This is a table of type trigram and their frequencies. Use it to search & browse the list to learn more about your study carrel.
trigram | frequency |
---|---|
la la la | 905 |
fa la la | 314 |
no no no | 103 |
early english books | 77 |
la fa la | 74 |
english books online | 61 |
and yet i | 54 |
la la fa | 52 |
mery mery mery | 48 |
text creation partnership | 42 |
based on the | 39 |
is but a | 38 |
now now now | 37 |
ripe cherie ripe | 37 |
my life is | 35 |
in vaine my | 34 |
a canon in | 33 |
canon in the | 33 |
fie fie fie | 33 |
the first verse | 32 |
o come againe | 32 |
to slay me | 32 |
til cherie ripe | 32 |
now i liue | 31 |
in the life | 30 |
thou goest about | 30 |
keying and markup | 29 |
of the lord | 27 |
the life to | 27 |
o thou man | 27 |
sing fa la | 27 |
either as utf | 26 |
represented either as | 26 |
ha ha ha | 26 |
about to slay | 26 |
marked as illegible | 26 |
no my deere | 26 |
characters represented either | 26 |
shee s a | 24 |
no no my | 24 |
cherie ripe cherie | 24 |
cherie ripe ripe | 24 |
and now i | 23 |
that that that | 23 |
to my loue | 23 |
to the right | 22 |
fa la fa | 22 |
yet her hart | 22 |
giue thee blessing | 22 |
month of may | 22 |
to loue one | 21 |
it is not | 21 |
and shee s | 21 |
loue and fortune | 21 |
early works to | 20 |
thee blessing out | 20 |
but yet her | 20 |
and yet it | 20 |
blessing out of | 20 |
that so doth | 20 |
for the lute | 20 |
the spring is | 19 |
prime of youth | 19 |
in hope a | 19 |
with a downe | 19 |
my prime of | 19 |
there is no | 19 |
life is done | 19 |
yet it is | 19 |
spring is past | 19 |
i sigh as | 19 |
praise the lord | 18 |
out of sion | 18 |
of time and | 18 |
i was not | 18 |
according to the | 18 |
in a thousand | 18 |
now my life | 18 |
of the night | 18 |
not mind thee | 18 |
the house of | 18 |
newly composed by | 18 |
doth not mind | 18 |
sampled and proofread | 17 |
ripe til cherie | 17 |
welcome sweet griefe | 17 |
one doth not | 17 |
here endeth the | 17 |
and are to | 17 |
so doth blind | 17 |
robert iones cantvs | 17 |
doth blind thee | 17 |
loue one doth | 17 |
the second part | 17 |
hope of gaine | 17 |
are to be | 17 |
what are they | 17 |
text can be | 16 |
financial support to | 16 |
available for reuse | 16 |
encoded text transcribed | 16 |
even for commercial | 16 |
keyboarded and encoded | 16 |
above is co | 16 |
yet i was | 16 |
london printed by | 16 |
of the work | 16 |
encoded edition of | 16 |
the institutions providing | 16 |
the text can | 16 |
and coded from | 16 |
support to the | 16 |
keyed and coded | 16 |
can be copied | 16 |
part thou hast | 16 |
tiff page images | 16 |
scanned from microfilm | 16 |
tcp assigned for | 16 |
for commercial purposes | 16 |
and xml conversion | 16 |
edition of the | 16 |
for keying and | 16 |
the terms of | 16 |
owned by the | 16 |
is available for | 16 |
text transcribed from | 16 |
without asking permission | 16 |
coded from proquest | 16 |
images scanned from | 16 |
is very good | 16 |
life to come | 16 |
kb of xml | 16 |
of creative commons | 16 |
books online text | 16 |
pfs batch review | 16 |
this phase i | 16 |
to the early | 16 |
reviewed and edited | 16 |
prayse the lord | 16 |
i text is | 16 |
prince may buy | 16 |
described above is | 16 |
to com nie | 16 |
and markup reviewed | 16 |
terms of creative | 16 |
proquest page images | 16 |
content will bring | 16 |
markup reviewed and | 16 |
assigned for keying | 16 |
distributed and performed | 16 |
text and markup | 16 |
the early english | 16 |
text is available | 16 |
institutions providing financial | 16 |
from proquest page | 16 |
a dish of | 16 |
sing this catch | 16 |
this keyboarded and | 16 |
the work described | 16 |
and encoded edition | 16 |
phase i text | 16 |
all without asking | 16 |
providing financial support | 16 |
i care not | 16 |
online text creation | 16 |
iv tiff page | 16 |
work described above | 16 |
to the terms | 16 |
by the institutions | 16 |
all thy loue | 15 |
vp and downe | 15 |
downe a downe | 15 |
about about about | 15 |
my loue content | 15 |
the more i | 15 |
is not spun | 15 |
s a feasting | 15 |
nor prince may | 15 |
ease my care | 15 |
printed by thomas | 15 |
that hath my | 15 |
i doe loue | 15 |
yeeld such sweet | 14 |
a thousand kisses | 14 |
my loue in | 14 |
to the lord | 14 |
the world shall | 14 |
but a point | 14 |
a point to | 14 |
fancies of parts | 14 |
that i may | 14 |
loue content will | 14 |
from my hart | 14 |
did yeeld such | 14 |
and this is | 14 |
spare then spill | 14 |
to spare then | 14 |
the second verse | 14 |
i know not | 14 |
point to the | 14 |
hath my loue | 14 |
loue in hould | 14 |
till cherie ripe | 14 |
goest about about | 14 |
to the world | 14 |
goest about to | 14 |
by user contributors | 13 |
of a works | 13 |
the true nature | 13 |
through thy wound | 13 |
tcp project was | 13 |
textual data within | 13 |
edition of a | 13 |
at the text | 13 |
accurately transcribed and | 13 |
created during phase | 13 |
about the data | 13 |
anyone can now | 13 |
some readable characters | 13 |
to a limit | 13 |
was enhanced and | 13 |
should make clear | 13 |
readable characters will | 13 |
elements to simplify | 13 |
and therefore of | 13 |
or elements to | 13 |
into the public | 13 |
standards were returned | 13 |
a wide variety | 13 |
the image sets | 13 |
via their early | 13 |
were corrected where | 13 |
partnership between the | 13 |
transcription and basic | 13 |
up to a | 13 |
returned to the | 13 |
quality of tcp | 13 |
accuracy and those | 13 |
works are eligible | 13 |
keying companies for | 13 |
in of gaps | 13 |
for their own | 13 |
to create diplomatic | 13 |
latin and welsh | 13 |
in oxford and | 13 |
of a work | 13 |
been issued variously | 13 |
published by proquest | 13 |
on the new | 13 |
editions of a | 13 |
of english literature | 13 |
looked at by | 13 |
copies of the | 13 |
a limit of | 13 |
of the most | 13 |
time and funding | 13 |
texts for their | 13 |
reason to do | 13 |
the process of | 13 |
nature of the | 13 |
publisher proquest to | 13 |
for an anonymous | 13 |
unicode or text | 13 |
opposed to critical | 13 |
and basic encoding | 13 |
all likelihood such | 13 |
level of the | 13 |
was a compelling | 13 |
by a tcp | 13 |
is the greater | 13 |
included and sometimes | 13 |
weepe and shee | 13 |
usually the first | 13 |
qa standards were | 13 |
can be made | 13 |
in mind that | 13 |
text encoding initiative | 13 |
the usual project | 13 |
have been issued | 13 |
of william barley | 13 |
released into the | 13 |
chosen if there | 13 |
processed by university | 13 |
the text creation | 13 |
to critical editions | 13 |
their early english | 13 |
make clear that | 13 |
that can be | 13 |
which did not | 13 |
was divided into | 13 |
any assumptions that | 13 |
and characters marked | 13 |
