This is a table of type quadgram and their frequencies. Use it to search & browse the list to learn more about your study carrel.
quadgram | frequency |
---|---|
at the same time | 293 |
of the fifteenth century | 276 |
on the th of | 266 |
of the sixteenth century | 242 |
the end of the | 208 |
one of the most | 197 |
of the middle ages | 172 |
at the end of | 155 |
in the history of | 144 |
in the sixteenth century | 142 |
the duke of urbino | 133 |
the history of the | 122 |
on the other hand | 118 |
as well as the | 115 |
at the court of | 107 |
is said to have | 106 |
the beginning of the | 99 |
of the house of | 97 |
in the hands of | 94 |
seems to have been | 91 |
is one of the | 88 |
the spirit of the | 88 |
to be found in | 86 |
in the fifteenth century | 85 |
the middle of the | 84 |
for the purpose of | 83 |
was one of the | 83 |
at the age of | 83 |
in the midst of | 81 |
of the duke of | 81 |
for the first time | 79 |
in the church of | 77 |
at the beginning of | 77 |
the council of trent | 76 |
after the picture by | 71 |
simile of a miniature | 71 |
of the fourteenth century | 70 |
for the most part | 69 |
of the thirteenth century | 68 |
in spite of the | 67 |
the influence of the | 67 |
in the middle ages | 66 |
the first half of | 66 |
be found in the | 65 |
with regard to the | 64 |
the close of the | 63 |
on the part of | 62 |
on the death of | 61 |
at the time of | 60 |
the time of the | 60 |
in the course of | 60 |
the hands of the | 60 |
the king of france | 59 |
as one of the | 58 |
at the head of | 58 |
in the service of | 57 |
the sack of rome | 57 |
there is no doubt | 55 |
of a miniature in | 55 |
as well as in | 55 |
the men of the | 55 |
from time to time | 55 |
said to have been | 54 |
the name of the | 54 |
the same time the | 54 |
in the archives of | 53 |
to the duke of | 53 |
one of the greatest | 52 |
first half of the | 52 |
the duke of ferrara | 52 |
of the italian renaissance | 51 |
simile of a woodcut | 51 |
a miniature in the | 51 |
the service of the | 51 |
is to be found | 50 |
it must not be | 50 |
for a long time | 50 |
at the close of | 50 |
in so far as | 50 |
after the death of | 50 |
of the seventeenth century | 49 |
that is to say | 49 |
for the sake of | 49 |
in the case of | 49 |
the house of este | 49 |
under the name of | 47 |
during the middle ages | 46 |
the revival of learning | 45 |
in the fourteenth century | 44 |
the head of the | 44 |
the members of the | 44 |
of the modern world | 43 |
on account of the | 43 |
the duke of milan | 43 |
as a matter of | 43 |
into the hands of | 43 |
in the middle of | 42 |
he seems to have | 42 |
the study of the | 41 |
at the expense of | 41 |
the church of s | 41 |
to the holy see | 41 |
the th of june | 41 |
as we have seen | 40 |
of a woodcut in | 40 |
may be said to | 40 |
will be found in | 40 |
it is impossible to | 40 |
to the court of | 40 |
the character of the | 39 |
in the presence of | 39 |
it was not until | 39 |
of the holy office | 39 |
and at the same | 39 |
end of the fifteenth | 39 |
was the first to | 39 |
with the exception of | 38 |
with a view to | 38 |
it is true that | 38 |
national library of paris | 38 |
the duke of gandia | 38 |
of the holy see | 38 |
in the uffizi gallery | 38 |
as well as of | 38 |
a matter of fact | 38 |
half of the sixteenth | 37 |
of the council of | 37 |
and one of the | 37 |
the story of the | 37 |
in the castle of | 37 |
the court of urbino | 36 |
the author of the | 36 |
the death of his | 36 |
end of the sixteenth | 36 |
the church of the | 36 |
the th of august | 36 |
the dukes of urbino | 36 |
the women of the | 36 |
it would have been | 35 |
at a time when | 35 |
of the history of | 35 |
the th of september | 35 |
the greater part of | 35 |
in the possession of | 35 |
the part of the | 34 |
was a man of | 34 |
in the first place | 34 |
the duchy of urbino | 34 |
on the occasion of | 34 |
on the st of | 34 |
as early as the | 34 |
as well as to | 33 |
of the court of | 33 |
it is difficult to | 33 |
in the time of | 33 |
must not be forgotten | 33 |
under the influence of | 33 |
men of the renaissance | 33 |
the fact that the | 33 |
the first of these | 33 |
seem to have been | 33 |
the palace of the | 32 |
of the middle age | 32 |
by the side of | 32 |
the power of the | 32 |
some of the most | 32 |
appears to have been | 32 |
the authority of the | 32 |
be said to have | 32 |
in the palace of | 32 |
the life of the | 31 |
the king of naples | 31 |
the th of october | 31 |
during the sixteenth century | 31 |
and the duke of | 31 |
it is probable that | 31 |
duke francesco maria i | 31 |
in the thirteenth century | 31 |
he is said to | 31 |
in the house of | 30 |
the same time he | 30 |
one of the great | 30 |
to the fact that | 30 |
it is easy to | 30 |
in the name of | 30 |
the age of the | 30 |
the art of the | 30 |
states of the church | 30 |
the death of the | 30 |
to be able to | 30 |
the duchess of urbino | 30 |
in one of the | 30 |
the states of the | 30 |
in the british museum | 29 |
we do not know | 29 |
it is not surprising | 29 |
in consequence of the | 29 |
the use of the | 29 |
the count of urbino | 29 |
but it was not | 29 |
the order of the | 29 |
francesco maria della rovere | 29 |
women of the renaissance | 29 |
a woodcut in the | 29 |
in the pitti gallery | 29 |
of the church and | 29 |
in a great measure | 28 |
the marquis of mantua | 28 |
of the king of | 28 |
of the della rovere | 28 |
the origin of the | 28 |
on the nd of | 28 |
for the benefit of | 28 |
in the direction of | 28 |
under the protection of | 28 |
the th of april | 28 |
the end of his | 28 |
of the eighteenth century | 28 |
is not to be | 28 |
in the library of | 28 |
in the words of | 28 |
to that of the | 28 |
the castle of s | 28 |
of the dukes of | 28 |
of the most important | 28 |
the court of the | 28 |
the rest of the | 27 |
by titian in the | 27 |
the italians of the | 27 |
in the days of | 27 |
in the first half | 27 |
in the eyes of | 27 |
it is said that | 27 |
in the shape of | 27 |
half of the fifteenth | 27 |
the th of november | 27 |
a large number of | 27 |
of the men of | 27 |
the th of march | 27 |
not be forgotten that | 27 |
the discovery of america | 27 |
may be gathered from | 27 |
in the life of | 27 |
from the picture by | 27 |
of the common life | 27 |
towards the end of | 26 |
in accordance with the | 26 |
of the life of | 26 |
on the one hand | 26 |
from a miniature in | 26 |
it may be well | 26 |
the duchy of milan | 26 |
and on the th | 26 |
the archives of the | 26 |
in his history of | 26 |
in the habit of | 26 |
the picture by titian | 26 |
it was in the | 26 |
in a letter to | 26 |
in the spring of | 26 |
the kingdom of naples | 26 |
about the same time | 26 |
the life of a | 25 |
a member of the | 25 |
to the study of | 25 |
the convent of s | 25 |
the scholars of the | 25 |
he was the first | 25 |
the company of jesus | 25 |
at the university of | 25 |
the literature of the | 25 |
the last of the | 25 |
it is enough to | 25 |
the earl of essex | 25 |
the genius of the | 25 |
the crown of naples | 25 |
the th of january | 25 |
the people of the | 25 |
the eyes of the | 25 |
the presence of the | 25 |
as well as by | 25 |
the unity of time | 25 |
the council of ten | 25 |
the th of may | 25 |
the midst of the | 25 |
so far as it | 25 |
of one of the | 24 |
in addition to the | 24 |
on the subject of | 24 |
of the corporation of | 24 |
picture by titian in | 24 |
to have been a | 24 |
the course of the | 24 |
there can be no | 24 |
in the autumn of | 24 |
the fourteenth and fifteenth | 24 |
the th of july | 24 |
in the eighteenth century | 24 |
in the art of | 24 |
to the end of | 24 |
under the title of | 24 |
one of the first | 24 |
beginning of the sixteenth | 24 |
in the chapter on | 24 |
in the form of | 24 |
in the reign of | 24 |
grand duke of tuscany | 24 |
in order that the | 24 |
of duke francesco maria | 24 |
