Questions

This is a list of all the questions and their associated study carrel identifiers. One can learn a lot of the "aboutness" of a text simply by reading the questions.

identifier	question
19367	Why so?
19367	And are not men prone to admire in Nature what they have been taught by Art to notice?
19367	Do not most of those who look at a romantic landscape imagine themselves wandering among the scenes that are portrayed?
19367	How came it that there was any breach between the old and the new?
19367	How could the Christians be educated; and how, unless they were educated, could they appeal to the minds of educated men?
19367	How dare they spend time on cherishing the painted veil called Life, when their desires are fixed on what it conceals?
19367	In poem after poem he returns to the question, Is poetry an escape from life?
19367	Is there any more distinctive mark of human quarrels than the eternal triviality of the immediate cause?
19367	Must it lull the soul in a selfish security?
19367	Thou art a dreaming thing, A fever of thyself: think of the earth; What bliss, even in hope, is there for thee?
19367	Was Christianity to be founded barely on the Gospel precepts and on a way of life, or was it to seek to subdue the world by yielding to it?
19367	What benefit canst thou do, or all thy tribe, To the great world?
19367	What do men really quarrel about?
19367	What haven?
19367	What if this law be also the law of beauty?
19367	What is the most romantic line in Virgil?
19367	What was to be done?
19367	Who can use the word"romantic"with more authority than Coleridge?
19367	Why did not the Romans hand over their literature and teach it, as they handed over and taught their law?
19367	Why should they paraphrase old verdicts?
47675	''Who knocks?'' 47675 Am I really obliged,"asks the man,"to wear this tattered cloak?
47675	Are we,she asks D''Erfeuil,"only to live for what society may say of us?
47675	Did Heaven,he asks,"mean to warn me that tempests must always attend my steps?"
47675	Do you not mean to learn Italian?
47675	What chance have I of success?
47675	Why are great powers a misfortune? 47675 Why,"he cries,"must you people, when you speak of a thing, immediately say,''it is stupid''or''it is clever,''''it is good''or''it is bad''?
47675	''Who is there?''
47675	A Frenchman in_ Corinne_ who calls a learned woman a pedant, receives the reply:"What harm is there in a woman''s knowing Greek?"
47675	A vow she has made to God?
47675	Am I compelled to swear that Polichinelle has no hump, to believe that Pierrot is an eminently honourable, and Harlequin a particularly serious man?
47675	And what is_ Werther_?
47675	And what respect for human life were men likely to have in the days when Napoleon yearly made a blood- offering of many thousands to his ambition?
47675	And who is_ she_?
47675	Are you happy?
47675	Are you the man that is always prating about Hercules?
47675	But surely art should be for all classes, should unite high and low?
47675	But, it may be objected, has he really anything at all in common with Goethe and Rousseau?
47675	By the eternal beard of my father, who doubted it?
47675	Can I not dispense with these old rags?
47675	Did he actually learn anything from them?
47675	Do you see what a strange world it is?
47675	Do you suppose we lived like brute beasts?
47675	Does he love her, or does he only treat her as a man of honour must?
47675	Does there float on the whirling torrent which carries us along with it any branch to which we dare refuse to cling?"
47675	For virtue?
47675	H. And what had you to do attacking them?
47675	H. Is it my fault, man, that you have such a narrow- chested imagination?
47675	H. That he?
47675	H. Vice?
47675	H. Where is Wieland?
47675	Had they not a past of their own?
47675	Have I given what I did not possess?
47675	Have you ever seen virtue, Wieland?
47675	Have you investigated into the inner significance of the action?
47675	Have you traced its causes, divined its inevitability?
47675	He feels that his thought and his words are inspired, and where is the boundary between that which is of him and that which is not of him?
47675	His name for Frenchmen is_ les vainvifs_ and he asserts that all their actions are dictated by the consideration,_ Qu''en dira- t- on_?
47675	How explain the fact that these devout men and women have brought down on themselves a fury of persecution unequalled in the annals of fanaticism?
