are you playing with me?'' |
| 25838 | ''Are you quite sure you''re not hurt?'' |
| 25838 | ''Are you sure of the voice?'' |
| 25838 | ''Begun what?'' |
| 25838 | ''Better? |
| 25838 | ''But I do n''t know a word of Spanish----''''What in the world has that to do with it? |
| 25838 | ''But how can you? |
| 25838 | ''But how is it possible? |
| 25838 | ''But if the house should take fire?'' |
| 25838 | ''But is there no way of protecting oneself?'' |
| 25838 | ''But of course you''ve no business to think me nice, have you?'' |
| 25838 | ''But really, how can you"determine"to marry me, if I wo n''t agree?'' |
| 25838 | ''But then, my dear, what in the world are you thinking of?'' |
| 25838 | ''But why do you put on so much?'' |
| 25838 | ''But why should he not? |
| 25838 | ''But why? |
| 25838 | ''But why?'' |
| 25838 | ''But why?'' |
| 25838 | ''By the way,''asked the English officer on her other side,''was not your father the famous army coach?'' |
| 25838 | ''Ca n''t we part without quarrelling?'' |
| 25838 | ''Ca n''t you forgive me, Tom?'' |
| 25838 | ''Can I be of any use to you in getting off, mother?'' |
| 25838 | ''Can I be of any use?'' |
| 25838 | ''Could any one do anything to make it easier for you?'' |
| 25838 | ''Dearest lady,''said a deep voice, with a sort of oily, anticipative gentleness in it,''can you forgive me my little stratagem?'' |
| 25838 | ''Did Logotheti tell you anything about what happened after you left us?'' |
| 25838 | ''Did he?'' |
| 25838 | ''Did you mean"of course it is possible-- and easy,"my dear? |
| 25838 | ''Did you really get a double first?'' |
| 25838 | ''Did you see the gentleman?'' |
| 25838 | ''Did you think I was in earnest?'' |
| 25838 | ''Did you think that any manager would engage you, even for one night, merely on my word, my child? |
| 25838 | ''Do I bore you?'' |
| 25838 | ''Do I?'' |
| 25838 | ''Do n''t you think there is just a little prejudice in your opinion of him?'' |
| 25838 | ''Do you know Mr. Lushington well?'' |
| 25838 | ''Do you know that you are going ahead at a frightful pace?'' |
| 25838 | ''Do you know that you are quite the rudest and most brutal person I ever met?'' |
| 25838 | ''Do you know what an"ideal"is?'' |
| 25838 | ''Do you know what the hardest thing in my life is?'' |
| 25838 | ''Do you know what you are doing? |
| 25838 | ''Do you know why I am sure of it? |
| 25838 | ''Do you mean that I may not even come and see you?'' |
| 25838 | ''Do you mean that Madame De Rosa has invented the story?'' |
| 25838 | ''Do you mean that?'' |
| 25838 | ''Do you mean to say that after all I''ve done to get you this money, you are going to give me up to be an actress?'' |
| 25838 | ''Do you mean to say that you could just go out and buy yourself a wife in the market in Constantinople?'' |
| 25838 | ''Do you mean to say that you did all that in your head in ten seconds?'' |
| 25838 | ''Do you mean to take an early train to- morrow morning?'' |
| 25838 | ''Do you really think so?'' |
| 25838 | ''Do you suppose I''ll keep it, now that I know where it comes from? |
| 25838 | ''Do you think I might have a little more?'' |
| 25838 | ''Do you think I reproach you?'' |
| 25838 | ''Do you think I''m a child to believe such nonsense?'' |
| 25838 | ''Do you think you would have been any better, in my place?'' |
| 25838 | ''Do you understand?'' |
| 25838 | ''Do you want to marry Miss Donne yourself?'' |
| 25838 | ''Do you wonder that I love him?'' |
| 25838 | ''Do you?'' |
| 25838 | ''Do you?'' |
| 25838 | ''Does she know the part?'' |
| 25838 | ''Eh? |
| 25838 | ''Eh?'' |
| 25838 | ''Eh?'' |
| 25838 | ''Eh?'' |
| 25838 | ''Excited? |
| 25838 | ''Good friends?'' |
| 25838 | ''Gratuitous? |
| 25838 | ''Happiness for one, do n''t you know?'' |
| 25838 | ''Has anything happened?'' |
| 25838 | ''Has she told you? |
| 25838 | ''Have I succeeded at all?'' |
| 25838 | ''Have you a good action of the heart?'' |
| 25838 | ''Have you any money with you?'' |
| 25838 | ''Have you been paying your lawyer, or was he to get a percentage on the sum recovered?'' |
| 25838 | ''Have you come all the way from Versailles again to say that?'' |
| 25838 | ''Have you ever been behind in this theatre? |
| 25838 | ''Have you lived long in Paris?'' |
| 25838 | ''Have you seen Logotheti?'' |
| 25838 | ''He died young, did n''t he?'' |
| 25838 | ''How did you dare to settle money on me?'' |
| 25838 | ''How did you dare to take money from him for me?'' |
| 25838 | ''How do you know?'' |
| 25838 | ''How do you mean?'' |
| 25838 | ''How? |
| 25838 | ''I did right, did n''t I?'' |
| 25838 | ''I do n''t think so, but what if it did?'' |
| 25838 | ''I frightened you? |
| 25838 | ''I said, to my determination----''''Determination? |
| 25838 | ''I suppose you are not afraid to come here and sing before an impresario and three or four musicians, are you?'' |
| 25838 | ''I suppose you know him very well?'' |
| 25838 | ''If my own son has done much worse to me, why should I care what any one else can do?'' |
| 25838 | ''If people agreed about everything, what would become of conversation, lawyers and standing armies? |
| 25838 | ''If the girl loves you, do you suppose she will care what I''ve done?'' |
| 25838 | ''In two meetings?'' |
| 25838 | ''Indeed?'' |
| 25838 | ''Ingenious?'' |
| 25838 | ''Is Miss Donne here?'' |
| 25838 | ''Is it all right?'' |
| 25838 | ''Is it not an ambulance? |
| 25838 | ''Is that all we are to have to- day? |
| 25838 | ''Is that all, for my voice?'' |
| 25838 | ''Is that all? |
| 25838 | ''Is that all?'' |
| 25838 | ''Is that why you changed it?'' |
| 25838 | ''Is that you? |
| 25838 | ''Is the other one as nice?'' |
| 25838 | ''Is there any one there?'' |
| 25838 | ''Is there to be any secret about your_ dà © but_?'' |
| 25838 | ''Is your real name Smith?'' |
| 25838 | ''It was very stupid of me, was n''t it? |
| 25838 | ''It''s enough to cow a mob, is n''t it?'' |
| 25838 | ''Left the stage? |
| 25838 | ''Little?'' |
| 25838 | ''London?'' |
| 25838 | ''Lyric?'' |
| 25838 | ''Mad, because I love you?'' |
| 25838 | ''Margaret, what were you?'' |
| 25838 | ''May I ask what she said? |
| 25838 | ''May I ask where you were born, Miss Donne?'' |
| 25838 | ''May I not have some, too?'' |
| 25838 | ''May I not keep my own?'' |
| 25838 | ''May I please come in?'' |
| 25838 | ''Me?'' |
| 25838 | ''Miserable? |
| 25838 | ''Must we?'' |
| 25838 | ''My dear, why not?'' |
| 25838 | ''My singing?'' |
| 25838 | ''No matter what I had done?'' |
| 25838 | ''No? |
| 25838 | ''Not really?'' |
| 25838 | ''Not room? |
| 25838 | ''Of course?'' |
| 25838 | ''Of me? |
| 25838 | ''Of me?'' |
| 25838 | ''Of what use would that be, now that the best part of it is over-- or the worst part? |
| 25838 | ''Oh, you agree with me? |
| 25838 | ''Oh, you wo n''t? |
| 25838 | ''Oh?'' |
| 25838 | ''One?'' |
| 25838 | ''Only as far as I am concerned?'' |
| 25838 | ''Or are you tired?'' |
| 25838 | ''Or why should not I be quite satisfied, and more than satisfied?'' |
| 25838 | ''Pity, I suppose?'' |
| 25838 | ''Please, Madame, is the woman to go away? |
| 25838 | ''Really not?'' |
| 25838 | ''Really?'' |
| 25838 | ''Shall I call a cab for you?'' |
| 25838 | ''Shall I say"not at home,"ma''am?'' |
| 25838 | ''Shall we go on?'' |
| 25838 | ''Shall we go on?'' |
| 25838 | ''Shall we wake her?'' |
| 25838 | ''Should you like to go to Greece?'' |
| 25838 | ''Should you like to see the telegrams?'' |
| 25838 | ''Should you mind taking that thing off your face for a moment? |
| 25838 | ''So that''s it, is it? |
| 25838 | ''Some one you do n''t know?'' |
| 25838 | ''That she might be too kind to tell a beginner just what she really thinks?'' |
| 25838 | ''That you should move like the Victory? |
