Questions

This is a list of all the questions and their associated study carrel identifiers. One can learn a lot of the "aboutness" of a text simply by reading the questions.

identifier	question
36215	''And you wo n''t flunk, will you?'' 36215 But you changed your mind?"
36215	Did you ever have to walk?
36215	Do you think I can do it?
36215	What is the most enjoyable part I ever had?
36215	When did I first sing in public? 36215 ''Could he do them now?'' 36215 Do you mean when did I make my real début in opera? 36215 InThe Bride Elect,"he gave us marches-- shall we say"galore"?
36215	Miss Russell also described interestingly her methods of working up a part:--"How do I study my parts?
36215	Of course, I love music, but what can be more gratifying than to portray the heroines of Shakespeare and other great dramatists?
36215	Still, is her condition of mind to be wondered at?
36215	The fair- haired Lillian sang at this concert"Let Me Dream again"by Sullivan and"Connais- tu le Pays?"
36215	Where, in all that, is to be found the simple graciousness, the dainty, delicate, unobtrusive art of Marie Tempest?
36215	Which is right?
36215	Why not give Miss Hall a chance to play the girl next door?
36215	Why scour Europe for a human specimen which only warps a personality that belongs right here at home?
17465	And the cellar, also?
17465	How much are the expenses of your concert?
17465	Many persons, artists and amateurs,said Fiorentino,"absolutely asked on the morning of her_ début_, Who is this Alboni?
17465	Well, how does this concern me?
17465	''But have I not still a disengaged evening?''
17465	Do n''t you know what love is?"
17465	Do you know that I could propose a little partnership affair?
17465	Do you want it buttered?''
17465	He fixed his flashing eyes upon her:''What did you say?''
17465	Jealous as she was by temperament, she always wept when Madamoiselle Sontag achieved a great success, saying, naively,"Why does she sing so divinely?"
17465	She whispers to him with a rather coarse epithet:''Why do n''t you take it?
17465	The great pianist and composer Moscheles writes:"What shall I say of Jenny Lind?
17465	The visitor then took the long golden tresses floating over Persiani''s shoulders, and asked,"Is it all your own?"
17465	Then, changing his voice:"Do n''t you know your voice is a gold- mine that has never been explored?
17465	What can she do?"
17465	What more unique triumph can be fancied than such a one violating all the laws of probability?
17465	What was the reason of this unanimous disdain or this unanimous doubt?
17465	Whence does she come?
17464	Did they not?
17464	Do you not know,said the King,"that this grandee is your deadly enemy?"
17464	For,said she,"how can you best convey a just notion of slight vibrations in the pitch of a note?
17464	Où allez vous, madame?
17464	Pray, on what instrument does he play?
17464	So you are going to sing me something?
17464	What are you thinking of?
17464	Being present with a country friend in the pit, the latter asked him, as Mrs. Billington appeared in the garden- scene,"Is that Rosetta?"
17464	But what matters it?
17464	By a fixed instrument?
17464	By the voice?
17464	Cata- lani?
17464	Grassini, who was present, rose majestically from her chair, with a theatrical tone and gesture exclaiming,''Et sa blessure, monsieur?''
17464	If the rapid vocalization of a singer was praised, Mara would significantly ask,"Can she sing six plain notes?"
17464	Might she not be ruining herself in giving the Grand Duke of Russia a bad opinion of her powers?
17464	People have often said to me,"Madame Mara, why do you not introduce more pretty things, and passages, and graces in your singing?"
17464	See how ugly she is; and as for singing-- did you ever hear such a vile jargon of sounds?"
17464	The maligner was triumphant, and said to all,"Did n''t I say so?
17464	To the director of the opera, De Vismes, who, enraged at some want of respect, said to him,"Do you know who I am?"
17464	What would you have?
17464	When Pacchierotti had finished the air, he turned to the orchestra, which remained silent, saying,"What are you about?"
17464	can you sing at sight?"
17464	ejaculated the astonished composer;"do you think the Greeks, whose manners we are endeavoring to depict, knew what a chacone was?"
17464	what?"
38153	And will he never find her?
38153	Do we offend Heaven in ceasing to suffer? 38153 In what opera did you first appear?"
38153	Is it true, Madame Sembrich, that you walk two hours every day?
38153	She is not yet a finished artist,these critics say, but at four- and- twenty what would you?
38153	The Lilli Lehmannsmiled and said:"Why not?
38153	What did you practice when you first began with the voice?--single tones?
38153	Where is Carmen?
38153	Who are you?
38153	Who is there?
38153	After telling Senta that the stranger has come to be her bridegroom, he turns to the Holländer, asking,"Did I exaggerate her loveliness?
38153	As the lovers start to go, Aida asks,"By what route do the Egyptians march?
38153	But her thoughts are varied, and she suddenly turns and asks:"Why do you whisper to each other?
38153	But the sound of Faust''s voice recalls to her that first meeting so long ago, when he said,"My fair lady, may I walk with you?"
38153	But you will come back?"
38153	Calvé looked thoughtful-- she could hardly recall, until a friend who was present suggested--"it was rather intervals and arpeggios, n''est ce pas?"
38153	Calvé was asked first what she thinks of when she steps before the public-- her voice, her acting, or the music?
38153	Do n''t you know me?
38153	He astonishes Daland with the sudden question,"Have you a daughter?"
38153	He unties her hands and asks desperately,"Carmen, Carmen, do you mean it?"
38153	How could it be?
38153	Is she not an ornament to her sex?"
38153	Now where will you get another to fill his place?''
38153	She calls to him, and he asks:"Who calls in the night?
38153	She entreats Werther to turn his heart elsewhere:"Why do you love me?"
38153	She was then asked, by way of suggestion:"Did you ever_ hum_ in your practice?"
38153	Then I asked,''Are you ready for_ anything_?
38153	Then she took a pencil and paper,--and what do you suppose she wrote first?
38153	Valentine exclaims,"What have I done to earn such disgrace?"
38153	Valentine starts to go, but Marcel detains her with the question,"Who art thou?"
38153	What did I think of it?
38153	What else did I do?
38153	What is it Mrs. Carter says in''Zaza''about success?
38153	When Daland comes nearer, she grasps his hand, whispering,"Who is that stranger?"
38153	When teaching a phrase, instead of dictating, as you would expect so great a man to do, he always asked,''How do you_ feel_ when you hear that?
38153	Why can she not banish him from her mind as she did from her presence?
38153	Why should she be on the Metropolitan stage?
38153	With bitter tones he adds:"What joy are such riches to me?
38153	then you speak German?"
32835	But why should you wish to leave Berlin?
32835	Did I do it well, mamma?
32835	Do you sing in German?
32835	Here-- in Berlin-- sing in Italian?
32835	If I let you sing here in Italian, will you sign it?
32835	Meanwhile, you sing only in Berlin?
32835	Monte Carlo, eh?
32835	Why do you use only the black keys?
32835	Will you study''Elsa''s Dream''?
32835	Would you like to sing for the Intendant of the Royal Opera?
32835	Would you like to sing with the orchestra of the Royal Opera?
32835	As a kind afterthought he added, no doubt to soften the sting of my disappointment:"Would you like to sing in one of our Sunday night concerts?"
32835	But how could I find her?
32835	But why should n''t I?
32835	Could this drooping young person be the erstwhile very confident embryo prima donna?
32835	Do you care to sign it?"
32835	How can you?"
32835	I decided that Paris must be the next stepping- stone; but how?
32835	I have been asked, in summing up these experiences of my artistic career, so far, if it has all been worth while?
32835	I may own that every time we meet and he says, half laughingly, half quizzically,"Well, when are you going to forsake opera and come into the drama?"
32835	May I not then go and sing a little among the palms and the flowers?"
32835	Shall I ever forget it?
32835	Then there flashed through my mind: How should I endure this enforced inactivity?
32835	What could I say?
32835	What more can you gain elsewhere?"
32835	What shall it be?"
32835	When shall I come?
32835	Who can ever forget the first intoxicating impression of this queen of cities?
32835	Who can say that it was"only acting"?
32835	Who knows?
32835	Why?...
32835	Will Miss Farrar please come down and sing for him?
32835	Will you come to Boston and meet her?"
32835	Would I like to sing for him?
32835	Would I?
32835	[ Illustration: THE ROYAL OPERA HOUSE, BERLIN]"Could you learn to sing in German in ten days?"
32979	Did you ever see a thin Violetta?
32979	''How do you do?
32979	And are not these the most difficult and trying rôles in the répertoire of the lyric stage to- day?
32979	Are there many sopranos who have not, whatever the general nature of their répertoires?
32979	But has any one ever characterized Selika?
32979	But has it occurred to any one that the Queen in_ The Golden Cockerel_ is a part absolutely suited to the Garden genius?
32979	But where is there anything better?
32979	But will_ Elektra_ have the same effect on future audiences?
32979	Can one say as much for any other interpreter?
32979	Can she turn to Puccini, whose later operas seem bereft of merit, to Mascagni, to Strauss, to any other of the living opera composers?
32979	Did Haydn or Prince H---- conduct the first performance of the_ Symphony in X major_?
32979	Did Rachel touch greater heights?
32979	Did Weber arrive in England on Thursday or Friday?
32979	Do you remember the splendid_ apache_ saluting his head before he goes to the guillotine?
32979	Do you who saw him still remember those flickering fingers and toes?
32979	Farrar hear that remarkable performance of_ Carmen_ in which both Saleza and Jean de Reszke appeared?
32979	Fremstad as Isolde, Venus, Elsa, Sieglinde, Kundry, Armide, Brünnhilde in_ Götterdämmerung_, or Salome?
32979	Garcia possibly suggests a warrior, but do Malibran and Viardot make us think of music?
32979	Has any one else achieved this effect?
32979	Has any one else done this?
32979	Have you heard her sing_ L''Hotel Numero 3_, one of the répertoire of the_ gants noirs_ and the old days of the Divan Japonais?
32979	Have you heard her sing_ Le Lien Serré_ and witnessed the impression she produces by sewing, a piece of action not indicated in the text of the song?
32979	How could any one sing the music of the tremendous finale after getting thoroughly out of breath in the terpsichorean exhibition before Herod?
32979	How has she done this?
32979	How long did he study the art of singing?
32979	In how many_ Manon_ scores did Massenet write his tender eternal finalities?
32979	Munich adored the Fremstad Carmen( was it not her characterization of the Bizet heroine which caused Heinrich Conried to engage her for America?)
32979	Now she is raucous, now tender; have you ever seen so sweet a smile; have you ever observed so coarse a mien?
32979	Of how many nights in the theatre can I say as much?
32979	Pasta seldom sang an opera through without many similar slips from the pitch?
32979	Ravel''s one opera is not particularly suited to her, but why, I might ask, does not Ravel write something for her?
32979	Should I be deprived of their society because I happen to be a critic?
32979	The music, the setting, the costumes-- what else was left to celebrate?
32979	The pregnant line of the first act:_ Artiste?....
32979	V What is to become of Mary Garden?
32979	Was Beethoven in a cold sweat when he composed the_ Ninth Symphony_ or was he merely angry?
32979	Was it Philip Hale who remarked that she sang_ Who is Sylvia?_ as if the woman were not on her calling list?...
32979	Was it Philip Hale who remarked that she sang_ Who is Sylvia?_ as if the woman were not on her calling list?...
32979	Was the French Jewess more electric?
32979	What can she do now?
32979	What could I tell you that you have not already known and felt in advance?
32979	What is there left for her to do?
32979	Who can hope to do it?
32979	Who, indeed, has not?
32979	Why not John Carpenter?
32979	Why not Leo Ornstein?
32979	Why not Strawinsky?
32979	Why not?
32979	Will there rise another singing actress in our generation to make us forget it?
32979	Will you believe me when I tell you that I was never less nervous?...
32979	Young singer though he was, he rebelled and asked,"Why not?"
32980	Advertising?
32980	And now, one question,says Mademoiselle,"Is your stage level, or does it slope towards the back?
32980	But where do the artists of the theatres usually live?
32980	Well, after all,answered my mother,"who knows where most of the great singers of today made their débuts?"
32980	What is this institution?
32980	What were they doing?
32980	_ Sind Sie satt?_They would ask each other gravely--"_Ich bin nicht satt!_"Meaning literally,"Are you full?"
32980	_ Sind Sie satt?_They would ask each other gravely--"_Ich bin nicht satt!_"Meaning literally,"Are you full?"
32980	A Cockney super, on his way out, remarked in passing me,"I s''y, wot price Destinn''s hat?"
32980	A porter caught sight of me, pushed back the other men on both sides of me, and said,"Get out of the loidy''s wy, cahn''t yer, Bill?
32980	And indeed why should one have?
32980	And then why stick slavishly to the bow tie of white cotton?
32980	And yet what is a young fellow in his position to do?
32980	Are n''t my things good enough for you?"
32980	But_ what_ would the Kaiser say?
32980	Can you flip them from the edge of the table into your own hand?
32980	Can you?"
32980	Could n''t the curls then be worn at least three times without being re- dressed?
32980	During the second year I was told one day:"This is Irene''s wedding day; will you say something to her?"
32980	F---- hailed him and said,"But where''s your horse?"
32980	For form''s sake he kept saying,"_ Sie verstehen mich, Fräulein?_"and when I answered"_ Ja_,"he was satisfied.
32980	He rushed at me and caught my wrists and shouted,"_ Was faellt Ihnen denn ein_"("What''s the matter with you?")
32980	How can they enter into the spirit of an opera when they are guessing whether that is a love phrase or an insult that the tenor is singing?
32980	I remember his singing,"And how would you get your ships along, Admiral, If your sails and oars were shot overboard?"
32980	I said once to F----,"Is Karl your servant?"
32980	I used to say to them,"But how can I ever get experience if you wo n''t give me a chance?"
32980	My sister said,"Why did you make up with rouge and not have the pallor we agreed upon?"
32980	One clever actor always made his greatest climax by suddenly throwing back his coat edge as he finished a"There, what do you say to that?"
32980	S---- was famous for his sharpness in choosing and trading horseflesh, and F---- used to call him on the''phone, saying"Is this Herr S----?
32980	Students often ask me"How did you get your first engagement?"
32980	The Director said at once,"How much did they offer you in----?"
32980	The Parthenon freeze-- is it not music?
32980	The old Dames call out to you,"Well, Madamsche'', nothing from me today?
32980	Then I thought"Flowers or no flowers?"
32980	There is a curious phrase for parents--"How are your_ Herren_ Parents?"
32980	There was a tank of real water on the stage, in which they loved to splash, but do you suppose a German goose was ever allowed to go near it?
32980	Therefore in our short talk before the second act, I told him my positions as nicely as I could, he saying to everything,"_ Aber warum?
32980	Unbecoming-- it was admitted--, but"man"did it in Paris and should Darmstadt lag behind?
32980	Warum?_"( But why, why?).
32980	Warum?_"( But why, why?).
32980	What example was he to the others?
32980	When I appeared on the stage, they all demanded"And what, pray, are_ you_ supposed to represent?"
32980	Where in America in a town of Darmstadt''s size could you see such a performance?
32980	Who longed for real, that is, one- side real, tents-- with steam escaping from a semi- hidden pipe through the top?
32980	Would I be so awfully kind as I was coming anyway, to help her out?
32980	Yesterday I bought a bunch of violets, and do you know why?
32980	endlich weiss man was est ist ein schoenes Weib i m Arm zu haben?_"("Ah!
59724	An''''aven''t ye a Scotch sang, me laddie?
59724	And you have been playing the hypocrite with me all the time?
59724	Are you that man?
59724	But what is that second thing I lack? 59724 Downs?
59724	Downs? 59724 Faith?
59724	Friend? 59724 I beg your pardon, doctor, but how do you know she was there?"
59724	Mr. Vox, I believe?
59724	No,replied the man,"I shall not intrude upon you; but may I ask you to keep this pledge I have written?
59724	Say, what''s the use o''havin''your pocket full o''rye( hic)? 59724 That''s rather heavy poetry for creatures of our caliber, is n''t it, Caleb?
59724	The Bell? 59724 What shall we sing, old boy?"
59724	What''s the matter with you now?
59724	Where have you enlisted?
59724	Where?
59724	Where?
59724	Who are you, my friend?
59724	Why not?
59724	Why, what have you been doing now that you are ashamed of, Phil? 59724 You a hypocrite, Vox?
59724	''D rather have a belly full o''rye; would n''t you( hic)?"
59724	Any charge for admittance, or collection?
59724	But what if it was n''t?
59724	But what is it?
59724	But will you allow me to ask you a question?
59724	Charles Downs?
59724	DID THE PARDON COME TOO LATE?
59724	Did I kick Dr. Cutt out of the study the other day because he did n''t realize the good he had done me in reducing the swelling of my sprained ankle?
59724	Did n''t it take a God to make such a marvelous creature as I am?''
59724	Do dogs have religious instinct?
59724	Do n''t you see that had you known you would have spoiled your own job?"
59724	Do you ever sing Mazzini''s''Muleteers''?"
59724	Do you know why I call him Caleb?
59724	Do you know, doctor, the Silvers were both there?"
59724	Do you suppose that old violin feels anything of the joy that thrills through its fibers?
59724	Enlisted?
59724	Fleeced you again?"
59724	Is n''t it contemptible for a man with even a singer''s conscience?
59724	Is n''t there something I can do for you now?"
59724	Is your pocket- book with you?
59724	No disappointment, my boy?"
59724	Not Downs who used to be in the Mendelssohn?
59724	Now what right have I to make another feel what I do n''t feel myself?
59724	Now who am I helping by peddling my chin- wares?"
59724	Shall I smash it for a hypocritical contrivance of wood and catgut?
59724	Some holy Sorosis?
59724	That reformed theater you talk about?
59724	That''s great singing; eh, doctor?
59724	The tenor at St. Martha''s?
59724	To throw yourself away again?"
59724	What can we do for each other?"
59724	What could Vox do with his protà © gà ©?
59724	What could n''t we do if we would practise together?
59724	Who was that composer that said that he never knew what a piece he had written until he heard Joseffy play it?
59724	Why do n''t you preach at us that way?
59724	Why should n''t she?
59724	With Silver& Co.?"
59724	grunted the doctor, and, after a moment''s silence, said abruptly,"Phil, will you go with me to- morrow night?"
59724	has he turned up?
59724	no more?
33168	Are you sure?
33168	Do n''t you know me?
33168	Indeed, and of what is she guilty?
33168	Well, ca n''t we look at them?
33168	What do you want?
33168	( Livia Gerhard)| 1818| 1832|?
33168	Anna| 1814| 1831|?
33168	Bernacchi, Antonio| 1690|_1712_| 1730| 1756 Galeratti, Catherina|?
33168	Boschi, Giuseppe|?
33168	Caffarelli, Gaetano Majorano| 1703| 1724| 1750| 1783 Fenton, Lavinia( Duchess of Bolton)|?
33168	Camporese, Violanti| 1785|_1816_| 1829|?
33168	Carestini, Giovanni| 1705| 1721| 1758|_1758_ Farinelli( Carlo Broschi)| 1705| 1722|_1762_| 1782 Borosini, Francesco| 1695|_1723_|?
33168	Eugenie|?
33168	Lemmens| 1834| 1860|| Scaria, Emil| 1838| 1860| 1884| 1886 Krauss, Marie Gabrielle| 1842| 1860|?
33168	Leveridge, Richard| 1670| 1695| 1730| 1758 Tofts, Mrs. Katharine|?
33168	Manzuoli, Giovanni| 1725| 1764| 1771|?
33168	Maria| 1792| 1814| 1836|?
33168	Minna| 1839| 1856|| 1890 Giuglini, Antonio| 1826| 1857| 1862| 1865 Fancelli, Giuseppe| 1836|?
33168	Pasta, Giuditta| 1798| 1816| 1850| 1865 Donzelli, Domenico| 1790| 1816| 1841| 1873 Boccabadati, Luigia|?
33168	Ranzzini, Venanzio| 1747| 1765|| 1810 Pacchierotti, Gasparo| 1744| 1769| 1796| 1821 Ansani, Giovanni| 1750| 1770| 1800|_1815_ Allegranti, Madalena|?
33168	Robinson, Anastasia|?
33168	Valentini, Valentino Urbani|?
33168	| 1703| 1709|_1740_ Epine, Francesca Margherita|?
33168	| 1704| 1718|?
33168	| 1707| 1714|?
33168	| 1711| 1728|?
33168	| 1714| 1721|?
33168	| 1726| 1731| 1760 Fabri, Annibale| 1697| 1729|?