47675	How much in the way of confession may not the remainder of the book contain?
47675	How then could a man with a nature like Obermann''s possibly choose a profession?
47675	I wonder if God, who created us and our environment, did not die before He finished His work, if the world is not an_ opus posthumum_?
47675	I?
47675	If I had been a shepherd or a king, what should I have done with my shepherd''s crook or my crown?
47675	If I had been a shepherd or a king, what should I have done with my staff or sceptre?
47675	If I have no right of decision in the matter of my own death, who has given this right to society?
47675	If this be so, if we are intended to imitate each other for ever and ever, why has each one of us been given a soul?
47675	In the first place, who is_ he_?
47675	Is it absolutely necessary for me either to blacken my face or hide it under this sheep''s mask?
47675	Is it possible to fertilise one desert by means of another desert?"
47675	Is not his a privileged nature?
47675	Is there no help?"
47675	Is there, in the dense darkness which surrounds us, any ray of light that we can afford to reject?
47675	Is what others think and feel always to be our guiding star?
47675	It is the question of the conditions of constancy which is treated of in_ Adolphe_--under what conditions is passion lasting or otherwise?
47675	It was her desire to go to America, but that was impossible without a passport, and how was she to procure one?
47675	May I not look up into any of their faces, or write on any hand,''I know you, fair mask!''?
47675	Oh, if even this desire be a crime, why is it so intimately entwined with every fibre of my being that I can not renounce it and live?
47675	Or will he, like Werther, some day cast it from him?
47675	Oswald''s principal difficulty in coming to a decision about Corinne is expressed in the words:"Of what use would all that be at home?"
47675	Possibly something in your heart rebels against profiting by laws which are the outcome of a Revolution to which you are antagonistic?
47675	Speaking of England, Oswald asks Corinne:"How could you leave the home of chastity and morality and make fallen Italy the country of your adoption?"
47675	The intelligent, refined Madame Émile de Girardin defended Balzac, answering very justly:"Is it Balzac''s fault that thirty is now the age of love?
47675	This was the pantheism which Goethe indicated in the biting epigram:--"Was soll mir euer Hohn Ueber das All und Eine?
47675	To the old questions, Why is man born?
47675	To what end does it all lead?
47675	W. What do you call splendid fellows?
47675	What can we make out of a little girl who can do nothing but weep, love, sigh, smile, hope, tremble?
47675	What do you mean?
47675	What is it that keeps you apart?
47675	What kind of life can be based upon a sudden fancy, or upon a lie, or upon a Yes wrung from a woman by fear?
47675	What sort of a Hercules is the one you are for ever prating about, and what is it he fights for?
47675	What woman could be more beautiful than Celuta?
47675	What would you seek in the shades of the forest?
47675	What''s the motto again?
47675	What, then, is the value of fame?
47675	What?
47675	Which was"our own religion"?
47675	Who else could surround you with the flame which radiates from me even when I do not love?
47675	Who, then, are these two characters?
47675	Why are we not consulted?
47675	Why does he live?
47675	Why does he not act?
47675	Why have they prevented my being loved?
47675	Why is he unhappy?
47675	Will he be able to endure life?
47675	Will he find in another woman more mind, more soul, more tenderness than in me?
47675	You do not know that virtue for which my Hercules does everything, ventures all?
47675	You seem to be unhappy, and how, indeed, should philosophy heal the sorrow of your soul?
47675	is he faithful, or is he only too proud and too well- bred to show himself ungrateful and indifferent?
47675	is not he a prophet hastening through life like a fugitive, a fleeting fire which illuminates, consumes, and vanishes?
47675	what hast thou done with thy sister?
47675	with so superior an intellect do you not penetrate to what is at the core of everything-- unhappiness?"
15931	Are those her sails that glance in the sun Like restless gossamers? 15931 Dost thou reck That I am beautiful, Lord, even as you And your dear mother?"