were returned to | 13 |
to facilitate morpho | 13 |
to produce large | 13 |
have been looked | 13 |
tei g elements | 13 |
to encode one | 13 |
can now take | 13 |
was chosen if | 13 |
of the process | 13 |
by university of | 13 |
and therefore chose | 13 |
and euer hee | 13 |
later edition of | 13 |
whichever is the | 13 |
attribution is given | 13 |
request that due | 13 |
between the universities | 13 |
meet qa standards | 13 |
intended to range | 13 |
use these texts | 13 |
usual project restraints | 13 |
text strings within | 13 |
true nature of | 13 |
to page images | 13 |
with level of | 13 |
is to encode | 13 |
been transformed into | 13 |
respectfully request that | 13 |
bow down thine | 13 |
into placeholder characters | 13 |
universities of michigan | 13 |
and linked to | 13 |
variety of subject | 13 |
bear in mind | 13 |
project restraints of | 13 |
over a wide | 13 |
have been transformed | 13 |
mnemonic sdata character | 13 |
o lord bow | 13 |
of subject areas | 13 |
will remain and | 13 |
a second or | 13 |
a work was | 13 |
illegible were corrected | 13 |
lincoln and northwestern | 13 |
on the image | 13 |
must vnto dust | 13 |
during phase of | 13 |
appears in ncbel | 13 |
to do so | 13 |
using tcp tei | 13 |
texts created during | 13 |
text with mnemonic | 13 |
there are a | 13 |
sdata character entities | 13 |
image sets were | 13 |
never have been | 13 |
likelihood such instances | 13 |
sets published by | 13 |
each text was | 13 |
was based on | 13 |
in english were | 13 |
proofread for accuracy | 13 |
their works are | 13 |
or for an | 13 |
domain as of | 13 |
guidelines are available | 13 |
restraints of time | 13 |
did not meet | 13 |
companions of the | 13 |
of the period | 13 |
of tcp data | 13 |
create diplomatic transcriptions | 13 |
if an author | 13 |
data is very | 13 |
every monographic english | 13 |
overall quality of | 13 |
quantities of textual | 13 |
for accuracy and | 13 |
at by a | 13 |
ascii text with | 13 |
accordance with level | 13 |
sets were sent | 13 |
the overall quality | 13 |
we respectfully request | 13 |
p using tcp | 13 |
should bear in | 13 |
of each text | 13 |
was intended to | 13 |
were sent to | 13 |
to external keying | 13 |
the man vpright | 13 |
or text strings | 13 |
work was chosen | 13 |
keyers to be | 13 |
there was a | 13 |
large quantities of | 13 |
users should be | 13 |
image sets published | 13 |
and those which | 13 |
by proquest via | 13 |
assumptions that can | 13 |
data within the | 13 |
available at the | 13 |
of known extent | 13 |
number of works | 13 |
by converting tcp | 13 |
little part thou | 13 |
take and use | 13 |
are eligible for | 13 |
stc estc s | 13 |
although there are | 13 |
errors will remain | 13 |
and sometimes a | 13 |
the tcp texts | 13 |
of michigan and | 13 |
not meet qa | 13 |
were encoded and | 13 |
encoding was enhanced | 13 |
their own purposes | 13 |
create accurately transcribed | 13 |
partnership web site | 13 |
text was proofread | 13 |
converting tcp files | 13 |
simplify the filling | 13 |
as gap s | 13 |
then their works | 13 |
placeholder characters or | 13 |
and or corrected | 13 |
images in accordance | 13 |
produce large quantities | 13 |
while the overall | 13 |
a compelling reason | 13 |
the print record | 13 |
issued variously as | 13 |
the new cambridge | 13 |
lord bow down | 13 |
notably latin and | 13 |
the first edition | 13 |
by editorial teams | 13 |
sometimes a second | 13 |
understanding these processes | 13 |
as opposed to | 13 |
possible up to | 13 |
the text encoding | 13 |
of the tei | 13 |
and available in | 13 |
is a partnership | 13 |
and encoded texts | 13 |
characters marked as | 13 |
i saw no | 13 |
corrected where possible | 13 |
my feast of | 13 |
due credit and | 13 |
that due credit | 13 |
instances will never | 13 |
as illegible were | 13 |
of my life | 13 |
therefore of any | 13 |
to reflect the | 13 |
of the texts | 13 |
are a number | 13 |
gaps by user | 13 |
yee restles cares | 13 |
available in eebo | 13 |
title published between | 13 |
oxford and the | 13 |
on the text | 13 |
carried out by | 13 |
any remaining illegibles | 13 |
elements of known | 13 |
with mnemonic sdata | 13 |
the public domain | 13 |
reflect the true | 13 |
of the print | 13 |
and markup guidelines | 13 |
instances per text | 13 |
tcp is a | 13 |
the texts were | 13 |
second or later | 13 |
text selection was | 13 |
markup guidelines are | 13 |
linked to page | 13 |
variously as sgml | 13 |
now take and | 13 |
credit and attribution | 13 |
characters or elements | 13 |
a tcp editor | 13 |
the texts have | 13 |
aim of eebo | 13 |
to tei p | 13 |
project was divided | 13 |
editorial teams in | 13 |
tcp is to | 13 |
bibliography of english | 13 |
if there was | 13 |
made about the | 13 |
structural encoding based | 13 |
or lossless xml | 13 |
mainly structural encoding | 13 |
chose to create | 13 |
transformed into placeholder | 13 |
and oxford and | 13 |
was proofread for | 13 |
and attribution is | 13 |
then carried out | 13 |
university of nebraska | 13 |
processes should make | 13 |
users should bear | 13 |
to the keyers | 13 |
record of the | 13 |
be aware of | 13 |
companies for transcription | 13 |
least through thy | 13 |
tcp data is | 13 |
are available at | 13 |
the project have | 13 |
published between and | 13 |
proquest to create | 13 |
process of creating | 13 |
external keying companies | 13 |
changes to facilitate | 13 |
divided into two | 13 |
the tei in | 13 |
of the project | 13 |
texts have been | 13 |
unicode or tei | 13 |
in accordance with | 13 |
to be sold | 13 |
will be marked | 13 |
such instances will | 13 |
of any assumptions | 13 |
the general aim | 13 |
general aim of | 13 |
of instances per | 13 |
quality assurance was | 13 |
known extent have | 13 |
cambridge bibliography of | 13 |
illegibles were encoded | 13 |
a number of | 13 |
the encoding was | 13 |
page images in | 13 |
gap elements of | 13 |
created by converting | 13 |
and the publisher | 13 |
an anonymous work | 13 |
be made about | 13 |
or later edition | 13 |
between and available | 13 |
should be aware | 13 |
language title published | 13 |
out by editorial | 13 |
with changes to | 13 |
for transcription and | 13 |
tcp files to | 13 |
range over a | 13 |
into two phases | 13 |
of creating the | 13 |
texts were encoded | 13 |
of gaps by | 13 |
encoding based on | 13 |
of works in | 13 |
texts based on | 13 |
those which did | 13 |
encoded as gap | 13 |
project have been | 13 |
some errors will | 13 |
print record of | 13 |
compelling reason to | 13 |
these texts for | 13 |
tcp aimed to | 13 |
creating the tcp | 13 |
and use these | 13 |
the universities of | 13 |
to create accurately | 13 |
feast of ioy | 13 |
teams in oxford | 13 |
the publisher proquest | 13 |
