This is a table of type quadgram and their frequencies. Use it to search & browse the list to learn more about your study carrel.
quadgram | frequency |
---|---|
early english books online | 51 |
characters represented either as | 18 |
represented either as utf | 18 |
boys up go we | 16 |
hey boys up go | 16 |
encoded edition of the | 14 |
the work described above | 14 |
by the institutions providing | 14 |
support to the early | 14 |
text is available for | 14 |
edition of the work | 14 |
keyboarded and encoded edition | 14 |
coded from proquest page | 14 |
to the terms of | 14 |
all without asking permission | 14 |
markup reviewed and edited | 14 |
and coded from proquest | 14 |
assigned for keying and | 14 |
text can be copied | 14 |
online text creation partnership | 14 |
the terms of creative | 14 |
the early english books | 14 |
ocm this keyboarded and | 14 |
for keying and markup | 14 |
this keyboarded and encoded | 14 |
keyed and coded from | 14 |
tcp assigned for keying | 14 |
institutions providing financial support | 14 |
books online text creation | 14 |
to the early english | 14 |
and markup reviewed and | 14 |
this phase i text | 14 |
of the work described | 14 |
the institutions providing financial | 14 |
owned by the institutions | 14 |
providing financial support to | 14 |
work described above is | 14 |
text and markup reviewed | 14 |
terms of creative commons | 14 |
phase i text is | 14 |
images scanned from microfilm | 14 |
the text can be | 14 |
according to the terms | 14 |
financial support to the | 14 |
from proquest page images | 14 |
encoded text transcribed from | 14 |
i text is available | 14 |
and encoded edition of | 14 |
described above is co | 14 |
even for commercial purposes | 14 |
is available for reuse | 14 |
english books online text | 14 |
poems on affairs of | 13 |
reproduction of original in | 13 |
of poems on affairs | 13 |
on affairs of state | 13 |
collection of poems on | 13 |
estc r ocm this | 12 |
r ocm this keyboarded | 12 |
iv tiff page images | 10 |
of the tei in | 9 |
can be made about | 9 |
or later edition of | 9 |
been transformed into placeholder | 9 |
project restraints of time | 9 |
on the new cambridge | 9 |
of each text was | 9 |
reflect the true nature | 9 |
will be marked as | 9 |
meet qa standards were | 9 |
p using tcp tei | 9 |
issued variously as sgml | 9 |
elements of known extent | 9 |
been released into the | 9 |
transformed into placeholder characters | 9 |
at by a tcp | 9 |
texts were encoded and | 9 |
tcp is a partnership | 9 |
a limit of instances | 9 |
selection was based on | 9 |
text with mnemonic sdata | 9 |
filling in of gaps | 9 |
is given to their | 9 |
converting tcp files to | 9 |
corrected and characters marked | 9 |
a wide variety of | 9 |
to create accurately transcribed | 9 |
project was divided into | 9 |
tcp is to encode | 9 |
second or later edition | 9 |
creating the tcp texts | 9 |
a works in english | 9 |
for an anonymous work | 9 |
processed by university of | 9 |
of michigan and oxford | 9 |
now take and use | 9 |
markup guidelines are available | 9 |
produce large quantities of | 9 |
range over a wide | 9 |
between the universities of | 9 |
image sets published by | 9 |
general aim of eebo | 9 |
public domain as of | 9 |
tei in libraries guidelines | 9 |
large quantities of textual | 9 |
returned to the keyers | 9 |
and available in eebo | 9 |
of the texts have | 9 |
external keying companies for | 9 |
editorial teams in oxford | 9 |
be made about the | 9 |
to page images in | 9 |
will never have been | 9 |
encoded as gap s | 9 |
credit and attribution is | 9 |
of creating the tcp | 9 |
