This is a list of all the questions and their associated study carrel identifiers. One can learn a lot of the "aboutness" of a text simply by reading the questions.
| identifier | question |
|---|---|
| 36040 | Nay, is it not rather a theme for wonder and admiration that she did somehow come right at last? |
| 36040 | What influence has Charles Dickens or George Eliot outside the range of the English tongue? |
| 36040 | What wonder if she made some sad mistakes? |
| 36040 | Would she ever have taken to literature at all? |
| 28209 | ''Whist, or Bumblepuppy?'' 28209 Is it true,"enquired this lady,"that it is your intention to_ print books_?" |
| 28209 | Is there a more mortal grief,she exclaims,"than to outlive, yourself, those who should have bloomed upon your grave?" |
| 28209 | That is all very good and very fine, but I hope you are not going to put the name that I bear on the_ covers of printed books_? |
| 28209 | --_Boston Journal._ WHIST, OR BUMBLEPUPPY? |
| 28209 | But why does the_ bourgeoisie_ prevail, whilst the people is sovereign, and the principle of its sovereignty, universal suffrage, is still standing? |
| 28209 | Conspire? |
| 28209 | How, indeed, could so many- sided a nature as hers be truly represented in a single novel? |
| 28209 | Is it possible you should have thought so much, felt so much, without anyone having any idea of it?" |
| 28209 | On what, in the future, will the fame of George Sand mainly rest? |
| 28209 | Pamphlets? |
| 28209 | Theories? |
| 28209 | What should I do if I relinquish my task, humble though it be? |
| 28209 | What would become of me without this power of self- distraction? |
| 138 | ''Ah, how is it that there is only one cup?'' 138 ''Did you have tea yesterday evening?'' |
| 138 | ''If you are reading, why do you put the candle out?'' 138 ''What are you doing?'' |
| 138 | ( 7) In March she wrote to Charles Duvernet:Do you know that fine things are happening here? |
| 138 | Are you so very much afraid of me, my poor Hydrogene? 138 Can a man be jealous of a woman''s advantages? |
| 138 | Can she not be well educated without this spoiling her and without being pedantic? 138 Did I write them? |
| 138 | Did you not know her? |
| 138 | Have you ever seen an albatross? |
| 138 | Have you read Baruch? |
| 138 | Have you read Poncy, a poet bricklayer of twenty years of age? |
| 138 | Is it a crime, then, for my brother to love Victorine? |
| 138 | Is this joy? 138 Mademoiselle Artemise? |
| 138 | Not even stuffed? 138 Of the Government of yesterday or of to- day?" |
| 138 | Should we even have time to think about the impossible if we did all that is necessary? 138 What do the doctors say?" |
| 138 | What, in Heaven''s name, is this? |
| 138 | Who is not a baron at present? |
| 138 | Why should a woman be ignorant? |
| 138 | _ Consuelo and La Comtesse de Rudolstadt_, what are these books? |
| 138 | And how can we help adding a little gratitude and affection to our admiration for the woman who was the good fairy of the contemporary novel? |
| 138 | And what is to become of genius while I am being orderly?" |
| 138 | And what will this thirteenth or fourteenth day be? |
| 138 | And yet what is more interesting than the history of the heart, when it is a true history? |
| 138 | Are you a_ bourgeois_ poet or a poet of the people? |
| 138 | Beside all this, is there not more reason than we imagine for every one of us to be indulgent towards the stupidity of other people? |
| 138 | Besides, what was there to complain about, and why should she not accommodate herself to conditions of existence with which so many others fall in? |
| 138 | But as we had Victor Hugo''s verses, of what use was it for them to be rewritten by Poncy? |
| 138 | But what about me? |
| 138 | But why should he not read to the young woman the works of Pierre Leroux? |
| 138 | But, after all, is not passion a fatal and irresistible thing? |
| 138 | By what extraordinary misfortune has he such an exceptionally unhappy lot? |
| 138 | Can a lover dislike his sweetheart to have success? |
| 138 | How can I give myself up to literature or to anything in the world at such a time? |
| 138 | How long was this to last? |
| 138 | I am in despair, overwhelmed with fatigue, suffering horribly, and awaiting who knows what future? |
| 138 | I do not wish to call this into question, but even if she should not err, is it not possible that she may suffer? |
| 138 | In a union of this kind, how could the sacred and beneficial character of marriage have appeared to her? |
| 138 | In order to reply to these paradoxes, where shall we go in search of our arguments? |
| 138 | Is George Sand recalling here any hidden and painful memories? |
| 138 | Is n''t it a lady with papers?" |
| 138 | Is not this something like Solness, the builder, from the top of his tower? |
| 138 | Is there not a child somewhere whose father he could imagine himself to be, and to whom he could devote himself? |
| 138 | Is there not, somewhere in the world, a woman whom he could love and who would make him suffer? |
| 138 | It is rare for a woman to feel no kind of attachment for her husband, but is that attachment love? |
| 138 | Of what use is literary history? |
| 138 | Perhaps his last one? |
| 138 | She is eminently a distinguished woman, and she asks without shrinking:"Do you know what it means to love a woman such as I am?" |
| 138 | Should we despair ourselves if we were to restore hope in those people who have nothing left them but hope?" |
| 138 | The following dialogue then took place:"Who are you?" |
| 138 | The next questions are, when did they become lovers, and how did Musset discover their intimacy? |
| 138 | The question is, Was George Sand blameless in the matter? |
| 138 | The question is, how can Victorine''s tears be dried? |
| 138 | The question is, was this really love? |
| 138 | Was he not a part of this humanity himself? |
| 138 | Was he to write them with the hearts of other people? |
| 138 | We might ask whether what was natural in 1832 would be natural in 1910? |
| 138 | What good was one month of prison? |
| 138 | What greater praise can we give to her than that? |
| 138 | What has he to complain of, this grown- up child who is too naive and who expects too much? |
| 138 | What has he to offer to the woman whose peace of mind he disturbs and whose position he ruins? |
| 138 | What is her essential objection to marriage? |
| 138 | What is the moon, and what is its nocturnal magic to me? |
| 138 | What is the use of getting irritated with life, since we do not wish to die? |