33168	| 1760 Gizziello, Gioacchino Conti| 1714| 1729| 1753| 1761 Monticelli, Angelo Maria| 1710| 1730|?
33168	| 1764 Beard, John| 1717| 1736| 1767| 1791 Raff, Anton| 1714| 1738|_1779_| 1797 Amorevoli, Angelo| 1716| 1741|?
33168	| 1771| 1799|?
33168	| 1783| 1791|?
33168	| 1798 Guarducci, Tommasso Toscano| 1720| 1745| 1771|?
33168	| 1804 Babbini, Matteo| 1754|_1780_| 1802| 1816 Crouch, Mrs. Anna Maria| 1763| 1780| 1800| 1805 Garat, Pierre Jean| 1764|?
33168	| 1806 Adamberger, Valentin| 1743| 1780|?
33168	| 1814| 1823 Storace, Ann Selina| 1766| 1780| 1808| 1817 Sestini, Giovanna|?
33168	| 1817|?
33168	| 1849 Begnis, Signora Claudine Ronzi de| 1800| 1819|?
33168	| 1884 Persiani, Fanny| 1812| 1832| 1858| 1867 Stoltz, Rosina| 1815| 1832| 1849|?
33168	| 1887|| Melba, Nellie( Mitchell)| 1864| 1887|| Ternina, Milka|?
33168	| 1888|| Eames, Emma| 1867| 1888|| Sanderson, Sybil| 1865| 1889|| Davies, Ffrançon|?
33168	| 1890|| Delna, Marie| 1875| 1892|| Brema, Marie|?
33168	|?
33168	|?
33168	|?
33168	|?
33168	|?
39392	And wine, monsieur?
39392	Are its palaces and pleasures Fantasies that fade? 39392 Are you all right, mister, now?"
39392	But if you had to die,he insisted,"how would you prefer to go?"
39392	Ca n''t ye be aisy out of respect for the dead?
39392	How long have you been playing?
39392	I''m an ugly blighter, are n''t I?
39392	Is n''t it a shame?
39392	Only sixteen shillings? 39392 Say_ something_, ca n''t you?"
39392	Shall I?
39392	Well?
39392	Well?
39392	Well?
39392	Well?
39392	Wh- what makes you all lau- lau- laugh so?
39392	What are you doing here?
39392	What do you pay?
39392	What''s happened Harry?
39392	What''s it like?
39392	What,I asked him,"do you mean by that?"
39392	Where''s the book?
39392	Who are those for?
39392	Who are you?
39392	You did very well,they told me afterwards,"did n''t you hear the laughs?"
39392	''Here, master,''she said,''who''s''e?''
39392	''Is it?''
39392	And the glory of its treasures Shadows of a shade?"
39392	But where is the way of escape?
39392	By Shelford Walsh[ Harrogate?]
39392	Can it be improved in keeping with the spirit of genuine artistry?
39392	Could he, as a means of thwarting his relative, be allowed to marry?
39392	Do you know what you are doing?
39392	For every young artist who comes for the first time before the footlights, may I bespeak always the same kindly feeling?
39392	Frederic, even on Mabel''s entreaties, can not save him, for is he not himself a pirate again?
39392	Hildebrand retorts,"If you enlist all women in your cause-- how is this posterity to be provided?"
39392	How well I remember those lines:-- Second Demon( sepulchral and sinister): Who calls on me in this unfriendly way?
39392	Is its beauty but a bubble, Bound to break ere long?"
39392	Long after this it was Mr. Carte''s custom, when making enquiries as to my wife, to say dryly,"And how''s your sister, Lytton?"
39392	Not once, but many times, I have been asked"Why do n''t you write your reminiscences, Lytton?"
39392	One of the Japanese nobles asks,"Who are you?"
39392	Only the night before he died, while we were in our dressing- room, he surprised me with the question,"How would you like to die, Harry?"
39392	Or between his studies of the engaging and more than candid_ Lord Chancellor_ in"Iolanthe"and that pretentious humbug_ Bunthorne_ in"Patience"?
39392	Others declare,"Is n''t he a marvel for sixty- five?"
39392	P. 97"arn''t"changed to"are n''t"( I''m an ugly blighter, are n''t I?).
39392	Raked the soil?
39392	Shall I say I was anxious to return to them?
39392	Should an utter stranger be allowed to pay her pretty compliments?
39392	This little chorus contains two exquisite verses--"Is it but a world of trouble Sadness set to song?
39392	Watered them?
39392	Were they so little moved by the closing scene of the piece that they were going out in indifference or in disgust?
39392	What about Gilbert?
39392	What did I want to be?
39392	What had happened?
39392	What is the secret?
39392	What shall I do?"
39392	What was he to do?
39392	What was to be done?
39392	What was wrong?
39392	When at the close of"Yeomen"_ Elsie_ is wedded to_ Fairfax_, does_ Jack Point_ die of a broken heart, or does he merely swoon away?
39392	Which of the two will be last to go-- The Gondoliers or the latest show?"
39392	You will remember that in"The Yeomen"poor_ Jack Point_ puts his riddle,"Why is a cook''s brainpan like an overwound clock?"
39392	are n''t they?"
39392	he whispered anxiously, his nose still to the floor,"What have I done?"
39392	she returned,''and who''s''e?''
15385	And if his voice should prove to be what is wanted,continued the music- master, though with delicate hesitancy,"would he be-- free?
15385	And so you sell papers?
15385	And so your grandmother is your music teacher?
15385	And so your mother takes pupils?
15385	And where do you live?
15385	And you are willing to come?
15385	And you take your music lessons in one half?
15385	Are you putting on the dress_ I_ like?
15385	Are you, indeed? 15385 But you will come?"
15385	Do I love music? 15385 Do n''t you want me to bring you a daffodil to wear at your throat?"
15385	Do you mind telling me your name?
15385	Do you recognize it?
15385	Do you think you are poor?
15385	Has any one heard you sing?
15385	Have you ever been in the cathedral?
15385	If he would n''t have me, you''d never want to see me any more, would you?
15385	In what direction did you say that battery was pointed?
15385	Oh, you have a piano, have you?
15385	On a piano?
15385	Then why did he try to call himself James the Greater? 15385 Well, Mister, you see the statue of Washington and Lafayette?"
15385	What do you say when not selling papers and when you are at home?
15385	What is the number?
15385	Will you come in?
15385	Will you, then, send him to- morrow and let me try his voice?
15385	You_ do_ wish to come?
15385	You_ will_ come?
15385	A mention of it-- the usual story-- was in the papers, but who of us reads such things in the papers?
15385	A shy appealing look came into his eyes as he asked his next question-- a grave question indeed:"_ Mister, do you love music?_""Do I love music?"
15385	A shy appealing look came into his eyes as he asked his next question-- a grave question indeed:"_ Mister, do you love music?_""Do I love music?"
15385	And if he amounted to nothing, then what?
15385	And now the whole secret came out:"Do you know how boys get into the cathedral choir school?"
15385	Are n''t you nearly ready?"
15385	But has there not been a change even within that short time?
15385	By the bedside she suddenly rocked to and fro, and then she bent over and said with a smile in her tone:"_ Do you hear?
15385	Did not the medieval portrait- painters portray in their sitters great moods as no painter portrays them now?
15385	Do n''t you do that way?"
15385	Do you find portraits of either men or women who radiate the overwhelming passions, the vital moods, of our galled and soaring nature?
15385	Do you hear them?_"He made a motion with his lips to speak but they hurt him too much.
15385	Do you think that is showing proper respect to an apostle?"
15385	Do you understand why?
15385	Does anybody teach you?"
15385	Having thus disposed of some of the lad''s words, he addressed a pointed question to the rest:"But how did you happen to call me mister?
15385	He did not know this; but she knew it, knew by his look and by his only comment:"You had a perfectly splendid time, did n''t you?"
15385	His inquiry was quite breathless:"Do you want a paper, Mister?
15385	How could they hold services in the cathedral-- the usual services?
15385	How many painters of to- day can find great moods in the faces of their sitters?
15385	Mister, were_ you_ ever poor?"
15385	Now he felt sure of his comrade, and he put to him a more searching question:"Do_ you_ know anything about the cathedral?"
15385	Otherwise, how can your best emotions have full play in your work; and unless your best emotions enter into your work, what will your work be worth?
15385	She addressed the janitor with anxious courtesy:"Will you ask him to come up?"
15385	The man broke it with a grave surprised inquiry:"How did you happen to think of the cathedral?"
15385	The man''s next question was put in a more guarded tone:"Does your mother pose as a model?"
15385	Truesdale?"
15385	Was anything like this now to become his own experience?
15385	What did it all mean?
15385	What had befallen her?
15385	What is your name, and what kind of family do you come from, Mister?"
15385	What paper do you want?
15385	What''s the matter with you?
15385	Where are your hands?
15385	Why do n''t you put your arms around me?"
15385	Why had anything else been talked of that day?
15385	Why had not all of them heard?
15385	Why had she not come back?
15385	Why had they not heard?
15385	Why not?"
15385	Why was it not crowded to the doors with the clergy of all faiths and the laymen of every land, lifting one outcry against such destruction?
15385	Why were they not all massed around the hospital doors, tearful with their sympathies?
15385	Why were they not there at his bedside?
15385	Would they ever know?
15385	You see it now, do n''t you?
15385	You see that house in the middle of the block, the little old one between the two big ones?"
33358	But,persisted the young American,"_ Why did he go to the back before he sang?_""Oh!"
33358	Is there one among them, for instance, who can enunciate her own language faultlessly; that is, as the stage demands? 33358 Who on earth have you been listening to?"
33358	Why must I go to the back first?
33358	A voice?
33358	Before our national elections I am asked,"Which one of the candidates do you believe will make the best President?"
33358	Blind imitation is, of course, bad, but how is the student to progress unless he has had an opportunity to hear the best singers of the day?
33358	But how good must that voice be?
33358	By practicing breathing exercises?
33358	COMMON SENSE IN TRAINING AND PRESERVING THE VOICE DAME NELLIE MELBA HOW CAN A GOOD VOICE BE DETECTED?
33358	Can I digress long enough to say that I think that everybody should sing?
33358	Can any one who knows anything about the art of singing fail to realize how absurd this is?
33358	Could not a shoemaker or a blacksmith take a few lessons and become a great singer?
33358	Did you ever hear of any one forming a party for the express purpose of listening to the crowing of a rooster?
33358	Do you wonder that I guard them carefully?
33358	Do you wonder that I lay stress upon good health?
33358	Does this not make the point clear?
33358	ERNESTINE SCHUMANN- HEINK THE ARTIST''S RESPONSIBILITY Would you have me give the secret of my success at the very outstart?
33358	Even in many of his piano pieces, such as_ Warum?_,_ Träumerei_ or the famous_ Slumber Song_, the lyric character is evident.
33358	FLORENCE EASTON What is the open door to opera in America?
33358	GERALDINE FARRAR What must I do to become a prima donna?
33358	He asked,"Is there anything else she can do?"
33358	He used to say, after accompanying himself in the aria of Cherubino the Page, from the 1st act,"Is n''t that Spring?
33358	How can a girl breathe when she has squeezed her lungs to one- half their normal size?
33358	How could I help profiting by such excellent experiences?
33358	How do American women begin their studies?
33358	How does a bird learn to sing?
33358	How does the animal learn to cry?
33358	How does the lion learn to roar?
33358	How is she to determine this?
33358	How is the student to know when he is straining the voice?
33358	I began to ponder, why were some of my records poor and others good?
33358	IS THE ART OF SINGING DYING OUT?
33358	If I could do it one time-- why could n''t I do it all the time?
33358	If they do not understand, why sing words at all?
33358	In a blare and confusion of noises, like bedlam broken loose, what chance has a child to develop good taste?
33358	Is n''t that the joy of life?
33358	Is n''t that very simple?
33358	Is n''t that youth?
33358	Is there an open door, and if not, how can one be made?
33358	It is perfectly easy for me, a contralto, to sing C in alt but do you suppose I sing it in my daily exercises?
33358	JULIA CLAUSSEN WHY SWEDEN PRODUCES SO MANY SINGERS The question,"Why does Sweden produce so many singers?"
33358	Need I say more than that I practice deep breathing every day of my life?
33358	Once while we were performing_ Rosenkavalier_ he came behind the scenes and said:"Will this awfully_ long_ opera never end?
33358	Or do they believe that the singing teacher must also provide a musical and general education?
33358	Or the donkey learn to bray?
33358	The director was amazed and blustered:"Why?
33358	The girl who wants to sing in opera must have one thought and one thought only--"what will contribute to my musical, histrionic and artistic success?"
33358	Then he came in the room and said to me,"How much do you get here for teaching and playing?"
33358	They approach their work with the question,"Will this go?"
33358	WHAT MUST I GO THROUGH TO BECOME A PRIMA DONNA?
33358	WHAT MUST THE SINGER HAVE?
33358	WHAT WORK SHOULD THE GIRL UNDER EIGHTEEN DO?
33358	WHEN TO BEGIN The eternal question,"At what age shall I commence to study singing?"
33358	What about the nineteen- twentieths?
33358	What chance has the student?
33358	What could be simpler than this?
33358	What difference does it make whether I buy Castile soap in a huge Broadway store or a little country store, if the soap is the same?
33358	What difference does it make whether you ruin your stomach, liver or kidneys by too much alcohol or too much roast beef?
33358	What has become of them?
33358	What is the first consideration of the singer?
33358	What is the result?
33358	What is the stroke of the glottis?
33358	What might these men have been had they not been under the benign influence of music?
33358	What must the singer have?
33358	What should the girl starting singing avoid?
33358	What then is"good singing"as the Italians understand it?
33358	When you hold your hand out freely before you what is it that keeps it from falling at your side?
33358	Where is musicianship needed more than in the case of the singer?
33358	Who may go through that door and what are the terms of admission?
33358	Who needs a sounder mind than the artist?
33358	Whoever hears of Marietta von Leclair in these days?
33358	Why does not some enthusiastic American leader take up a campaign for more opera in America?
33358	Why does this dearth exist?
33358	Why not be patient?
33358	Why not vocalize the melodies upon some vowel?
33358	Why not wait a little while?
33358	Why should she wait a whole year with silly tones when she knows that she can sing a great aria with only a little more difficulty?
33358	Why?
33358	Why?
33358	Why?
33358	With a good teacher to keep watch over the breathing and the quality,"what more can one have?"
33358	Would it not be better to do away with the speculator at the door and pay say$ 10.00 for a seat that now costs$ 7.00?
33358	exclaimed the excited Italian;"Why he go back?
15446	Again: I can think out the character and make a mental picture of it for myself, but how shall I project it for others to see? 15446 And have you a final message to the young singers who are struggling and longing to sing some day as wonderfully as you do?"
15446	And now, do you think I have answered your questions about tone production, breath control and the rest? 15446 And what are these requirements?"
15446	And what must the girl possess, who wishes to make a success with her singing?
15446	And who is your teacher?
15446	And you will surely rest when the arduous season is over?
15446	But when all these are mastered, what then? 15446 But who can tell?
15446	Do I always feel the emotions I express when singing a rôle? 15446 Do I prefer to sing in opera or concert, you ask?
15446	Have you a message which may be carried to the young singers?
15446	How could I stay away from America for such a length of time? 15446 How do I work?
15446	How do you preserve your voice and your repertoire?
15446	I hardly meant to say that in any sense the art of bel canto was lost; how could it be? 15446 In what way may I be of service to you?"
15446	Indeed not, will you forget me?
15446	My favorite operas? 15446 Shall you make a singer of the little lady?"
15446	Should you ever care to become a dramatic singer?
15446	Then the breathing, Madame, what would you say of that?
15446	Voice culture, voice mastery, what is it? 15446 What message have you, Madame, for the young singer, who desires to make a career?"
15446	Will you give some idea of the means by which you accomplish such results?
15446	Will you tell me how you learn a song?
15446	Would I rather appear in opera, recital or oratorio? 15446 You of course speak several languages?"
15446	''Do you really like the music of_ Marouf_?''
15446	''What, the Broken Tenor?''
15446	ARE AMERICAN VOCAL STUDENTS SUPERFICIAL?
15446	All this may be of interest as a matter of research, but must one go into such minutiae in order to teach singing?
15446	And even if one is accepted''for small parts,''what hope is there of rising, when some of the greatest artists of the world hold the leading rôles?
15446	And was this Farrar who stood before me, in the flush of vigorous womanhood, and who welcomed me so graciously?
15446	And when the girl has prepared several rôles where shall she find the opportunity to try them out?
15446	And why should not the executive artist reassure himself by having his music with him?
15446	Before parting a final question was asked:"What, in your opinion, are the vital requisites necessary to become a singer?"
15446	But what are they in your big country?
15446	But when these are mastered, what then?
15446	COLORATURA AND DRAMATIC"Would you be pleased,"I asked,"if later on your voice should develop into a dramatic soprano?"
15446	COLORATURA OR DRAMATIC"Do I think the coloratura voice will ever become dramatic?
15446	Can you comprehend the dense ignorance of many music students on these subjects?
15446	Can you fancy a place where there had never even been a concert?
15446	Can you give a little more light on this point?"
15446	Can you imagine a vocal teacher who can not sing himself, who is so to say voiceless, unable to demonstrate what he teaches?
15446	Can you think of a musician, especially a singer, without imagination?
15446	DOES THE SINGER HEAR HIMSELF?
15446	Does any one ever say to you--''How are you treating the world to- day?''
15446	Does not then all come from thinking-- from thought?
15446	Duval:"What is Vocal Mastery?
15446	HALF OR FULL VOICE?
15446	How can a singer expect the audience will take an interest in what she is doing, if they have no idea what it is all about?
15446	How can any other person tell you how that is to be done?"
15446	How can any other person tell you how that should be done?"
15446	How do we make tones, sing an aria, impersonate a rôle?
15446	How often people greet you with the words:''Well, how is the world treating you to- day?''
15446	In answer to my first question,"What must one do to become a singer?"
15446	In the face of the coming concert what did those people do?
15446	In times gone by had we not discussed by the hour every phase of Maurel''s mastery of voice and action?
15446	Indeed how can two people ever give out a phrase in the same way, when they each feel it differently?
15446	Indeed what can be done without intelligence?
15446	Indeed, can we ever rest satisfied, when there is so much to learn, and we can always improve?
15446	Is it not the birthright of every Italian to have a voice?
15446	Is not all done with the mind, with thought?
15446	Is there an actor on any stage to- day who can portray both the grossness of Falstaff and the subtlety of Iago?
15446	LEARNING A NEW RÔLE"How do I begin a new part?
15446	MEMORIZING"How do I memorize?
15446	Now, what is it I can tell you?
15446	People talk of finishing their vocal technic; how can that ever be done?
15446	Really of what use is backing anyway?
15446	SELF- STUDY"How did I learn to know these things?
15446	Shall the singer imagine she can pronounce a foreign tongue in any old way, and it will go-- in these days?
15446	THE COLORATURA VOICE"You love the coloratura music, do you not, Madame?"
15446	THE QUESTION OF HEALTH"And you would first know how I keep strong and well and always ready?
15446	THE START IN OPERA"How did you start upon an operatic career?"
15446	TONE PLACEMENT"Can you describe tone placement?"
15446	That is all very well; but what about the chest, the larynx, the throat, the head and all the rest of the anatomy?
15446	That is human nature, is n''t it?"
15446	The audiences are blamed for their apathy or indifference, but how can they be warmed when the singer does not kindle them into life?
15446	The test will be; do you feel rested and ready for work each morning?
15446	Then why are there so few American singers who are properly prepared for a career?
15446	VOCAL MASTERY As we stood at the close of the conference, I asked the supreme question-- What do you understand by Vocal Mastery?
15446	VOCAL MASTERY"What do I understand by Vocal Mastery?
15446	VOCAL MASTERY"What do I understand by vocal mastery?
15446	VOCAL MASTERY"What is Vocal Mastery?
15446	WHAT ARE THE ASSETS FOR A CAREER?
15446	WHAT BRANCHES OF STUDY MUST BE TAKEN UP?
15446	WHEN TO PRACTICE"No doubt you do much practice-- or is that now necessary?"
15446	Was there ever a more elegant courtly Don, a greater Falstaff, a more intriguing Iago?
15446	What are mere notes and signs compared to the thoughts expressed through them?
15446	What can be done without a musical nature?
15446	What can be done without it?
15446	What can even a whole hour''s talk reveal of the deep undercurrents of an artist''s thought?
15446	What do you consider the most important and necessary subject for the young singer, or any one who wishes to enter the profession, to consider?"