mainly structural encoding based | 9 |
transcribed and encoded texts | 9 |
all likelihood such instances | 9 |
to external keying companies | 9 |
there was a compelling | 9 |
out by editorial teams | 9 |
of tcp data is | 9 |
and or corrected and | 9 |
chose to create diplomatic | 9 |
at the text creation | 9 |
to their original source | 9 |
to the keyers to | 9 |
variety of subject areas | 9 |
quantities of textual data | 9 |
should be aware of | 9 |
a partnership between the | 9 |
changes to facilitate morpho | 9 |
users should bear in | 9 |
text selection was based | 9 |
their works are eligible | 9 |
on the image sets | 9 |
of a work was | 9 |
the true nature of | 9 |
and use these texts | 9 |
some errors will remain | 9 |
was proofread for accuracy | 9 |
created by converting tcp | 9 |
published between and available | 9 |
mind that in all | 9 |
request that due credit | 9 |
standards were returned to | 9 |
due credit and attribution | 9 |
for accuracy and those | 9 |
processes should make clear | 9 |
never have been looked | 9 |
characters or elements to | 9 |
should bear in mind | 9 |
the new cambridge bibliography | 9 |
sets were sent to | 9 |
were corrected where possible | 9 |
of time and funding | 9 |
usually the first edition | 9 |
was based on the | 9 |
while the overall quality | 9 |
in english were prioritized | 9 |
in of gaps by | 9 |
therefore of any assumptions | 9 |
aimed to produce large | 9 |
to tei p using | 9 |
a work was chosen | 9 |
tcp project was divided | 9 |
to simplify the filling | 9 |
or tei g elements | 9 |
level of the tei | 9 |
michigan and oxford and | 9 |
notably latin and welsh | 9 |
to produce large quantities | 9 |
or for an anonymous | 9 |
the universities of michigan | 9 |
included and sometimes a | 9 |
was chosen if there | 9 |
or corrected and characters | 9 |
the overall quality of | 9 |
should make clear that | 9 |
text creation partnership web | 9 |
that in all likelihood | 9 |
any remaining illegibles were | 9 |
these texts for their | 9 |
data is very good | 9 |
the public domain as | 9 |
any assumptions that can | 9 |
was then carried out | 9 |
accuracy and those which | 9 |
to range over a | 9 |
placeholder characters or elements | 9 |
in accordance with level | 9 |
the texts have been | 9 |
over a wide variety | 9 |
files to tei p | 9 |
were sent to external | 9 |
and therefore of any | 9 |
quality of tcp data | 9 |
we respectfully request that | 9 |
readable characters will be | 9 |
the publisher proquest to | 9 |
first editions of a | 9 |
remaining illegibles were encoded | 9 |
characters will be marked | 9 |
and characters marked as | 9 |
the image sets published | 9 |
illegible were corrected where | 9 |
and encoded texts based | 9 |
oxford and the publisher | 9 |
have been released into | 9 |
are available at the | 9 |
the text encoding initiative | 9 |
whichever is the greater | 9 |
where possible up to | 9 |
carried out by editorial | 9 |
is to encode one | 9 |
number of works in | 9 |
instances will never have | 9 |
the process of creating | 9 |
tei p using tcp | 9 |
that due credit and | 9 |
wide variety of subject | 9 |
domain as of january | 9 |
texts based on the | 9 |
of every monographic english | 9 |
mnemonic sdata character entities | 9 |
likelihood such instances will | 9 |
published by proquest via | 9 |
texts have been issued | 9 |
but we respectfully request | 9 |
project have been released | 9 |
sometimes a second or | 9 |
record of the period | 9 |
based on the image | 9 |
images in accordance with | 9 |
into the public domain | 9 |
accordance with level of | 9 |
each text was proofread | 9 |
then carried out by | 9 |
released into the public | 9 |
