trigram

This is a table of type trigram and their frequencies. Use it to search & browse the list to learn more about your study carrel.

trigram	frequency
of precious stones	96
of the stone	78
some of the	47
the stone is	41
of the same	35
as well as	33
one of the	32
it will be	32
in the trade	29
so that the	26
in order to	26
surface of the	25
most of the	24
the specific gravity	24
as it is	24
more or less	24
it may be	23
it is a	22
in the case	22
the case of	22
the value of	21
the surface of	21
to have been	20
part of the	20
of the material	19
the use of	19
specific gravity of	19
by means of	18
the color of	18
it should be	18
the united states	18
that of the	17
is called the	17
hath a way	17
it is not	17
according to the	17
of the diamond	17
many of the	16
a number of	16
precious stones and	16
the form of	16
a specific gravity	16
due to the	16
and it is	15
and in the	15
venus and adonis	15
the fact that	15
the shape of	15
weight of the	15
and precious stones	15
precious stones are	15
the weight of	15
in which the	15
the corundum gems	15
of the two	14
found in the	14
such as the	14
it is called	14
the material is	13
will be seen	13
any of the	13
the action of	13
seen in the	13
of a fine	13
a precious stone	13
said to be	13
will be found	13
at right angles	13
in addition to	13
those of the	13
of which are	13
the first folio	12
so as to	12
the rough material	12
and occasionally to	12
of the first	12
in the same	12
the stone to	11
by artificial light	11
in the form	11
knowledge of the	11
play of colour	11
account of the	11
of the pearl	11
that it is	11
of a stone	11
a variety of	11
but it is	11
of the crystal	11
and the like	11
the appearance of	11
known as the	11
which is a	10
merchant of venice	10
it is also	10
in this case	10
with a lens	10
the naming of	10
to the presence	10
is due to	10
in some cases	10
surface of a	10
are found in	10
the refractive index	10
the presence of	10
of the brilliant	10
in the united	10
the metric carat	10
value of the	10
of the stones	10
the precious stones	10
it is necessary	10
a piece of	10
see chapter viii	10
of some of	10
the author has	10
the number of	9
of the facets	9
one or more	9
are of a	9
study of the	9
anne hath a	9
which it is	9
these stones are	9
parallel to the	9
may be made	9
as to the	9
not to be	9
of the light	9
and of the	9
we have the	9
owing to the	9
be seen that	9
to that of	9
of the most	9
see chapter vii	9
color of the	9
are said to	9
the latter is	9
unit of weight	9
of a diamond	9
the stone and	9
the light that	9
when the stone	9
has already been	9
to the stone	9
precious stones in	9
use of the	9
is of a	8
in many cases	8
table of the	8
be found in	8
of new york	8
that the stone	8
for precious stones	8
imitations of pearls	8
is said to	8
in spite of	8
at the same	8
hardness of the	8
on the market	8
a stone of	8
is one of	8
the origin of	8
the same time	8
as in the	8
she hath a	8
troilus and cressida	8
be applied to	8
of the trade	8
in precious stones	8
fact that the	8
there is a	8
in such a	8
as compared with	8
in the first	8
character of the	8
the luster of	8
the degree of	8
between the two	8
of the gems	8
is to be	8
a stone is	8
have been found	8
the stone was	8
precious stones of	8
is found in	8
of the rough	8
change of colour	8
is not a	8
that it was	8
the diamond is	8
degree of hardness	8
the same specific	8
comedy of errors	8
of the top	8
within the stone	8
side of the	8
said to have	8
is a very	8
of the finest	8
right angles to	8
stones are cut	8
stones of the	8
the cut stone	8
may be had	8
the case with	8
it would be	8
seems to have	7
a form of	7
of weight in	7
of south africa	7
in the latter	7
the top of	7
and the other	7
top of the	7
on the card	7
edges of the	7
the unit of	7
of them are	7
should not be	7
size of the	7
serve to distinguish	7
we have a	7
to get the	7
because of the	7
in all cases	7
ruby or sapphire	7
gentlemen of verona	7
colour of the	7
no matter how	7
shape of the	7
stones may be	7
in a ring	7
for those who	7
the ural mountains	7
of this is	7
properties of the	7
such stones are	7
the edges of	7
depends upon the	7
other precious stones	7
the stone in	7
case of the	7
of a pearl	7
is known as	7
two gentlemen of	7
to make the	7
one of these	7
the occurrence of	7
nature of the	7
within the material	7
of light and	7
in the following	7
taming of the	7
the back of	7
may be said	7
of the scientific	7
in which they	7
of all the	7
shape of a	7
it is found	7
is necessary to	7
oxide of silicon	7
of the shrew	7
stones in the	7
of the various	7
is doubly refracting	7
the influence of	7
images of the	7
the stones are	7
that have been	7
in certain directions	7
the table of	7
the character of	7
cutting and polishing	7
parts of the	7
on account of	7
back of the	7
the line of	7
merry wives of	7
this is the	7
a part of	7
of the tests	7
case of a	6
the bases of	6
be used in	6
and at the	6
a knowledge of	6
in this group	6
and so on	6
a stone that	6
and a few	6
the various colors	6
a series of	6
in the plays	6
rubies and sapphires	6
all of which	6
to give the	6
that of a	6
which is the	6
it is to	6
on the surface	6
rough precious stones	6
of the emerald	6
and that the	6
to be of	6
of the corundum	6
harder than quartz	6
such a case	6
to be a	6
and is a	6
the cultured pearl	6
is harder than	6
reflection of light	6
the upper surface	6