15446	What is the impression-- can it be defined?
15446	What then happens?
15446	What, in your opinion, goes into the acquiring of Vocal Mastery?"
15446	Where shall we find his like to- day?"
15446	Whether I have a little more voice, or less voice, what does it matter?
15446	Who is equal to the task?"
15446	Why do we hear of so few who make good and amount to something?
15446	Why should it take the singer such a long time to master the material of his equipment?
15446	Why should we not expect it?
15446	Will you believe we had to make over two thousand in order to secure the one hundred needed for the present series?
15446	Without these, plus musical reputation, how is one to succeed in one of the two opera houses of the land?
15446	You remember Lilli Lehmann''s talks about the''long scale''?
15446	You think my voice sounds something like Patti''s?
38023	''Well, Mr. Fields,''she said, with great impressiveness,''what have you new in literature to- day? 38023 About the American''twang''?
38023	Did n''t I tell you so?
38023	Did you see the advertisement?
38023	Do n''t you know why everything on the stage has been going so badly to- night?
38023	Do you remember,he said, laughing,"how embarrassed I was when you kissed me?
38023	For heaven''s sake, Behrens,said I,"what''s the public going to do while we stand there?
38023	Heavens, Louise,they exclaimed,"what do you do in this opera anyway?
38023	How can I tell?
38023	How did you do it?
38023	How did you manage to reach the Czar?
38023	How do you know that?
38023	I have never heard her-- do I know that she can sing? 38023 I''ve come,"said she in a soft, small voice,"to ask you if you would please kiss me?"
38023	Indeed? 38023 My dear,"she exclaimed,"tell me what are''buttered nuts''?"
38023	My pin is upside- down, is n''t it?
38023	Oh, Miss,she cried in a tone of awe and curtseying to his name,"you do n''t mean''i m that wrote_ Tell me not in mournful numbers_?
38023	Sing where?
38023	Sing?
38023	Then I do n''t sing wrong?
38023	Was all that gossip about disputes and jealousies between Kellogg and Gary last season a managerial dodge for notoriety?
38023	Well,remarked that gentleman casually, winking at Jarrett,"can she sing?"
38023	What are you going to do about it?
38023	What are you going to wear?
38023	What do you expect me to do?
38023	What do you expect,I demanded, in my old- fashioned yet childish way, being at the time eighteen,"what do you expect of a person of my age?"
38023	What do you mean,he demanded,"by taking liberties with the music like that?"
38023	What do you think it is worth?
38023	What do you think of Americans as an opera- going people?
38023	What do you wear it that way for?
38023	What have we done?
38023	What is all this talk I hear about a lot of rich men coming to the front in New York to support Mapleson''s operatic ventures with their money?
38023	What is your song?
38023	Where are you bound for?
38023	Who is she,they would demand indignantly,"to come and take the bread out of our mouths?"
38023	Why did n''t you say so in the first place?
38023	Why did n''t you say so?
38023	Why on earth,cried the publisher,"do n''t you get a new hat?"
38023	Will you bet?
38023	You sang that for me in Washington, did n''t you, Miss Kellogg?
38023	You would n''t expect me to sing?
38023	You-- don''t think that she will be offended if I send her this message-- now-- do you?
38023	_ Nichts?_he repeats.
38023	_ That?_ I would n''t sing like that for anything! 38023 _ Was hast du gesehen?_"says he.
38023	A tenor?
38023	After another lovely thing which he played for us, I was so impressed by the rare tone of his instrument that I asked:"Is that a Böhm flute?"
38023	Although one woman did write,"who ever saw more simplicity on the stage?"
38023	And how, often and often, it is then that victory comes?
38023	And then he asked,"How would you like to sing?"
38023	And, my dear Miss Kellogg, who_ was_ Tennyson?"
38023	Are you not crying for the moon in union with your Emersons and Longfellows-- with your La Farges and your Gilders?
38023	Are you not yourself the_ Spirit Nightingale of the West_?
38023	Besides, what rivalry could there possibly be between a soprano and a contralto?
38023	But did she ever give a double a chance to lead her battle charge?
38023	But what do they care for the twilight of the Valley?
38023	But why, O why, the eternal_ Soldiers''Chorus_?
38023	CHAPTER XXXII GOOD- BYE TO RUSSIA-- AND THEN?
38023	Can we hold their interest for so long while nothing is happening?"
38023	Clara Louise Kellogg, eh?
38023	Colonel Stebbins, who was anxious, said to Maretzek:"Do n''t you think she had better have a German coach in the part?"
38023	Could anything be more delicious than the taste of black birch?
38023	Could anything be more entertaining than this naïve fashion of making a date in Heaven?
38023	Did they grasp the moon in the waters and at last disturb the image?
38023	Did you hear that''la''in the second act?
38023	Do I make myself understood, I wonder?
38023	Do n''t you know how, after striving and straining for something, you at last relax and let some inner part of your brain carry on the battle?
38023	Do n''t you notice the difference?
38023	Do they speak English in America?"
38023	Do you find your artists difficult to manage?
38023	Do you think I''d better do my bicycle act next?"
38023	Everyone in the front of the house is asking''where''s the_ prima donna_?''"
38023	GOOD- BYE TO RUSSIA-- AND THEN?
38023	Has she the means for experimenting, or does she have to earn her living in some way meanwhile?
38023	Have I mentioned her name?
38023	He idly struck a note and asked my mother:"What note is that I am striking?
38023	He would come panting into the house, his round face beaming, and gasp:"Any new American jokes?
38023	He?
38023	How am I going to do it?_"I sang around in circles until I was able to give the Contessa the correct note.
38023	How could it have been otherwise, considering the care she has always taken of herself?
38023	How do you do it?"
38023	How does he breathe?
38023	How many people know that Miss Cushman had studied singing and had a very fine_ baritone_ contralto voice?
38023	I carry away America in your voice; and what better token can your nation offer?
38023	I cried from the next room,"do n''t you know what note that is?"
38023	I explained volubly and eagerly,"she was of the well- to- do class-- the burghers-- don''t you remember?
38023	I gasped,"what is she doing?
38023	I gazed with horror at the brown liquid in my tumbler, and then said faintly to the waiter:"Ca n''t you get me some clear water, please?"
38023	I imagine it is because you do n''t mind putting yourselves under obligations, is n''t it?"
38023	I remember Jenny Lind sang:"Birdling, why sing''st thou in the forest wild?
38023	I sometimes wonder if other singers do the same with obdurate auditors?
38023	I suppose you''ve seen one before, Miss Kellogg?"
38023	I wonder how many people to- day know even the name of Fanny Elssler, the dancer who captivated the young King of Rome and lived with him for so long?
38023	I wonder if anybody besides singers get such an extraordinary sense of contact and connection with members of their audiences?
38023	I wonder if such mad, national excitement could come to people to- day?
38023	If Gary was n''t pleased with her treatment last year, why should she engage with us again?
38023	In Rostand''s play, they ask Chanticleer:"What is your life?"
38023	Is it because all civilisations are destined to have their days and nights of Brahma?
38023	Is n''t this a masterpiece?
38023	Is this believable?
38023	It became quite a joke with them to cry out suddenly, at any sort of sound-- a whistle, or a bell:"Now, what note is that?
38023	Lucca came to me laughing and said that some one had asked her:"How do you dare to sing on the same bill with Miss Kellogg, the American favourite?"
38023	Next day every one was rushing about demanding,"Who was her teacher?
38023	Nilsson, even, was too-- shall I say,_ knowing_?
38023	Now how does he do it?"
38023	Now, suppose you go on and find that you can''t-- what will you do then?
38023	Odd?
38023	Or am I mistaken?
38023	Or was the principle that organised the European nations itself a false one?
38023	Past the back of Taurus, away among the Pleiades, whither dost thou go?
38023	Shall my soul return, or-- never?)
38023	She has often brought me a book of poetry, pointed out the best thing in it, and said in her soft way:"Do n''t you think this is nice?
38023	So I said to my young Connecticut friend:"My dear, you are trying to support yourself and your mother, are n''t you?
38023	The thing that one has chosen for one''s life work in the world:--what labour could be too great for it, or what too minute?
38023	To each I brought a clearer vision, a surer touch, a more flexible method, a finer( how shall I say it in English?)
38023	What are you fitted for?
38023	What can you turn your hand to?
38023	What do you think this jewelry is really worth?"
38023	What have you acquired?
38023	What is the use of diadems and coronets if the owner does not wear them?
38023	What key was that in, Miss Kellogg?"
38023	When the girl had finished, I said:"My dear, have you read those words?"
38023	When?
38023	Where is the future of music to be?
38023	Who gave her this wonderful style and tone?"
38023	Who is this Miss Kellogg anyway?"
38023	Who was it said"the world goes round with revolutions"?
38023	Who wrote them?"
38023	Why did n''t these rich men that want opera in New York give me any money?
38023	Why this everlasting, tedious march,_ when there are so many excellent band pieces on the market that would fit the occasion better_?"
38023	Why?
38023	Why?
38023	Why_ did_ we choose that day of all others on which to begin a journey?
38023	Will you allow me to do so?
38023	Will you also condescend to write to me at your leisure?
38023	Will you not favour me by writing again?
38023	[ Illustration:= Carl Strakosch= From a photograph by H. W. Barnett] The last time I saw Patti I said to her:"Adelina, have you got through singing?"
38023	and the Israelite climbed down exclaiming in crestfallen accents:"How did you know it?"
38023	and then--"I wonder--_could_ it also be the crazy woman who wanted me to kiss her?"
38023	exclaimed the landlord, in a new tone,"you will pay_ extra_ for the dinner, if we are willing to serve it for you now?"
38023	he cried,"did you ever see anything so splendid?
38023	where''s your music?"
22244	A door mat?
22244	A door- mat?
22244	Am I all right to go down just as I am?
22244	And why not?
22244	Are either of you going down to dinner now? 22244 Are you actually in earnest?"
22244	Are you really so very young as all that?
22244	Are you sure?
22244	Are you the new girl?
22244	Are you the new pupil?
22244	Bad dreams?
22244	Been associating with the song- birds in the upper air, Miss Pat? 22244 Been here today?"
22244	Bruce Hayden, when did these come?
22244	But is Milano in town?
22244	But tell me, Miss Pat, was that all that Milano said? 22244 Constance is getting on with them, is she?
22244	Could n''t you have sent for me, even if you did n''t want to come yourself? 22244 Did n''t your sister know what she meant?"
22244	Did you hear me put it to her?
22244	Did you indeed?
22244	Do you have to keep it?
22244	Do you know I was dreadfully afraid of you that day at Tancredi''s?
22244	Do you think it a good plan?
22244	Do you think so?
22244	Do you want to hear every scrap, just as it happened,she asked,"from beginning to end?"
22244	Does your aunt still object to your living here?
22244	Felice Vanding?
22244	First day?
22244	Going to be married, Fair Rosamond, or is it merely preparation for the dance next week?
22244	Have n''t they told you yet?
22244	Have you anyone yet?
22244	Have you broken the news to the future prima donna?
22244	Have you notified Miss Ardsley? 22244 Have you seen the place, Elinor?"
22244	Hope you have n''t been wandering about in this frosty burg too long?
22244	How about when they are being shaped? 22244 How did you hear it?
22244	How in creation did you unearth them?
22244	Hullo, all alone?
22244	Humph, listen to that, will you?
22244	I know it is n''t time for the puncture you requested, but would it bother you if I asked when our own Miss Pat is coming back? 22244 I wonder why I never met her before?"
22244	Is Miss Merton in?
22244	Is n''t it a perfect duck of a place?
22244	Is n''t it a stunning big room?
22244	Is n''t it queer how soon you get used to places? 22244 Is n''t that Doris Leighton at the tea- table?
22244	Is she really very rich?
22244	Is she sort of stiff and dried- up?
22244	Is she suffering much?
22244	Is the fair Rosamond under the weather again?
22244	Is there anything else you want me to do?
22244	It says the seventeenth, does n''t it? 22244 It seems queer that she should have gone out to Rockham with her cousin to stay at Red Top, does n''t it?"
22244	It sounds true, does n''t it?
22244	It would be jolly enough, but how about the cost?
22244	It''s too splendid, is n''t it?
22244	May I break my rules and use your phone?
22244	Must she be very old?
22244	Mysteries, and with your late rival in the hen- yard?
22244	Nice?
22244	Not care for him?
22244	Oh, Judy, wo n''t it be fine?
22244	Oh, am I, indeed?
22244	Oh, are you doing some panels for her?
22244	Ought I put on a hat or something?
22244	Pupil of Tancredi?
22244	S-- shall I try it again?
22244	Shall I bother you if I move out?
22244	Shall I tell Miss Ardsley before I phone to the doctor?
22244	She''ll be feeling better after a by, wo n''t you, Rosamond?
22244	Should you be very cross with me if it were n''t all a dream, Miss Pat?
22244	Small Sister Pat, may I tell you how glad I am?
22244	Sure you do n''t mind, Ju?
22244	Tell her, will you, Elinor, when she comes in that she must come tomorrow?
22244	There''s a hint for me, is it? 22244 Was Elinor wearing her gray furs?"
22244	Was it the musical set, or social?
22244	Was she at all interested?
22244	We''ll try to put up with being a failure as a martyr, wo n''t we, my dear?
22244	What are you trying to tell me?
22244	What color is it to be?
22244	What did she say at that?
22244	What do you mean, Judith?
22244	What has Elinor to do with tea- rooms and the like?
22244	What is it, Bruce?
22244	What is it, Judy- pudy?
22244	What''s that about me?
22244	What''s that you''re talking about?
22244	When did it happen?
22244	When did she tell you?
22244	Who''s playing?
22244	Who''s requesting the pleasure of my society?
22244	Why in the world did she and her mother come to see him then? 22244 Why should n''t one see all the wonderful places and things in the world?"
22244	Why should you go at all?
22244	Why would n''t you consent to Patricia having the little room until there is a vacancy?
22244	Will it disappoint you, Judy?
22244	With a big nose?
22244	Wo n''t Rosamond be surprised?
22244	You do n''t mind, do you?
22244	You unbelieving little wretch, what right had you to make yourself miserable without telling us about it?
22244	You''ll do beautifully in her place, wo n''t you?
22244	You''ll want me to come over and help you move?
22244	You''re awfully meek now, are n''t you?
22244	Your altar- piece, Constance?
22244	Am I to go alone?
22244	And how was anyone to know what Rosamond Merton might think of such swift intimacies?
22244	And what time am I to come?"
22244	Are you going to make the salad in here?
22244	Art mongers and singers and a few chaperones that know their business----"Patricia broke in with puzzled wonder:"What are you talking about, Ted?"
22244	As she sat down again she thought she heard the door open and she asked,"Is that you, Constance?"
22244	But you''ll help me, wo n''t you?
22244	CHAPTER V ROSAMOND INSISTS"What is it, Norn?"
22244	CHAPTER VI PATRICIA MAKES ANOTHER FRIEND"Is n''t it really lovely and cozy?"
22244	Can you honestly say that you know anyone who has n''t been the better for a little hammering?"
22244	Constance Fellows had been with her and Miss Tatten has just gone up----""Miss Tatten?"
22244	Did she know I''d been with Pancri in Rome and Martona in Paris?
22244	Did she say that Tancredi had spoken of me?"
22244	Did she tell you anything about Miss Ardsley, the new directress?"
22244	Do n''t you think I might do with less, Norn?
22244	Do you know Tancredi?"
22244	Do you mind getting out my night things?
22244	Do you think you could look her up and tell her we''re all sure that she wants to see us as much as we want to see her?"
22244	Does Elinor know?
22244	Ever been away from home before?"
22244	Funny, is n''t it, that she could n''t have known me for herself?"
22244	Had the end come so swiftly?
22244	Has a physician been called?"
22244	Have you a studio, or are you studying at one of the schools?"
22244	Have you been fearfully homesick?"
22244	Have you been quite comfortable?
22244	Have you known Merton long?"
22244	How can you do it, when you''re so young?
22244	How did you guess it?"
22244	How did you recognize the hall- marks?
22244	How do you like her?
22244	How many of the selfish, pampered ones amount to a row of pins?
22244	I thought you were vocal and Tancredi?"
22244	I wonder what she is phoning to Mrs. Blakely for?
22244	I wonder what she meant by caviar?"
22244	I wonder why she''s taken such an aversion to Rosamond lately?
22244	Is anyone coming?"
22244	Is it a surprise?
22244	Is it so gorgeous as the peacock panels that Constance Fellows is doing for you?"
22244	Is n''t it stupid to have to call up Tatten every time one wants a tray in one''s room?
22244	Is that the best you can do for me?
22244	Is your stained glass window done, Norn, and has Marty been behaving as well as ever?
22244	It gets you, does n''t it?
22244	It''s queer, is n''t it, how she makes you feel?
22244	Just remind me about it when I''m getting top- lofty, will you, please?
22244	My word, Patricia Kendall, ca n''t you see it?
22244	Nat?"
22244	Pretty great for the Fair Rosamond, is n''t it?
22244	She''s not ill, is she?
22244	Something nice usually happens when she rushes in, all laughing and sparkly, does n''t it, Elinor?"
22244	That''s going some, is n''t it?"
22244	Was her mother there?"
22244	Was she being told that she could not study?
22244	What are you going to do to liven her dragging days?"
22244	What did anything else matter?
22244	What do you think of it?"
22244	What have we here?"
22244	What was it the Woods girl had said about Rosamond entertaining Madame Milano at luncheon last week?
22244	What''s that?"
22244	What''s up?
22244	What''s your name?"
22244	When did you do it?
22244	Where did you learn to make such lovely things?"
22244	Where is it now?"
22244	Who''s to bring the chaperone for these festivities?"
22244	Why did n''t you tell me about it sooner?
22244	Why do n''t you sing like you used to?"
22244	Why should n''t He look triumphant when He''d opened the door so wide?"
22244	Will you come and stay with me for a month?"
22244	Will you let me see them?
22244	You are n''t studying with Tancredi, are you?"
22244	You did n''t think it was in the Bandbox or the Comique, did you?"
22244	You''ll keep me remembering how much we''ve always despised conceited, stuck- up people?
22244	You''re about the happiest girl in the world just now, are n''t you?"
22244	You''re with Tancredi, too, are n''t you?"
58876	Am I right?
58876	And you will not breathe it to any living soul?
58876	And--she coloured a little---"you''ll come and see my bird''s nest in the field?"
58876	Andrew, you just make out the appointment, will you? 58876 Andrew,"she whispered,"will you be good to me?"
58876	Are you better now?
58876	Are you pleased?
58876	Are you ready?
58876	Are you?
58876	Baking?
58876	Ca n''t I help?
58876	Ca n''t you do anything to bring her to? 58876 Certain?"
58876	Could I come over?
58876	Did Mr. Morris tell you that?
58876	Did you get the shoes off her?
58876	Did you hear that the school- teacher leaves next week?
58876	Did you meet Andrew Cutler? 58876 Did you save her tail to make a fly brush?"
58876	Did you skin her?
58876	Did you skin her?
58876	Did you? 58876 Do n''t you want to rest?"
58876	Do you keep them in the store?
58876	Do you keep them?
58876	Do you know what Mrs. Browning says of such a tree?
58876	Do you know what the frogs say?
58876	Do you know who I am?
58876	Do you think any bad luck will come of it?
58876	Does your aunt visit the Morrises?
58876	Forgiveness is worth that, is n''t it?
58876	Free of water?
58876	Going to church?
58876	Going to rain in three days?
58876	How d''ye like the blind horse, Mr. Symmons? 58876 How do you know?"
58876	How does the clearing look?
58876	I say, Andrew, ca n''t you do it? 58876 Is Miss Moore alive?"
58876	Is it your cat? 58876 Is n''t that a new idea?"
58876	Is n''t that plant pretty?
58876	Is she dead?
58876	Man or woman?
58876	May I come back and take you to see some birds''nests nearer the ground?
58876	May I take some of those big earthen jars out there?
58876	Meeting over, Mr. Braddon? 58876 Mr. Cutler,"said Judith,"did people know what the frogs said before they found out that the miller stole?"