| 138 | What more can be asked of a husband than to allow his wife to have a man friend and a cousin? |
| 138 | What will she do now with her liberty? |
| 138 | When Musset left Venice, after all the atrocious nights she had spent at his bedside, she wrote:"Whom shall I have now to look after and tend?" |
| 138 | Where has it sprung from, and what is it for? |
| 138 | Who knows? |
| 138 | Who would have thought that the charming diva, the pupil of Porpora, was to have such strange adventures? |
| 138 | Why have you left me? |
| 138 | Why have you written such a book? |
| 138 | With what was an author to write his books, if not with his own sentiments and emotions? |
| 138 | asks Sophie,"and is it mad of me to think that you will give your consent?" |
| 138 | is asked, and the reply comes:"What do the doctors say? |
| 138 | wrote Jules Neraud, the_ Malgache._"Where have you been in search of this? |
| 5115 | And if one does not take life like that, one can not take it in any way, and then how can one endure it? 5115 Beloved old troubadour,"would it not perhaps be opportune to rehabilitate him at the Theatre Almanzor? |
| 5115 | Do you want it? |
| 5115 | ''And do you want to know what becomes of a woman whose education has consisted in George Sand''s books? |
| 5115 | ... But the aforesaid old book will not be published until the first of April( like an April fool trick?) |
| 5115 | A little while before he died, Duveyrier, who seemed to have recovered, said to me:"Which one of us will go first?" |
| 5115 | A propos of Vendee, did you know that her paternal grandfather was, after M. Lescure, the head of the Vendee army? |
| 5115 | A propos of gypsies, do you know that there are gypsies of the sea? |
| 5115 | A shrug of the shoulders as if to say,"What do we care?" |
| 5115 | Adieu, dear master, write to me, wo n''t you? |
| 5115 | After Cannes sha n''t you return to Paris? |
| 5115 | After reflecting on it, is n''t that your opinion? |
| 5115 | Am I never to see you again there? |
| 5115 | Am I not splendid; eh? |
| 5115 | Am I not well? |
| 5115 | And Cauterets and the lake of Gaube? |
| 5115 | And Sainte- Beuve? |
| 5115 | And all the household, from Maurice to Fadet, how is it? |
| 5115 | And how about me, do n''t you think that I need help and support in my long task that is not yet finished? |
| 5115 | And how please the public when one''s nearest friends are so remote? |
| 5115 | And if one does not take life like that, one can not take it in any way, and then how can one endure it? |
| 5115 | And now, it is not good of you to say that I do not think of"my old Troubadour"; of whom then, do I think? |
| 5115 | And of this person, of this prince, who lives in the midst of an arsenal and makes use of it? |
| 5115 | And the censorship? |
| 5115 | And the little reaction that we are going to have after that? |
| 5115 | And the novel, is it getting on? |
| 5115 | And the novel? |
| 5115 | And the novel? |
| 5115 | And the preface to the Idees de M. Aubray? |
| 5115 | And the route of Saint- Sauveur? |
| 5115 | And then how measure work, how estimate the effort? |
| 5115 | And then wo n''t it be time perhaps to enjoy oneself a bit in life, and to choose subjects pleasant to the author? |
| 5115 | And then, how could reason form itself, if it does not apply itself( or if one does not apply it daily) to distinguish good from evil? |
| 5115 | And this sadness, this discontent that Paris has left with you, is it forgotten? |
| 5115 | And what difference now does death or life make to me for myself? |
| 5115 | And what, you want me to stop loving? |
| 5115 | And when are they to play this Cadio? |
| 5115 | And when shall I know? |
| 5115 | And where shall you go in the south? |
| 5115 | And you chide my anguish as a weakness, and puerile regret for a lost illusion? |
| 5115 | And you dear friend, what are you doing at this hour? |
| 5115 | And you my Benedictine, you are quite alone in your ravishing monastery, working and never going out? |
| 5115 | And you, dear friend, are you experiencing the anguish and labors of childbirth? |
| 5115 | And you, dear master, what is happening to you and all your family? |
| 5115 | And you, friend, you want me to see these things with a stoic indifference? |
| 5115 | And you, if you are in Paris, wo n''t you come to keep the Christmas Eve revels with us? |
| 5115 | And you? |
| 5115 | And, a propos of Bouilhet, she hated him then, him too this poor poet? |
| 5115 | Anyway, I shall see him next week when I am in Paris for two days, to get necessary information What is the information about? |
| 5115 | Are n''t they prudish in that set? |
| 5115 | Are n''t you coming to Paris? |
| 5115 | Are the wars between races perhaps going to begin again? |
| 5115 | Are there many like them? |
| 5115 | Are there no longer any painful external circumstances? |
| 5115 | Are they mine? |
| 5115 | Are they not, as Proudhon said,"the desolation of the Just"? |
| 5115 | Are they playing under all this some abominable comedy? |
| 5115 | Are you amused in Paris? |
| 5115 | Are you as sedentary there as at Croisset? |
| 5115 | Are you at Croisset? |
| 5115 | Are you coming to Croisset this summer to hear Saint- Antoine? |
| 5115 | Are you content? |
| 5115 | Are you ill? |
| 5115 | Are you more reasonable? |
| 5115 | Are you off for the Pyrenees? |
| 5115 | Are you reading Taine''s powerful book? |
| 5115 | Are you really amused? |
| 5115 | Are you right? |
| 5115 | Are you satisfied? |
| 5115 | Are you still alive? |
| 5115 | Are you still in Paris in this lovely weather? |
| 5115 | Are you still in Paris? |
| 5115 | Are you studying Prudhomme now? |
| 5115 | Are you the man to go to find him and explain the affair to him? |
| 5115 | Are you walking a little? |
| 5115 | Are you well again? |
| 5115 | Are you working? |
| 5115 | As for me, I do n''t care if they stand in my way, but how about the future of our generation?... |
| 5115 | As for the one I am doing, I am afraid that the idea is defective, an irremediable fault; will such weak characters be interesting? |
| 5115 | As the tumult in his senses subsides, he even ventures to offer to George Sand the anodyne of his old philosophical despair:"Why are you so sad? |
| 5115 | At Enghien, or in Paris, or in England? |
| 5115 | At present it is my little children who devour all my intellect; Aurore is a jewel, a nature before which I bow in admiration; will it last like that? |
| 5115 | At the moment when we are overcome by the plainest positivism, how can you still believe in phantoms? |
| 5115 | Before admiring Proudhon, supposing one knew Turgot? |