| 25838 | ''The King?'' |
| 25838 | ''The fact is, it''s all rather funny, is n''t it? |
| 25838 | ''The note is for you, Madame, is it not?'' |
| 25838 | ''Then Mademoiselle is a musician? |
| 25838 | ''Then it was the King who passed me in that smart brougham? |
| 25838 | ''Then we will say that he cheated Miss Donne''s maternal grandfather-- is that the relationship? |
| 25838 | ''There were a good many people, were n''t there?'' |
| 25838 | ''This charming young lady-- what is your name, my dear? |
| 25838 | ''Tired?'' |
| 25838 | ''To Miss Donne? |
| 25838 | ''Was it? |
| 25838 | ''Was there ever such a man?'' |
| 25838 | ''Well?'' |
| 25838 | ''Well?'' |
| 25838 | ''Well?'' |
| 25838 | ''What are you thinking of?'' |
| 25838 | ''What business has a man to wear such jewellery? |
| 25838 | ''What did he say? |
| 25838 | ''What did you answer?'' |
| 25838 | ''What did you suppose?'' |
| 25838 | ''What do you know about it?'' |
| 25838 | ''What do you mean by saying that your life is over?'' |
| 25838 | ''What do you mean? |
| 25838 | ''What do you mean?'' |
| 25838 | ''What do you mean?'' |
| 25838 | ''What do you suppose I should be worth in Turkey?'' |
| 25838 | ''What do you think of it?'' |
| 25838 | ''What do you think?'' |
| 25838 | ''What do you want?'' |
| 25838 | ''What gentleman?'' |
| 25838 | ''What has become of you?'' |
| 25838 | ''What is an army coach?'' |
| 25838 | ''What is happening?'' |
| 25838 | ''What is it?'' |
| 25838 | ''What is it?'' |
| 25838 | ''What is it?'' |
| 25838 | ''What is rubbish?'' |
| 25838 | ''What is the matter with you?'' |
| 25838 | ''What is the matter?'' |
| 25838 | ''What is the matter?'' |
| 25838 | ''What is this for? |
| 25838 | ''What is very odd?'' |
| 25838 | ''What name, if you please?'' |
| 25838 | ''What prison?'' |
| 25838 | ''What shall we say?'' |
| 25838 | ''What should I do with a steam yacht?'' |
| 25838 | ''What sort of revenge?'' |
| 25838 | ''What sort of"designs"?'' |
| 25838 | ''What the devil did you dare to think that I meant?'' |
| 25838 | ''What train shall you take, mother?'' |
| 25838 | ''What was your book about?'' |
| 25838 | ''What wo n''t do?'' |
| 25838 | ''What''s the matter?'' |
| 25838 | ''What, for instance? |
| 25838 | ''What?'' |
| 25838 | ''What?'' |
| 25838 | ''What?'' |
| 25838 | ''What?'' |
| 25838 | ''Where are you, the real you? |
| 25838 | ''Where did you learn to speak English so well?'' |
| 25838 | ''Where is she? |
| 25838 | ''Where is your maid?'' |
| 25838 | ''Where shall I tell the man to take you?'' |
| 25838 | ''Who gave you this? |
| 25838 | ''Who is Logotheti?'' |
| 25838 | ''Who is that person with the queer name?'' |
| 25838 | ''Who knows?'' |
| 25838 | ''Who was it?'' |
| 25838 | ''Who? |
| 25838 | ''Who?'' |
| 25838 | ''Why are you a Greek?'' |
| 25838 | ''Why ca n''t we like each other, be very, very fond of each other, and meet often, and each help the other in life? |
| 25838 | ''Why did you come?'' |
| 25838 | ''Why do n''t you get into the automobile and let Monsieur Logotheti take you home?'' |
| 25838 | ''Why do n''t you go to Crete?'' |
| 25838 | ''Why do n''t you sit down, my dear?'' |
| 25838 | ''Why do you ask?'' |
| 25838 | ''Why do you speak like that?'' |
| 25838 | ''Why have you done it?'' |
| 25838 | ''Why have you not made your_ dà © but_?'' |
| 25838 | ''Why not?'' |
| 25838 | ''Why not?'' |
| 25838 | ''Why not?'' |
| 25838 | ''Why should I waste time? |
| 25838 | ''Why should I?'' |
| 25838 | ''Why will you always go back to that question?'' |
| 25838 | ''Why-- good gracious-- how''s this? |
| 25838 | ''Why?'' |
| 25838 | ''Why?'' |
| 25838 | ''Will he call me his"darling"?'' |
| 25838 | ''Will this do, mother?'' |
| 25838 | ''Will you come with me?'' |
| 25838 | ''Will you have anything else over you, mother?'' |
| 25838 | ''Will you leave things as they are and forget all about this business? |
| 25838 | ''Will you take me back to Madame De Rosa, please?'' |
| 25838 | ''Will you try the trio to- day?'' |
| 25838 | ''Wo n''t you come and dine with me afterwards?'' |
| 25838 | ''Wo n''t you take some of the money-- only what I made by singing?'' |
| 25838 | ''Would it make it any better if-- if I married again?'' |
| 25838 | ''Would n''t you like to wash your face?'' |
| 25838 | ''Yes, but where?'' |
| 25838 | ''Yes?'' |
| 25838 | ''Yes?'' |
| 25838 | ''You are Madame Bonanni, are you not?'' |
| 25838 | ''You are not Edmund Lushington, the critic?'' |
| 25838 | ''You believe that it was an accident, do n''t you?'' |
| 25838 | ''You did not come all the way from London for that?'' |
| 25838 | ''You do n''t really suppose that I am going to explain, do you? |
| 25838 | ''You know him, too?'' |
| 25838 | ''You love beautiful things, do n''t you?'' |
| 25838 | ''You mean that if I do n''t, you''ll never ask me again, I suppose?'' |
| 25838 | ''You understand? |
| 25838 | ''You want me to send you a couple of friends and fight a duel with you? |
| 25838 | ''You?'' |
| 25838 | ''Your son? |
| 25838 | A question of fortune, I daresay?'' |
| 25838 | Am I the only living woman that has been carried off her feet by royalty? |
| 25838 | And he was only a little boy-- how could I guess?'' |
| 25838 | And if''--the man''s voice took a confidential tone--''if any lady should ask for you, sir?'' |
| 25838 | And now that you are here of your own accord, why should I let you go?'' |
| 25838 | And they know their business, do n''t they, Logotheti?'' |
| 25838 | And why should you not be pleased at that?'' |
| 25838 | And why? |
| 25838 | And your arms? |
| 25838 | And-- what have you done to your face?'' |
| 25838 | Anything else?'' |
| 25838 | Are you English enough to understand that expression?'' |
| 25838 | Are you satisfied with the contract we signed?'' |
| 25838 | Are you still angry with me? |
| 25838 | As it is''--she turned to Margaret with suddenly flashing eyes--''do you know, my dear? |
| 25838 | As you ca n''t attribute any interested motive to my determination----''''Eh?'' |
| 25838 | Awful-- idiot? |
| 25838 | Because I''m too fond of you? |
| 25838 | Behind which door was some one waiting? |
| 25838 | But I really could not foresee that one would run over the other and that you would appear just at that moment, could I? |
| 25838 | But do n''t you think, perhaps, that she is just a little too much so?'' |
| 25838 | But do you mean to say that anything could keep De Rosa in Paris this afternoon?'' |
| 25838 | But if the house should burn down before they come?'' |
| 25838 | But suppose that I should not care to call you Tom either, and yet should wish to call you something, do n''t you know? |
| 25838 | But what becomes of the imagination?'' |
| 25838 | But what has respectability to do with art?'' |
| 25838 | But what has that to do with it?'' |
| 25838 | But what is it? |
| 25838 | But who in the world are you?'' |
| 25838 | But why did you change it at all for your son?'' |
| 25838 | But why do I go on singing, my dear? |
| 25838 | But why should I care? |
| 25838 | But----''''But what?'' |
| 25838 | Ca n''t you answer my question?'' |
| 25838 | Can you tell me what good this kind of thing can do?'' |
| 25838 | Carmen, do n''t you know? |
| 25838 | Cordova may call me a brute, but she is the greatest soprano in the world, what does it matter?" |
| 25838 | Cruelty to human beings? |
| 25838 | Cruelty to insects or animals? |
| 25838 | Did he say that I was growing old and ought to give up the stage?'' |
| 25838 | Did you ever see such a daub? |
| 25838 | Do n''t they do it in America?'' |
| 25838 | Do n''t we?'' |
| 25838 | Do n''t you believe me?'' |
| 25838 | Do n''t you know?'' |
| 25838 | Do n''t you see how hard I am trying?'' |