the surfaces of	6
tests of precious	6
part of a	6
under the influence	6
can be seen	6
when it is	6
as we have	6
out of the	6
and with a	6
as they are	6
the cause of	6
that we have	6
that may be	6
from the top	6
each of the	6
weight of stone	6
that the material	6
same specific gravity	6
and as the	6
by the use	6
of the fine	6
is the case	6
the stones in	6
of the table	6
the stone being	6
of the original	6
and the stone	6
value of pearls	6
the study of	6
of the softer	6
difference in the	6
in connection with	6
means of a	6
interesting to note	6
that in the	6
the hardness of	6
and the latter	6
the stone itself	6
of a carat	6
whose specific gravity	6
romeo and juliet	6
of the gem	6
perhaps the most	6
in use for	6
the properties of	6
as was said	6
a silicate of	6
seems to be	6
of the other	6
of such a	6
portion of the	6
be confused with	6
for this purpose	6
composition of the	6
below the girdle	6
it is the	6
with regard to	6
seen that the	6
crystallises in the	6
cut in the	6
are singly refracting	6
it is frequently	6
idea of the	6
form of a	6
lines of cleavage	6
wives of windsor	6
may be seen	6
stones whose specific	6
all precious stones	6
even in the	6
refractive index of	6
of the precious	6
such a stone	6
so that it	6
as a rule	6
of the finished	6
it has been	6
to precious stones	6
the red of	6
an example of	6
it has a	5
for a time	5
precious stones mentioned	5
those who are	5
in this country	5
there are several	5
of the surface	5
of which is	5
may have been	5
be remembered that	5
placed in the	5
handbook of precious	5
at a glance	5
of the variety	5
this is not	5
it is seen	5
if a stone	5
and they are	5
a matter of	5
by the same	5
high dispersive power	5
of the united	5
the same colour	5
that it will	5
be had in	5
the new york	5
brought about by	5
of the poet	5
a handbook of	5
it crystallises in	5
per grain base	5
as the case	5
of the old	5
of the back	5
of a precious	5
seen from the	5
shakespeare and precious	5
i henry vi	5
in fineness of	5
gravity lies between	5
as we saw	5
to the queen	5
we saw in	5
cutting of precious	5
is in the	5
in a very	5
it from the	5
to be so	5
the lines of	5
more of the	5
of each of	5
the amount of	5
the demantoid garnet	5
be well to	5
can be had	5
in passing through	5
in the two	5
a study of	5
account of their	5
use for precious	5
stones are found	5
the name of	5
in accordance with	5
of the principal	5
the reign of	5
we have seen	5
of the glass	5
this stone is	5
doubling of the	5
planes of symmetry	5
olivine in the	5
precious stone is	5
end of the	5
may be used	5
sides of the	5
is usually of	5
value of a	5
as an example	5
the cabochon cut	5
of the mineral	5
through the table	5
through the stone	5
come from the	5
should be called	5
that there is	5
embellished with rubies	5
the cutting of	5
to each other	5
the holder is	5
be seen in	5
so that when	5
diamonds and precious	5
example of this	5
from the front	5
and tests of	5
a sort of	5
usually of a	5
the weight in	5
volume of water	5
its specific gravity	5
use of a	5
degrees of hardness	5
stone may be	5
diamonds and other	5
the end of	5
stones mentioned in	5
in which it	5
such as in	5
to distinguish the	5
in the earth	5
the top surface	5
be said to	5
considerable number of	5
or cubic system	5
the mineral species	5
size and weight	5
who wish to	5
there are many	5
and on the	5
top and a	5
made use of	5
so that in	5
the other hand	5
mentioned in the	5
the same material	5
the method of	5
of the girdle	5
in the dark	5
in regard to	5
antony and cleopatra	5
is of the	5
which has been	5
the colour of	5
the beauty of	5
been found in	5
for use in	5
usually found in	5
will serve to	5
light that enters	5
according to their	5
a natural stone	5
free of duty	5
which may be	5
up to the	5
to be found	5
whether or not	5
a mixture of	5
it must be	5
of some other	5
to note that	5
but in the	5
of the jewels	5
passing through the	5
specific gravity is	5
of mineral species	5
many of these	5
of the opal	5
for a few	5
might have been	5
they should be	5
that he had	5
the effect of	5
the price per	5
to be the	5
to use the	5
well as the	5
surfaces of the	5
to distinguish it	5
specific gravity lies	5
stars of africa	5
on the other	5
axis of the	5
strongly doubly refracting	5
found in a	5
hence its name	5
appears to be	5
book of precious	5
the naked eye	5
the finished stone	5
with that of	5
the square hole	5
variety of color	5
of oxide of	5
make use of	5
of the latter	5
as to be	5
are sold by	5
of the ruby	5
than a file	5
by a file	5
the nature of	5
the result of	5
of the subject	5
naming of precious	5
parallel to its	5
its crystalline structure	5
of the green	4
by frank b	4
on the side	4
and as a	4
owned by the	4
the effect is	4
stone is the	4
the other of	4
may be mentioned	4
to produce a	4
various precious stones	4
in the british	4
be made use	4
than any other	4
is well known	4
that the table	4
there is little	4
may also be	4
that is in	4
the possession of	4
as that of	4
that he was	4
of any of	4
the stones of	4
at once that	4
york public library	4
believed to be	4
in the last	4
cut with the	4
as much as	4
the diamond mines	4
in the naming	4
that a fine	4
is a silicate	4
has been done	4
by the action	4
the natural stones	4
the doubling of	4
be totally reflected	4
none of them	4
weight in water	4
be found to	4
stones other than	4
single and double	4
may be of	4