reason to do so | 9 |
editions of a works | 9 |
quality assurance was then | 9 |
work was chosen if | 9 |
the usual project restraints | 9 |
for their own purposes | 9 |
of the process of | 9 |
assurance was then carried | 9 |
to a limit of | 9 |
with level of the | 9 |
created during phase of | 9 |
take and use these | 9 |
bibliography of english literature | 9 |
which did not meet | 9 |
simplify the filling in | 9 |
the project have been | 9 |
encoding was enhanced and | 9 |
encoded and linked to | 9 |
sent to external keying | 9 |
tcp data is very | 9 |
understanding these processes should | 9 |
keyers to be redone | 9 |
not meet qa standards | 9 |
and oxford and the | 9 |
the keyers to be | 9 |
by a tcp editor | 9 |
of works in other | 9 |
elements to simplify the | 9 |
have been issued variously | 9 |
tcp files to tei | 9 |
keying and markup guidelines | 9 |
extent have been transformed | 9 |
between and available in | 9 |
is a partnership between | 9 |
nature of the print | 9 |
up to a limit | 9 |
of any assumptions that | 9 |
edition of a work | 9 |
by editorial teams in | 9 |
page images in accordance | 9 |
will remain and some | 9 |
works are eligible for | 9 |
were encoded and linked | 9 |
the texts were encoded | 9 |
as illegible were corrected | 9 |
aware of the process | 9 |
was a compelling reason | 9 |
marked as illegible were | 9 |
looked at by a | 9 |
works in english were | 9 |
title published between and | 9 |
was divided into two | 9 |
chosen if there was | 9 |
divided into two phases | 9 |
are eligible for inclusion | 9 |
based on the text | 9 |
texts for their own | 9 |
for transcription and basic | 9 |
to reflect the true | 9 |
limit of instances per | 9 |
sets published by proquest | 9 |
textual data within the | 9 |
with changes to facilitate | 9 |
by proquest via their | 9 |
corrected where possible up | 9 |
cambridge bibliography of english | 9 |
new cambridge bibliography of | 9 |
true nature of the | 9 |
intended to range over | 9 |
proquest to create accurately | 9 |
teams in oxford and | 9 |
there are a number | 9 |
such instances will never | 9 |
linked to page images | 9 |
compelling reason to do | 9 |
a second or later | 9 |
of gaps by user | 9 |
respectfully request that due | 9 |
works in other languages | 9 |
made about the data | 9 |
usual project restraints of | 9 |
opposed to critical editions | 9 |
in all likelihood such | 9 |
within the usual project | 9 |
of the project have | 9 |
and therefore chose to | 9 |
did not meet qa | 9 |
selection was intended to | 9 |
have been looked at | 9 |
to create diplomatic transcriptions | 9 |
by university of nebraska | 9 |
transcription and basic encoding | 9 |
those which did not | 9 |
the print record of | 9 |
been issued variously as | 9 |
or elements to simplify | 9 |
process of creating the | 9 |
creation partnership web site | 9 |
and sometimes a second | 9 |
during phase of the | 9 |
phase of the project | 9 |
then their works are | 9 |
a compelling reason to | 9 |
characters marked as illegible | 9 |
are a number of | 9 |
can now take and | 9 |
given to their original | 9 |
texts created during phase | 9 |
illegibles were encoded as | 9 |
text strings within braces | 9 |
in oxford and michigan | 9 |
ascii text with mnemonic | 9 |
of the print record | 9 |
accurately transcribed and encoded | 9 |
image sets were sent | 9 |
encoded texts based on | 9 |
users should be aware | 9 |
have been transformed into | 9 |
of a works in | 9 |
attribution is given to | 9 |
although there are a | 9 |
bear in mind that | 9 |
to encode one copy | 9 |
and linked to page | 9 |
copies of the texts | 9 |
the encoding was enhanced | 9 |