| 25838 | Do n''t you see that I''m not dressed?'' |
| 25838 | Do n''t you see that he is going to have a fit?'' |
| 25838 | Do n''t you think so too?'' |
| 25838 | Do n''t you think so? |
| 25838 | Do n''t you think so?'' |
| 25838 | Do n''t you think"Sister Juliet"sounds very well? |
| 25838 | Do you eat well and sleep well, always?'' |
| 25838 | Do you know that I have wondered at the way you dress, ever since I met you?'' |
| 25838 | Do you know that it''s frightfully humiliating to want to marry a man, and to have him object, no matter why?'' |
| 25838 | Do you know that this is only our second meeting?'' |
| 25838 | Do you know the duo at the beginning of the fourth act? |
| 25838 | Do you know your way about?'' |
| 25838 | Do you know? |
| 25838 | Do you like it, my dear?'' |
| 25838 | Do you mean to go away?'' |
| 25838 | Do you mind my saying as much as that, at a second meeting?'' |
| 25838 | Do you see the resemblance?'' |
| 25838 | Do you see? |
| 25838 | Do you see? |
| 25838 | Do you see? |
| 25838 | Do you see?'' |
| 25838 | Do you smile when you are pleased? |
| 25838 | Do you suppose that such a good man of business would think of making any one a present of a hundred thousand pounds? |
| 25838 | Do you think I am blind? |
| 25838 | Do you think I''ve forgotten the language, or the songs?'' |
| 25838 | Do you think it could possibly have been the maraschino?'' |
| 25838 | Do you understand clearly? |
| 25838 | Do you understand that?'' |
| 25838 | Do you understand?'' |
| 25838 | Do you understand?'' |
| 25838 | Do you understand?'' |
| 25838 | Do you understand?'' |
| 25838 | Do you wish to do that?'' |
| 25838 | Does n''t it? |
| 25838 | Does that make my life worse? |
| 25838 | Eh? |
| 25838 | Eh? |
| 25838 | Eh?'' |
| 25838 | For good?'' |
| 25838 | For had he not saved her, and her career, too, perhaps? |
| 25838 | Forgive me, will you?'' |
| 25838 | Have I offended you, or frightened you? |
| 25838 | Have n''t I been a good friend to you?'' |
| 25838 | Have people no heart? |
| 25838 | Have you a big chest and a thick throat? |
| 25838 | Have you never been in the East?'' |
| 25838 | Have you sung to her?'' |
| 25838 | Have you?'' |
| 25838 | How about Tom?'' |
| 25838 | How are you?'' |
| 25838 | How can you expect me not to be proud of him?'' |
| 25838 | How can you say such things of your mother? |
| 25838 | How could any one say a word against me then? |
| 25838 | How could he possibly claim to criticise her actions after that? |
| 25838 | How could you? |
| 25838 | How do I know it? |
| 25838 | How have you repaid me for the days of anxiety and nights of fever all the time when you were at those terrible studies? |
| 25838 | How have you rewarded me? |
| 25838 | How much do you want?'' |
| 25838 | How old do you think I am? |
| 25838 | How?'' |
| 25838 | I hope we part good friends, Mr. Lushington? |
| 25838 | I hope you''re satisfied? |
| 25838 | I shall certainly be there on your first night, and you will not object to my splitting my gloves in applauding you?'' |
| 25838 | I suppose three thousand more will satisfy him? |
| 25838 | I suppose you want some of the bonds of the new electric road, do n''t you? |
| 25838 | I''m not even asking for your sympathy, am I?'' |
| 25838 | I''ve come from London to-- please? |
| 25838 | I? |
| 25838 | If not, how do you account for your wishing to go on the stage?'' |
| 25838 | If she had not come to drive him mad, why did she take an attitude which of all others is becoming to well- made women and fatal to all the rest? |
| 25838 | If we really trust one another, and know it? |
| 25838 | In the name of heaven, child,''she broke out fiercely and angrily, without the least warning,''was no woman ever flattered into playing at love? |
| 25838 | In what way? |
| 25838 | Is Madame Bonanni a good type of them?'' |
| 25838 | Is it not disgusting? |
| 25838 | Is n''t it?'' |
| 25838 | Is that it? |
| 25838 | Is that it? |
| 25838 | Is that it?'' |
| 25838 | Is there anything I have not done to make you happy, ever since you were a baby? |
| 25838 | It does, does n''t it? |
| 25838 | It follows that the man is either an agent of that wicked old Alvah Moon----''''Why?'' |
| 25838 | It''s a good name for the stage, is it not?'' |
| 25838 | It''s understood, is n''t it?'' |
| 25838 | Let me see, what else? |
| 25838 | Luncheon? |
| 25838 | Lushington?'' |
| 25838 | Lushington?'' |
| 25838 | May I ask if you are a doctor?'' |
| 25838 | Moon a personal friend of yours, apart from his business?'' |
| 25838 | Moon and made you independent, did it from purely personal motives?'' |
| 25838 | Moon for?'' |
| 25838 | Mr. Lushington is your son?'' |
| 25838 | My darling child, how could you be so unkind? |
| 25838 | My life is over now, and there is no reason why I should care about anything, is there?'' |
| 25838 | Not even by a King? |
| 25838 | Now, my dear Mrs. Rushmore, shall we talk business? |
| 25838 | Now, what sum do you think would be fair? |
| 25838 | Of course I owe it all to you-- but that is n''t what you meant by--"protection"?'' |
| 25838 | Of course it''s perfectly ridiculous, is n''t it?'' |
| 25838 | Oh, the things? |
| 25838 | On the other hand, was there ever a great singer who was not appreciated till after death? |
| 25838 | Shall I tell you? |
| 25838 | Shall we turn back to the house? |
| 25838 | Shall we walk on?'' |
| 25838 | Shall you think me priggish and call me disagreeable if I tell you that it is no life for a woman brought up like you?'' |
| 25838 | She fought for it out of pure kindness of heart, and even the lawyers said she was very foolish to go on----''''Will you listen to me?'' |
| 25838 | She would n''t care to call me Tom, would she?'' |
| 25838 | Since she was willing to marry him, in spite of his birth, could he be in earnest as long as he hesitated? |
| 25838 | That it would crack, or that I should sing false? |
| 25838 | That leaves your claim worth four hundred and eighty thousand dollars, does it not?'' |
| 25838 | That sort of thing, I suppose?'' |
| 25838 | The ideal chaperon, is n''t she?'' |
| 25838 | Then would it be painful, or disagreeable to you, to marry me?'' |
| 25838 | They consider him one of the important men in the money market, do n''t they?'' |
| 25838 | To ask advice? |
| 25838 | To let me hear you sing? |
| 25838 | Understand?'' |
| 25838 | Was I not right in saying that you were revenged?'' |
| 25838 | Was Margaret going to take that position from the first? |
| 25838 | Was ever a great painter, a great sculptor or a great poet''announced''? |
| 25838 | Was n''t I your dear mother''s best friend? |
| 25838 | Was she going to deliberately ignore that she had been taken up bodily, as it were, and carried through the short cut to celebrity? |
| 25838 | Was there any other way?'' |
| 25838 | We know whence they come, for they are often impecunious gentlemen, but where do they go? |
| 25838 | Well?'' |
| 25838 | What am I to do?'' |
| 25838 | What are they for? |
| 25838 | What are we making ourselves miserable about? |
| 25838 | What are you waiting for? |
| 25838 | What are your arms like? |
| 25838 | What becomes of them? |
| 25838 | What becomes of your story about the company now?'' |
| 25838 | What could I do? |
| 25838 | What could I do?'' |
| 25838 | What did I tell you? |
| 25838 | What did you expect? |
| 25838 | What difference can it make? |
| 25838 | What difference does it make? |
| 25838 | What do such things matter, if we really care? |
| 25838 | What do you think I am made of? |
| 25838 | What does it matter, if they suffer? |
| 25838 | What have I done to displease you?'' |
| 25838 | What in the world do you mean?'' |