were encoded as | 13 |
tei p using | 13 |
sent to external | 13 |
the keyers to | 13 |
within the usual | 13 |
of every monographic | 13 |
down thine eare | 13 |
been looked at | 13 |
english were prioritized | 13 |
aware of the | 13 |
a works in | 13 |
selection was intended | 13 |
transcribed and encoded | 13 |
or corrected and | 13 |
as of january | 13 |
in other languages | 13 |
will never have | 13 |
of textual data | 13 |
mind that in | 13 |
was then carried | 13 |
in all likelihood | 13 |
be marked as | 13 |
public domain as | 13 |
or tei g | 13 |
have been released | 13 |
works in english | 13 |
assurance was then | 13 |
tei in libraries | 13 |
their original source | 13 |
corrected and characters | 13 |
these processes should | 13 |
remain and some | 13 |
oxford and michigan | 13 |
creation partnership web | 13 |
is given to | 13 |
extent have been | 13 |
eligible for inclusion | 13 |
been released into | 13 |
selection was based | 13 |
files to tei | 13 |
encoded texts based | 13 |
the filling in | 13 |
encode one copy | 13 |
to be redone | 13 |
to simplify the | 13 |
characters will be | 13 |
and some readable | 13 |
strings within braces | 13 |
to their original | 13 |
a stc estc | 13 |
a partnership between | 13 |
enhanced and or | 13 |
in libraries guidelines | 13 |
wide variety of | 13 |
encoded and linked | 13 |
that in all | 13 |
to range over | 13 |
phase of the | 13 |
and now now | 13 |
filling in of | 13 |
aimed to produce | 13 |
limit of instances | 13 |
where possible up | 13 |
proquest via their | 13 |
remaining illegibles were | 13 |
i weepe and | 13 |
since loue and | 13 |
given to their | 13 |
but we respectfully | 13 |
new cambridge bibliography | 13 |
works in other | 13 |
first editions of | 13 |
michigan and oxford | 13 |
her eyes like | 13 |
therefore chose to | 13 |
out of si | 12 |
deere let bee | 12 |
eyes like angels | 12 |
the cathedrall church | 12 |
these to my | 12 |
in the vnison | 12 |
the assigne of | 12 |
yet i saw | 12 |
come sit by | 12 |
that which i | 12 |
which all thy | 12 |
cruell fates and | 12 |
in the unison | 12 |
did this deede | 12 |
and master of | 12 |
now o now | 12 |
the lord that | 12 |
s this keyboarded | 12 |
doth yeeld vnto | 12 |
o cruell fates | 12 |
sacred cheries to | 12 |
you did this | 12 |
and thou shalt | 12 |
onely can behold | 12 |
fates and spightfull | 12 |
master of the | 12 |
yeeld vnto the | 12 |
thy thoughts in | 12 |
sit by me | 12 |
ripe chery ripe | 12 |
house of the | 12 |
world shall end | 12 |
all thy thoughts | 12 |
he onely can | 12 |
seruants of the | 12 |
my lyfe is | 12 |
eyes her eyes | 12 |
thoughts in silence | 12 |
wound i die | 12 |
ye seruants of | 12 |
dust be brought | 12 |
my deere let | 12 |
the oxe doth | 12 |
raigneth with thee | 12 |
which i may | 12 |
be sold at | 12 |
by thomas este | 12 |
dish of paine | 12 |
now now my | 12 |
thy wound i | 12 |
of the choristers | 12 |
estc s this | 12 |
her eyes her | 12 |
a table of | 11 |
and so i | 11 |
and being there | 11 |
fild with snow | 11 |
cheries to com | 11 |
reproduction of the | 11 |
is but beguiling | 11 |
there is a | 11 |
no more but | 11 |
endeth the songs | 11 |
i loue not | 11 |
that none may | 11 |
the original in | 11 |
the steele obeyeth | 11 |
first fruits of | 11 |
none may buy | 11 |
hope a king | 11 |
in the house | 11 |
that by night | 11 |
by iohn windet | 11 |
original in the | 11 |
of the original | 11 |
viols and voices | 11 |
yet i liue | 11 |
this is the | 11 |
themselues do crie | 11 |
to gaine a | 11 |
i abide this | 11 |
the god of | 11 |
doe loue thee | 11 |
a king doth | 11 |
for viols and | 11 |
and the holy | 11 |
the songs of | 11 |
now praise the | 11 |
the mauis sweetly | 11 |
that nature wrought | 11 |
the holy ghost | 11 |
my phoebe kisse | 11 |
i must be | 11 |
in silence keepe | 11 |
and raigneth with | 11 |
vnto dust be | 11 |
my loue my | 11 |
let heauinesse and | 11 |
heauinesse and griefe | 11 |
my dearest friend | 11 |
is fittest now | 10 |
by night stand | 10 |
sheepe and i | 10 |
the most part | 10 |
that seemes so | 10 |
it hath not | 10 |
night stand in | 10 |
yet i am | 10 |
greatest fish in | 10 |
composed by robert | 10 |
ioy in wayling | 10 |
is my loue | 10 |
yet it hath | 10 |
if so you | 10 |
i le loue | 10 |
a kingdom in | 10 |
and prayse the | 10 |
songs or ayres | 10 |
so to betray | 10 |
thy sons name | 10 |
that her hart | 10 |
the hammer stroake | 10 |
thing more cruell | 10 |
to bed i | 10 |
but hope good | 10 |
and i will | 10 |
for the most | 10 |
stand in the | 10 |
pittie mouing words | 10 |
forgoe so ill | 10 |
my silly sheepe | 10 |
doe this in | 10 |
what thing more | 10 |
is soon deceiud | 10 |
al his strength | 10 |
rest with your | 10 |
should i not | 10 |
and kill him | 10 |
i will be | 10 |
oxe doth yeeld | 10 |
in her eyes | 10 |
deere loue my | 10 |
take mee with | 10 |
more but hope | 10 |
hey iolly robin | 10 |
for al his | 10 |
thee and the | 10 |
about about to | 10 |
with thee and | 10 |
such sweet content | 10 |
hath not sprung | 10 |
i not from | 10 |
for lust is | 10 |
vpright of life | 10 |
next to theologie | 10 |
not from comfort | 10 |
kingdom in the | 10 |
beautie mixt with | 10 |
yee that ioy | 10 |
with your selues | 10 |
assigne of william | 10 |
a foolish drift | 10 |
come againe my | 10 |
hope good hart | 10 |
but a dish | 10 |
for sharpest paine | 10 |
o cruell cruell | 10 |
if a day | 10 |
life that hath | 10 |
all the vallies | 10 |
sadnesse is fittest | 10 |
more cruell can | 10 |
silly sheepe and | 10 |
but deere tell | 10 |
and neuer ceaseth | 10 |
my choice is | 10 |
my life that | 10 |
and after death | 10 |
my pittie mouing | 10 |
friend to mee | 10 |
til chery ripe | 10 |
the leaues be | 10 |
and now my | 10 |
there cheries grow | 10 |
man vpright of | 10 |
in her pride | 10 |
in thy sons | 10 |
a friend to | 10 |
i will onely | 10 |
in the merry | 10 |
mee with thee | 10 |
may forgoe so | 10 |
pittie deere loue | 10 |
by robert iones | 10 |
and yet the | 10 |
o that her | 10 |
leaues be greene | 10 |
can you doe | 10 |
choice is made | 10 |
all yee that | 10 |
this in my | 10 |
of all the | 10 |
lust is fraile | 10 |
hark hark hark | 10 |
for three voices | 10 |
so you will | 10 |
till all the | 10 |
faire beautie mixt | 10 |
that ioy in | 10 |
kill him to | 10 |
when i am | 10 |
and take mee | 10 |
down down down | 10 |
the greatest fish | 10 |
queene of beautie | 10 |
ye that by | 10 |
can i abide | 10 |
euen in the | 10 |
i may forgoe | 10 |
cruell can you | 10 |
the lute and | 10 |
sigh as sure | 10 |
the delight of | 10 |
vnto your worship | 10 |
makes me sigh | 10 |
this is loue | 9 |
and doe my | 9 |
part is for | 9 |
though wit bids | 9 |
to blow retreate | 9 |
yet the leaues | 9 |
heere endeth the | 9 |
now those iolly | 9 |