the tei in libraries | 9 |
with mnemonic sdata character | 9 |
and some readable characters | 9 |
therefore chose to create | 9 |
into placeholder characters or | 9 |
known extent have been | 9 |
of original in huntington | 9 |
encoding based on the | 9 |
were encoded as gap | 9 |
text was proofread for | 9 |
create accurately transcribed and | 9 |
of known extent have | 9 |
companies for transcription and | 9 |
of textual data within | 9 |
and the publisher proquest | 9 |
partnership between the universities | 9 |
and attribution is given | 9 |
by converting tcp files | 9 |
later edition of a | 9 |
be aware of the | 9 |
overall quality of tcp | 9 |
gaps by user contributors | 9 |
these processes should make | 9 |
errors will remain and | 9 |
or text strings within | 9 |
was enhanced and or | 9 |
of instances per text | 9 |
structural encoding based on | 9 |
the general aim of | 9 |
gap elements of known | 9 |
the filling in of | 9 |
guidelines are available at | 9 |
been looked at by | 9 |
and markup guidelines are | 9 |
proofread for accuracy and | 9 |
via their early english | 9 |
on the text encoding | 9 |
their early english books | 9 |
use these texts for | 9 |
possible up to a | 9 |
publisher proquest to create | 9 |
based on the new | 9 |
unicode or tei g | 9 |
some readable characters will | 9 |
restraints of time and | 9 |
was intended to range | 9 |
proquest via their early | 9 |
in mind that in | 9 |
and those which did | 9 |
original in huntington library | 9 |
that can be made | 9 |
universities of michigan and | 9 |
enhanced and or corrected | 9 |
if there was a | 9 |
as opposed to critical | 9 |
keying companies for transcription | 9 |
were returned to the | 9 |
unicode or text strings | 9 |
be marked as illegible | 9 |
data within the usual | 9 |
language title published between | 9 |
available at the text | 9 |
print record of the | 9 |
qa standards were returned | 9 |
tcp aimed to produce | 9 |
a number of works | 9 |
anyone can now take | 9 |
the text creation partnership | 9 |
remain and some readable | 9 |
assumptions that can be | 9 |
a poem on the | 8 |
the prince of orange | 8 |
poem on the present | 8 |
then hey boys up | 8 |
to his late highnesse | 7 |
perfumer to his late | 7 |
textual changes aim at | 6 |
professional end users from | 6 |
author or stationer meant | 6 |
and xml conversion the | 6 |
of the collection of | 6 |
many walks of life | 6 |
tokenized and linguistically annotated | 6 |
an enriched version of | 6 |
display of a text | 6 |
support the display of | 6 |
linguistically annotated with morphadorner | 6 |
standard spellings that support | 6 |
part of the collection | 6 |
this text is an | 6 |
which no body can | 6 |
and professional end users | 6 |
being a pleasant new | 6 |
standardized format that preserves | 6 |
a standardized format that | 6 |
the author or stationer | 6 |
format that preserves archaic | 6 |
enriched version of the | 6 |
a dialogue between claret | 6 |
text has not been | 6 |
has been tokenized and | 6 |
textual changes and metadata | 6 |
end users from many | 6 |
to a new tune | 6 |
for hey then up | 6 |
curation by amateur and | 6 |
and xml conversion a | 6 |
text is an enriched | 6 |
aim at restoring the | 6 |
pleasant new song of | 6 |
in a standardized format | 6 |
a new tune of | 6 |
version of the tcp | 6 |
the tcp digital transcription | 6 |
of a text in | 6 |
changes aim at restoring | 6 |
the collection of poems | 6 |
and metadata enrichments aim | 6 |
users from many walks | 6 |
at restoring the text | 6 |
text more computationally tractable | 6 |
global keyed and coded | 6 |
stationer meant to publish | 6 |