| 25838 | What is it that every one has nowadays-- the appendix? |
| 25838 | What name are you going to take, my dear?'' |
| 25838 | What should we get, if we could blend into one picture the English descriptions of Paris left us by Thackeray, Sala, Du Maurier? |
| 25838 | What was there in that one painting that could offend at all? |
| 25838 | What was to happen''now''? |
| 25838 | What? |
| 25838 | What?'' |
| 25838 | When she was in doubt, she asked herself the same question,''What had I better do?'' |
| 25838 | When?'' |
| 25838 | Where do they get such things, I wonder? |
| 25838 | Where?'' |
| 25838 | Who says she is not going to sing? |
| 25838 | Who sent you?'' |
| 25838 | Who was in the chorus? |
| 25838 | Who would have thought it?'' |
| 25838 | Why are n''t you proud of that, mother? |
| 25838 | Why did she come? |
| 25838 | Why did you say you wanted to be alone with me, if you were not in earnest? |
| 25838 | Why do I go on?'' |
| 25838 | Why do n''t you try that?'' |
| 25838 | Why do you come here? |
| 25838 | Why do you name such a very early hour?'' |
| 25838 | Why do you risk playing with a man who is crazy about you, and has everything in the world except you, and would throw it all away to have you? |
| 25838 | Why do you say I am not? |
| 25838 | Why do you stand there like a dressed- up doll in a tailor''s window? |
| 25838 | Why do you talk of these things?'' |
| 25838 | Why do you wish to go away, just when I''ve found out how much I want you to stay? |
| 25838 | Why had she come? |
| 25838 | Why have you done it?'' |
| 25838 | Why in the world should he want to marry me?'' |
| 25838 | Why make unnecessary inquiries about his parents? |
| 25838 | Why should I be sorry? |
| 25838 | Why should I care for it? |
| 25838 | Why should I care? |
| 25838 | Why should I go on earning money, money, money? |
| 25838 | Why should I go on singing, now? |
| 25838 | Why should I tell?'' |
| 25838 | Why should anybody care? |
| 25838 | Why should she care? |
| 25838 | Why should we say good- bye? |
| 25838 | Why? |
| 25838 | Will you authorise me?'' |
| 25838 | Will you come too? |
| 25838 | Will you come? |
| 25838 | Will you come?'' |
| 25838 | Will you kindly include me?'' |
| 25838 | Will you please explain?'' |
| 25838 | Will you take off your hat?'' |
| 25838 | Will you tell me how I could have acted otherwise in order to get the property into my hands free of all chance of dispute? |
| 25838 | With all our vanity, should we ever expect to please a French writer by telling him that his work was''truly English''? |
| 25838 | Wo n''t you separate me from it in your thoughts? |
| 25838 | Wo n''t you sit down?'' |
| 25838 | Wo n''t you try?'' |
| 25838 | Would it not show us that face as it is still, when we see it in spring? |
| 25838 | Yes? |
| 25838 | Yes? |
| 25838 | Yes?'' |
| 25838 | You are Signorina-- Signorina what? |
| 25838 | You are a lady, are n''t you?'' |
| 25838 | You are afraid of him? |
| 25838 | You are quite satisfied that this is right?'' |
| 25838 | You could n''t do it on paper, could you? |
| 25838 | You did not know I was a man of letters, did you?'' |
| 25838 | You do n''t mean to say that Schreiermeyer wants you to do the whole scene? |
| 25838 | You do n''t object, do you?'' |
| 25838 | You do n''t see? |
| 25838 | You would not like your mother to be ridiculous, would you?'' |
| 25838 | You? |
| 25838 | or,''What will he or she do next?'' |
| 25838 | she exclaimed,''you would not have had me refuse, would you? |
| 25838 | she screamed at the smiling servant,''why do you stand there staring like a stuffed codfish? |
| 175 | ''But how? 175 ''But when he comes to his box?'' |
| 175 | ''Is this all? 175 Across Paris?" |
| 175 | After the performance? |
| 175 | Ah, so you know that house too? |
| 175 | All your arrangements were made? |
| 175 | Am I going mad? |
| 175 | And did you run after them? |
| 175 | And does he still tip you? |
| 175 | And does the ghost really come there? |
| 175 | And he was wearing his dress- clothes, in broad daylight? |
| 175 | And how are you to reach him, if you do n''t know how to go out by the glass? |
| 175 | And how can one enter the house on the lake without crossing the lake? |
| 175 | And how should I know? |
| 175 | And is there any hope of that, sir? |
| 175 | And nevertheless your carriage is still outside the Rotunda awaiting your orders, is it not? |
| 175 | And sack my stable? |
| 175 | And the Rue Scribe, madame, the Rue Scribe? 175 And then how would you slip it into my pocket?" |
| 175 | And to what other do you refer? |
| 175 | And what did she answer, madame? |
| 175 | And what did the box- keeper say? |
| 175 | And what did you do? |
| 175 | And what did you do? |
| 175 | And what does this groom do? |
| 175 | And what is in a forest? |
| 175 | And what is in a tree? |
| 175 | And what might you think? |
| 175 | And who is that pale young man beside him? |
| 175 | And why do you say that M. Richard ought to know better than you where the twenty- thousand francs went to? |
| 175 | And why does your mother say so? |
| 175 | And why is it your mother''s opinion? |
| 175 | And why should I hesitate to betray that monster, sir? |
| 175 | And why, may I ask? |
| 175 | And you wo n''t meddle any more in my affairs? |
| 175 | And you, Christine, tell me, do you hate him too? |
| 175 | And, when the ghost speaks to you, what does he say? |
| 175 | Are they still genuine, Moncharmin? |
| 175 | Are they still genuine, Richard? |
| 175 | Are you afraid of him? |
| 175 | Are you afraid that you will change your mind, Christine? |
| 175 | Are you at all superstitious? |
| 175 | Are you going to read the paper next? |
| 175 | Are you still on good terms with the ghost? |
| 175 | Are you sure? |
| 175 | As it is settled that we are to live together... what difference can it make to you? |
| 175 | BACKWARD? |
| 175 | Before we go, do you mind if I look in your pocket? |
| 175 | But how? |
| 175 | But suppose it were HE, Christine? |
| 175 | But tell me, Erik, why did you call that room the torture- chamber? |
| 175 | But then what is it, in Heaven''s name? 175 But then, what are we here for?" |
| 175 | But what does this mean? 175 But what is it? |
| 175 | But what were our managers doing? |
| 175 | But where are you? |
| 175 | But which eleven o''clock? |
| 175 | But who is he? 175 But why do n''t you come near me, as you used to do when you were a little boy? |
| 175 | But why do these walls obey him alone? 175 But why here, Christine? |
| 175 | Can not you guess? 175 Can you tell us where Erik is?" |
| 175 | Cesar, the white horse in the Profeta? |
| 175 | Christine Daae here? |
| 175 | Christine,I cried,"where are you?" |
| 175 | Could you make sure? |
| 175 | Darius? 175 Did it not occur to you that the musician might be hiding behind that very heap of bones?" |
| 175 | Did n''t you hear? |
| 175 | Did n''t you send the doctor of the Opera to see her? |
| 175 | Did no one see you come in, Darius? |
| 175 | Did the ghost break poor Isidore Saack''s leg? |
| 175 | Did the ghost tell you what he said in M. Maniera''s right ear? |
| 175 | Did you design that room? 175 Did you give them their tickets?" |
| 175 | Did you hear that? 175 Did you hear, Christine?" |
| 175 | Did you know that there were three other carriages there, in addition to yours? |
| 175 | Did you notice how they treat us with regard to Carlotta, Sorelli and Little Jammes? |
| 175 | Did you see any birds? |
| 175 | Did you shout that to them? |
| 175 | Do n''t you see,said Raoul,"that the woman''s fainting?" |
| 175 | Do n''t you think, Doctor, that those gentlemen had better clear the room? |