to the history of | 24 |
miniature in the manuscript | 24 |
in the following year | 24 |
the side of the | 24 |
age of the despots | 24 |
the greatest of the | 24 |
did not hesitate to | 23 |
the middle ages and | 23 |
fifteenth and sixteenth centuries | 23 |
the imitation of the | 23 |
in the manuscript of | 23 |
on the ground that | 23 |
about the middle of | 23 |
the nature of the | 23 |
sense of the word | 23 |
it is clear that | 23 |
of the tridentine council | 23 |
a miniature in a | 23 |
in the matter of | 23 |
an account of the | 23 |
about the beginning of | 23 |
of the greatest of | 23 |
a part of the | 23 |
the centre of the | 23 |
a few years later | 23 |
the fall of the | 23 |
it would seem that | 23 |
fourteenth and fifteenth centuries | 23 |
the fifteenth and sixteenth | 23 |
once in the ducal | 22 |
to have been the | 22 |
from the time of | 22 |
the second half of | 22 |
the kings of france | 22 |
is no doubt that | 22 |
with that of the | 22 |
as i have said | 22 |
that he did not | 22 |
in regard to the | 22 |
in the ducal collection | 22 |
on his way to | 22 |
years of his life | 22 |
the discovery of the | 22 |
of the duchy of | 22 |
in order that he | 22 |
in the person of | 22 |
all over the world | 22 |
the interests of the | 22 |
manuscript of the fifteenth | 22 |
the period of the | 22 |
the th of february | 22 |
it seems to me | 22 |
and some of the | 22 |
the work of the | 22 |
after the close of | 22 |
during the reign of | 22 |
before the end of | 21 |
the duke and duchess | 21 |
as well as a | 21 |
on the point of | 21 |
the cosmographie universelle of | 21 |
the names of the | 21 |
in spite of his | 21 |
it may be said | 21 |
imitation of the classics | 21 |
of some of the | 21 |
as a means of | 21 |
the book of the | 21 |
in the manner of | 21 |
the national library of | 21 |
as soon as the | 21 |
it must have been | 21 |
that it would be | 21 |
the marquis of pescara | 21 |
in the same way | 21 |
be gathered from the | 21 |
the king of spain | 21 |
library of the arsenal | 21 |
livre du roy modus | 21 |
the care of the | 21 |
as far as the | 21 |
with the title of | 21 |
of the cardinal of | 21 |
it will be remembered | 21 |
in the annals of | 21 |
of the state of | 21 |
the age of twenty | 21 |
in the same year | 21 |
it is interesting to | 21 |
the works of the | 21 |
come down to us | 20 |
of the church of | 20 |
order that he might | 20 |
by the council of | 20 |
of the most beautiful | 20 |
it is possible that | 20 |
are to be found | 20 |
the rest of europe | 20 |
than that of the | 20 |
brethren of the common | 20 |
in the streets of | 20 |
of the kings of | 20 |
one of the best | 20 |
of the renaissance were | 20 |
of the duchess of | 20 |
the court of france | 20 |
for the use of | 20 |
with the duke of | 20 |
may be well to | 20 |
the art of war | 20 |
it was at this | 20 |
in an age when | 20 |
by the fact that | 20 |
in course of time | 20 |
to the house of | 20 |
in which he lived | 20 |
in which he was | 20 |
so far as to | 20 |
in the way of | 20 |
second half of the | 20 |
we must remember that | 20 |
in the seventeenth century | 20 |
at a later period | 20 |
the head of a | 19 |
in the fact that | 19 |
at the early age | 19 |
it is certain that | 19 |
in connection with the | 19 |
at the moment of | 19 |
and it was not | 19 |
cosmographie universelle of munster | 19 |
of the art of | 19 |
the early age of | 19 |
in the spirit of | 19 |
of which he was | 19 |
in such a way | 19 |
be seen in the | 19 |
it is in the | 19 |
of italy in the | 19 |
the development of the | 19 |
the value of the | 19 |
in his life of | 19 |
for the education of | 19 |
the action of the | 19 |
from the fact that | 19 |
that it was the | 19 |
of the most interesting | 19 |
of the unity of | 19 |
to be seen in | 19 |
well as in the | 19 |
the foundation of the | 19 |
in the style of | 19 |
a place in the | 18 |
in which it was | 18 |
the duke of calabria | 18 |
he was a man | 18 |
the latter half of | 18 |
which he had been | 18 |
the virgin and child | 18 |
no doubt at all | 18 |
we have already seen | 18 |
in the month of | 18 |
as soon as he | 18 |
it is to be | 18 |
middle of the sixteenth | 18 |
to be regarded as | 18 |
the th of december | 18 |
and in order to | 18 |
a certain number of | 18 |
the prince of orange | 18 |
in the cosmographie universelle | 18 |
that he had been | 18 |
the opening of the | 18 |
the beauty of the | 18 |
of the renaissance in | 18 |
in the kingdom of | 18 |
of a number of | 18 |
a portion of the | 18 |
of the death of | 18 |
the parliament of paris | 18 |
the ruins of the | 18 |
more than any other | 18 |
of the nineteenth century | 18 |
at the papal court | 18 |
was due to the | 18 |
of the fifteenth and | 18 |
the founder of the | 18 |
at the hands of | 18 |
in spite of all | 18 |
to the king of | 18 |
the arms of the | 18 |
the interest of the | 18 |
the most important of | 18 |
a young man of | 18 |
the hands of a | 18 |
men of the time | 18 |
in the centre of | 18 |
and that he had | 18 |
after the manner of | 18 |
which we have already | 18 |
it must be remembered | 18 |
by the duke of | 18 |
in the modern time | 18 |
may still be seen | 18 |
the brethren of the | 18 |
could not have been | 17 |
the walls of the | 17 |
with the aid of | 17 |
that he was the | 17 |
on the morning of | 17 |
in one of his | 17 |
was by no means | 17 |
may be found in | 17 |
the court of ferrara | 17 |
the league of cambray | 17 |
in the duchy of | 17 |
of the human mind | 17 |
of the revival of | 17 |
is easy to understand | 17 |
it has been said | 17 |
took place in the | 17 |
the sixteenth century the | 17 |
as well as his | 17 |
for the murder of | 17 |
is no doubt at | 17 |
of the women of | 17 |
of the vita nuova | 17 |
his description of the | 17 |
the church and the | 17 |
the condition of the | 17 |
in the face of | 17 |
it was not till | 17 |
by means of a | 17 |
in the age of | 17 |
the banks of the | 17 |
the first of the | 17 |
in the absence of | 17 |
from the hands of | 17 |
the age in which | 17 |
in the work of | 17 |
he was one of | 17 |
the form of a | 17 |
the protection of the | 17 |
the property of the | 17 |
the state of the | 17 |
of the first half | 17 |
the duke of romagna | 17 |
middle of the fifteenth | 17 |
on the history of | 17 |
the pope and the | 17 |
the inquisition and the | 17 |
it would be difficult | 17 |
to the service of | 16 |
one of the assassins | 16 |
that he was a | 16 |
the house of aragon | 16 |
some idea of the | 16 |
the place of the | 16 |
in the mind of | 16 |
of the twelfth century | 16 |
in the light of | 16 |
of the grand duke | 16 |
the artists of the | 16 |
the whole of the | 16 |
the fate of the | 16 |
it may have been | 16 |
a manuscript of the | 16 |
the middle ages were | 16 |
in our own time | 16 |
close of the fifteenth | 16 |
place in the history | 16 |
has come to be | 16 |
the dignity of the | 16 |
one of the chief | 16 |
as a man of | 16 |
can be no doubt | 16 |
is proved by the | 16 |
the last years of | 16 |
in the low countries | 16 |
in the beginning of | 16 |
in the second place | 16 |
for its own sake | 16 |
the library of the | 16 |
spirit of the renaissance | 16 |
in which they were | 16 |
the grand duke of | 16 |
in favour of the | 16 |
in order to be | 16 |
by the death of | 16 |
during the pontificate of | 16 |
the greek and latin | 16 |
of the castle of | 16 |
of the city of | 16 |
in the summer of | 16 |
the education of the | 16 |
end of his life | 16 |
italy in the sixteenth | 16 |
nel quale se contiene | 16 |
most illustrious and most | 16 |
at the present time | 16 |
a miniature of the | 16 |
of the renaissance to | 16 |
the establishment of a | 16 |
in the twelfth century | 16 |
of the fine arts | 16 |
in the hope of | 16 |
on his return to | 16 |
to the sound of | 16 |
as that of the | 16 |
could not fail to | 16 |
in order to secure | 16 |