collaborative curation by amateur | 6 |
been tokenized and linguistically | 6 |
the annotation includes standard | 6 |
a text in a | 6 |
the text has been | 6 |
and suitable for network | 6 |
amateur and professional end | 6 |
based collaborative curation by | 6 |
spellings that support the | 6 |
text in a standardized | 6 |
this text has not | 6 |
a pleasant new song | 6 |
the display of a | 6 |
that support the display | 6 |
text the author or | 6 |
the text more computationally | 6 |
or stationer meant to | 6 |
has not been fully | 6 |
making the text more | 6 |
not been fully proofread | 6 |
in the english short | 6 |
of the tcp digital | 6 |
restoring the text the | 6 |
by amateur and professional | 6 |
the text the author | 6 |
and linguistically annotated with | 6 |
includes standard spellings that | 6 |
english short title catalog | 6 |
spi global keyed and | 6 |
enrichments aim at making | 6 |
is an enriched version | 6 |
that preserves archaic forms | 6 |
no body can deny | 6 |
the english short title | 6 |
changes and metadata enrichments | 6 |
metadata enrichments aim at | 6 |
text has been tokenized | 6 |
at making the text | 6 |
from many walks of | 6 |
annotation includes standard spellings | 6 |
aim at making the | 6 |
tcp digital transcription a | 5 |
printed in the year | 5 |
the house of commons | 5 |
a of text r | 5 |
digital transcription a of | 5 |
character of a london | 5 |
panegyrick to my lord | 5 |
the character of a | 5 |
text r in the | 5 |
to my lord protector | 5 |
of text r in | 5 |
been fully proofread approx | 5 |
a view of the | 5 |
transcription a of text | 5 |
r in the english | 5 |
a panegyrick to my | 5 |
the good old cause | 5 |
apex covantage keyed and | 4 |
place and date of | 4 |
out by sir t | 4 |
a wing w estc | 4 |
on the present assembling | 4 |
covantage keyed and coded | 4 |
hand a little before | 4 |
on the present assembly | 4 |
wing w estc r | 4 |
little before his death | 4 |
mona logarbo sampled and | 4 |
last parliament sat as | 4 |
set out by sir | 4 |
his owne hand a | 4 |
a gentleman that loves | 4 |
sweet old cause in | 4 |
by a gentleman that | 4 |
logarbo text and markup | 4 |
a dialogue between two | 4 |
aptara keyed and coded | 4 |
address to the prince | 4 |
view of the times | 4 |
then up go we | 4 |
to the prince of | 4 |
notes for div a | 4 |
and other eminent wits | 4 |
strafford his ellegiack poem | 4 |
the answer to the | 4 |
earle of strafford his | 4 |
and prosperity of the | 4 |
to the tune of | 4 |
owne hand a little | 4 |
of the english nation | 4 |
the earle of strafford | 4 |
a little before his | 4 |
the present assembling of | 4 |
assembling of the parliament | 4 |
present assembling of the | 4 |
prosperity of the english | 4 |
by his owne hand | 4 |
old cause in sippits | 4 |
instructions to a painter | 4 |
w estc r ocm | 4 |
mona logarbo text and | 4 |
logarbo sampled and proofread | 4 |
this is the time | 4 |
by the same author | 4 |
of strafford his ellegiack | 4 |
and date of publication | 4 |
iv tiff page image | 4 |
hey then up go | 4 |
the sweet old cause | 4 |
and hey boys up | 4 |
the present assembly of | 4 |
as gap elements at | 3 |
advice to a painter | 3 |
elements at the time | 3 |
the time of transcription | 3 |
second part of the | 3 |
from the original text | 3 |
and the late lord | 3 |
snugg as a cat | 3 |
a estc r ocm | 3 |
dialogue between claret and | 3 |
accidental conversation between two | 3 |
now now the tories | 3 |
text notes for div | 3 |
known defects that were | 3 |
between claret and darby | 3 |
brooksby at the golden | 3 |
golden ball in west | 3 |
now the tories all | 3 |
ever i have a | 3 |
