This is a list of all the questions and their associated study carrel identifiers. One can learn a lot of the "aboutness" of a text simply by reading the questions.
| identifier | question |
|---|---|
| 26029 | [ Illustration] And now finally, what of William Caxton? |
| 34869 | In the first instance, the curve is drawn on squared paper, and the question naturally arises-- To what extent are the squares to be represented? |
| 34869 | RELIEF PRINTING[ Illustration: Little maid, little maid, Whither goest thou? |
| 31596 | ***** And Science, we have loved her well, and followed her diligently, what will she do? |
| 31596 | Anyhow, however it be done, unless people care about carrying on their business without making the world hideous, how can they care about art? |
| 46241 | Nor, Now you have made your beauty, what are you going to do with it? |
| 46241 | Well, how is this beauty to be obtained? |
| 46241 | You have not got to say, Now you have your story, how are you going to embellish it? |
| 33497 | Do you know the meaning of"Ben Day?" |
| 33497 | Then what chance would an even surface of large proportion have? |
| 33497 | WHY? |
| 33497 | What happens? |
| 31006 | Ad CXXVI J. E Reade changed to J. E. Reade Pamphlets section DISSOLUTION? |
| 31006 | HOW LONG WILL THEY LAST? |
| 31006 | REPLY TO A PAMPHLET ENTITLED"WHAT HAS THE DUKE OF WELLINGTON GAINED BY THE DISSOLUTION?" |
| 31006 | THE TIME TO SPEAK; OR, WHAT DO THE PEOPLE SAY? |
| 31006 | WHAT WAS THE OBJECT OF THE REFORM BILL? |
| 31006 | changed to DISSOLUTION?" |
| 55919 | Cologne, Printing learned at(? |
| 55919 | How was it that this third edition was printed when the stock of the earlier edition was not exhausted? |
| 55919 | Leaves 1, 11 blank(?). |
| 55919 | or that he printed in Latin to advance his own interests? |
| 55919 | that he issued a translation of his own, which is the only way in which the production of the work could advance him in the Latin tongue? |
| 35191 | And, moreover, since the said ancient MS. ends with the year 1606, that this Lubao press was at work at a still earlier date? |
| 35191 | The geology of the islands( Madrid, 1840? |
| 35191 | The newspaper-- El Ilocano-- a bi- weekly, published in Spanish and Ilocano at Manila( p. 464), from 1889 to 1896(?) |
| 35191 | Then an account of the establishment of Christianity in the Marianas Islands( Madrid, 1670?) |
| 33413 | ( by way of exercise?) |
| 33413 | Awake, why sleepest thou, O Lord? |
| 33413 | CHAPTER VII WHO INVENTED MOVEABLE TYPES? |
| 33413 | These rooms had wainscots of Irish[ bog?] |
| 33413 | Who Invented Moveable Types? |
| 48794 | 1802?]). |
| 48794 | It might not have survived to this day were it not for his awareness of its importance, as shown in his flyleaf inscription:? |
| 48794 | Penciled on its front page are the name"Lewis Cass[ Esquire?]" |
| 48794 | Why not, under these circumstances, give to the people on each side of the Mississippi separate territorial governments? |
| 48794 | Why should we then divide and distract our people upon questions that they have no voice in determining? |
| 48794 | [ Footnote 65: See Cyril E. Cain,_ Four Centuries on the Pascagoula_([ State College? |
| 32997 | ?_"but it is not in good use on this side. |
| 32997 | And you do n''t frame them all and send them to the Salon, do you? |
| 32997 | Do not say,_ Who did you see there?_ or,_ I do not know who he meant_. |
| 32997 | Follow this style in date lines: CHICAGO, May 10.-- BROWNSVILLE, Mich., May 10.-- Avoid this form as hackneyed:_ His wealth(?) |
| 32997 | Is there any painting more grand and beautiful?" |
| 32997 | LEARNING THE METIER Said Robert Louis Stevenson to a painter friend:"You painter chaps make lots of studies, do n''t you? |
| 32997 | Observe the style on quotes within quotes:_ The witness said:"I asked him,''Where is my copy of"Paradise Lost"? |
| 32997 | This is the style: Q.--What is your name? |
| 35494 | An author( Caxton?) |
| 35494 | Gutenbergs?_[ 1895.] |
| 35494 | HESSELS, J. H._ Gutenberg: Was He the Inventor of Printing?_ London, 1882. |
| 35494 | HESSELS, J. H._ Gutenberg: Was He the Inventor of Printing?_ London, 1882. |
| 35494 | If a book is otherwise uninteresting, what is it the better for being rare? |
| 35494 | The frontispiece of the book, on the other hand, is a striking design of a woman( symbolizing the city of Mainz?) |
| 35494 | What then are the associations and qualities which give books value in the eyes of a collector? |
| 44890 | 28.--Border of the_ Grandes Heures_ of Antony Verard: Paris, 1498(?).] |
| 44890 | And who was this unknown designer, this painter of bold conceptions, whose work is complete in little nothings? |
| 44890 | Another question presents itself: Did the old printers employ casting, or did they print directly from the wood block itself? |
| 44890 | Are we to suppose, that duplicates of blocks passed between France and Germany, or was a copy made by a French designer? |
| 44890 | But what can be said to- day of these people? |
| 44890 | Had he completed it by applying to it the matrix and punch which had then and for centuries served the makers of seals and the money- coiners? |
| 44890 | However, what had become of engraving by cutting in reverse, the figure in relief, from which printing could be done? |
| 44890 | In other words, the block having been cut, did they make with it a mould into which melted metal could be poured to obtain a more resistant relief? |
| 44890 | In the middle of this turmoil, what became of the obscure persons who were then the printers of the Bible? |
| 44890 | Is it that they found there the descendants of Laurent Coster firmly established in their workshops? |
| 44890 | It is beyond doubt that this master produced for many works figures and ornaments, but what were the books? |
| 44890 | Must the coexistence, the simultaneous advance, of the invention in Germany and in the Low Countries be admitted? |
| 44890 | Now in the situation in which Gutenberg found himself, in the face of his rivals, had he not some claim to regard the great discovery as his own? |
| 44890 | This was true before, but after? |
| 44890 | Was it John Gaensefleisch, called Gutenberg, or possibly John Fust? |
| 44890 | Were not these engravers on wood printers themselves: the Commins, Guyot Marchants, Pierre Lecarrons, Jean Trepperels, and others? |
| 44890 | What better proof could be wished of the communion of ideas and tastes between the two collectors? |
| 44890 | When and where was this discovery produced? |
| 44890 | Who was this John? |
| 44890 | [ A] What would have become of this new process if the presses of Gutenberg had not brought their powerful assistance to the printing of engravings? |
| 33828 | How and why were abbreviations used before typography? |
| 33828 | How are by- laws treated? |
| 33828 | How are figures used with illustrations? |
| 33828 | How did the early printers use abbreviations? |
| 33828 | How do we print dialect, slang, and the like? |
| 33828 | How do we print such abbreviations as_ I''ve_,_ you''ve_, and the like? |
| 33828 | How do we treat names of book sizes? |
| 33828 | How do we treat numbers of centuries and the like? |
| 33828 | How do we treat numbers when they begin a sentence? |
| 33828 | How do we treat page references in the text? |
| 33828 | How do we treat references to decades? |
| 33828 | How do we treat references to series of years? |
| 33828 | How do we treat weights and measures? |
| 33828 | Is this right? |
| 33828 | What are the common abbreviations for the names of the months and the days of the week? |
| 33828 | What are the rules for names? |
| 33828 | What are the rules for the use of abbreviations in dates? |
| 33828 | What classes of numbers are ordinarily expressed in figures? |
| 33828 | What is said of certain improper abbreviations and how to avoid them? |
| 33828 | What is said of the use of the period in footnotes? |
| 33828 | What is the best usage with regard to abbreviations? |
| 33828 | What is the difference in usage between book work and some other kinds of printing? |
| 33828 | What is the general rule for the use of abbreviations? |
| 33828 | What is the rule about numbers of less than three digits? |
| 33828 | What is the rule for ages? |
| 33828 | What is the rule for round numbers? |
| 33828 | What is the rule for sums of money? |
| 33828 | What is the usage in printing titles? |
| 33828 | What is the usage with regard to geographical names? |
| 33828 | What use of abbreviations do we find in certain special work and what may be done to make their use easier? |
| 33828 | Where is& c not used? |
| 33828 | or? |
| 43691 | Now Jemmy Catnach''s gone to prison, And what''s he gone to prison for? 43691 What hast here? |
| 43691 | Yes; but how about to- morrow? |
| 43691 | _ Non mi recordo._What countryman are you-- a foreigner or an Englishman? |
| 43691 | A cloud fell upon Seven Dials; dread and terror chilled her many minstrels: and why-- and wherefore? |
| 43691 | And says,''So you are still selling songs, eh?'' |