of the roman empire | 16 |
the fact that he | 16 |
the way in which | 16 |
as well as for | 16 |
of the assassins of | 16 |
but there is no | 16 |
the valley of the | 16 |
little more than a | 16 |
in the interest of | 16 |
of the th of | 16 |
put an end to | 16 |
art of the renaissance | 16 |
was not to be | 16 |
are among the most | 16 |
of the papal court | 16 |
ought to have been | 15 |
to the spirit of | 15 |
face to face with | 15 |
woodcut in the cosmographie | 15 |
from that of the | 15 |
of the school of | 15 |
in front of the | 15 |
the abbey of st | 15 |
the history of medicine | 15 |
the inhabitants of the | 15 |
the princes of the | 15 |
was not until the | 15 |
for which he was | 15 |
in favor of the | 15 |
on the rd of | 15 |
who seems to have | 15 |
with an introduction by | 15 |
in the sense of | 15 |
the manner in which | 15 |
in the world of | 15 |
the hand of his | 15 |
he was in the | 15 |
the position of the | 15 |
the establishment of the | 15 |
as a consequence of | 15 |
side by side with | 15 |
that he should have | 15 |
of the king and | 15 |
may be regarded as | 15 |
and the beginning of | 15 |
in the cathedral of | 15 |
at the bottom of | 15 |
it would not be | 15 |
the kingdom of the | 15 |
of the pope and | 15 |
it was he who | 15 |
at the time when | 15 |
the face of the | 15 |
the early middle ages | 15 |
to the cause of | 15 |
in the sistine chapel | 15 |
latter half of the | 15 |
end of the eighteenth | 15 |
circulation of the blood | 15 |
the cardinal of pavia | 15 |
with the name of | 15 |
in the end of | 15 |
for the study of | 15 |
through the medium of | 15 |
on the art of | 15 |
is not surprising that | 15 |
the hand of the | 15 |
in the national library | 15 |
of the marquis of | 15 |
at this time that | 15 |
the expense of the | 15 |
the language of the | 15 |
to the rank of | 15 |
in which it is | 15 |
the nations of the | 15 |
in spite of its | 15 |
to take part in | 15 |
the battle of the | 15 |
the later middle ages | 15 |
been one of the | 15 |
the mind of the | 15 |
the time of his | 15 |
a few of the | 15 |
supposed to have been | 15 |
on the other side | 15 |
has been said that | 15 |
the lives of the | 15 |
in a state of | 15 |
it is one of | 15 |
the manner of the | 15 |
one and the same | 15 |
by means of the | 15 |
he was able to | 15 |
miniature in a manuscript | 15 |
it could not be | 15 |
the invention of printing | 15 |
the ruin of the | 15 |
of the time and | 15 |
the fifteenth century was | 15 |
a number of the | 14 |
to the crown of | 14 |
during the course of | 14 |
does not seem to | 14 |
the requirements of the | 14 |
but it is a | 14 |
of the time is | 14 |
the king and queen | 14 |
in spite of this | 14 |
preserved in the archives | 14 |
the age of leo | 14 |
in which he had | 14 |
the hands of his | 14 |
it is necessary to | 14 |
it will be seen | 14 |
the case of the | 14 |
under the direction of | 14 |
to the time of | 14 |
mighty and potent lords | 14 |
in the minds of | 14 |
on his return from | 14 |
is preserved in the | 14 |
by far the most | 14 |
the della rovere family | 14 |
it is noticeable that | 14 |
le marche e per | 14 |
for the last time | 14 |
the ducal collection at | 14 |
under the care of | 14 |
in the study of | 14 |
per le marche e | 14 |
the history of italian | 14 |
the affairs of the | 14 |
of the discovery of | 14 |
the point of view | 14 |
of the influence of | 14 |
the benefit of the | 14 |
the middle ages had | 14 |
in the collection of | 14 |
the history of art | 14 |
to the number of | 14 |
in the character of | 14 |
as far as possible | 14 |
congregation of the index | 14 |
of a series of | 14 |
that it was not | 14 |
by a series of | 14 |
be regarded as the | 14 |
the former of these | 14 |
the details of the | 14 |
the circulation of the | 14 |
over and over again | 14 |
that he could not | 14 |
which must have been | 14 |
the duke of bracciano | 14 |
took the place of | 14 |
is now in the | 14 |
the love of the | 14 |
in a manuscript of | 14 |
a more or less | 14 |
in the field of | 14 |
by means of which | 14 |
in order to bring | 14 |
for the maintenance of | 14 |
the first years of | 14 |
would be difficult to | 14 |
by piero della francesca | 14 |
in italy during the | 14 |
as we have already | 14 |
in presence of the | 14 |
with his own hand | 14 |
in consequence of this | 14 |
that there is no | 14 |
the writers of the | 14 |
the culture of the | 14 |
ducal collection at urbino | 14 |
italians of the renaissance | 14 |
as in the case | 14 |
of greek and latin | 14 |
in the vatican library | 14 |
the chief of the | 14 |
the twelfth and thirteenth | 14 |
of time and place | 14 |
to one of the | 14 |
in the company of | 14 |
the court of rome | 14 |
of the gerusalemme liberata | 14 |
a great many of | 14 |
from the middle ages | 14 |
are said to have | 14 |
the manners of the | 14 |
the king and the | 14 |
but it is not | 14 |
be looked upon as | 14 |
the publication of the | 14 |
of the catholic revival | 14 |
to such an extent | 14 |
the cause of the | 14 |
study of the classics | 14 |
the fifteenth century the | 14 |
duke francesco maria ii | 14 |
the function of the | 14 |
it is worthy of | 14 |
in the event of | 14 |
he would have been | 14 |
of which they were | 14 |
it was the custom | 13 |
the work of his | 13 |
as if it were | 13 |
the golden age of | 13 |
the duke of burgundy | 13 |
the latter part of | 13 |
the spirit of his | 13 |
end of the century | 13 |
of the most distinguished | 13 |
with which he was | 13 |
by one of the | 13 |
and that of the | 13 |
the rest of his | 13 |
the laws of the | 13 |
we have seen that | 13 |
once in the possession | 13 |
the conclusion of the | 13 |
coronation of charles v | 13 |
a quarter of a | 13 |
it was thus that | 13 |
of the end of | 13 |
the livre du roy | 13 |
and it was only | 13 |
the council of constance | 13 |
the men of this | 13 |
is said to be | 13 |
not only in the | 13 |
as a result of | 13 |
of the order of | 13 |
as if they were | 13 |
artists of the renaissance | 13 |
the pope and his | 13 |
until the end of | 13 |
of his life in | 13 |
a history of the | 13 |
about the end of | 13 |
of men and women | 13 |
may be called the | 13 |
the person of the | 13 |
with the spirit of | 13 |
of the new learning | 13 |
of the artists of | 13 |
it was impossible to | 13 |
the exigencies of the | 13 |
as i have already | 13 |
and there is no | 13 |
the university of paris | 13 |
it is unnecessary to | 13 |
to which we have | 13 |
the subject of the | 13 |
the statutes of the | 13 |
a letter written by | 13 |
during the fifteenth century | 13 |
under the patronage of | 13 |
have been one of | 13 |
i do not know | 13 |
attracted the attention of | 13 |
on account of its | 13 |
it would be easy | 13 |
appear to have been | 13 |
in italy in the | 13 |
spirit of the age | 13 |
on the side of | 13 |
the archives of modena | 13 |
this is not the | 13 |
women of the time | 13 |
the theory of the | 13 |
take part in the | 13 |
it was not so | 13 |
age in which he | 13 |
the unity of the | 13 |
of the catholic church | 13 |
the house of borgia | 13 |
in the works of | 13 |
of the time was | 13 |
it might have been | 13 |
to the influence of | 13 |
the master of the | 13 |
the last of these | 13 |
on the accession of | 13 |
one of these was | 13 |
of the ancient world | 13 |
on francesco maria i | 13 |
of the fact that | 13 |
the style of the | 13 |
to the age of | 13 |
not seem to have | 13 |
of the spirit of | 13 |
it is curious to | 13 |
of the time of | 13 |
it is evident that | 13 |
the congregation of the | 13 |
the minds of the | 13 |
the taste of the | 13 |
at the battle of | 13 |
and on the other | 13 |
storia della letteratura italiana | 13 |
end of the fourteenth | 13 |
the murder of his | 13 |
the administration of the | 13 |
twelfth and thirteenth centuries | 13 |
the meaning of the | 13 |
the marriage of his | 13 |
the creation of a | 13 |