new south wales	4
that of diamond	4
by the trade	4
by which the	4
much ado about	4
should never be	4
acquaintance with the	4
that they were	4
as hard as	4
diamond mines of	4
called olivine in	4
it is of	4
in one direction	4
these may be	4
found to be	4
of the species	4
of the occurrence	4
the manner in	4
at the first	4
will be the	4
natural corundum gems	4
the quality of	4
magnetic and electric	4
what constitutes good	4
saw in lesson	4
some of these	4
stones from the	4
as the diamond	4
distinguishing precious stones	4
the scientific stones	4
variety of colour	4
the diamond in	4
mines of south	4
manner in which	4
is seen in	4
stones are of	4
base of the	4
other of the	4
action of the	4
a species of	4
should be used	4
it is difficult	4
small portion of	4
this is called	4
it is interesting	4
these are the	4
hence the name	4
from the fact	4
there will be	4
the duke of	4
in some of	4
of a little	4
already been said	4
two images of	4
and hence the	4
which is of	4
new york public	4
of the six	4
and of a	4
of the chief	4
have been discovered	4
in a stone	4
in distinguishing between	4
of the diamonds	4
light of the	4
it was not	4
to the surface	4
up and down	4
about the only	4
precious stones have	4
editions of the	4
the blue ground	4
appear on the	4
comes mainly from	4
required for the	4
of the colours	4
of those who	4
if the stone	4
and electric influences	4
of known specific	4
stones will be	4
is likely to	4
it will not	4
it is more	4
its use in	4
and are sometimes	4
be used to	4
are those of	4
at the time	4
will be noted	4
it is thus	4
to distinguish them	4
it follows that	4
about the same	4
used as a	4
type of cutting	4
in his day	4
as far as	4
the side of	4
the subject of	4
because of their	4
will therefore be	4
the lustre of	4
and to the	4
is the same	4
of which there	4
appears to have	4
of these are	4
variety is called	4
acquainted with the	4
equal to the	4
the text of	4
mainly from ceylon	4
case may be	4
as is the	4
the crystalline structure	4
a pearl in	4
of the new	4
the difference in	4
a thousand ships	4
to which the	4
may be added	4
they have been	4
addition to the	4
but this is	4
because of its	4
of the above	4
has been made	4
those who have	4
all of the	4
and size of	4
specific gravity number	4
account of its	4
of the many	4
of very fine	4
arrangement of the	4
the heat is	4
in the usual	4
as you like	4
in the center	4
a stone which	4
of the earth	4
rays of light	4
of the present	4
the quartz gems	4
whether a stone	4
more and more	4
tells us that	4
here we have	4
which they are	4
may be taken	4
from one another	4
precious stones is	4
at any rate	4
if we take	4
the last chapter	4
the identity of	4
in the stone	4
a long time	4
the stone as	4
origin of precious	4
specific gravity determinations	4
may easily be	4
of the cube	4
especially in the	4
is that the	4
be understood that	4
a table diamond	4
specific gravity bottle	4
how rough precious	4
is the only	4
are usually found	4
or precious topaz	4
a book of	4
of the square	4
sio al o	4
is rich in	4
of the royal	4
singly refracting and	4
the exception of	4
ado about nothing	4
from the greek	4
or more of	4
red of the	4
in one of	4
the case may	4
the history of	4
which the stone	4
as to produce	4
this is an	4
a very large	4
the power of	4
with the exception	4
the seventeenth century	4
outside of the	4
have here a	4
theory of the	4
is interesting to	4
upon the surface	4
as seen from	4
weight in use	4
of most of	4
the methods of	4
and there is	4
it is possible	4
applied to the	4
are capable of	4
new york city	4
less hard than	4
to see the	4
on the right	4
the application of	4
olivine of the	4
we may now	4
one who is	4
it has become	4
the stone into	4
in the second	4
are sometimes called	4
of the true	4
be reserved for	4
let us consider	4
as described in	4
stone to be	4
of the usual	4
the pearl grain	4
with a diamond	4
the most common	4
of the lap	4
to be very	4
few of the	4
the unaided eye	4
they will be	4
at the back	4
together with a	4
the way of	4
sold by the	4
has a specific	4
first folio of	4
gems and precious	4
and to use	4
the brilliant cut	4
other than diamond	4
a mineral species	4
and with the	4
be distinguished from	4
of colour and	4
than those of	4
given in the	4
should be made	4
ray of light	4
in the light	4
by color alone	4
that all the	4
edge of the	4
must not be	4
cut and polished	4
only in the	4
as was suggested	4
the file test	4
the cleavage planes	4
suggested by the	4
it is then	4
by transmitted light	4
in the order	4
been able to	4
means of distinguishing	4
the display of	4
at the girdle	4
of the colors	4
the color is	4
the real stone	4
the colouring matter	4
to the hardness	4
a few of	4
a cut stone	4
form of zircon	4
formed by the	4
the making of	4
these are called	4
list of stones	4
the best results	4
the outside of	4
to have a	4
was the case	4
were found in	4
the stone with	4
a considerable number	4
and it was	4
the light is	4
the edge of	4
by the stone	4
has to be	4
is called a	4
used in the	4
sometimes called the	4
in each case	4
jade of the	4
this case the	4
the diamonds of	4
of its crystalline	4
the hardest of	4
the softer materials	4
for a long	4
member of the	4
have been the	4
reflected from the	4
of the three	4
in scientific stones	4
more than a	4
stone in water	4
a very fine	4
many different colors	4
gold and pearl	4