| 5115 | Borie has promised to look after the affair; will he do it? |
| 5115 | Briefly, what do you want me to do? |
| 5115 | But I wonder what use there is in printing my book? |
| 5115 | But a propos of the said Rochefort, have they been somewhat imbecilic? |
| 5115 | But all that does not give her back to you, does it? |
| 5115 | But did you find a compartment, and did n''t you suffer on the way? |
| 5115 | But do you think them really true to life? |
| 5115 | But how and where? |
| 5115 | But how? |
| 5115 | But how? |
| 5115 | But next week will you come? |
| 5115 | But perhaps this torment is our proper lot here below? |
| 5115 | But shall we have it? |
| 5115 | But since they have that idea, why would n''t they try your fairy play? |
| 5115 | But society( which always needs a good God, a Saviour), is n''t it perhaps capable of taking care of itself? |
| 5115 | But supposing we were conquerors? |
| 5115 | But the bourgeois, what is the use in it for them? |
| 5115 | But the censorship? |
| 5115 | But then you believe that one does not really die, since one LIVES AGAIN? |
| 5115 | But then, what idea have you of women, O, you who are of the third sex? |
| 5115 | But then, who did not love her? |
| 5115 | But there, one who has neither sex nor strength, progresses towards childhood, and it is quite otherwhere that one is renewed; WHERE? |
| 5115 | But to withdraw one''s soul from what one does, what is that unhealthy fancy? |
| 5115 | But what can I do? |
| 5115 | But what difference does it make to us today? |
| 5115 | But what have I done to her? |
| 5115 | But what will be the delights of Cannes and where will be the heart to engage in them? |
| 5115 | But when shall I go? |
| 5115 | But when you are in Paris, what is to prevent you from pushing on to Croisset where everyone, including myself, adores you? |
| 5115 | But where will my letter find you? |
| 5115 | But why do I say this to you? |
| 5115 | But you, personally, how are you? |
| 5115 | By the way, how is Cadio going? |
| 5115 | By what right can a man prevent the accomplishment of the law? |
| 5115 | CCLXXXIII TO GUSTAVE FLAUBERT Nohant, 5th November, 1874 What, my Cruchard, you have been ill? |
| 5115 | Ca n''t that be done? |
| 5115 | Can I write a book to which I shall give myself heart and soul? |
| 5115 | Can anyone hate the winter in the country? |
| 5115 | Can existence divide itself? |
| 5115 | Can one believe in progress and in civilization in the face of all that is going on? |
| 5115 | Can one live peaceably, you say, when the human race is so absurd? |
| 5115 | Can one separate one''s mind from one''s heart? |
| 5115 | Can sensation itself limit itself? |
| 5115 | Can they be? |
| 5115 | Can we go peacefully to sleep when we feel the shaken earth ready to swallow up all those for whom we have lived? |
| 5115 | Can you assure them the least security? |
| 5115 | Can you see my old top- knot by the baptismal font, beside the chubby- cheeked baby, the nurse and the relatives? |
| 5115 | Can you? |
| 5115 | Come, you, your health first? |
| 5115 | Consuelo, La Comtesse de Rudolstadt, what are they? |
| 5115 | Could I be guilty of such an oversight? |
| 5115 | Could I possibly get along without you on that day? |
| 5115 | Could anything have hardened me more than having been brought up in a hospital and having played, as a child, in a dissecting amphitheatre? |
| 5115 | Dear master, Why no letters? |
| 5115 | Did Gautier, Saint- Victor, his faithful ones, neglect him? |
| 5115 | Did I send you Flamarande and the pictures of my little girls? |
| 5115 | Did I tell you that I had a visit from Tourgueneff? |
| 5115 | Did Plauchut tell you to bring a wrapper and slippers, for we do not want to sentence you to dressing up? |
| 5115 | Did n''t they have to flounder in order to arrive at''48 when they floundered much more, but so as to arrive at what should be? |
| 5115 | Did she entirely lack philosophy and patience before these infirmities? |
| 5115 | Did they respect your name, your workshop? |
| 5115 | Did they understand? |
| 5115 | Did you know that? |
| 5115 | Did you see the sand of Arbonne? |
| 5115 | Did you think that I did not know it? |
| 5115 | Dieppe, 11 March, 1871 When shall we meet? |
| 5115 | Do let yourself be influenced then by this or that temporary thing? |
| 5115 | Do n''t you agree with me that a play of very great effect could be made from it for a boulevard theatre? |
| 5115 | Do n''t you believe then in your own work? |
| 5115 | Do n''t you enjoy it, at least from your window? |
| 5115 | Do n''t you feel overwhelmed by the hatred of forty millions of men? |
| 5115 | Do n''t you love me too, and would n''t you reproach me for thinking that of no account? |
| 5115 | Do n''t you really think that since''89 they wander from the point? |
| 5115 | Do n''t you receive my letters, then? |
| 5115 | Do they make one sadder sometimes? |
| 5115 | Do you know M. Roy, the head of the management of the domains? |
| 5115 | Do you know an actress at the Odeon who plays Macduff in Macbeth? |
| 5115 | Do you know anything about it? |
| 5115 | Do you know in this Paris, which is so large, one SINGLE house where they talk about literature? |
| 5115 | Do you know that my poor Theo is very ill? |
| 5115 | Do you know that they have quite a Gallic wit and mischief? |
| 5115 | Do you know that you are INACCESSIBLE in Paris? |
| 5115 | Do you know that, while there has been a deluge everywhere, we have had, except a few downpours, fine sunshine in Brittany? |
| 5115 | Do you know that? |
| 5115 | Do you know the worst of all that? |
| 5115 | Do you know what I am going to do to complete my ecclesiastical character? |
| 5115 | Do you know where the great Tourgueneff is now? |
| 5115 | Do you know, in all history, including that of the Botocudos, anything more imbecile than the Right of the National Assembly? |
| 5115 | Do you like Victor Hugo''s preface to the Paris- Guide? |
| 5115 | Do you mean to say that I did not tell you that Saint- Antoine had been finished since last June? |
| 5115 | Do you notice how rare literary sense is? |
| 5115 | Do you recall a bit of Victor Hugo in la Legende des siecles, where a sultan is saved because he had pity on a pig? |
| 5115 | Do you see him? |
| 5115 | Do you see how they are denying it everywhere? |
| 5115 | Do you sometimes think of the"old troubadour of the Inn clock, who still sings and will continue to sing perfect love?" |
| 5115 | Do you think me very silly since you believe I am going to blame you for your primer? |