58876	Mr. Cutler,she said hastily,"you do n''t think I gave you sorrow?"
58876	No; what?
58876	Now, Sam,said Green, impressively,"did you give her a''Black''s Condition Powder''?"
58876	Oh, Mr. Cutler,said Judith,"do you think I''ve given you sorrow?"
58876	Oh, Mrs. Slick is owing, is she?
58876	Oh, is it on that side? 58876 Oh, so a rumour has gone abroad in the land?
58876	Oh, will you?
58876	Sam,said Hiram Green, slowly,"have you tried Epsom salts?
58876	Say where In upper air Dost hope to find fulfilment of thy dream? 58876 Say, be you never coming back?"
58876	Suppose I send my aunt over to see you?
58876	The way to old man Morris''? 58876 The''Aaron''s Beard''or the''Jacob''s Ladder''?"
58876	There''s the orchard field to plough and I''m behindhand already, but--his old pride forbidding him to accept too eagerly--"don''t you need him?"
58876	Tommy,she said,"you like me, do n''t you?
58876	Trouble? 58876 Was it very awful to liken crab blooms to salmon?
58876	Well, Os?
58876	Well, father?
58876	Well, it''s a lonely place to choose, is n''t it?
58876	What have you been doing to- day?
58876	What is it?
58876	What is the sweetest time in all the world?
58876	What shall I sing?
58876	What''s she here for, anyhow?
58876	What''s this I hear about your mare?
58876	What''s wrong?
58876	What?
58876	Which?
58876	Who could wonder then that she wants to talk a bit?
58876	Who is the girl you''ve got boarding with you?
58876	Why in the world do you wear shoes like these?
58876	Will you forgive me?
58876	Will you give me some water?
58876	Wo n''t you sing to us, Miss Moore?
58876	Wot are you making, Miss Suse?
58876	Would you like me to sing to you?
58876	Yes, lovely,said Andrew, fervently:"but do n''t you think you ought to get well before you do all this?
58876	You are not angry?
58876	You will come back?
58876	You''ll tell Suse, wo n''t you, Mr. Symmons, that her appointment is in the mails?
58876	Your aunt?
58876	A simple dream this?
58876	A voice-- then whence?
58876	And Judith?
58876	And Judith?
58876	And meanwhile, Judith was learning that"Face joy''s a costly mask to wear,"and asking wearily of each day that dawned,"_ Is not my destiny complete?
58876	And should it be denied him?
58876	And surely Death did not come garbed in shabby, smoky velveteen, nor bend above his victims a brown passionate face wet with tears?
58876	And their talk?
58876	And were Death''s arms ever so sustaining, so tender, so warm as these?
58876	And you like Andrew Cutler?
58876	And you stood by and never said a word?
58876	Bathe her face, or something?"
58876	Been dyeing?"
58876	Being she''s a woman, do n''t you think you could fix it so''s she''d chop the wood for winter?
58876	But the lilies would bloom in good time-- and the heart?
58876	But what matter for the Pipe, so that the world, when it has time to listen, may hear sweet singing?
58876	Come hither, for have we not found it?
58876	Could any man forgive the perfidy of which she had been guilty?
58876	Cutler?"
58876	Dearest, you do n''t think I would be bad to you?"
58876	Did an Ovidian attend a funeral?
58876	Did an Ovidian hear a more than usually spicy piece of gossip?
58876	Did she intend to throw it away?
58876	Did she try to burn it?
58876	Did you hear any noise when Tommy passed?
58876	Did you see anything of it?"
58876	Do n''t you know?
58876	Do you mind?"
58876	Does it not seem that in time I might make it up?
58876	Get us into trouble?
58876	Have I not lived?
58876	Have I not loved?
58876	He would have made any reparation he could, but how on earth was he to find the yokel she was in love with?
58876	How do I get over?"
58876	Is not that a great reward for which to fast, and thirst, and labour?
58876	Judith, dear little girl, you wo n''t make me wait too long?"
58876	Meeting over?"
58876	Morris?"
58876	Morris?"
58876	Now, what did she do?
58876	Now, will you do something for me that no one else in the world can do?"
58876	On what far peak seest thou a morning gleam?
58876	Pen, wot keeps the dairy farm, he came along, and says,''Wot''ll you take for the mare?''
58876	Pen-- him wot I worked for as has the dairy farm-- he came along, and he says to Mr. Pierson, says he,''Wot''ll you take for the mare?''
58876	Recognizing this; what tenderness should not be felt towards such women, what gratitude accorded them for the good gift they have rendered up?
58876	Run away and yowl?
58876	So, will you set me free?
58876	That letter is S.""Oh, is it?"
58876	That means in three days it will storm-- of course, rain-- you''d hardly expect snow, would you?"
58876	The"Great God Pan"was all unconscious of his cruelty, was he not, when he fashioned the pipe out of a river reed?
58876	Then, persuasively,"Do n''t you want to come and see a bird''s nest?"
58876	They walked on a few moments in silence; then Andrew said:"Will you sing in church?"
58876	To be the husband of such a woman, could man desire a better fate?
58876	True, he trembled at her voice and touch now-- but then, after?
58876	Was a subject upon which he could not, or would not, give a direct opinion under discussion?
58876	Weighed the paper with the cheese?
58876	Well--"Dreams are true whilst they last And do we not live in dreams?"
58876	What did you call me?"
58876	What did you call''em?"
58876	What does England''s greatest woman poet say?
58876	What else?"
58876	What manner of woman was this?
58876	What more?_"And the time for her American_ début_ drew on.
58876	What''s he I wonder?
58876	Whatever be these dogs a- yelping at?
58876	When do you think your aunt will come?"
58876	When this chorus subsided, Mr. Horne, who had just entered, said:"What do you think of that concession, Os, out back of Braddon''s?"
58876	Where was she?
58876	Who is he?"
58876	Why needst thou mount to sing?
58876	Why seek the sun''s fierce- tempered glow and glare?
58876	Why shall a soulless impulse prompt thy wing?"
58876	Why shall the stars still blind thee unaware?
58876	Why, do n''t you see, I like to scold as much as you like to eat; so if you enjoy the one, why may n''t I the other?"
58876	Why?"
58876	Why?"
58876	Will you help pay it?
58876	Will you let me stay here?
58876	Will you let me stop singing and be forgotten?
58876	Will you sit down?"
58876	Wo n''t take off your things?
58876	and asafoetida?
58876	and bled her?
58876	and ginger?
58876	and given her a bran- mash?
58876	and now you wo n''t consider this?''
58876	and rye?
58876	and saltpetre?
58876	and sweet spirits of nitre?
58876	and tried turpentine and salt?"
58876	did you not swear to see justice done?
58876	is that you?"
58876	the spring had brought her-- would the summer give her to him?
58876	was n''t it hot in town to- day, Andrew?"
17495	A dance led, so to speak, by the elusive Monsieur Chatelard?
17495	Again, may one ask why?
17495	Agatha Redmond, will you marry me?
17495	Ah, hello, Chamberlain, that you?
17495	And are you much better now?
17495	And he remembers?
17495	And how did he''disappear instantly?'' 17495 And if I refuse to return?"
17495	And if I should not consult my cousin?
17495	And is that your tree out there?
17495	And may I go with you?
17495	And pray, where should I get a bouquet?
17495	And that message is--?
17495	And that scamp walked right into your hands and you let him go?
17495	And the other inn you spoke of-- where is that?
17495	And to whom, pray, shall I have the honor to say farewell, at the auspicious moment when I jump overboard?
17495	And what day is to- day?
17495	And what--?
17495	And where are our patients?
17495	And you escaped?
17495	And you followed to rescue me if you could?
17495	Any more kinks in this story? 17495 Anybody ready to take me down to the_ Sea Gull_ in the car?"
17495	Are n''t we all symbols for you-- if not of hope, then of your success as a host? 17495 Are these the relatives you were visiting, Miss Redmond?"
17495	Are you His mouthpiece?
17495	Are you going to get me a meal, or must I tramp over these confounded hills all day before I can eat?
17495	Are you going to marry that man you have been living with these many days?
17495	Are you ready to turn this bijou dream into a laboratory smelling of alcohol and fish? 17495 Are you sure?
17495	Are you very cold?
17495	But are n''t you tired already? 17495 But could I really go there?
17495	But could you not find out more? 17495 But even suppose we are within a mile or two, say, of the shore, could you ever swim two miles in this heavy sea?"
17495	But my dear Miss Agatha Redmond, where_ did_ you intend to go?
17495	But now that you are assured that I''m not a ghost, will you sit down? 17495 But please, Mrs. Stoddard, will you not reconsider your decision?
17495	But suppose we should decide not to go home at all?
17495	But were you hiding, Miss Redmond?
17495	But why should I tell him, as you suggest?
17495	Can I do anything for you, Mademoiselle?
17495	Can I see the lady, Miss Redmond? 17495 Can I see the lady, or either of the gentlemen, who recently arrived here from the yacht, the_ Jeanne D''Arc_?"
17495	Can you think where he would be likely to go? 17495 Come to get a marriage license?"
17495	Comes from N''York?
17495	Did Chatelard go off in that machine?
17495	Did he have a good night?
17495	Did he visit you on board the yacht?
17495	Did n''t you know there were a hundred chances to one the yacht would n''t pick you up?
17495	Did that bloomin''sheriff let that bloomin''rascal get away?
17495	Did what, dear friend?
17495	Did you come off without any serious injury? 17495 Did you find out where they were going, or who was back of their scheme?"
17495	Did-- did the papers have much to say about my leaving town?
17495	Do what, my friend?
17495	Do you agree to that, my lady?
17495	Do you always take such-- such venturesome holidays?
17495	Do you know also that if I marry out of my rank and without the consent of Duke Stephen, I shall forfeit all my fortune?
17495	Do you know who this man is?
17495	Do you remember how we used to talk, when we were kiddies, about keeping our ideals? 17495 Do you wish to go home, Auntie, or is it that you think I ought to go?"
17495	Doctor Thayer,she urged,"do you want that woman to come here to take care of Mr. Hambleton?
17495	Does n''t it make you want to sing?
17495	Dynamite, is it? 17495 Er-- Andy-- couldn''t you get me some kind of a tie?
17495	For once you were caught, eh? 17495 Go to the old red house-- to stay?"
17495	Had n''t I better drive you over to see Susan myself?
17495	Had you ever seen the man Chatelard before?
17495	Have a pear?
17495	Have you anything there to do that is more important than listening to me for fifteen minutes?
17495	Have you got on a hat?
17495	Have you guessed who I am, then? 17495 Have you seen Sister Susan?"
17495	He had nothing to do with it?
17495	Hold on, young man; you''re not going to do anything out of reason, as one might say?
17495	Honest true, cross your heart?
17495	How can yon say, Mrs. Stoddard,''that work is not for me,''when there is suffering you can relieve, sickness that you can cure? 17495 How did you happen to be on the_ Jeanne D''Arc_?"
17495	How did you know?
17495	How did you make out with Susan?
17495	How do you do, Miss Redmond?
17495	How''d you know? 17495 How-- picked up?"
17495	I fancy it is the same-- James Hambleton of Lynn?
17495	I said, are you wearing a hat? 17495 If she is being kidnapped, why does n''t she make somebody hear?
17495	Ilion, then, was once your home?
17495	Is it true? 17495 Is this the Red House?"
17495	Is your amiable cousin''s henchman a man to be scared off by our recent little encounter, do you think?
17495	Is your cousin, then, such a tyrant?
17495	Is your patient any better?
17495	It seems that you know this man, MÃ © lanie?
17495	It''s dark, but it''s better than it was that other night, is n''t it?
17495	James, dear, will you forgive me for this afternoon?
17495	Lord, why did n''t you tell me?
17495	Mademoiselle?
17495	May I call to- morrow, Miss Reynier, at about twelve?
17495	May one ask why?
17495	Monsieur Chatelard?
17495	Morning? 17495 My dear young woman--"( Why is it that when a person is particularly out of temper, he is constrained to say My_ Dear_ So and So?)
17495	No? 17495 No?
17495	Nor Chatelards?
17495	Of course, we''ve broken down?
17495	Oh, I say,put in Jones,"all of you come to luncheon with me at the Little Gray Fox-- will you?
17495	Oh, tell me,she cried impulsively,"is it possible that you knew Hercules Thayer?
17495	Oo avay- voo cashay mon money- belt?
17495	Or are you, perhaps, hungry? 17495 Or-- what?''
17495	Perhaps there is,she said at last,"but who can guess where that limit is?
17495	Should the servants of the Lord falter in doing His work?
17495	Tell me,he begged,"is this your house, really''n truly?"
17495	That''s me, then, is n''t it? 17495 That''s right, is it?
17495	The Red House? 17495 The_ Jeanne D''Arc_, was it?"
17495	Then how did you get off?
17495	Though,she added,"here in the dark, who can tell whether I have rosy cheeks or not?"
17495	Tow her home and fill her up and she''ll be all right, eh?
17495	Want to buy some land?
17495	Was there any other message, Miss Redmond? 17495 Well, how''d he take that?"
17495	Well, what do you think is the exact result Duke Stephen wants, in this case?
17495	Well, what''s this? 17495 Well, what''s to be done?
17495	What d''you know about that chauffeur- nurse and general roustabout that''s taking care of your young gentleman up- stairs?
17495	What did I tell you?
17495	What do you know of him?
17495	What do you think death means? 17495 What for?"
17495	What for?
17495	What game are you up to, anyway, in this disgusting country?
17495	What good would that do?
17495	What is the matter? 17495 What on earth is it?"
17495	What on earth, man, is the matter with you?
17495	What sort of excitement?
17495	What were you in the water for?
17495	What were you on the tug for?
17495	What''d he kidnap you for-- ransom?
17495	What''d you do?
17495	What''s that?
17495	Where are you from, anyway?
17495	Where did you learn to swim?
17495	Where is he? 17495 Where''d you get all your good clothes, I''d like to know?"
17495	Which one, as they stand there now, do you take to be Miss Redmond?
17495	Who can tell? 17495 Who said anything about its being bad?
17495	Who''s got away?
17495	Whom did he kidnap?
17495	Why did you do it, Mademoiselle?
17495	Why did you raise the top?
17495	Why do n''t you run after him and get your money?
17495	Why not let me go? 17495 Why not?
17495	Why not?
17495	Why should I answer your questions, Mr. Hand, when you so persistently ignore mine?
17495	Why should he come here? 17495 Why?
17495	Why?
17495	Will you come in?
17495	Will you please give those to Miss Redmond?
17495	Will you tell me what-- what remuneration you were receiving as chauffeur?
17495	Would Mrs. Stoddard come, if it were not for what you said-- about me?
17495	Would you like New York and a bishop and a big church better than the old red house and the Charlesport minister?
17495	You are not hurt badly?
17495	You mean it?
17495	You mean to say that you were picked up and drugged in broad daylight in New York?
17495	You mean you heard me call for help, there on the hill?
17495	You were quite exhausted, I think; and we feared you might be ill."And Handy Andy got my job?
17495	You''ll stay on in the old red house?
17495	You''re a little better now, are n''t you, after your sleep? 17495 You''ve heard from Mr. Straker, of course, Miss Redmond?"
17495	_ Did_ he jump overboard, honest- true, hanging on to that spike?
17495	''Ow''d you make out?"
17495	''Why not?''
17495	A family party?
17495	A moment''s hesitation, and then the lady turned away with a short,"You will wait?"
17495	And I hope my presence here is not too great a burden?"
17495	And I like it here better than in Egypt, do n''t you?
17495	And are we in the neighborhood of Ilion?"
17495	And how did Jim happen to be aboard the_ Jeanne D''Arc_?"
17495	And it''s glorious, is n''t it, Miss Redmond?"
17495	And now will you do me another kindness?"
17495	And presently,"Where does Hand come in?
17495	And sometime you must come to see me at the red house; will you?"
17495	And stay; have you any money?"
17495	And then he asked, very slowly,"Where is''here''?"
17495	And then what''ll you do?"
17495	And this forest temple-- isn''t it wonderful?"
17495	And what is the name, if I may ask, of the young man who is so ill?"
17495	And who can blame them for their fear?
17495	And your name is--?"
17495	Anything else to do?"
17495	Are n''t you, Madame?"
17495	Are you here, by me, to stay?"
17495	Are you ready to spend hours wading in mudbanks after specimens, or scratching in the sand under the broiling sun?
17495	Are you there?"
17495	Are you?"
17495	At last he said:"I guess I have n''t been much good-- for a while-- have I?"
17495	But I certainly misunderstood your violent remark a moment ago, did I not?
17495	But beyond this, what sort of man was he?
17495	But did he say nothing more-- where he was going, and why he changed his plans?"
17495	But do you think Miss Redmond would see me, at least for a few minutes?"
17495	But how much rope would the duke give him, do you think, on a pinch?"
17495	But then,_ you_ wo n''t talk about your hobby; and if I have no one to inform me, how can I be exact?
17495	But what about Tom, Dick and Harry all over this place-- casting eyes at a man?"
17495	But what is it all about?"
17495	But what is the''accident''likely to be?"
17495	But why?"
17495	But, of course-- there must be many boats by that name, are there not?
17495	But--""But what?
17495	But--""But-- what?"
17495	CHAPTER VIII ON THE BREAST OF THE SEA"Can you keep afloat in this roughness?"
17495	CHAPTER X THE HEART OF YOUTH"Agatha Redmond, can you hear me?"
17495	CHAPTER XXIV AFTER YOU, MONSIEUR?
17495	Can I see him now?"
17495	Can you overtake it?"
17495	Can you swim a little faster?
17495	Can you swim?"
17495	Can you undertake to do a job for me?"
17495	Clairvoyance?"
17495	Could I have done anything?
17495	Could n''t you sleep any longer?"
17495	Did he come again?"
17495	Did you leave the_ Jeanne D''Arc_ when the others did-- when I fell into the water?"
17495	Do n''t they know enough to go in out of the rain?"
17495	Do n''t you feel a little stronger?"
17495	Do n''t you know me well enough to know that?"
17495	Do n''t you remember?"
17495	Do n''t you think this apartment jolly?"
17495	Do you believe that it counts-- for good?"
17495	Do you know of a boat named the_ Jeanne D''Arc_?"
17495	Do you know the man-- can you identify him?"
17495	Do you look like yourself, strong and rosy- cheeked again?"
17495	Do you really mean now to stay by me?"
17495	Do you remember it?
17495	Do you s''pose I''m paying hotel bills all this time at The Larue?"
17495	Do you want anything?"
17495	Does Mr. Lloyd- Jones''lucre seem more alluring than my little wriggly beasts, Miss Reynier?"
17495	First, are you quite recovered from the trouble-- that night''s awful trouble?"
17495	Got another of those pears you offered me this morning?"
17495	Got any pockets?"
17495	Had she not even prayed, with all her concentration of mind and will?
17495	Hambleton?"
17495	Hambleton?"
17495	Hand?"
17495	Hand?"
17495	Hand?"
17495	Handy Andy and I are going out to kill a moose and eat it-- eh, Andy?"
17495	Have you been into the house?"
17495	He is not an opera singer-- of that I am convinced--"Susan Stoddard here interpolated a stern"Do n''t you know?"
17495	He recovered his temper enough to add, quite pleasantly, considering the circumstances,"Unless Madame Reynier will take my part?"
17495	He thought likewise of her, it appeared; for when he next spoke it was in a careful whisper:"Are you still awake, Agatha Redmond?"
17495	He turned to Hand, who had come in and was adjusting the shades, and asked him:"Do_ you_ believe he''s asleep?"
17495	He was not niggardly by nature; and had he given stintingly of his affection to this woman who was to him the best?
17495	How could she know that he had risked his neck twice, now, to follow the Vision?
17495	How far were they from shore?
17495	How''d you know they''d stolen Miss Redmond?"
17495	How_ did_ you know it?"
17495	I suppose you are come from my excellent cousin to find me, eh?
17495	If hopelessly distant from shore, were they in the course of passing steamers?
17495	If one can not be exact, why talk at all?"
17495	If you''ll be so good as to take it to her?"
17495	If you''re Agatha Redmond, it''s yours, is n''t it?
17495	In her reverent voice, so suited to exhortation, she demanded:"And what will you do with your life, now that you have been saved by the hand of God?