15931	Hernaniopened with an_ enjambement_"Serait ce déja lui?
15931	If it were otherwise,he said,"do n''t you suppose that we would have tried Schiller''s''William Tell''?
15931	In the mean time,he asks,"what have we got instead?
15931	Seest thou not its blue waves above us?
15931	What is the use,asked Pugin,"of praying for the Church of England in that cope?"
15931	What was it attracted the thousands to the launch? 15931 ( Mais où sont les neiges d''antan?) 15931 And once more, what was that upon her breast--that bosom old-- that bosom cold"?
15931	And where, in Fine, in all our English Verse, A Style more trenchant and a Sense more terse?"
15931	And why does the picturesque tourist, in general, object to the substitution of naphtha launches for gondolas on the Venetian canals?
15931	And why is it romantic?
15931	Are we not good enough to paint ourselves?''
15931	But the action, the story?
15931	But wherefore this?
15931	Consider, brethren, shall not we too one day be antiques and grow to have as quaint a costume as the rest?
15931	Did she really utter the words of a charm, or did her sweet bedfellow dream them?
15931	Did we see it, or imagine it?
15931	Does he thereby also weaken it?
15931	Down there, have you found any fair Laid in the grave with you?
15931	For nature brings not back the Mastodon, Nor we those times; and why should any man Remodel models?
15931	For--"Why take the style of those heroic times?
15931	His scorn, his grief are as transcendent as his love; as, indeed, what are they but the_ inverse_ or_ converse_ of his love?"
15931	How much of it is now done by them; done by anybody?
15931	How, for example, can kings and queens who swear be tolerated?
15931	Is Tennyson to be classed with the romantics?
15931	Is death''s long kiss a richer kiss Than mine was wo nt to be-- Or have you gone to some far bliss And quite forgotten me?"
15931	Mais où sont les oeuvres exécutées d''après ce modèle et ces principes?
15931	Nay, was not the mariner, too, a spectre?
15931	Or did he tell me, or did I only dream it?
15931	Or who, in spite of"Balder Dead"and"Tristram and Iseult,"would classify Arnold''s clean- cut, reserved, delicately intellectual work as romantic?
15931	The antique Venus is beautiful, admirable, no doubt; but what has spread over the figures of Jean Goujon that graceful, strange, airy elegance?
15931	There can be nothing more poetical in its aspect than the city of Venice; does this depend upon the sea or the canals?
15931	There is Hawker''s"Song of the Western Men,"which Macaulay and others quoted as historical, though only the refrain was old:"And shall Trelawney die?
15931	This being reported to Ward, he asked,"What are mullions?
15931	Was Geraldine really a witch, or did she only seem so to Christabel?
15931	Was it a wound, or the mark of a serpent, or some foul and hideous disfigurement-- or was it only the shadows cast by the swinging lamp?
15931	Was the malignant influence which Geraldine exerted over the maiden supernatural possession, or the fascination of terror and repugnance?
15931	What care though striding Alexander past The Indus with his Macedonian numbers?
15931	What care, though owl did fly About the great Athenian admiral''s mast?
15931	What distinct image of the woman portrayed does one carry away from all this squandered wealth of words and tropes?
15931	What does this dreamer of dreams and charming decorative artist in a London police court?
15931	What has given them that unfamiliar character of life and grandeur, unless it be the neighbourhood of the rude and strong carvings of the Middle Ages?
15931	What is the difference?
15931	What is the matter with Morris''poetry?
15931	What may not happen to a man alone on a wide, wide sea?
15931	What was it that Christabel saw on the lady''s bosom?
15931	When shall we learn to see it as it was?"
15931	Where can you show, among your Names of Note, So much to copy and so much to quote?
15931	Where have you seen a Parterre better grac''d, Or gems that glitter like his Gems of Paste?
15931	Who can read the following stanza without thinking of Beatrice and the"Paradiso"?
15931	Who has not found pleasure on the seashore in viewing the distant rock whitened by the billows?
15931	Who has not spent whole hours seated on the bank of a river, contemplating its passing waves?
15931	Why did Ruskin lament when the little square at the foot of Giotto''s Tower in Florence was made a stand for hackney coaches?