| 5115 | Do you think that if France, instead of being governed on the whole by the crowd, were in the power of the mandarins, we should be where we are now? |
| 5115 | Do you think that that bothers me? |
| 5115 | Do you think that we shall be the better off? |
| 5115 | Do you want me to ask them? |
| 5115 | Do you want me to send a carriage for you to Chateauroux on the 23d at four o''clock? |
| 5115 | Do you want to come to Nohant with me, for a change of air, even if only for two or three days? |
| 5115 | Does all that bore you? |
| 5115 | Does all this amuse you? |
| 5115 | Does it go on its way the same in Paris as in Croisset? |
| 5115 | Does n''t it seem to you that they belittle him too much? |
| 5115 | Does the law of numbers govern then the feelings and the images, and is what seems to be the exterior quite simply inside it? |
| 5115 | Does the novel get on? |
| 5115 | Dugueret? |
| 5115 | EQUILIBRIUM, that will do, and for spiritual nature? |
| 5115 | Father Hyacinthe replaces for her every friendship, every good opinion; can you understand that? |
| 5115 | Flaubert seems to say in every page of his work:''Do you want to know what is the real Valentine, the real Indiana, the real Lelia? |
| 5115 | For yourself, you blend with the beautiful a heap of alien things, the useful, the agreeable, what not? |
| 5115 | For, since the elements which make a man are limited, should not the same combinations reproduce themselves? |
| 5115 | Frankness is part of loyalty; why should it be less perfect in blame than in praise? |
| 5115 | Friday, 3d July, 1874 Is it true, dear master, that last week you came to Paris? |
| 5115 | G. Sand Have you a friend among the Rouen magistrates? |
| 5115 | G. Sand Have you any sun today? |
| 5115 | G. Sand Monday Hard work? |
| 5115 | Give me some of it? |
| 5115 | Has death perhaps no more secrets to reveal to us than life has? |
| 5115 | Has not modern criticism abandoned art for history? |
| 5115 | Has she anything to live on from the effects of M. Demidoff, her late and I think unworthy husband? |
| 5115 | Has the end come to the HUMBUGS? |
| 5115 | Has the good God ever uttered it, his opinion? |
| 5115 | Has there been anything in history more inept than the 16th of May? |
| 5115 | Have n''t you any woman whom you love or by whom you would be loved with pleasure? |
| 5115 | Have n''t you received mine sent from Dieppe? |
| 5115 | Have they quarreled about politics? |
| 5115 | Have we always been bunglers in this fair land of ours? |
| 5115 | Have we returned to the wars of races? |
| 5115 | Have you a part for my friend Parade? |
| 5115 | Have you any news of the Odeon? |
| 5115 | Have you at least arranged your affairs with Levy? |
| 5115 | Have you been able to take her to walk and to distract her a little? |
| 5115 | Have you begun your book? |
| 5115 | Have you chosen a place to study? |
| 5115 | Have you given Paris an eternal adieu? |
| 5115 | Have you known any well who love their art? |
| 5115 | Have you more courage than I have? |
| 5115 | Have you not a single member capable of protesting against ignoble attacks, against idiotic principles, against furious madness? |
| 5115 | Have you noticed that there is sometimes in the air a current of common ideas? |
| 5115 | Have you read Peres et Enfants? |
| 5115 | Have you read his new book? |
| 5115 | Have you read the Antichrist? |
| 5115 | Have you read this in the paper? |
| 5115 | Have you read, among the documents found in the Tuileries last September, a plot of a novel by Isidore? |
| 5115 | He asks me if I have thanked you for your last book? |
| 5115 | He found, shall we say? |
| 5115 | He must be very ill, doubtless with heart trouble, do n''t you think so? |
| 5115 | Her husband is very young and intelligent, ca n''t he begin over again, or take a position that will give him a living? |
| 5115 | Here we called you at the stroke of midnight on Christmas, we called your name three times, did you hear it at all? |
| 5115 | How are you? |
| 5115 | How can I make people listen to me? |
| 5115 | How can one proceed, to avoid thinking continually about one''s miserable person? |
| 5115 | How can you live by your pen if you always let yourself be duped and shorn? |
| 5115 | How did that happen? |
| 5115 | How far has the play gone? |
| 5115 | How is it that I have not croaked with it? |
| 5115 | How is your dear mother? |
| 5115 | How is your mother? |
| 5115 | How long do you stay at Cannes? |
| 5115 | How long do you stay there? |
| 5115 | How shall I thank you? |
| 5115 | How the devil do you find the connection between your ideas? |
| 5115 | How were you able to make Victorine from le Philosophe sans le savoir? |
| 5115 | How will the rehearsals of Cadio prevent you from coming to see your poor old friend this autumn? |
| 5115 | However? |
| 5115 | I address it to whom? |
| 5115 | I am looking for it with impatience, for you are not going to forget me, are you? |
| 5115 | I am not working too much, for what would become of me without work? |
| 5115 | I am sure that you are finding me grouchy and that you are going to answer me:"What difference does all that make?" |
| 5115 | I am thinking of going to Paris next month, shall you be there? |
| 5115 | I do n''t know if he is still director, or if the management has been given to the Berton, Laurent, Bernard company, do you? |
| 5115 | I embrace you and I love you, when will you give me some Flaubert to read? |
| 5115 | I embrace you, shall I say again, my old troubadour, since you have resolved to turn into an old Benedictine? |
| 5115 | I have finished my novel, and you? |
| 5115 | I have known people like him, and as these pages are dedicated to Tourgueneff it is the moment to ask you if you have read"I''Abandonnee"? |
| 5115 | I have made more money for him than Cuvillier- Fleury has, have n''t I? |
| 5115 | I know some thinkers( at least people who are called so), but an artist, where is there any? |
| 5115 | I said, WHO KNOWS? |
| 5115 | I shall do all sorts of errands for the house, for I belong to it, do I not? |
| 5115 | I shall find you there ready and courageous, sha n''t I? |
| 5115 | I should like to talk of all that with you; will you come? |
| 5115 | I submit to you the following queries: Emilien seems to me very much up in political philosophy; at that period did people see as far ahead as he? |
| 5115 | I think that you will be a little vexed with your old troubadour for not coming to the baptism of the two darlings of his friend Maurice? |
| 5115 | I told you, did n''t I, that I was working over the fairy play? |
| 5115 | I understand it, but afterward? |
