This is a list of all the questions and their associated study carrel identifiers. One can learn a lot of the "aboutness" of a text simply by reading the questions.
| identifier | question |
|---|---|
| 20607 | II What do I think of the master now, after so many years? |
| 20607 | Was it national prejudice, or was it conviction? |
| 20607 | What is that quaint little girl doing among all those men? |
| 22690 | Are the Madonnas of Murillo anything but a transcript of the women of Andalusia? |
| 22690 | But are not others chargeable with some incongruities? |
| 22690 | The portraits of Holbein are of this high- finished manner; and for colouring and similitude what was ever beyond them? |
| 22690 | The subject represents the moment when the son asks his father,"Where is the sacrifice?" |
| 22690 | What impression feels he who for the first time casts a glance over the immense scenery of that work? |
| 22690 | Would so great a master of tone as Reynolds have forgot this master- key if he had found it in the picture? |
| 22690 | wist ye not that I must be about my Father''s business?" |
| 17215 | Are these for sale? |
| 17215 | But where can I see the originals? 17215 What does that mean?" |
| 17215 | How did the discovery of that horde of capable experts strike the imagination of our golfer? |
| 17215 | Is it fantastical to assume that his interest in Rembrandt dated from that little golf etching? |
| 17215 | Now he is fairly started on his journey through the Rembrandt country, and as he pursues his way, what is the emotion that dominates him? |
| 17215 | Now what is the meaning of this little story? |
| 17215 | The obliging youth scanned the document and said--"Which do you wish to see? |
| 17215 | What is there to say about such a life? |
| 17215 | What was it that moved him? |
| 17215 | What was the secret of this gaiety? |
| 17215 | Who dares to say that Rembrandt was disloyal to nature? |
| 17215 | would his imagination be stirred? |
| 18118 | And is it a stone- mason you want to make of my heir and firstborn? |
| 18118 | And what are you working at? |
| 18118 | And who painted that? |
| 18118 | Are they fierce? |
| 18118 | Did you ever see a live horse? |
| 18118 | Did you walk? |
| 18118 | Have you seen Keppel''s portrait? |
| 18118 | He will do nothing but draw pictures? 18118 Is it true-- is it true that there are pictures by Rubens in the Louvre?" |
| 18118 | Is thy servant a dog that he should do this thing? |
| 18118 | Me? 18118 Me? |
| 18118 | Me? 18118 Me? |
| 18118 | Pray you,said Rubens,"to which Van Dyck do you refer? |
| 18118 | Should we two old men, about ready to die, stand in the way of the success of that boy? |
| 18118 | So you do not care for the picture? |
| 18118 | Then you painted the picture alone? |
| 18118 | To Barcelona-- ten miles, and back? |
| 18118 | Well, boys, what shall we draw today? |
| 18118 | Well, why can not all your scholars draw like that, then? |
| 18118 | What can you do? |
| 18118 | What did I tell you? |
| 18118 | What did I tell you? |
| 18118 | What is the painter''s name? |
| 18118 | What is this book you are working on? |
| 18118 | What shall it be? |
| 18118 | Where am I? |
| 18118 | Where do you wish to go? |
| 18118 | Where have you been? |
| 18118 | Where have you been? |
| 18118 | Who did this? |
| 18118 | Who is with you? |
| 18118 | Who wants me? |
| 18118 | Why are you always late? |
| 18118 | Why do you no longer come to my atelier? |
| 18118 | You are quite sure my presence will not make you nervous, then? |
| 18118 | You do not mind my watching you work? |
| 18118 | You see the palace there in the picture, do you not? |
| 18118 | And did she guess that this child would be the sustaining prop for her son when she, herself, was gone? |
| 18118 | And this is well-- God made it all, and did He not look upon His work and pronounce it good? |
| 18118 | And why should they not be? |
| 18118 | But he contributed to the quiet joy of a million homes; and it is not for us to say,"It is beautiful; but is it art?" |
| 18118 | But love is greater than man- made titles, and when was there ever a difference in station able to separate hearts that throbbed only for each other? |
| 18118 | Can you mistake Kemble''s"coons,"Denslow''s dandies, Remington''s horses, Giannini''s Indians, or Gibson''s"Summer Girl"? |
| 18118 | Can you read"Captain, My Captain,"or listen to the"Pilgrims''Chorus,"or look upon"The Man With the Hoe"without tears? |
| 18118 | Could not the distinguished painter remain over one day and give his hosts a taste of his quality? |
| 18118 | Delaroche and others declared his work was great, but how could they make people buy it? |
| 18118 | Did Aubrey Beardsley infuse his own spirit into his work? |
| 18118 | Did not the artist Salvio commit suicide? |
| 18118 | Did the chief citizens of Leyden in the year Sixteen Hundred Thirty regard Rembrandt''s beggars as immortal? |
| 18118 | Do you hear me, Mother, calling and crying for you? |
| 18118 | Do you hear, Mynheer Van Swanenburch? |
| 18118 | Do you understand me? |
| 18118 | H.?" |
| 18118 | He could hire men to paint, but where could one be found who could govern? |
| 18118 | He could paint houses or wagons, and, then, did n''t the shipyard folks employ painters? |
| 18118 | He had no quarrel with his environment, for did he not stay here a hundred years( lacking half a year), and then die through accident? |
| 18118 | He roused enough to answer the question:"Dore-- Gustave Dore-- an artist? |
| 18118 | If Elizabeth never discovered Shakespeare, how could she be expected to know Raphael? |
| 18118 | If Rubens could not paint the picture of a lady without falling in love with her, what should be expected of his best pupil, Van Dyck? |
| 18118 | In a week Lacroix said to Dore, who had called,"Well, have you begun to read my story?" |
| 18118 | Into all his work Giorgione infused his own soul-- and do you know what the power to do that is? |
| 18118 | It occurred to certain capitalists that if people would go to see one Dore, why would not a Dore gallery pay? |
| 18118 | Jean Francois did not belong in Paris: how can robins build nests in omnibuses? |
| 18118 | Let''s see-- what was it, then, that we were talking about? |
| 18118 | No one there remembered seeing the boy-- how can busy officials be expected to remember everything? |
| 18118 | Now, who shall say that Louis the Fourteenth has not enriched the world? |
| 18118 | The diplomat well masked his true errand with the artist''s garb: and who of all men was ever so well fitted by Nature to play the part as Rubens? |
| 18118 | The mother simply waived the taunt and asked,"Do you tell me the schoolmaster says he will not do anything but draw pictures?" |
| 18118 | The question is, What will you collect? |
| 18118 | The question was, for what profession should he be educated? |
| 18118 | We will not think less of you, for see, do we not invite you to our board?" |
| 18118 | What more can be done for you? |
| 18118 | Who will be presumptuous enough to say what would have occurred had not this happened and that first taken place? |
| 18118 | Why? |
| 18118 | With such an entree into life, how was it possible that he should ever become a master? |
| 18118 | and was n''t your husband really guilty, and did n''t you know it all the time?" |
| 18118 | how should I know? |
| 18118 | or does your avatar live somewhere here in this world? |
| 18118 | turned to dust these three hundred years, what star do you now inhabit? |
| 18118 | who can make a statue such as Michelangelo made? |