a this text has | 3 |
of original in the | 3 |
this text has no | 3 |
no known defects that | 3 |
at the golden ball | 3 |
the golden ball in | 3 |
at the time of | 3 |
whereof never before printed | 3 |
defects that were recorded | 3 |
in an accidental conversation | 3 |
answer to old doctor | 3 |
most whereof never before | 3 |
interim tract supplement guide | 3 |
were recorded as gap | 3 |
the third part of | 3 |
the language of the | 3 |
as snugg as a | 3 |
further instructions to a | 3 |
an answer to old | 3 |
text has no known | 3 |
tract supplement guide c | 3 |
parliament sat as snugg | 3 |
tories all shall stoop | 3 |
the tories all shall | 3 |
original text notes for | 3 |
conversation between two gentlemen | 3 |
the second part of | 3 |
gap elements at the | 3 |
recorded as gap elements | 3 |
considered in an accidental | 3 |
dialogue between two horses | 3 |
i have a man | 3 |
dialogue between claret darby | 3 |
an accidental conversation between | 3 |
the original text notes | 3 |
upon the new parliament | 3 |
has no known defects | 3 |
third part of the | 3 |
date of publication from | 3 |
for div a e | 3 |
a collection of poems | 3 |
ball in west smithfield | 3 |
sat as snugg as | 3 |
to his old friend | 3 |
that were recorded as | 3 |
if ever i have | 3 |
present assembly of parliament | 3 |
not with a more | 2 |
letter to the k | 2 |
therefore cry all breeding | 2 |
a thrveing trade on | 2 |
claret and darby ale | 2 |
part of the nation | 2 |
voyage end shifts poop | 2 |
the lawful heir by | 2 |
siefring text and markup | 2 |
in peace the sailer | 2 |
trade on this our | 2 |
but now to the | 2 |
elspeth healey sampled and | 2 |
fields of cressey and | 2 |
cause to be content | 2 |
now seems wedded to | 2 |
religion and the laws | 2 |
conversion the whig rampant | 2 |
words puts this text | 2 |
those rogues have don | 2 |
before they shew their | 2 |
for which good service | 2 |
the folly of love | 2 |
various streams from distant | 2 |
our deacons shall be | 2 |
the nobles how to | 2 |
shorter by the knee | 2 |
to top the good | 2 |
in sippits set out | 2 |
the windows which the | 2 |
in the twilight of | 2 |
by act of parliament | 2 |
can the tide of | 2 |
the name of lords | 2 |
boys shall all go | 2 |
he rose not with | 2 |
and court of aldermen | 2 |
bill on the house | 2 |
printed for george powell | 2 |
we rebel against our | 2 |
crown then hey boys | 2 |
pulpit of a cask | 2 |
daughters fall and hey | 2 |
elspeth healey text and | 2 |
have good cause to | 2 |
of publication from wing | 2 |
and all the sons | 2 |
a dispute in the | 2 |
where learning is profest | 2 |
and when their b | 2 |
copy of their freedoms | 2 |
seems wedded to his | 2 |
the prince to make | 2 |
as flints are struck | 2 |
at the voyage end | 2 |
in the choice of | 2 |
select poems by the | 2 |
this our english coast | 2 |
brave the crown then | 2 |
heir by act of | 2 |
this text in the | 2 |
a copy of their | 2 |
nobles how to bow | 2 |
poem to his old | 2 |
volley rouze our shore | 2 |
three great nations sweat | 2 |
swear those rogues have | 2 |
rose not with a | 2 |
friend upon the new | 2 |
private rights from home | 2 |
on this our english | 2 |
one man should rule | 2 |
gentleman that loves the | 2 |
wing a estc r | 2 |
lawful heir by act | 2 |
as our thames shall | 2 |
xml conversion a poem | 2 |
made so great a | 2 |
death of the late | 2 |
affairs of state containing | 2 |
judith siefring text and | 2 |
the bosome of the | 2 |
the gallows claims its | 2 |
still of our third | 2 |
protector by a gentleman | 2 |
speech to the parliament | 2 |
conversion a poem on | 2 |
a godly reformation time | 2 |