| 5115 | I was told yesterday that she was very ill, why has not Maurice answered me? |
| 5115 | If I ca n''t go to Paris next month, wo n''t you come to see me here? |
| 5115 | If by chance the princess knew him and would be willing to say a word to him in favor of young Simonnet? |
| 5115 | If not, am I to keep a seat for you in my box? |
| 5115 | If you are as numerous, as powerful as one fancies, is it possible that you profess destruction and hatred as a duty? |
| 5115 | In making the extract I have altered somewhat the order of the sentences:"And what, you want me to stop loving? |
| 5115 | In that case, we are all attacked by it, by this strange illness, when we have imagination; and why should such a malady have a sex? |
| 5115 | In the play wo n''t you have to give a longer role to the wife of the good Saint- Gueltas? |
| 5115 | In what condition are we, according to your opinion? |
| 5115 | Is Prussia perhaps going to have a great drubbing which entered into the schemes of Providence for reestablishing European equilibrium? |
| 5115 | Is Saint- Antoine finished, that you are talking of a work of great scope? |
| 5115 | Is Saint- Antoine going well? |
| 5115 | Is he paying you for two volumes? |
| 5115 | Is he, BETWEEN OURSELVES, as intelligent as he is good? |
| 5115 | Is her deafness sudden? |
| 5115 | Is it agreed? |
| 5115 | Is it because you are a great man or a charming being? |
| 5115 | Is it eternal art? |
| 5115 | Is it foolish of me? |
| 5115 | Is it for a play that you came? |
| 5115 | Is it lovely, too? |
| 5115 | Is it not time to make justice a part of art? |
| 5115 | Is it on more or less education? |
| 5115 | Is it only since''89 that people have been floundering? |
| 5115 | Is it possible? |
| 5115 | Is it really a good position? |
| 5115 | Is it something different? |
| 5115 | Is it stoicism or fatigue? |
| 5115 | Is it stupid to be interested in such simple things? |
| 5115 | Is it the consequence of my repeated afflictions? |
| 5115 | Is it the result of a too great activity for the past eight months, or the radical absence of the feminine element in my life? |
| 5115 | Is it the result of prosperity, and does civilization involve this sickly and cowardly selfishness? |
| 5115 | Is it then irreparable? |
| 5115 | Is it to be understood, applauded? |
| 5115 | Is it to get money? |
| 5115 | Is it true what you tell me of G----? |
| 5115 | Is it wise to make them loving and affectionate early? |
| 5115 | Is n''t it a fine piece of idiocy, eh? |
| 5115 | Is n''t it a question of material care and continual diligence? |
| 5115 | Is n''t it an uneasiness, an anguish caused by the desire of an impossible SOMETHING OR OTHER? |
| 5115 | Is n''t it lovely, the moonlight on the trees covered with snow? |
| 5115 | Is n''t it rather a lack of conviction than a principle of esthetics? |
| 5115 | Is n''t it the people without taste and without ideals who get bored, do n''t enjoy anything and are useless? |
| 5115 | Is n''t it the same with you? |
| 5115 | Is n''t there anywhere a little urchin whose father you can believe you are? |
| 5115 | Is not the material explanation of the event too short? |
| 5115 | Is not the sun itself a myth? |
| 5115 | Is one old when one does not choose to be? |
| 5115 | Is she then again settled in Paris? |
| 5115 | Is that really so? |
| 5115 | Is the request indiscreet? |
| 5115 | Is there any more beautiful? |
| 5115 | Is there at this time, I do n''t say, admiration or sympathy, but the appearance of a little attention to works of art? |
| 5115 | Is there not a heritage that our beloved dead leave us? |
| 5115 | Is there perhaps profound symbolism hidden in Maurice''s work? |
| 5115 | Is this a time to put on Aisse? |
| 5115 | Is this horrible experience going to prove to the world that warfare ought to be suppressed or that civilization has to perish? |
| 5115 | Isidore or Henry V. or the kingdom of incendiaries restored by anarchy? |
| 5115 | It is a charming book, is n''t it? |
| 5115 | It is not I who can teach you how to protect yourself But have n''t you a friend who knows how to act for you? |
| 5115 | It is surely tomorrow THURSDAY that we dine together? |
| 5115 | It is true that while reading, one accepts them because of the cleverness of the execution; but afterwards? |
| 5115 | It ought to please? |
| 5115 | It would be agreeable to me to say what I think and to relieve Mister Gustave Flaubert by words, but of what importance is the said gentleman? |
| 5115 | Littre a senator? |
| 5115 | MODERATION, relative chastity, abstinence from excess, whatever you want, but that is translated by EQUILIBRIUM; am I wrong, my master? |
| 5115 | Madame Viardot, who has naturally good taste, said to me yesterday, in speaking of you:"How was she able to make one from the other?" |
| 5115 | Moreover whom could I see? |
| 5115 | Must I then describe that little creature? |
| 5115 | Must I write him? |
| 5115 | Must one find some fashion of accepting the honor, the duty, and the fatigue of living? |
| 5115 | Must she converse and read aloud? |
| 5115 | Must we wait till the middle of the winter to embrace each other? |
| 5115 | No joking? |
| 5115 | Nohant, 8 August, 1870 Are you in Paris in the midst of all this torment? |
| 5115 | Not very much, do you? |
| 5115 | Now explain to me why they put mattresses under certain falls and thorns under others? |
| 5115 | Now, forget; do n''t you know how to forget? |
| 5115 | Of what are you thinking, good head and good heart, in the midst of this bacchanal? |
| 5115 | Of what use are these pleasures of vision, and how are these impressions transformed later? |
| 5115 | One is happy, do n''t you think so, to be able to relate one''s whole life? |
| 5115 | One ought to love common people more than oneself, are they not the real unfortunates of the world? |
| 5115 | One pities a little bird that has fallen from its nest; why not pity a heap of consciences fallen in the mud? |
| 5115 | Otherwise should n''t one curse the flesh like the Catholics? |
| 5115 | Our friend Alexandre Dumas fils, to make an agreeable paradox, has boasted of its advantages in the preface to the Dame aux Camelias, has n''t he? |
| 5115 | Perhaps also even emperor of the East? |
| 5115 | Perhaps tomorrow we shall know that we have beaten, and what will there be good or useful from one or the other? |
| 5115 | Poor old fellow, did you finally sleep like a dormouse in your cabin? |
| 5115 | Pray, what is this obstinate cough? |
| 5115 | Shall I ever be in a condition to write again? |
| 5115 | Shall I ever find mine? |