15931	Why did our countryman Halleck at Alnwick Towers resent the fact that"the Percy deals in salt and hides, the Douglas sells red herring"?
15931	Why else do the idiots in"MacArthur''s Hymn"complain that"steam spoils romance at sea"?
15931	Why linger at the yawning tomb so long?
15931	Why not have called the book, then,"A History of the Mediaeval Revival in England"?
15931	Why were ye not awake?
15931	Yet what Englishman will be satisfied with a definition of_ romantic_ which excludes Scott?
15931	[ 14]"Shall gentle Coleridge pass unnoticed here, To turgid ode and tumid stanza dear?"
15931	[ 33] Does not the quarrel of Richard and Philip in"The Talisman"remind one irresistibly of Achilles and Agamemnon in the"Iliad"?
15931	[ 41]"Quel est Fouvrage littéraire,"asks Stendhal in 1823,[42]"qui a le plus réussi en France depuis dix ans?
15931	_ Cf._"Christabel":"Is the night chilly and dark?
15931	for who knoweth What thing cometh after death?"
15931	shall I ever tell its cruelty, When the fire flashes from a warrior''s eye, And his tremendous hand is grasping it?"
15931	what mortal hand Can e''er untie the filial band That knits me to thy rugged strand?"
15931	wherefore all this wormy circumstance?
15447	''Valancourt? 15447 Dost fear?
15447	For me, thus nurtured, dost thou ask The classic poet''s well- conned task?
15447	How will I come up? 15447 What are the lays of artful Addison, Coldly correct, to Shakspere''s warblings wild?"
15447	What form rises on the roar of clouds? 15447 Where were ye, nymphs, when the remorseless deep Closed o''er the head of your loved Lycidas?
15447	[ 15]Pray,"inquires the author of"The Champion of Virtue"in her address to the reader,"did you ever read a book called,''The Castle of Otranto''?
15447	[ 17]What would become of Chaucer,"he asks,"so maltreated and finally spelt according to modern rules of grammar and orthography?
15447	[ 25] Will it be thought too trifling an observation that the poets of this group were mostly bachelors and_ quo ad hoc_, solitaries? 15447 [ 29] The maiden asks her buried lover:"Is there any room at your head, Sanders?
15447	[ 46]Kennst dud as Land,"then already?
15447	1713- 21: Prior(?
15447	And again"Can Kent design like Nature?.
15447	And continents of sand, will turn his gaze To mark the windings of a scanty rill That murmurs at his feet?
15447	And may not the philosophic moderns have gone too far in their perpetual ridicule and contempt of it?"
15447	And was it any more classical than the time of Milton, for example, or the time of Landor?
15447	And what are Virgil''s myrtles, dropping blood, to Tasso''s enchanted forest?.
15447	And where is Emma''s joy, if Henry flies?
15447	And who was he?''
15447	Because my short- lived joy may cause her eternal sorrow, shall I reject those pleasures sought so long, desired so earnestly?
15447	Born_ originals_, how comes it to pass that we die_ copies_?.
15447	But call it a movement, or simply a drift, a trend; what had it done for literature?
15447	But perhaps you have not read it?
15447	But what was correct?
15447	But,"Who now reads Cowley?"
15447	Did Milton contribute nothing to the harmony and extent of our language?.
15447	Do not you hear the fountain?
15447	Do not you smell the orange flowers?
15447	Does it begin_ in medias res_, as is proper, or_ ab ovo Ledae_, as Horace has said that an epic ought not?
15447	Does it bring in the introductory matter by way of episode, after the approved recipe of Homer and Vergil?
15447	Does the poet intrude personally into his poem, thus mixing the lyric and epic styles?
15447	Dr. F. H. Hedge, in an article in the_ Atlantic Monthly_[9] for March, 1886, inquired,"What do we mean by romantic?"