my youth is | 9 |
garden in her | 9 |
made both heauen | 9 |
doe my error | 9 |
t is a | 9 |
vaine hope of | 9 |
all my good | 9 |
loue i erre | 9 |
who loues this | 9 |
the band of | 9 |
truth is not | 9 |
thou begst to | 9 |
little little part | 9 |
pleasant sommers morning | 9 |
country lasses hie | 9 |
doe not still | 9 |
the fruit is | 9 |
you may for | 9 |
and all my | 9 |
the country lasses | 9 |
who liueth and | 9 |
as i was | 9 |
are now those | 9 |
when truth is | 9 |
whiles ioyfull spring | 9 |
fruits do flow | 9 |
shall i striue | 9 |
steele obeyeth the | 9 |
my deare i | 9 |
are fine flowers | 9 |
merry month of | 9 |
with your spight | 9 |
from loue his | 9 |
lasses hie them | 9 |
they looke like | 9 |
in her face | 9 |
music printed by | 9 |
till chery ripe | 9 |
is a garden | 9 |
with little drops | 9 |
threed is cut | 9 |
a month or | 9 |
set of bookes | 9 |
with all her | 9 |
like rose buds | 9 |
sweet phillis stay | 9 |
i seeke for | 9 |
yet she is | 9 |
or a month | 9 |
i loue no | 9 |
on my deare | 9 |
there you may | 9 |
this life from | 9 |
a bloody war | 9 |
my hope a | 9 |
behold now praise | 9 |
what friendship is | 9 |
and all her | 9 |
i saw the | 9 |
shalt bee my | 9 |
mery month of | 9 |
le ts walke | 9 |
my crop of | 9 |
in his griefes | 9 |
to their end | 9 |
contained in this | 9 |
day or a | 9 |
tongue thou begst | 9 |
saw no sunne | 9 |
those iolly swaines | 9 |
yours in all | 9 |
would kisse her | 9 |
dare not cloris | 9 |
bathes her there | 9 |
with the lute | 9 |
life by saul | 9 |
friendship is in | 9 |
her lookes are | 9 |
can no more | 9 |
with my loue | 9 |
againe my loue | 9 |
this is idle | 9 |
i may not | 9 |
to betray me | 9 |
with the wenches | 9 |
or little did | 9 |
no little little | 9 |
thy loue from | 9 |
in the mery | 9 |
it is a | 9 |
you will beleeue | 9 |
that it were | 9 |
buds fild with | 9 |
begst to ease | 9 |
for i haue | 9 |
no peere nor | 9 |
thus it is | 9 |
cathedrall church of | 9 |
as sure to | 9 |
peere nor prince | 9 |
thou shalt bee | 9 |
fish in deepest | 9 |
that there you | 9 |
when on my | 9 |
by the band | 9 |
roses and lillies | 9 |
loue his loue | 9 |
crop of corne | 9 |
ripe ripe til | 9 |
stay faire cruell | 9 |
that made both | 9 |
and all is | 9 |
vaine my tongue | 9 |
youth is gone | 9 |
from mee my | 9 |
t is thou | 9 |
these sacred cheries | 9 |
mee my iewell | 9 |
were as her | 9 |
then should i | 9 |
deare i doe | 9 |
make to thee | 9 |
tableture for the | 9 |
kil kil kil | 9 |
thou o lord | 9 |
loue my pittie | 9 |
i can no | 9 |
a garden in | 9 |
o stay faire | 9 |
may for your | 9 |
and i must | 9 |
as her lookes | 9 |
vaine my hope | 9 |
like angels watch | 9 |
is thou o | 9 |
to ease my | 9 |
where are now | 9 |
looke like rose | 9 |
of an howre | 9 |
i doe not | 9 |
in this booke | 9 |
my threed is | 9 |
kisse her then | 9 |
sweet and daintie | 9 |
those sweet eies | 9 |
in an euening | 9 |
the parke amaine | 9 |
the mery month | 9 |
my soule with | 9 |
earthes but a | 9 |
together by the | 9 |
and too too | 9 |
now the country | 9 |
bee my bonny | 9 |
to kil to | 9 |
and the thrush | 9 |
i am but | 9 |
my tongue thou | 9 |
there are fine | 9 |
kingdome in the | 9 |
my error know | 9 |
fruit is dead | 9 |
saw the world | 9 |
sweet loue i | 9 |
coridon would kisse | 9 |
are but toyes | 9 |
her hart still | 9 |
a day or | 9 |
as well as | 9 |
of his maiesties | 9 |
liueth and raigneth | 9 |
comfort came againe | 9 |
a kingdome in | 9 |
loues this life | 9 |
to proue me | 9 |
deere tell mee | 9 |
our prayers which | 9 |
life from loue | 9 |
watch them still | 9 |
fruits of my | 9 |
a cheerefull noyse | 8 |
kisse and play | 8 |
is the chiefe | 8 |
her absence i | 8 |
bonny sweet darling | 8 |
not too fast | 8 |
dead for loue | 8 |
sure i was | 8 |
shepheards sweetly sing | 8 |
mixt with chastitie | 8 |
the first fruits | 8 |
nor secret vautes | 8 |
not over long | 8 |
to thee in | 8 |
not run away | 8 |
are the second | 8 |
to be bold | 8 |
muse on thee | 8 |
downe downe downe | 8 |
their first meeting | 8 |
whose thoughts before | 8 |
name right your | 8 |
bid take heed | 8 |
are the first | 8 |
sweet eies that | 8 |
wedde their griefe | 8 |
faith serues where | 8 |
the trees for | 8 |
trees for feare | 8 |
this as that | 8 |
it nought or | 8 |
stay a while | 8 |
from comfort be | 8 |
all is but | 8 |
still i le | 8 |
kil to kil | 8 |
in london printed | 8 |
makes a solemne | 8 |
that wrap my | 8 |
goe so ill | 8 |
table of all | 8 |
fond wanton youths | 8 |
that but that | 8 |
coridon and philida | 8 |
wrap my ioyes | 8 |
are the third | 8 |
sigh as one | 8 |
with roses and | 8 |
and old growes | 8 |
doe demaund the | 8 |
oh doe not | 8 |
runs too swift | 8 |
doe not run | 8 |
wil to blow | 8 |
i le muse | 8 |
soule with sadnesse | 8 |
obeyeth the ha | 8 |
o shee my | 8 |
play not too | 8 |
and no more | 8 |
frost of cares | 8 |
but that but | 8 |
that thus you | 8 |
away from mee | 8 |
three or foure | 8 |
the subiect of | 8 |
he is gone | 8 |
on sinful sands | 8 |
the songes of | 8 |
with loue oppressed | 8 |
o come and | 8 |
my faith serues | 8 |
to haue a | 8 |
not cloris tutch | 8 |
and others which | 8 |
where you did | 8 |
let those sweet | 8 |
she is modest | 8 |
be many mo | 8 |
thee in thy | 8 |
from comfort bee | 8 |
and help mee | 8 |
i was walking | 8 |
was not seene | 8 |
release the right | 8 |
where wee may | 8 |
i doe demaund | 8 |
secret vautes to | 8 |
that runs too | 8 |
last but one | 8 |
in daphnes praise | 8 |
not still torment | 8 |
pitty moue thee | 8 |
help mee sing | 8 |
young cupid hath | 8 |
is not rewar | 8 |
sounding on high | 8 |
i could not | 8 |
greater for to | 8 |
is in this | 8 |
hath an eye | 8 |
sing shepheards sweetly | 8 |
thus for to | 8 |
nought or little | 8 |
on high in | 8 |
i haue found | 8 |
vaine my faith | 8 |
right your notes | 8 |
demaund the due | 8 |
heauen and earth | 8 |
fled is fled | 8 |
when thou art | 8 |
neuer to clime | 8 |
rose buds fild | 8 |
like fire supprest | 8 |
to bid take | 8 |
shee my loue | 8 |
but if i | 8 |
by raging seas | 8 |
is dead for | 8 |
should stand in | 8 |
i may for | 8 |
the last but | 8 |
are all assenting | 8 |
ioy of my | 8 |
abide this ieasting | 8 |
run away from | 8 |
sing this as | 8 |
to it are | 8 |
vautes to flie | 8 |
looke to your | 8 |
but in his | 8 |
fire the hart | 8 |
none but her | 8 |
order of the | 8 |
it with your | 8 |
subiect of my | 8 |
come and take | 8 |
i did but | 8 |
wit bids wil | 8 |
what are we | 8 |
mauis sweetly caroling | 8 |
shee o shee | 8 |
you it left | 8 |
composed by michaell | 8 |
this and no | 8 |
the third part | 8 |
is fled is | 8 |
life is fled | 8 |
a withered daffa | 8 |
as one that | 8 |
was not seen | 8 |
may to bring | 8 |
still torment mee | 8 |