| 5115 | Shall I go to Croisset this autumn? |
| 5115 | Shall I have the strength to live absolutely alone in solitude? |
| 5115 | Shall I never know it? |
| 5115 | Shall I survive it? |
| 5115 | Shall one ever get to hating piffle? |
| 5115 | Shall you be there still? |
| 5115 | Shall you stay in Nohant? |
| 5115 | Shall you stay there indefinitely? |
| 5115 | She answered me the 19th of this month: HOW SHALL I SEND THIS TO YOU? |
| 5115 | She plays and laughs, then she stops; her great eyes stare, she says: MY FATHER? |
| 5115 | Should n''t we put what society puts in each one of us? |
| 5115 | Should one excite or repress the sensitiveness of children? |
| 5115 | Should we put much or little of ourselves in them? |
| 5115 | Since when could they do without delusions? |
| 5115 | So I suppose that you will have two volumes, wo n''t you? |
| 5115 | So I think that I am going on in my natural path; am I right? |
| 5115 | So you are still working frantically? |
| 5115 | Solitude does not weigh on you? |
| 5115 | THE PEOPLE ALWAYS FEROCIOUS, you say? |
| 5115 | TO GEORGE SAND Croisset, Wednesday evening, 9 September, 1868 Is this the way to behave, dear master? |
| 5115 | TO GEORGE SAND Croisset, Wednesday evening... 1870 What has become of you, dear master, of you and yours? |
| 5115 | TO GEORGE SAND Croisset, Wednesday, 6 September Well, dear master, it seems to me that you are forgetting your troubadour, are n''t you? |
| 5115 | TO GEORGE SAND Dear good master, Can you, for le Temps, write on Dernieres Chansons? |
| 5115 | TO GEORGE SAND Dear master, Have you promised your support to the candidacy of Duquesnel? |
| 5115 | TO GEORGE SAND Dear master, What, no news? |
| 5115 | TO GEORGE SAND Does that astonish you, dear master? |
| 5115 | TO GEORGE SAND Monday evening, 3 February, 1873 Dear master, Do I seem to have forgotten you and not to want to make the journey to Nohant? |
| 5115 | TO GEORGE SAND Righi, 14 July, 1874; What? |
| 5115 | TO GEORGE SAND Thursday Why do you leave me so long without any news of yourself, dear good master? |
| 5115 | TO GEORGE SAND Tuesday night What do I say about it, dear master? |
| 5115 | TO GEORGE SAND Wednesday Will you forgive my long delay, dear master? |
| 5115 | TO GUSTAVE FLAUBERT 18 November(? |
| 5115 | TO GUSTAVE FLAUBERT 1867(?) |
| 5115 | TO GUSTAVE FLAUBERT 20th February Then you are quite ill, dear old fellow? |
| 5115 | TO GUSTAVE FLAUBERT Nohant, 11 March, 1870 How are you, my poor child? |
| 5115 | TO GUSTAVE FLAUBERT Nohant, 16 April, 1870 What ought I to say to Levy so that he will take the first steps? |
| 5115 | TO GUSTAVE FLAUBERT Nohant, 19 December, 1869 So women are in it too? |
| 5115 | TO GUSTAVE FLAUBERT Nohant, 31 July, 1866 My good dear comrade, Will you really be in Paris these next few days as you led me to hope? |
| 5115 | TO GUSTAVE FLAUBERT Nohant, 6 September, 1871 Where are you, my dear old troubadour? |
| 5115 | TO GUSTAVE FLAUBERT Nohant, 7th May, 1875 You leave me without news of you? |
| 5115 | TO GUSTAVE FLAUBERT Paris, 8 December, 1866 You ask me what I am doing? |
| 5115 | TO GUSTAVE FLAUBERT Paris, Tuesday, 5 October, 1869 Where are you now, my dear troubadour? |
| 5115 | TO GUSTAVE FLAUBERT, at Croisset Nohant, 15 Nov., 1869 What has become of you, my dear old beloved troubadour? |
| 5115 | TO GUSTAVE FLAUBERT, at Croisset Nohant, 18 August, 1867 Where are you, my dear old fellow? |
| 5115 | TO GUSTAVE FLAUBERT, at Croissset Nohant, 30 August, 1873 Where are you to be found now? |
| 5115 | TO GUSTAVE FLAUBERT, at Paris December, 1866"Not put one''s heart into what one writes?" |
| 5115 | TO GUSTAVE FLAUBERT, in Paris Nohant, 15 November, 1875 So you are there in Paris, and have you left your apartment at the rue Murillo? |
| 5115 | TO GUSTAVE FLAUBERT, in Paris Nohant, 20 November, 1868 You say to me,"When shall we see each other?" |
| 5115 | Tell me how and why father Hugo did not have one single visit after Ruy Blas? |
| 5115 | That I have had only the time here to sleep a little, and to eat in a hurry? |
| 5115 | That disappears, you say? |
| 5115 | That is a charming story, Mademoiselle Hauterive, is n''t it? |
| 5115 | That is one of the choicest parts of your book, together with the homelife, the life in New York? |
| 5115 | That would have been very little, would it not? |
| 5115 | The Prussians occupied it; did they ruin it, dirty it, rob it? |
| 5115 | The cheeses? |
| 5115 | The individual, disowned, overwhelmed by the modern world, will he regain his importance? |
| 5115 | The people ferocious? |
| 5115 | The shopkeepers of Paris, without a guide, and without good criticism? |
| 5115 | Then you are going to start grubbing again? |
| 5115 | Then you are worrying about money? |
| 5115 | Then you think me upset, since you preach detachment to me? |
| 5115 | Then, I shall see you soon? |
| 5115 | They analyze very keenly the setting in which it was written, and the causes that produced it; but the UNCONSCIOUS poetic expression? |
| 5115 | They say that Cadio is now being rehearsed at the Porte Saint- Martin( so you have fallen out with Chilly?) |
| 5115 | This slavery to one''s profession is horrid, is n''t it? |
| 5115 | Thus, why is a relation necessary between the exact word and the musical word? |
| 5115 | To Paris or to Nohant? |
| 5115 | To what depth of imbecility shall we descend? |
| 5115 | Tourgueneff wrote me that your last work was very remarkable: then you are not DONE FOR, as you pretend? |
| 5115 | Tuesday, 11 October, 1870 Dear master, Are you still living? |
| 5115 | Undeceive yourself, and act as if Aisse had never existed; and above all no sensitiveness? |
| 5115 | Under what star were you born, pray, to unite in your person such diverse qualities, so numerous and so rare? |
| 5115 | Unfortunate International, is it true that you believe in the lie that strength is superior to right? |
| 5115 | Victor Borie is in Italy, what must I write him? |
| 5115 | Was it not a farce? |
| 5115 | Was not the fall of the Broglie ministry pleasing to you? |
| 5115 | We force ourselves to take up our work again, we resign ourselves; what is there better to do? |
| 5115 | We have had tragedy, shall we end with the opera or with the operetta? |
| 5115 | Well, and that discipline? |
| 5115 | Well, how about getting married? |
| 5115 | Well, should I find a publisher, since you are not doing so? |
| 5115 | Well? |
| 5115 | Were n''t you there then? |
| 5115 | What a lovely forest, is n''t it? |
| 5115 | What a nice bit, eh? |
| 5115 | What a way of speaking, eh? |