17495	In here?"
17495	In the meantime, what is your name, young woman?"
17495	Is it a bargain, Miss Reynier?"
17495	Is it a case for the law?
17495	Is it not so?"
17495	Is it simply because I have inherited the money and the house?
17495	Is my meaning clear?"
17495	Is n''t he?"
17495	Is n''t there any one else in this whole countryside who can nurse a sick man?
17495	Is not that a heaven- inspired act?"
17495	Is that the case?"
17495	Is there any evidence to be had?"
17495	Is this place a hotel, or is n''t it?"
17495	Jimmy smiled his ingenuous smile as he suavely asked,"And do n''t you-- er-- like the idea?"
17495	Like to buy?"
17495	Meanwhile, what are you going to do without your companion?"
17495	Mr. Hand is in Mr. Hambleton''s room, I know, but where are the others?"
17495	No?
17495	No?
17495	Or Sallie would ask, as if her fate depended on the answer,"Did he eat that nice piece er chicken, Aunt Susan?"
17495	Or had they hidden her in some secret part of the ship where he could not find her?
17495	Or shall I perhaps follow slowly along the drive?"
17495	Or, if he wishes to die, why should we thwart him?''
17495	Presently he asked, and his voice was full of awe:"Have you ever seen the dawn-- a dawn like this-- before?"
17495	Presently he began once more:"I want to know, too, if you were n''t surprised that I knew your name?"
17495	Princess who?
17495	Quick, you understand?
17495	Redmond?"
17495	Rest and respite from excruciating effort were to be had for the taking-- why had he withstood them so long?
17495	Shall we be we to- morrow, say, provided we ca n''t keep afloat?"
17495	Shall we walk back to the house?"
17495	Some word for me, which the clerk forgot to deliver?"
17495	Stoddard?"
17495	Straker?"
17495	That he was your brother?
17495	That is,"he added with belated punctiliousness,"if the ladies will permit?"
17495	That she is mean enough to condemn me without knowing the first thing about this awful accident?
17495	That she thinks I was out in a boat alone with two men?
17495	That''s it, is n''t it?"
17495	The Hillside, you say, is in this direction?"
17495	The message was this:"Can you give me any information concerning my cousin, James Hambleton, who was thought to be aboard the_ Jeanne D''Arc_?"
17495	Then deliberately:"Why do n''t you go up to the old red house?
17495	Then he felt the plunging and rising of the boat, and came to life sufficiently to utter the stereotyped words,"Where am I?"
17495	Then why in Heaven''s name do n''t you hurry?"
17495	Then, after a long silence,"Where is he?"
17495	Think they''re put on in a walking part, eh?
17495	This soft shirt business does n''t look very fit, does it, without a tie?"
17495	This whole outfit here-- what are they doing?
17495	Was he mistaken, after all?
17495	Was he not also tasting freedom-- a lord of the earth?
17495	Was he to die, now, here on her hands, after the worst of their struggle was over?
17495	Was it possible they were absolutely leaving them behind?
17495	Was she gay?
17495	Was she thoughtful?
17495	Was there also a hat?
17495	Were n''t you frightened?"
17495	Were the pumps working?
17495	Were you told that he is better?"
17495	What became of the man that was marooned?"
17495	What can be done?"
17495	What could he do here?"
17495	What d''you want now-- an opera hat?"
17495	What did the scoundrel want with her?"
17495	What did you wish to say?"
17495	What do you know of my life, or of him who is sick over at the red house?
17495	What is this fool saying?"
17495	What night was that?"
17495	What then?"
17495	What''s the meaning of it all?"
17495	When''s he coming back?"
17495	When''s she coming?"
17495	Where can we go?"
17495	Where does she live?"
17495	Where from?
17495	Where is he?"
17495	Where is he?"
17495	Where is she?
17495	Where is she?"
17495	Where would you go?"
17495	Where''s Miss Redmond?"
17495	Which is the princess?''
17495	Which way did he go?
17495	Which way is it-- along the path that goes through the churchyard?"
17495	Which way is the yacht?
17495	Who are you, to sit in judgment upon us?"
17495	Why did you do it?"
17495	Why do n''t you do the same thing yourself?
17495	Why do n''t you open up and get some light?
17495	Why have dust and noise and elbowing people, when they might be cutting through the blue waters with the wind fresh in their faces?
17495	Why not?
17495	Why should one failure in getting one''s desires crush the spirit?
17495	Why should you want her, of all people, when she feels so toward us?"
17495	Why?
17495	Why?"
17495	Will that do?"
17495	Will you come in?
17495	Will you come?"
17495	Will you dedicate it to Him, whose child you are?"
17495	Will you do it again?"
17495	Will you stay here, Doctor Thayer, with Mr. Hambleton, while I go to see your sister?"
17495	Will you tell him?"
17495	Will you tell me, sir?"
17495	Will you tell me?"
17495	Will you think me very ungrateful if I say now I wish it had been water?"
17495	Would any one look after Miss Redmond''s safety?
17495	Would it be all right?
17495	Would it not be better to submit to him in friendship, rather than to incur his enmity?
17495	Would mademoiselle be so good as to direct me?"
17495	You ai n''t the new minister either, now, are you?"
17495	You and Madame Reynier are going on a cruise with me; will you?
17495	You ca n''t say now, dear, that you care nothing for me-- can you?"
17495	You do n''t happen to want a good hotel, do you?"
17495	You know it wasn''t--""Then, what was it?"
17495	You take this money and be sure to get the message to Mr. Van Camp, will you?
17495	You worked for the slippery Mounseer?"
17495	You''ll help me to take care of this dear old place-- yes?"
17495	You''re free?
17495	You''re not--"he searched for the word that suited his mood--"you''re not plighted?"
26593	A bunch of daisies?
26593	A hundred francs, for something I was sent to tell you?
26593	A note?
26593	Abby, old man, how are you?
26593	Afraid of what?
26593	Afraid? 26593 Ah, you know her?"
26593	Am I host here or not?
26593	Am I making you miss this dance?
26593	And I have accomplished this amazing thing?
26593	And am I to have no redress? 26593 And break your word to me?"
26593	And have a fisticuff which would appear in every newspaper in the world? 26593 And have him following at my heels?"
26593	And have him wandering about with that black eye? 26593 And his daughter?"
26593	And if I do not?
26593	And if I get the invitation?
26593	And if I refuse?
26593	And now, will you not take me over to your friends?
26593	And now...."Yes, and now?
26593	And she has disappointed Monsieur?
26593	And the other side?
26593	And what in mercy''s name is the matter with his heart? 26593 And where is this man now?"
26593	And where the dickens did you come from? 26593 And why not?
26593	And you remember?
26593	And you?
26593	And you?
26593	And, pray, how?
26593	Any one else know?
26593	Apologize? 26593 Are you Dick Courtlandt''s boy?"
26593	Are you driver for Madame da Toscana?
26593	Are you going to be ass enough to pop your gun in the air?
26593	Are you in her employ directly, or do you come from the garage?
26593	Are you in your right mind? 26593 Are you telling me to leave Bellaggio to- morrow morning?"
26593	At the Villa Rosa? 26593 But an errand of mercy, the strange automobile which can not be found?
26593	But the pup and the cigar box?
26593	But what I want to know is, who the devil is this mysterious blond stranger?
26593	But what do you think of Germany?
26593	But what earthly chance have I?
26593	Can you not cast it out wholly?
26593	Chess? 26593 Climb any?"
26593	Comfortable?
26593	Confess what?
26593	Courtlandt? 26593 Dem it, why did n''t the young fool tell me?"
26593	Did he say that you were a fool?
26593	Did the colonel really propose to you?
26593	Did you ever see two finer specimens of man?
26593	Difference what makes, James?
26593	Do you care for him still?
26593	Do you feel that you could make a confidant of me?
26593	Do you go to the dancing at Cadenabbia to- night?
26593	Do you know what you have done?
26593	Do you know who I am?
26593	Do you know, Mr. Harrigan, Miss Harrigan is not herself? 26593 Do you mean to stand there and tell me that you have important business?"
26593	Do you not think, Madame, that you owe me something?
26593	Do you play chess?
26593	Do you think I have a chance? 26593 Do you understand?
26593	Do you want it?
26593	Do you-- er-- think they could whip us?
26593	Does it strike you strangely?
26593	Done?
26593	Ever read this?
26593	Five hundred francs? 26593 Followed you?"
26593	For me to read?
26593	For the love of glory, what are you driving at?
26593	For what?
26593	For whom have I been mistaken?
26593	Forgive you, Nora?
26593	Free? 26593 Fritz, Fritz; where are you?"
26593	From where?
26593	Going to start out to find her? 26593 Going to stay long?"
26593	Going, Nora?
26593	Great stuff; eh, Barone?
26593	Has he given up?
26593	Has he...?
26593	Have I not said that she is too cold? 26593 Have you read the_ Herald_ this morning?"
26593	Have you thought what this means? 26593 He has had no affair?"
26593	He is very rich?
26593	He wrote you?
26593	Heard about him in Paris?
26593	Herr Rosen?
26593	How long have you known her?
26593	How old is he?
26593	How, Monsieur?
26593	Huh?
26593	I may count on you, then?
26593	I said that I was a Dutchman?
26593	I say, Ted,called out the artist,"what did you mean by saying that you were a Dutchman?"
26593	I say, you little Dutchman, what''s the row? 26593 I wonder if I made any breaks?
26593	I wonder what new devilment is at work in your mind?
26593	I?
26593	I?
26593	In brief, an alibi?
26593	In what way?
26593	Is Mr. Abbott going with us?
26593	Is her voice really gone?
26593	Is it because we have wronged somebody?
26593	Is it jealousy? 26593 Is it not glorious?"
26593	Is it possible that now I can pay my debt to you?
26593	Is n''t she afraid sometimes?
26593	Is not that enough?
26593	Is she not beautiful?
26593	Is that the end of the yarn?
26593	Is the comparison favorable to me?
26593	Is there another?
26593	Is there anything I can do for you, dad?
26593	Is there not always a woman?
26593	Is this the Signorina Desimone?
26593	It is Vesuv'', is it not, on a cloudy day?
26593	It was you?
26593	It''s a daisy, ai n''t it, Molly?
26593	James, where did you get that black eye?
26593	Knew what?
26593	May I ask who made this request?
26593	May I have a dance?
26593	Me? 26593 Me?"
26593	Molly, what ails you?
26593	Monsieur Courtlandt, you will give me your word of honor not to annoy Mademoiselle again?
26593	Monsieur comes here frequently, then?
26593	Monsieur is certain about the taxicab?
26593	Mother,said Nora,"why ca n''t you let him be?"
26593	Musical comedies?
26593	Never had any serious affair?
26593	Never showed any signs of being a woman- hater?
26593	No?
26593	Noah?
26593	Nor a Frenchman?
26593	Nora, are you there?
26593	Nora, who was that?
26593	Now, then, Mr. Courtlandt,said Harrigan, his eyes blue and cold as ice,"perhaps you will explain?"
26593	Now, what''s stung the boy?
26593	Oh, he did?
26593	Oh, those two? 26593 One of the big guns?"
26593	One would say that I had been in hiding?
26593	Or because somebody has wronged us?
26593	Or misjudged us, by us have been misjudged?
26593	Oriental, eh? 26593 Out of love for me?"
26593	Over there?
26593	Paris, Capri, Taormina, Ostend; I marvel if ever you will be content to stay in one place long enough for me to get my breath?
26593	Perhaps you think the fellow was her press- agent?
26593	Pretty?
26593	Rather is he not tall, blond, and young?
26593	Refused to singe his wings?
26593	Request? 26593 Rumpus?"
26593	Saw what?
26593	Say, do you know what I think?
26593	Shall I challenge him?
26593	Shall I tell you? 26593 She looked at him, huh?"
26593	She''s getting her voice back all right; eh?
26593	Since Eve, has that not been woman''s part in the human comedy?
26593	Sing that, Padre?
26593	So big that he could n''t have married my girl even if he loved her?
26593	So you are Miss Harrigan''s confessor?
26593	So you''re Edward Courtlandt? 26593 Supper?"
26593	Supposing you let me pilot you over?
26593	Tell me, what is it you wish? 26593 That you, Nora?"
26593	That''s final?
26593	The Opera?
26593	The duchess?
26593	The old plaint disturbs you?
26593	Then there is a political side to it?
26593	Then you have met Miss Harrigan?
26593	Then you know where the Calabrian lives? 26593 There is a woman?"
26593	Think of whom?
26593	To see her?
26593	To which lady do you refer?
26593	To- morrow?
26593	Tragedy? 26593 Upon Nora?"
26593	Was I bitter? 26593 Was it so unpleasant?"
26593	We''d look fine drinking tea, would n''t we, old scout?
26593	Well, can you?
26593	Well, then, why did you do so foolish a thing? 26593 Well, what do you think of that?
26593	Well, what do you think of that?
26593	Well, what is it you wish?
26593	Well, who can blame him? 26593 Well, why do n''t you marry him?"
26593	Well, why should n''t he travel around if he wants to?
26593	Well?
26593	What am I going to do, Celeste? 26593 What are you doing here?"
26593	What brand is that, Colonel?
26593	What did I say, Abbott? 26593 What do you call making a fool of myself?"
26593	What do you imply by that?
26593	What do you say to going down to the hotel and having a game of_ bazzica_, as they call billiards here?
26593	What do you say to that?
26593	What do you think of him, Nora?
26593	What do you want, one for each meal?
26593	What has happened? 26593 What has that to do with it?
26593	What in the world can have happened?
26593	What is he doing here? 26593 What is it, François?"
26593	What is it?
26593	What is it?
26593	What is it?
26593	What is it?
26593	What is old age?
26593	What is the gentleman to you?
26593	What is?
26593	What part of the lake; the Villa d''Este, Cadenabbia?
26593	What produces that condition of mind?
26593	What the devil makes_ you_ so bitter?
26593	What time do you go over?
26593	What was that?
26593	What''s on your mind this morning? 26593 What''s the matter now?"
26593	What''s the matter with''em? 26593 What''s the odds?
26593	What''s the trouble? 26593 What''s your hurry?
26593	What, boxes?
26593	What? 26593 What?"
26593	What?
26593	What?
26593	When did you come?
26593	When you went around the world on your own?
26593	Where is he?
26593	Who but Monsieur Champeaux''s wife, Mademoiselle, who is not in her right mind?
26593	Who cares? 26593 Who in life knows what the end of anything is?
26593	Who is that?
26593	Who is that?
26593	Who knows?
26593	Who sent it? 26593 Who was who?"
26593	Who''s Fournier?
26593	Why did n''t she come to me, if she wanted to ask questions?
26593	Why do you think I am lonely, Mademoiselle?
26593	Why not speak to your father?
26593	Why the devil do n''t you join the Trappist monks, Abbott? 26593 Why?"
26593	Why?
26593	Will you be here long?
26593	Will you describe this Monsieur Champeaux to me?
26593	Will you forgive me?
26593	Will you forgive me?
26593	Will you marry me? 26593 Will you never come, so that I may tell you how base and vile you are?"
26593	With the good old padre there? 26593 Wo n''t you come along with me to the colonel''s?"
26593	Women beat the devil, do n''t they? 26593 Wonder how he guessed I was from the States?"
26593	Wonder how she got here?
26593	Words? 26593 Would it relieve your eye any?"
26593	Would you know him again?
26593	Would you like me if I were a tame cat?
26593	Would you like to make five hundred francs?
26593	Would you mind telling Mr. Harrigan that I wish to see him?
26593	Would you spare me a glass of wine? 26593 You are n''t a suitor, are you?
26593	You are on the stage?
26593	You are really going to start a search?
26593	You are studying for the opera, perhaps?
26593	You believe in the tenets of Christianity?
26593	You called?
26593	You do n''t mean to say that you are going to settle down and get married?
26593	You do not wish to see me spattered over the beautiful isle?
26593	You gave him my address?
26593	You recognize the gentleman?
26593	You say bah?
26593	You suggested it to some one else?
26593	You take two lumps?
26593	You, too, Abby?
26593	Your friend, then, is quite a hero?
26593	Your hat, Monsieur?
26593	_ Pouf!_ For ten minutes?
26593	_ Verdampt!_ Do I believe my ears?
26593	*****"Am I all right?"
26593	... perhaps gladly?
26593	A little green pebble like this?"
26593	Abduction?
26593	Afraid of women?"
26593	Ah, Nora, Nora, who have everything to give and yet give nothing, why do you play so heartless a game?
26593	Ah, but had she been happy?
26593	Ah, can you forgive me?"
26593	Ah, he thought: then she was n''t so sure?
26593	Ah, why did you run away?
26593	Am I making myself clear?"
26593	An accepted suitor?"
26593	An adventure?
26593	And but for the cowardice of the man, who knows what might have happened?
26593	And now that my identity is established, who are you and what do you want at this time of night?"
26593	And now, will you please tell Carlos to bring my dinner to my room?"
26593	And say, what do you think?
26593	And who was he?
26593	And why not?
26593	And you are not afraid to let me go?"
26593	Are my clothes laid out?
26593	Are you really in trouble?
26593	Are your associates all loyal to you?
26593	At luncheon Harrigan innocently threw a bomb into camp by inquiring:"Say, Nora, who''s this chump Herr Rosen?
26593	At whose bidding had she followed him?
26593	Before all the world?
26593	Besides, of what use was friendship if not to be tried?
26593	Break her spirit?
26593	But I have your word that you are in nowise concerned?
26593	But from where?"
26593	But on the stage you are still Flora Desimone?"
26593	But two years?
26593	But what are we going to do?
26593	But what of the pretty woman in the Taverne Royale?
26593	But what the deuce_ is_ the matter with this foreground?"
26593	But who can help loving Nora?"
26593	But who could this blond stranger be who appeared so sinisterly in the two scenes?
26593	But who was this fellow in the Bavarian hat, who patrolled the sidewalk?
26593	But, I say; recall the argument we had before you went to Paris?"
26593	CHAPTER II THERE IS A WOMAN?
26593	CHAPTER XVII THE BALL AT THE VILLA"Do you know the Duchessa?"
26593	Came the voice again:"Will you give me her address, please?
26593	Can you beat it?
26593	Can you beat it?
26593	Celeste Fournier''s statement?
26593	Come, come; what do you care?
26593	Come, now, Celeste; does he look dissipated?"
26593	Could it be true?
26593	Courtlandt?"
26593	Did Nora see him?
26593	Did he know?
26593	Did he understand?
26593	Did she send you after me?
26593	Did you see her?"
26593	Did you see the way he hiked by me when I let him in?
26593	Did you throw some flowers out of the window?"
26593	Do n''t you know that you ca n''t go on whipping every man you take a dislike to?"
26593	Do n''t you know, mother mine, that every rung is sawn by envy and greed, and that those who climb highest fall farthest?"
26593	Do n''t you remember how you used to write them on blue paper?
26593	Do you know that your French is very good?"
26593	Do you mean to tell me that you have come here to arrange a duel?"
26593	Eh, what?"
26593	From where had he come?
26593	Get me?"
26593	Go to bed, to turn and roll till dawn?
26593	Guns shipshape?
26593	Had Nora forgotten to inquire?
26593	Had the artist tried his luck and lost?
26593	Hang the picture; what am I going to do with it?"
26593	Have they been after you?"
26593	Have you not read the scandalous innuendoes in the newspapers?
26593	Have you read the article in the newspapers regarding the disappearance of Signorina da Toscana, the singer?"
26593	Have you realized the annoyances, the embarrassments, you have thrust upon me by your pursuit?
26593	Having a good time?"
26593	He questioned, rather amusedly, what would have happened had he gone down to the main hall that night in Paris?
26593	He should have fought every inch of the way...."Monsieur is lonely?"
26593	How about a little peg, as the colonel says?"
26593	How do I know that you are not a gentlemanly thief?
26593	How does he keep his beard combed that way?"
26593	How long has this infatuation been going on?"
26593	How long have you known the Harrigans?"
26593	How many times had the old man called out to him to wake up and move?
26593	How then should he pass the night, since none of his schemes could possibly be put into operation?
26593	How''s that?"
26593	Huh?"
26593	I thought you were in the Orient?"
26593	I wonder why she never sings_ Carmen_?"
26593	If you throw that cup, my tigress....""Well?"
26593	In heaven''s name, why ca n''t they let me be?"
26593	In other words, you believe our chances equal?"
26593	In the present instance, how was he to know that his tigress had found in the man below something to play with?
26593	Is it possible that Nora may care a little for me?"
26593	Is it true?"
26593	Is it your suggestion that I drop the investigation?"
26593	Is my English getting away from you?"
26593	Is there any jealousy?"
26593	Is there anything I can do... barring the taxicab?"
26593	Is there no one who might wish you worry and inconvenience?
26593	It''s a great world, is n''t it, where they toss us around like dice?
26593	Jealousy?
26593	Know what I think?
26593	Luggage attended to?
26593	Nearly every one had heard of his exploits; but who among them knew anything of the real man, so adroitly hidden under unruffled externals?