| 175 | Do n''t you think, monsieur, that this cross- examination has lasted long enough? 175 Do they imagine that, because they have been managers of the Opera, we are going to let them have a box for an indefinite period?" |
| 175 | Do you dare to suspect me? |
| 175 | Do you doubt it still, Raoul? 175 Do you mean to fight a duel?" |
| 175 | Do you think he is near us? |
| 175 | Do you think we''ve eaten her? |
| 175 | Does he love you so much? |
| 175 | Eh? 175 Erik, unloose my bonds... Am I not your prisoner?" |
| 175 | Erik,cried Christine,"do you swear to me, monster, do you swear to me that the scorpion is the one to turn? |
| 175 | Found out about what? |
| 175 | Gentlemen, it appears that you know the Opera ghost? |
| 175 | Give me back my bag, will you? 175 Had n''t we better meet outside the Opera?" |
| 175 | Has Cesar been stolen? |
| 175 | Has he done you harm? |
| 175 | Has the ghost a box? 175 Have I really committed murders?" |
| 175 | Have n''t I a reputation for knowing all about music? 175 Have you ever seen him, have you seen the Opera ghost?" |
| 175 | Have you forgotten the rosy hours of Mazenderan? |
| 175 | Have you girls heard already? 175 Have you quite made up your mind? |
| 175 | He attached no importance to what you said? |
| 175 | He took you for a bit of a madman? |
| 175 | He? 175 Hours and hours? |
| 175 | How can you have gone from this room into that dark passage, Christine? 175 How can you speak so lightly of such serious things?" |
| 175 | How do you know? |
| 175 | How do you know? |
| 175 | How do you mean, I too? 175 How do you mean?" |
| 175 | How long has she known this''genius?'' |
| 175 | How much does he give you for bringing him that envelope? |
| 175 | How? |
| 175 | However, when the people arrived,roared Richard,"there was no one in the box, was there?" |
| 175 | I am the ghost''s accomplice? 175 I am thinking that we shall not see each other again...""And does that make you so radiant?" |
| 175 | I beg your pardon, monsieur but is it your intention to make fun of the law? 175 I hope, M. de Chagny,"he said,"that you have not betrayed Erik''s secret?" |
| 175 | I hope,he said,"that the notes are still there?" |
| 175 | I never said so... Who told you a thing like that? 175 I say,"he said to the stage- manager,"I ca n''t open this door: is it always so difficult?" |
| 175 | I, sir? 175 I? |
| 175 | I? |
| 175 | In the middle of the performance? 175 In what condition of mind were you?" |
| 175 | In your dressing- room? |
| 175 | Indeed? |
| 175 | Is Buquet dead? |
| 175 | Is Christine Daae here? |
| 175 | Is Christine in danger? |
| 175 | Is Christine still a good girl? |
| 175 | Is he your friend, by any chance? |
| 175 | Is it a door with a lock to it? |
| 175 | Is it possible? |
| 175 | Is it some one belonging to the theater police? |
| 175 | Is n''t it? 175 Is that long ago?" |
| 175 | Is the Angel of Music an impostor? |
| 175 | Is the mystery so very terrible? |
| 175 | Is there a stable at the Opera? 175 It''s not possible, is it?" |
| 175 | It''s you, Raoul, who say that? 175 Just now, do n''t you find something uncomfortable, disquieting, alarming in the atmosphere of this room?" |
| 175 | Know the truth, Raoul? 175 Like last time?" |
| 175 | Monsieur,she said, in a voice not much above a whisper,"who are you?" |
| 175 | Murderer of Count Philippe, what have you done with his brother and Christine Daae? |
| 175 | No one? 175 Not in the Bois nor anywhere, Raoul: you shall not see me again...""May one ask at least to what darkness you are returning? |
| 175 | Oh, are we going out by the mirror? |
| 175 | Oh, she went to Perros with her good genius, did she? |
| 175 | Oh, the ghost left a fan, did he? 175 Oh, you agree, do you?" |
| 175 | Once more, M. de Chagny, where are you going so fast? |
| 175 | Raoul de Chagny and Christine Daae? |
| 175 | Raoul, have you suddenly gone mad? 175 Raoul, why do you condemn a man whom you have never seen, whom no one knows and about whom you yourself know nothing?" |
| 175 | Really? 175 Really? |
| 175 | Really? 175 Really?" |
| 175 | Sir,said Raoul,"I do not know what your intentions are, but can you do anything to help me? |
| 175 | So Mauclair takes snuff, does he? |
| 175 | So it was the ghost who gave you this envelope and told you to substitute it for the one which we gave you? 175 So she... so she disappeared in the middle of the performance?" |
| 175 | So you knew that Christine Daae went out by that mirror? |
| 175 | Sure of what? |
| 175 | Surely you will not do anything so foolish? 175 Tell me... you can tell me, at any rate...""Well?" |
| 175 | The Comte de Chagny? |
| 175 | The joke became a little tedious; and Richard asked half- seriously and half in jest:''But, after all, what does this ghost of yours want?'' |
| 175 | The real ones? |
| 175 | Then somebody does come? |
| 175 | Then the ghost had not broken his leg? |
| 175 | Then what happened that you were found in the morning lying half- dead on the steps of the high altar? |
| 175 | Then why, when you were able to run away, did you go back to him? |
| 175 | Then would you mind giving us a specimen of your little talents? 175 Then you promise to send for me sometimes, Christine?" |
| 175 | Then you want me to go back there? |
| 175 | Then you were listening behind the door? |
| 175 | Then, Raoul, you must run away with me in spite of myself; is that understood? |
| 175 | To what do we owe the honor of your visit? |
| 175 | Very well... but what does he want? |
| 175 | WHY, DIDN''T YOU SEE THAT IT WAS AN AFRICAN FOREST? |
| 175 | Was it possible for any one to hide behind the tombstones? |
| 175 | Was the gate open? |
| 175 | Was there any one in the box on the right of Box Five? |
| 175 | Was there no one in the churchyard? |
| 175 | Well, M. Mercier, are you coming? 175 Well, M. de Chagny,"exclaimed Mamma Valerius,"do n''t you know our Christine? |
| 175 | Well, but what were those people laughing at? |
| 175 | Well, have you seen them? |
| 175 | Well, the chandelier... the chandelier, Erik? 175 Well, what about his assistants?" |
| 175 | Well, what did you see, sir, or think you saw? |
| 175 | Well, what did you see? 175 Well, what has that to do with it? |
| 175 | Well, what? 175 Well, who could have thought it?" |
| 175 | What about him? |
| 175 | What are you doing? |
| 175 | What are you hiding for? |
| 175 | What are you laughing at? 175 What are you running away for?" |
| 175 | What are you saying, monsieur? |
| 175 | What are you thinking of, Christine? |
| 175 | What became of her? |
| 175 | What can you do? |
| 175 | What compels you to go back, Christine? |
| 175 | What counterbalance? |
| 175 | What did you do? |
| 175 | What did you see? |
| 175 | What do you mean by across Paris? |
| 175 | What do you mean, she has to be found? 175 What do you mean? |
| 175 | What do you mean? |
| 175 | What do you say to all this, gentlemen? 175 What do you want a safety- pin for?" |
| 175 | What do you want me to do down there for{sic}? |
| 175 | What do you want to do? |
| 175 | What do your stablemen say? |
| 175 | What does it all mean? |
| 175 | What does this mean? |
| 175 | What dressing- room? |
| 175 | What good genius? |
| 175 | What is he working at? |
| 175 | What is it they really want? 175 What is it?" |
| 175 | What is the matter with her? |
| 175 | What is this new business? 175 What more can I tell you, dear? |
| 175 | What private box? |
| 175 | What stable? |
| 175 | What tortures? 175 What was he doing? |
| 175 | What was there to tell the police? 175 What was your accompaniment?" |
| 175 | What were they doing? 175 What''s everything?" |
| 175 | What''s he doing here? |
| 175 | What''s that? |
| 175 | What''s the matter? |
| 175 | What''s the matter? |