| 43691 | BUTCHER.--Well, Mr. Mackerel, pray let me ask you how you come to show your impudent face among those who do n''t want to see you or any of your crew? |
| 43691 | Burned the stars clearly, tranquilly in heaven,--or shot they madly across Primrose- hill, the Middlesex Parnassus? |
| 43691 | Did no friendly god give warning to the native son of song? |
| 43691 | How do I live then? |
| 43691 | How long have I been at it? |
| 43691 | How many do I sell in a day? |
| 43691 | How old am I now? |
| 43691 | I always paid for what I had, and did not say much to him, or he to me-- Writing the life of him, are you indeed? |
| 43691 | I''m a tough true- hearted sailor, Careless and all that, d''ye see, Never at the times a railer-- What is time or tide to me? |
| 43691 | Not old enough? |
| 43691 | Pussy- cat, pussy- cat, what did you there? |
| 43691 | Says E, I''ll eat it fast, who will? |
| 43691 | Then it was Mr. John Morgan suddenly recollected that he could not pass his old friend Short-- who was Short? |
| 43691 | Thurtell laid to him,"Do you think, Mr Wilson, I have got enough fall?" |
| 43691 | To our question of"Have you got any real old''cocks''by you?" |
| 43691 | What''s the poor to me? |
| 43691 | Where is the gentleman? |
| 43691 | Where was the gentleman who wrote him the letter? |
| 43691 | Who before ever saw a dog smoking tobacco? |
| 43691 | Who caught his blood? |
| 43691 | Who made his shroud? |
| 43691 | Who pulled her out? |
| 43691 | Who put her in? |
| 43691 | Who saw him die? |
| 43691 | Who will carry the link? |
| 43691 | Who''ll be the Parson? |
| 43691 | Who''ll be the clerk? |
| 43691 | Who''ll carry the coffin? |
| 43691 | [ Illustration:"The gallows does well: But how does it well? |
| 43691 | [ Illustration] I''m going to my_ grandmamma''s_, She is not very well, With cake and pot of butter; Says_ Wolf_ where does she dwell? |
| 43691 | [ Illustration] Pussy- Cat, pussy- cat, where have you been? |
| 43691 | [ Illustration] See- saw, sacradown, Which is the way to London town? |
| 43691 | [ Illustration] Who are you? |
| 43691 | [ Illustration] Who kill''d Cock Robin? |
| 43691 | ballads? |
| 43691 | dear no-- He''s never got any change but he''s always got an old account, do you see? |
| 43691 | descend and say, did no omen tell the coming of the fall? |
| 43691 | my poor dog, she cried, oh, what shall I do? |
| 43691 | what will avail then? |
| 43691 | where dost thou hide? |
| 22534 | And do you ever think how good God is to have given you a praying mother, when so many little children have never heard of God or Heaven? |
| 22534 | And has he not proved himself faithful to that declaration? |
| 22534 | And why should I not be joyous again? |
| 22534 | And will she not now try to find the Saviour, who is always found of them that seek Him earnestly and faithfully? |
| 22534 | But how often do you see men so steadfast, so disinterested and devoted through life? |
| 22534 | But what was to become of my dear sisters, and our brothers--all of whom were younger than ourselves? |
| 22534 | But you may ask what is the difficulty? |
| 22534 | Charless, who shot you? � He replied, � A man by the name of Thornton. |
| 22534 | Dear C., are not these things worth our most strenuous efforts? |
| 22534 | Did a father ever bear more patiently with the foibles and imperfections of his children? |
| 22534 | Did you ever think what a blessing it is to go to sleep, my dear little children? |
| 22534 | Do you ask, Why not judge the effect of religion from these as well as from better and more pleasing cases? |
| 22534 | Elevating his voice, said he, � Do you refuse to speak to me, sir? � Still a wave of the hand- � nothing more. |
| 22534 | Has dear � mother � s � health improved? |
| 22534 | Has he not been to us, in our destitute orphanage, more than a husband and a brother? |
| 22534 | Has not his loving arm embraced us all? |
| 22534 | Have I not dear children to love me, and is not my dear husband alive, and shall I not see him again? |
| 22534 | How is � grandma, � and � Cousin Eliza, � and little Joe and Ella, and � aunt Loo, � and all our dear friends?" |
| 22534 | I am not over particular at all, at all. � � Can you dig potatoes? � � Praities! |
| 22534 | Is not God still good, and has he ever tried me more than I am able to bear? |
| 22534 | Is there no hope? � � No hope here, � replied my husband, � but a bright hope beyond! � Thank God! |
| 22534 | One of the gentlemen asked,"Are you sure, Mr. Charless? |
| 22534 | There was a shade of mortification on his whole- souled face, mingled with a playful humor, as he said:"Has mother put you to work already?" |
| 22534 | Towards the close of his sufferings, said he, � Will my heart strings never break? |
| 22534 | Was a father ever less selfish than he has been? |
| 22534 | Was he not with me in the deep waters? |
| 22534 | What are the orphan � s tears, or the widow � s groans �-what is human suffering to him? |
| 22534 | What right had we to murmur? |
| 22534 | When she arrived, in broken accents she asked, � Is there no hope? |
| 22534 | Why should it not have added to his happiness? |
| 22534 | Will you not seek that happiness? |
| 22534 | Yet, after many trials, He saves him from his sins �-and, might we not almost say, for his mother � s sake? |
| 22534 | do you expect to dwell? |
| 22534 | � The poor ye have always with you �- � why if not to keep the stream of benevolence running fresh and sweet? |
| 22534 | � What kind of work can you do? � inquired your grandfather. |
| 20374 | Are adjectives derived from these words capitalized? |
| 20374 | Are capitals used after colons? |
| 20374 | Are combinations of large and small capitals and lower- case advisable? |
| 20374 | Are these words capitalized in all cases? |
| 20374 | Are they used in the same way as full capitals? |
| 20374 | How are adjectives derived from proper nouns treated? |
| 20374 | How are capitals used in book titles and similar copy, including the use of_ the_? |
| 20374 | How are capitals used in dedications and headings? |
| 20374 | How are capitals used in direct quotations? |
| 20374 | How are capitals used in lines of large display? |
| 20374 | How are capitals used in resolutions? |
| 20374 | How are capitals used in scientific names? |
| 20374 | How are dedications of books treated? |
| 20374 | How are names of conventions, expositions, and the like treated? |
| 20374 | How are official titles of corporations and other bodies treated? |
| 20374 | How are running titles treated? |
| 20374 | How are signatures and credits treated? |
| 20374 | How are small capitals now used in tables of contents, and how were they formerly used? |
| 20374 | How are subheads treated? |
| 20374 | How are treaties, laws, etc., treated? |
| 20374 | How do we write the first personal pronoun? |
| 20374 | How do we write the interjections_ O_ and_ oh_? |
| 20374 | How do you use capitals in writing names of persons in English and in other languages? |
| 20374 | How do you write the names of things personified? |
| 20374 | How is the compositor guided in these cases? |
| 20374 | How many series of letters does an ordinary font of type contain? |
| 20374 | How may capitals be used in lines of advertising display? |
| 20374 | How should lines of capitals be spaced, and why? |
| 20374 | How should you space and lead capitals as compared with lower- case? |
| 20374 | How should you space capitals used as initials of titles with accompanying periods? |
| 20374 | How should you space two or more lines of capitals of the same size? |
| 20374 | How would you handle combinations of capitals and numerals, and why? |
| 20374 | How would you set a line of capitals containing an abbreviation or other short word? |
| 20374 | How would you treat large initials? |
| 20374 | If squaring up is necessary, how should it be done? |
| 20374 | In manuscript how do you indicate capitals? |
| 20374 | In what does the distinction between capital and lower- case letter consist? |
| 20374 | Italics? |
| 20374 | Under what circumstances are combinations of different sizes and styles of type permissible? |
| 20374 | What are capitals used for? |
| 20374 | What are the general rules for the use of capitals? |
| 20374 | What can you do when a name is followed by the initials of a number of titles? |
| 20374 | What can you say about wide spacing of words set in capitals? |
| 20374 | What can you say of the use of capitals in different sorts of matter? |
| 20374 | What combinations of capitals and lower- case are permissible? |
| 20374 | What do you do in case of compound titles? |
| 20374 | What is a capital letter? |
| 20374 | What is a good way to set reprints of formal inscriptions? |
| 20374 | What is good usage in reprinting letters? |
| 20374 | What is the principal use of small capitals? |
| 20374 | What is the real implement of English speech? |
| 20374 | What is the reason for the appearance just noted? |
| 20374 | What is the rule about astronomical terms? |
| 20374 | What is the rule about festivals, etc.? |