26593	No news from Paris?"
26593	No?
26593	Nora had sent her to follow him; why then all this bitterness, since she had not been told where he had gone?
26593	Now, how could he send away Herr Rosen if that gentleman had really preferred to stay?"
26593	Now, how in the old Harry am I going to get across without killing some one?"
26593	Now, where have I seen his phiz before?
26593	Old Silenus offend you?"
26593	Only one bit of puzzlement: why had n''t the blond stranger appeared?
26593	Or was it some one she knew and against whom she did not wish to bring any charges?
26593	Return to his hotel and smoke himself headachy?
26593	Rumpus is another word for abduction?
26593	See that Indian, passing the cakes?
26593	She will never approach your Carmen....""You praise her to me?"
26593	So that was Edward Courtlandt?
26593	So that was it?
26593	So this was Nora''s father?
26593	So you have found that out?"
26593	So, how was a man to know the right approach to her variant moods?
26593	Some of your dusky princesses give you the go- by?"
26593	Supposing you and I run back after dinner and hide in the card- room, which is right across from the dining- room?
26593	Take him over, into the enemy''s camp?
26593	Tea at the colonel''s?
26593	The engagement to dine with the Barone?
26593	The sentiment in you which should be developed....""Is mercy?"
26593	There Is a Woman?
26593	There was a catch in the laugh which followed, but Harrigan''s ear was not trained for these subtleties of sound,"How are you making out?"
26593	They talked of the daring of the American woman: who but a Frenchwoman would have dared what she had this night?
26593	Think; have you not some enemy?
26593	To hide in the car?
26593	To which do you refer?"
26593	To whom do you belong?"
26593	Try to become interested in a novel?
26593	Want me to bring up the checkers?"
26593	Was I not abducted in the heart of Paris?
26593	Was he not his own master?
26593	Was he one of those mad fools who had fallen in love with her, and had become desperate?
26593	Was his attitude pretense or innocence?
26593	Was it possible that he had roused her enmity simply because he had made it evident that her charms did not interest him?
26593	Was n''t he just dreaming?
26593	Was n''t it all a nightmare out of which he would presently awake?
26593	Was there some one else?
26593	Well, why not?
26593	Were you ever hunted by money?"
26593	What about her?
26593	What did he care?
26593	What did she want of him?
26593	What do I know about you?
26593	What do you care what strangers think or say?
26593	What do you make of that?"
26593	What do you think I found?"
26593	What do you think?
26593	What had kept him away that long?
26593	What has he been saying to you?"
26593	What if the father had been a fighter for prizes?
26593	What if the mother was possessed with a misguided desire to shine socially?
26593	What in heaven''s name made you come?"
26593	What is loneliness?"
26593	What is wrong?"
26593	What mattered it if her own heart ached so she might soothe the hurt in his?
26593	What might this mean?
26593	What mischief are you plotting now?"
26593	What more could the agent say?
26593	What plans have you made in regard to the search?"
26593	What was going to happen to the peace of this bucolic spot?
26593	What was he like?"
26593	What was it?
26593	What was it?
26593	What was the matter with Nora''s voice?
26593	What were you doing down there?"
26593	What were you glooming about?
26593	What would you say it was worth?"
26593	What''ll we do with the other beggar?"
26593	What''s it about?"
26593	What''s the answer?"
26593	What''s the matter with sicking the Barone on him?
26593	What''s the name of that book?"
26593	What''s the use of beating about the bush?
26593	What''s your plan?"
26593	When you kissed me... did n''t you know that I kissed you back?
26593	Where are you now?"
26593	Where did you pick him up?"
26593	Where did you pick up the grouch?
26593	Where had her father met him, and what diabolical stroke of fate had made him bring this man up here?
26593	Where the dickens did it come from?"
26593	Where was this going to end, and what was it all about?
26593	Where''s the colonel to- night?
26593	Who are you?
26593	Who cared?
26593	Who knows?"
26593	Who was he, in truth, and what had been his game?
26593	Who was he?"
26593	Who would be the stronger, Nora or this provoking man?
26593	Who would n''t be, after such an experience?"
26593	Who''s his second; Courtlandt?"
26593	Who''s the Italian?"
26593	Who?"
26593	Why did n''t you call the police?"
26593	Why did you not pursue me, importune me until I wearied?
26593	Why do n''t you go home and settle down and marry?--and keep that phiz of yours out of the newspapers?
26593	Why do n''t you hire a private secretary to handle your affairs?"
26593	Why had Nora refused to explain about the pistol- shot?
26593	Why have n''t they moved?
26593	Why hurt those who can no more help loving you than the earth can help whirling around the calm dispassionate sun?
26593	Why not put aside your brushes for a week?"
26593	Why not?
26593	Why on earth did she want this execrable daub?
26593	Why the deuce was n''t he himself big and strong, silent and purposeful, instead of being a dawdling fool of an artist?
26593	Why was n''t he going?
26593	Why, then, had he not spoken at the photographer''s?
26593	Why?"
26593	Will Mademoiselle be pleased to remember that we have treated her with the utmost courtesy?"
26593	Will you let me use your pad and pen for a minute?"
26593	Will you make me your wife legally?
26593	Will you risk the anger and the iron hand of your father for my sake?"
26593	Will you surrender, for the sake of this love you profess, your right to a great inheritance?
26593	Wonder how this news will harness up with her social bug?"
26593	Would Monsieur like anything to eat?
26593	You exercise?"
26593	You have n''t gone and made a fool of yourself, have you?"
26593	You were talking of Da Toscana?
26593	You will not hinder me if I walk through that door?"
26593	You would n''t mind going back to the ballroom alone, would you?
26593	You''re Mr. Harrigan, are n''t you?"
26593	You''re at the Grand?"
26593	Your dance?
26593	_ Benedicite?_"smiling.
26593	_ Mon Dieu_, what is it?"
26593	_ Peste!_ Who cares for words no one really ever understands?
26593	while they are dancing?"
26593	wild?"
26593	would you see frost grow upon the toreador''s mustache?
40844	''A friend of mine?''
40844	''About you?''
40844	''Ah?
40844	''All right?''
40844	''Am I to proceed to Venice at once, sir?''
40844	''Am I?
40844	''An hour?''
40844	''And Lady Maud?''
40844	''And what will become of Spiro?''
40844	''And what would happen if I told you not to follow me, but to go home and lie down in your kennel?''
40844	''And you like her, do n''t you?''
40844	''Any heads broken?''
40844	''Are they really?''
40844	''Are they?
40844	''Are you a lunatic?''
40844	''Are you going on Mr. Van Torp''s yacht?''
40844	''Are you ill, dear?''
40844	''Are you ill, dear?''"
40844	''Are you ill, dear?''"]
40844	''Are you in earnest?''
40844	''Are you publishing the bans?
40844	''Are you quite, quite sure you did not pay for it?''
40844	''Are you trying to quarrel with me?''
40844	''Are you very thirsty yet?''
40844	''As it might be, at the telephone?''
40844	''Auto-- what did you say?''
40844	''Beg pardon, ma''am?''
40844	''Brushing up what?
40844	''But I can''t----''''She''s a nice girl, is n''t she?''
40844	''But about myself-- if Leven is alive, what is my position-- I mean-- I do n''t really quite know where I am, do I?''
40844	''But how do you know that is my window?''
40844	''But how do you know, sir?''
40844	''But how in the world do you expect to get one now?
40844	''But if he will not be my husband, what can I do, if I do not kill him?''
40844	''But what in the world is the use of knowing it?
40844	''But you had n''t examined mine thoroughly before it was stolen, had you?
40844	''But you will dine, sir?''
40844	''By the way,''said Mr. Van Torp without apparent interest,''I hope Madame Cordova is quite well?
40844	''Can I?''
40844	''Can you describe her?''
40844	''Can you tell me,''she asked,''whose motor car it was that passed about ten minutes ago, and made so much noise?''
40844	''Cook''s office?
40844	''Dead?
40844	''Did I frighten you?
40844	''Did I not know you for a man of little faith?''
40844	''Did Potts not tell you, my dear?
40844	''Did n''t I hear four bells go just after you called me?''
40844	''Did she mention his name to you?''
40844	''Did you ever kill anybody, Miss Fanny?''
40844	''Did you ever meet Lady Maud?''
40844	''Did you ever read a fairy story about a mouse that could turn into a tiger when it liked?''
40844	''Did you ever see that done better?''
40844	''Did you get anything decent to eat?''
40844	''Did you notice anything unusual about Lady Maud when you saw her?''
40844	''Did you really?
40844	''Did you see any one else on the yacht?''
40844	''Did you tell him that Mrs. Rushmore and I would come?''
40844	''Do you feel faint?
40844	''Do you know of any reason why the marriage should not take place?''
40844	''Do you mean me?''
40844	''Do you mean the trouble you were in last spring?''
40844	''Do you mean to say that you have settled all that between you already?''
40844	''Do you mean to say that you would like a show wedding in Hanover Square?''
40844	''Do you mean to say that-- that there is any hope?''
40844	''Do you mean to say,''asked the surprised jeweller,''that you had bought it without thoroughly examining it, sir-- you who are an expert?''
40844	''Do you really not know what that music is?''
40844	''Do you really think you can deceive me any longer?''
40844	''Do you really, really, really mean it?''
40844	''Do you see any harm in that?
40844	''Do you see anything?''
40844	''Do you suppose you could stick it on fresh every day, the way they do for the stage?''
40844	''Do you think you could possibly be mistaken about a voice, if you did n''t see the person who was speaking?''
40844	''Do you want me to go away if she arrives?''
40844	''Does she really?''
40844	''Dreadful?
40844	''Eh?
40844	''Even if"home"is a bachelor establishment?''
40844	''Feel better now?''
40844	''Form?
40844	''Got any like that, young man?
40844	''Got her?''
40844	''Harm?
40844	''Has anything happened?''
40844	''Has he found lodgings, or is he going to sleep in his motor?''
40844	''Has he left no address?
40844	''Has she offended you?''
40844	''Have I done anything you do n''t like?''
40844	''Have I wings?
40844	''Have I?''
40844	''Have you a good seat?''
40844	''Have you forgotten it already?''
40844	''Have you really seen the girl?''
40844	''Have you really sold out all your interest in it?''
40844	''Have you really?''
40844	''He is not in London?''
40844	''He was the gentleman with the big fair beard, I suppose?
40844	''Here?''
40844	''Hot water?
40844	''How are you?''
40844	''How can I do this before you?''
40844	''How did you find out she was a girl?''
40844	''How did you know that I love roses above all other flowers?''
40844	''How long?''
40844	''I have n''t got such a thing, have I?
40844	''I mean his form-- or her form----''''Oh, her figure?
40844	''I mean, do you think you could take a man''s voice for a woman''s at a distance?''
40844	''I mean,''said Van Torp, when he was already fastening his collar,''are you sea- sick nowadays?''
40844	''I mean,''she asked after some time,''shall we be there to- morrow?
40844	''I presume that you had my letter?
40844	''I say, Mr. Johnson,''he asked,''have we got a barber- shop on board this ship?''
40844	''I suppose Lady Maud will come, wo n''t she?''
40844	''I suppose you''re ready at any moment, Captain?''
40844	''I suppose, though, that when you put them out they did n''t exactly want to go, did they?''
40844	''I wonder what on earth you''re up to, young lady?''
40844	''I''ve almost persuaded them all to run down to Venice, and I want to know why you wo n''t come too?''
40844	''I?''
40844	''I?''
40844	''I?''
40844	''If I do n''t give any reason, am I ever afterwards to hold my peace?''
40844	''If you find him, what shall you say to him?''
40844	''In what way, ma''am?''
40844	''Indeed?
40844	''Indeed?''
40844	''Is it so hard to believe?''
40844	''Is it time?''
40844	''Is it?''
40844	''Is she really very pretty?''
40844	''Is she tall?''
40844	''Is she very dreadful?''
40844	''Is she, now?
40844	''Is that fair?''
40844	''Is that the place?''
40844	''Is that the_ Erinna_, Captain?''
40844	''Is that what you call her?''
40844	''Is that your teacher?''
40844	''Is this sea always so still?''
40844	''It wants a name, does n''t it?''
40844	''It''s not really quite so bad as that, is it?''
40844	''Lions?''
40844	''Margaret, why did you never tell me of this?
40844	''May I ask whether, as Miss Donne''s oldest friend, you would look favourably on my proposal, supposing she were free?''
40844	''May I present Count Kralinsky?''
40844	''May I speak quite frankly, though we hardly know each other?''
40844	''My dear child,''she asked,''what in the world is the matter?
40844	''My own name?
40844	''Nice voice, has n''t she?''
40844	''Not feeling very well?''
40844	''Now what did they say, if it is n''t a rude question?''
40844	''Now, see here, have I done anything you consider unfair to make this happen?
40844	''Oh, he does, does he?''
40844	''Oh, he is, is he?''
40844	''Oh, he''s George, is he?
40844	''Oh, no,''answered Lady Maud, who was used to Mr. Van Torp''s familiar vocabulary,''why need there be any trouble?
40844	''Oh, they''ve turned us out, have they?
40844	''Oh,''mused Mr. Van Torp,''is that so?
40844	''Oh-- was that the way it happened?''
40844	''Or was it five?''
40844	''Perhaps,''she said,''you would rather not go out just yet, my dear?''
40844	''Potts,''she began again at last,''you are not very imaginative, are you?''
40844	''Pray, is"learning Tartar"a matter of business?''
40844	''Really, really?''
40844	''Really?
40844	''Really?
40844	''Really?
40844	''Really?
40844	''Really?
40844	''Reporter?''
40844	''Seems a long time, does n''t it?''
40844	''Shall I get you some more hot toast, sir?''
40844	''Shall I sign first?''
40844	''Shall I speak as a Frank?
40844	''Shall I?
40844	''Shall we keep some tea for Countess Leven?''
40844	''Shall we shake hands on it?''
40844	''Six, sir?''
40844	''So you''re a friend of Mr. Logotheti''s, and he advised you to come to me?
40844	''Sold the Nickel Trust?''
40844	''Stemp, where have you put the Count?
40844	''Stemp,''he asked, as he threw off his coat and kicked off his dusty shoes,''were you ever sea- sick?''
40844	''Stemp,''he said, before leaving the cabin,''have you heard from the Count?''
40844	''Stemp,''he said,''is this the correct thing?
40844	''Stomach upset?''
40844	''Sure?''
40844	''Take his beard off, sir, you mean?''
40844	''Tell me,''he said after a time,''if it were the portion of Kralinsky to be gathered to his fathers before you saw him, what would you do?''
40844	''That ruby, now-- I suppose it''s to be cut for you, is n''t it?''
40844	''The girl is in London, you say?''
40844	''The_ Sea- Mew_?''
40844	''Then if-- if he should call this afternoon, or even to- morrow-- may I tell them to say that you are out?''
40844	''Then why did you tell the Tartar girl that your name was George?''
40844	''Then you''d really be in a bad fix, would n''t you?
40844	''There, Margaret,''said Mrs. Rushmore triumphantly,''what did I tell you?
40844	''This is purely a matter of business between us,''she said,''you understand that?
40844	''Toast?
40844	''Told you?
40844	''Truly?
40844	''Venice, you say?
40844	''Venice?''
40844	''Well, if there were?
40844	''Well, now, do you suppose you can get anything to eat in Italy?''
40844	''Well, why should you?
40844	''Well,''he said, advancing the last step after that momentary pause, and taking the white hand in both his own,''how have you been?
40844	''Well,''he said, standing still and looking into the beautiful imploring eyes,''what on earth do you want now, Miss Barrack?
40844	''Well?''
40844	''Were you ever told that you looked like him?''
40844	''What are you thinking about?''
40844	''What became of Count Kralinsky?
40844	''What became of him?''
40844	''What can I do to help you?''
40844	''What comedy?
40844	''What do you advise me to do?''
40844	''What do you mean?''
40844	''What do you suppose that fellow wants, now, Stemp?
40844	''What happened next?
40844	''What happened?''
40844	''What has happened?''
40844	''What if Mrs. Rushmore comes in just as we are signing it?''
40844	''What in the world has got into you?''
40844	''What is it?
40844	''What is it?''
40844	''What is it?''
40844	''What is it?''
40844	''What is the gentleman''s name?''
40844	''What is the oath, that I may swear it?
40844	''What is this thing, anyway?
40844	''What made you say what you did to Mrs. Rushmore yesterday afternoon?''
40844	''What sort of voice has your brother?
40844	''What were you called?''
40844	''What will you eat, and what will you drink?''
40844	''What''s the matter with you anyhow?''
40844	''What''s the nearest sea- port to Bayreuth, Bavaria?''
40844	''What?''
40844	''What?''
40844	''When shall I come back, sir?''
40844	''When shall we reach that place?''
40844	''Where are we bound, sir?''
40844	''Where are we going?''
40844	''Where is Ivan?''
40844	''Where is the man?''
40844	''Whereabouts is port, right or left?''
40844	''Which Lady Maud?''
40844	''Which way?''
40844	''Who has seen mines of rubies?
40844	''Who is she?
40844	''Why a pity?
40844	''Why did you come out again, if you were in fear?''
40844	''Why did you run to the mouth of the cave when you saw me, if the man is dead?''
40844	''Why do n''t you come and take dinner with me some night?''
40844	''Why do you ask me this?
40844	''Why do you laugh?''
40844	''Why do you laugh?''
40844	''Why should I?
40844	''Why should any one be afraid of me?''
40844	''Why?''
40844	''Will you join us?''
40844	''Will you kindly give a message to Miss Donne from me?''
40844	''Wo n''t you go in and get a biscuit, or a sandwich?''
40844	''Wo n''t you let me send for something?
40844	''Wo n''t you take it now?''
40844	''Would that be too little, do you think?''
40844	''Yes, ma''am?''
40844	''You could do quite a great deal of good with that, could n''t you?''
40844	''You do n''t mean to say you''ve come right through?''
40844	''You do n''t think Mr. Van Torp drinks, do you, my dear?''
40844	''You have sold the Nickel Trust?''
40844	''You know it?''
40844	''You know our friend Monsieur Logotheti, I believe?''
40844	''You marked it, sir?
40844	''You say you knew the late Count Leven?''
40844	''You say you make noises you like?''
40844	''You want my blessing, do you, Miss Barrack?
40844	''You''d like to have his address, would you, Miss Barrack?
40844	''You''re not joking?
40844	A good useful dog generally is, is n''t he?
40844	About that?
40844	Allow that?''
40844	Already?''
40844	Am I an evil sight in a man''s eyes?
40844	Am I an evil sight, or poor, that I should go down to the grave childless?
40844	Am I crooked, am I blinded by the smallpox, or have I six fingers on both hands and a hump on my shoulder like the Witch of Altai?
40844	And coffee too?
40844	And if they do have terrible fits of temper now and then, who shall blame them?
40844	And now, tell me,''he lowered his voice a little more,''is that man Leven, or not?''
40844	And what''s his dead brother''s name again, please?''
40844	And you think that my father''s daughter would open her heart''s treasure to one of her servants?
40844	And, please, what is"stock"in such a case?''
40844	Any other question?
40844	Anyhow, as it''s a mere matter of business connected with your career, you wo n''t mind my explaining it to you, will you?''
40844	Anyhow, will you come if they do?
40844	Anything else to- day?''
40844	Are you equally sure that she would be miserable with me?
40844	Are you going to have a regular knock- down- and- drag- out smash at St. George''s?
40844	Are you sure of that?''
40844	At all low- down?''
40844	Beg pardon, sir, but do you think it would cost a great deal?''
40844	Besides, supposing that the language was really Tartar-- were there not Russians who spoke it?
40844	But I''m not defending myself-- how could I?
40844	But if such a thing happened, should you wish to go back to your own people?
40844	But there might be a fairy story about that, might n''t there?''
40844	But this is certainly the man you met in New York and who sold you the stone you gave me, is he not?''
40844	But what was that compared with the pedigree of the little thing in a blue serge frock?
40844	Did you buy anything of her?''
40844	Did you think I was in America?
40844	Do I know her?''
40844	Do I look like a human being again?''
40844	Do n''t think me too awfully cheeky, will you?''
40844	Do n''t you know that the seats for_ Parsifal_ are all taken months beforehand?''
40844	Do n''t you understand?
40844	Do n''t you want to go with me?''
40844	Do you believe it is possible to have all that?''
40844	Do you believe she''ll be miserable with Logotheti or not?''
40844	Do you feel as if you were going to have a fit?
40844	Do you happen to know anything about a yacht called the_ Erinna_, belonging to a Mr. Logotheti, a Greek gentleman who lives in Paris?''