| 175 | What''s the matter? |
| 175 | What''s this? 175 What''s this?" |
| 175 | What''s your name? |
| 175 | What''something''am I supposed to know? |
| 175 | What, still? 175 What, you want to get rid of our horses?" |
| 175 | What? 175 What? |
| 175 | What? |
| 175 | When I am better, do you mind? |
| 175 | When shall we get there? 175 When you saw me in your dressing- room, was that the first time you noticed me, Christine?" |
| 175 | When? |
| 175 | Where are you going so fast, M. de Chagny? |
| 175 | Where is the key? |
| 175 | Where? |
| 175 | Which is the way out, please? |
| 175 | Who else heard him, Christine? |
| 175 | Who has come bothering now? 175 Who is Darius?" |
| 175 | Who is Erik? |
| 175 | Who is this''Opera ghost?'' |
| 175 | Who on earth are''those?'' |
| 175 | Who shall not escape you? |
| 175 | Who then? |
| 175 | Who''s Lachenel? |
| 175 | Who? 175 Who?" |
| 175 | Who? |
| 175 | Whom do you mean by''he''? |
| 175 | Whom? |
| 175 | Whose name? |
| 175 | Why did you cry out, Christine? |
| 175 | Why do you ask if Christine Daae is here, M. LE COMMISSAIRE? |
| 175 | Why do you shake me like that? |
| 175 | Why do you think that you are safer in this room than on the stage? |
| 175 | Why has he fastened you, mademoiselle? 175 Why should he hold his tongue?" |
| 175 | Why should he? 175 Why try to enter my house? |
| 175 | Why, what''s that? |
| 175 | Why, yes, did n''t you know? |
| 175 | Why... as there is no one there? |
| 175 | Why? |
| 175 | Why? |
| 175 | Will you promise never to meddle with my affairs again, if I prove to you that I am loved for my own sake? |
| 175 | With Erik? |
| 175 | With whom? 175 Would he hear you?" |
| 175 | Would you mind coming with me? 175 Yes, because I love you everything... And I heard everything...""You heard what?" |
| 175 | Yes, but tell me what happened when you were on the white horse of the Profeta? |
| 175 | Yes, he spoke to me in her favor with such warmth that, if I had not known him to be Sorelli''s friend..."Really? 175 Yes; and do you remember those hours which I passed with you, Raoul... to the great danger of both of us?" |
| 175 | You are in the torture- chamber? |
| 175 | You have never seen him; he speaks to you and you believe all he says? |
| 175 | You want to fasten me with a safety- pin? |
| 175 | ''Ah, I frighten you, do I? |
| 175 | ''And have you considered what the loss over Box Five meant to us? |
| 175 | ''Have you a safety- pin?'' |
| 175 | ''SHALL I TURN THE GRASSHOPPER?'' |
| 175 | ''SHALL I TURN THE SCORPION?'' |
| 175 | ''What do you mean by the rest of the time?'' |
| 175 | ''Will you play me something out of your Don Juan Triumphant?'' |
| 175 | --and no one in the room... Why did she laugh when he reminded her of the incident of the scarf? |
| 175 | --you know-- and Eleazer stops them and says,''Whither go ye?'' |
| 175 | ..""The man must be either a villain, or the girl a fool: is that it?" |
| 175 | ... And Christine, sir, Christine?" |
| 175 | ... And are you still resolved to run away from him?" |
| 175 | ... And did he believe you?" |
| 175 | ... And now where are the managers? |
| 175 | ... And that M. Parabise, the manager of the Credit Central, noticed nothing? |
| 175 | ... And that M. de La Borderie, the ambassador, has no eyes to see with? |
| 175 | ... And what a funny house, is n''t it, with landscapes like that in it?" |
| 175 | ... And what did she tell you?" |
| 175 | ... And what else could Christine say but no? |
| 175 | ... And what was Richard doing meanwhile?" |
| 175 | ... And what were you doing in that churchyard?" |
| 175 | ... And where, pray?" |
| 175 | ... And why ca n''t Christine marry?" |
| 175 | ... Any Barrels to Sell?" |
| 175 | ... Any barrels to sell? |
| 175 | ... Any barrels to sell?" |
| 175 | ... Are you alive? |
| 175 | ... Are you listening to me? |
| 175 | ... Are you sure there is no one?" |
| 175 | ... By what means indeed but that of music? |
| 175 | ... Did you think that Christine was free? |
| 175 | ... Do n''t you see him? |
| 175 | ... Do you think I will let you go like that? |
| 175 | ... Do you think that I did n''t see them? |
| 175 | ... Do you understand that word"ripple?" |
| 175 | ... For what hell are you leaving, mysterious lady... or for what paradise?" |
| 175 | ... His accomplice in what, pray?" |
| 175 | ... How can you?" |
| 175 | ... How should I not believe you, when you are the only one to believe me... when you are the only one not to smile when Erik''s name is mentioned?" |
| 175 | ... Leave the key alone, will you, you inquisitive little thing?" |
| 175 | ... My mouth is closed-- such mouth as I have-- and yet you hear my voice... Where will you have it? |
| 175 | ... Or could it be that air- hole? |
| 175 | ... Or these? |
| 175 | ... Perhaps you think that I have another mask, eh, and that this... this... my head is a mask? |
| 175 | ... Well, if they are not mad, will you explain what it means?" |
| 175 | ... What can that flame be? |
| 175 | ... What had become of that wonderful, mysterious artist of whom the world was never, never to hear again? |
| 175 | ... What have you been doing this past fortnight? |
| 175 | ... What is this tale about the Angel of Music, which you have been telling Mamma Valerius? |
| 175 | ... What was going to happen? |
| 175 | ... What''s the matter, Christine? |
| 175 | ... Where are the managers?" |
| 175 | ... Who is being tortured? |
| 175 | ... Why did you want to see me? |
| 175 | ... Why do n''t you answer? |
| 175 | ... Why had he not returned? |
| 175 | ... Why had he not returned? |
| 175 | ... Would she return? |
| 175 | ... You are free, there is no one to interfere with you... You go about Paris... You put on a domino to come to the ball... Why do you not go home? |
| 175 | ... You are looking at my furniture? |
| 175 | ... You are right, you are right; why wait till eleven o''clock to- morrow evening? |
| 175 | ... You know the lake I mean? |
| 175 | ... You see my lips, such lips as I have? |
| 175 | ... You wo n''t have the scorpion? |
| 175 | ... You''re better now, are you not? |
| 175 | ... You''re laughing... Perhaps you do n''t believe me? |
| 175 | ...""Is Christine engaged to be married?" |
| 175 | ...""Really?" |
| 175 | ...""What about the chandelier?" |
| 175 | ...""You are frightened... but do you love me? |
| 175 | ...""You know him then?" |
| 175 | ?" |
| 175 | A box for to- night?" |
| 175 | A voice behind him said:"Do you think the Korrigans will come this evening?" |
| 175 | After all, who had seen him? |
| 175 | After all, why was n''t he there? |
| 175 | Ah, what was the time? |
| 175 | Alas, had she not declared to him that everything was finished? |
| 175 | Am I supposed to have an infectious disease?" |
| 175 | And Christine''s voice, infinitely sad and trembling, as though accompanied by tears, replied:"How can you talk like that? |
| 175 | And I remembered the two arms that had emerged from the inky waters... What poor wretch had strayed to that shore this time? |
| 175 | And can we be sure that the figure was that of the Opera ghost himself? |
| 175 | And how did it go so fast, so straight ahead, with such staring, staring eyes? |
| 175 | And it was the ghost who told you to put the other into M. Richard''s pocket?" |
| 175 | And the voice, changed and transformed, distinctly grated out these metallic syllables:"WHAT HAVE YOU DONE WITH MY BAG?" |
| 175 | And then, more gently:"Why do you cry? |
| 175 | And then?" |
| 175 | And what danger is it, M. de Chagny?" |
| 175 | And what did you do with it?" |
| 175 | And what did you see?" |
| 175 | And what do I say? |
| 175 | And what for, in Heaven''s name?" |
| 175 | And what is the something else, please?" |