in the fourteenth and | 13 |
for the duke of | 13 |
it is not the | 13 |
of the kingdom of | 13 |
to say that the | 13 |
the kings of the | 13 |
of the bishop of | 12 |
knight of the garter | 12 |
which he did not | 12 |
at a period when | 12 |
in the conduct of | 12 |
the writings of the | 12 |
and many of the | 12 |
the influence of his | 12 |
the title of the | 12 |
it was here that | 12 |
of the classical revival | 12 |
to which he had | 12 |
in italy and greece | 12 |
quarter of a century | 12 |
that they could not | 12 |
a lady of the | 12 |
formed part of the | 12 |
in the national gallery | 12 |
would be easy to | 12 |
nations of the north | 12 |
the early sixteenth century | 12 |
be one of the | 12 |
of the town of | 12 |
the picture by raphael | 12 |
in a sort of | 12 |
as it is in | 12 |
the administration of justice | 12 |
the duchess of ferrara | 12 |
the age of thirty | 12 |
at the french court | 12 |
it was impossible for | 12 |
is due to the | 12 |
from all parts of | 12 |
from one of the | 12 |
so far as the | 12 |
and it is to | 12 |
into one of the | 12 |
period of the renaissance | 12 |
the cultivation of the | 12 |
have come down to | 12 |
all the members of | 12 |
in opposition to the | 12 |
the practice of the | 12 |
associate of ignatius loyola | 12 |
of the church in | 12 |
the words of the | 12 |
of the present day | 12 |
the glory of the | 12 |
that there was no | 12 |
prepared the way for | 12 |
of greece and rome | 12 |
the same time that | 12 |
the cause of his | 12 |
the number of the | 12 |
the last day of | 12 |
of a man who | 12 |
italy of the renaissance | 12 |
would not have been | 12 |
the object of the | 12 |
in most of the | 12 |
for the history of | 12 |
the whole history of | 12 |
the poets of the | 12 |
the church of st | 12 |
memoirs of the dukes | 12 |
of the early renaissance | 12 |
and a number of | 12 |
the courts of love | 12 |
the society of the | 12 |
the history of this | 12 |
the porta del popolo | 12 |
may be taken as | 12 |
the sixteenth century was | 12 |
it is not necessary | 12 |
the houses of the | 12 |
of which we have | 12 |
the return of the | 12 |
the great work of | 12 |
have been able to | 12 |
the appearance of the | 12 |
the tyranny of the | 12 |
toward the end of | 12 |
the death of alexander | 12 |
a picture of the | 12 |
the son of a | 12 |
of the abbey of | 12 |
greater part of the | 12 |
it was necessary to | 12 |
on the strength of | 12 |
of the renaissance was | 12 |
it is possible to | 12 |
for which they were | 12 |
at a moment when | 12 |
of the people of | 12 |
in the school of | 12 |
it is well known | 12 |
the murder of the | 12 |
with the house of | 12 |
to the convent of | 12 |
the restoration of the | 12 |
vauquelin de la fresnaye | 12 |
entered the service of | 12 |
to the duchy of | 12 |
the italy of the | 12 |
the invasion of italy | 12 |
it is to the | 12 |
period of his life | 12 |
in a series of | 12 |
to do with the | 12 |
della francesca in the | 12 |
the records of the | 12 |
a great deal of | 12 |
during the first half | 12 |
during the renaissance period | 12 |
lost no time in | 12 |
might have been expected | 12 |
as a specimen of | 12 |
at the disposal of | 12 |
from the pen of | 12 |
of the two sicilies | 12 |
in the domain of | 12 |
that he was not | 12 |
i commend myself to | 12 |
with the holy see | 12 |
the art of poetry | 12 |
to believe that the | 12 |
of the nature of | 12 |
in order to obtain | 12 |
ought not to be | 12 |
of the brethren of | 12 |
was given to the | 12 |
is that of a | 12 |
the beginning of his | 12 |
he was born at | 11 |
the unity of place | 11 |
one of the few | 11 |
in the opinion of | 11 |
to the development of | 11 |
at that time the | 11 |
the possession of the | 11 |
the top of the | 11 |
they ought to be | 11 |
a man of the | 11 |
of the works of | 11 |
to be one of | 11 |
the early part of | 11 |
what may be called | 11 |
in a position to | 11 |
the fall of constantinople | 11 |
and some of them | 11 |
and above all the | 11 |
and the influence of | 11 |
he is one of | 11 |
at the request of | 11 |
the jurisdiction of the | 11 |
the mother of the | 11 |
to the state of | 11 |
piero della francesca in | 11 |
with the king of | 11 |
to think of the | 11 |
seems to have had | 11 |
the shape of a | 11 |
to the signory of | 11 |
the marriage of the | 11 |
which it had been | 11 |
the duchy of ferrara | 11 |
became one of the | 11 |
of the sacred college | 11 |
in the preface to | 11 |
and in spite of | 11 |
of the national library | 11 |
due to the fact | 11 |
the difference between the | 11 |
about the time of | 11 |
during the reigns of | 11 |
the coronation of the | 11 |
the truth of this | 11 |
the peace of italy | 11 |
the circumstances under which | 11 |
the annals of the | 11 |
of the roman court | 11 |
became more and more | 11 |
the aim of the | 11 |
the principles of the | 11 |
by raphael in the | 11 |
point of view of | 11 |
in the development of | 11 |
as well as their | 11 |
the greater number of | 11 |
of the renaissance as | 11 |
of letters and arts | 11 |
history of the popes | 11 |
to the value of | 11 |
is true that the | 11 |
end of the thirteenth | 11 |
we have come to | 11 |
it was only by | 11 |
which led to the | 11 |
of the roman church | 11 |
the chair of st | 11 |
the office of the | 11 |
with reference to the | 11 |
be no doubt that | 11 |
by the bishop of | 11 |
he had been the | 11 |
the rest of italy | 11 |
the history of scholarship | 11 |
which they had been | 11 |
that the duke of | 11 |
formed the basis of | 11 |
of those who had | 11 |
in the affairs of | 11 |
he was born in | 11 |
at the moment when | 11 |
the attitude of the | 11 |
of the italians in | 11 |
at the courts of | 11 |
in the university of | 11 |
on the night of | 11 |
the men and women | 11 |
at the point of | 11 |
to have been his | 11 |
was said to have | 11 |
in the arts of | 11 |
the duke of orleans | 11 |
duke of urbino chapter | 11 |
of lorenzo the magnificent | 11 |
one of the earliest | 11 |
every country in europe | 11 |
in the second half | 11 |
to the art of | 11 |
the support of the | 11 |
the result was that | 11 |
the wife of a | 11 |
of the new testament | 11 |
must be remembered that | 11 |
of the men who | 11 |
the sound of the | 11 |
but at the same | 11 |
the rules of the | 11 |
duke federigo of urbino | 11 |
the supremacy of the | 11 |
after the fall of | 11 |
the manuscript of the | 11 |
was looked upon as | 11 |
the emperor charles v | 11 |
a great number of | 11 |
of the palace of | 11 |
been the first to | 11 |
sacraments of the church | 11 |
to which he was | 11 |
at the same moment | 11 |
the republic of venice | 11 |
his work as a | 11 |
the elevation of the | 11 |
with the help of | 11 |
so many of the | 11 |
well as by the | 11 |
was at this time | 11 |
a large portion of | 11 |
the chiefs of the | 11 |
the intellectual life of | 11 |
took place on the | 11 |
at the sight of | 11 |
to provide for the | 11 |
seventeenth and eighteenth centuries | 11 |
the dedication of the | 11 |
towards the close of | 11 |
men of this time | 11 |
well as of the | 11 |
he was met by | 11 |
i have tried to | 11 |
fell into the hands | 11 |
on the one side | 11 |
the commencement of the | 11 |
doctors of the church | 11 |
with which we are | 11 |
in the convent of | 11 |
to be derived from | 11 |
from the hand of | 11 |
on the authority of | 11 |
to the exclusion of | 11 |
by the aid of | 11 |
the first edition of | 11 |
battle of the taro | 11 |
the sovereignty of the | 11 |
the things of the | 11 |
the coronation of charles | 11 |
may have been the | 11 |
he devoted himself to | 11 |
years after his death | 11 |
to the church of | 11 |
the emancipation of the | 11 |
in the court of | 11 |
we find in the | 11 |
on the same day | 11 |
the whole of europe | 11 |
the direction of the | 11 |
the church of san | 10 |
the poetry of the | 10 |