40844	Do you know anything about her?''
40844	Do you know the colour of Alderney cream when it''s ready to be skimmed?
40844	Do you know what I mean?''
40844	Do you mean only Margaret and that nice old friend of hers-- Mrs. Patmore, is n''t she?
40844	Do you mean that?''
40844	Do you mean to say you understand her language?''
40844	Do you mind telling me how old she is?''
40844	Do you mind very much if I go to bed?
40844	Do you mind?''
40844	Do you never look at your face in the mirror?
40844	Do you not forward his letters to him?''
40844	Do you not see why I want him for a husband?
40844	Do you see?
40844	Do you sing at all?''
40844	Do you suppose he thinks I speak his heathen language?
40844	Do you think I am afraid to meet him?''
40844	Do you think I could be as bad as that?
40844	Do you think you can read my writing?
40844	Do you think you could steer a boat now?
40844	Do you think you might?''
40844	Do you understand all these things?''
40844	Do you understand me?
40844	Do you understand me?
40844	Do you understand?''
40844	Do you understand?''
40844	Even teeth?''
40844	Ever been in a first- class dairy?
40844	Ever hear that name?''
40844	Fair to middling?
40844	Far from here?
40844	Find anything good to eat?
40844	Formality?
40844	Good scheme, is n''t it?''
40844	Got any more like this?
40844	Had Logotheti established any claim on her but that of constancy?
40844	Had the captain of the cutter seen or heard of English yacht_ Erinna_?''
40844	Had you any reason for not telling me?''
40844	Has she nice hair?
40844	Has she nice hands?''
40844	Have I not come across the world from the Altai, by Samarkand and Tiflis, as far as England, to find him and marry him?
40844	Have the women another religion than the men?
40844	Have you a voice too?
40844	Have you any entanglement with another woman from which you feel that you''re not perfectly free?
40844	Have you been out this afternoon, Miss Donne?''
40844	Have you got a new railway in Brazil, or an overland route to the other side of beyond?''
40844	Have you got another?''
40844	Have you heard from Monsieur Logotheti to- day?''
40844	Have you known many Greeks, may I ask?''
40844	Have you thought of anything else?''
40844	Have you written your telegram?
40844	He never asked about the principle on which any invention was founded; his first and only question was,''Will it work?''
40844	Her hair?
40844	How about chickens?''
40844	How can I tell?
40844	How can you deny it?
40844	How could he be sure that one customer might like another to know about a ring ordered for a lady?
40844	How could he tell but that she had brought him to an ambush where he was to be murdered for the sake of his money and his good weapon?
40844	How could nature''s meaning be put into words?
40844	How could she be sure that it was not modern Greek, or Turkish?
40844	How could they know the difference in a London Police Court?
40844	How does it strike you?
40844	How does that strike you?
40844	How is Margaret?''
40844	How is Mrs. Rushmore?
40844	How long do you count on being in London this time?
40844	How long does it take to grow a beard like Count Kralinsky''s?''
40844	How long will it take, Captain?''
40844	How old is he?''
40844	How the dickens should I know where they are, madam?
40844	How''s that?
40844	I came by Boulogne-- decent of me, was n''t it?
40844	I do n''t suppose you''re going to get up in church and forbid the banns, are you?''
40844	I do not call that very frank, do you?''
40844	I have suffered all these things to find him, and if I come to him at last, and he will not be my husband, shall he live and take another woman?
40844	I hope you do n''t mind my telling you?''
40844	I hope you''re not offended?''
40844	I see no land on this side; is there any on the other?''
40844	I suppose he ca n''t run away from us now, can he?''
40844	I suppose he really is, is n''t he?''
40844	I suppose we can send the naphtha launch for him if we stop, ca n''t we?''
40844	I suppose you''ll let me say that I''ve got the business ability, wo n''t you?''
40844	I will spend a thousand pounds or two-- is that enough?
40844	I wonder what would happen if I asked him about Miss Barrack?''
40844	I''m certain he''s not old Levi Longlegs, and if he''s not Leven, who on earth is he?
40844	I''m not a very nervous person, you know, am I?
40844	If Margaret marries you, shall you want her to leave the stage?''
40844	If that is not caprice, what is it?''
40844	If we''re not mistaken, what can I do to help you?
40844	If you drop your parasol towards her you can get the letters out, ca n''t you?
40844	If you were forced to choose one of us yourself, which would you take?
40844	Is it a very solemn oath?''
40844	Is it because he is dead, and you are afraid to tell me?''
40844	Is it not like the tusk of a young elephant?
40844	Is it nothing that I have done, a Tartar girl alone, with no friend but a bag of precious stones that any strong thief might have taken from me?
40844	Is it nothing that I have gone about like a shameless one, with my face uncovered, dressed in a man''s clothes?
40844	Is n''t he, Maud?''
40844	Is n''t that enough to marry on when there''s everything else?
40844	Is n''t that so?''
40844	Is that correct, do you think?''
40844	Is that it?''
40844	Is that right?''
40844	Is that so?''
40844	Is the danger nothing?
40844	Is there anything I can say or do?
40844	It means nothing else?''
40844	It was driven through somebody else''s hat on the other side of the street, was n''t it, Miss Donne?
40844	It was mean of me, was n''t it?
40844	It wo n''t be hard for you to look at it in that light, will it?
40844	Let me see-- there''s a thing you move----''''The rudder?''
40844	Margaret, what do you suppose Mr. Van Torp wants hot water for at this extraordinary hour?''
40844	Mowle?''
40844	No fault in that line of reasoning, is there?''
40844	No?
40844	Not the thin mud- broth of the Franks?''
40844	Nothing serious, I trust?''
40844	Or as they speak in Constantinople?''
40844	Or is there any reproach upon me?
40844	Or my stage name?''
40844	Or something iced?
40844	Or to quote torrents of Pindar''s deep- mouthed song, if you had not the constancy to run one little race to the end without swerving aside?
40844	Or would you learn to speak the Frank and live in Europe?''
40844	Progress works both ways, up and down, does n''t it?
40844	Real coffee?
40844	Really, that would be rather smart, would n''t it?''
40844	Rushmore?''
40844	Rushmore?''
40844	See his walk?
40844	See how he turns his toes in?
40844	See what I mean?''
40844	See?
40844	See?
40844	See?
40844	See?''
40844	See?''
40844	See?''
40844	Seen the cook?''
40844	Settled that yet?''
40844	Shall I betray him?''
40844	Shall I go in?''
40844	Shall I have it mounted for you?''
40844	Shall I prick my hand and let the drops fall into your two hands that you may drink them?
40844	Shall I take Allah, and the Prophet, and the Angel Israfil to witness that I will keep my word?
40844	Shall I tell my heart to my handmaid, and my secret thoughts to a hired man?
40844	Shall I throw him out, sir?''
40844	Shall we?''
40844	She is some one from Constantinople, is n''t she?
40844	Sounds Polish, does n''t it?''
40844	Tea?
40844	Tell me more about yourself, wo n''t you?''
40844	That I have been called a thief?
40844	That I have been in an English prison?
40844	That I have cut my hair, my beautiful black hair, is that as nothing too?
40844	That is n''t"exercising undue influence,"I suppose?''
40844	That stone I gave you, I swear I do n''t know that it''s not glass-- anyhow, that stone, does it look at all like the one that was stolen?''
40844	That would not help you to rest, would it?''
40844	The travel nothing?
40844	The usual thing?''
40844	Then do you think that their King would not have been glad if I had given him the ruby as a gift?
40844	There''s no other explanation, and it''s not a very flattering one, is it?''
40844	They say that because the Trojans had to work so hard to get over the Alps coming down into Italy, do n''t they?''
40844	They told her that ladies with champagne hair were not always good ladies; but what did that matter?
40844	They want us to come up with them, do you see?''
40844	Three or four days, maybe?''
40844	Two, three, four, twenty-- what did it matter?
40844	Understand, Captain?''
40844	Understand?
40844	Understand?
40844	Was it so very unlikely that some charming compatriot of his should have come from Constantinople to spend a few weeks in Paris?
40844	Was my portion a cotton shift, one brass bangle and a horn comb for my hair?
40844	Was not the affair of the Ascot Cup, a much more difficult and dangerous theft, still fresh in every one''s memory?
40844	Was she not her own mistress?
40844	We shall be quite a party, sha n''t we?
40844	Well, now, that''s a funny sort of a rule for a hotel, is n''t it?''
40844	What about that?''
40844	What availed it to possess in memory the passionate love- roses of Sappho''s heart, if you would not follow her to the Leucadian cliff?
40844	What can anybody find to do in London at this time of year?''
40844	What did you once tell me was the name of his yacht?''
40844	What do you say?''
40844	What does he come bothering me for?
40844	What had any one to say, if she chose to change her mind and take the stronger man, supposing that she took either?
40844	What happened?''
40844	What in the world shall you do with yourself?''
40844	What is he doing?
40844	What is it?
40844	What of it?''
40844	What shall I do and say?
40844	What sort of work are you doing?
40844	What was the life of a wild hill- girl compared with his?
40844	What was the thing you were going to ask?''
40844	What was the''interpretation''of a storm, of an earthquake, or of winter and summer?
40844	What were small refinements of speech and culture, compared with wide- reaching power?
40844	What will he say?''
40844	What would they say in the street if they saw me now, as a woman?
40844	What''s the good?''
40844	What''s the matter with you, anyway?
40844	What?''
40844	When is it to be?
40844	When would the young lady try on the things?
40844	When you found out she was a girl, how did she strike you?''
40844	Where did you get her, and what is her name?
40844	Where in the world did you learn it?
40844	Where is the Pastor going to sleep, now that the philanthropist has bought him out?''
40844	Where is the telegraph?
40844	Where shall I have it taken, sir?''
40844	Where''s she hiding from you?''
40844	Where?
40844	Which of us will make the best husband for an English girl?
40844	Who is E. Sharp, anyway?
40844	Who is this Eastern woman?
40844	Why did he not desire me for his wife?
40844	Why did you never tell me?''
40844	Why do n''t we build a theatre together?
40844	Why do you ask?
40844	Why do you laugh at me?
40844	Why do you look so surprised?
40844	Why do you talk?
40844	Why in the world do you want to take them there?''
40844	Why is this?
40844	Why not"teapot,"or"rocking- horse,"or anything else that''s appropriate?''
40844	Why should I say it again?
40844	Why should I still live, then?''
40844	Why should n''t you stay?''
40844	Why should she walk mile upon mile like that?
40844	Why should they speak when they can hold their peace?
40844	Why should you ever meet a Tartar?
40844	Why should you?
40844	Why?''
40844	Will Gula know how to fasten the fine dresses at the back, do you think?''
40844	Will that do?
40844	Will that do?''
40844	Will that do?''
40844	Will there be any more ladies and gentlemen, sir?''
40844	Will you do that?
40844	Will you go if I do?
40844	Will you kindly have me put ashore before you start again?
40844	Will you kindly tell me where he is?''
40844	Will you take it?''
40844	Will you tell her that?''
40844	Will you?''
40844	Will you?''
40844	Will you?''
40844	With the man who speaks English for him, I suppose, sir?''
40844	Wo n''t you answer me?''
40844	Wo n''t you let me hear the tune that irritated your neighbour the pianist?
40844	Would Monsieur Logotheti stay to dinner?
40844	Would that be enough?
40844	Would you be sea- sick on a steam yacht?''
40844	Would you rather I had n''t?''
40844	You can go on to the Mediterranean without coaling, can you not?''
40844	You do n''t think it was unfair to offer to build a theatre and call it after her, do you?
40844	You just attend to that, will you?
40844	You mean that I used to be very disagreeable, do n''t you?''
40844	You merely guessed it was a girl in boy''s clothes?''
40844	You only had that one look at him, through the window, is that so?''
40844	You really will help me with my gown, wo n''t you?
40844	You see, I did n''t know anything about all this, and that makes it meaner still, does n''t it?''
40844	You take an interest in her, I suppose, Mr. Logotheti?
40844	You taught me to say"better,"did n''t you?''
40844	You went for a little walk to get some air?''
40844	You wo n''t, will you?''
40844	You''re not laughing at me?''
40844	You''re sure you''re right, I suppose?
40844	You''ve not promised yet, any more than you did last night when he was there and we talked about it, so how could I?
40844	[ Illustration:"''What has happened?''
40844	[ Illustration:"''You want my blessing, do you, Miss Barrack?''"]
40844	and if you know where they are, why should you show them to me?
40844	or are we thinking of the same thing?''
40844	or the next day?
40844	she cried in great distress,''what have you done?''
16427	''Rather nice''?
16427	Adrienne? 16427 All right?"
16427	Am I late? 16427 Am I taking too much from you, Diana?
16427	An enemy? 16427 And I suppose it had n''t occurred to you that this is a spring tide?"
16427	And I?
16427	And did you persuade your-- fellow angel-- to sing to you?
16427	And do you regret it? 16427 And have I no claim?
16427	And his moods vary considerably, do n''t they?
16427	And must he, too, reap your sowing? 16427 And must you?
16427	And one you can not answer?
16427	And was he pleased at the prospect?
16427	And what exactly did you think my object was?
16427	And what has our-- supposititious-- unhappiness to do with you, Signor Baroni?
16427	And whom have I to thank for that? 16427 And why not pamper them a bit, poor souls?
16427	And why not?
16427	And why-- why have you come to me-- now?
16427	And would n''t Diana, too, be silent for your sake?
16427	And you expect me still to feel the same towards you, I suppose? 16427 And you think it right to let her marry you in ignorance?"
16427	And you wish to add Mees Quentin to the list?
16427	And you-- what is it you want?
16427	And''if''you_ can not_ remain in England, if you haf to go back--_there_? 16427 And-- and Adrienne?
16427	And-- and must you see so much of her now? 16427 Any one from this part of the world?"
16427	Are you Miss Quentin--_the_ Miss Quentin? 16427 Are you busy, Max?"
16427	Are you going''parishing''this morning?
16427	Are you hurt? 16427 Are you implying now that Max is going about under a false name?
16427	Are you ready?
16427	Are you sure it will be quite all right? 16427 Are you surprised to see me?"
16427	Are you-- angry with me?
16427	At Baroni''s?
16427	Better now?
16427	Better? 16427 Brutton Square?"
16427	But I thought that your people had plenty of money?
16427	But am I to regard you as an enemy to my marriage, too? 16427 But do you then call yourself an_ artiste_?"
16427	But supposing I did n''t wake at the right time?
16427	But surely-- won''t they go to Red Gables?
16427	But what haf you been doing during the holidays?
16427	But what shall we do? 16427 But why you?
16427	But why-- why do you tell me this?
16427	But why? 16427 But why?
16427	But you see the difficulty? 16427 But you wo n''t commit yourself so far as to say that I have your approval-- even once?"
16427	But-- about Max and Diana?
16427	But-- but why?
16427	Ca n''t I help, Di?
16427	Ca n''t I help?
16427	Ca n''t keep it?
16427	Ca n''t we-- be friends?
16427	Ca n''t we-- can''t we do anything? 16427 Ca n''t you believe it?"
16427	Ca n''t you call on them, Pobs?
16427	Ca n''t you understand?
16427	Ca n''t you-- can''t you banish the shadow?
16427	Can I trust you?
16427	Childish?
16427	Content?
16427	Could n''t you-- ask the others to release you?
16427	Crailing?
16427	Dear, must one understand-- to love? 16427 Diana"--he spoke again, still in the same toneless voice--"am I to be forbidden even the outskirts of your life now?"
16427	Diana--his voice deepened a little--"am I responsible for any of the weeds in your garden?"
16427	Diana--his voice vibrated--"won''t you trust me?"
16427	Diana--there was a note of strain in his voice--"which is it?
16427	Diana, what has come to you? 16427 Diana,"he said tensely,"must it always remain-- the hell of memory?"
16427	Did you remind him that you had met before?
16427	Did you see?
16427	Did you want me to sit still and do nothing while-- while that is going on just below?
16427	Did you want me?
16427	Did you, indeed?
16427	Do I understand that you-- you actually measured the amount it contains?
16427	Do n''t you think that the time for pretence and hypocrisy has gone by? 16427 Do n''t you trust her then-- the woman you''re asking to be your wife?"
16427	Do n''t you want my credentials?
16427	Do n''t you?
16427	Do you believe that husbands and wives should have no secrets from one another?
16427	Do you forget the shadow? 16427 Do you hear?"
16427	Do you know him personally at all?
16427	Do you live there?
16427	Do you mean that you wo n''t go back now-- now that you know he has never failed you as you thought he had? 16427 Do you mean that?"
16427	Do you mean this?
16427	Do you mean--Diana''s eyes were suddenly apprehensive--"do you mean that he has done anything wrong-- dishonourable?"
16427	Do you mean-- do you mean that Adrienne, your name, everything, is all part of-- of what you ca n''t tell me? 16427 Do you not think it strange of him?"
16427	Do you really think so?
16427	Do you remember I once told you I thought''The Hell of Memory''would be a more appropriate title? 16427 Do you suppose-- even if he forgave me-- that he could ever believe in me again?
16427	Do you think Diana could have been offended because he came down afterwards to please Miss Gervais?
16427	Do you think I''m going to stand quietly by and see our happiness wrecked?
16427	Do you think-- just one-- would hurt my voice?
16427	Does he propose to have any other than this one?
16427	Does my unhappiness count for nothing? 16427 Drown myself?"
16427	Fame?
16427	Find rooms?
16427	For God''s sake, what do you mean? 16427 Fretting?
16427	Go back to him?
16427	Has Miss Lermontof been here to- day?
16427	Has he, indeed? 16427 Has n''t he ever told you anything?"
16427	Has the time, then, seemed so long?
16427	Have you an appointment?
16427	Have you and Adrienne quarrelled?
16427	Have you been back in town long, Miss Quentin?
16427	Have you been to see Diana?
16427	Have you felt-- anything of what that paragraph suggests?
16427	Have you forgotten we''re giving a big reception here next Wednesday?
16427	Have you lost your child?
16427	He does n''t approve, I suppose?
16427	He''s rather a mysterious person, do n''t you think?
16427	He-- he must go back to the desert?
16427	Heart''s dearest, have you realised that it will be very hard sometimes? 16427 How can I?"
16427	How can she ever be happy-- as your wife?
16427	How could I-- when the sea does n''t come up within a dozen yards of the cliff except at spring tide?
16427	How could I? 16427 How d''you do?
16427	How d''you do?
16427	How dare you?
16427	How do you do? 16427 How far on are they?"
16427	How much do they know? 16427 How''s that?
16427	I believe we have met before, have n''t we?
16427	I shall, too, may I?--And oh, why have n''t you brought two cups? 16427 I suppose I''m damned beyond forgiveness after this?"
16427	I suppose he is n''t a Russian by any chance?
16427	I suppose we shall have to call on these new people at Red Gables, Dad?
16427	I suppose--laughingly--"you come to congratulate me?"
16427	I suppose, then, you''re a very busy person?
16427	I suppose,he said slowly,"you would n''t believe me if I told you that I''m sorry-- that I''d uproot them if I could?"
16427	I suppose,she said slowly,"you want me to go?"
16427	I suppose-- did Max give you any further particulars?
16427	I wonder if-- if a man can understand how a woman can be so cruel to what she loves?
16427	I wonder--he regarded her with an expression of amused curiosity--"I wonder whether you would stoop to pick up my flower if I threw one?