| 175 | And what was that scratching, scraping, grating sound which it brought with it? |
| 175 | And why had she kept it hidden? |
| 175 | And why had she written to him? |
| 175 | And you think it funny, no doubt?" |
| 175 | And, if not, what is all this about the Opera ghost?" |
| 175 | And, if they knew of it, why had they kept it hidden? |
| 175 | And, now, what do they mean to do with that skeleton? |
| 175 | And, turning to the managers, M. Mifroid asked,"Have you an Angel of Music on the premises, gentlemen?" |
| 175 | Any barrels to sell?" |
| 175 | Any barrels to sell?" |
| 175 | Are n''t they pretty? |
| 175 | Are people so unhappy when they love?" |
| 175 | Are you going mad, Erik? |
| 175 | Are you ill? |
| 175 | Are you there?" |
| 175 | BUT HOW DO YOU LIKE THE LANDSCAPE?" |
| 175 | Besides, was he not as ugly as ever? |
| 175 | But have you promised that, Christine?" |
| 175 | But no answer, save that of our despair, of our madness: what was the time? |
| 175 | But oh, how deliciously cool were the darkness and the stairs? |
| 175 | But where are we?" |
| 175 | But who pulled the strings of that extraordinary puppet? |
| 175 | But why was this affection distressed? |
| 175 | But you love Christine Daae, do you not?" |
| 175 | But you swear you wo n''t say a word?" |
| 175 | But, perhaps I''m boring you gentlemen?" |
| 175 | But, suddenly I drew myself up on the first step, for a terrible thought had come to my mind:"What is the time?" |
| 175 | Can you remember? |
| 175 | Chapter I Is it the Ghost? |
| 175 | Chapter XXV The Scorpion or the Grasshopper: Which? |
| 175 | Christine Daae to- night?" |
| 175 | Christine appeared astonished at the Vicomte de Chagny''s coolness:"How do you understand it?" |
| 175 | Christine was with the Angel of Music? |
| 175 | Could you tell me where Christine Daae is?" |
| 175 | Could you tell me where Christine Daae is?" |
| 175 | Daae not see you come down from your room by the curious road which you selected?" |
| 175 | Daae?" |
| 175 | Did n''t you know? |
| 175 | Did the ghost really take a seat at the managers''supper- table that night, uninvited? |
| 175 | Did they know of her hidden genius? |
| 175 | Did you hear?" |
| 175 | Did you save my life only to make it unbearable to me? |
| 175 | Do I ask people who pass to tell me the time? |
| 175 | Do n''t you know that it is the bag of life and death?" |
| 175 | Do you believe me now? |
| 175 | Do you know me?" |
| 175 | Do you know this person? |
| 175 | Do you know,"said Raoul bitterly,"that it was very plucky of you to let us play at being engaged?" |
| 175 | Do you see the window now? |
| 175 | Do you think you will find that spring soon? |
| 175 | Do you understand that?" |
| 175 | Do you want to be killed?" |
| 175 | Does he not want anything else?'' |
| 175 | First of all, what did you see?" |
| 175 | For God''s sake, tell me, Raoul: what happened?" |
| 175 | G.?" |
| 175 | Gabriel?" |
| 175 | Giry tossed the feathers in her dingy hat at this persistent familiarity,"excuse me, how does the ghost manage to give you your two francs?" |
| 175 | Giry, do you know what is in this envelope?" |
| 175 | Giry?" |
| 175 | Give it to me, Christine, will you?" |
| 175 | Had he not told her that he wanted to speak to her privately? |
| 175 | Has she disappeared?" |
| 175 | Have they nothing better to do?" |
| 175 | Have you never been to the Rue Scribe?" |
| 175 | Have you noticed THAT THEY WON''T LET ANY ONE TOUCH THEM? |
| 175 | Have you seen him?" |
| 175 | He asked in a low voice:"What makes you think that Christine is fond of me, madame?" |
| 175 | He at once asked:"Madame... where is Christine?" |
| 175 | He pushed, pressed, groped about, but the glass apparently obeyed no one but Erik... Perhaps actions were not enough with a glass of the kind? |
| 175 | He resumed his questions:"What sort of envelope did you put in M. Richard''s pocket? |
| 175 | He said,''What do you want?'' |
| 175 | He stopped, with his heart thumping in his chest: suppose Christine Daae had been found? |
| 175 | He understood that it was she and followed her:"Is that you, Christine?" |
| 175 | He''s working, is he?" |
| 175 | Here it is in the little leather bag... What does it say? |
| 175 | Here, shall I show you some card- tricks? |
| 175 | How can I hate him, Raoul? |
| 175 | How can you have thought that, if you did not think I loved you?" |
| 175 | How could I have been so beguiled? |
| 175 | How could he tell? |
| 175 | How could you sing, sing like that while crying?" |
| 175 | How did that red moon manage to glide through the darkness, at a man''s height, with nothing to support it, at least apparently? |
| 175 | How much space is there between the branch of the tree and the dome- shaped ceiling? |
| 175 | How was it, when I saw the personal, the selfish point of view of the voice, that I did not suspect some impostor? |
| 175 | I am going... to die...""Where are Raoul de Chagny and Christine Daae?" |
| 175 | I could not get a word in; and what do you think he shouted at me? |
| 175 | I have decided to tell you something serious, very serious... Do you remember the legend of the Angel of Music?" |
| 175 | I heard the Angel of Music?" |
| 175 | I mean, to help Christine Daae?" |
| 175 | I tell you, a cracking sound: are you deaf?" |
| 175 | I tried to push them away and asked,''Who are you? |
| 175 | I''m a very good- looking fellow, eh? |
| 175 | I, a thief, I?" |
| 175 | I? |
| 175 | I? |
| 175 | If Erik were good- looking, would you love me, Christine?" |
| 175 | In a trembling voice, she said:"Me? |
| 175 | In a voice growling and rolling like thunder, he roared:"Why should I know better than you where the twenty- thousand francs went to? |
| 175 | In his inexperience, he now asked himself with terror what game the girl was playing? |
| 175 | In that case, Christine, why did you follow him that time? |
| 175 | In the name of their love? |
| 175 | In the table? |
| 175 | In those little ebony boxes on the mantelpiece? |
| 175 | In your left ear? |
| 175 | In your right ear? |
| 175 | Into what whirlpool had she been dragged? |
| 175 | Is it Erik? |
| 175 | Is it the cat? |
| 175 | Is it the ghost? |
| 175 | Is n''t it natural, after what I saw?" |
| 175 | Is n''t it very hot here?" |
| 175 | It bent down over the Persian and said, in his ear:"Are you better, daroga? |
| 175 | It was a calculated stroke and we have to find out about it... And what are the managers doing all this time? |
| 175 | It''s for the envelope, I suppose?" |
| 175 | Lachenel?" |
| 175 | Listen, dear, it''s in the little box on the right of the mantelpiece: what does it say? |
| 175 | M. de Chagny noticed it and asked:"What is the matter, sir?" |
| 175 | Man, genius, or ghost, is it you?" |
| 175 | My stud- groom?" |
| 175 | No one came and disturbed us, I suppose?" |
| 175 | Of Raoul? |
| 175 | Of whom was Christine Daae the victim? |
| 175 | Oh, so you''re suspecting me now, are you? |
| 175 | Oh, why had she refused to leave earlier? |
| 175 | Others pretend that it''s the acting- manager''s doorkeeper...""My doorkeeper? |
| 175 | Outside, in the street, he passed his trembling hands over the huge stones, felt for outlets... met with iron bars... were those they? |
| 175 | Perhaps he was expected to utter certain words? |
| 175 | Perhaps you can tell me why, when Mother Giry came down to the foyer just now, Mercier took her by the hand and hurried her away with him?" |
| 175 | Pointing to the stretcher, he asked mechanically:"What''s that?" |
| 175 | Raoul looked her in the eyes and said roughly:"So he lives down there, does he?" |
| 175 | Really? |
| 175 | Really?" |