is meant by	4
a small portion	4
it is only	4
of the lines	4
the direction of	4
in the text	4
of the weight	4
the temperature of	4
exactly the same	4
angles of the	4
thus we find	4
the greatest of	4
occurrence of diamond	4
be the case	4
they do not	4
examination of the	4
and other precious	4
seen through the	4
has its own	4
the path of	4
when of a	4
the two varieties	4
a ring stone	4
scale of hardness	4
to note the	4
for it is	4
a doublet or	4
use in the	4
in this respect	4
are usually of	4
as the material	4
a trained eye	4
the cutting and	4
a crystal of	4
harder than the	4
gave the ring	4
as yet been	4
the reflection of	4
two or three	4
of many of	4
of the great	4
gems and gem	4
luster of the	4
as a gem	4
the girdle is	4
in the reflection	4
the sides of	4
falls upon it	4
this is a	4
to be had	4
of the upper	4
to be confused	4
what is meant	4
corundum gems is	4
and in many	4
stones have been	4
front of the	4
the true ruby	4
small number of	4
is composed of	4
of the jewel	4
on exposure to	4
the same as	4
only to the	4
physical properties of	4
it cannot be	4
those who wish	4
as many as	4
in the scale	4
the tercentenary of	4
to the eye	4
the examination of	4
you like it	4
to the color	4
trained eye can	4
in lesson xviii	4
of a good	4
of various types	4
be taken to	4
should be reserved	4
in cases where	3
to those who	3
out and out	3
de proprietatibus rerum	3
a corundum gem	3
in the lesson	3
gathered from the	3
the following lines	3
be necessary to	3
optical properties of	3
the stones will	3
a stone as	3
of the jeweler	3
which is then	3
in their colour	3
of the rear	3
loss of weight	3
as the light	3
fine specimens of	3
varieties of the	3
we take a	3
stone has its	3
which have been	3
multiplied by the	3
large quantities of	3
first edition of	3
ought not to	3
about per cent	3
set in a	3
in whose fresh	3
factors that govern	3
a ready means	3
and variety of	3
of colored stones	3
would be likely	3
history of precious	3
the student should	3
are doubly refracting	3
to divide the	3
the mixed cut	3
pearls and rubies	3
the purpose of	3
up to a	3
of balances and	3
to detect the	3
the word is	3
it seems to	3
and when the	3
the most important	3
the back facets	3
this will be	3
i gave the	3
obtained by the	3
not yet known	3
of which light	3
all the corundum	3
in most cases	3
is singly refracting	3
to the action	3
from each other	3
a true scratch	3
which it was	3
the same name	3
that she had	3
is held in	3
the name demantoid	3
on to the	3
be expected that	3
stone is of	3
it is well	3
be dealt with	3
variety of the	3
called the oriental	3
if the material	3
the front elevation	3
the chief of	3
the art of	3
and in addition	3
long list of	3
the price of	3
the stone are	3
be added that	3
and of beaded	3
the principal gems	3
quite sufficient to	3
this has been	3
be found that	3
the arts and	3
stone in a	3
may be applied	3
that if the	3
have been used	3
than in the	3
the cleavage of	3
precious than rubies	3
a good lens	3
spectra will be	3
which are not	3
under the name	3
of the natural	3
the process is	3
that known as	3
the dispersion of	3
than from the	3
this is due	3
while it is	3
of the methods	3
pearls and parts	3
by martin droeshout	3
very few stones	3
but harder than	3
when viewed through	3
he had been	3
the jeweler is	3
in one or	3
the england of	3
tubular internal structure	3
with precious stones	3
be mentioned that	3
to suit the	3
a degree of	3
the change to	3
a true topaz	3
one which is	3
the first place	3
which gives us	3
of shakespeare precious	3
in such cases	3
as a result	3
each of these	3
as has already	3
in the dichroscope	3
is almost always	3
index of the	3
great cullinan diamond	3
with a little	3
with diamond dust	3
combined with the	3
is sometimes the	3
of hardness of	3
the dichroscope shows	3
may be considered	3
when well cut	3
order of hardness	3
the cleaving of	3
a compound of	3
a few years	3
distinguishing between the	3
in hardness to	3
in recent years	3
is safer to	3
than that of	3
a real emerald	3
see also fire	3
in front of	3
stone which is	3
owe their beauty	3
sons new york	3
stone is placed	3
action of light	3
seen that if	3
the cornflower blue	3
which light is	3
certain of the	3
ii henry vi	3
to the mineral	3
of a more	3
the chrysolite of	3
top surface of	3
of gem minerals	3
in the eyes	3
the difference between	3
it to be	3
to which it	3
the polishing material	3
the polishing of	3
with which he	3
an artificial stone	3
a way to	3
with more or	3
mineral species and	3
have the same	3
to produce the	3
with change of	3
two lateral axes	3
typical defects of	3
but most of	3
as to whether	3
the garnets are	3
the olivine of	3
the order of	3
engraved by martin	3
come to a	3
of specific gravity	3
light is reflected	3
is a pearl	3
so is the	3
opal blend with	3
beginning with the	3
in the brilliant	3
the stars of	3
south african diamond	3
rubies red as	3
belong to the	3
never equal to	3
of a brilliant	3
lack variety of	3
due to a	3
should be clearly	3
we will next	3
stone is then	3
in the mass	3
in the district	3
as applied to	3
tables have been	3
the pearl is	3
lore of precious	3
is a form	3
fresh regard weak	3
and then the	3
very much in	3
which is used	3
oxide of aluminum	3
of single refraction	3
a strong light	3
adoption of the	3
most costly of	3
they are called	3
the true topaz	3
one of them	3
order to be	3