16427	I-- not like Miss Quentin? 16427 I?
16427	I? 16427 I?
16427	I? 16427 I?"
16427	If I ever loved you?
16427	If my voice is not even pretty-- if it is no good--"_ No good_?
16427	Is champagne the cure for a heartache, then,_ Maestro_?
16427	Is he a professional pianist?
16427	Is it really so good?
16427	Is n''t Adrienne simply wonderful?
16427	Is that so? 16427 Is that the only reason, Diana?"
16427	Is there, madam? 16427 Is there, madam?"
16427	Is this the child? 16427 It was deliberate?"
16427	It will be much more amusing than waiting in solitude, wo n''t it?
16427	It''s rather absurd, is n''t it?
16427	Leave home?
16427	Max?
16427	Max?
16427	May I know the-- other reasons?
16427	May I?
16427	Mees de Gervais? 16427 Mees de Gervais?
16427	Might n''t you reverse that, Pobs, and say that he would trust_ me_--if he loves me?
16427	My dear, do you love him?
16427	Nadine Mazaroff?
16427	Nadine?
16427	Nervous?
16427	Never-- together again?
16427	No other way?
16427	No, not really?
16427	No? 16427 Not want to?"
16427	Not-- not Max?
16427	Now, go on, Jerry, what plans of yours have been upset?
16427	Of what are you thinking?
16427	Oh, Jerry, is it you?
16427	Oh, are you going?
16427	Oh, are you? 16427 Oh, do you know him?"
16427	Oh, do you play?
16427	Oh, is that you, Max? 16427 Oh, then you have n''t forgotten?"
16427	Oh, was he? 16427 Oh, why do you say such things?
16427	Olga, you are unreasonable--"Unreasonable, am I? 16427 Or for my happiness?
16427	Perfectly frank with me?
16427	Perhaps a gallant rescuer was added to the experience, eh?
16427	Quarrelled?
16427	Quite warm now?
16427	See, my dear, I am a cross- grained, ugly old man, am I not?
16427	Shall you be warm enough?
16427	Shall you require me with you, madam?
16427	Sing to you?
16427	So he has not told you?
16427	So it''s that? 16427 So the young man yielded to_ force majeure_ and allowed you to travel with him?"
16427	So this is the voice you bring me to cultivate?
16427	So you approve of me-- for once?
16427	So you''ve decided to make a friend of Miss de Gervais after all?
16427	So you-- you, too, are against me?
16427	Sounds like it, does n''t it?
16427	Speak, ca n''t you?
16427	Supposing I should fail?
16427	Surely it was obvious?
16427	Surely we must be almost at the Rectory by now?
16427	Surely--bending forward to peer into Diana''s face--"surely you are not going to keep Max waiting while you--_rehearse_?"
16427	Table for two?
16427	Tell me what I can do, Max?
16427	Tell me, how are the Rector and-- and Miss Stair?
16427	That goes better,_ hein_? 16427 That is your idea, then-- to shout, and yell, and bellow your love like a caged bull?
16427	That is, if Miss Quentin permits? 16427 That you, Dad?"
16427	That''s the biggest thing in the world-- our love-- isn''t it? 16427 The gentleman who chisels out decay?
16427	The newspapers?
16427	The waste of time?
16427	Then I''ll drive you, shall I? 16427 Then it''s true?"
16427	Then she''s asked you?
16427	Then that-- that was what Baroni meant when, he told me a time would come when your wife could no longer sing in public?
16427	Then we may talk? 16427 Then we ought to pal up together, ought n''t we?"
16427	Then what had?
16427	Then why trouble? 16427 Then why were you there?
16427	Then why-- why do you talk of sending me away?
16427	Then you meant it?
16427	Then you will sing?
16427	Then you''re not a member of our Church?
16427	Then-- if it came to a choice-- you would actually sacrifice Diana?
16427	Then-- then you can not take me as a pupil?
16427	Then-- then--her voice trembled--"you mean you wo n''t tell me anything more?"
16427	There''s some mistake, is n''t there? 16427 This is a very serious thing about Miss de Gervais, is n''t it?"
16427	This that sounds like the rumblings of a subterranean earthquake? 16427 This, then, is how you travel in haste to Paris?"
16427	To Art? 16427 To Ruvania?"
16427	To give her up?
16427	To rehearse? 16427 To what am I indebted?"
16427	Too late? 16427 Trust you?
16427	Twice? 16427 Unless--""Unless what?
16427	Unsay that-- take it back? 16427 Was I?"
16427	Was he so very bad?
16427	Was it likely that I should feel anything but gratitude-- and liking for any one who had done as much for me as you had?
16427	Wednesday, is it? 16427 Weeds?
16427	Well, I did, did n''t I?
16427	Well, I think you did make yourself-- very useful-- last night, did n''t you?
16427	Well, if it does-- I ask you, can she then continue her life as an artiste?
16427	Well, then, why on earth does n''t he tell her about it, whatever it is?
16427	Well, what about them?
16427	Well, what did I tell you?
16427	Well? 16427 Well?"
16427	Well?
16427	Well?
16427	Well?
16427	Well?
16427	What I''m doing?
16427	What am I doing?
16427	What did I tell you? 16427 What do you mean?
16427	What do you mean? 16427 What do you mean?"
16427	What do you mean?
16427	What do you mean?
16427	What do you see?
16427	What do you suppose?
16427	What else can I think?
16427	What had you been saying to upset that dear little person?
16427	What has gone wrong, Max? 16427 What if they had?
16427	What if they had?
16427	What in the name of heaven and earth are you doing here?
16427	What in the world are you doing?
16427	What is it? 16427 What is it?"
16427	What is it?
16427	What is the matter?
16427	What on earth do your people mean by letting you roam about by yourself like this? 16427 What right have I to ask them to trust an Englishwoman with their secret-- just for my pleasure?"
16427	What shall I do?
16427	What shall it be?
16427	What should we quarrel about? 16427 What steps are you taking to trace the man?"
16427	What steps are you taking?
16427	What will Baroni say?
16427	What would Baroni say to your smoking?
16427	What''s happened? 16427 What''s he done to her?"
16427	What''s the message?
16427	What?
16427	Where did you find a voice like that? 16427 Where do you want to get out?"
16427	Where will you sit? 16427 Where''s Max?"
16427	Where''s he been?
16427	Who has been talking to you?
16427	Who is Nadine Mazaroff?
16427	Who is it that is such an enemy of hers?
16427	Who was he?
16427	Who''s going to pick up that music?
16427	Why did n''t you tell me? 16427 Why do n''t you say''I told you so''at once?"
16427	Why do you want to know more?
16427	Why has the good God given you eyes and a mouth? 16427 Why not?
16427	Why not?
16427	Why this_ nil admirari_ attitude?
16427	Why-- why are you always so unkind to me?
16427	Why-- why did you do it?
16427	Why-- why-- what do you mean?
16427	Why? 16427 Why?
16427	Will you allow me to take your place?
16427	Will you have it up here-- or in the dining- room with the other boarders in half an hour''s time?
16427	Will you smoke?
16427	Will you spare me a few minutes in my study?
16427	Will you trust me with the accompaniments?
16427	With the same sized teapot?
16427	Wo n''t you give me an old friend''s right to ask impertinent questions?
16427	Wo n''t you say how do you do to me, Miss Quentin? 16427 Wo n''t you-- wish us luck, Baroni?"
16427	Would it be-- a punishment?
16427	Would you do that? 16427 Would you?"
16427	Wur be''ee? 16427 Yet what is there to make her keep faith with us?"
16427	Yon thank God? 16427 You are not serious?"
16427	You did n''t mind my talking to you this afternoon, did you, Miss Quentin? 16427 You haf brought some songs?"
16427	You know that?
16427	You mean Paris-- Vienna?
16427	You mean that the garden of memory may have several aspects-- like a house? 16427 You mean you want me to read this?"
16427	You mean-- Adrienne?
16427	You theenk I was too severe with him?
16427	You wo n''t go back?
16427	You wo n''t send me away again-- not now?
16427	You''ll go away from Crailing?
16427	You''re hurt--?
16427	You''re the only child, are n''t you?
16427	You''re thinking I do n''t look the part? 16427 You-- can''t-- go-- back?"
16427	You-- in Ruvania?
16427	You?
16427	Yours, Jerry?
16427	_ Does she know-- everything_?
16427	_ Does she sing_? 16427 _ Then it''s true_?"
16427	_ Trust you_?
16427	_ Who he is_?
16427	_ Who he is_?
16427	_ Wo n''t I_?
16427	_ Would n''t_?
16427	_ You_--you know his secret?
16427	_ Your_ father?
16427	_ Your_ unhappiness? 16427 --a sudden ring of passion in his tones--Must I give up everything?
16427	--scornfully--"I''m to be content with my husband''s secretary, I suppose, so that my husband himself can dance attendance on Adrienne de Gervais?"
16427	After a pause, she asked:"I suppose Olga told you that I know-- everything?"
16427	After all"--with bitter mockery--"what are a handful of nettles in the garden of a_ prima donna_?
16427	Aloud he merely said:--"Will you have a taxi?"
16427	Always to be a tool and never live an individual man''s life of my own?"
16427	Am I to have nothing in the world?
16427	And Adrienne de Gervais?
16427	And did you force your way into his reserved compartment, may I ask?"
16427	And how could a man know a woman''s soul so well unless-- unless it were the soul of the woman he loved?
16427	And how goes it with the voice?"
16427	And now-- where will it all end?
16427	And now-- who are you?
16427	And what had Bunty done to deserve so poor a lot?
16427	And what was the reward of my misdeeds?
16427	Apparently he did not hear her, for he asked abruptly:--"Are you prepared to give up everything-- everything in the world for art?
16427	Are her wishes, then, of so much more importance than mine?"
16427	Are you going to hang your wife''s happiness upon an''if''?"
16427	Are you prepared for this?"
16427	Are you so particularly anxious to get quit of this world?"
16427	Are you trying to make mischief for me with my wife?"
16427	As we''re all going to meet again at dinner we can bear to be separated for an hour or so-- even Jerry and Joan, I suppose?"
16427	At last, after a pause--"But why-- why do you not want to know me?"
16427	Because I grudge paying for the sins of others?
16427	Because-- don''t you see, dear?"
16427	But can you imagine any agent they may have put upon our track surprising her knowledge out of Olga?"
16427	But hers?
16427	But if the papers had got hold of it sooner--""Well?"
16427	But is that all that there is between you-- this play?"
16427	But still, as they have come to our church and are strangers in the district, it would perhaps be neighbourly to call, would n''t it?"
16427	But surely there_ will_ come a time when I shall be free to live my own life?"
16427	But this other is a debt of honour, and you would n''t want me to shirk that, would you, sweet?
16427	But what could I do?
16427	But what''s this?"
16427	But why?
16427	But would she speak?
16427	But"--looking at Diana pleasantly--"we are neighbours, surely?
16427	But-- but you go to see Adrienne rather often now, do n''t you?
16427	By the fire?"
16427	CHAPTER XXIX SACRIFICE"_ Did you mean it?_"Errington''s voice broke harshly through the silence of the little anteroom where Diana waited alone.
16427	Ca n''t you have faith?"
16427	Can you honestly say she has n''t chosen the better part?"
16427	Can your wife still appear as a public singer?"
16427	Come to tea one day, will you?"
16427	Could it be-- was it conceivable, that he was already married?
16427	Could n''t you get some one else to accompany you?"
16427	Diana poured herself out a second cup of tea before she asked negligently:--"When''s your''boss''returning?
16427	Diana tried to speak, failed, then, moistening her lips, jerked out the words:--"Signor Baroni?"
16427	Diana-- beloved-- can''t you trust me over this one thing?
16427	Did he get out at Craiford?"
16427	Did you ever love him, I wonder, that you''re too proud to ask his forgiveness now-- now when you know what you''ve done?"
16427	Do n''t you see that I must, Diana?
16427	Do n''t you see what you''re doing?"
16427	Do n''t you see,_ Maestro_, it kind of squares things the tiniest bit?"
16427	Do n''t you think it would look rather unfriendly on the part of you girls?
16427	Do n''t you-- care-- any longer?"
16427	Do you hear?"
16427	Do you hear?"
16427	Do you know it at all?
16427	Do you remember Our great love''s pure unfolding, The troth you gave, And prayed for God''s upholding, Long and long ago?
16427	Do you remember Our great love''s pure unfolding, The troth you gave, And prayed, for God''s upholding, Long and long ago?
16427	Do you still care for me-- like that?"
16427	Do you suppose that-- that having failed him when he asked me to believe in him, I could go back to him now-- now that I know everything?
16427	Do you think I ought not to be friends with her?"
16427	Do you think it''s been easy?"
16427	Do you"--sharply--"think that?"
16427	Do-- do all dramatists have to consult so much with the leading actress in the play?"
16427	Does n''t Max play the devoted husband satisfactorily?"
16427	Does n''t your love count at all?"
16427	Does she sing?"
16427	Errington?"
16427	Everything must go on just the same?"
16427	First, you will take no more engagements, and now-- what is it?
16427	For how long?
16427	Four years old and wearing a little red coat, did you say?
16427	Have n''t you guessed it?"
16427	Have the"--he made an infinitesimal pause, regarding her the while with quizzical eyes--"events of the afternoon robbed you of your voice?"
16427	Have you any objection?"
16427	Have you ever asked him"--she paused significantly--"who he is?"
16427	Have you no confidence in his judgment?"
16427	He made no answer, and Diana, suddenly nervous and puzzled, continued a little breathlessly:--"Have I-- have I offended you?
16427	He paused, and Diana whispered stammeringly:"Not-- not the Grand Duchess?"
16427	He''ll have to be consulted in the matter, wo n''t he?"
16427	How can I make you see it?
16427	How can I?
16427	How can I?"
16427	How could I be?
16427	How could she?
16427	How many lives are going to be darkened by the same shadow?
16427	How too late?"
16427	I hope her rooms are quite ready?"
16427	I never do mean anything, do I?
16427	I sometimes wonder,"she added slowly,"if you ever loved me?"
16427	I suppose you''ve still got Tommy and the ralli- cart?"
16427	I thought you had rooms somewhere?"
16427	I wanted you to have tea with me-- if you''ve time, that is?"
16427	I was carrying some music, and it all blew away up the street and you helped me to collect it again?"
16427	I was wrong, was I?
16427	I wonder, now, if we was lost long enough, eh, Billy?"
16427	If he loved her and had confidence in her, why could n''t he trust her with his secret?
16427	If it would be a punishment, why were you so anxious to take it out of my hands?
16427	If she had but fulfilled her womanhood, what might not her unshaken faith have meant to a man fighting a battle against such bitter odds?
16427	If this were the only sort of voice Baroni condescended to train, what chance had she?
16427	If you ca n''t, do you know what it looks like?"
16427	Is it not so?"
16427	Is it, Joan?"
16427	Is n''t your love strong enough for that?"
16427	Is she, by any chance, a friend of yours?"
16427	Is that her name-- Nadine Mazaroff?
16427	Is your trust big enough-- great enough for this?"
16427	Joan"--he made a dive for her hand, but she eluded him with the skill of frequent practice--"how much longer are you going to keep me on tenterhooks?
16427	Jolly good programme, is n''t it?"
16427	Lawrence?"
16427	Like that,_ nicht wahr_?"
16427	Max, are n''t you English after all?"
16427	Mr. Errington"--and as she turned to him he saw that her eyes were brimming with tears--"why ca n''t we be friends?
16427	My God, are you hurt?"
16427	My God, are you hurt?"
16427	No good, did you say?
16427	No way out?"
16427	Nothing-- nothing that need come between us?"
16427	Now that we are married?"
16427	Oh by the way, what''s your important message?
16427	Oh, why am I not a millionaire?
16427	Or had God worked a miracle?
16427	Or, is it your idea of punishment, perhaps-- to wreck my happiness?"
16427	Part of-- the shadow?"
16427	Perhaps that will wake you up,_ hein_?"
16427	Pobs, I wonder who my man in the train was?"
16427	Rather snubby, eh?"
16427	Rehearse?"
16427	Shall we say Thursday?"
16427	She has been teaching you, is n''t it so?"
16427	She made no answer, but after a moment asked abruptly:--"Does this-- this secret concern only you?"
16427	She sprang to her feet, and switching on the light, called out sharply:--"Who is it?"
16427	So that is your idea of a humble suitor, is it?"
16427	So what''s the use of jibing at the price?"
16427	Surely not?
16427	Talk to them?"
16427	That they may express nothing-- nothing at all?
16427	That you are to be married?
16427	The affair had been pre- arranged between him and Adrienne all the time?
16427	The concert will be in the afternoon, wo n''t it?"
16427	The one thing over which I asked your faith?"
16427	Then I may tell Miss de Gervais that you''ll sing for her?"
16427	Then it was you"--with a sudden, inspiration--"who put these lovely daffodils here, was n''t it?
16427	Then once more the maddening doubt assailed her-- were they but a bitter humiliation which she would remember for the rest of her life?
16427	Then she asked with apparent irrelevance:--"Is Mr. Errington married?"
16427	Then she said suddenly:--"Pobs, what am I to do?"
16427	Then, after a moment, with sudden, womanish curiosity:"How did you know I was singing here to- night?"
16427	Then, after a pause,"Will you go?
16427	Then, aloud, she said gently:"Tell me-- how much do you know?"
16427	Then, turning the subject adroitly, he went on:"So now you are on your way home for a well- earned holiday?
16427	Then, turning towards the accompanist, he continued:"How does your hand feel now, Miss Lermontof?"
16427	Then-- then it_ was_ you-- in Grellingham Place that day?"
16427	Then-- then"--Diana''s breath came unevenly--"she''s not Max''s sister?"
16427	To behave as though nothing had come between us?"
16427	Turning abruptly to Errington she continued:"Will you play instead?"
16427	Was he really going to stay-- to accept the invitation-- after all that had occurred?
16427	Was it conceivable that Adrienne de Gervais was the daughter?
16427	Was the explanation of all that had so mystified her to be found in the fact that Max was a political exile?
16427	We conversed together as though we had known each other all our lives, shared the same table for dinner--""You did n''t?"
16427	Well, why not ask Joan to stay with you for a time-- to counterbalance matters?"
16427	What about Pobs?
16427	What am I to do, dear, if you wo n''t let me go with you?
16427	What can a woman do unaided when the nations are fighting for supremacy?
16427	What could be the cause of it?
16427	What did Olga Lermontof mean when she bade me ask your name?
16427	What did it mean?
16427	What did you leave behind?"
16427	What do they say?
16427	What do you think I''m made of?"
16427	What does Signor Baroni say about it?"
16427	What has she to do with you?"
16427	What is his name?"
16427	What is it called?"
16427	What is it you wish to say to me?"
16427	What is the matter?"
16427	What is this you tell me?
16427	What is your real name?
16427	What new mystery was this at which the other was hinting?
16427	What part did she play in this strange medley?
16427	What shall I do with all the love that is in my heart-- if you wo n''t take it?"
16427	What shall we do?"
16427	What was it Olga had said?
16427	What would Signor Baroni say to this afternoon''s exploit?"
16427	What''s happened?
16427	What''s happened?"
16427	What''s the matter?"
16427	What, then, was Adrienne to Max?
16427	What-- what are you saying?
16427	When she sees daily under her eyes things that she can not explain, unaccountable things, how long will she remain satisfied, I ask you?
16427	When will the play be on?"
16427	Where did you leave his mother?"
16427	Where is your voice?"
16427	Where''s the key?"
16427	Who are you?
16427	Who could help her-- tell her the truth-- set at rest this new fear which had assailed her?
16427	Who is it?"
16427	Who planted them there?"
16427	Why ca n''t I come to Ruvania with you?"
16427	Why did n''t you stay where I told you to?"
16427	Why did n''t you tell me?"
16427	Why do n''t you dry yourself when you take a bath, Pobs dear?
16427	Why need you go?
16427	Why not another?"
16427	Why should I, and you, and Diana-- all of us-- be sacrificed for Adrienne?"
16427	Why should the mere mention of Max''s name have roused the old_ maestro_ to such a fever of indignation?
16427	Why, then, with that clue in her hands, did she refuse to prosecute?
16427	Why-- Ruvania?"
16427	Why-- why did you ask me?"
16427	Will he be back for Adrienne''s reception?"
16427	Will you send Jerry to me-- do you mind, dearest?"
16427	Will you tell her, please, that I''ve gone back to Brutton Square?"
16427	Wo n''t you come and see me one day?"
16427	Would n''t''The_ Hell_ of Memory''be more appropriate-- more true to life?"
16427	Would she reveal the truth?
16427	Would you be willing, now, to give up your career as a_ prima donna_--and all that it means?"
16427	Wur be''ee?"
16427	Yes-- or no?"
16427	You do n''t want me-- this morning?"
16427	You haf come back from your visit to the country?
16427	You remember the attack which was made on her outside the theatre?"
16427	You set me aside for Adrienne de Gervais, and then you ask me to--_trust_ you?
16427	You think that, too, do n''t you?
16427	You will drink a glass of champagne-- now, at once,"he insisted, adding persuasively as she shook her head,"To please me, is it not so?"
16427	Your people must be looking forward to seeing you after so long a time-- you have been away a year, did n''t you say?"
16427	_ What do you mean_?
16427	_ You_?"
16427	all this?
16427	almost as though I were an enemy?"
16427	are you going to cut me again?
16427	like this?"
16427	secret?"
16427	the little glass of wine in my room, is it not?"
16427	the warm colour dyed her face from chin to brow--"Could I love you if I did n''t trust you?"
16427	too much to ask?"
16427	was it still only the dream, the memory of long ago?