through the influence of | 10 |
a good idea of | 10 |
of the members of | 10 |
to the castle of | 10 |
he was a great | 10 |
that he had not | 10 |
the whole of italy | 10 |
at the opening of | 10 |
and those of his | 10 |
and that it was | 10 |
it was not to | 10 |
the governor of the | 10 |
as the author of | 10 |
simile of an engraving | 10 |
the army of the | 10 |
of his native city | 10 |
there is no reason | 10 |
of the french army | 10 |
manner in which the | 10 |
with the assistance of | 10 |
of the lord of | 10 |
of the earl of | 10 |
in honour of the | 10 |
the palaces of the | 10 |
a method for travell | 10 |
the introduction of the | 10 |
of the university of | 10 |
the foot of the | 10 |
since the time of | 10 |
that we owe the | 10 |
of the most famous | 10 |
the freedom of the | 10 |
to show that the | 10 |
man of the world | 10 |
from the king of | 10 |
may be seen in | 10 |
the sacraments of the | 10 |
to the gates of | 10 |
that it is the | 10 |
is the history of | 10 |
looked upon as the | 10 |
the basis of the | 10 |
as it was in | 10 |
in the city of | 10 |
a change in the | 10 |
in the pages of | 10 |
men of his time | 10 |
early part of the | 10 |
as we have said | 10 |
the attention of the | 10 |
died at the early | 10 |
history of the council | 10 |
unities of time and | 10 |
of the reign of | 10 |
must have been a | 10 |
in the battle of | 10 |
of the church was | 10 |
the ambition of the | 10 |
the dress of the | 10 |
the defence of poesy | 10 |
the result of the | 10 |
his commentary on the | 10 |
the palace of s | 10 |
to the will of | 10 |
the growth of the | 10 |
be this as it | 10 |
titian in the uffizi | 10 |
the independence of the | 10 |
but this was not | 10 |
the question of the | 10 |
it is not known | 10 |
the lord of pesaro | 10 |
up to this time | 10 |
for the preservation of | 10 |
of the renaissance period | 10 |
of the eternal city | 10 |
should be allowed to | 10 |
the forces of the | 10 |
the wars of the | 10 |
the subjects of the | 10 |
life and letters of | 10 |
will be seen that | 10 |
before the close of | 10 |
we have seen how | 10 |
early in the sixteenth | 10 |
for the modern world | 10 |
at this time was | 10 |
we are assured that | 10 |
the nobles of the | 10 |
of the world to | 10 |
in the sphere of | 10 |
a time when the | 10 |
at an early age | 10 |
so long as the | 10 |
in the pitti palace | 10 |
one or other of | 10 |
picture by raphael in | 10 |
in consequence of his | 10 |
of the sistine chapel | 10 |
the effect of the | 10 |
the close of his | 10 |
in the early days | 10 |
the duke of savoy | 10 |
a miniature from the | 10 |
as well as from | 10 |
the streets of rome | 10 |
a knight of the | 10 |
of the first magnitude | 10 |
in a few years | 10 |
in the sacristy of | 10 |
the duke of guise | 10 |
in order to make | 10 |
of the most remarkable | 10 |
so great was the | 10 |
francs of present money | 10 |
that it is not | 10 |
the best known of | 10 |
the time when the | 10 |
as will be seen | 10 |
the books of the | 10 |
by the pope and | 10 |
or at least the | 10 |
was in the habit | 10 |
the greatness of the | 10 |
to make room for | 10 |
gonfaloniere of the church | 10 |
a few days after | 10 |
theory of the drama | 10 |
place on the th | 10 |
old man of the | 10 |
of the human race | 10 |
picture once in the | 10 |
of sir thomas more | 10 |
of the church were | 10 |
the memory of the | 10 |
in the preface of | 10 |
was succeeded by his | 10 |
to the bishop of | 10 |
in the interests of | 10 |
such a state of | 10 |
in the use of | 10 |
and it is in | 10 |
the duchess of palliano | 10 |
is to be seen | 10 |
that the king of | 10 |
of one of his | 10 |
in the palazzo ducale | 10 |
and it is not | 10 |
we must not forget | 10 |
that they had been | 10 |
by the name of | 10 |
it was not the | 10 |
the duke francesco maria | 10 |
of the arsenal of | 10 |
in the place of | 10 |
not a few of | 10 |
the house of the | 10 |
the policy of the | 10 |
not been able to | 10 |
is possible that the | 10 |
his history of the | 10 |
it seemed as though | 10 |
it would be a | 10 |
by the help of | 10 |
was the son of | 10 |
the sixteenth century in | 10 |
that many of the | 10 |
in the council of | 10 |
nothing to do with | 10 |
the pleasures of the | 10 |
the occasion of the | 10 |
to prove that the | 10 |
in some of the | 10 |
it will be well | 10 |
the madonna and child | 10 |
men and women who | 10 |
work as a jesuit | 10 |
emancipation of the reason | 10 |
whatever may have been | 10 |
a hundred and fifty | 10 |
the advent of the | 10 |
that he might not | 10 |
went so far as | 10 |
of thought and feeling | 10 |
of the importance of | 10 |
the first time in | 10 |
imperial library of paris | 10 |
to face with the | 10 |
manuscript of the fourteenth | 10 |
the arsenal of paris | 10 |
the reign of louis | 10 |
the formation of a | 10 |
of the jesuits in | 10 |
some of the best | 10 |
commend myself to your | 10 |
i have attempted to | 10 |
at variance with the | 10 |
the murder of her | 10 |
the popes of the | 10 |
of the renaissance is | 10 |
the court of charles | 10 |
on account of their | 10 |
the same time they | 10 |
in the nineteenth century | 10 |
at the instance of | 10 |
within the limits of | 10 |
of the medicean family | 10 |
a letter to the | 10 |
the chapel of the | 10 |
in an age of | 10 |
the qualities of the | 10 |
this as it may | 10 |
to the use of | 10 |
in the neighbourhood of | 10 |
that there was a | 10 |
to the conclusion that | 10 |
was that of a | 10 |
the unities of time | 10 |
in the north of | 10 |
to the priors of | 10 |
and the love of | 10 |
to a great extent | 10 |
with each other in | 10 |
un non so che | 10 |
was buried in the | 10 |
the assassins of sarpi | 10 |
to the care of | 10 |
a portion of his | 10 |
the city of rome | 10 |
doubt at all that | 10 |
the council of basle | 10 |
such a way as | 10 |
at all times and | 10 |
the literary criticism of | 10 |
information with regard to | 10 |
to the grand duke | 10 |
the battle of pavia | 10 |
the extinction of the | 10 |
that this was the | 10 |
throughout the middle ages | 10 |
the end of a | 10 |
tells us that the | 10 |
the morality of the | 10 |
as might be expected | 10 |
of a young man | 10 |
is supposed to have | 10 |
it is no wonder | 10 |
he could not be | 9 |
manners and customs of | 9 |
the course of a | 9 |
an engraving of the | 9 |
among the most beautiful | 9 |
on account of her | 9 |
in the affair of | 9 |
the date of the | 9 |
will be well to | 9 |
it was not long | 9 |
the tables of the | 9 |
in consequence of their | 9 |
the throne of naples | 9 |
nor can it be | 9 |
of the french renaissance | 9 |
by the introduction of | 9 |
the heads of the | 9 |
to the genius of | 9 |
to the government of | 9 |
sense of the term | 9 |
an edition of the | 9 |
of charles the bold | 9 |
the seventeenth and eighteenth | 9 |
a way as to | 9 |
during the seventeenth century | 9 |
whom we have already | 9 |
the company of the | 9 |
the manners and customs | 9 |
not only to the | 9 |
of the age of | 9 |
in his own house | 9 |
of which i have | 9 |
francs of present currency | 9 |
there is nothing to | 9 |
to the rest of | 9 |
he was allowed to | 9 |
we are told that | 9 |
in the evolution of | 9 |
of the florentine republic | 9 |
in the archivio diplomatico | 9 |
as a young man | 9 |
the tradition of the | 9 |
the time of louis | 9 |
by the end of | 9 |
which his father had | 9 |
as if he were | 9 |
the conditions under which | 9 |
the madonna of the | 9 |
much to do with | 9 |
the critical literature of | 9 |
to bring about a | 9 |
the same way as | 9 |
age of the renaissance | 9 |
the execution of the | 9 |
in a few days | 9 |
reform of the church | 9 |
to a certain extent | 9 |
to the princess vittoria | 9 |
to the unity of | 9 |
of the pastor fido | 9 |
of the daughters of | 9 |
to which they were | 9 |
the very end of | 9 |
would have been the | 9 |