15447	From the context it obviously meant"rock,"but where did Chatterton get it?
15447	Has it allegorical characters, contrary to the practice of the ancients?
15447	He then repeated some ludicrous lines, which have escaped my memory, and said,''Is not that GREAT, like his odes?''.
15447	How can I come to thee?"
15447	How can I come up?
15447	How can a man write poetically of serges and druggets?"
15447	How far did any knowledge or love of the old romantic literature of England survive among the contemporaries of Dryden and Pope?
15447	How was one to know, in reading a book, which school it belonged to?
15447	If the"Dunciad,"and the"Essay on Man,"are classical, what is Keats''"Hyperion"?
15447	In what sense was it classical?
15447	Indeed how should it have been otherwise?
15447	Is a Gothic cathedral ever really finished?
15447	Is it the narrative of a single great action?
15447	Is there any more to be had of equal beauty, or at all approaching it?"
15447	Is there any room at your feet?
15447	Is there anything known of the author or authors; and of what antiquity are they supposed to be?
15447	Is"Faust"finished?
15447	Is"Hamlet"explained?
15447	Nay, nay, We departe not so soon: Why say ye so?
15447	Now hear Prior, with his Venus and flames and god of love:"What is our bliss that changeth with the moon, And day of life that darkens ere''tis noon?
15447	Or any room at your twa sides, Where fain, fain would I sleep?
15447	Or may there not be something in the Gothic Romance peculiarly suited to the view of a genius and to the ends of poetry?
15447	Pope was not a sentimental person, yet even Pope had written"The lamb thy riot dooms to bleed to- day, Had he thy reason, would he skip and play?
15447	Quaere_, seventeenth?]
15447	The dust of controversy has long since settled, and what has its subsidence made visible?
15447	The king is introduced in person, and when we hear him swearing"by my Halidome,"we rub our eyes and ask,"Can this be Scott?"
15447	The moon shines clear:-- Dost fear to ride with me?
15447	The"small voices and an old guitar, Winning their way to an unguarded heart"?
15447	Thorpe?"
15447	Though he, by rules unfettered, boldly scorns Formality and method, round and square Disdaining, plans irregularly great?.
15447	Though the''Henriade''should be allowed to be free from any very gross absurdities, yet who will dare to rank it with the''Paradise Lost''?.
15447	To furnish an answer to the question-- What is, or was, romanticism?
15447	To him, they expose their difficulties and ask for an answer to the question, What is romanticism?
15447	Was this caprice and absurdity in them?
15447	What could her father do?
15447	What is the result of this generalization?
15447	What is there transcendently sublime or pathetic in Pope?.
15447	What is true passion, if unblest it dies?
15447	What must be done?
15447	What yonder swings And creaks''mid whistling rain?"
15447	Wheder wyle ye goo?
15447	Where are thee manuscripts?
15447	Whose dark ghost gleams in the red stream of tempests?
15447	Why dost thou build the hall, son of the winged days?
15447	Why dream of penetrating the darkness of our origin?
15447	William Cole( March 9, 1765),"what was the origin of this romance?
15447	[ 13]"What strange vamped comedies, farcical tragedies, or what shall I call them-- speaking pantomimes have we not of late seen?.
15447	[ 17]"Falsely luxurious, will not man awake?"
15447	[ 2] Was war aber dis romantische Schule in Deutschland?
15447	dost fear?
15447	have I not heard your voices Rise on the night- rolling breath of the gale?"
15447	the dead can ride apace, Dost fear to ride with me?"
15447	what have ye done?
48042	Are you not pleased that your poems are going out to Canton?
48042	But what do I represent? 48042 Do you not know,"answered the teacher,"that we are forbidden to do that?"
48042	That terrible, incorruptible judge will say to Goethe: A mighty mind was given to thee, didst thou ever employ it to oppose baseness? 48042 Then thou art of the tribe of Asra?"