may now consider	3
of his life	3
of the lower	3
of gems and	3
of what is	3
a very few	3
and rubies red	3
colour and opalescence	3
very difficult to	3
we find that	3
the two lateral	3
nearly the same	3
or cushion shape	3
after a few	3
of material of	3
from the surface	3
is a variety	3
of the water	3
the cubic system	3
distinguish it from	3
there is some	3
than true topaz	3
stones are more	3
it in a	3
refracting and hence	3
an entirely different	3
is seen that	3
not only is	3
regardless of the	3
george frederick kunz	3
by the fact	3
to make it	3
the opposite direction	3
such as a	3
the brilliant form	3
on pearls and	3
by reason of	3
whose fresh regard	3
at that time	3
that there are	3
detailed account of	3
the trade is	3
in a diamond	3
interest in the	3
as good as	3
and imitation stones	3
light in the	3
colors will be	3
had in the	3
that they become	3
gives us the	3
amethyst and citrine	3
rough material is	3
apart from the	3
perpendicular to the	3
the kind of	3
to be called	3
of the best	3
luster of a	3
the red stones	3
with the scientific	3
the same means	3
the red sea	3
is a most	3
to the king	3
is frequently the	3
in the examination	3
of very good	3
to be more	3
through their substance	3
by no means	3
sights their sickly	3
refer to the	3
and all the	3
the manufacture of	3
of fine pearls	3
of the very	3
upon the stone	3
there is no	3
the axis of	3
it would appear	3
as the term	3
must be cut	3
not as yet	3
of the more	3
are more or	3
the lack of	3
equal in hardness	3
quality of the	3
with the stone	3
that the diamond	3
specific gravities of	3
above the girdle	3
well as to	3
we have here	3
most of those	3
it is mostly	3
salt and sugar	3
of beaded jet	3
familiar with the	3
the opposite side	3
the stone must	3
the body of	3
reflected within the	3
be said that	3
gems is the	3
too high a	3
in the third	3
above and below	3
the various gems	3
the best known	3
of paled pearls	3
gravity of the	3
so that a	3
top of a	3
sapphires are of	3
difficult to detect	3
the size of	3
for the first	3
corundum gems are	3
one has a	3
be seen how	3
formation of precious	3
proportion of water	3
as compared to	3
are frequently cut	3
the theory of	3
with the blue	3
the growth of	3
stones that are	3
in all these	3
precious stones by	3
of which the	3
that if one	3
of henri iv	3
number of the	3
that is so	3
one direction and	3
many of them	3
the trade as	3
the oxides of	3
price per carat	3
the angles of	3
diamond is a	3
it is almost	3
was at once	3
and those of	3
gravity of a	3
this may be	3
of rubies and	3
in the diamond	3
to get a	3
more highly valued	3
stone is very	3
in use in	3
to be almost	3
placed on the	3
of little value	3
of gold and	3
in the rough	3
as already mentioned	3
price per grain	3
powers of the	3
in the lines	3
above a thousand	3
measure for measure	3
a means of	3
was said in	3
luster may be	3
most of them	3
of diamonds in	3
what is called	3
that they are	3
it requires a	3
that it should	3
radiance do amend	3
single or double	3
of a doublet	3
with a table	3
such a shape	3
the brilliant is	3
first in the	3
in this connection	3
are usually called	3
and less valuable	3
and also to	3
heat or cold	3
means of which	3
influence of heat	3
showed that the	3
to a fine	3
or a triplet	3
smaller than the	3
of gem quality	3
each other in	3
is placed in	3
light that is	3
the garnet is	3
as its name	3
if there is	3
have been written	3
more inclined to	3
come on the	3
described in the	3
properties and tests	3
the surface luster	3
in any way	3
be had of	3
test of the	3
be noted that	3
duke of devonshire	3
the case when	3
to attempt to	3
the rear facets	3
isolate the stones	3
brilliancy of the	3
how one may	3
compared with the	3
of small stones	3
to the naked	3
any of these	3
imitation precious stones	3
stone is one	3
that should be	3
corners of the	3
and parts thereof	3
rather than the	3
the knife edges	3
command high prices	3
a name that	3
will isolate the	3
those stones which	3
occurrence of precious	3
than the ordinary	3
is that of	3
comes from the	3
of the four	3
per carat for	3
a pearl is	3
weight of water	3
two or more	3
that he has	3
is sometimes called	3
layers of material	3
direct sunlight and	3
is or is	3
a little of	3
that has been	3
sickly radiance do	3
due to its	3
for the purpose	3
of which was	3
or is not	3
called the stars	3
to deceive one	3
oxide of aluminium	3
now in the	3
by any other	3
of queen elizabeth	3
that is to	3
time and pressure	3
about precious stones	3
of the larger	3
regard to the	3
a little over	3
system of subdivision	3
are in the	3
the same kind	3
to do with	3
of the luster	3
not do to	3
found to have	3
a stone in	3
in great britain	3
to see if	3
no trace of	3
it is said	3
stone in the	3
variety is the	3
the most costly	3
with objects manifold	3
emerald and aquamarine	3
number of layers	3
whose price hath	3
would have been	3
in the shape	3
of specific gravities	3
seen at once	3
president of the	3
more valuable stone	3
is not possible	3
from natural gems	3
exposure to light	3
off his guard	3
is a mineral	3
in the water	3
direction of single	3
to make a	3
fineness of the	3
from the first	3
have been made	3
is much more	3
the time of	3
light through a	3
doublet or a	3
hardness to the	3
weak sights their	3
the usual round	3
play of light	3
more precious than	3
in granite and	3
by the weight	3
angles to the	3