bids wil to | 8 |
absence i lament | 8 |
sighes with teares | 8 |
once did i | 8 |
against her breast | 8 |
is soon is | 8 |
le muse on | 8 |
old growes stale | 8 |
but a while | 8 |
softly at last | 8 |
there be many | 8 |
is dead and | 8 |
a frost of | 8 |
loue makes a | 8 |
it was not | 8 |
thoughts before they | 8 |
it are all | 8 |
endeth the songes | 8 |
into the spring | 8 |
sold at the | 8 |
phillis doth sleepe | 8 |
of the skies | 8 |
for to spare | 7 |
fie my night | 7 |
all for the | 7 |
king and his | 7 |
pleasant fruits do | 7 |
wooe their woe | 7 |
sighes be angels | 7 |
time will faile | 7 |
in hope the | 7 |
betray our kisses | 7 |
late for wit | 7 |
in pleasant sommers | 7 |
the cherefull day | 7 |
of thy right | 7 |
we make to | 7 |
and fire the | 7 |
with hey hoe | 7 |
hope still did | 7 |
to thee and | 7 |
to gain a | 7 |
spend our time | 7 |
practitioner in this | 7 |
when he should | 7 |
angels watch them | 7 |
in vaine mine | 7 |
vaine my thoughts | 7 |
printed by william | 7 |
in this arte | 7 |
ore the parke | 7 |
richard alison gentleman | 7 |
and the same | 7 |
was often sought | 7 |
long preseruation of | 7 |
in thorny bush | 7 |
now we are | 7 |
she hath an | 7 |
ease thy smart | 7 |
which we make | 7 |
may well be | 7 |
but neuer humor | 7 |
in my sight | 7 |
little drops of | 7 |
is that place | 7 |
cals and neuer | 7 |
of the king | 7 |
are wel affected | 7 |
estate from the | 7 |
as to the | 7 |
birds doe sing | 7 |
and when his | 7 |
la la c | 7 |
framed for the | 7 |
in deepest brook | 7 |
i as well | 7 |
apt for instrumentes | 7 |
wel affected to | 7 |
recreation in musicke | 7 |
is not re | 7 |
lie downe and | 7 |
this faire excusing | 7 |
the deliuerance of | 7 |
mee sing lamenting | 7 |
well as thou | 7 |
instrumentes and voyces | 7 |
howres recreation in | 7 |
so shall i | 7 |
for wit to | 7 |
and many pleasant | 7 |
too too cruell | 7 |
of the deep | 7 |
gentleman and practitioner | 7 |
long as i | 7 |
o sweet woods | 7 |
for i die | 7 |
help him out | 7 |
bee to bee | 7 |
listen to patience | 7 |
vnto our prayers | 7 |
awake sweet loue | 7 |
prayers which we | 7 |
pirling brooke whose | 7 |
and sad lament | 7 |
of the whole | 7 |
knight of the | 7 |
covantage keyed and | 7 |
it seemes a | 7 |
of sweet and | 7 |
this is a | 7 |
ioyes are all | 7 |
teach in priuate | 7 |
depart from my | 7 |
and i am | 7 |
the wood side | 7 |
abide this praunsing | 7 |
in more griefe | 7 |
progenie prince henrie | 7 |
lookes are mylde | 7 |
with a prayer | 7 |
to depart from | 7 |
my loue dis | 7 |
all which parts | 7 |
by richard alison | 7 |
to see a | 7 |
so hard harted | 7 |
comes tripping ore | 7 |
counsell with my | 7 |
vnto his courts | 7 |
preseruation of the | 7 |
fresh may to | 7 |
thus you know | 7 |
they wooe their | 7 |
farewell my hopes | 7 |
o how much | 7 |
hope thou the | 7 |
a prayer for | 7 |
s a daunsing | 7 |
to that qualitie | 7 |
eare vnto our | 7 |
by saul was | 7 |
all ye seruants | 7 |
hope cums likewise | 7 |
thine eare vnto | 7 |
have you any | 7 |
no all is | 7 |
when i see | 7 |
my ioyes are | 7 |
my happie daies | 7 |
lay my blisse | 7 |
to vexe my | 7 |
the heart is | 7 |
the whole estate | 7 |
delight of gentlemen | 7 |
to betray our | 7 |
my deere and | 7 |
in priuate families | 7 |
solemne holy day | 7 |
in the spring | 7 |
is this faire | 7 |
but be those | 7 |
and pensiue sorrow | 7 |
a solemne holy | 7 |
for the delight | 7 |
whose siluer streames | 7 |
see where this | 7 |
deliuerance of the | 7 |
loue not lust | 7 |
aye thus it | 7 |
seemes a foolish | 7 |
reward for sharpest | 7 |
they wedde their | 7 |
apex covantage keyed | 7 |
whole estate from | 7 |
then i will | 7 |
his onely friendes | 7 |
i saw my | 7 |
of the same | 7 |
to bee to | 7 |
drops of drisling | 7 |
as louers doe | 7 |
which are wel | 7 |
gentlemen and others | 7 |
see a nimph | 7 |
vnto the yoake | 7 |
not on sinful | 7 |
that doth disburse | 7 |
are but blossoms | 7 |
still did help | 7 |
cums likewise after | 7 |
with two trebles | 7 |
and stand vp | 7 |
a thankesgiuing for | 7 |
drawing to their | 7 |
a pirling brooke | 7 |
la liro logh | 7 |
thankesgiuing for the | 7 |
apt for viols | 7 |
o t is | 7 |
and when i | 7 |
stay but a | 7 |
doth go to | 7 |
which if i | 7 |
vnto the yoke | 7 |
part with two | 7 |
downe and die | 7 |
the long preseruation | 7 |
in the sanctuarie | 7 |
as i speake | 7 |
and his posteritie | 7 |
and all the | 7 |
heart is true | 7 |
and my misfortune | 7 |
prayer for the | 7 |
lyfe is done | 7 |
did mee grieue | 7 |
the king and | 7 |
such as teach | 7 |
most part with | 7 |
the late conspiracie | 7 |
loue le ts | 7 |
ripe ripe ripe | 7 |
preserue also his | 7 |
force beare downe | 7 |
vp to the | 7 |
thou the best | 7 |
thou canst not | 7 |
the lesse i | 7 |
by phoebus beames | 7 |
but in the | 7 |
heale thy sore | 7 |
men nor gods | 7 |
as teach in | 7 |
of all which | 7 |
loues darke workes | 7 |
for the deliuerance | 7 |
o he is | 7 |
a thousand kis | 7 |
aboue their reach | 7 |
others which are | 7 |
tripping ore the | 7 |
in this trembling | 7 |
go to war | 7 |
not so hard | 7 |
come loue le | 7 |
none may begin | 7 |
loue no long | 7 |
affected to that | 7 |
an howres recreation | 7 |
and practitioner in | 7 |
quench the same | 7 |
for instrumentes and | 7 |
and still i | 7 |
did but kisse | 7 |
one and the | 7 |
of foure parts | 7 |
astrea queene of | 7 |
till force beare | 7 |
high in daphnes | 7 |
for such as | 7 |
women what are | 7 |
of gentlemen and | 7 |
brooke whose siluer | 7 |
be as well | 7 |
farewell my happie | 7 |
of fragrant flowres | 7 |
will bee true | 7 |
but kisse her | 7 |
i haue a | 7 |
for the long | 7 |
hart on fire | 7 |
close mine eyes | 7 |
calmes haue brought | 7 |
lord that made | 7 |
while that his | 7 |
the soule of | 7 |
terrors of the | 7 |
wit to bid | 7 |
from the late | 7 |
in foulds of | 7 |
to the lute | 7 |
hope a counsell | 7 |
for to wrong | 7 |
as i haue | 7 |
of the house | 7 |
and a thankesgiuing | 7 |
a counsell with | 7 |
alison gentleman and | 7 |
and not sung | 6 |
the glory of | 6 |
remembrance of my | 6 |
choristers in the | 6 |
man and kill | 6 |
le to bed | 6 |
not so much | 6 |
the nightingale in | 6 |
a poore mans | 6 |
and daintie flowres | 6 |
know i must | 6 |
feare her wondrous | 6 |
may be as | 6 |
shall i sue | 6 |
wile shal ease | 6 |
you know i | 6 |
sing all the | 6 |
vaine mine eies | 6 |
i will performe | 6 |
welcome in the | 6 |
henry you ll | 6 |
lutenist to the | 6 |
spring time lasteth | 6 |
those beames that | 6 |
the seventh set | 6 |
how i doe | 6 |
that sought by | 6 |
the day doth | 6 |
anchore in pater | 6 |
still as they | 6 |
the birds so | 6 |
wound it with | 6 |
time doth goe | 6 |
out the end | 6 |
to heare and | 6 |
there be but | 6 |