48042	This is Freiligrath? 48042 Whence comes it that ye love thus?"
48042	Why do you not give the preference to one of your own people?
48042	[ 10][ 10] You know the meaning of these marks? 48042 [ 14][ 14] Dost know the ancient ballad?
48042	[ 31][ 31] The three holy kings from the Eastern land Inquired in every city: Where is the road to Bethlehem, Ye boys and maidens pretty? 48042 [ 3][ 3] What means this lonely tear- drop Which dims mine eye to- day?
48042	[ 7] 7: Are there not such things as learned Dogs, and horses too, who reckon? 48042 [ 7][ 7] Who was it sang this song?
48042	( Sir THEODORE MARTIN) Why must he weep?
48042	--What, where, upon what, with what am I to write?
48042	?, evidently addressed to the King of Prussia:"Du weisst, was das bedeuten will?
48042	?, evidently addressed to the King of Prussia:"Du weisst, was das bedeuten will?
48042	A German, and a freeman-- who could have dreamt it?
48042	A man once asked Arua ben Hezam of the tribe of Asra:"Is it true that ye love with a tenderness surpassing that of all other men?"
48042	A still more striking instance is to be found in the typical poem of the lonely tear:--"Was will die einsame Thräne?
48042	Affecting?
48042	Als sein Landsmann, das Kamel?
48042	Also fragen wir beständig, Bis man uns mit einer Handvoll Erde endlich stopft die Mäuler, Aber ist das eine Antwort?
48042	Am I not right?
48042	And besides, had not his son Maria Theresa''s promise to fall back on?
48042	And even if he does exist, of what use is an eternal God to mortal man?
48042	And is Freiligrath no poet?
48042	And then he interrupts himself with a question:"But is there a God at all?
48042	And what did the child think on the occasion?
48042	And when they try, condemn, and execute himself, from his very grave is heard the question: Why?
48042	And, first and foremost, why keep silence?
48042	Are not apes all good comedians?
48042	Are not nightingales good singers?
48042	Are they the years of thy life?
48042	Are you republicans or thralls?
48042	Believe me, the independence you prize so highly is an uncertain possession; will you, can you retain it?
48042	But the justification he offers is most peculiar:"What has gambling to do on the stage?"
48042	But what, on closer investigation, is the spiritual substance of the poem?
48042	But why write thus?
48042	Canst work i''the earth so fast?"
48042	Dangers?
48042	Das also war dein Ziel auf Erden, Dem stürmten deine Lieder zu?
48042	Der König sprach:''Du bist wohl ein Schwab?
48042	Did not even the work of his old age, the second part of_ Faust_, end with the wish that he could see a free people on free soil?
48042	Did the spirit of his works in any single point harmonise with the royal Prussian or the Austrian imperial spirit?
48042	Do they tell of thirty- seven victories?
48042	Do you know the proper place for my head?
48042	Does the Prussian State no longer protect Christianity, morality, marriage?
48042	Du wirst sie mir nicht streichen?
48042	For how In what Left service long capacity?
48042	For spiritual light or priestly superstition?
48042	For the time is at hand when the royal cooks will ask each other:"For whom shall we be preparing dinner to- morrow?"
48042	For what is the rock on which virtue splits nowadays?
48042	Für Fürstenmacht, für Volkesrecht?
48042	Für Geisteslicht, für Pfaffendunkel?
48042	Hast du die Schmerzen gelindert Je des Beladenen?
48042	Hast du die Thränen gestillet Je des Geängsteten?
48042	Hast thou ever lightened the burden of the heavy laden?
48042	He himself is, he declares, wiser than all the rest in France, as he was wiser than the rest in Germany; why?
48042	He shouted:"Will you promise, while I am striving so to do, to stand by me, in prosperity and in adversity?
48042	Heaven gave thee a tongue of fire, didst thou ever champion justice?
48042	Hegel himself, who took an interest in the young man, had said to him:"How can any one bind himself to a man like that?"
48042	Here, under my cloak, I bring thee thy strong sceptre and thy beautiful crown-- dost thou not recognise me, my Emperor?