| 20374 | What is the rule about monastic orders? |
| 20374 | What is the rule about names of creeds? |
| 20374 | What is the rule about religious bodies and their members? |
| 20374 | What is the rule about words denoting time? |
| 20374 | What is the rule about_ church_? |
| 20374 | What is the rule as to historic parties, leagues, etc.? |
| 20374 | What is the rule regarding biblical terms? |
| 20374 | What is the rule regarding names of parties, political, literary, etc.? |
| 20374 | What is the rule regarding the Bible and matter related to it? |
| 20374 | What is the tendency in the use of capitals and other devices for emphasis? |
| 20374 | What is the usage as to pronouns referring to God and the other persons of the Trinity? |
| 20374 | What is the usage in such words as_ father_,_ mother_, and other terms denoting relationship? |
| 20374 | What is the usage in writing of periods, historic, geological, etc.? |
| 20374 | What is the usage regarding important events? |
| 20374 | What is the usage with regard to epithets and the like? |
| 20374 | What is the usage with regard to races of men? |
| 20374 | What is the usage with regard to the names of persons treated with veneration? |
| 20374 | What rule should be followed when lines of capitals are used in books and pamphlets for headings and display? |
| 20374 | What tendencies are observable in style? |
| 20374 | What type would you use for a table of contents when chapter synopses are not given? |
| 20374 | What would you do about it? |
| 20374 | When and where are capitals used for emphasis? |
| 20374 | When are ordinal numbers capitalized? |
| 20374 | When are the names of governmental bodies, departments, etc., capitalized? |
| 20374 | When do you capitalize generic terms for political divisions and when do you not? |
| 20374 | When do you not capitalize_ God_ and its synonyms? |
| 20374 | Why? |
| 20374 | Would capitals set with even spacing or without spacing appear to be evenly spaced? |
| 46113 | Are the words in a page separated by absolutely uniform spaces, and why? |
| 46113 | Describe fully the operation of emptying the stick? |
| 46113 | Do you need spaces with hyphens? |
| 46113 | Does even spacing always look even, and why? |
| 46113 | For what purposes are proofs taken? |
| 46113 | How are advertisements and similar matter distributed? |
| 46113 | How are headings punctuated in modern practice? |
| 46113 | How are initials in groups, such as college degrees, treated? |
| 46113 | How are initials set? |
| 46113 | How are leads, slugs, and the like graduated in length? |
| 46113 | How are lines of small capitals spaced? |
| 46113 | How are newspaper pages and the like made up? |
| 46113 | How are point- system calculations converted into inches? |
| 46113 | How are proofs taken with a planer and mallet? |
| 46113 | How are punctuation marks spaced? |
| 46113 | How are quote marks spaced? |
| 46113 | How are spaces used with the em dash? |
| 46113 | How are the dollar mark and English monetary signs used? |
| 46113 | How are the pages handled, and why? |
| 46113 | How are type bodies graduated in size, and what are the most used sizes? |
| 46113 | How can time be wasted in these operations and how saved? |
| 46113 | How do the shapes of the several letters affect the spacing of capitals? |
| 46113 | How do we find the quantity of type on a page? |
| 46113 | How do you set the knee in place and keep it there? |
| 46113 | How has the system of width been applied to spaces? |
| 46113 | How is blank verse indented? |
| 46113 | How is the composing stick held? |
| 46113 | How is the galley placed, and where does the make- up man stand? |
| 46113 | How is the length of book pages set in one size of type determined? |
| 46113 | How is the length of the page measured? |
| 46113 | How is the type prepared for taking proofs? |
| 46113 | How is the type selected, picked up, and put in the stick? |
| 46113 | How many regular spaces are usually found, and how may they be combined to meet most of the requirements of composition? |
| 46113 | How may inexpensive work be made good work? |
| 46113 | How may simple errors, such as a wrong letter, be corrected? |
| 46113 | How may the apprentice learn to tell the difference in the regular spaces in his case? |
| 46113 | How may you be sure the stick is properly squared up? |
| 46113 | How may you provide for compression of types in locking up? |
| 46113 | How should every line of type end, and how can you make it do so? |
| 46113 | How should important changes requiring re- justification be made? |
| 46113 | How should lines of type be carried when taken out for correction? |
| 46113 | How should pied type be distributed? |
| 46113 | How should spaces be distributed? |
| 46113 | How should special characters be handled? |
| 46113 | How should the beginner prepare himself to distribute type? |
| 46113 | How should the cleaning substance be applied? |
| 46113 | How should the compositor dress for his work? |
| 46113 | How should the compositor stand? |
| 46113 | How should the initial line? |
| 46113 | How should the space around the initial be treated? |
| 46113 | How should the types be put in the boxes? |
| 46113 | How should type be handled to prevent injury? |
| 46113 | How should you space roman capitals of standard faces? |
| 46113 | How should you treat the last line of a paragraph when the matter nearly or quite fills the line? |
| 46113 | How were type sizes formerly designated? |
| 46113 | In what position is the type in the stick read? |
| 46113 | In what special places are thin spaces properly used? |
| 46113 | Is there any objection to ending paragraph and page together? |
| 46113 | Name and describe the several kinds of indention? |
| 46113 | Should the indention of paragraphs be varied in a single book or job to suit varying matter or type, and why? |
| 46113 | What advantages have movable types over other methods of preparing a page for printing? |
| 46113 | What appliances are needed for make- up? |
| 46113 | What are high spaces and quads, and when and why used? |
| 46113 | What are quotation quads, and how are they used? |
| 46113 | What are some wrong methods of learning the case? |
| 46113 | What are spaces and quads, and how are they commonly designated? |
| 46113 | What bad method of application is often used? |
| 46113 | What can be done to improve the spacing of lines having abbreviations or initials? |
| 46113 | What can you do when a line is longer than the measure? |
| 46113 | What care should be given the feet of the type? |
| 46113 | What care should be taken in justifying lines, such as head- lines and paragraph ends, in which quads are used? |
| 46113 | What care should be taken regarding leads and rules, and why? |
| 46113 | What care should be taken when there are two or more lines of capitals of the same size? |
| 46113 | What care should be taken when this kind of work is done? |
| 46113 | What care should be taken with long lines, and why? |
| 46113 | What care should the beginner use in filling his stick? |
| 46113 | What careless habit is sometimes indulged in, and what is the result? |
| 46113 | What case plans is it necessary to learn? |
| 46113 | What common defect occurs in widely indented paragraphs, and how may it be avoided? |
| 46113 | What common mistakes do beginners make in the use of spaces? |
| 46113 | What considerations govern the choice of an initial? |
| 46113 | What constitutes a well- spaced line? |
| 46113 | What constitutes a well- spaced paragraph? |
| 46113 | What devices are used for spaces thinner than 5-space? |
| 46113 | What difficulties are likely to occur, and how may they be met? |
| 46113 | What does good typesetting require to secure this? |
| 46113 | What does good typography demand on the part of the craftsman? |
| 46113 | What follows the initial? |
| 46113 | What general rules should be followed in spacing italics? |
| 46113 | What habits should be formed at the beginning of the young compositor''s work? |
| 46113 | What happens when the changes are extensive, such as the insertion of a new phrase or sentence? |
| 46113 | What has the length of line to do with spacing? |
| 46113 | What has the make- up man to do with justification? |
| 46113 | What incidental advantage has this method? |
| 46113 | What is a composing rule, what is its use, and why is it not more frequently used? |
| 46113 | What is a pica, and how is the term now used? |
| 46113 | What is a simple general rule for spacing, and how may it be modified? |
| 46113 | What is an em, and how is the term applied to type? |
| 46113 | What is desirable in the division of a paragraph which runs from one page to another? |
| 46113 | What is make- up? |
| 46113 | What is necessary to make reading easy? |
| 46113 | What is really the principal working material of the compositor? |
| 46113 | What is sometimes needed to complete the cleaning? |
| 46113 | What is the best substance for cleaning type? |
| 46113 | What is the common lower- case plan? |