redbreast and the | 6 |
my heart and | 6 |
out by michael | 6 |
and yet that | 6 |
the british library | 6 |
me thou goest | 6 |
he makes his | 6 |
well i may | 6 |
vnkinde my silly | 6 |
set out by | 6 |
bed i must | 6 |
and life forgo | 6 |
rob a man | 6 |
dearest friend is | 6 |
is the ioyfull | 6 |
they haue time | 6 |
bee not still | 6 |
huntington library and | 6 |
ecchoes sweetly ring | 6 |
fit to heare | 6 |
presence so delightfull | 6 |
then thou shalt | 6 |
the ioyfull bridall | 6 |
increase of honor | 6 |
they come nie | 6 |
in the eare | 6 |
seventh set of | 6 |
where are you | 6 |
whilst that you | 6 |
cupids dare not | 6 |
yet if you | 6 |
downe and see | 6 |
a downe a | 6 |
as they must | 6 |
with flowers gay | 6 |
no passage in | 6 |
of all vertue | 6 |
two parts in | 6 |
wherein are duos | 6 |
in the eie | 6 |
but friends for | 6 |
part of this | 6 |
at the golden | 6 |
those sweet eyes | 6 |
come mery lads | 6 |
now and euer | 6 |
after sharpe showers | 6 |
prince henrie and | 6 |
by michael east | 6 |
come nie them | 6 |
pipe full mery | 6 |
both heauen and | 6 |
when i loue | 6 |
through the same | 6 |
before the day | 6 |
must haue an | 6 |
printed by iohn | 6 |
mery lads let | 6 |
to win the | 6 |
new growes old | 6 |
co co co | 6 |
now may we | 6 |
to liue and | 6 |
or foure in | 6 |
is no man | 6 |
this is all | 6 |
in this groue | 6 |
bee with loue | 6 |
each one to | 6 |
parts in the | 6 |
all her thoughts | 6 |
to your selues | 6 |
so so so | 6 |
which youth and | 6 |
in yonder dale | 6 |
these mery mery | 6 |
downe downe a | 6 |
slay me thou | 6 |
is often three | 6 |
ioy now heare | 6 |
euen through the | 6 |
and laid in | 6 |
performe like dutie | 6 |
could not see | 6 |
that sathans secrets | 6 |
to grace these | 6 |
all you that | 6 |
to dye blessed | 6 |
robin redbreast and | 6 |
horse that runs | 6 |
no time to | 6 |
life my life | 6 |
sathans secrets hast | 6 |
where fancy ebs | 6 |
wish i could | 6 |
the vallies ring | 6 |
pensiue sorrow alwaies | 6 |
loues in vaine | 6 |
ioyes must dye | 6 |
thy liuing bloud | 6 |
both now and | 6 |
violets and daffa | 6 |
now vp now | 6 |
are beautified by | 6 |
growes old and | 6 |
know not when | 6 |
and thee to | 6 |
to sport and | 6 |
with natures beautie | 6 |
faire meadowes gli | 6 |
doth once posses | 6 |
redubling ecchoes sweetly | 6 |
with eye or | 6 |
so sweetly singing | 6 |
le my phoebe | 6 |
my deere onely | 6 |
hart still burning | 6 |
the horrors of | 6 |
time to rise | 6 |
is soone deceiued | 6 |
spi global keyed | 6 |
end must all | 6 |
thy right hand | 6 |
sport and play | 6 |
with increase of | 6 |
of the cathedrall | 6 |
sit vs downe | 6 |
catch that catch | 6 |
mery mery lads | 6 |
a double row | 6 |
of my enioyed | 6 |
a base violl | 6 |
duos for two | 6 |
leauing you loose | 6 |
that loues darke | 6 |
my hart and | 6 |
i doubt not | 6 |
birds so sweetly | 6 |
doth kisse his | 6 |
doe i grieue | 6 |
my onely best | 6 |
hearbs and flowers | 6 |
quire of angels | 6 |
sweet sweet sweet | 6 |
that holy vowes | 6 |
thou shalt doe | 6 |
with such toies | 6 |
with subtle hooke | 6 |
and lutenist to | 6 |
is he gone | 6 |
lord iesus christ | 6 |
then well i | 6 |
henceforth will ioyne | 6 |
church of litchfield | 6 |
ioyfull bridall day | 6 |
loue my loue | 6 |
parts for two | 6 |
thee to mee | 6 |
of coridon and | 6 |
leighton to heauen | 6 |
i le to | 6 |
ioyfull spring time | 6 |
ts walke into | 6 |
mi fa morire | 6 |
na bathes her | 6 |
sound on high | 6 |
sweetly sweetly sing | 6 |
come euery day | 6 |
and ease my | 6 |
gone to take | 6 |
god of iacob | 6 |
each day of | 6 |
friend is dead | 6 |
now heare you | 6 |
a mery mery | 6 |
tyed together by | 6 |
though there be | 6 |
often three or | 6 |
right hand alone | 6 |
the henry e | 6 |
wander vp and | 6 |
fields are deckt | 6 |
as well sung | 6 |
bed she cals | 6 |
vntill the world | 6 |
lately set out | 6 |
now prayse the | 6 |
shall i seeke | 6 |
to bee with | 6 |
pater noster row | 6 |
they wander vp | 6 |
i feare her | 6 |
laugh and sing | 6 |
that we haue | 6 |
ayres or ballads | 6 |
walke into the | 6 |
and groues where | 6 |
here is an | 6 |
fie on loue | 6 |
flowres so freshly | 6 |
is the pride | 6 |
will not be | 6 |
of second troy | 6 |
viii songs to | 6 |
foorth i walked | 6 |
though poore sheepe | 6 |
haue time and | 6 |
lads let vs | 6 |
loue should haue | 6 |
know a wile | 6 |
not with this | 6 |
draw out the | 6 |
is for the | 6 |
one doth kisse | 6 |
and spare not | 6 |
iohn windet the | 6 |
and still as | 6 |
cheries fairely do | 6 |
orient pearle a | 6 |
an euening as | 6 |
love cannot dissemble | 6 |
see how the | 6 |
all the way | 6 |
the golden anchore | 6 |
lute or orpherian | 6 |
but one halfe | 6 |
through the trees | 6 |
of pleasure tasteth | 6 |
t is but | 6 |
the marble stone | 6 |
the first part | 6 |
when i was | 6 |
is their first | 6 |
batcheler of musick | 6 |
still fild with | 6 |
striue to proue | 6 |
plaid and not | 6 |
loue vnto my | 6 |
thy windes shake | 6 |
deckt with flowers | 6 |
our lord iesus | 6 |
from heauy sleepe | 6 |
ayerie fancies of | 6 |
and art gallery | 6 |
see how they | 6 |
of griefe and | 6 |
king doth go | 6 |
and sing fa | 6 |
more i quench | 6 |
all in vaine | 6 |
delight me best | 6 |
as i do | 6 |
hopes cannot delude | 6 |
those cheries fairely | 6 |
how they wander | 6 |
equall my desires | 6 |
stay let pitty | 6 |
phillis stay let | 6 |
let my death | 6 |
fie fie on | 6 |
if i finde | 6 |
saul was often | 6 |
for your amisses | 6 |
cruell cruell fancy | 6 |
i am here | 6 |
bachelor of musicke | 6 |
i thought to | 6 |
haue found faire | 6 |
is like to | 6 |
i wish i | 6 |
each thing of | 6 |
may sit vs | 6 |
she cals and | 6 |
yet there is | 6 |
a lustie crew | 6 |
euening as i | 6 |
thousand cupids dare | 6 |
as they come | 6 |
since so soden | 6 |
is a mery | 6 |
the woods and | 6 |
are duos for | 6 |
for vertue finds | 6 |
now they haue | 6 |
them my fill | 6 |
vpon her bed | 6 |
sweetly sweetly sweetly | 6 |
earely before the | 6 |
were wont to | 6 |
each one doth | 6 |
shee will bee | 6 |
be plaid and | 6 |
cannot come euery | 6 |
the time hath | 6 |
i le my | 6 |
and these mery | 6 |
day to woo | 6 |
in their mery | 6 |
on thee alone | 6 |
that were wont | 6 |
there is nothing | 6 |
to clime aboue | 6 |
ioyne in equall | 6 |
the violl de | 6 |
lips i kist | 6 |
vp and down | 6 |
a man and | 6 |
as end must | 6 |
death hath depriued | 6 |
musick time sporter | 6 |
and a base | 6 |
mery lads they | 6 |
time to slumber | 6 |
the day i | 6 |
whose presence so | 6 |
are deckt with | 6 |
a loue that | 6 |
heare and ease | 6 |
house of our | 6 |
in my beehoue | 6 |
and wound it | 6 |
that you striue | 6 |
same our lord | 6 |
then rob a | 6 |
the art of | 6 |
would i make | 6 |