so that from	3
since it is	3
as the process	3
and just as	3
and some of	3
and gem minerals	3
if one is	3
is shown by	3
it is very	3
the rubbing down	3
so far considered	3
the sharp edges	3
scientific rubies and	3
of a square	3
a pronounced cleavage	3
stone must be	3
a true emerald	3
from the diamond	3
of the work	3
appearance of the	3
are cut to	3
the intrinsic color	3
yet it is	3
description of the	3
snap and fire	3
of a deep	3
stones is to	3
it is usually	3
specific gravity and	3
slope of the	3
for imitation stones	3
shell of the	3
of natural corundum	3
that they could	3
of the tourmaline	3
in either the	3
name of the	3
a little more	3
as to where	3
is mostly found	3
instead of having	3
be likely to	3
balances and the	3
methods by which	3
of a small	3
of its substance	3
plays of shakespeare	3
it may produce	3
as the opal	3
the colours of	3
it must not	3
that it does	3
in other words	3
angles to each	3
relation to the	3
representation of the	3
varieties of quartz	3
the great cullinan	3
coming now to	3
the different varieties	3
in a certain	3
angle at which	3
part of it	3
as the name	3
may be classed	3
be gathered from	3
luster and other	3
or doubly refracting	3
as is well	3
the density of	3
due to reflection	3
portion of stones	3
and a back	3
and if the	3
that falls upon	3
on precious stones	3
have to be	3
one would be	3
be taken as	3
to a great	3
the differences of	3
of course be	3
are likened to	3
must of course	3
is more precious	3
as to its	3
is allowed to	3
the student who	3
of a crystal	3
similar to that	3
will at once	3
stone to the	3
the spectra will	3
of distinguishing precious	3
the magic of	3
holder is then	3
should be added	3
stones of north	3
variety of chalcedony	3
and it will	3
stone that is	3
its hardness is	3
in this lesson	3
at one time	3
we have to	3
the size and	3
are cut and	3
of the african	3
the poems of	3
have the appearance	3
them are equal	3
and the opal	3
in the th	3
they are thus	3
ready means of	3
in the possession	3
known specific gravity	3
these cleavage planes	3
doubly refracting stones	3
topaz will do	3
at once be	3
for lack of	3
the top and	3
under a high	3
ii henry iv	3
of iron and	3
will next consider	3
the above minerals	3
in such matters	3
its color is	3
the angle at	3
some stones are	3
as the most	3
spoken of as	3
then be used	3
than the real	3
of the metric	3
to apply the	3
lines of the	3
is properly cut	3
of the seeming	3
malachite and azurite	3
paled pearls and	3
the loss of	3
the plays of	3
a small crystal	3
change in the	3
in lesson iii	3
has been called	3
of all gems	3
characteristics of the	3
bases of the	3
likely to be	3
pearls and coral	3
well as by	3
study of precious	3
the decimal system	3
at this time	3
the next step	3
of great value	3
the allusions to	3
should be cut	3
and for a	3
dealers have been	3
the base of	3
table of specific	3
charged with diamond	3
but of a	3
substance of the	3
color in the	3
the various stones	3
in the reign	3
is believed to	3
and use of	3
one or the	3
a gem merchant	3
noted that the	3
stone is or	3
of his day	3
be brought about	3
of stones of	3
jewels and charms	3
or at least	3
even though they	3
if it is	3
said in lesson	3
confused with change	3
in other cases	3
the surface finish	3
and a small	3
the rainbow colors	3
will float on	3
magic of jewels	3
in the glass	3
in ring mountings	3
of the color	3
diamond and corundum	3
use of it	3
cause of this	3
that can be	3
of a gem	3
chrysolite of the	3
curious lore of	3
of the garnet	3
to be considered	3
the opal blend	3
used as gems	3
they are all	3
be had for	3
frequently the case	3
these are all	3
apexes of which	3
as the stone	3
is parallel to	3
portion below the	3
different specimens of	3
as will be	3
light of any	3
the subject and	3
any other stone	3
of the outer	3
any one of	3
the portion below	3
a stone to	3
should be said	3
fibrous or tubular	3
they may be	3
connection with the	3
equal to that	3
form of the	3
to the effect	3
a fairly good	3
gives a good	3
the previous lesson	3
centum ad valorem	3
the plane of	3
of these minerals	3
to the diamond	3
in the poems	3
and this is	3
specimens of the	3
regard to diamonds	3
see also red	3
of the shell	3
is found that	3
the stone a	3
part of their	3
stones are usually	3
the two stones	3
come to be	3
a source of	3
all of them	3
subjected to the	3
of the prism	3
ability to resist	3
on the outside	3
and down the	3
the optical properties	3
at a distance	3
the gems that	3
opaque to heat	3
beautiful and hard	3
their sickly radiance	3
dispersion of light	3
crystals may be	3
is also a	3
plane of the	3
blend with objects	3
the impression of	3
stone can be	3
usually correctly named	3
could not be	3
in lesson ii	3
carats weight of	3
most common of	3
cut stone is	3
a ray of	3
heat is applied	3
at end of	3
passes through the	3
is not to	3
the curious lore	3
to the opposite	3
of the real	3
but as the	3
the object of	3
in the old	3
how it is	3
a ruby is	3
of cutting and	3
it will therefore	3
is not so	3
ruby and the	3
of the public	3
is accomplished by	3
from which it	3
have the specific	3
its name implies	3
this variety is	3
one of which	3
at an angle	3
than upon the	3
a genuine stone	3
under the microscope	3
might be a	3
the table and	3
it does not	3
a portrait of	3
that the light	3
of north america	3
govern their value	3
of total reflection	3