| 46113 | What is the difference between spaces for script types and the spaces for ordinary roman types? |
| 46113 | What is the effect of the initial on the length of the text lines after it, and how may it be handled? |
| 46113 | What is the first consideration in indenting poetry, and how is it secured? |
| 46113 | What is the first step before beginning to set type, and how is it done? |
| 46113 | What is the first step in making the galley matter into pages? |
| 46113 | What is the general rule about wide spacing? |
| 46113 | What is the indention when the rhyme is in two adjoining lines? |
| 46113 | What is the meaning of the terms spacing, justifying, and leading? |
| 46113 | What is the peculiarity of typewriter types and spaces? |
| 46113 | What is the plan of the common capital case? |
| 46113 | What is the process of cleaning type with lye? |
| 46113 | What is the process of distribution for a beginner? |
| 46113 | What is the proper space between sentences? |
| 46113 | What is the purpose of the initial letter, and how has it been used? |
| 46113 | What is the relation between indention and kind of matter? |
| 46113 | What is the relation between indention and measure? |
| 46113 | What is the relation between indention and rhyme? |
| 46113 | What is the relation between the size of the initial and the text lines? |
| 46113 | What is the rule in book work as to the sinking of the first page of preface, chapters, and the like? |
| 46113 | What is the standard spacing between words, and how may it be varied? |
| 46113 | What is the unit of measurement for type? |
| 46113 | What is the use of indention and what excess should be avoided? |
| 46113 | What is the usual paragraph indention? |
| 46113 | What is the usual space between the running head and the text, and why? |
| 46113 | What is the widest spacing ordinarily allowable in roman lower- case matter, and what permits occasional use of wider space? |
| 46113 | What kind of matter may be proved in this manner and what should not, and why? |
| 46113 | What kind of spaces do words in capitals need, and why? |
| 46113 | What material is used in indenting poetry? |
| 46113 | What matters should be especially watched in distribution? |
| 46113 | What may be done to make it easier to distribute small types in solid or leaded paragraphs? |
| 46113 | What may be done to secure this relation, but under what restrictions? |
| 46113 | What may be used when thin spaces are lacking, and what caution should be observed? |
| 46113 | What may you use for a gage to set the composing stick? |
| 46113 | What must be done when the galley is full, and why? |
| 46113 | What other substances are sometimes used for cleaning type? |
| 46113 | What particular annoyance is often caused by the distributor, and how may it be avoided? |
| 46113 | What peculiarity is there in the casting of some italic capitals and what does it call for? |
| 46113 | What positions should be avoided if possible for sub- heads? |
| 46113 | What precaution may be taken to forestall difficulties? |
| 46113 | What relation has spacing to leading? |
| 46113 | What relation has spacing to legibility? |
| 46113 | What should and should not be done in re- spacing a line in order to get a good result? |
| 46113 | What should be avoided in chapter endings? |
| 46113 | What should be done before make- up begins, and why? |
| 46113 | What should be done if a line of type is pied in correcting? |
| 46113 | What should be done if the correction requires change of space or re- justification? |
| 46113 | What should be done if the last line of a paragraph comes at the top of a page or the first line at the bottom? |
| 46113 | What should be done if there is much type to distribute? |
| 46113 | What should be done to insure correctness before the stick is emptied? |
| 46113 | What should be done when the last line of a page ends with a short word divided by a hyphen and finished on the next page? |
| 46113 | What should be done when you come to the end of a paragraph, with only a few letters for the last line? |
| 46113 | What should be done with thin leads and pieces of card or paper? |
| 46113 | What should be looked for when the type is first placed in the galley? |
| 46113 | What should be used for book, periodical, or other work that is to be made up frequently from time to time? |
| 46113 | What should follow the period or Roman numeral in numbered paragraphs, and why? |
| 46113 | What should the compositor first do to his copy? |
| 46113 | What should the gage indicate when the page contains several sizes of type, and why? |
| 46113 | What simple rule should be observed in this connection? |
| 46113 | What special care should be taken in spacing the last line of a paragraph? |
| 46113 | What special precautions should be used in handling kerned italics? |
| 46113 | What styles of running head are used, and what determines the choice? |
| 46113 | What will the beginner find to be his greatest difficulty in setting type? |
| 46113 | When and how should boxes be cleaned? |
| 46113 | When is a line well justified, and what faults are to be guarded against, and why? |
| 46113 | When is the running head omitted? |
| 46113 | When may spaces be used between the letters of a word? |
| 46113 | Where are numbers placed? |
| 46113 | Where are wide spacing and wide leading desirable, and what caution should be observed in using them? |
| 46113 | Where may extra leads be used, and where not? |
| 46113 | Where may you put thin spaces in order to get a word or syllable into the line? |
| 46113 | Where may you use thicker spaces to lengthen the line a little? |
| 46113 | Wherein is typesetting easy and wherein difficult? |
| 46113 | Who draws a line and satisfies his soul, Making it crooked where it should be straight? |
| 46113 | Why is careful justification important? |
| 46113 | Why is it unnecessary to learn all the cases in the market? |
| 46113 | Why should the beginner use leads and a composing rule in setting his first stickful? |
| 46113 | Why should type be kept clean? |
| 46113 | for a more experienced apprentice? |
| 27834 | A book in itself, is n''t it? |
| 27834 | A_ what_? |
| 27834 | About how much would one cost? |
| 27834 | About what price do you think you could get for a school paper? |
| 27834 | About what, pray? 27834 And already you are bowed to the earth with worry?" |
| 27834 | And anyway, how could you? 27834 And how many members would be likely to take it?" |
| 27834 | And in order to do it, you young rascals are going to rope me into your schemes, are you? |
| 27834 | And it is for printing this colored supplement that the color- decks at each end of the big press are used? |
| 27834 | And that was the way we got our early books? |
| 27834 | And the ads? |
| 27834 | And the images? |
| 27834 | And why do you come to me? |
| 27834 | And you expect to acquire that result at Harvard? |
| 27834 | And your father? |
| 27834 | Are n''t we all red- eyed already with Latin and Roman history? 27834 Are n''t you a trifle ambitious?" |
| 27834 | Are n''t you coming to Greek? |
| 27834 | Are we going to see it done? |
| 27834 | As it is now? |
| 27834 | At how much a subscrip, oh promoter? |
| 27834 | At that rate, where would the sheep be in a little while? 27834 Because I do n''t think--""I guess you could manage to think as I wanted you to if it were worth your while, could n''t you?" |
| 27834 | Books? |
| 27834 | But are n''t there very old writings in some of the museums? |
| 27834 | But are they not all old and interesting as a relic of history? |
| 27834 | But could we sell? |
| 27834 | But do n''t you think if your father knew we were trying to run a decent paper he might like to help us out? 27834 But how can I?" |
| 27834 | But how? |
| 27834 | But suppose after you''ve collected all your money you find you ca n''t get any one to print the paper? |
| 27834 | But suppose you were very eager to learn to read and never had the chance to lay hands on a book? |
| 27834 | But tell me something; what was it you wanted that money for? 27834 But the ducats-- where would those come from? |
| 27834 | But the money, Kip-- the money to back such a scheme? 27834 But this bill, Melville? |
| 27834 | But what on earth could a person do with such a book? |
| 27834 | But where am I to get the fifty or sixty bones to pay for it? |
| 27834 | But you admitted just now that you and the staff had made the paper what it is, did n''t you? |
| 27834 | But-- but-- how could you? 27834 But-- but-- how in the name of goodness did you pull off a bargain like that?" |
| 27834 | But-- to sell it out for cash, as it stands-- you mean that? |
| 27834 | By the way, how is your football team coming on? 27834 Ca n''t you see those patient monks alone in their dimly lighted cells, silently writing day after day?" |
| 27834 | Can I do it in a month? |
| 27834 | Can they always tell ahead what people will want? |
| 27834 | Carter-- of the_ Echo_? |
| 27834 | Chained? |
| 27834 | Come, son, what''s troubling you? |