| 175 | Remy continued:"What is the sense of this new mania of theirs? |
| 175 | Rid myself of that nightmare? |
| 175 | Servants appeared, carrying lights; Count Philippe, terribly anxious:"What is it?" |
| 175 | Shall we curse him? |
| 175 | Shall we go down?" |
| 175 | Shall we pity him? |
| 175 | She had no lack of them, had she? |
| 175 | She turned as white as a sheet and stammered:"Who told you?" |
| 175 | She walked up to Richard''s table and asked, rather anxiously:"What do you mean? |
| 175 | She went up to the door and, in a quavering voice, asked:"Who''s there?" |
| 175 | Sit down again at once, will you? |
| 175 | So you maintain that Christine Daae was carried off by an angel: an angel of the Opera, no doubt?" |
| 175 | So----""But you have spoken to the ghost, my good lady?" |
| 175 | Suppose we try to repeat your movements; shall we?" |
| 175 | That''s not much, is it? |
| 175 | The Persian stopped Raoul and, in the softest of whispers, asked:"What did you say to the commissary?" |
| 175 | The forest?" |
| 175 | The ghost?" |
| 175 | The lighted window, right up there? |
| 175 | The man''s voice spoke again:"Are you very tired?" |
| 175 | The night when Carlotta gave her famous''co- ack''?" |
| 175 | The story of the ghost is all humbug, is n''t it? |
| 175 | The voice repeated angrily:"What have you done with my bag? |
| 175 | Then he cried:"Is that you, Erik? |
| 175 | Then he turns round again, but, this time, to the left; and what do you think he sees? |
| 175 | Then this ghost of yours is a woman?" |
| 175 | Then, as she seemed to have nothing more to do at Perros and, in fact, was doing nothing there, why did she not go back to Paris at once? |
| 175 | There are no tortures, are there?" |
| 175 | There have been plenty of secret marriages: why not a secret engagement? |
| 175 | There was a silence; and then Raoul asked:"Did your father tell you that I love you, Christine, and that I can not live without you?" |
| 175 | There, turn round... are you glad? |
| 175 | They said,''Look in the box: there''s no one there, is there?'' |
| 175 | To me? |
| 175 | To what extent, at this time, was she really a victim? |
| 175 | To whom? |
| 175 | Up to what point could an opera- singer make a fool of a good- natured young man, quite new to love? |
| 175 | WHY WON''T THEY HAVE ANY ONE COME NEAR THEM NOW?" |
| 175 | WON''T THEY HAVE ANY ONE COME NEAR THEM?" |
| 175 | Waited for what? |
| 175 | Was all this serious? |
| 175 | Was n''t that right?" |
| 175 | Water to drink? |
| 175 | Water? |
| 175 | Well, are you satisfied? |
| 175 | Well, what the subscribers wanted to know was, why had Debienne and Poligny applied to Daae, when Carlotta was taken ill? |
| 175 | Well?" |
| 175 | Well?" |
| 175 | Were they between the bed and the window- pane or behind the pane, that is to say, on the balcony? |
| 175 | Were we to die as he had done? |
| 175 | Were we to die here, drowned in the torture- chamber? |
| 175 | What a state I am in, am I not? |
| 175 | What are you thinking of? |
| 175 | What are you two doing here? |
| 175 | What can it matter, So we have wine?" |
| 175 | What could there be in that cellar which opened before us? |
| 175 | What do you think he said? |
| 175 | What does it say in the little box on the left? |
| 175 | What does it say? |
| 175 | What echo? |
| 175 | What finer retinue could be expected for his funeral? |
| 175 | What had become of her? |
| 175 | What had happened? |
| 175 | What had she said? |
| 175 | What had this Erik to do with Christine''s sighs and why was she pitying Erik when Raoul was so unhappy? |
| 175 | What influence had she undergone? |
| 175 | What is it?" |
| 175 | What is the time now? |
| 175 | What is the time, Christine?" |
| 175 | What is this farce?" |
| 175 | What monster had carried her off and by what means? |
| 175 | What was she thinking of? |
| 175 | What was that miracle? |
| 175 | What was the time? |
| 175 | What was to become of us in the midst of that awful solitude? |
| 175 | What witchcraft had snatched her, away before the eyes of thousands of enthusiastic onlookers and from the arms of Carolus Fonta himself? |
| 175 | What? |
| 175 | What?" |
| 175 | When all is said, you are free to conduct your little business as you think best, are you not? |
| 175 | When the two were alone again, Moncharmin leaned over to Richard:"Then Daae has friends?" |
| 175 | When you went to your dressing- room, did you not say,''Poor Erik?'' |
| 175 | When, at last, I cleared the Louis- Philippe room of you, I came back alone...""What have you done with the Vicomte de Chagny?" |
| 175 | Where are you going? |
| 175 | Where could she be going, at this hour, when every one was fast asleep at Perros? |
| 175 | Where had Christine gone? |
| 175 | Where is Erik''s voice now? |
| 175 | Where is it?" |
| 175 | Where is the voice?'' |
| 175 | Where?'' |
| 175 | Which way would she return? |
| 175 | Which way, which way had Christine gone? |
| 175 | Who are you?" |
| 175 | Who could tell us the time? |
| 175 | Who had put it there? |
| 175 | Who is that man?" |
| 175 | Who knows but that the score of DON JUAN TRIUMPHANT might yet be discovered in the house on the lake? |
| 175 | Who was''the other one,''the one whose requiem we now heard sung? |
| 175 | Who would venture to assert as much? |
| 175 | Whom do you expect to give a cry, in this house? |
| 175 | Whose prisoner was she? |
| 175 | Why deceive us further? |
| 175 | Why did he ring? |
| 175 | Why did she not come to roam with him through the country where they had so many memories in common? |
| 175 | Why did she not recognize him? |
| 175 | Why did you not at once rid yourself of that abominable nightmare?" |
| 175 | Why did you stand up, with radiant features, as though you were really hearing angels? |
| 175 | Why did you try to reassure me? |
| 175 | Why do n''t you answer, Gabriel? |
| 175 | Why had he not killed him? |
| 175 | Why had he not put them out for good? |
| 175 | Why had she toyed with the threatening catastrophe? |
| 175 | Why had so great a treasure been kept from them all that time? |
| 175 | Why torture me still more? |
| 175 | Why toyed with the monster''s heart? |
| 175 | Why wait for to- morrow? |
| 175 | Why were you there with that little chap? |
| 175 | Why? |
| 175 | Why?" |
| 175 | With extraordinary calmness, he at once replied:"So you are not dead in there? |
| 175 | With her?" |
| 175 | Without knowing how? |
| 175 | Would she not prefer to espouse death itself rather than that living corpse? |
| 175 | Would you like to see? |
| 175 | Would you like to see? |
| 175 | YOU think you heard a man''s voice, I suppose?" |
| 175 | Yes, I kissed her alive...""And now she is dead?" |
| 175 | Yes, he would like to see if, with that woman instead of the old lunatic, Box Five would continue to astonish the natives? |
| 175 | Yesterday afternoon-- in broad day- light----""Gabriel, the chorus- master?" |
| 175 | You are going to- night? |
| 175 | You have heard about the Opera ghost, have you not, Raoul?" |
| 175 | You have seen our managers WALK BACKWARD? |
| 175 | You know what you promised me, Erik? |
| 175 | You saw branches And what are the branches?" |
| 175 | You say that, after listening to the performance, he is to wait for you in the dining- room on the lake?" |
| 175 | You were not content to hear me, eh? |
| 175 | You''re free now... Oh, my poor Christine, look at your wrists: tell me, have I hurt them? |
| 175 | You''re not going to faint, are you... as there is no one there? |
| 175 | [ 1] And why? |
| 175 | [ Illustration: two page color illustration]"Are we very far from the lake, sir?" |
| 175 | he?" |
| 175 | l''Ambassadeur I entreat you not to touch M. le Directeur''?" |