light that falls	3
the same manner	3
the addition of	3
by using a	3
hued sapphire and	3
end of histories	3
may be gathered	3
stones which have	3
of the factors	3
well as of	3
a few others	3
temperature of the	3
the grolier club	3
of charles ix	3
the more valuable	3
the mineral olivine	3
part in the	3
have been so	3
little or no	3
the ability to	3
constitutes good make	3
the same mineral	3
the chemical composition	3
class of stone	3
regard weak sights	3
on a card	3
of how to	3
of these is	3
and which is	3
or the other	3
will thus be	3
see a handbook	3
of double refraction	3
are composed of	3
the british museum	3
under the blowpipe	3
the two squares	3
of its surface	3
have been given	3
like a pearl	3
of corundum gems	3
to give it	3
scientific stones are	3
the fineness of	3
it is still	3
cut en cabochon	3
per centum ad	3
have not been	3
is referred to	3
and of this	3
we must next	3
when cut in	3
as great as	3
in the nd	3
of the beautiful	3
or see a	3
cause them to	3
on the head	3
one of a	3
it is safer	3
a host of	3
of it in	3
be sure of	3
of the blue	3
the methods by	3
the east indian	3
imitations of precious	3
probably the most	3
is not the	3
the original stone	3
stone is a	3
she is more	3
mineral species are	3
in colored stones	3
are regarded as	3
referred to as	3
in a poor	3
the particular color	3
for a considerable	3
of other colors	3
of the smaller	3
which is not	3
beauty of the	3
sapphire and the	3
small crystal of	3
falls upon the	3
shown by the	3
of all precious	3
by precious stones	3
the substance of	3
and if we	3
sources of the	3
this little text	3
light passing through	3
the adoption of	3
precious stones were	3
it in the	3
singly or doubly	3
has not as	3
the top slope	3
red as blood	3
more highly regarded	3
defects of natural	3
of the arts	3
in the one	3
of the east	3
of color in	3
that most of	3
are likely to	3
determination of the	3
dichroism of the	3
is difficult to	3
so that there	3
cut so that	3
double refraction of	3
passage of heat	3
the eye of	3
explained in the	3
poems of shakespeare	3
we have already	3
of jewels and	3
some cases the	3
is given in	3
attacked by a	3
in new york	3
there seems to	3
the lesson on	3
any precious stone	3
in the way	3
use of balances	3
decimal system of	3
that it would	3
had been bought	3
the same properties	3
believed to have	3
the emerald that	3
to suspect that	3
is sufficient to	3
the tests which	3
be allowed to	2
an appendix on	2
rough material in	2
is only by	2
we see that	2
like that of	2
at the opposite	2
and diamond dust	2
coral clasps and	2
the other two	2
of rays of	2
bears the same	2
likely to deceive	2
reason for the	2
the cheaper grades	2
to set it	2
understood that in	2
among the other	2
sometimes also called	2
having the formula	2
color of precious	2
fact that they	2
of these precious	2
falls on the	2
all his tribe	2
with silicon oxide	2
in the urals	2
especially is this	2
diamond and sapphire	2
us that the	2
that it meets	2
the latter will	2
jewels in her	2
some other mineral	2
or as a	2
the sloping surface	2
partly due to	2
lead one to	2
of a dichroscope	2
as the price	2
be classed in	2
with oxide of	2
species and find	2
the gems is	2
which is altogether	2
references as to	2
the square of	2
in your foul	2
mineral species to	2
of the spectra	2
of the cullinan	2
mainly of oxide	2
must be of	2
it is in	2
pearl whose price	2
category of precious	2
a translation of	2
to be seen	2
the public has	2
one can tell	2
which he is	2
a trace of	2
when held up	2
which there is	2
a yellow stone	2
find out how	2
diamond in hardness	2
per minute is	2
a precious ring	2
called the table	2
gems in the	2
the locality in	2
denser than atmospheric	2
which has a	2
distinguished from one	2
workers who cut	2
again as the	2
by making a	2
for the sake	2
concerning precious stones	2
case when the	2
types of cutting	2
lose their electricity	2
the card when	2
larger red stone	2
hardness to a	2
to its base	2
to that which	2
their colour when	2
a lens the	2
is one in	2
the property of	2
produced by the	2
ground glass stopper	2
the idea of	2
it in some	2
fresh water pearls	2
if a scratch	2
to be totally	2
it is evident	2
a much abused	2
which do not	2
most of its	2
easily be made	2
reference to the	2
value at stake	2
in almost every	2
pure crystallised carbon	2
beautiful sapphire is	2
along with the	2
cut for brilliancy	2
all his senses	2
or of some	2
the keenness of	2
of the aquamarine	2
like the base	2
perhaps the best	2
belong and the	2
hang a pearl	2
will be well	2
copper and iron	2
cause light that	2
no less than	2
of their great	2
divide the stone	2
character of its	2
in the blue	2
the belief that	2
lining of the	2
tested by the	2
a hard steel	2
at the onset	2
the play of	2
in size and	2
metallic oxides have	2
the green stone	2
for the piece	2
as already explained	2
over most of	2
list of the	2
dealt with in	2
as a slight	2
held up to	2
a curious blue	2
the geneva bible	2
a few cents	2
the following table	2
identity comes along	2
a diamond with	2
or tubular internal	2
a glass imitation	2
it and the	2
true topaz is	2
may be round	2
of the small	2
is probably the	2
that is not	2
on precious and	2
a simple means	2
in the mind	2
the colour and	2
methylene iodide is	2
here a very	2
clasps and amber	2
half of it	2
it is supposed	2
and many other	2
do very well	2