had been in the | 9 |
between france and spain | 9 |
of the renaissance and | 9 |
the theory of poetry | 9 |
to make use of | 9 |
the garden of the | 9 |
remainder of his life | 9 |
it is not easy | 9 |
the first of them | 9 |
the author of a | 9 |
he was to be | 9 |
will be remembered that | 9 |
at the risk of | 9 |
to the catholic revival | 9 |
on account of his | 9 |
of the origin of | 9 |
handed over to the | 9 |
the events of the | 9 |
in the neighborhood of | 9 |
as the basis of | 9 |
is that of the | 9 |
invasion of charles viii | 9 |
devoted himself to the | 9 |
quale se contiene la | 9 |
the end of all | 9 |
to the holy land | 9 |
the course of this | 9 |
but it was the | 9 |
throughout the period of | 9 |
will be able to | 9 |
which had long been | 9 |
of the earlier renaissance | 9 |
of the holy roman | 9 |
in other parts of | 9 |
dom diego and ginevra | 9 |
the result of this | 9 |
was followed by the | 9 |
in consequence of a | 9 |
princes of the house | 9 |
on the th he | 9 |
all parts of the | 9 |
must have been the | 9 |
from an engraving by | 9 |
to return to the | 9 |
on the day of | 9 |
the strength of the | 9 |
the rights of the | 9 |
by the courtesy of | 9 |
commentary on the poetics | 9 |
died on the th | 9 |
at the council of | 9 |
we have seen in | 9 |
the time of charlemagne | 9 |
the beginning of this | 9 |
of the grand tour | 9 |
after the battle of | 9 |
from all over the | 9 |
one of the many | 9 |
at the foot of | 9 |
it was too late | 9 |
man of the mountain | 9 |
of cloth of gold | 9 |
with a sort of | 9 |
the relations of the | 9 |
of the golden fleece | 9 |
and the study of | 9 |
for the administration of | 9 |
the republic of florence | 9 |
to speak of the | 9 |
of the theory of | 9 |
of the church to | 9 |
in the sack of | 9 |
and in order that | 9 |
the knowledge of the | 9 |
the renaissance in italy | 9 |
james dennistoun of dennistoun | 9 |
the state of florence | 9 |
of the most serene | 9 |
the castle of st | 9 |
early age of thirty | 9 |
the empire of the | 9 |
the news of the | 9 |
murder of the duke | 9 |
the right of the | 9 |
the history of science | 9 |
is a kind of | 9 |
more than anything else | 9 |
we shall find that | 9 |
the palace of urbino | 9 |
in every country in | 9 |
a list of the | 9 |
the service of his | 9 |
the mouth of the | 9 |
the convent of the | 9 |
the occasion of his | 9 |
the remainder of his | 9 |
on her way to | 9 |
and there is a | 9 |
in all parts of | 9 |
in the vulgar tongue | 9 |
age of leo x | 9 |
end of the twelfth | 9 |
of the count of | 9 |
supposed to be a | 9 |
that this is the | 9 |
and it is the | 9 |
is all the more | 9 |
at the instigation of | 9 |
of francesco maria della | 9 |
received the name of | 9 |
the interests of his | 9 |
by one of his | 9 |
the reform of the | 9 |
to say that he | 9 |
for the care of | 9 |
was not confined to | 9 |
the doge of venice | 9 |
the conduct of the | 9 |
the last duke of | 9 |
that it should be | 9 |
the temper of the | 9 |
the lord of rimini | 9 |
in the following letter | 9 |
to the most illustrious | 9 |
by the study of | 9 |
and that of his | 9 |
the emperor and the | 9 |
first of these was | 9 |
of the family of | 9 |
the decrees of the | 9 |
to profit by the | 9 |
now known as the | 9 |
he goes on to | 9 |
was one of those | 9 |
the period of classicism | 9 |
at the same period | 9 |
and many of them | 9 |
as well as many | 9 |
the scene of his | 9 |
and those of the | 9 |
the night of the | 9 |
after the fresco by | 9 |
care of the insane | 9 |
the middle ages was | 9 |
but it would be | 9 |
we have already mentioned | 9 |
has been called the | 9 |
on the banks of | 9 |
your most illustrious lordship | 9 |
of the man who | 9 |
in imitation of the | 9 |
the imagination of the | 9 |
of a woodcut of | 9 |
an example of the | 9 |
in the modern world | 9 |
of the last supper | 9 |
beginning of the fourteenth | 9 |
the vices of the | 9 |
with those of the | 9 |
than those of the | 9 |
at the mercy of | 9 |
years of the sixteenth | 9 |
this conception of the | 9 |
a man of letters | 9 |
was that of the | 9 |
bear in mind that | 9 |
a woodcut of the | 9 |
the days of the | 9 |
of the modern mind | 9 |
for the service of | 9 |
the body of the | 9 |
now in the uffizi | 9 |
no less than the | 9 |
he was ready to | 9 |
with the view of | 9 |
vied with each other | 9 |
was at that time | 9 |
different from that of | 9 |
the progress of the | 9 |
the maintenance of the | 9 |
the french and the | 9 |
the daughter of the | 9 |
just about the beginning | 9 |
the work of a | 9 |
on one of the | 9 |
to the interests of | 9 |
to take up the | 9 |
in the great hall | 9 |
the latter of whom | 9 |
the importance of the | 9 |
army of the league | 9 |
care for the insane | 9 |
of the livre du | 9 |
the invasion of charles | 9 |
the fortunes of the | 9 |
have had occasion to | 9 |
on the election of | 9 |
there was also a | 9 |
was a native of | 9 |
in that age of | 9 |
is characteristic of the | 9 |
the sight of the | 9 |
the early days of | 9 |
the government of the | 9 |
he died on the | 9 |
influence of the italian | 9 |
of the sack of | 9 |
the example of the | 9 |
the government of his | 9 |
any of his predecessors | 9 |
at the cost of | 9 |
he was forced to | 9 |
from the duke of | 9 |
the opposition of the | 9 |
as soon as they | 9 |
the help of the | 9 |
in the society of | 9 |
large sums of money | 9 |
the provost of paris | 9 |
the most beautiful of | 9 |
in church and state | 9 |
in the first instance | 9 |
of a general council | 9 |
the credit of the | 9 |
and the king of | 9 |
by order of the | 9 |
leonardo da vinci and | 9 |
by the hand of | 9 |
more than a mere | 9 |
the eyes of a | 9 |
the heart of the | 9 |
order of the garter | 9 |
the sixteenth century that | 9 |
the form of the | 9 |
at the price of | 9 |
that he might be | 9 |
of the most brilliant | 9 |
the way for the | 9 |
the history of florence | 9 |
head of the church | 9 |
at this time in | 9 |
of the early sixteenth | 9 |
as it seems to | 9 |
the passage of the | 9 |
do not know what | 9 |
so much so that | 9 |
general of the jesuits | 9 |
have been the first | 9 |
the holy office in | 9 |
by the hands of | 9 |
to the modern world | 9 |
the tales of chivalry | 9 |
and it may be | 9 |
a manuscript in the | 9 |
and in this way | 9 |
him that he had | 9 |
the papacy and the | 9 |
that it was a | 9 |
during the period of | 9 |
in proportion to the | 9 |
the king of the | 9 |
the fathers of the | 9 |
the corruption of the | 9 |
with which they were | 9 |
thirteenth and fourteenth centuries | 9 |
the secret of the | 8 |
of the pitti gallery | 8 |
not to have been | 8 |
on the return of | 8 |
had the advantage of | 8 |
in the oliveriana library | 8 |
as it is now | 8 |
the history of music | 8 |
for the life of | 8 |
within the walls of | 8 |
in every department of | 8 |
was a friend of | 8 |
on their way to | 8 |
in the papal states | 8 |
of the same sort | 8 |
that he had no | 8 |
manuscript of the livre | 8 |
the head of an | 8 |
all the works of | 8 |
the wall of the | 8 |
the th of the | 8 |
the sixteenth and seventeenth | 8 |
scholars of the period | 8 |
of the arts and | 8 |
before the eyes of | 8 |
the object of his | 8 |
he tells us that | 8 |
from place to place | 8 |
the music of the | 8 |
the presentation of the | 8 |
in the pinacoteca of | 8 |
with many of the | 8 |
for the purchase of | 8 |
that he should be | 8 |
in the language of | 8 |
to him by the | 8 |
in concert with the | 8 |
of the early middle | 8 |
on the eve of | 8 |
which was to be | 8 |
of which it is | 8 |
close of the sixteenth | 8 |
under the guidance of | 8 |
with a kind of | 8 |
by the pope to | 8 |
and this is the | 8 |
between the years and | 8 |
of the secchia rapita | 8 |
in the same manner | 8 |
at the present day | 8 |
of the world and | 8 |
still to be seen | 8 |
no doubt that the | 8 |
letters of sir henry | 8 |