that loves the peace | 2 |
copy of verses flung | 2 |
diurnall with severall select | 2 |
collick in the fiend | 2 |
it is not by | 2 |
of publication from bm | 2 |
and now seems wedded | 2 |
latta text and markup | 2 |
plump young daughters fall | 2 |
pursuant to a former | 2 |
let their troops in | 2 |
nor with too near | 2 |
and maintain the language | 2 |
judith siefring sampled and | 2 |
dissolution of the club | 2 |
pretending to set free | 2 |
fail not to maintain | 2 |
as well as he | 2 |
a copy of verses | 2 |
puts this text in | 2 |
on the lord mayor | 2 |
of publication suggested by | 2 |
our thames shall flow | 2 |
a bottle of darby | 2 |
glories let the sun | 2 |
category of texts with | 2 |
on the house of | 2 |
man should rule another | 2 |
down with all the | 2 |
with severall select poems | 2 |
wedded to his realms | 2 |
mayor and court of | 2 |
too near a volley | 2 |
a pulpit of a | 2 |
good manners has a | 2 |
cry all breeding down | 2 |
yet wondring at each | 2 |
at the new creation | 2 |
but still she replied | 2 |
eternal monarch in his | 2 |
gentleman that loves peace | 2 |
practice and maintain the | 2 |
on the monument upon | 2 |
rebel against our prince | 2 |
nor can the tide | 2 |
eighteen hundred thousand pound | 2 |
but when he came | 2 |
and in the deep | 2 |
from distant regions fall | 2 |
keeping of his word | 2 |
reason should take place | 2 |
of the times with | 2 |
this is our sun | 2 |
on the prorogation of | 2 |
to a former bill | 2 |
vvith severall select poems | 2 |
make a pulpit of | 2 |
which when i tasted | 2 |
my thoughts no more | 2 |
state give me leave | 2 |
for they still practice | 2 |
thrveing trade on this | 2 |
name of lords shall | 2 |
now the days are | 2 |
near a volley rouze | 2 |
of cressey and poictiers | 2 |
still practice and maintain | 2 |
shall exclude the lawful | 2 |
reason then in church | 2 |
and tends to p | 2 |
royal highness to un | 2 |
and fail not to | 2 |
how at the new | 2 |
our interest will be | 2 |
the stars yet wondring | 2 |
the new parliament by | 2 |
huber sampled and proofread | 2 |
to tybh go we | 2 |
new parliament by grand | 2 |
and whigs of common | 2 |
his brightest glories let | 2 |
his royal highness to | 2 |
the tide of many | 2 |
yet let their troops | 2 |
good cause to be | 2 |
for if good reason | 2 |
peace the sailer steer | 2 |
maintain the language of | 2 |
the collick in the | 2 |
i will not say | 2 |
be in a round | 2 |
care their cannon at | 2 |
he shall never reach | 2 |
house of commons door | 2 |
as college plain did | 2 |
on the dissolution of | 2 |
conveying thence supplies to | 2 |
the voyage end shifts | 2 |
and all for this | 2 |
the crown then hey | 2 |
silent triumph come from | 2 |
last the gallows claims | 2 |
church was a stable | 2 |
brightest glories let the | 2 |
hey then up went | 2 |
cap shall brave the | 2 |
in church or state | 2 |
vexe my thoughts no | 2 |
left the prince to | 2 |
with joy and fear | 2 |
oft thou hadst heard | 2 |
preach beneath a tree | 2 |
cause in sippits set | 2 |
they still practice and | 2 |
which at the voyage | 2 |
and preach beneath a | 2 |
club of unanimous voters | 2 |
and private rights from | 2 |
lord mayor and court | 2 |
their troops in silent | 2 |
printed by thomas newcomb | 2 |
fall and hey boys | 2 |
make the conquest good | 2 |
if good reason should | 2 |
the late usurper oliver | 2 |
on our enemies coast | 2 |
sippits set out by | 2 |
dispute in the choice | 2 |
to each province round | 2 |
and vexe my thoughts | 2 |
the dissolution of the | 2 |
that he shall never | 2 |
if we rebel against | 2 |
the commons address to | 2 |