shall heale thy | 6 |
holy vowes must | 6 |
worke of mine | 6 |
in the most | 6 |
time and leasure | 6 |
foure in the | 6 |
will performe like | 6 |
is thy seate | 6 |
old and old | 6 |
my loue by | 6 |
pearle a double | 6 |
in the henry | 6 |
with delights abound | 6 |
yet i feare | 6 |
sweet reward for | 6 |
cease restlesse thoughts | 6 |
they spie them | 6 |
the lute or | 6 |
ripe til chery | 6 |
i dare not | 6 |
grace these plaines | 6 |
faint not hart | 6 |
repent the day | 6 |
griefe and sad | 6 |
of orient pearle | 6 |
fairer calmes haue | 6 |
no hope af | 6 |
behold now prayse | 6 |
the merry month | 6 |
for two treble | 6 |
of the god | 6 |
salue shall heale | 6 |
to bed she | 6 |
also fancies of | 6 |
two treble viols | 6 |
be but two | 6 |
the choristers in | 6 |
for two base | 6 |
and in this | 6 |
horrors of the | 6 |
sought by treason | 6 |
the shepheards daughters | 6 |
but two parts | 6 |
to take their | 6 |
lads they spie | 6 |
they must be | 6 |
chery ripe ripe | 6 |
till new growes | 6 |
guide our states | 6 |
is idle fyno | 6 |
i see my | 6 |
with mirth and | 6 |
wont to grace | 6 |
is the bird | 6 |
beautified by phoebus | 6 |
the fields are | 6 |
pipe shepheards pipe | 6 |
day doth spring | 6 |
violl de gamba | 6 |
the first booke | 6 |
golden anchore in | 6 |
follow me close | 6 |
then shall i | 6 |
thousand thousand cupids | 6 |
my selfe to | 6 |
will ioyne in | 6 |
found faire phillis | 6 |
his sober inne | 6 |
it will not | 6 |
a thousand thousand | 6 |
is all can | 6 |
for his sake | 6 |
shepheards pipe full | 6 |
bowers still fild | 6 |
ebs and flowes | 6 |
global keyed and | 6 |
vs downe and | 6 |
in the cathedrall | 6 |
and the rest | 6 |
you striue to | 6 |
by me let | 6 |
but a frost | 6 |
in hope of | 6 |
library and art | 6 |
that may be | 6 |
cheerfull ayres or | 6 |
of songs or | 6 |
farewell vnkinde my | 6 |
shall i shall | 6 |
before they speak | 6 |
with armes vnspred | 6 |
cherie ripe chery | 6 |
musicke sound on | 6 |
woods and groues | 6 |
yet was it | 6 |
black bird sing | 6 |
in the eye | 6 |
well sung as | 6 |
so freshly springing | 6 |
to wrong mee | 6 |
groues where birds | 6 |
where she may | 6 |
groue here will | 6 |
on them my | 6 |
one of the | 6 |
la la liro | 6 |
and in their | 6 |
saith shee will | 6 |
wood fresh may | 6 |
onely ioy now | 6 |
aside all care | 6 |
in one and | 6 |
then i am | 6 |
your garlands gay | 6 |
to vaine delights | 6 |
batchelar of musicke | 6 |
is no passage | 6 |
with a hey | 6 |
i shrinke still | 6 |
me let vs | 6 |
dally not with | 6 |
to be sould | 6 |
mery mery greeting | 6 |
shew a roome | 6 |
and sing this | 6 |
mine owne sweet | 6 |
from all dishonest | 6 |
the flowres so | 6 |
there is often | 6 |
their mery mery | 6 |
haue an end | 6 |
must be plaid | 6 |
thy rites none | 6 |
kisse his sweeting | 6 |
to equall my | 6 |
of our god | 6 |
the fruites of | 6 |
sung as plaid | 6 |
a wile shal | 6 |
that smallest puffes | 6 |
had a thought | 6 |
take their pleasure | 6 |
o let me | 6 |
and with delights | 6 |
set of madrigals | 6 |
by the wood | 6 |
heare you are | 6 |
sauing that thus | 6 |
and then thou | 6 |
the black bird | 6 |
euery day to | 6 |
both in mirth | 6 |
dauids life by | 6 |
let vs away | 6 |
then faint not | 6 |
i know a | 6 |
is rent in | 6 |
if you will | 6 |
this groue here | 6 |
goodnight my deere | 6 |
father of mercy | 6 |
let her daigne | 6 |
shalt doe well | 6 |
my life my | 6 |
in pater noster | 6 |
windet the assigne | 6 |
behold where they | 6 |
greene wood fresh | 6 |
the lord ye | 6 |
friends for vertue | 6 |
o doe not | 6 |
her thoughts doth | 6 |
thing of pleasure | 6 |
in the courts | 6 |
this is their | 6 |
booke of songs | 6 |
o no no | 6 |
two base viols | 6 |
haue a wife | 6 |
first booke of | 6 |
i shall i | 6 |
sweet violets and | 6 |
i will not | 6 |
the robin redbreast | 6 |
little did mee | 6 |
of thy mouth | 6 |
mery mery vaines | 6 |
the queene of | 6 |
my ioyes must | 6 |
the same our | 6 |
a ielous hart | 6 |
thee and thee | 6 |
and my lord | 6 |
day of thine | 6 |
in a soft | 6 |
carriage be but | 5 |
where friendship firmly | 5 |
but all are | 5 |
as deadly serpents | 5 |
her brows like | 5 |
pleasure are like | 5 |
and my verie | 5 |
is a poets | 5 |
mee to publish | 5 |
i did release | 5 |
that is lust | 5 |
of the dart | 5 |
of your bounties | 5 |
words friendly to | 5 |
and bid adue | 5 |
should i shew | 5 |
it vp tabor | 5 |
the right vvorthily | 5 |
blind thee to | 5 |
o now weepe | 5 |
which by your | 5 |
it argues malice | 5 |
many sad tormentings | 5 |
care not though | 5 |
vexe my carefull | 5 |
to diuels we | 5 |
honour to them | 5 |
most free respecter | 5 |
excellent discourses of | 5 |
hast so fast | 5 |
all loue and | 5 |
firme faith belongeth | 5 |
because there is | 5 |
many humble prayers | 5 |
or phantasticke spirites | 5 |
till i die | 5 |
where loue is | 5 |
and necessarie a | 5 |
therefore let her | 5 |
ample in commendation | 5 |
to senfelius the | 5 |
good ware is | 5 |
kil kil al | 5 |
alas faire face | 5 |
wils me to | 5 |
though my carriage | 5 |
seeke to exclude | 5 |
by a strong | 5 |
him to blesse | 5 |
and i de | 5 |
lord would i | 5 |
faire as the | 5 |
arte of musicke | 5 |
faire is my | 5 |
patrones and benefactors | 5 |
breake it not | 5 |
to the worke | 5 |
so if any | 5 |
eye or ha | 5 |
wordes to moue | 5 |
bring you where | 5 |
that night bird | 5 |
together these compositions | 5 |
vvith tableture for | 5 |
the courts of | 5 |
and all things | 5 |
if any part | 5 |
i do require | 5 |
in highest notes | 5 |
i ashamed to | 5 |
of thy commandements | 5 |
droope hearbs and | 5 |
better to dye | 5 |
still feele out | 5 |
sweetly they play | 5 |
life is a | 5 |
quiet and a | 5 |
and firme faith | 5 |
for thy obscured | 5 |
black black black | 5 |
onely with sweet | 5 |
blesse you with | 5 |
hates and loues | 5 |
xv ioy of | 5 |
your worships name | 5 |
to exclude it | 5 |
this nimph with | 5 |
strung and tunde | 5 |
vnto thy waies | 5 |
our gracious king | 5 |
alwaies in my | 5 |
of arms of | 5 |
the king of | 5 |
strike it vp | 5 |
in her heart | 5 |
i am so | 5 |
and nourisheth the | 5 |
wishing all manner | 5 |
most delectable science | 5 |
worth can best | 5 |
with heauenly musick | 5 |
vii who loues | 5 |
of pleasure are | 5 |
come le ts | 5 |
is the marriage | 5 |
deuoted richard alison | 5 |
much arrogancie in | 5 |
you loue me | 5 |
right vvorthily honored | 5 |
haue already so | 5 |
not like to | 5 |
vvorshipfvl and my | 5 |
yet that i | 5 |
me to attempt | 5 |
that labour in | 5 |
lord when i | 5 |
obeyeth the hammer | 5 |
is neuer turning | 5 |
on the ground | 5 |
owne endeuours then | 5 |
till i found | 5 |
bay is set | 5 |
our patrones and | 5 |
and newly published | 5 |
i le go | 5 |
man is but | 5 |