| 27834 | Could we do it that way? |
| 27834 | Could you manage it-- fifty dollars? |
| 27834 | Dad, how much does a printing press cost? |
| 27834 | Did I hear aright? |
| 27834 | Did he know about this muddle? |
| 27834 | Did my father suggest it? |
| 27834 | Did people always have to pay so much for paper? |
| 27834 | Did that put an end to printing? |
| 27834 | Did the monks have to design the pages as well as print them? |
| 27834 | Did you say the_ March Hare_? |
| 27834 | Did you tell Carter about the meeting? |
| 27834 | Do printing presses cost much? 27834 Do them? |
| 27834 | Do they always put the presses downstairs? |
| 27834 | Do they make stereotypes for circular rollers and print books this same way? |
| 27834 | Do you imagine people would send in articles to it as they do now? |
| 27834 | Do you mean that books became cheap? |
| 27834 | Do you suppose Mr. Carter has to do that? |
| 27834 | Do you suppose she would? |
| 27834 | Do you suppose their games were anything like ours? |
| 27834 | Do you think I can earn what money I shall need to make up the rest of my fifty dollars? |
| 27834 | Do you think for a second that in the hands of a cut and dried publisher it would be the same? |
| 27834 | Do you think so? |
| 27834 | Do you want to do the whole job-- the brasses indoors too? |
| 27834 | Everything going all right at school? |
| 27834 | Funny thing, is n''t it? 27834 Going to let me in on it?" |
| 27834 | Have n''t we planned it, built it up, and done all the work? |
| 27834 | Have n''t you any ready money, Paul? |
| 27834 | Have you any idea what it would cost to get out a paper such as you propose? |
| 27834 | Have you considered the price of paper and of ink, son? |
| 27834 | How did he take it? |
| 27834 | How do people run a paper anyhow? |
| 27834 | How do they ever lift such heavy rolls of paper into place? |
| 27834 | How do you like newspaper work? |
| 27834 | How is your paper coming on, Paul? |
| 27834 | How large a paper do you plan to have? |
| 27834 | How many numbers would you wish to issue annually? |
| 27834 | How many papers can they turn out on a press of that size? |
| 27834 | How many subscribers have you? |
| 27834 | How much could we bank on? |
| 27834 | How much would Carter give us apiece? |
| 27834 | How much would you charge for an annual subscription? |
| 27834 | How soon did he re- make his metal forms? |
| 27834 | How? |
| 27834 | I can depend on you, Cart? |
| 27834 | I could ask somebody''s opinion, could n''t I? |
| 27834 | I do seem to be, do n''t I? |
| 27834 | I say, Don, what''s fussing you? |
| 27834 | I say, Kip, where are you going to get the paper printed? |
| 27834 | I say,repeated Paul earnestly,"what''s the matter with your father printing the_ March Hare_? |
| 27834 | I''m not supposed to know that, am I? |
| 27834 | I? |
| 27834 | In need of cash? |
| 27834 | Is it much work for a publisher to get a book ready for the market after he once gets the manuscript from the author? |
| 27834 | Is it really better to heed this printer''s edict? |
| 27834 | It is a great scheme, is n''t it-- a typewriter? |
| 27834 | It is an awful piece of work, is n''t it? |
| 27834 | It is tremendous, is n''t it? |
| 27834 | It would n''t be such a bad idea if next year we could get in an experienced hand to help us, would it? |
| 27834 | Know how to run one? |
| 27834 | My father? |
| 27834 | Not going to be able to put it through? |
| 27834 | Not working too hard? |
| 27834 | Now tell me one other thing: are the letters arranged in the same order on all typewriters? |
| 27834 | Oh, by the way, Mr. Carter,he said with an off- hand air,"do you know where a person goes to sell a Liberty Bond?" |
| 27834 | Or asked your father why he did n''t take the_ Echo_? |
| 27834 | Or tried to worm an article out of Judge Damon? |
| 27834 | Our United States greenbacks? 27834 Our young representatives have done pretty well on this paper of theirs, have n''t they?" |
| 27834 | Paper still booming? |
| 27834 | Rather, sir; are n''t you? |
| 27834 | Really? 27834 Say, Cart, what do you think of''20 starting a school paper?" |
| 27834 | Say, what''s the matter with your father printing the_ March Hare_ for us? |
| 27834 | Sell one? |
| 27834 | Shall it be a dollar, a dollar and a quarter, or an out and out one- fifty? |
| 27834 | So that''s the title you''ve selected for your monthly? |
| 27834 | So that''s why you want to make him do it? |
| 27834 | So you are the editor- in- chief of a widely circulated monthly magazine, are you, my boy? |
| 27834 | So you''ve been carrying that money round with you ever since I gave it to you, have you? |
| 27834 | Some business, eh, Paul? |
| 27834 | Somebody wants to buy it? |
| 27834 | Suppose I were to make you a good business offer? 27834 That is curious, is n''t it?" |
| 27834 | That is interesting, is n''t it? |
| 27834 | That is interesting, is n''t it? |
| 27834 | That would n''t hurt you, would it? |
| 27834 | The Italians were a great people, were n''t they? |
| 27834 | The thing is ours, is n''t it? |
| 27834 | Then it belongs to you, does n''t it? |
| 27834 | They do? 27834 Think you want to make a try at Thompson''s job?" |
| 27834 | Tired? |
| 27834 | Want the money badly, eh? |
| 27834 | Were all the old books written in Latin? |
| 27834 | What are you doing here? |
| 27834 | What can I do for you? |
| 27834 | What did he print in those early days? |
| 27834 | What did they print on, then? |
| 27834 | What do they intend to do with it? |
| 27834 | What do you say, Kipper? 27834 What do you suppose good Benjamin Franklin would say to that?" |
| 27834 | What do you think of the offer, Kip? |
| 27834 | What do you want with a paper, Kipper? |
| 27834 | What else could we sell it out for, fat- head? |
| 27834 | What if he does? |
| 27834 | What makes you think anything is? |
| 27834 | What metal is used for casting type? |
| 27834 | What would n''t the old monks have given for one? |
| 27834 | What''s the matter with you, all of a sudden? |
| 27834 | What''s the matter, Don? |
| 27834 | What''s the matter? 27834 What''s up, Paul?" |
| 27834 | What''s your idea? |
| 27834 | Who is the bidder, Kip? |
| 27834 | Who prints United States money, Dad? |
| 27834 | Whom did you see? |
| 27834 | Why did n''t they print their books on paper? |
| 27834 | Why do n''t you get Mel Carter''s father to do it? 27834 Why not?" |
| 27834 | Why not? |
| 27834 | Why? |
| 27834 | Will you shake hands with me, my boy, before you go, or have you too poor an opinion of me for that? |
| 27834 | Without telling anybody? |
| 27834 | Wo n''t you put it up to your Pater when you go home, Cart? |
| 27834 | Would n''t it? |
| 27834 | Would you have any objection to somebody else going to him? |
| 27834 | Y-- e-- s."Have you enough so that we could halve a hundred-- pay the fifty- dollar deficit and put fifty dollars in the bank? |
| 27834 | Y-- e-- s."Your father know you are selling out? |
| 27834 | Yes, Kip, who wants it? |
| 27834 | Yes, at the beginning it was; but--"They would n''t have had it but for you, would they? |
| 27834 | Yes, it is amazing, is n''t it? 27834 Yes; what was the use of blabbing it all over town?" |
| 27834 | Yet why does your fancy take its flight toward a printing press? |
| 27834 | Yet you can see that a knowledge of numbers could be thus obtained? |
| 27834 | You absolutely refuse to ask him? |
| 27834 | You could n''t pull it off, eh? |
| 27834 | You decide, then, to bequeath the_ March Hare_ to 1921 with our blessing? |
| 27834 | You do n''t remember happening to hear any one else mention advertising, do you, my dear? |
| 27834 | You mean somebody else would publish it? |
| 27834 | You mean the keyboards? |
| 27834 | You mean to-- to-- sell it out for money? |
| 27834 | You mean you did n''t advise your staff to sell out? |
| 27834 | You mean you''d pay half of it if I would? |
| 27834 | You really want a newspaper, Kip? 27834 You should think what?" |
| 27834 | You think he would n''t do the articles? |
| 27834 | You want me to give you a trial? |
| 27834 | You wish me to print this remarkable document? |
| 27834 | You would n''t want to issue a sample copy first, would you? |
| 27834 | You''re not sick, old chap? |
| 27834 | You''ve never seen a copy of this early Massachusetts newspaper? |
| 27834 | You? |
| 27834 | _ We_? |
| 27834 | And do you suppose we fellows could run one if we had it?" |
| 27834 | And he is actually going to print your paper?" |
| 27834 | And how did it happen that the printing of a newspaper was such a difficult and expensive undertaking? |
| 27834 | And how long is it since the burdens of business have fallen on your young shoulders?" |
| 27834 | And was the business world actually such a network of schemes and complexities? |
| 27834 | And where do you get them? |
| 27834 | Another school paper running in opposition to such a power? |
| 27834 | Anything I can do for you?" |
| 27834 | Are you quite sure they have agreed to do it?" |
| 27834 | Besides, what''s to become of 1921 if you sell out the_ March Hare_? |