the powdered stone	2
by george frederick	2
be mentioned the	2
only to be	2
the rose form	2
of the passages	2
many years ago	2
is the pearl	2
the stone would	2
pure anhydrous alumina	2
the first edition	2
the olive green	2
heavy as water	2
to meet with	2
stones vary considerably	2
the best specimens	2
if the weight	2
to find out	2
they can be	2
and quality of	2
complete account of	2
only does the	2
cat of egypt	2
same volume of	2
papers of fancy	2
which will have	2
be classed as	2
is very hard	2
pearl in every	2
exhibiting the same	2
and the curious	2
a firm support	2
to the light	2
directions of the	2
in value among	2
time and long	2
in its composition	2
a change in	2
html version of	2
upper cone is	2
royal society of	2
in a small	2
it is related	2
is also sometimes	2
sheen of the	2
and polishing of	2
from the author	2
and specific gravity	2
a large stone	2
know and to	2
a little practice	2
blue that is	2
if heaven would	2
to master the	2
being of a	2
it takes a	2
hydrous form of	2
seen on reference	2
according to colour	2
to swell like	2
of time and	2
is also found	2
stone was therefore	2
a mineral as	2
in a particular	2
it from diamond	2
and a thin	2
were in europe	2
as an adjunct	2
may be brought	2
silicon and oxygen	2
the splitting of	2
number of mineral	2
the most recent	2
head of the	2
by those who	2
the bases and	2
as the best	2
axes of symmetry	2
instead of a	2
cause of the	2
as one would	2
the mineral is	2
place as the	2
a fine emerald	2
the other stones	2
and with such	2
to the new	2
or pear shape	2
of the crown	2
will be remembered	2
other varieties of	2
of the gases	2
the whitened zircon	2
in the cabochon	2
the former to	2
the other and	2
furnish us with	2
in colour it	2
that the latter	2
in the sunlight	2
density of minerals	2
as we shall	2
deceive all but	2
to pass through	2
is very fine	2
a maund she	2
are seen in	2
from glass imitations	2
to be facetted	2
held in front	2
need of being	2
of the spectrum	2
has come into	2
of a gram	2
the stone the	2
stone with a	2
when of fine	2
to represent the	2
axes of the	2
with combined water	2
very likely to	2
and orient pearls	2
the stone that	2
of blue and	2
who have been	2
it is termed	2
one can see	2
a legend to	2
has been suggested	2
how to test	2
cause of their	2
totally reflected from	2
color adjective to	2
in the seventeenth	2
to be that	2
any gem material	2
as heavy as	2
in corundum gems	2
a period of	2
well as in	2
and characteristics of	2
was wont to	2
imported into the	2
is supposed to	2
reduce the rough	2
the diamond was	2
the british numismatic	2
cannot be sure	2
is a natural	2
they are essentially	2
the charge of	2
stones and gems	2
the latter part	2
reason of the	2
commencing with the	2
something of the	2
sets of facets	2
pearls of his	2
rough diamond is	2
black as jet	2
almost any other	2
while he was	2
of a perfect	2
of about the	2
higher price than	2
a hardness of	2
sapphire and ruby	2
it is sometimes	2
may advisedly be	2
of a similar	2
flying carborundum wheel	2
the stones were	2
her bed is	2
the diamond stands	2
to reflection of	2
the name is	2
and even the	2
latter part of	2
where he says	2
to where the	2
still others are	2
of the pearls	2
of which he	2
much in demand	2
it would not	2
at the end	2
them to be	2
thus imparting a	2
or so in	2
by the sound	2
viewed through a	2
found that the	2
is a feldspar	2
to the principal	2
will not stand	2
the present time	2
in with diamonds	2
other than red	2
certain precious stones	2
power of the	2
the three kings	2
is at all	2
the eyes of	2
the cleavage is	2
a good deal	2
the glass imitations	2
is not yet	2
as opposed to	2
from the block	2
which is largely	2
as is possible	2
the stone under	2
material and the	2
the red is	2
often called olivine	2
it was therefore	2
for that purpose	2
it is doubtful	2
divide the weight	2
back to the	2
greatest of the	2
art of man	2
classed as precious	2
good as the	2
stone so that	2
of any precious	2
weight can be	2
and that it	2
it is so	2
the jadeite variety	2
of keen whips	2
in the east	2
decking with liquid	2
it will thus	2
the bladed grass	2
that to translucent	2
she is a	2
the rose or	2
card when the	2
the lower cone	2
white or colourless	2
in the manufacture	2
the dichroscope and	2
omitted in first	2
of the pearly	2
is of course	2
where precious stones	2
will sink in	2
compared to the	2
can be found	2
it becomes a	2
spite of the	2
so well known	2
is possible to	2
there is any	2
the sake of	2
to be in	2
the table the	2
of his works	2
change in color	2
the category of	2
that enters them	2
the light of	2
by order of	2
and thus to	2
either the brilliant	2
attention to these	2
thus we have	2
shades of red	2
in the temperature	2
as in hardness	2
to the many	2
ceylon sapphires are	2
of the colour	2
how perfect the	2
of a cabochon	2
from a pale	2
surface finish of	2
essentially the same	2
known as jargoons	2
and should be	2
of which one	2
degree top angle	2
revolutions per minute	2
as can be	2
the principal source	2
pearl in your	2
and play of	2
in contact with	2
precious stones should	2
stones than in	2
the early part	2
made somewhat lighter	2
changes in the	2
great difficulty to	2
which makes it	2
stones are frequently	2
lateral axes are	2
better than the	2
the true adamantine	2
get the specific	2
it is useless	2
true weight of	2
of this species	2
was to be	2