took possession of the | 8 |
the close of our | 8 |
the gates of the | 8 |
life of francesco maria | 8 |
the doctrine of the | 8 |
were not allowed to | 8 |
of which we are | 8 |
as soon as it | 8 |
and all the other | 8 |
what is called the | 8 |
the exclusion of the | 8 |
but one of the | 8 |
the duke of valentino | 8 |
with the object of | 8 |
of pity and fear | 8 |
the sanction of the | 8 |
of the arts of | 8 |
and as a result | 8 |
the course of his | 8 |
was supposed to be | 8 |
the letters of the | 8 |
of france and the | 8 |
by the intrigues of | 8 |
the expedition of charles | 8 |
of italy during the | 8 |
and a hundred and | 8 |
be taken as a | 8 |
to the men of | 8 |
the loss of his | 8 |
which we are now | 8 |
of an engraving on | 8 |
some of them were | 8 |
of rome and the | 8 |
in the duomo of | 8 |
one of the important | 8 |
the cardinal della rovere | 8 |
the degree of doctor | 8 |
to the present time | 8 |
so as to be | 8 |
we shall have to | 8 |
men and women of | 8 |
as they were called | 8 |
of the work of | 8 |
enters the service of | 8 |
most important of the | 8 |
the conception of the | 8 |
is no wonder that | 8 |
is by no means | 8 |
in order that they | 8 |
many of them were | 8 |
he had been a | 8 |
may be said that | 8 |
sack of rome in | 8 |
not only with the | 8 |
for the amusement of | 8 |
not to be found | 8 |
a branch of the | 8 |
as has been seen | 8 |
at the period of | 8 |
a daughter of the | 8 |
and the death of | 8 |
knowledge of the classics | 8 |
by the influence of | 8 |
on account of this | 8 |
the description of the | 8 |
the soul of the | 8 |
general theory of poetry | 8 |
by him to the | 8 |
to us in the | 8 |
an idea of the | 8 |
a description of the | 8 |
his account of the | 8 |
the north of italy | 8 |
the election of the | 8 |
to the cardinal of | 8 |
half a century before | 8 |
of philippe le bel | 8 |
the whole of this | 8 |
of the literature of | 8 |
for the marriage of | 8 |
the windows of the | 8 |
was at its height | 8 |
were at the same | 8 |
all the resources of | 8 |
the church of rome | 8 |
and letters of sir | 8 |
of the fourteenth and | 8 |
with more or less | 8 |
in proportion as the | 8 |
now in the pitti | 8 |
in the first of | 8 |
theory of poetry in | 8 |
of the entry of | 8 |
and it was in | 8 |
it is worth while | 8 |
a sum of money | 8 |
had come to be | 8 |
but he could not | 8 |
a new era for | 8 |
in the defence of | 8 |
the picture by piero | 8 |
from the castle of | 8 |
the balance of power | 8 |
the court of his | 8 |
the possession of james | 8 |
a consequence of the | 8 |
which i have been | 8 |
been the subject of | 8 |
an integral part of | 8 |
down to our own | 8 |
upon the point of | 8 |
last years of the | 8 |
the sixteenth century there | 8 |
king of the romans | 8 |
costumes of the fifteenth | 8 |
a picture once in | 8 |
the whole body of | 8 |
in keeping with the | 8 |
the aid of the | 8 |
oratory of divine love | 8 |
to the level of | 8 |
the light of the | 8 |
picture by piero della | 8 |
as the price of | 8 |
kingdom of the two | 8 |
of all that is | 8 |
and customs of the | 8 |
it was during this | 8 |
of the age in | 8 |
to point out the | 8 |
one of them is | 8 |
on the battle of | 8 |
to the scene of | 8 |
to what extent the | 8 |
the history of his | 8 |
the back of the | 8 |
the pontiff and the | 8 |
league against charles v | 8 |
years and a half | 8 |
of the fall of | 8 |
this was not the | 8 |
the cardinal of rouen | 8 |
he returned to his | 8 |
which seems to have | 8 |
for the student of | 8 |
in the borgia apartments | 8 |
of the blessed virgin | 8 |
the antique and the | 8 |
the privileges of the | 8 |
from the study of | 8 |
of a miniature from | 8 |
the critics of the | 8 |
from the reign of | 8 |
of a lady of | 8 |
is worthy of note | 8 |
in the next century | 8 |
the people and the | 8 |
of god and the | 8 |
it was on the | 8 |
part of the fifteenth | 8 |
to do more than | 8 |
that there should be | 8 |
for the defence of | 8 |
two hundred and fifty | 8 |
as is shown by | 8 |
on the ground of | 8 |
it was to the | 8 |
is believed to have | 8 |
in name of the | 8 |
of the vatican library | 8 |
of one of these | 8 |
the decoration of the | 8 |
under the command of | 8 |
of such men as | 8 |
his elevation to the | 8 |
there can be little | 8 |
it must be admitted | 8 |
in the chapel of | 8 |
of the aristotelian canons | 8 |
one of his most | 8 |
of whom we have | 8 |
the archivio diplomatico at | 8 |
of duke guidobaldo i | 8 |
of information with regard | 8 |
and the duchess of | 8 |
possession of james dennistoun | 8 |
with the addition of | 8 |
by the sale of | 8 |
or at all events | 8 |
the view of france | 8 |
as a jesuit in | 8 |
by him in the | 8 |
the reign of charles | 8 |
the loss of a | 8 |
at the height of | 8 |
his ambassador in rome | 8 |
of the birth of | 8 |
come to an end | 8 |
tells us that he | 8 |
the critical activity of | 8 |
the expenses of the | 8 |
on the last day | 8 |
the arts and crafts | 8 |
the prince of salerno | 8 |
great works of art | 8 |
his way to rome | 8 |
the matter of the | 8 |
were it not that | 8 |
has been attributed to | 8 |
in the last century | 8 |
took the name of | 8 |
in order to see | 8 |
of italy had been | 8 |
of the tridentine decrees | 8 |
cardinal giulio della rovere | 8 |
the courts of italy | 8 |
wrote a series of | 8 |
was the work of | 8 |
the house of medici | 8 |
general of the ecclesiastical | 8 |
his election to the | 8 |
the ends of the | 8 |
banner of the corporation | 8 |
a victim to the | 8 |
of gian galeazzo visconti | 8 |
spirit of the time | 8 |
the imitation of christ | 8 |
that your lordship would | 8 |
on a visit to | 8 |
from a picture once | 8 |
latter part of the | 8 |
a knowledge of the | 8 |
as long as the | 8 |
the private life of | 8 |
the function of poetry | 8 |
the passes of the | 8 |
at the castle of | 8 |
the will of the | 8 |
last duke of urbino | 8 |
sacristy of san lorenzo | 8 |
at a subsequent period | 8 |
is supposed to be | 8 |
the whole of his | 8 |
found it necessary to | 8 |
murder of her husband | 8 |
the advantage of the | 8 |
he was wont to | 8 |
the door of the | 8 |
the arrival of the | 8 |
the founders of the | 8 |
must bear in mind | 8 |
the picture of the | 8 |
the sway of the | 8 |
a picture in the | 8 |
the great men of | 8 |
to the amount of | 8 |
of piero della francesca | 8 |
the university of padua | 8 |
took up his abode | 8 |
he points out that | 8 |
given to the world | 8 |
at the root of | 8 |
a time in the | 8 |
is an imitation of | 8 |
by the example of | 8 |
the constitution of the | 8 |
general of the church | 8 |
the limits of the | 8 |
the course of which | 8 |
it is due to | 8 |
there is not a | 8 |
on the ruins of | 8 |
middle ages and the | 8 |
the reign of the | 8 |
duke of urbino was | 8 |
end of the year | 8 |
this is the first | 8 |
to the utmost of | 8 |
to the present day | 8 |
with whom he was | 8 |
sixteenth and seventeenth centuries | 8 |
of the prince of | 8 |
the day of his | 8 |
on a level with | 8 |
the movement of the | 8 |
the house of a | 8 |
when he came to | 8 |
history of the revival | 8 |
well as to the | 8 |
but of all the | 8 |
the extent of the | 8 |
it does not appear | 8 |
in a letter of | 8 |
of some of these | 8 |
the loss of the | 8 |
this state of things | 8 |
the results of his | 8 |
was so great that | 8 |
the great hall of | 8 |
a man who had | 8 |
and are to be | 8 |
the wealth of the | 8 |
and the company of | 8 |
may be consulted for | 8 |
to those of the | 8 |
to bring about the | 8 |
of the parliament of | 8 |
against the duke of | 8 |
such a way that | 8 |
to the laws of | 8 |
in his native town | 8 |
at the door of | 8 |
illustrious and most excellent | 8 |
some of the greatest | 8 |
the majority of the | 8 |
what we now call | 8 |
on the character of | 8 |
the presence of a | 8 |
his letter to the | 8 |
the leaders of the | 8 |