| 27834 | Besides, who would print it? |
| 27834 | But after all, was that his lookout? |
| 27834 | Could you, Mel?" |
| 27834 | Did his paper, Mr. Carter wondered, call out in the hearts and minds of those who read it a similar response of patriotism and high ideals? |
| 27834 | Did it reach the great human_ best_ that lies deep in every individual? |
| 27834 | Did you bribe or chloroform them?" |
| 27834 | Did you ever see a big newspaper printed from start to finish, Paul?" |
| 27834 | Did you put the money back when you found it gone from the treasury?" |
| 27834 | Do n''t they all go to the games?" |
| 27834 | Do n''t you believe he''d print our paper too?" |
| 27834 | Do n''t you think so?" |
| 27834 | Do you think you could get the same people to speak out under different conditions? |
| 27834 | Does he expect to turn me from a broad- minded Democrat into a stand- pat Republican like himself? |
| 27834 | Does n''t your business manager provide you with a typewriter?" |
| 27834 | Great hat, Kipper-- what for?" |
| 27834 | Had Mr. Carter simply been making game of him? |
| 27834 | Had not Mr. Carter given him the money? |
| 27834 | Have n''t you money enough to induce anybody to print your publication?" |
| 27834 | Have we not had a striking example of that during the present war? |
| 27834 | Have you a typewriter?" |
| 27834 | Have you any idea?" |
| 27834 | Have you ever tried to get an ad?" |
| 27834 | His son Carl is in your class, is n''t he?" |
| 27834 | How are you coming with the project? |
| 27834 | How does the proposition strike you?" |
| 27834 | How had it happened? |
| 27834 | How had the enchantment been wrought? |
| 27834 | How much does one cost? |
| 27834 | I can take him seriously, fulfill his contract, and make him live up to his agreement, ca n''t I? |
| 27834 | If he suggested the deal and it failed to go through, would he not have done all that was required of him? |
| 27834 | If the_ Echo_ owner had over- estimated the power of that influence, was not that his lookout? |
| 27834 | If your father is willing would you like to go along with me and spend the week- end in town?" |
| 27834 | It was an easy enough matter to buy a bond; but where did you go to sell one? |
| 27834 | It was worth it though, was n''t it?" |
| 27834 | It''s the property of the school, is n''t it?" |
| 27834 | Its editor had never deigned to do so, so why should his publication? |
| 27834 | Melville Carter had never had actual experience in keeping accounts, therefore was it so surprising that he had inadvertently made a mistake? |
| 27834 | Might it not be nursed into a publication that would have a lasting place in the community and become a property of value? |
| 27834 | Mr. Arthur Carter?" |
| 27834 | Mr. Carter himself? |
| 27834 | Or if he had no opportunity then, why had n''t he carried it promptly to the_ Echo_ building the next morning? |
| 27834 | Should it be sold to Mr. Carter and continue to be published, what chances for success would another such paper have? |
| 27834 | Should n''t you think we could buy a press and run it for two hundred dollars?" |
| 27834 | So you''re in a scrape, eh?" |
| 27834 | Suppose he did buy a typewriter next year? |
| 27834 | Suppose he was to buy out this schoolboy enterprise at the end of the year and take it into his own hands? |
| 27834 | Suppose he were to urge the fellows to sell out the_ March Hare_ to Carter? |
| 27834 | Tell a man, ca n''t you?" |
| 27834 | That would n''t be so worse, would it?" |
| 27834 | The Kimball and Dalrymple boys are in your class, are n''t they?" |
| 27834 | The publication was your idea, was n''t it?" |
| 27834 | Then suppose I took you in here at a good salary and let you keep on with this_ March Hare_ job? |
| 27834 | Understand?" |
| 27834 | Was he preparing to burst into a tirade of ridicule, or was he really considering the proposition? |
| 27834 | Was he really so much to blame? |
| 27834 | Was it really so hard as that to bring a good crop of fruit to perfection? |
| 27834 | Was it such a different thing from football or baseball after all? |
| 27834 | Was n''t it almost imperative that he buy one? |
| 27834 | Was n''t such a thing for the welfare of the school? |
| 27834 | Were they not free to dispose of it as they chose? |
| 27834 | What about that?" |
| 27834 | What could be the matter with the boy? |
| 27834 | What do you say, Paul, that we keep this thing to ourselves? |
| 27834 | What does he think? |
| 27834 | What is it?" |
| 27834 | What is one- fifty for such a ream of wisdom as we''re going to get for our money?" |
| 27834 | What is to become of that?" |
| 27834 | What other tasks did the old schemer impose on you?" |
| 27834 | What use would they have for a paper after they graduated? |
| 27834 | What was I going to do? |
| 27834 | What was he going to do with that money that he had kept so long? |
| 27834 | What was the trouble?" |
| 27834 | What was to be done? |
| 27834 | What was to be done? |
| 27834 | What wonder that the public was ignorant and illiterate?" |
| 27834 | What''s happened to you now?" |
| 27834 | What''s the matter?" |
| 27834 | What''s the matter?" |
| 27834 | What''s the trouble?" |
| 27834 | What''s your opinion?" |
| 27834 | What, I wonder, would he say to such treatment?" |
| 27834 | Where lay the magic? |
| 27834 | Where on earth did you each get your fifty?" |
| 27834 | Who knows but some of us may become distinguished journalists when we grow up? |
| 27834 | Who would be the wiser? |
| 27834 | Why add a paper to our troubles?" |
| 27834 | Why did people make such a fuss over printing a paper? |
| 27834 | Why do n''t you buttonhole him about his father?" |
| 27834 | Why do n''t you put it up to your staff to sell the paper to me and pocket the proceeds?" |
| 27834 | Why had n''t he given the bill back to the great man that day in the office? |
| 27834 | Why not call it_ The March Hare_? |
| 27834 | Why not make some money out of it? |
| 27834 | Why should it be? |
| 27834 | Why should n''t we write something for publication?" |
| 27834 | Why should n''t we?" |
| 27834 | Why should we not write ourselves up-- chronicle our doings, that such noteworthy deeds may never be forgotten?" |
| 27834 | Why?" |
| 27834 | Yet after all, was it so strange? |
| 27834 | You do n''t mean sell it to an outsider?" |
| 27834 | You have n''t any suggestions, have you, sir?" |
| 27834 | You know how much easier it is to memorize something that has a swing or rhythm?" |
| 27834 | You think one of the small machines you spoke of would be good enough?" |
| 27834 | are you talking about, Paul?" |
| 27834 | he whispered,"was it you? |
| 48313 | About what? |
| 48313 | After all,said she,"''tisn''t the money that''s done wrong; why should I punish it?" |
| 48313 | And I suppose the road''s as free to us as''tis to you? |
| 48313 | And about the clubs? |
| 48313 | And are you well enough yet to undertake an odd job in it? |
| 48313 | And did you ever publish one? |
| 48313 | And do you know how to lock up a form? |
| 48313 | And how are you going to publish it? |
| 48313 | And how far is the pasture? |
| 48313 | And how many do you think they would sell? |
| 48313 | And how much will it cost to make a muddle, Edmund Burton? |
| 48313 | And how much would that cost? |
| 48313 | And how shall I manage it? |
| 48313 | And if that other line ended with_ cheek_, would he have to call it a_ league_ from the Four Corners to Lyell street? |
| 48313 | And is that all? |
| 48313 | And is that considered all right? |
| 48313 | And now what color will you have? |
| 48313 | And now,continued Ned,"how would you go to work to introduce it? |
| 48313 | And so you got it be goin''after pawnbrokers, and be workin''on Sunday? |
| 48313 | And the other? |
| 48313 | And the other? |
| 48313 | And then what? |
| 48313 | And water does what to fire? |
| 48313 | And what do you understand by that? |
| 48313 | And what do you want me to do about it? |
| 48313 | And what do you want the ten dollars for? |
| 48313 | And what is the price of admission? |
| 48313 | And when ice is melted, it becomes what? |
| 48313 | And where do they have any that is less slimpsy? |
| 48313 | And where would be the best place to build it? |
| 48313 | And who are your actors? |
| 48313 | And who told Berny Rourke? |
| 48313 | And who told Lukey Finnerty? |
| 48313 | And who told Owney Geoghegan? |
| 48313 | And who told Patsy Rafferty? |
| 48313 | And who told Teddy Dwyer? |
| 48313 | And why was n''t that a good plan? |
| 48313 | And will Jimmy''s have to be tied? |
| 48313 | And would there be a tub at the other end,said Ned"to catch the passengers that were broken to pieces against the end wall?" |
| 48313 | And you do n''t get some more next Saturday night? |
| 48313 | And you probably answer somewhat more readily when they call? |
| 48313 | And you think I ought to furnish that brother of yours the money necessary to make a proper muddle of this thing? |
| 48313 | Are you going to get the kites and harness her up again, Fay? |