| 5115 | What are the stipulations and what is the compensation? |
| 5115 | What are they doing in the middle of France? |
| 5115 | What are you doing now? |
| 5115 | What can one do to get it again? |
| 5115 | What can one get hold of? |
| 5115 | What can we know of such an author? |
| 5115 | What country is going to be tranquil in this struggle of barbarity against civilization, a struggle which is going to be universal? |
| 5115 | What country is going to be tranquil in this struggle of barbarity against civilization, a struggle which is going to be universal?" |
| 5115 | What day next week will you dine with me at Magny''s? |
| 5115 | What did the Catholics do to meet a great danger? |
| 5115 | What difference did it make between the sublime and the ridiculous? |
| 5115 | What difference does it make if they cut you up in this or that paper? |
| 5115 | What difference does it make whether one has a hundred thousand enemies if one is loved by two or three good souls? |
| 5115 | What do I care for this or that group of men, these names which have become standards, these personalities which have become catchwords? |
| 5115 | What do I know? |
| 5115 | What do you say? |
| 5115 | What do you say? |
| 5115 | What do you say? |
| 5115 | What do you think I am reading now to distract myself? |
| 5115 | What do you think about it? |
| 5115 | What do you think about it? |
| 5115 | What do you think of le Figaro, which reproached him for wearing at his son''s funeral,"a soft hat"? |
| 5115 | What do you think of my friend Maury, who kept the tricolor over the Archives all during the Commune? |
| 5115 | What do you think of my friend Saint- Victor, who has refused to write an article about it because he finds"the book bad"? |
| 5115 | What do you think of their books? |
| 5115 | What does he lack? |
| 5115 | What does it mean? |
| 5115 | What form should one take to express occasionally one''s opinion on the things of this world, without the risk of passing later for an imbecile? |
| 5115 | What has become of you? |
| 5115 | What has he paid you up to now? |
| 5115 | What has she against you now that passion has become ancient history? |
| 5115 | What is art without the hearts and minds on which one pours it? |
| 5115 | What is being hysterical? |
| 5115 | What is broken? |
| 5115 | What is coming here from Croisset, for a man? |
| 5115 | What is it that I have had for the past four months? |
| 5115 | What is it that you call some one in HIGH FINANCE? |
| 5115 | What is my illness? |
| 5115 | What is the measure that the most advanced proposed after Varennes? |
| 5115 | What is the use of making concessions? |
| 5115 | What is to become of you? |
| 5115 | What is your advice, you who have brought up an intelligent and charming niece? |
| 5115 | What kind of a society is it that becomes paralyzed in the midst of its expansions, because tomorrow can bring a storm? |
| 5115 | What kind of a woman do you want as a companion for your mother? |
| 5115 | What luck if you could say as much!--But what a fine winter, do n''t you think so? |
| 5115 | What men will they meet to protect them and continue our work? |
| 5115 | What more can one exact? |
| 5115 | What news of your play? |
| 5115 | What ones? |
| 5115 | What shall one call it in material nature? |
| 5115 | What shall one get excited about? |
| 5115 | What shall we answer? |
| 5115 | What shall we believe in, then? |
| 5115 | What sort of a republic is that? |
| 5115 | What sort of archeology is Maurice busy with? |
| 5115 | What sorts of information do n''t I need, for the book that I am undertaking? |
| 5115 | What to tell you about myself? |
| 5115 | What trouble was going on in the depths of my being? |
| 5115 | What was it you meant? |
| 5115 | What will be the reaction from the infamous Commune? |
| 5115 | What will become of the weak souls? |
| 5115 | What will this winter be? |
| 5115 | What words did you exchange at the time of this payment? |
| 5115 | What would be the result? |
| 5115 | What would it be on leaving Nohant? |
| 5115 | What''s our next move? |
| 5115 | When I did Madame Bovary I was asked many times:"Is it Madame X. whom you meant to depict?" |
| 5115 | When I lost Rollinat, did n''t you write to me to love the more those who were left? |
| 5115 | When do you return? |
| 5115 | When indeed can I start at it? |
| 5115 | When lightning strikes, are we calm because we have heard the thunder rumble a long time before? |
| 5115 | When one sees the patient writhing in agony is there any consolation in understanding his illness thoroughly? |
| 5115 | When shall I see you? |
| 5115 | When shall I see you? |
| 5115 | When shall we be WISE as the ancients understood it? |
| 5115 | When shall we meet again, now? |
| 5115 | When shall we meet now? |
| 5115 | When shall we meet? |
| 5115 | When shall we meet? |
| 5115 | When shall we meet? |
| 5115 | When shall you go south? |
| 5115 | When will it be over? |
| 5115 | When will that be? |
| 5115 | When will they be artists, only artists, but really artists? |
| 5115 | When will you come here? |
| 5115 | When you saw them, had they opened the galgal of Lockmariaker and cleared away the ground near Plouharnel? |
| 5115 | When your business is finished, why not come to Paris for some time? |
| 5115 | Whence come these attacks of melancholy that overwhelm one at times? |
| 5115 | Whence do we come and whither do we go? |
| 5115 | Where are you, Maurice, and the others? |
| 5115 | Where did you ever see the south conquer the north, and the Catholics dominate the Protestants? |
| 5115 | Where do you go then? |
| 5115 | Where do you know a criticism? |
| 5115 | Where do you think I have come from? |
| 5115 | Where is it? |
| 5115 | Where is the Princess Mathilde? |
| 5115 | Where is the model? |
| 5115 | Where is the woman now? |
| 5115 | Where is there a sign of an idea? |
| 5115 | Where is there an idiot comparable to the Bayard of modern times? |
| 5115 | Where it comes from? |
| 5115 | Where shall you be? |
| 5115 | Where should liberty exist if not in passion? |
| 5115 | Where? |
| 5115 | Where? |
| 5115 | Who are the actors, etc.? |
| 5115 | Who is talking about putting yourself on the stage? |
| 5115 | Who is the critic who reads the book that he has to criticise? |
| 5115 | Who is there who is anxious about the work in itself, in an intense way? |
| 5115 | Who is wrong? |
| 5115 | Who knows if in twenty or in forty years, a grandson of Jerome will not be our master? |
| 5115 | Who knows, perhaps your example has sustained me? |
| 5115 | Who pray is bothering about art nowadays? |