as he had been | 8 |
he was bound to | 8 |
culture of the renaissance | 8 |
to the point of | 8 |
so far as he | 8 |
but on the contrary | 8 |
for the exercise of | 8 |
to the pope for | 8 |
his death and character | 8 |
ages and the renaissance | 8 |
which at that time | 8 |
by the laws of | 8 |
of the greek and | 8 |
from the renaissance to | 8 |
the council of the | 8 |
of leonardo da vinci | 8 |
which was destined to | 8 |
of sir henry wotton | 8 |
after the middle of | 8 |
to the task of | 8 |
in favour of his | 8 |
from the painting by | 8 |
in a short time | 8 |
history of the papacy | 8 |
the nobility of the | 8 |
the songs of the | 8 |
with the intention of | 8 |
so that it was | 8 |
the honor of the | 8 |
of the christian religion | 8 |
more than a century | 8 |
is not necessary to | 8 |
the part played by | 8 |
of the renaissance had | 8 |
the daughters of the | 8 |
at this time and | 8 |
may be mentioned the | 8 |
we can trace the | 8 |
the fact that it | 8 |
is reported to have | 8 |
has told the story | 8 |
on either side of | 8 |
the bridge of s | 8 |
of the league of | 8 |
for the holy office | 8 |
a whole series of | 8 |
a large part of | 8 |
from an engraving of | 8 |
the society of jesus | 8 |
of the dark ages | 8 |
battle of la molinella | 8 |
the state archives of | 8 |
the beginning of a | 8 |
that he had already | 8 |
the people of urbino | 8 |
looked upon as a | 8 |
reason to suppose that | 8 |
the old man of | 8 |
has come down to | 8 |
for that of the | 8 |
in the literature of | 8 |
we are forced to | 8 |
the sake of the | 8 |
of his age and | 8 |
to the requirements of | 8 |
on his own account | 8 |
the thirteenth and fourteenth | 8 |
a place among the | 8 |
the schools of the | 8 |
on the top of | 8 |
the children of the | 8 |
at this time is | 8 |
the general theory of | 8 |
an end to the | 8 |
very much interested in | 8 |
other members of the | 7 |
it is only in | 7 |
who was born in | 7 |
is one of those | 7 |
one of these is | 7 |
the fact remains that | 7 |
the circumstances of his | 7 |
it seems to have | 7 |
that they might be | 7 |
by ludovico il moro | 7 |
in the abbey of | 7 |
in the garden of | 7 |
enough has been said | 7 |
the training of the | 7 |
those who wish to | 7 |
part and parcel of | 7 |
have not been able | 7 |
as it may seem | 7 |
for the expression of | 7 |
of interest in the | 7 |
off the yoke of | 7 |
for the decoration of | 7 |
the church of sta | 7 |
the glory of god | 7 |
the age of forty | 7 |
the profit of the | 7 |
the next two centuries | 7 |
in the latter part | 7 |
might be able to | 7 |
may be read with | 7 |
of his life and | 7 |
duke of urbino to | 7 |
all the more interesting | 7 |
the archives of that | 7 |
beyond the limits of | 7 |
social condition of the | 7 |
he died at the | 7 |
the history of literature | 7 |
in the last resort | 7 |
the traditions of the | 7 |
army of charles viii | 7 |
the manuscript of livre | 7 |
and was followed by | 7 |
the completion of the | 7 |
from a miniature of | 7 |
so far as they | 7 |
the invention of the | 7 |
at one and the | 7 |
to be looked upon | 7 |
the romance of the | 7 |
of the eleventh century | 7 |
when they came to | 7 |
the massacre of sinigaglia | 7 |
the course of time | 7 |
it is not likely | 7 |
the reins of government | 7 |
invasion of italy by | 7 |
at all of the | 7 |
is clear that he | 7 |
of the most prominent | 7 |
the details of this | 7 |
five years of age | 7 |
the vow of poverty | 7 |
the precepts of the | 7 |
his relation to modern | 7 |
the princes of italy | 7 |
the possession of his | 7 |
a certain amount of | 7 |
carmina quinque illustrium poetarum | 7 |
is not so much | 7 |
and it has been | 7 |
first care was to | 7 |
the confidence of the | 7 |
son of the church | 7 |
as they ought to | 7 |
children are connected thus | 7 |
to be a good | 7 |
in the pontificate of | 7 |
gave rise to a | 7 |
was the origin of | 7 |
in the appendix to | 7 |
his connection with the | 7 |
to have been born | 7 |
the fifteenth century had | 7 |
to set out for | 7 |
it is not possible | 7 |
the history of a | 7 |
of the poetic art | 7 |
by the presence of | 7 |
reign of charles vi | 7 |
had been sent to | 7 |
that the history of | 7 |
a man who was | 7 |
are preserved in the | 7 |
greek and latin authors | 7 |
the courtesy of g | 7 |
at the siege of | 7 |
the gates of rome | 7 |
in the guise of | 7 |
popes of the renaissance | 7 |
the existence of the | 7 |
after a miniature in | 7 |
many of the great | 7 |
ceased to be the | 7 |
cardinal nicholas of cusa | 7 |
to go to the | 7 |
the influence of italian | 7 |
the latin and greek | 7 |
important part in the | 7 |
by a number of | 7 |
for a period of | 7 |
from the rest of | 7 |
as a work of | 7 |
grand duke of florence | 7 |
the blood of the | 7 |
the treasures of the | 7 |
the morning of the | 7 |
was born in at | 7 |
but it was too | 7 |
be summed up in | 7 |
a chapel in the | 7 |
the followers of giotto | 7 |
it would be interesting | 7 |
be found in his | 7 |
literary criticism of the | 7 |
in that of the | 7 |
by the genius of | 7 |
not appear to have | 7 |
so as to make | 7 |
to the see of | 7 |
his services to the | 7 |
there was a great | 7 |
the march of ancona | 7 |
had the opportunity to | 7 |
in a world of | 7 |
is well known that | 7 |
the civilization of the | 7 |
there is in the | 7 |
for a time in | 7 |
under the sway of | 7 |
the middle ages the | 7 |
by reason of the | 7 |
the cardinal of s | 7 |
integral part of the | 7 |
the fifteenth century and | 7 |
of france and spain | 7 |
almost needless to say | 7 |
for the church of | 7 |
the voyage of italy | 7 |
the university of bologna | 7 |
the arts of the | 7 |
the best sense of | 7 |
the true sense of | 7 |
on a large scale | 7 |
that it was only | 7 |
the art of painting | 7 |
to the best of | 7 |
instructions for forreine travell | 7 |
in the courts of | 7 |
to have been in | 7 |
one of their number | 7 |
the invasion of the | 7 |
of the poet to | 7 |
the interest of his | 7 |
natural children are connected | 7 |
at the same epoch | 7 |
in the last years | 7 |
the tower of the | 7 |
was carried on by | 7 |
of the twelfth and | 7 |
romagna and la marca | 7 |
of the lords of | 7 |
found in the appendix | 7 |
in many of the | 7 |
found in the fact | 7 |
would have been well | 7 |
in the exercise of | 7 |
a window of the | 7 |
the truth is that | 7 |
was the mother of | 7 |
the investiture of the | 7 |
can be little doubt | 7 |
in command of the | 7 |
was the custom of | 7 |
the same may be | 7 |
the greeks and romans | 7 |
valley of the tiber | 7 |
of a kind of | 7 |
in the true sense | 7 |
their way to the | 7 |
the development of modern | 7 |
in order to avoid | 7 |
was destined to be | 7 |
the fury of the | 7 |
the seat of war | 7 |
which the duke of | 7 |
it worth while to | 7 |
in the first volume | 7 |
was in the hands | 7 |
to the marquis of | 7 |
that they were not | 7 |
care for the ailing | 7 |
of francesco maria i | 7 |
the art of italy | 7 |
were to be found | 7 |
the most part of | 7 |
part played by the | 7 |
into a sort of | 7 |
which had to be | 7 |
fathers of the church | 7 |
one of the principal | 7 |
the patronage of the | 7 |
the duke of palliano | 7 |
the cities of italy | 7 |
the ladies of her | 7 |
centuries and a half | 7 |
intellectual life of the | 7 |
gave rise to the | 7 |
worthy of note that | 7 |
but there was no | 7 |
the metropolis of christendom | 7 |
of boiardo and ariosto | 7 |
the captain of the | 7 |
death of his wife | 7 |
and the spirit of | 7 |
the enemies of the | 7 |
within the precincts of | 7 |
in his own person | 7 |
to have been an | 7 |
consecration of the kings | 7 |
he could not have | 7 |
state archives of modena | 7 |
the authority of aristotle | 7 |
the doctors of the | 7 |
and it is a | 7 |
the failure of the | 7 |
who was one of | 7 |
they would have been | 7 |
it is only by | 7 |
a visit to the | 7 |