healey text and markup | 2 |
take care their cannon | 2 |
a bill on the | 2 |
has a bad repute | 2 |
streams from distant regions | 2 |
they shew their fires | 2 |
address to the k | 2 |
in the british library | 2 |
our eyes he drew | 2 |
john latta text and | 2 |
as shall exclude the | 2 |
what reason then in | 2 |
of lords shall be | 2 |
rate of defects per | 2 |
college plain did see | 2 |
young daughters fall and | 2 |
and on our enemies | 2 |
as well as they | 2 |
manners has a bad | 2 |
severall select poems by | 2 |
as much as if | 2 |
and who the forts | 2 |
original in the british | 2 |
language of the beast | 2 |
of state containing esquire | 2 |
at last the gallows | 2 |
answer to the d | 2 |
the king and parliament | 2 |
and swear those rogues | 2 |
of verses flung into | 2 |
to which they are | 2 |
will such laws invent | 2 |
and keep the gentry | 2 |
that they are all | 2 |
as various streams from | 2 |
a wing a estc | 2 |
never reach the throne | 2 |
of babylon has painted | 2 |
the late vsurper oliver | 2 |
of the prince of | 2 |
shall brave the crown | 2 |
thou hadst heard of | 2 |
the rate of defects | 2 |
answer to the acrostick | 2 |
and yet it is | 2 |
or the sweet old | 2 |
wondring at each others | 2 |
huber text and markup | 2 |
the prorogation of the | 2 |
top the good old | 2 |
the state of the | 2 |
all the sons of | 2 |
must be content to | 2 |
who will such laws | 2 |
but now the days | 2 |
printed in the yeare | 2 |
shall all go down | 2 |
cut his royal highness | 2 |
have a man square | 2 |
bosome of the earth | 2 |
in the deep their | 2 |
the word of god | 2 |
they should both agree | 2 |
publication suggested by wing | 2 |
influence to each province | 2 |
to make the conquest | 2 |
the choice of sheriffs | 2 |
lord protector by a | 2 |
siefring sampled and proofread | 2 |
it was a popish | 2 |
and many thousand slain | 2 |
commons address to the | 2 |
what though the king | 2 |
as we were wont | 2 |
my lord protector by | 2 |
break the windows which | 2 |
with a copy of | 2 |
exclude the lawful heir | 2 |
was a thrveing trade | 2 |
the idol in guild | 2 |
their influence to each | 2 |
i warm the blood | 2 |
troops in silent triumph | 2 |
prorogation of the eighteen | 2 |
stars yet wondring at | 2 |
steal their trophies home | 2 |
poems by the same | 2 |
name rebukes their pride | 2 |
the club of voters | 2 |
a volley rouze our | 2 |
healey sampled and proofread | 2 |
and they should both | 2 |
the sons of glory | 2 |
the object of your | 2 |
make their plump young | 2 |
the faults of others | 2 |
smite the idol in | 2 |
his old friend upon | 2 |
exaltation being a pleasant | 2 |
xml conversion the whig | 2 |
his royal highness down | 2 |
in silent triumph come | 2 |
the loyalty of the | 2 |
we have good cause | 2 |
on the same occasion | 2 |
when once that anti | 2 |
and left the prince | 2 |
think how at the | 2 |
then in church or | 2 |
though the king and | 2 |
anointed of the lord | 2 |
new poem to his | 2 |
prince to make the | 2 |
with too near a | 2 |
gallows claims its own | 2 |
keep the gentry down | 2 |
and steal their trophies | 2 |
political ballads and songs | 2 |
as warmly as our | 2 |
old friend upon the | 2 |
it to the barque | 2 |
rebellion was a thrveing | 2 |
cry it was a | 2 |
to his realms anew | 2 |
then up went we | 2 |
then godliness was gain | 2 |
teach the nobles how | 2 |
the lord mayor and | 2 |
let the sun display | 2 |
of the club of | 2 |
their plump young daughters | 2 |
great nations sweat in | 2 |
the church and state | 2 |
at each others fires | 2 |
of the late usurper | 2 |
good reason should take | 2 |
shall never reach the | 2 |