| 48313 | Are you sick, Jimmy? |
| 48313 | Are you trying to ruin the office? |
| 48313 | Aunty,said he, sympathetically,"do n''t you ever feel afraid of fire?" |
| 48313 | But I say, Roe,continued Holman,"who in the world could have told them so?" |
| 48313 | But I suppose he must be hurt, though? |
| 48313 | But do n''t you suppose,said Phaeton,"that as soon as it was dark, some fellow went out quietly in a little skiff, and dove for the rings? |
| 48313 | But have you made any other tracings of it besides the one Jack- in- the- Box has? |
| 48313 | But how are we going to get a lock for this door? |
| 48313 | But how can I get on again? |
| 48313 | But how can you set the type? |
| 48313 | But how did you get out? |
| 48313 | But if you tell her that, will she let you have the money? |
| 48313 | But what about the dog? |
| 48313 | But what are we going to do about that dreadful card? |
| 48313 | But what is it for? |
| 48313 | But what is the use of trying to be too smart? 48313 But what use will the car be to him?" |
| 48313 | But where would our profits come from? |
| 48313 | But who is going to publish this book for you? |
| 48313 | But would n''t it use up a cable every time you cut it? |
| 48313 | But, I suppose you know all about how it''s done? |
| 48313 | Ca n''t we prevent it? |
| 48313 | Ca n''t you make him go faster, Fay? |
| 48313 | Ca n''t you make up your mind to do it, if I double the price? |
| 48313 | Ca n''t you tell by the feathers? |
| 48313 | Can you go? |
| 48313 | Clever fellers, them railroad men,said the chief engineer;"but what''s your machine for?" |
| 48313 | Could n''t I, at least, pay the doctor''s bill? |
| 48313 | Could n''t you name it for us? |
| 48313 | Did he have a gag- bit? |
| 48313 | Did n''t eh? 48313 Did n''t he say_ pre_servative?" |
| 48313 | Did n''t you say,said the Dublin boy,"you''d give a dollar to any boy that could beat your machine in a mile run?" |
| 48313 | Did you hear how they knocked Mr. Glidden''s house and furniture to pieces at the last fire? |
| 48313 | Did you print this? |
| 48313 | Did you say the kind_ they_ stuff, or the kind_ of_ stuff? 48313 Did you want to know about my brother Jimmy?" |
| 48313 | Did, eh? |
| 48313 | Do n''t you call it bad to go around slyly in the night and nail up every door and window in the house? |
| 48313 | Do n''t you know better than to pi a form, and then throw the pi into the cases? 48313 Do n''t you know that scissors must be ground on the edge of the blade, not on the side, like a knife? |
| 48313 | Do n''t you know what dodgers are? |
| 48313 | Do n''t you see, the ground is holding it? |
| 48313 | Do n''t you suppose I have provided for that? |
| 48313 | Do you find many mistakes? |
| 48313 | Do you know anything about printing? |
| 48313 | Do you know of anything we can do for him? |
| 48313 | Do you know the history of Venice? |
| 48313 | Do you mean to say that you have been buying a font of type with no Es in it? |
| 48313 | Do you suppose Fay can really make anything out of this machine? |
| 48313 | Do you take me for a cook? |
| 48313 | Do you think so? |
| 48313 | Do you think so? |
| 48313 | Does your uncle''s horse go very fast? |
| 48313 | Fay, what sort of wood is this? |
| 48313 | For the information you kindly gave us about your invention? |
| 48313 | Gone home with the chariot? |
| 48313 | Got anything new to- day? |
| 48313 | Has Phaeton ever been on a horse? |
| 48313 | Has your Aunt Mercy given you money to make a muddle of it? |
| 48313 | He''d be sure to say it was; but then what? |
| 48313 | Horseshoes, or human shoes? |
| 48313 | How can it have been tried? |
| 48313 | How can you do it? |
| 48313 | How could he know what kind of fish it was that robbed his hook? |
| 48313 | How did it happen? |
| 48313 | How did you happen to do that? |
| 48313 | How do you accomplish it? |
| 48313 | How do you account for that? |
| 48313 | How do you amuse yourself, Jimmy? |
| 48313 | How do you do to- day, Jack? |
| 48313 | How do you know that, young man? |
| 48313 | How do you propose to get them? |
| 48313 | How do you think he''d like that, done in two colors? |
| 48313 | How does it work? |
| 48313 | How is it? |
| 48313 | How is that? |
| 48313 | How is that? |
| 48313 | How is this, Biddy? |
| 48313 | How much are they worth? |
| 48313 | How much for a spy glass? |
| 48313 | How much have you got? |
| 48313 | How much is that? |
| 48313 | How much money do you need for your new muddle? |
| 48313 | How much money would it take for that? |
| 48313 | How much powder will you have? |
| 48313 | How much will it take for a good muddle, Edmund Burton? |
| 48313 | How much will it take? |
| 48313 | How so? |
| 48313 | How so? |
| 48313 | How so? |
| 48313 | How so? |
| 48313 | How will you do it? |
| 48313 | How would you get them up? |
| 48313 | I have a fine, clear eye,said another;"ca n''t I help yez aim the pipe?" |
| 48313 | I know you can smother a small fire with a thick blanket,said Jack,"but how are you going to smother a whole house, when it is in a blaze?" |
| 48313 | I say,said one of the Dublin boys,"why do n''t you put up the stake before we start?" |
| 48313 | I suppose in winter you would have the water warmed? |
| 48313 | I suppose the boys are more numerous than your parents? |
| 48313 | If I catch one? |
| 48313 | If your house should take fire in the night, and burn up the stairs the first thing, how would you get out? |
| 48313 | If-- I-- catch-- one? 48313 Indeed?" |
| 48313 | Is Professor Adams present? |
| 48313 | Is it a sign? |
| 48313 | Is it? |
| 48313 | Is that the way you''ve ground them all? |
| 48313 | Is there anything I can do for you to- day? |
| 48313 | Is this all you have? |
| 48313 | Is this all, Biddy? |
| 48313 | Is this the Mr. Burton who was dead long ago? |
| 48313 | Jack,said Ned, as soon as we arrived at the Box,"did you ever stuff a fish?" |
| 48313 | Jack,said he,"did you ever publish a book?" |
| 48313 | Labels? |
| 48313 | Like what? |
| 48313 | Mr. Rogers''s boy, eh? |
| 48313 | Ned,said he,"do n''t you want to lend me the ten dollars that Aunt Mercy gave you last week?" |
| 48313 | Nobody hurt, I hope? |
| 48313 | Not know your own name? 48313 Not your name?" |
| 48313 | Now, how much should you say a fellow would probably get for one of this sort? |
| 48313 | Of course not,said Phaeton;"but what can you do without Es? |
| 48313 | Oh, is that you, Fay? |
| 48313 | Oh, it is n''t prepared yet? |
| 48313 | Oh, was it? |
| 48313 | Old shoes? |
| 48313 | One? |
| 48313 | Phaeton,said I,"you forgot to throw off my coat when you went to work with the axe, did n''t you?" |
| 48313 | Phaeton,said he,"will you please stand here and flag a special freight train that will come along in about ten minutes?" |
| 48313 | Poetry? |
| 48313 | Run him, will you? |
| 48313 | Shall I hit him? |
| 48313 | Should you say as much as a hundred dollars, Jack? |
| 48313 | Sir? |
| 48313 | So you''re the one he sends in, are you? |
| 48313 | Something you want me to furnish money to make a muddle of, I suppose? |
| 48313 | Soup, or bread- and- milk, for every meal? |
| 48313 | Suppose it was an accident,said Ned;"the question is,_ whose_ accident was it? |
| 48313 | That''s all true,said Jack;"but how do you apply it to lightning- rods?" |
| 48313 | The Bowl System? 48313 The Es are gone?" |
| 48313 | The kind-- they-- stuff? |
| 48313 | The question is, are you going to put up the money? |
| 48313 | The question is, what_ is_ best? |
| 48313 | Then I suppose you could help yourself to all the capital you want, out of the bowl? |
| 48313 | Then it has n''t brought you much good luck, so far, has it? |
| 48313 | Then what in the world is it? 48313 Then what will you do with the fifteen dollars?" |
| 48313 | Then why did n''t you say so in the first place? |
| 48313 | Then why did n''t you tell us that before? |
| 48313 | Then you know something about it? |
| 48313 | Then you think he will get well? |
| 48313 | Then, what must we do? |
| 48313 | These poems?--were you going to publish them? |
| 48313 | Those look well, do n''t they? |
| 48313 | To prevent them from burning? |
| 48313 | Was he? |
| 48313 | Was it? |
| 48313 | Was n''t it, Jimmy? |
| 48313 | Was there a full account of the other ceremonies at that wedding? |
| 48313 | Well, then, tell us honestly,said Ned,--"where would you introduce it first? |
| 48313 | Well, then, what do you think is the next best place? |
| 48313 | Well, then, what''s this? |
| 48313 | Well, what then? |
| 48313 | What I want to get at,said Ned,"is this: how much is a fish worth that''s suitable for stuffing?" |
| 48313 | What about riding over the dog? |
| 48313 | What are the other things? |
| 48313 | What are they? |
| 48313 | What are you doing? 48313 What are you laughing about?" |
| 48313 | What are you making, Fay? |
| 48313 | What are you making, Fay? |
| 48313 | What can we make it of? |
| 48313 | What can you do? |
| 48313 | What clubs? |
| 48313 | What could happen? |
| 48313 | What did Jack- in- the- Box say to it? |