48042	How can a poet calumniate the word in which lies the germ of all the noblest deeds?
48042	How characteristically did he feel joy, or grief, or sadness, or love, or enthusiasm, or cynicism?
48042	How deeply did he penetrate into the life of his time?
48042	How do you explain that?"
48042	How many institutions still presented themselves as objects of veneration and faith to the normal mind of the period?
48042	How would you set about it?
48042	I ca n''t say_ you_, my heart is too full; canst_ thou_ think anything else possible?
48042	I was born for danger; dangers, thick and dark, beset my path, yet I know no fear; are they not my destiny?
48042	In Dingelstedt''s fine collection of poems,_ Nachtwächters Weltgang_, we find one with the heading:???
48042	In Dingelstedt''s fine collection of poems,_ Nachtwächters Weltgang_, we find one with the heading:???
48042	In Dingelstedt''s fine collection of poems,_ Nachtwächters Weltgang_, we find one with the heading:???
48042	In what domain was it still possible for a German poet to display fresh, original understanding of nature?
48042	Instead of this, what happens?
48042	Is it for the power of the sovereign or the rights of the people?
48042	Is it not dropsy, the result of all the water- drinking introduced by these new total abstinence associations?
48042	Is it possible to be glad when one loves?
48042	Is not God melancholy?
48042	Is not strong party feeling the mother of all victory?
48042	Is not the one in rags, the other clad in silk?
48042	Is this justice?
48042	Is this the end of all your passionate song?
48042	Is your watchword slavery or freedom?
48042	Ist der Freiligrath kein Dichter?
48042	It may triumph the very day after the fall of Poland; and that would be enough to break one''s heart.... Can there be a God?
48042	Liberty can and will triumph, sooner or later; but why not now?
48042	My love for you makes me happy; what more could marriage give me, since it could not increase that love?
48042	Nur offen wie ein Mann: Für oder wider?
48042	On its first page stands: Took service With whom?
48042	On what is your present bliss founded?
48042	Or again, think of that extraordinarily witty poem"1649- 1793-?"
48042	Pfui Freund!--Ein guter, Bürger-- Du?
48042	Republikaner oder Knecht?
48042	Sahid ben Agba one day asked an Arab:"Of what tribe art thou?"
48042	Schreiben Esel nicht Kritiken?
48042	Shame on you, my friend I Was this your aim in life?
48042	Sind es siebenunddreissig Siege, die er abgekämpft dem Feind?
48042	Sind es siebenunddreissig Wunden, die der Held trägt auf der Brust?
48042	Sind''die Jahre, die du lebtest?
48042	Singen nicht die Nachtigallen?
48042	Speak out like a man: Are you for or against us?
48042	Spielen Affen nicht Komödie?
48042	Surely not on the 500 francs( Cotta''s monthly payment)?
48042	The Russian asks Heine:"Are you a good Russian?"
48042	The answer to the fourth question: What remains for the Estates to do?
48042	The last incident was perhaps suggested by the ending of Brentano''s poem:"Wer hat dies''Lied gesungen?
48042	The questions to which any work provides us with answers are such as the following: How far- sighted was the author?
48042	The real Freiligrath?"
48042	Then comes the end:"Kennst du das alte Liedchen?
48042	There''s no disgrace in that, surely?"
48042	They were: What did the Estates ask?
48042	Thus are we for ever asking, Till at length our mouths securely With a clod of earth are fastened-- That is not an answer, surely?
48042	Thus spake the king:"A Swabian art thou?
48042	To outbid his friend, Dingelstedt wrote the poem"Hochwohlgeboren,"which begins:"Ein guter Bürger willst du werden?
48042	To the question: What right had the Estates to make such a demand?
48042	To the third question: What answer did they receive?
48042	Und auch Pferde, welche rechnen?
48042	Und die Parole: Sklave oder frei?
48042	Und wen haben sie gemeint?
48042	Was greift ihr zu den Schwertern nicht, Ihr Singer und Ihr Beter?
48042	Was it any wonder that his pupils drew their own inferences?
48042	Was it any wonder that the following generation drew its own logical conclusion?
48042	Was it becoming in his position of life?
48042	Was soll all der Schmerz, die Lust?
48042	Was this the best way to improve matters?
48042	Was werdet Ihr Posaunen nicht, Ihr ehr''nen Orgeltuben, Den jüngsten Tag ins Ohr zu schrein den Henkern und den Buben?