| 5115 | Who then will fill the theatres? |
| 5115 | Who would think that, with my appearance and my tranquil old age, I would still love EXCESS? |
| 5115 | Who, pray, should give them, and who, pray, should formulate them, if not you? |
| 5115 | Whom do you want to have with us? |
| 5115 | Whom shall I see now when I go to Paris? |
| 5115 | Why am I in love with Siverain? |
| 5115 | Why annoy oneself about such a miserable subject? |
| 5115 | Why are n''t you here? |
| 5115 | Why are you so said? |
| 5115 | Why ca n''t we live together, why is life always so badly arranged? |
| 5115 | Why did n''t I die from it? |
| 5115 | Why did n''t you come this autumn? |
| 5115 | Why did n''t you come to us with Madame Viardot and Tourgueneff? |
| 5115 | Why did we not know anything about him? |
| 5115 | Why did you resist your good impulse? |
| 5115 | Why did your trip remain unpublished? |
| 5115 | Why do I love you more than most of the others, even more than old and well- tried friends? |
| 5115 | Why do all the parties regard themselves as having joint interests with the rascals who exploit them? |
| 5115 | Why do n''t you consider the Theatre Francais? |
| 5115 | Why do they abhor us so fiercely? |
| 5115 | Why do you feel"the great bonds broken?" |
| 5115 | Why do you say often that you wish you were dead? |
| 5115 | Why does Levy admire Ponsard and Octave Feuillet more than father Dumas and you? |
| 5115 | Why does it happen that one always makes a verse when one restrains his thought too much? |
| 5115 | Why does n''t he write books, since he is rich and has talent? |
| 5115 | Why does not Duquesnel go to find General Ladmirault, Jules Simon, Thiers? |
| 5115 | Why force oneself? |
| 5115 | Why have n''t I that? |
| 5115 | Why is the theatre such a general cause of delirium? |
| 5115 | Why not live with those one loves? |
| 5115 | Why not? |
| 5115 | Why not? |
| 5115 | Why publish then? |
| 5115 | Why publish, in these abominable times? |
| 5115 | Why publish? |
| 5115 | Why should n''t you come to us in September? |
| 5115 | Why should the sight of a bill put me in a rage? |
| 5115 | Why so? |
| 5115 | Why such inaction? |
| 5115 | Why write for the papers, when one can make books, and when one is not perishing of hunger? |
| 5115 | Why? |
| 5115 | Why? |
| 5115 | Why? |
| 5115 | Why? |
| 5115 | Why? |
| 5115 | Why? |
| 5115 | Will an idea fall from Heaven suitable to my temperament? |
| 5115 | Will he succeed in making her digest and sleep? |
| 5115 | Will it be inconvenient if I come to see you? |
| 5115 | Will they have finished with hollow metaphysics and conventional ideas? |
| 5115 | Will they or will they not possess the object of their ardent desires? |
| 5115 | Will you be there? |
| 5115 | Will you come into the land, of my dreams, if I succeed in finding the road? |
| 5115 | Will you do it? |
| 5115 | Will you find me a refuge in my old age which is drawing near to death? |
| 5115 | Will you put the enclosed answer in the mail? |
| 5115 | Will your nephew and niece go to the gallery or the balcony seats? |
| 5115 | With whom shall I talk of what interests me? |
| 5115 | Wo n''t you come to see us? |
| 5115 | Would formidable bleedings be useful? |
| 5115 | Would it have been the better for that? |
| 5115 | Would it then be only more or less wealth that would classify men into two distinct parties? |
| 5115 | Would you believe that I have not seen Sainte- Beuve? |
| 5115 | You always astonish me with your painstaking work; is it a coquetry? |
| 5115 | You are reading that, you? |
| 5115 | You are right a thousand times over, but by what means could it be otherwise? |
| 5115 | You are too truly superior not to arouse envy and you do n''t care, do you? |
| 5115 | You are working? |
| 5115 | You are wrathful, oh very well, I like that better than if you were laughing at it; but when you are calmer and when you reflect? |
| 5115 | You do n''t tell me of your mother; is she in Paris with her grandchild? |
| 5115 | You do not speak of a COMPLETE EDITION? |
| 5115 | You know that? |
| 5115 | You must be content? |
| 5115 | You said rightly that in order to work, a certain lightness was needed; where is it to be found in these accursed times? |
| 5115 | You say to develop one''s self in every direction? |
| 5115 | You understand me, do n''t you? |
| 5115 | You want me to say that I have been mistaken all my life, that humanity is contemptible, hateful, that it always has been and always will be so? |
| 5115 | You want me to say that I have been mistaken all my life, that humanity is contemptible, hateful, that it has always been and always will be so? |
| 5115 | You want me to say: man is made thus, crime is his expression, infamy is his nature? |
| 5115 | You were pleased with my two novels? |
| 5115 | You will have finished your rehearsals, you will have had a success, perhaps you will be in the mood to return to material life, eating truffles? |
| 5115 | You wo n''t go there without seeing the Cirque of Gavarnie, and the road that leads there, will you? |
| 5115 | You would perhaps do France a great service? |
| 5115 | Your articles in le Temps, which have had a great success, are widely read and who knows? |
| 5115 | Your books, your bibelots, did you find them all? |
| 5115 | Your chosen chiefs, your governors, your inspirers, are they all brigands and idiots? |
| 5115 | Your courage has not declined? |
| 5115 | Your niece continues to improve, does she not? |
| 5115 | Your old George Sand Did you receive my pamphlets on the faience? |
| 5115 | Your work? |
| 5115 | and silly? |
| 5115 | and you, dear good master, that play that they talk about, is it finished? |
| 5115 | another time she says: MAMMA? |
| 5115 | are you correcting proof like a galley slave, up to the last minute? |
| 5115 | but I do n''t see it yet very clearly; what can one do without sun and without heat? |
| 5115 | dear master, you too are demoralized, sad? |
| 5115 | ill? |
| 5115 | in building up her strength? |
| 5115 | its composition, its style? |
| 5115 | or is it Saint- Antoine that is going to spread its wings over the entire universe? |
| 5115 | or wait until my trip to Paris? |
| 5115 | perhaps of my wretched book? |
| 5115 | that virtue? |
| 5115 | the point of view of the author? |
| 5115 | what shall we do with it? |
| 5115 | where are you nestled? |
| 5115 | who can know? |
| 5115 | why and how? |
| 5115 | you have finished Saint- Antoine? |
| 5115 | you have not such a conscience as that, have you? |
| 5115 | you in Paris, in Nohant, or elsewhere? |
| 5115 | your mother''s health? |