| 48313 | What difference does that make? |
| 48313 | What do I care about going it boots? 48313 What do you call that?" |
| 48313 | What do you make of that young man? |
| 48313 | What do you mean by that? |
| 48313 | What do you mean? |
| 48313 | What do you mean? |
| 48313 | What do you mean? |
| 48313 | What do you say, Fay? |
| 48313 | What do you think has happened now? |
| 48313 | What do you think of doing? |
| 48313 | What do you think of it? |
| 48313 | What do you want? |
| 48313 | What does fire do to ice? |
| 48313 | What does he mean by taking an axe? |
| 48313 | What does it mean? |
| 48313 | What feathers? |
| 48313 | What for? |
| 48313 | What have you been doing, I should like to know? 48313 What in the world are those boys doing in that barouche?" |
| 48313 | What is a Limerick hook? |
| 48313 | What is it? 48313 What is it?" |
| 48313 | What is it? |
| 48313 | What is it? |
| 48313 | What is it? |
| 48313 | What is it? |
| 48313 | What is it? |
| 48313 | What is it? |
| 48313 | What is poetic license? |
| 48313 | What is that? |
| 48313 | What is your name? |
| 48313 | What is your second invention? |
| 48313 | What poem did Jimmy write for Isaac Holman? |
| 48313 | What shall we do? |
| 48313 | What shall we do? |
| 48313 | What sort of invention? 48313 What was all that for?" |
| 48313 | What was it? |
| 48313 | What were you going to say, Edmund Burton, about poor Jimmy Redmond? |
| 48313 | What''s new down at your house? |
| 48313 | What''s that, Edmund Burton? |
| 48313 | What''s that? |
| 48313 | What''s that? |
| 48313 | What''s that? |
| 48313 | What''s that? |
| 48313 | What''s the matter? |
| 48313 | What''s the news, Aunty? |
| 48313 | What''s the other way of getting the thing into operation? |
| 48313 | What''s what? |
| 48313 | What? |
| 48313 | What? |
| 48313 | When do you want to go to work? |
| 48313 | When will it be ready? |
| 48313 | When will you go? |
| 48313 | Where are they? |
| 48313 | Where can we get it? |
| 48313 | Where did you find it? |
| 48313 | Where did you get it? |
| 48313 | Where did you get this, Monkey? |
| 48313 | Where did you get this? |
| 48313 | Where is the fly now? |
| 48313 | Where is the title- page? |
| 48313 | Where''s Fay? |
| 48313 | Where''s Patsy? |
| 48313 | Which way do you want it? |
| 48313 | Who did the blacksmith work for you, Fay? |
| 48313 | Who is Jack- in- the- Box? |
| 48313 | Who rides first? |
| 48313 | Who was he? |
| 48313 | Who would want to steal it or damage it? |
| 48313 | Who''s holding it? |
| 48313 | Whose chairs are they? |
| 48313 | Why did n''t you bring the book? |
| 48313 | Why did you make your ladder so short? |
| 48313 | Why do n''t you back him? |
| 48313 | Why do n''t you call yourself George Washington''s boy, while you''re about it? |
| 48313 | Why do n''t you make him go? |
| 48313 | Why do n''t you open that gate? |
| 48313 | Why do n''t you patent it, Edmund Burton? |
| 48313 | Why do n''t you put the money into the bank? |
| 48313 | Why is he carrying away that kite? |
| 48313 | Why not, uncle? |
| 48313 | Why not? |
| 48313 | Why not? |
| 48313 | Why not? |
| 48313 | Why not? |
| 48313 | Why not? |
| 48313 | Why not? |
| 48313 | Why should I lend you my ten dollars? |
| 48313 | Why so, Biddy? |
| 48313 | Why so? |
| 48313 | Why, do n''t you know that? |
| 48313 | Why, do n''t you know? |
| 48313 | Why, do n''t you know? |
| 48313 | Why, is that all it''s for? |
| 48313 | Why, what''s the matter? |
| 48313 | Why? |
| 48313 | Why? |
| 48313 | Will it make us a fortune apiece? |
| 48313 | Will you lend me the money to try it? |
| 48313 | Will you make those? 48313 Would n''t some people oppose it?" |
| 48313 | Would you be willing to look at another invention for us? |
| 48313 | Would, eh? |
| 48313 | Y- e- s,said Phaeton, with a deep sigh;"and is_ that_ all?" |
| 48313 | Yes, of course it is,said I;"but what does it mean?" |
| 48313 | Yes, of course-- why? |
| 48313 | Yes; but why were they allowed to do so? |
| 48313 | Yes; why? 48313 You admit that it was bad, then?" |
| 48313 | You can make money on a book, ca n''t you? |
| 48313 | You do n''t even know the case, do you? |
| 48313 | You go up to the couple, and shake hands, and if you''re a girl you kiss the bride-- What did you say? 48313 You mean to let her know that it''s Phaeton''s invention, and not yours?" |
| 48313 | You? |
| 48313 | --but"Who rides first?" |
| 48313 | A new invention?" |
| 48313 | And besides, what would become of you and Ned? |
| 48313 | And how do you suppose I am going to print for you, unless I know what to print?" |
| 48313 | And if there was a mortgage on our tunnel, and they foreclosed it while we were in there, what would become of us? |
| 48313 | And who would n''t rather have a volume of Jimmy''s poems than a bushel of wheat? |
| 48313 | And who''s ever going to sit in such awkward- looking old things as those?" |
| 48313 | Another foolish invention?" |
| 48313 | Are you going to take a pistol?" |
| 48313 | But after we''ve left the horse in the pasture, how are we to get back past the dog?" |
| 48313 | But did none of you call for Miss Glidden?" |
| 48313 | But how came you to know that about Fay and Jimmy and Holman?" |
| 48313 | But what of it?" |
| 48313 | But what of that? |
| 48313 | But, by the way, Fay, what are you going to do with the twenty dollars you''ve won? |
| 48313 | Ca n''t you tell them to get Dr. Campbell? |
| 48313 | Do n''t you know me?" |
| 48313 | Do n''t you see the paint peeling off already?" |
| 48313 | Do n''t you understand? |
| 48313 | Do poets ever repair poetry, as well as make it new?" |
| 48313 | Do you suppose anything can have happened to him?" |
| 48313 | Do you think Jimmy''s croaking artery will have to be tied up, Jack? |
| 48313 | Do you think of any good way in which I could help him with a little capital?" |
| 48313 | Have n''t you ever noticed that the smaller and snarlier and more worthless a dog is, the surer it is to be called Prince?" |
| 48313 | Have you given out many of these cards?" |
| 48313 | Have you made a muddle yet?" |
| 48313 | How are you? |
| 48313 | How does he suppose he''s going to make men of us, if we never begin to do anything manly?" |
| 48313 | How should we ever get out?" |
| 48313 | How''s that?" |
| 48313 | However, he soon plucked up courage, and said, with a roguish twinkle:"Mother, will you please lend me two dollars of my money?" |
| 48313 | I observed that he wore a broad belt of red leather, on which was inscribed the legend: WE HAVE CAN AND WILL"Monkey,"said I,"what''s that?" |
| 48313 | I suppose you both know what a mortar is?" |
| 48313 | Is n''t there some way to make more money out of it?" |
| 48313 | Is this the manuscript?" |
| 48313 | Of course it was_ totus dexter_,--and who''s the boy that uses that classic expression? |
| 48313 | Or would you go slow, and try it first in this town, on a rather small scale?" |
| 48313 | Rogers''before, were you?" |
| 48313 | Still, I was comforted that he had not merely said,"Who rides?" |
| 48313 | Suppose he has n''t any show, and never will have one-- what of it? |
| 48313 | Suppose you came to the five mechanical powers, and the line before ended with_ sticks_, what could you do? |
| 48313 | This excited a laugh of derision from another, who inquired whether the man with the fine, clear eye"did n''t know a pipe from a chube?" |
| 48313 | What do you suppose could have become of the Es?" |
| 48313 | What doctor do they have?" |
| 48313 | What does this mean?" |
| 48313 | What odds? |
| 48313 | What sort of a railroad would that be?" |
| 48313 | What then? |
| 48313 | What then? |
| 48313 | What will you take?" |
| 48313 | What''s that?" |
| 48313 | What''s the harm in that?" |
| 48313 | What_ do_ you mean?" |
| 48313 | When I was about to sit down at the tea- table, that evening, Mother exclaimed:"What in the world ails your hands?" |
| 48313 | Where have you been all this time?" |
| 48313 | Where would you advise us to put it first?" |
| 48313 | Which do you think you would like best, Jimmy?" |
| 48313 | Who do you think would be the best person for him to talk with?" |
| 48313 | Who told you so?" |
| 48313 | Who''d want to read about such a dreadful thing? |
| 48313 | Why did you always refuse to look at a newspaper?" |
| 48313 | Wo n''t the printer make it himself?" |
| 48313 | Would you go to New York, and build it under Broadway at once? |
| 48313 | You admit that?" |
| 48313 | and get all wet?" |
| 48313 | aspire t ove regard? |
| 48313 | exclaimed Holman,"does she think I''m Hercules?" |
| 48313 | or do we buy them?" |
| 48313 | said Ned, interrupting,"the little yellow cur that Joe bought of Clam Jimmy for a six- pence?" |
| 48313 | said Ned,"or only one fortune, to be divided up among the company?" |
| 48313 | said Ned--"merely your own amusement?" |
| 48313 | said Phaeton,"why did you print this thing before we had seen it?" |
| 48313 | what did your brother do in the printing- office?" |
| 48313 | |+-------------------+"Where''s your show going to be?" |