48042	Wer besäng''den Löwen besser?
48042	What answer did they receive?
48042	What availeth its unrest-- Pain that findeth no release, Joy that at the best is dreary?
48042	What can be the meaning of it?"
48042	What does this mean?
48042	What entwined hops and parsley in his wreath of laurel?
48042	What good has it done me?
48042	What had Goethe''s youthful attitude been but one of Titanic defiance?
48042	What had he been, that Schiller whose writings had been put into their hands when they were children?
48042	What have you to offer us?
48042	What is it that constitutes a great writer?
48042	What made him a slave of circumstances, a cowardly Philistine, a mere provincial?
48042	What position, indeed, did he suppose himself to occupy, seeing he allowed himself such liberty of speech?
48042	What remains for them to do?
48042	What right had they to make such a request?
48042	What set a night- cap on his lofty brow?
48042	What was the good of making enemies for himself?
48042	What was there remarkable about it?
48042	What will my critics say to this, those critics who called me a bad patriot?
48042	When Rahel is told this, she writes:"How can he know that I have feeling?
48042	When men go out to fight sparrows with halberts and spears, and use cannons to shoot larks, he asks: Why?
48042	When new prohibitory enactments are pasted on the notice- board at the town- hall, a little man comes and reads them and quietly asks: Why?
48042	When the priests from their pulpits groan and howl at the sunlight, he asks: Why?
48042	Where is your effort to keep pace with the times?
48042	Wherefore?
48042	Whilst he stood on guard that young man gave expression to the feelings of the day in the song:"Was kommt heran mit kühnem Gange?
48042	Who can sing of lions better Than their countryman, the camel?
48042	Who is God?
48042	Why did Freiligrath take a pension?
48042	Why endure?
48042	Why grasp ye not your swords in wrath, O ye that sing and ye that pray?
48042	Why revere?
48042	Why should not you, too, at last think of making a settled position for yourself?...
48042	Why trust?
48042	Wilhelm Müller, the poet of the_ Griechenlieder_, sings of him with fervent enthusiasm:"Siebenunddreissig Trauerschüsse?
48042	Willst du den Namen hör''n?
48042	Wofür?
48042	Would you gently stroke the crocodile coat- of- mail with your warm hand?
48042	Wouldst thou know its name?
48042	Write not asses criticisms?
48042	You would never dream of erasing them-- four innocent little marks of interrogation?
48042	[ 11] You ask me why he lies sleepless?
48042	[ 14] We clung to each other- was it to pass the time, or was it in despair?
48042	[ 1] What mean these thirty- seven minute- guns?
48042	[ 1] Ye knights who have made ready to take part in the great battle of the day, lift your visors and speak clearly: On which side are you fighting?
48042	[ 2]"Was, wo, worauf, womit soll ich schreiben?
48042	[ 6]"_ Geibel_: Is this you?
48042	[ 7]_ I_ honour thee?
48042	_ Freiligrath_: Ja, willst du mich kennen?
48042	be greater still?
48042	ever stayed the tears of the distressed?
48042	lieber Herr!"?
48042	of attacking the great?
48042	of thirty- seven wounds on the hero''s breast?...
48042	warum er in Wuth die Spitzen am Hemde zerissen?
48042	what achievements do I recall?
48042	what do you say now?
48042	when?
48042	who could have looked for this awakening of the German lyre?
48042	who would not, in course of time, esteem the influential courtier?
48042	why in his rage he tears the lace from his pillow?
48042	will you recognise me?