no good ware | 5 |
auncient father martin | 5 |
such as seeke | 5 |
a feeld of | 5 |
and our comforts | 5 |
my selfe had | 5 |
and i plainely | 5 |
ware is found | 5 |
goe to war | 5 |
some craggy hill | 5 |
xxii o lord | 5 |
an end that | 5 |
eyes that shine | 5 |
with a poore | 5 |
blesse this night | 5 |
nimph with all | 5 |
and all yours | 5 |
arguments earnestlie to | 5 |
euer chance hope | 5 |
xix those cheries | 5 |
but inward bitter | 5 |
of my best | 5 |
an old man | 5 |
who thought all | 5 |
if a god | 5 |
my follies past | 5 |
the cathedral church | 5 |
but let them | 5 |
and how effectuall | 5 |
did the philosopher | 5 |
knight and my | 5 |
seeke for grace | 5 |
by your goodnes | 5 |
their grace and | 5 |
high a place | 5 |
so heauenly sparke | 5 |
ran tan tant | 5 |
shal i weepe | 5 |
how comes it | 5 |
done for my | 5 |
are not ours | 5 |
but yet it | 5 |
luther did write | 5 |
one halfe howre | 5 |
that his smart | 5 |
a new finisht | 5 |
in mirth and | 5 |
in thy strength | 5 |
that an eye | 5 |
when i sit | 5 |
recommend our workes | 5 |
sir iohn crofts | 5 |
iust men do | 5 |
let her change | 5 |
none haue power | 5 |
comparable with musicke | 5 |
chorvs t is | 5 |
the stately stag | 5 |
both vnto your | 5 |
the sacred quire | 5 |
will onely alledge | 5 |
i die as | 5 |
so i humblie | 5 |
men desire spouses | 5 |
in my course | 5 |
my loue vnto | 5 |
one testimonie out | 5 |
when her louely | 5 |
drisling rain the | 5 |
in the east | 5 |
that hath no | 5 |
life when thou | 5 |
cease my wandring | 5 |
loue and dutie | 5 |
seemes so stoute | 5 |
the worlds compared | 5 |
am nie her | 5 |
but let my | 5 |
i le say | 5 |
thought all sweet | 5 |
to auerr it | 5 |
loue from mee | 5 |
when his sorrowes | 5 |
doe not her | 5 |
deepely learned in | 5 |
flowers we strew | 5 |
and welcome in | 5 |
to whome shal | 5 |
newly published by | 5 |
thoughts doth keepe | 5 |
meane my many | 5 |
away the mare | 5 |
that through your | 5 |
with percing frowns | 5 |
beseech you receiue | 5 |
worlds compared centure | 5 |
approoue what i | 5 |
necessarie a subiect | 5 |
of all good | 5 |
hath giuen it | 5 |
skilful in the | 5 |
when i behold | 5 |
ignorance in such | 5 |
which makes me | 5 |
the labour mine | 5 |
am my selfe | 5 |
not burne out | 5 |
howsoeuer into your | 5 |
onely assist you | 5 |
o my poore | 5 |
loue and honour | 5 |
all haue set | 5 |
cruel fancie so | 5 |
it alone next | 5 |
shal ease thy | 5 |
a soft sweet | 5 |
argues malice or | 5 |
let goulden sleepe | 5 |
must i run | 5 |
published by thomas | 5 |
of his owne | 5 |
that loues in | 5 |
write to senfelius | 5 |
will shee stay | 5 |
of life when | 5 |
firmly stands on | 5 |
much to the | 5 |
here will shee | 5 |
raise the professors | 5 |
anew master anew | 5 |
bring my hart | 5 |
and bloody bloody | 5 |
come to light | 5 |
effectuall the arte | 5 |
so sweetly they | 5 |
am i ashamed | 5 |
crosse thy desires | 5 |
donna il vostro | 5 |
though the labour | 5 |
braue and new | 5 |
them so boldlie | 5 |
of those quiet | 5 |
martin luther did | 5 |
uie part the | 5 |
if thou wilt | 5 |
i pray thee | 5 |
canzonets to three | 5 |
was hir face | 5 |
let her goe | 5 |
them not onely | 5 |
and is it | 5 |
lord ye that | 5 |
a heauenly paradise | 5 |
pardon for publishing | 5 |
thy delights with | 5 |
white as the | 5 |
to some greater | 5 |
as seeke to | 5 |
am but young | 5 |
or looke for | 5 |
in all loue | 5 |
is so wise | 5 |
exclude it out | 5 |
deere onely iewell | 5 |
and singular good | 5 |
mine can excite | 5 |
so that is | 5 |
vnto their spight | 5 |
in such as | 5 |
a cup of | 5 |
but as to | 5 |
and three merry | 5 |
mine eies you | 5 |
time is neuer | 5 |
honoured knight and | 5 |
by his soules | 5 |
increase of honour | 5 |
rat in princi | 5 |
al ye seruants | 5 |
from those boughes | 5 |
delights of loue | 5 |
rocke for al | 5 |
but also with | 5 |
vse ten thousand | 5 |
heauenly paradise is | 5 |
it trip it | 5 |
arrogancie in me | 5 |
beauties are not | 5 |
for my owne | 5 |
to dye for | 5 |
the swiftest birde | 5 |
thine horne pipes | 5 |
the marriage day | 5 |
to liue thus | 5 |
sir john scudamore | 5 |
that my true | 5 |
i now the | 5 |
in the science | 5 |
worlds of woes | 5 |
i bei ligustri | 5 |
the plowman sowes | 5 |
free respecter of | 5 |
loue those beames | 5 |
and aide my | 5 |
present vnto your | 5 |
the sturdie rocke | 5 |
you with long | 5 |
prosperity to his | 5 |
into your protection | 5 |
behold her eyes | 5 |
is chiefly yours | 5 |
of follies is | 5 |
braines which youth | 5 |
whome shal we | 5 |
let her looke | 5 |
the musicke beares | 5 |
strength of thy | 5 |
xv the stately | 5 |
my god and | 5 |
with manie arguments | 5 |
strew the way | 5 |
that catch can | 5 |
vain hope of | 5 |
prayers to the | 5 |
and reason lesse | 5 |
this holy man | 5 |
hero care not | 5 |
loue thee as | 5 |
charme your star | 5 |
and as the | 5 |
but feare to | 5 |
fortune proues my | 5 |
theologie doth effect | 5 |
to his glorie | 5 |
shall i bee | 5 |
shop of shewes | 5 |
seruice and loue | 5 |
point be so | 5 |
you with a | 5 |
or else my | 5 |
might seeme as | 5 |
tongue were twinnes | 5 |
kisse her and | 5 |
o lord their | 5 |
we know is | 5 |
not tell you | 5 |
of the cathedral | 5 |
out of diuine | 5 |
my many humble | 5 |
your hands in | 5 |
inward bitter gall | 5 |
theoristes deepely learned | 5 |
horne pipes dull | 5 |
bows do sta | 5 |
obeieth the hammer | 5 |
friendship firmly stands | 5 |
feele is much | 5 |
respecter of all | 5 |
hopes are vaine | 5 |
recreation and priuate | 5 |
feeld of tares | 5 |
world doth passe | 5 |
and daffa daffadillies | 5 |
not onely with | 5 |
one addicted to | 5 |
not as did | 5 |
what if a | 5 |
some of my | 5 |
tan ta ra | 5 |
while my lyfe | 5 |
loue a god | 5 |
we strew the | 5 |
weakenes of my | 5 |
his soules thought | 5 |
all their enemies | 5 |
some greater task | 5 |
ta ra ran | 5 |
and for his | 5 |
since thou resemblest | 5 |
with fragrant flowers | 5 |
to attempt the | 5 |
xvii earthes but | 5 |
you mournfull gods | 5 |
lord that owes | 5 |
are like streames | 5 |
dayes of pleasure | 5 |
so much to | 5 |
of my nature | 5 |
i would not | 5 |
till seeming pleasd | 5 |
you receiue my | 5 |
set his eye | 5 |
best countenance the | 5 |
beseeching him to | 5 |
the science haue | 5 |
iiii though wit | 5 |
there doth stay | 5 |
and prosperity to | 5 |
beames that breede | 5 |
i was accurst | 5 |
off to loue | 5 |
daze my sight | 5 |
in court where | 5 |
what euer chance | 5 |
and vse ten | 5 |
i humblie take | 5 |
of a point | 5 |
and tongue were | 5 |
pittie me mine | 5 |
no long delaying | 5 |
endeuours then i | 5 |
natures pride is | 5 |
as the sunne | 5 |
white lilies grow | 5 |
in a seely | 5 |
alledge one testimonie | 5 |
cease these false | 5 |